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#tinik art
tinikois · 1 year
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don’t tell anyone i’m showing full wips of my 3.0 model here hehehe
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crapyslapy · 1 year
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hapy new years
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maribecerrafan · 2 years
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Tini<3
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pathfit-activities · 2 months
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HISTORY OF PHYSICAL EDUCATION IN THE PHILIPPINES
Physical education has been in the Philippines’ educational curriculum since the era of the Spaniards, and even before that. Pre-Colonial Philippines had physical activites that were to help with their survival but also for recreation and religious ceremonies. During the time of the Spanish colonial period, the culture of the Philippines archipelago, combined with the culture brought on by the Spanish, created an environment where play was discouraged. The only physical recreation allowed was those that had some connection to the church. Some recreational games of this era were; Piko-piko, Luksong tinik, Taguan, Bato-bato, and Tarumpo. Different dances were also a part of Filipino physical activities, same with different pastimes like swimming, and cockfighting.
When schools and colleges were established in the country, it took until 1920 for physical education to be made a part of its curriculum. The educational institutions that were established did not have any physical education even schools for men. Yet, even when physical education was still not part of the curriculum, clubs were made around different sports and physical activities. In 1901 though, during the American occupation, Physical exercise was introduced as a subject for public schools and a program for athletes was made, with basketball and track and field being some of the sports introduced.
Nowadays, physical education now has a multitude of different activities for students to do, from regular exercises, to dances, yoga, swimming, martial arts, and sports like basketball, volleyball, etc. Physical education is now an integral part of a student’s experience throughout their school days from elementary to college. It helps teach the students in proper mechanics to use in physical activities and proper techniques, the importance of such activities to health. Even when a student’s path in their career does not have a focus, physical education helps instill an appreciation and understanding for health and fitness.
Sources:
Judan, A.
History of Physical Education in the Philippines
HISTORY OF PHYSICAL EDUCATION IN THE PHILIPPINES SPANISH ERA.docx - JUDAN Allan Dale M. PE4N HISTORY OF PHYSICAL EDUCATION IN: 1. THE PHILIPPINES | Course Hero
Bautista B.
(2021) Physical Education in the Philippines
PHYSICAL EDUCATION IN THE PHILIPPINES by Blundell Gayle Bautista on Prezi
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delfindakila · 3 years
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JP PEREZ Luksong Tinik, iskulturang tanso, 2021 #artPH
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ailleahariko · 3 years
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Meet my very first art mascot Vryen Aadraasee! He’s a TiniKing. I added wings to him and combined crown designs that came with the base to make his Mad Hatter crown like halo. The base I used to make him with and the TiniKing species belongs to LockworkOrange on FA!
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fagiz-blog · 4 years
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celestineaa · 2 years
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Vicente Manansala Artworks
The Bird Seller (1976)
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This artwork is considered as one of Manansala’s finest compositions in the entirety of his career in painting. This is where the concept of cubism started to develop throughout Asia. The trademark style of Manansala with unusual combinations of hues and gradients are found in the artwork. It was portraying a typical vendor of tropical birds through the help of textures and shapes on the overall surface.
Luksong Tinik (1973)
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With inspiration from Fernando Amorsolo, Vicente Manansala started to develop a passion in creating recognizable genre scenes for his artworks, one of which is the “Luksong Tinik”.  With his signature style of cubism and clever play of colors and structure, he was able to express a clear representation of a typical game for children.  This definitely set a new standard for Philippine Art.
Still Life with Watermelon and Mangoes (1957)
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In this artwork, it can be seen that the idea of cubism has been painted through the use of watercolor.  This is a series of 4 paintings that represent the image of a typical meal plate on a table throughout the day. Manansala showcases a mouthwatering array of fruits and fish with perfect and complete detail.
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dreamscape195 · 3 years
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Miscellaneous anthros I drew for Art Fight this year! 
Character credits (in order!): 
Shadeflower (c) PassionThePanther [deviantART]
Moira Raterty (c) Bronzewing [ToyHouse]
Bibes (c) Bambidraw [Twitter] [Instagram]
Tinik (c) @orcawhatever [ArtFight] [deviantART] [Twitter] [Instagram] [ToyHouse] [FurAffinity]
Devil Dragon (c) AwesomeArt456
Cobalt (c) Squishydeviant
Dutch & Noeche (c) @illubuuart [ArtFight] [Twitter]
((psst - Also a quick reminder that I offer commissions))
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kalawakan-fam · 4 years
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Presenting: Class 2020 of Kalawakan!!
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@nangunguhang-alien . Si Tito ‘yung class president niyo. Lagi siyang kasama ni titser, tapos lagi special mention. Kapag wala si Ren, malungkot magturo si titser. Kapag wala si titser, sya din ang "pacifier" ng classroom.
Lagi nyang linya.
"Guys! Please keep quiet!"
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@dumdum-things Si Top 2. Dumdum - Vice president ng klase. Siya yung laging nakasunod kay president. Kaya kapag nag wawalk out si president siya yung tiga sigaw ng "Guys respeto naman!"
Sya rin po yung laging nakangiti kapag nakakakita ng titser! "Gooooooooood mooooorning titser!!"
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@atomicdump Si Ruru, Siya yung kaklse mong mahilig magsayaw, kada first day ng school, hindi mawawala sa intro nya ang dance number. Bibo kid #1. Punishment nya yung sumayaw sa harao ng klase sabi ni titser, pero nag uubos lang talaga ng oras si titser dahil wala na syang maituro.
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@eccentrieth Si Riri, Siya po yung tiga lista ng noisy and standing. Hindi pwedeng di mo sya bestfriend kase laging may minus payb kapag naililista sa board.
Lagi din syang hirap mag lista kasi nga nililibre sya ng mga kaklase nya para hindi sya mailista.
Malaki tumanaw ng utang na loob. Puro utang na loob nalang.
Lagi din napapagalitan kapag maingay klase.
Lagi nyang linya:
"Maam kapag maingay, ako agad?"
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@starsandrocketsss Ang Dynamic duo. Source ng food pag fieldtrip. Parang bag ni dora yung bag nila, hindi nauubusan ng laman. Laging may binabatong chichirya at imported na food galing kay mommy nya. Laging may baong pagkain san man pumunta.
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@medyo-gaga Si Kyu, Sya po ang maldita ng klase. Tinitignan sya ng lahat. Mahirap kalaban sa classroom. One day, friends kayo. The next day, kaaway kana ng group mates nya. Takot lahat ng faculty dito. Ganon sya kamaldita,  kahit guidance sinukuan sya. Best friend sila ng principal dahil minsan maghapon sila magkakwentuhan dahil nireport ng kaklse.
Sya yung nagtitisod kapag dumaan ka sa pwesto nya Tapos sasabihin "di kasi tumitingin" 
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@nijuugo Si Cath, Ito po sobrang bait nito. Hindi ito napipikon. Laging naka smile. Kaklse mong tatawa tawa lang pero tahimik sa bahay. Masarap po sya kasama at hindi nauubos yung tawa nya.
Favorite line: Titser! May joke ako!
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@garlicbraed Si Aira, Siya po yung kaklse nyong sobrang tahimik. Hindi tumatayo sa upuan. Uupo pag pasok, tatayo para mag recess, tapos tatayo nalang ulit kapag uwian na.
Hindi sya maingay sa upuan. Mas trip nya yung mag day dream. Favorite hobby nya yung mag day dream at matulog. Mahilig din sya mag color ng coloring book at mag damit ng dressup paper doll.
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@adobongmayfeelings Si Jed, Sya po yung isa pang bida ng classroom. Jollibee. Makarinig ng music, automatic naka smile na sya. The rest is history. Bestfriend nya si bibo kid #2. Tiga sample sya. Pero sya din talaga gusto din mag sample.
Favorite line "Sasayaw na yan! (Mamaya ako tatalunin kita!)"
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@lovingshannen Si Shannen, Anak ng president ng PTA, hindi umuuwi kapag hindi si mommy ang susundo. Laging may hawak na barbie doll sa classroom. Hindi pinapagalitan ng titser. May backpack syang sailormoon/barbie/unicorn. Hindi nawawala ang bright colors sa gamit nya.  Note. Siya yung may 64 crayola sa bag / may 128 crayola sa bag.
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@chieesecake Si Chie, Siya yung kaklse mong hindi nauubusan ng joke at kwento. Laging nasa likod at may ka chika chika. Laging number 1 sa noisy. Pero binubura din nya at wlang palag si tiga lista.
Lagi syang may baong funchum at cream-o/rebisco at kinakain nya habang nakikipag tawanan kaklse nya. Perfect yun sa thermos na baunan nyang may lamang tubig na malamig na naka balot sa towel.
Favorite line:
"Uy alam ba, dating sementeryo tong school"
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@rae-ngoaway Si Rae, Anak ng atty/doctor. Laging nakasasakyan papasok at pauwi ng school. Laging naka tali ang buhok. May baon syang pagkain na complete meal may side dish pang mixed vegetables. Hindi nawawala si yaya kapag lunch at recess. Laging may bimpo sa likod pero inaalis din naman.
Favorite line: "Wala kayo sa daddy/mommy ko!"
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@thefatherofkhalebandanwyll​, Si Darryl Sya yung parang anak ng diyos. Magugulat ka nalang nasa misa sya sya every first monday ng buwan. Pero the rest ng buwan, puro kalokohan ang ginagawa sa class room. Sya yung kaklse mong nag fafade away 3 points shot sa basurahan ng papel na binilog bilog nya habang nag tuturo si titser tapos kapag hindi nya na shoot, pupulutin nya tapos fade away shoot ulit. Favorite line " 3..2..1.. Kobe Bryant for threeeee!!!"
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@babaengartsy​ Si Rio, Ang lakambini ng klase. Sobrang hinhin, nakakahiya lapitan kasi mapapasorry ka kahit wala kang ginagawa. Tumatawa pero nakatakip ang bibig. "Hihihi"  Laking panlaban sa muse at mr and ms ng school. Bata palang natuturuan na mag ayos kaya ang ganda talaga. Lagi syang iniirapan ni maldhital ghurl dahil ayaw nya ito kalaro. Favorite line:"My name is.... I, thank you!" *sigaw ng buong klase*
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@nagiisangtiyak​ Si Alexa. Kaklase nyong MIA, tapos magugulat ka nalang sasabibhin ni titser na,makikita daw natin sya sa TV. Working ghurl at early age. Artista. Laging nasa workshop at taping. Bigla biglang pinu pull out sa klase. Minsan nalang makita, nag mamaldita pa. Besties sila nila ng maldita ghurls.
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@n-dv​ Si Nico, Ito po yung literal na kaklase nyong barsiti. Tinitilian ng ibang school kapag inter-school. Malakas ang dating sa chicks. Malakas ang awra. Dadaan lang,pero nagtitilian babae. Laging mabango. Laging amoy presko at bagong ligo.
Siya yung kaklse nyong laging may panyo. At laging naghihilamos.
Kahit titser, gustong-gusto sya. Paborito at heartrob ng school.
Favorite line: "Guys wait lang, papicture daw"
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@ynalwls​ Si ley, Kaklase nyong anak ng bgry captain kaya hindi nyo masumbong sa teacher. Kasundo ni bhosz maldita. Tandem sila mambully kapag walang teacher. Pero kapag nanja si teacher mababait. Matataas din ang grade at laging bida sa show n tell. Gawa naman ng iba yung assignments and projects nila.
Favorite line :
"Ayan  pampan ka kaseeee." "Ay eeeepaaaal"
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@tired-eyesv​ Kaklse mong active sa extra curricular. Kapag kailangan ng athlete number 1 sa exempted to sa finals dahil mag cocompete outside the school. Laging laman ng tarpoline. Kesyo mapa sports, mapa journalism, at kahit dance sport. Kinakareer nya ang extra curricular. Tumataas ang grade dahil sa exemptions.
Matalino at talented. Waging wagi. Kaya laging unang tinatawag nila titser dahil magaling.
Favorite line: "Watch me. Learn from the expert guys!"
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@babaengmadaldal​ Si Jai, Kaklse mong titser's pet. Anak din ng titser kaya peborit nila kumare na titser din. Mahilig tumambay sa faculty. At tignan mga grades ng mga kaklse. Lagi din syang kaaway ng smart ones dahil sinasabihan syang sipsip sa titser.Favorite line: "Maam, nakalimutan nyo po kunin yung assignment last week"
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@katedoesntmatter​ Si Kate, Kaklse mong hindi mo patatalo sa chinese garter at lusong tinik at luksong baka. Sila yung kapag umayaw sya, wala nang maglalaro. Mader sa 10-20. Dakilang taga saway sa magugulong kaklse. Peace keeper sa classroom. Lahat nakikinig kapag silaang nag sasalita. Sgt. @ arms at hindi mo maloloko. Sila ang katuwang ni president kapag wala si maam. Pero number 1 na maingay kapag breaktime.Favorite line: "10-20 tayo, sali kayo dali!habang wala si titser"
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@hotdogogh​ Si Edmund, Siya yung kaklse nyong Juan Luna ng klase, bata palang potensyal nang pintor. Sobrang artsy nya. Kumpleto lagi ang art materials nya sa mapeh. May 64 crayola sya. May pentel na iba iba kulay, may water color,may drawing book na makapal, may poster paint, may coloring pencils. Bilang nya bawat isa. Kaya kapag may nanghihiram, alam nya kung ano ang nawawala at kung sinong nakawala. Very good sya sa arts at nkikipag sabayan din sa music, sya din yung mahilig tumugtog ng instrument sa classroom para mag jam at magkantahan lahat. Arts and performing arts genius daw sya. Thanks sa genes nya.
Favorite line nya: "Okay lang manghiram, basta ibabalik nyo ha"
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@hishiddenletters​ Si Sean, Sya po yung kaklse nyong lapitan ng mga umiiyak. Magaling magpatahan at mag payo. Kaklse nyong matured agad sa murang edad. Daddy sa classroom. Very mabait at maunawain. Tiga awat ng nag aaway dahil pambata lang daw yung away.
Sya rin ang kuya Kim, ang pinanlalaban sa quiz bee dahil ang daming general knowledge na alam. Laging may trivia at life hacks.
Sya rin yung minsan na ground sa saksakan dahil pinatunayan nyang nakakakuryente kapag sinundot ng tinidor.
Favorite line: "Alam nyo ba, na ang...."
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@tanginate
​ Si Nate, Sya po yung naka PE uniform  sa grad pic pero pinahiram lang ng isusuot. Ayaw nya tumingin kasi masama loob nya sa nag pipicture, di sya pinayagan mag wacky.
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@the-lost-boy-from--neverland​ Si Jay, Eto yung hindi palaging kasali sa laro. Sya yung burot sa taguan, laging taya. Lagi ding di mahanap kalaro nya sa uwian, kasi sinusundo na pala ng serbis. Lagi din binubully
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@hugoterongmakata​ , Si ZeddSya yung kaklse mong late, kesyo traffic daw or may banggaan sa kanto, pero ang totoo, late lang nagising. Late na nga pumasok, natutulog pa sa klase.
Sya din yung kaklse mong chill lang sa classroom. Hindi namomoblema sa grades. Hindi daw nag aral, pero ang taas naman ng score sa exams.
Kaklse nyong hindi nyo makikitang may hawak na handouts/notes at natutulog lang pero nakakasagot sa recitation.
Very active kapag wala si titser. Sya yung pinaka maingay kapag walang ginagawa. Instant noisy. Instant maligalig. Kapag nag sama sama sila ng top 1 maingay at jollibee, disaster.
Favorite line: "ZzzzzzzzZzZ.."
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@istambai​ si Jovic, Siya yung kaklse nyong pasimple sumuntok ng jokes. Mahilig mag biro. In short, sya yung clown ng classroom. Lahat ng bagay joke para sa kanya. Tinatawanan kahit.pag piyok ni titser. Kapag tinanong mo kung anong nakakatawa, tawa lang ulit isasagot sayo.Tahimik din sya. Kapag tulog. Favorite line: "HahahahHahahaahHahaha. May joke ako HahahahaHahaha. *hanggang tumawa na lahat wala pa yung joke*"
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@bbarican​, Si Bianca . Sya po ang kaklse nyong "mother", may maternal instincts tinawag na anak ang mga kaklse. Nagprapractice na agad sa murang edad. Sya din yung kaklse mong marunong at magaling magluto. Laging bida sa cooking class at baking class. Marunong sa kusina kaya kapag may food to bring sya lagi engrande magdala. Madalas sya din ang tiga payo at tagapagpatahan. Nilalapitan ng mga sawi at early age. Mahal nya ang lahat kahit ang malditah gHurLsz. Peborit dn ni titser kasi mabait. Lagi din siyang may dalang tarot.
Favorite line: "Oh mga anak....."
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@seaimyourmanx​, si Bej. Sya yung kaklse nyong parang tiga higher batch. Isa sa dumbohala sa klase. Laking nasa likod ng pila. Kapag pinapa pila sa klase, alam nya na agad na nasa likod sya. Mukha syang alpha pero mabait sya. Mahilig magpatawa at makinig sa kwento.  Nabubuhay ang klase kapag humihirit sya ng mga banat nya," haaaww " at "gileeeew"
Favorite line: "Tangina snacks!"
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@98fourth​, si Por. Sya yung kaklse mong jammers. Maganda boses. Malamig. Kapag break time, humihirit yan ng "ala-ala'y bumabalik..." Sarap makinig sa klase kapag wala si titser kasi instant soundtrip agad. Buhay ang patay na oras sa classroom kapag nagsasama sila ng jammerz. Madaming kinikilig sa boses nya. At early age, tinitilian na din sya ng ghurls. Sya yung tipo ng mHaditUh ghurLs. 
Favorite line: "1..2..3.. *kanta* "
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@pikelerick​ , Si Erick. Your resident tito in da haus, sya yung kapartner na jammerz ni songer. Hindi nawawala sa bitbit nya ang gitara. Magugulat ka nalang bigla nalang tutugtog tong mga to sa may hagdanan/klase tapos lahat nag kakantahan na. Paborito nyang kaskasin sa gitara ang eheads at parokya. Born-rockstar. At early age, music prodigy daw sya.  Takot kaklase nya sa kanya kasi ang tapang ng dating nya. Pero soft boi pa din ang ating resident tito. Mabait at mapagbigay. 
Favorite line:
"Wish 107.5..."
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gerilya · 4 years
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TINIK Sticker Art by Gerilya 2020 
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tinikois · 1 year
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local forest god putting on a show ✨
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bakaako · 4 years
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Crush Chronicles #3
Ngayong gabi, March 12, Thursday, in-announce ni Pres. Duterte ang Metro Manila lockdown starting March 15 until April 14, 2020. Wala kaming pasok during that whole duration pero may online classes kami. Hassle pero G sige lang.
Lumuwas ako kahapon kasi magpa-participate kami sa Centerstage ng GMA as audience jury. 3:15 pm ang calltime namin sa Infinitea Maginhawa, and I arrived there mga 3:30 pm, not too late para sa 3:45 pm departure. Wala pa siya. Ayoko siya masyadong hanapin kasi baka ano na naman sabihin ng mga tao. More on new trainees ang kasama namin ngayon since busy ang mga active members. Apparently, merong may crush sa kanya na isang new trainee and it has been bothering me ever since nalaman ko last Sunday. Buti nalang experienced na ako umarte na wala akong pakialam. I can even joke around about it na hindi halatang affected ako. We were playing with my zoom lens nang dumating na yung mga sundo namin. Nakasakay na pala siya sa L300 na isang sundo namin. I wanted to take the seat beside him pero, ayun, sa sumunod na sasakyan nalang kami pinasakay. Medyo sad pero G lang. Chill lang ako.
Nakasabay ko sa sasakyan yung trainee na may crush sa kanya. “Huy, balita ko may crush ka na member ah?” sabi ko sa kanya. Nginitian niya lang ako. Why do I feel so threatened? ‘Di naman ‘to selos kasi ‘di naman sila close pero I can’t stop thinking na baka soon maging mas close na sila kaysa sa’min. Overthinking si ategurl niyong Virgo. Panic ka ghOrL?! Maya-maya, nagsalita yung isang new trainee na katabi niya, “ate, may jowa na ‘yan!” HALA. PARANG MAY FIREWORKS AKONG NAKITA. Nagdiwang buong pagkatao ko. Parang nabunutan ako ng tinik. Okay, moving on, may jowa na siya so I got nothing to worry about. ‘E pero teka bakit ang landi? HAHA char crush lang naman daw kasi. We’ve been there naman ata lahat. Bakit wala ka bang crush na artista?!
Pagkarating namin sa GMA, I can’t recall how we ended up walking side by side papunta sa building mismo. Nakachikahan ko pa siya about the COVID-19′s new cases na in-announce kanina sa news. Pina-standby muna kami sa 2nd floor before kami papasukin sa set. ABA. Si ategurl niyong may jowa pero may crush sa crush ko, tumabi sa kanya! OKAY. OKAY SIGE. Kalma lang. Baka naka-joke time ng mga ibang trainees kaya itinabi sa kanya. OKAY SIGE LET’S JUST SAY NA GANUN NA NGA. Kalma lang ako na nakikipagchikahan sa mga katabi ko. Naglaro nalang ako ng MLBB habang naghihintay na papasukin na kami. Gusto ko yung kasa-start ko lang ng brawl, bigla na kaming tinawag. AFK pa tuloy. Hindi ko alam pero naging magkasunod kami sa pila. I didn’t want to move away from my spot kasi for sure if ma-maintain ko na ganito yung pila, makakatabi ko siya sa audience area. AND NAKATABI KO NGA SIYA. Iba na naman pabango niya. Share ko lang na medyo sensitive ako kapag nagpapalit mga tao ng pabango. Nade-detect ko agad kapag nag-change ng scent yung tao. Mehn, bakit kahit anong amoy bagay sa kanya? Kasisimula palang namin mag-chat nang bigla siyang palipatin sa ibang seat. Nagmura ata ako under my breath. Magkalapit naman kami pero ‘di magkatabi. Naamoy ko pa rin yung pabango niya. Isang tao lang kasi pagitan namin. Kunwari okay lang ako. PERO KASI NAMAN DAPAT KATABI KO NA SIYA E. Ang lungkot! Ang pait! HAHAHA. Bad trip tuloy ako. Ang sad. Bago mag-end yung shoot, I reached out my hand sa kanya and he held it for more than 3 seconds. Okay na ‘ko ulit. Re-charged.
Paghatid nung mga sasakyan sa amin kung saan kami sinundo kanina, sinabi niya sa akin na may dala pala siyang car. 9:30pm na nun pero because of some issues, 11:00pm na kami nakaalis ng QC. Badtrip na badtrip na ako kasi inaantok na ako. Yun yung first trip namin together na tahimik lang ako. Hindi ko siya kinakausap. Maya-maya nung malapit na ako bumaba, kinalabit niya ako. Daan muna daw kami sa Mercury Drug para makabili siya ng vitamins. Edi sumama naman ako. More time together. ANG ARTE BWISIT HEBOR PA. Bumili ako ng cetirizine kasi may nakain ata akong ‘di pwede sa akin. Hinatid niya lang ako sa sakayan, tapos umuwi na siya. Naka-hug ako bago kami naghiwalay. 1:30am na ako nakauwi pero masaya akong nakita ko siya.
I never expected na yun na pala yung last time na makikita ko siya. Next month ko na ulit siya makikita. Medyo nanghina ako sa thought na ‘di ko siya makikita ng isang buwan pero anong magagawa ko. Actually, medyo dumadaan nga sa isip ko na pwede naman kami magkita since nasa Marilao lang naman siya this month pero imposible namang makipagkita yun sa akin for no reason at all! ANG PAIT! #friendzoned
Magpo-post nalang ako ng cover ng “Pusong Ligaw” ngayong isang buwang walang pasok. Tutal mukhang siya lang namin iisipin ko sa buong isang buwan ng pagkakakulong ko sa bahay.
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teamblogspotph-blog · 4 years
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Cirilo F. Bautista
A poet, fictionist and essayist. He was acknowledged by peers and critics with exceptional achievements and significant contributions to the development of the country's literary arts. He was known as the nation’s large foremost writer of his generation.
He was born in Commonwealth Manila, July 1941 and died on 6 May 2018. In elementary Cirilo Bautista studied at Legarda Elementary School and was awarded as 1st honorable student in the year 1954. For his secondary level, he studied at Victorino Mapa High School and graduated as the Valedictorian in his batch year 1959. He received his degrees in AB Literature from the University of Sto.Tomas, Magna Cum laude, the year 1963. MA Literature from St. Louis University, Baguio, magna cum laude year 1968. Cirilo has proven himself that he deserved as one of the National Artist of Literature. He continued his education at De La Salle University in Manila, Doctor of Arts in Language and Literature year 1990. He received a fellowship to attend the International Writing Program at the University of Iowa (1968–1969).
He won First Prize in Epic Writing English Category, of the National Centennial Commission's Literary Contests, 1998, sponsored by the Philippine Government. The judges in this prestigious contest, held to commemorate the Centennial of our freedom, gave the prize to Bautista's Sunlight on Broken Stones, the last volume in his The Trilogy of Saint Lazarus. This epic of 3,050 lines concludes his monumental work on Philippine history. And was published by De La Salle University-Manila Press garnered the National Book Award given by the Manila Critics Circle in 1999 and the Gintong Aklat Award was given by the Book Development Association of the Philippines.
An author of several books of poetry, fiction, criticism and translation, Bautista proves in The House of True Desire that he can also handle the genre of short composition with expertise and style. Many of his works got a lot of attention from the people that make him and his works well known Locally and Internationally. And because of his great works, he was awarded and achieve many great things for his works and ideas. 
Hall of Fame of the Palanca Awards Foundation for achievements in the field of literature, 1995. This is given to Filipino writers who have distinguished themselves by winning at least five First Prizes in the Palanca Literary Contests. Don Carlos Palanca Memorial Awards for Literature nine (9) times for poetry, fiction, and essay. His prize-winning works include: Philippine Poetics: The Past Eight Years (essay), 1981; Crossworks (collected poems), 1979; Charts (collected poems), 1973; The Archipelago (an epic poem), 1970; Telex Moon (epic poem), 1975; The Cave and Other Poems (collected poems), 1968; and the short stories Ritual and The Man Who Made a Covenant with the Wind.National Book Award given by the Manila Critics Circle five (5) times, for The Archipelago, Sugat ng Salita, Sunlight on Broken Stones, The Trilogy of Saint Lazarus and Tinik Sa Dila. Diwa ng Lahi, Gawad Antonio Villegas at Patnubay ng Sining at Kalinangan in the field of literature by the City of Manila. This award is given to outstanding Manila artists who have contributed to the advancement of arts and culture. 430th Araw ng Maynila, June 22, 2001, Bulwagang Villegas, Manila City Hall. Gawad Balagtas in 1997 by the Unyon ng mga manunulat ng Pilipinas for Bautista's achievements as a poet, fictionist, and critic. Included in Who’s Who in the World, 1996, New Providence, New Jersey, U.S. Makata ng Taon 1993, sponsored by the Komisyon ng mga Wikang Pilipinas with the poem Ulat Buhat Sa Bulkan. With this and his Palanca award for Tagalog poetry and his winning the First Prize in the Poetry contest sponsored by the Dyaryo Filipino with his poem, Ilang Aeta Mula Sa Botolan, Bautista affirmed his importance as a bilingual writer. Included in The Oxford Companion to the English Language, edited by Tom MacArthur, Oxford University Press, 1992. Included The Travelers’ Guide to Asian Literature, 1993. Knight Commander of Rizal by the Order of the Knights of Rizal, December 1998, in recognition of Bautista's literary works that helped propagate the ideas and achievements of the national hero. His The Trilogy of Saint Lazarus has the national hero as the main character and focal point in the author's poetic recreation of the development of the Filipino soul from the beginning of our history to the present. Adopted Son of Iligan City, 1997, by virtue of Executive Order #98 signed by Mayor Alejo Yanes, for his contribution “in the development of creative writing in Mindanao, for serving as a role model among young writers, as well as his tireless promotion of Iligan City as a center for literary arts in The Philippines.” Bautista was instrumental in the founding of the Iligan Writers Workshop and was its primary mover in attracting young writers to congregate in Mindanao and learn the craft of writing. Gawad Manuel L. Quezon in 1996 by the Quezon City Government in connection with the Quezon Day Celebrations for Bautista's outstanding achievement as a writer, editor, and teacher.
Certificate of appreciation from the Benigno Aquino, Jr., Foundation for his literary works that helped perpetuate the memory of the late senator St. Miguel Febres Cordero Research Award, SY2002-03 given by De La Salle University-Manila, 2002. This award was given to Bautista in recognition of his achievements in research and creative writing. First Annual Dove Award by the College of Liberal Arts, De La Salle University-Manila, February 14, 2001. An alumnus of the Graduate School of the University, Bautista was honored for the contributions he had in energizing the writing life on the campus through his co-founding of the creative writing programs in the University and activities as Writer-in-Residence for fifteen years. Most Outstanding Achievement Award in Literature by the Philets-Artlets Centennial Alumni Association of the University of Santo Tomas, 1996. Most Outstanding Alumnus Award for Literature, Mapa High School Alumni Association, 1982. Pablo Roman Prize for his Novel-in-Progress entitled Reconstruction, 1982. Most Outstanding Alumnus Award for Literature from the Alumni Association of the College of Arts and Letters, University of Santo Tomas, 1982. Fernando Maria Guerrero Award for Literature, University of Santo Tomas Alumni Association, 1980. Most Outstanding Alumnus Award for Lite.
Here is an Excerpt from Sunlight on Broken Stones The Trilogy of Saint Lazarus                    4 “Do What? Chimes I never heard, or halos wore, the stone upon whose sheen I swore to shackle the sharks, the barks I blew across cinnamon and thyme in lieu of lupercals, lunes for lakes, rice-cakes, bullets, parapets, donjons: of these my bones sing like a book, beyond indigenes and ultimatums: white in the solid dream yet not contained in the plastic tide, wide brides side by side move these islands whose chamber of wisdom is the tomb, whose head of telex ticks jigsaw jungles in jasmine clouds and parrots in pine trees: whines the breeze, rankles the mind, march the rues—the fat-bellied nothing does not lose: of these my bones sing like a book, all these I remember: I walk on a strand of cobwebbed memory, I bring out my tools to incise the sounds in history, and I remember: him:: the cricket tree called to him with vultures in his eyes: he shut the gates of sunlight and propped epistles on the grass: the first spoke of a terribel war between shifting mirrors whose rage mathematic, technique pure, prevent waterclerks from clipping the revenue: a war of blood and brain cutting its own wound like a diamond, a hooded abstract in twenty carats: the second was a parable dressed in lemon and turpentine; its line, printed on sable, trumpeted tonsure as torture— an experiment in cancer and royal jigs: to invent what in the mind is optic or midget is to grease contumely, is to seal the concordat between pirates and papal henchmen: the words hissed like flame against metal: the terrible collusion that brought ignorance to these Islands: and the third, O the third was bantam, the third was brother to the ox, the third stuck its feathers in gum and broke the spine of priesthood: its intestines were solid gold: it cackled the monasteries to ruins: I walk on a strand of cobwebbed memory and I remember: metal wings beating conundrums in cathedral domes: that doomed warrior Magellan, rusting with metals in Mactan: that fruity sailor Legaspi, drowning in his fever while in his thick eyes Manila rose up on sticks and stones: that pale Rizal, pinned like a butterfly to his texts, Impotent as the alphabet he rode on: “offerings of gold and silver and brass, and blue, and purple, and scarlet, and fine linen, and goat’s hair and ram’s skin dyed red, and badger’s skin’s, and shittim wood, oil for the light, spices for anointing oil, andd for sweet incense, and onyx stones, and also stones to be set in blue ephod, and in blue breastplate”: the death with their dryads and decimals, their spirit like rubber mannequin—how long can they hold to the letters of tombs? The pen sprouts their flesh and numbers numb their bony solitude. So lost the ghost they bought with their last gold, desiring the warmth of womb, cursing the papers that etched their sins: I remember: like glass, or a blade of grass, I bend to the wind, throw the papers to the wind, hoping the rustle will cover the sound of ache in my heart for souls seeking new homestead for their head. But more it is for the world I weep to sweep away the decay of warfare and darkness, and I am old and childless, my words cannot shoot: The lotus moon hands maximum on my lute—its pluck has dry throats on the grass: alas! the lack the lutist laments liks the art in my tongue which cannot live long: my blood throbs with the wounds of ages— Lapulapu, Humabon, Sikatuna, Sulayman, Matanda, Mabini, Rizal, Bonifacio—they clog the arteries of my soul till I am aflame and through the heat I see my people’s corpses piled high inside th Walled City, their brains staining the streets, the children’s limbs scattered like garbage upon the mud, and the black words flapping like banners in the wind, “Death to the Infidels!”: my blood boils and I remember: the parables they strung around our necks as amulets against the unknown in the hope that catholic spells would expel the voodoo in our speech, as each to each we passed our sorrow: place the thumbs so, on the temples, and hear my words, “for what man knoweth the things of a man, save the spirit of man which is in him?” Very like a kite I am, cackling for a piece of the moon: touch my words and my biography falls aparts: dig into my breast and I have no heart: all my patrimony burned with the fruit boats in the Pasig when we abandoned the brown gods for gunpowder and Paradise: whos eyes shape the picture of our sin?: whose dagger shall draw the poison from our blood?: what shall link our tongue to the silent speech of the grave so that brave words be quicker, be full, as I sing of things?”
In the past few years, many young poets have enlivened our literature with their fresh voices and unique interpretation of the human condition. Mostly products of the various writing workshops in the country, they respond to social and personal realities with the exciting and well-informed facility. Their reflections vibrate with a taut understanding of common virtues and falsities, with deft handling of poetic surfaces and undertows. His best-known work is the epic poetry trilogy “The Trilogy of Saint Lazarus,” made up of the “The Archipelago (1970), “Telex Moon” (1981) and “Sunlight on Broken Stones” (1999). 
His works were;  Sugat sa Salita was published in De La Salle University Press, 1987 Kirot ng Kataga was published in De La Salle University Press, 1995. Galaw ng Asoge was published in UST Press, 2004. Tinik sa Dila was published in The University of the Philippines Press, 2003; and more. 
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indiobotod-blog · 4 years
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Tarot card of the day: The Empress-- Ghurl, so nasa highest form ka ngayon. So strut it ala Empress. Yung creativity mo nga pala ala Mt. Everest ang kabonggahan kaya conquer while whipping yah hair back and forth. Oracle card of the day: Goddess Aine with the message, 'Leap of Faith. Take a risk and put your heart's true desire into action.'-- Ayan na!!! Pati ang Dyosa binaba na ang basbas at pabor Niya sa iyo. March like an Empress & get what you want lalo na yung akala mo imposibleng maging iyo dahil sandamakmak ang tinik na nakapalibot pero hahawiin ni Goddess Aine iyon para sa'yo. You go, beks! 🔮♈🎨 #oraclecards #goddessoraclecard #tarot #tarotcard #tarotreading #tarotdeck #wheninmanila #manilalockdown #quarantinedaries #vaporgram #artph #art #artwork #asianart #asianartist #film #filmphotography #photography #oraclecardreading #oracledeck #asia #southeastasia #ricardocavolo #tarotdelfuego #art #artwork #artph #manilaart #fridakahlo https://www.instagram.com/p/CBmXHwgBQH6/?igshid=lpb4o1sf2xna
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thefickledreamer · 5 years
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Unsolicited Review of “Rebulto”: Sculpting Mental Health Awareness in Theater
Madrigal, once again, made his point artistically louder and palatably relevant in his latest screenplay “Rebulto”, still bearing his unique writing and directing style with an unconventional yet familiar manner of teaching valuable life lessons similarly present in his earlier works such as “Si Dr. Kwago, Si Kosmeng Kuba at ang Mamaw” and “Ward 13”.
Adamson University’s Tinik ng Teatro, in its 10th season, premiered Rebulto in the Adamson Theater with two shows booked for the whole afternoon of March 18, 2019. The one-hour and half cocktail of all possible modes of expressiveness-slash-monologue-type back-reading of a life-thread centers on the life of Lion, a sculptor on the verge of retirement and is on full-mode preparing for his much-awaited final exhibit. His lifelong interest in sculpture has grown over the years, and at this time, he is on his final showcase which includes his last sculpture named Thea, which he has been working on enthusiastically and lovingly.
The play starts with a serious-toned interpretative choreography only to be cut-off with a funny intro, paving a reassuring note that this isn’t a typical play, rather an unconventional and modern one which deemed as a strategy to make the younger audience tuned in and interested. The long paragraph below would be an attempt to summarize everything I have witnessed before providing the hopeful criticism of it.
The flow of the story, as Lion reminisces his past, showed his childhood with a dysfunctional family – a loving mother who had a past of ballooned depression and a drunkard father who can be tagged as “nakakarimarim” or despicable (you’ll find out why later in this essay).
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His interest in the human body and the influence of his mother to Greek studies inspired him to pursue the art of sculpture but in some way had affected him to act femininely which was apparent in how he plays with dolls, and this motivated his father, coming home one night heavily intoxicated and angry, to sexually abuse him at such young age.
Living in an inharmonious home with his mother being subjected to verbal and physical abuse, Lion opted to live normally, still pursuing his interest in sculpture, but self-harmed himself at times when he cannot carry through with his memories of abuse from his father. His mother, upon learning this and what his father did to him, tried to handle what has happened to her family unsuccessfully – mounting to a regressive depression and overdosing while his father ran off to escape such accusation only to be killed off in the streets in what can be assumed a result of his substance abuse (and by substance, and by assuming, it has something to do with the local war on substance, ehem, drugs, or so why would he be running all over the place and get shot down from nowhere, right?).
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With all these, Lion still went through victoriously and kept living his life, following suit with his early adulthood years. Lion’s youth, which depicts common phases of friendship and love, has awarded him this time with both aspects happier and wonderful, unlike his childhood struggle, only to end up being betrayed by both friend and lover. Failing to find a similar envisioned future with the love of his life - Ersa and being rejected and left behind for an unclear reason as he proposed for them to get married, Lion gets accidentally hit as he mindlessly crossed the road, providing an explanation to why the reminiscing older Lion had a cane, limping as he told his story to the crowd.
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Bearing a train of pains and gaining depression from his younger years, which is by the way can be assumed hereditary due to his mother’s condition, frustrated and hopeless Lion was further put into more anguish upon learning that Ersa’s rejection was caused by her unknown affair with none other than Lion’s childhood best friend Hamil. This anguish awakened the only sturdy and reliable thing in his life – his sculpture Thea – magnificent and dainty in her casted movement and being. Understanding that Lion’s anguish is unbearable already, Thea stood out to give Lion the refuge he needs and reaches out to him warmly, encouraging him to take revenge at the world by giving up and quitting the unfair life he is living. 
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Hinting the climax of Lion’s battle with himself, another interpretative choreography was rendered by the cast featuring an exhausted and confused Lion being influenced by an antagonizing Thea. The dance seemed to be Lion’s sanity battle, staging an internal fight to keep on breathing or take flight, away from all his despair, and into the loving embrace of Thea which signified Thea’s encouraged choice, a choice to end his life. Stage black.
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And for its finale, an unexpected twist of event – or rather, mindset – portrayed Lion’s triumphant final exhibit show with an emcee about to reveal the much-awaited final sculpture created by Lion. Upon the taking off of the cloth covering his final piece, the expected lone-standing beautiful Thea was turned into a couple sculpture showing Thea embracing a self-sculpture of Lion, symbolized by his cane, both with smiling faces. This take off was ended with Lion coming out of the stage to give his ending remarks, in which he provided his imaginary audience with a brief backgrounder on his final piece – the very symbol of his victory against the battle he had with himself – bottling the event with his encouraging words to “speak up, seek help, keep on.”
Lion was able to overcome his depression. His pursuit to finish his final masterpiece passed by hand in hand with his journey through the series of downfalls in his life which all ended up in a happy note – a finished sculpture equal to an end of his own struggles.
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Still, it had very specific scenes which were dark and deep and, as cautioned prior its beginning, can be triggering for certain people or would seem inappropriate. But the way the cast had carried such scenes were remarkable enough, balancing its darkness but easiness of being performed on stage. Masked with Greek-influenced theme and mix of current trends, overall, Rebulto tried to give its audience an easy-to-digest sandwich tackling the darker side of mental health.
But it was too easy, as an audience, to watch Lion’s time of struggling to his time of overcoming  - - - with him ending the show with words of encouragement to the audience of his exhibit vis-à-vis the actual audience of the Madrigal’s play. Lion’s story might have tried to sell the “this-too-shall-pass” concept – that no matter how dark a person’s past has been better days will still come just as long as he or she chooses to not give up. The story’s resounding ending lesson of retaining a positive outlook in life is good and helpful, and could even be linked to Pygmalion Effect, perhaps, because generally, having better expectations also aid in actually achieving better situations. The fast-paced scenes from Lion and Thea’s thrilling dance-off, a quick lights off, and then a sudden happy twist of Lion still keeping up and breathing can be deemed exciting and supportive of the perceived general message of the play that life will still be good. And of course, going back to the essence of the play to still remain amusing to the crowd because of the slight plot twist, these scenes were necessary. For a normal viewer, this brought out the element of thrill and suspense because we really can’t tell if Lion’s going to let Thea totally win over and give up or if not. Fortunately, he didn’t. But for some who might still be dwelling in their dark days, it would have been more helpful if the play showed clear-cut solutions that could possibly help strike out the stigma on mental health. Offering an actual or visible portrayal of time-based solutions on overcoming depression, a possibly step-by-step guide or available solutions some of us could take, such as engaging with a mental health professional, bravely joining support groups, observing proper food intake and sleep, doing mindfulness activities or even doing recreational and even creative activities – like how Lion immersed himself with creating sculpture – a clearer picture showing that these things are doable, would have been beneficial for viewers, especially those with still limited knowledge on mental health or general psychology, to clearly understand how one can really win over mental health problems. 
The play also touched issues on child-rearing and showed how critical it is to parent a child; after all, a damaged childhood is usually the root why people are experiencing mental health problems. Partly, it was a saddening realization that both Lion’s parents had horrible effects in the course of his lifetime and their part in the play had unpleasant endings. Rebulto, also, subtly communicated how the younger generation treats relationships – with the heightened trend of fearing commitment, tendencies of false love that also leads to infidelity, and how friendships are overtaken by self-serving decisions – and God, how we hope these aren’t true but all these are happening in our current society, and specifically, among the youth. And what’s greatly compromised is everyone’s mental health. Here we see how parenting should be taken seriously and that we should actually start working together for preventive measures. (*again, I shout with my typing, “moral recovery!”)
Largely, Rebulto was worthy to watch and I hope it could be shown again with larger crowds that can witness it, just as how much I would want to re-watch the rest of Madrigal’s earlier works. For someone who’s not directly practicing psychology-related tasks, the play, other than being a delight, also served as a breather and refresher on suppressed issues about mental health. With how the world is rushing all of us now, it’s always a good option to take a step back and relearn things – even the most basic ones we can consider – such as talking out with friends, doing things we like regardless if it seems uninteresting to others, being kind, being optimistic – and to remember that there’s always help available if we also make ourselves available to help ourselves and others.
And just as Lion’s positivity drew out overflowing-ly in the end of the play, may we also find ourselves the same, hopeful for what’s better ahead and fearless in speaking out, seeking help and keeping on.
Still, I would like to express my awe and appreciation to the cast, director, writer and the technical people behind this play. Mind you, these people are college ones yet they have performed exceedingly and surely has made the play’s impact felt by the audience. Long live AdU’s Tinik ng Teatro!
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(Note: All photos taken by the reviewer.)
^ took me almost 3 months to finish this review piece (even had it lost along the hundred GB files I lost in space from 2 weeks ago, good thing I had it in a separate flash drive, huhuhu), at least I finished it as promised. ^_^
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