It's been only half a year and my custom Tintin doll has been through so much! @tenderlyhands and I have been taking him travelling, and last week they've taken him to Athens!
He's acquired some friends - Haddock is a Made to Move Ken and Chang is a slim Ken Fashionista with joints stolen from a bootleg doll. Haddock and Chang are also traveling - Haddock is currently in Japan and Chang is currently in Romania.
He's even gotten plenty of new outfits. So far I've made his Scottish outfit from The Black Island and his yellow shirt he wears in the earlier comics. A friend from work wants to take him diving - perhaps his diving suit would be a good thing to make next...
If you want to follow along on his adventures check out my Instagram @professorcalculusstanacc - I post more doll content there while keeping my blog more for comics and longer form stuff!
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streamad 133
I equip
'Boots of Movement"
I take $75 on-stream sketch commissions on the weekends
picarto.tv/RAINRAINRAIN
THAT MEANS TODAY, 4/28/24 AT 2:00PM PHX AZ TIME
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A beautiful snowy landscape at Enbara river, Yamagata, Japan // 癒しの自然風景 ♡
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Kingfisher in the Snow, 1935 (colour woodblock print) by Ohara Koson (1935, colour woodblock print)
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Shout out to the most based character in Tintin ✊🏾
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I remember discussing Tintin casting choices with a friend from Germany and remarked how it was odd he often has an English accent in adaptations rather than a Belgian one, and my friend just replied "that's because Tintin gives incredibly strong English boy energy (derogatory)"
Here in the UK there's a lot of weird classism tied into accents. Today accent diversity and representation in broadcasting is actively pursued but in Tintin's time there certainly was a preferred accent to have.
imagine this exchange happens between pages 28-29 in The Crab with the Golden Claws
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