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#There are some episodes of the reboot that turn me down along with some parts that just make me go “😐” but most of the episodes I’ve
howdydopillar · 5 months
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wow, that’s a… goofy looking lab rat you got there, didn’t know that it’s dna has been spliced
but did you even know that your goofy looking rat is genderfluid demiromantic and pansexual and uses they/she/he pronouns too? because I sure didn’t until I spoke to them.
also I’m pretty sure she likes listening to Black Dresses, your rat has good music taste 👍
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ateawithoney · 2 years
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my diehard ships: in descending order of how canon they are
Laszlo & Nadja: (idk their ship name lol) married and endlessly horny and in love with each other, pls don’t ever change this relationship
Vauseman: Dated in the past and their whole love affair is a huge part of the show. They part ways in the end but Piper bucks up and moves to Ohio just to be with Alex so still canon and hopefully real married when Alex gets out
Janason: Had an on and off relationship due to Jason being rebooted hundreds of times but Janet always retained feelings for him. They eventually find each other again through the course of the series and finally get to spend endless bearimies together til Jason walked through the door 😭 Still in love til the end but it’s so sweet and sad
Harlivy: Literally is canon in the comics, was heavily implied since the 90s, also implied in other assorted animated medias, kinda only noticed as “canon” recently cause of the HQS (which I love) but it’s unfortunate people wouldn’t believe me till that episode and season came out. In media where they’re not together though they were either exes or I choose to believe they have a past together :)
BBRae: Depends on the universe whether they’re together or not but for the most part they’re dating or have mutal crushes on each other. If not, I choose to ship in any universe lol
Zadison: Had a canon threesome but should’ve been properly developed more as a relationship but Ryan Murphy hates sapphics >:((
Jori: Bade was the main ship throughout the run but if they were ever to reboot it, Jori would have to be canon now. Cause as we all rewatch it, we understand it was Jori all along.
Gelphie: Similar to Jori in we all thought it was the straight ship but you rewatch it and think, wait a minute..these bitches gay. Ofc you’re wrong but in my HEAD they ran off together
Hizzie: For a hot second, I legit thought these two were gonna be canon. I know it’s Hosie forever but like after Kaylee left, the development between these two took a weird turn and Lizzie kept rejecting MG and going to Hope. Plus their already established frenemy relationship and past episode developments focused on their friendship like..why didn’t this happen?
Amedot: I thought this was gonna happen back in 2016/17 because of weird subtext we got but that was probably just wishful thinking. My thoughts on it were “I know nothing is going to happen but I think there’s a less than 1% chance for something, or at least for subtext”. But then Lapidot took over the fandom so I was wrong lol. Ofc neither ship actually became canon and Peri was revealed to be an intended aro/ace, which slowed down some shipping but not all of it ofc. Side note: the artist who “confirmed” ace/aro peri also ships amedot sooo.. I guess you’re good in that aspect? Anyways, now I do still ship it but mostly nostalgically and I think prime 2016 amedot was the best.
Cassunzel: I like this purely hypothetically but I do think they had a canon crush on each other in the show which is gone by the ending but it’s only real in my heart ❤️
Reiusa: Literally never gonna happen but I like the what if of them together in the future and co-parenting Chibiusa while still giving jabs at each other and the whole Rei cares about Usagi more than she lets on. I’m wrong but it’s nice to dream
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Honestly, I secretly wish that in the OG series, Drake would gradually become friendlier, earnest and modest like his reboot counterpart (but he can still be sassy! 😁). But what could lead to that character development? 🧐
Giving some sort of character arc for Drake Mallard would’ve been really good for that character honestly.
Now don’t get me wrong, I love the original Drake Mallard just as he is. But having Drake turn into someone more like his Ducktales Reboot counterpart wouldn’t have been that bad of an idea.
Now what could lead to that character development?
I think if they simply had LP and Gosalyn call Drake out on his rude and egotistical personality, and not just roll their eyes and brush it off.
Also if they had presented Negaduck as not just a guy who’s the opposite of Darkwing, but also as someone Drake possibly turn out as.
Maybe when Drake was in the Negaverse they could’ve had a scene where he found his house, and the Negaversion of LP and Gosalyn were inside with Negaduck yelling at them.
Have Drake see how LP and Gosalyn react, and have him make the connection that he will yell at them like that sometimes.
Or even have Drake find out about DarkWarrior and let Drake find some similarities between the both of them, like how he is prone to extreme exaggeration which sometimes leads him to bad consequences.
Perhaps you could let Gosalyn tell Drake about DarkWarrior.
If Drake was told by his own daughter that a future version of himself tried to kill her simply because she never did things like, clean her own room, I think that would be quite a wake up call for Drake Mallard.
Wouldn’t you say?
I really think that not having Drake Mallard compare and see a bit of himself in Negaduck and DarkWarrior Duck was hugely missed opportunity.
I think those characters had the perfect opportunities to get Drake to examine himself and have him want to better himself, for his own good and for his family.
Going back to his egotistical personality,
what Drake could do about his ego is to just have him learn to turn it into more of a self confidence thing, and not put others down in order for him to be the best.
Like in the episode, “Whiffle While You Work”, Drake actually tried to bribe his own child so that she would back out of the contest; he claimed it was to protect Gosalyn from Quackerjack (which is probably part of it), but it’s pretty clear Drake wanted to win the Whiffle Boy contest.
Gosalyn so obviously gets her competitiveness from Drake.
Have him be disappointed that she will bribe and cheat people in order to win then have him realize that he’ll do that to.
And another thing about Drake is that he’s very smart when his pride doesn’t get in the way.
He can be a very good detective as well; he’ll over complicate things, but he’s good at what he does.
So you can still have Drake be confident in himself, but let him learn to be okay with other people being more famous and better than him when it happens.
Let him learn to, as you said, become friendlier, earnest and modest along the way.
It doesn’t have to be an immediate change, it can be a gradual one.
Have him let go of the need to be the best and let him want to be a superhero to keep people safe, not to be famous.
But his sassiness he can keep. I love his sassiness.
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maxbegone · 2 years
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hi! i just wanted to say that I’m really enjoying your top 10 set and I’m (nervously 👀) looking forward to seeing the last two , but I wanted to know what your top 10 episodes were? They’re all so good it’s so hard to choose!
thank you anon! it's been a lot of fun, and there were definitely a few surprises on that list. as for my own top ten, it's a little hard. my top five is pretty easy, but here we go:
1. in the unlikely event of an emergency - i hold this episode so close to my heart and consider it one of the most beautiful episodes of television I’ve ever seen. gwyn is undoubtedly one of my favorite characters on the show, and tk's experience losing her so suddenly and dealing with that subsequent grief hits very close to home. i'm going to cherish this episode for a very long time.
2. push - what is there to say about push that hasn't already been said? it's a perfect cap to the first arc of the season, and was my favorite episode of lone star up until 3.08. it's just beautiful all around, and my only complaint is that this is the only episode we got with andrea this season. i miss mama reyes.
3. saving grace - i love me some judd and grace, and this episode by far is one of the most magnificent. heart eyes all around, tommy leveling judd in the past and in the present, pushing him to say introduce himself to grace, the three of them and charles (who i miss dearly) being a family, and the 126 coming together to support judd in the hospital. never not crying.
4. riddle of the sphynx - i think this one is pretty self explanatory. we have carlos learning to take a step back while tk takes a step forward in his sobriety, carlos learning what it means to be in love with an addict, hard conversations, and a moment of, once again, reassurance that tarlos is endgame. shout out to wes from the icarly reboot who played cooper and made me scream when he first appeared on screen.
5. bad call - i mean obviously the first carlos-centric episode has to be on the list! every single bit of this episode was perfection; we got our first glimpse at detective reyes, learned a little more about his realtionship with gabriel, the first instance of tnt being badasses (and also absolutely fucking done with these kidnappers), and, of course, "hi baby, hi baby."
6. the big heat - alexa, play fever by elvis presley. i mean. i mean. clearly. on my first watch i was being thrown back and forth on who was on whose side, which is probably what the writers wanted, and ultimately did not expect raymond to be the culprit or gabriel and owen to team up like they did. so many twists and turns, so much yelling, our first on screen "i love you." and, of course, that ending when tommy gets home. oof.
7. red vs blue - nostalgia ep, my beloved! despite the fact that i have a v small, v playful, grudge with tk/ronen choosing #2 for his jersey in honor of derek jeter because i'm a mets fan, this episode makes me wish i was still playing softball. all of the 126 is competitive, we knew that from catan, but my god was this a whole other level. and then there's nailed it nancy followed immediately by the phone call that had every single person screaming at the screen in shock. man, oh man. 8. displaced - the first instance of paramedic siblings being paramedic siblings as well as the first time the 126 really made nancy she part of the group. that tribute to tim was everything. (re: let's continue to have episode 7 of every season feature something for nancy, thanks! but maybe not episode 8 be where we hurt tk). we also had owen and gwyn sincerely breaking my heart in this episode because they just love each other so deeply at the end of the day, along with, if i'm correct, the first instance where owen actually showcased his anger. also, that mri scene. damn, tk. 9. a bright and cloudless morning - don't yell at me for how low on the list this is, but classics took over! this was, hands down, lone star's best season finale. it was epic all around, and i'm so happy everyone wound up ok. i was genuinely nervous for wyatt and judd there for a while. the prominence of owen's grief and guilt with 9/11, gwyn coming to him just like she came to tk when he needed her, the sequence of the 126 getting owen out of the rubble as he saw faces of the 252 and nypd. i had chills the entire time, and especially during that shot of paul and tommy passing owen's helmet down the line. that, for some reason, gets me more than anything else. and of course — the proposal. i've watched it too many times to count, honestly, and i'll keep doing it for the continuation of the hiatus.
10. prince albert in a can - give me all the carlos and grace teamwork! this is what we needed! carlos boxing to up in here by dmx made me scream, sure, because wow, but watching these two team up and figure out what went down on a call they were both so clearly blaming themselves for was incredible. and ask literally anyone, i jumped up and down and screamed "there she is, there's mom!" the second athena was on screen. god's plan, bitch.
honorable mention to hold the line, in which this was the first time i met the 118. i watched the episode again during my first og watch and it felt like i was visiting the 126 with them. such a great episode, i don't care what anyone says. get those crews back together!
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fancoloredglasses · 7 months
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Ultra Sonic (Excuse me, I think I have some robot parts in my eye)
[All images are owned by Sega and DIC animation. Please don’t sue or Roboticize me]
(Thanks to Radwolf76 for the suggestion)
In the Saturday morning version of Sonic (referred to by fans as "SatAM Sonic"), there was a bit of body horror (due to the fact that there were living beings often trapped within the robot bodies. This episode really drives that point home. If you would like to watch the episode, it's available on Roku.
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We open with Sonic and Sally infiltrating one of Robotnik's factories in an attempt to shut down its Roboticizer (the device that changes animals into robots)
Problem is Snivley is preforming an inspection on the equipment...
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...and spots them! Snivley sends a squad of SWATBots to deal with them.
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He then gasses the air ducts for good measure. Sonic and Sally manage to escape the air duct and steal a hoverpad...
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...but Snivley summoned air support as well. One thing you can say about Robotnik and Snivley, they're not your average ego-driven boneheaded villains.
They eventually make it to a subway station (barely) and Sonic spots...
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...who has been Roboticized!
Chuck, along with other Worker Bots, are entering a train bound for a place known as the Crystal Mine. After meeting up with Bunnie and Antoine, they steal a rail car and follow.
Sonic manages to get Chuck alone to try to rescue him, but...
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...he's not exactly happy to see Sonic, sounding the alarm! Bunnie eventually grabs him and hauls him away as Sonic disables the alarm.
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Now what do they do with him?
Sal comes up with a long-shot idea...
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...using one of Sonic's power rings to reboot his memory. Surprisingly, this works and Chuck remembers everyone! With the reunion out of the way, Chuck asks Sonic to help with an important mission in the mine.
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Robotnik has mined a giant chaos crystal to power his empire. Chuck wants the Resistance's help to stop it! (I dunno. This feels a bit like a trap)
Chuck sends Sal to the control room to sabotage the machinery. However...
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...something's wrong with Chuck. He shrugs it off and heads into the mine with Sonic and Bunnie, where they see...
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...a rather MASSIVE bot! Chuck calls it a Dinobot (I prefer Grimlock) and wants to reprogram it to turn on Robotnik. They climb inside the mouth and make their way to the central core.
Meanwhile, Sally has made her way to the control room and defeated the bot working inside.
Inside Grimlock the Dinobot, Our Heroes have managed to shut it down and Chuck begins reprogramming it to attack the cables suspending the crystal while Sally tries to get control of the cranes lifting it out. Unfortunately...
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...the SWATBots catch on and try restraining the Dinobot! Chuck tries using the Dinobot's laser on the crystal, but it has no effect (why don't they use the laser on the crane?)
Chuck uses the laser on the cables (close enough)
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...but too little too late as the cranes start to hoist the crystal out f the mine.
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Guess I spoke typed too soon. With a second cable destroyed, the rest can't support the weight and the crystal falls, shattering. The two teams of freedom fighters make a hasty exit.
They make their way back to the surface, but...
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...Chuck is quickly losing control of himself. He tells the others to leave him behind, having done what he could to put a crimp in Robotnik's plans. Sonic tries to help him, but...
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...Chuck's will is once again lost. Sonic refuses to leave Chuck behind, forcing Bunnie to drag him away before the SWATBots arrive.
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Such a bittersweet end to the story, and a hell of a lot less "sunshine and rainbows" than most kids' programming was at the time.
Now, I'm gonna have a good cry and hug my cats...hey, where are you kitties going?!
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rivertalesien · 3 years
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A few months ago, or maybe longer, who can keep track of time anymore, the Comet network began airing reruns of Babylon 5. 
I loved Babylon 5. 
It was conceived and presented like a grand scifi novel, not at all like episodic tv of the time. As the show went along, it built an entire universe of complex characters with complex motivations whose loyalties and understandings would change organically throughout the course of the show. 
Years later, Lost would try to hold down something similar, but JJ Abrams’ revolving door of writers and producers could never master a coherent vision. And as polished as the 2004 reboot of Battlestar Galactica was (and it owed more than a little to B5′s operatic tone, though it was produced by a Star Trek alumnus), nothing could quite match the scope and originality of Babylon 5. 
J. Michael Straczynski may very well have made the greatest scifi series ever. 
While there were many wonderful and colorful characters on Babylon 5, I think many would agree the standout was Ambassador Delenn, a mysterious representative of the Minbari people, who would undergo a dramatic physical transformation (literally emerging from a chrysalis like a butterfly) so as to merge human and Minbari species. She was known as “the one who is” and provided a voice of wisdom and comfort, a true spiritual leader to those around her. 
No mere romantic foil, Delenn was something new in the presentation of female leadership: she may not have been a warrior, but she fought with wit and cunning, a diplomatic charm and charisma that won hearts and minds. Delenn was a character who understood sacrifice, for herself and for others and never questioned when it was necessary. Her strong belief in her purpose and, later, in her joining with John Sheridan, was an unbroken thread that held her world together. 
Straczynski wrote some of the best material for the show centering on Delenn and he couldn’t have cast a better actor to deliver his words.
Delenn was played with fierce intelligence and otherworldly gravity by Yugoslavian actress Mira Furlan. At 13 I remember being smitten with her accent and her smile, but mostly just carried away with her performance: while almost all of the human characters on the show were recognizable American stereotypes, Furlan made you believe Delenn was truly from Somewhere Else. Learning how her experiences during the Serb/Croatian War helped her in her interpretation of Delenn, only adds to the seamless intensity and soulfulness of her performance. She was one of a kind and there have been no characters to come close to Delenn and no performance like Furlan’s, either. 
This was posted on Mira’s Twitter earlier tonight:
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Straczynski confirmed not long after that Mira has passed away, only 65 years old. 
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Here is his memorial to Furlan (for convenience, I’ve typed it up below each passage):
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When Mira Furlan came to audition for Babylon 5, her home country of Yugoslavia was in turmoil and shattering into two separate countries. During our first meeting, we spoke about her work and her life, and I learned that she had been part of a touring theater group that continued to cross borders of the disintegrating country despite receiving death threats from both sides in the civil war.
I expressed my admiration for her courage, but she shrugged and waved it off. “What’s the worst that could have happened? Yes, they could have killed me. So what? Art should have no borders.”
Very few people knew that side of Mira: the fiery, fearless side that fought ceaselessly for her art. She brought all those traits to Delenn, and in turn I tried to write speeches for her that would allow her to comment on what was happening to her homeland without calling it out by name. I guess I must have done it correctly because one day during the Minbari Civil War arc, she appeared in my office door, a cup of tea in one hand, in full makeup but wearing a pull-over robe from wardrobe, and said, “So, how long did you live in Yugoslavia?”
Her husband, Goran, has always been the rock of her life. He was an is a gentleman, quick to laughter, an accomplished director and as much an artist as Mira, which made them the ideal couple. I’ve rarely seen two people so utterly meant for each other. 
I remember the last time Mira appeared at a convention with me and some of the other cast. She didn’t quite understand what it was all about, but gamely did her part. When the audience question period came along, a fan held up his hand and said to Mira, whose Yugoslavian accent was much stronger in the beginning than it became with time, “Say ‘moose and squirrel.’” 
She had no idea what this meant, but she said “Moose and Squirrel” and the room erupted in one of the longest sustained laughs I’ve ever seen at a convention. We explained it later, but really, all that mattered to her was that the audience had been happy.
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We’ve known for some time now that Mira’s health was failing...I’m not sure that this is the right time or place to discuss the sheer randomness of what happened...and have all been dreading this day. We kept hoping she would improve. In a group email sent to the cast a while back, I heard that she might be improving.
Then came the call from [actor] Peter Jurasik (Londo Molari). “I wanted you to know that Goran’s bringing Mira home,” he said.
“Do you mean, he’s bringing her home as in she’s better now, or is he bringing her home as in he’s bringing her home?”
“He’s bringing her home, Joe,” Peter said, and I could hear the catch in his voice as he said it.
And as a family, we held our counsel, and began the long wait, which has now ended.
Mira was a good and kind woman, a stunningly talented performer, and a friend to everyone in the cast and crew of Babylon 5, and we are all devastated by the news. The cast members with whom she was especially close since the show’s end will need room to process this moment, so please be gentle if they are unresponsive for a time. We have been down this road too often, and it only gets harder.
If you are a fan of Mira’s work, fire up those special moments when she shook the heavens and relive the art she brought to her work. For any actor, that is the best tribute possible: for the work to endure. As much as this is a time to grieve, it is also a time to celebrate her life and her courage. 
All of our thoughts tonight will be on the memories she left behind, the dazzling light of her performances, the breadth of her talent, and the heart and love she shared with Goran, and with all of you. 
Joe Straczynski
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ashintheairlikesnow · 3 years
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Misread Details: Robert
CW: Dehumanizing language, BBU blanket warning, serial killer/death talk, descriptions of death/abduction/murder, blood, whumper death, some real vague implied noncon references, creepy whumper, sadistic whumper
Part One: Nanda | Part Two: Brute | Part Three: Robert
The Dark Discovery in Robert Weber’s Basement: Box Boy Killer, Part 3
r/LetsTalkTrueCrime
•Posted by u/oshaycanyousee
3 days ago
After Part One, where we learned about the mysterious, but possibly entirely natural, death of Nathaniel “Nanda” Benson, and Part Two, where we saw Henry “Brute” Hanlon’s double life lead to his untimely gruesome murder, you see the single thread that connects these two men who otherwise never met, interacted, or even shared a single person in common… a nameless Box Boy, present at the death of Nanda even if he isn’t responsible for it, and the proven killer of Brute.
It’s my theory that this Box Boy may have accidentally killed his legal owner, Nanda, and then picked up a taste for the act and moved on to taking shelter with those he turns into his victims.
With Brute, he simply didn’t know the man had a wife and children and entire other life, and may have assumed no one would come looking for him or recognize his death. With our third individual, Robert Weber, it seems like our Box Boy Serial Killer got in over his head.
I give you… the Accidental Vigilante death of Robert Weber.
You decide if our unknown killer is simply the unluckiest guy in the world or a killer who even now may be somewhere living with - and earning the trust of - his next victim.
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One bright and sunny day in the quaint, old-fashioned California town of Rancher’s Rest, Robert Weber was late for work.
Weber worked in a vehicle repair business owned by lifelong “RR” resident Randy Niles, who had known Weber since his childhood and had been his boss since Weber was eighteen years old and fresh out of high school.
Niles, who is now nearly seventy-five and still spends his days in the shop with an Australian Shepherd named Cody and a blind pit bull named Sue keeping him company everywhere he goes, stated that Weber had no living family he knew of beyond his sister in Vermont, and he was just about the closest thing Weber had to a relative just from having known him so long.
“He didn’t have too much to do with his sister,” Randy said in an interview with Unsolved Mysteries. (You can see the interview on the new Netflix reboot of the show! It’s a really good episode, definitely recommend. It’s how I got into this case in the first place.) “Or nobody, really. Just us at work, the guys at the bar, that kinda thing. He was quiet, kept to himself really. You’d never just strike up a chat around town or anything. But he got on just fine with the boys here in the shop. He was a bit of an egghead, too, always going on about this thing or that he’d seen on the news. Little… odd. Little bit off, you might say. But really, who isn’t? In any case, you know, I’d known him since he was a little boy, so he was just Bobby Weber to me.”
Then, of course, one day Robert Weber didn’t show up to work. Randy Niles immediately felt that something was very wrong.
“When nine, nine-thirty came and went and he wasn’t there,” Niles said, “I knew someone needed to go check on him. Bobby showed up for work right on time or ten minutes early, rain or shine, for twenty years. My first thought was maybe he’d had an accident at home, or some kind of, you know, health thing. Almost never called in sick, took one vacation a year, that kinda thing. So I drove right on over there. This would’ve been, oh, probably ten or ten-fifteen when I got to the house. Had my dogs with me, and they never did like Bobby much, but as soon as I opened my door and got out of my truck they just lost their damn minds. Barking, growling, Cody’s hackles were up like you wouldn’t believe. I know it sounds damn crazy, but I’m sure those dogs could smell that evil had been done in that house.”
On camera, Niles goes quiet, here, his gaze slipping away from the interviewer as he scratches at the side of his nose. When he looks back, the hint of good humor that seems to be an eternal part of his expression is gone.
“I didn’t know what Bobby had been up to all this time. None of us knew. I’ve known Bobby Weber his whole life, and I… I had no idea.”
Randy Niles was unable to convince his two dogs to exit the truck, and eventually rolled down the windows to give them some air and a way out if they chose (he is insistent on this point in the Unsolved Mysteries episode - “don’t you dare say I left my dogs locked up in a truck on a sunny day, I sure didn’t - Cody even knows how to pull a door handle if it’s the right kind”) and got out to knock on Robert Weber’s front door.
No one answered.
Niles knocked again. Still no response.
The front door was locked, but Niles was able to locate an unlocked back door into the garage, where he found Weber’s car neatly parked and nothing out of place. However, once he used an interior door in the garage to enter Weber’s home, what he found was so shocking he still struggles to describe it today.
“The, uh. The first thing I saw,” Niles says in the Unsolved Mysteries episode, wiping at his mouth with a handkerchief, “was a cage. Big old cage in the living room. Like a kennel for a big dog, Great Dane or something, except… except, you know, kennels’re usually mostly wire, not that heavy. You can fold ‘em up, put ‘em away. This was… geez. This was pure metal. Bunch of blankets all piled at the bottom, too. Here’s the-... you know, my mind just didn’t want to even make the thought, but I just, I looked at it and-”
In the episode, Niles has to take another moment, here. His eyes grow wet, and his voice is hoarse when he speaks again. “People cage. Bobby had a damn man-sized cage in his living room. That’s when my stomach just fell out. Even then, though, I couldn’t-... I just thought, oh, well, what people get up to in their own homes is their business. But still, I just. I just decided, find Bobby, figure the rest out later. So I kept walking around looking for him.”
Randy Niles continued to call out, hoping to hear Weber’s response, but received none… at first. The radio in the kitchen was playing a local public radio station (“Bobby always hated the country western and classic rock we played at work, he was a big news man, big into classical, jazz, you know.”)
Niles noticed, he says, that the cage next to the couch had a wooden top, as though it were meant to act as a side table, and on that table was a small woven basket. Inside the basket appeared to be several State IDs and Driver’s licenses. Niles took note of this but his first assumption was maybe that Robert Weber had stolen some IDs or something.
Which was technically true, just… not quite the way he thought.
The kitchen, hallway, and all three bedrooms were equally empty of life. Every room was clean, everything neatly in place. Empty bottles of Jameson whiskey, Weber’s favorite brand, were lined up like décor along the mantel, and one half-full bottle was next to two clean, empty glasses on the kitchen table.
Even the beds were perfectly made.
The only thing missing was any sign of Robert Weber himself.
The question of Weber’s whereabouts was answered when Randy Niles heard a sound coming from the open door to Weber’s unfinished dirt basement.
“Like a ghost,” Niles said in his interview. “Just this low moaning sound. Hardly even thought of it as human, you know. But I just-... I called out, ‘Bobby? That you?’ and the moaning got a little louder, like whoever it was was tryin’ to answer. I could still hear my girls in the truck just going nuts, probably worried about me knowing what they maybe could smell even out there. I figured… I figured I’d best call the cops and get them out here. Seemed like a plan. So I picked up my phone and dialed, and then I headed down those basement steps.”
What Randy Niles discovered in Robert Weber’s basement was a dying man, battered and stabbed eight times, lying in a half-dug grave.
Robert Weber had been beaten with the very shovel that had done the digging. The shovel lay off to the side, caked in dirt and blood. Police would find some of Robert Weber’s hair on it, too. Then, the individual who had beaten him had gone back upstairs - blood smears were found on the railing to the stairs - and taken a kitchen knife out of the knife block on the countertop. A bloody fingerprint was found on the side of the knife block. They had then returned to the basement where Weber was stabbed, almost entirely through the stomach and chest, twenty-six times, until the cheap knife simply broke from the force.
Randy Niles admitted in his interview that he became very ill at this time. “From the shock,” He elaborated. “I haven’t been able to smell much since I was in a car wreck when I was young, so I didn’t smell what-... what my girls prob’ly smelled from outside, and what the cops smelled. To me, it was just… just a little off, is all. It was the sight of it that got to me, not the smell. The sight of the-... the hand.”
Behind Robert Weber’s body, the hand of another person was sticking up out of the loose dirt, as though someone was trying to dig their way out.
“I remember… I remember her nail polish was pink. That’s when I got sick, actually, was when I saw that hand with the painted nails. That’s when it just hit me all at once what Bobby had done.”
Randy Niles went back up the stairs and waited for the cops to arrive. Rancher’s Rest is a small town where everybody knows just about everybody else, and Niles was on a first-name basis with every single police officer he spoke to that day and in the days after. He would learn alongside the investigation that Robert Weber was not simply the quiet, intellectual car mechanic he had always seemed.
Instead, Robert Weber was a serial killer whose potential final victim had managed a miraculous, deadly escape.
Robert Weber never answered a single question about his own murder - he never fully regained consciousness and died in the ambulance on the way to the hospital. His injuries were simply too severe. His autopsy showed that the cause of death was a stab wound that went deep into his chest and that he was first stabbed only after the beating with the shovel had taken place. Like Brute, most of his stab wounds were applied post-mortem in a rage rather than as part of the killing itself.
Medical examiners also found scratches on Weber’s face and arms, indicating that he had attempted to defend himself - or someone else had attempted to defend themself from him.
So why was Robert Weber killed, and why was there already a body in his basement? Investigators would piece together the story over the following days and weeks from a crime scene that only seemed to become darker and more baffling as time went on.
Excavating the basement was originally thought to be something that would be brief, but after the first body was removed, another one was found beneath it. Then another off to the side of that. And another, although this was simply bones.
Every time the forensics team thought they’d found the last human bone, they dug a little deeper or in a new spot and found more.
Eventually, the remains of twenty-two individuals would be removed from the basement of Robert Weber’s home, not including Weber himself. The oldest located victim was identified as Melinda Traxson, an Iowa woman reported missing by her family after she ran away in March of 1996… more than two decades before Robert Weber didn’t come to work one day.
Investigators are still working to match up every body with a missing persons’ case. For nearly all of them, the cause of death could not be easily ascertained due to the deterioration of the remains, but some showed signs of skull fractures. Identified individuals so far include:
Melinda Traxson, 19, from Iowa, ran away from home in 1996.
Billie Mortimer, 21, disappeared from a day out with friends at Lake Tahoe one year later in the summer of 1997. Her friends went to get lunch from the car after a swim and when they returned, she was gone.
Matthew Ranger, 22, went missing during a road trip to Yellowstone National Park in 1997 (only five months after Billie). His car was found abandoned by the side of the road with a flat tire.
Karl Janssen, 24, a tourist from the Netherlands who was also visiting Yellowstone, disappeared a month after Matthew. Last seen by an employee of the park who witnessed him speaking with another young man and getting into the man’s car. The employee said that the two seemed to be friendly with one another and did not seem like strangers.
Hannah Pointer, 26. She was reported missing in 1999 by her mother after failing to return home from work in Reno, Nevada. This disappearance occurred more than a year after Karl Janssen’s. Investigators would later discover that during this time period, Robert Weber dated a young woman from his hometown and he may not have wanted to risk her finding out what he was doing.
Isaac Jackson, 26, a Rancher’s Rest resident who disappeared after going out to a local bar to see his friend’s band play in 2000. His car was found submerged in a small pond two years later. This is the first time Weber apparently killed anyone close to home. He was actually briefly suspected in Jackson’s death, as he was the last person noted to see Jackson alive, but was cleared of suspicion at the time.
Dustin Swill, 21, who was driving from Colorado to California to visit his sister who had moved to Berras to work for WRU in 2001. He was last seen in a gas station near Yellowstone, where employees noted he spoke to a man who was smoking outside, who gave him a cigarette. When Swill left, employees saw the man put out his cigarette and leave shortly after. They did not find this unusual or noteworthy at the time.
Maria Vargas, 25, a Rancher’s Rest resident who was reported missing in 2002. Her family is intensely private and have shared few details about her, but it is known that her boyfriend at the time suspected Weber, who had attempted to convince her to leave the boyfriend for him and had apparently threatened her. He remained a suspect but there was never enough evidence to charge him.
Jennifer Striker, 28, from who never arrived for an appointment with a realtor in 2011. The long pause between Maria Vargas’s murder and Jennifer’s appeared to be due to Weber keeping a man named Finn Schneider within his home for more than a year after abducting him, as well as Weber serving five years in prison for a violent assault on a man he believed had sold him a defective vehicle. (Schneider was no longer in the home before the assault and prison time.)
Riley Nievelt, 25, was staying at the Big Meadow Campground with six friends during a weeklong vacation in 2012. She vanished while on a trip to purchase supplies. Her cell phone was found on the ground in the parking lot of the Food Lion in Rancher’s Rest, a short and easy drive away. At this time, with multiple individuals vanishing after being seen in Rancher’s Rest or being residents of the town, police begin to suspect and start hunting for a possible serial killer.
Alexander Peterson, 29, was a long-haul driver who vanished while working. He was last seen at a rest stop in 2014 on the California/Nevada state line, and would likely have passed right through Rancher’s Rest on his journey. He was reported missing by his ex-wife in South Dakota when he did not return as scheduled for a custodial visit.
The most recent victim, and owner of the hand that Randy Niles saw sticking up out of the dirt, was Yolanda Pierce, 26. She was a Rancher’s Rest resident with a troubled relationship with her husband, who had stormed out after an argument and was never seen again. She is believed to have died the same day as Robert Weber.
More remains exist but have not yet been identified. If you or anyone you know has a friend or family member who went missing during this time period in or near Rancher’s Rest, Yellowstone National Park, or Death Valley, it may be worth looking into, as those appear to be Robert Weber’s “hunting grounds”.
Disappearances in Yellowstone and Death Valley almost always matched up with Robert taking one of his rare weeklong vacations from work.
When investigators located three large diaries hidden inside a locked box in Weber’s closet, the first two fully filled up and the third nearly two-thirds finished, they found an exhaustively detailed record of Robert Weber’s crimes.
In these records, they discovered Weber’s first three victims were killed within 24 hours of abduction, with the rest being kept alive for longer and longer time periods. It is believed all of them met their end in Robert Weber’s basement.
Diary entries included records of two victims who were not a part of the bodies buried in Weber’s basement, both of whom may still be alive:
Finn Schneider, 19, a German tourist who disappeared in 2003 during a visit to Death Valley. Until Weber’s journals were found, it was believed he had perished in the park and had simply never been found. Robert Weber also visited Death Valley during this time. No one linked the two together. Evidence found in Weber’s home after his death, including the aforementioned diary entries and photographs, shows that Schneider was alive in Weber’s home for nearly sixteen months. It is believed Weber purchased the “human cage” that Randy Niles noticed around this time. The last diary entry that mentions Schneider states that he was “traded” on June 16th, 2005, to an individual only referred to as “Mouse.” What Weber received in exchange is unclear, but he was seen driving a new, custom-painted truck around this time, which he said he bought “from a personal ad” when asked by Niles about it. Schneider has never been found. However, his mother did receive a phone call in 2013 from an individual she believes to be her son, telling her that “Finn” was okay and to stop looking for him.
Our Box Boy, 334235, purchased by Nathaniel Benson years prior, whose whereabouts had been unknown since he murdered Brute Hanlon. Weber believed the Box Boy to be in his early twenties, according to his diary entries, and mentioned that he had picked the Boxie up hitchhiking and had intended to kill him before seeing the barcode on the inside of his left wrist and changing his mind. His diary suggests the Box Boy remained in his possession for roughly a fourteen months prior to Weber’s murder. Police have not released the details of what the Boxie was subjected to during this time, stating only that it is not the public’s interest for this information to be known, and they would like to locate the missing Boxie and interview him about certain details.
Four murders occurred during the time the Boxie was kept by Robert Weber. Weber noted that “the dog helped” with either murder or burial, suggesting that he may have worked as Weber’s accomplice in his terrible crimes.
Is it possible that they bonded over a shared urge to kill? Did the Boxie start a captive and become a companion?
Weber’s diary contained other disturbing facts, as well:
Weber also noted three failed abduction attempts in detail, in 1998, 2004, and 2017. In each he described with incredible precision of memory the appearances and descriptions of each person he failed to capture. He also appeared to do intensive research using their license plates and other information to find out where they lived and who they were. The names of these individuals have been kept quiet for privacy reasons.
Other failed abductions were noted, about one per year, without much detail. Or at least not enough for police officers to know who they were. Nearly all these failures were in one of three locations: Yellowstone National Park, Stanislaus National Forest and nearby campgrounds, and in or near Death Valley.
The last entry in Robert Weber’s diary was penned the day of his death.
NOTE: Weber referred to the Boxie as “the dog” in nearly all his journal entries. His last entry went:
May 6th, 20XX: The dog is pissed about something again. He’s always pissed about something. I think the thing in the basement probably kept him up all night with her caterwauling. He never gets used to the noises they make. God knows I can’t sleep either, at least not well. I’ll handle her tonight, have a drink with the dog after, see if that shuts up his nonsense for a while. Note: missed NPR interview with Senator Carlotta Grant on new leg. about the bb prohibition act. Find that on website later.
Found in Weber’s home, in boxes under his bed, were a series of restraints made of leather, high-quality items that appear to be custom-ordered to specific measurements. These included “gloves” intended to keep someone from being able to claw or scratch in their own defense, five sets of cuffs, a body harness, a leather half-face-mask that police referred to as a “muzzle”, several gags, some of which were deemed to be “designed to cause injury to the inside of the mouth”, and “other assorted items for use in torture and torment”.
You can find some leaked police docs online that go into more detail, but suffice to say they pretty much match the kinds of “toys” found in Nathaniel Benson and Brute Hanlon’s homes, too. And apparently, if you really know where to look, you can find some blurry low-quality photos Weber took, too.
While the items are a bit salacious, they aren’t entirely uncommon in consensual relationships, too, so it’s really not clear if they’re evidence of the Boxie being held against his will or not.
The investigation of the crime scene suggests that at some point after writing his final diary entry, Robert Weber made himself a pizza, which he ate half of and put the rest away in the fridge. His shaving cream and razor were found out on his sink, and Weber’s body was clean-shaven, suggesting he shaved shortly before his death.
He then watched three episodes of Law & Order: SVU. We know this because he texted during this time with his only living relative, the sister in Vermont. Little is known about Weber’s family and childhood, beyond his sister’s recounting of a quiet, strained home life with an overbearing mother and her mention that Robert endured several head injuries as a child and adolescent, including one that hospitalized him for days.
After he finished watching TV, Weber entered the basement and murdered Yolanda Pierce. It is believed he took the Box Boy downstairs with him, either as accomplice or witness. At some point while he was disposing of Yolanda Pierce’s remains, the Boxie became enraged for one reason or another, beat him with a shovel, got the kitchen knife from upstairs and stabbed him to death, and then left the house.
A neighbor remembers hearing odd noises around 3:30 AM and looking out their window to see a shadowy figure walking quickly down the road, but they weren’t able to see well enough to say whether or not the individual matches the description and WRU-provided photos of the Boxie. It does seem reasonable, though, to assume that the neighbor witnessed the Boxie fleeing the scene of the crime.
The Box Boy has never been seen again.
Police are pretty mum about the active investigation into the Box Boy’s whereabouts. I was able to get ahold of one source closely related to a member of the investigative team who said that there’s just not a lot of urgency. “Weber killed nearly two dozen people, just that we know of,” The source said. “The cops are a little bit ‘good riddance to bad rubbish’ about the situation. Unless the Boxie comes back to RR, they’re just inclined to let sleeping dogs lie.”
The sense of “let it be someone else’s problem” would be understandable… if this Box Boy weren’t responsible for one other direct murder, possibly two.
Police believe the Boxie has not left California, and is likely to be continuing to survive by engaging in prostitution or perhaps panhandling or some other hidden way of making money. Unconfirmed sightings have been located in three cities in central California, but all of these are unverified and should be taken with a grain of salt.
It’s also possible he hooked up with a pet liberation movement group, in which case he may be hiding out in a safehouse, protected from the consequences of his actions by the pet lib movement’s understandable insistence on total secrecy and anonymity for the Boxies they take in.
If he’s an innocent victim of circumstance, that’s fair.
If he’s a burgeoning serial killer with three victims under his belt and a taste for inflicting terrible violence on those who take him in… well… anyone who gives him shelter may be next.
Is our Boxie a purposeful killer or just supremely, almost incomprehensibly unlucky? Will he kill again? Was he Robert Weber’s accomplice or his victim?
Will he strike again?
Should there be an audit of WRU’s psychological testing on potential sign-ups to see if, perhaps, a Box Boy-wannabe with an urge to kill slipped through the cracks?
What do you think?
-
@astrobly @finder-of-rings @burtlederp @whump-tr0pes @raigash @eatyourdamnpears @orchidscript @doveotions @pretty-face-breaker @boxboysandotherwhump @outofangband @whumptywhumpdump @whumpfigure @thehopelessopus @downriver914 @justabitofwhump @butwhatifyouwrite @newandfiguringitout @yet-another-heathen @nonsensical-whump @oops-its-whump @endless-whump @cubeswhump @gonna-feel-that-tomorrow @whumpiary
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nastyburger · 3 years
Note
public ShortComings right now right now right now right now ri
LMAO I HAVE SUMMONED CONSTELLAJ WITH MY DASH REDEMPTION ARC KLSADJSALKDJALK anyway heres the episode idea under the cut!!!
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the premise/start of the episode is similar to its canon counterpart. danny needs to pass an important physical exam and is paired with dash as a fitness buddy to help prepare for it. however, instead of jack just blasting phantom, a ghost, and an innocent bystander outside the house with the shrink ray and promptly fucks off to not deal with the consequences of that, the shrink blaster is introduced early on to danny as a prototype still in the works. it is then left in the lab until it is needed later and the set up for the actual fitness buddy stuff comes into play.
the real deviation from micro management happens when skulker attacks the duo. danny randomly shouts to scatter in opposite directions to throw the ghost off as a thinly veiled excuse to have a place to transform and promptly bolts...... except dash doesnt run in the opposite direction like he was supposed to. danny gets to a secluded area and starts slowing down, like half a second away from going ghost, before being pushed by dash to keep running with skulker following close behind.
while still running for their lives, danny is just like???? why the fuck did you follow me i said scatter????? to which dash promptly says “dude that ghost was definitely chasing you and there’s no way you can out run it, you would’ve been toast.” to further prove the point, danny is unable to shake dash off his tail and actually is struggling to keep up in human form, to the point where dash is practically carrying him while occasionally tossing him ahead to force him to run without falling behind.
danny, realizing that he wont be able to turn into phantom anytime soon, decides “okay change of plans, we’ll do this the human way” and steers dash towards the direction of fentonworks to get ghost weapons instead. they eventually hit the lab and danny starts grabbing ectoguns and starts blasting at skulker who is putting up quite the fight. dash, seeing the struggle, tries to help too. he grabs some guns of his own, but being more unfamiliar with the tech, he grabs a lot of duds or stuff not fully loaded. in his frantic panic, one of the guns dash grabs ends up being the unfinished shrink blaster.
before danny can stop him, the blast goes off but instead of shrinking only the target, it malfunctions and hits everyone in the room and a couple of weapons here and there. the shrink explosion knocks everyone back quite a bit so they’re far away from the gun and idk some bullshit about jack coming in to be like huh that’s weird and taking it somewhere else. shrunken shenanigans ensue.
if danny couldnt get away to transform before, he DEFINITELY cant now (how is he gonna explain disappearing and then having a mini phantom show up lol). so he an dash are stuck together. they grab all the tiny weapons they can and set off, having tiny happenings and that all along the way similarly to canon. the only difference is danny more discreetly using his his powers and covering it up by saying it was fenton tech. it leads to some funny stuff and danny trying to badly lie through his teeth.
this episode builds on both dash’s character and how his view on danny starts to change. this event is sorta the kicker to his whole redemption arc in the nasty reboot timeline, having moments/seeds somewhat sown before this but never full on sprouting until this moment. dash has seen danny hold his own in a fight before, but only in teams, with his friends, and behind weapons (i.e pirate radio) up until this point. as their weapons start to lose ammo and supplies (and, unknown to dash, danny’s powers) dash starts to REALLY see how resourceful and charismatic danny is on his own. all other possible factors are removed here, its just pure, unfiltered, human danny fenton baby!
even when dash has his breakdown similar to canon, the kid he picked on for years still extends a hand and helps him out of it. even when the goal seems so far away like they’ll never make it, danny tells him to press on and keeps moving forward. even when they’re at their wits end and dash cant for the life of him figure out a way out of the situation, danny still!! somehow!!!! does!!!!!!! all these little moments make dash start to fall in love appreciate the skillset and merits danny has all on his own. (theres also like themes of danny learning how to properly balance/maintain both of his lives and learning he has valuable skillsets as fenton too instead of being a useless half in this reboot. dash’s validation is a small part of what encourages danny into realizing his worth. because, hell, if your bully thinks you’re doing alright then thats gotta mean something, right?)
the climax of the episode is when danny is backed into a corner by skulker with no ammo, no powers, and no significant physical strength. but even so, danny decides to go off the deep end by launching himself at skulker and starts smacking the shit out of the ghost with nothing but an empty ectogun and blind gremlin rage.
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(exactly like this lol)
in the struggle, danny is doing surprisingly well (which dash absolutely notes in awe) but then at one point, skulker points a weapon in prime position to shoot danny without him noticing. dash panics and rushes to pull fenton off of skulker, but danny, upon realizing what dash is doing, takes opportunity and latches onto skulker’s head trying to pry it off with dash’s combine strength (much to dash’s confusion).
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basically, danny manages to rip skulker’s fucking head off (dash is horrified until danny shows him the actual ghost and how his body was just a suit) and sucks up skulker into a spare thermos. the two then use the suit to jet pack them up onto the welding table in the ops center where jack had been tinkering with it.
the shrink blaster had its final fixes implemented in it now, with a reverse switch as well, so danny and dash easily changes back to normal. they share a bit of a moment, similar to phantom and dash in canon. but instead of dash ruining the moment this time, its danny who simply states “well the adrenaline has worn off so i should probably tell you my leg is most likely fractured” before collapsing onto dash. at some point during the tussle with skulker, danny’s leg apparently got scrunched pretty hard to the point of being broken but danny was being too feral in the moment to react right away.
(again, as stated in a previous ask, my shitpost jock protection squad au took various elements from this plotline in the reboot so there will be overlap but its not canon)
because of the broken leg situation, danny is unable to do the test but is allowed to retake it once he recovers. of course, this means dash is still danny’s fitness buddy. this gives an excuse for them to be stuck together for a little longer and so the redemption process begins!!!! (even if danny’s leg technically already healed after a day or so lol)
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mk-wizard · 3 years
Text
Big Hero 6 The Series: It could have been better
Hello, friends. Today, I will be analyzing a TV series based on a movie that I fell in love with for its colourful themes, deep plot, compelling characters, great CGI and memorable messages. Before I get into it, I want to take a moment to say that I have quit doing videos. They are too big of a pain in the petunia to make and I write better than I speak, so I will stick to writing essays, reviews and more. Anyway, onto the analysis.
All I can say about Big Hero 6 the series is that it had a great concept, it presented some great ideas and tried hard to be a cartoon of the times, but it could have and should have been a lot better. The show’s downfall all centers around trying too hard to be kid friendly which makes the shame sting all the more because Big Hero 6 was already kid friendly even with its dark themes, sharp edges and intelligent writing. If anything, even the brightest kid friendly cartoons (Steven Universe, She-Ra, etc.) had those things and actually benefitted from them. By needlessly trying too hard, character development got scrapped, the edges were all smoothed out, storytelling was subpar, the humour was too silly and the executive meddling in the end produced a dismal final season. However, I don’t want this analysis to be one lengthy negative rant about how awful the series was because in its defense, awful is an unfair word. It did have potential and ideas which are worth carrying over to a reboot that I hope will be done someday in the future. Also, we should root for a reboot because Big Hero 6 would not be the first story that needs it before striking gold. Just look at how many times Spider-Man was rebooted in film before MCU found the version that worked. Anyway, I will list all the things in Big Hero 6 that could have been better in my opinion;
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1- Go easy on the laughs and be more generous with the action. - I love adding comedy to my own writing because I think a good sense of humour makes everything better, but Big Hero 6 is not a stand up comedy routine. It is a superhero story where we expect action, suspense and life or death situations that are to be taken seriously first. The comedy should be for relief and with the right timing. Also, the chibi cutscenes and having characters act like fools aren’t funny. Ren and Stimpy are the exception not the standard and their way of making you laugh doesn’t fit an action series. In a show as big as Big Hero 6, real life physics and danger matters.
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2- Make the villains menacing and gritty. - I admit that after having a movie villain like Yokai who was the stuff of nightmares, it is going to be a challenging act to follow, but it was obvious that the writers were trying especially with some villains who could have easily gone into some dark relatable territory. For example, Mr. Sparkles (the gentleman in the photo above) embodies social media and Internet personalities. Right off the bat, you have a long list of things which embody the dark side of that like scams, fraud, using social media to dox or harass, driving people to suicide, online predators, the Internet personalities being very depressed people in real life, and much more horrifying things. When you stop and look at it, Mr. Sparkles even looks like the Joker which hints how dark and scary he could have been if the stops were removed. The same goes for enemies like Hardlight who embodies online gaming, Liv with cloning, Obake an amoral and insane scientist, and Trina and Noodle Burger Boy (more on him later) being evil robots. Globby especially should have been painted and written in much darker colours rather being played off for laughs because he has many parallels with Clay Face. The only two villains who I can say were supposed to be campy, charming and comical were Baron Von Steamer and Supersonic Sue because they were a satire of the Adam West style villains.
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The rest of them needed to be dark and threatening including Mr. Sparkles. In fact, I would love a rebooted version of Mr. Sparkles who gives me the heebie-jeebies. Going back to Noodle Burger Boy, I must confess that I was actually excited when I heard that he was going to be the main villain of the final season because I thought he was going to fulfill his master’s final wish and as a reminder, Noodle Burger Boy was based on a super robot for military purposes.
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It would have been fantastic if Noodle Burger Boy was upgraded into a full military war machine with a new threatening look. For that, I think all of the villains deserve to be rebooted and have their full potential unlocked for better or for worse.
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3- A show about geniuses merits genius level art quality. - I am usually forgiving towards art styles, but in the case of Big Hero 6, the oversimplified style with minimal details and lack of textures did not suit the show. The characters blend in with the background which makes them look flat and the special effects were extremely dulled down. I also know for a fact that Disney can do a lot better than this because I saw how superbly Tangled the Series was drawn.
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You can see and almost feel the difference in quality, the number of layers and level of detail between the two styles. I think there was no excuse Big Hero 6 was not done in the same style and at the same level if not better as Tangled.
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3- Don’t dumb down or flanderize amazing characters. - I absolutely detest it when characters are flanderized because it makes them one dimensional and grating. For example, Go Go is tough as nails and extremely calm, but she is not cold or hesitant towards helping her friends. She doesn’t require very special episodes for us to know that. If anything, the movie version of Go Go reminded me a lot of Garnet in how she deconstructed the broody character. She isn’t cold or emotionless. Just calm and mature. Another good example was how Honey Lemon was rewritten to be overly positive to the point of toxicity, naïve and oblivious with a juvenile obsession with stickers. Then you have poor Fred who was rewritten to be an incompetent fool. The spark that makes Big Hero 6 shine is that they are a team of geniuses meaning they are all intelligent. Even Fred is genius in his own way just not a scientific one. He has a vivid imagination, he is resourceful and can get himself out of tight spots. Please, don’t turn characters into dummies especially if their intelligence is a part of them. It doesn’t make them better or funnier. It ruins them.
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4- Tadashi needs closure and honour. - I am all for Hiro making peace with the loss of his brother, but Tadashi is to the Big Hero 6 team what Uncle Ben was to Spider-Man. His loss was the catalyst if not the reason. He should never be forgotten. Moreover, there was never any true closure to him especially with the possibility that he may still be alive up in the air. After all, like Callaghan, his body was never found and it turned out that Callaghan was still alive.
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With that said, who is to say that Tadashi was not secretly still alive and just hiding or being hidden? This is something that Disney really needed to clear up if not for the fans, then at least as a service to such an important character. Never just forget about them.
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5- The format can only be episodic with a deep plots, continuity and character development. - Random episodes with a mere monster of the day is an outdated format which doesn’t fit Big Hero 6′s modern and bright setting. In seasons 1 and 2, when the episodes were plot heavy with character development, the series shined brightest. It also helped move the story along, but with the final season, plot was removed, closure was abandoned or poorly written if any was given, and characters were disallowed from growing. A good example at how plot and character development could have made this series and its characters better was the relationship between Hiro and Megan. Would it have truly survived or would they have broken up?
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Would Richardson Mole have eventually lost interest in his obsession with besting and bullying Fred or would his obsession consume him compelling him to become a super villain? I do see quite a few similarities between Mole and Reverse Flash.
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Then you have Karmi who is in my opinion, the biggest wild card of the bunch. She was intentionally introduced as an arrogant, prickly and unlikable yet complex character who rivaled Hiro bitterly.
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Yet had a huge crush on his alter ego and as time went on, started to grow up and even form a friendship with Hiro. What would have happened further down the road with her? Would she have become a super hero herself? Or maybe even another love interest for Hiro kind of like how Black Cat is for Spider-Man?
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Is Obake really gone?
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What does the future hold Diana (Liv’s clone), Liv herself or the Sycorax the genetics company?
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Is Alistair Krei going to become an ally to Big Hero 6 or an antagonist? There is also the issue at how little we know about the other Big Hero 6 characters other than Fred, Hiro and Baymax. What are Honey Lemon, Wasabi and Go Go’s backstories? These questions matter and while not every mystery can be solved, leaving none of them solved is lazy writing.
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6- Executives, kindly stay out of the writing and any other part of the creative process. - I’m sorry, execs, but there is no nice way to say it. History itself proves that every time executives got involved in the creative process of any media, it got worse not better. Leave the writing to the creative team and the execs should only handle the legal stuff. Please. We understand that TV is a business, but writing itself is not. It is an art which you just don’t have a talent for. Let the creative people do their thing with the freedom necessary and you do your thing, deal? Deal.
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7- Focus on Hiro and Baymax. - The are the main characters so keep them at the heart of the series no matter what happens around them. That is all I can say.
And that sums up all the things that could have made Big Hero 6 the series better, but this is all just my opinion. What is yours?
PS: I am well aware that the Big Hero 6 series is being retconned because a new series called Baymax is in the works as well as the long awaited sequel to the first movie. I am looking forward to both with an open mind. PPS: I also am aware that some people liked this show the way it was including the art style and I am cool with that. An analysis for art that includes cartoons is never right or wrong. It is solely based on opinion. I may have thought this series could have been better, but there are people who make arguments that it could have been worse.
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constellaj · 3 years
Note
16
Please talk more about your reboot!
16: If you could change anything in the show, what would you change?
okay so how i would re-do CANON is completely different from how i would talk abt a reboot so im gonna touch on a couple things in both contexts! the reason for the difference is canon rewrites imply i can go back in time and introduce dp fresh and new, before anyone knows what it is; but for a reboot, id be working with an audience that has a better understanding of the source material, so i dont need to spend as much time explaining, but i also need to keep everything recognizable
Valerie
REWRITE: i would def make it more danny's fault that her dad lost his job, like danny was intentionally being reckless and shattered some security stuff, and he has a whole mini lesson about learning to not just run in guns blazing. i would probably remove the dating stuff with her and danny (and tuckers crush) too, I think them wanting to be good friends is good enough for freshman year
REBOOT: the fandom already knows valerie exists, so i would actually skip the whole shades-of-gray introductory episode and have her be present as the huntress from day 1-- probably even before danny got his powers. cujo is also HER dog, and her backstory-- we'd find out in like, season 1, that a natural ghost portal (maybe one wulf opened) ripped open on her dog and killed him, and since then shes had a vendetta against ghosts cause of how reckless they are and their disregard for life-- of course, cujo isnt actually dead. cujo is a halfa. a puby halfa. anyway instead of a hoverboard she actually rides cujo around cause he can fly and its big and epic. valerie has BEEN amity parks ghost-eradicating superhero for at least a year (tho shes been in the shadows abt it) and her hatred towards danny actually just becomes really petty, like them flying next to each other chasing skulker just going "I got this. no I got this. no I got this" and they just get in each others' way and its a mutual grudge.
BOTH: i am NOT keeping in vlad giving her the suit to watch danny under any circumstances. it was only utilized half assedly in canon (when vlad couldve just had an invisible duplicate watching him instead) anyway, and I dont have any reason to keep it in a reboot either. instead i want her tech to be a combination of half-stolen and half-gerryrigged stuff and she slowly slowly learns how to build her own.
I also dont want anyone knowing her secret identity, except maybe her dad, and sam or tucker. i think it works better if danny isnt privy to this magic info
Freakshow
REWRITE: i would honestly just remove him. the episodes hes in arent particularly interesting, theyre just generic "we need a plot about x" filler and he's not compelling enough a character (at least in writing) to carry a better plot that another antagonist couldnt. i'm serious
REBOOT: unfortunately in a reboot he's gonna have to pop up somewhere or else ppl will be like "where IS HE" so I'm going to stick with running some kind of ghost circus, maybe a few occult things, but cut out a lot of the spooky magical knowledge and mcguffin stuff. maybe i could make him like, someone from vlad/jack/maddies college who always felt pushed around by them and so he has a vendetta? and theyd be the only reason he even learned abt ghosts in the first place. idk in either way I want to force him into being irredeemable but also include LYDIA (the tattoo girl ghost) way more-- I want to give her an arc that ends in her tossing freakshow aside and running off to be a ghost vigilante.
BOTH: dear god the infinity gauntlet is stupid that needs to GO AWAY. especially for the reboot cause it would exist in a post-mcu world and way too many people would complain about it
Vlad
REWRITE: amp him up to a far more sinister and villainous character. the crushing on maddie isnt enough, I want to show him on-screen performing experiments on ghosts and himself, dismissing everyone else cause he thinks hes smarter than them. i want him to be actively sabotaging the fentons at every turn. i would also clarify that he doesnt actually want danny as a son, but as a trophy-- a line where danny says something along the lines of "you don't want a son. you want a slave". i want to make him a character who wants to destroy the entire planet and put it in the ghost zone so he can be the true ghost king and i want to make this all evident from day one. if i'm writing a series villain you can bet i'm going to write a GOOD one. less petty drama here and more actual stakes.
REBOOT: it seems silly but sense with reboot we have the benefit of hindsight and recognizing that vlad wasn't a big series villain, theres no way i'd actually go back and write him to be such. for starters, of course, theres the fact that anything he does would really be an exaggerated part of the original, and it would bore an audience to see the same story again-- theres also the fact that it doesnt seem right to take a character who was treated as a joke half the time and suddenly make them big and important. no, instead for my reboot i want to lean into the petty gay uncle vibe. he had a crush on jack and now just casually insults him. he moves mansions every now and again by just haunting the family who lives in the one he wants, and taking over-- i mean, who is gonna believe that an actual ghost haunted you. he dislikes danny not because he has some concept of 'evil' and 'good' but bc danny is just too damn active. of course he actually does care about danny and his safety deep down, it's just on the surface they have very conflicting motivations-- not to mention that danny has been raised on legends from his parents of the villainous Wisconsin Ghost, who has to be stopped at all costs.
BOTH: i want jack and maddie to KNOW he's a half ghost and to actively be hunting him down for it, maybe bc they think hes possessed, or been a ghost tricking them this whole time, or the victim of a tragic lab accident who needs to be put to rest, etc. whatever the case it will give vlad actual tangible reason to despise them and genuinely suspect they dont have dannys best interests at heart. i think it would be neat if vlad was cynical and every time danny hit him with the "I'll expose us both. at least theyll still love ME" vlad could be like in the back of his head "oh god theyre going to kill this child"
Dani
REWRITE: cut her out. we don't need her character at all. maybe replace her with a more ominous shadow duplicate / clone that actually looks like danny himself and doesnt really have a name? you could probably combine her and dark dans characters for their arcs
REBOOT: instead of a clone from vlad, she's a guys in white creation using some of dannys dna after he was captured (and vlad broke him out bc he was like "ugh i guess i have to save this child")
BOTH: vlad actually cares abt her (duh), shes nonbinary (double duh), she gets the funny dissolve into goo powers
i had more i thought i was gonna write but this post is already very long and also im running out of coherency for this LUL
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April 2021 Picks
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And we’re back with the end to another month. April! Wow! Lots more great picks to talk about this time. Lots of new ones to the list too. So, let’s dive in!
Spoiler territory ahead!
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THE FALCON AND THE WINTER SOLDIER
or should I say Captain America and the Winter Soldier
I just finished the finale last night, so it felt right to start off with The Falcon and the Winter Soldier. I really enjoyed it and I feel the episodes got stronger as the series went on. Each one felt like a mini-movie and I was upset it was over and had to wait another week for another one. I think the finale was my favorite. Especially the reveal of Sam as Captain America. I love his suit, his speech and the montage of everyone watching him. The last part of the episode was definitely my favorite and one I can watch on repeat. I loved seeing happy Bucky and him goofing off with the kids in Louisiana. He deserves so much happiness as he has now accepted he’s no longer who he once was. Bucky and Sam’s relationship is fantastic and I can’t wait to see it more. I know there’s a possibility of a second season and they have to be in a future MCU movie. Regarding the villain, I feel I was confused for most of the show as to what their objective was. I’m curious if this is because they had to reshoot parts during the pandemic. I also am mad with Sharon. Like what happened with her? She is definitely the true villain of the show. I also don’t love that we haven’t seen the end of Walker (but Wyatt Russell did a fantastic job). I also loved Torres and I hope he becomes the next Falcon. Definitely so different vibes from Wandavision, but just as good!
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THE IRREGULARS
This is a show that more people need to be talking about! It was SO GOOD! I feel like I heard some buzz about it when it first came out, but not much after. It follows the teens featured about who live on the streets during Victorian London. The leader of their group, Bea gets approached by Dr. John Watson (that’s right...as in Sherlock and Watson) to take on a case that has more supernatural qualities. The story takes off from there. I think the group dynamic was fantastic. There wasn’t a character I didn’t like and each one brought something else important to the group (which they even bring up towards the end of the show). [I’ve watched a few cast interviews since finishing the finale and they seem like they get along really well in real life too.] There is a kind of love triangle, but it didn’t bother me and was over fast. I did like both combinations though. Lots of twists and turns along the journey. I have no idea if there will be another season, but there should be. It didn’t end on a major cliffhanger, but definitely ended in a way where it could continue nicely. Come on Netflix. 
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HBO’S THE NEVERS
From one show set in Victorian times to the next. The Nevers just premiered on HBO and HBO Max earlier this month. It follows an ensemble of characters, similar to other HBO shows, ranging from characters who are called “the touched” to men in government who are against them. Being “touched” means they have a special talent or power, which can range from healing to speaking other languages, being extremely tall, or being an expectational inventor (I seriously love Penance. I just don’t know how to explain her ability). Amalia True and Penance Adair are two of the main characters and they help bring in others who are touched to a remodeled orphanage that is a safe haven for people like them. Of course there are those who are against them existing. This seems to be at least two groups as someone is abducting and experimenting on some of the touched, but we don’t know who they are...yet. I love the fusion of a historical setting with a fantasy element. I am very excited to see where the show is headed. I also love seeing so many of my favorite British actors on the screen together.      
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ONCE UPON A TIME IN WONDERLAND
Time for a throw back. Fans of ABC’s Once Upon a Time might remember the short lived spin off following Alice in Wonderland (and some of Aladdin). It only lasted for one season of 13 episodes, but I remember loving it and I am so happy I can rewatch it on Disney Plus. It reminds me of why I enjoyed OUAT so much and I think this show deserved another season or more crossover with the original show. (Luckily the Knave got that opportunity.) I think it should have aired as a summer show or when OUAT was on hiatus, this way more fans would have tuned in. It is something I’ll believe forever. 
Anyway, I’ll stop ranting now... I love Alice. I think she’s a badass and a fierce warrior. If you follow some of my posts on my other blog, Lydia-yougowith-Stiles, you’ll know that I love a warrior romance and Cyrus and Alice fit that perfectly (even if they are apart for much of the series). I also love Alice’s hair and outfits. Everything about her is cool. Her relationship with the Knave is one of my favorite friendships ever. I think they balance each other out so well and how they spend most of the journey together. Back in the day, I totally shipped them, but now I definitely don’t. (Even though I don’t love Anastasia.) This is definitely worth the watch if you’ve ever heard of Once Upon a Time or not. There is very cheesy CGI especially for 2013, but once you get pass that you’ll love it. 
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ZOEY’S EXTRAORDINARY PLAYLIST
It was on a longer break than I expected, and I didn’t miss it as much as I thought I would (which I know doesn’t sound good for a show), but I am still loving all the episodes this season. It feels like there are more musical numbers, which I love. Mandy Moore is killing it with the choreography. There are so many amazing moments. I also was a big fan of the newest glitch episode. Everyone is so talented and I also like that we’ve started to hear from more like Jenna and Tobin. Leif has become one of my favorites. I don’t love the new neighbor next door, but I think we’re done with his storyline. I’m not loving the Zoey love triangle, but I do like her with either Simon or Max. She seems really happy with Simon now. (FYI: I haven’t watched the most recent episode yet. The glitch one was my latest.) Can’t wait for more!    
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KUNG FU
CW’s newest show this month was Kung Fu, which I just learned was a reboot. It follows Nicky who returns after 3 years to her home in San Francisco. Her family has mixed feelings as she has had no contact with them for the last 3 years. She is now a Kung Fu master and warrior, out to avenge her mentor’s death and stop a villain from acquiring mythical weapons. The show gives me Arrow vibes every time I watch it. It has similar flashbacks each episode to an earlier time in Nicky’s life. While Nicky’s mission is different, the style just gives me early seasons of Arrow vibes, which I am not complaining about. It stars Legacies’ Alyssa Chen, who I didn’t love on Legacies, but instantly fell in love with Nicky. I think she’s a bad ass character and love how she’s fighting for the underdogs on the streets of San Fran, while also taking down a bigger evil. The love triangle is heating up and I’m definitely team Henry (even though there’s some mystery there). I think he’s great and once again we have an awesome warrior romance. They balance each other so well and it’s only been like 3 episodes. Now they’ve also been sleuthing together and it’s just amazing. 
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NANCY DREW
Are you sick of hearing me talk about CW’s Nancy Drew? I hope not because I’m going to fangirl again. I LOVE THIS SHOW SO MUCH! I can’t wait till Wednesday comes and I tune in a little after it starts, so then I can fast forward on my DVR. Then when the episode is over I basically start it all over again and watch select scenes that were awesome. (More specifically, they tend to be Nancy and Ace scenes because I love them and we’re entering so much angst I don’t know if my heart will be able to handle it!!!) 
I’ll say it a thousand times: THIS CAST IS EVERYTHING! Their dynamic is amazing. You can have any match ups and it’ll be a great time. There is not one person I don’t like. I was so upset that there wasn’t a new episode last week (especially because it was my birthday). I loved the last one with the Hardy Boys and that Nace reveal! OMG! I’m so sad that Grant has left again because we barely had him, but I feel he’ll eventually come back. He has to. I loved the ending when he spoke to Thom by signing to him. (My heart!) I seriously can’t say enough great things about this show. It is not your typical CW show and deserves more love and views. So happy a third season has already been confirmed!! 
LAST NOTES
Just started Shadow and Bone on Netflix and am loving it! I’m sure I’ll have an entire post dedicated to it when I’m done. (Currently going to start episode 6.) I have no background on the universe or the books (just what my sister is filling me in with as we watch). I definitely plan on reading Six of Crows after this!
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So what are you enjoying? Let me know. I’m always looking for more shows to add to the list! Can never have enough. 
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crusherthedoctor · 3 years
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Can you list anything you unironically like in the games (and cartoons and comics) that you don't like?
I won't bother mentioning music, since that goes without saying and is to be expected for a Sonic game... unless you're Chronicles.
Sonic Adventure 2 (mixed gameplay-wise, annoying story-wise) - While I prefer Sonic's SA1 levels for a number of reasons, I still think his and Shadow's gameplay in SA2 is fun on its own merit. I also don't mind the treasure hunting gameplay returning or how big the levels are this time around, since Knuckles and Rouge are still fast and not '06 levels of slow. It's mainly the gimped radar that creates the unfortunate domino effect of making them a problem.
- Introduced Rouge, one of my favourite characters for how playful she is and how she's a lot more nuanced and intelligent than you'd expect.
- Some genuinely good scenes, like Eggman's trap on the A.R.K and Sonic escaping from the G.U.N. helicopter.
- Had some good ideas going for it, like the Pyramid Base and the Biolizard as a scientific monster instead of an ancient one.
- Despite my thoughts on the backstory itself (or rather, its execution), Shadow has enough depth and subtle qualities and occasional unintended hilarity to stand out from the typical dark rival characters you see in media.
- The Last Scene's music in particular is one of my favourite cutscene tracks in the series.
Sonic Heroes (mixed gameplay-wise, loathed story-wise) - The gameplay is fun when you're not being screwed over by repetitive combat, overly long levels and/or ice physics.
- Boasts some of the most consistently Genesis-worthy environments in the 3D games, up there with SA1's and Colours'.
- The in-game dialogue that isn't the same tutorial drivel repeated ad nauseam can be interesting, funny, etc.
- Reintroduced the Chaotix, which provided me with another character I quite like in the form of Vector.
- Bringing Metal Sonic back in full force and front and center in the plot after a long absence (not counting cameos and the like) is a perfectly fine idea. Just... not like this.
Sonic Battle (decent yet repetitive gameplay, mixed story-wise) - Emerl's arc is compelling, and it earns the emotional weight of having to put him down at the end.
- While some characters are iffy (read: Amy), other characters are extremely well-handled. Shadow is probably the prime example.
- Gamma's belly dance healing animation is fucking hilarious.
- When I was young, and the game was first announced, I was really excited about being able to play as Chaos. This proved to be my downfall when it turned out he was arguably one of the worst characters in the game due to being slower than me during the writing process, but I still recall that excitement fondly.
Shadow the Hedgehog (comedy classic) - The sheer amount of legendary stupidity this game has going for it makes it practically impossible to actually hate. It helps that it's not quite as white-knighted on the same level as '06... usually. You know you're in for a unique experience when you hear a gunshot every time you click something in the menu.
- By extension, Black Doom never gained an unironic fanbase like Mephiles/Scourge/Eggman Nega did, which means I'm a lot more willing to take Doom's dumbass brand of villainy in stride. He even has a unique design... a terrible one that rips off Wizeman granted, but alas, even that is a step-up from Fridge Shadow and Bumblebee Eggman.
- Despite being... well, Shadow the Hedgehog, some of the environments would fit right in with any other Sonic game, like with Circus Park, Lava Shelter, and Digital Circuit. Even the Black Comet levels look pretty cool.
- This game understands amnesia better than IDW does.
Sonic '06 (what do you think?) - The obvious one: Shadow's character was handled pretty well, even if it came at the cost of everyone else being a dummy and being forced to interact with Mephiles.
- Like SA2, there are some good moments, like the Last Story ending sequence with Sonic and Elise.
- In the greatest form of irony ever, I like Solaris as a concept and design(s), and its backstory has potential to serve as a parallel with Chaos without being a complete ripoff. Iblis sucks, Mephiles sucks, but I'm fine with Solaris.
- Introduced legendary characters like Sonic Man, Pele the Beloved Dog, Hatsun the Pigeon, and Pacha from The Emperor's New Groove.
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The Rivals duology (apathetic outside of Nega-related grumbling) - There were some cool zone ideas in both games that were sadly let down by the restrictive and limiting gameplay. I particularly like Colosseum Highway for thus far being the only full-on Roman level in the series instead of merely having a couple minor hints of Roman, and Meteor Base for the unique scenario of the space station being built into an asteroid. These level concepts and others deserve a second chance IMO. (At least Frontier Canyon got a second chance in the form of Mirage Saloon, amirite?)
- Ifrit has a better design than Iblis. Not saying it's amazing, but the Firebird motif it has going on is a lot more interesting for a fire monster than the Not-Chaos schtick they had with Iblis.
Sonic and the Secret Rings (a very frustrating gaming experience) - Erazor Djinn, A.K.A. Qui-Gon Djinn, A.K.A. Dr. N. Djinn, A.K.A. I'll Take It On The Djinn, A.K.A. Not From The Hairs On My Djinny Djinn Djinn, is one of the best villains not associated with Eggman in the series. He's a Mephiles-type character done right, and there's actual weight and reason to his actions, however sinister or petty.
- I don't have strong opinions either way on Shahra as a character, but the Sonic/Shahra friendship is sweet and well-handled.
- The ending is one of Sonic's greatest moments. The sheer contrast between how ruthlessly he deals with Erazor and how comforting he is towards Shahra speaks volumes... Still gonna make fun of the mountain of handkerchiefs though. (Before anyone lectures me, I understand the significance of it and can even appreciate it from that angle... doesn't mean I'm not allowed to poke fun at it. :P)
- Another game with some redeeming environments. I love the aesthetic of Night Palace, and Sand Oasis looks gorgeous too.
Sonic Chronicles (my personal least favourite game in the series) - Uh...
- Um...
- Er...
- I like Shade's design?
Sonic Unleashed (overrated game and story IMO) - The obvious two: the opening sequence and the Egg Dragoon fight deserve all the praise they get.
- Seeing Eggmanland come to life was an impressive moment to be sure. While part of me does feel it didn't quite measure up to what I had in mind (ironically, the Interstellar Amusement Park ended up being closer to what I had in mind), it still looks badass and works well for what it is. I also don't mind the idea of it being a one-level gauntlet... key word being idea.
- Obviously, the game looks great. Not a fan of the real world focus (real world inspiration is fine, but copy-pasting the real world and shoving loops in it is just unimaginative), but it can't be denied that the environments look good.
- This game pulled off dialogue options a lot better than Chronicles did, since they didn't rely on making Sonic OoC.
Sonic and the Black Knight (just kind of boring all around) - Despite my gripes with the story (Merlina wasn't nearly as fleshed out as her unique anti-villain status deserved, which ends up severely undermining the ambition of the plot in more ways than one, and the other characters go from being useless yes men for King Arthur to being useless yes men for Sonic), I will admit it provides interesting insight into Sonic's character.
- Like '06 and Secret Rings, the ending is very nice... well, aside from Amy being an unreasonable bitch ala Sonic X at the very end.
Sonic the Hedgehog 4 (apathetic) - The admittedly few new concepts sprinkled within had promise. They may not have been as fleshed out as they could have been, but level concepts like Sylvania Castle and White Park, bosses like Egg Serpentleaf and the Egg Heart, and story beats like the Death Egg mk.II being powered by Little Planet, all could have been brilliant had they been better executed.
SatAM (apathetic outside of SatAM Robotnik-related grumbling) - I'm not a fan of the environments on the whole due to them looking too bland or samey, but there are some exceptions that look pleasant or interesting, like the Void.
Sonic Underground (apathetic) - The character designs make me feel better about myself.
- Does "large quantities of unintentional meme material" count as a positive?
Sonic X (mostly apathetic outside of Eggman's handling) - Helen was a better human character and audience surrogate in her one focus episode than Chris was throughout his entire runtime.
- Actually, most of the human characters not named Chris were legitimately likable. Including everyone in Chris' own family not named Chris. Hilarious.
- Despite arguably having the most Chris in it, I actually don't mind the first season that much, partly due to slight nostalgia from seeing it on TV when it was new, but mostly because Eggman actually acted like a villain for the most part, and certain other characters weren't quite as flanderized yet. It's season 2 and onwards where things started going off the rails IMO. (Incidentally, Helen's episode was part of season 1...)
The Boom franchise (apathetic) - Along with Chronicles, the games provide yet more proof that just because someone isn't SEGA/Sonic Team, that doesn't mean they're automatically more qualified to handle the series.
- The show had some good episodes here and there, and Tails' characterization was probably the most consistently on-point out of the cast.
- Despite not exactly being favourite portrayals for either character, even I'll admit that many of Knuckles and Eggman's lines in the show on their own were genuinely funny.
Archie Sonic (pre-reboot is mostly terrible, post-reboot is mostly... bland) - Whenever I doubt myself as a writer, I think back to Ken Penders, and suddenly I'm filled with a lot more confidence.
Sonic the Comic (apathetic) - Fleetway isn't a comic I tend to recall much of aside from how much of a loathesome cunt Sonic is, but IIRC, Robotnik's portrayal is pretty good. Different, but good.
IDW Sonic (stop pissing me off, comic) - Putting their handling aside (and being too obviously "inspired" by MGS in the latter's case), Tangle and Whisper are good characters IMO.
- Same goes for Starline, before he was killed off-screen and replaced with Toothpaste Snively.
- Execution aside (noticing a pattern?), the zombot virus was a fine concept on its own and an interesting new scheme for Eggman.
- I get to remind myself that I've never drawn scat edits and posted them publicly on Twitter.
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popculturebuffet · 3 years
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Ducktales Comics: Spies Like Us and Dime after Dime or Weblena: The Preschool Days (Lena Retrospective) (Comissioned by WeirdKev27)
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Hello all you happy people and welcome back to Shadow Into Light, My Lena Retrospective, which fittingly has now come to Women’s History Month! I sadly do not have anything besides this arc prepared for the month. This month is pretty packed for me with two shows a week to cover, as while there’s only two weeks of Ducktales left final space starts up right after to take it’s spot, two arcs to cover, and two time specific movie reviews: animal crossing the movie and the 1990 TMNT film. I will try to get more than the currently planned top 12 superheroines list out there... but this month is very tight as is, so if I do not I deeply apologize.
Now that’s out of the way, it’s appropriate we start Women’s history month on some likely lesser known parts of Lena’s history, with some comics stories focusing on our faviorite emo lesbian duck and her 87 counterpart. Before I get started on that though Kev my patreon pointed out something intresting a few weeks back i’ve been forgetting to get to and since we’re looking into Minima, I felt this was the perfect time to do so: Lena’s Concept art. 
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There’s quite a few things to gleam from this. For starters as pointed out in the reddit thread I got the image as a whole from this was made in 2015, meaning Lena was one of the first new characters designed for the series and was part of it from the VERY early stages, as evidenced by the fact that despite clearly having their new personalities established, Beakly and Webby still had the old designs. 
The other notable change is that her first design was way more like both Magica nad Minima, a bit more modern, but clearly far more obvious who she was related to. She also had all black feathers making the shadow twist a bit more obvious and was likely done away with both to avoid giving that twist away, the same reason for the fake lestrange name, and to avoid accidently black coding her, as while Lena being black would’ve been intersting, it also would’ve invited a firestorm of controversy given that their one black character in season 1.. woul’dve started off as a homeless, manipulative antagonist, and none of that would play well nor was it something the progressive crew of this show couldn’t spot from a mile away.  And even this early on they have an almost final design ready, simply changing the shirt to fit her personality more, and her hair to be pink because it honestly looked better She also had green eyes throughout, but for whatever reason they phased them out. That part I don’t quite get as they look nice but probably they were hard to translate to the reboot style once they settled on their own. Her purple eyeshadow and haircut though have stuck since and were good calls. 
One last VERY obvious note.. Webby was gay for Lena from minute one. While Dana helped it is now VERY obvious they gay coded this relationship from the design phase, and the crew was entirely aware the whole time and I gave them less credit than I should have. They clearly had this in mind, and it’s very likely ONLY subtext because Disney, while making more and more progress, is very reluctant to have queer characters as Owl House was a struggle and since they have a tighter leash on properites based on the sensational 6, that means Frank knew they had the same odds of making Webby or Della queer in anything but subtext that a pig has of suviving in a slaughterhouse. I bring this up because I fear the series getting accused of queerbaiting somewhere down the road instead of doing what they could with a bad hand and hoping they could make the show as gay as they could. Penny is as out as they posisbly could get her, and Violet and Lena’s dad’s got a full apperance, if no speaking role that made it obvious beyond a shadow of a doubt their gay and did it in a plot important episode. So they did their best and I want them to get credit for that. 
But while this is all intresting stuff, join me under the cut for the meat of today’s review as I dig into Lena’s only apperance in the tie-in comic that was never punished here, and the only apperance of her protoype Minima.
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Spies Like Us:  As I mentioned this comic was never published here which is doubly weird to me because of how I knew this story existed. Since I follow comics weekly and buy trades reguarly, I read the solicits companies put out eveyr month to see what new series are coming, what the ones i’m currently reading are doing, and what trades are coming out. That sort of thing, and it’s something I love. I know their basically adds.. but their well put together adds that really pull you into the books you like. The big two and the indies are all very good at it and sometimes i’ts the only way to know a comic is coming if the company dosen’t make a press release for it ahead of time. 
So naturally given there are several comics I follow at idw, paticuarlly the TMNT comics, I read those solicits and found they were going to do an issue with Webby and Lena becoming spies, and was excited about it. I ended up forgetting about it and never really followed the Ducktales comic as it came out, and upon reading an issue or two recently, one for another comission by kev as one story, happy happy valley, was particularly terrible. For those who haven’t read the story or my review, it involved the family getting stranded on an island where their forced to partake in activites and smile..that somehow turned into an aseop about Louie wanting to be rich. It ended with this
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Yes.. really. That actually happened. But even with this, I fully planned to cover the issue when I covered Lena, and brought it up to Kev when he commissioned the retrospective. He gave me the discord equilvent of a blank stare and had never heard of it. I soon found out why: the story was replaced as, and fair play to disney, it spoiled Beakly’s past from the agent 23 episode which wasn’t going to air in time.  What dosen’t work is they never reprinted the story in The US.. didn’t put it in a future issue and just swap it’s place didn’t put it in the nothing. And the story was fully complete as we’ll see, with a cover and everything so they had no excuse whatsoever to NEVER use it, even with what happened to Lena in the season finale, this clearly took place before that and it was weird to just shelve it because of that. But thankfully when a bunch of the stories were reprinted overseas, this and another one, also webby centric got published overseas. But not in english.
Lucky for me, I was able to find an english translation of an english story which you can read RIGHT HERE. It was translated by @neopuff and I thank them for it as without them this review would not be possible and want to give them all the credit. So was it worth all their hard work translating it? Well let’s take a look. 
We begin at the Manor where Lena is skulking around suspiciously.. though it turns out she and Webby are just playing hide and seek. Though Lena accuses cheating. The dialouge here is pretty flat though that’s not Neopuff’s fault at all. As I can attest from reading other stories a lot of the early IDW comics are just this flat in dialoguge no matter the writer as they were likely given character descriptions and basic info about the show they likely had written up for merchandising and Frank and Co were given no involvement and likely weren’t made avaliable to consult on the comics to help them be a bit more fleshed out. It’s very obvious to me Disney just tried to get these pumped out so they’d have a series in stores to tie in without carring about qualities and given Scrooge debuted in comics, their lack of care toward that side of things in general, but especially in the first american published original duck comics in a while, bothers me a lot. It’s inexcusable. 
That being said the story isn’t half bad nor is the setup as the two hear a beeping and find it’s Beakly’s phone going off with a mysterious message from Q, Webby thinks she’s been reactivated, and is encouraged by Lena to go look after her while she stays along. While Webby says in response
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It just feels grossly out of character for both. Lena is far more subtle about manipulation as shown five minutes ago and Webby blindly trusts her. Because she has a massive crush on her and is naïve about how the world works. It just seems very odd of her to get suspicious as she never does on screen, and again it comes off as Disney having barely given the writers any materials on them when i’m sure Frank or Matt would’ve been happy to write up a thing for them to help outside of the usual press materials they were given. 
Though hte last line isn’t all that out of character and has an obvious answer as within a jumpcut Launchpad’s taking them to London and is told to blend in.. which he does with an australian flag and accent.. good gag. 
So our heroines do some heroic breaking and entering and look for the package, but soon find while hiding it’s already in transit.. and had obvious bows on int. Whoops. Our heroes trie the old follow tha tcar bit and refreshingly, it dosen’t pan out as the guy stops and tells them to get out. A nice twist. Unable to follow, our heroes instead find launchpad lost, as his map is upside down
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So Lena dares him if he can follow that plane, a nice bit of character for both. I will give Joe credit. While the dialouge’s a bit flat and there was that out of character moment.. for the most part he does nail the actual character down and does use it decently enough. He’s just not given enough page room or actual details to work  with is all. 
So while our heroes follow they end up having to crash as they run out of fuel.. lucky their with the expert but end up near home where the package is delivered to. Turns out this wasn’t a spy thing, this was just a thing with her aunt. That’s fine and a nice gag.. it’s just ruined by just sorta.. ending. Lena leaves disapointed and Beakly scolds webby for “playing spy” and she’s sad. That’s it that’s how it ends. Which dosen’t fit the characters, as while Beakly would defintely scold her, it just dosen’t FIT that she’d be that tearse or not appricate the effort or give her an actual lecture and it feels like Joe had no idea how to end this after the gag and just.. ended it. 
Final Thoughts for Spies Likes Us: This was okay.  It is a bit of a disappointment as for the only story not available.. i’ts just okay and not really above an average Ducktales comics story, with some nice character bits but feeling a bit weak overall, as do at least the first half of the idw comics. I haven’t read the later stuff to see if it got better. It’s worth a read if you like Webby and Lena as characters and it’s not BAD, it’s just not anything impressive and is a simple hyjinks filled misunderstanding story. 
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Dime After Dime:
So now  we go back a bit to the original. I didn’t do these in chronological order because frankly, Dime after Dime is the better story of the two and the bigger one at that, so I have more to work with here. But the original also had comics and honestly from the few i’ve read much BETTER comics. I chalk this up to two things: The Ducktales 87 comics seem to have come out AFTER the series was already a hit, and since Ducktales is pretty close to the original uncle scrooge comics minus it’s own tweaks here and there, it’s easy enough to just write the stories like you would a regular uncle scrooge story, just with Webby and Launchpad added, whereas the idw writers were staffed with writing for all new versions of the characters with noticable differences without much to go on.  It’s why to me with tie in comics you have two options: Wait long enough so you can put your story inbtween the episodes like the Steven Universe and Regular Show comics did or just make your own continuity entirely like the Adventure Time Comics and the Archie TMNT Adventures series did. The ONLY time i’ve seen a comic work like this is the Bravest Warriors comic, which had a talented writer and fit well enough in the margins until it sadly ended.. and honestly is BETTER in some cases than the series. I might get to it someday. The point is this comic shows why you need to have a deft hand adapting something instead of just falling your arms about and hoping it’ll work. 
So today’s comic was part of some Disney Series called cartoon tales, which clearly repackaged comic stories from wherever, and put them together. I don’t know much about it and the only other issue avaliable collects the disney adventures adaptation of “Just Us Justice Ducks”, which I might cover at some point. This book does have two other stories which i’d be happy to do on comission or on my own at some point, one involving gladstone the other gizmoduck, but for now, i’m just sticking to the title story and the reason you all came here. 
So we open with Magica gazing into her crystal ball from her Mt. Vesuvies base saying that Scrooge will never know what hit him I know exactly what and who wiil hit him thank you very much. 
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Scrooge is seeing Webby off to her first day of day camp, getting all teary eyed which is touching. Beakly apparently goes with her as the story never SAYS Sshe does but she’s not also not around when the story moves on, as Launchpad says it looks like rain. Scrooge dismisses him, though Launchpad turns out to be right. Scrooge had good reason for once though, instead of just being a dick good on you comic for making me not want to punch him in the face, trust me that is a high bar to clear with the scrooge comics, as the weather was fine just a minute ago. Naturally it was Magica All Along! Nothing scrooge can do now that eveyrthing has gone wrong! Her entrance though is sadly not a catchy earwormy tune, but .. this confusing line
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I think your thinking of Gladstone. And he’s still single so.. have at that but no Scrooge is the one who values hard work over anything else and brags about THAT or being rich. I .. I don’t get this line and frankly I don’t want to. Even in stories where the dime is supernaturally lucky and the source of his wealth he dosen’t boast about it because he’s not stupid and dosen’t want everyone knowing how to bankrupt him instantly. This line will baffle me until I die, presumably, given my life’s tragetctory, after reviewing an episode of mighty ducks and slipping on some a jerky wrapper. 
Scrooge asks what she wants... 
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No this isn’t that kind of story sadly. Her plan is to.. zap the bin with lightning and take the dime. Really just went with your first draft didn’t you magica? But as stupid as this plan is Scrooge has prepared for it. He installed a lightning rod on the bin to save on power, and to power his new super soaker traps. So all Magica did was save him money. She flies off and nothing is acomplished. 
So we get back to Webby at the Teenie Weenie Day Camp.. and just so you don’t think that was a terrible joke on my part...
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My theory for how this name got approved at all is the editor KNEW how that sounded and just wanted to see if Disney would actually print a comic with the phrase Teenie Weenie without getting what it means in slang or how hilariously inapproriate it is to namme a children’s camp after it. 
Your probably wondering who that grown woman calling Webby a dweeb is. Well story wise, she’s SUPPOSED to be another kid at the camp around Webby’s age. In practice, she looks like THIS in closeup
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So it looks and plays like a 30 year old woman snuck into the day camp and no one’s noticed she’s not actually a children. Or their just humoring her because she had a week to live. I don’t know. I do know she doesn’t get to judge on names. 
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Snippy Von Glitz, proof rich people really do hate their kids and this this comic is trying personally to give me material. Snippy is your average alpha bitch, taking a chair from Minma and being obnoxious and classist and all that jazz. Minima gets hers back by making the chair bouncy then returning it to normal so Snippy gets in trouble when she makes up things about the chair, with the lady in charge getting ready to call her Dad. You cannot convince me that her “Dad” is just what she calls her husband, this is how they both get off, and that the lady at the preschool only tolerates it because they pay her a lot and so far the kids haven’t noticed Snippy is 30. Webby likes minima finding her name pretty, proving that the ho yay is alive no matter the webby and magica relative, and Minma returns the favor by saving her from a block. 
Minma is reluctant to make an actual friend, finding they aren’t worth anything and given most of the kids here apparently pick on her and her aunt is well.. Magica, it’s understandable why she’d be so cold. But Webby presses on and says something from Scrooge about friends. Which given Ducktales scrooge has none goes weird but it gets Minma to find out she knows and lives with Scrooge, so she cons webby into taking the dime for show and tell, showing that she can manipulate them with her powers, and that he won’t notice it’s missing, getting her with “I thought you wanted to be friends” 
So let’s pause for a second and compare and contrast the two: Both are the niece, or at least sorta in Lena’s case, of Magica, both manipulate webby, and both are her first real friend: The 87 boys are little monsters and I don’t consider them friends or even brothers, while the 2017 ones are just that: brothers. Their her siblings in all but blood, not friends and have hteir own long complicated history. 
But otherwise the two are vastly different. Lena is a far more complex character as she’s been abused her whole life, is a rebel because Magica hardly gave her agency, and while she starts wooing webby out of self interest it’s clear even as far as the first episode she cares. Lena would gladly be part of the world if she could and this whole scheme is to gain that choice. 
Minma is still sympathetic but very different: She walls herself off because the other kids laugh and mock her for being herself and lashes out at them.. not unreasonably mind , but still feeling she needs no one else.. but as we’ll learn later she’s only helping Magica to finally feel accepted, to get all the fancy clothes and stuff that will make her popular instead of that grown woman masquerading as a kid for disturbing reasons. Minma is at her heart just a hurt kid desperate to fit in. And while Lena shares the desire for a place to belong.. it’s at it’s core much sadder. Lena.. wants a family. Someone to love her and to care about her and actually look after her. Minma has that she just wants to be loved. it’s similar but very diffrent and I can see why Lena evolved into what she did, as Frank and Matt ended up going in a far darker but ultimately more interesting direction. Minima is not a bad character at all though and without her I don’t think we would’ve had Lena, but at the end of the day the 87verse is just not that complicated, so the reboot needed something more and that more evolved into who we have now. 
Both kids excitedly talk about their new friends, with their respective guardians being distracted. Scrooge is distracted by the fact his car is a bit bumpy and Launchpad offers to fix it up for free with some parts from a buddy, which given the sentence “This won’t cost you anything” makes him erect, Scrooge agrees. Magica meanwhile, whose watching Minima while her mom is away which raises a LOT of questions we don’t have time for like who she is, is she’s poes wife or does Magica have other siblings... it’s a lot of questions we’re never going to get answers to. 
The next day Webby got the dime easy as Scrooge was distracted. so Minima swaps them while she’s distracted. But while swiping it was easy, which to be fair Webby is likely approved in his security so it woudln’t match her.. or the story just needed to progress. You make the call. 
Magica does the logical thing and goes and get sthe dime and the story ends there.. and i’m shitting you, she of course brags to scrooge, reveals minima as her spy, and offers to RACE him for it shortly after he realizes he has a fake.
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The only major flaw in this story is Magica’s overconfdience, which isn’t BAD persay, but here has gotten to dumbass proportions. She just can’t plan for anything and a CHILD has a better plan than her that only dosen’t work for reasons we’ll get to. And that plan is almost ruined by Magica taunting scrooge!
So a race is on but Launchpad has transformed Scrooge’s old Model T into this
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Damn that’s cool. Scrooge of course dosen’t like it, but honestly you get what you paid for. Oh that’s right you paid nothing for something you NEED to use every day for transportation. 
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At  the rickity thickity bridge, Steve Buschemi’s worst roll and her minion ask Webby to roll with them and Minima mistakes this for betrayal planning to soak them all.. only for Webby to DEFEND HER, pointing out minma’s her friend, how she dresses is fine and she loves her no matter what.. the last part’s implied. The 30-year old asshole and her minon leave Webby and Minma is genuinely touched, as no one’s done that for her before. She put up so many walls... she didn’t realize someone could ACTUALLY care about her, so obessed with thinking she had to be like that soccer mom in preschoolers clothing, she just had to be herself: kinda werid but in that fun adams family way. Webby says she knows Minma would do the same.. so while she prepares to let’s get back to the race. Magica realizes Launchpad’s roadster is actually gaining and spreads some tacks, but Scrooge counters with some money.. because of course he has a lot of money in the trunk. But Magica takes out the bridge and while scrooge awesomely JUMPS IT... he’s still too late. 
As you probably guess though, Minima had a change of heart, and gave Webby the real dime back, and Scrooge confirms it. Minima TRIES to tell Magica, and Magica is horrified her niece is a goody goody “I”ll never hear the end of it at my astral aerobics class”.. I.. I want to see that. Let’s raise those spirit ladies and kick kick that soul, doge that shadow king punch them in the soul. Yes! Now eat it eat it and absorb it’s power!
We end on a button joke as Webby apologizes for taking the dime., Scrooge accepts it and Webby tells them magica learned to carpet and they gulp for some reason. 
Final Thoughts on Dime after Dime: This story was decent. It has problems, some jokes don’t land and Magica is made horribly incompetent, but minima’s character arc is endearing, and Webby herself is precious as always and her winning Minima over feels genuine. And Scrooge is in prime adoring uncle mode with her and i’ts just so cute. And the roadster race is pretty awesome to watch honestly. It’s an exceptional and enjoyable tie in story.. and not the last ducktales 87 story we’ll be covering here. Wink wonk. 
Next Time: Things get DARK as Lena and Webby head into the depths of Scrooge’s hidden bin and Lena heads into the depths of her own soul. 
Tommorow: Woo-Ooo mofos as we go back to the very beginning of the reboot! A family restored, a lost city to explore, and a glomgold rises! Be here or be square. 
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canary3d-obsessed · 3 years
Text
Restless Rewatch: The Untamed Episode 17 second part
(Masterpost) (Previous Post) (Pinboard)
Warning: Spoilers for All 50 Episodes!!
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Breaking Good
Wen Qing comes to visit Wen Ning in their backyard meth lab, and tells him that he fucked up a recipe, merely by taking a whiff of the concoction. She uses the approved "wave fumes toward self" way of smelling that you learn in high school science if you live in a country that believes in teaching science, which OP does not.
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Wen Ning wants to know if they are going to have a feud, and she tells him there already is one. She tells explains to him that they're good Wens, not evil Wens, and that Jiang Cheng is fucked, and they should send the Jiangs away in the morning before Wen Chao comes around. 
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Wen Ning whines at her about all of this, shifting into little-brother persona and acting like he didn't just take down 40 of Wen Chao's soldiers in a single night. He does this same persona shifting in his later unlife, with Wei Wuxian. When there is trouble, he's extremely effective, and can even tail WWX and Lan Wangji without getting caught, but then he is hopeless when dealing with turnips or children. 
Here, it seems like a version of Wei Wuxian's own little-brother persona, in which he pretends to be helpless so that his sister can take care of him.
#studyblr
Wei Wuxian comes into Wen Qing's head shop to ask her for medical books. He loves his brother so much he's volunteering for a research project. We've seen him be clever before; we've seen circumstantial evidence that he's a good student, but now we're going to see him actually buckling down and doing intellectual work.
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Wen Qing thinks its hopeless and wants Wei Wuxian to get some rest. But he gives her puppydog eyes, so she sets him up in her library.
Wei Wuxian reads a huge pile of medical books and learns interesting things about the human body.   
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(more after the cut)
Hopefully he does not splotch ink all over them while he holds this wet brush directly over the page. Why does he even have a brush in his hand? Is he taking notes in the margin? 
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Wen Qing eventually tells him to take a break and go see Jiang Yanli.
Segmentation fault (core dumped)
Jiang Yanli is tending to Jiang Cheng, gently telling him to suck it up by citing their father, which is probably not the greatest idea. 
Yanli's wearing dark blue with white and looks awesome.  It's not Gusu Lan blue, but the blue and white is an interesting choice for the excruciating heart to heart they're about to have.  
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Wei Wuxian shows up looking terrible, or the Xiao Zhan version of terrible, i.e. handsome and a little scruffy. But also worn out, unhappy, and fragile.
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Jiang Yanli wants him to rest, but he wants to find a way to repair Jiang Cheng's core, and his mind races, trying to think of where he can get books and who can help him. His thoughts instantly go to Cloud Recesses and Lan Wangji. His face lights up at the thought that Lan Wangji will help him, and he hops up, ready to dash off and find him.
The first time I watched this I was like, dude yes you’re in love, but you can’t just dash off to find Lan Wangji, not when there’s a war on.  This time I was like, actually wow things would turn out a whole lot better if you got Lan Wangji to help you, instead of coming up with your own plan.
Mother Mother Can You Tell Me
Jiang Yanli tells him to slow his roll.  He's pushing himself too hard and she's afraid he will collapse. Then Wei Wuxian comes out and says what's driving him: maybe all these disasters are his fault.
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It's telling, I think, that he cites Madame Yu, not Jiang Cheng, in this moment, even though Jiang Cheng has blamed him much more thoroughly and consistently. He's talking about one mother figure, to another mother figure, and looking for absolution.
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He super does not get what he's looking for.
Jiang Yanli slowly lets go of him and goes the fuck off. She asks, rhetorically, what he's to blame for, and then lists off all of the shit that's happened.  She finishes up by saying, look at our situation; blaming won't help anything. 
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It's unclear, because language/translation, if her answer is "it doesn't matter who's to blame" I.E. "yes, it's your fault, but I'm letting it go" or if she is saying "how does blaming yourself help anything?" I.E. "it's not your fault, stop being a drama llama."
Her body language, though, seems pretty blameful - she lets go of him, yells at him, sits down and turns away from him.  And his reaction is not one of shared grief, or of someone who is trying to get over himself; he's totally crushed, and he literally never unburdens himself to her again.  Even when he asks her, much later, about love, he immediately backs out of the conversation. 
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There is no violence in this moment and her reaction is understandable, but this is kind of similar to that one time when his brother choked him in a beautiful field of grass, in order to make himself feel better. 
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Then she kind of relents and takes his hand, telling him that she needs him and reminding him that he promised that they will go back to Lotus Pier. I don't remember him promising this, but okay. 
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He puts his head on her lap and he cries, she cries, comatose Jiang Cheng cries; FUCK this episode.  
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Jiang Cheng manages to cry only one tear and does it on the side of his face that his siblings can't see because he's not going to give them the satisfaction of sharing this moment with him, I guess.
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When Wei Wuxian puts his head on Jiang Yanli's lap, it's part of a ritual for them, that they both are comforted by; he does it again much later, after they return to Lotus Pier. But this ritual does not actually do anything to relieve his burdens. As a male adult, and the only Jiang Clan disciple with any abilities, it falls to him to save the clan, whatever it takes, and he is heavily aware of it.
Wen Qing comes along and sees the sweet part of this complicated Shijie-Shidi dynamic, and decides to help with Wei Wuxian's research project. When the trio had just lost their parents, gotten sick, been pursued by enemies, & had one of Yanli's little brothers horribly wounded, Wen Qing was like, eh, I'll do the doctor stuff but that's it. But lap-crying is another level. 
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Wen Qing: Nooo don't put your head on her knees I failed my saving throw
Group Project
Wen Qing goes and cleans up the mess in the library, putting everything in order and settling in to read systematically. Wen Qing probably has the prettiest bullet journal. (OP looks proudly at the 100 loose slips of paper and piles of random stuff on her own desk)
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Wei Wuxian has shaved and rested and comes in with a tray of food for Wen Qing, and then goes to his table in the back to start working. He claims he made "porridge" for her and that she has to eat to gain strength, and she gives him an intrigued expression.  This moment is just blatant het baiting.  
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In fact the food he brings her is clearly not porridge, which might just be a translation error, but also he totally can't cook, so it's not clear if he's joking and Yanli or Wen Ning made the food, or if this is just inedible.
The Things We Do For Love
Yanli is working in the meth lab and coughing a lot. Yanli's chronic illness is a sign of what's to come for Wei Wuxian, because strong cultivators don't get sick. Yet Yanli, as a physically vulnerable person, who has either a weak golden core, or none, is still intrinsically valuable.  Her presence in this scene is a reminder that Jiang Cheng's life is not, actually, over; he just feels like it is.
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While Yanli cooks the meth, Wei Wuxian and Wen Qing have a study montage that is the equivalent of a training montage, except without "Eye of the Tiger" on the soundtrack.
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Jiang Cheng remains unconscious. Apparently if you stick nails in the top of someone's head, you make them sleep, and in the back of their head, you turn them into part of your zombie army. Fortunately Wen Qing's aim is good. Jiang Cheng is looking devastatingly handsome as usual the TV version of unwell, and has grown a perfect Dorito-chip of stubble on his chin to go with his new 'stache.
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Eventually Wei Wuxian changes back into his non-vampire robe and he finds the answer in an old scroll book. The Ikea instruction picture shows arrows going from the guy on the left to the guy on the right.  Clearly it's not a great procedure for the guy on the left.
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Wei Wuxian's face shows us exactly how not great. 
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Like walking in the rain and the snow and there’s no place to go and you’re feeling like a part of you is dying
He goes outside and gazes up at the trees and the sky as he contemplates the sacrifice that circumstance is forcing on him. He's not even making a choice at this point; his choice was made the moment he found the procedure. But it's going to be a tremendous loss for him. He values sword cultivation at least as much as Jiang Cheng does; he even fell in love with a boy over crossed swords. So he sits and just kind of comes to terms with this new understanding of his future. (Big gifs here)
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Wen Qing finds him sitting, stunned, on the porch. She doesn't know what's up so she just sits quietly with him until he's ready to tell her.
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She doesn't love the plan.  
Thunder, Th-th-thunder
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Wen Ning is bringing food up when he sees them arguing, and he is startled by situationally appropriate thunder and lightning. Having recently watched The Lost Tomb Reboot I've come to expect thunder and lighting to appear on cue in any possible situation, so the fact that this mini-storm clears right up again doesn't bother me.
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What About You?
Wen Ning dashes inside to see what Mom and Dad are fighting about. They're having a polite shouting match because Wen Qing refuses to yank out Wei Wuxian's core. 
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Wen Qing: I hate the idea of harming you Wei Wuxian: I don’t even understand that sentence
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Wei Wuxian doesn’t, of course, feel that he is important in any way, and ignores her concerned and appalled expressions in favor of telling her to just do it anyway. Amazingly, this does not convince her. 
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OP’s 177cm-tall son keeps telling her this
Then Wei Wuxian plays the "you know Jiang Cheng" card, which...I guess she does? Maybe he was chatting her up more than we saw in Cloud Recesses? He hasn't given her the comb or anything yet. Wei Wuxian explains that Jiang Cheng cares about gain and loss, and cultivation is his life. If he can only be ordinary the rest of his life will be ruined.
Wen Qing asks the question that nobody ever asks him: What about you? 
Wei Wuxian has literally nothing to say to that, possibly because the question is so new to him. 
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Wen Ning doesn't know what's going on but comes squarely in on team Wei, of course, and begs his sister to Do The Thing.  How fucking horrified is Wen Ning going to be when he learns what The Thing is? What he is personally going to help do to his beloved friend? Yikes.   
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Wen Qing caves, warning them that the chance of success is only 50 percent. Wei Wuxian is happy to take those odds.
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Lan Wangji, projecting his voice from Episode 46: fifty percent, are you fucking kidding me?
Soundtrack: 1. Mother Mother by Tracy Bonham 2. The Things We Do For Love by 10cc 3. Thunder by Imagine Dragons
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roo-sketch · 3 years
Text
Since people have asked about the Ducktales Bushroot idea I’ve been cooking up, I figured I’d gush the entire thing here. And look! It comes with pictures! Blame the lateness of this on my two jobs, they run me ragged I tell you what
So seeing as how Darkwing Duck is technically a tv show in the Ducktales universe, that’d mean the villains would end up with vastly different backstories too (as did Drake Mallard and Jim Starling in “The Duck Knight Returns”).
So for Bushroot, or in this case Tino Moss, why not make him the only child to the part time actor/script writer Pete Moss - who played the Bushroot character on the TV show.
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Ever since he could remember, Tino would tag along with his dad to the studio (since Peter was a single father and had no one else to look after his son while he worked). It’s here he got to meet the cast and crew to the show, all of which, save for one, were super nice to a shy little boy always hiding behind his fathers legs. Because of this, Tino grew to love watching the finished episodes and even began to idolize the main character a little, saying how he’d one day grow up to be a super hero too! But upon meeting Jim, and being rudely brushed aside, he soon realized it’s best not to meet your idols (I imagine Jim was just as self absorbed like in the Duck Knight Returns and wouldn’t pay a small fan any mind during the height of his popularity).
After being coldly rebuffed, it was then Tino turned his sights on being a super hero in a completely different way, deciding to become a doctor instead. Pete would often joke he should become a botonist like the Bushroot character (that he’d low-key based on his sons personality), but Tino shrugged it off with a laugh and aimed to be a traditional one instead, preferring to become a family physician.
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Years passed and in his final stages of his clinical’s, it’s then he received the devastating news that his father had fallen terminally ill. It was a heavy blow to see the once exuberant duck he loved so much slowly fade into a shell of his former self. At this point Tino took time off from his career to tend to his father, despite the loans and bills quickly piling up, the two spent a majority of their time watching old episodes of Darkwing Duck and reminiscing about a time when things were happier.
Eventually the inevitable day came when his father passed, destroying Tino emotionally. He’d been the only remaining family he had left, and after his death he was left with no one. The time spent tending to his father had become his whole life, and any other relationships outside of that he’d sadly neglected to the point his friends had moved on or away.
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It took him a while to get back into the medical field, having to retake his clinical’s all over again and even though the work was fulfilling in a way (distracting him enough not to think about the loss) he still wasn’t entirely happy with his life, struggling with the mounting bills and loneliness that’d started to creep in. It’s then Jim Starling practically materialized out of the clear blue, having had tracked down his address and wondered if he would like to meet and catch up.
Tino is hesitant at first, remembering the blowhard from his childhood and didn’t know if he wanted to revisit that chapter of his life again, but when Jim makes mention of his dad, of all the good times they had on and off camera, the former star eventually brings the other duck around enough the two sit down for a good, long chat.
They reminisce about the show, the actors, where everyone is at the moment. Jim mentions on several occasions how he’d been trying to reboot the Darkwing Duck series and asks if he’d be interested in reprising his fathers role as the mutated plant monster.
Tino laughs it off, admitting he isn’t much of an actor, or a writer for that matter, but if he ever wanted some pointers for the episodes he still had his dads old scripts archived in the attic.
After that Jim comes and goes infrequently, usually to ask scientific mumbo jumbo about the whole “mutating a Duck into a plant” thing, which Tino does some research between work and sleep just to appease what he considers a friend at this point (going so far as to getting ahold of a scientist in the Saint Canard University’s agricultural department for some additional insight). He passes the information off to Jim and thinks nothing else of it until the former star makes a surprise visit one day.
He tells him he has it all set up for the big shoot, inviting Tino down to see the studio for himself. Curiosity gets the better of him, and despite needing to get some rest for work tomorrow, he joins the other duck on the long car ride, a bit unnerved to see it’s in an abandoned factory on the outskirts of the city.
Any questions he poses regarding safety - or why anyone in their right mind would want to set up a shoot here - is quickly brushed aside, Jim telling him he was aiming for a darker, grittier Darkwing Duck, hence the change in scenery. They head inside to find what appears to be a fully functioning lab, Tino excitedly looking over all the instruments, commenting about how realistic it was. As he stands beside the operating table, it’s then he is suddenly whacked upside the head, knocked out cold for who knows how long.
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By the time he comes to, he’s strapped down, wires running over and through him. He pleads to know what’s going on, gasping to see Jim in an off color version of the Darkwing costume leering over him. The former actor explains that after he saw the news of what went down in Saint Canard, the ram rod incident and the other dimensions villains running amuck on the streets, he realized he needed his own Fearsome Five by his side if he ever planned to rule the city.
Seeing as how Pete had passed away and the other actors were far to old or out of reach to reprise their “roles”, he’d set out to replace them with newer, younger versions, starting with Tino.
Panicking, and realizing what exactly he planned to do to him as the liquids start to pump into his body, Tino breaks free before Negaduck can fully flip the conversion switch.
He manages to run a good distance from the factory, picking his way through the unfamiliar streets of Saint Canard as his body begins to grow more and more sluggish the further he walks. It almost feels like he’s going through every stage of sickness all at once. Chills, hot flashes, nausea, dehydration. He asks for help several times to passerby’s only to have people take one look at his green complexion and lurch away in fright. Some even out right flee, especially when near by trees or other plants spring to life around them. They, along with Tino, run in fear, he finally stopping long enough to catch his breath and get a good, hard look at his reflection through a shop window. Horror spreads across his face. A face that is his own but not in so many ways. It almost resembles the make-up his father used to wear during shoots but oh so different, oh so wrong! Deep in the pit of his stomach he knows this isn’t fake, this isn't a dream, it’s real. The mutation is real, and with people gasping, crying and running, this will be his new reality if he can’t find a way to reverse it!
Through several more mishaps and misunderstandings, dodging both panicking citizens and Darkwing Duck, he eventually finds himself cornered in a building by the Saint Canard police force (who mistakenly believe he’s just as dangerous as the other dimensions Bushroot).
It’s here Tino is once again confronted by Negaduck, and though he yells at the one behind all this, for forcibly mutating him into a monster and how he won’t get away with it, his words are cut short when Negaduck laughs, pointing out he shouldn’t be angry at the only person willing to embrace him now. He offers one last time for Tino to join the Fearsome Five, sneering that if he refused, he’d never be a normal duck again.
When Tino asks what he means, Negaduck explains that he’d kept all the notes, all the formulas, everything he did to turn him into a mutant plant duck was written in a journal, stashed away for safe keeping. If he ever planned on reverse engineering a formula to turn himself back, he’d need that journal. But if he refused to cooperate, than he’d have no problem destroying it and leaving Tino as he was.
A monster.
With no other choice, Tino finally agrees, reluctantly starting down the path of villainy.
And that’s how I figured you could have a sympathetic Bushroot character that stayed in line with the “he’s not technically a villain per say,” category while having him justified as to WHY he’s a villain at all.
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tomb-bloom-noctem · 2 years
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Ducktales ended a year ago.
And I'm just realizing this at 3 am the day after its one year anniversary.
Geez.
How do I feel?
I-
It's hard to say.
When I first heard of the reboot I rolled my eyes. Figured it for another stupid soulless reboot brought to you by Disney.
I refused to watch it even.
Until I finally didn't. And I realized oh dang, this is actually pretty funny? And it really seems like they actually care about the characters and want to do something more with it!? Whoa!
I got hooked. Hell, DT17 became a piece of my identity. Something I gushed love and praise to everyone unfortunate enough to be in proximity to me over. Online and off. Became a huge source of comfort for me.
And fuck, when I began feeling suicidal in 2020 again, something I turned to for an outlet. I began The Attempt & The Aftermath, a fanfic I still am working hard on to this day. It's currently the 3rd longest Ducktales 2017 fanfic on all of Ao3 with at this time over 301,000 words. (And something I'll see through until the very end however long it takes. Updates might be slow and I'm sorry but I will literally never abandon this fic unless something outside my control happened to me.)
And then we got Season 3. Which started out so strong and seemed so promising. And then it kind of dipped, suddenly the writing and direction seemed much more off to me than before? Not everything was a negative and I don't want to be too critical right now but the direction DT17 started going in was...confusing at best, frustrating at worst.
Then we got the leak that Season 3 would be the last.
Which made me both sad and nervous.
The following episodes had highs and lows but as we got to the finale I started to feel even more upset. I didn't want the show to end but even more so I didn't want it to end badly.
"The Last Adventure" finally aired on March 15th, 2021. And I feel irritably mixed about it.
Because in my personal opinion, some of that finale was easily the best stuff of the show. And other bits....(*cough* clone bullshit twist) bring it down to such a low that it makes me angry.
I was saying it for a while prior to the finale but I felt DT17 was having a growing problem of "unearned emotional payoff expectancy." Again speaking only for myself and my own feelings and interpretation of the show. The finale really hammered that home for me with the clone twist as well as some other moments that went along with it.
It's been a year and I still haven't written my ideal finale rewrite. I'd still like to but honestly a huge part of why I haven't done so is I need to go back and give The Last Adventure another few watches. But it disappoints and frustrates me so much that I still don't have the will to do so yet.
I've tried to never contribute too much negativity to the fandom but Season 3 just...weirdly broke something in me. More than my expectations. Is it weird or unhealthy to say that a rebooted animated tv show for a show I somewhat knew and enjoyed, but not overwhelmingly nostalgic to that was designed for kids, of which I'm no longer the target demographic of, broke my heart? Yeah probably. But that feels like the only way I can describe it.
I know I'm not the only one disappointed. I know I probably didn't have my expectations in the best of check. But damn. The DT17 finale freaking hurt me. And then that's it. Ducktales 2017 was done and gone. Only our loving and seething memories remain.
Now it's been a year since it passed. I didn't even realize it. Dang.
I just don't know how to feel?
I thought this day would come and I'd be annoyed. Maybe make a few rant posts about how much I find the finale disappointing and air my grievances into my corner of the void. But honestly? I don't feel like doing it. At least not tonight. Not today.
I kinda just feel sad.
I miss being excited for Ducktales. I miss being more involved with the fandom, excitingly theorizing and geeking out with everyone, even people I don't know the way I do the friends I made thanks to DT17. I miss getting the theme song stuck in my head all day long. I miss the passion that I used to have for this show. It's not gone completely, it's just not nearly as strong. It's mid. Just like the finale.
I still occasionally read and sometimes actually manage to write for my fanfiction. I'd like to still also do more DT17 fanfics. Eventually. Someday. (Writing is hard sometimes, I'm sorry.)
I've met some awesome people thanks to this show. Some of my closest friends.
I've gotten some incredible kind words from strangers thanks to TA&TA. As well as some of the cruelest insults and attacks. (Mostly on tumblr but still. It hurts getting hateful anons not gonna lie.)
I don't post about DT17 much anymore. Hardly ever interact with the fandom. Hell I'm sure my reputation is either people don't know me at all or they think I'm some crazy bitch who writes a disturbing mental health duck fanfic and gets too defensive over it. Which, yeah. I do sometimes. I've been called out and blocked over it. Yeah. I get defensive. I'm sorry about that. It's honestly my only piece of the show I still have any fire left in me over. Something I work hard on and try to forge into what I want it to be. That's not an excuse but I am deeply sorry for it.
Anyway. I don't entirely know where I'm going with this bumbling word vomit anymore.
I just-
Dang. I miss Ducktales 2017.
I didn't think I'd say that after how upset I was at the finale.
But yeah. I really am. Even if it's not the finale I wanted. Or that chunks of Season 3 bother me to no end and contain what I feel are many of the worst episodes in the whole show.
But still. I really really miss DT17.
I miss it in like that same kind of nostalgic way that I miss 4Kids anime dubs from my childhood Saturday morning cartoons, weirdly enough. Objectively some of it is bad and some of it is good. Subjectively it's become an important piece of my heart and history no matter how bad or good it is. I can't ever fully hate it no matter what anyone else around me might say. But I also have criticisms that weren't there before. Rewatching just isn't the same. Not quite as magical as it once was.
But a part of me still loves it. And won't let that go.
Happy 1st finale anniversary Ducktales 2017.
Time is turning my sourness into a source of bittersweet.
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