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#warrior tv series
kojiandrew · 2 months
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WARRIOR ON NETFLIX
Based on the writings of Bruce Lee Starring: Andrew Koji, Olivia Cheng, Jason Tobin, Dianne Doan, Joe Taslim, & more Executive producers: Jonathan Tropper, Shannon Lee, Justin Lin, & more
You can actually binge the entire series on Netflix now! [netflix template] [insp]
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mirobraz · 27 days
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Bruce Lee
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plentyoffandoms · 10 months
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Young Jun, tying to tell the cops that he was American, born in San Francisco.
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lifewithaview · 7 months
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Warrior (2019) The Blood and the Sh*t
S1E5
Transporting precious cargo via stagecoach through the Sierra Nevada, Ah Sahm and Young Jun are forced to spend the night with three strangers at a frontier saloon in the middle of nowhere. The detour turns perilous when Harlan French, a notorious outlaw, shows up with his henchmen, looking for a lucrative payday.
Blood....
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renaissanceousia · 2 months
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you're telling me this was improvised...
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jakejeffreyperalta · 4 months
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say what you want about the pjo show but ares being on twitter and starting fights is 100% accurate characterization. it's the type of thing you don't think about, but when it happens you're like. yeah Of Course He Would Do That.
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1515pm · 1 year
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ALBA BAPTISTA & KRISTINA TONTERI-YOUNG Behind the scenes of WARRIOR NUN S2
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angstydiaz · 8 months
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Sapphics wondering where the fuck our shows have gone:
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[Image Description// Gif of John Travolta from Pulp Fiction with a blank white background: a man in a black and white suit with a jacket strung over his right arm looks first to the left, then to the right, as though he is searching for something. When turning to the right he extends his hand out. //End ID]
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nerdy-frog98 · 9 months
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as a bisexual, here’s a short list of my favorite canon bisexual characters;
1. Rosa Diaz
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2. Alex Claremont-Diaz
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3. Nick Nelson
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4. Jesper Fahey
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5. Li Shang (maybe this one isn’t fully canon but it is to me)
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6. Michael Guerin
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7. Ava Silva (this gif has me SCREAMING by the way)
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8. Loki Laufeyson
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9. Angela Montenegro
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10. The Doctor!!! (they are probably pansexual but that’s under the bi umbrella so I’m counting it 🫶🏻)
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femaleheroes · 1 year
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kojiandrew · 2 months
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Andrew Koji as Ah Sahm & Jason Tobin as Young Jun Warrior | 1.04 "The White Mountain"
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atomic-chronoscaph · 3 days
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Wizards and Warriors (1983)
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plentyoffandoms · 10 months
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One fictional death that I am still not over is:
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Jacob.
He didn't deserve it
I know it needed to happen for the story, but so sad
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losientocookie · 1 year
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and we have the billboard. right in front of Netflix's HQs. for a month
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I think the biggest difference for me between projects (like to be clear I think NATLA is not good as an adaptation or a show, and I think the PJO tv show works as an adaptation and a show) is something that feels so basic, but shocked me when it clicked, which is that
NATLA has no actual visual storytelling going on
Which sounds ridiculous, but let me explain what I mean. "Visual storytelling" is how you communicate aspects of character or relationship through visual framing, parallels, that kind of thing, usually to indicate progression or a character's viewpoint. Many people have noticed that NATLA's cinematography leaves much to be desired, there are some shots that are good particularly in episode 6 (the Zuko transition shots between past and present, and one of the ending shots between him and Aang) but that's by and large the exception.
What I mean when I say "visual storytelling" is that NATLA doesn't have visual motifs. It doesn't really have parallels happening that much in the text or in the visuals. And this is something that ATLA did really, really well, all the time, particularly with Zuko's scar. Just take this framing of Zuko and Aang, in particular, from The Storm and The Blue Spirit.
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They even have consistent colour tones of Aang having a warmer, lighter yellow (Air Nomad) and Zuko having a darker, deeper red (Fire Nation).
And this is something I think Percy Jackson does pretty well. They have consistent motifs / descriptions if it were, particularly when it comes to Percy and Annabeth's relationship and her character.
Percy: [Choosing Annabeth] And if the mission required someone to push me down a flight of stairs for it to succeed, you want someone who won't hesitate when they do it.
Percy: [literally pushes her down the stairs but to save her life]
Ares: You're new to the family, young one, so let me fill you in on how we work. [...] Olympians fight. We betray. We backstab. We will push anyone down a flight of stairs to get ahead. Annabeth: This isn't the Arch, Seaweed Brain. You're not pushing me into the stairwell aagain. Percy: Yes I am! [...] It's why you're here. When I was choosing my team, I told Chiron I needed someone who wouldn't hesitate to sacrifice me if the quest required it. He agreed. That was you. [...] You're better at this than me. You just are.
Annabeth: [Refusing to get back in Athena's good graces] It isn't how it should be! It isn't. Eat or be eaten [referencing the Kronos story Ares said earlier]. Power and glory and nothing else matters. Ares is that way. Zeus is that way. My mother is that way. He isn't that way. He's better than that. Maybe I was that way once. But I don't wanna be that way anymore. I won't be like all of you. I just won't.
But we also see this visually.
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And to be clear I think it's well done, I'm not saying this kind of thing is a Masterpiece™ but what I am saying is that if you do these things, it's a great way to convey information to your audience visually and a sense of progress both in individual characterization and relationship development. And it just makes sense to lean on things visually if you're a visual medium, because prose can't do framing like this to the same degree.
And NATLA just... never does it. There's almost no real parallels, there's very little framing happening, and the even more intense overload of exposition does not help matters in this way either. The original series had a lot of parallels steadily built up (i.e. Aang's presence in the SWT and Sokka's plotline in Jet -- hell, even some of the lines he gets at Roku's Fire Sage temple -- were to show how Sokka was moving away from a more xenophobic worldview even if it was still a work in progress). There were also more overt ones, such as Sokka dressing himself for battle versus Zuko having guards/servants do it for him, but both ultimately tether the two together into having to put on a performance of confidence, manhood, and war more so than being the children they actually are.
And NATLA just has... no real visual parallels. The closest we get is the parallels between Sokka-Yue, Tui and La, and Kataang in the finale, but that's about it.
There's not a lot of scenes where a character is presented the chance to make a similar choice only to then make a different one. Even Aang wanting to go to the NWT to make a difference is muted because he never actually ran away in the first place; when you rip away character flaws or mistakes, you also gut their room for growth. When you strip away visual storytelling, it means that what you see on screen is a 1:1 of exactly what you're getting, and that is just a lot more Boring to watch as well as gutting your chances to show more character exposition. And it's just - it's just not good
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