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#what to do with all this angst?
stevebabey · 1 year
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part one here. ze part two to touch-starved stevie that absolutely no one requested hehe <3 but i gots to let my boys have a wee kiss :")
So, hugs with Eddie become… well, a thing.
Not a thing. They’re not a thing, Steve and Eddie. It’s totally the same as when he gets hugs from Robin. Eddie’s doing him a favour as a friend. It’s got the 100% platonic energy of getting a hug from a friend — a hug that usually melts into some form of a cuddle, limbs all tangled together until they can’t tell whose are whose.
Except, Steve doesn’t really do that second part with Robin. Like he hasn’t done it ever with Robin.
So, it’s an Eddie thing.
But they’re not a thing. Not matter how much Steve would actually very much like for that happen. Okay, maybe Steve’s overthinking the whole thing a bit, but he just can’t tell.
Where’s the line? It’s infuriating not being able to discern between platonic and more, just because Steve wasn’t held enough as a fucking baby. Out of all the things he resents his parents for, Steve’s surprised that this is so near the top.
Because, sure, Steve’s had more than his fair share of hookups. He knows that sort of touch. He knows the shape of lust; the scrapes of fingernails down backs, the tight grips over skin, the push and pull of the heat of the moment.
And this thing with Eddie… is not that.
So, really, Steve knows that it’s all friendly. Eddie is just being nice. He’s being a decent dude and helping his friend out — by catapulting himself into Steve’s arms at every opportune moment.
(Steve’s only dropped 3 mugs of coffee because of this so far. It’s only because Eddie says good catch, big boy with a devilish grin every time that Steve manages to catch Eddie that Steve hasn’t completely told him to knock it off. Just yet, at least.)
And he’s different in other areas. He’ll always seem to choose the seat next to Steve on movie-nights now, content to snuggle right up to him. They get thigh to thigh, arm to arm — and Eddie only needs to get about 20 minutes in for him to do a big sigh, like an old dog, and slump over, resting his head on Steve’s shoulder.
Steve notices though. He always notices.
It’s impossible not to— the skin, even if there’s 3 layers between them, burns blazing warm. Eddie’s hair drapes over his arm, a curl inevitably tickling along Steve’s collar. He can feel the rise and fall of Eddie’s breathing, the little shake of when he laughs.
It drives Steve a little insane— insane in the way that makes him think about burying his fingers in those curls again, about pressing his lips against Eddie’s pretty mouth just to feel the smile against his skin, about digging into his chest so he can climb into his chest and live there.
Yeah, it’s— well, it’s safe to say that the effect of Eddie’s touchiness has sent what was once a fleeting thought of a crush into mind-melting levels of affection.
But he can’t fucking tell.
-
To Steve’s credit, neither can Eddie.
Which is not surprisingly considering sometimes he catches himself wondering how the hell he ended up here; in a close-knit friendship with band-geek Robin Buckley, princess Nancy Wheeler, and King Steve Harrington.
Okay, the Robin one sort of makes sense. He thinks that if no matter when their paths crossed, he and Robin would’ve always even some sort of strange friends - her snark complimenting his bitchiness. Also, the whole super queer thing helps too. Even the friendship with Nancy works, in its own weird way.
Steve though? He’s the fucking curve ball.
It works though, the two of them. Surprisingly well, actually — the two of them get on like a house on fire, bitchy quips back and forth. Even better, is the quiet that they can share. Steve loves to come around and do… nothing. Do nothing with Eddie, though.
So, even though Eddie had noticed the tension in Steve with touch, little moments where he turned rigid when Eddie’s usual wandering hands got too comfortable — Eddie chalked it up to the usual. Guys bring too uncomfortable with him, too weird about another guy being touchy. It didn’t matter than Eddie wasn’t even out to Steve yet, he was still might be that type of guy.
Well, Eddie had certainly thought so. Sure, Steve might not be one of those jocks who smacked around boys who looked too long in the locker room, but if he knew a smidge of the truth, who really knows. It would explain the tenseness at least.
But then— ‘Can I… have a hug?’ There had been a dozen things Eddie was thinking that Steve could’ve asked for but that? Wasn’t even in the ballpark. It was so left-field it left Eddie speechless for a whole moment. And Steve had been staring at the ceiling, his hands curled up tight again like- like he thought Eddie might say no.
A ridiculous thought, honestly. Anyone who knew Eddie well enough knew he was touchy; loved giving it, loved getting it. Like an overly affectionate cat, Wayne had once called him, just 11 years old, because Eddie’s need for affection seem to never be sated.
After that night, Steve’s lack of touch became far more obvious. It’s always hair ruffles or high-fives, yet never hugs. Normally, Eddie would keep to that boundary; some people are less touchy other than others, he knows that.
But… “Sometimes I realise it’s been awhile, since I’ve had some touch.” That’s what Steve had said, his words. Eddie doesn’t even think he meant to say something so heartbreaking. In fact, the guy seemed embarrassed.
It had thrown Eddie for a loop— because Steve gets around. He’s nearly notorious for one-night stands and failed flings, as Robin loves to drone on about considering she’s subjected to all the flirting. What had originally been a point of envy for Eddie, just saturates the bleakness of Steve’s words. Sex but without a moment of intimacy.
So, while Eddie is miles away from being the person who gets into Steve’s pants — not for lack of want, mind you — he does try hike up the touchiness. Little things. Lingering when he taps him on the arm, hooking his chin over Steve’s shoulder to peer over it, leaning up against him when they’re side by side watching a film.
It’s good. It helps Eddie release the pressure of his stupid monumental god-awful crush he has. Yeah, yeah, it’s laughable, even to Eddie. It’s like Gay 101; don’t get crush on straight dudes, especially the ones you’re friends with. And yet…
Steve lets him. He lets Eddie give him touch, more than he lets anyone else. He still tenses; there’s still always a moment before he can remember to relax, like he’s trying to shake off bad thoughts but then he melts. He always melts into Eddie’s touch eventually — in a way Eddie knows Steve actually loves it, drinks it up as much as he can.
And maybe, Eddie is the biggest fool to grace the Earth to let that fact give him some hope. Sue his gooey heart, he’s a romantic. It’s a quiet hope but, it’s there.
Tonight, it seems relaxing for Steve is been harder than usual— several times has Eddie traced a quite long along Steve’s arms, a subtle point that they were far too tense for someone who was wrapped up in cuddles on the couch. ‘Cos that’s 100% what they are now. Eddie will still call them hugs, but usually, when it’s just the two of them, it becomes this.
Steve, tucked up into the corner of the couch, one leg flush along the back of the couch and one hanging off the edge. It’s the prime position for Eddie to crawl up, wind his arms around Steve’s middle and give him a good squeeze and then settle there. Head on Steve’s chest, lying in the cradle of his hips. Safe. Warm.
It makes him warm, oh very warm to know that he gets this. That Steve doesn’t give this amount of trust to many, if any, other people but Eddie — he trusts Eddie.
“Y’know,” Eddie says, cheeks smushed against the plain of Steve’s pec. It feels deliciously warm and Eddie’s fairly sure he can feel how toned it is just through his cheek. Hot bastard. “I’m actually real glad you asked for that hug all those weeks ago.”
He leaves it there ‘cos he knows Steve will ask. Eddie’s eyes stay on the buzzing tv-screen even as Steve’s head shifts, turning to peer down at the boy slumped on his chest. Eddie’s pretty sure he can see Steve’s mouth twitch up into a smile.
“Yeah?”
“Oh yeah,” Eddie affirms, giving a nod and his eyes flick up to meet Steve’s for just a moment. “Think I’ve had some of the best hugs in the world.”
Okay, that was maybe more honest and sappy than Eddie was going for. He is just letting Steve know he isn’t just doing it for Steve — that he enjoys these moments just as much. He lays it on thick, tries for a smarmy angle.
“Swept up in these pillowy arms?” He croons, giving Steve’s bicep a quick squeeze, making the other chuckle softly. “Who wouldn’t think so? I’m a lucky guy.”
Despite the joking tone, there’s no quick comeback from Steve. That’s alright. Eddie’s quite happy if this is one of the times Steve just takes the compliment; let’s the word sink in and hopefully, believes them, even if it’s just a little bit. He watches the film and doesn’t read into the silence.
Not even when Steve says, “Eddie?” all soft. Nearly shy sounding. It doesn’t quite register to Eddie’s ears.
“Mm?”
“Eddie.” Steve says again, a little firmer and that catches Eddie’s attention. He turns his head and rests his chin on Steve’s chest, his brows drawn together in silent question.
But the moment he makes eye contact, Steve’s doing that scrunched up face again. Is studying the ceiling instead of facing Eddie. And just like all those weeks ago, his hands clench up tight. Twists up the fabric of Eddie’s sweater in between his fingers and uses it to ground himself.
Last time, he asked for a hug. Considering he’s currently just about squishing Steve beneath his body weight, Eddie can’t fathom what he might be worked up to ask for. Unless he was going to ask for something more than a hug— which, well, just wasn’t going to happen, even if Eddie really wanted it to.
“Can I-” Steve starts. He sucks in a breath, almost like he’s gathering courage. But he’s not, because he’s not about to ask for what Eddie hopes for, he’s not, he’s—
Unless…?
“Can I… have a kiss?” Steve asks, barely audible. The sentence is murmured, soft words that hit Eddie like a gentle kiss in itself — imprinting right onto his heart. Steve Harrington wants a kiss — from him!
“Oh.” Eddie says, in a breathy delightful way. He’s fairly certain the little monkey in his brain is clapping its cymbals at double-speed as the words process; or maybe it’s his heart, which feels like it’s leapt up his throat.
“Oh?” Steve echoes, a smile already playing at the edges of his mouth, because he can see Eddie’s want. Because he knows him.
“Yes.” Eddie says suddenly, with a frantic nod, pushing up closer so their faces are aligned. “Yes, absolutely, you can.” He affirms.
Steve huffs a quiet laugh at the eagerness and then his arm that had been slung around Eddie shifts. It moves up til his hand caresses along the line of Eddie’s jaw, tilting him just how he likes.
Eddie holds his breath. Counts the freckles he can see this close. Tries to feel Steve’s heartbeat through where they’re pressed so closely together; can Steve feel his? Thundering and hurried, beating so hard Eddie thinks he might bruise the inside of his ribs.
Then Steve kisses him. And shit, Steve’s lip are better by ten-fold than every daydream Eddie’s ever had about them. They’re warm and so soft — plush and pressing against his own and Eddie is freezing. Fuck, wait, how does this go again? Right, Eddie’s never… well, kissed anybody before.
Steve pulls back and Eddie screws his eyes up — not ready in the slightest for the disappointment of his own shoddy kissing skills. Fuck, did he really just freeze? Steve — Steve Harrington — asks for a kiss and Eddie decides to stab himself in the back by not figuring out how to fuck to kiss back.
“You call that a kiss?” Steve teases and Eddie’s well aware of the parallel — of the irony of Steve repeating his own words back at him. But he can’t make himself laugh even though it’s funny. Instead, a little groan wiggles out his throat.
“I’m sorry,” Eddie says, earnest. He forces his eyes opens — he needs to see what’s Steve’s thinking. Where he’s expecting disappointment or perhaps regret, is only patience. Maybe a touch of concern. Eddie continues, despite the humiliation that makes his throat sticky.
“I haven’t- I don’t do this often.” He coughs awkwardly clearing his throat and hoping it hides the next word. “Ever.”
There’s a jump in Steve’s eyebrows, a moment of surprise in his eyes that lets him know he did, indeed, hear that final word. It makes Eddie feel… well, it’s nice that Steve had expected him to have been kissed by now. Even if he hasn’t. He tries to take it as a compliment.
“That’s okay,” Steve assures. Absentmindedly, his thumb rubs soothing along Eddie’s jaw. It makes Eddie shiver, some outrageous amount of joy clawing into every nerve. Steve likes Eddie. He wants to kiss Eddie.
“Do you want to try again?”
Eddie nods before the questions even out of his mouth. Steve smiles, all sunshine. This time when he draws Eddie in, he notices the way Eddie holds his breath — the rigidness in his body.
Steve kisses him again, another short and soft one and then whispers against his lips, “Relax.”
‘Cos isn’t tonight just full of the parallels, Eddie thinks. He listens, tries to focus on how sweet Steve’s kiss is than his panicky heart, forcing out a breath between the kisses. His hands along Steve’s sides find a grip, grounding and good, and by the fourth kiss, he begins to feel a bit melty.
It’s good. It’s really good. Kissing Steve is top 5– nay, the top moment of his life so far. Somehow, it’s made all that much better knowing the build-up behind it. Knowing that Steve knows he isn’t just kissing him for a heat of the moment — that Eddie wants kisses here, kisses before bed, in the morning, on dates. Eddie wants Steve.
And with the way he kisses, Eddie’s pretty sure Steve wants him just as bad.
It doesn’t take long for Steve to reach what Eddie decides is an ultra pretty fuckin’ state; lips swollen from kisses, cheeks flushed, hair a little mussed up. He bets he looks no better. The thought makes him grin, enough they have to break the kiss ‘cos Eddie can’t stop his stupid happy grin ‘cos shit— he actually gets to have this Steve.
“What?” Steve asks, somehow half heart-eyed and half suspicious at the mischief in Eddie’s eyes.
“Can I... have a hickie?”
now with a part three !
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"Probably because they don't have a grave," Danny said, pulling out his vape. "Final resting places are--HEY!"
Nightwing held the pilfered vape above his head. "Where did you get this?" he asked, scandalized.
Danny jumped for it, but Nightwing was too tall! Even at 5'7 he'd have to use his powers to reach the vape; he had no chance as a 9 year old. "We're in Gotham! You're lucky I didn't get cocaine instead!"
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pocketgalaxies · 1 month
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C1E60 || C3E88
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poorly-drawn-mdzs · 11 days
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The most evil celebratory kiss
[First] Prev <–-> Next
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caicie · 1 month
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Jason: Do you ever wonder what life would’ve been like if you’d never met him?
Tim: What kind of question is that?
Jason: A ‘yes or no’ one.
Tim:
Jason: …yeah. Me too.
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elitadream · 6 months
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What if this was Luigi's fight all along?
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crabsnpersimmons · 3 months
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This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!
Inspired by @bamsara's “Solar Lunacy” fic.
If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!
so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:
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and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!
you thought the animatic itself was sad?
*writing muse laughs maniacally* IT'S ALL A METAPHOR
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Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.
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Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.
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Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.
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Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.
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Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.
Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.
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Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.
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Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.
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Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.
The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.
This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.
(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)
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Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.
The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.
From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.
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Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.
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Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.
There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.
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Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.
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Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?
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Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.
The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.
Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)
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Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.
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Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.
But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.
Thanks for reading and watching!
We'll be back to our regularly scheduled fun and games shortly!
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emry-stars-art · 10 months
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@lyndiscealin your addition to this post… immaculate, I wanted to draw it, I hope you don’t mind I made minor changes 😅
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And did you mean for it to fit almost perfectly with the next bit, because I feel like you did, all I needed to add was one panel between - like, fix the mood in the last two panels and it’s like a seamless comic you’re a genius
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Anyway THANK YOU everyone is so brilliant with their ideas and additions 💕
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gengwasted · 11 months
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Spoiling Haitham with kisses cause he deserves em.
I’ll be honest: I was just looking for an excuse to draw his boots
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hughmanbean · 3 months
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Lady Danielle Gotham, nee Phantom
Danny is the Reluctant King Phantom, Essence of Duality, Bringer of Balance, Protector of the Innocent, Victorious Over Plant and Weather Alike, etc. etc.
Dan(te) is the Prince, Cautioning Message, Promonition of Destruction, Wrathful Truth, Experienced Overlord and Conquest, Obsessions Deprived Newly Reborn, etc. etc.
Dani(elle/Ellie) is the Wandering Princess, Widespread Sights, Mirror Turned Painting, and now, most recently, Lady Gotham.
Let's explain.
Ellie has wandered much of their home dimension by now, and even with the Infinite Realms, wants to see an alternate Earth. Clockwork, the doting Grandpa he is, agrees, opening a portal. He says that she can do anything she wants, as long as she doesn't outright obliterate that version. The rest of them see her off, and in she goes.
The first thing she sees is a grave. Though she can't read it, as a woman in black could've been white, so long ago stands in front of it. The woman turns around, and she is
beautiful, shattered, solemn, joyful, mourning, celebrating, ominous, comforting, barely a newly minted town, an old weathered city, and
Tired. So tired. So much has happened, good and bad. She wants to watch her knights grow, to see them flourish. But even a sentient city cannot stay. Too much has changed from before. Too many magics. She has decks of curses, played or kept in her hand, but it is too much. She must reform.
Ellie is approached, and they talk. She's exploring, and this place seems really nice. A bit morbid, perhaps, but nice. Lady Gotham sees potential.
Over a few months they talk, and Lady Gotham gives not only the title, but the very essence of her beloved city to Ellie. She may not reform, and be dispersed. Or she will. But she wants someone to look after it. And Ellie can do that. She's seen so many people and places, understands how complicated it can be, and has a good relationship to the Reluctant King.
Ellie accepts. She's sad to see Lady Gotham go, but knows that nothing can forever. So she decides to check up on Lady Gotham's (who she now is) knights. And those two guys in the sewers. And the other with the bar and birds. And that woman in the catsuit and the assassin one too. All of them, actually. Invisibly, of course. Wouldn't want to do anything stupid.
She also got a cool new outfit! (Created by the essence of Gotham and herself, not that she knows that.) It feels so natural to have it on as she watches. The people she's watching, on the other hand, can feel it. The city's gaze.
Ellie has opinions. I mean, look at Mister Riding Hood! Dirtiest 'plasm she's seen! And the Bat! So many kids! Sewer dudes are actually pretty cool. Fun to hang out with. She's taken to using TVs supplied by Technus and Tucker that she's fed some ecto-essence into to let her watch them. And she's also had small picnics with some of the spirits residing there.
One day, as she's "birdwatching", or just going about her business, they see her. She doesn't notice.
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feelo-fick · 12 days
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miscellaneous au doodles + a VERY self indulgent song lyric comic :D
+ extra evil comic below the cut :
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"chil!" "don't look at me like that..."
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seaofgoldensand · 19 days
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so, i had seen a lot of people saying that xavier only loves queen mc, but after reading his 3rd anecdote, i’d beg to differ. 
there is a quote in there where he says “no matter how many times it takes, no matter where you are… i will find you.” 
to xavier, mc is both hunter and queen. there is no difference. even if mc were to have another life, xavier will still see her as the same person, the love of his life basically. and no matter how many lives it may take, he will go through anything and everything to find her and be with her in some way.
also, his relationship from queen mc evidently carried over to hunter mc. remember in his myth where she was in a duel with xavier before he was taken away and jeremiah came up to talk to her, but when xavier returned and saw jeremiah’s arm around mc, xavier clearly was pouting and even told him basically to stay in his own lane. then we have hunter mc who jeremiah was measuring her figure in order to create an outfit to fit her fake role only for xavier to deadass spray water at him like a misbehaving dog saying that she can do it herself. 
i know damn well jeremiah had a ball in both instances, he just enjoys provoking xavier whenever possible.
his jealousy shows the same whether queen mc or hunter mc, perhaps he learned from his mistake before, but his efforts with hunter mc seems more like ‘i’ve made this mistake before, i won’t allow it to happen again’. because, if it were truly only for queen mc, then why would xavier go out of his way for hunter mc; when mc lost caleb and josephine, how she felt lonely and xavier told her about snowflakes falling on loved one’s shoulders by their passed loved ones. or even the most recent cards such as ‘romantic afternoon’ and ‘succumb’  as well as his 4* memories altogether. 
for someone who is coined as the one who only loves and cares for one version of a woman…he sure treats hunter mc a lot better than he did with queen mc. but, i still stand on this hill that xavier loves mc, no matter what version she is. also something i want to add, man is old, he’s been traveling space to and fro, he would never waste his time on someone he didn’t genuinely want to be around or simply be with.
when i say it transcends, this is legit what i mean.
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to him, queen mc is right there with him, once made to be his knight, now hunting and defeating wanderers side by side.
also for @ly-pleiades because she asked to peek into my thoughts about xavier and such and i am happy to deliver what i can
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litt1e-prince · 11 months
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"Who's your friend, MK?"
INSPIRED BY THE FIC: https://archiveofourown.org/works/46162438/chapters/116212117
Which, if you 'haven't read yet- why not?? go read it now!! It's literally so good, its so good- had me crying- LIKE. I WANNA FIGHT WUKONG FROM THIS FIC SOOOO BAD but at the same time,,, i wanna hug him and bring him nice things and make sure he's safe and happy! The author writes so amazingly and aaaah! the pain!!!!
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poorly-drawn-mdzs · 5 months
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We could have had it all...
[First] Prev <–-> Next
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quirkycritters · 3 months
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"Checklist, 1, 2, 3!"
also heya, first LU post! im,,, so normal about these guys (lies- ive been thinking So Hard for nearly a year, unsupervised)
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phatcatphergus · 3 months
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Hot take but I think as fun as it is to apply angst and go in depth into the characters with the egg beef, I think that how lighthearted and silly it is makes it much more fun and refreshing. Not every part of lore has to be angsty and intense, sometimes it can be silly and goofy. Sometimes little girls just hate each other on sight and need to fist fight every other Tuesday 🤷🏻‍♀️
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