Imagining Good Movies as Old Book Covers
Artist and designer Matt Stevens is clearly a movie lover. He’s also a talented and creative graphic designer. And thankfully, he has lent his talent to this project, which has immortalized great movies into vintage book covers.
His impressive catalog runs the gamut, from modern classics like Mad Max: Fury Road to The Shawshank Redemption, to Back to the Future. The series is cleverly called…
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Can everybody please read what the people who designed Rapunzel's tower for the Tangled movie wrote about all the drawings on the wall!!
Here is the text:
[As might be expected, Glen Keane is as interested in what's inside as what's outside."What's most interesting about the art direction is the inside of the tower. To me, that is Rapunzel's world, and the idea that this girl is making her walls go away by painting on them-I love that.
Visual development artist (and Glen Keane's daughter) Claire Keane continues, "We didn't want it to be just decorative. This is all of her subconscious desires and all of her conscious desires. When I started trying to figure out what she would paint and how she would paint, I started looking into medieval drawings, and also the way other artists work with interconnecting their objects-Rapunzel paints on the walls and she paints on her furniture and it's all connected. I was trying to come up with a new language for the way she would paint"
Claire Keane took a very personal approach to identifying Rapunzels art. "I started on the weekends, and in the mornings, and whenever I was at home, documenting my life in a sketchbook, and turning it into Rapunzel.
Cleaning up my house, putting away my clothes, separating the dirty from the clean. I'm singing while I'm doing it. That leads into this life-as-art thing, where everything Rapunzel is doing is another opportunity for art.
Nathan and Byron also wanted her to feel a little analytical, as if she's documenting things that she's discovering. So it's not just about her art, she's also learning things"
Glen Keane concludes, "Well, you start off when she was a little girl, she just started painting very simple childlike images on the wall. It progresses in maturity to where every square inch is painted. When we're starting the story, there is no room left on this wall any longer. Her next step has to be to go out."]
Like this is so lovely!!!! Especially the last part: "When we're starting the story, there is no room left on this wall any longer. Her next step has to be to go out." I love that so much!!!
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the thing about adaptation discourse (specifically with pjo but this can apply to others i've seen) is that people fail to realize:
a) they are adapting it for a NEW audience. and
b) they are making it fresh for the ORIGINAL audience!
as much as people say they want a 99% accurate representation of a book to screen, be for real that would just be boring!!!! knowing every plot twist every turn every development would get tired sooo fast. by adding changes however minor or major to themes, plot, details, WHATEVER, it makes it fun while still keeping the heart of the thing! maybe i'm just an optimist but holy shit it's so fun to be taken on a whole new journey while still knowing where they'll end up, but being able to be surprised by what may happen to get there! i audibly gasp in delight when things happen that weren't in the books. i LIKE being surprised and falling in love with something all over again for new reasons. especially in a book to tv format, there's so much room to add, to develop, and to REdevelop aged out moments of the books!
tl;dr be kind to adaptations. just. just shhhh. it's okay. they can be good things on their own.
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The lackluster romance and overemphasised 'love triangle' in The Hunger Games movies makes more sense when you frame it as Peeta's hijacked memories after the war.
Katniss being super cold towards him? The terrible cave scene? The emotionless 'I need you' on the beach? The general lack of chemistry between them? All the Gale angst?? Peeta's entire character being reduced to a damsel in distress and very much feeling like a spare part??? The totally weird and unsatisfying epilogue where the distance between them in the field is emphasised and something about the lighting and framing makes it feel like a Bad Ending????
boom hijacking it's all in his head
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So I just watched the school for good and evil movie, mostly for Kit Young, and the two main girl characters essentially recreated the main story beats of the scene from beauty and the beast where belle’s love saves the beast, complete with a kiss on the lips, only to then reiterate that their love is “best friends only” AND I just went in the tag to find out that in the books these two girls are SIBLINGS?????? I think this is the most convoluted case of queer baiting I have ever experienced and my head is SPINNING netflix pls you’re going to give the kids watching this a COMPLEX
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