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breeyn · 7 months

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An essay rebutting the “bad writing” claims of s2 ofmd. Spoilers herein.

I’ll preface this with saying you’re obviously allowed to like and dislike whatever you want. I am in no way opposing that. And your reasons are your reasons. Have at. (Also - this is a collection of observations from the past few days, I’m not calling anyone out)

I AM going to rebut the idea that season two was poorly written and lost the spirit of what the show is about.

My favourite movie of all time is Empire Strikes Back. It’s been my favourite movie since I was four. I’m pretty sure it’s a fave of David Jenkins, too. He and Taika have made absolutely no attempt to hide their love of all things 80’s - Prince, the Princess Bride, Kate Bush, Star Wars, etc.

I have ancient video tapes (that I can’t play because who has a vcr) where Lucas is interviewed by Leonard Maltin? Malkin? I dunno. Who cares. Maltin asks him about the Star Wars (original trilogy) story arc. Lucas says “in act I, you introduce all the characters. In act II, you put them in a situation they can’t get out of, and in act III, they get out of it.”

That’s how it works. This is how stories and literary structures work.

Of course you’re not satisfied with season two. You’re not supposed to be.

The arguments I have read on why s2 loses the spirit of s1 is because no one heals. No one learns anything. No one moves forward properly. The person who makes the biggest move towards healing dies. The two main characters end the show doing the exact fucking thing they had promised themselves and each other they wouldn’t do. Our romantic lead still doesn’t understand his value or make any headway on addressing his tragic flaw. It makes no goddamn sense.

My gremlins in weird: it’s not supposed to. In Act 2, EVERYONE LOSES. This is how it goes.

I’ve read a lot of people saying “but this felt like a series finale, not a season finale.” We all know that outside politics play a part here, the strikes make everything precarious. I remember the last writers strike. It destroyed tv for fifteen years. Anyone remember Pushing Daisies? Some of y’all have never had your fave show cancelled with zero resolution for the characters and it shows.

Daddy J did us a kindness. He softened the blow of a tough season. After the brutal cliffhanger of s1, he gave us a little softness and hope. All those things you’re mad aren’t resolved? It’s because THE STORY ISN’T OVER.

No one on earth thinks “stuff all your trauma into a box and ignore it” is good advice. A way to actually live. This show did not have enough screen time to throw out dialogue for no reason. There was foreshadowing in s1 for s2, and there is foreshadowing for s3 in s2. This is a well-crafted story by very smart people who care very much for these characters. There is zero chance Frenchie explained the box in his head for no reason. The reason people have not resolved their trauma and growth is because they haven’t done it *yet*.

And friends - it’s not thinly veiled. They straight up fucking tell us what they’re doing.

Luke Skywalker spends the first two movies fucking up and desperately trying to prove himself and just generally being an idiot. Sound familiar? He ignores the lessons he is supposed to be learning to go off and do what he feels like doing, and loses fucking badly. At the end of Empire, Han is gone, Luke and Leia wave goodbye to the Falcon that has Lando and Chewy - the rest of their crew - aboard. Everyone has lost everything they care about. Vader is undefeated. Yoda is pissed. Nothing is resolved.

You see where I’m going?

If you think I’m stretching this too far, welp, when Ed tells Stede he loves him - the climax of the finale - Stede quotes Han fucking Solo. Like - *it’s right there*. The story structure. The reason everything is unresolved.

So yeah. They wave goodbye to their ship because they have wounds to heal (like Luke’s hand). The people aboard the ship have things to find. Ed and Stede have *not* learned their lesson about whims and how not to be like Anne and Mary. It’s not stupid that they’re doing the same thing, and it’s not pointless that we were shown Anne and Mary. It’s all relevant.

The resolution comes in Act 3. None of these people are done. The story is far, far from over. And just in case the studios want to be dicks about it, David Jenkins was lovely enough to not repeat my enduring heartbreak over Pushing Daisies.

Thank you, @davidjenks 🖤

#ofmd #our flag means death #ofmd s2 #ofmd s2 spoilers #ofmd spoilers

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ponderingmoonlight · 1 month

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Chapter 3: Entangled Ambitions - A Pact Sealed in Royal Halls

Pairing: Gojo x fem!reader

Warnings: reader's death, language

Genre: Isekai, Romance, Fantasy

Synopsis: Your life takes a tragic turn as you perish in a car crash, only to awaken in a whimsical world of fantasy with none other than Jujustu Kaisen characters as its main protagonists. But as if that wasn't enough, you're about to marry the prince version of Gojo Satoru. How will you navigate through this world of history and fantasy? Does your life take the same sudden twist of fate as that of your favorite characters?

<- Previous Chapter l Next Chapter ->

Satoru’s heart stops beating for a moment, eyes widen at the harsh words you just spit at him. How would someone like you know about his powers? He was always keen to hide them, never used his abilities in the presence of someone apart from Suguru and his family. He doesn’t even know you that well. You, the daughter of Naobito Zenin. How on earth did you find out?

“I don’t know what you’re talking about.”

You clear your throat, nerves threatening to fail you. This is the only chance you have left. If Gojo Satoru doesn’t rethink his decision…No, there is no way you’ll die again.

“I am talking about your ability to manipulate the area around you freely, the fact that you can distort space. You are also able to create barriers and voids that nullify any incoming attacks, which makes you almost invincible in battle and is responsible for your great reputation as a fighter. But if your followers get to know about the real reason behind your skills…You know how great the fear of people with special powers is in this country, that all of them get executed. Not even Your Majesty will be spared from this.”

You are walking on thin ice. He is the prince, after all. So much higher in his rank that it would be easy for him to get you executed due to false accusations. But this might be the only card you have left, your last spark of hope. If Gojo Satoru won’t marry you, your father will let you get killed. And apart from that, this might be the only chance you’ll get to meet your favourite characters. What about Geto and Nanami? If Naoya and Gojo exist, they are definitely somewhere in this world as well. You are literally living the dream of every anmie and manga fan.

Well, except for the stinging fact that you call Naobito your father and Naoya your stinky brother.

“That are some heavy accusations you’re throwing at me, Lady (y/n). You know as well as I do that I could get you executed right on the sport for your unwise words despite the fact that you are a daughter of the Zenin family”, he replies.

The way he crosses his legs while smiling down at you arrogantly makes the urge to fall onto your knees and beg him for forgiveness grow louder and louder. But no, this is exactly what he wants. At the moment, all Prince Satoru does is playing and testing you. You can’t allow yourself to be messed with. After all, he has absolutely zero clue about what he is in your old world, that you actually died and reincarnated here. He definitely does know that your life depends on his mercy, though. And that your proposal benefits both of you.

“Why did you decide on marrying me in the first place? Was it because you fell in love with my portrait or rather because your family forced you to choose a wife and you thought I wouldn’t cause trouble because I’m a Zenin, because you considered I would urge to get away from my possessing family as soon as possible?”

Threatening him any further has no use. After all, Gojo is aware of the fact that you know about his hidden talent. Instead, you should focus on things you can actually prove, things that are obvious.

“You are a very loudmouthed young lady. I expected you to be more sublime. As a member of the famous Zenin family, you sure got taught etiquette and obedience from a young age, didn’t you?”

He can’t help himself. Just one look into your glimmering lavender eyes makes him provocative you even further. Of course, every little thing you said is true. Yes, your words are a serious threat on his way to the throne. Yes, his family does in fact urge him every single day to decide on a wife. Your proposal is the best solution for both of you, allows him to carry on with his unbothered life without the responsibility to satisfy his finance’s needs. But still…

“I couldn’t care less about my ancestry, Prince Satoru. All I care about is my own freedom”, you clarify, determination dripping from each and every pore of your face.

“And if you don’t decide on helping me, I have to find another gentleman who suits my requirements better.”

“Another gentleman? You are aware of the fact that I’m the prince, right?”

Out of all the arguments you brought up in this conversation, this one is the one that bugs him the most. Out of some strange reason, the sheer thought of you getting promised to another man doesn’t sit right with Satoru.

“As a prince, you are far above my status anyway. If it weren’t for politics and the reliability when it comes to the advanced weapon technology of my family, I wouldn’t even be considered as your fiancé”, you argue in all seriousness.

“What if I don’t allow you to marry another man?”

“Then I will find my ways to do so.”

“Fine, I will propose to you at the ball this weekend.”

Wait…what? After all the arguments, the discussions and the stinging fact that he stares at you with narrowed eyes, he actually agreed on it? Just when you’re about to thank him and leave, he gets up and opens his full mouth.

“But I want to re-arrange the conditions to suit my needs as well.”

Your pounding heart almost stops inside of your chest. For a moment, you just sit there and stare at him plainly like an idiot. Gojo Satoru, having conditions? This definitely doesn’t sound appealing at all. But do you really have another chance? It might be true that you are able to find another gentleman, the anger of your father will carry on, though. And who knows if he wouldn’t kill you even if you marry another wealthy man. No, this engagement is your best and eventually only option.

“What conditions are we talking about, precisely?”

“Once a week, I am allowed to present you as my fiancée in a way I will decide on my own. As the prince and future ruler of this country, I need to reflect a strong relationship with my future queen to the outside. It has to be credible. Everyone must think that we are deeply in love with each other, Lady (y/n).”

Shivers run down your spine before you’re able to stop them. Just one look into his blue thirsty eyes…This man won’t touch you even in your sleep. Doesn’t he have multiple young women just waiting for a chance to hit on him? Playing his wife for an additional day of the week. How wasteful, considering that you’ll never be more than his fiancée, that this engagement will get cancelled the minute it doesn’t benefit both of you anymore.

“I will fulfil my role over the span our engagement last and accept your addition, Prince Satoru.”

“Great! Now that this is out of the way, let me tell you one last thing.”

Before you’re even able to react any further, he grabs your arm and pulls you close. For a moment, you forget how to breathe, your nose tingling by the exquisite scent that radiates from him. You actually never wondered about the way he smells. But now that he is so close you would be able to touch him, so close that you can feel his breath brushing over the bare skin of your face, heat begins to crawl up your spine. Suddenly you feel like fainting, the immense presence of him standing this closely to you simply taking your breath away.

“If you decide on betraying me by telling anyone about my secret, I will execute you. There are no real feelings between us, I won’t even bat an eyelash.”

“First, make sure you keep your end of the bargain, Prince”, you bite back out of instinct, holding his gaze without any mercy.

Does he really think you’re scared of him? He might be Gojo Satoru, the honoured one, the strongest, the prince of this country. You might have been surprised by the way he grabbed you out of thin air. You are still (y/n), still you.

Instead of backing up, you take another step towards him and grab the collar of his elegant jacket. But you know all of his dirty little secrets, parts of his past and future. You are definitely no one to be messed with as well.

“And make sure you don’t disappoint me.”

You let go of him as sudden as you grabbed him, creating a safe distance between both of you by crossing the room and coming to a stand in front of the exit.

“Send me an invitation to the ball along with a pricy bouquet of lavender flowers. It was an honour to visit you, Your Majesty. I am looking forward to our next meeting.”

One last polite curtsy, one last elegant smile. But just when you’re about to call the waiter in order to open the door for you, it swings open by itself.

And your cheek clashes into something particularly hard.

“Oh no, I am beyond sorry My Lady! I wasn’t aware of your presence!”

That voice…You get greeted by a pair of the manliest hands you’ve ever seen, hands gliding up his definitely toned arms. He lifts you off the ground as fast as you stumbled onto his, arms holding you into place tightly.

“You must be Lady (y/n), what a pleasure to finally meet you. I am Sir Geto Suguru, the steward of Your Majesty.”

“S-Suguru?”

Your widen eyes focus on his face in an instant, heart almost beating out of your chest. All those times you admired his drawing, the way he acted so elegantly. The countless fanfictions you’ve read with this exact first meeting.

Only to end up with him in bed later on.

“That is my name”, the man in front of you replies along with a small laughter.

That smile. That oh so charismatic smile. And that manly smell, a mix of mint and leather. You force yourself to gift him with a smile and create a safe distance between both of you. So this is him, the best friend of Gojo Satoru. Even in this world, you can tell how close they are to each other.

Will it stay like this, though?

“I’m sorry, I must have hit my head a little too heart”, you comment, finally ripping your eyes away from his brown ones.

“Do you know each other?”, the firm voice of Prince Satoru interrupts.

A look into his face tells you that he isn’t amused by this sudden meeting at all.

“I’ve never seen Lady (y/n) apart from the portrait that was sent to you, Prince Satoru. But may I say, you look even more mesmerising in person.”

“Weren’t you about to leave when Sir Geto arrived, Lady (y/n)?”

Gojo smiles at you without his eyes, a cold glare decorating his face that is definitely supposed to intimidate you.

But instead of backing up, you take a risky step towards Geto Suguru and bow oh so sweetly.

“Oh Sir Geto, I don’t deserve your kind words. After all, it is you who is a feast for my eyes. No excuse me gentlemen, I still have lessons to attend. I hope we’ll meet each other again this weekend, Sir Geto. Have a nice week, Prince Satoru.”

Without gifting him another single look, you turn on your heel and walk out the door.

You did it. You convinced him to propose to you. But…is this really what you want? Is Gojo Satoru really what you want? Just the way he stared at you with arrogance dripping from each and every poor. Urgh, you fucking hate him. There’s no way to deny that he’s driving you over the edge. Why on earth does it have to be him? Why not Geto, what about Nanami?

Why does it have to be Gojo Satoru?

“She seems like a really nice young lady”, Suguru comments visibly amused while sitting in your former place.

“What your tongue, Suguru. She will me my fiancé after this week is over.”

Tags: @m0k0k0 @lees-chaotic-brain @sanicsmut @risuola @fire-loving-siren

@sunshine7queen @gatitam @kentocalls @hellkaiserinphoenix @skylarlyn823

@livmarauder @nothisispatrick300 @haileycannotcometothephonern @xstom @byakuya61085

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damianbugs · 1 year

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in remembrance of that anon that i tragically lost, here are some recs for THE most underutilised duo in the batfam. i could write ridiculously long essays about the tragedy of these two characters, and how they could become something great, if dc would get a grip a let tim grow up, preferably in the next decade. no complaints about damian. he is perfect.

this is also a cry for HELP. PLEASE write more big brother tim fics i am literally on the verge of collapsing as i ask. he is so unprepared but well meaning big brother so let him carry out his duty towards damian and duke PLEASE.

right then, anyways:

TIM AND DAMIAN FIC RECS ON AO3

miles and miles (in their shoes) by JUBE514

Where is Damian? Why can’t he see anything clearly? Where is the little brat? Damian had been by him in the cave when everything had exploded, they had been arguing like always when the two of them had gotten the punishment to go clean the trophy room, stop yelling at each other, stop being at each other's throat for two minutes and go clean the goddamn trophy room-

They had been cleaning, got into another knock out drag out argument, and it had come so close to blows and they had been screaming more than cleaning and-

The stupid fucking shoe, in the magical section- exploded out-

Tim and Damian switch bodies, the two of them realize exactly why the other does the things they do.

MY NOTES: i know body swap aus can be a little worrying, but this is a phenomenal fic on not just the complicated relationship between tim and damian, but also their own individual struggles and how that brings them closer together in an unspoken yet profound way. a must read if you appreciate the characters in their entirety.

Biphasic Reaction by renecdote

People may have allergic reactions all the time and be fine, but they can also die from them. He has a flash of sudden, morbid curiosity about what the exact statistics for fatal allergic reactions are.

MY NOTES: secretly protective big brother tim u mean the world to me. they are so fun in this, even with the medical emergency occurring alongside the sillies.

i only sink deeper (the deeper i think) by call_me_steve

Drake clicks his tongue and tilts his head off to the side. “This really isn’t as fun as I thought it would be.”

Oh, really? Damian starts furiously finger spelling, just to be annoying. You know, I thought the floating platforms would be of the utmost excitement.

“I caught a solid half of that and I think you’re making fun of me.” Drake goes to shift before remembering that he can’t - his face beneath his domino contorts into something unpleasant. “My legs are falling asleep, dude.”

You move, signs Damian, for real this time, and I go under.

“You talk,” Drake shoots back. “And I go under."

MY NOTES: it wouldn't be a real saki fic rec post without at least one kidnapped and almost dying in order to escape fic. i think about the conversation about love and danger at least once a week at random intervals and do not know how to be normal about it. at all.

The Wound Begins to Bleed by audreycritter

Now that Tim’s moved back to the manor, he just wants a few afternoons a week without Damian around.

Funny how getting that was the catalyst for him becoming a better big brother.

MY NOTES: okay so maybe i've read this a billion times and maybe it's my favourite tim and damian fic ever to exist but isn't that just proof you need to read it too? such a real fic. so personal. can't think of anything else but u must read it

picture perfect memories by Fandom_Trash224

“I… require assistance with something. I believe you are best-suited for it.”

Tim raises an eyebrow, but motions for the younger boy to enter his room. As Damian does, he slowly closes the door behind him, and Tim notices a small piece of what Tim assumes to be paper in Damian’s hand. Then, he realizes it’s not just a piece of paper: it’s a photo.

Damian approaches Tim, holding out the photo at arm’s length once he’s close enough to do so, saying, “I would like you to explain this photo to me.”

Tim glances down at it, and to both his surprise and mild horror, he recognizes the photo.

MY NOTES: oh... oh. Oh i am on the ground dead forever. damian and tim bonding over the shared fact that they got a version of bruce they'll never, ever meet. finding a common ground in grieving something they never had. oh.... how marvelous.

The Study of Birds by MaskoftheRay

Tim and Damian have hated one another since the day that the youngest Wayne arrived in Gotham City. A few years later, that hatred has cooled into a mutual disdain and somewhat-wary tolerance. If necessary, they can even work together— though neither likes to. Then Tim discovers that Damian enjoys bird-watching too.

Or: sometimes the difficult things are the most rewarding.

MY NOTES: truly something so special about stories where tim and damian find comfort and something to cherish in animals. a middle ground born from compassion and empathy perhaps. so sweet.

#tim drake #damian wayne #batfamily fic recs #batfam #saki batfam fic recs

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cat-hesarose · 7 months

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Izzy Hands and broken promises

Now that I've had a day to digest the ending, I'm still in the "Izzy should have lived" camp but can better understand why it soured an otherwise great season finale for me.

Keep reading if you like rants about storytelling and queer catharsis from people with a Bachelor degree's worth of overconfidence and strong opinions.

Bar a handful of icks (Zheng Yi Sao getting outsmarted by Ricky, etc), I loved this season and don't see a wealth of problems that would not have been solved by two additional episodes. That said, Izzy's death is one of the things I can't see making any more sense if they had more time to explore his journey because his journey is what problematizes djenk's stated reasoning for his death.

In that one interview (and to be fair, we only have a brief window into his intentions as of right now), djenks positions Izzy as two things, specifically to Ed: a mentor and a father figure. And yeah, mentor figures often die. Their student surpasses them, or acquires a new narrative drive from their mentor's death to continue a quest.

Neither of these things feel like a fit for Izzy and Ed's dynamic nor their respective arcs. Neither does "father figure". Izzy was a love interest. He was described as a love interest. He confessed love to Edward. His mentor relationship was more established with Stede, if anything, who is an unreliable narrator and may well have been lying about Edward claiming that Izzy taught him everything he knows.

The journey that Izzy went on this season was parallel to Ed and Stede but it was with the crew. It's one big queerplatonic love story essentially, of him finding himself as an individual through the support they give and the space they hold for him. Season 2 Izzy Hands is, among other things, a love letter and showcase of the queer community's power to revive hope and purpose.

Izzy has the world's messiest breakup with Ed when they're both at their worst, and his healing begins with the crew of the Revenge. He only interacts with Ed again after bonding with, and growing through, the crew. So yes, it absolutely makes sense that his journey would proceed towards making peace with/saying goodbye to "Blackbeard". But it does not make sense that it would end there, with his death.

Djenks says that they're pirates, and people die. And yeah they do. But in the hand-wavy logic universe of OFMD it feels dismissive to say that about the death of a major character. And odds are, David "Izzy is my favourite character" Jenkins is not dismissive of Izzy, so that leaves tragedy.

My issue with that is, season 2 Izzy is no longer an innately tragic character. If you told me at the end of season 1 that season 2 would end with Izzy dying in Edward's arms telling him to go forth and change and accept love, I would've gone "that's sad but it makes sense." Because it would have, at the time. Season 2 Izzy departed from the trappings (so I thought) of the doomed fate of the bitter old repressed grimdark pirate when he put on the gold-painted wooden hoof and embraced his new role as First Mate of Stede Bonnet's gay floating kindergarten.

His death feels like a betrayal because, in a show that does queer characters Really Well, Izzy's arc feels like a broken promise. To say nothing of the politics of having a character attempt suicide, begin to heal, then say "I want to go" before dying, I wanted Izzy to want to live. It really felt like that was where his character was going, where his character was supposed to go.

Death for a character who is showing all this potential is only a natural ending in a tragedy. It isn't presented as peaceful or to punctuate another character's growth. Season 2 Izzy Hands had ceased to be reliant on and subject to Blackbeard. If anything, he was tied to the crew, who all stood back and felt much more removed from his death than they probably would have been if the show had more time to show their emotional responses. Having him die in Ed's arms, apologising for fueling Ed's destructive tendencies and encouraging him to be himself and accept love, feels like he got shunted off his new arc and back onto the old one. It feels like he went through all of that just to take a last-minute huge step back and re-subjugate himself to this character who does not reciprocate his devotion.

It makes me wonder if his death scene was one of the first ones written, before all that energy was spent giving him a new life and new connections and new, you know, new reason to live.

Anyway, that's how I feel about it. TL;DR Izzy's growth should have included LIVING HIS HARD-WON NEW LIFE and if I ever see djenks i'm going to cross the road and avoid eye contact.

#ofmd #ofmd meta #ofmd spoilers #ofmd season 2 #ofmd season 2 spoilers #izzy hands #storytelling #comedy and tragedy #why yes i am participating in #discourse #media literacy #fandomposting #stede and izzy should have fucked

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thecruellestmonth · 21 days

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Juni Ba is holding a Reddit "Ask Me Anything" session on May 7 at 4 PM CEST (10 AM EST).

Some of his answers in his previous interviews about The Boy Wonder, a reimagining of Damian's story—

This is a standalone graphic novel (Black Label), meant to be accessible to readers with no prior comic knowledge. It is meant for ages 13+.

Damian is Ba's favorite Robin, and he finds him very relatable.

On Damian comic influences, Ba says Son of Batman and Super Sons were two of his favorite books. *CORRECTION: In the AMA, Ba makes it clear that he's referring to Robin: Son of Batman, not the Damian: Son of Batman series or the Son of Batman movie. Which makes a lot of sense for someone writing a fairy tale about Damian, but I was confused.

Other than Damian, Talia and Jason are the characters that Ba has been most excited to work with.

Ba did the art for the "Happy Birthday Damian" story in Truth & Justice; while the art was a test run for some design ideas he's using in The Boy Wonder, the actual story isn't necessarily indicative of his own writing style or his version of the characters.

Ba is a big fan of Darwyn Cooke. Justice League: The New Frontier thematically inspired him here, possibly more than particular Batman comics.

Ba is aware of the racism discussion regarding the al Ghuls, and he intends to humanize them.

Ba started writing in 2020 or 2021, and the story is being released now after a period of waiting.

"This is very much I guess a Juni Ba book that happens to feature Batman characters."

To start us off, what can you tell us about the story of your new series, The Boy Wonder?

I usually introduce it to people by saying it's the story of a child with a lot of hang ups and preconceived ideas, both about himself and his family members. Over the course of this coming of age fairy tale he starts to learn about them, and himself, and grow into a better person. And it really leans into the fairy tale aspect to push the allegory and the magic in this story!

Why does Damian appeal to you so much as both an artist and a writer?

I find him both tragic and adorable. He and I share some things and I think that's why my brain started coming up with a story about him all by itself. Writing wise there's a fertile ground to tell a really heartfelt story. And art wise, he's such a fun character to draw. It's like a cute little gremlin who's always frowning and judging everyone, which can often backfire on him in funny ways.

How much does Damian's past with Talia and Ra's al Ghul influence Damian and this story?

A lot! They raised him after all, so that upbringing influences a lot of what he does. But that includes Batman too, even if his influence is more recent. There's a looming presence of all the parental figures and the pressure of what they'd have wanted you to do, how they would have judged you.

Since we were talking about Damian’s mother, there have been questions surrounding characterization and stuff, especially for characters like the Al’Ghuls, whose stories unfortunately do have a lot of racist elements in their origins. Are you doing anything to combat or alleviate those concerns in your book?

Stories often dehumanize them, so I try to do the opposite. I think I have a very character-driven style of storytelling, and a lot of the time I try to give the point of view of as many people as I can in the story.

There are five issues. Three of them have the Robins, and then eventually we get to my 2nd favourite team up, which is with Talia and it’s done from her perspective. The main goal was to try to give her more of a voice, because you start this story with a kid who tells you “My parents are messed up,” he was essentially raised to kill people, but we see how she was raised too, and the faults that she can see in her father’s philosophy.

Ra’s gets a bit of that as well later on, but the main goal was, I want to make it so that when you start the story with Damian, he has a lot of preconceived ideas about both sides of his family, which make his relationships to everyone very difficult. Every adventure he has, he gets to understand things in a different light by the end of every story, and one of them was, “What is his relationship to his mom like?” And you get to see it from the mom’s point of view and understand that she loves her son, but there are a lot of complications that come from being raised by someone like Ra’s.

Beyond that, this is an older Talia, more mature and less sexualized than the usual I’d say. As for Ra’s, I can’t say much, but a lot of what you see of him at first is rooted in Damian’s childlike, heightened, and scared perception. Just like the rest, it gets explored later.

It sounds like the book will see Damian coming to terms with his place in the Robin lineage. How does he feel about his brothers?

This Damian would probably say they're usurpers, ingrates, failures and profiteers! It's pretty hard being raised as the center of all the attention, as well as a successor who's never quite enough for his grandfather, and then when thrown into the Bat family, he becomes what feels like the fifth wheel. The last and least appreciated son. So his whole arc will be about processing that.

Is there a character other than Damian that you’re particularly excited to be writing and/or drawing?

Jason and Talia, by a lot. I think because the core of it is this is a world of people who seem very perfect. Damian works as this kid who feels like he’s not good enough for that. But aside from him, there’s Jason, who’s really a well-intentioned, good hearted person who really bad stuff happened to, and he’s struggling to get out of the traumatic impact of that. And I think the story works really well in showing that.

Talia is kind of the same. It’s someone who has a very idealistic view of the world and wants to essentially, be allowed to shape the world into what she thinks it could be, but she has to be under the boot of someone else who is not very reputable, and it has impacted a lot of her life in ways that she did not intend, including her relationship to her son and that’s also probably why those two characters also get like an issue told from their perspective. I really wanted to show you the inside of their mind and dispel a lot of the prejudice that Damian has about the way they are.

I really love the way you visualize Damian and the other Robins expressing themselves with their eyes. What design elements of the character were you most excited to highlight to help show readers what Damian was feeling in a given moment?

I do love using the eyes to express! It’s a very efficient and visually compelling way to do it, but more so than that I use character design. Their shapes, their colors, they all are designed to convey something relative to the story at hand. For example Jason takes cues from Taxi Driver and the general feeling of alienation and being a drifter. It’s all to give a shorthand into how he feels, to then unpack that and give it context. Everything is story basically. Damian looks like a cute angry potato! And that’s all because despite how abrasive he can be, he has to remain endearing and you must see that it’s still a kid learning.

Well, since this is your own thing, I assume that must mean that you’re giving your own spin on these characters. Is there anything without spoilers that you can tease that is going to be different? Like if you’re a long time reader going into this you’re going to be surprised by it.

I’m someone who really likes a more fairy tale and magical side to storytelling. Something that I added a bunch of, I mean, they talk about demons in the solicits of the first issue. It’s both an allegorical thing and a very, real thing that the magical aspects of certain parts of that world have been pushed more.

The other big thing for me was Damian is the heart of the story, so everything is seen from his point of view. So Batman looks a lot more like a dad. Talia looks a lot more like a mom, and with every one of the Robins, I try to take a core concept of every one of them and push it to the forefront to contrast it to Damian. So like, I would say that the more fun part of it would be observing how Damian interacts with what’s essentially kind of a mirror put to himself every time. But overall the idea is a sort of cartoon-making logic, of taking the general elements in various iterations of a character, synthesizing them for the story, into something recognizable but digestible.

The Boy Wonder has this beautiful visual style - fairy tale, as you just said - despite some strong moments of violence. Why did you choose to tell the story this way?

Fairy tales are great for allegory, larger than life concepts and leaning into the magical. There's also a story reason I can't spoil but it makes for a great framing device.

[...] There are narrative reasons in the book that I can’t spoil, but overall I’d say it’s because it’s my favorite format, as well as a great way to really lean into the larger than life aspect, the allegorical, the magical. Fables often contain a nugget of a message or meaning, and this is a coming of age story, so it fits rather well.

The Boy Wonder is as much about Damian as it is his brothers. Has that story not been told enough — how similar and different Bruce’s kids really are — and did you draw on your relationship with siblings at all?

Pretty much no one I talk to in the larger world ever even knows that there are multiple Robins, let alone read their stories. So I’m glad to be making a book that’s easy to access for new readers, with no prior knowledge needed, that appeals on its own and can tell them a cool story about family and overcoming pressure. A story that works both for the ones who know these characters and want a self contained tale, and the ones who know nothing and just want a fun comic to read. The comic is Black Label, which usually skews older, but this is a tale I wanted accessible from mid teens to as old as you want.

And I did pull from experience! I have two siblings, my best friends all do as well, and the inner workings of how you view yourself and your family members depending on where you fit is interesting to me. It’s very much a tale of reckoning with your assumptions about your family, as well as the impact your parents had on you and your siblings.

What about Damian Wayne is so interesting to you? Do you think he gets a bad rap even now in the grander DC Universe?

Damian is simultaneously the most insufferable and most touching little boy to me. There’s a mix of adorable and deadly that I find amusing to watch, and satisfying to write. Plus I sympathize with him on a few backstory elements which are the cornerstone of the whole story.

As for his reputation, I think I’m glad there’s a reminder that being coarse and ill mannered can hide a good heart.

What are some of the benefits of putting this out as a DC Black Label book?

Mostly freedom! I got to tell the story I wanted. I didn't have to worry about continuity, and thus made what I like making: a self-contained adventure that anyone can appreciate as a comic, with or without any prior exposure to that world. Plus we got to have fun with the design of the issues!

Do you have a favorite Damian-starring story that you drew on for this book? Or maybe another Bat Family story instead/as well?

I think my two favorites were Son of Batman and Super Sons. I just vibed a lot with the fun adventurous tone. But most of my inspiration comes from outside superhero comics, or even outside comics as a whole. I didn’t even reread those two books I mentioned aside from when I needed to check phrasing. In that case I read those, and the early Damian stories just to absorb how he spoke.

But outside superhero stuff, were there any influences that were working on you as you were writing this story?

So a lot of comics from the 60s and 70s, from France and Belgium.I have a thing for like 80s and 90s movies, including movies that I was not supposed to watch when I was a kid, so stuff that’s drama-oriented. The point of this book is, it’s basically a character study, mostly of Damian, but also Damian through his interactions with other people in his life. So, mostly the other Robins, but also his parents and more so his mother.

The events that happen are really just a setting for you to observe how the characters interact, and there’s a bunch of movies in the 80s that were really good at doing that and showing you a very flawed person and the way that they react to the world around them. So yeah, that’s more of a tone thing. The aesthetic aspect was really taken from 60s and 70s French and Belgian comics as well as very old sci-fi, fairy tales, and black and white photography.

What’s the process look like for you when you write and draw a comic?

Whoa. Let’s see. So the origin of every book is a little different, but usually I spend a year or two, maybe more just thinking about the story and putting ideas down and then once I have an idea of how every story step works into each other, I start storyboarding so there’s no script.

[...] I don’t write scripts because I prefer to have the storyboard of the thing already made, because that’s where I know if something is working or not. Then once the storyboard has been greenlit and all the corrections are done, the next step is drawing the final pages. I do the sketching on my tablet, and then I print that in blue lines and ink over that. It’s a recent thing, I started doing it the last few months. The Boy Wonder was made that way. [...]

[...] I mean, technically, I started writing it in 2020 or 2021. Yeah. I’ve been sitting on it for a while, and then I made a tweet about it and it got the attention of Chris Conroy, who basically runs Black Label. He just asked, like, “OK, sure. Show it to me. I want to see what that’s like.” Several months later, the book was greenlit by DC.

You talked about how Batman: The Animated Series is an inspiration for this. And also because it’s Damian, I assume that the Grant Morrison Batman stuff is also an inspiration in some ways. But what other Batman material were you inspired by, if any, when writing this book?

Well, I wasn’t so much using Batman as I was using other things. Like there’s a bunch of influences from a bunch of different places, but the superhero stuff was mostly influenced by Darwyn Cooke. So it wasn’t so much Batman as much as it was Cooke. Like the thought process I guess was, “What do I like about these characters? Like the concept of the superhero?” Because the idea came from me watching a documentary about The Dark Knight Returns and Frank Miller. They mentioned how he was given free reign to make the Batman book he wanted. I just had the thought of, “Yeah, that would be fun, having a superhero story where you can just do whatever you want. Like, it’s your personal take.”

I guess from then, my brain started imagining a story with Damian because he’s my favourite Robin and I have a lot in common with him in terms of his backstory. I think it was this sense of sympathy towards the kid and the story grew from wanting to talk about the feeling of “You’re not good enough to be a part of the group you’re in or the family you’re in.” So being a superhero was more of an allegory of, “I don’t feel good enough to be a part of those great people who seem so perfect.”

Then the Darwyn Cooke stuff came. He was probably the biggest superheroic influence, because he’s kind of the epitome of superhero storytelling to me. He makes all his stories very easy to understand, very accessible to someone who maybe has never opened or barely knows what that character is about. His storytelling is also strong on its own artistic terms and most of all, he has this great sense of making superheroes this idea of the ideal version of ourselves, like those people who, even if they have bad thoughts or flaws that they have to overcome, they always do the right thing and they represent the best in all of us, and there’s a sort of sense of joyful fun in the superhero stories that he does. He also can talk about very serious subjects through that at the same time. My favourite superhero comic is The New Frontier, and I kept reading it over and over again when I was rewriting the book just to look at how he was managing that balance of joyful, superheroic, and inspirational fun, and the more serious themes. So yeah, the biggest influence would probably be him.

When I was doing research for this, I noticed that this isn’t your first time with a Damian comic. It was the “Happy Birthday Damian” story for Truth and Justice. Even over there, there’s a lot of similarities in terms of the character design, and even to some degree, Damian’s own struggle with his family and all that. So did that story help inform or define where you wanted to go with the characters for this book?

Well, no actually because basically when they asked me to do that story, the way it happened was that I was originally approached for something else, and I said, “I don’t really want to do that, but I’ve been writing this Damian story just for myself. Would you like to take a look?” Truth and Justice was kind of a test like, “We already have this story written by Andrew Aydin, and the idea was, do you want to draw it? It’s kind of a test run.” So I just used the designs I had already made for my own book. The fact that the themes are very similar is kind of a coincidence and it was kind of funny actually. It was a good way to sort of try my hand at drawing these for the first time, get a sense of what works and what doesn’t. I would say my story is a lot more complex, and delves a lot more into the psychology of most of the characters.

This book is an anthology like you said, where it’s about Damian with all these characters. But in terms of the structure of the story, is there like a connection beyond that, like Monkey Meat is all about the corporation. So is there a connection like that in this story?

Yes. It’s a narrative cut into different, contained stories, basically. Because the idea is that Damian is on a quest to try and prove his worth by defeating an enemy, and it’s really more of a set up to allow for him to meet all the different characters that he does. But the goal is that every story progresses that main plot that he’s on and getting closer to the final showdown against the big enemy.

The whole point is this kid needs to grow up and understand the familial context that he was born into on both sides, like a lot of it is him learning how complicated his parents are, and the effect that they’ve had on the people around them and learning to move beyond the trauma and the more negative impact of being the son of a guy who dresses like a bat, or the descendant of a selfish egomaniac. The big plot of the thing is a young boy wants to prove his worth and every story is a step on that journey towards the final end.

For Damian, you said he’s your favourite Robin. You relate to him a lot, but was there anything beyond that that made you want to sit back and think, “Okay, this is the character that I want to give my own spin on?”

I love the concept of Robin. When I was a kid, that was probably the thing that I liked the most about the Batman world. The reason why Damian worked so well is that it was such a perfect way to also tackle the previous ones, so every one of them represents some aspect of what being a Robin is like, and you can use that as an allegory for being part of a group or family with a code and stuff. You can talk about being part of a group with specific ideas of how you should behave, what kind of things you should uphold as good.

Damian’s the runt of the family. He’s the kid who just showed up. He doesn’t really know these people. He has a lot of preconceived ideas and it was a good way for me to be able to also talk about the previous Robins through him. It’s not a meta commentary, it’s more like, “Why do you like these concepts? What speaks to you as a person when you watch those beacons of goodness do things?” Damian is kind of like the audience surrogate in discovering that aspect of things at the same time.

What’s Damian’s favourite sandwich?

Well, I’m going to try and focus on my version of Damian from The Boy Wonder specifically. That Damian, his favourite sandwich would probably be something made by the mystical creatures that serve his grandfather, who take care of the whole land that they live in. So it’ll probably be a sandwich made with vegetables and meat from supernatural sources, something that he would not be able to get in Gotham because no one even knows that this stuff exists.

I like the idea of how even his favourite food is inaccessible in the new place that he’s in, furthering the whole alienation that he’s experiencing.

If Damian had a favorite song, what would it be and why?

I’m now going to show my age and mention how my teen sister listens to these moody chill songs that sound like the softer version of the emo rock I listened to as a teen, so I’d say that style! (Don’t ask me to name them, I don’t know!)

A song from my angst phase? “Numb” by Linkin Park.

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arthurtaylorlester · 3 months

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malevolent season 4 was... something, that's for sure

i want to preface this by saying i LOVE malevolent as a show and this is no means an attack on the creator or anything like that, i don't think i'll ever stop listening halfway, no matter how i feel about it. i'm not saying season 4 is all bad either.

it is a deviation for malevolent, though i found it VERY well written up until part 31 (and part 31 is my favourite malevolent episode ever)

s4 started off really strong for me, part 29 set the tone really well, much lighter after s3's emotional lows. the butcher was an interesting enough new villain to put yarson aside for now. part 30 had some charming moments, but the real star of the early season was part 31, a truly incredibly written and directed look into arthur's psychology. it truly gave us everything, from lore to highly comedic moments (to me)(no because why was arthur dreaming of waking up next to a shirtless man who tried to kill him)

parts 32 through 34 i'm not sure about, but i can write them off as awkward mid season points. part 34 was an interesting shift in perspective, but here is where my doubt's about the season's villains started rising

but the oscar & scratch arcs.... guys i'm gonna be honest, i might be oscar's #1 hater

scratch and oscar in this season were functionally useless filler. it's not unusual for arthur and john get sidetracked during their missions, but it usually ends up leading them right where they need to be by the season finale. this felt like a parenthesis that killed any tension created by the butcher.

this season had, quite unnecessarily, 3 antagonists. now this wouldn't be a terrible idea, had they been established before. but no. for some reason it was chosen to leave the only villain we could genuinely be afraid of alone, in favour of introducing not one but two antagonists yet to be established. neither because of this have the adequate fear factor (the butcher is better about this) and both get the most abysmal ends i could've imagines. what do you mean scratch is just gone like that after causing some emotional conflict with his deal. what do you mean the butcher was KOed by the fucking priest with a bedpan? what? that's it? you expect me to be scared or even care about the butcher now?

speaking of the priest. i want to like oscar i really do but. he's a terribly written character. we get to know him while arthur is teaching john intimidation tactics so out of gate our initial impression of him is as someone meek. and then in part 36 after "sorting out" the butcher, oscar just dumps out his trauma point blank to someone he's spoken to a handful of times in the past 3? 4? days.

malevolent in general has a bit of an exposition problem, but it usually works out if it's john expositing because. that's literally all he can do. but when a character with more agency do it, it makes them flat. oscar didn't have to tell us all that, he didn't have a reason. arthur confessing to 7 murders isn't a prompt to make himself vulnerable like that. i did not start caring for him, just because he had a tragic backstory. that's... not how you get someone to care about a character. oscar could be defined as a static character, and while it's not too unusual for a static character to be the focal point of an arc, i don't think it works the way most authors think it does.

also the worms in the farm only happened because of him messing with the stove so like. that's not helping his case.

the completely unnecessary farm arc concluded, we return oscar to the hospital, with arthur caving very quickly to john's demands if he truly cared about oscar so much. and so, a single episode before the finale, we get properly acquainted our main ally for the showdown. a choice definitely, but i feel like this one worked out pretty well considering noel had time to simmer before we got know of his past + he had interesting conflict with john and arthur.

and then there's the big one, the thing that appalls me entirely. leaving larson and yellow, the main villains of the finale COMPLETELY alone until the very end. why? why would you choose to not use them earlier? we spent so much time away from larson, so we weren't really as scared of him as we were at the end of part 28 (i literally was listening to the last 15 minutes of this ep on my toes because i thought he might do something) and we had had no CHANCE to even fear yellow, since we knew nothing of his power?

and what, the butcher is on our side now because noel granted his release? just like that? i know he's a contract killer but arthur insulted him to his face, he can believe they understand each other but did he feel no anger?

the finale did well, considering the context it was given to work with, though i did not understand the point of the memory thing... that didn't go anywhere? because not arthur nor noel actually lost anything. we don't know what the box was for, we only know some guy wrote "the birth of my son" on slip of paper and put it in. arthur assumed it was a memory, when it just as well could've been a literal offering, arthur assumed it would involve losing said memory, and they assumed it was related. initially i thought it would only go through if the ritual took place, which, it didn't. but reading back here is no further clarification on it. hold your angst horses, blindfaith enjoyers

i feel like john physically manifesting, if now an established power of his, was very cheap. unless it was a one-off, or some sort of power up, it just literally took away the main premise of the show. an all-powerful god rendered powerless by being stuck in some guy's mind and being forced to confront the troubles of someone infinitesimal to him. if you let him astral project and save people, then what's the point?

but i do actually think it was a one-off, so we'll see how it goes

simply put, john saving arthur when he jumped in s3 had more impact than this because he did it with a single, human, hand. no magic.

it was pleasant to have kayne and his expected chaos back, jarring as always. john's deal was exactly what we all thought it was going to be, maybe more about himself than arthur, but i don't think anyone can fault him for that.

one things though, and this questions may just be me not remembering, is arthur supposed to know that yellow is a separate entity from john when they realise larson has him in his head? because i remember arthur just assuming that 'yellow' just had all of his memories returned in part 23, and therefore not knowing that he's a separate guy from john.

just in general, i feel like s4 had a LOT of good ideas that weren't given enough room to breathe and therefore weren't written very well that really weighed down my enjoyment of the season. that's not to say there weren't things i liked. the emotional moments hit just as hard, like reconciling with daniel, the comedy was on point (genuinely this season was so funny) and even the most out of pocket thing arthur has ever said, calling john a child, no matter how much discourse it caused, was actually sort of in character for him? i mean arthur is an asshole so like i get why his immediate reaction to his severely emotionally unintelligent friend being possessive is babying him. they're awful people. they deserve each other. it made somewhat sense in retrospect.

all this to say, while i didn't hate s4, i think it had a lot of writing issues, especially when comparing it to the other 3, and it could've been done WAYY better but hey we all have our moments.

i await anxiously intermezzo's public release and the rest of season 5 👀

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thecrustiestpurp · 1 year

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Genius writing of Pavitr Prabhakar

They made an ass of a spiderman in theory yet he's my favourite out of all of them and naturally I'm thinking why.

Ignoring the aesthetic aspects like his sick design and his distinctive web slinging style. I think it's most interesting how they do this through the writing, the way they tackle his fatal flaw, his fat ego and blind optimism by creating a really sharp interval logic and communicating this within the space of 15 minutes.

We understand that his big ego is all earnest and out of naivite rather than him putting down others. He just so happens to be the best and perfect, and therefore everything is great for him. He was given a blessing at a very young age to be a spider and he happens to be good at it of course he's going to be prideful how can it not be. And why would he not gloat, he's a perfect guy perfect grades perfect hair and he knows that makes him special. Especially considering the rest of the Spider-Verse, having a perfect one like Pavitr is unexpected so we're at least intrigued by him.

But why do we like him despite characters with perfect lives and a big ego typically being frustrated. Using his humour the writers made his introduction it as playful as possible so we laugh at how him you know. One of the first things he says is "being Spiderman is so easy" and knowing he's been at it for 6 months it's super funny. He's also relatable, the successes he points out, skipping working out because he has a perfect body, having a girlfriend her parents don't know about, doing well in school are all things that are relatable to us especially if you're Indian, it feels like a real student who's living their best like. Also playfulness is maintained when they go to unglitch spots thing the collider scene, he treating it with even less seriousness "just another easy day of being spiderman" he says and is subsequently blown up - it's funny. We also can't get annoyed during that scene really being invasive to Miles' attempts and channelling the electricity so he's not being frustrating to us or to Miles, just a little naive. We can get humour from it but we also understand this as a flaw too because of the dramatic irony, we're hinting that he's not supposed to think this way.

They also give him the nice internal logic making his mindset sympathetic by testing it within the movie. In the saving India scene, what's most notable is the line "I can do both" turning his idealism into tragedy when he's faced between saving his girlfriend and saving his girlfriends dad. The surrounding microelements and whatnot making the atmosphere feel dire which contributes to the tragedy. But it's that were seeing the life that he easily lives turning on its head. His mentality given definition as a this it will work out so long as I do it, a noble origin for his confidence. Though he knows he's special but he doesn't think he's any more valuable. "do both" showing no real bias towards to what directly affects him - he can empathise with his girlfriend and recognise loosing her and her dad would be devastating. He's not egotistical like thinking he's better than others, he's empathetic and values the people he saves as well as the people they value. The words "do both" colours his saving as this as being an overexertion, he's unaware of what he can't do solidifying his perspective of viewing this as easy coming from a place of naivite. Additionally he has to be the one to save people - "I can do both" - and this is why being Spider-Man is easy for him, it has to be. This all makes him more understandable and the fact this is clearly failing him and tragically makes him sympathetic. Moreover, we care about the love for his girlfriend and for his people because it was fun hearing him explain it earlier so its even more sympathetic that he's loosing what he loves. I think this also stops being a careful what you wish for where we could reproach him because of the scenery we understand him to have.

It seems more he does everything because he's so loving, and he just so happens to be blessed and stuff. Which is super enjoyable to watch! and this burst of characterisation happens in like 20 minutes so like wowowowoowwwowoowowowowow

Anyway, this isn't the greatest most insightful analysis but I just had to ramble about my favourite boy!!

#acrossthespiderverse #spiderverse #spiderman #pravitr prabhakar #found a new character to be fixated on #pavitr i love you sm

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sarasade · 11 months

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The Dragon Prince & Queer Subtext - Fandom and Media Analysis of Sort

Lately I’ve been pondering about the ins and outs of Viren and Aaravos’s relationship and why they give off such a queer vibe. So I ended up writing this 2 and half Word document pages long little breakdown because why not.

I think what’s going on here is about the underlying elements of the story- subtext and how their relationship could be perceived through a queer lens. Note: my brain has marinated in queer subtext juices my whole life and I have no intent trying to prove my reading is the only right one.

That Sweet Sweet Gay Shit- A Fandom Perspective

There is a lot of queer subtext between them. Homoerotic subtext even. Their scenes together definitely activated the search function in my brain’s queer coded villain trope lexicon.

You know- mutual penetration with a phallic object (knife), sharing some kind of mysterious bond through blood magic, so, you know, bodily fluids are indeed involved, the classic slash fiction trope “we are close but we cannot touch” -gay pining because the mirror separates them. When Aaravos is shown for the first time in the mirror the camera does this Laura Mulvey Male Gaze 101 up-down pan shot of him from Viren’s POV. Something that’s usually reserved for female characters when male characters “check them out” in a movie. And then my personal favourite: Something that comes out of Aaravos enters Viren, comes out and then transforms into a creature with a toddler level intelligence- they made a freaky little metaphor baby together! Awwww!

And let's not even talk about the possession and Aaravos slowly taking over Viren’s body. The aesthetics of a toxic queer romance are all over their interactions.

No, Viren! Don’t express vulnerability as an intimidating male figure! Tumblr will babygirlify you!

Storytelling

So what about their interactions makes me perceive them in a queer way? By “queer“ I mean the broader concept of queer here; does the way the characters are depicted come across non-heteronormative and disruptive to gender norms.

I’m mostly talking about the season 2 here since they share their most intimate scenes together in that season.

1 Story Function

Aaravos and Viren’s interactions are supposed to have multiple purposes in the story: They move the plot forward, characterise both Viren and Aaravos, create emotional conflict and intrigue in the viewer etc. Viren observing Aaravos through the mirror is supposed to create mystery and spark the audience’s curiosity. Viren is a device through which Aaravos’s allure gets demonstrated to the viewer so of course their interactions come across pretty, hm, charged. Anyway there are layers of meaning here the audience can interpret in multiple ways both intuitively and through an analytic lens. The meaning naturally changes the more context we get. There are still three more seasons to come.

2 Gendered Tropes

There is a certain element of seduction present: Viren gives Aaravos more access to himself and his body little by little in exchange for Aaravos fulfilling his desires (for power). This could be read as having sexual undertones. Some of Aaravos’s first words to Viren are clearly something Viren wants to hear “How may I serve you?” Weaponising manipulation and seduction, where a character poses as submissive while having alternative motives, is something female characters traditionally do in stories. I don’t know about you but Aaravos’s character has a bit of a femme fatale thing going on if you ask me (haha!) There is something about him that defies gender roles that’s not just about his androgynous looks.

A traditional Femme fatale is often a tragic figure trapped in unfortunate circumstances. They are shrouded in mystery which prevents the audience from empathising with them or understanding their motives. The character often uses coercion to make their victim do what they want. And yes there definitely is an element of coercion and even a threat of violence present in Aaravos and Viren’s relationship. Their goals are aligned for now but what happens if/ when Viren decides to defy Aaravos? TDP makes me wonder (with horror) what it is that Viren has really agreed to.

3 How the Show’s “Camera” Portrays Aaravos

Even the camera emphasises him as an object of desire. Something he is from the story point of view as well. Viren desires access to Aaravos’s power after all. When the camera puts Aaravos on display in an objectified manner in the beginning of the season 2 it’s supposed to, in my opinion, heighten the feeling of Aaravos seeming harmless at the first glance. And by “objectified” I mean he’s portrayed without agency.

I joked earlier about male gaze and Laura Mulvey but I do actually think there is some truth to that. One of the biggest reasons behind me thinking Aaravos was a pretty pretty lady at first was how he was introduced in such a feminised way. And I wasn’t the only one. Just look at the comments under his TDP Wiki article. (Lots of het men being confused about their sexuality. Also shout-out to that one lesbian). This makes him appear less threatening so the story can build suspense around his true motives. It’s not evident that Aaravos is a completely sinister figure at first, at least compared to Viren who seems more like the main villain of the story prior to the seasons 3-4. Little did we know back then that Aaravos was the true alpha male of this whole sordid affair.

Aaravos in the mirror from Viren’s point of view, season 2, episode 3.

Why I’m not mentioning anything about Viren’s gender performance is because his story conflict is all about struggling with traditionally masculine gender expectations. Understanding how his character relates to hegemonic/ toxic masculinity/ emotional struggles men face in real life is a core part of understanding his character as a whole. That’s a broad topic and this post is long enough as it is so I’m going to leave it at that. (Maybe someone else has written about that already?)

4 The Audience Is Also at Aaravos’s Mercy

Aaravos’s submissive façade is supposed to fool both Viren AND the audience. The show plays rather cleverly with the audience’s expectations here. Slowly the roles are starting to flip until it’s clear that Aaravos is the one in control. Given Aaravos narrates the opening of the first story arc it raises even more questions: Is his control over Viren supposed to parallel his control over the whole world of the show? This circles back to the show’s themes of freedom vs destiny. It feels almost meta in a way how the story’s villain tries to gain control over the whole narrative.

5 Horror and Fantasy

The powerplay between the characters naturally creates a plenty of tension and it’s not unusual that this translates into something sexually charged in the audience’s minds. While this is the perspective I’m the most interested in, there are other layers to Aaravos and Viren’s scenes together.

For example this kind of breaking of bodily boundaries is common in horror as well. Aaravos is beautiful and mysterious but is also associated with repulsive things like larvae and blood and there is something very eerie about him in general. These kinds of emotional reactions of repulsion and attraction are essential to horror. The audience sees that everything isn’t definitely quite right about him but it’s also understandable that the audience (and Viren) find him fascinating. I think the key word for these scenes in the season 2 is “ambiguity“. Even if you aren’t invested in these characters this show would be much less fun without all the nuance their interactions have.

In a good story everything isn’t just literal. Especially since TDP is a fantasy story- A genre that’s traditionally been all about symbolism and intertextual references. I could go on and on about the genre traditions with similar flavour to what Aaravos and Viren have. Michael Moorcock’s classic sword and sorcery antihero Elric of Melniboné and his pact with the demon Arioch comes to mind.

Something Something Fandom

Viravos as a ship lives in the subtext but the subtext isn’t always black and white. Fiction uses metaphor and other storytelling methods to create meaning- To give a narrative experience. The queer subtext in TDP feels very elaborate to me and while I’m dissecting these scenes more analytically here my emotional reactions are the original source of that interest. No matter how much time passes I’m still a morbid teenage goth at heart and that part of me loves the dark fairytale aesthetics akin to TDP season 2.

I didn’t even touch on the element of Viren giving into a “forbidden desire” (literally his desire for power but- you know- multiple readings etc.) when making a deal with Aaravos. Something very typical to the horror genre as well. It’s a “deal with the devil” -sort of situation and those stories often paint the agreement as something corruptive and sinful and therefore transgressive. This post by Tiredsunrisesmeta got you covered on that. Also queer coded villains something something- Anyway, read Tiredsunrisesmeta’s blog for more.

Pictured: Yours truly

Last and Least

I remember when I saw a post here saying that “Viravos couldn’t be canon because it’d be too sexy.” and that’s just the funniest way to put it in my opinion. Their relationship feels a bit too, I dunno, mature? for this show. But what does “canon” even mean? Is a gay ship canon when two characters of the same gender kiss and declare their love? Get married? Have kids? Personally, I don’t want to see LGBT+ characters’ stories just copy straight romance tropes beat by beat all the time. I want something that feels authentic and what’s more authentic than Viren being a cringefail bisexual getting rejected by men and women and then getting his life ruined by the sexy femboy elf satan? Kinda iconic honestly.

#thanks for the canon mpreg tdp #viravos #tdp viren #viren #tdp aaravos #sarasade text #the dragon prince meta #tdp meta

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not-poignant · 1 month

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Me, reading this : "Like, my intention in amongst the hurt/comfort isn’t for things to feel easy or nice all the time, I am absolutely challenging the reader by introducing things that feel uncomfortable.". AH... I see. Here's Pia's dom personality XD Much love! Please keep challenging us forever!

Aha, it is weird sometimes to think that like, this is something that all writers are generally doing, and then it's like 'yeah no that's... introducing conflict means ideally you feel it too, that's... that's what makes the resolution feel so good' - like that's the job.

Tbh, this is why when folks are like 'omg I can't believe they KILLED that character' or 'I can't believe THIS HORRIBLE THING HAPPENED WHY' it's like well, they wanted you to feel this way. That's why. They did it on purpose. Outside of shitty tropes like 'burying your gays' etc. when folks are genuinely bemoaning why a show has made them miserable the answer is nearly 100% of the time - they wanted you to feel miserable.

They wanted you to have the awful experience of a tragic ending. They wanted you to feel the conflict at the end of a season so that you'd be driven to the catharsis of resolution in the next season. It's an intentional move to create emotional response, catharsis, expression, frustration and resonance, to lead you through a journey that is more than just cerebral.

And when it works, it's incredible, and it's my favourite part of storytelling.

#asks and answers #storytellers rule the world #ehehe #seriously though i've seen - very unironically - an increasing number of young folk #not seem to realise this and act as though they've been #personally betrayed by a creator #when they chose to participate in some storytelling #and whatever they're feeling is likely intentional and not like #an actual literal betrayal #and it's weird to observe that #like 'why would you do this to me'#because that's the job

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olvitier · 3 months

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Sorry its so late buf i am in an Edling mood tonight and I will never stop thinking about the idea of how theyre the epitome of right person wrong time.

(obviously in a context of like fandom shenannigans where canon events arent 100% set in stone like edling arent canon but also idc !! they are to me! im ignoring it let me be insane) ANYWAY

Even if they wanted to be together post promised day Ling has all the responsibilities of Xing and his clan and Edward would never hold him back from that for a second. Im of the opinion that brotherhood Edward feels a lot of guilt for wanting love from the people around him particularly those he sees as good (winry, alphonse, etc) especially if hes done things hes perceived as hurting them (maes’ death, the transmutation, etc etc). Which is why I think Edward connects with Ling so well cayse he doesnt carry the weight of a lot if his past mistakes, and then when the stone happens its like goddamn it i roped this guy into my shit again. Like i dont know Edward doesnt really dedicate himself so fully to people outside of winry and ed a lot so its interesting like!!

He cares about a lot of people like the majority of the allied cast and we see him be openly affectionate towards Nina and Hughes pre their deaths but I think Ling is the only person hes ever decided to stick with WITHOUT alphonse? I may be wrong but the whole sure Ill stay with you and trust my brother and Winry to stay safe and follow you around the outskirts of the east for a week till the promised day to protect my new friend is so??? what?? huh???

But anyone my point is post promised day Edward cant really ever see a future with Ling because of all the responsibility Ling holds outside of him and its veyr tragic imo like especially because in a different scenario if Ling didnt have those responsibilities and Edward wasn’t so dedicated to the people around him to a fault of never thinking about his own desires I think they could have the possibility of a future.

Like I have read a lot of fanfiction abiut Ed traveling to Xing and living with him there but?? I realistically cant see him ever doing that just solely because Edward is not the type of person to settle down! like its my one and only criticism of the fma manga is that I cannot see Edward ever being satisfied with a simple life? Like even in Fma 03 which is my favourite interpretation of Edwards character once he gets stranded in our world he learns?? Rocket Science?? For the chance to get back to Amestris but he doesnt really seem to take that goal all that seriously especially considered Alfons ends up getting involved in a lot more aircraft projects than Edward like Edwsrd genuinely enjoys learning!!

Im pretty sure he was the one who dragged Alphonse into Hoenhiems office when they were kids after he left, probably to Al’s reluctance of if they were allowed in there, and started ripping through all of his old books just to learn. Edward never stops and it gets so bad that he never stops to even consider himself constantly worrying about getting his brother back or improving the states of others lives especially when! ya know! the whole country is at stake!!

So in a circumstance post promised day where Ed decides what he wants to do (my personal favourite interpretation is either an alchemical researcher outside of directly performing alchemy, ie revolutionizing the circle matrixes and discovering nee combinations or becoming a professor of some kind) I dont think he would give that up to settle again. And obviously Ling cant exactly up and leave being Emperor unless he decides he doesnt want to, im not the most knowledgable on Lings characterization so I wont speak there but!

They have so much fun together and compliment each other and genuinely care about each other so much but their happiness and fulfillment as people to themselves and others make it so its nearly impossible they would ever realistically end up together and its really doomed and tragic!! idk i think about it a lot.

#fma #edward elric #edling #fma thoughts #andrew be normal challenge it is NOT this deep this anime came out over a decade ago gay people arent real pre 2013 idk man im just insane #thought id share anyway please give me your thoughts fellow edling fans #specifically edling fans cause i dont wanna debate ship legitmacy #day speaks

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atrxides · 14 days

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Book Jessica x Leto <3

I think one of my favourite things about Jessica x Leto in the Dune book is the fact that they are so secure in their love for each other:

You have Jessica; who is a very well trained Bene Gesserit, who can control every cell in her body, that when it comes to Leto instinctually let's herself feel and emote naturally. (Conceives Alia out of "instinct", cries/breaks down when Leto is in danger/dies, visibly gets upset when people ask her about them getting married etc.)

But Jessica is also very secure in her knowledge that Leto loves her and only her, she says to Hawat that "he'll not marry anyone else, not as long as I live." And she is very confident in that which suggests through words/actions that Leto has assured her of this before.

Similarly with Leto, he's very secure in knowing Jessica loves him and he doesn't consider even for a minute that she is the actual traitor. He says "she's opened/showed her heart to me" and that he "knows her", he also tells Paul himself that he'd sooner distrust himself than Jessica.

And so I think that while we didn't get a lot of them speaking directly to each other in the book, the conversations they have with other characters about their relationship is very telling. There is a sense of communication and deep understanding between them, whether it's verbal/non verbal/physical, that they love each other very much and that they are it for each other.

Then there's an aspect of their relationship that is a bit more tragic to me;

From the start of the book through to the end, even after Leto has died, there is this sense of defence that is constantly surrounding their relationship.

It starts with the Reverend Mother accusing Jessica of having a son purely because of Leto and Jessica has to defend that decision.

Then it's everyone thinking Jessica is the traitor and Leto has to defend her (obvi he gives into the plan for his own schemes but anyway).

Jessica has to defend her love for Leto to Yueh, Hawat, and eventually Gurney later on in the novel. She has to fight off all these accusations and questions about why she hasn't married him or why he didn't marry her.

Paul has to defend his parents' love as well to Gurney when Jessica can't convince him she's not the traitor. (Gurney was a real one for wanting to die for doing that lol.)

And it's really sad that that was something that consistently happened, like after 15/16/17 years they were still having to defend what they had. They were probably very private people and while they did have their own love and understanding of each other, other people just didn't get to see that and so there's this constant sense of protection for both of them for who they love and their family.

And especially for Jessica, who at that point had betrayed the Bene Gesserit more than once, being accused and having to defend her loyalty when everything she had done was out of love for Leto.

There's something so visceral about their story and the way they love each other that really resonates with me idk

#jessleto 4life #you can pry it from my cold dead hands #jessica atreides #jessica x leto #leto atreides #duke leto #dune fanfiction #dune part two #dune #dune movie #dune 2 #paul atreides

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sometipsygnostalgic · 18 days

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Likable vs Complex vs "Good"

EDIT: Couple people came up to me thinking of alternatives for category 3 "Good" and my favourite is Kimberly's suggestion of "effective". I think "effective" is great because it means well utilized. It's pretty much exactly what I was going for when writing the descriptions in this post.

I feel that when it comes to describing characters, there are strong differences between a

Likable character - Someone you enjoy watching, like to have on screen, might want to share a drink with. Most protagonists. Usually a blorbo with a mass fandom who says they were done wrong if theyre a side character.

Complex character - how many layers does this one have? how much do you have to talk about them to explain them? Do you see people defending them with massive text posts? Do you follow this blog? You have experience with complex characters.

"Good" character - I don't mean a good person. That is more of a "likable" characteristic. I mean, does this character serve a solid role in the story? Do they have a job, and do they perform it well? This can include minor characters you don't care for, and it can actually exclude complex characters if their motivations don't seem to make sense or have relevance to the story.

I think a "good" character can be further broken down into subcategories but it's impossible to define whether a character is good by a basic description for all series. It requires comprehension of the source material and what it's trying to do.

Allow me to illustrate this with some examples.

I was considering what show to use for this. Let's go with She-Ra for now because it's my current thing and I don't want to be roasting SU or Owl House, and I think Adventure Time is a bad fit due to how episodic it is. I'd have to categorise by season for each example. Let me know if you want me to talk about any specific characters.

Sea Hawk

Likable: Yes Complex: No Good: No

Sea Hawk is a side character in She-Ra who gets kinda sidelined. He hasn't got much to do with anything but he makes me smile when he shows up. I don't think Sea Hawk has a purpose other than to make chaotic background noise. I think that's fine? But he's not a good character and the show would lose almost nothing if he was gone.

Edit: I feel kinda bad for implying sea hawk is not a good character so remember that I mean he isn't used effectively, he doesn't have much involvement and presence. I think a key example is his absence from season 5 entirely when he could have been used more effectively and wasn't.

Light Hope

Likable: Not really Complex: Not really Good: YES

Light Hope is Adora's mentor as She-Ra who is actually manipulating her. Light Hope has a tragic story that adds to her complexity but she's deeply overshadowed by other characters in the story.

What makes her a good character is how strongly Light Hope ties to the themes of the story. Her reveal as being "actually evil" could have been shallow and bad in a different series (anyone else playing Halo recently?) but Light Hope having her agency stolen from her, just like Adora, makes it liberating and heartbreaking when she is destroyed alongside the Sword of Protection.

Light Hope represents the oppressive regime of the First Ones and the ways they would control Etheria, while being a victim herself. She heavily parallels Adora. She does not require being complex or likable to have an important impact on the story.

Micah

Likable: Yes Complex: Yes proportional to screentime Good: Not consistently

I really like Micah. He's one of my favourite side characters. So why can I not call him a good character?

It's because he only serves to drive the actions of others, and when he is onscreen as an actual character, the show doesn't know what to do with him.

Micah was "dead" for most of the show and his life and death drove the decisions of plenty of others. He learnt from Shadow Weaver and was an important part of her corruption arc, being better at magic than her but scared away by the dark magic, which ended up attacking her. His disappearance is why Angella and Glimmer's relationship is so strained, why Glimmer is so determined to prove herself, and when he was in the Portal World, both characters had to give up the "wrong future" with him to restore the world.

Micah has a character with way more depth than you'd expect from a dead dad. He has a funny likable personality and is a highly skilled mage with a variety of relationships, who has survived on an island for god knows how long.

However, this kind of speaks to him being the protagonist of his own story, and She-ra is so chock full of characters aiming to a specific goal. Micah actually being alive has very little to do with the story of season 5. He isn't part of the space mission. He has an episode with Frosta, another character who has little to do with anything, and then he gets chipped for the rest of the show.

The reason Micah ended up this way is because he's a complex character in a story that has no room to do anything with him. He's not the only victim of season 5's crunch time, far from it, but he never got any screentime or "arc" and his actions don't tie in to the show very much.

Glimmer

Likable: No Complex: Yes Good: Yes

Edit: I'm guessing this one was what got me flack? But Glimmer is easily in my top 3 favourite characters and imo she is the character i by far most greatly resemble. I used her here because I think she's a much more interesting example of a disliked yet very well written character than Catra for this post. But it's evident, if you look at the fandom behaviour, casual viewers don't like her much. People either love her for her everything or kind of hate her, and she's treated badly in a lot of fanfic. The reasons for this exist in the show's writing and framing and how people interpret her. She's far from the first blorbo of mine to exist in these conditions, i mean just look at PB from AT who is a thousand times more hated but also the best character.

So Glimmer's likability yoyos significantly across the series, she's far from the most offensive abrasive friend character, but she's one of the least likable characters in She-Ra. This is down to the show not having any particularly unlikable characters apart from Shadow Weaver, if I'm honest, and Glimmer's constant rubbing against other far more liked characters such as Adora, Bow, Catra, so on.

Glimmer is annoying as a bare minimum and nasty as shit at other times, going through challenges that turn her against her friends and make her seek power and lash out against others.

However, these are flaws the show is hyper aware of and has baked into her story. They are all part of what makes her Glimmer, they are all what makes her so memorable and interesting.

It is the push and pull of Glimmer's courage, her desire to be there for her friends, with her insecurities about being weak, her failure to protect her mother, that mean... When Glimmer is handed the powers of the moonstone and offered tutoring in magic, you're giving a powerless beaten down puppy a MACHINE GUN. Of course she's going to use that power ineffectively.

Complexity doesn't always make a good character. If you look at Steven Universe or even Adventure Time, you have a lot of complex characters in that series who fail to serve any strong role, or who zigzag in so many directions taht you can no longer make sense of their motivations.

However, Glimmer's motivations are not only internally consistent across the entire series, the show gives her a complete character arc where she goes from a powerless brat, to a responsible commander, to a brokenhearted powerhouse, to someone who understands where she fucked up and is trying very very hard to lead her friends into a hopeful future using the very same character traits that led her to go astray - Her love, courage, and rage.

There are a couple of weaknesses for Glimmer. I would say mainly that the show goes too far to make her snap at Adora in season 4. I don't think she needed to go that far, and it would've been fine if they dealt with it properly in season 5, but Adora and Glimmer's relationship is completely brushed over in season 5. Adora and Glimmer aren't the only victims of this - there is Micah, and season 5 is the difference between Scorpia being a good character vs an "ok" character - but it is a very very good story, and it's hard to say how it could've improved these characters with the timeframe that it had.

Entrapta

Likable: Yes Complex: No Good: Yes

What makes Entrapta different from Micah and Glimmer and Sea Hawk is that she's a very basic, likable character, but she has a severe impact on every single season on the show. Entrapta is second to Catra, in my opinion, in terms of making a "good" character in She-ra, but she doesn't require any of Catra or Glimmer's complexity to get there.

Entrapta's character does not change much, but she does have challenges, which tie strongly to the base themes of She-ra - understanding, acceptance and love. Entrapta is thrown around the plot like a pinball but her movements are being noticed by all the other characters. When she joins the Horde, it changes both the Horde and the Rebellion. She puts Hordak on his path to independence. She's a big reason Catra descended into desperation, going through a repeat of the cycle of abuse. She's also why Adora and Glimmer went into hardcore martyrdom, though that has less to do with Entrapta herself and more to do with how her "death" triggered their prior conditioning. She did the runestone experiment, and created the portal. And when Entrapta is removed from the equation, it is a major catalyst for other characters to step into the hole she left behind.

But while these feats are impressive, they don't say much about Entrapta herself. What makes her a good character and not just a plot device?

Well, Entrapta has an internal logic and a strong sense of personality that is present throughout the show. While other mad scientists might act randomly and not have much character going on, Entrapta has an entire arc that has less to do with science and is instead focused on her goal of connection. She has a deep love for science but also for friendship and she wants to connect those things together, she wants to express love through her science and be liked for who she is.

That's what makes her compelling and likable. It's not that deep but it ties in to everything she does. It's what connects her to the other characters.

That's why Entrapta can seamlessly work with the good guys, and the bad guys, and be ideologically opposed to the true big bad of the series just as the rest of the characters are, without having to change much as a person or to be that complex. The show moves her around where she is most effective at serving its story themes as her current self, and she never has a period of inactivity in the story even when absent. And she never has to do anything that contradicts her previous actions.

I have strong opinions on other series. I'm thinking a lot about SU, because it's full of complex characters who get discarded, but also I'm thinking about Princess Bubblegum. I think I'd rate Princess Bubblegum differently for every season of Adventure Time.

#she ra #spop #glimmer #entrapta

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noahsartt · 3 months

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My reservations with the 2022 Interview with the Vampire tv series:

My thoughts on amc’s Interview with the Vampire (2022) tv series compared to the 1976 source material and what I liked about the 1994 movie.

Some reflections before the second season airs. I watched the series as it was coming out in 2022, so these thoughts have been sitting for over a year.

This is a subjective critique of the show, not me hating on it. I liked the show a lot & watched it twice. Many of the key changes were extremely creative ways of exploring those characters from new perspectives, instead of just pointlessly remaking something that's been done before. Distinct creative change should be the basis of every remake, no point is making something 'new' if there's nothing new about it. This show knew that, and the changes for the most part were written beautifully. ...But the movie is still my favourite despite its many flaws. Camp classic right there.

Issues with the show:

Making it take place 100 years later, it ruins the specific aesthetic of the book for me. (But I understand they had to in order to re-write Louis & Claudia as black).

Aging up Claudia. The way Bailey Bass played Claudia was amazing, no notes at all for her. I just wish they kept her younger because that was a very symbolic part of what made Claudia’s original character so tragic. She suffers in an entirely different way to Louis because of her age. New Claudia is supposed to be in the body of a 14 year old, but the actress was 18/19 so she looks much older already, and no matter how well she played it, the age factor can’t be helped. Being stuck eternally in the body of a 5 year old (book) is so different to a 14 year old, who looks much older (tv show). Kirsten Dunst who was 10 in the movie, was able to play the little child - adult vampire progression a lot better. People say Claudia's original age is too 'disturbing' to see on screen... but that's the character...

Daniel being old… WHY?? Just so they could tie together the storyline or him meeting Armand multiple decades before ???? I only read IWTV and some of the TVL so I don't know everything that happens down the line for him, or what amc plans for the character in the show... but I don't understand the aging up except for 'diversity' reasons. Which, ok, but just to check a box? Louis and Claudia's race change make sense as a creative decision. But the Daniel in the book and film is a 20-something year old which is why he's so fascinated by Louis' 'gift', and doesn't understand the message Louis is sending, instead wanting to become a vampire too. Why would old Daniel want those same things? Changing Daniel's age is such an inherent thing... it's like if they didn't make Lestat blond. Eric Bogosian plays him funny though, I will say that. Christian Slater kind of just sat there.

Louis having no money and needing Lestat's financial support for his business ventures????? When it’s supposed to be Lestat leeching off Louis' estate … WHY. Why did they change something so fundamental about their dynamic. Lestat moves in because he needs wealth and Louis has it. And then he starts acting like it's both of theirs and Louis just lets him. Funniest thing ever. But in the show Louis moves in with him instead. That's just wrong.

Louis asking (basically begging) Lestat to make Claudia when Lestat is supposed to be the one to do it in order to ensure Louis doesn't leave him. Another fundamental part of their relationship that just got flipped around completely... and for what? Why did it change the things it didn't need to?

Antoinette... girl why are you there... we don't need more characters. Go away.

The guy that Louis gets with to make Lestat jealous …. why is he there either? In the book they don't need to bring other people in to irritate each other.

One of the most perfect scenes from the film was when Lestat was tormenting that girl and trying to get Louis to kill her. The show’s version with the opera singer wasn’t the same. The original scene is such a good depiction of their dynamic with each other: Lestat's eccentric killing methods and Louis’ shame and guilt. The show’s version didn’t live up to it. That scene was so excellent in what it set out to do. It captured their back and forth in such a simple way. That dynamic follows them forever, even as Louis begins to accept his nature, that spark of annoyance towards Lestat is ready to become a full fire at any moment. That scene is enough to be a full character study. The show has little bits here and there which capture something similar. But they should have recreated that scene at least.

Claudia and Lestat's relationship evolving from enjoying each others company and similarities, to detesting each other and competing for Louis’ affection. They didn’t spend enough time on Lestat and Claudia’s relationship in the show to fully demonstrate that, only a few scenes of them driving together and hunting together at the beginning. Even the two hour movie found a way to intergrade that better. Their relationship and the way Claudia is so starkly similar to Lestat when they move to Paris, is one of the my favourite parts of the book to analyse. Louis leaving Lestat and moving all the way across the ocean, only to be reminded of him in everything Claudia did. The show did have some purposeful parallels between Lestat and Claudia in the dialogue which I appreciate, I hope that continues in season 2.

Louis being in on Claudia's plan to kill Lestat and even being the one to finish off Lestat when it’s supposed to be Claudia’s idea on her own...?? Lestat's death is supposed to be an "ok, I guess that was necessary, time to move on with our lives now," moment for Louis. But he wasn't supposed to have the courage or the want to be the one to do it himself. He was hesitant and regretful in the show, but he still slit his throat... it was supposed to be Claudia alone. Credit where credit is due, the scene was beautifully filmed, the red blood on white cloth looked incredible and the entire scene captured the tone of devastation that the movie didn't. It was all very quick and emotionless in the movie.

Even though I hate Br*d Pitt's acting, his Louis was way more accurate to the book Louis. He basically was the embodiment of book Louis. Just sad and whiny the entire time. New Louis had more to him, I think Jacob Anderson even said in an interview that it was a purposeful decision to give Louis more grit. It's not a change I appreciated because it alters the original character too much. You can't change something that fundamental. Just ugh. In the show, Louis is more angry than pathetically sad, it’s very different to how the character was originally written.

Sam Reid’s Lestat is pretty on the nose but still more serious than the original Lestat & Tom Cruise’s portrayal which was the perfect level of camp and eccentric. Tom cruise was playing Lestat from just IWTV but Sam Reid is playing him with the baggage of his entire life as written in the other books, maybe that's why he is different. Maybe his performance is even better because of it. I haven't read the other books so I can't really say.

I won't say anything about Armand (yet) because he hasn’t had his time to shine. We’ll see after season 2. I loved Antonio Banderas as Armand, and even though he was very different from how book Armand was, it was a change I liked. New Armand is going to be more accurate to the books I believe, but i didn’t like how Armand was there the entire time Louis was being interviewed… why...

Maybe I am one of the few that doesn't overtly appreciate the 'fresh' take of this story. Many of the things that draw me to the book and the movie have been taken away in this adaptation.

---

I recommend this fan fiction that explores the idea of Louis being a person of colour in the context of the original book's 1700s timeline. It explores the intersectionality of Louis' struggle with vampirism, queerness & race while still being authentic to the book. Go read it.

In the Author's words: This is NOT a rewrite of the AMC TV show, nor does it intend to be. This is us making one (subtextually plausible) change to canon in order to 1) explore underlying issues with the source material and 2) see how it affects the way the events of IWTV played out.

Ok that's it. Will maybe add to this when the second season airs. For months, this was just for me in my notes app but what is tumblr for if not to air out my locked away ideas.

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