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corinneecrivaine · 11 months

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Queer romance Willow

I thought Disney was different from all the other distributors in the film industry. But I was wrong. It isn't.

The Disney Firm claims to be in favor of wokism by bringing to life a mermaid of color or a Tinkerbell, but I don't think it's in favor of queer characters in their stories. It's as if Bob Iger wanted to remove the entire Willow series as if it never existed.

I've read a lot of posts on various social networking sites from people in the queer community who are hurt by this terrible decision by the Disney Company. All these people feel betrayed, abandoned, always having to fight to assert their value and existence.

I'm a part of a community of which we're only 5% of the population, and the difference, the suffering linked to difference, I experience on a daily basis.

We're in the 21st century and the fight is far from over.

For once, a story featuring a queer romance as the main character could be considered a step forward, but no, Disney is going backwards. Up until now, queer characters have always been secondary, either the super boy friend or the super girl friend that everyone adores, confidants, always sexualized, but never a beautiful romance like Kit and Jade's. A beautiful romance that arises naturally throughout their epic adventure.

Without any judgment of their fellow travelers, but with everyone's acceptance.

It is this beautiful romance that is the strength of these 2 characters. Many people found themselves in their story, many people identified with them.

Maybe the Willow series came too soon ? I don't know. But the strength of Willow is that this story has always been inclusive.

When the film came out in 1988, for the 1st time it featured a little man as the main character, alongside Val Kilmer, a renowned actor who had just finished Top Gun and was in great demand in Hollywood. Up until then, Warwick Davis had only played roles, hidden behind an uniform. Willow introduces us to this extraordinary actor who, throughout the film, must protect a baby wanted by the forces of evil in order to destroy it and put an end to a prophecy.

2022, the Willow series revives inclusivity by featuring 2 main characters in a queer romance. Lost between their feelings of friendship and love. The strength and richness of Kit and Jade in the fact that they are portrayed by 2 queer actresses, not straight actors who have to pretend or get in the way. Their interpretation was so natural that in an interview, actress Erin Kellyman explained that it was a pleasure for her to work with Ruby Cruz and that certain scenes were improvised by the 2 actresses and not scripted.

Reading all these posts on social networks, which moved me deeply, I wanted to use this article to compare the main characters to our current society and show that Willow is not just a little entertainment story, but goes far beyond it.

Willow: A brave man with a big heart, but lacking in self-confidence. All his life, he's heard people tell him he's not a great sorcerer, that he's just a farmer. Doubt crept into his mind. But if he'd believed in himself and not let all those bad words overwhelm him, he'd have reached that level of confidence. For all those who don't believe in themselves and are totally lacking in confidence. And yet Elora chose him to protect her.

Airk: Lost in his own life, with no bearings, abandoned by his father. Looking for recognition and love through all his conquests. All he wants is to know who he really is and what he's capable of in life. For all those who are searching for their path in life.

Elora: For all those filled with love and compassion who fight for justice and good in this world. A symbol of love. She sees in every human being the goodness and love that vibrates in their soul. She believes in people, in love. She's the one who will make Kit understand her true feelings for Jade.

Kit : Suffering in silence from abandonment. Who only expresses this pain through anger and spite. Because she has no other way of expressing herself. Everyone around her intentionally lies to her, hurts her and, above all, doesn't believe in her. And yet, she will show courage, strength and determination to see her mission through. She's the one who stops Boorman and Jade from killing Graydon. She's the one who encourages Elora to believe in her magic and save Graydon. She's the one who saves her brother from the Wyrm and is worthy of wearing the Kymerian cuirass. A princess who doesn't want this life imposed on her. She wants to live her own dreams, her own choices, her own life, with the person she wants by her side, and whom the protocol of royalty prevents from fully embracing her own destiny. She doesn't hesitate to leave her comfort zone and head off into the unknown. She's willing to be vulnerable in front of Jade when she confesses her feelings.

Jade: Raised on lies. Upright, obedient. Raised to be a great knight and to obey and serve the Queen. For her, this is the only way she can stay close to Kit. She doesn't hesitate to sacrifice her dream to follow Kit and always protect her at the risk of her life. She doesn't hesitate to keep her true feelings buried, even her anger. The only time she expresses her anger is when she's fighting. It's as if she keeps all her emotions locked up in a box. It took the plums of truth to finally release all her feelings, and meeting her sister to finally accept the person she really is. Talking, saying what you feel, opening up to others.

Graydon: A totally self-effacing person. Convinced he's incapable, a disgrace to his family. Belittled by a father who rejects the person he is. He too has no interest in royalty. He's an artist, someone who loves languages, literature, music and writing. But he doesn't feel like a fighter. Who falls in love with Elora but accepts the fact that she doesn't love him back. And yet he finds the courage to fight for her, even to the point of sacrificing his life. Courage is in all of one of us. Never let the words of others destroy our soul.

Boorman: A liar and grave robber who acts only in his own interests, but chosen by Madmartigan in his quest for the Kymerian cuirass. Boorman isn't as bad as he makes out. He's just a protective facade. Perhaps he's suffered in his past. He's the one who takes Jade in his arms and comforts her after she killed Ballantine. He's the one who encourages Kit to believe in her, when he gives her the Kymerian cuirass. He becomes Kit and Jade's protector, like a surrogate big brother. He'll love both and be loved in return.

This is how I see the characters in the series. This remains my personal analysis.

Everyone can find themselves in each of these characters. That's why they're endearing. That's why Willow must not cease to exist.

Each of the protagonists belongs to a different ethnic community.

The problem in this world isn't being different. The problem is the way others look at difference.

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mortallyclearwonderland · 1 month

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Top 10 Worst Polish DUBs

As I said in my previous posts about the top 10 best Polish dubbings I don't think there are any true terrible Polish dubbings where every single person is bad. But there are a few badly voiced characters. But let's start this list with one and only, the myth the legend. . .

The Lector! For some of us, it's a nostalgic part of childhood others have no idea what I'm talking about. A lector is a person who does all the characters' voices. In the past, all movies were dubbed but then the Soviets attacked, brought communism, and having a one-person dub was cheaper. Communism is gone (hopefully forever) but lectors stayed thanks to the nostalgia, many people just got used to them. Now we can choose whether we want to watch the original with subtitles, the original with lector, or dubbing. I will say this, there are movies and shows where it works and where it doesn't work. The most surprising aspect of a lector is that it's not only him/her talking but you can still hear the original audio in the background. At first, it sounds weird and it is but it has its benefits. Thanks to it you can still enjoy the original performances while understanding what's going on. It helps with learning other languages. And it's fun watching the differences between the translation and the original because they're not word for word the same. It's like watching two movies at the same time. It also gives off the feeling like you're being told a story which can be very atmospheric. As if your grandpa or dad is reading you a bedtime story, especially when the lector's voice is so beautiful, warm and nice. Movies where it works are ''Home Alone'', ''AntZ'' and ''Corpse Bride''. The worst implementation of a lector was ''My Hero Academia''. There are too many characters talking over each other and the lector can't keep up with the dialogue while maintaining his ''lector'' voice. Let's all be glad we can so many ways to watch movies.

2. ''Totally Spies'' was on the list of the top 10 best Polish dubbings, so what's it doing here? Similar to how English voice actors changed since the 6th season because the show changed channels, so did the Polish voices. And while it's quite gearing change, especially if you grew up with the original cast the new voice actors do a good job and you can get used to them.

Except for one!

Mandy. Remember how I said I hated high-pitched voices? Well her voice actress has taken it to 11! I know Mandy is supposed to be an obnoxious and annoying character but that doesn't mean her voice has to be like nails on the chalkboard! I heard the same voice actress a couple of times but not for so long and not so loud. And her laugh. . . I had to stop episodes and take breaks from watching because I couldn't listen to her anymore. The previous 5 seasons I finished in about a week. I still haven't finished the last one because I dread listening to Mandy again. And now I have to get used to the new voices again. Let's hope the new season gets the old cast back. Or they might change voices for the third time. One thing's for sure, they can't be worse than Mandy from season 6. Right?

3. Steven Universe, more precisely Peridot. Her VA sounds too old. I know Gems are supposed to be thousands of years old but from the way Peridot acts and looks she's more of a teen/young woman/older woman but not a grandma! And I hate how they didn't translate ''Homeworld''.

4. Toad from X-Men Evolution. He's voiced by Jarosław Boberek, one of the best VAs in Poland, King Julian, an icon but he just doesn't fit the character. He emotes perfectly, he's funny, and fits his personality. But that's a voice of an old man coming from a teen boy. If he was in his 20s I could believe it or even if he was drawn to look more mature like other boys, but as is, it's just awkward.

5. Like I said there aren't many bad Polish dubbings (in my opinion), so from now on I will list problems and mistakes which happens in almost every dubbing but are still annoying. This one occurs mostly when translating but it can also happen in the original. I call it ''different episode, different voice''. It usually refers to the background characters. Their roles are so small that they don't have one VA but just any random person who was in the studio and had time to say one or two lines. It's usually fine when watching a show on TV but when you binge-watch it you start to notice or even when you just have a good memory and know they sounded differently. Sometimes it's so bad that they change voices during the episodes. It becomes even more distracting when a seemingly small, one-off character becomes more and more prominent. It's not always the translators' fault, they can't read in creators' minds. But after some point, when a character is sure to stay and be a permanent part of the show, more consistency would've been appreciated. Some of the examples include ''Gravity Falls'' and ''The Amazing World of Gumball''.

#the amazing world of gumball #totally spies #x men evolution #steven universe #Polish dubbing #Polish #gravity falls

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interact-if · 2 years

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Day 1 of the People With Disabilities Month Featured Author Interviews! Please welcome up....Elena!

Elena, author of Apocalyptic Dream

People With Disabilities Month Featured Author

Apocalyptic Dream is a dual-MC, horror-themed otome game that takes place during a zombie outbreak in the 21st century. Follow Mikuru and Toshiro Aikyo, twins who had the misfortune of knowing what was coming.

Navigate friendships, relationships, and learn who to trust…all while trying to survive.

Can you make it through alive?

Author’s Carrd | Author’s Ko-fi | Preorder | Read more about Apocalyptic Dream [here]

Tags: Apocalypse, 18+, Otome

(INTERVIEW TRANSCRIPT UNDER THE CUT!)

Q1. So, tell us a little bit about the projects you're working on!

Currently, I'm still in early stages of development for my first Visual Novel project, Apocalyptic Dream. It's a post-apocalyptic zombie setting, with otome elements and psychological horror intertwined. It's got no real filters with language used or descriptive gore (though the artwork is pretty reeled-in), so I've rated it a (presumed) M. It has partial voice acting.

The game has two protagonists, twins Mikuru and Toshiro, and the viewpoint switches between them at predetermined intervals. There are some game mechanics that vary depending on which twin you are currently playing as, and I'm very excited for players to discover them. There are 9 love interests as well, but one can be pursued as either twin, as Mikuru and said LI are bisexual, and Mikuru has a couple wlw routes.

I am the writer, casting director, marketer, character designer, merch designer...pretty much everything except voice actor, composer, or artist. I don't have the capacity to make artwork that would make me feel happy with the vision I have for it, so I have two very wonderful artists on board instead, and will add some in the future for custom BGs.

I admit it's ridiculously ambitious for my first project, currently drafted at 70k words and not even 1/5th finished. I am so grateful for everyone who has helped to fund the game and are excited for its release, it's been mindblowing for me.

Q2. What has been your favorite thing about interactive fiction as a medium? What are some of the biggest challenges?

I really enjoy when they provide truly unique branching and you get to have a totally different experience (either without or beyond a common route) depending on your choices. It's so much effort to get those done seamlessly without plot holes (something I'm sweating over a bit myself right now), and I appreciate it greatly. It makes such a wonderful playing experience, and I want to provide that for others.

It's hard sometimes to really reconcile with the protagonist's train of thought if it doesn't align with your own, so I'd consider that a bit of a challenge. I'm someone who really hates playing as very bratty characters, or someone who just trips on thin air all the time and becomes a damsel in distress. However, I see IF more as just playing as someone else rather than being myself, so as long as they aren't an objectively terrible person (lol), I can shake it off when they say or think things that are a bit unsettling.

Q3. What is something you're excited to explore within your work?

I am really excited to be able to detail and follow through with all of the branches, and use them to further my writing experience. It's really amazing how so many IF game developers have kept their characters' base personalities consistent while exploring so many different paths that could affect how they respond to the protagonist, sometimes to very severe degrees.

Given the bleak setting of my game, I'm really looking forward to putting my characters through the wringer (sorry guys!) and seeing how they react to what's thrown their way while still adhering to their own moral and ethical codes. And to see someone bend or even break them after what they've gone through? It's difficult to write that correctly, and I'm excited for the challenge.

Q4. Has your disability influenced your work? Whether it's worldbuilding, the design, the process, and positive or negative--what is your advice in working with your disability and being creative?

Absolutely. It's unfortunate, but it just is what it is. I have chronic illnesses that absolutely sap my energy on any given day (endometriosis, fibromyalgia, chronic fatigue syndrome, PMDD, major depression, and more), and add ADHD to the mix, and it's nearly impossible to get myself motivated. I spend most of my days making mental notes of the plot progression and script it in my head, without actually getting it down in writing lol. It's very frustrating dealing with executive dysfunction, and spending most of my waking hours in bed.

I also have a small business, Midnight Springs, which is now nearly 7 years old. Juggling the merch design and production for that along with the game has been beyond challenging with how tired and sore I always am, but to lessen some of the load I've been phasing out any new artwork that has no ties to the game and its characters for a while now. I am doing my best to manage all aspects while still chugging along with the scripting and outsourcing direction (art and VA), which is admittedly overwhelming, but everyone in staff and the Kickstarter backers has been really understanding and great about it.

I don't mean to minimize how difficult this is, it's rough. It's often so insurmountable-feeling that I just get stuck for days. But the love for my characters, all of whom I originally penned a decade ago, and the positive (and sometimes very emotional) feedback I have had from my close friends and fiancé proofreading my rough drafts before they are edited has been so incredibly encouraging. It makes me truly excited to keep going, even during the (often very extreme) lows.

Q5. What's an accessibility issue you see glazed over a lot in IF? and what accessibility features would you like to see implemented more in IF?

I think a lot of people don't really understand that reading speed varies between others. This can go both ways, with auto being defaulted at too slow and not being able to adjust it, or too fast. It sucks to have to refer back to a log repeatedly, and I've played some VN apps where the log was actually COMPLETELY borked, and all the scripting for all the branches were just all lumped together out of order, and it was like reading something out of a horror script. I have arthritis and carpal tunnel, and I'm sure a lot of other people have reasons to not want to button-mash their way through a game and would want to avoid repetitive strain injuries. IF should hardly be physically demanding to play through, so this shouldn't be as big of an issue as it is.

Another is definitely quick time events. I am actually a very quick reader, but whenever I am put on the spot I get really anxious, lol. But then take into account that sometimes people aren't able to read through the full set of options before time runs out, and they haven't been able to weigh them in their mind yet to make an educated decision. Thankfully, adjustable quicktime speed has been implemented a lot more recently.

One thing I saw suggested in an accessibility panel in a virtual VN event I was an audience to and hadn't really thought of was a dyslexia-friendly font option, so I will be implementing that as well. Inverted controls are another thing that I only really see offered in RPGs or fighters, but not often in IF.

Q6. What is something you'd love to see in interactive fiction?

I would really appreciate if devs who have no idea how to approach mental health issues would just...not, or consult someone who does. I've quit at least one IF game because the protagonist says some really damaging, narcissistic things to characters suffering from depression or other MI. They may not be real, but the players are, and if any of us have the same conditions we are used to hearing that more than enough already.

I'd also love if more protagonists were voiced (in games that otherwise have voice acting already), instead of being nearly entirely a blank slate. If a character is given a name you choose as the player, and they aren't voiced, and have no face in CGs, then it can be super jarring if they say something you don't like. After all, they're supposed to be a Mary Sue at that point, right? So I'd love to see more devs commit to having their protags just straight up be their own fully fleshed-out people.

Q7. Any advice to give to aspiring devs?

Believe in yourself! This is hard, and sometimes I don't know why I decided to do this. But if it's something you want, reach for it and don't let anyone tell you that you can't. Find a community, big or small, that you can talk to - I've met some really friendly indie devs through discord servers, a couple whose games I'd actually supported on Kickstarter prior!

Also, don't read reviews once it's published (or once the demo is released). Have someone else relay constructive or happy reviews to you, do not do that yourself. Especially if you have anxiety like I do. Reviews are insanely varied and often not even a little bit productive.

Take care of yourself, pace yourself, and don't set definitive deadlines. If you are having an "off" day, do not force yourself. And good luck! (Speaking to myself a bit with these ones.)

#if: events #People With Disabilities Month 2021 #interactive fiction

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therealvinelle · 3 years

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Hi, love your metas and your fic. I think you mentioned somwhere that at the end of BD Aro was trying to prevent the fight. What were his motives? According to Edward, the Volturi are cowards, but I didn't get this feeling. Caius was begging for a battle, the guard vocally proclaimed willingness to die for the cause... hell, Jane had to be restrained from running to Bella and punching her in the throat. And I find it unlikely that their leader is less brave than them. Explain Aro's brain pls

Thank you so much! That’s really nice of you to say. And sorry for the late answer.

And explain Aro’s brain, whew. That is a very big question with a very long answer and this post will be a manifesto by the time I’m done. But you wanted Aro’s brain explained so manifesto it is.

So, before we go anywhere I have to make the distinction between Aro of the books and Aro of the movies. Those two are different people.

Starting with appearance, because casting does a lot for me and if a big deviation is made it better be like Ruth Wilson as Marisa Coulter, which is to say it better fit the character. Also, disclaimer, I think most of Twilight was miscast, and especially the Volturi. I’m forever dying at Caius looking like Lucius Malfoy. However, this is an Aro post, so we’re highlighting Aro.

Aro of the books is a twenty-something Greek with skin that has petrified and eyes covered in a milky sort of film, which totals to him looking perfect, as all vampires do, yet frail. When he walks it looks like he’s gliding. This is an otherworldly, ancient, inhuman being. He’s energetic and excitable, yes, but if anything that should add to how very other he is. Casting Michael Sheen is a clear signal that the movies were going in a completely different direction with Aro. Sheen is a great actor who played what he was given perfectly, but what he was given was a very different character.

In New Moon the book, Aro first rejects Edward request because this is Carlisle’s gifted son, and more, this is not what the Volturi do. They are not hitmen. It’s just a big no all around.

Bella enters, and the Aro she meets is a very polite and gracious man who’s delighted to see the human still alive, and pleased Carlisle’s son won’t be suicidal anymore. However, Edward fully intended to step into the sunlight in the middle of Volterra, specifically to provoke the Volturi, and he has broken the law with Bella. Further, Edward makes it clear that he fully intends to walk out of Volterra with his human still human, and that she’ll die of old age if he gets his way. Edward’s contempt of the law could not be more clear. However, Alice shows Aro that Bella’s fate is sealed, she turns or she dies. The law will be upheld. Aro is glad to hear it, and lets the Cullens all go home.

All in all, it’s a very tense occasion where Edward has put Aro in a difficult position, because he’s trying to force him to kill his best friend’s son, and Aro goes “YES THANK GOD” when Alice finally gives him an out.

New Moon of the movies was not this. Starting with the flashback (because I’m being thorough), Aro executes a lowly criminal himself. I object to that, I think that’s a menial task and Aro doing it himself made the Volturi look less regal, not more. Cut to the present day, Aro rejects Edward’s request because he doesn’t want to waste his gift. We get the whole meeting with Bella, and Aro… well I don’t know why he does any of the things he does. This guy never mentions his friendship to Carlisle, tries to kill our plucky heroes three times in the space of one minute (one, gives Felix the order to kill Bella, stopped by Edward. Two, moves to decapitate Edward, stopped by Bella. Three, he’s about to eat Bella, stopped by Alice), and when he lets them go it feels terribly convenient.

This was a guy written to be the villain of the series, and it showed.

Cut to Breaking Dawn part I’s ending scene, and while I love the song choice for the scene, and fully agree that Aro considers misspelling Carlisle’s name to be a capital offense, the scene itself… we are presented with a villainous, power-hungry megalomaniac who’s just waiting to strike against the Cullens.

We then get Breaking Dawn part II, and I haven’t seen that movie in years but I remember the fight scene well enough. Aro kills Carlisle with the biggest grin on his face, and gives the go-ahead to his Volturi to kill the surviving Cullens and their witnesses.

Contrast that with canon, where Aro’s first words to Carlisle are «Nothing would make me happier than preserving your life today». Now, he’s making it very clear that this meeting will most likely end with Carlisle’s death, but he’s not happy about it. He’s certainly not going to kill him with a smile on his face and laughter in his heart.

The movies needed a hammy villain, and that’s what Michael Sheen played. It is not who Aro is, at all. And he’s not the only character this happened to, but again, this is an Aro post so I’m not going to start raging like Don Corleone about what they did to my boys.

So, with the movies firmly expelled from the post, let’s look at the Twilight series from Aro’s point of view.

Or, rather, we’ll have to start earlier because Aro’s decisions throughout the series are pretty clearly motivated by Carlisle. And that means considering, “why is Carlisle so important, anyway?”

Consider these things: one, Aro is gifted with the power of knowing every single thought a person has ever had. He knows your soul. Two, Aro is the leader of the supernatural world, he has been for over a thousand years.

How many friends does a person with that power and in that position have?

Three, who does Aro even come into contact with?

Starting with number three, for Aro it’s going to be 1) criminals, 2) Volturi guard hopefuls, 3) Weirdos like Laurent who are wasting Aro’s time.

(“But what about the guard!” Well, while we observe close interpersonal relationships between Aro and Jane, and Aro and Renata, and one can assume Corin to be close to the wives, the distinction between Volturi coven and Volturi guard remains. The guards are servants, in some cases beloved servants, but servants nonetheless. It would be inappropriate and weird for Aro to start slumming it with Demetri and Felix)

So, Aro doesn’t get out much, which brings us to point two. The people he does meet, and who are willing to entertain a friendship with the Volturi leader, are going to be people who want something. And that might work for some rulers, Louis XIV built Versailles specifically to make his subjects do this for him, but he had something to gain politically from that. Aro does not, his power is supreme without a need to tolerate brown nosers. More, with his own and Marcus’ gifts, he’ll know right away that he’s being used for power. He would get nothing out of it.

Finally point one, Aro’s gift. Say that we have a vampire who’s not a weirdo and who thinks Aro’s a cool dude. Well, the question now is, who would ever want a person in their life who knows all there is to know about them? I wouldn't want anybody to know every thought I've ever had, I certainly would never seek out a person to know me that deeply when I could just go find normal people to be friends with instead. Not to mention how incredibly unequal such a friendship would be.

In short, I don’t think Aro has any friends.

Enter Carlisle a very amiable person who cherishes Aro for his personality, and doesn’t mind having his mind read. Aro just found a unicorn. Carlisle on his end likes Aro so much that he lives with him for decades. Even if you want to read their relationship as platonic, that’s still a very strong friendship.

Point being that Carlisle is unbelievably precious to Aro, and so very unique. Aro has lived for over three millennia, and never met anyone like this before. There won’t be another Carlisle.

This in turn makes him willing to stretch as far as he can to preserve that friendship and, as the plot thickens, keep Carlisle alive.

Fast forwards to 2006, and Aro is sitting in Volterra minding his own business when Carlisle’s son walks into town demanding his own execution. He has not committed any crimes. Not only is assisted suicide not something the Volturi even do, but this would ruin Aro’s friendship with Carlisle. Even if Carlisle was miraculously understanding of Aro killing his son (which I can’t imagine he would be), this would never leave the air between them. Carlisle could never be around him again after something like that.

So, Aro turns down Edward’s request. “Stupid Volturi man ruining my dramatic suicide, I’ll show him who’s boss!” Edward replies, and runs shirtless into the sunlight. I’m sure Aro was just dying, you had “The Sound of Silence” playing as he stared into nothingness because how is this happening to him. A whiplash of an hour later, Bella is alive again, Aro is happy, we can be done with this now, right? Right?!

No, Edward says, we cannot be done with this. He’s still refusing to turn Bella.

And so we get that whole New Moon exchange where Aro very tellingly shoves the part where Edward WALKED INTO THE SUNLIGHT IN VOLTERRA under the carpet and out of the conversation (for comparison: Irina is executed for false testimony and Bree for breaking a law she didn’t know existed), and he even allows Bella to leave human when he could easily have bitten her himself to keep the Cullens honest. This guy went out of his way to be lenient and show the Cullens good faith.

And then a few months later Irina walks into Volterra, bearing memories of what is unmistakably a Cullen immortal child.

Aro may care for Carlisle, but this is the guy who killed his baby sister so he’d still have Marcus’ gift. He will bend far, very far, for those he cares about, but he will not break. It’s duty above love, Volturi above Aro’s personal preferences. An immortal child is not an offense that can be tolerated, and so it’ll be Didyme 2: Aro Kills Someone He Loves Boogaloo.

By now I think it should be quite clear why I think Aro was trying to prevent the fight. Battle would have meant Carlisle’s certain death.

(And that’s even assuming the Volturi won the fight. With Bella there, there was a chance the Volturi wouldn’t prevail. But even before Bella started showing off, Aro was very much hoping this wouldn’t be another Didyme situation.)

#aro #volturi #carlisle cullen #twilight #twilight meta #twilight renaissance #the sad thing is that i have so much more to say about Aro #this is only the first of many posts #Anonymous #ask #i guess i also have to tag #aro/carlisle #sorry guys my terrible ship is leaking into my metas #but damnit IT'S A GOOD SHIP #long post

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gunsatthaphan · 3 years

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I have a question for you, sorry if it has been already asked but what do you think of this new trend of the same pairing of BL actors from a show being put together in another series like for exemple MaxTul, BounPrem, KimCopter…. I believe one other show together is fine and it help the show secure an audience but I am scared the pairing will start to be worn up if it’s done repetitively like KimCopter were on 4 different show as a couple. But I also believe Gmmtv did a terrible mistake by putting brightwin as straight characters in that F4 Thailand when their ship is so popular and 2gether is so recent.

hi anon!

that's a very interesting question and with so many new shows being announced recently, I've been thinking about that too.

I would say I generally like the idea of the same pairing in a new show but in my opinion it depends on 3 things: a) the actors b) the timing and c) the concept/plot.

I think in order for an actor-pairing to be believable as a couple in a second show, the actors need to kind of break out of their "initial" roles when doing another project together and I think that takes a lot of uhm.... talent lol. Like it may sound weird but imo the actors need to be good enough to not only take on new characters but also work out the (new) chemistry between said new characters. And the more popular their initial pairing, the harder it's gonna be to get away from the association.

An example would be MewGulf, who, thanks to their extreme omnipresence in the media for the last 2 years and the association with TharnType, I'm having a hard time imagining in another show together. On the other side of that would be ToruFirst, who I can totally see in another show together. They were great in YDestiny and their story was limited to 2 episodes so I think they would have no trouble portraying completely different characters.

The second aspect is timing. And I'm just speaking from my own perspective obviously but for me, if an actor-pairing chooses to do another show together, they should wait a certain amount of time or else it's weird. The first example that comes to mind is the upcoming "I Feel You Linger In The Air". There are a bunch of rumors saying KaoUp will be the leads, which I would be absolutely thrilled by - and I definitely think they could pull it off and get away from SibGene - But I think it would be too soon. LW was so big and as someone who's still very much hung up on the show and still very much emotionally invested, I would want them to wait another year or so.

The third thing is the plot. Again, only my opinion, but for me the story needs to set itself apart in certain ways from the actors' previous show(s). I'm taking KimCop as an example, whom I really adore but their roles have been pretty similar so far. And I love their shows individually but like you said, when you look at the bigger picture, it's a bit monotone. (I'm still super excited for GenY2 though!! 🥺🙈)

Another negative example is F4 Thailand because even though I'm not opposed to 2 actors portraying a different relationship in another show, but them squeezing the industry's most popular pairing in straight roles is stupid af sorry dhjfkds. And I know it's been a while since 2Gether but it's still around and probably always will be so yeah. Still too soon. And I'm not a huge fan of brightwin so I don't really care but I still think this might be gmmtv's dumbest decision yet lmao.

A far more positive example is BounPrem who have been doing a fantastic job with their recent roles imo. Their characters in Long Khong and 7 Project were interesting and very distinguished from one another. They managed to set themselves apart from WinTeam so I think they really got it right.

So as I said, to me it depends on these 3 things. And in my opinion the prime example for how it should be done is Manner of Death. MaxTul are absolutely incredible in it and they managed to break away from KornKnock 100%. Their roles and the plot were 180° different and they nailed every part of it. The timing was perfect too because enough time had passed after TWM. That's how it should be. A+ 👏🏻

Sorry this got so long but I think it's an interesting topic. I hope what I wrote makes sense lol. If you've read this far, thank you lol and let me know what you think!

xxx

#bl dramas #opinions #bounprem #kimcop #maxtul

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evakuality · 3 years

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Matteo - Episode three

Social Media - There’s so much of it this week! At the time, I only followed a couple of accounts and then only saw the rest when it was posted to the tag. I think I’m grateful for that. This is absolutely overwhelming, the sheer volume of things the characters were putting out. But it’s also really nice that we get all this normal teenage life stuff. It really does allow an immersive ‘this is real people doing real stuff’ feeling to everything. Particularly people like Kiki and Sam who have little to do with the plot. It keeps them real and alive through a season where they were a bit more sidelined (and I love that Matteo and David’s little trip later on keeps them alive in a way that doesn’t overpower Amira’s season - this is a really clever way for the producers to keep fan favourites active without having to shoehorn them into places where they don’t belong). I am also a bit concerned about some of this though - how on earth did the boys not get in trouble for filming the dancing girls and posting it to social media? At most schools I know that would have resulted in some serious discipline action. However, the most fascinating thing about the social media is the party at the end of the episode. Sara didn’t start posting much on her stuff until much later in the evening (the reason this post is so late is because I was waiting to watch through all the social media before I worked with it - and there was so much for so long that I was able to notice the patterns in it in a way I didn’t at the time) and then Leonie took over and it was interesting what she chose to show and how non-perfect it all was compared to what Sara was trying to do before she got really incapacitated. I know it’s not technically part of this episode but the text string between the two of them the next day where Sara panics over how Matteo might take seeing her in such a sloppy drunken state is very telling. She really really wants to put on a show to make sure he’s not turned off by her not being ‘perfect’ - again, this is all very subtly done but there’s a really strong push to show how much of what is put onto social media isn’t a real and true depiction of who we really are. And of course that’s most important for Matteo himself. He’s still very actively putting on a front and it’s only partly to try to cover for the fact that he’s interested in boys not girls. He’s really not happy or at ease with pretty much any aspect of himself, but he’s also not really willing to show it to anyone. Except David. Which we’ll see as we go through the clips.

Clip one - Matteo’s shelf in the fridge is so sad! Someone (a parent maybe?) should really be making sure he has food and is looking after himself. We touched a bit last episode on food and nurturing and what we see here is Matteo very much not nurturing himself. Even more so than Sara, he has no care for his own wellbeing. Also he’s relying heavily on other people (Hans in this case) to do the heavy lifting for him. It’s also a major contrast to the playful, if disgusting, sandwich he made with David. Here it’s really just about putting something in to his body and there’s no thought for anything other than basic survival. Which is, tbh, a good metaphor for Matteo’s approach to his life at this time. The chat with Mia again veers close to things that are difficult for Matteo - he’s wearing David’s beanie, trying to get that bit of closeness to him, but then Mia starts asking awkward questions about why the kitchen was so terrible and what Matteo was up to and it’s all a bit tough. Matteo tries again to deflect and lie to cover his tracks. Which... is he ever going to learn? This lying is forever getting him in hot water when he’s caught out. Jonas even calls him out on it, basically saying ‘if you’re going to use me as an excuse then give me a heads up first’ showing that he has Matteo’s back, but is incapable of helping him if he won’t help himself. At this point, of course, Matteo has closed off because there’s a lot he finds too hard to talk about but Jonas is already giving those hints that he’d be there for Matteo if only Matteo would let him be. But at least Mia’s pushing serves one purpose - Matteo makes contact with David again and they manage to connect and get over the little hitch that David’s ditching caused. Both are still hiding bits of themselves from each other (David more so obviously), but both are quite happy to make these connections and are comfortable with each other. That David responds is so nice; it sets up the dynamic so different to the original and Matteo is much more secure in David’s friendship than Isak was with Even at this point just because of this. Then of course Matteo does the gay test, and it’s clear he already knows but he’s just sort of trying to work through some things. It leads to some of the things he says later that are quite unfortunate (both to the boys about the dance teacher in this episode and to Hans later about the ways to be gay), but I think there’s a genuine desire to figure out what gay might look like rather than any truly homophobic stuff. societal expectations and stereotypes and our own internal biases mess with us big time!!

Clip two - There’s not a lot of difference with the dancing girls clip, but it’s nice to see David again and the interactions between him and Matteo are a lot more natural than with Isak and Even. I guess because these two are in the same year, it’s much easier to pass off knowing each other and so Matteo really is a lot more casual than Isak ever was. The tone of the ‘why does he have to be so gay’ is different here too - Matteo’s much more low key and subdued when he’s called out on ‘why do we insult gays’ and he’s apologising fairly quickly. It really is much more obvious that he’s trying to work out what ‘gay’ is than trying to distance himself from the idea of being gay. He has a lot of issues and a lot of stuff to work through but it’s entrenched in an entirely different way to the og even though the words are almost exactly the same. The power of acting and body language!! Of course, this makes sense for both characters too - Isak and Matteo have different experiences and different lives and so they each act in a way that makes sense for them. I’m super impressed that the same conversation can look so different - both actors are very very good.

Clip three - This scene with Matteo and Sara works much better for me than the one with Isak and Emma. But perhaps that’s because Sara is allowed to be much more of a rounded character rather than a plot device. We can say all we like (and Leonie is so clearly right there with us) that Sara needs to wake up and see how badly Matteo is treating her, but the way this is developing makes it clear why she thinks and acts the way she does and we can have a lot of sympathy for her even while rolling our eyes at how obviously this is not working out. This right here is the moment where Matteo really should have said ‘yeah sorry, this isn’t working for me’ but he chooses not to because he still wants that security of having ‘someone’ if the thing with David turns out the way he expects it to (eg, David and Leonie being a thing). He wants the ability to hide and say ‘see, there was nothing there, I have a girlfriend so I’m not at all upset that David has one too’ and it’s shitty behaviour and it’s totally unfair to Sara, but at this point Matteo can’t see beyond his own needs. Sara is very clearly not happy with the situation and she rightly feels sidelined and unappreciated but she is still willing to accept his word when she puts those words into his mouth. She’s still invested in this fantasy in her head and she is carefully scripting it so that it goes the way she wants it to. Like last week when she was talking over Matteo to avoid hearing anything he’s saying, here she’s literally telling him what to say to get the outcome she wants. Leonie has quite obviously got a better handle on the situation, but Sara doesn’t want to hear it. Sara, again bless her, is very open about what she wants and needs from a relationship and how she’s feeling. She refuses to take Matteo’s very half-hearted attempt at sweet talking her at face value and demands some accountability. But it’s the very nature of those demands that sets her doom. She tells him what she needs and he gives it to her - only it’s a very pale and weak imitation of what she would really like. He uses her communication skills to play her.

Clip four - I loathe how no-one takes Matteo’s wants and needs into account, pretty much ever. He’s in such a rut of being used to just going with the flow that even when he tries to assert his own wants people straight up ignore him. It’s sad that he allows Kiki etc to basically commandeer his home for their party but it’s very much in keeping with how everything else is going. Last week, Kiki was super irritated because she had a picture of how things were going to go (they would have their event and Matteo would host it) and she couldn’t deal with things not being under her control. I suspect that if Sara hadn’t been with them and hadn’t done the speaking for Matteo, he would have been bullied into doing what she wanted then too. He clearly doesn't want to do this , but at least he uses it as a way to get closer to David. ‘Well, this party idea sucks, but maybe I can get this guy I like there’ and so he goes right up to him and invites him. While he’s quite checked out of significant parts of his life, when Matteo really wants something he’s not scared of going after it. Of course, as we see in later events, this gets him in trouble at times. But for right now it’s nice to see him taking some small control of his life. This is only possible, of course, because he was able to connect with David fairly quickly after he left last week. The fact that they are able to do this is testament to how easily they do understand each other and even while its awkward, this relationship doesn’t have the underlying tensions that the one with Sara does. It’s awkward in a positive way.

Clip five - there’s lots going on in this one. The studying and how little interest and engagement Matteo has with it. The consequent stalking of David on Sara’s account, the flow over into looking for David’s favourite movie, and of course Hans and his intrusion into Matteo’s quiet space again and then his attempt at using grindr. It’s a slow, fairly quiet clip and yet Matteo ends up doing a lot in it. It shows again, I think, just how much he values his time by himself and how much it works for him to be allowed to do things at his own pace. I’ve said before I really enjoy seeing the characters in their own environments being chill and just hanging with themselves. It shows us a lot of how they are. In this case, Matteo moves very quickly from the boredom of the studying to things he has more interest in. Like David. He’s restless and disengaged, using all of his tricks to try to distract himself (playing with plants etc) and then very quickly giving up on what he should do. I like that we get these sorts of smaller, lower key indications of how much David means to him as well. It’s not big grandiose expressions of interest, but he watches the movie because David likes it. He can’t even let himself stare at the picture for too long because it feels like a huge admission (he literally breaks eye contact with it and looks away the way he often does with David himself). It’s in these unguarded moments in his own space that we really see Matteo and he’s a mess, but he’s a mess who really does want connection and to find meaning with someone.

Clip six - We all love this one, right? It’s such a nice moment with David and their almost-kissing is very intense. But there’s a lot going on before that that I also want to look at. First, the way the boys call Matteo a ‘player’?????? how???? That’s his girlfriend????? He is playing her and stringing her along when he shouldn’t, but he’s not playing the field which is generally what we mean when we say this sort of thing. He has one girl and that one girl has made it pretty clear that he is hers. In many ways Matteo would be better off if he was playing the field - then there’s no expectations and he gets a rep as a ladies man. But this works better for him - he can sort of fall into it and follow along with it without having to put any effort in at all. She literally speaks for him, even. I have always found it fascinating how much Matteo keeps to himself in this clip. He hugs the walls like they’re his home and Sara is out there in the middle and there’s such a disconnect between the way they’re both acting. How would Matteo have coped with the expectations Sara outlines about sex had she not got so blind drunk she had to be taken home? It seems like it would have led to something very awkward and maybe she’d have finally got the picture.

Laura's little visit to see Matteo is cute too. Obviously she knows that David is interested and so she checks him out. It’s a shame it’s interrupted by Hans who then monopolises Matteo, but she was quite deliberate in finding him and speaking with him and I love the sibling support. David’s shirt he chooses to appeal to Matteo is hilarious too. The thought process (and the discussions with Laura at home beforehand) must have been brilliant. ‘I always wear black and am mysterious and aloof and cool, but to attract this boy I will wear a white shirt with a stupid picture on it’ - that it does attract Matteo just shows how attuned David is to his future boyfriend. Maybe he’s stalking the instagrams too - the Matteo Monday and Florenzi Friday do suggest that this is something that might appeal to Matteo.

Hans and Andi bother me too. In much the same way that I dislike that Sara assumes that Matteo not wanting sex with her means he’s gay (like? It’s okay not to want sex!! It doesn’t say anything about your sexuality), I don’t like that Hans has talked about Matteo to Andi and allows him to be so forward and aggressively sexual with someone who is very obviously not willing to be out. I know Hans is trying to be there for Matteo and to encourage him to accept himself (I think it’s pretty clear that he knows or thinks Matteo likes guys). But this is a party with all of Matteo’s friends. What did they think would happen? Why did they think he’d react in any way other than the one he does? Hans looks confused when Matteo pushes away and leaves, but why? This behaviour is entirely consistent with everything we know of his character. That it ends in an actual panic attack makes it all much more sad and difficult to watch. Honestly, outing people when they’re not ready is not cool and Hans should know this.

The panic attack itself is so well done. There’s no dialogue and yet we can see very obviously how Matteo is feeling and just how ‘normal’ this is to him. He has a set of behaviours that he follows to try to take the edge off. He throws things (this is his go-to when he’s stressed and he does it a LOT), he tries weed and he finally tries music and sitting by himself, cuddling a cushion for comfort. I know a million people have discussed this at length, but I don’t think we can speak about this clip without at least touching on it. Everything about it is done so well and it all combines to allow Matteo’s feelings to shine through. I love that it’s allowed to happen at a party and that we see very clearly how these things can be overwhelming for characters. I won’t go on anymore, but it’s just great and the acting is so perfect. I genuinely think this small part of this clip is probably my favourite acting out of everything in this show.

And then of course we have the stuff after everyone else has left. Again, a million people have discussed this in a million ways, but I love how this scene again shows how easily they get each other, how good they are at communicating with each other and how quickly they get on the same page. Matteo has no trouble at all saying what he thinks and pressing for information. This parallels Sara in some ways - she is like this with Matteo, making her wants and needs clear and putting herself on the line. Again, this is all very good set up for later on when Matteo finally finds himself in her position and realises just how much his behaviour hurt her because he’s living her side. However, unlike Matteo, David is quite clear and honest back. And that’s why they can so quickly move into a potential kiss. As with Matteo and Sara, there are close ups as they lean into each other, but somehow it feels like there’s more space for them to breathe here. The camera allows them both to be in the frame naturally, whether Sara is often invading into Matteo’s shots. Here, they’re both on board and both want it. I like that Matteo gets a moment to be open and himself after his experience with Andi. It must take a lot of courage to do this after he was so badly affected earlier. Testament to David’s calming presence which reassures rather than pushes, and how honest they are with each other - there’s no way David could miss how relieved Matteo is when he finds out that Laura is David’s sister not his girlfriend. They’re both very brave here - David for telling Matteo he looks good and Matteo for trying to take that next step even after his panic attack. And I think that’s a nice place to leave this. Because that’s already such a lot and this has all already been said before.

#druck #og druck #Matteo - episode 3 #again super long I'm sorry #one day I'll learn how to be concise

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giffingthingsss · 2 years

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I maintain that there were good things in the Kazon arc, but those things were obscured by a few missteps.

Things they should have done:

1. Wrapped up the Kazon arc in season one.

It's pretty unbelievable that Voyager, supposedly better and faster and stronger, hasn't outrun them long ago. A year plus at warp and we're still running into Kazon?

2. Condensed the arc.

I'm basically elaborating on the first thing. There's a halfway interesting story here that is partly lost because it's so spread out.

You need some other episodes in between for passage of time purposes, especially if you're doing the pregnancy arc, but this is an arc that heavily features your resident delta quadrant alien and the maquis crew members (Seska, Chakotay, B'Elanna, Suder, Jonas, Tom; it's all Maquis) and all the questions about whether we stay Starfleet or follow the philosophy of the Maquis and the Cardassian. It's the perfect arc to take up your first season. But it gets lost in the shuffle.

3. A different motivation for the Kazon.

Making the Kazon so interested in a transporter and a food replicator doesn't do wonders for their villain status. You can never take them terribly seriously. They have big ships and a lot of them and we're supposed to believe they're a threat to Voyager, but they're desperate for food replicators. Those two things don't gel together. 'We need their technology' and yet you could destroy them.

These people are still interested in revenge on the Trabe after thirty plus years. They could just be going after Voyager simply because that first fight and then subsequent skirmishes made them see Voyager as the enemy. They’ll attack Talaxians just because they’re there, why not Voyager?

The Kazon tribes fighting because Voyager's the enemy, but Cullah having a vision of uniting the tribes with Seska as his strategist is the direction I would like to have seen emphasized. I don't think the Kazon have to stay the way they are. They could learn and grow.

I like the concept of Basics a lot too. Even if you took out that 'fitting end for a people that wouldn't share their technology' line, the episode would work as another test of this Starfleet crew in more primitive conditions. And I would take out all that caveman/monster stuff and deal with internal conflicts and survival instead. 'How will we choose to handle this' at its rock bottom level.

4. More build up of Chakotay/Seska.

I understand they probably weren't sure at first what they were going to do, but in a perfect world, there would have been Chakotay/Seska before State of Flux. It didn't need to be explicit or current, but at least some scenes where you get a sense of their past relationship and hints that maybe they'll pick it up again. It would make the betrayal much more potent.

Notes:

Cullah's the one character I kind of like in the Kazon. He's the one thing that manages to not make it a total snoozefest for me. His viewpoints grow out of his culture, but he has the potential to grow. 'Grrr, women,' but he's completely whipped. Sometimes I want to punch him and sometimes I'm like, 'he can be salvaged.' I credit the dedication of the actor.

The Kazon weren't a good villain overall, but there are scenes with Janeway and Cullah that are exciting. I think the scene with her calling him a bully is the first glimpse I get of who Janeway will become.

His final scene with Seska, it's clear he really loved her. Maybe he resists it because that's what he was taught. But it's there. And I give him points for accepting the kid as his own and despising Chakotay for supposedly taking advantage of her.

I always liked Alliances and that little twist of the Trabe being a different kind of cold-blooded villain. I like how it puts the Kazon in a different light.

Starfleet has a philosophy, but ideally its approach to those who don't hold the same philosophy is persuasion and example. It doesn't throw people in the trash because they're not there yet, it holds out its hand in hopes they will one day arrive. Maybe that's why I like Alliances so much.

I kind of hope the Kazon did see that unification and an evolution. I kind of hope they are now ruled by a half Cardassian (I wish he actually was half human, but oh well) who is as cunning as his mother. And if he's not a better person than his parents were yet, maybe he can be.

#i'm doing a project that has this whole thing on my mind #apologies #voyager things

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twistedtummies2 · 3 years

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Count-Down: Number 12

Welcome to Count-Down! All throughout the month of October, I’m counting down my Top 31 favorite portrayals and reimaginings of the King of the Vampires, Count Dracula! Today’s depiction proves you can’t judge a book by its cover. Number 12 is…Klaus Kinski.

The 1970s, as may or may not have become clear by now, was a VERY good time for Dracula movies. Within that decade, more than a dozen different takes on the Count all appeared between TV and theatrical releases. I’m not sure WHY the seventies were so big on the King of Vampires, but since a lot of great stuff came as a result of that decade, I guess I can’t complain. It’s perhaps fitting, with this in mind, that at the end of that decade – in 1979 – we got a sound-and-color remake of the oldest surviving Dracula picture, with “Nosferatu the Vampyre.” “Nosferatu the Vampyre” is not as well-known or popular as the 1922 original, “Nosferatu,” but it was definitely an interesting and generally well-received reinterpretation of the German Expressionist classic. It mostly stays true to the original, but with a few key exceptions. First of all, the characters are all given their proper names from the novel, instead of the attempts-to-dodge-copyright names from the German original of the silent picture. Second, obviously, it’s in color and has sound…but these are minor things. The more important elements come in the form of how it uses the characters, giving the Van Helsing figure a larger role (he’s actually a surprisingly minor player in the original silent movie), and also doing something quite interesting with Dracula himself: making him more sympathetic. Now, of course, sympathetic Draculas are nothing new, but usually when Dracula is made sympathetic, he’s also made to be more attractive. This movie doesn’t go that route. Kinski’s Dracula is designed to resemble the version from Nosferatu, with very few changes to the way the costume and makeup work to give him a more attractive appearance. He’s still repulsive to behold with his rodent-or-bat-like features and hunched, stooped posture and so on…but that doesn’t mean he’s a total fiend. This Dracula is a tortured spirit: he HAS to feed. It’s not a matter of malice for him with all the things he does, it’s just a matter of survival. You get the feeling that if this Count COULD drink anything but human blood, he would do it gladly. He’s lonely and reviled, and he’s fully aware that he’s a monster…but he literally can’t HELP being a monster, and such is his tragedy. This isn’t so much a Dracula who is a tormented, haunted lover, like most sympathetic portrayals attempt, but simply a pitiful creature who can only feed off the world around him, and never truly enjoy it. He wishes he could be more human than he is. Klaus Kinski was an interesting choice to play the Count for three reasons, under these circumstances. The first is simply because he was a notoriously eccentric person, and at times frustrating to work with…yet he often got the job done, so people put up with it (I guess you could call him the German version of Marlon Brando). The second is because, not only did he finish the decade by playing Dracula, but at the START of the decade, he appeared in a different Dracula film as Renfield, back in 1970. And the third is because, some years later, in the TV show “Faerie Tale Theatre,” he would play the title role of the Beast in “Beauty and the Beast” – portraying a tortured monster who can’t help his terrible appearance and is equal parts tragic and deeply unsettling. Bottom line, this was basically the perfect role for this actor, and probably his single finest performance. He calls to mind the manners and gestures of Max Schreck’s vampire from the original movie, but he also brings much of himself to the role, as any great performance in something like this should. FUN FACT: Kinski’s Dracula was actually part of the inspiration for another great horror icon…Freddy Kruger! Robert Englund has said that he borrowed some of Freddy’s physical mannerisms from Kinski’s performance in this movie. Come to think of it…even if it’s just in voiceover, Englund would probably be a FANTASTIC Dracula! Someone try to make that a thing before it’s too late! Tomorrow, the countdown continues! Hint: “WE’LL MEET AGAIN, SPIDER-MAN!”

#count-down #top 31 draculas #count dracula #dracula #nosferatu the vampyre #nosferatu 1979 #number 12 #halloween advent calendar #october special #klaus kinski

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seokiloquy · 3 years

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Game Cartridges - Kenma Kozume

Au: Regular/Gaming

Requested

Tags/Warnings: GN! Reader, short and fluffy, Time Skip spoilers

Word Count: 2.1k+

"Lev, are you almost done?"

A deep raspy voice echoed into the gym, loud and authoritative, startling the volleyball players. Once all eyes turned your way, you laughed, letting your natural voice still the silent atmosphere. Your hand smacked the metal door as you hunched over, gasping for air between each series of laughs.

Lev, who had just landed from a spike, opened his mouth in a loud cheer at the sight of your slumped form in the door. “(Y/N)!”

You straightened your spine, sighing as you watched Lev’s nose get caught on the mesh net as he tried to limbo under it. He looked like a pig for a moment, before the bottom of the net snapped and Lev ungracefully fell on his face.

“Ow.”

As he laid flatly on the gym floor, Kuroo —who you managed to identify based on Lev’s description (though you did expect a comical beak to be attached to his muzzle)— walked over, thumbs playing with the waistband of his shorts. Before he started to talk, you leaned over, looking behind him to see a partially blond boy dig the toe of his shoe into your tall friend’s side. Kozume Kenma.

The rooster in front of you started to speak. “You sure gave us all a shock. Thought you were a janitor coming to kick us out,” he chuckled, lifting a hand off his hip to scratch the back of his head.

“Ya sorry, Lev just finds that voice creepy so I use it every now and then to scare him.”

Kuroo sidestepped as his hand moved to gesture you inside. “So, you’re a voice actor?”

“That’s the plan at least.” You bowed and walked to the bench that was pressed against the wall, a small bag swinging over your shoulder. The old man, Nekomata, gave you a wrinkly grin as you sat next to him, watching your hands as you pulled out a DS from your small bag.

Kuroo smiled, snapping his head to the clock before looking over his teammates.“Nekomata, should we start cleaning up?”

The couch hummed thoughtfully, turning his attention away from you and onto the team captain. “We still have a half-hour before our practice is officially over. How about we do 3 vs 3, to, ah, 7 points?” He then turned his attention to Lev, who was rubbing his nose as he got to his feet. “Pair up evenly for the beginning, the odd player out will be keeping track of scores and rotate into the next team. Got it?”

Lev raised his hand. “Can you explain the rotation again?”

You looked up from your handheld console to give your friend a deadpan look. Nekomata laughed before answering, “The odd player will take out a player of the next team and so on to keep teams fresh. Got it?”

The Silver hair boy hummed, standing to his full height. “Got it.”

As players dispersed randomly, not selecting any teammates, in particular, to play with, you were vaguely aware of the new bodies that came to sit alongside you on the bench. Instead of looking up to whichever boy had chosen to take the spot next to you, you kept your head down as you played on your DS.

“Ah.” Quiet

“Um.” Again.

Sighing you turned your head on a swivel to the blond boy who sat next to you. His head was downcast but through the dyed strands, you could see his eyes flicker from his fidgeting fingers to the device in your hands. His eyes shot up to meet yours before quickly turning away.

You wore a kind smirk. “Need something?”

Kozume turned his head slowly, pointing to your small bag that was laid open, exposing the variety of games you owned. In a calm voice, “You have lots of games, why are you playing Nintendogs?”

You laughed looking back down at your small virtual pet. “Well, a lot of those I haven’t started yet, Lev gave them to me yesterday as a gift. And well, I’m only going to be waiting for about 30 minutes for you guys to finish before we leave, so I don’t really want to start something new.”

You heard the clicking of the plastic game cartridges as Kozume riffled through them. He pulled out one, a Pokemon game you had yet to touch. “Play this.”

“But my dogs.”

“They aren’t real. Play this, it’s fun.”

Nekoma called for the teams to switch. Kozume stood up but waited for you to take the game out of his hand before he left for the court.

You sighed, pulling Nintendogs out of the DS and putting the Pokemon game in, Pearl, apparently.

“Your name is (Y/N), right?”

“(L/N) (Y/N), ya.”

Kozume hummed, before stepping onto the court, letting a sweaty Lev fall into the spot he had previously occupied.

Another day, another practice and you were back to sitting next to Nekomata, waiting. Occasionally, you looked up from your DS to see the two setters toss a ball up for the players to hit, watching as the players ducked under the net to collect their balls.

Once their final water break came around, Kozume, who had been eyeing your DS since you sat down, shuffled to sit beside you. “Ah, use the water attack.”

“Are you sure?” you asked, head tilting as you showed him your progress.

“Hmm, gym battles are mostly element-based, you want to use mostly water attacks for this one.”

Nodding, you clicked the option Kozume had so helpfully pointed out. “I know nothing about how to play this.” The battle ended, giving you a pretty badge, to which you realized there were more empty slots to fill. “Damn it.” You turned to see partially bleached blond chugging back his water. “Kozume, could you help me with the other gyms?”

“Kenma is fine. And I could, but you’d probably have to be here for that, you have to find the other gyms after all.”

The wince you wore caught his attention. Hissing you dropped your hands into your lap, still holding the sides of your plastic game. “I’m not sure how possible that would be. My luck is just running out isn’t it.” He kept watching, half-listening to Nekomata as he explained the cooldown drill before practice ended. You pulled out your little red flip phone from the side pocket of your back. “Put in your email. I’ll message you and give you my contact.”

Taking the device from your hand he quickly typed out his address before dropping it unceremoniously into your bag and running onto the court with his teammates. You smiled at the sight of his hair bouncing before your smile dropped and your head lowered to look back down at the game in your lap. The colours on the screen seemed a bit dimmer.

Where did the Pokemon go?

Kenma had quickly become your go-to Pokemon consultant. Always there in your time of need.

Which one?

He responded quickly, which helped.

Uh, one of the three ones? I was trying to catch it but it’s not there anymore. I tried dropping revival items and stuff but it’s not there.

(Y/N) did you kill it?

….Maybe?

Reload the game.

I’ve done that.

Did you save after you defeated it?

Messages with Kenma typically surrounded classes and videogames, more so the latter. With that though, came a sense of consistency with messages outside of active school hours and giving your mind a constant timeline to follow throughout the chaos that surrounded you.

Ya, I had to save my progress.

It took a minute for him to respond, but you could feel the sorrow radiating off him through the screen.

You’re going to need to restart the game if you want to continue.

Shit. Well then, got any other recommended games? Ideally RPGs.

Plenty.

After many practices with your presence sitting silently against the wall, Kenma was surprised when the end of practice came around, and you were nowhere in sight. Kenma pushed the rolling basket of volleyballs up next to Lev as they gathered up all the equipment.

“Where’s (Y/N)?” he asked, crouching down to pick up a stray ball.

Lev lowered his chin to see the setter clearly. He hummed, “Ah, I think it was called, New York?”

Kenma paused, dropping the volleyball into the basket with cold hands. “What?”

“They moved to the USA. I don’t think that they’re going to be there forever though. But Mr. (L/N) got a job there from what I remember. They were staying with my family before they moved.”

Kenma’s nose scrunched. “Why did I have to make friends with someone who was moving away? You’re terrible, Lev.” He gripped the blue fabric of the basket a bit tighter and began pushing it into the storage closet, grumbling.

“What did I do?”

After practice, Kenma quickly got to his phone, typing away as he walked home alongside Kuroo.

Your response, despite being in a different time zone, was quick.

IM SO SORRY I TOTALLY FORGOT!!! I just liked talking to you and it slipped my mind whenever you were around

Kenma sighed, washing away the anxious feeling in his chest.

Another email came through.

I’m only going to be here for a couple years, then I’m going to come back. Messages may be slow because of time and all, but I’ll always respond.

You didn’t lie that day. You were always quick to send a message back, but over time those messages stopped coming and you didn’t have the heart to send anything in return.

You’d ponder on it occasionally, hoping that all it was, was forgetfulness, or a changed contact. But after a couple years, it was easier not to think about it, and go on with life and pursuing your passion.

“Stop spamming the chat guys, please,” Kenma grumbled, wincing at the repetitive notifications that rang in his ear. Turning to look at the live responses, he paused the stream of messages to read over a few. “You’ll stop once I start playing? Fine, fine. Let me get it booted up.”

As he pulled up the Japan-made open-world RPG that had been released for Beta earlier that week, the chat went into a flurry of excitement, with various images and repetitive cheers rolling by.

Kenma turned to face his main screen as The main intro to the game played with a flurry of colour. The chat increased in speed as the two-player options appeared on screen, ready to be selected. When his mouth moved over one of the characters they moved, reciting a line.

“Oh they’re voices are nice.”

The chat exploded again.

(Y/N)

(Y/N)’s voice is great!

They do both of the MCs voices

All the talent

Selecting the male character, Kenma listened to the boyish tone, furrowing his boy as he caught sight of the name being repeated over and over again in the chat.

“(Y/N)? That sounds familiar, are they in an anime?”

The chat responded with a list.

Tilting his head, Kenma pulled out his phone as the game began to load, talking out loud for the viewers of his stream.

“(Y/N). that sounds familiar.” He entered the search for the game’s voice cast. Immediately seeing a familiar portrait at the top of the list.

The chat quickly caught on to Kenma’s look of surprise and started spamming again.

“(Y/N)?! Ah! I know them! It’s been years!”

Ignoring the chat and fully loaded game for a moment, Kenma smiled at the image of an older you on his phone screen. Putting down his phone and sitting straighter, he looked at the camera that was focused on his face.

“Hmm, this makes me want to play Pokemon. Maybe later. Time to start this.”

I was going to write a full-length fic with this au but…. You know how it goes.

Short and fluffy cause I have to get back into the groove of writing after 2 months. Ahaha. I finished all of One Piece this week (when I wrote this), 966(now 971) episodes thus far and all the movies. Makes me want to write for it. Maybe If Kiwi watches it I will.

….If I do, it’ll probably go on Ao3… but if you’re reading this and want me to…. Let me know… I’m tempted.

Kiwi. Watch One Piece so you can edit One Piece fanfiction that I’ll probably never write…. Unless. - Bacon

Maybeeee I can still edit without watching it thoughhhh. I’d edit whatever you’d me too - Kiwi

Unless!- Bacon

Posted: 25/04/2021

#Kozume Kenma #Kenma Kozume #kenma x reader #kenma kozume x reader #Haikyuu x reader #haikyuu #x reader #oneshot #oneshots #haikyuu oneshots #haikyuu reader insert #reader insert #aus #haikyuu aus #fluff #haikyu #haikyu x reader #anime x reader #anime

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jess-rewatches-prodigalson · 3 years

Text

Take Your Father to Work Day (S2, E4)

As many people have said: This is one of the STRONGEST Prodigal Son episodes to date. It was incredible. My time-stamped thoughts for this episode are below.

I reference Malcolm’s mental health and sexual violence in this one. So if that’s going to be a trigger for you, don’t keep reading.

SPOILERS AHEAD:

0:16 - OMG. Destiny’s Child. Whoever is in charge of the soundtrack for this show needs a raise. Or an award. It’s SOO GOOD.

0:18 - How great is this montage of Martin’s prison life too? I mean the insane mundanity of it combined with “Survivor” and Michael Sheen’s incredible acting is some perfect mix between hilarious, captivating, and just brilliant.

1:06 - I feel so bad for Mr.David. He has to deal with Martin’s theatrics every day. Poor guy looks done in this episode.

1:35 - CAN HECTOR BECOME A BIGGER CHARACTER?! PLEASE. He’s hilarious and I love him. “Bro. You got your ass jumped at Sunday School.”

2:09 - Wait. What? Jerry’s getting released?!? I mean, I understand that he’s no longer in need of psychiatric care......but he still killed someone. Shouldn’t he just be getting transferred to a different prison?

2:25 - Does Jerry have a death wish?!?! He’s talking about being released in a room full of jealous murderers. Everyone looks sooooo pissed at Jerry.

2:54 - Martin is such a liar. However - Michael Sheen’s performance is astoundingly good. Like he shines brighter than usual in this episode.

3:17 - Poor Malcolm. “What’s going on?” Poor boy looks terrified.

3:23 - I love everything about this scene. I love how freaked out Malcolm is. I love you extra Jessica is. BUT HANS. Holy shit. I want Hans in every episode. He’s crazy in a good way and such a beautiful comedic relief.

3:30 - OMG. “Skinny milennial” might be the best thing anyone has ever called Malcolm. Someone please tell JT and Dani - hell, even Gil. They would tease him forever and I want to see it.

3:45 - 1) Malcolm is a terrible liar. 2) Jessica knows he’s lying. 3) This story about the wine is interesting. I wonder when and how Malcolm first told Jessica the story. Was it the same night? AND HOW DID ENDICOTT’S BODY END UP IN ESTONIA?!? I WANT MORE INFORMATION ABOUT THAT NIGHT.

3:54 - “Ainsley and I came back from the hospital after Gil’s stabbing.”....we never saw Ainsley at the hospital. Was she there and left before Malcolm got there? Or is this a plot hole I need to ignore?

4:05 - The way that the flashbacks of Endicott’s murder is spliced into this scene with Malcolm’s cover story is so perfectly executed. It’s so captivating and so so well done.

4:14 - Malcolm’s eyes look quite manic during the retelling of this story. Poor guy is desperate to have everyone believe the story. Poor guy probably wants to convince himself that the story is true.

4:16 - Wait. What? Ainsley has always been clumsy? .....interesting. I’ve seen no evidence of it but I’ll believe it for the sake of the plot.

4:23 - “At least one of you has a soul.” Holy shit. hahaha Hans is brutal. I love him so much. I also love how this line makes me, as a viewer, think “does that mean the writers want me to think that Ainsley doesn’t have a soul?” ...or more likely that she doesn’t feel emotion (which can be interpreted as a lack of a soul). That she’s a psychopath like Martin?

4:27 - OMG. Jessica loves Hans. He speaks to her dramatic rich woman soul. So entertaining.

4:30 - Poor. Malcolm. This boy is always in some sort of emotional turmoil. For once I wish he was happy (but also I love the emotional whump so if that could continue that would be great).

4:44 - “It’s so much more than that.” *chef’s kiss* comedic genius. I would watch a whole episode of Mr.David making fun of Martin. But can we all just take a minute to appreciate that Martin doesn’t seem bothered at all that Mr.David is basically verbally telling him that he sucks? It’s almost like Martin thinks they’re friends?

4:50 - Martin is strangely chill talking to Mr.David in this scene. It’s a little off-putting. He almost seems normal. He’s not putting on his usual theatrics or ranting about doctor stuff. It makes you wonder how many different sides of Martin that Mr.David has witnessed.

5:01 - “Oh no. Not Jerry.” LMAO. HOLY SHIT. Michael Sheen needs an Emmy. His delivery of that line might be the funniest thing this show has ever given us. hahahahaha

5:29 - Damn. This is not Gil’s month. First Jessica dumps him. Then he has to deal with Martin Whitly in the flesh. That plus the on-going drama of worrying about Malcolm’s mental health and the stress of reintegrating into work after a STAB WOUND.

5:31 - Gil’s face. hahahahaha he’s like, “Kill me. This can’t be happening. I hate everything. I wish the ground would open up and swallow me whole.”

5:37 - “Yeah. Why’d you do it?” GIL. OMG. I’m so proud of Gil for dissing Martin to his face. BUT ALSO I worry that that’s going to give Martin more of a reason to hate Gil. I’m genuinely scared that the writers have Martin escaping as the pre-finale episode and Martin trying to kill Gil as the finale. Maybe Gil shows up trying to save Malcolm, AInsley, and Jessica (whom Martin is trying to abduct or hurt or something) idk I just feel like it’s going to be a likely subplot somewhere. I don’t want an attempt on Gil’s life to become a season finale tradition.

5:56 - Ew. “Gilly” That is a terrible nickname. I think I threw up a little.

6:00 - Damn. I love this scene. I could watch Martin and Gil pretending to be civil to each other for years. So entertaining.

6:29 - hahahahaha OMG. Gil’s reaction to Martin saying, “Thank you” PLUS Edrisa’s sudden excitement at realizing she’s 10 ft away from Malcolm’s Dad - a medical legend, is magical.

6:35 - Not gonna lie. When Edrisa said, “Ok. I’m gonna play it cool.” I had to pause my TV and walk away to calm down. I was experiencing a mixture of second hand embarrassment for Edrisa’s inevitable behaviour, excitement for what is to come, and fear that Martin would be a jerk to our precious Edrisa.

6:44 - Edrisa and Martin interacting was everything I’d hoped. It was strange, funny, sweet, and disturbing at the same time. The sweet, eccentric girl who attends cuddle parties is getting buddy-buddy with a literal serial killer. Hilarious. Even better is Gil’s background reactions as he desperately tries to keep Edrisa away from the psychopath. hahaha <3

7:12 - Gil is currently living in a nightmare. hahahahaha

7:47 - I love this. I love how Malcolm and Ainsley interact. Malcolm is such a good big brother. IDK something about these two adult siblings chilling on a couch and warning each other about Mom’s current rampage reminds me of myself and my younger brother. <3 Warms my cold dead heart. <3 PLUS has anyone else noticed that (as long as Ainsley isn’t hounding Malcolm about a story or airing out his mental health diagnoses like the bs from Q&A) Malcolm is extremely calm around Ainsley. Like maybe the calmest we’ve ever seen him?

8:20 - “Oh Ainsley, that’s a horrible idea.” This is adorable. Malcolm is totally acting like Ainsley’s surrogate dad. He’s trying so hard to protect her. <3

8:42 - There’s something about the way that Malcolm says, “Hey Gil” that makes my heart swell. Idk why. I just their father/son relationship. So much. And it makes me so happy to see Malcolm having semi-normal interactions with people in general.

8:48 - This. Is. The. Funniest. Episode. Of. Prodigal. Son. To. Date. Holy shit. The comical dread on Malcolm’s face. Martin’s glee on the phone. Gil’s general “done with life” body language. Ainsley’s utter joy at her luck. MALCOLM DRAINING THE ALKA-SELTZER. Ainsley saying “chug chug”. So perfect.

9:27 - Is it just me or has Jessica been showing way more concern for her children’s well-being this season? At first I thought it was because she was so happy with Gil....but that’s not a thing anymore (because Jessica is a MORON - seriously if this show gets cancelled before Gil and Jessica are living happily ever after I will riot) so now Idk.

10:02 - EDRISA WHY DID YOU NOT TELL GIL AND MALCOLM THAT THE SURGEON WAS ON THE PHONE?!? For a hot second, poor Malcolm looks like he thinks he’s hallucinating.

10:40 - Gil hanging up on Martin and then telling Edrisa that she needs to make new friends is everything. It’s vicious. Gil looks absolutely furious in this scene and I love it.

11:07 - Yo. Edrisa’s got some baggage. hahaha Malcolm looks soooo uncomfortable with her outburst.

11:18 - I would pay good money to watch Martin and Gil have a pissing match in front of Malcolm every episode. It’s amazing. They’re constantly trying to one-up each other. The tension is palatable. And someone Malcolm is the only one acting like a mature, working adult. Malcolm. My mentally unstable, skinny millennial.

11:34 - OH SHIT. Martin did not just bring Jessica into this. Oh SNAP. Does Martin know that Jessica dumped Gil?!?

11:56 - “I’m going to need a little more than that.” Damn. Malcolm looks pissed here. Pretty sure he hates that Martin just brought up Gil/Jessica. Malcolm’s bio-dad and real dad are fighting and it’s very clear that Malcolm is on Gil’s side.

12:17 - The look that Gil and Malcolm share here is perfect. I love it so much. You can see how annoyed they both are, how much they hate that they need Martin on this case, how much neither of them want Martin’s help. <3

12:23 - SOMEONE GIVE GIL A MEDAL. This man just grit his teeth, smiled, and let MARTIN WHITLY - the man who tried to KILL HIM work on his case. Why? Because Malcolm silently asked him to. Because Gil loves Malcolm and knows that it’s better for Martin to work with them officially than for Malcolm to work with Martin in secret. At least this way he can look out for Malcolm.

12:42 - “It’s taken Dr. Marsh years...” soooo was Dr. Marsh the name of the Asian doctor leading group therapy last season? Is this just a new actor, same character scenario? OR am I supposed to forget that Asian doctor existed last season?

13:04 - I can’t tell if Gil hates this whole “father-son in group therapy idea”. He looks kind of like he hates it (although he is looking at Martin in the shot). I’m inclined to think that Gil is worried. He doesn’t like how nice Martin is acting toward Malcolm. He doesn’t want Malcolm to get hurt again. BUT I also think there’s probably a part of Gil that thinks group therapy might be beneficial for Malcolm’s mental health? I mean it was only ever going to be terrible or amazing. Nothing in between.

13:12 - “They hate you don’t they?” GIL BRINGING THE FIRE. hahahaha angry Gil is really funny.

13:43 - OH HELL YES. More Hector. <3

13:46 - hahaha YES. Hector this is Malcolm - the son. You know, the one you had to role-play? hahaha I feel like Hector is a really cool dude (aside from the murder).

13:53 - Damn. Hector pays attention in group. He has a lot of info about Malcolm. I would’ve thought the other inmates would just tune Martin out when he starts his monologues.

13:59 - “He’s got a thing with hands?” hahahaha OMG. How did I never connect the hand thing. DOES Malcolm have a thing with hands? ....I kind of want that to be cannon?

14:00 - “You’re crazier than me.” Ouch. That must’ve hurt. Think about it - Malcolm is ridden with guilt about Endicott. He’s haunted by what he experienced as a kid and by what his father is. Malcolm believes he’s broken beyond repair. On some level Malcolm thinks he’s crazy. Now a literal killer just told him he’s crazy. That just affirms what Malcolm already believes about himself. :( PLUS right after Hector tells Malcolm that he’s crazy - the camera pans to Martin. MARTIN looks scared. Martin is losing control of the situation and he doesn’t like it. Martin knows on some level that he ruined Malcolm’s mental health. He almost looks a little guilty?

14:31 - FINALLY. We have a cannon occurrence of someone calling Malcolm “Mal” (or “Malc” if you’re going by HULU’s subtitles?). I hope the writers start having people call Malcolm by Mal/Malc more often.

14:35 - I can’t ignore it anymore. DID HECTOR HAVE THAT SCAR ON HIS FACE LAST SEASON?!? I DON’T REMEMBER IT.

14:38 - YES YES. Malcolm looks angry. I LOVE IT. Scream at him Malcolm! Give him hell!

15:03 - Yikes. Malcolm sounds like he’s about to cry here. :( My heart breaks for him. .....I wonder if this is the first time Martin has ever heard how much pain he caused Malcolm straight from Malcolm? Martin looks hella uncomfortable here.

15:25 - The inmates (literal murderers) empathizing with Malcolm is twisted, beautiful, and haunting. These guys understand how much it sucks to hang out with Martin. These guys can see the real pain in Malcolm’s expression. They know he isn’t lying. Part of me honestly wonders if one of them is going to try and hurt Martin for Malcolm. They looked pissed enough by the end of the conversation that I kind of believe they might.

16:00 - Malcolm is not acting here. For once he’s not projecting his problems onto potential suspects. He’s just venting to suspects. No pretence. I love it. BUT 100% of me wants to know where Gil is during this session. Is Gil listening? Is the session being recorded for evidence? There’s no way Gil (or Dani) wouldn’t confront Malcolm about this. Even if they just asked him if he’s okay.

16:10 - hahahaha look at Doctor Marsh. He’s like “ooookkkkkaaaayyyy. I’m a psychiatrist in a psychiatric facility for people who have committed violent crimes. BUT THIS IS THE NUTTIEST THING I’VE EVER SEEN.”

16:12 - Look at the way Martin narrows his eyes. He’s trying to figure out if Malcolm is acting. He’s finally realizing that Malcolm truly hates what Martin subjected him to as a child. I honestly think this interaction will cause Martin to shift his “become a murderer like me” agenda from Malcolm to Ainsley. He’s finally seen the depth of Malcolm’s hatred and pain and knows deep down that Malcolm will never turn into a serial killer. But there’s still hope for Ainsley. That’s not to say that Martin won’t stop gaslighting Malcolm - he totally will.

17:10 - Martin has been at Claremont for 20 YEARS. How is it that he didn’t know a gold card existed?!?

17:21 - I honestly thought Marsh was going to get shanked. For the gold card. No other reason.

18:07 - It’s not supposed to be funny but Burt freaking out and punching Marsh is HYSTERICAL. hahahahaha

18:10 - That guard who pushed Malcolm out of the room and into a safe area? He’s in my good books. Every time I watch him push Malcolm to safety I want to give him a hug. Just for doing his job. What the hell is wrong with me?!?

18:18 - UGH. I hate that creepy, satisfied look that Martin gives Malcolm. It’s the same look he gave baby Malcolm in the pilot. It’s the “we’re the same” look and it clearly bothers Malcolm. :(

18:26 - Oh look. 18 minutes into the episode and we finally have a Dani appearance!! annnnnnd no mention of JT. I mean, I get it. He’s on paternity leave. I’m happy for him. BUT TWO EPISODES WITHOUT A JT APPEARANCE IS TORTURE. At least give me a throw away line about how happy JT is or about the baby!?? Honestly - it’s my biggest gripe with this episode.

18:56 - soooo either Dr. Marsh is a terrible psychiatrist OR you can’t “cure” murderers.

19:08 - The NYPD knows that Martin cured Jerry?!? HOW? Did Mr. David get Martin to admit to shocking him? Did Mr. David tell the police?!? I don’t remember Martin telling Malcolm. I specifically remember Malcolm saying, “I don’t want to know”

20:02 - Damn. I want Ainsley to go dark so badly. I want to see how badly it would destroy Malcolm and Jessica. I am evil.

20:52 - Malcolm’s burgundy jacket is gorgeous. That is all.

21:10 - Malcolm knows that Martin wants to escape. This is good. I love this.

21:55 - THERE’S A WOMENS WARD?!? REVOLUTIONARY INFORMATION. I THOUGHT THEY HAD A SEPARATE HOSPITAL.

22:00 - Oh wow. Finally - a perk to gender inequality.

22:52 - This Brightwell scene is so cute. I love watching Malcolm be excited about solving the crime. I love watching Dani gently tease him about how weird he is. I love watching them subtly flirt. Is Malcolm ready for another relationship - hell no. Do I think Dani has forgiven him - not totally. If they got together now it would end badly. But I do want them to be endgame.

23:11 - Andre is really suspicious throughout this whole scene. I’m convinced that if Dani and Malcolm weren’t too busy flirting Andre would’ve become a suspect really fast.

23:15 - Why do people get released from psychiatric prisons?!? This is a genuine question. I would’ve thought that everyone in Claremont has committed some seriously heinous crimes and only a very small portion of them are actually sick. The rest of them just pleaded insanity and had good lawyers. But even if they are/were sick. I don’t think the types of mental illnesses that drive people to murder and/or rape is something that can be cured. Sooo why are they getting released? I guess I just wonder because there’s this guy that’s been in my local news on and off for like 10+ years. He’s molested/raped many young women between the ages of about 16-25. He’s been arrested and released multiple times. He keeps getting released to different major cities in my province (usually a city with a big University) and reoffends within 6 months of being released. Most recently he was arrested last month after being released in October 2020. Clearly he’s going to keep reoffending - so why does he keep getting released? I guess I just don’t understand what the criteria are that allow an inmate who has committed that sort of crime to be released. Here’s a link to one of the more recent news stories if you’re interested: https://vancouverisland.ctvnews.ca/police-warn-of-high-risk-sex-offender-moving-to-victoria-1.5149264

23:23 - hahaha Andre is like, “Yo. This dude is freaky.”

24:15 - Look at how proud Malcolm is of his whole “lobster = murderer” profile. <3 So freaking precious. <3 and Dani looks so amused with him. <3

24:37 - Sooooo Mr. David isn’t listening to this conversation? He left the room?

24:40 - Jessica going to Martin for parenting help is terrifying. This is a woman in crisis.

25:20 - But Jessica was right to be paranoid in 97′. She wasn’t being cheated on romantically but her husband was murdering people.

25:24 - Martin is so selling his kids out here. He knows it. He doesn’t care. He’s having too much fun torturing Jessica. He’s rejoicing at the fact that he gets to play the “I turned the kids to the dark side” card.

26:40 - Poor Jessica. She looks suspicious and scared. Scared that she raised a killer even though she tried desperately to prevent that very behaviour.

26:56 - Damn. Martin is having a really good day. First he gets to annoy Gil Arroyo in the flesh. Then Edrisa talks medical with him. Then he gets to work with Malcolm. THEN his ex-wife calls him and he gets to toy with her mind. THEN his daughter, who has literally murdered someone comes to visit him. He is a proud Dad right here and he’s having an amazing day.

28:00 - Rhonda is terrifying. This girl has perfected the “I’m sweet and unthreatening” while lying and manipulating people. I swear she’s a teenage Queen B personality with a side of violence.

28:30 - I love how protective Malcolm is of Ainsley. Look how positively livid he is that Marin is talking to her. Malcolm is terrified that Martin is going to purposefully and successfully turn Ainsley into a serial killer. Malcolm doesn’t want to lose his sister. He doesn’t want Jessica to lose her ‘stable’ child.

29:09 - This scares me. This is the kind of Ainsley behaviour from last season that made me believe she is the Whitly child most like Martin. Her ruthlessness and lack of a conscience when it comes to looking for a news story is extremely upsetting.

30:11 - What the hell happened to Tevin? AND WATKINS?!? We got no closure on those guys. Are they dead? In prison? Is Tevin still in Claremont? Were they transferred to facilities outside of New York State?

30:28 - Malcolm yelling at Martin is perfect. *chef’s kiss* Finally this boy is being honest with his father and he isn’t holding back.

30:40 - Michael Sheen is an incredible actor. This is an Emmy worthy scene. By Sheen AND Payne.

30:48 - I love how you can see Mr. David just chilling. Sitting outside the door and staring across the hall during this scene. It’s just....can’t he hear the screaming?!? Is he just like, “I can’t take anymore of this today. Not my circus and not my monkeys.”

30:55 - Soooooo this is Martin showing his true colours. There’s definitely a part of Martin that hates Malcolm. I honestly wonder if that part of Martin actively tries/tried to emotionally torture Malcolm now and throughout his childhood.

31:00 - “And your mother. And you ruined HeR!!!”....does this mean Martin was trying to make Ainsley a serial killer? Maybe after the camping trip when he realized Malcolm was too “weak” to kill anyone? Is this Martin saying that Ainsley is ruined because she didn’t become a serial killer? Or that Ainsley is ruined because she killed Endicott?

31:05 - “But that’s not me.” hahaha OMG. Michael Sheen just flipped between two personalities like nobody’s business. Respect.

31:08 - Martin’s outburst hurt Malcolm. Badly. You can see it all over his face. Even now, when Malcolm is being strong and showing some backbone to Martin, Martin can wound Malcolm with a single phrase. :(

31:41 - soooo where has Gil been for the past 10 minutes of this episode?

32:02 - Sooooo did Andre kill Jerry for Rhonda? Or did he just know about the murder and keep quiet for Rhonda? Or is his oblivious to the fact that Rhonda killed Jerry? I’m honestly confused here.

32:20 - Holy shit. Rhonda is crazy. Andre is dead now. Right?

32:48 - Wait. Why did Andre have a gold card? Mr. David only has red. What kind of qualifications does a guard need to get a gold card vs blue, green, or red?!?!

32:55 - Claremont isn’t a punishment for Martin. Solitary is. Martin should live in solitary. He deserves to suffer for his crimes (and the ongoing torture of his son).

33:05 - How messed up is it that Mr. David’s job is to protect a serial killer? I don’t think I’m brave enough to do something like that. I also don’t know if I could do that for moral reasons.

33:14 - Damn. That elevator looks like it hasn’t been cleaned since it was installed. It’s sooo much nastier than the hallway outside of the elevator.

33:50 - Sooo does this mean Martin is eventually going to try and murder someone down here?

33:54 - HE CALLED FOR BACKUP <3 <3 <3 OUR BOY IS GROWING UP AND I’M SO PROUD. <3

35:40 - FINALLY SOME MALCOLM WHUMP. <3 THIS SEASON HAS BEEN LACKING IT.

36:00 - This is really interesting to me. I honestly wonder if Martin has some sort of split personality disorder (personality #1: murderous, selfish, psychopath; personality #2: loving, concerned father and lawful doctor). You can see how desperately he wants to escape. But also how much he loves his son. I honestly thought he was going to leave Malcolm to die.

36:06 - Ugh. Look at his whumped face. <3 <3 <3 ....one thing that I couldn’t stop thinking during all the tazing (which was amazing FYI, I’m not complaining) is this: in QxA (1x07) Mr. David says that he only has a single shot tazer. Why did Andre have a multi-shot tazer? Is this a gold card vs red card thing?

36:40 - WHY THE EFF DOES BACKUP NOT INCLUDE GIL?!?! I KNOW HE’S STILL IN THE BUILDING.

37:03 - MARTIN, IF YOU TOUCH A HAIR ON DANI’S HEAD I WILL PERSONALLY HUNT YOU DOWN AND KILL YOU MYSELF. He honestly looks like he wants to murder her.

37:50 - Martin’s speech is not going to help Malcolm’s mental state. At all.

38:31 - No. No. No. Martin you do NOT get to talk to Dani on a first name basis. Look at how much Dani hates it.

38:35 - I love how soft Malcolm looks as Martin lifts him up. Look at how Malcolm gently leans into the touch. It breaks my heart. After 20 years Malcolm is still comforted by physical contact with his father. :(

38:37 - “Put your hands on me again Dr. Whitly, and I’ll blow your head off.” OH HELL YES. Dani is my hero. Iconic. Also - anyone else notice that Dani is chewing gum in this scene (I don’t think she’s chewed gum on camera since the pilot?) it makes her look like so much more of a badass in this scene.

38:55 - Oh look. The rest of the backup finally showed up. Where were these assholes 5 minutes ago when DANI WAS ALONE? AND WHERE IS GIL?!?!

39:00 - Malcolm thanking Dani is so so precious. And the fact that he’s clearly struggling to breathe and stay conscious is giving me life. ALSO Dani saying, “YOU’re welcome.”?!? *chef’s kiss* :) :) <3

39:30 - So Malcolm definitely knows that Martin almost left him to die so that Martin could escape.

39:33 - ......Ainsley is currently living with Jessica. Why is Ainsley not at the family dinner? We literally see her in the house in like 30 seconds.

39:35 - Malcolm in a polo shirt. Malcolm in a polo shirt. Why is it so attractive?!? He looks like a baby cinnamon roll? <3

39:51 - WHO THE EFF LET AINSLEY INTO THE MURDER BASEMENT?!? WHY AM I EXPECTED TO BELIEVE THAT JESSICA DIDN’T RE-SEAL IT AFTER WATKINS?!?!

40:15 - Jessica desperately tearing apart the living room is heartbreaking. :(

40:29 - Question: Did Jessica send her staff home before she tore apart the living room? Because I can just imagine two of them staring into the living room from the hall like, “She’s finally snapped. Should we call someone?”

41:00 - Jessica is the queen of drama. HOLY SHIT. This reveal was so extra and so perfect.

41:13 - “I killed him.” “You’re lying.” I love this interaction between Jessica and Malcolm. Malcolm has spent his whole life trying to convince people that he’s not a murderer. To protect Ainsley, his baby sister, he will say the words “I killed him”. Even though that is literally killing a part of Malcolm. Jessica knows it. I love that Jessica can see that Malcolm is lying. She’s not trying to convince herself that he’s innocent. She literally just accused him of murder. She’s scared. Because Malcolm just admitted to killing someone - his biggest fear - and it was a lie.

41:35 - Watching Bellamy Young’s facial expression as Jessica realizes that Ainsley killed Endicott is a thing of beauty. This woman needs an Emmy too. HELL, CAN WE GIVE THIS WHOLE EPISODE AN EMMY?!?!

42:00 - Poor Jessica. The guilt she must feel. She’s always thought that Malcolm was the one at risk of being a murderer. He’s a boy (they’re statistically more prone to violence than girls), he was older than Ainsley, he remembers terrible things, Malcolm had continued exposure to Martin throughout his childhood (Ainsley didn’t - I think?). But the child she neglected, the child she thought was safe, the child she thought remained free of Martin’s evil killed someone. It’s a plot-twist that just ripped Jessica’s heart into a million pieces.

42:30 - Yep. I promise you Malcolm has been psychoanalyzing Ainsley’s past behaviours since the moment she killed Endicott. He’s found traits common to serial killers and he’s terrified that she’ll become one if she remembers what it felt like to kill Endicott. He’s probably kicking himself for not noticing sooner. He’s probably questioning his ability as a profiler and as a big brother. AND the fact that MALCOLM has to protect Jessica AND Ainsley is heartbreaking. It’s way too big a burden. No wonder Malcolm’s mental health is on a downward spiral.

42:33 - This is the moment Jessica begins grieving for Ainsley. The fear, disbelief, and horror on her face. It’s torture that I can only describe as someone telling a mother that her daughter is dead. Because Ainsley is dead. The person Jessica believed Ainsley was - that little girl is dead. Because Jess just found out the truth.

42:55 - Jessica is now terrified of her own daughter. That is maybe the most upsetting thing this show has given us.

43:00 - I saw an interesting theory about how Ainsley is regressing back to her childhood (crawling into bed with Mom, moving back in with Mom) and I must say - that would be a really interesting way for this story to go. Ainsley regressing to a child-like state as she is convicted of murder. As a result she ends up in the women’s ward of Claremont because she can plead insanity.

This episode was amazing. Seriously, one of the best Prodigal Son episodes to date. Definitely the best of season 2 so far. If you’ve read this far - thanks for hanging out.

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