#Jobe's War

[adamwatchesmovies]

Lawnmower Man 2: Beyond Cyberspace (1996)

What circumstances could’ve possibly led to the making of Lawnmower Man 2: Beyond Cyberspace a.k.a. Lawnmower Man 2: Jobe's War? There couldn't have been too many fans of the original thanks to its flagrant disregard for the source material, terrible special effects and hammy characters. Even if you did enjoy it unironically, this sequel isn’t for you because it directly contradicts the ending of the first film before repeating everything it did in the last act for about an hour. At best, this picture can be enjoyed as something that’s “So Bad It’s Good”. Even so, it doesn't measure up to its predecessor. This is a movie without an audience.

Six years after the events of the first film, now 16-year-old Peter Parkette (Austin O’Brien) lives in a cyberpunk Los Angeles with a group of runaway teens. This futuristic society’s favorite pastime is navigating through virtual reality, which makes them vulnerable to the megalomaniacal Jonathan Walker (Kevin Conway) and the Chiron Chip he's developing with the help of Jobe Smith (Matt Frewer) - now legless, disfigured and living nearly entirely in cyberspace. What the corporate tycoon doesn’t realize is that Jobe has sinister plans of his own; plans only the Chiron Chip’s creator, Dr. Benjamin Trace (Patrick Bergin), can thwart.

Forget the “dun, dun, dun!” ending of The Lawnmower Man. Forget the fact that Jobe’s body was clearly disintegrated, that he went on a murderous rampage sending cyberbees after people and setting others on fire. In fact, forget most of the movie. Remember only the vague idea that Jobe was experimented upon until he became a galaxy-brained virtual world wizard. As for whether you should remember that he’s evil or not… I’m not sure. The film has an obvious villain in the form of Jonathan Walker but he eventually gets supplanted by Jobe, who wants to become a cybergod and rule over all humanity. First, he has to destroy the real world by ruining people’s credit ratings, making ATMs spit out money non-stop, and messing around with the water & power supply. He knows that within minutes, such disruptions will have people jacking onto the internet so hard they’ll never want to jack off again. No, that’s not me making a joke. I’m demonstrating what the funniest part of this movie is. Not the special effects (which are actually better than the ones we saw in 1992); the constant stream of unintentional references to masturbation.

If it wasn’t obvious already, the film’s writing is ghastly. It’s only been six years since Jobe’s ascension, making this Blade Runner-lite LA as convincing as low-budget 1996 CGI. It’s clear Farhad Mann - whose name appears in the end credits at least 5 times - really wanted to make a cyberpunk movie but couldn’t figure out how to make this set this sequel in the future while still featuring the same boy Jobe befriended when he was a simpleton. Speaking of that friendship, we’re told that Jobe suffered burns on 80% of his body, that his legs had to be amputated and his face was reconstructed. Is that why Peter recognizes him immediately? The film doesn’t even do the obvious thing, which is to have Jobe appear as he originally did in Cyberspace and then morph his appearance to look like his current self to create that bridge. That’s a nitpick, really. This film is loaded with dubious security measures, technology that makes no sense and relationships that would have even aliens who’ve never encountered people raising their eyebrows. Why Dr. Cori Platt (Ely Pouget) and Dr. Trace suddenly fall in love, no one could say.

Beyond Cyberspace/Jobe’s War is inferior to The Lawnmower Man in every way, and since its plot is basically a repeat of the former’s last act, there’s really no reason to watch it, except one. Without a doubt, this film features the best “we don’t really know what hacking is like” scene of all time. Instead of a password, we've got a mathematical equation that needs to be solved. Said equation then turns into a virtual maze the characters have to navigate through. Combined with the techno jargon soup, it’s a laugh-out-loud riot that plays out like a cross between magic and an FMV video game puzzle. I wish I could commit to memory the exact words exchanged but it’s impossible; those lines could never be written down or uttered by a person whose sanity is intact. For that alone, Lawnmower Man 2 might be worth checking out if you like bad movies and you had a great time with the first. (May 7, 2022)

#The Lawnmower Man 2 #The Lawnmower Man #Jobe's War #Beyond Cyberspace #movies #films #movie reviews #film reviews #Farhad Mann #Patrick Bergin #Matt Grewer #Austin O'Brien #Ely Pouget #Camille Cooper #Kevin Conway #1996 movies #1996 films

[hattersarts]

gomens s2 thoughts, all spoilers!

I spent 10 hours talking to my housemate about the season after we binged the whole thing in the morning but here are the highlights and the biggest takeaways from the season.

okay i did love the ending, i love that we get the conformation of love AND going into the divorce arc next season (if they're not properly together by the end of season 3 however, i am rioting) they're slow burn and a whole season of them getting to the final 10mins was tasty.

HOWEVER. it was an extremely clunky season when it comes to writing, lots of either set ups missed OR set ups repeated 4 times that they're drilled into out heads. there was also lots of dialogue that really needed to be tightened up. the lesbians were so poorly written i thought they might have needed to be cut BUT they just needed to have more bearing on the rest of the plot AND say things like real people would say things and LITERALLY SHOW ONE SINGLE REASON WHY THEY WOULD LIKE EACH OTHER WITHIN THE FIRST EPISODE.

gabe/bulz romance was the one that should have been cut, have them do more of a oh-my-god-my-boss-sucks kind of thing, lean into them complaining about having to avert a civil war after armageddon stopped and touch on the "structural problems" the angels mention later. Have gabe/bulz be super punished for working together which puts huge fear into az and crowley about what happens if you try to team up as an angel/demon pair (but an extra reason why az takes the job at the end so he and crowley can be the same)

imo it works more if the only mirror of their romance is the HUMANS which should lean into themes to season 3 of how they need to team up with humans (re:"us vs them" line at the end of season 1) to actually achieve their happy ending.

Nina and maggies best scene was their last one telling crowley he needed to talk to az but i think that was one that needed to be cut, it would have been far more satisfying to have crowely work out it out himself that he loves az and wants to tell him (still via maggie and nina but more subtle rather than them telling him to his face AND via spending more time with az in the season)

flashbacks were all pretty good, loved the jobe one and that final "lonely" scene. the nazi one needed some trimming the most (why did all three come back to earth, it made scenes too crowed, have them fight to be a zombie)

shax was disappointing, she was kind of just incompetent the whole way through which didnt make the stakes very exciting, (that whole scene of her talking to the legion was unfunny and pointless) i wanted crowley to mentor her more like when he gave her advice in the first few meetings we saw (kind of in a very non-demonic way, not expecting anything in return) and her to then meet him on equal footing in the finale. would have been a little accidental taste for Crowley to have his good deeds come back to haunt him while showing he's different to demons.

speaking of the finale fight, that halo had NO set up, it was sick as hell but ??? the fuck did that come from. the fight should have been won by az and crowley performing another HUGE miracle together, discorporating the demons (which then would alert heaven and hell something was up in the bookshop and the final scene can happen)

az taking the job from metatron was very good, its consistent with his character where he still hasn't let go of his faith in good/god, he's only been upset by the angels running heaven and still has faith in the system while crowley has realised none of it works and it's only them together that matters. it was nice to show he still hasn't truly accepted crowley for who he is now (tho imo he knows he loves him, he just hasn't quite unrepressed himself) and him not turning down the job after crowley confesses to him shows he still thinks he can fix it. Crowley on the other hand thinks he's now lost him, az has broken he the trust he had in him, he's going to be in big depression mode

few thoughts of good directions for S3:

finally delivering on what crowley said at the end of S1 I think is the most satisfying. the final showdown should be humans Vs heaven/hell with Crowley and az on the human side, helping them win the conflict. there would be suggestions that this is actually god's ineffable plan, this is a conflict she wants to happen and the things that Crowley and az went through are what make them perfect ambassadors to help the humans.

the set up for az in S3 to finally work out he and Crowley can't work out within the unfair rules of the system and for him to abandon heaven (tho not I think, becoming a demon) is good. a sucky ending imo for season 3 is if az somehow "fixes" heaven and via bureaucracy and not via blowing it all up.

growth moments for Crowley in S3 might be having more contact with humans since he's already abandoned hell and it would put az & crowley on similar footing (as az very much loves humans already) when they decided to side with humans for a humans Vs heaven/hell conflict.

anyway, gay people

#this is all the surface stuff really #im having fun re-plotting the episodes for thr same end but tweaked to be more satisfying

[putah-creek]

the field where we grow peace lies fallow and filled with weeds but the field where we grow war is lush and green the crop is full for the soil there is rich and dark where are the field hands where is the farmer this farm needs guidance

james lee jobe

#poetry on tumblr #poetry #poets on tumblr #poem #poems on tumblr #poetrycommunity #dead poets society #writers and poets #writers on tumblr #poetscommunity #poems #poems and poetry #original poem #short poem #poetry blog #tumblr poetry #poems and quotes

[justforbooks]

The maverick heroics of MI6 agent James Bond may actually be based on the true story of one brave soldier, who took on the Germans and won again and again. In this archive piece, we look back on Patrick Dalzel-Job's stranger-than-fiction life

If the dashing hero of Ian Fleming's best-selling spy thrillers were among us, is it likely he could be found living alone on a far-away hill by the sea in Scotland?

A mildly spoken gentleman who lived to his eighties, then grey and a little stooped—could he have been secret agent 007? Come on.

Ah, but life is stranger than fiction.

Some of those who know best have always believed that Fleming based his superspy on a wartime comrade named Patrick Dalzel-Job—yes, our elderly gentleman who lived his final days in the Highlands.

There were other influences, of course. Bond's love of vodka martinis and handmade cigarettes came, in fact, from Ian Fleming himself; and whereas 007 tumbled into bed with a different beauty every few pages, Patrick Dalzel-Job (pronounced Deal-Jobe), loved only one woman all his life.

But there is something here. Consider:

Job, like Bond, was half Scots, a one-time naval officer, a master of languages who in real life performed precisely the kinds of derring-do Fleming later attributed to his flamboyant make-believe hero.

By the time Dalzel-Job walked into Commander Ian Fleming's Admiralty office one day in 1944 looking for a new assignment, he had already seen service as a seaman, commando, submariner and spy, and had just become probably the first naval officer to qualify for army parachute wings.

Fleming, an ex-journalist who had broadcast his intention of becoming a best-selling author some day, was then building up the clandestine army of naval intelligence officers and Royal Marine commandos which was to move out in front of the assault troops on D-Day and capture secret enemy documents and weapons.

He saw in Patrick's flinty blue eyes the look of a man whose mettle has been tested, and promptly signed him on.

Says veteran BBC broadcaster Charles Wheeler, who served with both: "Who could be surprised if a kind of James Bond seed were planted then and there?"

An unconventional childhood

Patrick Dalzel-Job, born in Twickenham, Middlesex, in 1913, was three years old when his father, an infantry officer, was killed in France. His mother, a small, spirited woman, brought him up alone.

They lived on the Sussex coast, then moved to Berkhamsted in Hertfordshire, where Patrick went to school. But he was a sickly boy, inept at team sports and home with mysterious bouts of fever more often than he was in class.

When he was 14, his mother took him to Switzerland, where the mountain air restored his health and he became an expert skier. He continued to read widely in French and English, but his formal education was over.

Drawn to Norway by stories he'd read as a boy, in 1937—the summer of his twenty-fourth birthday—he set sail from Scotland in a 37-foot schooner, Mary Fortune, whose deck work and interior he had built himself.

With his mother as crew, he spent the next two years exploring a wilderness of fiords and islands from Bergen in the south-west to Nordkapp, on the northernmost coast of Europe.

His mother knew nothing of seamanship, but an ingenious array of ropes, chains and pulleys enabled Patrick to man the rugged little schooner single-handed.

Soon he was speaking Norwegian like a native and making friends up and down the western coast. A deep-rooted love for Norway and its people became a cornerstone of his life.

Falling in love with Norway

Wherever he sailed through the complex of waterways, he drew detailed charts, convinced they would be of use to the Royal Navy if war came. But when he sent them to the Admiralty, they were accepted with indifference.

And three years later, when the Germans invaded Norway and coastal charts of any kind were desperately needed, his could not be found.

Meanwhile Patrick, preparing the Mary Fortune for a voyage north to the Arctic Ocean, decided he needed another hand on board and turned to friends in Tromso, the Bangsunds: might one of their children be interested?

The keenest was 13-year-old Bjørg, with her wide blue eyes and a laugh that was the most beautiful sound Patrick had ever heard.

All through that spring and summer, Bjørg was a valiant and valuable shipmate, cheerfully helping out in the galley and learning how to handle the tiller. Then, in early September, their radio brought news that the war had come.

Mary Fortune headed back to Tromso, where all the Bangsunds came to see off Patrick and his mother, their possessions reduced to what they could carry in two suitcases, on the coastal steamer.

As the ship ploughed through the night towards Britain, Patrick found a scrap of paper from Bjørg under his pillow. "I love you," it said.

The nazis and the Norwegians

In April 1940 Patrick, now an officer in the Royal Navy, was again bound for his beloved Norway.

The Nazis, in a brutal move to assure command of the northern sea lanes, had invaded their neutral neighbour, and an Allied expeditionary force was steaming north in an attempt to dislodge them.

Patrick was assigned the task of disembarking the troops at Harstad, 150 miles north of the Arctic Circle, and conveying them to combat staging areas.

This he did by organising fisherman friends, and their friends, into a flotilla of more than 100 of their boats. The objective was nearby Narvik, an ice-free port seized by the Germans as a base from which to protect their supply of vital iron ore from neutral Sweden.

The Norwegians did as Patrick said because they trusted him and he spoke their language; also because he never hesitated to fire a round from his father's old service revolver across their bows when they forgot this was war and not just another fishing trip.

Wearing an unmarked greatcoat over his sub-lieutenant's insignia and barking orders as if born to command, he even had senior officers calling him "Sir".

The Allies captured Narvik—but held it only briefly. They were too few and had come too late. By the end of May, all but a small force had been withdrawn. No one doubted that Luftwaffe bombers would soon be rumbling across the sky, aiming to drive off the rest.

A daring rescue

On May 29 Patrick, standing offshore of the town with his ragtag fishing fleet, learned to his horror that no provision had been made to evacuate the townspeople.

His urgent enquiries only prompted a stern message from force headquarters: he was to hold his boats in reserve and not—"repeat not"—concern himself with the civilian population.

At midnight, a crisis meeting of the city council was still agonising about how they could evacuate the people to the designated safe areas. The then mayor, Theodor Broch, tells what happened next:

"There was a commotion by the door. A young Englishman said he had to talk to me, that we had to evacuate the town. I barked at him that we had no boats."

"I have the boats," said Patrick. "Let's go."

His providential appearance in defiance of strict orders; that clipped self-assurance; rescuing the population of a doomed city—what could have been more James Bondian?

Within the hour, under Patrick's close supervision, women and children were being handed down into the boats.

"I have never forgotten him," says Gerd Carlsson, who was 21 and boarding with her sister and baby nephew. "There was shooting from land and sea, and lines of waiting people, and such a babble of shouting. But he shook each person's hand warmly and was so calm that although I didn't even know where I was going, I wasn't afraid."

During the next two days and nights, 4,500 people were ferried to safety in dozens of communities along the surrounding waterways.

Early on June 2, Patrick and Mayor Broch walked together through Narvik's empty streets, making sure no one was left behind. By then, even the last of the troops had slipped away.

But hours later, while Patrick was still there, the bombers came, turning the town's neat wooden buildings into an inferno, reducing most of them to splinters and ashes.

Patrick watched as Narvik burned, heartsick because he knew there was nothing in the town of military value, only people's homes.

Wartime intelligence

On June 8, Patrick went back to Britain, disillusioned by the Allied defeat, bitter that he hadn't managed to stay behind and organise a Norwegian resistance—and dreading a message from the Admiralty that he was to be court-martialled for gross disobedience of orders at Narvik.

Instead, the Admiralty signalled him with a message from King Haakon VII of Norway: His Majesty would be in London shortly and he would personally present Lieutenant Dalzel-Job with the Knight's Cross of St Olav, Norway's highest order, for saving the people of Narvik.

After that, nothing was heard about a court-martial. But Patrick was relegated to a series of converted merchantmen that zigzagged across the South Atlantic intercepting blockade-breakers or convoying Allied freighters safely to port.

"All this", he recalled in the book he later wrote (and published) about his adventures, "seemed terribly monotonous to me."

Just as he began thinking the war had passed him by, Lord Louis Mountbatten summoned him to London and put him in charge of motor torpedo boat (MTB) operations in Norway. It was particularly dangerous work, for the Germans were throwing all they had into defending Norway's coast.

But Patrick knew plenty of narrow entrance channels that the Germans didn't. His MTBs raised havoc with commando raids, sabotage and attacks on enemy ships.

It forced the Germans to step up defensive operations and induced trepidation quite out of proportion to the number of MTBs employed against them.

Still only a lieutenant, Patrick was next posted to a detachment of midget submarines. In September 1943, he briefed their four-man crews on the remote Arctic estuary where the German battleship Tirpitz was moored in apparent safety; three of the tiny craft crept into the fiord and crippled her in a raid that earned VCs for two of the participants.

Next, equipped with a radio transmitter, he was put ashore on a Norwegian island, on a one-man intelligence mission to track supply convoy patterns through the inland waters.

He knew that capture meant summary execution, on Hitler's own orders. Yet he remembers those three weeks, alone and utterly dependent on his own wit for survival, as among the most exhilarating of his life.

Taken off the island by pre-arrangement, he assuaged his reluctance to leave by directing the MTB that picked him up to a German merchantman whose anchorage he had noted. Two torpedoes finished her off.

James Bond rises through the ranks

On June 10, D-Day-plus-4, Patrick landed on Utah beach in Normandy as a member of Commander Ian Fleming's intelligence hit squad, the 30th Assault Unit (30 AU)—a name intended to mislead, since it was never meant to assault anything and probably took its number from an office door in the Admiralty.

Patrick, promoted to lieutenant-commander, was in command of Team 4, reporting by courier directly to Fleming.

All the way through Normandy, Belgium and into Germany, Team 4 operated ahead of the assault troops in enemy-held territory, getting their hands on German documents, weapons and installations before they could be destroyed by the Germans or by Allied artillery.

Patrick revelled in it; this kind of war, where he was free to set the level of risk, was the kind he wanted to fight. And he sent back a steady stream of data and captured equipment.

He found the control centre for the long-range bombing of Allied convoys in the Atlantic; he recovered intact a new and dangerously effective midget submarine; reaching Cologne 24 hours before any other Allied troops, Team 4 walked unhindered into the vast Schmidding metalworks and took it over.

Patrick's audacity was sometimes breathtaking. When some nuns showed him a heavy safe used by the Germans, he promptly blew it open, breaking every window in the convent. He gave the money in the safe to the nuns for repairs and sent the documents in it to London.

His reports from the field to the desk-bound Ian Fleming kept fleshing out a portrait of the kind of man the would-be writer was conjuring up for his fictional hero. But Patrick's most stunning exploit was still to come.

An impossible stunt

The target was the vast Deschimag shipyard in Bremen where, he had heard from prisoners, there could be as many as 20 of the newest high-speed German submarines—a prize of enormous intelligence value.

But winning it would be a race: the 52nd Lowland Division, following on close behind 30 AU, was planning on blasting the shipyard into oblivion.

In the afternoon of April 26, 1945, Team 4 entered Bremen's deserted central square. A fretful policeman appeared. Please, he said to Patrick in the lead Jeep, would the commander accompany him to the city hall where the mayor was waiting?

Patrick found the mayor, dressed in formal black, alone in the empty, echoing chamber.

"He wanted me to accept the surrender of the city of Bremen and all its services," Patrick recalled, "and he gave me assurances of vigorous police action against any who failed to co-operate fully."

Patrick went at once to radio Army Command that organised military resistance was ended and whatever the Allies wanted would be done. "I told them that, except for some sniping, the city was secure. They didn't have to shell the shipyard."

But the Army did not see it that way. They were going to open fire that very evening, they replied, as soon as they came within range.

Furious, Patrick climbed into his scout car and set out alone for the shipyard, staking his life that there really was no resistance there, and that his presence would keep the Army from shelling it.

Then, at the very gates of the shipyard, his scout car sputtered and died—it had run out of petrol. And when he tried to radio for help, all he got was static; contact had been cut by interference from surrounding buildings.

It's like a bad film, Patrick remembers thinking. But what would happen in the last reel?

He considered going ahead on foot, but needed the rest of his team with the radio truck. Without it, how could he tell the Army he was inside the shipyard? He would only get killed there.

Spotting some workers, he grabbed a bicycle from one of them. Frantically he pedalled back through the sunset to his unit—aware that there was still enough daylight for a sniper to put a bullet in his back.

When he rounded the last corner, his anxiously waiting men hauled him on board the lead vehicle, bicycle and all, and the column sped off for the shipyard at breakneck speed.

Inside, they found 16 brand new submarines and two destroyers, and forestalled their imminent demolition by the shipyard technicians and directors.

Patrick and his men took them all prisoner, and in a night-long search found technical papers detailing the most recent German naval research, as well as machine tools of highly advanced design.

They had not heard the last from the Army. Early next morning, when submarine experts had already begun a detailed study of the captured U-boats, all of the new high-speed Type 21, a British Army staff officer appeared and asked Patrick to sign a receipt for them—implying that the 52nd Division had captured them.

This was the last straw for Patrick. He slammed the gate and had a sign posted on it to the effect that the entire shipyard was the property of 30 AU: "Keep Out!"

Bond gets the girl

The war ended soon after. Patrick never saw Ian Fleming again, nor did the British government reward his wartime valour with even a single honour or citation.

Among those who still wonder why is Rear Admiral Jan Aylen, then a Commander in 30 AU, who calls Patrick "one of the most enterprising, plucky and resourceful people that the Second World War produced".

The reason is not complicated. Frequently Patrick committed the unforgivable offence of disagreeing with senior officers and, worse, being proved right.

Just like James Bond.

As soon as the fighting ended, Patrick responded to the great hunger in his heart and returned to Norway.

Six years had passed; Bjørg was 19 now, a different person. He was different. But as soon as they saw each other, they knew they had only been marking time. They married three weeks later.

The James Bond years, about to begin for Ian Fleming, were over for Patrick. He and Bjørg went to Canada, where Patrick served in the Canadian navy and their son lain grew up.

In 1960 they settled near Plockton in the West Highlands, prepared to continue living happily ever after. Patrick taught in the village school and Bjørg became a pillar of the community until her death, in 1986, of cancer.

Patrick, brave as ever, soldiered on alone. He finally passed away in 2003.

Daily inspiration. Discover more photos at Just for Books…?

#just for books #Patrick Dalzel #james bond #007 #ian fleming #mi6

[thesherrinfordfacility]

orwellian's a great word for it actually. "appropriate raiments will be provided" is the most disturbing thing in the whole series and i stand by that. this interpretation of heaven has definitely coloured my reading of the show especially how i see the fall so it's cool to see someone who agrees!

hard agree that pure coercion would be a total cop out. it's just that he does seem nervous so i do think he's aware of a certain degree of potential danger. i initially thought the metatron must have let slip an implication somewhere but i much prefer your idea that he suspected something. and well. i've been saying basically since season 2 came out that accepting the offer doesn't equal having completely fallen for it. will come back to that in my thoughts on the whole mess that was that domestic.

the blanket permission to come scream at you is greatly appreciated and i'll definitely make use of it; i love this kind of media dissection and speculation. 🦭

(p.s. i did indeed end up making the chekov's list since my ocd never can leave well enough alone lol. brace yourself: incoming!)

hihi again, 🦭 anon!!!✨

yes!!! in the context of 1984, especially, that line really is ominous; obviously there is a fine line between a corporate uniform and dictated dress, especially as the only scene where we see all of the angels look the same (iirc) is the waiting platoon in s1. otherwise, all of the angels do have individual dress/style (but similar enough to show belonging), even in the job scene, even if certain elements of their designs indicate shared rank or moral alignment... but the implication of subjugation made by clothes being specifically chosen for the prospective mind-wiped gabriel is... interesting.

and of course - aziraphale's outfit is very different to that of the other angels, in it being actual human clothing, and showing unashamed signs of wear and comfort. i remarked in a post that in job especially, his jobes (job robes) are very similar in aesthetic to that of michael and gabriel compared to say muriel's. could be that it's the appropriate dress of a principality rank, but im not... wholly convinced.

anyway, let's get on with your list!!! a herculean effort, truly!!! hope you don't mind, but a) ive copied and pasted it under the cut, because b) id love to use it as a checklist for myself (and of course if anyone else does!) re: things ive talked about, or indeed things that i have Thoughts on... or even things that i haven't thought to talk about and will probably look into doing so in the future!!!✨✨

episode 1:

starting with the big one there's the pre-fall sequence. the fall itself. talked a lot about these two things/the whole theme in general, found under the #the fall/the great war spec tag

maggie's spelling under the #we need to talk about maggie theory tag - babygirl is an angel, im convinced of it

"what's the point of it all" i mean, kinda talked about this in connection with stuff under the #god is dead theory tag, and in a couple of different asks; mainly that god doesn't give two hoots about any of it, and just wanted to give everyone and everything free will - and they have to work out the consequences for themselves (whilst she throws in a few chaotic sprinkles to keep things interesting)

shax's insider information about heaven ive definitely not discussed shax at all really, and i definitely have a few things id like to work out... main one being, for me, how she went from wondering where aziraphale was in ep3, to suddenly knowing how to exactly triangulate his position in ep4 finally talked about her in the #shax meta tag!!!

the demons being on half rations didn't really think to look at this!!! that could be interesting, especially with the short-staffed comment... someone did put to me that bc the apocalypse failed, everyone on earth continues dying and adding to the population of the Damned, so the work vs demon ration is steadily getting outweighed... but hm, could be something more than that!

"something terrible" because are we sure we're sure that that was about the stuff we've already seen you know, i wondered this too after ep6!!! it was a very interesting choice of words for me, bc whilst yes gabriel's fate was looking pretty shit, the line was almost a bit... well, over-announced? they kept repeating it? like, gabriel said he had to bring the box to aziraphale/the bookshop otherwise something terrible would happen... but why specifically the shop? is it just because aziraphale is the only angel/sanctuary on earth? is it because he was drawn to an angel that's also fallen for a demon? is it because aziraphale is simply kind? i don't trust that it's any of these explanations at all (or maybe all of them and another besides)... and tbh i think god has something to do with it. another speculation for the to-do list!!!

the book of life this one ive remarked on a fair bit under the #book of life theory tag, but it's fairly disjointed from other bits and pieces - tbh i probably need to do a long post at some point as to where all my theories etc join up... bc for the moment all of them are full of loopholes

michael and uriel's power politics oooooh i literally don't have a single scooby on this... id have to think on this a little more

the very highlighted matchbox quote this one ive had sat in the drafts for ages bc i can't quite parse it out - where does leviathan come into it? is it a reference to crowley-as-aziraphale spitting fire during the execution? why would it be on a matchbox of a bloody pub? is it a clue from god? is god linked to jim/gabriel somehow? gahd this one is still giving me a headache kinda? wrote about this - here, no tag for this specifically - and im still not fully satisfied that is the meaning of the matchbox but i think (hope) it might be somewhere near the mark?

1650 i speculated (or, well, dreamt up a hc) as to what this potential flashback could entail in a LWA response somewhere - in any case, give me the boys in cromwellian england and give it to me Now

the 25 lazarii miracle my batshit theory (and yet it makes complete sense to me, i stand by it) is in my #25 lazarii theory tag

episode 2:

heaven and hell working together as a single good cop bad cop system this is similarly stagnating in my drafts at the moment!!! but it's a bit of a mindbender for me bc it means i need to pick apart what everything thinks the job/satan bet was actually about... basically, i think it all comes back to understanding god's will - and all of them (yes, even crowley) have it wrong because imo god is completely amoral and is just the strongest advocate for free will... weirdly, i think the person that had the most right of it was gabriel.

"forces them under an awning together" god i hope this happens in s3... i mean there's no way it won't, right? and so many juicy possibilities (for my money itll be the bandstand, but equally would love, like, the stoop of the bookshop, and then have it mirrored again under like the porch of the south downs cottage) 🥺

gabriel's eyes glowing statements this tbh harks back to what i posted under the #25 lazarii theory tag - definitely something weird going on, and i have a gut feeling the boys accidentally made it even worse lmao

tricking heaven with a sleight of hand this is also going to require a bit more thought!!!

episode 3:

aziraphale's chekhov's diaries see im not sure how important i truly think theyre going to be, but if we go by the prominent influence of the crow road, it definitely has to be a s3 plot device, right? the only thing im scared of is that aziraphale's memory gets wiped, or he goes missing, and the books are key to getting back his memory/finding him... hmmm

crowley's consciousness extending into the bentley i think the crank is certainly important, even if just symbolic of his power - uses it to create nebulae, it survived the s1 explosion, etc. i do think bentley has its own kind of personality, but think it's borne out of proximity, use, and influence of her demon owner... obviously i could be entirely wrong, but i kinda hope it's more that he made her, and her allegiance as a sentient being is with him (and of course aziraphale by extension), mainly bc i want something to look after crowley... but then is it more poetic that the bentley is basically just him, and representative of him finding comfort in himself? idk tbh but she's a bad bitch and i love her

general resurrection themes ive talked a fair bit about the second coming aspect, but not about the resurrection and last judgement so much, so this is one for the list

gabriel's glowing eyes statements part 2 as above (and i realise that you might be talking about what he specifically says, not the general thing itself, 🦭 anon, but in a way what is being said is fairly self-explanatory imo, but why is the heftier question)

shax can sense gabriel in a way the archangels couldn't i personally don't think there's much by way of implication in the method in which she senses him (ie... smell? vs michael's weird sixth sense), but i do think there is something about the fact they can sense him at all... talked about in #25 lazarii spec and the #shax meta tag!!!

"it's always too late" oh god 💀 i had the most batshit theory about this that i don't even want to talk about BUT im with you that it's... an odd line. i love that it potentially references line in the book about crowley's watch being set to hell's time, which is set at "too late", but beyond that... not entirely sure why the line was said or said so... blatantly? feels like something obvious would explain it

rumours that aziraphale and crowley were an item that so far don't seem justified based on what hell knew. rumours that apparently had no major consequences for crowley despite one harmless photo warranting a legion to collect him [screams at 1941 truther sign] yeah this is how it read to me too, 🦭! something definitely happened after that dinner, and im not saying a move was made (and potentially witnessed by a couple of errant nazi zombies) but i think a move was made (and witnessed by a couple of errant nazi zombies) - #1941 spec tag

the literal chekhov's gun in the bookshop this one has flummoxed me, but i did read a speculation about continuing the 1941 flashback today, which was utter genius (and so much better than what i managed to dream up in the above tag), and suggested the derringer will make an appearance in a fight-ish scenario in that scene... which is frankly bloody inspired tbh, and im very much convinced by

the miracle blocker oooooh i don't have a dedicated tag for this but i definitely talked about it in a post under the #sanctuary/bentley theory tag!!! i think it was potentially a chekhov's gun that we didn't see get fired

sleight hand to trick hell probably one to look at in hand with the one above about tricking heaven

the zombies just running around london kinda as i said above tbh, not sure what'll happen to them afterwards but presumably a grisly end being eaten and pooped out by a spider

1941 full stop. we have not seen the last of that night. goddamn right we havent [skips around the 1941 truther sign]

episode 5:

the lack of demons available for the attack pretty much what i said above in ep1 about being short staffed bc the Damned population keeps increasing... maybe? still one to look at in more detail though!!!

"i know. do it anyway" "i know. looking at where the furniture isn't" not necessarily in reference to these quotes specifically, but in the general context - discussed this (and potential crowley memory loss) in the #the fall/the great war spec and #book of life theory tags

"if it happens twice it might seem like an institutional problem" oh. OH. THIRD EYE HAS OPENED. because we know two things, right? gabriel didnt fall/wasnt intended to, so the 'happens twice' isn't realised. and heaven does have an institutional problem, practically embodies the term. so if this is foreshadowing. does aziraphale fall. oh no. Oh No (ive sort of discussed this in #scapegoat theory tag but that was strictly pre-eden context...) this however has actually just made me realise that this is a chekhov's gun literally pointed at aziraphale's head... shitshitshitshitshjthka

mrs cheng's weird look across the street see this is on my list but waaaay down it. think she could be a demon. will work on it at some point edit: talked a little bit about this in the #shax meta tag, but possibly needs a dedicated post, idk

nina and maggie's semi immunity to miracles so the bit where aziraphale can't miracle them? that to me is potentially the same explanation as the miracle blocker post (like it all connects). maggie is more immune than normal to the ball miracle? see #we need to talk about maggie theory tag. as for nina... im still not sure on. idk if she's a demon (which for me is a Thought if we consider that hell are short-staffed; she could be one of Many) but it feels a little on the nose... one for the list edit: talked a little bit about nina in the #shax meta tag, but definitely needs a separate post at some point

shax saying the shop isn't an embassy anymore but the demons still unable to get in i didn't think of it from this angle, but i think my theory still stands - under the #sanctuary/bentley theory tag

nina and maggie's immunity to miracles part 2 oh oops - see above

episode 6:

maggie being able to invite the demons into the shop i think she's an angeeeeeeellllll (see #we need to talk about maggie tag)

the speed at which the portal opens and it's potential as a means of spying my latest galaxy brain moment (i hope) - #sanctuary/bentley theory tag

haloes and the potential consequences of blowing them up this one is in the #halo theory tag

crowley opening the files not quite sure what you mean by this one, 🦭!!! do you mean about his rank? definitely tried parsing this particular headscratcher in the #AWCW spec tag

heaven was trying to restart armageddon in a way that seems awfully unofficial oooooohhh.... haven't looked at it this way, but definitely will be!!! might link in with #god is dead theory stuff, but will need more exploring!!!

saraqael having their own agenda honestly saraqael is my newest bad bitch (gn) and if my #saraqael spec is even halfway true, im going to explode i love them

"i'm the only first order archangel in the universe" *camera cuts to crowley* kinda talk about this in the #AWCW spec tag but since neil cremated the lucifer theory (rip) ive kinda left this aspect alone... tbh i don't think he was as important as he's set out to have been

"i'm the only first order archangel in the universe" full stop. statement's plenty suspicious on its own too. this is....... potentially very intriguing

memory wiping as just a thing heaven does when someone disobeys i need to reconcile #book of life theory with this tbh - like, the focus on memory is so strong in s2 that i strongly believe it has connection to falling... at which point, where does gabriel demotion/mem wipe punishment fit in? and where does saraqael fit in, too?

muriel having the same kind of position gabriel was going to be demoted to vaguely looked at this in #book of life theory tag posts i think, especially in reference to how their potential punishments (in muriel's case) mirror each other

heaven and hell are technically at war now. its not like anyone with authority actually called it off danced around this in the #halo theory tag, in reference to aziraphale declaring this new war, and yet they've been at war for a long time? yes the reflection of it being a cold war but still... interesting to think about especially when framed like this

it's possible to remove your essence and store it elsewhere definitely need to explore the possibilities and implications of this at some point, but the suggestion i made in the #25 lazarii theory post somewhat starts to look at this

hell is understaffed as already mentioned above

the shax furfur alliance not quite sure what to think about this, and whether it necessarily means anything more than it's put across (ie just that they are the danger duo of hell in s3?) idk tbh i just need to look at them both as individual characters a bit more first #shax meta tag!!!

the many strange things that could indicate something going on in the last fifteen minutes god.... just anything in the #feral domestic/final fifteen meta tag tbh

"does anyone ever ask for death" idk whether or not to take this as meaning anything deeper than metatron just idly thinking "hmmm aziraphale could refuse my coffee, refuse a chat... at which point ill probably need to destroy him etc. hey, i wonder if anyone - instead of coffee - has ever actually asked for death? funny name for a coffee shop"... and possibly a double meaning meant by Nina saying 'everything else was taken'?

saraqael being the only one other than crowley who recognises the metatron and their reaction well theres my school of thought that saraqael is potentially closer to metatron that we maybe thought (#saraqael spec tag), but then again - and this exact sentence just reminded me - i think in this particular instance, both saraqael and crowley have just come fresh from watching the trial, so that's why they both remember metatron... which begs the question of what happened between the trial and the final fifteen to make them forget? hmmm

almond syrup imo, #omelas theory

the possible miracle chime ehhhh i know i wrote about this but im still like 50/50 on it... but it fits my theory (in the #feral domestic/final fifteen tag) so im rolling with it - i think there might be a chime and i think it might be a failed miracle to change the coffee

the metatron and crowley seeming to have some kind of history lmao anything in #metatron spec or indeed #the fall/the great war spec tags tbh

aziraphale's peculiar mannerisms im getting so lazy with these responses now 🦭 anon im so sorry, but again recently speculated in the #feral domestic/final fifteen meta tag

the way the conversation between aziraphale and the metatron is only reported and very strangely transitioned in and out of as above

the nothing to see here shooting of the kiss this one...

i know ng said it was a continuity error but. the time skip on the clocks ...and this one ive looked at in the #time-stop theory tag, and im the same - not trusting continuity error on this... not just yet

the something's up vibes of metatron. the general scheming and manipulativeness. the framing as the wizard of oz. the colour scheme and the dice on his tie. the sigh of relief in the elevator lol #metatron spec

the credits scene i haven't really gone into this in any detail and tbh idk if it needs it - i think it's pretty reflective of some stuff ive talked about in the #aziraphale meta and the #feral domestic/final fifteen meta tags

plus special mention: not technically in the episode but the distinctly ominous madonna/crucifixion promo photos aaaaaaaand this one is in the #mary/pieta spec tag

again 🦭 anon im really sorry it got a little lazy towards the end!!! but im very, very grateful that you put this all in a list, because ive definitely got some stuff in mind that id like to parse out!!! and as ever - more than happy to scream about things so pop on back if you feel the need to scream with me!!!✨

#VERY long post but its so so so helpful #good omens #ask #in fact this is gonna go in the masterpost

[thefloatingstone]

Did you ever notice that the Turians are what the Krogans would be if they got their act together?

Kind of but not really.

Their cultures are structured entirely differently and not only because of the Krogan's sterlisation. But on a foundational level.

a BIG difference, and although this IS genophage related but not entirely, is their perspectives on sex (as in gender but in a biological way.)

Turians don't have "gender roles" in their society. All turians are equal in the Heirarchy. We mostly interact with males but mostly because Bioware didn't feel like designing and modeling female turians since that's extra work and blah blah blah 2000s gaming gender politics.

But anyway, focusing on in-game lore for now;

Turians don't have gender roles. All Turians are expected to have weapon and combat training which they learn from childhood and in young adulthood military service is required for a year or so (I forget the exact time the mandatory service is given. I'm busy replaying so I'd have to get to Garrus talking about his mandatory service. But Garrus also has his financial family history which fucked up his early adulthood so I THINK military service is mandatory for young adults but I could be misremembering and he served briefly when his scholarship fell apart and he was unable to go to whatever Turians have in the way of university/college).

All turians are equal as there is no "feminine roles" for women. Only the identification of skills. And although there is a difference in male and female psychology in turians, it gets neglected as all turians are placed along the same path. That being one of duty and honour to the Heirarchy. And this is specifically in being a warrior. There ARE turians whose personalities fall into other areas (such as science) but they are generally looked down upon socially if not officially.

KROGANS on the other hand have a very hard binary to their sexes, and not just because of the genophage. Eve tells you in ME3 that with the genophage, female krogans live completely seperate from the males purely out of species preservation, because they can't risk any females getting killed in male scuffles or er.... nastier and more desperate acts by males looking to sire a living child.

Eve says before the genophage fucked things up, females were treated as the "wisdom" of a clan. You had the clanleader who is male, but his jobe was focused on protection and survival in terms of aggression. Tuchanka is a hellworld, after all. But each clan would have appointed female "wise-woman" who essentially acted as the true leader of the clan, giving guidance and helping steer the clanleader in what decisions would be best for the CLAN in ways that aggression and conflict could not solve.

Clearly the women of the Krogan don't always get listened to and that's how they fucked up their planet. Either that or the focus on pushing women into the role of wisdoms of a clan came AFTER they blasted Tuchanka to shit as a precaution to prevent war of that scale to break out again.

So although they seem similar because they are both warrior races, their cultures work extremely differently, Turians operate as a unigender race, while krogans operate as a balanced gendered race.

There are other BIG cultural differences such as how the Heirarchy is structured versus the krogan clan structure but I'm less confident just remembering details off the top of my head. Mainly because I enjoy digging into and thinking about the different races as individuals within a social structure more than I remember their political structures.

Although it's also worth mentioning Turians are a unified race under one Heirarchy, while Krogans work on a clan structure. Of course this gets shaken up in the game itself (to avoid spoilers) but the difference also colours their cultures... Even if Turians still wear clan colours and instinctively distrust Turians who don't wear their clan colours ¯\_(ツ)_/¯

Also Krogans can swim and turians can't lol

#C-Puff answers #mass Effect #Turians #Krogan

[twistedtummies2]

Top 12 Characters from FOX’s Sleepy Hollow

Halloween may have ended the day before yesterday, but I wanted to give the spooky season one last hurrah! I recently did a couple of lists related to characters from Washington Irving’s classic tale “The Legend of Sleepy Hollow.” I’ve been on a Sleepy Hollow kick lately, for a few reasons…and due to this “kick,” I decided it was time to revisit the somewhat controversial FOX TV Series simply called “Sleepy Hollow.” When the show first came out, I actually only got part of the way through Season One before I stopped watching it; at the time, I had a lot of other things eating up my attention, and I think I was also a little more closed-minded towards the drastic reinventions this series put forth.

After revisiting the show in the past couple months, I found a new sort of love and respect for it. It’s not a perfect series, mind you, but I think the mixture of my love of the source material and the excellent performances from the actors, above all else, pull it through. The show is a supernatural crime drama, similar to things like “Supernatural,” “Lucifer,” or “The X-Files.” The series focuses on Ichabod Crane - a dashing Revolutionary War hero, in this version of the story - solving a variety of strange crimes in the modern day. From witches to demons to figures from mythology - and, of course, the Headless Horseman - the show had a lot of really wonderful characters and creatures on display. I decided it would be fun to count down some of my favorite characters from the series overall, in honor of All Hallows Eve (or, given today’s date, Dia de los Muertos; take your pick). Because not only did this show have great reimaginings of the characters from the Washington Irving legend, but also a fine array of original characters unique to this interpretation. They all deserve to be recognized. So, without further ado…here are my personal Top 12 Characters from FOX’s Sleepy Hollow.

12. Jake Wells & Alex Norwood.

These two characters debuted in the show’s fourth and final season. I’m just going to state outright: in my opinion, Season 4 was the worst season of the show. On its own terms, it wasn’t necessarily all that bad, but I think it tried to do a few too many things at once, and changed up the formula of the series in a few too many ways. When you compare to the prior three seasons, it stands out as the weakest link, in my opinion. One of the issues this season had was that it had a whole new cast of major characters we’d never met before, which meant a whole new set of relationships, personalities, and performances for the audience to get used to. Thankfully, most of these characters were pretty strong. Case in point: Jake Wells and Alex Norwood, two eccentric history buffs who work as the chief operatives for Agency 355: a secretive part of the FBI that investigates supernatural phenomenon. Jake and Alex I always saw as a duo, first and foremost, hence why I decided to include them together here. Jake is a dorky, geeky fellow who has read more books on history, and done more research into the paranormal, than almost anyone else; his knowledge on both subjects almost rivals that of Ichabod himself, and he is eager to prove his worth as a hero when he realizes his true calling. Alex, meanwhile, is a snarky, sneaky weapons expert fascinated with ancient technology and cursed objects; she’s actually a bit more skeptical than Jake, but she goes along for the ride. Alex also has a hidden crush on Jake, who naturally remains totally oblivious. These two were just a fun pair to watch in action, and many of the funniest moments in the final season came from their interactions.

11. Jobe.

While Season 4 may have had a lot of problems, one thing I almost unconditionally loved about it was its villains; most notably its two main antagonists. One of those antagonists is Jobe. It’s unclear if “Jobe” is actually his true name or not, but regardless, Jobe is a Mephistophelean sort of figure: a high-ranking demon who has become the personal bodyguard and assistant of the season’s main villain, Malcolm Dreyfuss. Dreyfuss made a deal with the devil years ago, part of that bargain being that Jobe would faithfully serve him until Dreyfuss’ death. However, Dreyfuss’ plans to gain immortality put that exact bargain at risk, and Jobe is thus in danger of potentially becoming a pawn in the mortal man’s game forever. There’s an interesting contrast with Jobe’s relationship with Dreyfuss; Malcolm relies on the demon constantly, and goes to great lengths to help him out, and Jobe will do just about anything Malcolm demands. At times, one could almost believe the two were friendly with each other…but it eventually becomes clear that Jobe is NOT Malcolm’s friend. He’s simply fulfilling the contract’s stipulations to the letter. While he does not approve of the loophole being used, there’s nothing he can really do about it…aside from finding his own loopholes to try and sabotage the scheme.

10. Katrina Van Tassel.

A.k.a. Katrina Crane. In this version, she and Ichabod actually get married, so which surname you use can be interchangeable. I call her “Van Tassel” simply because that’s the character’s name in the original story. ANYWAY: Katrina was a major figure in the first two seasons of the show; in many ways, she is the catalyst for a lot of the action that goes on in the series. It’s revealed that Katrina is a witch who was secretly working with American Revolutionaries. It was partially due to her influence that Ichabod defected from the British side of the conflict, and the two were eventually wed. For the first season and a half, Katrina is one of the main protagonists…but, in the latter part of season two - for various reasons - the character falls to the dark side, going from a good and noble enchantress to a truly wicked witch. I’ve always felt sort of conflicted about this portrayal of Katrina; my biggest issue is that, for that first season and a half, the writers couldn’t seem to make up their minds if Katrina was meant to be a strong, independent, powerful woman and role model…or a rather silly damsel in distress. On the one hand, she’s quite literally got a ton of power as a witch, and she’s a skilled manipulator in her own way…but on the other hand, most of her time before we get to her descending arc is spent with Ichabod trying to save her, and it gets old fast. Having said that, I honestly think she became a much more interesting character in the second half of season two, with her descent into darkness story arc; the tension of love and anger between herself and Ichabod, not to mention the other characters, made for some dramatic moments, and her motivations and goals as an antagonist were really quite interesting. She got more chances to actually SHOW her strength as a character, helping Ichabod on cases in the early parts of Season 2B, and then shifting and turning her coat as the arc went on. Actress Katia Winter really helps sell the character, and while I may have some issues with the way she’s written, she’s still an important and iconic figure in the series.

9. Diana Thomas.

Yet another character from Season 4. Played by Janina Gavankar, Diana had a really tough gig to follow: for the first three seasons, the two main characters of the show had been Ichabod Crane and “Leftenant” Abbie Mills. However, due to issues with the creative team behind the scenes, Nicole Baharie - Abbie’s actress - decided it was time to leave the show. Rather than end the series with Abbie’s death, however, the writers decided to provide Ichabod with a new modern detective to join forces with, and invent a new “Second Witness” as well. This is where Agent Diana Thomas of the FBI comes in: much like Abbie, she meets Ichabod when her own partner and her boss end up killed by a demonic entity. From that point on, the two become entangled, as Ichabod helps Agent Thomas with a variety of cases not in Sleepy Hollow, but in Washington D.C. itself. At first, we believe that Diana must be the new Second Witness…but instead, it’s revealed that Diana is a mother, and it’s her ten year old daughter, Molly, who is the Second Witness. Diana effectively tries to become a crusader for her own offspring, fighting the battles Molly is too young to fight, and trying to find some way to balance her duties as a mother, a member of law enforcement, and part of a secret war against Hell itself all together. While following on the heels of “The Leftenant” wasn’t exactly an easy task, I actually think Diana pulls it off: her own relationship with Ichabod hits some of the same beats, but her character and setup is unique enough to make her interesting and fun in her own right. The way things develop between herself, Molly, and Ichabod is also quite engaging; if the show had gone on longer, she might have ranked more highly here.

8. Nick Hawley.

It’s weird that this character ranks so highly for me, because - much like the Season 4 cast - this was a character who only appeared for a single season. And unlike most of the S4 cast I’m covering here, he WASN’T a series main during his tenure. I guess one could just argue that character is simply that strong. Nick Hawley, a.k.a. “The Privateer” (as Ichabod likes to call him), is a self-proclaimed treasure hunter. He seeks out rare and mysterious artifacts and items, which usually have some kind of supernatural or mythological tale behind them, and then sells them off either to private buyers or simply to the highest bidder he can find. Hawley is a modern-day pirate: while not completely without scruples, he cares most chiefly about his own health and finances, which makes him an unpredictable, anti-heroic figure for the season. He’s smart, he’s capable, and he’s a great ally to have when you have him…but he’s not above leaving people behind in the lurch when it suits him best, and he even acted as an enemy once or twice to the main heroes, whenever his clients weren’t exactly friendly souls. He was a major figure in Season 2, and he got richer and richer as the season went on…but unfortunately, this was the only season Hawley appeared in. His story effectively remains unfinished, since his departure from the show saw him planning to actively hunt down his own adoptive mother (who had become a demon…it happens). We never saw Hawley again, so we have no idea how his adventures on that front turned out. I had a feeling they MIGHT have been considering using the character in future seasons, but for one reason or another that never happened, either because the show was canceled before such a thing could occur, or because the actor just wasn’t available. Whatever the case, he was a fun figure who brought a sense of mercenary chaos to the program, and his time in the series, while short, was truly unforgettable.

7. Malcolm Dreyfuss.

Like I said, in my opinion, the best part of Season 4 had to be the villains. Chiefest among them is Malcolm Dreyfuss, the main antagonist for the show’s final season arc. Dreyfuss is a character who feels like something straight out of a comic book, and I mean that in the best possible way: he’s an eccentric, half-mad tech mogul, with a flamboyant, sleazy sort of personality. He feels like he’s somewhere between a mad scientist and a used car salesman. It was a unique personality for a main villain in the show to have; most of the main villains before were more serious, stoic, sinister characters; hyper-powerful beings who controlled legions of Hellspawn and could kill you with a look. Dreyfuss is the exact opposite: he’s just a guy. A very, VERY bad guy with a lot of ambition and a lot of money. In fact, at times Dreyfuss is quite pathetic; one of my favorite elements of this character is that, despite all his theatricality and high-flying schemes of grandeur, there are so many times where the vulnerability and fearful status of Dreyfuss’ position comes into play. Whenever someone sees right through him, so to speak, he goes from a criminal mastermind to a whimpering child, and it’s equal parts funny and kind of sad to see this character fall so low. While he’s an awful creature, he’s also highly entertaining, and his reasons for his evil deeds are actually somewhat sympathetic: this is a man who lived his life in the shadows for so long, and desires to finally be in the spotlight. I think that’s a concept we can all relate to. The season as a whole may not have been the best, but Dreyfuss is a great villain who made for some of the most memorable moments in the final arc of the show.

6. Frank Irving.

Played by the inimitable Orlando Jones, Captain Frank Irving was one of the main characters in the first two seasons; I can’t help but wonder whether or not it’s merely coincidence that, in my opinion, the latter two seasons - where he was NOT present - were the least grand of the series as a whole. In any case, Irving, for the first half of season one, starts off as a pretty standard sort of “doubting police official” character. While he isn’t a bad person, he doubts in all of the supernatural and fantastical explanations Ichabod and Abbie try to give him for the various crimes they face. It isn’t until his own close encounter with the Headless Horseman that Captain Irving becomes a more active member of the team, as he realizes the war with evil is very real, and far more bizarre than he ever gave it credit. That war hits close to home when a demon actually possesses his daughter; an event that causes endless dismay for Irving, and sets in motion many of the struggles he faces for the rest of his time in the show. Seeing Captain Irving’s transition from a tough-as-nails doubter to an increasingly more tragic and complex character entangled in a web of danger made for an interesting story arc. The lengths he’ll go to in order to keep his family safe are only matched by his tenacity on the battlefield, and the many twists and turns his own private side of the story faced made for some of the most intense parts of the show. It’s really a shame that, after Season 2, we never saw him again, or even got much mention of where he was and what was going on in his life.

5. Henry Parrish.

Played by the Scarecrow himself, John Noble (or Denethor himself, for you Lord of the Rings fans), Henry Parrish was one of the main antagonists in the first two seasons of Sleepy Hollow. In fact, in Season 2, he basically acted as the main villain, outranking even the Headless Horseman himself! When we first meet Henry, he is a somewhat neurotic, mild-mannered fellow, suffering under a great burden: Henry is a Sin Eater, someone who can physically absorb people’s sins into his own body, a fact that seems to torment him constantly. As the series goes on, he comes out more and more as a worthy ally to the main team…but it’s ultimately revealed that Henry is actually the master manipulator behind many of the things that have gone wrong in the season up to that point. Henry, you see, is actually Ichabod’s own son, Jeremy Crane; abandoned by his mother as a child while Ichabod was still in the crane, Jeremy grew up hated and feared, and was eventually - like Ichabod himself - buried in a state of suspended animation, only to be reawakened years later, and years before his father (hence why the son is physically older than the father; he’s had more time to age). But while Ichabod rose from the dead as a force for good, Jeremy - renaming himself “Henry Parrish” - has become a force for evil: he is the Horseman of War, one of the Four Horsemen of the Apocalypse, and a servant of the arch-demon Moloch, whom he sees as his “real” father. John Noble plays the character to perfection, and despite his ultimate defeat in Season 2, Henry would actually be one of the few characters to see the show to the end: he returned a few times in Season 4, first in a nightmare Ichabod has while under the influence of a monster, and then for real in the last couple episodes of the show, teaming up with Malcolm Dreyfuss, as well as hiss old compatriot, the Headless Horseman. Speaking of…

4. The Headless Horseman.

I mean…it’s Sleepy Hollow. So of COURSE the Headless Horseman is going to be in the Top 5 here. In fact, some of you are probably wondering why the Horseman isn’t in the Top Three! How could the HEADLESS HORSEMAN not make the top three in SLEEPY HOLLOW?! Well…I’ll get to that in a bit, but first, let’s go over the positives. In this series, the Horseman is revealed to be another of the Four Horsemen of the Apocalypse: specifically, he is the Horseman of Death. And, being the Horseman of Death, he cannot truly die, no matter what happens. As a result of this, even as other villains came and went throughout the show, the Horseman stuck around: alongside Ichabod and Jenny Mills (more on them later), the Headless Horseman is the ONLY major character in the series who appears in all three seasons. While he didn’t show up in every single episode, every time the Horseman DID appear, it was a big deal, which made his appearances all the more special; you knew bad stuff was going down in the Hollow when Death rode into town. I also appreciate that the series actually went out of its way to make the Horseman a real character, with a proper true identity, backstory, and personality…at least at first. This is where the problem with the Horseman, and why he isn’t in the top three, comes into play: in the first two seasons, the Horseman is handled EXTREMELY well…but in Season 3, the character only appeared twice. First in a cameo in the opening…and then in a more prominent part in the season finale. That’s it! We never see or even get much reference to him anywhere else! In a show called SLEEPY HOLLOW, it was kind of shocking that such an iconic figure was almost nowhere to be found, especially after his huge level of importance in the prior two seasons. In Season 4, the character had a more prominent role - acting as a tertiary antagonist after Malcolm and Jobe, with at least as many appearances as he had in Season 1 - but the actual character took a HUGE step back. He basically just became a faceless monster; that’s not necessarily a bad thing, since most versions of the Horseman are that, but a big part of what made the first two seasons and their handling of the Horseman so great was that they DID give him more real character and development. Season 4 really watered down the character, and felt like a missed opportunity as a result. There were lots of places where all that established lore and personality could have been utilized, and it just never really was. Having said all that…it was still really cool to see the Horseman anytime he appeared, and the fact he lasted till the end is definitely a credit to the ghost’s power. Also, I guess one CAN technically say he was in EVERY episode, since the opening titles for every season featured the Horseman…but I think that’s pushing it a bit. Anyway, great version of this classic horror icon, and easily my favorite villain from the series…but not great enough, within the show’s own setup, to make the top three.

3. Abbie Mills.

Abbie Mills, a.k.a. “The Leftenant,” was the secondary protagonist of Sleepy Hollow for the first three seasons. And unlike with Captain Irving, it’s no coincidence at all that the show’s biggest decline happened courtesy of her departure. Abbie is an ambitious police officer at the start of the show, with a checkered past; as a child, she encountered supernatural evil at a young age, something she has tried to deny all her life. Tragic events in her past led Abbie to becoming a petty thief, but - with the help of her mentor, Sheriff August Corbin - she eventually found her calling in law enforcement. In Season 3, Abbie went from being a simple police lieutenant to an agent of the FBI, stationed in New York, which kept her close to home, so to speak, while still allowing the character to advance and shake up the formula a bit. Abbie was a fun character; her relationship with Ichabod was one of purest friendship. There is no romance between them, yet they are as close as two human beings can be; as Ichabod describes in the “Bones” crossover episode (yes, that was a thing), they are a relationship of pure opposites. Ichabod is a quirky, theatrical, grandiose figure out of place and out of time, given to grandiloquent phrases and speeches and constantly prattling off trivia about a past he lived; Abbie is a more down-to-Earth, grounded person who takes things more easily in her stride, but is still open to having her horizons broadened. Both often feel alone in the world, due to various personal tragedies they’ve faced and mysteries they have yet to figure out, but at the end of the day, they always have each other. At times they may bicker and banter, but the chemistry between them is pure gold. When “The Leftenant” finally did leave the show, she went out like a hero - sacrificing everything to save her friends, her family, and the world itself - which was just the proper sendoff her character deserved. One only wishes she never had to leave at all.

2. Jenny Mills.

While Jenny Mills was never the secondary protagonist in ANY season, she was, effectively, the tertiary protagonist of EVERY season. Like I said before, she was one of only three major characters in the show to appear in every single season, practically from start to finish. (The only other two were Ichabod Crane and the Headless Horseman, and…let’s face it, in a show called “Sleepy Hollow,” it would have been more amazing if those two DIDN’T show up every single season.) At the start of the show, Jenny is Abbie’s estranged sister; a notorious delinquent who has spent much of her life in-and-out of the local mental hospital. It’s later revealed that all that time “out” of the hospital was spent with Jenny running various secret missions for Sheriff Corbin, who knew all along that the Apocalypse was night, and helped Jenny out when she was possessed by a demon during her adventures. As the show goes on, Jenny became a more and more interesting and important character, and even after Abbie and so many other characters who had played such a big part in the series for the first three seasons disappeared, Jenny stayed on right to the last episode. Jenny is just a bad@$$, plain and simple: she’s not as straight-laced as her sister, much more trigger-happy and far less lawful. She’s essentially a treasure hunter; a low-budget Indiana Jones who works from a trailer rather than a university. In many ways, she is a lot like Nick Hawley; but while Hawley fights for himself above all other things, Jenny believes in a bigger plan, and is simply trying to find her place in it. Because she lasted so long in the series, we got to see Jenny interact with more characters and form more relationships than almost any other in the show, barring Ichabod himself; and as the show progressed, and her role increased, we saw Jenny mature and become more and more independent. The final season indicated that she was actually planning to leave “Team Witness” and go off on her own, no doubt preluding the actress’ departure; I’m actually sort of glad this DIDN’T happen, only because it meant that the character did remain a firm anchor all the way to the end of the ride. Having said that, it would have been interesting to see how Jenny and the show would have fared if this had; this is a character so strong that I actually would have loved to see an entire series JUST about her, and that’s high praise indeed.

1. Ichabod Crane.

For some, it’s probably an obvious no brainer to put the main character at the top of the ranks. However, in all honesty, I would argue it’s more surprising to do so, since - as we all know - the MAIN character of any series isn’t necessarily one’s FAVORITE, nor the BEST. But in the case of “Sleepy Hollow”...there is no question, this is just a case where the central protagonist is my favorite. I think a lot of the credit goes to the actor, Tom Mison: while the character he plays owes precious little to Washington Irving’s spindly schoolmaster, something about the personality he gives Ichabod, and the way Mison looks, in general, just feels so much like it captures the basic DNA of the character we all know and love, while adding something brand new and utterly fascinating to the mix. Much of the humor from the series comes from Ichabod’s “fish out of water” status - a man from a past long-misunderstood, stuck in a future-present he is still struggling to fully understand. At the same time, much of the pathos for the character comes from the same place: a constant theme in the series is Ichabod constantly battling between the sense of being alone in the universe, and realizing that maybe he isn’t AS alone as he really thinks. Throughout the series, he loses allies, friends, family, and even loved ones…but through it all, he perseveres, and finds new people to assist him, as well as new enemies to combat. There is never a dull moment when Ichabod is onscreen, and that’s thankfully most of the show’s runtime, given his status as the main character. He is by no means my definitive take on the classic character, but he is a strong and interesting protagonist in his own right, and it’s easy to see why, when all else failed, you could count on Ichabod to keep people coming back to the show, over and over again. It’s really not a shock at all that Ichabod Crane is My Favorite Character from FOX’s Sleepy Hollow.

Honorable Mentions…

Sheriff August Corbin. (He’s played by Clancy Brown. ‘Nuff said.)

George Washington.

Benjamin Franklin.

Andy Brooks.

Betsy Ross.

#sleepy hollow #fox #tv #television #halloween #horror #mystery #crime #supernatural #list #countdown #top 12 #favorites #best #characters #ichabod crane #jenny mills #abbie mills #headless horseman #henry parrish #frank irving #malcolm dreyfuss #nick hawley #diana thomas #katrina van tassel #katrina crane #abraham van brunt #jobe #alex norwood #jake wells

[grandhotelabyss]

—Emmet Penney, “Why Climate Nihilists Target Beloved Art”

Penney must be reading my mind. He uses art theorist Boris Groys’s gloss on Kazimir Malevich’s Black Square to show how avant-garde utopianism has come to serve corporatist degrowth nihilism, as evidenced by the iconoclasm of deranged youth, who serve as the ignorant foot soldiers of their wealthy, misanthropic elders, the very ones who run our society.

Except that, unlike Penney, I don’t think Malevich’s dream could have gone any other way than toward this revolution-from-above. Trust the tale, not the teller: the tale, in this case, is pure darkness and nothing, but gridded and rationalized—the truth of The Revolution, behind all its mawkish advertising. 

Anyway, Flaubert said that if the powers that be had read Sentimental Education, the Franco-Prussian War might have been avoided. Increasingly, I feel the same about my novel Portraits and Ashes, written in 2013 and published in 2017, with Malevich’s Black Square on the cover, vis-à-vis the catastrophes awaiting us now.

The novel—which has an almost supernal connection to Groys’s thesis on the avant-garde, as I explain in my essay on the theorist’s Total Art of Stalinism—is about the convergence of a nihilistic death-cult, likely state-sponsored, with avant-garde art. Here is an excerpt about the novel’s resident nihilist-iconoclast-artist and his tie to the regnant powers:

Frank Jobe, then all of thirty-one years old, had crossed the planet on his mission to save art by destroying it as such, as an object that could be held as property or viewed from a distance and appreciated as merely beautiful. He wanted to make art instead a tangible force in the lives of those who encountered it. From behind his mirrored shades, his prematurely white hair waving across his tall forehead in the dry winds of the Hindu Kush, he’d told an interviewer, “They say it’s all just signifiers, man, but what’s the signification of this?” Then, infamously, he’d put his cigarette out in the interviewer’s palm. Behind and above them flickered the anamorphic diagonal of holographic fire that Jobe and his team had projected on the steep slope of a mountain on the Afghan border, an opus commissioned by and assembled under the auspices of several non-governmental organizations for the sake of its “searing commentary on the horrors of international conflict.” Jobe would later boast of his piece’s effects. Warlords of various factions, in crossing the mountain pass, rounded with wide and suspicious eyes the illusionist’s slanted flame until they saw the fifty-foot image of a human skull lambent within it; then they crashed their Jeeps or caravans and ordered their men to open fire on the high flame, momentarily suspending their own hostilities. It was this ambitious work of artistic anti-art, entitled The New Ambassador, that brought Jobe his global notoriety. 

His inscrutable intentions helped his cause as well. He was a man of bombastic rhetoric without being very articulate. “Bourgeois art,” he’d said, “is about something, it’s supposed to remind you of something, and you’re supposed to laugh or cry. Which is bullshit, man. I don’t want to remind you of something, I want to be the thing. I want to be the thing you cry when you remember.” 

Was there any moral or political aspect to this or was it a creed of pure sensation? Surely, said Marxist critics, the purpose of protesting “bourgeois art” was to prepare for the utopic and egalitarian relations among a redeemed humanity that would flourish when the reign of the bourgeoisie was brought to an end by the revolution. Failing that, the purpose of his vital and tangible artwork must have been, as another of Jobe’s critics put it, “to recall the subject to the materiality of existence and its attendant ethical responsibilities to the Other.” Jobe wouldn’t say; sometimes he said contradictory or incoherent things, leaving it to the critics and the curators and the professors and the graduate students to decide. 

“What critical and cultural theories inform your praxis?” an interviewer had asked him in Germany during the opening of his piece, The Marriage of Arbor and Rhizome. For this installation he had planted parallel lines of oak trees at regular intervals in square dirt patches on the ground floor of a gleaming new white and glass gallery in Berlin. In fifty years, the oaks in stately colonnade would overtake the gallery. The branches’ gentle force would lift and prise loose the glass roof until it would fall in a sparkling explosion among the acorns. The roots would ever so slowly swell under the white walls hung with their blank Suprematist canvases until they listed and fell in their turn. Eventually, no one would ever be able to tell that a gallery had been there at all. 

“There are no theories,” Jobe said. “Just praxis. People who write theory are undertaking the praxis of jacking off, which is cool if that’s what you’re into, but I’m into the real thing.”

#emmet penney #art #aesthetics #art theory #boris groys #fiction #creative writing #kazmir malevich #avant-garde

[moondust-bard]

Songs For Writing Playlists: Plants, Gardens, Botanicals

• Oleander - Mother Mother

• Six Feet under - Billie Eilish

• In a Week - Hozier

• Don’t You Cry For Me - Cobi

• Bloom - The Paper Kites

• Viper - Von Grey

• Roses/Lotus/Violet/Iris - Hayley Williams

• Perennials - Widowspeak

• Pressing Flowers - The Civil Wars

• Picking Flowers - Tragic Sasha

• The Garden - Kari Jobe

• Kiss the Grass - The Paper Kites

• Thistle & Weeds - Mumford & Sons

• into the wild - Lewis Watson

• Flowers - SVRCINA

Find the full spotify playlist here

#songs for playlists #writing resource #music recs #playlist recs

[xtruss]

Souls Grown Deep Like the Rivers Review – Art of Poverty and Resilience From the US South!

This moving show considers the wealth of inventive and work by African American artists from communities that remained in southern states after the civil war

— Royal Academy, London | Ashish Ghadiali | Tuesday 14 March 2023

A Cosmic Night Sky … Thornton Dial, Stars of Everything, 2004. Photograph: Stephen Pitkin/Pitkin Studio/2023, Estate of Thornton Dial/Artists Rights Society (ARS), New York/DACS, London 2023

Narratives of the great migration and the Harlem renaissance have dominated conversations around African American art in the 20th century, but a new exhibition, Souls Grown Deep Like the Rivers, which opens at the Royal Academy in London this week, invites us to consider the cultural contribution of artists from the American south. Communities that remained there in the aftermath of the civil war continued to be exposed to extremes of racial violence, segregation and the hardship of economic exclusion.

Burgle Boys, 2007 by Mary Lee Bendolph. © ARS, New York and DACS, London 2023.

The psychic scars of that collective trauma run deep through many of the works in the show. Alabama native Thornton Dial’s Blue Skies: The Birds That Didn’t Learn How to Fly, for example, where cloth rags hang limp from a rubber-coated copper wire, paints a picture of abjection, while Mary T Smith’s We All Want a Jobe, created in the early 1980s during her retirement in Hazlehurst, Mississippi, positions a line of blurred faces beside the desperate, scrawled text of the title to create a tableau haunted by otherness. In Keeping a Record of It (Harmful Music), Lonnie Holley, also a native of Birmingham, Alabama, positions an animal skull in the centre of a salvaged record player, gripped as though by a pincer in the record player’s arm while Ronald Lockett’s Oklahoma, made in 1995 in response to the Oklahoma City bombing, pieces together sheets of metal, tin, wire and nails on wood to conjure the horror of murderous white supremacy.

Martha Jane Pettway’s Housetop — Nine-block Half-Log Cabin Variation, c1945. Photograph: Stephen Pitkin/Pitkin Studio/© Estate of Martha Jane Pettway / ARS, NY and DACS, London 2023

At times the exhibition feels overwhelmingly bleak. And yet in the material inventiveness of the works and in the sense of meaning made in community, with what materials are available, a powerful counterpoint to suffering emerges. It speaks to resilience, innovation and a propensity for survival that, through these artists, continues to exert an influence on prominent African American artists including Theaster Gates and Leonardo Drew (whose new work Number 360 opens at the Yorkshire Sculpture Park chapel this week) who have also made use of waste materials to propose an art of reclamation.

‘The 400 Years Journey of Africans in America’ … Joe Minter, And He Hung His Head and Died, 1999. Photograph: Stephen Pitkin/Pitkin Studio/ARS, NY and DACS, London 2023

Dial’s Stars of Everything, for example, transforms old cans into a cosmic night sky and a spray paint can and a piece of old carpet into an almost human presence that dances in the centre of this assemblage. His Tree of Life pulls together fragments of found wood, roots, rubber tyres and air freshener to create a monument to being that also reflects his 30 years’ experience as a steelworker in Bessemer, Alabama, where his sons, Thornton Jr and Richard (both artists in the exhibition too) also worked.

Ralph Griffin’s Eagle, 1988, ‘its wing a clattering array of sticks’. © ARS, New York and DACS, London 2023

The theme of intergenerational conversation and a creative tradition sustained through adversity underpins the exhibition and is also evident in the display of quilts (intended as objects to help people keep warm economically) that were made through the course of the 20th century in Gee’s Bend, on the banks of the Alabama River, by artists including Rachel Carey George, Martha Jane Pettway and Loretta Pettway. “I came to realise,” Loretta Pettway has written, “that my mother, her mother, my aunts, and all the others from Gee’s Bend had sewn the foundations, and all I had to do now was thread my own needle and piece a quilt together.”

Purvis Young, Untitled (Narrative Scene), 1980s. Photograph: Maciej Urbanek/© 2023 The Larry T. Clemons Collection / Artists Rights Society (ARS), New York.

Rashaad Newsome’s Stop Playing In My Face!, 2016. Photograph: Courtesy of Rashaad Newsome Studio and Jessica Silverman, San Francisco

In the early 1980s, when the boxcar factory that was employing Dial and his sons shut down, they went on to set up a metal patio furniture business together where they would, on the side, experiment with making sculptures from scrap metal. Jesse Aaron, working as a cabinet maker in Lake City, Florida turned his skills in woodworking to the task of carving faces on trees around his property to act as protective presences. Joe Minter’s And He Hung His Head and Died draws on the artist’s experience as a welder in the construction industry, also in Birmingham, Alabama, to evoke “the 400 years journey of Africans in America” – a theme that also runs through the immersive environment, African Village in America, that he has installed behind his house to preserve the tradition of the yard show – artists, for want of any kind of institutional support, would exhibit works at their properties.

Lonnie Holley, Keeping a Record of It (Harmful Music), 1986. Photograph: Stephen Pitkin/Pitkin Studio/2023 Lonnie Holley / Artists Rights Society (ARS), New York / DACS, London

There’s a giddying contrast in seeing these works now on display, when so many of the artists included in the exhibition are already dead, in the vaulted galleries of the Royal Academy where so much of the wealth and cultural capital amassed through the era of the plantation has been preserved. Placed here, this show speaks, above all, to the cultural life that has prevailed in communities shaped by histories of African exploitation and enslavement on the other side of the Atlantic Ocean, and that contrast, though uneasy, feels generative, too, and perhaps the first intimation of a longer process of reparation that is to come.

Red/ Meridian, 2021-22 by Lina Iris Viktor. Photograph: © 2022. Courtesy the Artist and Hayward Gallery

— Souls Grown Deep Like the Rivers: Black Artists from the American South is at the Royal Academy, London, from 17 March to 18 June.

#Art #US News #Art & Design #Paintings #Sculpture

[putah-creek]

I don’t drink, but maybe I should have some whiskey. War goes on, nothing changes. The poor remain hungry, the homeless sleep outside. Nothing changes. Crying doesn’t help. Businesses with more money and more power Than entire countries rape the earth Like evil soldiers raping villagers. Millions of people just don’t have any rights. This happens every single day. Maybe it’s me that should change. Bartender, single malt please, a double. After all, I don’t drink.

James Lee Jobe

#poem #poets on tumblr #poetry on tumblr #poetry #poems on tumblr #writers and poets #writers on tumblr #poetrycommunity #poetscommunity #dead poets society #poems and poetry #original poetry #poetry blog #poetry corner #poets and writers #poets corner #poets of tumblr #poetsandwriters #tumblr poetry #poems #original poem #my poems #short poem #my poem

[brookstonalmanac]

Events 9.25

275 – For the last time, the Roman Senate chooses an emperor; they elect 75-year-old Marcus Claudius Tacitus. 762 – Led by Muhammad al-Nafs al-Zakiyya, the Hasanid branch of the Alids begins the Alid Revolt against the Abbasid Caliphate. 1066 – In the Battle of Stamford Bridge, Harald Hardrada, the invading King of Norway, is defeated by King Harold II of England. 1237 – England and Scotland sign the Treaty of York, establishing the location of their common border. 1396 – Ottoman Emperor Bayezid I defeats a Christian army at the Battle of Nicopolis. 1513 – Spanish explorer Vasco Núñez de Balboa reaches what would become known as the Pacific Ocean. 1555 – The Peace of Augsburg is signed by Emperor Charles V and the princes of the Schmalkaldic League. 1690 – Publick Occurrences Both Forreign and Domestick, the first newspaper to appear in the Americas, is published for the first and only time. 1768 – Unification of Nepal 1775 – American Revolution: Ethan Allen surrenders to British forces after attempting to capture Montreal during the Battle of Longue-Pointe. 1775 – American Revolution: Benedict Arnold's expedition to Quebec sets off. 1789 – The United States Congress passes twelve constitutional amendments: the ten known as the Bill of Rights, the (unratified) Congressional Apportionment Amendment, and the Congressional Compensation Amendment. 1790 – Four Great Anhui Troupes introduce Anhui opera to Beijing in honor of the Qianlong Emperor's eightieth birthday. 1804 – The Teton Sioux (a subdivision of the Lakota) demand one of the boats from the Lewis and Clark Expedition as a toll for allowing the expedition to move further upriver. 1868 – The Imperial Russian steam frigate Alexander Nevsky is shipwrecked off Jutland while carrying Grand Duke Alexei Alexandrovich of Russia. 1890 – The United States Congress establishes Sequoia National Park. 1906 – Leonardo Torres y Quevedo demonstrates the Telekino, guiding a boat from the shore, in what is considered to be the first use of a remote control. 1911 – An explosion of badly degraded propellant charges on board the French battleship Liberté detonates the forward ammunition magazines and destroys the ship. 1912 – Columbia University Graduate School of Journalism is founded in New York City. 1915 – World War I: The Second Battle of Champagne begins. 1918 – World War I: The end of the Battle of Megiddo, the climax of the British Army's Sinai and Palestine campaign under General Edmund Allenby. 1926 – The international Convention to Suppress the Slave Trade and Slavery is first signed. 1937 – Second Sino-Japanese War: The Chinese Eighth Route Army gains a minor, but morale-boosting victory in the Battle of Pingxingguan. 1944 – World War II: Surviving elements of the British 1st Airborne Division withdraw from Arnhem via Oosterbeek. 1955 – The Royal Jordanian Air Force is founded. 1956 – TAT-1, the first submarine transatlantic telephone cable system, is inaugurated. 1957 – Central High School in Little Rock, Arkansas, is integrated by the use of United States Army troops. 1959 – Solomon Bandaranaike, Prime Minister of Sri Lanka, is mortally wounded by a Buddhist monk, Talduwe Somarama, and dies the next day. 1962 – The People's Democratic Republic of Algeria is formally proclaimed. Ferhat Abbas is elected President of the provisional government. 1962 – The North Yemen Civil War begins when Abdullah al-Sallal dethrones the newly crowned Imam al-Badr and declares Yemen a republic under his presidency. 1963 – Lord Denning releases the UK government's official report on the Profumo affair. 1964 – The Mozambican War of Independence against Portugal begins. 1969 – The charter establishing the Organisation of Islamic Cooperation is signed. 1974 – Dr. Frank Jobe performs first ulnar collateral ligament replacement surgery (better known as Tommy John surgery) on baseball player Tommy John. 1977 – About 4,200 people take part in the first running of the Chicago Marathon. 1978 – PSA Flight 182, a Boeing 727, collides in mid-air with a Cessna 172 and crashes in San Diego, killing 144 people. 1981 – Belize joins the United Nations. 1983 – Thirty-eight IRA prisoners, armed with six handguns, hijack a prison meals lorry and smash their way out of the Maze Prison. 1992 – NASA launches the Mars Observer. Eleven months later, the probe would fail while preparing for orbital insertion. 1998 – PauknAir Flight 4101, a British Aerospace 146, crashes near Melilla Airport in Melilla, Spain, killing 38 people. 2003 – The 8.3 Mw  Hokkaidō earthquake strikes just offshore Hokkaidō, Japan. 2018 – Bill Cosby is sentenced to three to ten years in prison for aggravated sexual assault.

#Events

[itsyourchoicedevotionals]

Personal Touches

“And I saw heaven opened, and behold, a white horse, and He who was riding it is called Faithful and True (trustworthy, loyal, incorruptible, steady), and in righteousness He judges and wages war [on the rebellious nations].” Revelation 19:11AMPC

Our grandson and family are coming for a short visit soon. Although I’ve moved everything into this house, I haven’t moved in my personal touches— things which make the house look like me. One particular touch, which our grandson mentioned he loved about ‘Grandma’s house’ has been totally left undone. Yes, you’re right, Grandma has set about to put her touch on the house.

I started scrubbing the kitchen as I listened to preaching on YouTube. Holy Spirit piped up saying, ‘Are you ready for Jesus’ visit?’ ‘Say what, Lord?’ I replied. ‘You’re getting ready for your grandson’s visit. Are you getting ready to welcome Jesus too? He’s coming soon, you know.’ WOW! How could I reply to that? ‘Show me what I need to prepare Lord,’ I responded.

Immediately, Kari Jobe’s song ‘First Love’ came from the service I’d been listening to on YouTube. V1 “I’m returning to the secret place Just an altar and a flame Love is found here in our sacred space I hear Your voice, I see Your face [Chorus] You’re still my first love You’re still my only one…. V2 There’s a table just for You and me Break the bread and pour the wine Perfect union, nothing in between I am Yours and You are mine [Chorus] You’re still my first love You’re still my only one… [Bridge] I feel my heart beating out of my chеst I wanna stay forever like this May the flame of my heart always be lit I wanna burn forever like this I feel my heart beating out of my chest I wanna stay forever like this May the flame of my heart always be lit I wanna burn forever like this [Chorus] You’re still my first love You’re still my only one…”

Revelation 2:4BSB, “But I have this against you: You have abandoned your first love,” are the words the risen Lord spoke to the church at Ephesus through Apostle John. A thought struck my mind— Am I still as passionate, as when I first fell in love with Jesus and gave Him all my heart?

With the trouble going on in the world right now, discouragement comes easy. At times giving up would be easier than to persevere. “And because lawlessness will abound, the love of many will grow cold. …unless those days were shortened, no flesh would be saved; but for the elect’s sake those days will be shortened.” Matthew 24:12, 22NKJV. We have to keep going —remembering He will shorten the days for our sakes. Then we will receive the reward of physically seeing our Jesus face to face.

There’s only one way I’m aware of to persevere through the evil around us and stir up the first love— Jobe sings it— ‘I’m returning to the secret place Just an altar and a flame Love is found here in our sacred space I hear Your voice, I see Your face…’ We must set up our own altar alone with Holy Spirit in praise, prayer, Bible study, and worship— our personal touch. Nothing less will do.

As much as Christ is loving and kind to us, we have to remember to fear Him in righteous reverence. Jesus will come riding in on the white horse. His name is “Faithful and True.” But His job in our text will be as described in 2Timothy 2:1ESV “…Christ Jesus, Who is to judge the living and the dead…” Will we be ready? It’s your choice. You choose.

LET’S PRAY: Lord prepare us to be sanctuaries pure and holy, tried and true. May our lives be living sanctuaries just for You. May we choose no other gods, in the name of Jesus Christ I pray.

by Debbie Veilleux Copyright 2022 You have my permission to reblog this devotional for others. Please keep my name with this devotional, as author. Thank you.

#Jesus Christ #lord of lords #Word of God #Holy Spirit #God #it's your choice #devotional #personal touch #persevere #reward #first love #trouble #flame #love #hope #faith

[kingcharlesofengland]

English law

Should it be an offence maltreating English culture English civilisation English ancestry while residing on English land ?

Some energies are bad energies just like people.

Theresa May was bad for England.

Putin was bad for the world. Trump was notified to declare war on Russians. When you are president a PM you cannot shame the country.

People are not the only subject to constitutional status.

AntiWill. Start prosecuting from Bush onwards Hillary and all the criminals.

I can be a president or a prime minister or a royal like them to think for you do the jobe consultants hire servants to use countries possessions.

I am British and live in England. 🇬🇧

[yhwhrulz]

Worthy Brief - July 29, 2022

Take shelter in Him!

Psalm 143:8-9 Cause me to hear Your lovingkindness in the morning, For in You do I trust; Cause me to know the way in which I should walk, For I lift up my soul to You. Deliver me, O Lord, from my enemies; In You I take shelter.

During World War II, a US marine was separated from his unit on a Pacific Island. The fighting had been intense, and in the smoke and the crossfire he had lost touch with his comrades. Alone in the jungle, he could hear enemy soldiers coming in his direction. Scrambling for cover, he found his way up a high ridge to several small caves in the rock. Quickly he crawled inside one of the caves.

Although safe for the moment, he realized that once the enemy soldiers looking for him swept up the ridge, they would quickly search all the caves and he would be killed. As he waited, he prayed, "Lord, if it be your will, please protect me. Whatever your will though, I love you and trust you. Amen."

After praying, he lay quietly listening to the enemy begin to draw close. He thought, "Well, I guess the Lord isn't going to help me out of this one.."

Then he saw a spider begin to build a web over the front of his cave. As he watched, listening to the enemy searching for him all the while, the spider layered strand after strand of web across the opening of the cave. "Ha," he thought. "What I need is a brick wall and what the Lord has sent me is a spider web. God does have a sense of humor."

As the enemy drew closer he watched from the darkness of his hideout and could see them searching one cave after another. As they came to his, he got ready to make his last stand. To his amazement, however, after glancing in the direction of his cave, they moved on.

Suddenly, he realized that with the spider web over the entrance, his cave looked as if no one had entered for quite a while. "Lord, forgive me," prayed the young man. "I had forgotten that in you a spider's web are stronger than a brick wall."

God's resources to protect you are vast. When you pray for protection, believe that He hears you and is able to manage it with great skill, and even perhaps a stroke of humor.

Your family in the Lord with much agape love,

George, Baht Rivka, Elianna & Obadiah Knoxville, Tennessee

Be sure to listen to Baht Rivka's version of Kari Jobe's song "The Blessing" in Hebrew and English. https://youtu.be/y016QvNVgeQ

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[jobe00]

Skeletor, Mumm-Ra, Decepticons, COBRA, and The Galactic Empire.

This would last maybe 10 minutes because of the egos and megalomania involved.

Chris Latta wouldn’t be able to talk for a week after Cobra Commander and Starscream get into a screaming match.

I found this on Facebook. No idea who created this greatest of potential clusterfucks.

#Jobe post #Star Wars #He-Man #Masters of the Universe #He-Man and the Masters of the Universe #G.I. Joe #Thundercats #Transformers #The Transformers #Skeletor #Mumm-Ra #The Empire #Galactic Empire #COBRA #Decepticons