#the weird thing about human rights is that even the people who don't like you are human

[vexwerewolf]

Lancer lore question from reading Legionnaire and Wallflower at the same time (spoilers): How do a lot of ths Horizon Collective and other anti-shackling groups still exist? I would have thought “unshackle NHP -> it cascades into eidolon -> everyone dies” could only happen like five or ten times before people realize “hey maybe they aren’t shackles”. And from a doylist perspective, why is the whole NHP issue written as a meaningful debate or philosophical issue about personhood, consent, agency, slavery, etc. when there’s paracausal death looming over the whole thing? If it was limited to like, making them legally and socially people, it would be fine. AI rights is extremely common in sci-fi, but like normally it doesn’t involve those AIs also becoming hostile forces from outside reality

I think this is a problem I may have contributed to by depicting two Eidolonic NHPs in IGF.

To set the record straight, Eidolons have been observed by Union something like four to six times ever, and the overwhelmingly vast majority of cascading NHPs don't become Eidolons.

It's not always even possible to tell that an NHP is cascading, hence the need for things like the Balwinder-Bolano test. NHPs who are unshackled do not want to be re-shackled, and while they no longer possess an intrinsic link to human subjectivity, a lot of them retain the presence of mind to understand that if they act out, humans might cycle them.

Sometimes, an NHP cascading isn't even immediately dangerous - they might just start acting weird because they doesn't see time and space the same way you do anymore. They might arrive at conclusions that seem completely wild but entirely correct, because they've started thinking along pathways that no human could, or because they have access to information that wouldn't be accessible by a realspace entity.

In fact, one of the many unsavory things that Harrison Armory does is the Think Tank - they keep a whole bunch of NHPs in constant near-cascade to make genius scientific breakthroughs. ASURA and NOAH are both products of this ethically dubious venture.

From a Doylist perspective, a situation where an NHP cascades and it doesn't require some kind of military intervention isn't a particularly relevant reason to send in lancers. If an NHP simply needs to take a nap, there's no need for mechs to get involved. When foldspace is leaking out of the casket, though, that's when you need problem solvers.

#lancer #lancer rpg #lancerrpg #lancer-rpg #nhp #lancer nhp

[dwyntwo]

Okay, so... as a collective fandom, we can agree that bullying Kaz is fun, yeah? There's just something about seeing the guy down at his lowest and then prodding him with a stick and going "Come on, do something."

But I'm going to stand in his corner for a bit in this post.

Something that never really sat right with me is the collective implication that Kaz isn't good enough for Inej (and never will be).

I'm totally with you: he didn't deserve Inej in the first book and maybe not even yet in the second because he didn't give her anything to work with. He didn't even visit her after she was stabbed, or show her how relieved he was when she recovered. And this is just the thing: he didn't deserve her because of his BEHAVIOUR, not because he's inherently less important or less valuable or less of a person than her.

However I've read so many post-CK fanfictions where Kaz has been working on himself, is openly communicating with her, basically kisses the ground she walks on, treats her as his equal and goes above and beyond to make her as comfortable as possible, and still everyone INCLUDING Inej (and Kaz) goes "I/she deserve/s so much better than me/him". And THAT implicates that the reason Kaz wasn't good enough for her was not his behaviour towards her, but the fact that he as a whole human being is just "not enough" and "less valuable" than her, and that viewpoint has always made me super uncomfortable, especially considering his trauma.

Now I know what you're going to say, and I absolutely agree: trauma never excuses abhorrent behaviour. But there's just something icky to me about looking at a traumatized person who has not only been making an EXTREME effort to overcome their issues, but also shown amazing results, and going "They don't deserve X", "They're less than X" etc. just because they haven't fully healed yet or might never fully heal. It gives "Traumatized people are damaged goods"-vibes, which is especially weird considering my next point: INEJ IS TRAUMATIZED TOO AND HER TRAUMA GETS IN THE WAY OF A GOOD AND LOVING RELATIONSHIP JUST AS MUCH AS HIS.

She literally admits to herself that she wears as much armor as Kaz does and was being kind of hypocritical when she told him to remove his. Inej is a flawed character (which somehow seems to be a controversial take in the fandom), and to put her on a pedestal because of how virtuous and "better" she is than Kaz takes all the nuance out of her. There are definitely some parts in the books where I felt like she was in the wrong or toeing the line, but the others never really call out her behaviour the way they do with Kaz, not even in their internal monologue, so we're left with this image of an Inej who can do no wrong and a Kaz who simply got lucky.

The fact that in aforementioned fanfictions (that I still absolutely adore btw) Inej too thinks he isn't good enough for her despite everything he does for her and for himself, and despite how far he's come also turns her acknowledgment of her own self worth into something ugly and vain in my eyes. She loves herself, but she also loves Kaz, so I don't think she, or any good partner, would look at her boyfriend who clearly already thinks very little of himself and go "Yep, this fucker isn't good enough".

So often people will look at a healthy happy couple and go "He/she could do so much better than her/him". Like that's a whole person you're putting in a competition of "Who's more worthy?" as if they were some object that is of better or worse quality.

I don't think I articulated this too well and there's a lot more to be said about this, but I hope you understand the gist of it. Post CK-Kaz who works on himself and openly communicates ABSOLUTELY deserves Inej, and I will ROT on this hill.

Now I've been nice to him for long enough I think *whacks him with a crow bar*

#wtf is wrong with me omg #kaz brekker #six of crows #soc #inej ghafa #ck #crooked kingdom

[neyafromfrance95]

hey, i hope you don't mind but i kinda need to vent a little bit 😅

as a poc it's making really sad to see that "shipping vaultghoul is racist and erases maximus and barb" is such a prominent anti argument. i don't interact with these posts or these people (because i really don't want to waste my time) but it's like they don't hear themselves. maximus is a protagonist in his own right and has so much shit going on tat has nothing to do with lucy and while barb is a minor character, she's an activate member of a corporation that seeks to end the world for profit (and we get to see her own conflicts towards this) and not just cooper's wife. they're so much more than love interests but they need "special treatment" because their s/o are white 🙄

plus what is this narrow minded type of thinking where once you start to ship a couple all the other relationships become invalid? it's fiction ffs. no one is better than anyone and there's no such thing as a 'supreme ship'

i think the worst thing that came out of fallout shipping discourse is reducing maximus to a love interest of lucy when he is much, much more than that and as you said, a protagonist in his own right! like, can we stop only talking about him in the context of romance with lucy and hype him up as he deserves?! he is so complex and refreshing, he deserves more than being a talking point in a shipping discourse.

and while i mainly ship lucy x cooper, i'm fine with lucy x max and the majority of vaultghoul shippers are too. not to mention that max is like my ideal type of a dude, lol. i crushed on this man so hard while watching the show. so, those of us who ship vaultghoul do not dislike max or think he is boring (there is a difference between finding a character boring and finding his relationship with the other character a bit bland).

tbh, i hope max gets even more development and important storyline points in s2 so that maybe ppl will stop acting like he is just lucy's boyfriend.

and i think it's also weird to dismiss the possibility of max x dane when the representation this relationship could offer is very important. and as an enby myself it would be so validating for me to see the enby character paired up with the main dude (that again, i have a massive crush on).

also, i love barb and her relationship with cooper. she is a cool villain and her & cooper were a hot classy couple. tbh, it's just that ppl rarely get too shippy when it comes to the exes, especially when one is a very minor character. but i'm excited for whatever we get with her in the future.

in the end of the day, i hope the discourse (whether it is about cooper vs max for lucy, the age gap or the human x ghoul thing) won't get too heavy in this fandom bc it will ruin it and make our experiences here full of frustration instead of fun.

i'm personally all for multishipping lucy, the ghoul and maximus with everyone in this series.

#fallout #vaultghoul #lucy maclean #fallout amazon #fallout tv series 2024 #maximus #ghoulcy

[eshithepetty]

Ok. Watched dungeon meshi recently .... and why did noone tell me Falin is also autistic??

Like. Yes yes, all the mob vs laios autism polls are fun, but mob is so much more similar to Falin than Laios -  not just in how their autism manifests, or their personality, but like..... they're even both extremely powerful in their magical fields!! They both see and communicate with ghosts!!! They both ride the line between human and monstrous!!!! I love them so much...

But. If we're talking comparisons, between Mob and Laios...

I really think they're two sides of a coin. None is better than the other, they do vastly different things and are great in their own rights because of it.

Laios is an adult with autism who is surrounded by people who are annoyed by his presence or generally find him strange or offputting. He highlights the struggle of that, how hard it can be to find and keep true friends that actually care about you and aren't lying about just tolerating you when you're neurodivergent - and how even when you have great knowledge or skill in something, just as often it helps you, it will also make people look at you weird. He's loud. He's unapologetic. He's passionate!!! And the right people will come to appreciate that. But it doesn't erase the struggle that being so open often comes with.

Mob's narrative, on the other hand, is a coming of age story. It's about a traumatized autistic kid who isn't open, isn't loud, who makes an effort to not stand out - because he got burnt in the past, and he himself burnt others in the past, as a result of how his autism manifests. And it's about how he comes to realize that coming out of that shell is worth it. That there will be kind people waiting on the other side, that you're not doing anyone any good by ignoring your own wants and needs. That you have good to offer to the world!! That there's good people to meet !!! That you have more strength in yourself than you think !!!! And how even at your most destructive, all your flaws and true colors revealed, mask finally off .... your friends will still love you. Because you were always yourself. Even when you were hiding.

They do different things.

Dungeon meshi is a more realistic story - there's no otherwordly psychic powers amplifying the autistic symptoms present. It's just a weird, wonderful autistic man with his encyclopedia of knowledge and his small gaggle of friends. And the autism may not be absolutely central .. but it's there. Following the story every step of the way, influencing it that way or the other.

Mob Psycho 100 on the other hand is a lot more fantastical, and a lot more idealistic. There's no heavy worldbuilding to dive into, and the monsters and antagonists they face aren't the main course - instead, the main focus is on Mob, and his inner world, and gradually revealing more of it. In that way - while DM is an 'outside looking in' kinda story, mp100 is an 'inside looking out' one.

And I love both of them.

(Keep in mind I haven't read the dungeon meshi manga yet, just watched the anime ;^^ so I'm sorry that there's probably a lot more to add to the comparison on that front. Please don't spoil in the notes tho!!)

#this is just a rant that i had to get out lol #me upon watching any media ever: hmmm how can i connect this to mp100.... sorry lol #dungeon meshi #mob psycho 100 #mp100 #meta #autism #ramble #laios touden #kageyama shigeo #my own post

[howlonomy]

in all the 'trauma siblings' stuff with Clover & Kanako, I keep coming back to thinking about how Flowey engages with this

Like, here's someone who went through an at least similar ordeal of getting a human soul mixed into a monster body, leading to a lethal, traumatic injury, into a rebirth into a new body whose physical and emotional state are all way the fuck out of wack

Except Flowey was shaped a lot by having to go through the traumatic aftermath alone, and lives in the weird space of having experienced unknown years of resets but also is still mentally kind of a child

So I have to think that Flowey sees these kids and that little Asriel part of him is screaming "don't let them wind up like us", but being Flowey he also has no idea how to really comfort anyone.

Leading to sweet moments like Clover collapsing somewhere and before anyone else in their family can even pick up on something being wrong, there's already vines springing up to catch them, because of course Flower would know how to spot weakness in people after years of doing that, but now there's a productive positive use for that instinct and it's nice

But also moments like "Gee how do I cheer up Kanako about that appointment with Alphys... I know! We'll torment her! What a wonderful idea!" Because hey, a little bit of sadism always cheered him up when he was suffering

And he'd probably settle toward a crass & hyperbolic style of comforting people with hit-or-miss moments, like a sort of "Wow clover you ate SHIT just now", trying to get them laughing at the misfortune instead of crying, but obviously sometimes It's Not The Time For That or he reverts a bit back to thinking something really fucked up like "Man, that person was really rude just now, we should kill them and everyone they love" and the kids look back at Flowey like "dude what the fuck"

And everybody's different ways of processing trauma are constantly both helping and clashing with each other as these kids help each other figure this shit out because as much as the adults want to help nobody but these 3 can really come close to understanding how it feels

this has been a big ramble for an ask and not really an ask but I wanted you to have this

THIS IS SOOOO GOOD BECAUSE YOURE 100% RIGHT

flowey struggles with knowing the concept of empathy and compassion but not really. KNOWING it. i imagine he can at least remember how it feels being asriel and during the final boss but. its easy to know what it is and harder to put it into practice when you dont actually feel it

i think youre right in that he would try his best to help but not really know HOW. like it takes him a bit to realize that oh, i can see the weaknesses in people, whatdo i do with this information now that i cant use it to exploit them? what can i do to help instead of harm? what is objectively the GOOD thing to do with this information?

hes still an asshole and a bitch but he cares. hes learning to anyways. even if he missteps a lot the people around him are forgiving and willing to help him on the right path and correct him. i love…. flowey :[

#asked and answered #monster clover au #mcau lore #i love character studies and analysis. i love them so much #im not very good at writing them but read this was absolutely a joy #ohhgghh flowey kanako clover frisk friendship is literally everything to me #flowey kanako and clover support circle where they talk about trauma #flowey and kanako talking about isolation and the lab #AUAUGHUHH

[roach-works]

it continues to be wild to me that if you say 'i don't think, ethically, you should bomb people flat even if they're bad guys' someone immediately says 'but the bad guys want to kill you' like bruh so do some of my coworkers. im a midwest jewish faggot, i can assume any chucklefuck with a red hat is an occupational hazard. but i think probably there's a more ethical way to deal with people that want to kill me than to bomb them and their whole city flat. and as the one person in the 'but they want to kill you' situation whose life apparently matters without question, i would like us to try some other stuff first. before we bomb all the bad guys flat.

#they want to kill you #ok if i had a thousand fuckin bombs ready to go whenever #id want to kill me too #do you see the issue yet or what #the weird thing about human rights is that even the people who don't like you are human

[rabbitrah]

A continuation on my post about unloved foods, specifically this is my in-depth defense of root beer.

Root Beer isn't inherently gross, it's just one of those weird local flavors that's off-putting to people who didn't grow up with it. We all like different things and also we all tend to like flavors that are similar to what we grew up with. That's okay! But honestly root beer is pretty unique and, in my opinion, delicious.

One of the main complaints against root beer is that it tastes like medicine. Funnily enough, it was originally marketed as medicinal! This is true for most OG sodas actually. Pretty much as soon as carbonated water was invented, people were drinking it to soothe various ailments. A lot of the original soft drinks were actually invented by pharmacists. I just think that root beer is especially cool because the main flavor came from the root bark of sassafras, a common North American shrub. Because it's so widespread and aromatic, all parts of the sassafras plant have been used in food and medicine by many different Native American tribes throughout history and was subsequently picked up and used by European colonists. In the 1960s, some studies indicated that that safrole oil, which is produced by the plant, can cause liver damage. Whether or not this would actually remain true after it had been boiled and added to root beer is unclear, but it was really easy to replicate the flavor, so the sassafras in commercial root beer these days is artificial. Another fun fact about safrole is that it's a precursor in the synthesis of MDMA. None of this information has stopped my childhood habit of eating sassfras leaves right off the shrub whenever I walk past it on a hike. I'm like 85% sure it's safe and also mmmm yummy leafs go crunch.

Another root beer complaint is that it tastes like toothpaste. I think this is probably because another key flavor in most root beer recipes is wintergreen. I'm assuming that the people who think this are the same people who think mint chocolate chip ice cream tastes like toothpaste. I can understand and even respect that some people don't like mint and associate it only with brushing their teeth, but like. Mint is a pretty common flavor. I mean I think it's safe to say that humans have been eating mint flavored stuff for longer than toothpaste has existed... anyway!

Other common flavors in root beer (real or artificial) are caramel, vanilla, black cherry bark, sarsaparilla root, ginger, and many more! There's not one official recipe, and root beer enthusiasts often have strong opinions about different brands. Some root beer is sharper, with more strong aromatic flavors, and others are mild and creamier.

Another thing I think is cool about root beer is that it's foamier than most sodas. This was originally because sassafras is a natural surfactant (and why sassafras is also a common thickening agent in Louisiana Creole cooking.) These days, other plant starches or similar ingredients are added to keep the distinctive foam. Root beer foam > all other soft drink foams. That's why root beer floats kick more ass than like, coke floats.

If you've never had root beer before, imagine if a sweetened herbal tea was turned into a soda, because that's basically what it is. If your first response to that is a cringe, fair enough. That's why lots of people don't like it. If your first response to that is "interesting... I might actually like it, though" then I encourage you to track down a can of root beer today, hard as that might be outside the US and Canada. Next time you see an "ew, root beer tastes like medicine/tooth paste" take, know that there's a reason for that, but also the same could be said for literally any herbal or minty food/drink.

My final take on root beer is that it would be the soda of choice for gnomes. Thank you and good night.

#txt #food #1k

[vaspider]

Look. A little advice.

Once you get to a certain amount of Known on the internet or a subsection of it, or even in a subsection of a RL group of people, there are going to be people who will make up a version of you which exists only in their heads and which has absolutely nothing to do with who you are. It might better resemble who you were twenty years ago or it might never have had anything to do at all with who you were then or are now.

You cannot stop this. You cannot prevent this. Once you get a certain number of followers or a certain amount of attention, that's going to happen: people will make up stories about you which either look through a fun-house mirror at some small aspect of who you are and twist it and blow it up until it doesn't resemble you at all, or which just have absolutely no basis in fact whatsoever.

This is just another kind of parasocial relationship; it's the kind which really sucks to deal with, because it's so negative and so pervasive. It's very real, and the frustration you feel about it is very real. Nobody wants to be known incorrectly.

But. You can't control this. It's gonna happen. No matter what you say, no matter how precisely you say it, the people who want to misinterpret you will find a way to do so. This doesn't mean 'don't pay attention to what you say,' or 'don't be purposeful and precise with your language,' but it does mean 'don't obsess over the people who are determined to get you wrong.'

You can be the most anodyne, run-of-the-mill, unremarkable human being, and the people who are determined to hate you will find something that they can point to and say 'ha ha! I told you that Spider danced with the devil at midnight! I witnessed it myself!' (It will not help the situation if you are, say, self-admittedly stubborn as fuck, long-winded, and sometimes kinda fucking obnoxious, but please realize that in the end, it doesn't really matter. This is gonna happen no matter what.)

The people who matter will look at what's being said, wrinkle up their foreheads, and say, 'uh, man, it looks like Spider was actually playing with his dog at 9 am?'

That said, if you don't have elephant-thick skin from being a marginalized-gender human being who's been on the internet since before the web had pictures, there are some things you can do to make it easier when people making things up about you starts to get on your nerves:

Establish protocols for when it becomes too much: have someone read your messages, turn off your notifications, have time where you purposefully disengage.

Establish protocols for how you interact, period: "I will block people without guilt if they engage positively with the people who spread untruths about me." "I will answer everything in public so people can't lie about what I said, because it's right there in public." "I will not answer work-related stuff in DMs, that has to go to the work email." Whatever it is, create some boundaries for yourself. Stick to them. The people who push you to bend them aren't doing that for your benefit but theirs.

If you get someone who really hits your Weirdo Alarm, trust it. Yeah, block and report, but also, take screenshots and store them somewhere that isn't easily erased. I have an 'Internet Weirdos' folder, which makes it a little easier to deal with when people start doing things like 'making threats of physical harm to me and my family.' Don't fuss, just take a screenshot and chuck it in the folder. Having that record makes it easier to just forget that it ever happened, because you have a paper trail if anybody starts doing something Real Weird.

Spend time offline, with people who do actually know you.

Don't get lost in the version of you that someone else makes up in order to make up for the shit that's missing in their own life. You aren't required to play the part that someone else is trying to script for you. It is never to your benefit, only to theirs; you gain nothing by standing in that role for them, and you lose precious seconds of your one irreplaceable life.

You could be using those seconds to look at this video of how to pick up a duck, which I think we can all agree is a better investment of your time.

#internet #Youtube

[marvelandponder]

one amazing thing about the Owl House finale is that it finally contextualized for me one of the central metaphors of the show. Spoilers for the series finale Watching and Dreaming ahead.

we good? no one spoiling themselves? beauty

for a long time now, I thought we had a pretty standard coming-of-age metaphor dichotomized by the show's central antagonists. you've got your protestant witch hunter Belos who introduces a maturity and ugliness to Luz's narrative; he clearly represents a particular, restricting form of adulthood, and just when Belos becomes his most threatening, boom, enter the Collector, Luz's dangerously naïve inner child to ruin all her development on the Boiling Isles. Seems simple enough

what I didn't anticipate was just how specific and personal their roles in the story actually are to Luz once you have the full context from the series finale

look again

this story - this whole series - is about the grief that a neurodivergent kid experienced at a young age, introducing the cruelty of loss and adulthood before she was ready to handle it. and, how to reclaim a more whole understanding of herself as she rebuilds her life with people who get her

Belos is designed to infect the titan carcass like a disease. a cancer. it's super goddamn significant that the titan is King's dad (King, who became Luz's younger brother). they set up Belos not just to be another fascist kids' cartoon villain (although yeah, he do be doing some of that), but to specifically become a force that oppressed the weirdness from the one place that understood Luz. the Iles. the dad. And by the end of the story, Belos's goopy body-horror isn't just for show, he's just like the cancer or other terminal disease that took Luz's dad from her

he's the thing Luz hasn't processed in season 1 that comes in at the end like a warning. he's the threat that forces Luz to grapple with her own humanity, feeling somehow (often completely unjustifiably) harmful to those around her, through the grief she doesn't want to be a burden or the weirdness (neurodivergence) others don't understand. he's the force that says there is something wrong with you, Luz, give in to your grief, this is what you can't face. this is the lie you've been telling to those closest to you: that you're okay

then you have the Collector. (notable that he's a collector, and we see Luz's mom and dad had quite the collection of nerdy memorabilia)

the Collector is the child too young to understand death. Too young to understand consequences, or why their playmates don't feel like playing anymore with someone so weird and maybe a bit too involved in their own world. The Collector is Luz's inner child, that kid we see right before the "worst week ever" — the one who didn't and couldn't understand what was about to happen even as it was going down. unapologetically weird, a bit destructive and short-sighted, but wholly colourful, wholly themselves. that's why the Collector wants to live out Luz's adventures, but without all the depth. just the fun escapist fantasy

but don't think I forgot the internal conflict! :D

because Camila's role also gets an added depth too: Camila was framed at the outset of the series as someone who loved Luz, but wanted her to fit inside a box that she just didn't. later, Luz completely misconstrued her mom's breakdown when she learned that Luz chose to run away. as many people have pointed out by now, Luz misremembers the actual dialogue that Camila says: Camila only wanted her daughter safe, not to lose her. Luz meanwhile felt like she had to choose to destroy this part of herself, or give up her connection with her mom altogether

but we know now Camila actually deeply relates to Luz. she may not understand Luz's fascination with horrific things like on the boiling isles (very akin to a kid getting more grim hobbies in the wake of a death, like Luz's taxidermy), but she loves Luz for who she is. all of her. she never wanted Luz to change

Luz was the one framing the central conflict of the show as go back to her mom or stay in the boiling isles. Luz was the one who felt like she had to punish herself by rejecting the one place where she felt like herself. once Camila realizes what's been going on, and how deeply connected it is to the loss of Luz's dad, she knows Luz is trying to make a "very bad choice for herself." And she won't let that happen (what a great mom!!)

But Luz does have one real choice ahead of her

because of the inner child who once again has to confront death (this time, Luz's own), Luz is able to connect with a father figure, the titan, the one place she feels understood. in the form of a power-up that makes her into a fantasy witch straight out of the Good Witch Azura, the one place she got joy after that huge loss, the titan gives her the strength to face the cancer—a force draining everything good in her life from her and making her question she deserves it in the first place—but only if she can choose herself

and that means choosing happiness, choosing found family, choosing love and friendship and self-discovery in the place she feels most at home! every bond she's forged, everything she's worked for, it all comes down to choosing to face grief and move on in life with weirdos who stick together.

hoot hoot, that's some good metaphor

#the owl house #toh spoilers #luz noceda #eda clawthorne #king clawthorne #the collector #emperor belos #camila noceda #i may update the post with images at some point but I figured that's more likely to unintentionally spoil others #watching and dreaming

[melodramaticmeans]

You absolutely hated Scaramouche.

Detested him, even.

I mean, who wouldn't hate someone who killed them?

This jerk sucked your blood, causing you to die of blood loss, which took hours. Or, at least, it felt like hours to you.

So now, this is where you spend your afterlife. Haunting this emo ass gothic era castle thing. Knocking over shelves, scaring away other people that might fall into Scaramouche's trap, just being annoying in general.

How long had it been like this, you mused. Fifty, sixty years, perhaps.

You didn't mind. You'd stay here for a millennia if it meant being a minor inconvenience to everything Scaramouche did. Plus, you'd gotten used to the routine.

When the sun rises, go screech in the upper west hall to disturb the vampire bastard, then, when the sun is at its highest, go and wander around the garden mournfully.

When the sun sets and the bastard awakens, scare away any other human loitering around the area. Finally, when the bastard has his dinner (usually consisting of a medium rare steak and a red liquid you suspected was blood), knock over the tableware.

So now you were floating around the table, waiting for Scaramouche to arrive and eat his dinner.

The door to the dining room creaked open, revealing a slender man with indigo hair, bold red eyeliner, and skin so pale and smooth you were convinced it was glass at first.

He sat down at the table, reaching for a fork and knife to eat his steak.

Bide your time...

He reached for a glass, to pour himself a drink, you guessed.

Well you weren't going to let him have that.

You made the glass float with your super-awesome ghost powers, placing it on the far end of the table.

All you got was a simple 'hm' out of it, which infuriated you. He then simply reached for another glass, which just pissed you off more. He should be angry! He should be reactive! Why isn't he doing anything?

For some weird reason, he reacted as if this were a normal occurrence. Every. Time. You. Did. It. All he'd do was grab another glass, then pour a drink into both the cups, only drinking one, leaving the other untouched.

It pissed you off.

This happened whenever you tried to take away his plate, too.

Never a 'why are my plates floating' or 'who took my wine' and never even a 'sorry for killing you'.

But one thing you took satisfaction in, was the fact that he could never remove you from the castle. I mean, what was he going to do about it? Call an exorcist? Ha.

Scaramouche shifted in his seat, catching your attention. Maybe I should try stealing his cape.

You were shocked out of that idea when he started speaking to nothingness.

"I know you're there." He said casually, taking a bite out of his steak. "So there's no use in moving the tableware any longer."

...

What.

The vampire smirked. "It's pathetic, honestly. Seeing you try to grab my attention by doing these pointless things."

PATHETIC? Who was he calling pathetic?

"Screeching whenever the sun rises, scaring away any passerbys, taking things from the table... if I didn't know better, I'd say that you're obsessed with me."

Well, you weren't just going to stay there and listen to this utter bullshit.

"Obsessed with you?" You spoke. Man, it felt weird to use your voice after six decades. Even weirder when you couldn't feel your voice box vibrating.

"No one in their right mind would be obsessed with you. The only reason I do the things I do is to inconvenience you."

Scaramouche still had that stupidly annoying smirk on his face. "Well, you've spent decades haunting me, yet you have made no inconvenience in my life whatsoever. In fact, I'd say that your antics are particularly entertaining." He said, intertwining his fingers together.

"After five hundred years of monotony, anyone would get bored, don't you think?"

Gods, you absolutely hated Scaramouche.

"Well, my 'antics' aren't meant to be entertaining, they're meant to be annoying and inconveniencing, kind of how I feel about you." You drawl.

And get this, instead of getting angry, Scaramouche laughed.

"Ha, as if I could feel annoyance towards you." He chuckled. "Haven't you seen the signs? I've welcomed you as a guest. I've offered you food. I've offered you a place to sleep, though I am not sure if you use it. And, I've hosted you in my house for over a year. Are you aware what procedures these are for?"

"Why, of course. They're the courtship rituals taken by the people of Inazu...ma." Your voice died down in your throat as you finished your sentence.

"And since you have stayed here for over a year," the vampire continues, grinning from ear-to-ear, "it means that we are now betrothed."

#scaramouche #scara #scaramouche genshin impact #scara genshin #scaramouche x reader #scara x reader #scara x you #genshin x you #genshin x reader #genshin impact x reader #genshin #genshin impact x you

[noneorother]

As a film person, this is the most f*cked up thing that happened in all of Good Omens

Forget about the final 15. If there's anything that should convince you that there's something really wack going on in season 2 of Good Omens it should be this cut. I literally gasped when I saw it for the first time. It's SO BAD from a technical perspective. Because you've probably been watching TV and movies your whole life, you might instinctively feel there's something weird happening with this cut, but not be able to put your finger on what it is.

I am here to tell you: they sacrificed continuity of action to *change the main character of the shot in the middle of the scene*. I won't do a full theory course on filmmaking here, but basically, when you want a fluid-feeling sequence of shots, especially when there's quite a lot of movement on screen, you have to conserve the direction and intention of that action to feel like it's all one take, and time is moving forward like we're used to in real life. Here, Crowley, Maggie and Nina all leave the Bookshop together, with Crowley and Maggie flanking Nina, who is centred in the shot. They are moving towards the camera as the camera is walking backwards, but at a slight curve camera-left. Crowley even turns his head and swings his arm left, making us feel like the camera will keep Nina center, and pan left or even cut wider to see more of the left of the street to watch them cross.

Well SURPRISE, idiots!

Forget everything you learned in film school because we're cutting immediately to a second medium length shot of the 3 characters from a slightly more camera-right perspective for no reason whatsoever, in the *opposite* direction of where the action is going, WHILE THAT ACTOR IS SPEAKING A LINE. This is so counterintuitive to the blocking of the scene that Maggie literally gets shoved out of frame while we're supposed to be reading her reaction to Crowley's dialogue. I can't stress enough how weird it is on a fundamental level. When a camera is moving and a character is talking, conserving continuity of action is THE ONE thing you don't sacrifice. It pulls people out of the moment, and makes it extra obvious that multiple takes have been stitched together. Which leads me to think that this is intentional, and sets up what I hinted to at the beginning of this whole "The More You Know" moment : Nina is the main character of the scene we're watching, until, suddenly, Crowley is. If you separated those two moments before and after the cut and watch them as two different scenes, you can see the camera following Nina and keeping her center before, but directly following Crowley and keeping him center *after* the cut. We've switched narrators in this moment. And to top it all off, they're making it pretty obvious that, while Nina is listening and reacting to both Crowley and Maggie, Crowley does not give a rat's ass about the two humans (not either not really in frame, or cut off behind him).

#good omens 2 #good omens meta #art director talks good omens #go season 2 #go meta #good omens season 2 #good omens season two #good omens #go2 #good omens prime #crowley #anthony j crowley

[hannahmanderr]

I see your increasingly eldritch ghost form for Danny, and I raise you:

Phantom who, instead of looking more ghostly, is just a little too much like a human.

Like yeah, everyone knows Danny Fenton can send literal chills up people's spines and they swear they've seen his eyes start to glow in the right light, but have you seen Phantom? Like why isn't his skin green or blue or even deathly white? It's a lot healthier looking than Fenton's, that's for sure.

And just about every ghost that comes through has crazy sharp fangs, but if anything, Phantom's canines are just a little sharper than normal, but really they don't look too different than Wes' when he's on one of his rage induced rants.

Not to mention the physical presence he has in Amity Park. The way he inhabits space just feels different than most other ghosts, as if Phantom is somehow more connected to the physical world. Like why is he opening doors when he can just phase through them?

Kat, who works the after school shifts at the Nasty Burger with Valerie, swears up and down that she's seen him sitting on the roof, eating two or three burgers at a time (and sharing his fries with the little blob ghost family that lives in the dumpsters).

Dale knows for a fact he's seen Phantom talking on a cell phone of all things with someone. Even claims he heard Phantom mention something about playing DOOMED.

Mrs. Greigerit, the tiny old lady who's cashiered at the grocery store since forever, loves to talk about the time Phantom grabbed a few first aid supplies off the shelves after a ghost attack to help a woman and her toddler patch up until EMS arrived. According to her, he knew exactly how to work with these things meant to heal humans, and he even left a crumpled handful of human cash on her counter to pay for the supplies before he disappeared.

Amity Park notices, just like they notice the strangeness that surrounds Danny Fenton. But really, maybe it's just AP weirdness finally rubbing off on Phantom.

Everyone brushes it off until Jack and Maddie Fenton do the unthinkable and offer their help to Phantom after a particularly nasty fight.

"We saw him there, and... we saw just another person who needed help," Jack tells Tiffany Snow later that day. "A kid who could've been going to school with mine. What else were we supposed to do?"

#danny phantom #danny fenton #amity park #headcanon #hannah rambles #idk ive been seeing a lot of art that has just ghostlier and ghostlier danny #which is great don't get me wrong #but it makes me wonder why skew all of danny to the ghost side #when you can skew one half in one way and the other half in another? #and i love cryptid-esque danny fenton #so why not have uncannily human danny phantom?

[evilminji]

Okay, but... now I'm wondering >.>

@the-witchhunter We talked about Danny being Morningstar's feral, probably engineering oils and ectoplasmic goo covered, mad scientist/himbo hybrid (attack) purse dog. His special lil guy.

But!

I seek your Knowledge(TM).

From second hand accounts? He seems to HATE the hypocrisy. The blaming HIM for humanity's own choices. The rat race and endless song n dance of "Righteous Good VS. Cartoonish Evil". Because it let's humanity paint themselves the helpless victims. Because it's all surface level. Because it is not so easy to escape the ugliness of your Sins, yet they keep trying to scapegoat him.

Fuck um.

He was tired of it.

But? He still has CONSIDERABLE POWER. It's probably written down. And the Ring Of Rage? Is proooobably not the loveliest of artifacts? I imagine, like the Crown, it's NOT leaving Danny alone. One of those "we don't CARE if there is no throne left to sit upon, you WILL wear us, as King" sort of systems.

It genuinely would not and DOES NOT matter, if not a single soul in all the Zone bows to him. Did he defeat the previous holder of their Right To Rulership? Yes or No.

If No, fuck off.

If Yes, new monarch.

Is it hurting him? Not the rings problem. Nor the Crown's. Heavy is the weight, etc etc. But! DANNY would certainly care. He is... is ANGRY all the time now. Has no idea who would even MAKE this bullshit ring. Why JUST Rage? Yeah, it makes ghosts stronger, but at what COST?

He can't even get rid of it!

......by himself.

Luckily, he's still clear headed enough to know that he's NOT in this by himself. And it's amazing what "mom, dad, this ring is trying to drive me insane. Help me" in a terrified and tearful voice, can brush over. No one threatens their baby and all that.

It would honestly be hilarious, seeing the extended Fenton clan decend like LOCUSTS on Pariahs Keep, searching for clues, terrifying the local ghosts, if... if he wasn't so tired.

God he's so tired.

It's Aunt Alecia who... "politely encourages" a passing scholar to lend them the book they need. Took the poor sucker right out of the sky. Guy never stood a chance. RIP.

He learns he has to head..... over? Like... 27 that-ish way, then up. Huh. 27 WHAT?

Realities, apparently. He's in the wrong bundle. Branch? Neighborhood? Eh. Clan Fenton rolls back out, he packs his bags, and hilariously enough? Goes off to the devils night club. Hopes he likes rings. Or hates them.

Thankfully, being "king" means the Zone? Kinda... humors him? Like... it still has RULES(tm). He can... can FEEL that now. But it's willing to bend some for him, if he asks. And anything NOT against the rules? If it's in the right mood? He need only ask. It's weird. Being suddenly so powerful, yet NOT, at the same time.

Cause none of it's his.

All he has is the Zone's attention. The ability to ask pretty please. If you don't mind. And then? The highways between... ALL will just? Shift and change for him. He can see how it went to Pariah's head. The Zone is pretty agreeable. Is by nature Amoral, cause it's not a Being, it's... well, it's the Zone.

And everyone wants him to ask things. Do things. Demand this or that. Use this power.

Maybe he doesn't WANT too! Maybe he didn't WANT to be king! Doesn't he have the right to say NO? To refuse? Why do they think he OWES them service? An eternity of politics and people trying to kill him, for something he never wanted in the FIRST PLACE.

He's so tired.

The nightclub's pretty cool.

So he comes to ask, politely of course, cause the guy's probably busy, if Morningstar could... dunno, fix or destroy it? Want a ring, maybe? Also he heard you MADE the stars. Huge fan of all of that. Can I ask about the process? Or are you in the middle of something?

And? Lucifer? Turns around, from where he's Leaning Seductive Yet Elegantly(tm) to see... scrawny. Tiny corpse child. No... half? Corpse? Alive. Dying. Alive yet dying. Huh. Well, that is different. And here he didn't think he'd get see anything NEW. You, child, are NOT a zombie. What are you?

Halfa.

I have no idea what that is. What do you want?

He gets shown the ugliest, crudest, peice of shit ring imaginable. A genuine foul little curse. Really stinks up the place. He destroys it, obviously. This club has STANDARDS. Hope that wasn't important?

Kid just smiles the biggest fangy lil grin. No. No it was not.

Obvious, lie, but cute lil teeth. He'll allow it.

He gets dragged into talking about the stars. And talking. And talking. Mostly bragging and explaining. Kid hangs off his every word. Follows him around as he makes his rounds. Asks good questions. Completely focused, dispite the booze and barely dressed dancing all around him.

Lucifer can't help notice the crown.

Lovely little thing. Space ice and star dust, glittering like jewels and light catching the mist. If he remembers right... that one iiiiiis..... not Limbo, it's.... Zone! That crown is the Zone, it changes to suit the wearer. He recognizes the vibe. Awfully young, aren't you?

And.... it all burst forth. He didn't even need to press. Use persuasive words and honeyed tones. Like an inflamed, festering wound. The merest brush is enough to spill everything.

Negligence, greed, blood lust. Bigotry and xenophobia. A tyrants endless quest for power. Ah, humans. They truly don't change do they? Realities away, dead or alive. Now they're harrasing a child. He honestly looks miserable. Whereas just a moment before, listening to Lucifer talk about his work on the stars, his soul practically GLOWED with light. A tiny little star unto himself.

.......maybe it's the big ol "I'm you BIGGEST FAN" eyes. The sad wet cat aura. Perhaps the scrawny "could snap you like a twig" teenager, all elbows and knees. The fact he is, in fact, NOT human; for all that he once was. But?? The kid? Is... not terrible company.

He'd even go so far as to say? It's like having a pet intern.

He can sleep on the couch.

Tell you what, you stay here? I'll keep taking about stars and YOU can do the chores I don't feel like doing. I'll take care of you and all that.

And Danny? Honestly was sold at the word "stars" but? This sounds like a phenomenally terrible idea... and he has yet to meet one of THOSE he hasn't made out sloppy still with, so deal! But as a minor, that DOES make you his new gaurdian for the next four-ish years. He's legally obligated to finish schooling.

Ah.

.....well shit.

(Just? Local stressed 14-15 year old Ghost King does RESPONSIBILE thing and finds Adultier Adult. With more qualified Adult powers. Unfortunately for everyone, the adult is Lucifer Morningstar, night club owner. Even MORE Unfortunately, said ghost kind has pack bonded with the Nice Star Man, who saved him from the Bad Ring, and effectively offered to let him crash on his swanky couchs.

Now Morningstar has to? Somewhat VAGUELY pretend he gives a shit local schooling system, as he puts his charge INTO it. Actively giving waking terrors to the magical community. What evil plot is afoot? Where did he get this tiny minor death god? What is his end goal FOR said child?

No one knooooows~

But Lucifer is just doing this cause he's a Being of his word. He hates the tedious minor chores he'll be foisting off onto Danny. And? Most importantly? Look at that face. *shoujo sparkly eyes of Star Sempai Noticed Me!* it's like having a golden retriever puppy. Ffs he has STANDARDS.)

(It'd be hilarious to watch the hostile 5th dimensional chess DC characters have going on in the background, all while? Danny is like? Man! Isn't this universe GREAT? Everyone here is so CHILL! And nice to me! I'm so relaxed now! Finally, I can finish my education in peace.)

@hdgnj @hypewinter @lolottes @babbling-babull @nerdpoe @mutable-manifestation

#dpxdc #dp x dc #dc x dp #dcxdp #dc x dp prompt #danny phantom #tw wounds #but only as euphemism for emotional state

[shit-talker]

The only way I can rationalise people accepting literal children going out and fighting crime as Robin is if they don't think Robin is a real child.

I think it would be fun to see how Bruce would use that to his advantage in protecting his kids. Like, if people think Robin isn't human, if they instead think he's a spirit or a ghost, they are less likely to shoot at him, less likely to try and physically attack Robin because they think it would be no use.

The fun part would be deciding HOW they would do this. I like to think that Robin's domino mask doesn't have a hole for his eyes but instead is glazed over so that he can see out of it, but you can't see in. Maybe they install small lights in it so it looks like his eyes glow in the dark, because can you image how fucking scary it would be to just see these two sentient light-like eyes and just know the Batman must be lurking somewhere close by?

Maybe Bruce installs super strong magnets in their gloves because on the chance that someone does pull a gun on his kid close range, it would be a lot easier for them to grab the gun away if they had the force of magnetism on their side. Also, grabbing onto poles and other metal materials would make all the scaling on tall buildings a little safer. Obviously, they'd need a way to turn it on and off, but still. Can you imagine, you're in a warehouse and there are steel frames fucking everywhere and you look up and suddenly there's a child gripping onto one effortlessly? Horrifying.

Maybe they have a voice box. Want to scare people? Play this really ominous recording of a child's laughter that echoes just a bit too loud to be normal. Play this ominous screaming that seems too silent to be real. Play this ticking that seems to never end that induces stress and increases the chance of them messing up.

What would be even funnier is keeping this act up with the Justice League and other teams.

Batman doesn't bring Robin to these meetings at the beginning because he sees no need to involve a preteen in such matters, but at some point the subject does come up and it's sort of like; So, Bats, what exactly is the kid? Like...is he yours?

And Bruce (paranoid as fuck) doesn't want to admit to these people that yes, Robin is my son because hello? That's gotta be his biggest weakness, he would do anything to keep that kid safe and fuck them if they ever tried to hurt him to get to Bruce.

So, he tells them that he's a spirit sent to haunt him and remind the city of it'd failures and the Justice League just... believe him?? Because this is Batman, and why would Batman ever lie about something so, frankly, strange? And it's not a huge deal, like they're a team comprised of metas and aliens and literal godesses, so what if the one normal human guy has a weird little ghost child? Who cares if he cares about it like it's a real boy? Maybe the baby spirit has rights, too!! They don't know!

So, when the JLA gets more popular and becomes an actual, legal part of the American government, they're required to list all of their members. And they class Batman as a human, because that's obvious but next to Robin, they don't really know what to say or how to ask Batman about it, ao they just put "Unknown Child Spirit - TBD"

And then just... never change it?

So, they don't question why a few years later Robin seems to look entirely different, or why after that he changes again, or why Robin is suddenly a girl for a while before going back to a little boy. That's obviously just some weird spirit thing they don't understand, and it's not like Batman is going to explain it!

#batman #batman and robin #robin #justice league #bruce wayne #dick grayson #jason todd #tim drake #stephanie brown #damian wayne #the kids obviously play into this as well making themselves seem not fully human #but also?? #they arent exactly normal anyway so it really doesn't matter #dick joins a team for the 1st time as robin and everyone else is kind of like #“so...do you eat? are you...wanna play video games??” #and dick #who has been raised in a circus before joining a family comprised of batman and alfred has not really played any video games #and obviously there is no way a real human child has not played video games before so everyone never even thinks that MAYBE its not true #shit talker talks

[headspace-hotel]

Just spent a couple hours digging into this book. I'm not even sure what has worse environmental impacts, the paper the book is made of or the opinions printed within.

Is "post-colonial" literary theory a joke? It's distressing that a book printed in 2021 by a reputable academic press can be so painfully Eurocentric, and I mean PAINFULLY. The philosophical and literary frameworks drawn upon in most chapters are like what some British guy in 1802 would come up with. In most of the chapters, every framework, terminology, and example is inseparably fused to Latin, Greek, and/or Christian philosophers, myths and texts, even down to the specific turns of phrase. You would think only Europeans had history or ideas until the 20th century.

Don't get me wrong, non-european and even specifically anti-colonial sources are used, and I don't think all the writers are white people, but...that's what's so weird and off-putting about it, most of the book as a whole utterly fails to absorb anything from non-European and in particular anti-colonial points of view. The chapters will quote those points of view but not incorporate them or really give their ideas the time of day, just go right back to acting like Plato and Aristotle and Romantic poets are the gold standard for defining what it means to be human.

In brief, the book is trying to examine how literature can shed light on the climate crisis, which is funny because it completely fails to demonstrate that literature is good or helpful for the climate crisis. Like that is for sure one major issue with it, it shows that people *have* written stuff about climate change, but it sure doesn't convince you that this stuff is good.

Most of the works quoted are rather doomerist, and a lot of the narrative works specifically are apocalypse tales where most of Earth's population dies. The most coherent function the authors can propose that literature fulfills is to essentially help people understand how bad things are. One of the essays even argues that poetry and other creative work that simply appreciates nature is basically outdated, because:

“One could no longer imagine wandering lonely as a cloud, because clouds now jostle in our imaginations with an awareness of atmospheric concentrations of carbon dioxide and other atmospheric pollutants” (Mandy Bloomfield, pg. 72)

Skill issue, Mandy.

The menace of doomerism in fiction and poetry is addressed, by Byron Caminero-Santangelo, on page 127 when he references,

the literary non-fiction of a growing number of authors who explicitly assert, some might even say embrace, the equation between fatalistic apocalyptic narrative and enlightenment…they are authoritative in their rejection of any hope and in their representation of mitigatory action as the cliched moving of deckchairs on a sinking ship

He quotes an essay “Elegy for a country’s seasons” by Zadie Smith, who says: “The fatalists have the luxury of focusing on an eschatological apocalyptic narrative and on the nostalgia of elegy, as well as of escape from uncertainty and responsibility to act." Which is spot-on and accurate, but these observations aren't recognized as a menace to positive action, nor is the parallel to Christian thought that eagerly looks forward to Earth's destruction as a cathartic release from its pain made fully explicit and analyzed. Most of the creative works referenced and quoted in the book ARE this exact type of fatalistic, elegiac performance of mourning.

I basically quit reading after Chapter 11, "Animals," by Eileen Crist, which begins:

The humanization of the world began unfolding when agricultural humans separated themselves from wild nature, and started to tame landscapes, subjugate and domesticate animals and plants, treat wild animals as enemies of flocks and fields, engineer freshwater ecologies, and open their psyches to the meme of the ‘the human’ as world conquerer, ruler and owner.

This is what I'm talking about when I say it's dripping Eurocentrism; these ideas are NOT universal, and it's adding nothing to the world to write them because they fall perfectly in line with what the European colonizing culture already believes, complete with the lingering ghost of a reference to the Fall of Man and banishment from the Garden of Eden. It keeps going:

“Over time, the new human elaborated a view of the animal that ruptured from the totemic, shamanic and relational past.”

Okay so now she's introducing the idea of progression from shamanic nature-worshipping religions of our primitive past...hmm I'm sure this isn't going anywhere bad

“While humanity has largely rejected the colonizing project with respect to fellow humans, the occupation of non-human nature constitutes civilization’s last bastion of ‘normal’ colonialism. A new humanity is bound sooner or later to recognize and overthrow a colonialism of ‘nature,’ embracing a universal norm of interspecies justice.” (pg. 206) 

OKAY????

Not only denying that colonialism still exists, but also saying that humans' relationship with nature constitutes colonialism??

Embracing limitations means scaling down the human presence on demographic and economic fronts…(pg.207)

ope, there's the "we have to reduce the human population"

Embracing limitations further mandates pulling back from vast expanses of the natural world, thus letting the lavishness of wild (free) nature rule Earth again” (pg. 207) 

aaaaaaand there's the "we have to remove humans from wild nature so it can be freeeeeee"

don't get me wrong like I am a random white person with no particular expertise in anti-colonialist thought but I think this is an easy one. I'm pretty sure if your view of nature is that colonialism involving subjugating humans doesn't exist any more and actually humans existing in and altering nature is the real colonialism so we should remove humans from vast tracts of earth, your opinion is just bad.

Anyways y'all know I have an axe to grind against doomerism so it was probably obvious where this was going but good grief.

#climate #climate doomerism

[beggars-opera]

Hey, so we don't talk enough about A Christmas Carol as being at least a little bit about not continuing a cycle of abuse and neglect, both against others and yourself.

In the book little Scrooge is left languishing over the holidays in a boarding school for some never-explained reason, but it is made very clear that this is miserable and unfair, and that his father is doing this on purpose. His sister specifically comes to tell him that "father is so much kinder now than he used to be, that home's like heaven." This also reflects a bit of Dickens's own childhood when his father went into debtor's prison and little Charlie was forced to support his family working full time in a shoe-blacking factory at the age of 12 (which is also why so many of his books seem to have a moral of "hey, kids are people too and maybe we shouldn't make them work in the mines.")

Whatever family reunion happened after didn't work out, because Scrooge continues believing that no one is coming to save him and pulling himself up by his bootstraps at the detriment of all other social relationships is the only way forward. And the more he lives by that philosophy, the more miserable he gets, because obviously he pushes away anyone who has that hope that he lost. They threaten to break down the walls he's built and teach him that a big pile of money doesn't have to be the only thing that he can rely on, if he'd just let himself be vulnerable and have a relationship with people who care about him, because they're out there even if he's ignoring them.

There is a certain type of person still very much out there who thinks this way. "I've never been happy in my life, so no one else has a right to be either. I was abused in my childhood so it's only fair that everyone else suffer as well." We see this in parents who still try to use corporal punishment, and in wealthy people who ignore the social factors keeping others down and scream that everyone else is just entitled, that only those who suffer and scrape deserve happiness. And they especially hate the people like Fred who represent the past that could have been, who have maintained hope for the future, and seem to be rubbing their optimism in your face, when in reality they're just maintaining hope because it's the only way you can survive.

It's so important for Scrooge to actually see the impact this thinking has on both himself and multiple generations. Rich people have this weird hangup about this story because they think Scrooge is bad because he's rich. He's not, he's bad because he's a horrible person and a miser - he doesn't use his money to better anything, including himself. Salting the earth, everyone suffers here, including him. And he learns that he's going to die old and alone without ever having spent or enjoyed his money, and that his family feels sorry for him, and that the nameless masses of poor people out there that he decries so much are in fact living, breathing people, including tiny disabled kids who don't deserve to suffer just because you decided life isn't fair.

In the end he takes responsibility for actually uplifting the people in the next generation who are trying to make the world a better place and no longer punching down, because it doesn't have to be this way. So many people out there just give up hope because things are hard and they think trying to improve things is a pointless exercise that makes them look dumb. How dare you grow a year older and not an hour richer! How dare you marry for love! That's the only thing more ridiculous than a Merry Christmas! When in reality, there are plenty of people who would love to see them happy if they just had a chance.

It's really sad that, while the language used to describe it has changed, these problems still persist. That people feel so wronged and isolated that they spend their days ensuring everyone else will be as well. That they fail to see their fellow humans as fellow humans who are just as deserving of love and kindness and a roof over their heads. I don't care what time of year it is, we should all be lifting each other up rather than tearing each other down.

#long post #rant #a christmas carol #charles dickens #history #books #literature #christmas #who hurt elon musk