#I think it's possible to do that story well

[derinwrites]

The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

[egophiliac]

Why do you think they put Savannah Claw Rook up to pull??? Is he even going to participate in Book 7???? I am so confused WHY HIM??? WHY NOT IDK, CREWEL? VARGAS? MAYBE TREIN?? WHY HIM.

I’m SO CONFUSED. Is it just for money grabbing or something like that? It doesn’t make any sense.

Also how prepared you are for the probably last update of Book 7?

I mean...it said he's a story card, and all the other story cards have had major roles, so I see no reason to assume he won't as well! (plus any staff cards are probably all going to be events like Crowley was; I would honestly be MORE surprised to see them as story cards.) really though I'm having fun trying to figure out how he's going to tie into things! we're back at Cerberus Ortho levels of "WHAT DOES IT MEEEAAAAN" and it's great. :D

I assume we're going to be doing some more dream-hopping, but I think it would be hilarious if it turned out to be someone else's dream instead of Rook's. who else could possibly be dreaming about him pre-fancification.

(I'm also half afraid that this really is the last part, and half afraid that it isn't. I'm -- I'm not going to believe anything until we get the diadorm rerun pickups, and maybe not even then)

#art #twisted wonderland #twisted wonderland spoilers #twisted wonderland episode 7 spoilers #twisted wonderland book 7 spoilers #twisted wonderland episode 7 part 8 spoilers #twisted wonderland book 7 part 8 spoilers #i mean nothing is going to top cerberus ortho because we didn't even know story cards were going to be a THING #the twitter just dropped the preview image with zero context or explanation and we all collectively lost our pumpkins #this is coming pretty close though i tell you what #twst pr team really does love just sitting back and watching chaos ensue

[a-b-riddle]

Part Four

Can't stop thinking about reader losing her cool.

"So we're closed, John." You said, trying to be cordial.

"Is that all you have to fucking say?" He practically growled before huffing. A humorless chuckle rumbling out of his chest. "I suppose not since you won't respond to any of us."

"Don't do that." You said taking a step back. Trying to create some distance between you and him. John would never physically hurt you. That much you knew.

"What?" He asked. His voice rising as he stepped closer to you. "Be angry that you pulled that shit and then left? Stopped talking to us. Changed your fucking locks. Last thing we even knew about you was that you got on a fucking plane and left. Even your friends wouldn't tell us anything besides that you were okay." "Which considering this came out of bloody nowhere, I find it highly unlikely that you are in any way 'okay'."

You took a deep breath. You wouldn't be intimidated. You wouldn't clam up. You wouldn't cry. You won't go back on your decision. You will be cordial and polite and not unleash everything you want to.

"I understand you might be upset, but it's for the best. It wasn't working out and I wanted to end on somewhat good terms. I would appreciate it if you lowered your voice and stopped speaking to me in that way." You could barely recognize your voice. It sounded so scripted. So robotic. But it was something you had been telling yourself. Excuses you had been telling yourself.

Because if you told yourself the truth. The picture you would paint would tell a different story. It wouldn't highlight the fact that John spoke to you like he was one of your men or that Johnny had the emotional capacity of a teaspoon. It wouldn't show what a flake Kyle was or that Simon was well and truly a mean-spirited person.

It would show how you weren't worth it. Four possible men. Four possibilities of happily ever after and none of them chose you. That no one ever did and no one ever would. You weren't worth it. You weren't loveable.

It wasn't right, but it was what the voices had been telling you late in the night. When you would crawl into your cold bed. The silence of the room not filled with John's steady breathing or the sound of Kyle's heartbeat as you laid you head on his chest. The absence of Johnny's occasional snoring or whatever Simon was watching playing in the background of your dreams.

In the void, all your dark thoughts came back at you.

"Upset?" He asked, his voice still louder than you would have liked. "An understatement considering the stunt you pulled."

"You think it was a stunt?"

"So Johnny thought with his dick and didn't plan things out. You should have told him instead of crying to Simon and then pulling this shit." "Christ, I knew you were still young, but I didn't take you for that immature."

"You know what?" "I'm done." "I am so fucking sick of making excuses for you all." "You want to act like I'm the immature one, John?" "You are 35-year-old man who cannot separate his work from his work like. You have continuously talked to and down to me like I am one of your men, only to turn around and always blame your shitty fucking attitude on work. I get that your job is stressful, but I did not sign up to be your verbal fucking punching bag."

"And this come and fucking go incident with Johnny. It has been a consistent issue with him coming over just to fuck. I've asked him for that last six months that 'hey, we've been seeing each other for a year and a half, I would love to meet your family' and suddenly the dates stop. He doesn't ask to see me until after 7 PM. He brings food occasionally, fucks me and leaves. Sometimes before I even wake up."

"And the only reason Kyle is the person I am the least pissed off with is because I haven't even seen him." You took a step closer, not noticing how the anger in John's eyes had softened. "I have not seen Kyle in weeks, to no fault of my own. I stopped reaching out to make dinner plans after the third time he canceled on a date night when I was either on my way or already at the restaurant."

"And Simon?" You scoffed. "Well, it doesn't really matter. After all, as he said I get mine. You all make me cum which is supposed to magically erase how shitty you've all been as partners. It's supposed to erase the nights I've cried myself to sleep debating on whether or not there was something wrong with me. How I'm not good enough to meet anyone else in your lives like some dirty fucking secret. How none of you can even bother to pencil me for a group dinner so I can tell you a publishing house picked up my book. How at some point you all stopped caring or maybe never did."

You took a breath. Blinking quickly to keep the tears at bay.

You wouldn't cry. You wouldn't cry.

"As Simon said it best, I should have known that spreading my legs wouldn’t end with one of you putting a ring on your finger.”

For once, John was silent. Unsure of what to say. An apology starting to form at the tip of his tongue before realizing 'sorry' wouldn't cut it. Not this time.

Had he really been that sharp with you? He knew that there were times he had gotten short, but he almost always apologized immediately after. If not at the very moment he took in your crest-fallen face, then definitely later. But he almost always told you he was sorry. Didn't he?

"So as I said," you swallowed down the lump in your throat. "I'm closed. We're done. Now get out." Your face held no sadness. Even though your eyes were nearly full to the brim with unshed tears, you weren't sad.

You were finally angry.

#captain john price #kyle gaz garrick #simon ghost riley #call of duty #john soap mactavish #angst #angst with a happy ending

[taasgirl]

lover - oscar piastri

summary: y/n is a songwriter who writes plenty of songs however no one realizes that they're made by her (and about oscar hehe)!

a/n: the outcomes of the races are fictional, and the order in which these songs have been written (assume fearless was written this year ygwim?). also no face claim!!

liked by yukitsunoda, oscarpiastri, and 33, 287 others ynusername romance is not dead if you keep it just yours! lovelovelove being able to come home for race day!! i'm so proud of u osc 🩷

oscarpiastri I'm so lucky 🥰 liked by ynusername

user27633 Y/N IS A SWIFTIE CONFIRMED!?!?!

ynusername of course!!

user16372 u literally take the cutest photos of oscar

user82537 y/n quoting paris... i'm so up

yukitsunoda 😆😆

landonorris You're my favourite wag

ynusername wow how considerate

liked by taylorswift, landonorris, and 1, 287, 387 others oscarpiastri Unwinding before Japan 👊

ynusername tehee we're cute

oscarpiastri You're cuter landonorris Get a room

taylorswift ooooh she's working hard @ ynusername

user62584 WHAT THE FUCK ARE U DOING HERE???

user98274 OSCAR IS FRIENDS WITH TAYLOR HUH

user61192 i did not expect to see taylor in the comments of oscar's post tagging y/n!

user92898 no fr like what is going on

user93829 Everyone shut up about taylor look at the beauty that is y/n omd

view ynusername's story...

liked by jackantonoff, phoebebridgers, and 55, 918, 278 others taylorswift In honour of my album 'The Tortured Poets Department' release a week ago, I wanted to thank my biggest musical inspirations! Thank you Jack, Lana, and Y/N for helping me the best artist I could possibly be, without you'd guys I'd be nowhere (thank you y/n for writing the cheesiest, cutest, sexiest songs ever)!!

user51862 who is y/n

user01827 She's dating f1 driver oscar piastri but also now apparently a songwriter idk...

user72973 Wdym thanks y/n for writing?? you're telling me the twitter stans were right??

user62863 y/n is singlehandedly uniting f1 and the swifties

ynusername thank u tay 💓💓

user52868 Girl has been living a double life

user51929 ohhh so this is why taylor was commenting on oscar's post😭

liked by oscarpiastri, taylorswift, and 108, 276 others ynusername well now that the cat is out of the bag, who wants to hear a story? i assume u all said yes.

on one of our first dates, oscar made me a bracelet (yes that one) and i thought (and still think) that it was one of the most romantic gestures. so obviouslyyy i wrote 'lover' about him hehe. yes we only knew each other for at most three months when i wrote it, but i love him so much, he's my forever.

oscarpiastri I love having a singer for a girlfriend (wife one day)

ynusername hello cat boy

user18739 You're telling me that taylor's most romantic song is literally written by my favourite wag about my favourite driver?? i might pass out

ynusername haha yes! i write a lot of songs for tay

landonorris So this song is basically about ur delusions liked by ynusername

user52863 oh now i need to know exactly what songs you've written

user20939 AND PLEASE RECORD COVERS OF THEM TOO

lilymhe wait so you've been friends with taylor the whole time...

lilymhe AND THE SONG THAT I WANT PLAYED AT MY WEDDING IS WRITTEN ABOUT OSCAR?? ynusername oh my god lily HAHA

let me know if you liked this!! i know it's super short but i'm seriously lacking inspo and ideas omd. also i literally love oscar so much.

i'm also working on a few reqs, so if you have a suggestion or request, let me know because i'd love to do it!!

#oscar piastri #oscar piastri x reader #oscar piastri x you #oscar piastri imagine #oscar piastri fanfic #oscar piastri fluff #oscar piastri smau #op81 #op81 x reader #op81 imagine #op81 fluff #op81 fic #formula 1 x you #formula 1 fanfic #formula 1 x reader #formula 1 imagine #formula 1 fic #formula 1 #formula one #formula 1 x y/n #formula 1 x oc #formula one x reader #formula one imagine #formula one x you #formula one x y/n #formula one x oc #mclaren #mclaren f1 #f1 #f1 x reader

[dduane]

Of parsnips and parsnip soup

So the question of parsnips, and particularly parsnip soup, came up secondary to this quote from an interview with Terry Pratchett. (Thanks to @captainfantasticalright for the transcription.)

Terry: “You can usually bet, and I’m sure Neil Gaiman would say the same thing, that, uh, if I go into a bookstore to do a signing and someone presents me with three books, the chances are that one of them is going to be a very battered copy of Good Omens; and it will smell as if it’s been dropped in parsnip soup or something in and it’s gone fluffy and crinkly around the edges and they’ll admit that it’s the fourth copy they’ve bought”.

And when @petermorwood saw this, he immediately reblogged it and added four recipes for parsnip soup.

These kind of surprised some folks, as not everybody knew that parsnips were an actual thing: or if they were, what they looked like or were useful for.

The vegetable may well be better known on this side of the Atlantic. (And I have to confess that as a New Yorker and Manhattanite, with access to both great outdoor food markets and some of the best grocery stores in the world, I don't think that parsnips ever came up on my personal radar while I was living there.) So I thought I'd take a moment to lay out some basics for those who'd like to get to know the vegetable better.

The parsnip's Linnaean/botanical name is Pastinaca sativa, and in the culinary mode it's been around for a long time. It's native to Eurasia, and is a relative to parsley and carrots (with which it's frequently paired in the UK and Ireland). The Romans cultivated it, and it spread all over the place from there. Travelers who passed through our own neck of the woods before the introduction of the potato noted that "the Irish do feed much upon parsnips", and in the local diet it filled a lot of the niches that the potato now occupies.

You can do all kinds of things with parsnips. The Wikipedia article says, correctly, that they can be "baked, boiled, pureed, roasted, fried, grilled, or steamed". But probably the commonest food form in which parsnips turn up around here is steamed or simmered with carrots and then mashed with them: so that you can buy carrot-and-parsnip mash, ready-made, in most of our local grocery chains.

It also has to be mentioned that most Irish kids have had this stuff foisted on them at one point or another, and a lot of them hate it. (@petermorwood would be one.) I find it hard to blame anybody for this opinion, as one of the parsnip's great selling points—its spicy, almost peppery quality—gets almost completely wiped out by the carrot's more dominant flavor and sweetness.

Roasting parsnips, though, is another matter entirely. They roast really well. And parsnip soups are another story entirely, as it's possible to build a soup that will emphasize the parsnip's virtues.

So, to add to Peter's collection, here's one I made earlier—like yesterday afternoon, stopping the cooking sort of halfway and finishing it up today.

I was thinking in a vague medioregnic-food way about a soup with roasted bacon in it, but not with potatoes (as those have been disallowed from the Middle Kingdoms for reasons discussed elsewhere. Tl;dr: it's Sean Astin's fault). And finally I thought, "Okay, if we're going to roast some pork belly or back bacon, then why not save some energy and roast some parsnips too? The browned skins'll help keep them from going to mush in the soup."

So: first find your parsnips. I used four of them. You peel them with a potato peeler...

...sort of roughly quarter them, the long way...

...then chop them in half the short way, toss them in a bowl with some oil—olive oil, in this case—spread them on a baking sheet, and season them with pepper, coarse salt, and some chile flakes. (I used ancho and bird's-eye chile flakes here.)

These then went into the oven for about half an hour, and came out like this.

While that was going on, I got a block of ready-cooked Polish snack bacon out of the freezer.

On its home turf, this is the kind of thing that turns up (among other ways) sliced very thin on afternoon-snack plates, with cheeses and breads. But we like to score it and roast it to sweat some of the fat out, and then use it in soups and stews and so forth.

So I scored this chunk on most of its sides, browned it in a skillet, then shoved the skillet into the oven for twenty minutes or so. Here's the bacon after it was done.

While it was cooking, I made about a liter of soup stock from a couple of stock cubes. If you can get pork stock cubes, they'd be best for this, but beef works fine.

This then went into the pot and was brought up to just-boiling while the bacon and the parsnips were chopped into more or less bite-sized chunks. After that, the meat and veg were added to the pot and the whole business was left to simmer for a couple of hours while I went off to do some line editing.

Finally I turned it off and left it on the stove overnight (our kitchen is quite cool, it was in no bacteriological danger from being left out this way) and then finished its simmering time around lunchtime today.

And here it is. (...Or was. It was very nice.)

...Anyway, this is only one of potentially thousands of takes on parsnip soup. Recipes for more robust versions—based on mashed parsnips and more vegetables, or different meats—are all over the place.

Meanwhile, as regards how much damage this soup could do to your copy of Good Omens if you dropped yours in it, I'd rate this at about 5 damage points out of 10. ...Call it 5.5 if you factor in the chiles. Soups along the boiled-and-mashed-parsnip spectrum would probably inflict damage more in the 7.50-8.0 range. But your results may vary: so I'll leave you all to your own experimentation.

#parsnips #parsnip soup #Good Omens #Terry Pratchett #Neil Gaiman #recipes

[lemonlover1110]

𝐂𝐡𝐚𝐧𝐠𝐞𝐬

Satoru Gojo

[Chapter 24] The Truth

← Previous Chapter - Story Masterlist

Pairing: Satoru Gojo x f!Reader

Discord +18 - Twitter - Ko-Fi

“What are you going to do with him again?” Satoru asks as you get ready to meet up with Suguru. He talks as if he has any right to know. You’re finishing up your makeup in your room while he stands in the doorway.

“Does it concern you?” You look back at him. And he sighs before shaking his head. He guesses it doesn’t. He can’t argue with you about it, yet he stands there, leaning on the doorframe. You finish putting on your lipstick before looking back at him and raising your eyebrows, “Aren’t you going to Ren? He’s waiting for you to talk about his birthday plans.”

“Right…” Satoru answers, turning around and going to Ren. He finally leaves you alone with your thoughts, finally not having to listen to his stupid comments. As much as you don’t enjoy his presence at the moment, you still have to tolerate him because of your son.

Slowly you are seeing his point of view, but that doesn’t mean you forgive him. Satoru was young, easy to manipulate– Well, you aren’t exactly focused on his age but more about the fact that Satoru was recently grieving the loss of his father and in a way felt threatened that he would lose everything simply for not following orders. What hurts you the most right now is that he didn’t even try to explain the situation to you, he assumed you were better off going your own separate ways.

“Mommy!” Ren comes running into your room, disrupting the peace that you were just granted. You look at the puppy eyes that adorn his face, and you already know he wants something. You allow him to speak first, not wanting to accuse him of something that he might not even do. But you’re proven right, “Can I get a puppy for my birthday?”

“Remind me how old you’re turning, Ren.” You tell him, and Ren holds up five fingers, a grin on his face as he shows off his big age. You fight back a smile, trying your best to remain as serious as you can possibly be. You won’t be easily convinced by him. “Five. Such a big age, right? But not enough to take care of a puppy, plus you’re starting school soon.”

“School?” Ren asks as if it’s the first time he hears of it. You’ve been preparing for him, telling him about it daily.

“You know, the place where you’ll be going to learn and make friends for the next thirteen or so years of your life.” You answer, and his mouth turns into a circle when he remembers. “Who’s going to take care of the puppy then? I still have to work.”

“Granny.” Ren answers, and you chuckle as you shake your head. Your mother isn’t exactly a big pet person, if you were to give her the responsibility of taking care of a puppy, she might just kill you. He puts his hands together and begs, “Please, mommy, please! I want a puppy!”

“Ren, we both know that–” You begin, but you realize you’re just wasting your breath. You look at the time, realizing that if you don’t finish up soon, you’ll be late. “Talk to your father about it, I have to finish getting ready.”

“Daddy!” Ren yells as he walks out of your bedroom. Maybe you made a mistake since Satoru loves to spoil Ren, and Satoru doesn’t like to think of additional responsibilities since he’s not the one that’s at Ren’s side at all times.

You’ll deal with it when Satoru attempts to get Ren a puppy, for now you’re going to focus on your own problems. Your own problem being your meeting with Suguru.

You wait for Suguru at the café near your apartment. You have a beverage in your hand, taking an occasional sip, making sure you don’t finish it before Suguru finally decides to show up. Your eyes are glued to the door, waiting for him to finally make his grand entrance. 

You feel the nerves creeping through all of a sudden, and you have no idea why. Maybe it’s because you lied to him about Satoru, or maybe it’s because you’ve been avoiding his calls. You take a deep breath to calm your nerves, looking at the time. If he doesn’t get here within five minutes, you’ll leave. He’s running late, and you have no intention of waiting for him all day.

In reality, you’re just looking for an excuse to leave. You want to avoid this confrontation as much as you can, but you know you have to face him eventually. Suguru has been one of Satoru’s closest friends, and you were close to dating, the least you can do is give him one last conversation. You can’t avoid him forever.

Your eyes shift back and forth between the time and the door, mentally praying that he doesn’t show up. However, your prayers go unanswered when he walks through the door, his eyes immediately landing on you. He gives you a soft smile as he approaches your table.

“Hi, Suguru.” You try to return his smile, but it looks awkward. Suguru points at the counter, telling you that he’s going to get his beverage before sitting down with you, to which you nod in response. You take another deep breath, trying to calm yourself. He looks fine, and you hate to ruin his day– Perhaps he won’t care, but you doubt it. You told him a very serious lie about his best friend, you doubt he’ll be too happy with you after finding out.

“It’s so nice to see you after… So long.” Suguru sits across from you. You shift in your seat, adjusting your posture before focusing on him. You nod with an awkward smile on your face. At that moment you know, this is going to be a long hour.

“It is.” You agree before a long awkward pause ensues. You clear your throat, about to ask him how he’s been holding up, but Suguru has other plans when he speaks up before you,

“Why have you been avoiding me?” He goes straight to the point. There’s a reason why you two are there, and it isn’t for small talk. Maybe you can get to more fun matters later or another day, but not right now. 

“I’ve just been busy with Satoru and figuring out this whole parent thing, that…” You begin with an excuse but you can’t finish the sentence. You bite down your lip before you take a deep breath. You have to say it, if you keep dragging it you’ll feel worse. “I partially lied to you. Satoru never suggested an abortion at the thought of me being pregnant, I didn’t tell him because he didn’t give me the chance to, and then I couldn’t tell him because… His mother didn’t want him to know.”

And he chuckles. Suguru lets out a laugh, which makes you furrow your brows. You expected many different reactions, but not a laugh. You chew on the inside of your cheek, anxiously waiting for him to say something else.

“Is that why you haven’t been answering my calls?” Suguru asks, and you hum in response even though it’s not all. He lets out another laugh, and you want to ask why he laughs but you decide against it. You wait for him to finally say something else, although time feels as if it slows down. “Did you think I wouldn’t find out?”

“Huh? What do you mean?” You sound utterly confused. What the hell is he talking about? How would Suguru know?

“I knew. I asked Satoru what he would’ve done if you had gotten pregnant and he said he would’ve stayed by your side.” He answers, and you let out a sigh of relief knowing that the situation won’t be the big mess that you were expecting. You do still feel guilty about it. “I mean sure… Satoru could’ve lied to me, but I don’t think he would have.”

“Why didn’t you say anything about it?” You’re curious as to why he decided to remain silent about this of all things. It’s a serious matter, which you would’ve expected him to furiously call you to berate you about. But you guess the man that sits across from you isn’t that type of person.

“You lied to me to protect your ass, and I can’t really blame you for it.” He shrugs, and he could’ve left it at that and it would’ve ended up perfectly fine. The conversation could’ve ended there and you would switch the topic and talk about more lighthearted stuff. But Suguru makes sure to add, “Plus Satoru also lied to you so you’re even, I guess.”

“Do you know?” You question, wondering why he brings up the fact that Satoru lied to you as well. You watch his cheeks turn pink when he realizes his words.

“Know what?” He stutters, which says all you need to know. He knows. For how long has he known? He realizes immediately that he’s messed up. He gave himself away.

“For how long have you known?” You immediately ask, and Suguru tries to play dumb, he claims he doesn’t know what you’re talking about, making a fool of himself. You’re clearly mad, but you try to not let it show through your tone. You try to take deep breaths.

“You can say we’re kind of even…” Suguru scratches the back of his head, but that’s not enough. You’re not even because the situation with Ren had nothing to do with him, at least in your eyes. Yes, you lied to him, but it was your business, something that had nothing to do with him.

“Does Shoko know too?” You scoff, and it’s merely a joke, but Suguru bites down his lip before commenting,

“I mean, considering the fact that she’s sleeping with his wife, probably.” Which makes your eyes widen. It’s shocking, but it makes a lot of sense. You’re still speechless. “Satoru told me… A while ago.”

“I guess we’re even then.” You let out a chuckle, but it’s not humorous. You’re clearly… Annoyed. “But I think… I had different plans for us, and so did you. But we should remain as friends.”

“Huh? What do you mean?” He asks, confused why you say that. He knows you’re mad, but what you’re making is a rash decision. “You don’t mean what you’re saying, you’re just upset because–”

“No, I know what I’m saying. Suguru, I lied to you so I guess I shouldn’t be too mad but I am. And I lied to you about Satoru, and… We shouldn’t be together, I feel like we started this off wrong.” You respond, and it almost hurts to say. 

“But we can start over again without lies and–” He begins, and you cut him off.

“Let’s try to give it some time before even thinking about that. I’m not really in the right headspace for a relationship.” You answer truthfully, and he furrows his brows. He doesn’t know why, but that ticks him off.

“I bet you’ll end up choosing Satoru again.” He sounds bitter, and you can’t help but roll your eyes. Of course he says that, he assumes you’re so in love with Satoru that you can’t have a relationship with him. Suguru thinks too mighty of himself. “Explains why you so adamantly ignored my calls, and why you were on vacation with him–”

“I have a son with him, Suguru. Of course I’m going to do shit with him.” You interrupt him, standing up from your seat. He has his arms crossed, looking almost like a pouty child because he isn’t getting his way. He almost reminds you of Satoru. “I told you we should give it time before we even begin to think about it. Don’t make your case worse.”

He keeps silent while you walk away, deciding that you’re right. He isn’t going to make his case worse. 

“How did it go?” Satoru seems as if he has been waiting by the door for you the entire time. 

“He knew?” You immediately ask, and he nods in response which makes you roll your eyes. “Everyone knows shit except me.”

“I can say the same about Ren.” Satoru argues, which is a great point, but you won’t admit it. You hand him your purse, as if he were your own little butler, and he proceeds to take it to your room.

“Where’s Ren?” You half-yell, and the man shushes you, which earns a weird look from you. There’s no way he actually got Ren to fall asleep… But for what other reason would Satoru shush you?

“He’s asleep.” Satoru informs you when he walks back, and you want to question what kind of sorcery the man is doing to make a boy that hates taking naps, fall asleep. You do appreciate it though, so you won’t complain.

You two awkwardly stand around, not sure what to speak about next since Ren is asleep. There’s something that comes to mind, but you’re not sure how appropriate the question is. Ren is asleep, so there shouldn’t be an issue, however, you don’t want to overstep any boundaries.

You still clear your throat though, “Did you know that Shoko was–”

“I know.” Satoru chuckles. “Right when we got back, Shoko dug her claws into her– Or Sayo did.”

“Were you upset when you found out? I mean, when we first saw each other again you called her love.” You bring up, walking over to the couch to take a seat, and he follows behind. Satoru takes a moment to think, and properly formulate his answer. He sighs before speaking up,

“I guess, for a moment I thought I loved her. I’m very fond of her, and I confused my adoration for her as love. She knew what I was going through, and she was always sweet to me, we could make each other laugh. Overall, we got along.” He explains, and you listen attentively. You’ll do anything to gain a little bit of perspective into his mind. “We just had each other, and that was that. But then you came into my life, and I remembered what love felt like.”

You feel your face get warm, and you look away from him. Maybe Suguru is right– You can’t let him be right. Satoru still committed a lot of bad actions. 

You stay silent and let a minute pass before speaking up again, changing the topic, “It’s not just Ren’s birthday coming up, but also yours. What would you like?”

“I already have everything I could ever want.” Satoru answers, which makes your task slightly more difficult. You’re still going to get him something for his birthday, even if it’s just a pair of socks. “How about Ren? I heard he wants a puppy.”

“He’s not getting one. Nope.” You tell him, and he laughs before nodding in response. You’re not sure he’s gotten the message yet, but you’ll make sure to remind him.

#[changes] #gojo saturo #satoru gojo #gojou satoru x you #jjk satoru #gojou satoru x reader #jujutsu kaisen gojo #jjk gojo #gojo angst #jjk #jujutsu kaisen #jujutsu kaisen x reader #gojo satoru #jujutsu gojo #gojo x reader #gojo fanfic

[cemeterything]

PLEASE elaborate on “davidelizabeth in alien covenant if i wrote it” they squandered her potential so bad !

okay so first all i have already talked about how i feel that covenant should have built on the sticky psychosexual gothic horror tension between david and shaw and developed it into a toxic codependent dynamic (that predictably ends poorly due to their fundamentally opposing ideological stances as well as one-sided obsession on david's side), so i'm going to attach that rather than rehash it.

but honestly if i'd written covenant i would have had elizabeth survive david long enough to establish herself on the engineer planet in hiding from him (following a "breakup" caused by his act of genocide), and have the arrival of the colonists in covenant be the catalyst that forces them to confront each other again and finish what they started. i'm not entirely certain of the specifics, but i think there's a lot you could do with the central themes of alien as a cosmic/existential horror (a story about horrifying revelations, terrible change and progress/evolution that is unrecognisable as anything but nightmarish to the human minds bearing witness), a body horror narrative focused on sexual assault, pregnancy and childbirth/parenthood, and an examination of extraterrestrial horror as this colonial mindset - the fear of being violently replaced by something that deems itself better than you and works ruthlessly to eradicate you from your places of safety which it has taken for its own - as well as the more prometheus-specific themes of parental trauma and religion (mostly christianity) by making the core conflict between david and his xenomorphs and elizabeth and humanity, like a sort of fucked up retelling of adam and eve in the garden of eden.

to tie up loose ends, since prometheus and covenant are meant to be prequels to the original alien films, i'd probably have elizabeth succeed in being the final girl (a parallel to ripley in the original franchise) but tragically go into self-imposed exile/die alone in an attempt to prevent the xenomorphs from being stumbled across by future explorers and becoming a threat again, as well as possibly out of some warped sense of guilt, both for having allowed herself to ever love david and believe him capable of change, and for failing to save him ("save" very much in the biblical sense, as in persuade him to share her point of view and abandon his descent down a dark path). needless to say, she doesn't succeed, making her "victory" all the more phyrric.

#elizabeth x david #im so fucking crazy about them

[sepublic]

Alright, let's talk about some details from the TOH pitch bible;

A lot of the stuff is what we've already seen and/or in line with the show. What's interesting is that King WAS a former King of Demons at one point, and we would've had an episode where he runs into his old gang and chooses Luz and Eda over them. It makes me wonder if he even had a connection to the Titan in earlier drafts, if he wasn't recognized as one back in the day because he just wasn't big enough, etc. Eda makes a deal to help remove the collar, which IS the source of King's woes, placed by a 'mysterious wizard', I wouldn't be surprised if it was Obron AKA Proto-Belos.

What gets me is that Tibbles originally started off as a friend to the protagonists, while Bump was an antagonist! Coupled with Tibbles being re-elected as mayor after Bump is deposed for corruption. I like the detail of Bump being a parasite controlling a body from the head, because it carried over into his final design with Frewin, and before we got confirmation Frewin was a separate entity, I loved the joke theory that the imp on Bump's head was the REAL Bump!!! Seems that was always the implied story of the design, I love it. Tibbles being the demon fan of human stuff would eventually become Gus instead, so this is technically Proto-Gus too…?

Interesting how Bump and Tibbles' alignments switch completely with one another, and it makes sense that with Lilith no longer the principal in the final draft, it goes to Bump, who ends up being really chill and a subversion in his own right! Interesting, but I do prefer the final Bump we got, and that's fine by me, because when the concepts aren't as interesting as the final product, it means we got the best possible version.

I've already discussed Obron and William in a separate post, and Pupa is someone we've been told about in a previous livestream. Lilith would've been both head of all covens (and not just the Emperor's Coven) AND principal at the same time, and she seems much more of a jerk to Eda in general; She has no qualms with cursing Eda because of a direct order from Obron.

Apparently the curse would've been an AGING spell, which settles my questions on how it would've been portrayed in earlier drafts! This goes along with Eda's older look. Likewise, there would've been a subplot of Eda considering Luz's sacrifice as a way to restore her youth, which likely goes hand in hand with Obron's orders to bring Luz to her, etc. The 'Bloom of Eternal Youth' quest, which Eda and Lilith go through together as their sisterly relationship is explored, feels like a carryover from this past idea.

I think I prefer the final draft; I like that the curse isn't just aging Eda, but also takes away her magic, makes her turn into a beast, etc. I like Lilith being a lot more complicated in her relationship with Eda, instead of just hating her and cursing her without hesitation. The redefining of the curse makes it less about age, and more a chronic illness metaphor, and I like how Eda in the final draft is upfront about having to learn to live with it, deal with it, on her own terms. She isn't trying to find a cure (although Lilith being promised one by Obron feels like a carryover of Eda's moral dilemma with Luz), and that adds another nice dimension to her conflict with Lilith, as well as Gwen. It's pretty frank in its own right about normalizing disability, and those who play an antagonistic role (however brief) are the real weirdoes for making such a fuss about it.

The Bat Queen would've had more of a recurring role based on the description, which saddens me; I always got the vibe she was planned for more, but between all of the other stuff the show had to juggle, plus the shortening, she ended up getting shafted despite being one of the earlier characters. Sashley, Pasha, and Bruno are also interesting, with Pasha in particular giving me freaking Philip Wittebane vibes with his grossness, beard, and anti-demon attitude; He even starts off as a potential friend to Luz because fellow human, only for his true bigotry to show. Makes me wonder if Philip ended up incorporating Pasha, we also have bodily transformation because of consuming magical stuff... P-names.

(Also, I like how in the drawing of typical Demon Realm denizens, I can see an eye demon who resembles a past drawing of Dana's!!!)

Eda was actually a late bloomer, which creates a parallel with Luz in one way, and their relationship is referred to as sisterly (in the final draft it’s explicitly maternal). So Eda wouldn't have been the talented youth, in fact things may have switched between her and Lilith; Lilith's disdain may have partially come from Eda not being as innately talented as her.

Luz and Amity's dynamic seems like it would've had Amity retain a lot of her more stand-offish, pragmatic personality even as a friend with Luz, and this would've come up more; So basically, she'd remain more like S1 Amity. That, or this part of their relationship would've lasted longer, and then we would've seen character development as Amity unlearns a lot of the issues her parents passed on. I also wonder if the Willow who cameos in the pilot was originally supposed to just be an extra separate from ‘Paulina’, but then they combined the two together.

The themes are exactly as I expected, glad to see they're still there, nothing changed! Luz becoming a witch and defying all odds to do so, putting in real work and passion. Celebrating individuality amidst conformity, plus Luz trying to impose her own fictional tropes onto the world, only to have to put that aside... Just like Wing it like Witches. It seems Amity would've had more involvement with Luz's journey to become a witch, though we still do have a carryover of that disconnect with her rant near the end of Covention.

I love the Demon Realm being situated BELOW the Human Realm, way to be subtle about being Hell you guys lol... Apparently portals to the human world are a lot rarer to find and use, which makes me wonder if the pilot's 'dimension port' doesn't have access to the human world; Meaning Amity is Luz's only way back, so her improved relationship with her is linked to getting back home. There's a gag about the Knee having service with the human world, but I can see how that didn't make the cut, for dramatic purposes; It seems like the premise for a S1 episode or at least a B-plot. Would Luz have struggled to communicate with Camila through this, or would her search for wi-fi be for mundane reasons?

Apparently Luz's magic would've required a lot more steps to complete, and I see why the show simplified things down to just glyphs. I wonder if there was always going to be the connection of glyphs as a gift from the Titan, or if the Titan and her story was going to be less intertwined in the overall narrative. There also don't seem to be nine main covens, just the many, many covens, some of which are pretty ridiculous, and Covention's sub-covens seem a callback to that.

Luz's first spell would've been levitation, and THEN she would've infiltrated Hexside, with Amity being a lot subtler about exposing Luz, though in the final draft she does figure that out as the way to go in I was a Teenage Abomination. Yeah, I prefer Light being her original spell, feels so much more symbolic and personal, etc. I wonder if the Titan is even as much of a character in early drafts, and if there's still the whole connection/relationship with the land and learning to respect it aspect. Some of these hypothetical episodes push the idea of Amity as a more episodic, typical popular kid antagonist, though in the final draft, the show goes through her character development and explores Amity's romantic relationship with Luz and its complications.

It seems the idea of the Mirror Ghost was split into Adegast and Vee, with Adegast being the one who offers the easier narrative for Luz to believe in about becoming a witch (only to be a fraud who uses uncanny puppets), and Vee being a doppelganger whom Luz communicates through with mirrors. Interesting how Yesterday's Lie was born from this. We saw the test animation from Spencer Wan for TOH, so I guess we know what Luz's puppet-doppelganger is called! And we can safely call her Proto-Vee. I wonder if she also would've been a sympathetic character, I always thought she reminded me of Lake from Infinity Train (and speculated her to be as such since Enchanting Grom Fright), and now the similarities are even MORE apparent!

Alas, The Good Witch Azura, or 'The Unassuming Princess' seems like it'd have been a lot less dear to Luz's heart, as the pilot also reflects; In the end, it turns out the author is just Eda's ex using her adventures as basis, and including private information. I remember when I once speculated that Raine, before we saw their face, would've been just like this as the author of Azura... Again, I think I prefer Azura as being a lot less mean-spirited in the final draft, and instead a celebration of who Luz is as a person, her relationship with fantasy and fiction, etc. We also would've had a Luz birthday party, the Quincenera we've been hoping for since S1...! In the final draft (and episode) we still get that Human-Demon Realm disconnect, though by that point, Luz is much more attuned and chill with the isles.

There’s definitely more of an episodic, sitcom feel to this pitch bible, especially when you compare Proto-Yesterday’s Lie to its final version. Makes sense, Dana is pitching this to Disney executives, though her statement on Understanding Willow feeling truly like her show makes me wonder if she always intended to push TOH in that more serious, emotional route we got.

#the owl house #the owl house pilot #king clawthorne #principal bump #hieronymous bump #luz noceda #the owl house tibbles #lilith clawthorne #eda clawthorne #edalyn clawthorne #amity blight #lumity #boiling isles #analysis #the good witch azura #meta #speculation

[iruiji]

SAGAU but Creator Reader has been tagging along with the Gourmet Supremos.

If you didn't know or have forgotten, Gourmet Supremos are one of those quest series that is randomized because some part of the questline can only be accessed with dailies (like Whispers in the Wind or Snezhnaya Does Not Believe in Tears or Garcia's Paean).

This questline spans from Inazuma up to Sumeru. I think there was 6-7 quests in total? I forgot. (it's 8).

(These are Julie, Parvaneh and Xudong in order.) There are more characters that made a cameo in here but we'll just limit it with these three.

Context dropped, onto the short HCs.

• Okay so, I didn't really read the whole story of this one so I'm just going to make some random HCs on the fly. I'm aiming for a goody-feel with this one so no heavy angst will be involved.

• Alright, so. Xudong is the leader of the Gourmet Supremos, and he only found you because when you land in Inazuma, you literally dropped into their camp and was about to steal a sausage from Julie's backpack (but there were so many ingredients there!!!)

• Xudong was fuming, lmao.

"THIEF!! SOMEONE, HELP!"

• Aight, geez, made you run a marathon there.

• The next time you've met, all three were together and they saw you roasting some lavender melon in some dilapidated tent you found while walking aimlessly. Hey, better than no shelter at all. For some unfathomable reason, your inventory only consists of food materials - with everything, and I mean everything, missing.

• God damn. It's like the heaven is telling you something. 🙄

• Anyways, yeah. So for some reason, the only access to the goddamn ingredients are locked, and you can't use it and you don't know when you would be able to use it, so you have to scrounge up whatever pitiful sources you can get.

• Sadly, it's mostly lavender melons.

• Like, you already made several dishes from this and it's really starting to grind on your gears, so you took a dive in one of the caverns and found some meat and was happily grilling it with the melons when the trio came out of nowhere.

"Thief!"

The hell. "I didn't get the sausage, though."

"But you still tried to!"

"I mean, I was dying of hunger, so.. you know."

Julie, bless her heart, gets in between you two. "It's fine, Xudong. They needed help, did they not?"

"But-"

This time, Parvaneh chimes in. "As they've told you, they didn't get anything, so let it go. And you." She points at you with calloused finger. "Who are you?"

That caught you off guard a little. Told them your name and, to Xudong's bewilderment, started chatting amicably with you. Some time later though, he softened a bit but still a little cautious. They traded cooking tips with you, and, to their utmost surprise, you exchanged many tips on cooking as well.

"How do you know all this?" Xudong asked as you finished explaining the difference between sauteing onion and garlic first.

"Oh. I'm uh, a professional chef back in our place. Been years though, so yeah." You replied as you took a bite of their chicken. "Holy shit, why is this so good?"

Julie and Parvaneh just smiled proudly.

• So like, you became a new addition to their team - but you actually specialize in desserts. Xudong has many a great views in cooking, as well as the two ladies, and together you journeyed the whole of Inazuma for rare ingredients and made some two or three journals that have been since published and loved by people. (The fangirling/fanboying is real when you saw Xiangling's message drooling about your own version of Tiramisu).

• One day, however, you lot came across a shrine - it doesn't look abandoned, oddly, but it looks really, really old. You asked them what's the deal with this one, and they explained about the Creator.

Oh.

You're in SAGAU?

Shit.

"People said they've come back, but we don't really know.."

Double shit.

• With that knowledge, you try and avoid the main cities as much as possible and only let the three buy on populated areas. Thank God they didn't really notice you suddenly covering half your face with a mask - which you only shrugged when asked.

"I like masks."

Fair enough, they suppose.

• ..oh fuck, is that Yae Miko?

"Ara, and who is this?"

Xudong, Julie and Parvaneh bows and you hastily followed.

"She is our new companion, Lady Miko."

She looks at you with an impish grin. "Oh?"

... "Yo."

Nice.

• Coming across the main characters from the game are very, VERY rare. You can actually count on one hand the characters you've met:

Yae Miko;

Thoma (he was going around asking for favors as usual and you bump into each other and only had quick apologies as interaction);

Kujou Sara (she was patrolling the area and asked about your mask - which you replied that it's part of your outfit. damn, her glare was fucking menacing!);

Kuki Shinobu (you were side to side buying groceries once), and lastly;

Kamisato Ayato (you actually didn't meet - you just saw him giving speech in a podium for some event you just came across).

• You figured, hey, maybe you're NOT the creator or whatever. And just tried to live normally after some time. The mask stayed though, because you just survived the pandemic back here and was cautious.

• About a year and six months with the team, Xudong suggested you come all to Sumeru to expand your knowledge. Holy shit, yes please!

• ..and then you met the Traveler on your way.

"Your Grace..?"

Triple shit.

😭 sorry for disappearing for about a year - i was too lazy finishing anything. And now, I added another idea not to finish on the list 💀 wrote this whole thing in like 30 minutes motivation really is a wonderful thing, huh?

#sagau brainrot #genshin impact #genshin impact sagau #genshin isekai #genshin headcanons #sagau idea #sagau x reader #sagau #genshin sagau

[wordsarelife]

𝐜𝐡𝐚𝐩𝐭𝐞𝐫 𝐭𝐰𝐨: 𝐬𝐡𝐞'𝐬 𝐠𝐨𝐧𝐞 𝐭𝐨𝐨 𝐟𝐚𝐫 𝐭𝐡𝐢𝐬 𝐭𝐢𝐦𝐞

pairing: theo nott x fem!reader

summary: mistakes can happen but this one might cost them a record deal, so they definitely needs some help from you

warnings: cursing, unsafe driving, someone gets hurt, let me know if i missed any!

notes: mattheo and enzo are brothers in this story, i just decided hehe. (they both keep their respective name, they’re step brothers, since childhood so they are practically real brothers anyway lol)

let me know if you’ve enjoyed this part :))

"you're so funny, enz" april was laying belly down on your bed, while she was busy giggling into her phone. enzo had asked her if she still had the same number she had in middle school and promptly followed her confirmation with the question if she would be free to call after school.

april had agreed before she remembered that she was going to your place. but, because you were a good friend, you had told her that it was no problem.

now she was laying on your bed talking to enzo, who, you were pretty sure, was at theo's.

you now regreted telling her that it wouldn't be a problem, considering they had been talking for the last hour or so.

you sighed, deeply, before you decided that there was only one way to get your friend back. you took the blog from your desk and scribbled the words down, before you hung it in your window.

as if he had waited for you to write something, theo stood in front of the window and read your message.

do something you had written, featuring at least 7 exclamation marks.

theo looked at you as if you had gone crazy. why should i do anything to help you?

because i bet enzo is just as annoying, isn't he?

theo only spotted a face that made an answer from him unnecessary. he just nodded and walked away.

"oh, already?" you could hear april ask behind you "no, it's fine. i get it, i'll be waiting" and with that she ended the call.

"i'll be waiting?" you asked, with a quirked brow.

"that was embarrassing wasn't it? i should've just said bye like a normal person"

"well, you're not a normal person" you smiled "and i don't think that you could do anything to make him leave you alone at this point"

"you really think so?"

"of course i do, april" you sat down beside her "why did he have to leave so suddenly?" you tried to not sound suspicious, but you were really curious what theo had done to get enzo off his very important call. luckily, april hadn't even noticed what you had been doing.

"band practice" she shrugged "theo is a strict boss"

"i bet" you mumbled while your eyes were still fixated on the piece of paper in his window. why should i do anything to help you? catapulting you right back to the night a year ago. you shuddered at the thought of it and tried to ban it from your head as fast as possible. theo was a constant reminder of your mistakes and maybe it wasn't him you hated but the realization of fault that hit you anytime your eyes fell on him.

✦•〰〰〰〰〰★🎸☆⋆｡𖦹°‧★〰〰〰〰〰〰•✦

the garage was filled with thick air that had been warmed all day as the sun beamed down tremendously. theo rubbed the sweat off his forehead as he sat his bag down inside.

enzo walked to the couch to open his guitar case. he halted in his motion and the rest of his friends perked up at his lack of movement.

"no, enzo" blaise muttered "not again, come on"

"it did not do it on purpose" enzo turned around to face his friends and theo looked around his body to confirm what he basically already knew.

"where's your head at?" draco's tone matched the annoyance that was bubbling in theo's chest.

"is that a serious question?" matt laughed "it's deep under april's skirt"

"matt" enzo sighed as he rubbed his neck in embarrassment.

"april hart?" blaise asked "the one you've had a crush on since she moved here in first great?" enzo nodded and blaise laughed "that's what i call consistancy, mate"

enzo would've probably laughed if it weren't for the bitter look the bands' leader was still spotting. "are you angry?"

theo sighed. "it's the third time you forgot it, enz"

"i know, i'm sorry, theo" enzo brushed a hand through his hair, before he turned in draco's direction “can i lend your car and get it, please? i won't take long"

"are you kidding me?" draco asked humorless "my mother is gonna kill me if something happens to that car. i'll drive"

"i'll come with ya" mattheo stood up from the couch.

"why don't we just all go?" theo asked sarcastically.

"yeah, why not?" blaise smiled, not catching that theo was just making a joke.

"no, i meant-" the group was already walking out to the car and theo just accepted his fate. "why not" he mumbled before he got in the back seat.

enzo was sitting in the middle of him and blaise, while mattheo had been able to plant his arse on the passenger seat next to draco, who was already setting the car back.

"it's so silent" mattheo mumbled "why don't we listen to some good music" he grabbed a cd from his pocket and just a second after, the loud drums and guitar of blood//water, the first song on cursed legacy's debut album floated through the car.

the boys broke into cheering. "you made a cd?" draco asked smiling, while mattheo nodded proudly.

"old school" enzo grinned, but clapped mattheo's shoulder nonetheless.

"hey" draco said harshly "you stay back there" he pushed enzo back into his seat. "i told you guys to hold him" he looked into the mirror and found theo's eyes, who looked not entirely happy, but did as he was told.

the seatbelt of the middle seat in draco's mums car had been broken for a while. she had originally forbidden them from riding in the car with five people, but draco tended to ignore her rule, even if he normally was quite fussy about anything happening to the car, banning drinks and food completely. but theo's car was still getting fixed by his uncle, so it was their only option.

"while we're on the topic of the band" blaise said "did you call that guy back? the one from the record label?" he asked theo.

theo smiled "i did, yeah. thats what i originally wanted to talk to you all about, but enzo was busy talking to the demon's bestie"

"demon is a rather harsh word" draco muttered.

"aren't you guys a bit too old to upkeep that childish feud?" mattheo asked. "you used to tell her everything and now you're not even saying a word about the record label thing"

"i really thought you guys would go back to normal after everything with leo" enzo added and all heads turned to him.

"i told you not to mention him" theo said angrily and enzo slumped down in his seat.

"it's been a year, mate" draco’s eyes found theo's in the mirror.

"it doesn't matter" theo shook his head, before he abruptly changed the topic. "he wants to see us, as the preact of some band in six weeks"

"the record guy? really?" mattheo perked up "thats like super soon"

"he seemed really excited" theo shrugged "this could be our chance guys. we get that deal and in less than a year we're off to america or tokyo and probably recording our second album, while already writing the third"

"as long as our little shakespeare keeps working that won't be a problem" blaise ruffled theo's hair, his hands letting go of enzo, while theo was busy slapping his friends hands away, hence why he also let go of the younger boy in the middle.

"hey! what did i tell you?" draco full on turned around in his seat.

the next three seconds happened all at once. mattheo was the first who screamed. it had taken draco less than a second of not looking to effectively drive off the street and in the direction of the nearest tree. draco turned around alarmed, swerving the car to the side, luckily not driving frontal into the tree. he stopped the car at the same time, what would've been fine, if blaise and theo had held on to enzo again, or if his seatbelt had simply been working.

he went flying trough the car, mattheo's arm darting to the side, to stop enzo flying through the car's windshield. sadly, his force wasn't enough and enzo still hit the dashboard quite hard, but at least he stayed inside the car.

"ow" enzo cried, holding his arm.

"shit, shit, shit" draco muttered under his breath. "is anyone hurt? are you all fine?" theo could hear his voice break.

"blaise and i are fine" he said quickly, to calm his friend "but enzo.." all eyes turned to enzo who was laying in the middle of the car, between mattheo and draco, who was staring down at him wide-eyed.

mattheo excused himself to call an ambulance.

"this is all my fault" draco brushed a few tears away from his cheeks "i should've just given him the car, or gotten the guitar on my own, i should've never-" he was interrupted by theo.

"it isn't your fault, draco" he assured "blaise and i let go of enzo in the first place, it was our job to keep him safe and we got distracted"

"i shouldn't have screamed at you like that" draco put his head on the steering wheel, trying to hide the stress on his face.

"theo is right, mate" blaise added "it's on us"

it seemed like draco wasn't even hearing him. "i will probably lose my license"

"you won't" enzo muttered through clenched teeth "we'll say there was a deer"

"i'm so sorry, enz" draco excused, it seemed like he only remembered now that enzo was still laying in the middle, holding his arm. "does it hurt badly? i actually don't care about the license, they can take it, as long as you're fine"

"i think my arm is broken" enzo held up his right arm, which was bloody and looked like it wasn't supposed to be formed the way it was right now.

"shit, enz" draco rubbed a hand through his face, before he quickly opened the door and threw up on the floor.

"the ambulence will be here in ten minutes" mattheo said, as he poked his head through the door. "what is he doing?" he wondered once his eyes fell on draco, who was still hanging half out of the car.

"puking" enzo, blaise and theo chorused.

"gross" mattheo shuddered, before he opened the backdoor of the car. "you guys should come outside, so the medical team can assist enzo better. we shouldn't move him"

"yeah" theo nodded, while he pushed blaise out of the car.

“why did i have to come with you again?” you were walking from the parking spot to the entry of the hospital.

“because someone had to drive the car” april pointed to the phone in her hand, which she had used to try and call enzo the entire way here. her hadn’t picked up so she insisted on visiting him, but not without a few different sorts of chocolate (she wasn’t sure which he liked) and flowers.

“yeah i get that, totally” you rolled your eyes, so that she wouldn’t see “but do i really have to come inside?”

“i need moral support”

“you’re not the one who broke his arm”

“enzo might be happy to see more than one friendly face”

“it’s not like he’s laying on his death bed, april” you nudged her arm “i’m sure he comes home today, we could’ve just gone to his house tomorrow”

“i want to see him”

“okay, fine” you groaned, but followed her inside, where she was already leaning half over the receptionists desk.

“how can i help you?” the lady was rather unimpressed by april’s eagerness.

“we’re here to see enzo, ehh lorenzo berkshire” she quickly corrected.

the woman raised her eyebrows, before she started tapping words into her computer.

“pixie?” a voice called and your head turned to the side. you tried many times not to react to the name, but you sometimes couldn’t help it. theo had been consistent for the last ten years so it was in your nature.

“mattheo” you greeted.

the dark haired boy was holding two cups of what looked like coffee. “they belong to me” he told the lady at the reception. “i’m lorenzo’s brother, i came with the ambulance, you remember?” he waited for some kind of confirmation, but she was already busy with something else, easily going back to ignoring you.

mattheo made a gesture for you to follow him down the hall. “pretty unfortunate, heh?” he grinned awkwardly.

“it’s horrible” april declared “i mean how is he supposed to play? he told me something about a record deal that you guys might get”

“yeah” mattheo looked to the ground, before he changed the topic. “he will be so happy to see you” he smiled at april and april mirrored his expression.

mattheo halted in front of a door. “could one of you..?” he trailed off, as he looked down at the cups in his hands.

“oh of course” april said quickly.

“i should maybe stay outside” you held the flowers and the chocolate in april’s direction, who raised her eyebrows.

“are you kidding?” mattheo laughed unimpressed “of course you’re coming inside. enzo will be ecstatic to see you both”

“her? sure, but me?” you asked unsurely “also, theo is probably in there, so i don’t-“

“he will behave himself” mattheo promised “come on, pixie”

you send him a look. mattheo knew about the nickname as long as it existed and he would only call you that sometimes. theo used it to make fun of you, but when mattheo said it, he meant it in a friendly way. you all had grown up together, naturally as you lived so close and in a small town. for mattheo, pixie was not in insult, but the last bit of proof that you had been friends once. after theo and you had fallen out, you had automatically fallen out with all the boys.

sometimes it hurt you to remember. remember how you and mattheo had spent hours listening to sherlock holmes and climbing trees. or how you had helped draco to read as he was having problems, days when you were washing gum out of blaise’s hair and taught enzo to tie his shoelaces. and theo, theo had always been where you were, he was never far. and everything had slipped away in a single night.

but it was too late to make amends. mattheo knew that as good as you. maybe you all could stop fighting, but go back to normal? probably never.

“hey” enzo raised both his arms when he noticed april and you walk in behind mattheo. “ow” he muttered.

blaise and draco were sitting on chairs on either side of enzo’s bed. theo was standing a bit away from the rest of his friends, leaning against the window.

“what is she doing here?” theo stepped forward when his eyes fell on you.

“hey, don’t talk to my guest that way” enzo pushed theo back, so he was leaning against the window again.

“april needed some help carrying all this” you opened your arms, displaying the different sorts of chocolate and flowers.

“how are you feeling?” april asked, slowly touching enzo’s cheek. “does it still hurt?”

you could practically see the flip switch in enzo’s head, as he realized how much she cared.

“a bit” he said dramatically and his voice dropped a whole octave. “but i think i’ll live”

you exchanged a look with mattheo, who raised his eyebrows at his little brothers dramatics.

“how long do you have to wear the cast?” you asked, while you put the chocolate down on the night stand. blaise immediately took one of them.

“hey that’s for me!” enzo protested.

“we need emotional leverage” blaise rolled his eyes, before he unpacked the chocolate and bit a whole piece off. he then held it in draco’s direction, who took it and started nibbling on it like a mouse.

enzo sighed before he looked back at you “between four and twelve weeks”

“shit” april deadpanned “what about the record deal?”

“okay, are you guys really getting one or are all of you in on a bit i don’t know about?” you wondered. there had been a few too many mentions of a possible record deal.

“no” mattheo shook his head smiling “there’s this guy from the label and he wanted to see us at the preact for a band who plays in the concert hall outside the town in six weeks”

“we can forget about that now” draco whined.

“that’s shit” you looked down “i’m sorry, that’s really awful”

“don’t act like you’re not making internal jumps of joy” theo spoke for the first time since you had entered. “you hated the band from the minute we..” he paused and cleared his throat, before he added “continued”

“you really think i’m that big of an asshole?”

“come on, theo” blaise added “don’t be like this now”

“it must be the first point on that little to do list of yours, huh? what do you want to hear? you were right? we’ll never get famous”

“shut up” you shook your head at him.

“stop fucking lying about the way you feel about my band”

“mate” draco tried to push theo back, who was walking closer to you.

april and enzo were exchanging worried glances as they noticed the tears building up in your eyes.

“theo” mattheo stepped next to his friend, laying a hand on his chest, to hopefully calm him down.

“why did you even come here?”

“i’m only here because of april and enzo” you said between clenched teeth “now stop acting like i’m here to laugh about your misery”

“the band could’ve made it big”

“i know” you simply said.

the others were following the discussion between you attentively, turning their heads, like a tennis match, from side to side, whenever one of you spoke.

“my band could’ve made it big”

you looked up at theo with teary eyes, before you nodded, once, finally. then you turned to look at april. “i’ll walk home” you turned to enzo “get well soon, enzo”

“thank you” enzo replied breathless.

you send one last look in theo’s direction, who gulped as he saw the tears flowing over your cheeks, before you left the room.

“what?” theo asked as he turned around and noticed the angry looks of his friends.

“was that really necessary?” mattheo sighed. “she came here because of enzo, knowing well that you would be here. she wanted to wait outside and i convinced and even told her that you would behave this time”

“you really are mentally seven aren’t you?” blaise asked and theo felt bad that he made your visit to enzo all about himself.

“you know how i feel about seeing her”

“how could we not?” draco muttered “you make it clear over and over again”

“it doesn’t matter anyway, the record deal is through and we can just stop being a band now” theo sank to his knees.

april and enzo exchanged a look, before enzo cleared his throat. “technically you just need a stand in for me”

“what?” theo looked up.

“it’s not over, theo” enzo said “you just need to find someone who can play the parts, or at least learn them in six weeks and after my arm is alright i can come back”

“he’s not wrong” blaise nodded “we just need to bag that deal and the rest is not important right now”

“okay, who?” theo deadpanned “you’re incredible on the guitar, who could we possibly find to be just as good?”

“you know that there is someone who was better” enzo looked down in his lap. the rest of the group grew silent too.

“what has that to do with anything?” theo asked defensively.

april turned her head to look at the dark haired boy. “he taught her” she said. “everything”

“what?” theo asked, not believing what he was hearing right now. “what are you saying?”

“we’re saying that you should ask y/n” draco put it simply.

“absolutely not” theo shook his head “i’m sure we can find someone else”

“you just said that there was no one good enough to stand in for me” enzo noted “she might be our best option”

“even if he taught her” theo added “that was over a year ago, who says that she even still plays anymore?”

“she does” april muttered “she’s good, really good”

theo sighed.

“just ask her, mate” mattheo, who had mostly stayed silent, clapped a hand on his best friends shoulder. “we need this record deal”

“i know” theo sighed.

“she’s a slow walker” april pointed to the door and theo raised his eyebrows.

“go!” his friends all chorused when he did not move. he left the room.

“beg her on your knees if you have to!” mattheo called behind theo, before the door fell closed.

“do you really think she’ll help us?”

“i honestly don’t know” april shrugged “but i’m sure theo has to find a way to go even lower than just his knees if he really wants to beg her”

taglist:

@7s3ven @madi-potter @shereadsandcries @getosbeloved @mischieftom @wolfstar-jpg @t00thfairy20 @chcrrysblog @aestramjackson @elina3011 @kr1nqu @hopeless-y @mitskiswift99 @fallingblackveils @ahead-fullofdreams @helendeath @schaebickel @chubbychasermattheotruther @punkprincess03 @subparslytherin @girlbooklover555

(i have problems tagging some of you, maybe check your setting and make sure you’ve allowed people to tag you!!)

leave a comment if you would like to be added/removed from the taglist!

#theo nott x y/n #theodore nott x y/n #theodore nott x you #theo nott headcanons #theo x reader #theo nott fanfiction #theo nott x you #theo nott x reader #theodore nott x reader #theodore nott #hogwarts #hogwarts au #harrypotterimagine #harry potter au #mattheo riddle x reader #lorenzo berkshire x april hart #lorenzo berkshire x reader #draco malfoy x reader #blaise zabini x reader #blaise zabini #lorenzo berkshire #mattheo riddle #draco malfoy #theo x pixie #theo nott x pixie!reader #theo nott enemies to lovers #enemies to lovers #cursedlegacy #lizzyscursedlegacyseries #lizzysdontblamemeseries

[byerseason]

why byler is the only logical way to end stranger things: a personal opinion

long post incoming. i've been thinking about what else can they do other than canon byler or is there any logical way which would please everyone. but i genuinely can't find any logical ending.

first of all, let's see the options i heard from people who doesn't think byler is gonna happen.

not adressing will's love for mike, mike never finding out about it and will's arc simply focusing on supernatural part : well, we all know that's impossible. not after spending a whole season to show us his deep love for mike. also it's confirmed that an emotional arc for him is what is gonna tie up the story.

"his love for mike was for him to explore his sexuality, he's gonna have another boyfriend." : they could easily show it to us without bringing mike into it. the byers moving to california was a perfect chance for it since it's a place better than hawkins when it comes to LGBT, they could easily give him a love interest, include him to their journey to find el just like they included argyle and give him a good character arc in s5, just like robin in s4. well, they didn't.

"mike is gonna reject will" : okay, then what was the reason of making him fall in love with mike? did the writers want to write a horrible story for the only gay child in the group? especially after showing us how miserable he feels about mike and how much he loves him? no.

now let's look deeper at the character arcs. my biggest reason to think byler is the only logical way is: will byers

i don't think i have to mention how much will suffered throughout the show and how he needs the happiest ending. they left season 4 at a point where everything about that love triangle is unresolved and they're obviously going to do something with it.

we all know mike is the one who understands will the most. he always been, since the very beginning. we've been shown that their bond is different and special. in a scenario where mike rejects will, we all know this is gonna be ruined. will is not gonna magically bury his love and go back to being besties with mike. and for mike, it's not possible for him to ignore will's love for him and stay friends as nothing happened. it would ruin their friendship for absolutely nothing.they can't simply take the only one who understands away from him.

will said he wants to spend the rest of his life with mike for two times. even if he doesn't have any hope, he desires it. so why giving him a love that he will never have? in this scenario will's character arc is literally "the gay kid always thought he will never have love just because he is gay, he thinks it's wrong and he is a mistake, well yes, he was right! he will never find the love and just watch the other straight people have it. thanks for watching stranger things." will's arc should be an arc where he is proven wrong, where he understands it's okay to love, where he is loved the way he loves, purely. otherwise his character arc is gonna be useless. where did we leave will in s4? he was thinking there's no chance for mike to love him and he has zero hope-- he ripped off the band aid. if mike rejects him the character arc and all the build up in season 4 becomes useless. he was at zero, and he is still at zero.

like i said giving him an arc where he is loved the way he loves was easy to be done without mike but now it's too late. they made it super clear that will doesn't want to be loved, he wants to be loved by mike. mike hurts him yet he still thinks mike makes him feel like he's not a mistake at all. that's not a simple crush. that's pure love. as a writer of a show you don't spend too much time to sympathize the characters love to the audience -something you never did with your other characters, at least not as much as will- you don't show them pouring their heart to a gift, just to waste it, just to make the character feel the worst they can feel just to make the person they love happy. will loves mike such a way that he prioritizes his happiness over his. this is what is gonna pay off.

the second character whose character arc needs byler: mike wheeler

mike has always been the most complicated character of the show, but most of his actions have no explanation other than him dealing with his own feelings. the show introduced mike as the leader of the party and i think it's okay to say he was one of the main characters in season 1 & 2. what happened after s2? a crazy character downfall. the audience started to dislike him and think he is useless. he didn't have any character development in the past 2 seasons. why? why? why?

because we all just watched him struggling. dealing with something inside of his mind that we don't know.

let's talk about a scenario where byler doesn't happen. this makes all mike's arc about being a love interest since s3. no development, no explanation for his behavior in the past 2 seasons. of course mike is traumatized and never talks to anyone which effects his behavior a lot. but there's still an unanswered question. why is he distancing himself from will specificially? the writers showed us that they understand each other the best, they know each other the best and notice if somethings wrong, so why is he distancing himself from the person who he needs the most as a best friend?

this is where we start to think if the problem is will himself, for mike.

why did we make will fall in love with mike just for mike to distance himself from will for no reason and make will upset? did we want will to suffer for no reason or create an empty storyline?

if mike is not how we think he is, he is going to end the show with an empty character arc who is nothing but a love interest, a side character. if mike ends up how we think he is, he is going to be the best onscreen representation of internalized homophobia. people think he is useless or just an asshole but he will turn out to be a perfectly written character who has his own arc.

people love to say "gay people didn't exist in 80s, byler would be unrealistic." which is completely wrong. gay people DID exist in 80s and they DID find love. did they have peace? they didn't. this is why mike and will are gonna be a real representation. we watched all the real struggles they went through. even if we don't get to see them as a couple, they will know they love each other by the end and that's what matters. and there's nothing unrealistic about it.

#byler #mike wheeler #will byers #byler endgame #byler analysis #byler proof

[thecarnivorousmuffinmeta]

Unless I missed something, it seems you don't have anything about Rita Skeeter in your HP masterposts (other than "what if JKR was Rita").

I'm wondering what you think of her? I feel like I barely even remember her in canon, but fanfic uses her for everything under the sun.

You know, I think you're right anon.

Generally, she's unscrupulous as hell and will do nearly anything to chase down a story regardless of the devastation it may cause an individual (see her roasting a 14-year-old girl in a national paper to people who otherwise would never have heard of Hermione Granger but then only knew her as WHORE, including Mrs. Weasley who for a year thought Hermione was a gold digger), incredibly hard working and ambitious, very thorough with her sources, and has an unfortunate tendency to be... not wrong a lot of the time.

Say what?

Yes, I know, I know, she uses the quotes quill which is clearly intended to exaggerate a person's reactions to whatever she's saying (and infuriate them so they'll say more things to her face while they're flustered) but the woman is meticulous with her sources.

The Dumbledore book was extensively researched, with letter evidence, interviews with everyone Dumbledore had pretty much ever known in his life, and it turns out it's... pretty much... entirely... correct...

We learn that the reason Rita knows all this information she shouldn't is that she's been wiretapping (well, being a bug in a room). And that's the thing, she doesn't make things up, she does put them in the worst/most scandalous way possible (e.g. misconstruing Hermione and Harry's friendship into being romantic and theorizing what Hermione gets out of this relationship) but it's not wholesale made up.

So, I actually like Rita as a character. The woman will ruin you for a story, and is absolutely vicious and manipulative as hell, but she's just so interesting.

(And JKR clearly despises her, to a hilarious degree, Rita represents all of JKR's hatred of the British tabloids in one human form that she calls ugly.)

#harry potter #harry potter meta #harry potter headcanon #rita skeeter #meta #headcanon #opinion

[handsometheo]

You've gotta hear me out on Ithaqua getting a little too possessive towards his survivor partner during a match ! Love your works btw <3

Mmmmmm Possessive Ithaqua 😍

Warnings: You'll never guess this one but Possessive behaviours

Pairing: Possessive! Ithaqua x Gn! Reader

--------

- He isn't sure what caused it. Maybe it's his own instincts telling him he needs to protect you, or maybe the manor is affecting him somehow..

- Your Team is quite possible the worst concotion of players to have paired with you. The Prospector, the cowboy and the "prisoner". He's semi-alright with Luca, he doesn't really do much harm. Its more a case of him being annoying to deal with on a good day.

- However Kevin and Norton strike Ithaqua the wrong way.

- He immediately finds Norton but instead turns his attention to finding you, just to make sure you stay away from them.

- He finds you. Quite easily actually. He comes across you helping Luca to decode who quickly runs off in favour of saving himself. Smart man, Ithaqua has to applaud him for using that mildly malfunctioning brain of his. He does have to break the connection, if only to delay your guaranteed escape.

- He lets you finish the cipher and simply stands around impatiently huffing and puffing to the side like a bratty child not getting enough attention. And that's accurate to a certain degree.

- once the cipher is done he tells you to go into a locker so he can pick you up and take you with him. You think nothing of it as this is fairly normal behaviour he likes to carry you around you've noticed. His little giggle when he picks you up just melted your heart.

- However. Unlike the usual routine, Ithaqua takes you to the nearest corner of the map and places you there before trapping you within his arms. His cloak making the two of you practically disappear, well.. you know as much as one can with the terror radius thing..

- His eyes are animalistic and his jaw clenched, but he makes no move to act on whatever violent act is forming in his head. Just pulls you to him as though he is trying to mesh with you.

- of course, he was mostly..., kind of, calm.

-Until the two idiots turned up. And by that I mean Norton and Kevin.

-Kevin lassoed you from Ithaqua's grasp, that alone made him screeched out in rage, but just to add some extra sourness to the situation, a magnet gets thrown towards him. Forcing him back into the wall.

- You struggle your way out of Kevins hold and push him away right as Ithaqua dashes at him. Norton quickly runs off to possibly hide in case he needs to really save, or possibly help Luca to continue saving.

- "IDIOTS, BOTH OF YOU!" You yell out to nobody in particular as Kevin had already run off. Ithaqua stays still for a moment, left eye twitching.

- He turns quickly. "Stay." He commands as though you are a dog awaiting your next trick. You're going to stay near, obviously, just maybe that Cipher off to the left will somehow get finished off...

- He dashes away in the direction Kevin left.

- As you're decoding, the prospector returns around the corner.

"Hey."

"Fuck off. That was stupid and you know it."

"Yeaaah.. but got the reaction I wanted. He's a tad bit, whats the word, protective? No. Possessive. Thats the one! Like he owns you."

"If he ever got asked if he owned me he definitely would answer like that.. It's a bit much at times, maybe next time to come running up to try and save when he's clearly not going to chair me. Luckily he seems to have lost Kevin."

The last Cipher gets completed by you and Norton but just before you can run to the exit, Norton says something that irks you.

"Geez, I didn't ask for your life story.. no need to keep going on..."

Yoou dont even initially intend to do it but you're hand reaches out to slam his head against the nearest wall to temporarily stun him.

"Not so fun now is it.."

In the distance a pissed off roar can be heard from Ithaqua, who you can assume just missed hitting the now escaped Kevin and Luca.

"Now, we're gonna surrender." You tell the prospector sternly

"Why would I do tha-"

You grab his ear and stare at him, "Consider it your apology to Itha. Believe me Kevin's going to deal with far worse."

Quiet grumbles are all that are heard from the disgruntled ex-miner.

----

Hope you enjoyed :) I partially forgot what I was writing halfway through but I loved writing this ♡

#x reader #fanfic #idv x reader #idv ithaqua #idv night watch #idv nightwatch #idv night watch x reader #idv nightwatch x reader #idv ithaqua x reader #ithaqua x reader #night watch x reader

[looneyleyle]

the self-destructive habits of a hopeless romantic ~ j. hughes

synopsis: monetizing one's self-sabotaging habits, surprisingly, has its downfalls. one of them being leaving that one attractive hockey player that is an absolute gentleman who loves you with his whole entire heart.

warnings: self-sabotage, self-deprecation, angsty (but with happy ending)

word count: 3425 words

note: once again unedited but i wanted to get this one out there

???'s pov

time and time again, the world has seen the self destructive habits of humans. well, that makes it seem serious. the world has seen the countless missed opportunities due to a fear of another's reaction. the world has seen the blunders due to saving face. the world has seen the heartbreaks due to miscommunication. time and time again, the world has seen how people sabotage their own lives for the dumbest reasons.

esther graham was no different.

in fact, she capitalized on her ability to put herself into the worst emotional distress possible. every heartbreak produced a great work of literature that would nearly sell out in bookstores all over the northeast. she wasn't a new york times best seller by any means, but she was a small town writer from mont vernon, new hampshire. she made a name for herself during her time at hamilton college in their creative writing program. in her junior year of college, she published her first book, woes of a teenage failure, a novel following what could have been for a young college drop out named sophia. the book was a hit amongst her peers and professors, and by word of mouth, ended up selling 200 copies. the book, as ms. graham remarked, was her own "what-if" story, as she almost dropped out of college the beginning of her sophomore year.

and how do i know so much about ms. graham?

well, because i am ms. esther graham.

and i'm here to tell you all about the biggest blunder of my life.

after my first book, i hit major writing block. i would stare at my computer screen for hours just to delete the only three words that i could come up with. i would sit in coffee shops, pen in hand, ready for inspiration to strike, and yet, nothing. i was nearing the end of my college career, riding on the coattails of my first and only book's success, and couldn't figure out how to continue. my professors taught me plenty of ways to try and combat writer's block, but nothing worked.

until i met ryan. a devilishly handsome man all the way from the cheese state of wisconsin, who was meeting up with some college friends for the annual boston beanpot. we had our meet cute at a nearby pizza joint, in which i sat down and started chatting with him, thinking he was a publisher that i was supposed to meet with. after realizing my blunder when he had absolutely no idea what an anthology was, he asked if i wanted to join him and his friends at the beanpot, as one of their friends had cancelled, leaving them with an extra ticket.

ryan and i dated for four months. we would take turns traveling between my college in new york and his in wisconsin until eventually it became too much, or should i say, too little for him, and he broke it off. in my rage and complete depression from the breakup, i wrote my next hit, until the sun sets, a 142-page anthology of gut-wrenching poems, which was eventually integrated into hamilton college's curriculum for their young adult modern literature class. i was quite proud of that.

after that, i found myself yet again staring at blanks screens and empty notepads.

that is, until chloe. a beautiful new york native whom i had actually met while dating ryan. she was a hostess at a restaurant ryan and i would always go to. she was pursuing her masters in psychology, which gave me fascinating insights and tactics to use in my books. we were never officially together, but we had something for almost three months before she was whisked off by some californian named ella. i never saw her again, which prompted my next book, the ninth floor, a murder mystery following a closeted lesbian couple in 1940's hollywood (it was one of the girlfriends the whole time).

at this point, when i hit a creative block for the third time, i realized that i needed my heart or brain to be in absolute shambles in order to produce my best work. i needed to be at some sort of life crisis, and the easiest way to do so was to love another and let that love be ripped out of your life.

so, i began dating for the sake of my career. it was like i sought out the most manipulative, scummy people in the world who were able to get away with it just because they were attractive. over the course of a year, my first year out of college, i dated a total of three men and one woman, and poured my emotions out into a collection of short stories titled lavender.

and that was when i met jack.

i was in new jersey for a book signing at this little bookstore which, as it turns out, was right by the prudential center. as i left the bookstore, i was nearly run over by an overly excited man-child with a giant bag slung upon his shoulder.

"luke, watch out, you nearly killed that woman!" a voice yelled from where the man came from.

"i'm so sorry about that miss, my brother can get a bit overexcited sometimes." looking at the person talking to me, i found a young, very attractive brunet with the most adorable smile. i straightened myself up instinctively, wanting to appear presentable.

"no worries. if you don't mind me asking, what got him so riled up that he almost trampled me?" the man let out a laugh at my statement.

"of course, we owe you at least that much for your near-death experience. he just got nominated for the calder trophy." he explained, as if those words meant anything to me. seeing my blank stare, he clarified. "a rookie of the year award. we play for the new jersey devils." the boy in question came up and joined us, grinning ear to ear.

"ahhh, i see. i'm not a big hockey watcher, which i know is absolute blasphemy for someone who grew up in new hampshire." his jaw nearly dropped.

"you're from up here and don't like hockey? we have to change that." he exclaimed. in my peripheral vision, i could see his brother trying to hide his laughter at his brother's forwardness.

"ill have to come and watch a game sometime." i mused.

"we have a game coming up next week against the blue jackets. i could maybe snatch you a seat in exchange for your number." he proposed. his brother snorted at that, having to turn around to hide his obvious laughter. the man paid his brother no mind, just looking at me with a big smile on his face.

"trying to bribe me mister?"

"is it working?" i put my hand out and he immediately put his phone in my hand, adding my information into his contacts.

"esther? that's nice, you look like a esther." i quirked an eyebrow at him, but continued on anyways.

"and you? what should i call you?"

"call me yours. or jack, either works." the brother was doubled over on the floor at this point, jack finally acknowledging him by kicking him slightly, making him fall over.

"anyways, ms. esther, we have to get going, but ill see you next week at our game." he put out his hand for me to shake.

"you've got yourself a deal jack."

and just like that, jack and i started talking. his eagerness was cute, he texted me no more than ten minutes after meeting me. we talked every day, mainly on calls, asking each other questions and such to get to know each other.

and sure enough, the next week, i found myself back in new jersey watching the brothers play. i assumed jack was going to be some sort of benchwarmer or something, but that didn't seem to be the case. despite my lack of hockey knowledge, i could tell the boy was good, and he had quite a fan base if the amount of women wearing his jersey meant anything. and i felt severely out of place, simply wearing a grey sweater and jeans, unlike everyone else in the stands, decked out in red.

after that, i found myself going to a couple more hockey games, for no particular reason. jack would try to explain the game over video calls and our occasional coffee meet ups, but i couldn't for the life of me wrap my head around it. why do they all get off the ice every five seconds? and what the hell is offsides?? jack always laughed at my confusion, telling me that i'd get it one day.

we spent a couple months thriving off of video chats and once-in-a-blue-moon hangouts, until i got a job as an editor for a local paper. i was good at editing, always having good grammar and an eye for design, but it wasn't my dream. despite it not being my dream, i needed a stable income, and fast. my mind was devoid of ideas, and it didn't seem like that would change any time soon.

plus, it helped that this stable income happened to be in new york city, putting me a lot closer to a certain someone. and, with me being closer, that certain someone would pop on by a lot more than before. and eventually, chinese takeout dinners turned into staying the night, which turned into coming up for the weekend, which turned into the line of friendship being crossed into something more.

and then, i made the dumbest mistake of my life.

i let him go.

now, i know what you must be thinking. he must have done something wrong, he must have cheated or neglected me or done something so completely unforgivable that i would just throw away the most amazing thing in my life. and i wish i was here to tell you that was the truth.

but it wasn't.

jack was nothing but a gentleman, and i was just a broken girl doing the only thing i knew how to do: leave. i like to tell myself that it was for my career, that i needed to write another book, that i wasn't fulfilled in my job and that i was putting myself first by doing this, but i was perfectly content with my life. i was an editor for a major publishing company, i started writing little happy poems about my mundane life with jack, and wanted nothing more. i had no reason to run away. i just woke up in his bed one day and realized that i wanted to spend the rest of my life with him, and i couldn't accept that. i had gotten so used to leaving people that i assumed that they would leave me if i hadn't done so first, and i couldn't lose the one real thing i ever had.

so naturally, my self-destructive, self-sabotaging self let him go, the exact opposite of what i wanted.

and when i got back to my apartment after writing jack a confusing and half-assed letter, i cried. i cried and cried and cried, and i always wrote about characters crying until they couldn't anymore, but that day, i couldn't find the end to my tears. for hours tears would either slowly leak or violently pour from my eyes, and they never did end, not even when i passed out on my couch from exhaustion.

and after a week, i was expecting to pick myself up and start writing my next best seller, coping with my writing. but i sat there, and my florescent computer screen simply sat there, staring back at me. and when i left my apartment for a change of scenery, the blank pages of my notebook mocked me. i flipped through past works, all of them being little poems about jack, and the waterworks continued, right in the middle of a starbucks.

after a week and four days, i couldn't take it. i had to make things right, i had to at least see him. it always worked in the books, right? someone makes a huge mistake, they break up, they see each other again and realize they're both miserable without each other and then get back together and live happily ever after.

when i knocked on the door to jack's apartment, i was met with an unimpressed looking luke. at the sight of him, the waterworks started up again.

"you're an idiot, you know that?" i nodded furiously at this, sobs wrecking through my body. i couldn't see through the tears in my eyes, but i could tell the luke hadn't moved a muscle.

"he deserved better and you know that." i felt my soul being crushed. "i mean, a letter? seriously esther? and a half-assed one at that. i know damn well you don't have a degree in creative writing for that bullshit."

i opened my mouth to explain, but nothing came up. what would i say, that i was a broken person? cop out. that i did it to everyone? not much better. that i got scared? fucking coward.

"if you think that you deserve to see my brother, then i'll let you in." he told me, moving out of the way, door open wide. i just stood there, staring at him through teary eyes. my brain cheered, finally able to go in, but my feet wouldn't move.

my heart still clenched and ached, and with every thought of moving forward, into that apartment, it hurt more. jack didn't deserve this. after all the nights of him reading my poems about him and praising my work, after all the sweet things he'd say when i was down, after all the little acts of kindness he showed me, after all the love he poured into us, he didn't deserve to be broken by me. hurt people hurt people, the scholars had that right. he didn't deserve to be broken.

and so, i got ready to leave, again.

"i'm sorry." was all i said, turning around with heavy legs and a heavy heart. i heard luke let out a sigh as i walked away, closing the door behind him.

a couple of days went by and i found myself back at their apartment. i knew they wouldn't be there, they had an away game in anaheim the night before, and i knew from my time with jack that they would always spend the night in the city before coming back, especially after a win, a 5-0 win no less.

i stood there in front of their door, a small box in my hands, contemplating. jack didn't deserve this, but a selfish part of me needed this. i placed the box gingerly outside of their door and left the building. if the box was taken by some nosy neighbor, or thrown in the trash by some janitor, then it would be fate. it would be a sign to move on. but, there was a chance that jack and luke would come back to their apartment, and would pick up the box, and jack would recognize my handwriting. and, instead of throwing the box in the trash like any normal self-respecting person receiving a box from their shitty ex, he would take it to his room, and open it up to see my notebook, with a bookmark starting at the pages when i first started seeing him. and he would read the poems and maybe, just maybe, he'd see the note written on the bookmark to meet me at the park near his apartment, and maybe, just maybe, he'd be willing to hear me out.

i went to that park every single day for exactly one month and six days, always arriving by 1 pm, never late. and i would stay there until 4 pm, waiting.

on the 37th day, i was sitting there, editing, funnily enough, a sports column about the recent devils and islanders game. i watched it, absolutely terrible game it was, the islanders beating the devils for the first time in the season. our sports journalist, while passionate and very knowledgeable about seemingly every sport out there, had a knack for writing long, run-on sentences that reflected his rambling nature. as i sat there on the same park bench i had been sitting on for the previous 36 days, a figure stopped in front of me. i finished up the sentence i was working on before looking up.

and while i hate cliches, the wind was absolutely knocked out of my lungs.

"h-hey jack." i started, immediately putting away my work, giving him my full attention.

"hey esther." a shiver ran down my spine from him just saying my name. it had been so long, and while it lost its loving tone, i welcomed it with open arms. jack moved, taking the spot next to me, looking out at the trees in front of us. when it became apparent he wasn't going to say anything, i started the conversation.

"i see you read the notebook."

"i finished it three weeks ago." he replied, voice lacking its usual emotion. tears welled up in my eyes. three weeks.

"oh."

"i came here immediately after finishing it." i felt my eyes bulge out of their sockets at that. he continued, "i went to that bench over there and watched as you fidgeted in your spot, looking frantically at everyone who passed by. i watched the next day as you sat in the pouring rain with no umbrella. i sat over on that bench every day that i was here since reading your notebook."

a silence fell upon us, my mind reeling, trying to figure out what he was trying to say, from his emotionless face to the fact that he came.

"do you know how much it hurt? waking up to empty sheets and some half-assed note with the lamest excuses on earth?" i hadn't really paid mind to the tears rolling down my cheeks until he brought that up, sending me back to that morning, quickly scribbling out some gibberish before leaving the best part of my life behind.

"i was going to wait another month, y'know. to see if you were still gonna come here every day."

"so why didn't you?" i asked, sniffling intensely, trying to calm down my sobs.

"luke said i was absolutely miserable without you. coach told me i wasn't focused. my teammates pointed out that i barely left my apartment. the icing on the cake was when my mom started asking if you would be coming over to the lakehouse this summer. i realized, as pathetic as it seems, that i can't live without you."

my attempts at stopping my crying were thrown out the window at that. i could probably fill the hudson river with the amount of tears i had shed over the past two months.

"how can i make it up to you. please, please let me make it up to you." i begged, fully facing him, my hands angrily playing with the sleeves of my shirt because if i didn't, i would be reaching out to the man in front of me.

"never pull that shit again." he bargained, looking me dead in the eyes for the first time in months. and in that moment, i saw just how bad he was doing. sunken eyes with heavy bags, his skin dull, hair slightly unkempt under his hat.

"never again." i promised, putting out my pinky to him, something he would always do when he promised me to not get hurt in games. he let out a hoarse laugh, looking away from me, and when he looked back, i saw the tears brewing in his eyes. he took my pinky in his and held it there, between us.

"now, i'm not gonna just take you right back after all that. that was really shitty and i need some time to get over that. but, as i've found out, i can't really function without you. so maybe you could start with coming to my games again, and i could take you out for coffee next week."

"sounds perfect."

i accepted my life as an editor for the local newspaper, accepted that i probably wouldn't write another page-turning sell-out book, accepted that i was completely content with whatever happened to me, so long as jack was there with me.

and with that, my self-destructive, soul-crushing, heart-breaking tendencies reached their end.

#jack hughes #jack hughes x oc #new jersey devils #fanfic

[crocutacanidae]

A homestuckie and a echo(fvn) enjoyer?! This means you are legally required to give all the echo cast classpects since you know everything ever about echo and homestuck, so, Please. tell -m-e- us what chunter's aspect is.

Chunter's a prince of blood

mired in cyclical suffering, given to destroying everything he has, gods speaciealest little boy? It's so obvious to me

As for the others,

Leo- Knight of Hope

Carl- Heir of Space

Tj- Mage of Life

Jenna- Seer of Heart

Flynn- Thief of Rage

Leo's so entirely like me, he gets my exact classpect. i used to hate him for it but now I love him for it

Carl I used to think could be Mind or Life aspect-wise, and possibly a bard classwise. Hell, there's an argument to be made for Witch of Space. Carl's hard to get a grasp on when it comes to these things. He's so often a non-actor in the story, but his inaction comes across as self-serving sometimes. His route lends the most credibility to both the Mind and Life aspects, in relation to Carl's need to decide what he wants without input from others as well as the decisions which granted him his family fortune. Actually. Witch of Mind Carl. Final answer.

Tj is pretty defined by his knowing of the details of the tragedy which changed everyone's life. Mages are prophets whose words both harm and benefit them. Tj is damned if he says the truth and damned if he doesn't. Keeping it in burns him and yet keeps things the way they are. Saying it frees him and yet causes everything to collapse.

Jenna's Classpect I saw coming from the beginning. Biased as she is, her every word on the conduct of her friends is correct. She manages to see through to the heart of Echo but fails to see it as anything of worth. It's a place she hates with her whole being, I think. Her problem isn't if she can see, but whether she can judge it fairly

Flynn i also saw from the beginning. Rage concerns actual rage, but also arbitrations, tangents, and contrivances. Flynn seeks to cut through all the bullshit that rage represents, which is honestly a pretty Light thing to do, but i believe he shares more in common with Blood and worldly suffering than with Breath and detatched idealism. Thieves struggle to be good, but I don't think that's flynn's thing completely. He wishes to join the two versions of his persona that exist, but this doesnt map very cleanly onto any class. Thief it is

#ground quakes #classpecting #echo vn #chase hunter #leo alvarez #carl hendricks #tj hess #jenna begay #flynn moore #i talked a lot and i have more thoughts on this #but i cant really articulate them well here #oh well! #prince of blood #knight of hope #witch of mind #mage of life #seer of heart #thief of rage

[onceuponapuffin]

Fanatic Intervention Part 7!!!

Beginning|| Previous || Next

It will not surprise you at all, dear Reader, to learn that Aziraphale keeps very little in his kitchen cupboards. There is no stove or oven, and the only thing in the fridge is milk (for his tea no doubt). When you start opening cupboards, you find one pack of custard creams, and a second one of chocolate digestives. Well, it will have to do. You find yourself a small plate and fill it half and half before heading back into the shop just in time to say goodbye to Anathema and Newt.

As they leave, you turn to the supernatural entities in the room.

“So,” You say, “If we’re going to the States, then we have a few problems. First, I don’t have my passport or any ID at all, so airport security is going to be fun. Second, I have no money. Third, I’m gonna need a Walmart or something because I don’t even have a toothbrush, my dudes. Fourth, these,” You indicate the cookies, “are fine for a snack, but overall they’re not gonna cut it.”

“You just leave the airport security to us,” Aziraphale replies. You make a note that he glided right past ‘my dudes,’ they’re getting used to you already. Dammit. “As for the rest of it,” Aziraphale continues, “I suppose a trip to Tesco’s is in order.”

Crowley produces a shiny black credit card from nowhere and hands it to you. “We’ll take the Bentley,” he says. He starts to stand, but you shake your head.

“Nuh-uh, you both stay here,” You say. Crowley raises his eyebrow.

“You realize we can take care of ourselves,” he says, “We’ve been doing it for a few millennia.”

“I’m not talking about that,” You say, “Look, what we’re going into is really dangerous. And I know that your pattern is to just wait to talk about things until you’re in the clear, but that’s not a good idea anymore. I mean, I get that I’m not exactly an expert, but I read just as much as you do and I’ve heard a million stories by this point in my life, and in NONE of them do people ever say ‘I’m so glad I never told them how I feel’ - you know? It’s always ‘I wish I would have’ or ‘I should have told them every day.’ So Muriel and I will go ask Maggie to take us to Tesco, and you two need to talk. Please. While it’s safe, while you have the chance, before things get dangerous and possibly deadly.”

Crowley and Aziraphale are silent. You notice that they aren’t looking at each other. Well, you’ve done your best. Now you need to trust them.

At this point, dear Reader, you are probably thinking to yourself ‘well I would snoop and spy on them while they talk! I want to watch them make out!’ But here is the thing – in this world they are real people, not characters. It’s one thing to say that you would creep on them from the other side of this fiction, but when they’re very real and looking at you in person, things are a little different. For one thing, you realize that real people deserve things like boundaries and privacy, especially for sensitive conversations.

And so, you take Muriel over to Maggie’s shop, where you explain that Mr. Fell has sent the two of you on an errand and you need to stop for dinner somewhere and have no idea where anything is. You flash her the credit card and say ‘It’s all on me,’ and she conveniently agrees with a look on her face that says something like ‘least they could do after all that shit they put us through.’

So the three of you go for dinner at the nearest Weatherspoons, where you and Maggie eat while Muriel watches in morbid fascination. Then you all take the bus to Tesco where you buy yourself a small wardrobe, and manage to coax Muriel into some light blue jeans and an argyle jumper so they look a little less like the Beacon of Gondor. You quickly find out that Muriel has an adorable fascination with fuzzy socks, novelty mugs, and coloured pencils. Of course, you enable their fascinations with a happy heart, and as an afterthought, you grab them a small pot of orange daisies from the flower section. It will give them something alive to tend to while you’re gone. Muriel appreciates the thought. All in all, it’s a long but good time.

You don’t know about the talk, and you’re worried about asking when you get back.

THAT BEING SAID

You and I, dear Reader, not actually being in that world, are allowed certain privileges.

The bookshop is silent for a long time. Both of them are thinking, digesting, processing. Feelings are hard to feel, and harder to put into words. Especially when it has been made clear, twice now in the span of a number of hours, that you absolutely need to put them into words.

It isn’t until after Crowley notices you, Muriel, and Maggie heading down the street that he stands up and begins to pace. A few more minutes pass before he speaks.

“So...uhm...are you going to go first or should I?”

“Are we...are we actually going to do this? Have this talk I mean?” Aziraphale has been shelving books to try and take the edge off. Now he puts down the book in his hands and absent-mindedly fidgets with his ring.

“Well, I mean we don’t have to,” Crowley says, aiming for non-chalance and missing ever-so-slightly, “No one can actually make us.”

“Yes, except it feels very much like everyone is trying to.”

“Trying is the key word there.”

“That’s true enough I suppose.”

The silence returns and stretches. It is anything but comfortable. The air is full of words that they have been told they should say, words that perhaps they want to say, but words that have been dammed up with fear and uncertainty for so long now that they’ve become very hard to un-stick. After a while, Aziraphale clears his throat and speaks.

“I, erm, I suppose you had better go first.”

“Me, right, okay.” Crowley clears his throat now and stops his pacing near the desk. He looks down at the scattered papers and books, the pens and photos and newspaper clippings. The assorted clutter of Aziraphale’s life. Looking away makes it easier to start. He takes a breath. “Um..right...well...we’ve known each other a long time. We’ve been on this planet a long time – you and me, I mean. I’ve always been able to rely on you, and you’ve always relied on me,” another breath, “We’re a team, yeah? A group of the two of us. And...erm...we pretend that we aren’t. Always have. Safer that way I guess.” He looks up at Aziraphale. The angel isn’t looking at him, but he nods anyway to show that he’s listening. Crowley continues. “And I mean...I’ve tried not to think about it much before but...but it would be nice, I mean, UGH” He takes off his sunglasses and rubs a hand over his eyes as though he can massage the words and make them easier to say. “I mean, I would like to spend...mmm….I would like to spend the rest not pretending anymore. Be an us. I mean,” suddenly the dam breaks, and Crowley finds the words come tumbling out, “If Gabriel and Beelzebub can do it, we can. We don’t need Heaven or Hell, they’re both toxic. We can be an us, on our side. You and me. What do you say?” He looks at Aziraphale without reservation now. His angel looks back at him, eyes wide. When he does speak, it’s with a smile and a small nod of acknowledgment rather than agreement.

“That was very well done Crowley,” he says. This isn’t an answer.

“Nnyeah, thanks. Your turn though.”

“Right, I suppose it is.” Aziraphale takes a moment to gather himself. After hearing Crowley be so open about this, he feels more resolved himself to do this properly. He faces Crowley and folds his hands to keep himself grounded. “Crowley,” he begins, “I...I wish that this conversation were happening under better circumstances. Although it’s been pointed out that ideal circumstances aren’t a promise that we can wait around for. Well, the thing is that I would like the same thing. Very much in fact. My biggest concern by far is for your safety because, well, frankly I don’t see the point in saving the world again if you’re not around to enjoy it with me. An us, as you said. You and me.” He smiles. Crowley smiles.

“Guess we’d better save the world together then. And try not to die.”

“Yes, quite.”

“Aziraphale?”

“Yes, Crowley?”

“You’re my angel. No one else.”

“And you, my wiley serpent. No one else.”

The shop bell dings.

“We’re baaaaaack!” You sing as you waltz through the door, shopping bags in hand. Muriel follows after you, carefully carrying their daisies. “Did you miss us?”

When you eventually get the courage to ask them about their talk later, you get a “ngk” from Crowley, and a “We’ve said all that needs to be said, for now.” from Aziraphale. And that, you suppose, will have to do.

❤️ ❤️ ❤️ ❤️ 🖤

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