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fuckyeahgoodomens · 2 months

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The Radio Times magazine from the 29 July-04 August 2023 :)

THE SECOND COMING

How did Terry Pratchett and Neil gaiman overcome the small matter of Pratchett's death to make another series of their acclaimed divine comedy?

For all the dead authors in the world,” legendary comedy producer John Lloyd once said, “Terry Pratchett is the most alive.” And he’s right. Sir Terry is having an extremely busy 2023… for someone who died in 2015.

This week sees the release of Good Omens 2, the second series of Amazon’s fantasy comedy drama based on the cult novel Pratchett co-wrote with Neil Gaiman in the late 1980s. This will be followed in the autumn by a new spin-off book from Pratchett’s Discworld series, Tiffany Aching’s Guide to Being a Witch, co-written by Pratchett’s daughter Rhianna and children’s author Gabrielle Kent. The same month, we’ll also get A Stroke of the Pen, a collection of “lost” short stories written by Sir Terry for local newspapers in the 70s and 80s and recently rediscovered. Clearly, while there are no more books coming from Pratchett – a hard drive containing all drafts and unpublished work was crushed by a vintage steamroller shortly after the author’s death, as per his specific wishes – people still want to visit his vivid and addictive worlds in new ways.

Good Omens 2 will be the first test of how this can work. The original book started life as a 5,000-word short story by Gaiman, titled William the Antichrist and envisioned as a bit of a mashup of Richmal Crompton’s Just William books and the 70s horror classic The Omen. What would happen, Gaiman had mused, if the spawn of Satan had been raised, not by a powerful American diplomat, but by an extremely normal couple in an idyllic English village, far from the influence of hellish forces? He’d sent the first draft to bestselling fantasy author Pratchett, a friend of many years, and then forgotten about it as he busied himself with continuing to write his massively popular comic books, including Violent Cases, Black Orchid and The Sandman, which became a Netflix series last year.

Pratchett loved the idea, offering to either buy the concept from Gaiman or co-write it. It was, as Gaiman later said, “like Michelangelo phoning and asking if you want to paint a ceiling” The pair worked on the book together from that point on, rewriting each other as they went and communicating via long phone calls and mailed floppy discs. “The actual mechanics worked like this: I would do a bit, then Neil would take it away and do a bit more and give it back to me,” Pratchett told Locus magazine in 1991. “We’d mess about with each other’s bits and pieces.”

Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch – to give it its full title –was published in 1990 to huge acclaim. It was one of, astonishingly, five Terry Pratchett novels to be published that year (he averaged two a year, including 41 Discworld novels and many other standalone works and collaborations).

It was also, clearly, extremely filmable, and studios came knocking — though getting it made took a while. rnvo decades on from its writing, four years after Pratchett's death from Alzheimer's disease aged 66, and after several doomed attempts to get a movie version off the ground, Good Omens finally made it to TV screens in 2019, scripted and show-run by Gaiman himself. "Terry was egging me on to make it into television. He knew he was dying, and he knew that I wouldn't start it without him," Gaiman revealed in a 2019 Radio Times interview. Amazon and the BBC co-produced with Pratchett's company Narrativia and Gaiman's Blank Corporation production studios, with Michael Sheen and David Tennant cast in the central roles of Aziraphale the angel and Crowley the demon. The show was a hit, not just with fans of its two creators, but with a whole new young audience, many of whom had no interest in Discworld or Sandman. Social media networks like Tumblr and TikTok were soon awash with cosplay, artwork and fan fiction. The original novel became, for the first time, a New York Times bestseller.

A follow up was, on one level, a no-brainer. The world Pratchett and Gaiman had created was vivid, funny and accessible, and Tennant and Sheen had found an intriguing romantic spark in their chemistry not present in the novel.

There was, however, a huge problem. There wasn't a second Good Omens book to base it on. But there was the ghost of an idea.

In 1989, after the book had been sold but before it had come out, the two authors had laid on fivin beds in a hotel room at a convention in Seattle and, jet-lagged and unable to sleep, plotted out, in some detail, what would happen in a sequel, provisionally titled 668, The II Neighbour of the Beast.

"It was a good one, too" Gaiman wrote in a 2021 blog. "We fully intended to write it, whenever we next had three or four months free. Only I went to live in America and Terry stayed in the UK, and after Good Omens was published, Sandman became SANDMAN and Discworld became DISCWORLD(TM) and there wasn't a good time."

Back in 1991, Pratchett elaborated, "We even know some of the main characters in it. But there's a huge difference between sitting there chatting away, saying, 'Hey, we could do this, we could do that,' and actually physically getting down and doing it all again." In 2019, Gaiman pillaged some of those ideas for Good Omens series one (for example, its final episode wasn't in the book at all), and had left enough threads dangling to give him an opening for a sequel. This is the well he's returned to for Good Omens 2, co-writing with comic John Finnemore - drafted in, presumably, to plug the gap left Pratchett's unparalleled comedic mind. No small task.

Projects like Good Omens 2 are an important proving ground for Pratchett's legacy: can the universes he conjured endure without their creator? And can they stay true to his spirit? Sir Terry was famously protective of his creations, and there have been remarkably few adaptations of his work considering how prolific he was. "What would be in it for me?" he asked in 2003. "Money? I've got money."

He wanted his work treated reverently and not butchered for the screen. It's why Good Omens and projects like Tiffany Aching's Guide to Being a Witch are made with trusted members of the inner circle like Neil Gaiman and Rhianna Pratchett at the helm. It's also why the author's estate, run by Pratchett's former assistant and business manager Rob Wilkins, keeps a tight rein on any licensed Pratchett material — it's a multi-million dollar media empire still run like a cottage industry.

And that's heartening. Anyone who saw BBC America's panned 2021 Pratchett adaptation The Watch will know how badly these things can go when a studio is allowed to run amok with the material without oversight. These stories deserve to be told, and these worlds deserve to be explored — properly. And there are, apparently, many plans afoot for more Pratchett on the screen. You can only hope that, somewhere, he'll be proud of the results.

After all, as he wrote himself, "No one is finally dead until the ripples they cause in the world die away, until the clock wound up winds down, until the wine she made has finished its ferment, until the crop they planted is harvested. The span of someone's life is only the core of their actual existence."

While those ripples continue to spread, Sir Terry Pratchett remains very much alive. MARC BURROWS

DIVINE DUO

An angel and a demon walk into a pub... Michael Sheen and David Tennant on family, friendship and Morecambe & Wise

Outside it's cold winter's day and we're in a Scottish studio, somewhere between Edinburgh and Glasgow. But inside it's lunchtime in The Dirty Donkey pub in the heart of London, with both Michael Sheen and David Tennant surveying the scene appreciatively. "This is a great pub," says Sheen eagerly, while Tennant calls it "the best Soho there can be. A slightly heightened, immaculate, perfect, dreamy Soho."

Here, a painting of the absent landlord — the late Terry Pratchett, co-creator, with Neil Gaiman, of the series' source novel — looms over punters. Around the corner is AZ Fell and Co Antiquarian and Unusual Books. It's the bookshop owned by Sheen's character, the angel Aziraphale, and the place to where Tennant's demon Crowley is inevitably drawn.

It's day 74 of an 80-day shoot for a series that no one, least of all the leading actors, ever thought would happen, due to the fact that Pratchett and Gaiman hadn't ever published any sequel to their 1990 fantasy satire. Tennant explains, "What we didn't know was that Neil and Terry had had plots and plans..."

Still, lots of good things are in Good Omens 2, which expands on the millennia-spanning multiverse of the first series. These include a surprisingly naked side of John Hamm, and roles for both Tennant's father-in-law (Peter Davison) and 21-year-old son Ty. At its heart, though, remains the brilliant banter between the two leading men — as Sheen puts it, "very Eric and Ernie !" — whose chemistry on the first series led to one of the more surprising saviours of lockdown telly.

Good Omens is back — but you've worked together a lot in the meantime. Was there a connective tissue between series one of Good Omens and Staged, your lockdown sitcom?

David: Only in as much as the first series went out, then a few months later, we were all locked in our houses. And because of the work we'd done on Good Omens, it occurred that we might do something else. I mean, Neil Gaiman takes full responsibility for Staged. Which, to some extent, he's probably right to do!

Michael: We've got to know each other through doing this. Our lives have gotten more entwined in all kinds of ways — we have children who've now become friends, and our families know each other.

There have been hints of a romantic storyline between the two characters. How much of an undercurrent is that in this series.

David: Nothing's explicit.

Michael: I felt from the very beginning that part of what would be interesting to explore is that Aziraphale is a character, a being, who just loves. How does that manifest itself in a very specific relationship with another being? Inevitably, as there is with everything in this story, there's a grey area. The fact that people see potentially a "romantic relationship", I thought that was interesting and something to explore.

There was a petition to have the first series banned because of its irreverent take on Christian tropes. Series two digs even more deeply into the Bible with the story of Job. How much of a badge of honour is it that the show riles the people who like to ban things?

David: It's not an irreligious show at all. It's actually very respectful of the structure of that sort of religious belief. The idea that it promotes Satanism [is nonsense]. None of the characters from hell are to be aspired to at all! They're a dreadful bunch of non-entities. People are very keen to be offended, aren't they? They're often looking for something to glom on to without possibly really examining what they think they're complaining about.

Michael, you're known as an activist, and you're in the middle of Making BBC drama The Way, which "taps into the social and political chaos of today's world". Is it important for you to use your plaform to discuss causes you believe in?

Michael: The Way is not a political tract, it's just set in the area that I come from. But it has to matter to you, doesn't it? More and more as I get older, [I find] it can be a real slog doing this stuff. You've got to enjoy it. And if it doesn't matter to you, then it's just going to be depressing.

David, Michael has declared himself a "not-for-profit" actor. Has he tried to persuade you to give up all your money too?

David: What an extraordinary question! One is always aware that one has a certain responsibility if one is fortunate and gets to do a job that often doesn't feel like a job. You want to do your bit whenever you can. But at the same time, I'm an actor. I'm not about to give that up to go into politics or anything. But I'll do what I can from where I live.

Well, your son and your father-in-law are also starring in this series. How about that, jobs for the boys!

David: I know! It was a delight to get to be on set with them. And certainly an unexpected one for me. Neil, on two occasions, got to bowl up to me and say, "Guess who we've cast?!"

How do you feel about your US peers going on strike?

David: It's happening because there are issues that need to be addressed. Nobody's doing this lightly. These are important issues, and they've got to be sorted out for the future of our industry. There's this idea that writers and actors are all living high on the hog. For huge swathes of our industry, that's just not the case. These people have got to be protected.

Michael: We have to be really careful that things don't slide back to the way they were pre the 1950s, when the stories that we told were all coming from one point of view and the stories of certain people, or communities within our society, weren't represented. There's a sense that now that's changed for ever and it'll never go back. But you worry when people can't afford to have the opportunities that other people have. We don't want the story that we tell about ourselves to be myopic. You want it to be as inclusive as possible

Staged series 3 recently broadcast. It felt like the show's last hurrah — or is there more mileage? Sheen and Tennant go on holiday?

David: That's the Christmas special! One Foot in the Algarve! On the Buses Go to Spain!

Michael: I don't think we were thinking beyond three, were we?

So is it time for a conscious uncoupling for you two — Eric and Ernie say goodbye?

David: Oh, never say never, will we?

Michael: And it's more Hinge and Bracket.

David: Maybe that's what we do next — The Hinge and Bracket Story. CRAIG McLEAN

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onbearfeet · 2 months

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Kat watches Moon Knight

Okay, so with the encouragement of several people on here and the emotional support of my roommate, I have finally (in February 2024) started watching Moon Knight, a show whose basic concept scares the shit out of me.

Context: I had an adopted older brother with DID. Note that I said "had". That's past tense because life treated him so appallingly poorly that he died (horribly, in prison) when I was 19. Part of that abuse was enabled by pop-culture depictions of DID in the 1980s and 90s that convinced everyone who knew about his condition (including the court system) that he was a walking time bomb.

One of my earliest memories is of my brother as a young adult, playing Super Mario Bros with my toddler self. Another is of him patiently teaching me how to make friends with a large dog. I never met any of his alters, afaik; I was small and cute and safe for him to be himself with, so he probably didn't need them around me. He was a profoundly gentle man when he was allowed, and it hurt like hell to see him turned into a monster in movies and on TV. I've turned off a lot of "psychological thrillers" in sorrow and disgust.

Ironically, I loved Moon Knight comics as a kid in the 90s, BEFORE he was retconned to have DID circa the mid-2000s. Because those comics came out right after my brother died in 2002 and leaned HARD into making people with DID seem like violently unstable monsters (for reference, see the cover of Moon Knight: God and Country), I stopped reading them around 2008, when I couldn't take being poked in the trauma by a comfort character anymore.

But I do love Werewolf By Night, and there's been a lot of good fic mashing Jack up with Moon Knight without dehumanizing anyone, and several people have encouraged me to try the show. So this post will be a place for my thoughts as I try to work my way through with my Essential Editions in one hand and my memories of my brother in the other. I'll add to it as I watch.

If this entertains the Moon Knight fandom or provides useful fic reference, so be it. Just don't be jerks on my post.

Also, anyone who chooses to be shitty about my brother will be eaten by bears. I don't make the rules.

Episode 1

Okay, we open with Steven as our POV character, and he's...convinced he's a sleepwalker. All right, not terrible. Steven is now a bumbling nerd, which is probably an improvement; good luck making a billionaire playboy sympathetic in the 2020s. Jake would be the logical everyman POV from the comics, but I understand from fic that he's got a different role now. I'm confused about the accent, but it's only episode 1, and Steven clearly doesn't yet know who Khonshu is, or that Marc exists, so obviously there's a ways to go here. (Is Marc ... undercover inside Steven? Ugh, this is a trope I have seen and do not like.)

Did Marc kill Steven's fish? Did Khonshu kill Steven's fish? I'm baffled by the fish. Which is a nice break from the larger anxiety. I'm gonna try to worry more about the fish.

The bits with Steven losing time and finding himself in odd situations were distressingly close to the old tropes, but both of those happened to my brother, so I'm not going to bitch about them quite yet. I want to be as fair as I can.

Oh, hey, I recognize Harrow from the comics. What up, dude. How's the cult biz treating you?

The end of the episode, with the jackal thing chasing Steven into the bathroom, came RIGHT up to the line for me. I realized that what I was most afraid of was that the story would assign "good" and "bad" labels to the alters--make Steven the sweet, innocent one and Marc (or maybe Jake, I guess) the monstrous killer. The early flashes of Steven covered in blood didn't really help allay that anxiety. And now Marc is demanding that Steven let him have control in a pretty threatening manner. But so far, it seems like the contrast between Marc and Steven is one of competence--Marc is better at fighting and Steven is better at ... panicking? Unclear. At least Oscar Isaac is playing the protagonist, so his character(s) might remain sympathetic. Nobody has been monsterized quite yet.

I finished the episode with every muscle in my body locked up, waiting for the emotional punch in the face. But I did finish it, and I think I'm gonna try episode two.

#kat watches moon knight #moon knight #marc spector #steven grant #i guess I'm processing trauma again #hello trauma my old friend

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kwebtv · 26 days

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Joseph Flaherty (June 21, 1941 – April 1, 2024) Actor, writer, and comedian. He is best known for his work on the Canadian sketch comedy SCTV from 1976 to 1984 (on which he also served as a writer), and as Harold Weir on Freaks and Geeks.

He was one of the original writer/performers on SCTV, where he spent eight years on the show, playing such characters as Big Jim McBob (of Farm Film Report fame), Count Floyd/Floyd Robertson, and station owner/manager Guy Caballero, who goes around in a wheelchair only for respect and undeserved sympathy.

In 1989, Flaherty played a guest role in Married... with Children in the season-four episode "Tooth or Consequences", as a recently divorced dentist who must repair Al Bundy's teeth.

During 1997–1998, Flaherty starred in the television adaptation of Police Academy (Police Academy: The Series) as Cmdt. Stuart Hefilfinger. The series lasted for only one season.

In 1999, Flaherty joined the cast of Freaks and Geeks, an NBC hour-long dramedy set in the 1980–1981 academic year, in which he played Harold Weir, the irascible father of two teens. Despite a dedicated cult following, the show only lasted one season. In the third episode, "Tricks and Treats", he dons a cheap vampire costume reminiscent of his "Count Floyd" character of the depicted era.

Flaherty made appearances on the CBS sitcom The King of Queens as Father McAndrew, the priest at the Heffernans' church. He starred on the Bite TV original program, Uncle Joe's Cartoon Playhouse, and served as a judge on the CBC program The Second City's Next Comedy Legend. (Wikipedia)

IMDb Listing

#Joe Flaherty #TV #Obit #Obituary #O2024 #SCTV #Freaks and Geeks #Police Academy: The Series

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slavic-roots-western-mind · 3 months

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My top Russian Tv-Shows

Despite this being mainly a mandarinblr, I still try to practise my other languages so here are some of the most interesting tv-shows in russian for my fellow russian-learners and speakers and anyone interested.

Kitchen - Кухня This show has several spin-offs including Hotel Eleon and Grand which I will not mention as by the end of the last spin-off there are literally no characters from the original cast and the plot slightly goes of the rails. The actual show is set a french restaurant in Moscow where Max Lavrov, who just finished his military service decided to work at. The show follows the various challenges that Max faces at his new workplace, including the foul-tempered but very talented Chef Viktor Barinov who has a drinking problem and other interesting characters. It's quite funny and heart-warming, and it's a must-watch imo.

Youth - Молодёжка A pretty standard sports series tv plot. The hockey-team "Bears" are a meh team at best, but that all changes when a former National Hockey League player turned coach shows up to make a proper team out of them. I only watched the first season because after that the plot got a tad boring for me, but as far as sports series go, pretty good.

Law of the Lawless (Not the 1964 film!) - Бригада A cult-classic staple of only 15 episodes. The plot is a bit over the place at the beginning, as opening episodes sequence is a flashback to the start of the final episode but after that it's chronological, with the first episode w english subtitles here. 4 best friends start out as youths from early 1990s to 2000s, with one returning home after finishing his army service with plans for uni and the others just starting their lives. However, the Perestroika had significantly changed their lives, so eventually the gang turns from racketeering and petty crime to slowly becoming the mafia. The opening theme is worth watching alone, but then again I'm biased.

How I became Russian - Как я стал русским This comedy show is quite dear to me, as it follows an American journalist with russian and slavic roots navigating life and work in Russia as he works on a story about life in Russia for a major newspaper back home. He's back in his homeland but as a foreigner who finds his heritage utterly confusing. This series resonates with me, as despite having a good grasp of my cultures languages and customs, I still feel disconnected from my heritage at times, and this show has been a reassuring reminder that not being 100% attuned with your heritage is okay, and that there are many different ways of re-connecting with your culture.

Closed school - Закрытая Школа I was slightly tramuatized by this show when I first watched it 4ish years ago, in part due to how unhinged and off the rails the plot slowly but surely becomes. A descent into madness. Andrei and his sister are sent to study at the Logos boarding school, but are then informed that their parents have perished. Andrei doesn't believe this, so he sets off to investigate with his new friends and investigate he does. There are also some other background shenanigans going on, but the unraveling of the schools mystery remains the main interest, including its odd passageways and deeply disturbing history. As a thriller series, it honestly deserves that title.

Here are some shows that came out more recently that I think deserve a mention.

The Boy's Word: Blood on the Asphalt- Слова пацана кровь на осфальте I've only seen a few episodes out of the 8, but it's very Brigada-esque so far. During the mid-late 1980s when Perestroika is going on and the USSR is soon to be no more, 14 year old Andrei is trying to survive as he's constantly bullied at school and by gang-members. He makes friends with one of said gang members Marat, as he slowly descends into the world of street life. I'll finish watching this series sometime probably.

The new guy - Новенький 16-year old Max moves from his glamorous life in Moscow to a small-town Yurovsk due to his parents constant arguing, where he immediately doesn't get along with his clasmmates who think him stuck-up and start bullying him. One day Max goes missing and his classmates are the obvious suspects, as slowly but surely secrets start to emerge revealing everyone's lies. A pretty good suspense/thriller show, which covers the topics of bullying, coming of age and what it means to be an adult pretty well, despite the 4th and final season being kind of lackluster.

Central Russia's Vampires - Вампиры средней полосы Where to even begin with this show. I don't know whether I should introduce the trailer or the opening theme song mv. Basically the life of a small and unconventional vampire family living in Smolensk, presumably in central Russia, who get disturbed when bodies with distinct bite marks are found nearby. This results in the Guardians (aka the guys keeping vampires a secret and ensuring that no one acts out) taking over and investigating with the vampire leader Svyatoslav Vernidubovich given a week to find and punish the culprit. My odd plot description aside, the cast is why I adore this show. The recently turned Gen-Z wannabe blogger Zhenyok, the thousand year old grandpa Svyatoslav, the constantly annoyed Dr. Zhan Ivanovich (who is actually french and decided to hang around after Napoleon was defeated) and his ex-wife The Countess who honestly should have a spin-off show and many more characters.

Doomsday - Конец Света Satan decides to come back to Earth and start the apocalypse, for which he needs his son Dimyan who should become the Antichrist but to his dismay, Dimyan doesn't really care about world domination and money, he just wants to get married to his fiancee Galya and live happily ever after. Chaos ensues as satan tries to persuade Dimyan to join him, whilst Angel vs Demon shenanigans occur in the background. I honestly had no idea that this type of show could even be produced due to the censors and yet it was. It's kind of slightly similar to Good Omens with all the apocalypse stuff and the Angels and Demons eventually teaming up? Good Omens adjacent. Except more gritty with much darker humour. The actor who plays satan is Yuri Kolokolnikov who actually starred in game of thrones so if you're a fan of his acting, do try this show.

Alisa can't wait - Алиса не может ждать Alisa is a 15-16 (don't remember her exact age) year old girl who is going blind and she decides to do something really drastic to ensure that her life will be comfortable after she loses all sight. There's a noticeable build-up to what she's actually planning during the episodes, as her homelife is less than ideal, with her older sister stuck in an unhappy marriage and a turbulent relationship with her parents. This is one of the few shows that really left a deep impression on me but it deals with some very sensitive and potentially upsetting topics so be aware if you're giving it a go.

This list may be updated in the future, so if there are any other shows that I may have missed do share them!

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vintagetvstars · 9 days

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Connie Booth Vs. Barbara Billingsley

Propaganda

Connie Booth - (Fawlty Towers, Monty Python's Flying Circus) - British TV was absolutely blessed when Connie Booth moved from the US to Great Britain and enriched every show and movie she was in with her talent and absolute BEAUTY! She looks like a real life princess!

Barbara Billingsley - (Leave it to Beaver) - Look, is June Cleaver the ultimate example of the unrealistic expectations and repressive cult of domesticity that the media forced on women in post-war, pre-second wave feminism America? Yes. Does Barbara Billingsley look insanely hot mopping the floor in high-heels and a pearl necklace? Also, yes. (Sorry Betty Friedan, she just does.) To her credit, she knew it was an absurd fantasy, she was a divorced (and widowed) working mom when she landed the role of the quintessential 50s housewife. In her later years she often spoofed her image, most famously as the Jive-talking lady in Airplane! (When they revived the series in the 1980s, June became a respected member of the city council and later pursued a college degree.)

Master Poll List of the Hot Vintage TV Ladies Bracket

Additional propaganda below the cut

Connie Booth:

Fawlty Towers: Topless afternoon tea

youtube

Barbara Billingsley:

June Cleaver on womens changing roles in the 1960s

youtube

What It Means to Be a Mother by June Cleaver

youtube

#vintage tv stars poll #tv ladies 1 #connie booth #barbara billingsley #Youtube

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ritchiepage2001newaccount · 5 months

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WHY UNIVERSAL BACKGROUND CHECKS ARE JUST AS UNLIKELY AS EVER, UNFORTUNATELY

I'm a leftist (Libertarian-Socialist), who votes progressive, because I live under an "elected" government, and I had thought I had purged the MSNBC/CNN Nation from my friends list, but apparently not, as my timeline is just chock-full of media-driven hysteria over current events, so here's a primer:

"Liberals" who think their arguments are clever or relevant to the Second Amendment are exhausting.

They are not the left; they are just one half of the good cop/bad cop act of the corporate owned fire-hose of bullshit that is the corporate media, and corporate America's governing criminal cartel/duopoly.

Both cults "I like simple and ineffectual 'solutions', because they make me feel like I'm doing something, and I'm just stinky with fear."

There are over a hundred million legal gun owners, who some want to punish for somebody else's crime.

Well, there are some things to consider.

We've been a heavily armed country since 1621, and yet the epidemic of daily mass-shootings didn't begin until 20 April 1999 (Columbine), at a time when gun ownership was at an all-time low, and five years after Clinton's assault-weapons ban, so maybe guns aren't the variable.

Worth noting: One of the first things the "Pilgrims" did when they betrayed the Native Americans, was disarm "King Phillip" and his men.

Maybe, just maybe, dead school-children are the price of the neoliberalism practiced under the "Washington Consensus" of BOTH right-wing authoritarian parties since the 1980's? When your country offers you no prospects, and you become terrified of the future, what then? Fear can make unstable people do desperate things. Add to that a culture of celebrity, and what could possibly go wrong?

Another factor that goes completely unexamined, is the way Ronald Reagan and Tip O'Neill emptied our state hospitals onto our streets, and onto families ill-equipped to deal with the sometimes violent mentally ill.

Thank God, the "solution" is so simple…

Also, 84% of NRA members support universal background checks. The problem is, every time a bill comes up for a vote, Democrats add poison pill amendments guaranteeing defeat in the legislature (and the courts), and then they proceed to tell the TV cameras that "once again the GOP and the gun lobby have voted down background checks and defied the will of the people", or some such nonsense.

If you want to watch Dems sabotage universal background checks (while Republicans roll their eyes and face-palm) in real time, go here:

P.S. You can probably guess which one of these three groups I belong to (Hint: It's the one that's growing and actually decides elections):

LaborPartyNow!!!

P S The line, "You don't need 30 rounds to shoot a deer!" is not clever.

The Second Amendment has nothing to do with hunting tools, toys for hobbyists (target shooting), or even weapons for self-defense.

It's about ARMS!!!

It's about the individual citizen's right to arms, so they'll be prepared to join a militia, not the other way around. ‘Well regulated’ at that time, simply meant, ‘efficient.’ In other words, in order for a muster to be efficient, civilians needed to be already armed.

So the "collective rights" argument has a couple of problems that make it quite unhinged from history and reality.

1) As I've mentioned above, Americans have always been relatively heavily armed. How did that happen in a collective rights paradigm?

2) Contrary to what you were probably taught in school, by the time of the Confederate artillery barrage on Fort Sumter, the war over slavery had already been going on for over six years, and was fought entirely by independent volunteer militia's. Fort Sumter was just the beginning of official involvement by government troops. How did that happen in a collective rights paradigm?

3) In what universe do government forces need to have their right to arms protected?

4) Since when do National Guard members keep National Guard arms (Hint: they're kept at the armory, and have been since colonial times)?

5) Obviously, "Liberals" are stupid.

Again: #LaborPartyNow!!!

P P S That was ENTIRELY the point of the first fruits of dissent, the 10 Amendments we've come to call the BILL OF RIGHTS (which have become a beacon to aspiring democrats all over the world), to protect INDIVIDUALS from the government they had just created. #TrueStory

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itscodebaby · 7 months

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The Video Dead (1987)

#80s #80s movies #80s horror #80s aesthetic #1980s #1987 #retro #retro horror #retro aesthetic #lofi #analog #analog horror #crt tv #crt television #b movie #b movies #cult classic #cult film #so bad it's good

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the-hottest-band-tournament · 9 days

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Round one

Europe

Formed in: 1979

Genres: Arena rock, hard rock, glam metal, blues rock, heavy metal

Lineup: Joey Tempest – lead vocals

John Norum – lead guitar, backing vocals

John Levén – bass

Mic Michaeli – keyboards, backing vocals

Ian Haugland – drums, backing vocals

Albums from the 80s:

Europe (1983)

Wings of Tomorrow (1984)

On the Loose EP (1985)

The Final Countdown (1986)

Out of This World (1988)

Propaganda: 🎶IT'S THE FINAL ENTRY! *epic synth riff*🎵 (even if they're not the last ones submitted, please list them last just for this bit). (Little did the submitter know that they actually were)

Iron Maiden

Formed in: 1975, though they didn't settle on a relatively steady lineup until 1978

Genres: Metal, Power Metal, Prog Metal

Lineup: Bruce Dickinson - vocals

Dave Murray - guitar

Adrian Smith - guitar, vocals, keyboard

Steve Harris - bass, vocals, keyboard

Nicko McBrain - drums

Albums from the 80s:

Iron Maiden (1980)

Killers (1981)

The Number of the Beast (1982)

Piece of Mind (1983)

Powerslave (1984)

Live After Death (1985)

Somewhere in Time (1986)

Seventh Son of a Seventh Son (1988)

Propaganda: What other band could make metalheads love songs based on poetry ("The Trooper" inspired by Tennyson's "The Charge of the Light Brigade," "Rime of the Ancient Mariner" based on the Coleridge poem of the same name), history ("Alexander the Great"), cult TV series ("The Prisoner" based on the show of the same name), mythology (twisted a bit with "Flight of Icarus"), and classic literature ("Phantom of the Opera" based on the Gaston Leroux novel, "Murders in the Rue Morgue" based on the Poe story, "To Tame a Land" originally meant to be titled after its inspiration: Frank Herbert's "Dune")? These guys are proud geeks and one of the most epic bands on the planet, STILL going strong all these years later.

#round 1 #Europe #europe band #iron maiden #joey tempest #john norum #john levén #Mic Michaeli #Ian Haugland #bruce dickinson #dave murray #adrian smith #steve harris #nicko mcbrain #the hottest 80s band tournament #The hottest 80s band tourney #tumblr polls #poll

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schlock-luster-video · 1 year

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Uncle Buck is starting in half an hour on AMC (May 20, 1:30 A.M. EST) in case anybody's interested!

#uncle buck #amc #coming up #up next #movies on tv #watch party #cult movies #comedy movies #john candy #1980s #buddy comedy #movie art #art #drawing #pop art #modern art #pop surrealism #portrait #cult film

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fiftysevenacademics · 16 days

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April 12, 2024

Bennett Braun, a Chicago psychiatrist whose diagnoses of repressed memories involving horrific abuse by devil worshipers helped to fuel what became known as the “satanic panic” of the 1980s and ’90s, died on March 20 in Lauderhill, Fla., north of Miami. He was 83.

Jane Braun, one of his ex-wives, said the death, in a hospital, was from complications of a fall. Dr. Braun lived in Butte, Mont., but had been in Lauderhill on vacation.

Dr. Braun gained renown in the early 1980s as an expert in two of the most popular and controversial areas of psychiatric treatment: repressed memories and multiple personality disorder, now known as dissociative identity disorder.

He claimed that he could help patients uncover memories of childhood trauma — the existence of which, he and others said, were responsible for the splintering of a person’s self into many distinct personalities.

He created a unit dedicated to dissociative disorders at Rush-Presbyterian-St. Luke’s Medical Center in Chicago (now Rush University Medical Center); became a frequently quoted expert in the news media; and helped to found what is now the International Society for the Study of Trauma and Dissociation, a professional organization of over 2,000 members today.

It was from that sizable platform that Dr. Braun publicized his most explosive findings: that in dozens of cases, his patients discovered memories of being tortured by satanic cults and, in some cases, of having participated in the torture themselves.

He was not the only psychiatrist to make such a claim, and his supposed revelations keyed into a growing national panic.

The 1980s saw a vertiginous rise in the number of people, both children and adults, who claimed to have been abused by devil worshipers. It began in 1980 with the book “Michelle Remembers,” by a Canadian woman who said she had recovered memories of ritual abuse, and spiked following allegations of abuse at day care centers in California and North Carolina.

Elements of pop culture, such as heavy metal music and the role-playing game Dungeons and Dragons, were looped in as supposed entry points for cult activity.

Such stories were fodder for popular TV formats that reveled in the salacious, including talk shows like “Geraldo” and newsmagazines like “Dateline,” which broadcast segments that promoted such claims uncritically.

The psychiatric profession bore some responsibility for the growing panic, with respected researchers like Dr. Braun giving it a gloss of authority. He and others ran seminars and distributed research papers; they even gave the phenomenon a quasi-medical abbreviation, S.R.A., for satanic ritual abuse.

Dr. Braun’s inpatient unit at Rush became a magnet for referrals and a warehouse for patients, some of whom he kept medicated and under supervision for years

Among them was a woman from Iowa named Patricia Burgus. After interviewing her, Dr. Braun and a colleague, Roberta Sachs, claimed not only that she was the victim of satanic ritual abuse, but also that she herself was a “high priestess” of a cult that had raped, tortured and cannibalized thousands of children, including her two young sons.

Dr. Braun and Dr. Sachs sent Mrs. Burgus and her children to a mental health facility in Houston, where they were held apart for nearly three years with minimal contact with the outside world.

By then Mrs. Burgus, heavily medicated, had come to believe the doctors, telling them she recalled torches, live burials and eating the body parts of up to 2,000 people a year. After her parents served her husband meatloaf, she had him get it tested for human tissue. The tests came back negative, but Dr. Braun was not convinced.

Dr. Braun kept other patients under similar conditions at Rush or elsewhere. He persuaded one woman to have an abortion because, he convinced her, she was the product of ritualistic incest; he persuaded another to undergo tubal ligation to prevent having more children within her supposed cult.

The satanic panic began to wane in the early 1990s. A 1992 F.B.I. investigation found no evidence of coordinated cult activity in the United States, and a 1994 report by the National Center on Child Abuse and Neglect surveyed over 12,000 accusations of satanic ritual abuse and found that not a single one held up under scrutiny.

“The biggest thing was the lack of corroborating evidence,” Kenneth Lanning, a retired F.B.I. agent who wrote the 1992 report, said in a phone interview. “It’s the kind of crime where evidence would have been left behind.”

Many people distanced themselves from their earlier enthusiasms; in 1995, Geraldo Rivera apologized for an episode of his show that covered the falsehood. However, even in 1998, the NBC series “Dateline” ran an episode claiming to show widespread satanic activity in Mississippi.

Mrs. Burgus sued Rush, Dr. Braun and her insurance company over claims that he and Dr. Sachs had implanted false memories in her head. They settled out of court in 1997 for $10.6 million.

“I began to add a few things up and realized there was no way I could come from a little town in Iowa, be eating 2,000 people a year, and nobody said anything about it,” Mrs. Burgus told The Chicago Tribune in 1997.

A year later Dr. Braun’s unit at Rush was shut down, and the Illinois medical licensing board opened an investigation into his practices. In 1999, he received a two-year suspension of his license — though he did not admit wrongdoing.

Bennett George Braun was born on Aug. 7, 1940, in Chicago, to Thelma (Gimbel) and Milton Braun. His father was a professor of orthodontics at Loyola University. He graduated from Tulane University with a bachelor’s degree in psychology in 1963 and earned a master’s in the same subject in 1964. He received his medical degree from the University of Illinois in 1968.

Dr. Braun was married three times. His marriages to Renate Deutsch and Mrs. Braun both ended in divorce. His third, to Joanne Arriola, ended in her death. He is survived by five children and five grandchildren.

After temporarily losing his medical license in Illinois, Dr. Braun moved to Montana, where he received a new state license and opened a private practice.

But in 2019, one of his patients, Ciara Rehbein, sued him for overprescribing medication that left her with a permanent facial tic. She also filed a complaint against the Montana Board of Medical Examiners for allowing him a license, despite knowing his past.

Dr. Braun lost his license to practice medicine in Montana in 2020.

#good riddance #psychology #psychiatry #satanic panic #mass hysteria #us history #bennett braun #psychiatric abuse #my stuff

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theneighborhoodwatch · 9 months

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As a palette cleanser for when you’re done studying, what are some of your favorite works of horror besides Welcome Home?

it's hard for me to articulate what makes a work of horror my Favorite, so i just racked my brain for the ones i tend to come back to the most often, and i came up with these. i tried to include official links only, but some of these can easily be found Elsewhere online (hint hint) and others don't have any official english localizations. i've also included a brief summary and content warnings for each one - be warned that some of these are A Lot.

don't hug me i'm scared: (channel 4 series) episodic surreal horror comedy about three puppets sharing a very normal house, learning very normal lessons from the designated "teacher" of each episode, and navigating their very normal world. content warnings include: unreality and gore. like, at least once an episode, there is gore. lbr if you're a fan of welcome home then you at least have a passing knowledge of dhmis.

sex house: a parody of early 2010s reality tv, centering around six contestants being invited to the titular house for one thing and one thing only - sex. they will have sex. the network won't stand for anything less. content warnings include: sexual coercion/extortion, one dubiously consensual sex scene between two people with an extreme age gap, pregnancy, animal death, brief but on-screen gore, drugging, death/near-death situations as a result of negligence, and one instance of Questionable asexual representation that might have just been a diversion (i really cannot tell.) also there's a scene in episode 4 where a character draws muhammad on their forehead so that they can't be filmed and i still have no idea how to feel about it.

porkin across america: a former daytime talk show host embarks on his latest venture, a food tourism show in which he samples the best pork-themed dishes every state in the U.S. has to offer. but can he see his quest through to the end while also outrunning the harsher realities of life and reality TV? signs point to no. content warnings include: gore, body horror, two instances of offscreen but audible animal death, a brief instance of drug abuse, and some casual racism on the part of the host in order to establish him as Every Unlikable American Food Tourist (this gets dropped early on.)

i want to hold aono-kun so badly i could die: two teens attempt to forge the perfect relationship with one another - an effort that is somewhat hampered by the fact that they come from less-than-perfect families. also, one of them is a ghost. content warnings include: explicit sexual content, gore, body horror, suicide, graphic suicide attempt, death, child death, animal death, and pretty much every kind of abuse (emotional, physical, sexual, neglect, etc.) in the context of both familial and romantic relationships.

devotion: a screenwriter in 1980s taiwan awakens one evening to find himself in his living room, now dark and decrepit, and attempts to navigate the ever-shifting layout of his apartment in order to look for his daughter. content warnings include: gore, domestic abuse, ableism, some flashing/jumpscares, [potential spoilers from this point forward] religious abuse, cults, and child death.

slay the princess: a visual novel (albeit a demo for now) about a princess locked away in a cabin, and the narrator who really, really wants you to kill her (for perfectly altruistic reasons, i'm sure.) but who is she? what does she look like? does she seem like the kind of person who could bring about the end of the world like the narrator insists? that all depends on how you see her - literally. content warnings include: black tabby games was kind enough to provide content warnings themselves!

the wolf house: a stop-motion film presented as a propaganda piece for a cult heavily based on colonia dignidad, following a young woman who flees in order to escape her punishment for letting three pigs escape, and ends up taking refuge in an abandoned house in the woods with two pigs (unrelated to the first three.) i honestly have a hard time describing it beyond that - i would say it's worth watching for the animation alone, but i think the story it presents as well as the historical context really elevated it for me, to the point where i don't think i would have the same appreciation for it otherwise. content warnings include: body horror, references to nazi/white supremacist ideology, cults, religious abuse, and possible allusions to child sexual abuse.

also, i didn't include works from either of these people because if i listed Every work of horror they had a hand in that i liked then this post would be 200 miles long, but i really like alan resnick and jordan peele's horror work. i was almost going to include what happens next, but that isn't really horror so much as it is a new age thriller-drama thing, and i couldn't really find a way to summarize it more succinctly than just relaying the events of the comic so far in full. good thing each title card comes with content warnings.

#anonymous #ask #this isn't a complete list but hopefully it's a robust enough selection if you were looking for recommendations #FUCK I FORGOT TO INCLUDE BE KIND MY NEIGHBOR. eh you can find that one on silver sprocket pretty easy anyways #also includes content warnings upfront. which is helpful #i also have a BUNCH of horror novels i wanna get my hands on but i. haven't. yet.

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