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#I just started watching the reboot just recently after putting it off because… I don’t know why actually but it’s pretty good!!
howdydopillar · 5 months
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wow, that’s a… goofy looking lab rat you got there, didn’t know that it’s dna has been spliced
but did you even know that your goofy looking rat is genderfluid demiromantic and pansexual and uses they/she/he pronouns too? because I sure didn’t until I spoke to them.
also I’m pretty sure she likes listening to Black Dresses, your rat has good music taste 👍
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brucebocchi · 4 months
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Ranking every new anime I watched in 2023, Pt. 2: #20-11
hey, i just started a ko-fi for my writing and possible other creative outlets. this post will also be available there, so please check it out and consider tipping/donating as i'm currently between jobs. the tumblr version of part 1 can be found here.
Let's get right into it.
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20. Helck
I watched Helck’s first season for its entire half-year run, and I'm honestly still not sure how I feel about it. I’d heard amazing things from people who’d read the manga, and it had a hot start, but the pacing slowed to such a crawl after a while that it kind of felt like they stretched out the story just so they could make another season.
Helck, an enormous and impossibly jolly human warrior, enters a tournament to decide the successor to the throne of the recently-slain Demon King. Demons and humans had been at war for some time, so Vermilio, an adorably fiery elite lord of the castle, is naturally wary of him. Helck is naturally powerful, talented, and affable, so he easily breezes his way through the tournament in hilarious fashion, despite Vermilio’s best efforts at sabotage. Before the finals can take place, though, an immortal army sent by the human forces arrive to attack the demon realm, and Helck and Vermilio are teleported to the far edge of the realm.
The season largely covers Helck and Vermilio’s trek back to the demon kingdom, as well as the demons’ struggles against the mysterious warriors as they attempt to figure out just what the hell the humans are plotting.  Vermilio remains leery of Helck, regardless of all he’s done for her, but it becomes further evident that Helck is harboring a very dark past, and eventually we get a lengthy arc where he sits down and explains it to Vermilio in flashback. There is, as you’d expect, plenty of tragedy there, and you’d like to see it resolved, but things just seem to keep getting worse.
There are powerful messages in there about toxic positivity and fighting the urge to shoulder one’s burdens alone, but they don’t become fully apparent until late in the season. Everything until then, at least after the teleportation, is… fine. I had higher hopes for this one, but it just feels like it’s missing something, and I can’t put my finger on what. It looks fine, the voice acting is good (the GOAT Katsuyuki Konishi is typically very good as Helck), the action is decent, it’s all… fine. The pacing just feels glacial at times, to the point where if I hadn’t been watching it weekly I might have bounced off of it.
Of course, the season ended with what appears to be the endgame on the horizon, so for all I know there’s still a lot more to come, but the story beats feel so familiar that I get the feeling it could be resolved with, like, a movie. I hope I’m wrong, because there are clearly some major emotional payoffs yet to come, and I’m still curious to see how it gets there. I may have to pick up the manga to find out if it’ll be worth any more of my time.
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19. Urusei Yatsura (2022), second cour
Fresh off of Jojo’s Bizarre Adventure’s possible series finale, David Production’s modern take on Rumiko Takahashi’s legendary comedy manga hummed along nicely into 2023. The cast continues to expand as the new version introduces characters like Ten, Ryunosuke, and Tobimaro to further raise the level of shenanigans inherent to Urusei Yatsura.
Lum Invader has been a sex symbol for pretty much as long as anime has had sex symbols, but the reboot’s second cour focuses a bit more on the side of her personality that makes her so iconic, and which I consider essential to several of my favorite female anime characters: Lum’s kind of a psychotic asshole. Her schemes to wring more attention and affection out of Ataru border on sociopathic at times, and she’s honestly so real for that. Her mortal frenemy, Ran, was introduced close to the end of the first cour, and there is still no shortage of sabotage attempts in the second, but we quickly come to learn that Ran’s undying vendetta is mostly because Lum has been a selfish, lying piece of shit since they were kids. God bless her.
Ataru continues to not be much better, serial philanderer that he is, as he continues to be surrounded by other hot crazy ladies who aren’t his not-fiancee. Mendo’s younger sister, Ryoko, is a real highlight in the 2023 run as a result of her escalating penchant for Looney Tunes-esque slapstick violence. The settings of Ataru’s and Lum’s respective worlds take more focus as well, between Ataru’s high school hijinks and Ten’s galactic mail-order mishaps, and the two often collide in hilarious fashion.
I still adore the look of this one. Character models have been cleaned up and simplified to a sort of retro-modern look while still being instantly recognizable to anyone already familiar with them. Everything is awash in an eye-popping Day-Glo color palette. Backgrounds and pop-in gags are often adorned with Ben Day dots to maintain the retro comic look. This doesn’t quite look like the manga, nor does it resemble the original 80s anime, but this is unmistakably a Rumiko Takahashi product. It almost looks like it could have come out at any point in time.
I’m only holding this back in the rankings because it’s the weaker half of a season that straddled the end of 2022 and the start of 2023, but the season as a whole is excellent. It is an essential watch for fans of comedy anime, especially considering so many tried-and-true anime gags effectively originated with Urusei Yatsura (it’s worth mentioning that Lum is largely considered the first-ever tsundere in anime and manga). Season 2 is imminent and I cannot fucking wait. Maybe I’ll even read the manga.
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18. Tomo-chan is a Girl!
This is basically Monthly Girls’ No-jock-i-kun. Very simple premise: Tomboyish high schooler gets the hots for her childhood friend who is dense as fuck and forgets most of the time that she’s even a girl. Hilarity ensues and romance progresses glacially.
The voice performances are what really carry this one. Rie Takahashi is golden as the titular Tomo Aizawa, and this was the first entry in an MVP-caliber resume for her in 2023 that was so stacked that I still haven’t gotten to her best role yet. Rina Hidaka nails the conniving, misanthropic nature of Misuzu Gundo in a far cry from her turn as Emul the bunny in Shangri-La Frontier later in the year. The American-born idol Sally Amaki is a revelation as the airheaded gaijin Carol Olston, whom she also voices in the English dub. Even Carol’s mom speaks broken Japanese with a noticeable American accent, which is one of my favorite gags in the whole show.
Outside of the voice acting, nothing is particularly special about this show. Which is fine! There's nothing wrong with a solid 7/10 romcom; junk food is still food. It’s cute, it’s funny, it hits all the right beats, but nothing particularly stands out. Misuzu and eventually Carol give Tomo advice to try to woo her bestie Jun, while Misuzu is usually also playing Jun against that same advice so that it usually works and backfires at the same time. It’s all a game, and she plays both sides so she can always come out on top.
If I have a complaint about this show, it’s that it just… ends. I went back and read the manga, and unfortunately that issue is not the anime’s fault. If anything, it did a phenomenal job of fitting eight volumes of a 4-koma into a single season, and that’s always how it was supposed to go. I watched and read a ton of slice-of-life romance anime and manga this year, as it turns out, and the ones that really hit for me are usually the ones that take their time with the central relationship once it actually starts, rather than treat that big event as the climax, or worse, the finale of the story. Stuff like Kaguya-sama, Horimiya, Sweat and Soap, and even Wotakoi (though I have my own problems with that one) treat their central relationships as a step, not the goal.  At the same time, for plenty of others, the fun is in the chase, and they just run out of time, and Tomo-chan is the latter. We got what we wanted, and we had fun getting there. Sometimes that’s all you need.
Also good god, Tomo’s mom. The second those genes kicked in for Tomo, Jun was doomed.
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17. The Eminence in Shadow, second cour and season 2
The Eminence in Shadow is the smartest piece of stupid media I've seen in a minute. It so perfectly skewers dime-a-dozen chuunibyo isekai trash while still cannonballing into a McDuckian swimming pool of the stuff. It nearly overwhelms you with lore; the series abounds with rich backstories, centuries-old power struggles, palace intrigue, shadowy conspiracies, the artificially accelerated march of progress, long-simmering revenge plots, looming economic catastrophe, and love dodecahedrons. And the most compelling thing about all of it is that none of it fucking matters.
Cid Kagenou spent his teenage years in modern Japan trying to become the coolest badass dark antihero who ever lived, but he quickly reaches his limits in our boring normal world so he rides the isekai truck into a world with actual, like, magic and shit. He spends his new childhood leveling up and rescuing elf girls, all the while regaling them with his “wisdom” in the form of a bunch of horseshit he made up based on all the light novels he used to read. Turns out that he’s entirely too genre savvy; this new world is apparently so contrived that every single thing he told them ended up entirely true.
So now Cid’s a teenager by day and shadowy vigilante by night (under the apt moniker “Shadow”), with an underground legion of hot deadly babes at his disinterested beck and call. All he genuinely cares about is looking and acting like the coolest motherfucker a socially inept 12 year old boy can think of, and in his downtime actively trying to be a forgettable mob character. And I do mean that that is all he cares about; when I say none of the wheels within wheels happening in the background actually matter, I mean that Cid is completely and totally unaware of any of it. 
Anything he does or says to drive the plot is either incidental or accidental. He spouts off some nonsense he heard in a video game once, and his cadre of elf baddies and beastgirls takes it as gospel en route to exposing a millennium-old conspiracy. He parrots a really cool line he heard ten minutes ago and a beautiful woman he just saved takes it as inspiration to turn her life around. It’s kind of like in Mashle, funnily enough; where Mash will go “I don’t know what’s going on, but you were being mean to my friend so I’m gonna beat the shit out of you,” Cid is more like “No clue what this is about, but that’s a really badass looking villain, so I’m gonna say some epic shit and do a big explosion.” And then he fucks off to go eat a burger or something, not knowing or caring that he just unraveled a prophesied master plot to destroy the global power balance.
The episodes that aired in 2023 largely revolve around the lovely Princess Rose, smitten with both Cid and Shadow (not knowing they’re the same guy), pledging fealty to Shadow Garden after failing to foil a coup d’etat. At the same time as her training, Cid is busy with a vampire something-or-other and then tries to make some coin for himself by teaming up with an assassin hellbent on revenge to create a credit crisis. The conspiracy later drags Rose back into the palace, where Cid sees a new opportunity. Every single one of these things has very specific reasons for happening, and everyone involved has a rich backstory and clear motivations to carry out their parts of the ever-evolving plots.
But that’s not why you’re here. You’re here to watch a bunch of hot ladies and a guy in a black cloak with one glowing red eye do some sick action stunts to bad guys with silly names, and this show delivers that in spades. This feels like a throwback in the best and worst ways. The Eminence in Shadow is stupid, and it is brilliant.
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16. Mushoku Tensei: Jobless Reincarnation, season 2
Mushoku Tensei is a tough anime to talk about. On one hand, it is one of the most gorgeous anime series ever put on television: Almost consistently movie-quality sakuga, lush background art, and a breathtaking score come together to form an immersive world unlike many I’ve seen in any medium. On the other, it forces some very unpleasant conversations about reincarnation in anime, particularly ones like this where a grown man is reincarnated as a child while retaining his mental age and is surrounded by potential love interests closer in age to his new body. What doesn’t help is that in his previous life in our world, the man who would reincarnate as Rudeus Greyrat was a socially isolated hentai addict, and much of his journey centers around him unlearning those proclivities in unfortunate and often damaging ways. If you can handle that, Mushoku Tensei is a rewarding watch, but if that’s beyond the pale to you, I don't blame you in the slightest.
However, even if you’ve been able to stomach all of the questionable shit in the first season, I'm sorry to say that the second season’s first cour doesn’t do much for the “bro I promise he gets better bro” crowd. The first cour covers the Quagmire and Academy arcs, which follow Rudeus’ struggle with being effectively abandoned by the only person to show him any physical affection in either life. The knock-on effect sees him retreating into an antisocial shell and developing, and I am deadly serious here, a seemingly incurable case of erectile dysfunction.
The first few episodes surround Rudeus growing into a young man, making a name for himself as a wandering adventurer in hopes that talk of his name will spread to his missing family and friends. At the urging of the god with a direct line to him (still unexplained), he enrolls in a magic university to investigate the calamity that flung his loved ones to the corners of the realm. There he finds an old friend in the figure-obsessed young prince who saved his life in the previous season, a girl from his previous world who seems to have also been transported to this one, and most crucially, his old childhood friend Sylphiette, hiding in plain sight with new hair and a sick pair of shades as a retainer to a scheming princess enrolled in the school.
Mushoku Tensei's initial season was at its best in its quieter moments, and those abound in season 2’s first cour. It's really lovely seeing him connect once again with Sylphie purely for who she is, even though for all Rudy knows he’s talking to a twinky dude named Fitz who makes him feel weird things. We get our amazing action animation early on, and things settle down quite a bit from there as Rudeus navigates all of these interpersonal relationships, old and (seemingly) new.
And while, yes, this version of Rudeus is a far cry from the drooling, grinning pervert he was in his first ten years of reincarnation, his improvement as a human being is not a straight line. He unfortunately takes more steps backwards than forward. The things he says in a drunken rage about his party member Sara (who inadvertently revealed his ED) are awful and undeserved, he literally ties up and gropes a pair of beast girls from his class (he has apparent reasons for both of those things, but come on), and he “frees” a young dwarven slave to take on as an apprentice. That last one seems admirable on its face, but uh. He went with the flow in a god damned slave market and still paid a slaver.  
I'm not excusing those things, nor absolving Rudeus as a character; I'm simply saying they happen this season. Mushoku Tensei, for better or for worse, depicts gnarly subject matter as it is while neither glorifying it nor moralizing about it. It trusts you to make your own judgments, and if your verdict is “I can’t watch this show,” that is perfectly valid. If you can stomach watching through its worst moments and compartmentalize the uncomfortable aspects of it, Mushoku Tensei remains one of the best-looking and -sounding pieces of animation out there, and the part of its second season that aired in 2023 has an exceptional emotional payoff. Otherwise, I'll be talking about Frieren much later.
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15. Spy x Family, season 2
The most succinct praise I can give season 2 is also the most backhanded: Well, it’s more Spy x Family.
I want to be clear that there is no shade inherent to that comment; the first season of Spy x Family was excellent! It was a stylish, beautifully animated, appropriately hilarious adaptation of a fantastic manga that did it justice in almost every regard; the second season didn’t need to move heaven and earth to try to one-up it. It wasn’t broken, so Wit and CloverWorks didn’t fix it. It’s still the blend of domestic slice-of-life hijinks, tense cold-war intrigue, and heart-pounding action it’s always been. Even the production music is largely the same, and that’s not a complaint, because SxF’s production music fuckin' slaps.
A lot of anime-onlys rightfully complained that Yor’s plot relevance seemed to fall off a cliff in the back half of season 1, so they have been eating GOOD this time out, as season 2’s (ostensible) first cour puts her directly in the spotlight. The Yor Cour, if you will. The season opened on a hilariously spot-on adaptation of my favorite Yor-centric chapter of the manga (the “bullet in the ass” one) and quickly moved on to a nearly perfect interpretation of the cruise arc that sees her protecting a government asset from a legion of assassins. 
If you wanted to see more of Yor in her second life as the contract killer, Thorn Princess, this season was a meal and a half for you. Having her beset on all sides by an eccentric rogues’ gallery, with Anya fully aware and trying her damnedest to keep Loid from finding out what’s actually going on, is Spy x Family at its best. The tension constantly ramps up as the ship approaches its target, and Anya’s attempts at distracting Loid usually go sideways because, well, she’s Anya. Blood splatters, laughs are had, and Loid continues to struggle with both fatherhood and acting like his growing affection for his ragtag “fake” family is just “for the mission.” 
Outside of the cruise, season 2 maintains the series’ usual episodic pace, which can be a little jarring before and after the cruise arc, but that’s SxF for you. Shit can pop off at unexpected moments, and having read ahead in the manga, I’m excited to see the next time that happens. For now, though, things can feel kinda static from time to time, but the Forger family and the extended cast are always pleasant to just hang out with for a while.
And now to wait for the movie to come out in the west.
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14. Undead Unluck
Up until this past Winter season, I primed myself on a lot of the more-hyped anime by reading the manga ahead of time. I knew that Undead Unluck is one of the bigger Shonen Jump manga out there, but this debut kind of crept up on me. I went in blind, got drawn in by the premise, and then got quickly overwhelmed with a wild amount of lore.
Fuuko, a young woman seemingly afflicted with a curse, is saddled with a brash, enormous man who cannot die after he foils her suicide attempt and is then himself grievously injured. Don’t worry, he got better. It turns out that he’s roughly 200 years old and has a completely cracked healing factor, while she brings terrible misfortune to anyone who touches her skin. They are both Negators, people with the ability to reverse or ignore the laws of nature: Fuuko’s ability is Unluck, causing tragedy for those close to her, while the man is Undead, exactly what it says on the tin. The man, who cannot remember his own name, believes their meeting to be kismet: If she can bring death to her loved ones, he vows to woo her so she can deliver the death he’s sought for so long. I promise this is a comedy.
Fuuko and Andy (whom she named as shorthand for the Japanese pronunciation of “undead”) foil a series of assassination attempts by other Negators, and take their spots as part of the Union eliminating threats to the universe. They team with an eclectic group, whom we’re still getting to know as of the end of the first cour, as they trot the globe to complete quests given to them by a mysterious (and seemingly nefarious) talking book lest the universe incur penalties for their failure.
The power system among Negators is one of the most inventive I've seen, with each one able to cancel out a specific element of the natural order of the world, and it’s a blast learning how each new one works. Andy in particular is wild; because he can regenerate himself so quickly, his weapon of specialty is his own body, never hesitating to use his own fingertips as bullets and his own gushing blood as a propulsion mechanism. He also has no compunction towards taking on the worst of Fuuko’s Unluck ability, often sacrificing himself to get hit by lightning or falling debris to deal damage to an enemy. Every new Negator power introduced adds a new wrinkle to the way this world works and the different shapes its action can take. Others can freeze matter into suspended animation, force people to act opposite their own intentions, or even subvert someone’s entire belief system. I cannot wait to see what else is in store.
The first cour’s pacing is a little off, and Andy's behavior towards Fuuko in the first couple episodes is nothing short of gross (I promise that eases up), but you can see the show finding its footing as it goes on. Shonen Jump series don’t last for nearly 200 chapters and counting by accident, and I'm excited to see where this goes.
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13. NieR: Automata Ver. 1.1a
Those of us who played Yoko Taro’s 2017 masterpiece approached the announcement of an anime adaptation with some trepidation: So much of what made Nier Automata so outstanding and so beloved is that much of the delivery of its narrative is inherent to the fact that it’s a video game. How can a video game known for pushing against the fourth wall of the unique elements of its very medium be faithfully adapted as an anime?
The choice of studio was also concerning: Though A-1 has produced a ridiculous number of excellent series (and some aggressively mid ones that were nonetheless very successful), its track record with video game adaptations has been far less than stellar. The latter three films in the Persona 3 adaptations were solid if uneven, and the Valkyria Chronicles anime seems to have been well-received, but the same can’t be said of A-1’s takes on Ace Attorney, Persona 4 Golden, or Persona 5. Regardless, Yoko himself was heavily involved in the anime’s production, so if they could keep on budget and schedule, Nier Automata would have a fighting chance.
And while there indeed ended up being massive and likely unpredictable production delays, I'd say they’ve done almost as good of a job as they could have so far. While the first cour mainly covers Automata’s A and B routes, it does much more than just play that part of the story straight; it also takes the time to incorporate other elements of the Nier canon. A surprising amount of time is dedicated to the canon introduced in the YoRHa stage play (and by extension the Pearl Harbor Descent Record manga); Lily and the android resistance are woven directly into the narrative far beyond the vague overtures the game makes in their direction. Ver 1.1a also ties the history of the original Nier into the story at unexpected and intriguing (and in my case, tear inducing) moments. 
Unfortunately, it’s still too soon to assess this series in its entirety. While too many people who played Nier Automata stopped after route A or B, there is still much more of this story to come. There was some very sloppy CGI integration in the first episode when it aired, but far from enough to put me off the series. For now, it’s a treat for Nier fans, but I’m not sure whether I can recommend it yet to people who are unfamiliar with the source material.
Until the anime is completed, go play Nier Automata. It’s one of my favorite games of all time.
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12. Kaguya-sama: Love is War -The First Kiss That Never Ends-
This was a late 2022 theatrical release, but it didn’t see western release until this year and was split into a four-episode mini-season for streaming, so I'm counting it for this year. you can deal with it.
I got completely obsessed with Kaguya-sama early this year, and in record time. I binged the anime and the manga in the span of a couple weeks and irreversibly fell in love. I say with no reservation that it is the best romantic comedy, in any medium, of the 21st century. It nails both the romance and the comedy in equal measure; the characters are perfectly realized right down to the supporting cast, the dynamics between them are carefully considered and consistent with their personalities regardless of circumstance, and every emotional and comedic beat hits exactly as it’s meant to. There is a constant momentum moving the greater plot along, even in the smaller moments, and seismic shifts take over before you’ve even noticed they’re happening.
It’s rare for romcom manga adaptations to stay on the air long enough to actually reach the romantic payoff, and Kaguya-sama fucking nailed it in season 3. Well, we’re pretty sure it did; the central conceit of the psycho-romantic warfare between Kaguya Shinomiya and Miyuki Shirogane is that they’re both chronic overthinkers and won’t accept any romantic undertones or overtures in any form but an explicit confession. So while the finish to season 3 is everything we wanted as an audience, these two dorks still sense a margin for error. Regardless, that would have been a perfectly acceptable place to end the anime.
HOWEVER, the Ice Queen Kaguya arc that follows in the manga is iconic, and A-1 was absolutely right to adapt it. Although Shirogane is ready to move forward with the relationship that (he’s pretty sure) they’ve both wanted for a long time, Kaguya has a crisis of personality and inadvertently reverts to the dead-eyed, emotionally walled-off version of herself he’d initially met, well before either of them had realized they’d fallen in love with one another. The interstitial omake preceding this arc in the manga has Aka Akasaka warning the reader that in order to counteract the massive emotional payoff that just happened, the ensuing chapters would get very, very silly.
And of course, hijinks do indeed ensue; this is Kaguya-sama, after all. But before you realize it, the story is neck deep in Jungian psychology as self-doubt begins to plague Kaguya and Miyuki and they struggle with the faces they think they need to put on for the other and whether their “real” selves even deserve to be loved by the person they idolize. It gets heavy! I cried every time I watched it! And that first time was in a damn movie theater!
I’m much more comfortable appraising First Kiss as a mini-season than as a movie, because frankly, it doesn’t work as a movie. The animation, while maintaining the series’ standard of excellence, isn’t a single degree better than what aired on television, which can be disappointing upon a visit to the theater. The pacing is also off for a feature film; the common knock upon theatrical release was that it felt like four episodes stitched together (it even has the omake-style interludes between scenes, like the show). The arc also focuses very heavily on Kaguya and Miyuki specifically, so the ensemble cast I mentioned earlier does have to take a backseat. Splitting this up for streaming and televised release was the right move here.
Season 3 would have been a very good ending for this series if it never got picked up for the movie. If it doesn’t get picked up for a proper fourth season, this is the perfect place for it to end. The manga has now been adapted up to just past the halfway point, and the next best stopping point would have to wait until a possible, like, fifth season. And that arc in question, while it does have some iconic moments, is very uneven. If this is all we’re getting, we’ve gotten plenty already, and I am satisfied.
If you've watched the first three seasons of Kaguya-sama, you owe it to yourself to watch The First Kiss That Never Ends. It is nearly everything you could ask for. Also, read the manga if you haven��t already. It’s genuinely one of my favorite things I've ever read.
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11. The Apothecary Diaries
This one is basically House M.D. set in the Ming Dynasty, and it fucks.
Maomao, an apothecary raised in a pleasure district near the palace of a fictional East Asian empire, is shanghaied (pun intended) into menial work in said palace. She hears tell of a supposed curse plaguing the emperor’s newborn children and the concubines that birthed them, quickly deduces that it may be poisoning, and discreetly leaves a message for the ailing new mothers. She’s found out by an impossibly beautiful young administrator named Jinshi, who quickly deduces that she’s one of the few literate peons in the rear palace, and he puts her to work in the pavilion of the concubine that heeded her advice.
With her knowledge of, resistance to, and slightly masochistic infatuation with various poisons, Maomao slots right in as an attendant and poison tester to one of the emperor’s embattled concubines. Often at Jinshi’s urging (even though she immediately gets the ick at his habitual flirting), Maomao finds herself investigating deaths, mysterious ailments, and strange behaviors, on top of the foreign world of palace politics. Though she’s a deeply jaded person who only seems to care for her special interests, Maomao is incredibly perceptive and often able to suss out the finer details others miss.
Surprisingly, this one is a really breezy watch, and much funnier than you might expect. For all its lush environs, slowly-mounting intrigue, and often stunning cinematography, The Apothecary Diaries isn’t afraid to get a little silly with it. The dialogue is snappy, quick gags abound in a familiar single-panel chibi style you wouldn’t expect in a setting like this, and Komi-esque cat ears spontaneously pop up from Maomao's head whenever her interest is piqued. Interactions between Maomao and Jinshi are always a hoot, and you can pretty quickly figure out where it’s going, although Maomao can’t because she’s still pretty sure Jinshi is a eunuch.
As she does in virtually every role in her dozen-plus years as a seiyuu, Aoi Yuuki crushes it in the starring role. She really nails the disaffected cynicism that animates most of Maomao’s internal monologue and sarcastic dialogue, as well as her hair-trigger glee when presented with her personal interests in food and drink, medicinal herbs, and of course, poison. Yuuki is an indispensable element in ensemble casts like Persona 5, Ace Attorney, Wotakoi, and the aforementioned KamiKatsu (as well as others I don’t plan on watching like My Hero Academia, Rent-a-Girlfriend, and The Seven Deadly Sins), so it’s especially nice to hear her in a spotlight role outside of the odd Madoka Magica, spider isekai, or Cyberpunk Edgerunners.
There are a handful of anime on this list that will be continuing or returning in January, and second only to my #1 anime this year, this is the one I’m most excited to see more of. At time of writing, the show appears to be shifting in a new direction, and I’m hoping to see it take less of an episodic pace.
Part 3 is on the way! I'm going to split my top ten into two more posts, because I ended up writing... a lot more than I'd expected.
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shinra33459 · 2 years
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Final Fantasy 7 Remake: A Rant
I don’t expect to get a lot of praise from this critique, I honestly expect some backlash because of it. I’ve played Final Fantasy games since my youth. My first exposure to Final Fantasy media came when I spent my entire summer break in 2nd grade watching my dad play Final Fantasy 7. Originally I was disinterested in the Remake, I thought that it was completely unnecessary and unneeded. Now that I have actually played the game, I feel that I should offer my personal critique of the game itself. 
Now that the Final Fantasy 7 Remake hype train has died off after the release 2 years ago, I feel that the time is right to put forward a proper critique of the game. We live in the era of sequels, remakes, reboots, and remasters. Nothing is safe and all must have a sequel some 20+ years later, a remake of the media itself, or a reboot of the series. Star Wars, Terminator, Predator, Ghost Busters, and now Final Fantasy 7, among a whole host of others, have been sacrificed on the altar of remakes.
Tetsuya Nomura is possibly one of the biggest hacks in Japanese video game writing. I will admit that he has helped design some great characters in the JRPG genre, but his story writing skills leave much to be desired. Tetsuya Nomura is to Japanese video game writing what J.J. Abrams is to filmmaking. Filled to the brim with "what ifs" and mystery boxes with no real resolution. His story writing in the Kingdom Hearts series, and his contributions to Final Fantasy 15, among others, can be described as messy at best, and incomprehensible at worst. Even though Nomura didn't directly write the story for the Final Fantasy 7 Remake, he definitely had a part in some story elements being written, and it's plain as day.
Gameplay-wise, the combat is mostly lackluster, focusing on Square-Enix's recently acquired hatred for anything turn-based, which started around the time of Final Fantasy 13. The self dubbed "Classic Mode" is for all intents and purposes, a mode where the CPU just takes over your characters. There's nothing classic about it, it's just an auto-play feature. A true to form classic mode, would be turn-based. Basically just turn on auto-play, plop back in your Barcalounger and brace yourself for the sweet release of death.
Then you have the extreme linearity when it comes to maps. Granted it isn't as bad as the glorified hallway simulator that is Final Fantasy 13, but it is an extremely linear and on-the-rails type game, which many critiques from Final Fantasy 13 about the same issues, can also be levied against the 7 Remake. However, what the Final Fantasy 7 Remake has what 13 doesn't, is the overabundance of boring side-quests, which you have to do in order to progress in the story at points. Another point which can be levied against the Final Fantasy 7 Remake is that they ignored the simplistic leveling and equipment system from the original, and decided to carry over the Crystarium system from 13, 14, and 15.
Up next is the story of the Final Fantasy 7 Remake itself, and for the most part, the majority of the story content itself is a 1:1 of the opening of the original. However, I hereby posit the following query: why did they feel the need to take a section of the game that most can get through in about 3-4 hours, and multiply the time it takes to beat it by 10? I could understand stretching it to something close to 10 to 12 hours, but 30? A sizable fraction of which is just filler content that doesn't add anything meaningful to the game itself, especially if you played the original and know what happens. And then the ending happened, where every word of the previously established plot points are thrown out the window at mach speed, and now it's gotten to the point where there are, apparently, multiple timelines now at play.
The Final Fantasy 7 Remake isn't a remake. That name itself is disingenuous; what it really is, is a reboot, not a remake. It's a reimagined story, with new plot points, and everyone's favorite topic, subverting expectations. Now you may be questioning, "This is a game that released 2 years ago, why talk about it now?" Well the answer itself is simple, critique anything while the hype-train is still going, then prepare to get run over by it. The Final Fantasy 7 Remake itself also highlights a massive problem with JRPG development, whether it be in convoluted stories, or game design elements itself, JRPG development has been flash-frozen for over a decade.
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munohlow · 3 years
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Ok real quick gonna propose an idea for that powerpuff girls reboot:
Don’t
But it if they really must (they shouldn’t!), there’s some better ways I think they could go about it, as well as what I’ve seen floating around (like don’t).
Pretty much all of these are assuming they’ll go the gritty reboot route because that’s pretty popular atm. A dark gritty take on anything is getting a bit tired, I think people are more open to weird and sincere stories, whether they’re adaptations or original. But recently a lot of comics (good comics!) 10+ years old are getting faithful adaptations (good adaptations!) and reviving that early/mid 2000’s taste for “what if Superman, but bastard?”
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Aright one route they could go would be like that of Samurai Jack season 5 on Adult Swim. Written and animated by the original team and keeping to its truest nature while maturing it a bit along with the original fan base and maybe have an overarching plotline. The difference being that keeping it like the original ppg would create a stronger contrast with more mature and brutal violence, similar to Invincible’s friendly neighborhood Spider-man vibes and use of graphic violence.
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This would be the second best way to adapt besides not doing it at all..... but that would also take more money and might not last beyond a season, ending with a solid conclusion like Samurai Jack did. Plus I’m semi doubtful the original team would be on board to drag out the girls’ story, especially like this.
Addressing the leaked script, a common comparison made was to the Netflix adaptation of The Umbrella Academy. Both are loose adaptations about child superhero siblings coming together after years of being apart, dealing with childhood trauma and their parent’s wrecklessness as adults.
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And talking monkey.
Where Umbrella Academy made changes for the sake of depth and character development amidst the sci-fi madness, the CW Powerpuff Girls script attempted to be edgy and gross for the sake of being edgy and gross. They just want to be mature and topical while ignoring everything enjoyable about the original. It also just straight up sucks. I’m no writer but it seems like a lot of people who are writers are pretty pissed about paid professionals pushing this to the point of post-production. Well not post production, it was being filmed, but I enjoy alliteration. That’s also pretty far into development for something this bad, while it was rejected and is being reworked, it still got approved by enough people to shoot a pilot. If the leaked script itself isn’t a marketing ploy, I imagine that’s the real reason it was shut down. CW probably would’ve went through with it, otherwise. Maybe just keep it cancelled, yeah? Yeah.
This idea isn’t mine either but instead of the child star allegory, it could be more interesting to sort of see it carry on from where it left off, as the continued adventures of the powerpuff girls. Similar to the The Venture Bros. (a show I have not watched but know vaguely about, again this is someone else’s thought, I just think it sounds good) the girls can be grown up but start to realize they want to explore their lives and goals as individuals outside of heroism.
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This at least appeals to me because you can keep the show’s status quo, keep the characters together, and have them grow into better more interesting characters as opposed to starting with a dour world where everyone is dead or just worse insufferable people. Instead, begin where audiences are comfortable and open to a new interpretation then let the characters realize there’s more to life and explore what kind of people they can become. (Or just don’t do it.)
Also just hear me out, but maybe, possibly? perhaps the professor was a good dad in the original cartoon? And let’s keep that? Let him remain a wholesome father figure? Is that okay? Don’t make this reboot? But if they do, keep him a nice loving parent?
Since this is the CW/ Warner bros who own DC comics, the best case scenario (cancelled) would be to make it more like the MANY SUPERHERO SHOWS THEY ALREADY MAKE. The good ones, anyway. I’m pretty sure the girls have crossed over with some DC characters in the cartoon already, why not make them canon DC characters? Maybe not. Could be cool! Better not, though. But they could still model the show after some of their better shows. Flash, Arrow, Supergirl are all not bad depending who you ask. I just finished Gotham, that was neat. Superman and Lois sounds like it’s pretty good so far. Powerpuff girls would better suit an earnest, straightforward, lighthearted take. Keep the humor, idk maybe up the violence to keep it dark and cool if that’s what people want (we don’t) and have it contrast with family drama like Invincible. All that to say that a darker, comical, well-written, DC-ish superhero thing they should look to for reference should be Doom Patrol.
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This show fuckin litty. It’s like the better parts of Legends of Tommorow and Titans put together, as in it’s super weird and dumb but in a way that’s fun and moving. I recently rewatched season one as refresher before getting into season two and dammit if it didn’t get me in my feels amidst the quarantine. It’s about broken people working through their issues and pulling themselves together to help one another. Admittedly, it doesn’t have the best representation of those with disassociative identity disorder, as one character sometimes referred to as “Crazy” Jane has a different superpower with each of her alters. The character is very much a product of the 80’s but the writers of the show do their best to show that Jane respects the alters and their free will. But it also deals with topics of abuse, self-image, trauma, disabilities, homophobia, discrimination, and more in a way that gave me some catharsis while watching after all that’s been going on the past couple of years. Aside from all the comedy and action, it all flows together naturally, which is what you want in any series, not just your gritty superhero show. Doom Patrol is also batshit weird, every episode feels almost self contained/ freak-of-the-week while still following the main overarching plot, and Powerpuff Girls is very much like that, without the bigger plot or mature themes (as it should remain, let it be). Many will find it vaguely similar to The Umbrella Academy because GERARD WAY WAS INSPIRED BY DOOM PATROL TO WRITE THE UMBRELLA ACADEMY. The og comics, not the show, but still.
Also let’s address this
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The hell was this about?
Anyway Idk maybe I sound like “Old Man Yells at Cloud,” but this really isn’t the way to go. Don’t do it, CW. Leave it alone, CW. Just don’t do it. We don’t need more sequels and reboot cash grabs, there’s plenty of up and coming writers with good original ideas waiting for their shot. And even with all those new edgy shows and movies, some of which are actually not bad, not everything needs to be so grim. Like sure Teen Titans Go! is a goofy reboot but it’s still just a fun dumb cartoon, it’s not bad, I bet that other ppg show was also just fine. Maybe YOU are “Old Man Yells at Cloud.” But what do I know?
And all THAT to say you should go watch all those other things I mentioned and some old ppg episodes back to back, instead. Don’t fuckin do it, CW
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lady-of-lyon · 3 years
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So, I made one post a while back about how awesomely feminist the show Wild Kratts was, with how its two main female characters were women of color in engineering and deserving roles of power, female villains who weren’t motivated by spite or quest for youth, etc, but today I wanted to talk about something slightly different, that I’ve wanted to cover for a while now, because I also think it’s very good - and that’s how the show portrays masculinity, in a way that’s really positive!
First, we have our two main characters, Chris and Martin Kratt. Keep in mind these two are basically self-inserts - and there are plenty of creators, especially males, who have used self-insert characters in really scummy ways - all I have to say is Powerpuff Girls reboot and you know exactly what I’m talking about. Even if they weren’t literal self-inserts, male characters, superheroes especially, oftentimes serve the male power fantasy, being just the strong, stoic, all-powerful person so many boys are told they’re supposed to be. I could get into a whole discussion about how the male power fantasy is present even when males are not (ever look through a fashion magazine and wonder why there are so few men? Sure, part of it is that the industry thrives off exploiting women’s insecurities, and men aren’t as concerned for their appearance, but another part of it is so that the guy, looking through it, can feel like he has no competition for these women - there’s a reason so many comedians have jokes about fashion magazines being their sexual awakening as kids. It’s really scummy) but that’s not what this is about. So, the bros had every opportunity to do just that - make themselves these traditional heroes who aren’t actually really good role models, like batman or what have you. It’s certainly not uncommon for celebrity cartoons to do stuff like that. But Martin and Chris chose a different approach. They’re pretty strong standouts for positive masculinity. They’re openly affectionate - both with eachother as brothers, and with their friends. They cry, sometimes over little things - most of the time when big superheroes cry, it’s ‘cause they lost the girl they loved or their mentor or something like that, only in the big, most agonizing moments do they shed a tear. But here, Chris or Martin will cry just because they’ve had a bad day, or because they’re overwhelmed and overjoyed that someone named a mantis after them! In a lot of shows or movies when a guy cries over something little, it’s usually played for laughs, or to emasculate him, but here it’s casual without being unreasonable or overdone. The brothers cry just ad much, maybe even more (haven’t gone back and counted or anything) as the girls do. Not to mention, it’s a very nice depiction of a loving, healthy sibling relationship. As the youngest sibling myself, it’s refreshing to see a pair who don’t abuse eachother with noogies or cruel and snarky remarks. When they do fight, it’s never a screaming match, and also because they had a conflict of interest or disagreed over a fact, not because, say, one of them stole the other’s shirt or is neglecting the other’s feelings. Kids, being very impressionable, get exposed to a lot of abusive sibling relationships played as normal in media, and start thinking this is how siblings are and should act. For instance, my sister (who is now my best friend and has gotten over all these bad habits over time) when she was younger watched a lot of Kim Possible, a show that is great, but has a bad family dynamic with Kim and her little siblings. The “tweebs” as she calls them are always irresponsible, destructive, and making Kim annoyed to no end. My older brother was one of the most polite, reserved, kind little kids, but she still treated him like he was a brat and a nuisance, because that’s what shows like Kim Possible taught her little brothers were. Additionally, I was always treated like a spoiled crybaby who just wanted attention and got away with everything - I was not any of those things, ever, but that’s what shows teach you little sisters are. Sure, Wild Kratts has a smidge of that, with Chris seemingly being the stereotype of the know-it-all little sibling, but instead of being constantly looked town upon for being too “perfect” like with Hailey Long in American Dragon, Martin often praises his brother for his abilities. Sure, Martin gets annoyed when Chris tries to correct him on things, like in the episode Wolf Hawks, but everyone else does too, so it feels more like a take-down of mansplaining than a sibling spat.
I talked too in the feminist post about how refreshing it is that Chris and Martin more or less willingly put themselves under the authority of Koki and Aviva, two women of color. I don’t think it’s possible to say any one character is the “leader,” they all work as a evenly balanced team, but it’s safe to say that Koki and Aviva make the more responsible decisions. The bros try to get out of their calls a few times, but the show plays it more like they’re being irresponsible, and less like they’re renegade cool dudes who don’t take nothing from nobody, especially not two girls. They are pretty much always punished via karma for their reckless choices, most especially in To Touch a Hummingbird, where their arrogant attitudes blow up in their faces rather spectacularly. We also never see the narrative most present in sitcoms, where the male leads mess up and go out of their way to cover it up and ultimately gets away with it - after all, you have to root for them, right, because sure they messed up and had no consequences, but aren’t they just so lovable? No, here Martin and Chris always have to fix their wrongdoing, and it’s always deserved when they get comeuppance. Another aspect of the show I like is that, many times, when the bros get captured or are in peril, they are saved by the women - and most refreshing of all, there’s never a moment of “wink wink nudge nudge wow I can’t believe I had to be rescued by a GIRL” or even “wow you saved me you’re pretty good honey guess I shouldn’t have underestimated you, you go girl!” No, when the girls save them, it’s just - you know, relief? Because they were saved? It’s never a scenario played as an exception, or any more dire than when the bros need to rescue eachother. The bros are genuinely happy to have them as teammates. The show even did the standard “boys vs girls” episode in the form of When Fish Fly - but instead of being actually girls vs. boys, it’s engineers vs. adventurers. There’s nothing really gendered about it - the girls happen to be engineers, and the boys happen to be adventurers. And the episode doesn’t end with the boys being “wow gosh darn I shouldn’t have doubted you girls are better at everything,” it’s a mutual agreement that both parties have hard jobs. Basically, the bros are very naturally respectful of women. That plays more into their feminist narrative too, but either way, it’s refreshing.
Then, we have Jimmy! Jimmy, the lovable gamerboy pizza man. At first glance Jimmy seems like the stereotypical cowardly, pathetic, emasculated loser. He’s frightened of most things, as of yet has no power suit, and he BAKES for crying out loud! But none of these things are framed as terribly bad traits. Sure, we laugh when he screams and runs from an animal, but though it happens over and over, the crew doesn’t get sick of it. They don’t berate him or belittle him because he’s so gosh darn cowardly. There’s a great scene in Rattlesnake Crystal where Jimmy has to deliver something to the bros alone, in the middle of a spooky desert. He is terrified the whole time, sprinting off after he delivers the goods. When Martin and Chris run into him, they don’t laugh at him for being spooked, they just greet and then bid fair well to their friend. To them, this is just Jimmy, and there’s nothing wrong with it. Jimmy isn’t coddled, but he is reassured many times that he’s a valuable member of the team. I love that little message, that you’re just as important of a person even if you can’t do as much or have greater limits. When his friends do try to get him over his fears, it’s not because they have to, that the day will somehow be ruined by Jimmy’s incompetence p, but because they’re his friends, and want him to experience fun and wonderful things that he would otherwise miss out on. But what Jimmy CAN do is just as important! Jimmy is a gamer, which in a lot of shows, is portrayed as a lazy, useless, mindless hobby. But here, because he plays video games, it makes him essential for piloting the ship and teleporting important items. There’s always the joke that video games improves your hand/eye coordination, but recent studies have shown it has much better effects. It can make you much better at keeping track of multiple moving objects and processing technical but variable information- two traits which, fittingly enough, are really really important for air traffic controllers and airplane pilots! He also demonstrates a lot more courage behind the wheel of the Tortuga, which makes sense - in an impersonal setting, he would have more sense of calm and control and courage, because it’s so similar to a video game world. It’s not all too different with how I feel more emboldened to pick fights with people on the internet, but get crazy anxious if a real person so much as looks at me. So Jimmy’s love of video games isn’t because he’s irresponsible, it has real benefits. A quick last point - Jimmy also eats a lot, but they thankfully don’t make him fat or greedy or anything like that. He never takes food from people, he actually bakes, and shares it with others! Having the baker be a boy is a lovely touch.
I might do another post about the toxic masculinity of the two villains, (or four villains, I guess, if I wanna discuss the minions) but I’ve got other work to do, and this post is long enough already, so I’ll get around to it later. I’ll sum it up with this - Wild Kratts is a show that teaches boys it’s not only ok to be kind, but essential. The brothers protect defenseless animals, advocate for things “icky” and “weird,” like bugs or snakes or worms - not because they’re boys, and boys like icky things, but because they genuinely see the beauty in all life, and are encouraging us to slow down and do the same. The Wild Kratts are heroes who save the world not by being the strongest or smartest or coolest, but by looking after those who are exploited and vulnerable, who are essential to the world, even if they can’t always do everything. In Wild Kratts the only weaknesses a man can have isn’t what he can’t do, but what he does do that he shouldn’t have. Sure, it’s a cute show about two funny guys who have cool powers, but it’s also a show about accountability, compassion, respect and trust. The show says “boys will be boys” in all the right ways - Martin is a lovable goof with a heart of gold, but he still has to get his act together when he messes up, and he’s still creative and smart and openly sensitive. Chris is a bit of a know-it-all show-off, but he can also mess up as much as his brother, and is still bold, brave, adventurous, and can put his money where his mouth is. Jimmy is a cowardly, napping, eating machine video-gamer, but he’s still a valued member of the team, has incredible skills and talents, and will always help his friends, even if he is really, really scared. It is so important to have role models like these, in a world dominated by unhealthy machismo. The Wild Kratts are heroes who save the world - both animated, and real.
All they need now is a canon queer character, and I’ll stan them forever! My money’s on Aviva!!
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wildingrose · 3 years
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the introduction
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dark alley help part 4
part 3: his doll | part 5: diamond in the rough
word count: 1.8k
》 shower, overstimulation
- ✿ -
Your phone? Dead. And you couldn't care less to charge it. But you still did with Taeyong's charger laying around. Once rebooted, the screen lit up and were attacked by missed calls and screaming texts, all by your mother.
You huffed, knowing exactly what the reason would be. It was the first time that you were out all night without informing your family beforehand. It wasn't like you knew that was going to happen anyway. But more than you just being out all night, there was something else your mother was worried about.
Taeyong had went to take a shower first after placing a breakfast order for delivery while you waited on the bed. You chewed on your lip, thinking if it was better to just leave your mother hanging until you would show your face to her after leaving Taeyong's place.
Chucking your phone on the nightstand, you plopped down on the bed, arms sprawled and eyes closed. Your core was aching, not in need for more but from Taeyong's brutal attack just minutes prior. If you had to guess what he'd like to do all day, it would be him having to nonstop go in you and wouldn't stop until... no. He wouldn't even stop for anything.
Your ears focused on the distant sound of the shower running. After it turned off, you heard him shuffling into the room. The bed dipped as he crawled over you, and your eyes opened to see his eyes staring into you, dark wet strands falling over his head as he hovered over you, his body bare of anything except for a towel snugly wrapped around his hips. You cupped his face in your hands, caressing his smooth cheeks with your thumbs. "You're so much fun," you whispered.
Taeyong's eyes widened by a fraction, not expecting to hear that come out of anyone's mouth. "I am?"
You nodded and added, "On a whole nother level... unlike him."
Him? Taeyong thought but it didn't matter. You had already given your word to be his doll.
His hand reached for yours and to his satisfaction, there was no band on your ring finger. He brought your hand to his lips and placed a haste kiss on the back of it. "Go ahead. Take a shower before the food arrives."
In the bathroom, you observed the small surrounding, the shower was an old type that you had never used before. Taeyong walked in after with a spare towel and hung it on the rack. "Do you need anything else?" he asked.
Humming, you asked pointing to the shower, "How do I use this?"
"Mm, like this." He turned the knob around for temperature and then lifted a lever up to start the shower.
You played with your fingers anxiously, nervous about using the shower on your own. What if I messed up?
Taeyong noticed your fidgety form and hugged you from behind. His nose buried into your cheek when suggesting, "Do you want me to stay here, doll?" His hot breath dug into your skin and made you shiver.
"Yes please."
He watched you from the outside while you stepped into the tub. Your dress had to come off but you were feeling a little shy. It was easier to be naked in bed, occupied with sexual pleasures than having to stand bare with your mind on micro thoughts of insecurity. Taeyong merely stood, staring at your actions in silence and you slowly lifted your dress over your head, hearing a faint growl vibrate in the back of his throat as his eyes traveled up and down your beautiful form.
You repeated the same action of turning the shower on and felt the water too cold to your liking. Though Taeyong was enjoying your nipples hardening real quick. "Um can I get it a little hotter?" you asked timidly.
He licked his lips and leaned over, turning the knob. When the temperature was ideal, you took hold of the bar soap and lathered it along your arms. Taeyong was glad for once that he chose bar soaps over shower gels. Not only was it cheaper but also because from then on, he was going to enjoy running the bar over his skin that had explored over your body, especially when you lifted your breast to rub it under the skin there. He nearly creamed in his towel just from simply observing you clean yourself.
You grew nervous, debating whether you should use the bar to clean yourself down there. But one look over at Taeyong who had discarded his towel onto the floor and was stroking and rubbing his erect cock and pleasuring himself... you went for it.
Taeyong shuddered when he saw your pretty hand take the bar soap to your core and rubbed it there, making him groan hungrily as he eyed you with a predatory look. He could have picked up the pace along his length. He knew he was going to cum easily on his hand as long as his eyes were glued to your beauty. But he stopped as he didn't want to cum like that.
You dropped the soap when Taeyong barged in. His hand collected the falling water and roughly rubbed you clean of the foam. You whimpered from the quick movements, still aching from the overstimulation that Taeyong had given you recently. "P-please Tae... don't. It hurts," you whispered.
Dejected, he complied and had another idea. Once you were done with the shower, he wrapped you in the fresh towel and with his still laying on the tiles, he carried you bridal style to bed, placing you down carefully beside a neatly folded oversized shirt prepared for you.
Not so gently, Taeyong ripped the towel covering you, leaving you naked and pretty for him to pleasure himself on instead. Putting his weight on his forearms, he placed his crotch on your thigh and slowly dragged his cock along your skin, making you feel every inch of his hard erection. Your thigh burned with pleasure and a moan slipped itself out of your mouth. The sound fired him to roll his hips faster, all the hot rubbing exciting you greatly despite what your body was trying to tell you.
"Doll, I'm close. Let me cum inside you. Please," he pleaded. Taeyong needed to bury himself in you as he wasn't going to waste his seed when he had plans to knock you up.
You granted permission with your weak nod, thrilling him to shift in between your legs and rutted into you in one forceful move. You screamed from the pain, tears slipping from your shut eyes. He came inside you, not moving one bit so that he wouldn't have to hurt you more. To ease the discomfort, he distracted you by sucking on your nipple, his hot tongue circling around as you whimpered, your hand fisting in his wet hair.
Once he finished loading into you, he pulled out carefully. Taeyong stared with adoration in his sparkling eyes as they traveled down your entire body, your breast rising and falling when catching your breath. He picked up the folded shirt beside you and helped you sit up, putting the shirt over your head.
-
The two of you sat down at the table for the morning meal. It was quiet with the occasional sounds of spoon clinking against the plate. You placed a spoonful in your mouth and watched the man across. His eyes fixed to the dish, seeming lost in his thoughts. "Y/N?"
Your heart fluttered hearing your name fall from his lips for the first time. "Yeah?"
"Do you go to the library every night?"
Nodding, you explained why. "To getting away from reality. You know by reading books and diving into the fictional worlds. I just crave to feel something better than what my life gives me. Or more like my mom," you spoke the last part quietly.
Taeyong's brows creased. "Why your mom?"
Letting out a long sigh, you told him about your mother's constant nagging to look gorgeously feminine so that you could win the heart of the rich jerk to marry you off to. She refused you have a job as you would be living off your future-to-be's income and told you to simply worry about looking your best. Because of this, you never dared to dream of anything for an earning. "Good thing she at least let me finish high school," you deadpanned. "So that's why I go to the library at night."
Taeyong was silent for a moment, thinking through a particular set of words you spoke before diverting his mind. "Why night though? Don't you get scared all alone?"
You hummed. "Yeah I do. That's why I avoid taking shady routes."
His eyes narrowed on you with a playful glint. "But you took the alley."
You pursed your lips. "That's because I was hoping to find someone for... help...you know?"
Taeyong's lips curled up in amusement. "And how did you get yourself in that situation?"
You gulped. "I-I read some books. Erotic ones. I don't usually read them but I was feeling it and... well you know what happened," you chuckled sheepishly, embarrassed that you had gotten so turned on that you were desperate for help from a stranger.
He smirked, seeming proud of himself. "Good thing I was there to take care of you."
You smiled shyly and wondered about his life. "Taeyong?" you called for him softly.
"Hm?"
"What do you do?"
His spoon stilled by his lips and suddenly it was dead silent. You couldn't even tell if he was breathing or not. He slowly lowered his utensil and laid it down. "I..."
You waited patiently.
A sigh left his mouth before continuing, "...work as a construction worker."
You blinked. "Did you say construction worker? As in those people that build buildings?"
A hesitant nod. With the way you described your mother, he knew he was going to fall in the not acceptable category. His heart was pounding hard in his chest, worried that you would see him like that and never wish to see him again.
Your heartbeat sped up at the thought of Taeyong wearing his safety gear, sweaty and dirt covering his skin and clothes, his arms flexing muscles when carrying heavy items over his shoulder. And those very arms wrapped around you, or even better, those hardworking fingers plunging deep into you...
You nearly fell off your chair from swooning. "That sounds sexy."
He gaped at you incredulously. That was a response he had never heard in his life. "You think that's sexy?"
"Of course! You must be strong. Imagine having to brag to someone that they're standing inside a building that you built. That's so hot!" you gushed with bright eyes.
Taeyong chuckled and a warm smile formed on his face when seeing your animated self. He was pleased that you didn't see him like the way other people would when he'd mention his occupation.
What you thought about him was all that mattered.
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tag list: @cosmiclatte28 @mel-yjh​ @johnnysuhisnotmyproblem
let me know if want to be added/removed for this series
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atopfourthwall · 3 years
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Ive only recently gotten into classic Star Trek so I don't think I can properly answer but what is it specifically about Discovery and recent Star Trek that classic Trek fans hate?
Putting this behind a cut because... it's a lot.
Well, first of all a big rejection of it is just on an aesthetic level. Up until the 2009 movie (which was considered a reboot, even with time travel elements), Star Trek tried to treat the original series and how it was portrayed as pretty sacrosanct. Sure, they might occasionally make jokes about goofier aspects of it and discard some of the stupider stuff (like how in the final episode, penned by Gene Roddenberry himself, that women weren't allowed to Captain starships), but how TOS looked? That's how the 23rd century looked. Buttons and multi-colored outfits and boxy computers and smooth, undetailed ships WAS what was appropriate for the time. When Scotty came back in TNG, they had him on the holodeck and it was the TOS bridge. When DS9 traveled back in time to that era for an episode? They went onto the Enterprise and visited it. When in an Enterprise 2-parter we had a TOS-era ship? It looked like a TOS ship. They even did a 2-parter on Enterprise to explain why Klingons had smooth foreheads when later (and earlier) they didn't. Star Trek up until then cared about maintaining that continuity of appearance. But Discovery is set in the TOS era... but nothing looks like TOS. Even when we got the Enterprise and those uniforms and we saw inside the ship, it was an upgraded form. The only logic I've seen people try to argue about WHY it doesn't look like it actually did was "Well, audiences won't accept something as cheap as TOS being futuristic." Well, then you've got a few responses there: -Don't set in TOS era, then. -That's horseshit, because audiences from the 90s through the 2000s accepted it just fine. Even a piece of dialogue from DS9 explained it perfectly: "I LOVE 23rd century design." It LOOKS cheap, but it was just the aesthetics of the period. And the Enterprise 2-parter it still looked good in HD. Hell, arguably it looked BETTER in HD because they knew how to light it and create mood and its own unique flavor. -It's even more horseshit because people are STILL going back and watching it even today, as indicated by you saying you've started watching it, so clearly it's not that much of a barrier. But what's even more egregious is the TECHNOLOGY. You might be able to accept updated aesthetics if at least matches what was present during the period... and it doesn't. Holographic displays and communication (holodeck technology AT ALL, frankly - it's possible it was there, but TNG seemed pretty adamant that the holodecks were fairly new, very impressive technology), weapons not looking or acting like they traditionally did, Enterprise and Discovery having R2D2-style repair droids that certainly did not exist in TOS, the wrong sound effects being frequently employed, replicator technology for good-looking food instead of food dispensers that gave out marshmallows and cubes, and honestly the tech level shown in Discovery looks just as advanced - if not MORE advanced than seen on TNG 100 years later. And this is a minor thing, but despite the attempt to make the future LOOK futuristic, from a cultural perspective, the future looks... way too damn similar to now. The excessive swearing (it was said in particular in Star Trek 4 that while they certainly did cuss, it was less common and they sure as hell weren't dropping F-bombs), a party on Discovery that looked like a rave (when previously it seemed like the most popular music and culture of the 23rd/24th century was considered fairly high-brow entertainment [classical music, Shakespeare, great works of literature and plays, etc.] - and while you could certainly argue that that snootiness and love of that stuff is a problem with Star Trek and a sign of how sterile and homogenized it is, THAT is the future they presented and a character in Voyager loving some of the goofier parts of 20th century culture like jukeboxes and old sci-fi serials was considered unusual), and just the general way people talk betrays the idea that the writers aren't thinking about how society changes in the future. It's just the modern day, but with cooler technology. But hey, let's set aside the general aesthetics - some people aren't going to mind that and find
ways to handwave away a lot of stuff (even Discovery season 2 TRIED to handwave away stuff like the holographic communications, but did a piss-poor job of it). This brings us to the problem of the WRITING. And the problem with the writing is a big Michael Burnham-shaped indentation. To be clear, I don't mind Michael as a character or her actress - there are interesting aspects to her, centering a Star Trek show around the science officer is a neat idea (though that means you should probably NAME IT AFTER HER and not around the ship, because it suggests this is a standard ensemble group and not JUST her)... but the actual execution is that it feels like the entire universe bends over backwards for HER. She has a unique relationship with a beloved longtime character that is retconned in. She has unique relationships with several important characters to the point where the fate of billions of people hinges on her and the decisions she makes. She is presented as almost always correct about everything, and those that oppose her are often wrong, naïve, or active enemies. Now, this is less of an issue in the third season - but that has its own unique problems - but in the first season, the resolution of two major storylines (mirror universe and the Klingon war) revolves around her and her relationship to the Terran Emperor and Lorca. In season 2, her mother trying to help or save her is the basis of the ENTIRE friggin' plot with time travel and the like, with special knowledge and history having to do with her and everyone ready to abandon their lives for her so she won't be alone when she has to go to the future when arguably they barely know her (the timeline of the show is debatable). Season 3 has a few different problems with her - the first is that she keeps being involved in things that don't concern her (why is she going down to Trill?) and she keeps violating orders. Now, her violating orders is a problem throughout the entirety of Discovery - in fact, it's kind of the instigating factor OF the series. And arguably, other Star Trek characters are guilty of that and they face no consequences, just as she faces none... and yet it's the brazenness with which it happens, and in those other series it's arguable because the series tries to avoid excessive continuity changes for its episodic nature, so the status quo MUST return to normal... but Discovery is pivoted as one of MAJOR continuity, so her lack of consequences (and indeed eventual PROMOTION) is baffling to the point of frustration. Now again, let me be clear here - she is not a bad character in and of herself. Honestly what it shows is that being the science officer on a starship is not where her talents lie. She should be in a position where she has a lot more freedom to act and not in a major command structure... but being in that command structure, what we see in season 3 is that she lacks the discipline, emotional maturity, responsibility, leadership qualities, and general other traits necessary to be a Captain. Only once during season 3 did she display such a quality - putting the safety of the Federation above a friend and colleague... but other times she will happily disobey orders and put herself and others in harm's way, creating potential new problems. Now, again, Star Trek is rife with characters doing that... but usually not the Captains. And, in fact, when this happened once on DS9 with one officer disobeying orders and putting their own personal feelings above the greater responsibility, it was made VERY clear that the incident would mean that they would never be able to command a starship because of the unofficial reprimand. What's even more frustrating about her is that the character is ALWAYS shoved to the forefront so much to the point where we just get sick of her. SHE is the one giving log entries (usually pretty piss-poor ones, at that - very flowery and nonsensical and kind of dumb) and not the Captain. SHE is the one given so much focus and how the plot of the episode affects her. Barely anyone else gets any focus episodes - I STILL can't
remember the names of some of the secondary characters because they're so rarely said, and a PTSD-related plotline in season 3 for one of the secondary characters basically gets resolved OFF-SCREEN. Michael would be fine if we actually had a chance to miss her... but we never do. Arguably one of the best episodes of the show is in season 2, when it focuses on Saru and his people because Michael DOES take a back seat. It's his story and his development and problems relating to him and his people. And even if, again, we forgave the idea of so much focus on her even in plots that aren't about her... she never seems to really change that much. She'll TALK about how she's changed, but I see no real difference in the way she acts (MAYBE season 1 to 2, where in season 1 she was stiffer and more Vulcan-like, but that's it). But hey, let's assume that's not a problem for you - you really, REALLY like Michael and are fine with so much focus on her. Simply put, the writing of the rest of the show... is just kind of dumb. The ship is powered by magic mushrooms that let it teleport everywhere because the universe has super fungus capillaries throughout it that nobody can see and also it's magic and can resurrect the dead. The time travel plot of season 2 doesn't make any sense when you sit down and diagram it. Well-established Trek lore is just kind of sprinkled in, but now in ways that doesn't match what it was before or at least in ways that completely recolor how it's supposed to work, because it needs to serve THIS plot. Everyone remembering a murdererous monster fondly after she leaves because "Hey, she was coooool." The explanation for the big mystery in season 3 is just fricking stupid and one of the two big reasons why I've finally given up on Discovery, because it's just so absurd, doesn't match how anything works, and just feels like the writers giving the middle finger to the audience because they care more about "YOU MUST FEEEEEEL THINGS!" instead of it making sense. And indeed, there is certainly a balance to be made of plot vs. emotion-driven storytelling - some stories are dumb, but are forgivable because the character writing and emotion are so strong that they override how goofy the plot is... but sometimes a plot is just so dumb it overrides anything I'm SUPPOSED to feel. And it would help if I already liked the show, already gave it some benefit of the doubt... but I don't and it hasn't done enough to impress me. A little thing that's a problem with ALL of current modern Trek shows is that whole sprinkling lore thing - I don't think a single episode goes by in ANY current modern Trek series that doesn't have a random reference to classic Trek lore. A name, a line of dialogue, etc. It comes across like the creators don't trust you to enjoy it on its own merits, but want you to like it because "Hey, remember thing? We know about thing! Like us because we mentioned thing!" But hey, I recognize that these are things that other people may not have any problem with or just disagree in general. But for me and my family, these are the big ones that keep us from enjoying it. Hell, my brother and dad still watch it for hatewatching purposes, but I was done after season 3. I gave it plenty of chances to impress me, and while each season MARGINALLY got better as it went along, I'm tired of waiting to actually like it and to stop feeling like it thinks I'm a fucking idiot. If other people still like it, great - it clearly appeals to them in a way that it doesn't appeal to me and they are free to enjoy it. Other people probably have their own issues, but this long, rambly bit is the major stuff for me.
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yami-kada · 3 years
Text
Mission 2
Recently I read a fanfic on AO3 called Interlude - Class 1-A by @itslivybear and was inspired a bit to write a fic based on that! Well really I got inspiration for a single line (you'll know it when you see it) and then had to write a whole thing to be able to share that one line, but oh well. This is my first time writing a chatfic or even any BNHA content at all, so I hope it doesn't suck! Thanks to @shadesofflame for being an awesome beta!
(Quick FYI in this AU M*neta and Bakugou are replaced with Shinsou and Monoma, sorry for any confusion. Also a name guide can be found at the bottom.)
RockSolid: Um, so.
RockSolid: Remember the missions during the Sports Festival?
PurpleGrape: Oh hell yeah.
PurpleGrape: Still cherish the look on that bastard's face.
Spoderman: jehxgjc Kiri I got it on video!!!
JazzHands: You've had video of the capture of the bounty this whole time and never showed us???
LSD: I thought we were friends Sero!
Spoderman: omg no not that I totally would have shared earlier if i did
Spoderman: im talking about That.
RockSolid: no Sero don't tell them!
RockSolid: it's embarrassing!
PikaCHU: Tell us, tell us!
NYOOM: Kaminari-kun! If Kirishima-kun wishes to keep his privacy, then it is our duty as his classmates to respect that!
Spoderman: ok but consider: he already gave them a major hint and they are about to POUNCE
BreadIsPain: As a witness as well, I must say that Kirishima was si attirant que j'ai failli m'évanouir~*
RockSolid: thanks, I think?
MOMo: To paraphrase Aoyama, he is essentially saying you were very manly, Kirishima!
RockSolid: aw thanks bro!! Don't believe you but thanks!
Spoderman: you take that lack of confidence back I have evidence right here that says you are super fucking manly!
LSD: ok please now we have to know so that we can show Kiri how great he is!!!
MOMo: I must admit that the commentary seen thus far has me rather curious as well.
RockSolid: You guys…
RockSolid: alright then, I'll tell you!
Spoderman: sweet ill pull it up!
RockSolid: bro don't you dare! my story, I get to tell it!
Spoderman: oh yeah of course bro!!
Spoderman: but if after you wanna show it then i am READY.
JazzHands: This is very sweet and all but I am very thirsty for this TEA.
RockSolid: on it!
Kirby: Kiri you've been typing for so long that I'm getting Izuku vibes here.
GreenGrape: Hey!
RockSolid: sorry! this is harder than I thought!
Spoderman: want me to start it off?
RockSolid: you know what, sure.
Spoderman: aight so,
Spoderman: Council, what qualifies as capturing the bounty?
GreenGrape: Guys no the bounty is over please no more bounty-hunting Kacchan.
MOMo: Your objection is noted and overruled, Izuku.
MOMo: For your question, Sero, I do not believe we ever set specific limitations on what qualified, but I was under the impression that it was limited to the Sports Festival. Why do you ask?
Spoderman: just double checking
Spoderman: because my bro here just totally shot both missions out of the park!!!
LSD: gaSP!!!
JazzHands: bOTH?!
RockSolid: no not both!! we have no confirmation for either, technically!
Kirby: Technically? What do you mean by that?
RockSolid: ahhhh ok so Sero and I were eating lunch in the courtyard because it was nice out, right?!
RockSolid: and we were chillin, being bros, birds were singing, all was good.
RockSolid: and then we heard a small explosion before the bounty walked in at the other end of the courtyard and started kicking at the wall.
PikaCHU: omg so angy.
RockSolid: and like fine, we can tune him out, just try to act like he's not there, you know?
RockSolid: But then he started yelling at random people in the courtyard, just acting pissed as hell.
PikaCHU: oMG so ANGY.
RockSolid: and that's just not manly at all, you know? going off on people like that just because you're in a bad mood.
GreenGrape: Yeah… that's Kacchan for you.
RockSolid: so he's making his way around the courtyard now, like everyone needs their daily dose of asshole for him to be happy, and the closer he got the more annoyed I got.
Spoderman: here it comes!
RockSolid: and eventually I get up, because I have had just about enough, and walk right up to him.
RockSolid: he doesn't see me coming, because he was too busy yelling at some girl, and I get right up behind him.
RockSolid: and then I just called out to get his attention, and spun him to face me while making sure I end up between him and the girl.
RockSolid: and well I told him off a little bit and got him to back off then left in a hurry.
RockSolid: and that's it!
Spoderman: oh no you don't
BreadIsPain: Oui! Monsieur Kirishima, you must tell the climax with just as much zest as the build-up!
Spoderman: what he said! no skipping out on the best part!
RockSolid: but!!!
Jacked: No buts, mister. We're all way too invested now for you to back down.
RockSolid: :(
RockSolid: fine! you win!
RockSolid: so uh when I got his attention, I also got my hand onto his shoulder, and used his surprise to knock his feet a bit off balance and pulled him back, but then I ended up with him in my arms and could tell he was about to start yelling so I just…
RockSolid: you know…
RockSolid: flirted?
LSD: oh my GoD this is great!!!
PikaCHU: Hell yeah Kiri! Go get yourself a manz!
RockSolid: I'm not getting a man! He's probably going to kill me the next time he sees me!
Spoderman: i dunno, it took him a good long while to reboot after what you said there
Spoderman: you might have a shot
PurpleGrape: Well if you're not going to get a man out of this, mind telling us what you said so I can bait him next time he tries to be an ass?
RockSolid: uhhh…
RockSolid: I'm nervous.
BreadIsPain: If you will allow me, I shall finish your tale off dazzlingly!
RockSolid: Thanks Aoyama.
BreadIsPain: Bien entendu!
BreadIsPain: While holding him in his arms tightly in a dip, faces inches apart, Monsieur Kirishima leaned impossibly closer to emphasize his point.
RockSolid: oh god I regret everything.
LSD: Hush, it's getting good!
BreadIsPain: With a growl to his voice and his eyes burning above a smirk, he said "You know, you're damn cute when you're angry, but you'd be downright sexy if you shut the fuck up." Then he straightened up to fling the lost soul to the side, and saunter off like the devil was guarding his back, leaving the bounty terribly confused in his wake.
PurpleGrape: Whoa.
PikaCHU: Holy shit?!
RockSolid: what is that description?!?!?!
JazzHands: Kiri that was PERFECT oh my god?!
LSD: It's ART is what it is!
Spoderman: don't forget how red the guy was! Kiri was cool as a cucumber but the other guy couldn't stop blushing after seeing his face!!!
MOMo pinned a message
RockSolid: Yaomomo!!!
MOMo: My apologies, Kirishima, but I felt it only right to ensure easy access to your most manly moment.
LSD: Yeah Kiri! Then one day we can all look back on this and celebrate how everything started!!
RockSolid: How what started???
LSD: E v e r y t h i n g
RockSolid: @Spoderman bro hide me I’m scared.
Spoderman: hey guys, wanna see a GREAT video?
Spoderman: the stars are our main man, Kiri, and the bounty!
PikaCHU: hell yeah!!!
Jacked: Lay it on me.
PurpleGrape: Sure.
JazzHands: Do you really have to ask????
RockSolid: but I already told you what happened!
RockSolid: why do you want to see me being so embarrassing?
PikaCHU: bro we all appreciate you so much of course we want to see you being manly!
LSD: Just from what you all said there is no way you don’t look great in that vid, Kiri!
PikaCHU: gotta give support where support is due!!
PurpleGrape: They’ll all bully Sero into showing them one way or another anyways, might as well give in now.
RockSolid: but...
BreadIsPain: Nous devons vous montrer à quel point vous brillez et dissiper ces pensées douteuses!**
MOMo: I could not have said it better myself, Aoyama!
RockSolid: I don’t even know what he said though?!?!?!?!?!?!
Spoderman: Kiri.
Spoderman: Bro.
Jacked: Well shoot he’s using proper grammar and everything.
Spoderman: Rude.
Spoderman: Anyways Bro.
RockSolid: yeah?
Spoderman: You are epic. This video shows you being epic. And putting an asshole in their place.
Spoderman: You have nothing to be ashamed of, and every reason to be proud. So please let me show the video so that everyone can appreciate you like you deserve bro.
RockSolid: bro…
Spoderman: Bro.
RockSolid: bro -
Spoderman: Bro?
RockSolid: bro!
Spoderman: aight everyone down to the common room its up on the big screen
Spoderman: i have popcorn too
Jacked: Not even gonna question that.
LSD: Finally!!!
JazzHands: Yuss!!!
BreadIsPain: Je vais regarder avec enthousiasme!***
MOMo: As will all of us I’m sure, Aoyama!
RockSolid: Thanks guys!
RockSolid: Now get down here and watch me maybe get a man!
Translations:
*so attractive that I almost swooned.
**We must show you how much you shine, and dispel those self-doubting thoughts!
***I shall excitedly watch!
Guide to names:
GreenGrape - Izuku
PurpleGrape - Hitoshi
CopyCat - Monoma Neito
MOMo - Yaoyorozu Momo
datBoi - Asui Tsuyu
JazzHands - Hagakure Toru
NYOOM - Iida Tenya
SnowWhite - Kouda Kouji
LifeIsPain - Tokoyami Fumikage
BreadIsPain - Aoyama Yuga
Kirby - Uraraka Ochaco
LSD - Ashido Mina
PikaCHU - Kaminari Denki
RockSolid - Kirishima Eijiro
RipHarambe - Ojiro Mashirao
IcyHot - Todoroki Shoto
MuffinMan - Sato Rikido
Octodad - Shouji Mezou
Jacked - Jirou Kyoka
Spoderman - Sero Hanta
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tiptapricot · 3 years
Text
I’ve been having a lot of Evil Robo BnT thoughts recently, so here’s a bunch of them! This ended up pretty long just as a forwarning djjdjd
Post DeNomolos, Evil BnT are forced to do a lot of self exploration and discovery
They’re two robots from the far future, stuck in the past with each other and the two humongously important historical figures they were not only sent back to kill, but also physically made to look and sound exactly like, with no way back to their own time and no further reason to carry out the mission they were created for
It’s a lot to adjust to
(Three uses of the f-slur near the end in a canon compliant/reclaimed usage context, and implied sexual content, but extremely mild)
It still doesn’t have much of an impact on them at first though, besides some anger and annoyance. They don’t feel emotions in the same way or to the same depth that humans do, so they kind of fall back on: this sucks and that guy was a dick, guess we have to live in the stupid past now, and that’s the extent of it
But they’re also AIs, and AIs learn and grow
They hide out in a cheap apartment for the first few months or so back, going out to steal money to pay for rent and to pick up movies and stuff, but it’s exposure to the world, it’s living. And the more they interact with people, the more media they consume, the more the rigid walls of their programming break down and expand
And that’s when things start getting complicated
Because that’s when things like morals, sense of self, purpose in life, and, to their horror, real emotions start coming into play
Their evil edges start corroding, things stop being as straightforward, and they start developing into their own complex people
Being Bill and Ted with a few glorified descriptors stuck on the front starts feeling… weird, especially when they inevitably end up running into them again and being around them more
Because they’re supposed to be Bill and Ted, but they aren’t, and yet they can’t completely deny the parts of themselves that are….. it’s frustrating
As a first step in both asserting and exploring their individuality, they choose their own names
Evil Bill chooses Willis, or Will for short, and Evil Ted goes with Theoneous, Theo for short
It’s different enough to feel like their own thing, while still appeasing the ingrained itch to take BnT’s place
There are gaps like that, a disconnect/mental dissonance between their consciousnesses and the knowledge that they’re robots, circuitboards and wires and code, like a separation between what they feel is them and what they feel is the robot
That’s an experience that continues as they grow, especially as they try and figure out what to do with their lives. It’s tough sometimes, to figure out where the programming ends and where their own wants and drives begin
They’re the only ones familiar enough with future tech to help each other when they experience technical issues or need repairs, and the only ones they feel comfortable being that physically vulnerable with
It leads to them being kind of codependent, but it’s warranted in a lot of ways
They also naturally stick closer to each other, because even though they grow to have emotions and are able to care about people, they aren’t totally mushy
They don’t get as upset about things, or as excited, and while they form their own kind of love for the people they end up caring about (without admitting it), they’re still never able to connect with humans in the same way they connect with each other
It’s this inherent wall, a difference in how they experience the world
Their forms of affection are machine based, just like how humans are human based. They’ll give each other cold packs when it’s hot or they’ve been moving a lot, they’ll do evening maintenance on each other, chatting while one of them has their hand in the other’s chest cavity, and they jump on each other or bang their shoulders together super hard, because they can’t feel a thing and they’re durable enough for it, and that’s fun to them
That doesn’t really carry over to human interaction though, and a lot of times they end up coming across as cold or mean
They generally have a rougher seeming relationship than most humans. There’s a lot of teasing and insults and slapping, which turns most people off from them, but that’s how they show they’re comfortable (it’s also how they show they don’t like people, but there’s a subtle and meaningful difference there, AKA that they won’t purposefully try to harm the former party)
Robots process sound differently too, for them it’s more of a physical experience than just listening
Will’s guilty pleasure is that he likes to listen to piano (secretly), especially Debussy and other classical that sounds similar. Something about it makes his circuitry feel good and fuzzy and calms him down
He doesn’t feel comfortable telling Theo about it, it still feels like a dumb pussweed thing to be into (plus it continues to make him have some most non metal thoughts about kissing and That’s DEFINITELY not something he can share)
They also both really like death metal. Though they were loosely programmed with the knowledge of BnT’s music taste, it’s not quite their style, and they lean towards the more intense stuff
They do that in most fields though, since it usually takes higher energy stuff to get them going/excited/into something
That’s why they roughhouse a lot, and mess things up, and drive recklessly, it forces their mechanics to process more things more quickly, and as a result gives them their own form of dopamine/adrenaline
Sometimes things backfire, they’ve fucked themselves up accidentally on more then one occasion when stuff goes too far or isn’t what they expect, but they’re always there to patch each other up
When their synth skin gets ripped or torn they don’t always bother to repair it, and underneath there’s a layer of see through hard plastic and their bodies look like those clear case electronics that were popular in the 90s (idea cred to @juiceboxfrog !)
They also have inspector gadget-like telescoping stretch arms at their wrist and ankle joints, but they don’t use those much because they’re unsettling to most humans. Definitely a leg up when they want to climb places the shouldn’t, though (idea cred to @showbiz-za !)
Theo is more prone to needing fix ups than Will, since the extra wiring that was installed for the time and space spanning camera DeNomolos gave him made him more susceptible to short circuiting, over heating, and other glitches
After awhile he just takes his left eye out and leaves it like that, keeping his hair in his face to cover it. It doesn’t do anything for the internal parts of it he still has, but it’s not like it’s a loss. The connection port kept sparking, and it was uncomfortable and kept fucking with his vision, so it wasn’t worth it
Plus he didn’t really like that it used to be a camera… or still could be
One of the things Will and Theo both have to get used to is actually valuing their own privacy and autonomy
When DeNomolos was around they were just his tools, tools that he didn’t even like
They honestly grow to resent him pretty fast, both with his treatment of them, and, when their emotions are especially out of control, his creation of them
They don’t talk about it much, or when they do it’s mainly anger, not addressing or showing the more raw parts they do feel, because that’s still foreign to them, and their circuits weren’t designed to process or understand more complex stuff
Complex stuff like how being around Ted more makes Theo develop a certain… insecurity
It’s not like the connections are hard to make: he looks like Ted, he sounds like Ted, he was meant to be Ted, Ted has a dickweed of a dad, and Theo had a dickweed of a creator, Ted has Bill and Theo has Will
But Theo doesn’t have Deacon
And while he doesn’t want to be exactly like Ted, part of him also does (it was made to). Part of him wants to be human, to have those natural connections and someone to watch over
But he doesn’t and it’s weird*
He tries to ignore it, chalks it up to his drive still attempting to put him on his original track of replacing Ted, and therefore making him more aware of the family roles Ted has
For all he knows that is what it is, he’s just a robot after all
Even though they aren’t really ones for mushy love, Will and Theo do love each other
You can’t not when you know the other person inside and out, literally
They joke a lot about that when they’re doing repairs (“Dude you’re holding my heart, pretty faggy of you.”), and though they laugh, there’s an unspoken intimacy to it, something that sits warm in their wires and goes beyond platonic; something (though they would never describe it as such) loving about getting to take care of each other, and getting to get taken care of
The jokes also stop being jokes after awhile and take on a charge, morphing into unofficial flirting
Eventually that charge sparks, and their relationship becomes a different kind of physical. That’s new, too, a type of exploration neither of them are familiar with, but it’s nice, it’s good, and it’s easier to write off as casual and not meaningful than anything else (for the record I do think this works/plays out different for them than it does for humans, but I will nOt get into that here or anywhere lmao)
That arrangement doesn’t last forever, though, because one night Theo has a bad malfunction that cause him to completely power down, and it sends Will into a panic
It takes him almost an hour to fix the problem and for Theo to reboot, and when he comes back Will can’t stop touching him and checking in and it’s weird
“Why are you so worked up dude, this’s happened plenty of times.”
“Yeah I know you just… you fritzed out and went limp and it freaked me out dude.”
“So? You know this is nothing to worry about. I don’t get why you’re kinda acting like such a pussweed dude.”
“I didn’t know what was wrong! That’s plenty of reason to be fucking worried!”
“Not for you! Not for us! Why the hell do you care so much this time?”
“Because I love you, asshole!”
And then there’s silence, and staring, and then Theo cracks a smile
“Heh, fag.”
Kissing after a confession, as it turns out, makes both of them short circuit, and they wake up three days later still tangled up on top of each other, half falling off the apartment couch
“Y’know… I think we’re both fags now dude,” Will whispers, and they chuckle in the space between their mouths. “I did it first though.”
*he does get this later with Billie and Thea, but that’s a whole separate post
(As one last thing wanted to add that Love Came Along by Pansy Division perfectly encapsulates the vibes of Will n Theo’s relationship to me, AKA something casual and almost humorous while still being super intimate and emotional, so def check it out if you’re ok with suuuuper explicitly sexual lyrics bfgjgfdfg)
Headcanons masterpost
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canary3d-obsessed · 3 years
Text
Restless Rewatch: The Untamed Episode 17 second part
(Masterpost) (Previous Post) (Pinboard)
Warning: Spoilers for All 50 Episodes!!
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Breaking Good
Wen Qing comes to visit Wen Ning in their backyard meth lab, and tells him that he fucked up a recipe, merely by taking a whiff of the concoction. She uses the approved "wave fumes toward self" way of smelling that you learn in high school science if you live in a country that believes in teaching science, which OP does not.
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Wen Ning wants to know if they are going to have a feud, and she tells him there already is one. She tells explains to him that they're good Wens, not evil Wens, and that Jiang Cheng is fucked, and they should send the Jiangs away in the morning before Wen Chao comes around. 
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Wen Ning whines at her about all of this, shifting into little-brother persona and acting like he didn't just take down 40 of Wen Chao's soldiers in a single night. He does this same persona shifting in his later unlife, with Wei Wuxian. When there is trouble, he's extremely effective, and can even tail WWX and Lan Wangji without getting caught, but then he is hopeless when dealing with turnips or children. 
Here, it seems like a version of Wei Wuxian's own little-brother persona, in which he pretends to be helpless so that his sister can take care of him.
#studyblr
Wei Wuxian comes into Wen Qing's head shop to ask her for medical books. He loves his brother so much he's volunteering for a research project. We've seen him be clever before; we've seen circumstantial evidence that he's a good student, but now we're going to see him actually buckling down and doing intellectual work.
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Wen Qing thinks its hopeless and wants Wei Wuxian to get some rest. But he gives her puppydog eyes, so she sets him up in her library.
Wei Wuxian reads a huge pile of medical books and learns interesting things about the human body.   
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(more after the cut)
Hopefully he does not splotch ink all over them while he holds this wet brush directly over the page. Why does he even have a brush in his hand? Is he taking notes in the margin? 
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Wen Qing eventually tells him to take a break and go see Jiang Yanli.
Segmentation fault (core dumped)
Jiang Yanli is tending to Jiang Cheng, gently telling him to suck it up by citing their father, which is probably not the greatest idea. 
Yanli's wearing dark blue with white and looks awesome.  It's not Gusu Lan blue, but the blue and white is an interesting choice for the excruciating heart to heart they're about to have.  
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Wei Wuxian shows up looking terrible, or the Xiao Zhan version of terrible, i.e. handsome and a little scruffy. But also worn out, unhappy, and fragile.
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Jiang Yanli wants him to rest, but he wants to find a way to repair Jiang Cheng's core, and his mind races, trying to think of where he can get books and who can help him. His thoughts instantly go to Cloud Recesses and Lan Wangji. His face lights up at the thought that Lan Wangji will help him, and he hops up, ready to dash off and find him.
The first time I watched this I was like, dude yes you’re in love, but you can’t just dash off to find Lan Wangji, not when there’s a war on.  This time I was like, actually wow things would turn out a whole lot better if you got Lan Wangji to help you, instead of coming up with your own plan.
Mother Mother Can You Tell Me
Jiang Yanli tells him to slow his roll.  He's pushing himself too hard and she's afraid he will collapse. Then Wei Wuxian comes out and says what's driving him: maybe all these disasters are his fault.
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It's telling, I think, that he cites Madame Yu, not Jiang Cheng, in this moment, even though Jiang Cheng has blamed him much more thoroughly and consistently. He's talking about one mother figure, to another mother figure, and looking for absolution.
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He super does not get what he's looking for.
Jiang Yanli slowly lets go of him and goes the fuck off. She asks, rhetorically, what he's to blame for, and then lists off all of the shit that's happened.  She finishes up by saying, look at our situation; blaming won't help anything. 
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It's unclear, because language/translation, if her answer is "it doesn't matter who's to blame" I.E. "yes, it's your fault, but I'm letting it go" or if she is saying "how does blaming yourself help anything?" I.E. "it's not your fault, stop being a drama llama."
Her body language, though, seems pretty blameful - she lets go of him, yells at him, sits down and turns away from him.  And his reaction is not one of shared grief, or of someone who is trying to get over himself; he's totally crushed, and he literally never unburdens himself to her again.  Even when he asks her, much later, about love, he immediately backs out of the conversation. 
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There is no violence in this moment and her reaction is understandable, but this is kind of similar to that one time when his brother choked him in a beautiful field of grass, in order to make himself feel better. 
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Then she kind of relents and takes his hand, telling him that she needs him and reminding him that he promised that they will go back to Lotus Pier. I don't remember him promising this, but okay. 
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He puts his head on her lap and he cries, she cries, comatose Jiang Cheng cries; FUCK this episode.  
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Jiang Cheng manages to cry only one tear and does it on the side of his face that his siblings can't see because he's not going to give them the satisfaction of sharing this moment with him, I guess.
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When Wei Wuxian puts his head on Jiang Yanli's lap, it's part of a ritual for them, that they both are comforted by; he does it again much later, after they return to Lotus Pier. But this ritual does not actually do anything to relieve his burdens. As a male adult, and the only Jiang Clan disciple with any abilities, it falls to him to save the clan, whatever it takes, and he is heavily aware of it.
Wen Qing comes along and sees the sweet part of this complicated Shijie-Shidi dynamic, and decides to help with Wei Wuxian's research project. When the trio had just lost their parents, gotten sick, been pursued by enemies, & had one of Yanli's little brothers horribly wounded, Wen Qing was like, eh, I'll do the doctor stuff but that's it. But lap-crying is another level. 
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Wen Qing: Nooo don't put your head on her knees I failed my saving throw
Group Project
Wen Qing goes and cleans up the mess in the library, putting everything in order and settling in to read systematically. Wen Qing probably has the prettiest bullet journal. (OP looks proudly at the 100 loose slips of paper and piles of random stuff on her own desk)
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Wei Wuxian has shaved and rested and comes in with a tray of food for Wen Qing, and then goes to his table in the back to start working. He claims he made "porridge" for her and that she has to eat to gain strength, and she gives him an intrigued expression.  This moment is just blatant het baiting.  
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In fact the food he brings her is clearly not porridge, which might just be a translation error, but also he totally can't cook, so it's not clear if he's joking and Yanli or Wen Ning made the food, or if this is just inedible.
The Things We Do For Love
Yanli is working in the meth lab and coughing a lot. Yanli's chronic illness is a sign of what's to come for Wei Wuxian, because strong cultivators don't get sick. Yet Yanli, as a physically vulnerable person, who has either a weak golden core, or none, is still intrinsically valuable.  Her presence in this scene is a reminder that Jiang Cheng's life is not, actually, over; he just feels like it is.
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While Yanli cooks the meth, Wei Wuxian and Wen Qing have a study montage that is the equivalent of a training montage, except without "Eye of the Tiger" on the soundtrack.
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Jiang Cheng remains unconscious. Apparently if you stick nails in the top of someone's head, you make them sleep, and in the back of their head, you turn them into part of your zombie army. Fortunately Wen Qing's aim is good. Jiang Cheng is looking devastatingly handsome as usual the TV version of unwell, and has grown a perfect Dorito-chip of stubble on his chin to go with his new 'stache.
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Eventually Wei Wuxian changes back into his non-vampire robe and he finds the answer in an old scroll book. The Ikea instruction picture shows arrows going from the guy on the left to the guy on the right.  Clearly it's not a great procedure for the guy on the left.
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Wei Wuxian's face shows us exactly how not great. 
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Like walking in the rain and the snow and there’s no place to go and you’re feeling like a part of you is dying
He goes outside and gazes up at the trees and the sky as he contemplates the sacrifice that circumstance is forcing on him. He's not even making a choice at this point; his choice was made the moment he found the procedure. But it's going to be a tremendous loss for him. He values sword cultivation at least as much as Jiang Cheng does; he even fell in love with a boy over crossed swords. So he sits and just kind of comes to terms with this new understanding of his future. (Big gifs here)
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Wen Qing finds him sitting, stunned, on the porch. She doesn't know what's up so she just sits quietly with him until he's ready to tell her.
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She doesn't love the plan.  
Thunder, Th-th-thunder
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Wen Ning is bringing food up when he sees them arguing, and he is startled by situationally appropriate thunder and lightning. Having recently watched The Lost Tomb Reboot I've come to expect thunder and lighting to appear on cue in any possible situation, so the fact that this mini-storm clears right up again doesn't bother me.
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What About You?
Wen Ning dashes inside to see what Mom and Dad are fighting about. They're having a polite shouting match because Wen Qing refuses to yank out Wei Wuxian's core. 
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Wen Qing: I hate the idea of harming you Wei Wuxian: I don’t even understand that sentence
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Wei Wuxian doesn’t, of course, feel that he is important in any way, and ignores her concerned and appalled expressions in favor of telling her to just do it anyway. Amazingly, this does not convince her. 
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OP’s 177cm-tall son keeps telling her this
Then Wei Wuxian plays the "you know Jiang Cheng" card, which...I guess she does? Maybe he was chatting her up more than we saw in Cloud Recesses? He hasn't given her the comb or anything yet. Wei Wuxian explains that Jiang Cheng cares about gain and loss, and cultivation is his life. If he can only be ordinary the rest of his life will be ruined.
Wen Qing asks the question that nobody ever asks him: What about you? 
Wei Wuxian has literally nothing to say to that, possibly because the question is so new to him. 
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Wen Ning doesn't know what's going on but comes squarely in on team Wei, of course, and begs his sister to Do The Thing.  How fucking horrified is Wen Ning going to be when he learns what The Thing is? What he is personally going to help do to his beloved friend? Yikes.   
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Wen Qing caves, warning them that the chance of success is only 50 percent. Wei Wuxian is happy to take those odds.
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Lan Wangji, projecting his voice from Episode 46: fifty percent, are you fucking kidding me?
Soundtrack: 1. Mother Mother by Tracy Bonham 2. The Things We Do For Love by 10cc 3. Thunder by Imagine Dragons
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house-of-cakes · 3 years
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Jamais Vu 
Masterlist || Series Masterlist 
Prev || Next
Chapter 17:  Gimme! Gimme! Gimme
Jungkook x Reader: enemy to lovers AU
Word count: 2164
Warnings: Swearing and mentions of slight bullying
Premise: “There’s an opposite to déjà vu. They call it jamais vu. It’s when you meet the same people or visit places, again and again, but each time is the first. Everybody is always a stranger… Nothing is ever familiar” – Chuck Palahniuk, Choke
AKA Jungkook goes in search of the girl who got him expelled.
I feel so bad posting late that I wrote a bonus chapter 😅 the extra chapter will be out this weekend.
If you would like to give feedback or be tagged in this story please send me an ask/message 😊
Tagged list: @inspinkyring @betysotelo18 @kardia-apo-marmelada @casspirit0705 @preciouschimine @therealsugababe  @lucedelsole97 @deolly @lexy9716  @thesweetest-peas @sannsia​
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Bright flashing lights…catchy retro theme songs…the loud cheers of victory from teenage boys and girls defeating their opponents – these were the ingredients that made up Y/N’s favourite place in the world. While Namjoon found comfort on the stage, she felt most at home under the glowing neon lights of Reload.
A few years ago, Y/N had found the arcade a by chance after she had “run away” from home. She had just had an argument with her mother about her appearance and after countless moments of nagging and insults she had finally snapped and left home without permission…it was her first act of rebellion.  
Y/N’s mother was fixated on looks and how a “lady” should behave and present themselves. She always claimed that Y/N she be focusing on her physical imagine instead of having her face hidden behind a computer screen. It killed her mother that her youngest child spent all of her free time working in a place she deemed to be so juvenile. Y/N knew this for a fact and if she was being honest it only added to the appeal of working there. The job didn’t pay much nonetheless she loved it just as much as she did the Magic Shop.
A young boy runs through the arcade and finds Y/N sat on top of an air hockey table (a privilege that only she was allowed). Her attention is focused on her phone, trying to keep tabs on her best friends who are working a job without her. It was not very often that she could not attend an appointment however her elderly boss had caught a cold and there was no one else to cover the busy Friday night shift.
“Noona.” The soft whimper of the young boy catches her attention. “What’s wrong, buddy?” She jumps off the table and kneels so that she is eye level with the child “A-an older-r b-boy…” his words are choppy as his small body shakes with sobs “Stole my game.” “That wasn’t very nice of him. Can you point him out so Noona can have a chat with him.” The little boy continues to whimper but with some comforting words of reassurance and 5 free game tokens, she is able to convince him to point in the direction of the most popular first-person shooter game towards the back of the arcade.
“Thank buddy, that was very brave of you. I promise you in 10 minutes the game will be free for you to play.” She wipes the last of his tears and ruffles his hair for good measure “Come find me soon, ok?” The boy sniffling boy nods as Y/N quickly makes her way to the other side of the room.
At the game Y/N stands off to the side of the machine and pauses to analyse the teenage boy and his skill. The teen would get easily flustered each time a surge of villains would rush after his character and he would frequently let out a string of cuss words whenever he missed his mark, he was an amateur and it showed.
Suddenly his life bar at the top right of he screen started flashing, indicating that his game would soon end if he was not careful with his energy. This must have been enough motivation for him to focus better because his kill streak went from 3 to 9 in almost an instance.  A wicked plan formed in Y/N’s head as she he went in for the last shot of the level.
“Hey!” she called out to him causing him to flinch and miss his target. This caused a fatal error as the enemy on screen took the opportunity to shoot his character right in the face. The teen let out a sound of frustration as the screen read ‘Game Over’ in giant letters and request more tokens to continue. Y/N waited for him to insert the coins before making her presence known in front of him.
“You stupid bitch! You made me lose my game.” He grumbled and lift his gun to continue playing. Y/N reached over to the power point behind the game and switched it off.
“Get the fuck out of my arcade.” She spat and point towards the exit “Reload has a strict no bullying policy so don’t think for a second you’re getting a refund on those tokens.” The teen didn’t bother arguing, he has realised his mistake when he figured out who she was and walked away looking rather embarrassed he had been called out in front of everyone on a busy Friday night. He was sure his class mates would all be talking about it come Monday morning.
The screen of the machine flickered back to life as Y/N switched the power back on, she waited to make sure that the unexpected reboot did not affect the game. The download bar reached the end of the bar and loaded the high score screen. She read over the listed and frowned when she got to a name that had been annoying her lately – Nochu.
This Nochu person had climb two positions high on the leader board since the last time she had checked this game and the achievement displeased her. That name was popping up on the leader boards of many games recently and while she did not feel her abilities were being threatened, she was annoyed that she could not put a face to this person.
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Hours later back at the Kim residence, the two cousins enjoy the cooling weather on their porch as Jin attempts to tune his guitar by ear.
“The Basement wasn’t closed tonight.” Jungkook states when he scrolls through his Instagram feed and comes across a new post by the club “I never said it was.” Jin pays no attention to his cousin, instead he fiddles with the knobs at the head of guitar and plucks at a string once he believes he’s tightened the key enough. The sound rings out and the pitch is too high. “So why did we go to Reload instead?” Jin repeats the process with the chord again, the pitch is closer to where its supposed to be however the sound is still off. “None of the guys had a battle or a performance tonight.” He explained as he plucked at the string again and again, trying to pin point why it sounded wrong “And Y/N had to work, so we decided to hang with her instead.” “So we went for Y/N?” Jungkook tone was accusatory “No one forced you to tag along.” Jin fired back, he had stopped trying to tune the guitar to face him “She’s always supports the guys at the Basement, sometimes we repay the favour by making an appearance there to help drum up business.” Jungkook scoffed “You told me Reload was popular because she attracts people with her skills…if that’s the case why would she need you guys?” “She doesn’t need us at all.” Jin moved his guitar from his lap and lent it against his seat. He was frustrated with it and this conversation was adding to the stress.  “That’s the thing about having a good relationship with people…you do things to support them, even when they don’t ask.” “Oh yeah? If she’s so good why is she only ranked second on all the high scores.” Jin rolled his eyes at his cousin, he was being petty again and completely missed the point he was trying to make. “Mr S.K?” Jungkook nodded in confirmation.
Jungkook was becoming a regular at Reload and it was evident to him that Mr S.K was clearly the real champion of the joint. The guy had dominated every game of the arcade by holding highest score and while Y/N’s name always sat below his, her score was always miles away from meeting his. To Jungkook this was clearly another instance of Y/N receiving praise and adoration where it was not merited… it was Mr S.K who deserved to celebrated and yet it was Y/N who stole his popularity. If he had to come up with an explanation as to how this occurred, he would bet all his money it was because Y/N was considered to be “beautiful”.
“Mr S.K has held the top for as long as anyone can remember. There’s no mystery to who he is…He’s obviously the owner of the arcade.”  Jin windshield wiper boomed out and filled the stillness of the night as his cousin’s face fell. 
Jungkook pondered on the last few weeks, there was so much background information he didn’t know and for some reason his brain chose to fill in the gaps by somehow hating on Y/N.
His thoughts were interrupted by the sound of a car blaring loud music as it sped up and down the street.
“What the fuck is going?!” Jungkook exclaimed as he stood from his seat and made his way to the top of the porch stairs to get a better look at car. “Ah my Angel is home!” Jin jumped up and went to stand next to Jungkook. “Does she always carry on like this? She drives like a dipshit.” “Nah, that’s not even her driving. You see a while back she got caught at the illegal races, her parents made her sell her car as punishment... She must have gotten into a fight with her mother, this is how she always gets back her.”  
The car finally stopped doing laps down the street and pulled up into Y/N’s drive away. The pair watched as Y/N jumped out of the passenger side of the car and wave to the driver as they pulled away from the house. She was still unaware that she was being watched by them
“Hey Brat!” Jin called out, capturing her attention “Didn’t your mother ever tell you not take rides from strangers?”
Jungkook’s breathe hitched at the thought of Y/N allowing herself to be in a car with a stranger, especially someone who drove like a lunatic. He didn’t catch a glimpse of the driver but surely, she wasn’t reckless enough to put herself in such a dangerous situation…was she?
“She did, that’s what make’s it all the better.” Y/N bantered on smugly, Jungkook couldn’t figure out if she was joking or not. “Well it’s past your bed time young lady, you march right on inside and get right to bed.”  Y/N let out a sound of fake indignation and clutch her hand to her check overdramatically. “To think I raced all the way here with a surprise and this is how you treat me? You really are such a punk!” “A surprise?!” Jin’s eyebrows shot up in excitement, the façade dropped immediately. Everyone knew she gave the best surprises. “Gimme! Gimme! Gimme!” he demanded and waved her over to them. Y/N laughed at his eagerness and rummaged through her bag as she closed the distance between them.
“Sorry I didn’t have time to wrap it.” She purposely handed him a grey game cartridge face down so there was some kind of element of surprise to the gift. His eyes widen comically when he turned it over and read the title of the game. “Y/N…is this…??” For the first time in Jungkook’s life he had seen his loud mouth cousin speechless. “Yah! Don’t make a big deal of it.” She tried to brush it off “Consider it an extremely late birthday gift.” “Not a big deal? This is the original Super Mario Bros 3! I played this game every day as a kid then this idiot blew it up somehow.” He nodded his head in Jungkook’s direction who rolled his eyes in response.
The incident happened years ago and he still hadn’t heard the end of it, he pretended like it didn’t bother him but deep down he felt so bad for accidentally destroying something his cousin held so dear to him.
“I’ve been trying to find it ever since! This must have cost you a fortune.” “Like I said…it’s no big deal. I was cleaning out storage at work and found it packed away, we never got round to fixing game console for it so the boss-man was nice enough to let me have it.”
That was a bold-faced lie.
Y/N had known about the sentimental significance this game had to Jin and went in search for it many months before his birthday. She only managed to get the game after she traded a set of mint condition baseball cards, she had acquired as collateral when a client fell through their end of a deal.
“Y/NIEEE this is why you’re my angel! Thank you so much.” He pulled her towards him and wrapped her up in a big bear hug. Jungkook felt out of place as he watched Y/N shriek and attempt to struggle out of his grip as he showered her with love…he could help but feel jealous of the fact that she could fix a mistake that he had made so long ago.
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flamingredanon · 3 years
Note
Rewired wall right scene for you
Right sitting on top of the roof of the wall taking in the sight of the ocean in the distance. Enjoying his break knowing that his dad will join him soon. Catching sight of a flock of geese in the distance. That will be difficult to fly through he should probably tell-
"There you are! Why do I have to find you every time we plan to have lunch?" His dad's voice interrupts his train of thought and his mind blanks for a moment.
"Sorry, didn't mean to make you worry dad. Just wanted to look at the water."
His father looks at him for a moment before kneeling in front of him and placing a hand on his shoulder. Worry, so much worry, fill his dad's eyes. He watches confused as his dad hesitates for a moment before speaking.
"Right do you need to see Dr. V?"
"What? No, dad my cybernetics are fine. I don't need to see her."
"You've been spacing out more often and I keep finding you up high....it's worrisome."
He wants to tell his dad he's fine. That there nothing to worry about. That he thinks he might be remembering things. That he's so close to recalling whatever he's forgotten. But another look into his father's eyes and that desire fades away. Just vanishes.
Like it was delet-
"Alright dad. But only so Dr. V can tell you herself that I'm fine."
"Of course, of course. Thank you for humoring me. I only worry out of love you know." His arm goes around Right's shoulder leading him to the staircase.
"I know dad."
Right was alone with Dr V while Dmitri waited out in the hallway. He couldn't lose his son now, not after just getting him back. Dmitri just trusted that Dr V could get to the bottom of whatever had Right spacing out.
Dr V was attaching various wires in various parts of Right's cybernetic half of his head. To Right it was almost like a strange tickling feeling with every wire plugged up. Dr V loaded up several computers and then started talking to Right. "Your father tells me you have been... spacing out some? Especially around higher elevated places looking out into the ocean."
Right chuckled abit before answering "I don't know why but I recently started liking looking at the ocean from afar, watch the birds fly by and..." Right was hesitant in telling Dr V that he felt like he was starting to remember what he had forgotten. Dr V only gave a curious hum as she started typing on her keyboard.
"Don't worry Right" Dr V looked up at Right before going back to typing "It is only a simple problem with your cybernetics. Just give me a few minutes." Right gave Dr V a thumbs up before that strange spacing out feeling hit Right again.
"If you won't tell me about The Wall, we have other ways of making you talk. Sven, bring me the pliers."
Right felt his hand twitching at the feeling of remembering, Dr V gave Right a concerned looked as Right felt him remembering something else.
"The Toppat Clan always gets what they want. Talk or I'll get the chainsaw out again, making sure to take care of that other leg..."
Right's heart rate jumped and he was starting to breath faster. He heard Dr V say something about hanging on, that she almost solved the problem, but Right blanked out to another returning memory.
"What is the matter Right, all you had to do was talk, to spill your Wall's secrets. But you didn't, and because of that, you have no use to me or my clan. Enjoy your icy tomb, bastard."
Right had the feeling of falling hit him, feeling like he would never land.
And then a jolt snaps Right's attention back to reality. Dr V was knelt down next to Right, trying to get his attention "Right? Right, can you tell me how you are feeling?". Right blinked a few times before replying "Tired but good."
Dr V stood up and asked Right to tell her exactly what came to him when he thought of the ocean. Right answered "I feel strangely nervous about the ocean and being way high up, almost like I would be snatched up and tortured again by that Toppat man with the moustache."
Dr V placed an hand on his shoulders before replying "Don't worry, after a few more minutes, you won't ever remember those awful memories ever again. And remember, you are safe now, you and I are safe from the Toppat's evil clutches. Your father worked so hard to save you for a reason, you know."
"I know doctor, dad loves me very much, even if he can be a worry wart at times. But... I understand why, having your son kidnapped and tortured for years would make any parent extra worried." Right looked at his metal arm as he spoke to Dr V.
The doctor turned around and went back to her many keyboards, typing on it as Right felt himself getting drowsier and drowsier. "Don't freak out, I'm basically rebooting your cybernetics. You'll be right as rain when you wake up." Right only sleepily nodded, the bright purple of his cybernetics dimming as he drifted off to sleep.
---
Dr V let Dmitri know that she had to erase some unconscious memories of Right being a Toppat that was resurfacing and replace them with some... unpleasant fake memories of the clan. It wasn't a big problem to handle of course and Dr V installed some preventive measures so that he wouldn't remember anymore about his ten years of being a Toppat.
Dmitri practically put Dr V in a bear hug before quickly regaining his composure and setting her down. This was all for Right's own good, even if he didn't know it.
Dmitri wasn't going to loose his son again.
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watch-talk-fixate · 3 years
Text
The Humility of Family and Being a Hero: A Darkwing Duck and Drake Mallard Analysis.
Special thanks to @stoopakoopa @mighty-ant @drakepad because they inspired me.
Ducktales 2017. A show that a lot of people saw a simple cash grab and the exploitation of nostalgia of 80s and 90s kids alike. But it was a true surprise. A show of adventure and family and exploring yourself in the family name. This show brought so many characters from the golden age of Disney Channel called “The Disney Afternoon Era” with faces from shows like: Gizmoduck, Talespin, Goof Troop and Darkwing Duck. 
The whole concept of Darkwing Duck is quite silly really. A parody of Batman, superhero tropes and even James Bond but with a duck in the suburbs of the fictional city of Saint Canard living with his boyfriend sidekick Launchpad and his adopted daughter Gosalyn. As someone who watched the show in reruns back in the day and recently rewatched it on Disney Plus, I didn’t think I would have appreciated this show as much as I thought I would. Dry and witty humor that caught me off guard and it truly doesn’t seem as dated as other shows from those times. 
But I’m here to talk about Drake Mallard and what it means to be a superhero and a parent. 
(For the sake of the analysis, I will be referring to Drake Mallard from the Ducktales 2017 reboot as “Drake Mallard!17” and the Drake Mallard from the OG Darkwing Duck show as “Drake Mallard!91”.)
Ducktales 2017 for a long time was alluring to bringing Darkwing Duck into the universe of the show. Many fans didn't know how this was possible until a certain episode that was the rise of another superhero and Darkwing Duck’s long time rival: Gizmoduck (now voiced by the guy who wrote a Broadway musical that won many awards-- Bring It On the Musical. I’m kidding. Lin Manuel Miranda). In the episode ‘The BUDDY System’ we are shown what looks like a fight scene between Darkwing Duck and his villains, MegaVolt and QuackerJack. But then it’s abruptly cut when it’s revealed to be a video. An episode. Launchpad explains to Dewey (the blue duck nephew of Donald Duck) that Darkwing Duck is his favorite TV show’ meaning that Darkwing Duck is a TV show in the Ducktales 2017 universe. A show inside a show. 
Weird, right? 
But what does this have to do with being a superhero and a parent and how family humbles you? Well, in the OG Darkwing Duck show the character of Drake Mallard is shown to be a late-20s to early-40s nobody in his two-parter episode debut-- “Darkly Dawns the Duck”-- who spends his days locked inside an abandoned bridge tower and out fighting small-time crime at night as a purple masked weirdo. And I say this in the kindest way ever but Drake Mallard!91 is an asshole. It’s later revealed in the show that he wanted to be a superhero not because he wanted to protect the people in his city -- that is a parody of Batman’s Gotham -- but because he wanted the praise and attention of being a hero. He’s a hero for a selfish reason. 
But how is it possible to have an asshole for a main character that lasted 91 episodes? Drake Mallard!91 has a child. It isn’t his biological daughter really but she is his daughter. In his two-parter episode his first real ‘save’ is the granddaughter of a scientist that was murdered by the mafia and now they are after the granddaughter because she has the code for a machine that they are going to use to rob banks and release mayhem across the world. Darkwing Duck!91 goes to save her and they start to have a bond that makes my daddy issues burst into tears. 
Hiding her in his secret hide-out, she isn’t comfortable and Gosalyn needs to sleep so as a way to calm her down he sings her dead grandfather’s lullaby to her. I won’t reveal the rest of the episode or the “plot twist”(?) because I think it’s a cute episode. But here we see that Drake Mallard!91 does have the ability to care about others that isn’t himself or his reputation. 
At the end of the episode, he goes out of his way to adopt Gosalyn and officially makes her his daughter. Throughout the series, you see that Drake Mallard!91 bonds with Gosalyn. Taking her to school, talking to her about emotional things, and doing everything in his power to protect her from the harm that comes with him being a superhero. But in one of my favorite episodes “Toys R Czar”, Drake Mallard!91 has come to the conclusion that he can’t both be a hero and great parent after one of Gosalyn’s teachers points out that she has been causing a lot of issues at school. He blames himself for not being a good parent, reading parenting books and following them to the letter. Cleaning, baking cookies and even being the director for a play where he made Gosalyn the star. 
He gives up being Darkwing Duck. He gives up the one thing that he worked so hard and was so proud of. Drake Mallard!91 put his ego aside to be a good parent and was ready to throw away his cape and pick up an actual job to raise Gosalyn. He did the toughest thing about being a hero, a figure of salvation: having a family. 
I think that the reason that I enjoyed the OG Darkwing Duck a lot despite me being a bitch to the pain character’s ego and pride was that yes, he would probably be a terrible parent but he has Gosalyn and Launchpad to guide him. He has them to ground him and not let his ego overrun him into believing he’s such a big-shot hero because he stops supervillains with only a gas gun, smoke bombs and a purple mask. His family makes him human-- despite him being a duck. 
Now moving onto Ducktales 2017. In the episode ‘The BUDDY System’ when Launchpad is telling Dewey about Darkwing Duck being his favorite TV show and growing up on it he mentions an actor’s name: Jim Starling. 
Jim Starling plays Darkwing Duck. Remember that. 
(Fun Fact: the actor who voices the OG Darkwing Duck/Drake Mallard!91 does the voice of Jim Starling.) 
In my favorite and comfort episode “The Duck Knight Rises” we are shown that Jim Starling has suffered the same fate of Bo Jack Horseman: a washed out actor from the 80s/90s that is living on the steam of his former success. Jim is no longer as popular as he was back in the day, making money off of signing autographs and openings of less-than-desirable stores. It isn’t until Dewey mentions the fact that there is a Darkwing Duck Movie ready to release that we see Jim Starling happy and ready to jump back into the role. 
The Role of a Hero. 
We discover that Scrooge McDuck is the one producing the movie and after watching the trailer both Launchpad and Jim Starling agree that this isn’t faithful to the character. Yet Jim doesn’t really care, he wants to be back into the light and have the attention and adoration of an actor. Of being a hero. How very of Drake Mallard!91 of him. 
The director of the Duck Knight Rises movie tells Jim that he isn’t playing Darkwing Duck. A younger actor is. Outraged, he attacks the actor and is kicked out alongside Launchpad. Jim Starling believes that he is owed this role. That this role only belongs to him and no one else in the world. Roping Launchpad into his plan, here we see that Jim Starling never truly let go of his past when he slips on his old Darkwing Duck costume to play hero again. 
It is Launchpad that begins to question him when Jim starts to ramble about revenge, Launchpad still looking at his old idol with nostalgia tinted glasses and goes along with the plan. 
Here is where the analysis begins to pick up again. When LP sneaks into the actor’s trailer and immediately panics, locking himself, the Actor comes to his rescue. After some light fighting we see that the Actor is a big fan of the Darkwing Duck; possibly bigger than LP himself. LP does have a connection with the show but it seems that he Actor here takes it up more personally. That his whole ideologies and all of his morals came from a silly little show from his childhood and is the reason he is the way he is today. This whole movie is his big shot and a dream come true. 
Immediately after this, we see Jim Starling running around and knocking people out. Actually hurting people just to get back into the role he’s clinging on to. Paralleling the Actor’s acceptance of the role and Jim ready to draw blood because he can’t let go. 
Finally, we see the Actor and Jim Starling have a “sane” interaction. That it’s a huge honor to be here with him, says the Actor. That he wants to play the role of Darkwing Duck with Jim’s blessing. That they can do this together. 
But Jim wants this for his own. All for himself. 
After knocking the Actor out, we see a glimpse of how gone he is. How attention thirsty he is and that he will literally stop at nothing to get back on screen. 
The whole climatic fight of the episode is the Actor putting on his new Darkwing Duck costume and heading off face first into danger to save people as Jim Starling just snaps. The new confronts the old. With the trademark, goofy Darkwing Duck openings of I am the terror that flaps in the night but more modern. 
As they fight, it’s LP that finally gets to Jim with him telling him how much Darkwing Duck means to him and what it means to be a hero like him. As a power beam prop is ready to fall on top of LP, Jim does what a hero is supposed to do. Sacrifice. By pushing his biggest fan out of the way, he completes the role he has been yearning to play. 
They don’t find the body. (Yes this is a kids show). But here is where we learn that the Actor’s name is Drake Mallard. 
Drake Mallard!17. 
Launchpad is the one that convinces Drake Mallard!17 to be the true Darkwing Duck. For Jim. 
Jim Starling is what the OG Darkwing Duck was. Egotistical, wanting fame and attention, having all of the qualities that would make anyone doubt that he is truly a hero. The thing is that if Jim Starling only played Darkwing Duck, not Drake Mallard (because in this universe he is a real person), then it means that he didn’t have a Launchpad or a Gosalyn to ground him. Jim Starlings is what happens when a hero is isolated and is only a hero and not a person. 
Drake Mallard!17 is a person who becomes a hero while Jim Starling is an actor who pretended to be a hero. Jim was stuck in his own vanity, not having anyone truly reminding him that he isn't’ the roles he plays; that he isn’t Darkwing Duck. 
Drake Mallard is Darkwing Duck.
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carmenxjulia · 3 years
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I put together a transcript of the 2 hour Q&A Interview the Carmen Sandiego Discord did with Showrunner Duane Capizzi. All of the questions were submitted by server members. You can read everything below the break!
Duane Capizzi:
Hi there!
Am I in? Is this thing on?
PizzaHorse:
Hi, welcome!
Yep, you're in the right place!
Duane Capizzi:
Sorry I'm late, I was wandering around some empty Discord hallways looking for the right room haha
PizzaHorse:
No worries. Let's get started!
Who is your favorite character?
Duane Capizzi:
Moose Boy!
KIDDING!
Alright, how to NOT get myself in trouble if my answer isn't "Carmen" haha.
But really, they are ALL my babies.
So I know it's going to sound like a cop out to some that I can't pick just one. But hmm, some for instances...
I love that she's so morally evolved at such a young age; her ability to always take the high road and never lower herself; her drive and conviction and dedication. Her ability to kick serious booty and look good while doing it. Her progressive values, her fashion sense. I could go on and on. But then there's Shadowsan and his arc; Chase and his. Julia, who's every bit as strong as Carmen but shows it in different ways. The Cleaners don't get enough love.
I'll close that question with an anecdote about The Cleaners ...
I love that all our characters are embraced and that everyone seems to have favorites. Our sound engineer Marcel is a pretty serious guy: he has a serious job that takes high levels of focus and attention. He's always deeply focused and not prone to small talk. Anyway, we were in the middle of our first or second sound mix, and he suddenly stops in the middle and turns around to face us. I'm thinking, "uh oh, we're giving too many notes." That's when I notice he's freeze framed the Cleaners. He says "I really like these guys." Then he turns around, hits play and gets back to work.
PizzaHorse:
What was the biggest challenge for coming up with new stories and plot for the reboot?
Duane Capizzi:
THE biggest? Sigh. I'm not sure I could come up with just one. Plotting is always challenging and we had the brain trust of the room, our trusty white board, and writer assistant to keep the threads of the ongoing storyline together. I think the single biggest ONGOING challenge was tracking which character knew what at any given time.
The caper part was challenging - coming up with new capers and keeping them interesting and fresh. But, it was the characters and their interactions that kept things fresh and interesting. Another museum heist? That's okay - Chase is on the case and he gets to interact with "X" this time (for instance).
There were also some episodes - Duke of Vermeer and Crackle Goes Kiwi come to mind - where there was SO MUCH SET UP needed to get the payoffs to work. I was really worried about too much talk/too much detail. Very "Swiss watch!" It took a lot of work to make sure it all clicked and was clear - hopefully it seems effortless on screen but I can't say there wasn't some sweat and the occasional tear (mostly from me - I'm a big cry baby
But really, what made it fun was that we had so many buckets to draw from: sometimes a story germ initially began with a character idea; sometimes it was inspired by global location; sometimes it was a clever way to update or reimagine an idea from old Carmen lore. Usually, it was some combination of all of the above!
PizzaHorse:
What was your favorite scene to write?
Duane Capizzi:
I think we have a theme here! "How can I pick just one ...?"
As a film buff, I got to indulge in some serious fan nerdery on this show: I got to write spy movies, yakuza movies, spaghetti neo-westerns (though turning it on its head: spaghetti westerns usually involve REVENGE and because of Carmen's character make up, this was sort of anti-revenge).
Is writing coming up with the idea or typing it? Haha. An "if a tree falls in the forest" question. The writing team and I had so many cathartic "that's how it goes" in the room. But on my own, writing the Pilot, was a very inspiring time for me: I remember laughing out loud the moment I thought of Chase falling on his own car (in part because of doing my spin on "that trope" that we've seen in so many hard boiled movies recently). But also how emotional I got when I imagined the simple but potent image of Black Sheep deciding to take her destiny into her own hands and walk that long corridor to the Faculty who we were about to meet for the first time.
I think I've cited this in another interview, but there was a period where I was completely immersed in Chase's arc and the scene where he would crack the location of VILE island ... by listening to Julia in a dream ... was a big one for me. It revealed he was finally open to admitting he needed Julia more than he would ever admit - yet, it was his own subconscious speaking.
The next morning, after cracking that scene, I bumped into Raf Petardi (voice of Chase) ... at the supermarket! It was very strange and hilarious
PizzaHorse:
Did you scrap any lengthy or funny scenes that you would be able to share?
Duane Capizzi:
With few exceptions, most scene cuts are done at the script stage so that the story board team doesn't waste effort over boarding. A variety of trims to any script are common, but they are usually for the better
The easier question to answer might be scenes were part of our "wish list" at writer room stage, but never made it to story or script. I hesitate to go too deep here (in the event that we might ever do more Carmen episodes in this canon - I'm not giving up hope). And there were cases where things we wanted to do earlier in the series wound up getting nixed or not fitting for whatever reason, but we got them in later - USUALLY FOR THE BETTER. So there's sort of a reverse Murphy's Law/rule of good fortune somehow in these things. But some fun things that didn't make it into the show, that leap to mind were: a Bollywood dance sequence (!). A Vegas caper involving Brunt wanting to steal an Elvis jumpsuit against the backdrop of an Elvis impersonator convention. We also thought it would be neat to get Maelstrom imprisoned so that Julia could interrogate him and he would play mind games with her - very Lector/Clarice!
PizzaHorse:
Were there any different treatments of Carmen you pitched before settling on the one we ended up with?
Duane Capizzi:
I was one of several "pitches" that I'm sure HMH heard before running with my version. But I can honestly say I've never pitched anything as fully formed: the take on Carmen felt so right to me, and clearly HMH and by extension Netflix agreed
I'll answer your question with an anecdote: I had the entire Pilot pretty well worked out, and pitched it in the first meeting. But one key thing that changed (much for the better!), simply because it wouldn't have fit without slogging things down ...
In my Pilot pitch, Black Sheep's escape on the boat was off screen: we see Shadowsan corner her, then we cut away. The rest of the Faculty show up to find SS's broken sword on the rocks, and are led to believe BS killed him (!). In the present, Crackle points his weapon at Carmen and prepares to pull the trigger. We know that Chase is on the way and may rescue her. The compartment door opens to reveal - not Chase - but Shadowsan! Big surprise! Then we cut back to BS's escape and find out what really transpired etc etc.
Crazy, right? SS would have been hanging out with the gang in season 1; we might not have gotten to 203 with his back story, since his sword was broken and he couldn't return it. Just one of those magical things where "things work out" the way they are supposed to. THAT SAID, it made for a heckuva pitch
PizzaHorse:
Are there any characters that ended up taking a direction you didn't initially anticipate?
Duane Capizzi:
GRAY.
I didn't know we'd make him amnesiac when I wrote the Pilot, that was something we came up with in our first week Writer Room.
And even then, when it became clear he'd be a key piece of the bigger puzzle, we didn't know how exactly (mostly the Season 4 stuff).
We did get very deep with a version where 404 ended with his protective streak for Carmen kicking into high gear, and they would be fighting off Vile Guards back to back in perfect tandem. Then, having chosen Carmen over VILE, it was Carmen who actually orchestrates Gray going "off grid" so that VILE can never find him again. Funny, I know that is arguably the version of Gray's arc that many fans might have preferred seeing. But in the tradition of spy thrillers and film noir, and for a lone wolf character like Carmen who is focused on her life mission and not romance, we stand behind where we went with him. We felt it was so much more compelling ... and truly more emotional that he totally has a get out of jail free card when he sacrifices everything (including his life, potentially) to save Carmen.
when she needs him most!
I know I made some controversial comments about Gray "not being good enough for Carmen" and I'd like to clarify that I meant, until that final episode. What he did was so selfless and heroic. Is there hope for them in the future? Who knows?! But I do hope we get to explore that one day
I'm sure Gray is living off the grid somewhere now, inspired by Carmen's selfless good and thinking of her from time to time.
PizzaHorse:
You mentioned in the interview with Alicyn that Carmen is a love story, but you were cut off before you could finish discussing. Could you elaborate on your answer now?
Duane Capizzi:
Ugh, yes! Sorry about that. I actually answered that privately for someone so will cut and paste that response here. Let's see if it works.
Something we never said in the show, but something I imparted to the creative team was: Carmen Sandiego is (among other things) a LOVE STORY, where every character in our ensemble is in love with Carmen in one way or another. Even if they don't know it! That love can take different forms: we see how spurned by Carmen Coach Brunt feels and why she retaliates so excessively. Chase eventually comes to realize that he too loves Carmen, even if he wasn't initially aware of it haha. One of the most moving things to me about the series is how all of the different factions come to Carmen's rescue at the end when she's not "in her right mind," without knowing the others are there too. It's a massive group effort to bring back the Carmen they love. But we weren't looking for a fairy tale ending for Carmen with ANYone - Carmen's a classic lone wolf anti-hero, that goes with the territory. At least at this stage in her journey.
PizzaHorse:
Were there other locations that you wanted to feature in the show that didn't make it?
Duane Capizzi:
I think we managed to cover a lot of ground and "cadence" between different countries/cultures/continents was important to us. Many "iconic" locations of course, and it would have been nice to explore some lesser known locations if we had more episodes.
One that we almost did was Niagara Falls, Canada - actually literally going to the Falls and doing a big hydro-electric caper, where Player could actually get into the field with Carmen and the team.
But ultimately, we wound up bringing Player into the fold the way we did and wound up stronger as a result. It made his "first face to face" with Carmen even more impactful, IMO.
PizzaHorse:
Were there any changes in production between the first half and the second half of the series?
Duane Capizzi:
Well, there was that Covid thing
But while it was no doubt a colossal undertaking to get the entire staff transitioned to work from home (animators! and their equipment!), we managed to make up for lost time WITHOUT a dip in animation quality. My fedora's off to our amazing team at Wildbrain for pulling it off!
We did lose some staff between orders, but that is a natural part of production unfortunately. Namely, one of our episodic directors Kenny Park, our first storyboard artist Dennis Crawford, and our story editor May Chan were among those who moved on to other shows during the break. But, as hard as their shoes were to fill, fill them we did!
PizzaHorse:
What is your favorite season?
Duane Capizzi:
Easy. Hands down, Season 3.
(crickets)
KIDDING!
Again, another "they're all my babies" answer (and yes, I love Season 3 equally
It's hard, because really when you step back I'm sure you'll agree it's a series, with stand alone capers; but it's really all ONE BIG MOVIE.
Season 3 is like the scherzo of a symphony: the shortest movement of four, and the one that tees up the big finale.
That's my hoity toity answer but I'm going to put to rest all of the various theories on what happened with season 3. It was a combination of two things: Netflix's desire to experiment with different ways of "dropping" seasons, and their desire to do a holiday themed drop (in this case Halloween, naturally). It became our challenge to come up with a theme (easy enough: masks), and the bigger challenge to serve their need while not interrupting our ongoing narrative. A challenge to be sure, but a challenge met. I think the biggest bump was perception: it was a short season and I know that was disappointing to many. But, by design.
So, Season 3 = an essential part of the whole. I don't think there's a wasted episode, and it gets everyone into position for the big finish. I can't pick a favorite season - you can't make me
PizzaHorse:
Were there any characters you had wanted to give more time to but couldn't due to time/plot restraints?
Duane Capizzi:
Well, there's the "what was on the white board" answer but hopefully some of those ideas will see the light of day in some way, shape or form some day. I think if we had more episodes, we would have shaken up the internal dynamic of VILE a bit more (as hinted at Brunt's displeasure with Maelstrom for leaving her hanging out to dry at end of 405 - a seed we planted "just in case," as some have noted). And we had more scenes in mind with Chase's partnering with Carmen for the first time that we had to cut to the bone because of what little room we had in that otherwise packed episode (worry not: it's mostly more gags, more embellishment, more twists and turns - but the important stuff is there). Mostly, and I don't think it would have been right for Season 4 but I hope to tell in the future, I think there's an interesting history between Shadowsan and Lady Dokuso - possibly tragic - that I would love to explore one day. (She was a cameo in Duke of Vermeer at the dinner party BTW, I'm not sure if anyone noticed. And we built a bigger role for her out of that)
PizzaHorse:
What are some pre-2000/nostalgic Carmen references you snuck into the show? Do you have a favorite reference that was included?
Duane Capizzi:
Doing that was so much fun! I'd say roughly 60% of the characters were from previous iterations of Carmen, though often in name only. We had fun reimagining most everyone to make them more relevant or updated or giving them a more colorful personality for starters.
"Suhara" was Carmen's Japanese mentor when she worked at the ACME Agency in a flashback episode in the 90's series, for instance. I don't think I need to spell out how we turned that one inside out
And Tigress was also one episode only: she was a "rival thief" to Carmen, but revealed to be an ACME agent in disguise - a persona created solely to bait Carmen. It was really cool of course, but it seemed like untapped potential so we made her an ACTUAL Vile Thief.
My own internal rule was to make sure the references/easter eggs wouldn't confuse anyone - they were there for those who were in the loop and window dressing. The one and only time i broke that rule was Dark Carmen's line from 407: "I do it for the mental gymnastics." It was one of the most absurd lines from the 90's series (IMO) and i was determined to have it come out of Dark Carmen's mouth. I'm sure it left some 7 year olds scratching their heads
aside from that, the key references were the music: I still tingle at how we worked the Rockapella theme into the Interactive Special; and the 90's main title theme (composed by Mozart!), in our Vienna episode ("They're playing my song"). If you wanted Rockapella or Carmen as a bad guy, well ... be careful what you wish for!
PizzaHorse:
Was there any improvised content from recording sessions that made it into any episodes?
Duane Capizzi:
Yes! Not much, because a lot of it would have pushed us into TV-MA haha
Mostly Mary Elizabeth - Coach Brunt has a POTTY MOUTH!
Mikey and Abby usually riffed their banter WAY beyond what was on the written page and had us in stitches. Some bits definitely made it in! But mostly there was too much or it would get off point (hmmm, much like my interview answers maybe? haha)
Sharon Muthu did rise to Pun Goddess status with "Mask and you shall receive." And Raf pitched me "Chasse means hunt in French" after one session and I said: "I'm going to write that in." I don't think he believed me. You can't say I'm not a straight shooter.
PizzaHorse:
If you could get more season, would you do it, and what type of story would you tell?
Duane Capizzi:
Well if that hasn't been clear so far, ABSOLUTELY
There have been discussions of course. It's up to the powers that be at this point. I will say this: the beauty and tradition so far has been that every iteration has been its own thing. I definitely think there are more "different canon" versions of Carmen that can be had and be a part of this wonderful tradition. After all, there were many naysayers for our version when it was first announced.
I will also say that if we don't get to tell any more stories in this canon with these characters, we've left a perfect gem that will stand the test of time. I would rather go out on a high note than overstay our welcome.
All that said, we worked within the allotted episodes given, ended it as we wished, but left the door open for other stories. I'd love to do an expansion and a deepening: pick up where we left off; find out what happened in those two years; and proceed to do the equivalent of Godfather II or Better Call Saul as related to the amazing originals they followed.
Let's hope! Keep putting good vibes out there!
PizzaHorse:
If you could pick a character on Carmen Sandiego who'd you switch places with for a day (you get to control their life and they get to control yours) who would you pick, and why?
Duane Capizzi:
Okay, THIS is difficult. So you're going Freaky Friday on me?
on a Sunday?
Hmmm, I know Ivy would get along with my cat ... but then I'd have to hang out with Zack!
That's the trick: I can't pick my favorites cuz I couldn't hang out with them!
(not that I have favorites - they're all my babies haha)
Okay, I have one: ROUNDABOUT. I could fill Shadowsan's seat - how cool is that? Then, I could enact all my evil fantasies - but still have a get out of jail free card cuz he'd be sitting at my desk!
(cut to Duane being brain wiped - D'oh!)
PizzaHorse:
Who are two characters who don't really interact in the show that you think could be good friends or work really well together?
Duane Capizzi:
Hmmmm. Okay, now I'm going to give you quick and sassy answers. Gray and Julia! They'd be so cute banding together to rescue captive Carmen (for instance). And they could also duke it out and maybe settle things between themselves re: shipping controversies instead of dragging me into it
PizzaHorse:
The FINAL QUESTION. Have you learned anything super impactful while working on the show?
Duane Capizzi:
Aside from Iceland's terrifically low crime rate?
I think I have learned to never underestimate how meaningful characters can be to fans. Social media has obviously brought us a lot closer to our fan base in more immediate ways: it's been really gratifying to hear/see/read feedback and not be writing things in a vacuum. It's been gratifying to see that ideas that were meaningful to myself and the creative team on Carmen that were crafted with care, have also resonated with our fan base. THANK YOU TO EVERYONE who has traveled on this journey with us - for embracing Carmen's world view, and her friends and foes alike. Take care everyone! Stay safe! This has been fun, thanks for having me!
PizzaHorse:
HUGE thank you to Duane Capizzi: for being here today.
Thank you everyone for watching and reacting!
Duane Capizzi:
Okay, gotta run - just gotta find the door
Anyway, really: THIS HAS BEEN AMAZING. I speak for everyone involved in the creation and production of Carmen: it has been an amazing and inspiring series and we're elated to see it connect with such a CREATIVE, TALENTED and INTELLIGENT fan base. Take care everyone! Until next crime...
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kickingitwithkirk · 3 years
Text
Greetings From Austin
Pairing: Alpha!Jensen Ackles x Alpha!Jared Padalecki x Omega!OFC
Summary: Jensen and Jared are at odds over a monumental decision that changes their lives in a way they couldn’t have envisioned.
Word Count: 2616
Warnings: a/b/o, homophobia, bisexuality, biphobia, angst, cursing, self doubt, depression/anxiety, medical stuff, sexual dysfunction, infertility
*additional warnings to be added in future parts.
A/N: Here we go again with one my weird as hell dreams, series Inspired by this art.
A/N II: There is no intentional hate or malevolence intended towards any of the Ackles or Padalecki families. This is a purely fictional piece containing real and created persons/names/events set in the fictional A/B/O verse. Some dates/events altered to fit story.
*no beta-all mistakes are mine
*divider by @writeyourmindaway​​​​​​​
*images found online
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Prologue
Austin, TX
Mid July
“Babe,” Jensen softly says in a low voice to the person seated next to him in the waiting room, “Babe,” he says a bit louder, still getting no response. Leaning close, he blows into their ear.
Jared starts, his “what” muffled by the finger he’s been chewing on.
“You know you can’t do that, don’t want you getting sick.” Taking his hand Jensen pulls it away from his pretty pink lips, gently caressing the finger. Jared had finally stopped chewing on his hands when Covid-19 became widespread.
“Where’s your gum?” Jared bite his lip not answering.
Sighing, Jensen shifts retrieving his pack and hands a piece to him. “What’s got you masticating again?” He inquires as Jared pops the stick in his mouth.
Jared chews the gum nervously weighing how to answer the question knowing Jensen won’t accept anything less than the whole truth. “What if something goes wrong again because of me.”
Jensen’s brow furrowed. He learned years ago that while their relationship is one of equals, he had to be lead Alpha when Jared’s mental state overwhelmed him as it had the last few weeks.
***
After the public announcement in March 2019 that season fifteen would be Supernaturals last, they had agreed when finished with the pickups they would take an extended break, return to Austin and concentrate on their marriage.
Jared intended to stop acting indefinitely, pursuing other interests and Jensen wanted to concentrate on his music.
Of course, things didn’t quite end up how they planned.
Jared entered negotiations to star in the Walker, Texas Ranger reboot, along with being an executive producer. Jensen got a call from Kripke wanting him for the role of Soldier Boy in The Boys third season.
But by March of 2020, everything came to a halt thanks to the Corona-virus.
The shutdowns left Supernaturals final two episodes with no definitive filming date and their seemingly never ending last season put their other projects on hold.
For the first time in years they had the luxury of a leisurely schedule, not having to be somewhere on a timetable, they could communicate with friends and family uninterrupted, deal with their other businesses, charities, etc, leaving most days free to enjoy being together without constraint.
But even amazing, awesome, vigorous sex on every horizontal/vertical surface that could support the two big Alphas only filled so many hours and like many couples, they started getting each others nerves and looked for other ways to stay occupied.
By late May, Jared was unable to sleep or eat, even going out of the house became a chore. When he hit a consecutive fourth day in bed, Jensen bodily dragged him into the bath for a desperately needed shower and loaded him in his truck driving to his doctor's.
Upon checking in they were told patients only allowed in the facility. Jared started panicking, saying he was having chest pains and couldn’t breath. He was rushed in with Jensen hot on their heels after morphing into an overprotective Alpha mate no one was stopping.
Jared’s doctor deduced with the lock-downs prohibiting him from his routine checkups and periodic adjustments needed to his medications triggered this episode.
The first step was to wean him off his current prescriptions and change to a newly approved, alternative regime. He was checked in a facility for ten days under observation while detoxing off his meds.
His therapist switched his twice weekly tele-counseling sessions to daily for the foreseeable future and Kodas certification as an emotional support animal was approved. His progress was slow but he was returning back to his sweet natured, big hearted, exceptionally tactical, overgrown puppy self.
When the surprise call from the clinic came a few days ago about an appointment opening, Jensen initially didn’t want it, still in his overly excessive protective Alpha mode. Jared’s outburst made him relent, fearing they were on a collision course for a major setback if he didn’t.
And Jensen, being Jensen, went overboard to ensure the appointment was absolutely private.
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Part I
Jared was about to speak when a woman in scrubs called out, “Mr. Bonham and Mr. Page.” they got up crossing over to her, “Hello, I’m Sissy, Dr. Rodgers nurse, please follow me.”
They pass through the doorway leading through a maze of halls like that of any other medical clinic except this one specialized in a very specific service.
The nurse opens a door near the back of the clinic gesturing for them to enter the spacious office, “Please have a seat, the doctor will be with you shortly.” She closed the door and they sat down in the pair of chairs directly in front of the large, dark mahogany desk.
Jensen, scenting Jared’s nervousness, lifts his right hand kissing his palm, making him chuckle at the tickle of Jen’s soft beard before twining their fingers together and setting them on his left thigh, smiling reassuringly.
There was a brief knock before the door opened and an older, silver haired Beta entered. “Hello, I’m Dr. Rodgers, how are we doing today?” He asks, moving to his chair behind the desk.
Jared gave him a tight smile and Jensen remained placid.
The doctor raises an eyebrow, “Relax Mr. Page, this is just a visit to go over the paperwork before deciding about how we proceed, not the Spanish Inquisition.” Jared releases his held breath but couldn’t completely calm himself.
“I know the process can be overwhelming but I must ask, is there something we’ve done to make you uncomfortable?” Dr. Rodgers inquires.
“No, everyone’s been really nice, very professional. It’s just we..we had issues the first time we attempted to do this.” Jared finished his sentence quietly, in the recess of his mind; something bad is gonna happen and it’ll be my fault.
Jensen squeezes his hand tighter, instinctively sensing Jared’s mind was trying to spiral again, “When tried this before someone leaked our plans to the media. It wasn't ever proven the clinic was involved but...”
“We do everything possible to keep our clients anonymity protected here. All of our staff have been thoroughly vetted and sign NDA, given your professions, you're familiar with how they work. Your real identities will remain completely confidential, even if you choose to not proceed. It is why you chose this particular clinic, yes?”
“Yes, it is.” Jensen replied.
“How about we get this bit of paperwork out of the way, then we can have a more relaxed visit. I’ve gone over the applications you both submitted and have noted a few discrepancies in the medical section that need clarification before we proceed,” He opens the top file, “Mr. Bonham, why did you omit Genu Varum from your medical history?”
Jensen kept his expression neutral as he felt his stomach automatically clench. He had been mercilessly teased throughout his childhood about his bowed legs by his older brother Josh and later his buddies from school when they’d come over to hang out. By the time he was in high school Jensen’s extraordinary looks and personality were what got people’s attention first. Nowadays, many a fanfic waxed poetic about those bowed legs.
“The questionnaire inquired about inherited genetic medical conditions and since mine isn’t, I didn’t think it was necessarily applicable.” Jared hears an edge creeping into Jensen’s voice and gives their tangled fingers a quick squeeze.
“Did you see an orthopedist and were they able to determine what caused the condition? Did they suggest any surgical procedures or therapies to straighten your legs?”
“I was born a preemie, the orthopedists my parents consulted decided my condition was attributable to that.” Jensen replies tersely, dropping his vocal range. Jared gripped his hand harder, telling him to cool the attitude. “The doctor didn’t recommend surgery but sent me to physical therapy, thought it would help them straighten as I grew.”
“So no others in your immediate family have this issue?”
“Everyone my family has straight legs, including my three children.”
Jared piped in, “He hates it but he does have an exercise regimen; stretching, strength training. Oh, he also takes several different vitamins, omega oils, turmeric and extra vitamin D to support his joints.” They watched the doctor scribble a few more notes in the file before closing it.
“Mr. Page,” Jared sits up straighter in his chair, “I appreciate that you went into detail about your mental health status. I see you’ve recently been hospitalized, your medications have been changed to an alternative regiment and you’ve also increased your therapy sessions?”
Jared’s interview continued for another twenty minutes as Dr. Rodgers questioned him in depth about his depression and anxiety, feeling said anxiety ratcheting up so he focused on Jensen’s thumb rhythmically moving over his hand and used every ounce of his acting skills to appear confident and in control.
Dr. Rodgers closed his file, “I only have a few general questions left then we can discuss how you wish to proceed.”
After a more relaxed, genial conversation with the doctor, Sissy took them to a couple private rooms with paraphernalia to help stimulate them into producing a couple semen samples.
Jensen was getting close to finishing with his favorite spank-bank fantasy when he felt Jared’s frustration across their bond.
~~~
Jared couldn’t get aroused.
He felt as useless as his flaccid cock.
His doctor warned him that loss of sex drive could be a possible side effect of his new regiment until his body adjusted to it. He had struggled with temporary impotence a few times on his old meds, always fearful Jensen would finally see him as undesirable, no longer a satisfactory mate.
Rationally, he knew it was his illness causing these exceptionally hard to deal thoughts recently and the nagging idea this wasn’t the right thing for them to attempt again continually kept creeping in.
Jensen’s unspoken reluctance about having more children at his age was also weighing on his conscience, warring against his own biological longings.
They had a humongous argument when he told Jensen about taking the appointment. Jen thought this was the wrong time to attempt it again, pointing out he was just getting his equilibrium back setting Jared went off on a rant about how he no longer wanted him and would leave him like Genevieve had because he was too broken to deal with anymore.
Unmitigated anguish was written across Jensen’s beautiful features, the very notion that Jared could conceivably believe that he’d ever abandon him made his soul hurt in such a way no verbal language on earth could ever express his devastated feelings traveling across their bond.
***
Everything they’d been through; from that bar fight solidifying their friendship, Jared’s first breakdown, the years of living as roommates while secretly a couple to finding wives who understood their unique relationship and still married them both in 2010.
The joyous arrival of JJ three years later that unfortunately exacerbated Genevieve's frustration of not being able to conceive coming out with a vengeance at Jared. His unexpected breakdown in Switzerland was the final nail in their marriage. Gen was there for him but in the end it was all too much and she filed for divorce.
Shortly after, Jared’s iCloud account was hacked. It was believed, but never conclusively proven, that Gen was behind it since her lawyer was trying to break their prenuptial agreement, the videos documenting his private and explicit sexual relationship with Jensen were legally considered adulterous. In the end, the court upheld the legal document but the ramifications...
They were summoned to L.A. for the meeting from hell with WB executives, both convinced it was the end of Supernatural and their careers.
After the reaming out, they each received a weeks pay suspension to cover some of what it was gonna cost PR in time and money to deal with the inevitable repercussions and placate the show's sponsors.
How would the show’s fans react? Would they still be able to accept them as brothers only on TV while in real life they were involved in a highly stigmatized relationship?
When they returned to work there was an atmosphere of tension that hadn’t existed before. It was an open secret that all shows had their share of bitchiness and backstabbing behind the scenes. Jensen may have the thicker skin, keeping tighter control on his emotions, but Jared knew it hurt him just as deeply the loss of some of their friends because of prejudicial, social beliefs that two Alpha males shouldn’t be involved.
Jensen’s parents showed up unexpectedly in Vancouver a few weeks later. What started out as a not quite comfortable visit quickly deteriorated with his religiously conservative parents. They had not raised him like this and blamed Jared, saying he had corrupted him, leading him into a sinful lifestyle. He needed to repent and return to his wife to whom he had made a commitment before god.
Jensen blew up, replying it was none of their business, it was between them and oh, yeah, Danneel knew about them before marrying him and they better not say anything to her. Without another word his parents left. When he later called them to make amends, his mother coolly stated that he was no longer part of their family and to never contact them again.
Three months after the twins were born in 2016 came the finalization of Jensen’s divorce from Danneel, painful but congenial. They easily agreed on joint custody and still spent most holidays together. Jensen gave Dani financial security in their settlement, he wanted to make sure she didn’t have to worry about working again unless she wanted to.
All these years later, Jared continually has nagging thoughts that they had let everybody down. They received support when they publicly came out as bisexual then lost some of it when they married, being mocked for not coming out as gay.
***
There was another knock at the door and Jared ignored it, it was that nurse checking on his lack of progress again. The knock turned into pounding, “Jared, open this door now dammit!” He flinched realizing Jensen knew what was going on with him. Releasing the privacy latch and opening the door a crack he saw concerned green eyes only.
“Sorry, I thought you were that nurse,” he stepped away and sat back down as Jensen came in and re-latching it behind him. “She came to get me when you stopped answering,” Jensen said, walking over to him and started running his thick fingers through his husband’s long hair, “what’s going on babe?”
He glances up knowing that Jensen already knew, “It’s okay Jay, take as long as you need.” He paused at the unpleasant scent wafting around him. “If you’d be more comfortable we could do this at home…” Jared shakes his head, “There’s the risk of damage, contamination and or not able to get it back in time that could make the semen unusable.” Jared quotes from a website.
Jensen softly chuckled, “Nerd.”
Jared notices the bulge in his jeans, “You didn’t...”
“Drain the snake..choke the chicken..spank the monkey.”
“Fuck, okay, you didn’t! Stop using old man slang.” He shook his head smiling  at Jensen intentionally goading him.
Jared reached up for the hand playing in his hair, grasping it to draw Jensen down next to him.
“Jack, I don’t want to wait any longer on doing this. I love JJ and the twins, you know I do, but they'll always be yours and Danneels. I know the timing could be better... but I'm almost thirty-eight and I want my..our own pups running around the house driving us crazy.”
“For the next eighteen years?”
“Minimum.”
tbc
Part II
SPN: @donnaintx​​​​​​​​​​​​ @lyarr24
GFA: @babypink224221 @waywardjoy @let-me-luve-you @all-4-wincest
Sam/Jared @idreamofplaid
Dean/Jensen: @flamencodiva
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