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#tried to go in chronological order
comradekatara · 3 months
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What's your favourite moment from the atla series?
like, of all time? from the entire show? idk if i can just pick one. so here’s a list of random moments that left an indelible mark on me as a kid:
katara fighting pakku in “the waterbending master”
yue sacrificing herself in “the siege of the north”
toph fighting all those guys in the ring in “the blind bandit”
also “hey! i’ve got my eye on you!” “water tribe…” (ibid)
toph and iroh meeting in “the chase”
zuko yelling O smite me mighty smiter in “bitter work”
the (very underrated) azula and aang fight in “the drill”
long feng laying out the truth of the city in “city of walls and secrets”
iroh getting buff sequence in “sokka’s master”
zuko redirecting ozai’s lightning in “the day of black sun”
aang and zuko meeting the dragons in “the firebending master”
ty lee betraying azula in “the boiling rock”
basically the entire sequence of katara tracking down yon rha in “the southern raiders” but also it makes me so emotional that for years i couldn’t even rewatch it
azula’s breakdown in “sozin’s comet”
toph and sokka holding hands as they prepare to plummet to their deaths (ibid)
katara fighting azula (ibid)
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francy-sketches · 7 months
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mental illness
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lorienlady · 10 months
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I'm not thinking about the fact that every time in the last 5 years my mental health has fallen apart I've fractionally held it together with D&D podcasts or liveplays and you actually can't make me
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grendelsmilf · 2 years
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older frog girls sketchdump. bc the brainrot is real
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writeouswriter · 1 year
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Me: *Has written plenty of great opening scenes that I'm actually quite fond of*
Also me when trying to write a new opening scene for a new project: I have never written an opening scene in my life, what's an opening scene any more, has there ever truly been an opening scene to anything, there is no beginning, so there is no end, there is no one out there watching over this monstrosity, I am in the void, my mind is adrift, how do I open this scene without a key, where did I leave my keys??
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production photos for the salzburg festival’s new staging (premiering tomorrow!!!) of martinu’s the greek passion are in and this looks INTRIGUING:
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(source, with more images)
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enbysiriusblack · 8 months
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thinking about horror film au marauders.. (tw. lotta gore)
lily the nerdy, bossy character that comes out with a giant axe and brutally beats up the killer/s to the shock of every other character
peter is either the bargaining character that tries to bargain and give the killer/s what they want just as he's about to die. or the character secretly on the killer's side that's revealed at the end
definitely giving wolfstar the making out whilst a killer is in their house/car/woods
mary, dorcas, remus, and lily all turning to each other wondering which of them is gonna die first, when they realise they're basically in a horror film cause of the black character dying first trope (i watched the blackening yesterday and the tagline "we can't all die first" gave me this hc. very good film. highly recommend)
sirius is the resident horror film expert that tells them what the killer usually does next (im imagining someone dying and everyone is just screaming over the dying body and sirius is also screaming but then adds in "this is exactly like that scene in wrong turn!"
the screamers are probably mary, remus, and james. not a definite though. i can see it being other people.
marlene gets the most jump scare scenes and emmeline gets the most hearing creaking and footsteps
james is the best at fighting but absolutely hates blood. feel like there needs to be a scene where he's like punching a masked killer and is doing SO WELL. and he gets the killer on the ground and is about to pull the mask off when the killer pulls out a knife and stabs at his hands and chest and shit. and he just screams and backs away staring at his blood until he faints.
as marlene dies, she clutches dorcas' hand and whispers "the lesbians never get a happy ending. apart from fear street... why couldn’t this be like fear street?"
the final girl HAS to be mary. ofc.
#im very much a satire horror fan. in case you couldn’t tell from this.#gonna explain how everyone dies (other than mary) in the tags cause im having ideas now i thought i was finished#idk the order so this is random and not at all chronological#remus- is high as fuck. thinks sirius or james is pranking him and then gets stabbed or whatever#sirius- tries to out horror the killer. tips a bucket of fake blood on them. has a chainsaw and mask#has a bunch of recording devices with sounds he previously made. etc. but then his fucking phone goes off#and he gets so annoyed because thats such a rookie mistake. and he asks to cut and do a retake just before the killer kills him#marlene- kinda already said about her death. but feel like it's def outside like in the street and shes only with dorcas#i already said james' death#lily- feel like there's more than one killer and she manages to kill one. just to turn around and another to get her#dorcas- she gets VERY into it once marlene dies. definitely gets hits in if not killing some of the killers.#but they ultimately get stabbed a lot and they run to marlene's body whilst bleeding out instead of the hospital#and she dies in marlene's dead grasp.#emmeline doesn't get killed for a while. is bait in a plan to catch killer/s but the plan goes wrong and she gets pushed out a high window#i havent mentioned other characters but why not say their deaths.#regulus- he's made to be involved with like a scene in a library where they go to him to ask about some secret history of the town#and then is killed the next day but has s bunch of writings and pages of books around his room about the killers and hes solved it#but the killer burns it all before anyone gets there#pandora- kinda want her to the first death for some reason idk.. like it gets framed as a suicide but so many people dont believe it#and the killings go on#barty- sees the masked killer and like jokes around touching their mask and stuff. and then the killer just like. brings out an axe#and chops his head off#evan- dont know why but im imagining him driving and getting those spikes in the road to lure him out the car#also btw didn't mention peter's death cause im leaning towards him being secretly one of the killers#and gets killed by either lily or dorcas#was gonna say barty and evan could be killers then i realised i made them kill reg and pandora and cas so people would not like that#also no mary death obviously since shes the final girl. survivor ever <3 immortal <3#marauders era#marauders#tw. gore
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iamdeltas · 11 months
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I don't know how to figure out a deliberate order for the songs on my character playlists and at this point I'm too afraid to ask.
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Watched S6E2 “Yellow Ledbetter” of The Vampire Diaries while on the exercise bike this afternoon. And I know at this point we’re still not supposed to like Enzo all that much, but the fact that he saw Caroline crying in the car outside of Stefan’s house and just got back out of the car and kicked Stefan’s ass? YAS. It’s everything Stefan deserves. And the promise to make Stefan’s life a living hell from then on? Enzo, I’m really starting to like you. (Adds another Absolute Lunatic to my cart.)
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kingdomoftyto · 2 years
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10 Characters, 10 Fandoms, 10 Tags
Tagged by @dragonsorceress22 here! Thank you~ (。・∀・)ノ゙
Sheik (Legend of Zelda) - mostly because I’m at this very moment replaying Ocarina of Time and I miss him
Gylfie (Guardians of Ga’Hoole) - as you can tell from my pfp she still means a lot to me
Danny Fenton (Danny Phantom) - still pretty regularly reading fic about this nerd after all these years
Gaara (Naruto) - my fav back in high school and therefore still my fav today
Fujioka Haruhi (Ouran High School Host Club) - legendary romcom protag as well as a massive gender mood
Emil Castagnier (Tales of Symphonia) - insert that one “i want to protect it / i want to see it grow and flourish” meme
Fluttershy (My Little Pony) - best pony, end of sentence
Karkat Vantas (Homestuck) - no talk him, he angy 🦀 ...but also the softest boi
Pearl (Steven Universe) - I will still be belting “It’s Over Isn’t It” at the top of my lungs when I’m 100 years old
Kuroba Kaito (Magic Kaito/Detective Conan) - he’s a little shit but he’s MY little shit
I’m just gonna tag some random mutuals (I don’t quite have ten lmao) but as always feel free to ignore if you don’t wanna ✌️ @miyuzaki-1 @bluefox4 @aph-lithuania @0palite @mimi-kurusu @dee--eer
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vroomvroomwee · 9 months
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Crowley is Lucifer
(Ok I know some of you don't believe this theory but I highly suggest you give this a quick read anyway. I tried to make it short and easy and I'll be going chronologically, from s1 all through s2)
- First, let's get this out of the way, Lucifer and Satan aren't neccesarilly the same person. Even in the show the devil that appeared in s1 has only ever been reffered to as Satan, not even once as Lucifer.
- In the bible Lucifer was the one to tempt Eve with the apple, and who do we know that does that in the show. Crowley is literally THE snake from Eden.
- An obvious one perhaps, but the red hair is also a giveaway
- In the bible Jesus was tempted by the devil for 30 days, in the show Crowley says "I showed him all the kingdoms of the world", so that's another role Lucifer has that Crowley had in the show
- It's well known (even mentioned in the Sandman) that Lucifer was the most beautiful of all angels, and our demon is played by no other than David Tennant
Now on to season 2 because there's a LOT to unpack here
- He litterally started the engine of the universe which was one of Lucifers roles
- He's the first to say "let there be light", which is pretty fucking huge since that is Gods line
- "I worked closely with upstairs on it" even in the first scene they're telling us Crowley is an angel of very very high rank
- He fell for asking questions, which is litterally what Lucifer fell for, for questioning God. This in and of itself should be a pretty big indicator. "I only ever asked questions"
- Shax: "a miracle of enourmous power only the mightiest of archangels can perform"
Crowley: "How do you know I didn't do it"
And Shax just... doesn't counter that. She looks even skeptical, as if it COULD be a possibility, unlike Uriel who says to Aziraphale don't excpect us to believe you did it. Shax litterally doesn't shut the option down which confirms Crowley has the power not only of an archangel but of the mightiest kind
- In the bookshop with Gabriel/Jim he says "I don't remember. It [gravity] seemed like a good idea when we were all talking about it"
- "You're welcome to come in, you might even spot an archangel" don't tell me this was Crowley just egging Shax on and not being sneaky
- The fact that he could sense the demons coming. "Somethings wrong""It's coming in waves", when Aziraphale couldn't. It could be a demon thing but we saw Sandalphon, an archangel of lower rank, in the first season mention "something smells evil" so obviously angels can sense demons too, they just have to be powerful enough. And keep in mind Sandalphon was already in the book shop for quite some time, Crowley sensed them even before they had arrived (he also sensed the hell hound who was some fucking miles away)
- The.fucking.folder. "You have to be a throne or dominion above" and this dude opens these clasified documents like it's nothing. If this isn't an indicator of his high position as an angel I don't know what is.
- He's worked with Saraqael, another very high ranking angel
- "I'm the only first order archangel in the room"... and the camera imediately pans to Crowley, and for anyone who's read the book and watched the show you know that rarely anything is coincidental
- When the Metatron says they can't lose another prince of heaven. This... this fucking line. So it's relatively well known that Gabriel and Lucifer are brothers, and if Gabriel is one of the princes of heaven I wonder who the other one could be. "Two princes of heaven". And the Metatrons words were very careful, he doesn't say lost as in heaven can't find him, he says it in the context that they won't be sending Gabriel to hell since they won't lose another prince to downstairs
- In the bookshop when no one can identify the Metatron he turns to Crowley who imediately recognises him. Now you have this dude, who's literally on top of the angel hierarchy and is responsible for running heaven and the connection to God themself, surrounded by archangels and a principality you spoke to face to face with just a few years ago and... none of them can tell who you are, the only one who does is the literal demon. That tells us that Crowley has not only seen him in this form, but has probably worked with the Metaron himself personally. "Always asking damn fool questions", 10 million angels and he remembers what this one particular angel was like 6000 years ago
- Crowley is also very reluctant to reveal his identity as an angel. Now if he were just an ordinary angel of no real significance he wouldn't have a problem revealing his name, but... if his name was one that's the literal representation of all evil in this world, then it is understandable he keeps it a secret, in fear he might scare Aziraphale away
- And I wanted to leave the best for last. So you remember in the book when Crowley has to sign his name to start Armaggedon, and Hastur tells him "no, your real name" after which he reluctantly writes it. Now in the book we never see him write anything, but in the show we see him write a sygil, something that looks very mich like an L. An L... A FUCKING L. And now I wonder how this theory didn't come up sooner.
(Also he can fucking stop time, like dafuq)
Edit:
- "Oh looky here it's Lucifer and the guys" we all thought he was talking about someone else, he's just refferencing things other angels have said about HIM. FUCK
- I keep seing people saying Crowleys memories were wiped because he couldn't remember Saraqael and Furfur. But I think people forget, demons lie. He's lying to make them think he's not that angel they worked with, that he's not Lucifer. (In season 1 we hear him a few times refferencing his life as an angel, so he does remember most of it)
- Also saying if the Raphael theory were true then as showrunners they would have mentioned him somewhere for those not that familiar with the bible (or don't read much fanfiction). The refferences for Crowleys past are so so vague that it would be too sudden and confusing if he were Raphael. But there is one name that everyone is familiar with, no matter who you are how old you are or where you're from, a name that needs no introduction.
Edit 2:
- Back to him being the most beautiful angel, I don't think it was ever quite explained how every single demon when they're in hell looks... awful, but Crowley doesn't. Beelzebub has the spores all over their face, Hastur the maggots and the sh-, Dagon the scales etc. But Crowley doesn't, not even when he's in hell, he's always just so, well, pretty.
- I saw a few people asking about how Lucifer started the rebellion and Crowley wouldn't do that. I think it's the same Crowley who wouldn't get stuck in traffic after creating the M25, or the same Crowley that wanted to call Aziraphale after bringing down the entire London network, "you told them you invented the spanish inquisition, and started the second world war""so the humans beat me to it that's not my fault", "so all this is your demonic work?""no, the humans thought it up themselves nothing to do with me"
- Also I think Satan's in charge of hell not Crowley the same way the Metatron's in charge of heaven and not Gabriel (and who can very easily demote angels if he so wishes)
Edit 3:
- like some of you pointed out Lucifer is also known/means Light-bringer. And Crowley was the first to say "let there be light."
- The file he opens with Muriel is Gabriels file, a class A archangel, so if he knows the password to that it means that either he's on the same level as Gabriel, or above him.
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Good Omens: all about its score
I know these have a lot of text, but I tried to put everything in a “chronological, this fits together” order. If you love music, you know how much the score of a certain series/ film adds to the feeling of it.
David Arnold is a genius. There is so much going on beneath the surface. All those little strings you might not pay attention to, they are ATTENTION worthy.
This is part 1. There is a part 2 here!
I also want to point out the one thing I did not add on the slides: there is a moment at the beginning of episode 6 of season 1 where Mark Kermode played the harmonica. (Just as a little cameo for you :) ) In the words of @neil-gaiman “ Ennio Morricone-style Western harmonica music”.
All of the information here was gathered from interviews with David Arnold. (Those include videos as well and the DVD commentaries). I will leave all my sources in part 2.
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deadsetobsessions · 4 months
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AU List
Hello! Welcome! This is my attempt at keeping the AU's boiuncing around in my head in order. They should be mostly in chronological order.
Some of them are getting turned into full length fics! The list (and it's open to suggestions) can be found here: Fic List
A couple of things:
Please feel free to write your own fics based on any of these! No need to ask, simply link it so I can also read it <3
If you have any specific scenarios you have an idea for and would like me to write- my asks/prompts are always open! I can't guarantee quality as I do most of my writing at like, 3 AM but I'll try my best!
I don't condone racism, bigotry, homophobia, etc.. I do not welcome it here. I acknowledge that I have biases that I've yet to unlearn. If there's something that makes you feel unwelcome in the things I write, please let me know and I will fix it ASAP.
I write these mostly on little to no sleep (that’s when I get creative I guess?) so good luck.
Squatter! Danny Raises Tim AU:
[Here] In which Tim finds a squatter (Danny) in his house and gets a brother.
[Here] AU of Squatter!Danny where Tim finds Danny squatting in the Nest as Red Robin and thinks he's a coffee-fueled hallucination.
[Here] Tim and Danny stalks the Dynamic Duo and freaks them out.
[Here] Tim and Danny goes shopping, Jazz Fenton casually suggests murder as a means of sibling adoption.
[Here] Tim meets Jason! Robin and fanboys his way into thinking he could become Robin. Danny tries to temper Tim’s stalking habits.
[Here] Family Bonding
Ghost King and the Justice League:
[Here] The JLA summons Danny and Constantine regrets his poor life decisions.
[Here] Writing Prompt: Ghost King!Danny can hear the screams of the Joker's victims.
[Here] Batman tells Hal Jordan to babysit the unconscious Ghost King because Hal’s neon green.
[Here] Zatanna helps the dying ghost boy by repairing his grave and hunting down the GIW
[Here] Zatanna retrieves the gravestones of Phantom's subjects and gives him a safe space to grieve.
[Here] Ghost King!Danny babysits Wonder Woman at the behest of the Goddess Hera.
[Here] Ghost King!Danny munches on some demons.
[Here] Local space ghost scolds superhero club because they littered in space.
[Here] The OG Young Justice team summons Danny in a private school bathroom
[Here] The JLA failed to prevent cultists from summoning the ghost king. Luckily, they get Danny instead, who seems to be the king's assistant.
Alcoholic! Danny Adopts Jason Todd AU: (Fic)
[Here] Alcoholic!Danny saves Jason Todd from a mugger and gives up alcohol to be a big brother.
[Here] Alcoholic! Danny confronts his stalker, buys chili dogs for his new little brother, and kills a pedo in that order.
[Here] Going Sober!Danny meets Batman, and then gives his new little brother an apartment and tells him he can go to school.
[Here] Going Sober! Danny takes his little brother back to school shopping
Spider in Gotham AU: (Fic)
[Here] In which Peter Parker gets isekai'd and shrunk, commits crime, and adopts a Gothamite street kid for a brother.
[Here] In which Peter Parker’s alternate memories haunt him in the form of nightmares, his identity gets made by his roommate, and he talks to a concerned vigilante with poor sleeping habits about his own poor sleeping habits.
Gotham! Danny and His Bats:
[Here] Writing Prompt: Cryptid Danny predates the Bats.
[Here] In which Danny is both Tim Drake and Gotham's City Spirit.
[Here] Writing Prompt: Danny and Gotham’s Bay that’s full of dead bodies, ghosts, and a very alive Red Hood
[Here] Gotham Spirit Phantom has a moment of introspection and would like people to stop blowing parts of the city up
[Here] AU of Gotham Spirit Phantom where Danny has no idea what universe he got reborn in and proceeds to have a bad time and decides to DIY mental health.
[Here] AU of Gotham Spirit Phantom where Danny has no idea what universe he got reborn in, pt. 2: Danny bullies Bruce into self care.
[Here] Writing Prompt: Shade! Jason stumbles across a ghost Danny, adopts him, gets turned into a full-fledged ghost, eats cookies, and gets pulled back into his human body.
Danny in Gotham:
[Here] Accidental Crime Lord! Danny Phantom and his takeover ft. a gaggle of orphans and a stressed Batman
[Here] Writing Prompt Lawyer!Danny Fenton and heroism within the confines of the law.
[Here] Lawyer! Danny prompt fulfillment
[Here] Coffee Shop Owner! Danny enforces the shop's neutrality by beating up the Joker with a chair and accidentally seduces the Red Hood.
[Here] New to the City! Danny dropkicks Red Hood in his stupid red helmet
[Here] Danny vs. Mr. Muffins
[Here] In which Bruce, Alfred, and Dick grieves while Danny wonders why they were grieving on an empty grave.
[Here] In which Danny did not get the memo about Gotham's pharmaceutical companies
Sea Cryptic! Danny AU:
[Here] Sea Cryptic! Danny cleans up beach after local vigilante explodes his plane over the ocean.
[Here] Sea Cryptic! Danny cleans the Gotham bay and does broke college student things.
[Here] Sea Cryptic! Danny extorts money from Batman for blankets.
[Here] Sea Cryptic! Danny makes a friend and calls Red Robin broke.
[Here] Sea Cryptic! Danny makes Batman a debtor and makes friends with the best vigilante recyclers in Gotham.
[Here] Tim asks Danny to introduce Tim to Danny, Jason has a post-zombie crisis.
[Here] Batman tries to adopt another kid, Danny gets Vlad flashbacks, and the Bats finds out that Jason is stinky.
Danny Gets Yeeted (Yoted?) Into Gotham AU:
[Here] Danny gets dropped on the Batmobile and acquires minions
[Here] IOU One (1) Big (Harvey) Dent
[Here] Danny trolls the Waynes by telling them he's died before (and pretending he doesn't know they're vigilantes).
[Here] Tim makes bad excuses for vigilante injuries and Danny forgets about the knife embedded in his stomach.
[Here] Sleepy, assassin-trained Damian accidentally stabs civilian Danny and feels bad about it.
[Here] Danny's Knife Collection (but not just knives).
[Here] Ghostbusters but they don't actually catch the ghost (Danny)
[Here] Danny’s in the goddamn walls!
[Here] Danny's first family game night: trauma, eating paint, and aiming the Bat cannon at the GCPD and firing feral vigilantes out of it.
[Here] Cassandra Cain (former Feral Child) reassures Danny (who is Ghost Feral) that they're siblings.
[Here] Danny gets ice-cream with Duke, Bruce vs. (corrupt) CPS
[Here] Danny does gardening with Alfred
Danielle "Dani"/"Ellie" Phantom:
[Here] "Ellie" visits Gotham and encounters a Stinky Red Hood.
[Here] "Dani" trades "removing corrupted ectoplasm" for "a meeting with Batman about the GIW" ft. Stinky Red Hood and a confused Nightwing.
[Here] A paralegal gets reincarnated/isekai’ed as Danielle “Nellie” Phantom, Prompt
Gremlin Genius! Timothy Drake:
[Here] Toddler! Tim is irritated at his heroes for showing up late at their own Gala.
[Here] Tower Scene AU
Reincarnated as Gamer! Timmy Drake (fem Tim): (Fic)
[Here] The Dissociative Experience™️ of realizing your afterlife is a cosmic oopsie (and that you’re now playing a game as a female Tim Drake).
[Here] Art for the fic
New Tim-line, Who Dis? AU:
[Here] Time Traveling! Tim has a crisis on a plane and hires Deathstroke to off the Joker.
[Here] Time Traveling! Tim takes over Bludhaven's underground at nine years old by terrorizing them and takes out his big brother's enemies via blackmail and Amanda Waller.
[Here] Tim Drake Vs. The Education System round 2
[Here] Dick Grayson remembering his dumbass, self-sacrificing little brother from a different Tim-line.
Prompts Found:
[Here] Tim is a sleeping cat and the law is: you can't move.
[Here] Heartbroken Danny leaves Dick Grayson with a table full of cold anniversary dinner.
[Here] Tim beefs with Superman.
[Here] Triplet Tim
[Here] Triplet Tim Pt. 2
[Here] Triplet Tim Pt. 3
[Here] Triplet Tim Pt. 4
[Here] Triplet Tim Pt. 4.5
[Here] The Trio escapes Amity via train
[Here] Dick Grayson plays dumb... a bit too dumb
[Here] Reverse Trope Prompt- Too many beds (dcxdp)
[Here] Reverse Trope Prompt- accidentally kidnapping a mafia boss (dcxdp)
Thoughts about DC/DP:
[Here] Richard Grayson's successful image change
[Here] DC vs. The Fan Ability of Saying "No"
[Here] Jason's Pit Madness
[Here] Gotham's City Planners
[Here] Jason and Cass discusses their kill/no kill policies and comes to an understanding about each other.
[Here] Danny can be a twink OR he could be buff as hell.
[Here] DC Canon is soup.
[Here] Damian's relationship with art throughout his short life.
[Here] Ra’s could have revolutionized the medical field but decided to be a creep and clone a minor
[Here] Tim Drake is that troll from Trolls the movies, Branch
[Here] Butter Sock
[Here] Gotham city’s unanimous agreement not to fish dead bodies out of the bay
[Here] Danny in Hogwarts.
[Here] Reincarnation Manhwa + the Bats
[Here] The Bats, Supernatural AU
[Here] Jason's sick fic
[Here] Damian is lost in Amity Park
[Here] Tim, Danny, and floating down a river in a wine barrel
[Here] Reincarnated into Damian Wayne's older sister.
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disneyprincemuke · 6 months
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for the girls * fem!driver
she isn't worrying about being on track for the first time - she worries about the media.
pairings: sebastian vettel x fem!driver, f1 grid x reader
warnings: literally a piece of garbage, SO inaccurate, no idea what i’m doing…
notes: this is sOOO BAD PLS I DIDN'T KNOW HOW TO WRITE THIs man
also, please feel free to send it some scenarios for this series! you can send them in here freeflow~ none of these will be posted in chronological order so don’t worry about it
(series masterlist) | (📂 the rookie season)
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"here is sebastian vettel's personal addition to the grid, (y/n)," the interviewer grins, turning to face the girl. "welcome to the 2023 formula 1 season. thank you for coming in."
"thank you for having me," she smiles, hands clasped together in front of her. she's been following sebastian around all day - she doesn't want to be left alone in such a tough crowd.
"how does it feel to be the first woman in formula 1 in almost 2 decades?"
"i'm very thankful for the opportunity given to me to achieve this spot on the grid. i hope i'll be good enough to create a difference and be the stepping stone towards more women in the sport," she answers cordially, moving her arms slightly.
interviews, unfortunately, were also a very big part of the job. she didn't really mind it, but she knew the controversy of her being in the sport, and it's been driving her insane since the pre-season testing.
"and of course congratulations on your move from formula 2 to the main league. how do you feel about the doubters or naysayers who are saying you don't belong here?"
"i think it's unfair to assume my placement in the season before it has even started. i have worked as hard as everybody else to get where i am today, so i'm just really hoping that the fact that i am a woman does not overshadow all my achievements."
she's seen all that's said about her. the news articles, the videos criticising sebastian's choice to vouch for her, and the comments under her posts and announcements - it's very disheartening.
sebastian has tried his best to tell her otherwise, telling her time and time again that he wouldn't have vouched for her if he didn't think she had the potential to be here.
"and how are you getting along with everybody else on the grid?"
"very good. i mean, we've already been acquainted for years and that really helped me out a lot," she laughs, locking eyes with sebastian doing an interview right next to her. "but it is still a competitive sport. it's going to be a climb out there from my starting position at 18th. hopefully it will be a good race."
"of course, good luck out there."
"thank you so much."
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"just like we talked about. you'll be fine," sebastian folds his arms over his chest, leaning back into the wall.
she's pulling the sleeves of her race suit over her shoulders. "why don't i believe you," she mutters, looking down at her shoes to avoid his eyes. "think about what the media would say if i don't finish in the points today."
"who cares about what the media has to say? just do your best out there today," sebastian repeats, patting her shoulder lightly to get her attention.
he flashes her a grin when she looks up, only to have her roll her eyes as she zips up. "me. i have to face the interviewers later, remember? not you."
"just race like you always have. you're doing this for yourself. not the media, not the insecure guys hiding behind a screen, and definitely not the interviewers." he grabs her shoulders, shaking her just slightly to lighten up the mood. "i'll be in your ears to help you out, okay?"
she sighs, leaning slightly to the side to grab her balaclava off the table. "promise to tell me when i'm being reckless?"
"i'm your race engineer. i've got you."
he turns her around, towards the track where the cars have lined up. "get out there and shut them all up. you're doing this for the girls, remember that."
"right. for the girls," she huffs, wiping her hands on her race suit. she takes the helmet that sebastian is holding out to her and gives him a smile. "okay. i'll talk to you through the radio."
and she does everything she has to do. she’s in the race car, anticipating the formation lap that’s about to start.
days leading up to this moment, she didn’t think she would be so nervous to be behind a wheel. she doesn’t typically let the feeling get to her so much.
but it’s different now that it’s being broadcasted to the entire world. she’s now watched by ten times her normal viewership.
“radio check,” sebastian’s voice comes into her ears. his voice has become a significant point to calming her down behind the wheel. you would be surprised how well he can calm her down just by his voice.
“copy.” she breathes into the mic unknowingly as she exhales, looking up and taking in her view.
her car was surrounded by the engineers, making the final touches on the car and triple checking all the components.
within a few seconds, she can see the sky as they disperse — the sun is shining bright and there are barely any clouds. to her right is yuki, also looking around the grid and the grandstand.
she locks eyes with him as he looks around, her eyes crinkling at the corners to acknowledge him. he returns the gesture with a smile through his eyes then a thumbs up to wish her luck.
she lifts her hand above the halo and returns the thumbs up.
“okay, the first car has taken off for the lap. i’ll check in on you again in a while.”
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her grip on the steering wheel is tight despite the engine being turned off. she’s proud of herself for making it through her first race in the league, even parking the car neatly in parc ferme.
“you did amazing.”
“you’re only saying that. i didn’t even finish in the points,” she answers dejectedly, rolling her eyes to herself.
sebastian tries to make light of every situation, even if the normal person would not be able to find that in a frustrating position. but he was also a rookie once. the least he could do is empathise and try to make this experience less daunting for her.
he’s investing in her — her talent is impeccable, but he has to make sure that he fosters and encourages her into the best version of herself. the racer that he knows she is, she just needed someone to actively believe in her.
“the climb from p18 to p11 is good progress. the season just started, kid. the only way is up.”
“sure,” she chuckles. “i’m getting out of the car. see you in a bit, seb.”
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taglist: @wcnorris @treehouse-mouse (comment to be added)
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jorrāeliarzus (beloved) │ Chapter 1: Affliction
terms of endearment ‘verse: see my Masterlist for the correct series order!
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Chapter 1 │Chapter 2 │Chapter 3  (In Progress!)
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Synopsis: Daemon guides you on a journey of healing and self-discovery as you learn to raise your children and build a family of your own. You struggle.
Hello! Welcome back, all! This instalment is going to be a journey for Reader. A bunch of bad shit has happened in her life. It's about time she begins facing all that, you know? Not all of it will be heavy, but there will be some psychological fuckery and an opportunity to delve into the layers of the relationship I've spent time developing. My intention is to have this function similar to little slut, in that it's a series of one-shots set chronologically. Each will be a self-contained 'highlight' that is set during the six years Daemon is exiled on Dragonstone. This instalment will cover babies, healing, pregnancy, relationship development, funny hijinks, dragons and smut! Always smut.
EDIT: I am dumb-dumb and forgot to thank @ewanmitchellcrumbs for beta-ing and giving this her necessary stamp of approval and being the bestest biffle EVA, as well as @spoolofblack for reassuring me that Daemon is NOT too OOC here and cheering me on through the AO3 tagging journey. Thanks be!
Triggers: incest, age gap, purity culture, detailed depictions of post-partum depression, lite smut, lactation and lactation kink.
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“Thus was Prince Daemon banished from his brother the King’s city, and with him his niece and newborn heirs. Exile had long favoured the rogue, and this latest decree brought a period of quiet to the isle of Dragonstone, the years giving rise to further progeny to strengthen his House’s line. Together with the Princess Rhaenyra, Daemon and his wife presided over the Targaryen stronghold for several years before circumstances would take them once more to King’s Landing.”
- ‘Fire & Blood: Being a History of the Targaryen Kings of Westeros’ by Archmaester Gyldayn
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He is staring again.
You do your best to pay it no mind, though the weight of his eyes upon you is heavy, nonetheless. An onlooker may well assume his focus is on the scene in its entirety—upon the babes propped on pillows before you, their grasping fists skating across dragonscale as they grunt and babble, reptilian rumbles filling the void between sounds—but you know better. Your husband has not been the same since… since that night. You cannot blame him, though it vexes you so.
One of the dragons—the creature with scales of amethyst glittering even in low light—hisses in outrage as Aelys takes hold of his tail, curling around himself with teeth bared as if to warn your daughter of the fate that awaits her. No bite comes. Unbothered, she tries to tug her quarry to her face, and you can only presume the intent is to explore this new surface with gnashing gums.
“Let go, my lovely,” you tell her as your fingers work to free the beast of its skin-and-bone shackles. The babe’s grip is surprisingly firm. “Azorion has done naught to deserve such untoward treatment.”
“Did it not shit in the cradle this morning?” comes Daemon’s idle question from the desk.
When you glance over, you find he has made himself busy once more, appearing for all the world as though he is deep in his papers. You suspect otherwise.
“He is only small,” you say by way of response. Aelys’s face flushes with the threat of tears when her clasp is finally released, so you slip your own digits into hers to placate her. The other dragon, the long-limbed and sun-hued Valnissar, presses its snout against her neck as if to soothe her temper. “He cannot help it.”
Azorion scrabbles back to Rhaenar’s side, huffing indignantly even while burrowing into the boy’s side, leaching his body warmth. Rhaenar’s eyelids begin to droop, the comforting mass of his future mount an unwavering reassurance, while the steadiness of Valnissar’s even breaths along her flesh ease Aelys into a state of calm.
“If it can eat unaided, it can shit in a place that is not where my children sleep.”
The creature seems to rouse at the mention of his earlier mishap; you pat him reassuringly. “He will learn.”
Daemon grunts, summarily ending the conversation.
This is how most of your interactions proceed as of late: a vague, uninterested query, an overly polite response, a terse conclusion, and two evidently discontented persons not quite certain how to bridge the divide that has risen between them. And there is a divide, you are sure of it—why else does the man who is never without a word to spare suddenly bereft of speech in your presence?
The only thing that eases your mind is the knowledge that, for all his recalcitrance, there is no love lost. His hands still linger—on your back, your waist, thoughtless touches that settle hot and heavy and remind you of his solidness. He smiles still, amused by the sing-song lilt of your voice as you coo down at the twins, laughs when they babble back in mimicry of true dialogue. At night, his arms are encompassing, almost too tight, the clutch of one upon that which they fear to lose most. His body speaks the words his lips cannot, laying bare the desperate frustration—the fear, the anger, the worry—that he has carried since the night you had fallen under the spell of old magic, the night you had woken your children’s mounts from their eggshell prisons and called them forth with fire and blood.
Daemon is not the only one who ruminates upon it. You yourself remember it in pieces, flashes of memory that you cannot make whole. The heat of the hearth. A glow, orange, red, yellow. Stinging upon your hands, and the iron tang of blood upon the air. It is as though it occurred to another being—like you had watched rather than been part of it all. There is little wonder that the sight must have made him so uneasy.
You startle when your uncle abruptly stands, rolling his neck to dispel any latent discomfort from remaining in a static position for so long. He falters, appears to decide on something unknown to all but his own mind, then moves toward the rug where you have arranged your babes and their dragons.
Crouching down beside you, his hand reaches forth to cup the round softness of Rhaenar’s head as he murmurs, “I’ll be back later.”
“Before supper?” you ask just as quietly.
He makes a vague noise of assent, smiling absently when Aelys jams her fist in her mouth and babbles to herself, drooling all the while. Valnissar perks up at the sight of his second-favourite person in the world, chittering excitedly as he makes a concerted attempt at climbing up Daemon’s leg. Daemon hisses, extricating the spindly creature’s claws and placing him on his shoulder. Valnissar flaps his wings and promptly tries to weave his way into your uncle’s hair. Your nostrils flare in amusement.
Daemon does not look at you, but you do not mind; you understand the draw of the twins and their young mounts all too well.
“Where are you going?” you ask.
At that, he turns further into you, his gaze finally lifting to find your face. From the corner of your eye, you see the looming shadow that forms whenever he allows his thoughts to consume him. It casts his features into darkness, the heavy set of his brow wrinkling inward as disquietude metamorphoses him. But the tale enacted through his expression is mitigated by the press of his other hand against the small of your back, achingly tender even in its firmness.
“To the Dragonmont.”
You nod. “Ah.”
He will not tell you yet, but you suspect he is looking for answers. The last great repository of Old Valyria is bound to provide at least some insight, though part of you—a large part—is too afraid to seek them yourself. You worry what you will find if you should search through the ancient texts of your people, what they might say of those with the power to hold fire in their hands without fear of burning. It is not something you have ever heard of. If House Targaryen could claim such a feat, it would not be a secret. What does it mean? You know not.
And so, you make no protest when his thumb strokes against Aelys’s cheek in parting, when he unceremoniously drops her dragon to the floor beside her and ignores the protesting squawks to lean in and kiss your cheek, muttering his goodbyes as he rises to leave. You do not turn around, but you know his routine well enough by now.
A clatter by the bed, and Dark Sister is retrieved—scabbard and all—to be fastened at his waist. A scrape, the chair at the desk being pushed back in. A pause. He takes one final look at you all, wife and children and dragons laid about by the hearth in seeming bliss. You feel his stare as it rests on you and you hear the sound of the door opening and closing, footsteps echoing, then fading, fading. The imprint of his lips and his touch remains, an unsettling reminder of all that has been left unspoken.
You dispel such thoughts with a sigh. As worrying as Daemon’s behaviour has become, it is by no means your first priority now that you are a mother.
Looking down at them, you wonder if you will ever get used to the idea, to the fact that these two little beings grew in your belly until they were ready to come into the world, and now they are here and they are yours. ‘Mother’ means the woman through whom your very existence came to be, the name Aemma spoken in hushed whispers and always carrying with it the trace of unending grief. ‘Mother’ means Alicent, the girl-turned-Queen who birthed your brothers and sweet Helaena, who gave you little Daeron to love in place of all you had once been without. ‘Mother’ means Rhaenyra, your staunchly devoted sister who had in part raised you, who even now rears kind, intelligent sons who are more than deserving of the legacy she will one day leave them. You find it entirely strange that a word representing these women—such forces in your life, for good or otherwise—is a word that applies to you.
Motherhood is strange, foreign in a way you do not feel you can overcome by consulting dusty tomes in companionship with Ser Lysan, the manner in which you have familiarised yourself with all foreign things in summers past. This feeling has crept into the crevices of your mind in barely perceptible pulses, slow and unassuming with every new thing you learn about these wonderful, terrifying beings your body created, with every new feat they achieve as they grow and adapt to their environment. At times, when you are alone, you worry you will be no good at it. How can you possibly fare well at such a monumental task without a mother to guide you? What if you make a mistake?
What if your babes—who you know you love more than anything in the world, more than you ever thought anyone could ever feel in their beating hearts, so strong it is almost sickening—come to know of your inadequacy and loathe you for it?
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“What seems to be the issue, Princess?”
Gerardys’s hands are folded together before him, his expression as kind and reassuring as always. You wish you truly were reassured, or the too-hot, roiling sensation of your gut might not be quite so pronounced.
There are many responses you could give. The fact that your husband is ill at ease with you for reasons you cannot risk explaining, lest the entire Realm learn through whispers and tales of Valyrian blood magic and some concealed devilry that ought to be put to the sword. That your doubts about how suitable you are as a mother are rising with every second of every hour that you are left to tend your children, feelings that must be wholly unnatural to a woman or otherwise, would you not have heard of such a thing spoken in your many years among the ladies at court? Or perhaps that the woman whom you would prefer to speak to of this matter is in King’s Landing to fetch fresh supplies at this very moment, leaving you no alternative but to be in the maester’s solar instead.
No. None of the answers to his question that come immediately to mind are appropriate here, and nor are they the true reason for your visit. Thus, you brush them aside and take a deep breath.
“I… I have some—concerns.” At his encouraging nod, you add, “About my… supply. For the babes.”
“Ah.” You are glad he seems to have interpreted your hedging correctly; he clears his throat. “I am a physician,” he reminds you, though his tone is by no means judgemental. For all Daemon’s dislike of him, such gentility is why you believe him to be one of the best practitioners in his field, and certainly preferable to Mellos. “While I—understand the indelicacy of the subject matter, I am afraid you are going to need to elaborate, your Highness.”
“Oh. Of course.” You glance away, discomfited. “I… wish to feed the twins myself. By myself. But I”—you gesture weakly to your chest—“my milk has not come in as much as I had hoped it would… by now…”
Rhaenyra has never had this problem, you think. You cannot help it. It was not so long ago that the merest mention of a babe had been enough to wet the fabrics of her gown, never mind that Joff had had the luxury of choice in his supply. Your sister had in fact bemoaned the stubbornness of her body in refusing to dry up—she never let her sons latch for longer than a moon’s turn after each birth, preferring to, as she said, “keep her tits from turning to suckling udders”, long-teated and all. Jealousy is the sin of the vain and impious, but your beating heart thrums with it even so.
Gerardys frowns. “Forgive me—but I was certain that a wet nurse had been requisitioned for them?”
“Yes. But I would—I would prefer to feed them on my own.”
It is not as though you dislike Freda. While she is certainly loud and bawdy and oft far too inappropriate for company, she cares a great deal for Rhaenar and Aelys. You see it in the readiness of her smiles at them, how she cradles them as if they are the most delicate beings in the universe, the way she praises them so effusively for the most base and vulgar of actions—“I’ve never seen a shit so splendid, your Highness, never did I once! A talented little fellow is our little prince, he is!”—but it is not the same. You are their mother, not she. Freda’s presence is not just expected, but required to ensure both your babes have full bellies. It does little to ease your lack of surety.
Though you can tell that Gerardys is perplexed by your insistence, he stares past you thoughtfully, his eyes squinting in his concentration.
“It is not uncommon,” he says slowly, “for a woman with two nursing babes to produce an insufficient volume to accommodate them both. ‘Tis why wet nurses are so popular!”
“I know. I would just… I want to do it.” You wonder if you sound as exposed as you feel. “I am their mother. I should feed them.”
Your words seem to matter not, for the maester is already muttering to himself and rifling through the cabinet by the door, low tones interspersed with the soft clinking of glass vials being shifted about.
“If you insist, Princess,” he says absently, humming under his breath as he balances on tiptoe to reach his higher shelving. After a moment of silence, a noise of muted triumph. “Ah—here it is.”
What he presses into your hands is not an ampoule of some sort, but a plain pouch of hemp and string. The contents within shift about readily, though it prickles when you squeeze too firmly, like dried herbs.
 “Thistle tea.” Gerardys watches as you inspect his offering. “Steep for half an hour, strain. Consume plain, no milk or honey. One cup a day, no more or less.”
“How long will it take to work?”
“You ought to begin seeing an increase in production within a sennight. If you can encourage the babes to latch more frequently, you’ll have better results.” At your enquiring look, he elaborates. “The more often the breast is drained, the quicker it refills and thus the more milk you will produce.”
You colour at his use of such a word, not entirely accustomed to speaking so plainly of something so long viewed as unseemly with another man. It is scarcely tolerable even with your ladies. “You have my thanks, Maester Gerardys.”
“Of course, Princess. But remember—do not exceed more than a cup a day!”
You take his advice to heart over the next few days, exhorting the serving staff to ensure you are delivered of a cup brewed to the maester’s specifications each morning. It tastes unremarkable, a leafy bitterness so often customary of herbal tinctures and tonics, though you think you might find it more palatable with the addition of such ingredients as the ones expressly forbidden to you. The very worst of the flavour collects at the bottom of the cup, forcing you to steel yourself to stomach the sharp-tasting dregs and cleanse your palate with fresh water. You bear it silently, praying that you will soon see the benefits promised to you.
But, after a sennight passes, there is no change.
At least, you think there is no change. Rhaenar is not one for fuss and fuddle, and the one time Aelys is not so is in the hours following feeding, her belly full and warm and leading to an easy, calm drowse—but after letting them latch for half an hour, neither babe is sufficiently serene to suggest that the tea has done its duty. Rhaenar kicks and grizzles, mouthing vainly at your nipple as though you are concealing some previously stored contents still within your breast, while Aelys progresses to full, drawn-out wails. Freda watches on, wringing her hands as the twins caterwaul. The front of her dress is stained, sympathetic leakage in response to the veracity of their cries.
Perhaps it is this fact that finally breaks you.
All at once, you no longer feel saddened or confused, concerned or unsure. You are angry. Why should she—a woman who had neither carried nor shared blood with them—get to give your boy and your girl the sustenance so essential to them? What does she possess that you do not? Why have the gods forsaken you? If they have built the womanly form to bear and nurse her children, then you ought to be able to carry out your duty as intended. Not Freda. Why are they taunting you with such a poisonous reminder of your own failure?
 “Your Highness—”
“No!” Your rebuke is sharp and swift, punctuated further by what you can only assume is a truly withering glare. “Leave us!”
“But the little pr—”
“I said get out!”
The shrillness of your voice only serves to further upset the babes. They both scream, red-faced and baying, and there is a strange sort of harmony to it that might even sound beautiful were it not so devastating. The noise is such that it sets off the panicked shrieking of Azorion and Valnissar, creating a truly chaotic calamity of sound that makes it terribly hard to think rationally. Or think at all.
You bar the room, refusing to allow Jeyne or Bethany entry. You do not need their aid. It is only morning, your thoughts whirl frenetically. Plenty of time to prove that the wet nurse is not necessary.
All manner of people come to your door as the moments—or maybe minutes, or perhaps hours, you cannot tell—pass, no doubt drawn by the crying and the screeching and your stubborn resistance to letting anyone assist you. Ser Lorent raps on the door, earnest calls of “Your Highness? Is everything well?” readily enough ignored and, when that fails, the kindly queries of the maester beseeching you to let him in “for fear there is something wrong, Princess, please let us help you” also dismissed, or rather more truthfully, not quite heard through the thicket of your growing panic. You do your best to disregard anything outside your chambers, your frantic focus centred wholly on giving Rhaenar and Aelys the care they need from their mother—and their mother alone.
But no matter the hymns you sing or the steadiness of your rocking, no matter how perfect your bouncing walk to soothe them or your murmured exhortations to please, please calm down, they will not be assuaged.
You forget what silence is like. Surely you have never been without the sound of bawling infants? The intensity of it reshapes memory, blocks out any sense of rationality or level-headedness. Your own despair rises the longer the babes sob, their sorrowful scrunched-up faces all but proclaiming aloud that you cannot do this.
Your mind rebels. What was I thinking? They hate me. They hate me. I’ve ruined them. I could not give them milk, and now I cannot even stop their tears. I am a terrible mother. A failure.
Failure.
Failure.
Failure.
The hatchling dragons, emblematic of their future riders’ dispositions as is the norm, only serve to intensify the battle between your spirit and your fear. They feel as Rhaenar and Aelys feel, only they have sharp claws and sharp teeth and the mobility fresh out of the egg to express their feelings in a way the twins cannot. You cannot fend off their snapping jaws and high-pitched snarls and tend to the twins at the same time. The situation quickly becomes untenable, though you have not the presence of mind nor good sense to discern this.
“Daor,” you snap as Valnissar nips at your exposed wrist. No.
At this age, the bite stings only a little, drawing a thin well of blood to the surface of your skin. You push the dragon away, doggedly continuing to try and force Aelys’s mouth to your breast. They feel heavier again, a sure sign that there is milk enough to quell the babes’ despondency. If only they would stop crying.
You sit upright on the bed, the curve of one foot pinning Azorion to the mattress below you. He hisses indignantly but makes no attempt to shift, resigned to being trapped for as long as you deem it necessary. Positioned perfectly against the cushion provided for precisely this purpose are your boy and girl, heads perfectly aligned to take to each breast, reclined so that their tiny bodies extend below each of your arms and your hands are free to cup their heads just right. Exactly how Ūlla taught you. So why—why—are they refusing to latch?
“Please,” you find yourself whimpering, the sound lost beneath the piercing howls. At this point, they have both become as distressed as each other, never looking more identical than they do with the same flushed flesh and misery-streaked cheeks, near to seizing with the force of their sobs. You try to bring their mouths to each nipple again, but all they do is cry and cry and cry, faces turning away. “Please, it’s right here. Mama has your milk right here, please please please…”
Valnissar tries to climb over your arm to sit on Aelys. You shrug the beast off, and he tumbles to the bed in a tangle of wings. He screeches, teeth bared, and you can just tell he is about to strike at you again.
You push him away.
“Leave me be!” you say, louder and steadily more overwhelmed, your attention wavering between creature and child. Pressing the babes to your breasts does nothing to persuade them to take from you, but what else can you do? “Please drink. For me? For Mama?”
More wailing. Their fists clench, their forms shuddering.
Useless. It is useless. I am useless.
“Why won’t you have your milk?” you ask, and you think you are calm and measured but really you are starting to sob yourself, a discordant symphony of despair. “Why won’t you just accept it? Please, please, I promise it’s good enough…”
Still, tears. And the dam breaks.
They hate me. They hate me. They hate me. It is like a metronome pulsing through your veins in time with the wrenching heaves of your chest, your lungs trying and failing to force in air. The babes cry, you cry, the dragons clamour, the room feels too full—of sound, of air, of heat—and you are so terribly close to screaming at everything to shut the fuck up because you cannot do this, you cannot do this, why did you ever think you could do—
The passageway at the opposite end of the chamber bursts open. You hear it, but you cannot see through the film of your own tears.
“What the fuck’s going on here?”
Normally, Daemon’s voice—even panicked as he is currently—is enough to reassure you. But it only makes you weep more. Here is your husband, arrived to see how poor a wife he has chosen, how poor a mama you make. Here is Rhaenar and Aelys’s father, arrived to see how enormous your incompetence is, how completely and utterly you have failed to do even the simplest of things. The shame of it is enough to send you spiralling.
You do not remember what follows very clearly.
Fingers fumbling to lace up the ties loosened on your bodice. Hands laid upon the babes, the span of palm large and rough enough to disturb their vocalisations, to ease them to a slightly duller caterwauling. You clutch them tighter to you, unable to even look up to see the owner of those hands, but you are not strong enough to resist the determined reach of those arms to pluck each infant in turn from you. A part of you is relieved. They are passed off with murmurs, man and woman’s voices exchanging in low tones. You vaguely recognise them through the fog of misery. The person before you stands, another taking their place. The steady touch of someone with skin that carries the scent of medicinal herbs feels your forehead, turns your head from side to side, presses clinically at the fullness of your chest. Then, the mattress rises, the weight dissipating, and you are alone.
It takes several long moments to realise that the noise—the babes and the dragons—has stopped entirely. That they are no longer present, no doubt escorted to safety far, far away from you. It ought to be enough to torment you to madness, the final step in this harrowing reprieve from reason, but your tears have fled too. All that is left is bone deep, heavy exhaustion and a full-bodied dispiritedness that makes you sink into the pillows behind you, slide down enough to turn to your side and ignore whoever is talking, shut your eyes and block everything out.
You let the darkness swallow you whole.
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Of course he is here when you awake.
You do not know if you really expected otherwise. He has dragged a chair from the table by the balcony next to the bed, and he ought to appear more comfortable—slouched carelessly as he is, leg slung over the other in the assured manner that all men who are confident in their right to take up such space are—but his expression suggests otherwise. Not angry, no, but certainly serious; a pensiveness that comes from prolonged periods of introspection. His eyes seem far away. In fact, his entire self seems far from where he sits, as though his body has travelled back to the Keep but his mind is still in the Dragonmont.
Where he has been for days and days, you think bitterly. Reading thousand-year-old texts instead of being here.
His hands are clasped and resting under his chin, his elbows on the armrests. He seems tired. You regret the ire of your thoughts. It is not as though he has gone out of his way to avoid you, truly. He is here when you need him.
You do not realise he has become aware of your return to consciousness until you hear your name softly spoken.
“Rūhossa zaldrīzessē mazumbillā ilzi. Pōnta biktomy kisittaksi,” is the first thing he says. The babes and dragons are in the nursery. They were fed by the wet nurse.
The silence, previously unnoticed, registers at the same time as your relief. They are safe. They are far away from you. It is likely for the best, even though your breasts feel uncomfortably full.
Daemon shifts from the seat to the bed, staring down at you with an unnameable emotion in his gaze. His movements are relaxed, almost calculated, as one who is wary of spooking an injured animal. You think that if he had failed to glean some sort of response from whomever followed him into the room earlier, he would not be quite so calm.
For a moment, you are half-convinced he is about to reprimand you—until he strokes your jaw, brushes a stray tendril of hair from your face. Your heart skips a beat. His touch is kind.
After an indeterminate period of silence, the question eventually comes.
“Skorion massitas?” What happened? His tone is low, measured.
You sit up, making room for yourself by wiggling back against the pillows. Really, you are stalling. How does one go about explaining that they had taken leave of their senses?
“Ūī ūndetā, gōntō daor?” you ultimately choose to say. You saw, did you not? It sounds dull and lifeless even to your ears. “Se avy qubykto massinoti biktys ivestretos.” And the wet nurse must have told you of earlier events.
His responding look is unimpressed. Normally, you would expect him to have yelled by this point. Whatever it is that he has been told—whatever it is that you must have looked like here, near to yelling at your own infant children and sobbing with your breasts bared to the room and two small dragons buzzing about like particularly persistent insects—it is enough to stay his temper for the time being. Still, you do not believe his patience will hold for long.
You sigh, shuddering out an unsteady breath.
Even though the spell of hysteria has broken, it takes a moment or two to gather yourself. Daemon grasps your arms, erring on the cusp of too-tight to be solely encouraging, but it grounds you enough to attempt to explain what it is he stumbled upon before.
Your jumbled thoughts stream out unorganised, and you are only really half-aware of what exactly it is you convey through hiccuped breaths and shaking shoulders. Failure. Disgrace. Cannot even feed my own children. Useless. Bit by bit, it comes forth, juddered and broken, and you cannot even tell what language you are speaking in, or if you are dipping in and out of your native tongue and your learned one without a presence of mind to control it. As you speak, Daemon’s face morphs, knitted brows relaxing and mouth easing from its hard line into the gentlest of frowns. And then, you are silent. You wait for the death knell of judgement.
It never comes.
His hands slide lower, capturing your own and lacing fingers with you. He stares down at this joining, turning your wrist over as though he is marvelling at the disparity in size, in smoothness.
“Why didn’t you tell me?” It is low, strangely hurt.
Your heart thuds uneasily. This is not how you expected him to react at all. “I—I don’t know.”
He swallows, and again you are unsure if he is holding back anger or if he genuinely has none. The calloused pad of his finger strokes a line down the centre of your palm, eliciting an instinctive shiver from you.
“Gerardys said you went to see him. That you were in low spirits. Irritable. Fixed on this idea of nursing the babes by yourself.” He glances up, his lips twitching like he is reluctant to voice his next words. “He says… sometimes there is an—affliction—of the mind. It happens to new mothers.”
“You think I’m mad?” You try to pull your hand away, but he holds on.
Scoffing lightly, he says, “Maegor was mad, you silly girl. You are young. Frightened. A great deal has happened to you since we wed.”
His jaw tenses, no doubt recollecting those memories. The wedding night. The fight. Laena. Driftmark. Larys. Alicent. Father.
He sighs. “And I… I have not helped.”
Your mouth parts in protest. “I am happy with you,” you say stubbornly. “If you had not protected me—”
“And where have I been since the eve you hatched the twins’ dragons?” He turns from you, resting his elbows on his knees to rake his hands through his hair. “Hiding in the fucking Dragonmont. Like a coward.”
“You aren’t a coward. You’re the bravest man I’ve ever met.”
He laughs, short and sharp. It is an ugly sound. “Yes. So brave am I, I ran away and left my young wife alone to care for my children. I’m such a craven”—he lifts his head to look at you once more—“that I found it easier to let this happen instead of admitting how deeply that night unsettled me.”
An understatement, to be sure. You do not think ‘unsettled’ is sufficient enough to capture how either of you feel.
“It isn’t your fault,” you settle on telling him. “I should have just been able to nurse Rhaenar and Aelys without crying like a child—”
“You were overwhelmed. Worried. Thinking that not having enough milk means you’re somehow not fit to be their mother. What utter shit.”
“I cannot even feed them. How am I supposed to raise them?” Your voice is abnormally high and thready. You hear it, though it does not register as abnormal until Daemon’s expression stops you in your tracks. You shake your head, trying to stave off the tremble in your lower lip. “You don’t understand. I want—I need to be—enough for them.”
I don’t remember my mother, you want to say. I only remember ’Nyra and Alicent and Father. None of them were enough. None of them were able to make me feel less alone.
How am I supposed to stop Rhaenar and Aelys from being broken in the same way I was? Who do I turn to? What do I do? How can I protect them when I could not even protect myself?
When Daemon’s touch returns, it is unimaginably delicate, nearly tentative. He cups your cheek, tilts your head so your eyes can meet.
“You are enough,” he says. “How can you think otherwise? To love them is to be enough.”
A part of you wants to heed his words, to allow him to soothe your worries as he is so often able to do. Your thoughts, self-loathing as they are, continue to press against your will and shake the firmness of your resolve. “But—”
“Ah-ah. Remember our vows, sweetling.” His lip quirks, finding fondness in memory. “Did you not promise to obey me in all things?”
You nod tentatively.
He hums. “Obey me now, then. Cast those foolish notions from your mind and listen to your uncle, hm?”
You do not think you can agree so easily as he expects. This is a war in your head that he cannot help you wage through a simple command. But you want to believe that it could be as uncomplicated as he has made it.
“Alright,” you say. “I’ll try.”
His answering embrace feels like a port in the midst of a harrowing storm. When the world around you is careening wildly, uncontrolled and unstable, you know that he will bring you back to safe shores. He would fight those waves off himself if he could. You press your nose to his neck, breathe in the familiar smell of him—smokeleatherspice—and, for a time, everything feels just a little less terrifying.
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“See? They’re fine,” Daemon says. “A night away has done no harm.”
The babes are well-settled in the nursery, placid and rested and bright-eyed. Rhaenar grips onto your thumb in welcome, while Aelys kicks her legs and squeals when she sees you above her. Though you are glad for it—glad that you had not ruined them in your desperate madness—there is a part of you that wishes they had not clearly been so manageable without you.
You eye the sleeping forms of Azorion and Valnissar, coiled faithfully by the sides of each of your children. The Keeper loiters near the window, watching on.
Freda nods hastily. “They have been fed and bathed, Princess, all ready for sleep. Nothing to concern yourself with.”
She clearly thinks this ought to ease your mind. If anything, it only serves to disappoint you. Not only had you missed out—you despise missing anything they do, any part of their life—but now there is no recourse for the ache in your chest. Even thinking of it is enough to make your nipples itch, your breasts throb. You pray that the front of your gown remains dry.
You turn toward the other occupant in the room. “And the dragons?”
The Keeper is here primarily for Tyraxes and Skyfrost, the respective future mounts of little Joff and Corwyn, given that the nurses brought in to care for the babes are not equipped to raise creatures so dangerous as the ones claimed by your House. Today, though, he is responsible for four of them. If the look upon his face and the sweat glistening on his brow is any indication, doubling his responsibilities has caused a great deal of stress, indeed.
“The elder two have been separated from the hatchlings,” he says, stepping forward jerkily. It is as though his limbs are fastened upon strings controlled by some higher being—a human marionette. The effect is startling. “The younger pair have been… spirited, though they are resting for the time being.”
Daemon snorts, shaking his head. “Of course they have. At least they don’t breathe fucking fire yet.”
“Fucky.”
Your husband’s head whips over to the rug by the table, where Corwyn and Joff happily toddle about on unsteady legs. Corwyn is looking straight towards Daemon, smiling and mashing his gums on what seems to be a wooden knight.
Like most of the children in your family, he appears to have developed a liking for the man. Mealtimes now often involve the boy stumbling to Daemon’s side to pass him whatever object he has deemed necessary to be kept in your uncle’s possession, wide amethyst eyes peering expectantly upward until the doll or block or carved figure is taken from his hands. Daemon will roll his eyes, thank him and pat him on his head of dark curls, the act inciting a squeal and babble before the child waddles back to his evening playtime.
At the abrupt cessation of conversation, Corwyn removes the figure from his mouth and speaks once again. “Fucky.”
“Shit,” Daemon murmurs.  You strike his arm reflexively, but it is too late.
Corwyn laughs as he wanders back to Joff. “Shit. Shit. Shit-it-it-it-it-it…”
“Daemon!” you hiss, torn between irritation and a bizarre sort of amusement.
He shrugs. “Oh well. Nothing can be done now. It could be worse, sweetling. He could have walked in on us fu—”
“Rhaenyra will want your head on a pike for this,” you say hastily, in part to avoid scandalised stares from the attending staff and also to prevent Corwyn from repeating what his cousin has accidentally taught him. No doubt your little nephew will learn it from his half-brother, too.
“Perhaps we’d best depart for the evening, then”—Daemon’s hand is insistent on your elbow, a leading force that beckons you to follow—“lest you lose your husband to your sister’s temper.”
“That would be your own fault,” you say absent-mindedly.
You are unable to tear yourself away from Rhaenar and Aelys just yet. They are calm, yes, but this is not where they sleep, where they belong. You do not know if you can bear the sight of the empty cradle in your chambers or the absence of the sounds they make together with their dragons.
“Must they remain here?” you ask, more a whisper than a genuine plea.
“They are safe here.” Daemon reaches forth to let Aelys grasp his finger, an involuntary action since the babe had fallen into a doze during your visit, no doubt lulled by the sound of your voices. She is the more difficult of the pair to settle; you know Rhaenar will follow easily enough. “You ought to take respite from each other, if only for a night.”
His words are gentle, but the expression on his face reminds you of earlier. Obey me now. Cast those foolish notions from your mind. Listen to your uncle. You hear it as though it has been spoken aloud once again. Even so, the pulsing discomfort in your breasts stays your obedience.
“If I could just—”
 “No. We’re leaving. You need to rest.” It is firmer this time, louder and more decisive. He is not persuading you—he is telling you.
With a sigh of defeat, you lean down and kiss each babe farewell, doing your best to quell the unreasonable instinct to cry at the thought of goodbye. Daemon offers his own departing caresses and steers you determinedly out of the room. The walk is silent, though the heat of his arm against your palm is comforting in its own way.
Your chest begins to truly ache, a sensation beyond simple fullness. The dress you wear feels too tight, too restrictive, and you are forced to concentrate on pushing each breath up and out to avoid friction between skin and fabric. The smallest degree of stimulation is enough to bring your milk forth.
The irony, you think in despair. No milk when the babes need it—and now, when they are full and slumbering, my supply is as bountiful as it ever has been. How cruel, the gods are!
When you are finally back in your chambers, you barely notice Jeyne and Bethany’s attempts at greeting, their offers of assistance, their gentle repositioning and the tugging of the laces at your back. All you are focused on as the gown loosens and spills to the ground is how you will relieve yourself of the weight in your breasts without bringing too much attention to yourself. Daemon is fascinated by the prospect, true, but given the strife you have caused… you know not how any complaint of it would be perceived. Perhaps he would finally be angered by your outburst? Perhaps he would be disappointed that you had been so juvenile that you could not even take control over your own body, decide that you did not need the milk and thus ought to have been able to will it away. You have been lucky thus far. It is not likely that fortune will continue to favour you today.
You resolve to dispose of the excess in the privy. It ought to be relatively simple—your uncle is hardly one to accompany you to such a place. ‘Tis certain that the notion of wasting it, especially when your goal is to increase its yield, is disheartening, but what else can you do?
If only Daemon was less observant.
“You’ve been far too quiet,” he says after your ladies exit, tossing his shirt rather carelessly over the desk and the papers covering it. His eyes trail you assessingly, and for a moment you are worried that he can tell. “What’s wrong?”
“Nothing.” You try to avoid glancing down at your chest. It would not do to give anything away. “I just—I need to use the privy.”
“No, you don’t.” He kicks his boots to the side, fingers working at the ties of his breeches. “It’s not shameful enough to explain the look on your face. Try again.”
“I’m not ashamed!” you say hotly, spine straightening in your affront.
It is the wrong move. Your nipples brush against the weave of your shift, the sensitivity amplified near to pain. You wince, shoulders curling inward and cringing away from the clothing you wear. As a warrior trained to spot the smallest of discrepancies, Daemon’s gaze falls down.
And there—he has it. You know he knows.
“Ah.” His nostrils flare, visage contorting slyly. “Uncomfortable, talītsos?”
Your breath hitches. It would be barely perceptible to any other, but not him. His gaze drifts between your line of sight and the curve of your breasts beneath the thin layer that separates your flesh from the cool air of the room, almost as though he cannot resist the temptation to look.
“I—they did not feed,” you say quietly, resisting the desire to squirm uncomfortably at the intensity directed straight toward you. “If I get rid of it before it overflows, I’ll make even more. That’s what Gerardys says. I should—”
“You should take off that shift.” Daemon’s breeches drop to the floor, discarded easily as he kneels upon the mattress and shuffles into his desired position, reclining like a king against the pillows. He bares himself proudly, arrogantly, the rosy flush of his cock not quite pronounced enough for arousal. His hand extends in invitation, mocking little smirk gracing the line of his lips at the hesitation he can so clearly read. “You’ll not be wasting such a bounty on a hole built to shit in.”
You sway, dubiously convinced. “It’s for the babes, though.”
“The babes are sleeping. Your husband is not—and he is ravenous, sweet girl.” A shiver travels up your spine from the gravelled timbre of his voice, the shadowed fire in his stare. His fingers flex in your direction, beckoning. “Come here.”
The pause you take before you heed his directive to tug open the ties at your neck and shrug the shapeless sleepwear off your form is not borne of any insecurity. You are not unhappy with your body. Naturally, there have been changes: wider hips, softer belly, skin etched with silvery webs across your middle, your thighs, the tops of your breasts. Though you cannot see it, you are sure that the opening from which your children were birthed has been altered irrevocably, too. You are proud of these differences. They mark the finality of your girlhood and the beginning of life as a woman. They are reminders of the lives you have brought into the world. And, like the burns that mottle much of your uncle’s upper body, they proclaim to all who see them that you too are a victor of glorious battle, all the more unique in that the war you had waged was one of life, not death.
No. You pause because you know Daemon, know what he is like. His appetites. His perversions. In any other state—at any other time—you would happily indulge his lusts. But not only is your body not ready to accept him, you do not even think you are capable of experiencing desire at present.
Even so, you step forward, bear the manner in which he leers, take his hand, and allow him to do with you as he will. There is comfort in giving yourself up.
He lays you out next to him, propping himself on his side so that he looms over you. The ends of his hair tickle against your cheek, bringing forth an immediate smile. It is matched by his own answering grin as he dips down to kiss you, and this you have missed. What surprises you is that it is not a kiss of need, but one of softness, fragile as the wings of a butterfly. You exchange breaths as you exchange yourselves in the union of lips.
“Let me help you,” he murmurs against you, the words passed forth to collect on the tip of your tongue. “Let me make it better.”
You nod, tipping your chin back as he presses his mouth to your jaw, your neck, your collarbone, sensual in his languorousness. It is like he carries no purpose other than to let you feel your own body again through his touch. The imprints of cooling damp left behind ground you, remind you of how it felt when you had first come alive under him, around him. When he reaches his target, you expect a shift in his demeanour—but he continues just as gently to take your right nipple between his lips and suckle as weakly as any infant might.
One, two, three pulls, and the relief is near instant. Daemon makes a low noise as your milk lets down, melting to your contours as his arms clasp you tightly against him. The sound of him taking sustenance from you is one of the few things you can hear in the relative silence of evening, carrying with it a peace of its own.
He is able to tell when to switch before even you, shifting swiftly and easily to your left to repeat the slow, tender drags that ease the discomfort and loosen the tight, full sensation weighing you down. The only attempt he makes at receiving his own satisfaction is to rut lightly against your thigh, aimless and lethargic, a base urge to self-soothe in moments of calm. You close your eyes, cradling his head to your chest and mindlessly dragging the tangles from his hair.
In seconds, minutes, hours—you know not—his movements come to a gradual halt. His cock remains hard against your skin, though he allows himself to deliver one final, lush glide of tongue along the fount from which he had supped before pillowing his head on the emptied swell of your breast. Together, you indulge in the serenity.
Eventually, you are driven to speak, though you are loath to disturb the mood that has befallen the room.
“Thank you,” you whisper.
His palms are warm pressed to the dip above your rear, tightening there as his ears register your voice. Otherwise, he does not move.
“I should be thanking you, sweetling,” he says, each word spoken with a gravity that conveys more than just the simplicity of the statement itself.
Vulnerability is difficult for your uncle, and you have learned all the ways in which he reveals the parts of himself too damaged by the world to readily expose. It is second nature to understand what he means to tell you, what he means to thank you for. Your children. Your life here. You. It is gratefulness, protection, apology, love all rolled into one.
You smile.
‘Tis true that nothing has been resolved. You have not succeeded in nursing the babes by yourself. You have not banished the sickening feeling that churns in the pit of your stomach, a constant reminder of the doubts that plague you. You have not spoken properly of the fire and blood of Azorion and Valnissar’s hatching.
But you have begun on the necessary paths to each. Every journey, however great or small, must start somewhere, after all. And—perhaps most importantly—there is not a single ailment that cannot be eased, at least for a time, by the strength of Daemon’s devotion to you.
As you crane your neck to proffer a kiss of your own to the top of your husband’s head, you know that whatever future awaits you is one you can face.
I can do this. I can do this. For the first time in days, you believe it.
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A TV series about the early Roman emperors, except:
It's a comedy.
It starts with Julius Caesar (who keeps correcting the narrator that he's a dictator, not an emperor, as if it makes any difference).
The narrator skips over military campaigns like the Gallic War and Claudius' conquest of Britain in favor of "Haha check out Augustus' shitty poetry" and "Caesar once tried to overthrow the republic with a wardrobe malfunction."
You can tell the narrator gets bored of certain emperors because he keeps going off on tangents about Julius and Augustus after they're supposed to be dead.
The characters get frustrated because they're trying to act out a serious drama but nooo the narrator would rather gossip and it's only 50% in chronological order.
Some of the characters start pointing out things the narrator says that are physically impossible, don't make logical sense, or which their enemies made up.
Tiberius storms out partway through his episode and the rest of the narrative has him played by a sock puppet voiced by Caligula doing a falsetto.
Caligula attempts to sic the Praetorian guards on the narrator for making up filthy lies about him. Like, he's still a huge dick, just not in the way the narrator claims.
Claudius just wants to teach the audience cool facts about the Etruscans but the narrator talks over him.
Nero is actually a Korean boy band singer who keeps trying to explain to people he's a musician, not the emperor, and isn't sure what he's doing in ancient Rome. No one listens.
Galba is played by Rob Halford, the "stately homo of heavy metal."
Galba, Otho and Vitellius have to share an episode, and even then the narrator half-asses it and leaves with 10 minutes of runtime to fill, at which point the characters (including the dead ones) break into the production studio and reveal the narrator is Suetonius.
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