HIS OWN MEDICINE // t. nott
RATING: R / 3.6K WORDS
Theodore Nott x Fem Reader Insert
+ SUMMARY - *Requested, based on this* Your best friend, Pansy Parkinson, suggests fixing your boyfriend’s flirting problem by giving him a taste of his own medicine.
+ WARNINGS - SMUT! (P in v) Unprotected, spanking, top!theo, bottom!reader, fem!reader, mean dom, innocent reader?, degradation, name-calling, weird authoritative thing going on with Theo (idk), one (1) use of ‘daddy,’ mild breeding kink, flirting while in relationship, jealousy, not fully proof-read (lmk if I missed any!)
+ MUSIC (listened to while writing) -
nobody - Toby Mai
- - -
“I don’t want to hear another fucking excuse, Theo!” you screamed, rage flushing your cheeks. It took everything in you not to strangle him right now.
After the third time catching him flirting with another girl, you were ready to walk again. You weren’t even sure how many times you’d broken up with him, and how many times he’d broken up with you.
But you were about to add another time.
“Please, baby, you know it’s not what you think,” he begged, trying to grab your hands. “She’s just a friend—we were just chatting.”
“Usually, you can chat with people without your hands wrapped around them! You seemed pretty fucking cozy with her!”
“Baby, come on…,” he cooed, trying to press some kisses to your fingers. Angry, you yanked your hand out of his grasp and tore out of the room. You heard the door slam behind you and ignored the gasps of shock as you shoved through a group of students moving in a unit down the hallway.
You could hardly stand that stupid man right now. If you saw his face again within the next 48 hours, you would punch him.
As you flew down the steps of the Slytherin dormitories and toward the mostly empty common room, you nearly knocked a petite woman over.
The two of you crashed into each other and grunted on impact.
“Watch where you’re going—Merlin! What are you doing down here, honey? Are you crying?”
It was Pansy, one of your best friends in the entire world. Though the tears had been pooling in your eyes since you stormed out of Theo’s dorm, her question had pushed you over the edge. An angry sob left your lips.
“Oh no! What happened?” she cried, wrapping you up in her small frame. Shamelessly, you wept into the folds of her robes. She smelled comforting, like home and daisies. You could hardly hold back the tears that poured down your cheeks.
“It’s Theo!” you gasped. “I broke up with him again!”
“Oh…again?” You could practically hear her rolling her eyes. “What did he do this time?”
“He was rubbing up on that stupid Gryffindor girl from last time—laughing and going on! I hate him! I never want to see him again!”
“Why do you let this keep happening?” she asked nonchalantly, patting your head soothingly.
“Me?” you scoffed. “He’s flirting with other girls!”
“Okay, but…you also keep getting back together with him,” she shrugged.
You pulled away from her and glared a bit. You knew your decision-making on the love aspect of things had never been terrific, but you couldn’t help it. Theo was so good to you (besides the flirting thing).
You had tried to rationalize it repeatedly, telling yourself he was just a friendly guy, but he never acted that way to other guys—only girls. And you’d realized your rationalization was stupid. And that he was just flirting.
“Listen,” she started again. “I get it more than anyone else. Theo’s very hard to resist—I’m just saying he’s attractive!” She quickly rushed to defend her words because, after all, though you and Theo were “broken up” right now, you’d likely be back together before the end of the week. That’s how pathetic you were.
“If you don’t want to break up with him, how about you talk about it with him,” she suggested. “You need to sit him down, get stern with him, and tell him that he’s not going to talk to these girls the way he is anymore.”
“I’ve tried that already, Pans! I practically scream in his face every time he does this shit!”
There was a moment of silence while the both of you seemed to mull the issue over.
“Well, then, how about we try something else?” Pansy said, her eyes glinting mysteriously. Your shuddering breaths paused for a moment as you looked up at her. Whatever she was planning couldn’t be good just by the look on her face.
“Er, what do you mean?” you asked, a bit of anxiety creeping up the back of your neck.
“If you can’t get him to stop in your own way…maybe it’s time to give him a taste of his own medicine.” She smirked wildly, her eyebrows rising above her bangs.
“You don’t mean—? Oh, no! No, Pansy! I’m not doing that. I can’t do that when I’ve shouted at him for doing it for so long!”
“Exactly,” she said. “You’ve asked him to stop repeatedly, but he’s not interested in discussion. He needs a threat.”
Despite the growing burning in the pit of your stomach urging you to accept her suggestion, you still felt horrible even considering it. Theo had never cheated on you; you just felt as though he was too friendly with other girls. But maybe Pansy was right. Maybe he wouldn’t understand how frustrating it was until he experienced it himself. It wasn’t like you were going to actually cheat on him. Maybe you could just talk to one of his friends and pretend to flirt. Just a little bit.
With the end of your free period growing closer, you decided you would make Theo jealous at dinner. You just had to decide who you would select to help with your antics.
***
Your eyes surveyed the Great Hall, flashing back and forth across the immense tables. Familiar faces glanced back at you in passing, their eyes aimlessly wandering as well. You couldn’t help but smirk just a bit, knowing your plans. Poor Theo had no idea what he was in for.
After weighing your options for a few minutes, you finally decided that if you really wanted to get to Theo, you needed to hit close to home—too close to home.
Your eyes locked on a familiar face you had often stared at, even before you got together with Theo. Mattheo Riddle.
A dark, brooding masterpiece of a boy. Truly, someone you’d be fawning over if you weren’t currently with Theo. But, saying that sounded like a broken record, considering how many girls and boys begged Mattheo for a second glance. You watched him closely, observing for a few moments.
His dark was clenched just a bit as he ran long fingers through his raven curls. It was entirely too much for you to watch…just looking at him had a bit of heat pooling in your stomach.
You couldn’t lie. In the few moments you’d forgotten about Theo and planned to make him jealous, the rose-colored glasses had come off, and the dark green ones had slipped over your eyes. Your chest was pounding, and it wasn’t for Theo at this very moment.
A prick of courage coursed through your veins and with a deep breath, you were moving quickly toward your target.
Enzo, Theo, and Mattheo sat at the edge of the Slytherin table closest to the Great Hall’s entrance. They gathered around each other, snacking and laughing. Mattheo sat on the table with his feet settled on the bench, Enzo sat just next to his legs on the bench, and Theo sat opposite Enzo. Maybe it was cheesy, but even Mattheo’s small rebellion of sitting on the table rather than the bench was calling your name. To not sound like every Gryffindor currently drooling over Mattheo, he really did have the perfect bad-boy vibe. He was like a sexy Muggle film.
Mattheo’s legs were spread with his elbows settled on his thighs—a dominating posture. His robe was settled over the edge of the table, and his tie was loosened, exposing a sliver of bronze chest and a singular chain dangling beneath the collar of his shirt. Merlin, this was sinful.
Theo caught your eyes and smiled brightly. He waved you over. That particular movement snagged the attention of Mattheo and Enzo—both of whom found your eyes and smiled in return. Maybe you were over-confident, but you could have sworn Mattheo had looked you slowly up and down as you approached.
Granted, you had changed up your outfit before coming to dinner. It was simple, but you were sure it’d get the job done with how it framed your figure and dipped down your chest. Your hair was styled, and Pansy had granted you her talent for makeup. You felt gorgeous, so you assumed you looked it.
Your wand was slid into the small decorative belt that came with the dress, and your hands were tightened behind your back in a sort of mock innocence. You smiled brightly, eyes only on Mattheo.
Completely ignoring Theo, you walked straight up to the two boys sitting before him. The both of them were looking you up and down now.
“Hey, Matty,” you giggled, stopping just before him. Smirking, he slid his arms around your waist and pulled you between his legs, your hips bumping against his core.
“Hey, baby,” he whispered. “You’re awfully bubbly this afternoon.” His voice vibrated against your ear, sending a violent chill down your back. You tried not to let your facade fall, but damn, he was good. You couldn’t tell if he was just playing along, seriously into it, or reading your mind. Who knew? Legilimency ran in his family.
“Baby?” Theo asked gently. You could just barely hear his voice past Mattheo’s warm body. “Matty?”
His poor, confused voice made your heart sink a little bit. You immediately felt bad. But this was for his own good. He was feeling what you felt every time he pulled this shit with other girls.
“I can’t help it,” you smiled. “I was excited to see you.”
“What the fuck? What did he do to get all the attention?” Enzo joked, smiling crookedly.
“Aw, but I was excited to see you too, sweetheart,” you cooed, leaning over Mattheo’s thigh to gently touch a finger to his chin.
“I think someone’s had a bit to drink,” Theo said sternly. You finally made eye contact with him. He was fuming. You swallowed nervously but ignored his threatening gaze. You were doing this for a reason.
“I’m completely sober, Theo,” you said blankly.
“You wanna go somewhere, mama,” Mattheo whispered against your cheek, his lips brushing your jawline. His arms were still wrapped tightly around your waist, his grip domineering and his scent overwhelming. Why did you want to say yes? Were you a bad person? You weren’t sure. This was a bad idea.
You giggled to avoid answering his question. Enzo’s eyebrow quirked at you before giving a glance to Theo.
“Well, I didn’t want to have to be the one to say this. But, personally, I feel that we are all close enough now to discuss these things.” Enzo nodded his head. “Have we truly ever considered the possibility of a foursome?”
Theo choked on his drink, Mattheo pretended to gag, and you gasped sharply.
“I’m just saying…it’s a valid question.”
“Enzo, shut up. Now.” Theo gripped his cup tightly, his knuckles bleeding white across his skin.
“Mattheo, take your fucking hands off of my girlfriend,” he said, turning to the man above you. “We need to fucking talk.”
His eyes never left yours as he pulled himself away from the table and walked toward the door. He didn’t even need to look back to know that you were trailing behind him with a half-defeated look on your face.
You were a bit frightened of the consequences of your actions, but you were certain that once you explained yourself, he’d be more understanding. You hoped.
Once the two of you were just past the doors of the Great Hall, Theo grasped your hand roughly, and, after being forced through a sickeningly tight tube with a loud suctioning sound, you were standing in Theo’s dormitory. You were a bit dizzy from Disapparating after not doing it for so long, but no amount of churning in your stomach could distract from the raging boy storming straight for you.
“What the fuck was that?” Theo shouted, forcing himself up against you. The pressure of his chest pushed you back up against the footboard’s bedpost. As the wood dug into your back, a gasp left your lips.
The way he looked down at you, fuming and jaw clenching, had you flushed ever so slightly. You didn’t know what it was, but his anger wasn’t pleasuring you as you thought.
An hour ago, you’d have assumed that you would feel amazing because of revenge. Not … something else.
“I was just…,” you trailed off, his eyes drilling holes through yours. Your hands wrapped around the bedpost behind you as you tried to make yourself as small as possible. “I wanted to make you jealous.”
His jaw ticked.
“You what?”
“I’m sorry,” you flinched at the volume of his words. “You’re always so friendly and touchy with all of your girl friends—I just wanted to make you feel the same way.”
“Feel what way?” he demanded.
“Jealous,” you whispered, embarrassed. Your eyes tore away from him and cast to the floor. Despite the confidence you’d had a few hours ago, you felt like the smallest woman in the world now.
“Jealous? You’re so pathetic,” he whispered, his voice suddenly soft and chiding. The word made a heat pool between your legs. Your lips parted in a silent gasp. You refused to look at him.
“Instead of just working through our argument earlier like adults, you thought it’d be a good idea to throw yourself on my friends to get a reaction out of me?”
“Well, when you say it like that—”
“Was it Pansy?”
“What?”
He sighed and clenched his jaw in frustration. “Did Pansy Parkinson put this stupid idea into your head?”
You looked down. You were too embarrassed to answer, but he knew. He scoffed and placed a surprisingly gentle finger beneath your chin. He tilted you up to look at him. His eyes were softer now.
“I know that Pansy is a bad influence on you, but you still have to be taught a lesson,” he murmured, his eyes ranging from soft and caring to lustful and mean.
“But, I–”
“Shut up,” he interrupted, voice stern as steel. “Don’t talk anymore, okay?”
Your lips snapped shut and, falling into an embarrassingly well-rehearsed routine, you nodded and forced yourself to keep eye contact with him. However, he had no issue doing so. His crystalline eyes never left your face except for one agonizing second when he dragged them down the length of your body.
You then forgot all of your previous endeavors and realized that Theo was going to have his way with you. He wasn’t more understanding, nor had you gotten your revenge. But none of that mattered right now. The heat pooling between your thighs had blurred all possible thoughts that might pass across your mind. The only thing you could see, smell, taste, hear, feel was Theo, Theo, Theo. You sucked in a shaky breath.
His fingers slid around your upper arms, pulling you closer to him. The way he touched you was gentle and slow—a precursor for the aggression that was to come.
“Turn around and bend over,” he whispered. His voice was nothing less than demanding. You couldn’t help but comply as if everything depended on your ability to follow his directions. Which, at this moment, it felt that way.
You turned and laid your torso across the length of his bed, tucking your arms beneath your chest. Your cheek lay against the satin comforter as your breath exited your body in short, shuddering pants.
“You deserve this,” he murmured. “You know you do.” His hands—so gentle—pushed themselves beneath the hem of your skirt. Your eyes clenched shut as your corse pulsated in time with your rapid heartbeat.
The tips of his fingers caressed the curvature of your bare hips. With your intent to seduce, you’d figured you better dress the part as well as act it. For exactly that reason, you’d worn no bottoms beneath the tight dress. You could hear Theo inhale deeply as a single thumb slid over wettened, hot folds. You gasped sharply at the sensation.
“You wanted this,” he growled. Honestly, you hadn’t considered this as one of the outcomes of your little venture, but you wouldn’t deny what you currently wanted. With a whimper, you nodded your head and pushed your hips back against him.
A small grunt left his lips as your ass came into contact with his core, already engorged and pulsing, just as you were. You concealed a smirk. Perhaps it was the false persona you had put on this evening, but your confidence shone through the room like a lightbulb.
“Very well,” he sighed. “You’ll get exactly what you wanted, you pathetic slut. The only way you can get what you want is to show your ass in front of all my friends, huh? You couldn’t just fucking ask?” With each rhetorical question, he tore another piece of clothing from himself. His anger radiated off of him.
“My advice, love?” He rolled the fabric of your dress over your ass, allowing the cool air to bite at your core. “Next time…just fucking ask me to ruin this perfect cunt.” He pushed into you with a relieved groan.
The lack of any preparation had you biting into his comforter. Perhaps no foreplay was your punishment, but he felt too good for you to complain about it.
His hands gripped your hips like a vice as he pulled you back onto him at a sickening pace. He hit every spot inside of you with a bruising force, so hard that your face slid back and forth across his slick comforter. No matter how hard you tried, you couldn’t keep a hold on the surface. Theo’s rage-filled thrusts knocked you loose from any grip you gained on his sheets like it was nothing.
“If you ever pull something like that again, I swear to Merlin, I’ll beat the fuck out of any man who touches you,” he breathed through ragged thrusts. “I don’t care if it’s Mattheo or Enzo or some random guy—I’ll fucking kill him.”
His words pushed you closer and closer to the edge. Shamelessly, you moaned his name as if it were the last thing you’d ever say. He looked like a god behind you with his hair stuck to his forehead and his lips parted, his sweat circled the air, his name tasted perfect in your mouth, his moans were glorious, and he felt perfect inside you. Again, Theo was all you could see, smell, taste, hear, and feel.
“Yeah, baby? Does that feel good?” he whispered to you, taunting you endlessly. “Who fucks you like this, huh?”
“You,” you whined, your voice barely above a whisper.
“I couldn’t hear you, baby. It sounded like you said Enzo. Was that right?” he cruelly teased you. His hand came down hard across the brunt of your ass cheek. “That’s what you fucking get. Now, who fucks you like this?”
“You!” you tried again, desperate to feel your release.
“Mattheo? Oh, you’re really trying me today!” he shouted, bringing his hand down against you again. You yelped beneath the bite of his hand. You could practically already see the handprint forming across your skin.
Theo suddenly grabbed your hair roughly and pulled you against his body. Your back was pressed to his front, and his cock was hitting a devastating angle inside of you.
“Who fucks you like this, bitch?”
“You, Theo! Fuck, nobody makes me feel like this! Theo, Theo, Theo…,” your voice trailed off pathetically as he pounded into you with a force like no other. You wouldn’t be able to hold on for much longer.
One of his hands was wrapped around your stomach while the other remained tightly curled in your hair as he fucked up into you relentlessly. The coil in your stomach that only seemed to build when Theo handled you the way he did began to wind up in your stomach. Each thrust from the man behind you had it curling tighter and tighter, threatening to combust at any moment.
“Fuck, Theo, I’m gonna—”
“Yeah, baby? You’re gonna cum for me? Cum for me, baby…cum on my cock, sweetheart. Let me fill you up, darling. Please, baby, let me cum inside you. Make me a daddy, baby.”
And with those words, you were cumming against him harder than you ever had before. Honey spilled from you and coated his lower stomach and your thighs. The tension from your entire body locking up had Theo’s legs beginning to shake. Whispers of strained “fuck, fuck, fuck”s resonated throughout the room as Theo fucked himself through his orgasm. Just before you could protest at the overstimulation, he came into you, filling you up just as he had promised.
The feeling of every inch of his arousal overflowing from your core nearly made you needy all over again. You might've asked him for a round two if not for the overwhelming exhaustion that had just flooded your body.
Between the rapid pace he’d set and the abuse you’d taken from behind, the two of you were laid out. Both of you collapsed against his bed, chests rising and falling rapidly, beads of sweat dripping, eyes fluttering closed. You were sure you’d pass away if you attempted to move, so you laid completely still.
“How was that?” Theo asked, chuckling breathlessly. You refrained from rolling your eyes at his awkwardly-timed question.
“It was really good, you dummy,” you laughed, wiping a bit of sweat from your hairline.
“Good,” he whispered, rolling over to face you. “Because if you ever pull anything like that again, I’ll kill the man who touched you then I’ll fuck you in front of him.”
Merlin.
- - -
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73 Yards
I have slightly mixed feelings on this one, but what it did well it did brilliantly. The episode was beautifully shot with a fantastically creepy atmosphere throughout. The Welsh landscape, the close shots, the out of focus semper distans, the mystery of what was being said. Millie Gibson's performance throughout was stellar and this is the most invested I've felt in her character so far. I did miss Ncuti's presence somewhat, but it says a lot that she was able to carry the episode on her own and I do love when the format gets shaken up occasionally and we get a Doctor-lite episode.
I loved Kate's brief appearance and the way it sold the fact that this was a very serious situation. You think UNIT might be able to help here, but Ruby is once again left alone. The themes of abandonment in this one were incredibly potent and really tie into the themes of the series. Unsurprisingly, one of the most effective and upsetting parts of the episode was Ruby's mum also being affected by the mysterious woman. Her anguished screams for her mum were really quite harrowing, as was that awful comment about her birth mother not wanting her.
It also got far darker than I would expect in a Doctor Who episode. The far-right politician and the threat of nuclear war was plenty, but what was done to Marti was absolutely chilling, as was Ruby's apology for not doing anything. It gets away with it because it's all through implication, but that almost makes it more hard hitting. You don't always need to see the monster in action to know what it's doing. It also reminds me of my much younger self not picking up on the Master beating Lucy Saxon until I was a teenager.
The way time began to speed along was actually quite shocking to begin with - I actually gasped when we saw the 25th birthday cards - and it kept bringing to mind various other episodes where companions have been abandoned either in the real world or another timeline/reality, especially things like The Girl Who Waited, Turn Left, Forest of the Dead, The Lie of the Land, World Enough and Time etc. That things get undone at the end was again a little reminiscent of a few of them, but this is also where we come to my criticisms of the episode, because - while I loved the experience of watching it - the ending feels tacked on in a way that is very unsatisfying.
There were a number of things that just never get explained. For a minor example, why did the Doctor disappear? Disturbing the fairy circle released Mad Jack (I'll come onto him) and also made the Doctor disappear? And also made the TARDIS lock in a way that couldn't be opened with Ruby's key? I'm not as bothered by this as the below, but it feels messy and like an attempt to do a Turn Left without an actual reason for the Doctor to be gone.
A bigger gripe is Ruby being the following lady. That on its own would have been fine, but that combined with other elements just frustrates me. Mainly, if the following lady was Ruby, what is it she says to get people to run away? I don't mind things being left to the imagination - for instance, I quite like that we don't get an explanation for why she has to be 73 yards away; I can infer that that's got something to do with the fairy circle - but it appears that whatever she says specifically makes people think there's something horrifying about Ruby.
What could Old Ruby possibly say to that end and why would she? And why would the same thing make a Prime Minister resign? If we had never found out who she was, I would have been perfectly happy to infer that she was a force of some kind that drives people mad, but it's Ruby! Knowing who she is but not what she does or how or why she does it is the worst way round. I want to know neither or both, or possibly the latter but not the former, but this way round just frustrates me.
On that note, the friend I was watching with pointed out that, as she was dying, elderly Ruby had very short hair and suddenly has long hair when she becomes the semper distans lady. A small detail, perhaps, but one that further muddles the conclusion. Why did her hair change? Where did the coat come from? It's a different actress as well and, even at that distance, you can kind of tell. Did Old Ruby just end up embodying an existing spirit to do with the fairy circle? If so, I would have liked that to be a lot clearer. If not, why does she look so different?
Okay, so, Mad Jack. Who or what is Mad Jack? Is he a spirit of some kind that possesses Roger ap Gwilliam? Was he always Roger ap Gwilliam? Does Roger ap Gwilliam exist without him? If Roger ap Gwilliam does not exist without Mad Jack, how come the Doctor still mentions him? If Roger ap Gwilliam does exist without Mad Jack, what is changed by the Doctor stepping on the fairy circle?
In the version of the timeline we end up on (where the Doctor doesn't step in the fairy circle but Roger ap Gwilliam is still mentioned by him as a dangerous Prime Minister), here are a few possibilities and why they don't work for me:
Does he still become Prime Minister and get taken down another way? Perhaps, but it's not like Turn Left where we know the problems would have been stopped by the Doctor (who's not here). Without Ruby's infiltration and semper distans lady, what stops him? And why was that not able to stop him in the timeline we witnessed?
Is he less dangerous? The second time around of the opening conversation we don't get the line about the brink of nuclear war, though only because Ruby interrupts him to point out the woman, but maybe we can infer that this time he's a dangerous Prime Minister but not that dangerous? That seems quite weak and unclear, though, and seems to disregard the horror of the Marti stuff.
Does the timeline only change after the Doctor's comments about him being a dangerous Prime Minister? He does say that before stepping (or not stepping) in the fairy circle both times. I might be happy to assume that Roger ap Gwilliam never comes to power after that diverging moment has passed, except that things have already changed before the Doctor mentions him because Ruby says she's been to Wales three times. Maybe they've changed a bit but not enough until the moment she stops him from stepping on it, but that is not at all clear.
If it's any of these (or none of them), that's really confusing! It's just so messy and unclear. It would have been a simple fix, too! Keep everything the same and just add in a line as they're walking away at the end along the lines of "thank goodness he never got into power; people never found him that convincing". That would have clarified a) things have changed since a few seconds ago b) that Mad Jack is what allowed him to get to power and c) in this timeline, that won't happen and Ruby won't need to stop him.
Despite all my complaints, I did really love watching this episode. It's just so carelessly wrapped up, as if they didn't think about the implications of the otherwise very well told story. I'll be interested to rewatch it and see if my complaints bother me more or less on second viewing. I really want to love this episode because there were so many fantastic elements, but it just makes all the inconsistencies and loose threads and muddled logic particularly frustrating because they were only another draft or two away from being solved.
Misc small things
No theme tune! I feel robbed! Maybe it was meant to be part of the vibe that we're not in the usual timeline, but come on. It could easily have been slotted in when she left the TARDIS the first time or before she got to the pub!
Other episodes I thought of: Extremis with warning other versions of yourself; The Hungry Earth/Cold Blood with waving at future versions of yourself that disappear when things change; Journey to the Centre of the TARDIS with weird timelines and future selves and things being undone; Last Christmas with the companion becoming elderly; Turn Left for the vibes of "there's something on your back"; Under the Lake/Before the Flood with a silent message, since it looked like the woman was trying to sign things to Ruby; and The Sound of Drums/Last of the Timelords with the triple whammy of the companion having to 1) set off on their own to 2) take down a prime minister and 3) have time reverse.
It's also got a good old bootsrap paradox in it, which doesn't bother me in the way of the above complaints, but for the sake of completionism: How was Ruby warned about the future when that future hasn't happened? Would have loved Twelve to briefly pop his head in and explain it for us.
It's interesting that the snow stopped throughout this version of her life. It also seemed to snow while she was on her way to the pub.
Kate's comment about how "this timeline might be suspended along your event" was interesting and I wonder if it connects with the snow stopping.
For the first time I actually recognised Susan Twist when she appeared, but I'm not sure I would have done without Ruby realising she recognised her. I liked that! It felt very Boom Town and recognising Bad Wolf coming up again.
There was a little cameo from Mrs Flood.
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Incorporating weather elements into your narrative
*Picture me in shock over 11 new followers in 6 days after a 3 week dry spell: Thanks everybody!
Short this time! Weather and climate as worldbuilding are kind of like adverbs. Adverbs, as a concept, are not book kryptonite (despite what all the people screaming about how using better verbs is always the answer want you to believe). Adverbs should just be used with intent and not be redundant, which I’ve said before.
Basically, why use an adverb that doesn’t actually tell us any helpful information about the verb that the reader can’t already presume? “She smiled happily,” well, yeah, as you do. “She smiled sorrowfully,” okay, now that’s an expression I can work with. Why is she smiling sorrowfully? Why does she think she must smile through her sadness? Clearly it’s failing, otherwise the narrator wouldn’t note that the smile is sorrowful at all.
There’s a reason “talking about the weather” is the butt of the joke. It’s generally seen as boring and inconsequential to either party and used to just fill otherwise awkward silence. A quick sentence for sensory details is great. Repeat details that don’t dig into those sensory elements are not.
Your weather is no different. Why are you describing it if it serves no purpose to the scene? Everyone’s default unobtrusive day is different, but unless stated otherwise, people are going to assume it’s either day or night with mildly clear skies and tolerable heat and humidity. Talking at length about average weather that doesn’t impact your character’s emotions or choices, or the tone of the narrative, is a waste of effort in my opinion.
As in, describing the perfect day while a charcater is stuck in an office and unable to enjoy it? Yes. A character getting groceries and it's 72 and sunny and look at all the boring shapes of the clouds and planes flying over head while I get zero input on how the character feels about any of it or why this detail matters? Fluff and filler.
If your book is chock full of poetic fluff, go ham, everybody's ideal narrative is different. I like mine lean, otherwise I get bored by all the fluff while I wait for the book to remember it has a plot.
Weather fits into one of those little buzzword bingo cards where, if the author is taking an aside to describe it, you know it’s going to be important later (or at least it should be important later if the author didn’t just forget about it). Weather tends to be used as foreshadowing and is used as metaphorical shorthand everywhere.
If I write about a character going off on a quest and I tell the reader that clouds are growing in the distance, there’s a 70/30 chance I’m not just talking about actual clouds, but the threat of the enemy, some sinister plot our plucky heroes are ignorant of. Stuff like:
A red sunrise
Black/grey stormclouds
The ambiguous “rain/storm” that’s coming
A chilly wind picks up
An oppressive heat wave settles over the land
Fictional weather is so entrenched in metaphor and allegory that no matter how cliché it gets, watching or reading a funeral scene where it’s not grey and rainy feels insincere and not somber enough for the tragedy unfolding. You can avoid this by having your characters hate that it’s not raining for their funeral, as if even God doesn’t mourn their dead friend and the rest of the world moves on uncaring.
Same vibe as Halloween decorations in broad daylight. Or Christmas decorations in the Florida 80 degree December. Fall without the changing colors of the leaves. The mood is completely wrong.
“It was a dark and stormy night” sets the reader up for something serious, perhaps mysterious and dramatic, not a cheesy Hallmark romance. Weather as tone is extremely helpful. Not describing it is better than picking the wrong weather for your scene, unless you're trying to be ironic. Weather is practically its own character, depending on how much it matters to your story.
Fantasy and abnormal weather should be treated like any other scene descriptor element. It’s not enough to just drop in a detail about how there’s a 20% chance of blood rain at noon. If this is meant to be metaphorical or foreshadowing, despite being “blood rain” maybe it’s not an ill omen. Maybe it’s a magical fertilizer and a farming boon that graces the land, you gotta clarify.
Personally I’d fixate on the blood rain and want to know much more about it, just as much as I’d want to know about the rest of the town. I don’t need you to explain why it exists, it can exist just for funsies without serving any plot purposes, but I definitely want some more detail about the blood rain, it sounds cool.
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TLDR; Weather cannot be untethered from its metaphorical and tonal implications, it’s just too entrenched in fictional associations. With that said, if weather in your book isn’t important at all to the story, randomly describing the sunny day at length is like describing the grass of a random lawn—we all know what random grass looks like. Unless the state of the lawn matters, it’s fluff. If it doesn’t service the character’s arc, the themes of the story, the tone of the scene, or the plot in any way, it can be skipped beyond relaying to your readers on the time of day and some sensory details like if it’s hot or windy or humid.
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