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infinitewarden · 3 years

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Osiris isn’t Savathun.

Great! Now that I have your attention:

Man you guys tire me out about Osiris. If you truly believe this is Osiris I don’t mean to sound like That Guy that’s like “you don’t know what you’re talking about” but... You don’t know what you’re talking about.

So.

Let’s talk about how much Osiris cares about the City and humanity and why the Osiris in Epilogue is not actually Osiris.

Alright. Let’s start off with context. I think it’s super important to see what we do know as Osiris’s views. From my heavy analyses of him since 2020 I can confidently say these are what he views as the most important things a person can do:

Keep promises

Speak their truths

Protect the City & Humanity

Know that the Vex are true Evil.

Now, I won’t be doing a breakdown of each one individually but I will be talking a great deal of how important honesty is to Osiris, the City, and his views of the Vex.

Speaking honestly and bluntly.

I don’t know how many of you were into Destiny before Beyond Light, so if you were unaware of this it’s not your fault. However I’ve seen a very strange change in tone when it comes to how people view Osiris. Before Season of Hunt people hated - and I mean hated - Osiris. Why? Because he was blunt. They viewed his bluntness as rudeness.

To see a sudden switch to him being secretive and scheming is... alarming, to say the least. (And to see people think that this is the norm is also alarming but in other ways.)

The Osiris before Hunt was not secretive and scheming. He sought knowledge openly. He sought, specifically, the truth. I must stress just how open he was about his plans. First I’ll give you a few in lore examples:

I admit, I found your questions divisive and disloyal, and I feared you might be capable of breaking our unity when the City's position had grown so tenuous. Why divert attention away from the Traveler, our only hope? And then it got worse, dabbling in thanatonautics, Ahamkara-lore, chasing after Xur and the tricks of the Nine. Launching expeditions into the Reef and beyond at a time when ships were irreplaceable. Your quest split Guardians along ideological lines. This was your greatest crime: Hunters chose to pursue your visions instead of protecting refugees, Titans assembled teams to chase the legendary Vault of Glass instead of striking the Fallen, and Warlocks turned away from the study of the Traveler in favor of your ultimate obsession... learning the exact nature of the Darkness. ... Perhaps what drives a Warlock to madness is truth.

Osiris.

"Do not romanticize this burden. We wield a weapon." The Speaker shakes his head. "The Light wields you, Osiris. You are what you make of it. A glorious extension of its majesty, in many directions." Osiris paces at cadence with his words. "Then it would do well to speak clearly. To better direct me." The Speaker cocks his head. "Without will? Then it would be no better than the Darkness." "I am asking only for guidance; it is a delicate game we are playing." Osiris's voice, distressed. Regal again, the Speaker motions to the stone garden. "Will you sit with me?"

13: Margins Part II.

And, while I don’t particularly like using the Fall of Osiris comic as a source, it does have very important lines on his viewpoints that I find relevant yet.

Fall of Osiris #1.

Hell he was open about his plans to fuck with time itself to bring Saint back.

Sagira narrowed her eye at the rogue Lightbearer and lowered herself to Osiris’s shoulder. “Why’s he here?” she asked quietly. “I asked him to consult on the engineering work,” Osiris replied, crossing his arms. “You sicko,” the other man declared, walking a circle around the Warlock, his eyes darting along every surface of the Sundial around them. ... “Just one more question, then. Why all the fuss?” “I owe him.” “I owe a lotta people, Warlock. You’re opening the gates of hell with a Vex key.” “When the Traveler brought me back, I had no friends. No family—” “No one had anything in the Dark Age.” “But Saint was always there. And I saw him grow from neophyte to demigod.”

The Sundial.

"You haven't left the Forest in years," Ikora said to Osiris, the only one to address him directly. "I need help," Osiris replied. "I know," Ikora responded, hands clasped behind her back. She stared intently at her former mentor. Back in her Crucible days, that uncompromising gaze was often the last thing her opponents saw. Aunor glanced sidelong at her superior. Harper coughed and looked down at his datapad. "Two years ago, Guardians entered the Infinite Forest," Osiris continued. "They aided me in defeating the Axis Mind Panoptes, preventing a Vex apocalypse from befalling this system. "In the process," he looked between each of them in turn, "Some Guardians reported a body they found in the Forest depths." Ikora sighed. "Saint-14 never came back from that last mission to Mercury. We finally knew why. I reacted to it the only way I knew how."

Desperate Times.

“I do not understand all of this code. This is Geppetto’s specialty,” Saint-14 says while standing bent over a wide desk covered in data tablets. Holographic images of the Lighthouse shimmer in the Hangar lights. “We could use the Crucible right now. Your trials. This will be very helpful. You mean to stay, yes?” “I will. Long enough to show you how to implement the simulation; but tonight, I must disembark,” Osiris says. “So soon?” Osiris tenses his jaw in forced silence. He twiddles with code. “I’m worried about what Vance found.” Saint places a heavy hand on Osiris’s chest. “Let go of your obsession. Do not leave chasing phantoms again.” “Phantoms… You think the Darkness is satisfied? This is just the first move. I need to know the next before it’s made.” “If there is something you fear, let me help you. We face this together.” Osiris’s mind drifts to the Dark anomalies. Saint doesn’t need another burden. “The safest place for you is the Tower, Saint. Time... tends to renege on its gifts.” “So, your mission is dangerous?” Osiris considers lying. “Potentially.”

Immolant I.

There are many more sources I could list on his bluntness and honesty but there’s honestly too much. What is important to extrapolate from all of it is this:

OSIRIS SPOKE THE TRUTH NO MATTER IF IT GOT HIM IN TROUBLE. IT IS ONE OF THE MAIN REASONS HE GOT EXILED.

Protecting the City & Humanity

Idk where people get the idea that he’s abandoned the City and humanity. And I don’t understand where people think it’s “typical Osiris behavior” to choose to put the City in danger.

I want to make something very clear here:

Osiris was exiled. He did not abandon the City. And though others view him as abandoning it, that wasn’t his intention. He never intentionally abandoned it. Everything he did was in pursuit of a brighter future for humanity. Let’s look at one of his lines from the Sundial activity during Dawn.

“By the time I left the City, many believed my practices to be sacrilege. But my methods have prevented countless futures not unlike the one you walk now. When it is laid out before you, would you not sacrifice anything to see this future shut?”

The Sundial.

He left because he weighed his options and he saw that humanity would have better use of him if he left. He cares A great deal about the City. He cares almost too much about it. He would never give Lakshmi the technology to cause it harm, especially knowing that she’s unstable. And I’ve seen some people think he’s playing 5D chess? In what world would he ever choose to bring harm upon humanity for some sort of... agenda; which I’ve already cleared up earlier, he’s open about his plans.

Let’s look at more known lore about Osiris’s feelings of the City & humanity.

"You've wrapped your mind around an idea of your own making. I have always tolerated this fawning 'movement' of yours, but this is a step too far." Osiris seethed. Brother Vance was awestruck. He stared blankly at Osiris, unsure of what he could say to quell his anger and dissolve his frustration. "What I have discovered…" "…is dangerous enough to destroy every man, woman, and child in existence. You're meddling with forces outside your grasp," Osiris reprimanded. "I warn you here and now, remove yourself from this Lighthouse. Find a simple life. Start a family. Write music. Leave Mercury and this fool's errand behind."

Chapter 8: Idolatry.

Osiris was furious to find out Vance was experimenting in his name by endangering people for his goals. And he was especially mad that he would dive into such dangerous areas so much so that it had the potential to destroy humanity.

"It's truth." Osiris considers this. "Truth seems subjective these days," Osiris says, finally observing his entourage for the first time. Among them, a small group of men and women, stand two wayward Guardians—Warlocks, it appears—and a child. Their forlorn faces resonate with him. Castaways and believers. The weeks since his departure from the Last City have worn on him. He was used to working alone, knowing he could fall back to the City's resources should he need them. Now, adrift in the expanse of purpose, he finds himself longing for a place he could return to. A sanctuary.

Chapter 2: Postexilic.

Here’s a few lines from Season of Dawn:

“The Traveler, mutilated. Mercury, a desolate warzone. This is the bleak future the Cabal wants for us all. We do not know what has become of humanity here. I hope we will not find out.”

“There are many terrible futures, but I have not grown numb to seeing them. The future the Cabal wish for is a nightmare for humanity.”

“If the Traveler fled the system, there is a chance that the Darkness would ignore our region of the galaxy entirely. It would sacrifice our second awakening, our ability to wield the Light, but potentially continue our Golden Age. There are too many variables at risk, but it's a variant path worth investigating in the Infinite Forest.”

“This battered Mercury is a blueprint for our system. Lightless, bowed, and nothing more than fuel for an endless war. It must never come to pass.”

The Sundial.

There are many. Many. More lines I could put here about how much Osiris doesn’t want to see humanity suffering. And especially how he doesn’t want the City to be at risk. But I think you get the picture.

Know that the Vex are true Evil.

So. We all know Osiris as “the Vex guy.” His whole thing is on fighting the Vex. However it seems people think that he’d be okay with using them for grounds of a higher purpose? Or something? I don’t know, everyone I see rebuffing Osiris’s actions with Lakshmi don’t seem to be interested in explaining this one.

So anyways. Let’s talk about how Osiris views the Vex as true evil compared to other species.

“The Fallen are not so different from us. How hard would you fight if the Light were taken from you?” “Those stories ring false to me,” said Saint. “They are not a noble people. I’ve fought them, and so have you.” “I have not fought them all,” the Warlock replied, pulling his hands apart to create an intricate web of hovering cubes and points of light. “They are nothing, no threat—not like the Vex. Not like the Darkness.”

Vanguard Commander.

[u.2:06] Have you spoken to the House of Light, like I asked? [u.1:07] I would rather not speak with Fallen. [u.2:07] They may need our help. Their cause is just. [u.1:08] What happened to “trust no one?” [u.2:08] What happened to your sense of right and wrong, hero?

Maintenance Operations Log 30037.

The unenlightened wonder at my so-called "fixation" upon the Vex. They believe our gravest existential threat is the Hive, for those beings have made a pact with the Darkness itself via the medium of the Worm Gods (according to Toland, at least, and I see no reason to doubt him in this). But Darkness is not merely absence of Light. Darkness is an entity unto itself. Put simply, Darkness is not Nothing. But the Vex? The Vex seek neither Light nor Darkness. They seek Convergence, the reduction of all life to its simplest, most meaningless form. An entelechy of zeros and ones. "Evil" is a word for sentimentalists and fools. But, in the ontology of the sentimental, the Vex are more deserving of the term than the Hive. Given a choice between Darkness and Convergence, I would choose Darkness. It is a logical choice. Yet for this they banish me.

Kairos Function (Hunter).

This one is important because Osiris doesn’t subscribe to the idea of “good” and “evil”, and that he would go so far to say that the Vex are Evil shows just how much of a threat he views them as.

It’s just. Mind boggling to me that people think that Osiris would be okay with a Vex invasion. That Osiris would encourage Lakshmi to open up a rift to “send the Fallen away” (Despite being one of the earliest sympathizers!) Osiris isn’t ineffable, he’s just a man trying to do his best to help humanity. His actions aren’t difficult to understand, they have been written to be very clear and with understanding his motives.

Saying that it’s natural for him to be secretive and have contradicting opinions and actions is just. Wrong. It’s not him. It’s not how he’s supposed to be understood. Even in Curse of Osiris I don’t think his actions didn’t make any sense.

This is going to sound very mean but I want to be 100% clear: If you think that Osiris would actively choose to put the City in danger of the Vex, if you think that he would actively choose to stand calmly and watch as his lover was about to die to the very things he spent millions of lives to save... You don’t understand Osiris. Go back and reread his lore.

I leave you with this:

The Vanguard is dubious of our intent and ability, fearing corruption and displacement. They do not trust me. You were held in similar contempt for speaking your truth and empowering free thought. You know what it feels like to be chastised and labeled a traitor. We are mere steps away from a disintegration of our institutions, and they cannot see destruction staring them in the face. ... For so long, we have clung to the Light, denying the strength offered by the Dark. By using Stasis, we will end this war. We see this contest for what it truly is: a game, played by our adversaries. And we have been the pawns. We are pawns no more. This is not a battle I want to wage without you, although we may not have a choice in the matter. Wherever you may be, please come back to us.

To Osiris.

#theus.exe #lore.exe #osiris #destiny osiris #osiris destiny #destiny spoilers #long post

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kaibutsushidousha · 3 years

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If the v3 cast were Masters, which Servants would they summon who has the highest compatibility with them ?

Akamatsu and Amakusa

Amami and Nursery Rhyme

Iruma and Caligula

Ouma and Nightingale

Ki-bo and Kotarou

Gonta and Bedivere

Saihara and Arjuna

Shirogane and Gilgamesh (Caster)

Shinguuji and Medusa

Chabashira and Xuanzang

Toujou and Queen of Sheba

Harukawa and Jason

Hoshi and Dantes

Momota and Mandricardo

Yumeno and Nagiko

Angie and Douman

Explanations under the cut in case you're confused, because you probably are.

First off, Twitter people might be wondering why so many choices are different from what I chose for this thread. Obvious consideration for who is normally summonable aside, the main thing I kept in mind here is that compatibility summon comes in two flavors. Pattern A is a hero similar in nature to Master (Sakura and Medusa, Ryuunosuke and Gilles, etc), and Pattern B is the hero the Master needs for the personal struggles of their character arc (Pepe and Ash, Erice and Voyager, Elsa and Arash, Jinako and Karna, etc). Pattern B is always more interesting than Pattern A, so that's what I'm using for all my choices. Now let me go over them one by one.

1. I say things will be different from the thread and immediately break the promise with Akamatsu. Akamatsu relied a lot on Saihara's brain to build her plan, but their relationship was never one of mutual trust because she knew Saihara would agree to her harsher and more definitive methods. The hero Akamatsu needs is someone both competent and like-minded. Someone who shares her earnest will to save everyone and willingness to use more extreme methods for it. Amakusa is the Servant for her.

2. For Amami, I'll go with Nursery Rhyme. Much like Raikou got Nursery in the Heian Singularity's Imperial Grail War as the emotional crutch daughter figure she needed, Amami gets an emotional crutch little sister figure to help him reunite with the twelve he lost. This pair would be interesting because it'd subvert Nursery's usual MO of simply forcing others to reconnect with their inner child. The whole reason why he lost 12 sisters is that his passion for seafaring and exploration distracts him from what he's supposed to do. Her role as the villain of the Santa Nightingale event shows she can be harsh when children are being neglected, so Nursery would be the force pulling Amami back on track, but she'd have to balance that with allowing him to enjoy himself to preserve his childish love for adventure. He'd be a tough and delicate case for our Hero of Children.

3. The hero Iruma needs is... anyone who tolerates her, really. My first thought was Karna, but he's about finding value where no one else does, and Iruma has her share of undeniable value, so I think he isn't the best choice. Their pair would be a watered-down version of Jinako's pair anyways. Fate/ actually quite scarce of Servants defined by being all-tolerant because that's a trait they push more on Fujimaru, but two examples that come to mind are Romulus, the man who loved all of Rome (read: human civilization) in both its sins and achievements; and Caligula, the man who went crazy trying to do the same. Romulus is too OP to help Iruma tone down her ego, so I'll go with Caligula.

4. Ouma is a hard case. He needs someone he can absolutely trust and finding one of those is a huge challenge. The only ones Ouma has expressed full trust to were Gonta, because he was unquestionably good and weak-willed enough to never stray away from Ouma's instruction without asking first; and chapter 5 Momota, who was in circumstances so complicated that he wouldn't dare to throw away the chance Ouma's script offered. Ouma is the kind of paranoid control freak who would intentionally go for a Berserker because even the ones who speak are single-minded in a way that makes them easy to plan around. The alternative would be someone so like-minded in methods and standards that he'd probably hate them but still trust as someone who thinks the same way he would, but only BB fits that bill and she's not normally summonable. With that card off the table, the only options Ouma has left are Berserker he can trust to never kill anyone ever, and the only Zerk valuing life this much is Nightingale. BB's fellow nurse, amusingly enough.

5. Ki-bo would be offended with Alaya if he summoned a robot or homunculus just because he's a robot. And he also wishes for a partner that will treat him as an equal without denying what makes him different as a robot. In short, he needs a human Servant that is used to have normal relationships with robots. But Chen Gong or Red Hare because they're too evil, nor Orion because he's too crude. That leaves us with robot Danzou's human son, Fuuma Kotarou.

6. Gonta's wish is to become a true gentleman his human family can acknowledge, and for that, he needs the example of someone who is both well-mannered and of noble heart. Bedivere is an easy choice.

7. As I mentioned a few times before around 2017~18, I strongly think the best thing about Saihara is his interactions with Hoshi. Saihara is a guy feeling eternally guilty because he made one "good guy" murderer pay for his crime and he tries to make up for it by forcefully validating Hoshi's mass-murdering of the mafia. Then in Fate/, we have Arjuna, an all-around excellent man who adamantly believes himself to be evil because he did one dishonorable thing once. Saihara is the stubborn validating Master Arjuna needs to make him understand that he is not the monster he believes himself to be.

8. The first thing about Shirogane is that she really doesn't like reality, especially when it concerns herself. She can't muster any interest in the boring, plain girl she is or the boring, plain world she lives in, so she makes a hobby and a job out of becoming someone else, a larger-than-life figure in a fictional world. She loves all Danganronpa characters but expresses greater adoration towards Junko and Kamukura, the most unreal the series has produced. Enter Gilgamesh, the Hero King with the comically large ego and literally all Noble Phantasm to satiate Tsumugi's craving for a break from reality. That said, Gilgamesh has the recurring hobby of playing therapist to a Master disconnected from their own self and is the franchise's greatest symbol of the willing departure from the Age of Gods into the Age of Man. As much as he fits her tastes on a surface level, he's the guy who transitioned the flashy world of fantasy she dreams of into the plain world she hates, and he'll use most of his free time to the same on a personal level for her. The Caster version is being specifically picked because Archer has childish beef with modernity, and Caster is intentionally making his arsenal more limited and unimpressive, which is self-demonstrative of the points he wants to make to Shirogane.

9. One of his Free Time Events has him explaining why Medusa is his favorite myth, and I definitely can't claim to know this shit better than him. Deep emotional attachment to a story can net you a compatibility summon, as Kiara is there to show, and Shinguuji gets bonus points from how TM Medusa became a monster out of living her life for her sisters rather than for herself.

10. Cute and righteous female Buddhist mentor figure who does martial arts. What else could Chabashira ask for?

11. Toujou takes self-worth from serving big important people with utmost perfection, so she needs her Servant to be a king or similarly important leader. But she also needs it to be a support Caster so can properly invert the Master-Servant relationship and personally fight the enemy Servant for her king. The only characters in the middle of the Venn diagram of kings and support Casters are Medea and Sheba, and Medea wants nothing do with the royalty life anymore, so Sheba it is.

12. The role of the hero Harukawa needs is already properly fulfilled by Momota in the story, so I'll go with Jason because he shares all of Momota's strenghts and flaws. He's someone who'll force her to be part of a team, relentlessly encourage her break out of her shell, and have a shitty personality she can never fully respect, making the relationship balanced. And things would go even smoother with Jason because his summon comes with Atalante, who is someone Harukawa can easily relate to.

13. Hoshi needs someone who would assure him of his choices and make him comfortably reconnect with his past like he did with Saihara in his Free Time Events. As practically the face of the Avenger Class, Dantes defines himself as an ally and guardian to the ones who were wronged and lashed out in less than virtuous ways, so he's a perfect fit.

14. Momota is too aware of himself as the protagonist of his own story to want a hero. He would instead want a loyal sidekick or a like-minded rival. Voyager is a good sidekick option due to his fit with Momota's wish for greater adventure further beyond, and is a Servant Momota mentions in his Free Time Events, so there's the emotional connectional to his story there. For a rival, a big name adventurer like Drake or Odysseus could work, and so could a wandering warrior like Musashi. But there's one option that fits both roles: Mandricardo. Rica has the adventurer experience necessary to eventually compete with Momota, but also Saihara's level of self-esteem, allow him to start on the sidekick role until Momota pulls him out of it and shapes him into a proper rival.

15. Like with Harukawa, the role of hero Yumeno needs is already fulfilled by Chabashira in canon, so we know what she needs is someone with high energy and a deep understanding of emotions. And Fate/'s biggest connesieur of human emotion is none other than our Kiyohara no Nagiko.

16. Angie is a complicated case because she doesn't react well to being disobeyed. My first idea for someone with a functioning partnership with her is a knight, but knights generally work on the premise that their king is selfless and righteous, which Angie isn't. There are people like Lan Ling, Liangyu, the ninjas, Mori or Okita, who submit their lives to anyone's authority, but for that same reason, they wouldn't help Angie improve. What she really needs is someone good at feigning humility, like Limbo. He wouldn't have good intentions for her Master, but by manipulating situations out of her control without letting her feel like her divine words are being challenged, he can force some level of change on her mindset. It's better than nothing.

#danganronpa v3 #type moon #kaede akamatsu #rantarou amami #miu iruma #kokichi ouma #ki bo #gonta gokuhara #shuuichi saihara #tsumugi shirogane #korekiyo shinguuji #tenko chabashira #kirumi toujou #maki harukawa #ryouma hoshi #kaito momota #himiko yumeno #angie yonaga

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adifferenttime · 3 years

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Andrew Ryan vs. Robert House

On almost every House post I make, someone in the notes will reliably reference Andrew Ryan. I totally get it - they look similar, they're based on the same guy, the parallels are so clear that the NV dev team added an achievement for killing House with a golf club - but I think these commonalities tend to engulf both characters, blotting out some of their more interesting ideological/personal differences. It's useful to examine them in relation to one another, but part of that is figuring out what distinguishes them, which is just what I’ve attempted to do.

It's difficult for me to talk about Randian objectivism because I don't think it's sound enough to address on its own terms, but considering this is the philosophy Andrew Ryan has adopted, I kind of have to. What I’d identify as the core premise of Randian ethics is this: altruism is a moral wrong. Some Randians have argued that isn't really what they believe - that the real point is anything resembling altruism is self-interest in disguise - but they're departing from the beliefs of their icon when they make those claims. Per Rand:

The irreducible primary of altruism, the basic absolute is self-sacrifice – which means self-immolation, self-abnegation, self-denial, self-destruction – which means the self as a standard of evil, the selfless as a standard of the good.

The way Rand defines altruism is by linking it to self-sacrifice, which she uses to differentiate it from kindness or benevolence. Aiding others at no cost to yourself is benevolent, but not altruistic, and therefore not evil. Sacrificing your happiness to help another human being is, from Rand's perspective, evil, as is any philosophy that prioritizes the other at the cost of the self. This whole idea has been broadly rejected by most scholars on account of it being really fucking stupid. What justifies the leap from "man is naturally selfish" to "selfishness is good"? If selfishness is moral, wouldn't the most moral behavior be to exploit others through whatever means necessary, favoring force over the market? Rand defines happiness as "using your mind’s fullest power," achievable only when you "do not consider the pleasure of others as the goal," but why is this the only definition? What if your only options are self-sacrificial in nature? How do you weigh them if neither sacrifice is linked to values, individual achievement, or "your mind's fullest power" at all? Rand didn't care because she was too busy trying to ethically justify cheating on her man with her best friend's husband, but nonetheless, this is the philosophy Andrew Ryan’s adopted. He claims that "Altruism is the root of all Wickedness," in what's almost a direct quote from Rand herself.

To that end, Ryan builds a system that doesn’t just accept selfishness but actively incentivizes it. Every other principle he expresses is subservient to the ideas that selfishness rules man, and that for Ryan to act on his own selfish impulses is the highest good in the world. His lesser political principles (individual liberties, negative rights, the creation of a stateless society) don’t matter to him as much as the central precept from which they stem: that selfishness is his moral imperative.

What is the greatest lie every created? What is the most vicious obscenity ever perpetrated on mankind? Slavery? The Holocaust? Dictatorship? No. It's the tool with which all that wickedness is built: altruism.

It doesn't come as a particular surprise to me when he starts imprisoning dissidents or executing rivals or banning theft (standard practice in most societies, but not what an egoist would pursue; if you can get away with taking it, you deserve to have it, or so the thinking goes). I’ve seen him described as a hypocrite, but I don’t think that’s necessarily true considering everything he does is in line with his opposition to altruism. He'll adhere to his other principles only if they don’t sabotage his pursuit of personal power. This is evident in the fact that he only adopts a negative perception of Fontaine when his own interests are threatened, but doesn’t give two shits what Fontaine might be doing to sow conflict and harm people before that point. A guy named Gregory asks Ryan to step in against Fontaine early on before Fontaine's fully established himself as a threat to Ryan's power, and Ryan's extremely blase about it.

Don't expect me to punish citizens for showing a little initiative. If you don't like what Fontaine is doing, well, I suggest you find a way to offer a better product.

Contrast this with how he reacts when Fontaine has risen as a genuine business rival. This is from the log titled "Fontaine Must Go."

Something must be done about Fontaine. While I was buying buildings and fish futures, he was cornering the market on genotypes and nucleotide sequences. Rapture is transforming before my eyes. The Great Chain is pulling away from me.

This double standard is the natural outgrowth of his prioritization of self-interest. If your most deeply-held belief is that you should never give up your interests for others, ancillary rules become flexible in times of personal crisis, and Bioshock makes the case that putting someone like that in charge of a city will leave you with a crumbling, monstrous ruin.

Superficially, House has some similarities. Ryan executes political rivals; House has you blow up a bunker of his ideological opponents. Ryan is the highest authority in Rapture; House is the absolute monarch of Vegas. Their goals and moral codes, though, are almost diametrically opposed. When you ask House why you’re expected to trust him when he’s openly admitting to installing himself as the despot of the New Vegas Strip, he says this:

I have no interest in abusing others... Nor have I any interest in being worshipped as some kind of machine-god messiah. I am impervious to such corrupting ambitions.

Most of his resources are devoted to large-scale, impersonal projects, aimed either at building the power of Vegas or securing his long term goal of “progress” as he sees it. He’s rejected selfishness as a moral good because House is very far from Randian objectivism. He's a Hobbesian monarch.

In that respect, he shares an outlook on human nature with Ryan that I deeply disagree with (that human beings are essentially selfish), but in terms of what that means for the structure of a utopian society, House takes a very different position. From his perspective, human nature breeds suffering, not industriousness, and the only way to stamp out conflict - and, in a post-nuclear age, ensure the continued survival of the human race - is through a strong sovereign. The purpose of a state as laid out in Leviathan aligns very, very closely with the one House expresses.

...the foresight of their own preservation, and of a more contented life thereby; that is to say, of getting themselves out from that miserable condition of war which is necessarily consequent, as hath been shown, to the natural passions of men...

The monarch's successes are reflected in his society and the well-being of humanity as a whole. To subvert his goals is to subvert society's goals, and to doom humanity to the war, death, and suffering that exist in a state of nature. When you destroy his Securitrons/kill him, he doesn't plead for himself or get offended on his own behalf. He accuses you of betraying not him, but mankind.

Single-handedly, you've brought mankind's best hopes of forward progress crashing down. No punishment would be too severe. Fool... to let... personalities... derail future... of mankind? ...Stupid! Slavery... the future of... mankind? What... have you... done?

An important corollary of this idea which again distinguishes House from Ryan appears in Leviathan’s description of the political/moral responsibility of a monarch to his subjects:

...that great Leviathan, or rather, to speak more reverently, of that mortal god to which we owe, under the immortal God, our peace and defence. For by this authority... he hath the use of so much power that, by terror thereof, he is enabled to form the wills of them all, to peace at home, and mutual aid against their enemies abroad.

Hobbes and House give the monarch virtually unlimited power but match it to the monarch's duty, which he lives to fulfill. His obligation is to speak for the people, act for them, and protect them from all threats, internal and external. House generally abides by this, orienting his decisions around his goals for society irrespective of the personal cost (the negative consequences of his actions are a product of his fucked evaluations of what’s best for society, not personal greed). It’s not just a departure from Ryan’s philosophy but a complete refutation of it. He's almost died for what he's misidentified as the greatest good.

Given that I had to make do with buggy software, the outcome could have been worse. I nearly died as it was…. I spent the next few decades in a veritable coma.

This is not the behavior of an egoist. This is the behavior of an extremely arrogant but marginally altruistic (from a Randian perspective lmao) guy. This is some distorted “from each according to his ability” shit if you’ve managed to convince yourself your abilities exceed those of everyone else who has ever lived and that you can get the Mandate of Heaven by being really good at statistics.

The reason these guys develop such similar structures and hierarchies despite the ideological gulfs between them is because both of them are elitists who’ve experienced a massive failure of self-consciousness. They’re unable to conceive of other people as being fundamentally like them. Ryan separates people into the clearly-delineated classes of “producer” and “parasite,” ignoring the fact that everything he’s ever “produced” was reliant on a huge, coordinated effort between workers, architects, accountants, middlemen, and others, all of whom, in conjunction, contributed more to the realization of his dreams that he ever could have alone. Rather than realizing his own position is more parasitic and reliant on other people’s labor than that of anyone else in Rapture, he adheres to his doctrine of selfishness even when it’s not reflective of reality and is ruining the the lives of an entire city of people. He deludes himself into believing he’s a superman among ants instead of one flawed man who is reliant on the goodwill of others to help him survive, as are we all.

House, too, thinks he’s exceptional. Unlike Ryan, he acknowledges the necessity of the worker to a functioning society, but while he’ll accept his reliance on that labor, he doesn’t trust the laborer enough to share political power. House knows he’s invested in humanity’s survival and the creation of a better world, but he refuses to consider that he might not be alone in this goal. He chalks up the existence of the Legion to fanaticism/the ambitions of a sultanistic dictator and attributes everything the NCR has done to greed, without it ever occurring to him that the massive harm these nations have done was partially motivated by the same goals he’s devoted himself to - and that the atrocities he’s committed since his rise to power are, in some respects, very similar. House knows himself to be invested in the well-being of humanity, but he’s too arrogant to ask himself if his methods are wrong or trust other people to build a new path, one that doesn’t necessitate his complete control over the land and people of the Mojave. Ryan and House’s worldviews are distinct, and their flaws, as highlighted by their respective narratives, say some interesting things about how each set of devs view power and the pitfalls of elitism.

Anyway. If you put these two men in a room, they would probably try to murder each other, and I think that’s great.

#Robert House #Andrew Ryan #fallout meta #bioshock meta #fnv #bioshock #fallout new vegas

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archaeval · 3 years

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MUSE QUESTIONS

What is your character’s favourite physical activity?: She’s not much of an active person. Her main two active pass times are playing pretend with Jane, or killing people. And while the latter ultimately feels more fulfilling in the short term, she’s far happier to do the former a majority of the time.

What is your character’s favourite weather?: She likes early spring mornings -- cold, with a bit of frost on the trees and a mist on the ground, while the sun is just starting to turn the sky pink.

What is your character’s favourite season?: Late winter/early spring. Color is starting to return to the world, but there’s still a bracing cold she loves.

What is your character’s least favourite season?: Summer. She does not tolerate the heat well.

Is your character a morning person, night owl, or something else entirely?: Morning person mostly.

A stranger makes a crude comment to your character. How do they react?: It depends entirely on context. As a more-or-less seelie fairy, manners are paramount, especially when coming from house guests. A poor guest can face a punishment anywhere from cleaning her windows to being fed to the bookwyrms, depending on her mood and the severety of the comment, regardless of how “fair” it may seem. But she might find their crassness amusing, depending on her mood, their presentation, and how clever the comment is. The woes of being capricious, truly.

What is your character’s favourite beverage?: Tea when the sun is up, red wine in the evenings.

Does your character know how to swim?: Nope. And she mostly just sinks right to the bottom with how dense her body is.

It’s the first day of truly good weather that your character has seen this year. What do they do?: Ruby is going to drag Jane out of bed. After a hearty breakfast, they’d take a picnic and head out to see what animals have come out of hibernation and to seek out frogs.

What was your character’s last nightmare?: Ruby doesn’t dream in quite the same way most people do -- nor does she need sleep every single night. While she does occasionally enter REM sleep and have proper dreams, she’s still aware of the world and somewhat disconnected from the dream itself. While it occasionally leaves her with emotional remnants, she rarely remembers the dreams themselves.

What was your character’s last pleasant dream?: See Above.

What is your character’s worst fear?: While her main fear is losing control over her surroundings, her worst fear is losing Jane specifically. She’s compromised and sacrificed too much, even before the library, in the name of protecting her daughter, that it would all but kill her to lose Jane now.

What is your character’s favourite colour to wear?: While she’s a fan of most deep colors and jewel tones, her favorite is black with gold accents.

From your point of view, what is your character’s worst flaw?: While i joke that it’s her snobbery and arrogance, her true biggest flaw is her dependence upon the world she’s created around her. The routine and rules have given her the feeling of safety she went without for so much of her mortal life that she’s unable to even consider leaving it, and even perceived threats to that safety leaves her anxious and on edge.

From your point of view, what is your character’s greatest strength?: She loves who she is. Ruby knows she’s left human morality long behind, and thrills in things she would have once considered evil. While she will never be able to completely silence that part of her, she still relishes fulfilling the role of monster in fairy tales and legends in a number of different worlds.

Is your character an introvert or an extrovert?: Introvert.

What method of transportation does your character use?: When not simply walking and crawling along the walls, Ruby uses a magical mist that crops up. She walks through it to get to the goblin market for her monthly shopping sprees. Even if she wasn’t too big to ride a horse or in a carriage, however, she gets motion sick too easily to enjoy it.

How does your character feel about sex?: Extremely repulsed to the concept. She likes to consider herself a sexless, heartless monster with one redeeming quality -- her love for Jane -- and sex opens up certain vulnerabilities she’s all too skilled at shoving deep down and locking away, supposedly forever.

Has your character ever deliberately set out to emotionally hurt someone?: Multiple times, though she prefers physical punishments to emotional. Though she can be cold and callous, she doesn’t actively seek out ways to hurt others unless they give her reason to. After all, she is a gracious hostess first, and a wicked beast only when she needs to be -- even if it is an all-too-common occurence.

TAGGED BY: @nykrose

TAGGING: @reastless @thegreatstrongbow @empathicstars @ @cosmicnexus @beautiful-mischief and you!

#fact #answered meme

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the-edge-of-great · 4 years

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19. “I’m going to protect you.” Juke & the guys || for @starrybumbles, @wldflwrskyee, and anon

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So, there’s this guy.

Man, actually. He’s old—super old, like twenty-five—with a receding hairline and dulling gray eyes. He shows up one day in October, completely out of the blue. Julie sees him a lot around school, usually milling about the hallways in regular clothes. At first, she thinks he’s a confused parent, lost trying to find the front office. After she sees him every day for a week, she considers him a janitor. But then, where is his uniform? His mop? His custodian supply cart? And he doesn’t speak to anyone in the halls like the other janitors do. No one makes an effort toward him, either. He’s weird; Julie can’t figure him out.

On Monday, one week after she first began seeing him, he makes his first move. He’s standing right outside of the music room. Julie doesn’t see him until she’s turning to leave with Flynn falling into step next to her, and he’s standing right in the doorway. Her classmates are filing into the hall, oblivious. Passing right through him. Julie stops in her tracks.

She thinks, another ghost? She can see another ghost?

He’s friendly when she passes. “Hello,” he says, all grin. “Great singing in there. Sounded beautiful.”

She smiles to be polite—realizing too late that she doesn’t have to react to him; as far as he knows, she can’t see ghosts! But the damage is done, she can tell. His face lights up when she reacts to him, and really, her heart aches. Who knows how long he’s been dead? What if she’s the first person to see him since he became a ghost?

On Tuesday, he’s walking with her in the halls, chatting about famous composers ranging from Beethoven to Queen. She’s pretending not to hear him and picking up her pace, hoping to lose him in the crowd. He never disappears; ghosts are fast.

Wednesday, she sees him at home. At home! She’s eating dinner with her family that evening, listening to Carlos tell a crazy story about defeating the Big Kids in a playground baseball game. Something behind him catches her eye: a face. A whole face—the man from school! He disappears as soon as they lock eyes.

For the rest of the night, she doesn’t feel right.

Thursday after school, in the midst of band practice, something knocks on the studio doors. The guys aren’t bothered—confused more than anything—but Julie jumps. Her microphone slips out of her hand. That has to be him, right? Does she confront him? What if he’s evil, like Caleb? What if he means harm? What if he’s a demon?

Reggie is closest; he fazes through the door, his top half disappearing outside. When he returns, he shrugs. “Nothing’s out there.”

“Sounded like a raccoon,” Luke says.

“Raccoons don’t knock, dude,” Alex argues.

“But they can, can’t they?” Reggie says. “With their little hands.”

Julie barely hears them. He came to her house.

“Why would a raccoon knock on a door?” Alex asks.

“I don’t know, Alex! Maybe after a life of crime, they want to do something nice for once!” Reggie defended.

She doesn’t notice Luke’s moved in front of her, but then he takes her hand, and she jolts back to reality. “Julie?” he says softly. He’s frowning at her, eyebrows drawn with concern and eyes sweeping over her. “What’s wrong?”

“There’s a guy at school,” she explains slowly. “A ghost guy.”

Luke frowns. She can see the muscles in his jaw clench. “What do you mean a ghost guy?” he repeats slowly.

Friday morning, Julie is flanked by her band. They start off as her own personal bodyguards, walking with her through the halls in a formation that would rival the secret service and pretending to question anyone who got close, as if their words could actually be heard by someone other than her.

But then… she loses Alex to the gym when he sees Dirty Candy practicing a routine—he promises to be back after this song!

And then… she loses Reggie to the band room where—she notices in only a glimpse as they pass—a group of kids are absolutely shredding it on the saxophone.

By her music period, the only one remaining is Luke.

“I should’ve known you’d be the last one standing,” she jokes into her phone. “Actually, the only thing I was sure of was that we’d lose Reggie before lunch.”

“I bet Alex that Reggie would disappear much quicker,” Luke says. They share a smile.

Julie leans against her locker, hugging her books to her chest and scanning the hallway. “I’m kind of freaked by all of this,” she admits. “I thought the only ghosts I had to worry about were you guys.”

Luke shrugs. “We figured you could just see all ghosts. There are people like that, apparently.”

“I wonder if they get harassed too.”

“Julie,” he says, suddenly serious as he turns to her, “listen. This guy isn’t going to keep harassing you, okay?”

“But how are we supposed to stop a ghost?”

“I don’t know yet, but trust me.” He leans close, takes her hand in his, and smiles. “I’m going to protect you, alright?”

She chuckles. “My hero.”

By the middle of class, Alex has found his way back. They’re standing along the wall, a few rows behind Julie. Reggie arrives ten minutes later. Julie can hear him gushing about how cool Dungeons and Dragons is now. She laughs under her breath.

To close the class out, Julie takes a seat at the piano. She plays a cover of a song, an upbeat pop melody that everybody except the three 90s ghosts in the back recognize. Then, the bell rings, and the class spills into the hallway. Everything seems okay.

Until it isn’t.

“Beautiful song,” he says, appearing right behind her.

Julie scrambles to her feet. She moves around the piano quickly, dragging her hand along the lid and putting as much distance between her and him as possible.

Luke is there, immediately. “Hey man,” he says, blocking Julie. “What’s your deal?”

“Yeah,” Alex agrees. He leans on Luke’s shoulder. “We don’t like when weirdos follow our friend around.”

The guy apologizes quickly. “It’s just—” he explains. “She’s the first person who’s seen me since I’ve died.”

“Join the club dude,” Reggie says. He’s in the back with Julie, arms crossed over his chest. “Doesn’t mean you can be creepy.”

“Do you like music?” Julie asks suddenly.

He tries stretching his neck to see her over Luke and Alex, but they don’t budge. “Love it,” he answers, glaring at them. “I was in a world renowned jazz band when I died. We were on tour.”

Alex looks back at Julie. She smiles at him. After a moment, he smiles back.

“Well, we know a place you can be seen by lifers and still play music,” he says. “It’s great.”

The guy raises an eyebrow. “… Really?”

That weekend, the guys come home late. Too late. Julie’s been on TikTok for hours, laying on the couch in the studio, trying to distract herself. They took the guy from school to Caleb’s nightclub tonight. Alex spoke with Willie, and they were able to get him close. Not too close, apparently—Julie made them swear they weren’t putting themselves in danger for this. They just had to get in and get out. According to Alex, it’s supposed to be easy.

Finally coming home at midnight doesn’t feel easy.

“Where were you!” she cries before they’ve regained their footing. She leaves her phone on the couch and storms at them. “It’s midnight! You left at nine! What happened!”

“Shh Julie it’s midnight,” Reggie says. “You’ll wake the neighbors.” When she glares at him, he jumps behind Luke.

“Chill out, okay?” Luke says, catching her arms. “It took a little longer than we expected, but the important thing is we’re okay, and that guy won’t bother you anymore.”

Julie huffs. “Really?”

“Yes, really.”

“Yeah,” Alex agrees with a nod. “He’s in a better place now.”

“Is he, though?” Reggie asks.

Luke snorts. “He thinks he is.”

Julie sighs. She covers the hand still wrapped around her arm. “Thanks, guys.”

“You don’t have to thank us,” Alex says. He’s grinning. “We’re family, right?”

“Oh!” Reggie steps out from behind Luke. “Group hug?”

Julie chuckles. “Well actually, I think it’s time for me to go to be—”

Luke yanks her forward suddenly. She staggers and falls into his chest, and his arms envelope her instantly. She smiles against him; being able to hug has been the greatest upgrade. He kisses her forehead and she hugs him tighter as butterflies flutter in her stomach.

“We have your back, Julie,” Luke mumbles into her hair.

Seconds later, Alex and Reggie are wrapping their arms around Luke and Julie. She’s enclosed in a blanket of warmth, even if they themselves provide no heat. We have your back, Julie. His words echo. She believes it; of course she believes it. She has no reason not to.

“With us,” he continues, holding her tighter, “you’re safe.”

#Julie and the phantoms #JATP #juke #julie molina #luke patterson #reggie jatp #alex jatp #fluff #so much fluff #band fluff #we love to see it #protective!bandmates #eog writes

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echidnapower · 4 years

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EP’s FanFiction Master Post

So this is something I should have done a long time ago on my previous account, but better late than never. For those of you who find me, this is going to be a place where you can find all the fics I’ve written over the years. This will be added to over time as I fight to revive my muse.

It’ll be categorized by fandom, so you can quickly find what you do or don’t want to read. Here we go.

Pokemon

A Valentines Dream Come True - It's Valentines Day, and a certain redheaded Gym Leader is finally getting to enjoy it with the boyfriend of her dreams. During their time together, they get into a little discussion about dreams, and Ash doesn't wanna tell her his! So to get him to spill, she tells him her dreams...when she finally learns Ash's dream...will both their dreams come true? - Based on a drawing from @miyatoriaka, which can be found HERE.

AAML: Diamond and Pearl Version - Follow me as I remake the DP episodes in order and in sequence, all so I can add the biggest star besides Ash himself. Misty! Watch her and Ash's love grow as they go on their journey. The absolute LONGEST story in my portfolio, and you will see my writing evolve the longer you go on. Be prepared for a massive read that even now is STILL going.

All I Want For Christmas Is You - It's Christmas time and the Ketchum household is hosting a party with all of Ash's friends. But while Ash and Misty dance around their feelings for each other, another Sensational Sister is about to find herself in a situation she never could have expected, but she'll be darned if she lets it slip through her manicured fingers. (Spinoff of @hollylu-ships-it‘s "A Christmas in Kanto" comic which can be found HERE.

Best Friend - "Why? Why did I have to be so stupid as to make the mistake of falling in love with my best friend?" - Story told in Misty’s POV.

Blessings From Heaven - I'm Ash Ketchum, and I'm getting married today! But how did this come to be? Through God's devine planning is how. Here's my story: I'm marrying Misty. - Warning for religious themes, told in Ash’s POV.

I Miss You - Misty misses Ash terribly, and it's affecting her emotionally as she's more irritable than usual, if that was even possible. But Daisy has a plan to get Ash to come and see Misty again. Will her plan have the desired effect? Or will it cause something she never could've seen coming? - Based on a trio of drawings from the long lost Simply-Nicole. The old art can be found on my dA page HERE, HERE, and HERE.

I’m Misty, and You Are? - Misty tells the story we all know and love...literally. She's telling the story. Based on artwork from the long lost Simply-Nicole, which can be found on my old dA page HERE.

Keep The Faith - This time it's May and Drew getting married, and it takes place in the "Blessings From Heaven" universe. Warning for religious themes.

Looks - It's Ash's birthday and all of his friends have gathered together in the woods to reminisce on the time they spent traveling with their favorite Pokemon Trainer. But something's about to happen that could change the way that Ash and Misty look at each other forever…the question is, is it for the better?

Lovesick - Kenny is feeling strange...he feels like he's sick...but is he really ill? Or is he just lovesick?

Madam Zara - When Misty decides to get experimental with her appearance, she finds herself in the hands of a world-famous beautician named Madam Zara. With most of Misty's makeovers ending less than ideally, will this be the one to shatter the mold? And how will Ash react? - Based on a drawing and idea from @hollylu-ships-it which can be found HERE.

Our Own Sunset - Ash and Misty watch the sunset together, but Misty's bothered by it. - Set in the AAML: Diamond and Pearl version universe.

Pokeshipping Week 2015 - My first time participating in Pokeshipping Week ever, hard to believe it was five years ago.

Pokeshipping Week 2016 - This year of Pokeshipping saw me collab with @hollylu-ships-it, you can see the art she put together on her Tumblr page.

Symptoms of Love - Ash and Tracey are hit by a Vileplume's Stun Spore, and Misty has to fend for herself in order to find a cure. But once she gets Ash back to health, Ash still feels many of the same symptoms from before. Why is that?

Tell Me I’m Pretty - It isn't easy being the youngest sister, especially when your oldest sister is getting married and you're the only one without a date for the once in a lifetime event. Misty can't help but feel like she doesn't measure up somehow, but a surprise visit from her closest friend is sure to make her feel pretty once more. - Inspired by THIS piece from @hollylu-ships-it.

The Road Not Taken - When Ash gets some bad news from home, he goes into a depression and starts doubting both himself and the choices he's made. But luckily, someone is there with him to remind him he's loved and cared about. - Based on yet another drawing from @hollylu-ships-it. Look at it HERE.

Warmth - It's New Years Eve, and the recently married Ash and Misty Ketchum are ready to host their first ever holiday party at their home together, but when a snowstorm makes it so no one can arrive safely, Misty is saddened. But will they really end up spending their New Years Eve alone? Or will surprise visitors warm their hearts?

Super Robot Monkey Team Hyperforce Go

Iron Girl - A robot girl who hates the fact she's a robot...will she realize just how important she is or will she continue to simply wallow in self-pity?

War Between the Living and the Dead - The war between the living and the dead has begun, and the Hyperforce has to go up against their biggest challenge yet. But with help from their allies across the galaxy, they can triumph! Or can they? This is my take on what Season 5 would've been, plugging plotholes and making sense out of a series that left us all hanging.

Buzz Lightyear of Star Command

Reflections of a Legend - Buzz Lightyear Personal Log - Stardate 92893.81. I don't quite know how to explain this, or what I'm feeling, so I guess I'll just start talking and tell you what's on my mind. There's someone I just can't get out of my head, and truthfully, I'm not sure I want to. - This is a first-person dive into Buzz’s character.

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Kim Possible

Angels Watching Over Me - Kim and Ron are going down a dark path that could eventually end in their own destruction...literally, not figuratively. When the Sloth dangles over a cliff that holds their fate in the balance, who will come in their time of need? How about...someone they never could have dreamed? - Based on a true story, warning for religious themes.

Busted - Hana wants cookie, Hana tries to get cookie, Hana gets caught trying to get cookie.

The Running Back - All-star Running back Ron Stoppable is about to face the biggest challenge of his life. He's got just a few seconds to win the championship for the Middleton Mad Dogs, but more importantly to him, he's got just a few seconds to make his girlfriend proud.

The True Meaning - Both Ron and Kim are well aware of the true meaning of Christmas, and that's why they're volunteering at a church's Bethlehem Revisited event to spread the word. Kim's happy to help and all, but...why is Ron calling her such a weird name? - Warning for religious themes.

Trick or Treat - Kim is pulling a trick on Ron, will it be a great treat, or is he about to suffer the wrath of Kim Possible? He has no clue, yet.

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Fillmore!

A Promising Tomorrow - Takes place immediately after the end of the episode "A Forgotten Yesterday." Fillmore's lost two of his old friends now and needless to say, he's tired of losing people to the darkness he was lucky enough to escape from. Luckily, Ingrid's there to show him that his efforts to rehabilitate his delinquent friends haven't exactly gone to waste. There's one person who's benefited.

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Miraculous Ladybug

You’re Loved - Adrien Agreste, Chat Noir, different identities but more alike than he would like to admit. No matter who he becomes at any given time, there's always something very important missing in his life. Will he ever find what he's looking for? Or is it possible he's always had it and never realized it?

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Beyblade

We Are One - Kai gave it his all battling against Brooklyn and his bit-beast Zeus. Now, after his close brush with death, Kai must summon the strength to go and support Tyson before disaster strikes the world. But there's no way he's strong enough to do it on his own...but thankfully, he won't have to, which is what Kai is about to learn. Sister story to "I Can't Lose You."

I Can’t Lose You - A week after Tyson's battle against the evil bit-beast Zeus and his trapped blader Brooklyn, the world is slowly making its way back to normal. Kai managed to survive and is recovering in the hospital, and Tyson is getting some much-deserved rest. But when Kenny comes to tell Tyson that Hilary has quit the team, he loses it, and goes to find out why. My first Beyblade story.

Save a Dance For Me - With the all new BBA launching with a gala to celebrate the occasion, Tyson finds himself in the uncomfortable position of needing to ask someone to be his date. He has someone in mind, but will his greatest beyblading rival get in his way and turn out to be his greatest rival in love?

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Teen Titans

Healing Touch - With several Titans pairing up, the lingering emotions are taking a toll on Raven's empathic senses and causing her to lose control of her own feelings. When she gives in and does something completely crazy, it's up to Beast Boy to pull her out of a dark place and bring her back to the light. - There is accompanying artwork from @hollylu-ships-it HERE and HERE.

More Than a Hero - I've learned a lot of lessons under Batman, he taught me everything I would ever need to know about being a superhero, about being Robin...but Starfire taught me how to be Dick Grayson, and she taught me how to fly. - Story from Robin’s POV, accompanying artwork from @hollylu-ships-it is HERE.

Robin Rising - Life is good for Dick Grayson, he's the leader of a team of superheroes he's blessed enough to call his family, and he's about to turn 18 which he figures will open up a whole new world of possibilities for him. But when his old mentor and "father" calls in, showing that he captured a criminal that had eluded the Titans forever, things get flipped upside-down. - Multichapter fic which is part of a much larger universe, plenty of accompanying artwork can be found over on @hollylu-ships-it‘s account. Go give her a follow and fav.

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Sonic the Hedgehog

A Light in Darkness - A small band of heroes go back in time to try and prevent a cataclysmic event that would eventually destroy all of creation as they knew it. But what is the nature of this threat? How dangerous is it? And how far will they have to go in order to stop it from viciously destroying all they hold dear? Features a deep cast of Sonic characters, and a very special OC owned by @e-vay

Anonymous - For Shadow the Hedgehog, Christmas doesn't mean what it means to his friends and the rest of the world. Instead, he has a self-appointed mission he needs to carry out. But this year, he may find something that he's never really had before, and it could change the way Shadow sees Christmas for the rest of his life.

Christmas Wishes - For ten years, Amy Rose has only wanted one thing for Christmas, and she's finally come to accept the reality that she'll never receive it. But a conversation with Rouge rekindles her hope and her Christmas spirit. Will she be let down again? Or will her one wish finally come true this year? Read to find out. (Sister story to my other story titled "Anonymous")

Comfort In the Storm - When a thunderstorm strikes and leaves Cream quivering in fright, it's up to Tails to find a way to alleviate his crush's fears, and maybe even give her a reason to enjoy thunderstorms instead of fearing them.

Cream Adventure DX: Author’s Cut - A redo of an old story. Cream finds a strange statue in the meadow, and she knows just who to go to to figure out what it is, but she gets more than she bargained for when she goes looking for him. What happens?

Dreams of an Absolution - Silver lays awake at night and reflects on his life in this apocalyptic world Iblis has destroyed...but most of his reflections revolve around a certain fire girl with lavender fur. He wants to be happy with her, but a warzone is a bad place to kindle love, and so every night he lays awake, and dreams of an absolution.

Relations - Knuckles has a problem. He's in love...but...that presents a very unique problem...or does it?

Running to the Point of No Return - Sonic is the fastest thing alive, and Amy is told that that's the biggest obstacle keeping her and Sonic away from each other. But what's she supposed to do to keep up with him, when there's NO ONE fast enough to keep up with him?

Scars - Some things that happen in life leave scars behind that go with us for the rest of our lives. For Miles "Tails" Prower, such a thing happened to him in the depths of space many years ago...the loss of his first true love...though the pain weakens and the scars fade, they never go away completely, and Tails has learned to live with and embrace that fact.

Seven Rings and Five Fingers In Hand - A redo of the final battle in Sonic and the Secret Rings, Sonamy style!

The Heart of Chao - Chao are adorable little creatures, and they make great pets for anyone who's looking for something to take care of. But there's more to chao than just being cute, they're filled with more heart and love than anyone can imagine, and that can sometimes lead to bringing others closer together. Here are just a few stories of that very thing happening to our favorite characters.

Trapped In This Machine - Sonic has seemingly fallen madly in love with Amy, but is this sudden romance truly sincere, or is it only skin deep, hiding something sinister underneath? - Inspired by a drawing from @e-vay, found HERE.

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the-wardens-torch · 3 years

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Falerin Arcita reverently holds an open book. Its aldgoat leather binding is worn smooth, and its stack of pages yellowed by time and the touch of countless fingers..

“This, my friends, is Among Stones and Stars, masterpiece of the N tribe, originally penned by its greatest storyteller, N’mehta Ubiq. It may be small, but hidden in its pages are a great number of tales. So many, in fact, that its hard to pick just one to tell you.

Suddenly, a fly lands on one of Falerin’s slim hands. To your surprise, he does not immediately shoo it away, but regards it with a cold, disapproving gaze until it flies away again.

“And it looks like this little flying shit-eater has made my decision for me.” he says, snapping the book closed.

“There isn’t a sane and pure soul in this realm who doesn’t hate flies.

When I trudged through the desert, they landed on my face, their vile little mouthparts finding a way to slake their thirst on my tears no matter how hard I shut my eyes. They settled on my wounds and blisters when I rested, and I knew that if it weren’t for the bandages I wore, they would be wallowing in my blood like hogs in a mud pit. Why would a loving creator even make such an abominable thing?”

“Well, N’mehta Ubiq provides the N tribe’s answer to that question. She says that flies were not always associated with filth and death, and that they were once noble servants of Nophica, brought forth to watch over the most beautiful of her creations.”

Crossing his arms protectively over the book, he straightens his back and wills all of his power and concentration into his deep, velvety voice.

And appropriately enough, it is with Nophica that the story begins. Credit for the creation of life upon this star is rightly given to Her, but in Her humility, She dutifully pays tribute to the rest of the Twelve within much of Her handiwork. Nowhere is this more obvious than among the kingdom of flowers, which counts among its number Halone’s gerberas, Althyk’s lavender, Nymeia’s lilies, and countless others. But none among these is more beautiful than the Azeyma Rose, made by Nophica from sparks of Her mother‘s sun. The N tribe considers it the queen of all flowers, and it is because of its command that all flowers turn their faces to The Warden, no matter which god they were created to honor.

Azeyma was proud, and in Her gratitude She helped Her daughter mold a race of creature to tend Her roses, and all of the other flowers as well. Tiny but swift, these creature flew about on humming crystalline wings in the pure light of day, carrying pollen across the land on their backs, insuring that flowers would be plentiful and fertile all across the land. These were the bees.

However, not all among their race were righteous. Some looked jealously upon the other insects, who spent their days lazing about in the sun rather than toiling in it. Angrily, one bee buzzed down from its flowery canopy and landed on the ground, seeking to confront the worthless creatures. “Why” it said, “are we working so hard when you are permitted to do nothing?”

A grasshopper answered, waving its antenna and rattling its wings in annoyance. “But you are the beloved of the goddess, and in exchange for your work, you are nourished by Her sweetest creations, the flowers. Would that we were so well-fed… We have nothing to sustain us but the wretched dirt and empty air,” it huffed.

Humbled, the bee flew back to its hive and related the story. “I had not realized how blessed our kind were. We may work hard, but we receive the sweetest nectars as our thanks, and surely that is enough to be happy with.”

But some of the others did not agree, and still tired of their sacred duty. And so, those wastrel bees hatched a plan, to be carried out in the dead of night, when Azeyma turned Her gaze away and Nophica rested. Sneakily, they flew from their hive and sought to speak with the other insects

They were at first skeptical. “Why do you taunt us so, bees?” They said. “You are favored by the Creator. Surely that is enough to keep you contented? Why do you not leave us in peace?”

“You misunderstand me, friend.” the most evil among the bees hummed. “Mine is hard work, but my kind and I are tired, and there are more flowers in the world than we could possibly hope to visit. Why not do us both a favor and start eating them? They give us the sweet nectars we need to make our honey, after all… Surely that which begets honey must itself be sweet and delicious. And you require better nourishment than dirt and air.”

The other insects thought upon this, and when next Azeyma and Nophica looked upon their world, they found their precious flowers ravaged. Delicate stems were gnawed raw by hungry jaws, and dainty leaves bruised and broken by trampling feet. Worst of all, dainty flowers lay all over the ground, as horrific to the goddesses as severed heads. The evil bees reacted with mock horror and plead ignorance, believing that the other insects would take the full blame for committing such an atrocity.

But woe be it to one who tries to lie to Azeyma. She in role as The Warden saw the bees’ guilt immediately, and knew which among them had been the traitors. Her divine justice came swiftly, in the form of a curse upon them and all of their descendents. They, who formerly were permitted to feast upon the sweetest things Her daughter Nophica offered, would now be forced to eat nothing but the foulest things on Nophica‘s earth - carrion and dung.

Azeyma might have seen fit to punish the flower-eaters as well, but Nophica stayed Her mother’s hand. Realizing that she had not been kind to her other insect children in forcing them to eat naught but dirt and air, she permitted them to continue eating her flowers, as long as they never ate more than they needed. And thusly did the curse levied upon the wicked bees hurt them all the more. And their grief is heard in every whirring whine of their wings.

And this, my friends, is why we have flies. And even though bees are still beloved of Azeyma and Nophica, they are still called “vilekin” for their association with their treacherous brethren.

((This is what I get for trying to write something Fal-related while knee-deep in my patch of wild California poppies… Something that has very little to do with Fal. Also thanks to @adeat for letting Fal pose in front of Reo’s house/store in the Lavender Beds.))

#my writing #in-character #Azeyma #Nophica #The Twelve #Among Stones and Stars

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return-of-a-space-cowboy · 4 years

Note

For the fairytale au thing, Yan! Prince! Giorno x Princess!reader? Essentially sleeping beauty but reader was the one who locked themselves up in the tower- just to get away from Giorno, an extra thing i wanted to add maybe reader said whoever could get her out of the tower, is the person she would marry (sorry if its alot)

Thanks

Tower of thorns

(yandere Giorno Giovanna X female reader)

You made your escape from the castle under the cover of darkness, running through the thick forest. Within the coldness of the night you found warmth in the arms of your forbidden love. Tears streamed down your face and soaked into his clothes, you knew that the world wouldn't accept your love for a wizard but you had never imagined that your family would send you to marry a prince you'd never met to boost your kingdoms economy. You had told the blonde prince that you weren't interested but he was deadset on making you love him.

Your heart ached to know that you would not be allowed to love who you truely loved and that thought had drive you to do what you would do.

"I have everything ready... But are you still sure you want me to do this dear?" He asked, his soft voice trembling with sorrow.

"Yes, I can't bare to live in a world that tear us apart" you sobbed as he brought you into his cottage and sat you on his bed.

While he grabbed the vial of a glowing purple liquid you took a good look at him. He wasn't like the old shriveled men you had been told about. He looked around the same age as you but was probably two to three times your age. You honestly wondered why he'd chosen to fall in love with a mortal like you who would die centuries before he would but never the less you cherished every hair on the brunette's head.

Tears streamed down your face again as you knew it would be the last time you'd see him for a long time.

"Oh dear don't cry, I hate it when you cry" he tried his hardest not to sob as he sat beside you and wiped away your tears.

"It's just... I'm going to miss out on so much..." You muttered.

"(Y/n) I don't care if you marry that prince, a human marriage doesn't stop me from knowing that you love me" he explained, so desperate to talk you out of drinking that potion.

"But I don't want to marry him, I want to marry you and until that day comes I'm better off to just disappear" you cried.

Your lover looked down to the ground, he couldn't talk you out of this no matter how much he tried. Tears finally flooded his eyes as he finally succumb to his sorrows.

"My love do not cry... Just promise me you'll be at my side when I wake up" you said as you hugged him.

"I'll wait for you as I slumber, I'll dream of our marriage until that faithful day comes" you softly spoke as you gave him a tight hug before flinching as you heard a knock on the door.

"Amore I know you're in there, it's rather cruel to run away on the night before our wedding" a familiar voice called from beyond the door, his voice was calm but you knew that deep inside the prince was burning with anger.

"Please don't let him in" you begged with a whisper.

"It's fine we are far away from him, if he were enter now the he would see nothing" he explained.

"What do you mean?" You asked. He helped you up and guided you to the door as he began to explain.

"Just some simple spacial magic, the interior of my home can be in multiple building, the prince is standing outside of the cottage in the woods but if you were to open the door now" he said before he opened the door. Prince Giorno was not there, nor was the forest. Instead you saw a balcony and as you stepped out and looked over you saw that you were now in a tower so high in the sky that it nearly touched the clouds. The tower covered by various thick thorny growth, making it an almost impossible feat to approach.

🌕🌕🌕

Giorno did not hesitate to kick to door down and storm in but he found that the small cottage was completely empty. He gritted his teeth as he knew who you had run off with. A bitter taste grew on his tongue and a fiery ache lingered in his chest. Prince Giorno was absolutely livid but hid it as best as he could from his those with him.

He knew he'd have to tell your parents of your escapade as soon he could if he had a chance in keeping their faith in him. He returned back to the castle woke the foreign royals and told them of your escape with the wizard. The two weren't happy in the slightest of the news and left instantly to command a search of the land. In a few days they made an announcement that made the young man want to lurch.

They had found the wizards lair in the tallest tower in the land, a tower so tall that the roof kissed the sky. However such a large tower was shrouded in thorny overgrowth that would break any sword to try to cut it and would shred a man to pieces if they were to fall into it. The royals had also revoked you from marrying him and instead you would be married to whoever could scale the tower and return you to the kingdom.

Giorno felt his stomach twist in disgust and horror. All he ever wanted was you, you hypnotized him with your fair beauty and sweet voice. He had offered you the greatest luxuries that a woman would ever dream of but you still declined to reciprocate the same feels that he felt.

He treated you as a higher being, like you were a goddess that descended from the heavens to grace the world with your eternal beauty yet you still rejected his love over and over again. Every rejection just rubbed away at him little by little, at times he had been so tempted to lock you away for only his eyes to see but he'd always shake off those thoughts before he'd act upon them and now he regretted that he hadn't followed such selfish desires.

Days passed into weeks and soon month passed into years. Nobody had reigned triumphant in conquering the tower and the Prince had become a king but his feelings never faded. Unlike most who tried to win you he hadn't attempted to scale the tower, he knew it was a futile task. Instead he looked to find the so called evil wizard who kidnapped you. He sent all his cavalry to hunt him down.

Giorno sat on his throne eagerly awaiting for any news when the brunette that he had been trying to hunt came before him, the wizard had come willingly with no chains to bind him.

"You made quite the disappearing act, I was starting to believe that you'd disappeared off the face of the earth" Giorno softly spoke.

"So what made you decide to come to see me of all people... After all you ran away with my wife to be, I should just kill you where you stand" Giorno continued, his voice became a growl as he pulled a sword from behind his throne.

"I don't wish for conflict" the man said.

"I just want my lover to be at peace until she wakes up" he continued.

"What did you do to her?" Giorno asked with an eyebrow raised as he made not of such a weird plea.

"It was her choice, I tried to talk her out of it-"

"I asked you what you did?!" The king hissed.

"I made her a potion to put her in a sleep like state. All she wanted was to live in a time where our love would be accepted" he explained, knowing the lies that were spread and the many who had been killed or mortally wounded in an attempt to climb the tower. He realised that your protest had done more harm to the cause then good.

"Love between our kinds are forbidden, it is a mirage that can never truely be... We perish centuries or even a millennia before your kind does, how can one love what is destined to disappear in the blink of an eye to you" Giorno explained to the male as he placed the sword down on his lap.

The wizard simply stood in silence, he knew that the king was right.

"I understand..." He muttered.

"Why not surrender her to me? I'll treat her well as give her all that she desires" Giorno asked the male.

"I'm sure you'd rather her live a life knowing she lived well then have her to worry about what she'll leave behind" he continued.

"Besides heartbreak clings onto the soul like barbwire and chains, I dread to imagine how carrying such sorrows over centuries" he said before having his first proper look at the male. He looked worn out and stressed, his eyes glazed with sorrow.

Giorno was charming and charismatic. He knew how to get into peoples heads and knew what words made them tick. It hadn't taken much effort to finally get the wizard to surrender you, but the king wouldn't let him get away with what he did scott free.

The wizard was to be imprisoned for sixty years once you where brought back and that was a price he was willing to pay. He wanted you to live a normal life and to have a partner that you could have children and grow old with, something he could never provide to you. He knew you'd be mad but he couldn't stand the heartbreak.

🌕🌕🌕

The wizard led Giorno and a few of his guards through the dense forest of thorns and up the large stairway that seemed to go on forever until they reached a door, he opened it to reveal the room in which you had slept in for year. He hadn't returned since you had fallen asleep so the overgrowth of flowers had seeped into the room itself.

"Now how do I wake her up? I presume she won't react to sound or touch" the king asked.

"Well the effects usually last ten years at the most but I've heard from old folklore that a kiss can arouse someone from slumber" he explained.

"Old romanticism?" Giorno muttered to himself, hoping that such an old tale is true as he approached your sleeping form. He stood at your bedside and admired you as you seemed so peaceful in amongst the silk sheets.

He slowly pushed a few stray strands from your face before leaning in and planting a soft kiss onto your lips.

Giorno eagerly waited for you to wake up. Minutes soon turned into an hour yet you still hadn't woken up. A frown formed on his soft lips.

"Such a shame" he muttered before he signalled his guards to take him away. The wizard could escape but he complied, not wishing for any conflict.

Giorno picked up your form and carried you bridal style out of the room and down the stairs and out of the tower before making the long journey back to his kingdom.

🌕🌕🌕

You tossed and turned as you stirred awake as you felt a light tingle on your lips. Your eyes slowly opened to a blur of colours, the bed sheets felt off and had a certain mixture of smells. Sharp cologne and a masculine musk as well as your own. You hoped to see your lover by your side but instead you saw the prince you had tried to escape from.

"Bon giorno mio amore" the prince with long blonde hair greeted with a warm smile as he laid next to you. Your heart skipped a beat before beating like it had never before as your stomach dropped.

"Oh mio cara, you look so pale... What's the matter?" he asked as he entwined his hands with yours. You quickly pushed him away before trying to get out of the bed, only to find one of your legs were chained to the bedpost.

"You! That is what's the matter! Where am I?!" You yelled.

"Shh, all the servants are asleep... You'll wake the whole castle up with a voice like that" he scolded with a hush tone.

"Where is my lover?" You asked.

"Right beside you darling" he cooed.

"No, you'll never be close you bastard!" You hissed, the males dreamy expression turned cold.

"Oh you mean him" Giorno growled.

"Well you see amore, he surrendered... He's currently serving a sixty year sentence for his crimes" he slyly explained as a sickeningly devilish grin contoured his features.

You pounced on the male as a sudden burst of rage ignited in you, making you pin him underneath you.

"How dare you! He did nothing wrong!" You yelled.

"Oh but he did... You should be thanking me... Most others were inclined to have him executed" he explained.

"For falling in love with me?!"

"No, it's for hiding you away from me as well" he answered

"why even love such a being?" He asked before he flipped you do now you were underneath him, his long hair tickling your cheek.

"What makes wizards any different to us?!" You asked.

"They are beings that possess powers both of good and evil, many turn to pursue the darkest of magic to achieve the ultimate authority in the world, but their kind as a whole are able to live much longer then you or I... It is a precaution made by both sides to stop instability between our kinds" he explained before wiping the tears that began to stream down your cheek.

"Don't cry" he cooed sweetly.

"He gave you away to stop conflicts between the kingdoms... And he didn't want you to worry about him" he explained before sitting up and grabbing something from his bedside, a similar vial to the one with the sleeping potion, but this one had a bubbling liquid that looked like pink molten lava instead.

"What is that?" You asked as your stomach churned in fear but he gave you no reply as he opened it and tried to make you drink it.

You thrashed around and free your head from side to side.

Soon Giorno grabbed you by the chin as he weighed your body down before emptying the vials contents into his mouth before pulling you into a harsh kiss, using his hands to hold your head in place as he forced you to drink the sweet liquid from his soft lips, like how a bird fed it's young.

He didn't stop until he knew you'd drank every drip of the love potion before he got off of you. Throughout the night rest of the he dreamt of how you'd be in the days and years to come as his beautiful wife once you were married.

🌕🌕🌕

You heart fluttered as you walked down the long aisle, people from near and far admiring you in all dressed in white with flower decorating your long hair. You looked in the distance to see your lover king Giorno Giovanna, memories of your true lover were buried away in the deepest parts of your mind.

He gave you a smile and your heart melted, he was like a drug to you. You were so desperate for his attention just so you could feel something, anything. You where nothing without him he was your world, your everything. You needed him, you needed that tingle of cupid's arrow. Nothing else in the world was interesting, just him and only him.

He was your lifeline and you couldn't wait to be his dear wife and to spend everyday of your life with him.

#yandere x reader #yandere #jojo golden wind #jojos bizarre adventure #yandere jjba #yandere giorno #giorno x reader #jojo giorno #spacy works

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notfromanotherworld · 3 years

Text

Note: This letter is an excerpt from a collection of Gandhi’s letters which have been compiled into a book titled “Mahatma Gandhi’s Letters on Brahmacharya, Sexuality and Love” by Girja Kumar (Vitasta Publishing, 2011). More detailed citations and references on the chapter on Gandhi in Rita Banerji’s book “Sex and Power: Defining History, Shaping Societies,” [pages 265-281, Penguin Books, 2009].

But Gandhi is long dead. So why should the naked girls in Gandhi’s bed matter today?

Well, because the issue goes way beyond Gandhi. What really matters now, and it matters deeply, is how we respond to what Gandhi did.

Today we like to believe that we are far more progressive in terms of recognising and condemning the abuse of power by men for sexual exploitation and abuse. And yet, I repeatedly find every time I bring this up most people’s responses are defensive and regressive!

This 1947 storm in the Gandhi camp was set off by R. P. Parasuram, a young man from Kerala, who for two years had served as Gandhi’s personal secretary and typist and watched his personal affairs from close by. Like many students in India at that time, Parasuram too, had idolised Gandhi and after his studies, had travelled to Gandhi’s ashram to live and work with him, and help with India’s freedom movement.

But two years after working with Gandhi, Parasuram quit the ashram and his job. Before he left, he wrote a 16-page long letter explaining his distress at what he had witnessed in Gandhi’s behaviour with girls and women in the ashram — which included other things besides his ‘experiments‘ in bed. He said that as much as he had worshipped Gandhi, his conscience did not allow him to stay silent any longer. And that in order for him to continue, Gandhi had to concede to five of his demands (all of which dealt with Gandhi’s physical interactions with girls at the ashram) which he listed in the letter. [See the letter below.]

On January 2, 1947, Gandhi responded to Parasuram’s letter with, “I cannot concede your demands. Since such is my opinion and there is a conflict of ideals, you are at liberty to leave me today.”

But under this onslaught, Gandhi eventually conceded defeat, even if not willingly. He said he felt like a “broken reed.” His ego and narcissism had been broken by people around him who fortunately understood and did better than we do today.

This is the question that I’d like to ask everyone reading this: Why is it that it’s hard to say that Gandhi, the hero of India’s freedom movement had also used his power and position to sexually exploit/abuse girls and women who came under the mantle of his leadership?

- “Gandhi Used His Position To Sexually Exploit Young Women. The Way WE React To This Matters Even Today” by Rita Banerji

Below is an extract from R. P. Parasuram’s 16-page letter to Gandhi just before he quit. He called it his letter of “indictment.” _____________________________________________________________________________________

1 January, 1947 Srirampur

Revered Bapu,

I write these lines in sorrow and pain. You know how shy and unforward I have been these two years. You must imagine to what depths I must have been agitated then to overcome my shyness and become bold and that too with a man who is considered by many to be the greatest man living.

You must also ponder over the fact as to what it is that has made me bold and say things so boldly. It is because I feel I am so clearly in the right and you so clearly in the wrong. It is the cause that gives me the courage.

It is not that I did not know these before. I knew and kept quiet. I thought, “Why should I bring these to him?” There are men like Kanu [Gandhi], Kishorilal bhai [Mashruwala], etc., experienced men and men knowing you fully. And then I had not the courage. I have come over my shyness with you.

When [at] first I came to the ashram, I came with high respect for the ashram and its inmates and its way of life. All that was knocked off in 24 hours. After coming here I must confess to having lost a portion of the respect I had for you. You are the Father of our Nation. You have taken us so far along the path of freedom and independence. You must see the hand of God in the fact that I have overcome my shyness.

I object to your sleeping in the same bed with members of the opposite sex. In February 1945 or so, I was given the draft of a statement to type. I was shocked by the contents…I must tell you that even before I know of this. One day Amin-bhai came and told me that he was shocked to see Manu [Manu Gandhi — Gandhi’s own grand niece] getting into your bed.

In those days I was more shy than I am now. My only friend in the ashram was Amin. Even then I came to know of the discussions about this affair because the ashram people are so careless and can’t keep their mouth shut. Everybody objected to your doing this.

Apart from the question of any affect on you, what about the effect on girls?

There is something of other wrong with them [the women who sleep naked with Gandhi]. [The] Punjabi girl who lived opposite my room in Matunga. She used to weep unrestrainedly and that not caring whether others saw her or not. She laughed also unrestrainedly. And then here is Dr. Sushila-behn [the 24-year-old in-house physician at the ashram who Gandhi also used for his ‘experiments’]. How many are the days when she has not wept? She is a doctor and yet she is always a patient, always is ill. Who has heard of a doctor who cries out at night?

Even then the whole thing is considered wrong by the world. I do not like it. Nirmal babu [Bose] does not. Sucheta-behn [Kriplani] did not like it and said, “However great he may be, he cannot do such things. What is this?” You must admit that there is something in our objection. You cannot waive it aside.

As for blood relations [this is in reference to Manu Gandhi]. The world is sceptic even there. There have been cases of immorality between father and daughter, brother and sister.

I object to your having massage done by girls. When I was studying in college, I read a report saying you were being massaged by Dr. Sushila-behn. And now I find you do get yourself massaged by girls.

Those people who know that you are naked during massage time say that you could at least put a cover over it [his genitals].

The same objection I hold against girls coming to the bathroom when you go there. Ramachandran saw you like that and said you had fallen a little from his estimation. However great you may be, you cannot do these things.

Your placing your hands on shoulders of girls. You had written once that you gave up this practice because others intimated you with evil intention. I have not come across any other writing saying you could resume it. So it was strange to me why you resumed it. During the two years I have been with you, about 50 letters or so objecting to this practice from admirers and calumniators came. None of them got any reply.

Your being seen naked [during his bath and massage] jars on the mind of strangers, admirers though they might be. Ramachandran did not like it. He said it was the limit.

Ever since the 17th December [1946], when in the small hours of the morning you made those dreadful sounds, dreadful because it came from you man of such eminence, even otherwise unbecoming for any wise or old man, my head has not been at peace. I have heard of another such instance from Mr. Ramachandran of the API [Associated Press of India] when you told Sushila-behn to leave you. I have seen such another instance at Delhi. But this event shook me to my depths. I said to myself that God and the nation would not forgive me if I kept quiet.

You commit Himalyan blunders. But you refuse to see these things and when told, you are irritated. I say you are conceited and constitute yourself to be the repository of all the wisdom in the world.

And now to my charges. Unless [my demands] are fulfilled, I [will] depart. I beg to differ and go away. Your actions to which I object:

1. Your sleeping with any member of the opposite sex. 2. Being massaged by any member of the opposite sex. 3. Allowing yourself to be seen naked by any member of the opposite sex. 4. Allowing yourself to be seen naked by strangers and even by people who are of your party who are not so intimate. 5. Placing your hands on the shoulders of girls when walking.

- “Gandhi Used His Position To Sexually Exploit Young Women. The Way WE React To This Matters Even Today” by Rita Banerji

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j-crawley · 3 years

Text

1OO IMPORTANT CHARACTER QUESTIONS

PART 1: THE BASICS

What is your full name? James Crawley

Where and when were you born? London, England in 1875

Who are/were your parents? (Know their names, occupations, personalities, etc.) James’ sire’s name is Isabelle. He also recognises her as his mother because his birth parents were killed before he could remember. Isabelle is an ancient vampire who is over four thousand years old and is one of the few who kept herself out of the supernatural wars when they were waged across the earth.

Do you have any siblings? What are/were they like? The only ‘siblings’ he has are the other vampires Isabelle has sired throughout her life, of which there are four others. He has only met two of this four.

Where do you live now, and with whom? Describe the place and the person/people. Krovs Town and with his cats.

What is your occupation? Police officer

Write a full physical description of yourself. You might want to consider factors such as: height, weight, race, hair and eye color, style of dress, and any tattoos, scars, or distinguishing marks. Blonde hair, blue eyes. 6″1, 165lbs, Caucasian. Dresses smart most of the time. He enjoys fashion and being stylish and tends to keep it tasteful and less over-the-top. No tattoos or scars.

To which social class do you belong? James was born to a family in the middle class and Isabelle brought him up to the age of thirteen accordingly. Isabelle herself is amongst the upper class and she introduced him to that life after he was turned.

Do you have any allergies, diseases, or other physical weaknesses? Being a dhampir (half-vampire, half-human), James is the weakest of the vampire hybrids and is susceptible to the weakness of his species. Other than that, he has no allergies or diseases.

Are you right- or left-handed? Left handed.

What does your voice sound like? (link)

What words and/or phrases do you use very frequently? “Oh dear.”

What do you have in your pockets? Notebook, pen, vials of feline blood.

Do you have any quirks, strange mannerisms, annoying habits, or other defining characteristics? James is a clean freak and is very particular about the cleanliness of his own space.

PART 2: GROWING UP

How would you describe your childhood in general? James had a pleasant childhood with Isabelle until she disappeared when he was about thirteen years old. The trauma of losing his parental figure had him becoming obsessed with finding her ‘killer’.

What is your earliest memory? Reading a children’s book with Isabelle.

How much schooling have you had? He studied hard enough and went through the proper education system to become a constable in Scotland Yarad and eventually a detective.

Did you enjoy school? Of course. James enjoys learning and he considers his university days some of the best of his life, even if it happened quite a long time ago for him.

Where did you learn most of your skills and other abilities? He leaned a lot about life from John, his mentor who took him in after Isabelle’s disappearance. His deductive skills were picked up through a mix of John’s training, school and his various stints as a police officer/detective in various towns. His skills as a vampire were mostly learned from Isabelle.

While growing up, did you have any role models? If so, describe them. Isabelle and John.

While growing up, how did you get along with the other members of your family? James gets along very well with those he considers his family.

As a child, what did you want to be when you grew up? James wanted to become a police officer since the age of thirteen.

As a child, what were your favorite activities? Reading, collecting insects. The latter of which is something he grew out of.

As a child, what kinds of personality traits did you display? Curiosity, dutiful, cheerful, generous, polite, extraversion.

As a child, were you popular? Who were your friends, and what were they like? James was quite focused on his studies when he was a child and his only friend was John until he went to university. He started making more friends at university where he found himself amongst those who were in the high society and made a lot of connections that way.

When and with whom was your first kiss? He got drunk with his university friends on a night out at a men’s social club and kissed a man named Thomas in secret. They started an affair before he met his eventual wife, Elizabeth, and he decided that he needed to settle down with her as society deemed a man should.

Are you a virgin? If not, when and with whom did you lose your virginity? No. He lost it to the same man in the previous answer.

If you are a supernatural being (i.e. mage, werewolf, vampire), tell the story of how you became what you are or first learned of your own abilities. Read all about it here.

PART 3: PAST INFLUENCES

What do you consider the most important event of your life so far? Being turned into a dhampir.

Who has had the most influence on you? Isabelle.

What do you consider your greatest achievement? Finding Isabelle again.

What is your greatest regret? He sometimes wonders what his human life would’ve been like had he not been turned.

What is the most evil thing you have ever done? After becoming a dhampir, James has taken the law into his own hands and killed a number of times when the authorities would not do what he believed they needed to. As a law-abiding person, these actions went against his moral code and he considers them ‘evil’ in a way.

Do you have a criminal record of any kind? No. He lived in a time when being gay was illegal, but he was never caught for having an affair with a man.

When was the time you were the most frightened? When he almost killed his wife and son when he lost control. It was what spurred him to leave them.

What is the most embarrassing thing ever to happen to you? Elizabeth catching him with Thomas about a year into their marriage. James was still in love with Thomas but had to ultimately end things with him for his family. It was both embarrassing and heartbreaking.

If you could change one thing from your past, what would it be, and why? He wishes that he had gone to visit his wife before she died, but he had been too afraid of how she would react and so he stayed away. He considers himself a coward because of this.

What is your best memory? The birth of his son - Johnathan.

What is your worst memory? Visiting his elderly son on his deathbed and having Johnathan recognise him and hate him for leaving. This was James’ first experience of losing someone mortal and it served as a harsh reminder of his very immortal life.

PART 4: BELIEFS & OPINIONS

Are you basically optimistic or pessimistic? Mostly an optimist.

What is your greatest fear? Losing control and killing an innocent.

What are your religious views? James would consider himself spiritualist and his faith is very personal to him.

What are your political views? James is heavily influenced by Isabelle’s stance on not siding with the current ruling power - the Vampires - even if he is one himself.

What are your views on sex? Over the years, he has learned to loosen up when it comes to sex. Having grown up in a time that was more puritanical, it took a long while, despite Isabelle’s more liberal views on sex and sexuality, before James was able to view the act as something fun to engage in -- especially gay sex.

Are you able to kill? Under what circumstances do you find killing to be acceptable or unacceptable? Yes. Being half-vampire, the desire to kill is always there but James keeps that urge on a tight leash. He has killed in the past (see answer in P3) when he felt that he had no choice.

In your opinion, what is the most evil thing any human being could do? Harming children in any way.

Do you believe in the existence of soul mates and/or true love? Leaning undecided to no.

What do you believe makes a successful life? Happiness and sense of purpose.

How honest are you about your thoughts and feelings (i.e. do you hide your true self from others, and in what way)? This actually depends on who James is speaking to. He’s usually more guarded and would put on a mask when he is with other vampires, but who’s to know if that mask is actually a part of him too?

Do you have any biases or prejudices? He would like to think not.

Is there anything you absolutely refuse to do under any circumstances? Why do you refuse to do it? James refuses to drink the blood of humans and other supernatural creatures because it turns him into something he does not like. It is why he only drinks animal blood.

Who or what, if anything, would you die for (or otherwise go to extremes for)? He hasn’t thought about this...

PART 5: RELATIONSHIPS W/OTHERS

In general, how do you treat others (politely, rudely, by keeping them at a distance, etc.)? Does your treatment of them change depending on how well you know them, and if so, how? In general, James is very polite and friendly to everyone he meets.

Who is the most important person in your life, and why? At the moment, it’s his cats.

Who is the person you respect the most, and why? Isabelle. She taught him a lot about the world and he is forever grateful for that.

Who are your friends? Do you have a best friend? Describe these people. James has many friends in all the places he has lived in, but due to having to move around often, there are not many that he would consider best friends.

Do you have a spouse or significant other? If so, describe this person. His wife passed away in the early-1900s and he has not married again ever since. While James has had a few lovers after that, there are not many that he could consider particularly significant.

Have you ever been in love? If so, describe what happened. Yes. James met and fell in love with his university friend, Thomas, and started an affair with him. This was highly illegal at the time, but they continued the affair until after James got married. It ended when James’ wife found out about them. James was more in love with Thomas than he was with Elizabeth and she knew this.

What do you look for in a potential lover? Someone he can be at ease and be himself with.

How close are you to your family? He is still very close to Isabelle, the only family he has left.

Have you started your own family? If so, describe them. If not, do you want to? Why or why not? James had a wife and son, both of whom have passed on in present day. He has not settled down again since.

Who would you turn to if you were in desperate need of help? Isabelle.

Do you trust anyone to protect you? Who, and why? Isabelle. While he lives his life separate from her, she still keeps tabs on him and James trusts her to look out for him if it ever came down to it.

If you died or went missing, who would miss you? Isabelle.

Who is the person you despise the most, and why? The closest is probably Izaak because the man killed his birth parents. But James rationalises that he never knew his birth parents and Izaak is like a brother to Isabelle, and so he has somewhat forgiven him.

Do you tend to argue with people, or avoid conflict? James tends to avoid conflict and will only argue if absolutely necessary.

Do you tend to take on leadership roles in social situations? Only if there is no one else to do so. James prefers to follow.

Do you like interacting with large groups of people? Why or why not? James enjoys socialising because people intrigue him, even if he keeps them at arms length.

Do you care what others think of you? Yes, he actually does because of the time period he grew up in. He has loosened up a lot more over the last few decades but it’s not something he can easily put out of his mind.

PART 6: LIKES & DISLIKES

What is/are your favorite hobbies and pastimes? Reading. Cleaning. Spending time with his cats.

What is your most treasured possession? His first edition copy of A Study in Scarlet that Isabelle gifted to him when he was a child. Crime novels were all the rage during the Victorian Era and these books were also what spurred him to become a police officer.

What is your favorite color? Light green.

What is your favorite food? Before becoming a dhampir, one of James’ favourite bakes was the Spotted Dick.

What, if anything, do you like to read? Crime fiction.

What is your idea of good entertainment (consider music, movies, art, etc.)? A good book. (Are you sensing a pattern here yet?) He enjoys films from time to time but strongly prefers the written word.

Do you smoke, drink, or use drugs? If so, why? Do you want to quit? He smokes occasionally because he finds the act of it enjoyable. As an immortal there is little point in quitting.

How do you spend a typical Saturday night? He alternates between going to a bar to meet new people and staying at home on Saturday nights. This is something that he has yet to do in Krovs Town.

What makes you laugh? His cats.

What, if anything, shocks or offends you? Rude and disrespectful people.

What would you do if you had insomnia and had to find something to do to amuse yourself? James is usually very good at finding something to occupy his mind with. If he were burdened with insomnia, he would use the time to

How do you deal with stress? James stress cleans.

Are you spontaneous, or do you always need to have a plan? He can be spontaneous on occasion but takes comfort in knowing that he usually has a plan.

What are your pet peeves? Being micromanaged.

PART 7: SELF IMAGES & OTHER

Describe the routine of a normal day for you. How do you feel when this routine is disrupted? Wakes up, feeds his cats, showers, gets dressed while having his breakfast, heading to work. Comes home, feeds his cats, eats, extracts blood from one of his cats, showers again, gets ready for bed. He does not like his morning routine being messed with but he will roll with the punches anyway.

What is your greatest strength as a person? Being able to anticipate another’s needs.

What is your greatest weakness? His fear of not being able to be in control of his vampiric half.

If you could change one thing about yourself, what would it be? To be less conflict-averse. He feels like he could achieve a lot more but he really does not like being pushed into conflict.

Are you generally introverted or extroverted? He can swing between both, whereby he is generally extroverted but still values his alone time.

Are you generally organized or messy? Organized.

Name three things you consider yourself to be very good at, and three things you consider yourself to be very bad at. Good: Small talk, powers of deduction, reading people. Bad: Cooking, singing, dancing. ((ooc: LOL what even!))

Do you like yourself? Most of the time.

What are your reasons for being an adventurer (or doing the strange and heroic things that RPG characters do)? Are your real reasons for doing this different than the ones you tell people in public? (If so, detail both sets of reasons…) James takes his role as a police officer and servant to the people very seriously. He is someone who tends to wear his heart on his sleeve when it comes to this subject as well, so what he usually says what he means when asked about his profession.

What goal do you most want to accomplish in your lifetime? James does not have a far-reaching goal. He is mostly focused on his job and doing it well for whatever community he is serving.

Where do you see yourself in 5 years? Hopefully still living in Krovs Town.

If you could choose, how would you want to die? Peacefully.

If you knew you were going to die in 24 hours, name three things you would do in the time you had left. Make sure his cats are taken care of. Other than that, James is actually happy to spend his last moments with himself.

What is the one thing for which you would most like to be remembered after your death? James wants to be remembered by how he made others feel.

What three words best describe your personality? Kind, generous, helpful.

What three words would others probably use to describe you? Nice, pushover, slow-on-the-uptake.

If you could, what advice would you, the player, give to your character? (You might even want to speak as if he or she were sitting right here in front of you, and use proper tone so he or she might heed your advice…) He needs to be a bit selfish and figure out what he wants in life for himself. James is mostly living his life in servitude of others at the moment.

#krovscastletask #((i must be the only one doing this lol))#((the rest under a cut because it's really long XD))#((i needed this to flesh James out a bit more :D))

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gloves94 · 4 years

Text

Sunburn [Prince Zuko] 9

Warnings: None Rating: PG-13 Pairings: Zuko/OC Summary: “You have everything you’ve ever wanted.” “No.” He said softly. “Not everything…” His golden eyes looked at her with a melting intensity she had never witnessed before. “I guess not.” She responded with glassy eyes as tears welled up threatening to break the dam of her eyes.

My fanfiction: M A S T E R L I S T

Later that evening Tsai had returned to where the Avatar gang were spending their nights in. Katara had been tossing around in her sleeping bag complaining about not wanting to be in the healing class because she would've gathered be learning how to fight instead.

"All knowledge is power Katara,"Tsai uttered wisely as her grandfather would've said. She lightly played with her choker necklace at the memory of the man. "You never know, the healing techniques that you learn might actually come in handy in the future." She nodded.

"A difference?" Katara questioned popping her head on her palm with curiosity. "What do you mean?"

"Yeah," Aang suddenly commented. "I'm also very curious- how was it that you managed to get past all of those Fire Nation guards at the Pohuai stronghold? He asked.

Tsai lowered her head in an attempt to hide the smirk that slowly inched across her face. She tugged in her arms deeper into her sleeves mischievously.

"I'll keep my secrets," she said with a ghostly smile before turning away from them preparing to sleep. "I'll tell," she said. "But first I have a question," she turned to look at both Aang and Katara once again.

"Why does everybody here hate me?" She asked bluntly.

Aang and Katara exchanged a look of pure confusion.

"In the Water Tribe, I mean." She clarified.

"Tsai," Katara began to explain. "You're Fire Nation. You're their enemy. You're our enemy."

"But why?" She retorted leaning forward as she sat with her legs crossed. "The Fire Nation is and has always been the greatest nation!" She spoke with a sudden bold sense of nationalism. "We bringing our culture and goods to new lands because we want to share our greatness with the world. It would be selfish not to."

"WHAT?" Katara roared furious. Tsai flinched slightly at her explosive reaction. She was not expecting her to react in this way.

"That's what you think the Fire Nation is doing?" She snapped. "I knew we shouldn't have trusted you!" She exited her sleeping back and rose to her feet aggravated. Tsai did the same.

"The Fire Nation took everything away from me! My family, my mother!" She roared. Aang held her back. "Starting this war is just as great of a sacrifice for my nation! It's for the greater good."

"You killed my mother!" She screeched heaving.

Tsai dropped the argument at the accusation. Katara's eyes were wide. Her nostrils were swollen with hatred as her eyes zeroed on the aghast teen before her.

"Can't you see? The Fire Nation has done nothing for the world! Everywhere you go you spread war, hatred, fear, famine, death and pain! You tear families apart. Leave orphan children, widowed wives, wounded soldiers and for what? For greatness?" She spat.

"Katara!" Aang pleaded.

Tsai wasn't going to sit here and take this. She turned away with her jaw clenched and stormed out of the room.

"Tsai! Wait!" Aang called after her. "Where are you going?"

Katara huffed and exhaled a sharp breath before snuggling inside of her sleeping back once again. She punched her pillow angrily a handful of times.

"Tsai means well Katara," Aang said after a moment. "I know it. She's just-" He paused for a moment trying to find the proper words. "The daughter of a Fire Nation governor?"

Aang was quiet at Katara's silent response.

"She's Fire Nation Aang. She's evil. They are all the same. Don't forget."

Xxx

"Is your friend toying with me?" Sokka snapped as he walked back to where they were staying.

"What are you talking about?" Tsai asked confused not in the mood to be dealing with these types of situations.

"I don't understand her. I thought she liked me and now she's telling me to get lost. I don't get it!" He threw his hands up in the air confused. "That's odd," Tsai said. "She told me she really liked you earlier today."

"Is she playing games with me or something like that?"

Yue didn't seem like the type to play these games. And from what she had told Tsai earlier she seemed to genuinely like the Southern Water Tribe boy. She thought for a moment scratching her chin.

"I don't think so," She said not really wanting to engage in conversation in her foul mood after her fight with Katara.

"So what should I do?" He deadpanned.

Was he really asking her for advice?

"I don't know," she shrugged. "Just talk to her. Ask her how she really feels about you."

"Why do I have the feeling you think talking is the solution to everything," he sighed in defeat. "It's probably what my grandpa would've said," she smiled fondly at the memory of the man.

"That is- completely unhelpful," he grumbled and hid his face in his arm.

"Sometimes some things are lost in translation." She says wisely. He looked at her oddly, she suddenly get a sad look on her face. She looked at Sokka one last time before continuing on her trek to nowhere in particular.

Katara was wrong.

The Fire Nation was the greatest nation. The war was well intended. Together all united under one nation the world would thrive. All under the rule of fire.

She thought about her home, Yu Dao. It's history serving as testament of the Fire Nation's greatness. Under Fire Lord Azulon the Fire Nation had made a mecca of industry and commerce out of a nowhere town in the edges of the Earth Kingdom. The city had drowned and blossomed to be one of the most important in the world. That would've never happened without them. So if they were so great...

She looked at a couple who whispered and shied away from her scarring away.

A man walking spit at her feet.

Arnook did not welcome her like a hero would've been welcomed.

If they were so great- why were they so hated?

xxx

"Yue, I need to ask for a favor." Tsai asked the following morning. She hadn't slept in the same room as the Avatar and his friends. Instead she had found comfort outside the doors of the palace simply leaning against the snowy wall and barely sleeping through the cold night. She really hated the weather here.

"Anything," Yue smiled taking her hands in hers. Tsai didn't have time to ask about what had happened with Sokka. It's not like she cared either. She wasn't the nosy type. "I need you to get me an audience with your father."

Moments later Tsai had her audience.

She walked into the meeting room. One which like the entire tribe was made of snow falls which reached the skies. The ceiling was gone allowing for the clear weather and shinning sun to witness their meeting.

"Arnook," she bowed before him in respectful Fire Nation fashion which irked the leader to no end. "You're persistent," he barked.

"What do you want?" He asked impatiently.

"Allow me to introduce myself. My name is Tsai of Yu Dao. Yu Dao is-" he interrupted her. "I know what Yu Dao is!"

She paused for a moment. Knowing he would be difficult.

"I've come to you with a challenging question." She scrapped everything she had reserved. "Do you think.." She says slowly. "Do you think the Fire Nation and the Water Tribes will ever be able to work together as one?" She pondered.

"If you have come here to sheathe blood and bring darkness and war to my land I'm afraid that you've come to the wrong place," he threatened approaching her. The soldiers and other officials surrounding him raised their hands and weapons menacingly. A bead of sweat formed in her temple as she look at them. They were at least a dozen of them.

"Listen!" She snapped frustrated. "I did not choose where I was born. My mother is of Earth Kingdom descent, my father Fire Nation. Which makes me half of both. I cannot bend fire or earth-" once again he interrupted her.

"That only makes you a mutt." He said bitterly.

It was then that his eyes darted up in the sky. All of them did. She turned after a moment only to see what looked like black snow snowing above them. The girl had never seen snow before, let alone black one. It took her a moment to realize that it was ash raining above them. Which could only mean one thing.

"You have lead them to us!" Arnook pointed accusingly. "Arrest her!"

"No. I have no idea how they found us!" She denied the dangerous accusation.

Tsai tried running. She tried fighting but before she could move an inch was frozen still to the ground in ice.

xxx

The girl was thrown into jail. She didn't know how long she had been in there. It must've been more than a day. Unbeknown to her Yue pleaded with her father. Pleaded with all of her wish and power to let her out. She tried explaining it was a coincidence and that she believed in the Fire Nation girl's honesty, but Arnook would not see to it.

The cell was cold as ice which had her shivering in the corner alone hugging herself in an attempt to retain some of her body's warmth. In her time in jail she felt a terrible headache. One which she felt could've split her forehead in half. Looking out the window she noted that an ominous light as red as her hair crept in. Holding on to her temples in pain she looked out and saw that the full moon had been tinted a color of crimson red blood. She starred eyes wide when she suddenly heard a sudden crash nearby.

Shocked she took cover before a market stall was thrown at the wall making it collapse. Setting her free.

"Well.. That was lucky," she mused as she carefully snuck out of the gaping hole that had been made by the crash. Creeping on her toes she slid down a hill of snow to the streets of the Northern Water tribe with only one objective in her mind. Escaping. She didn't realize where she was falling to and fell into a freezing stream of water. The icy North Pole water felt like a thousand knives nipping at her body from all over.

She had to get out of here fast. As she ran the moon shifted color as the air became colder, the air darker as all color seemed to be drained from the world. She hadn't stopped to wonder just what thing could've thrown such a heavy cart at such a distance when a monstrous creature in the figure of a glowing fish rose from the depth of the waters. It attacked all Fire Nation as it stormed through the village.

She cursed as she avoided it. Noting it was mainly attacking the invading Fire Nation troops that had descended on the Water Tribe's village. If she got near it, it would probably lead to her demise.

Whatever that thing was- She saw fire balls being aimed and fired at the creature which advanced unaffected - whatever was going on - it was not good. There was no time to say goodbye to her friend Yue. To converse with the Avatar. She had to get out.

Tsai continued on her dash towards the docks when she slid around a corner and looking over her shoulder teeth chattering she turned and crashed into something hard. She reached for her head as she tripped over her feet and fell to the ground on her bottom. She looked up and saw a pair of angry eyes glaring daggers at her. Oh, she had crashed into somebody.

"You," the man growled dangerously.

It was that son of a bitch Zhao.

She staggered to her feet but wasn't fast enough. Zhao was fast and his meaty hand claws around her neck with a deathly grip. He had obviously taken the night of the Blue Spirit at the Pohuai Fortress a little too personally.

She coughed struggling to gasp for breath when a third party stumbled upon the scene. Zuko walked into what seemed like the worst surprise of his life. Zhao turned to look at him maliciously.

"One step and I'll make sure your pretty girlfriend has a scar to match yours." He threatened.

Zuko's jaw clenched, he gritted his back molars in anger and frustration. He saw Tsai struggling to breath coughing for breath as her face slowly turned blue. He had to do something. Anything.

"So- tell me, what was your plan? You went in and distracted me and the Blue Spirit did all the dirty work?" He chuckled as he squeezed his grip on the girl's neck. He was holding her up above her feet so that they saw eye to eye. He suddenly dropped her and she gasped and coughed for air the color returning to her face. He turned her and kept a firm grip around her as he slowly retreated out of the scene.

His terrible breath pricked at her skin as he kept his arm wrapped around her body holding her in place.

"It's going to be interesting to find out what could've happened between us that night-" He whispered that and other filth into her ear.

"You're sick!" She growled out at the older man as she struggled against his deathly grip still shivering as she was soaked to the bone.

Zuko was ready to fire. He aimed his hand twitching slightly. His heart was pounding in his rib cage. One wrong move and it was over. He only had one shot before things went South. Zhao continued advancing over a snow bridge. He was going to get away! The girl struggled, her breathing loud as it became harder and harder to breath with every step the admiral gave. It was then that her eyes met his and he saw something familiar in them.

He understood and lowered his hand. Her body was trembling from the cold. Zuko lowered his guard and it was then that he saw offensive. Two silver blades crept our from her long sleeves and in one swift fluid motion she punctured Zhao's arm and Zuko swore he saw the blade go through his hand. The man screamed in pain. She twisted her torso and managed to guide the burning flame in his other arm to the sky missing her by mere inches. She took a sharp breath and ducked with skilled training. She used all the strength in her legs to push away from him. Her body collapsing to the snowy ground. Zhao held his arm put again ready to attack. However lost his footing when she twisted kicking him off his feet smoothly. Without hesitation Zuko stepped in and blasted Zhao away in a fiery dance.

Wounded and miserable the man collapsed to the ground in the middle of the snow bridge.

Massively monstrous blue hands suddenly struck out from the water and clawed at the top surrounding the admiral in a deathly capture. Zuko and Tsai managed to roll away from the monster claws as to their horror witnessed the admiral being dragged away to a watery grave. Tsai glared with eyes narrowed. Zuko was the better person and stretched out his hand in aid. For a second it looked like Zhao was going to take it but the prideful man turned away.

And just like that he was gone. Color returned to the world and it seemed like a glance had returned to the world. Zuko stepped back and saw the red-head shivering a couple of feet away from him. Her teeth chattering. He looked at her and her at him and she couldn't believe how happy she was to see him. To see somebody from home, someone familiar.

"Zuko!" She spoke in a low voice through violent shakes. Now having her she got a good look at his face and noticed the many new scars and wounds that decorated his face. She was about to ask what had happened during her short absence.

"What-" She was left with the words in her mouth when he wrapped his arms around her hugging her in a tight embrace. He almost sighed. Relieved that she was okay. That they had found each other again.

She stood before him sharp hidden blades unsheathed, shocked, shivering, soaked to the coldest bone. It took her a moment of hesitation before hugging him back just as tightly.

"I'm so happy to see you," the words left her mouth before she could process them. She hadn't even realized that she had started to cry. She buried her face on his shoulder. He was warm. He was the piece of home she had been missing. Right now, he was comfort.

"You're freezing," he said taking her hands in his as she retracted her hidden blades. He said nothing. Simply held her icy hands in his and brought them close to his lips breathing a hot air into them slowly warming her back.

She didn't even know why she was crying at this point. She smiled at him endearingly and wiped a stray tear from her. Everything was just too much to handle right now. Way too overwhelming.

"Let's get out of here." He said to her.

She wiped her tears as they escaped the icy tundra.

xxx

They met up with Iroh and Tsai sprinted hard running into his arms hugging him tightly. He hugged her back almost like a missing child and she repeatedly apologized for leaving without saying goodbye. He simply cupped her face with a hand and told her she did the right thing.

"I feel like you're at the crossroads once again Tsai, " Iroh said wisely tucking in both of his hands inside of his sleeves. "I wonder what road you'll take." He said ominously.

She raised an eyebrow confused at his riddle and shook his head.

"Let's just go home," she sighed. "I want to go back to Yu Dao. I think I'm going to be sick." She shivered not wanting to linger in this icy Neverland for another minute.

"Very well." Iroh said understandably. The man insisted on leaving on a makeshift raft boar which the girl refused to get on endlessly. Having been lost at sea for so many dies and almost dying from starvation she refused to put herself through the whole thing again. So instead they stole a slightly larger boat. One from a Water Tribe fisherman.

"They owe me," she grumbled. "That's for throwing me in that cold pit." She said bitterly as she remembered her brief stay in the icy prison cell. She hadn't even done anything!

And so they sailed away. Iroh explained to Tsai everything that had happened. Zhao killing the moon spirit. Yue becoming the moon spirit. The attack. The Avatar becoming one with the same spirit and taking down the fire nation. It had been a loaded day. He reasoned that it was probably the best that she had spent the day in jail for her own safety.

"You're really sure about returning back home?" Iroh asked.

Tsai snapped back into the conversation feeling distraught by her friend Yue's demise into the spirit world. "Sure," She mumbled. "Why not? I don't want to keep on 'getting in the way.'" She glared at a certain scarred prince who looked like he had the worst headache of his life.

"I'm concerned as your status as a traitor to the Fire Nation," Iroh stroked his beard wisely. "But that's a problem for when we arrive back to the mainland," he smiled at her warmly.

"You shouldn't have done that!" Zuko suddenly snapped in a scolding tone. "That stunt at the Pohuai Fortress? What were you thinking!" He sounded almost worried. Tsai misses the slight smirk that is growing on Iroh's face as he looks at them from the side.

"Hey! I freed the Avatar for you! Do you should be thanking me!" She shot back. "If I hadn't done that you'd be sitting in your room right now sulking with your arms crossed over your chest angrily meditating like an idiot."

"I don't sulk!" The other shot back slightly embarrassed and reached for her arm

"Also- may I remind you that Admiral Zhao is disgusting company. Interacting with him was definitely not pleasant," she raised both of her eyebrows eyes holding a little horror in them at the awful memory. It was then that he realized that he was holding on to her lower arm. He raised it up and her sleeves rolled back which exposed her secret weapon. He scrutinized over it looking at the arm braces she wore with the hidden blade mechanism.

Zuko would've never admit it outlaid but this was way more simple than what he had expected. Mind reading, secret bending, being a blood thirsty vampire demon, and super natural powers all came to him in his theories of how Tsai had gotten in an out of the stronghold with such ease.

"I'm glad to see your grandfather's hidden blades are in good hands," Iroh commented with a knowing smile.

"You knew about this Uncle?"

Iroh simply smiled a mischievous glint on his amber eyes.

"My grandfather taught me how to fight," she admitted reaching to touch the sunstone necklace she wore. "But I refuse to unless it's necessary. You see it can be quite deadly."

"Why didn't you say anything?" Zuko asked.

"I guess I didn't want you to think I was... weird." She said looking away slightly embarrassed.

"I....think it's cool," he said sharing the same tone after a moment. "Really?" She turned to look at him beaming. This only caused his cheeks to redden even more.

Iroh chuckled.

Zuko sighed and threw his hands up in the air not wanting to further have this conversation. "I'm tired." He declared.

"Youre not going to chase the Avatar?" Iroh asked.

"No- I'm tired." he repeated as he collapsed on the ship.

"A man needs his rest. Besides, Tsai and I have some much needed catching up to do." Iroh winked in her direction and she winked back.

They certainly did.

xxxx

AN: Your lovely thoughts? Phew and that's the end of Book 1, now onto what's next. Chapter 8 and Chapter 9 were originally one really long chapter so I decided to split them into 2. Also I have the story written until chapter 26 but as I keep editing and rewriting for posting I have made so many changes and I am loving how the story is unfolding.

Much love - G

xxx

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CHAPTER MASTERLIST

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aboveallarescuer · 4 years

Text

GRRM interviews about (or mentioning) Dany - Part 1

I went to So Spake Martin and collected excerpts of GRRM's interviews that talked about Dany in some way. Some observations here:

I didn't have access to broken/unavailable links or newspapers that require subscription.

I didn't get video or podcast interviews, only ones that were written down.

I also added some excerpts about how he enjoys grey characters or how he wants to be "realistic" and other topics that may relate ... not necessarily to Dany's character, but to his writing in general. It may be useful for some metas, even if they should not be divorced from the actual text.

I didn't mind collecting interviews about the same topic.

Maybe I did a poor job collecting these interviews or the SSM is incomplete, but, in any case, there are still several key interviews missing; I couldn't find the ones about how GRRM relates to Dany's character or how he wishes the Targaryens were black, for instance.

Even with these limitations in mind, there is still quite a bit to dig into here.

November 1998

The Targaryens have heavily interbred, like the Ptolemys of Egypt. As any horse or dog breeder can tell you, interbreeding accentuates both flaws and virtues, and pushes a lineage toward the extremes. Also, there's sometimes a fine line between madness and greatness. Daeron I, the boy king who led a war of conquest, and even the saintly Baelor I could also be considered "mad," if seen in a different light. ((And I must confess, I love grey characters, and those who can be interperted in many different ways. Both as a reader and a writer, I want complexity and subtlety in my fiction))

December 1998

Was it a conscious decision to paint things in grey, killing off good guys, etc.

Definitely a conscious decision. Both as a reader and a writer, I prefer my plots to be unpredictable and my characters to be painted in shades of grey, rather than in blacks and whites.

July 1999

Just out of being curious how a writer goes about his work -- do you generally write a certain POVs chapters in batches? Or are Dany's chapters, given how generally unconnected they are to the rest of the books as she goes along her own plot thread, easier to do that way? I suppose the momentum can help with a tough character.

Yes, I generally get in a groove on a particular character and write several chapters or chunks of chapters at once, before hitting a wall. When I do hit a wall, I switch to another character. Some characters are easier to write and some harder, however. Dany and Bran have always been toughest, maybe because they are heaviest on the magical elements... also, Bran is the youngest of POV kids, and very restricted as well because of his legs. At the other end of the spectrum, the Tyrion chapters often seem to write themselves. The same was true for Ned.

Jon was not born "more than 1 year" before Dany... probably closer to eight or nine months or thereabouts.

November 1999

Also, just how much impact did the Rhoynar have on the modern customs of Dorne? Beyond the gender-blind inheritance laws, the couple of Rhoynish gods that smallfolk might have turned into saints or angelic-type beings, and perhaps the round shields, that is. In particular, given that Nymeria was a warrior-queen, is there a certain amazon tradition?

The Rhoynar did impact Dorne in a number of ways, some of which will be revealed in later books. Women definitely have more rights in Dorne, but I would not call it an "Amazon" tradition, necessarily. Nymeria had more in common with someone like Daenerys or Joan d'Arc than with Brienne or Xena the Warrior Princess.

September 2000

It has been my intention from the start to gradually bring up the amount of magic in each successive volume of A Song of Ice and Fire, and that will continue. I will not rule out the possibility of a certain amount of "behind the scenes" magic, either. But while sorcerous events may impact on my characters, as with Renly or Lord Beric or Dany, their choices must ultimately remain their own.

November 2000

This third Targaryen might very well be -not- a Targaryen, to quote his exact words... "Three heads of the dragon... yes... but the third will not nessesarily BE a Targaryen..."

He mentioned his frustration that Tranter books don't have maps since Tranter tends to describe journeys using ALL the available landmarks (I also stupidly complained about there not being a map of the landmass Dany's on in the books, and he VERY politely pointed out to me that there was one in SoS [O the shame!]).

December 2000

NG: A Song of Ice and Fire undergoes a very interesting progression over its first three volumes, from a relatively clear scenario of Good (the Starks) fighting Evil (the Lannisters) to a much more ambiguous one, in which the Lannisters are much better understood, and moral certainties are less easily attainable. Are you deliberately defying the conventions and assumptions of neo-Tolkienian Fantasy here?

GRRM: Guilty as charged.

The battle between good and evil is a legitimate theme for a Fantasy (or for any work of fiction, for that matter), but in real life that battle is fought chiefly in the individual human heart. Too many contemporary Fantasies take the easy way out by externalizing the struggle, so the heroic protagonists need only smite the evil minions of the dark power to win the day. And you can tell the evil minions, because they're inevitably ugly and they all wear black.

I wanted to stand much of that on its head.

In real life, the hardest aspect of the battle between good and evil is determining which is which.

NG: You've frequently expressed admiration for Jack Vance. How Vancean is A Song of Ice and Fire in conception and style? In particular, does the narrative thread featuring the exotic wanderings of Daenerys Targaryen function in part as a tribute to Vance, to his picaresque inventiveness?

GRRM: Jack Vance is the greatest living SF writer, in my opinion, and one of the few who is also a master of Fantasy. His The Dying Earth (1950) was one of the seminal books in the history of modern Fantasy, and I would rank him right up there with Tolkien, Dunsany, Leiber, and T.H. White as one of the fathers of the genre.

All that being said, I don't think A Song of Ice and Fire is particularly Vancean. Vance has his voice and I have mine. I couldn't write like Vance even if I tried... and I did try, once. The first Haviland Tuf story, "A Beast for Norn," was my attempt to capture some of Vance's effects, and Tuf is a very Vancean hero, a distant cousin to Magnus Ridolph, perhaps. But what that experiment taught me was that only Jack Vance can write like Jack Vance

NG: Three more volumes of A Song of Ice and Fire wait to be written. What shape do you expect them to take, and are their titles finalized as yet?

GRRM: Yes, three more volumes remain. The series could almost be considered as two linked trilogies, although I tend to think of it more as one long story. The next book, A Dance With Dragons, will focus on the return of Daenerys Targaryen to Westeros, and the conflicts that creates. After that comes The Winds of Winter. I have been calling the final volume A Time For Wolves, but I am not happy with that title and will probably change it if I can come up with one that I like better.

You tend to write protagonists with strongly negative personality quirks, people who certainly don't fit the standard mold of a hero. People like Tuf in the Tuf Voyaging series, and Stannis and Tyrion inSong of Ice and Fire. Do you deliberately inject your characters with unattractive elements to make readers consciously think about whether they like them and why?

Martin: [Laughs.] Well, I don't know that I'd choose the word "unappealing," but I look for ways to make my characters real and to make them human, characters who have good and bad, noble and selfish, well-mixed in their natures. Yes, I do certainly want people to think about the characters, and not just react with a knee-jerk. I read too much fiction myself in which you encounter characters who are very stereotyped. They're heroic-hero and dastardly-villain, and they're completely black or completely white. And that's boring, so far as I'm concerned. It's also unreal. If you look at real human history, even the darkest villains had some good things about them. Perhaps they were courageous, or perhaps they were occasionally compassionate to an enemy. Even our greatest heroes had weaknesses and flaws.

There seem to be two different styles competing throughout the series: historical fantasy in the Seven Kingdoms series, and a softer Roger Zelazny/Arabian Nights style for the scenes abroad. Is there a conscious split between the two for you, or is it just an aspect of the setting?

Martin: I try to vary the style to fit each of the characters. Each character should have his or her own internal voice, since we're inside their heads. But certainly the setting has great impact. Dany is moving through exotic realms that are perhaps stranger to us than Westeros, which is more based in the medieval history with which we're more familiar in the West, so perhaps those chapters seem more colorful and fanciful.

You do tend to be very brutal to your characters.

Martin: Well, yes. But you know, I think there's a requirement, even in fantasy--it comes from a realm of the imagination and is based on fanciful worlds, but there's still a necessity to tell the truth, to try to reflect some true things about the world we live in. There's an inherent dishonesty to the sort of fantasy that too many people have done, where there's a giant war that rips the world apart, but no one that we know is ever really seriously inconvenienced by this. You see the devastated villages where unnamed peasants have lived, and they're all dead, but the heroes just breeze through, killing people at every hand, surviving those dire situations. There's a falsehood to that that troubles me. A writer can choose not to write about war. You don't have to write about war if that's not a subject that interests you, or you find it too brutal. But if you are going to write about war, I think you need to tell the truth about it, and the truth is that people die, and people die in ugly ways, and even some of the good guys die, even people who are loved.

June 2001

I'm a bit concerned about Dany's skills as a commander. To succeed with the invasion of Westeros, I believe she will need a lot of sound military advice (both tactically and strategically). What's your thoughts on this issue?

She will need counsel, yes... she will also need to learn to tell the good counsel from the bad, which is perhaps the hardest task of all.

Was it difficult to you when you wrote Dany's scene with the slavers in SOS? Was that one of the moments where the character spoke to you and changer their direction? Cause for me that act of Dany's seemed out of character. I know she dislikes slavery, but she must have killed an awful lot of innocent people there, plus her motives to me seemed suspect. Yes she freed the slaves, but she also got a large army for nothing. And right after she left the slavery started up again.

Dany is still very young. She has lessons to learn. That was one of them. It is not as easy to do good as it might seem, no matter how noble your intentions.

February 2002

1. Was Mirri Maz Duur telling the truth when she told Daenerys Targaryen that the latter could never have children again?

I am sure Dany would like to know. Prophecy can be a tricky business.

3. Is Daenerys Targaryen or anyone in her entourage able to tell whether her dragons are male or female? (Is the question relevant to dragons?)

Not yet.

4. Daenerys Targaryen believed that her brother Rhaegar loved Lyanna Stark. Does she also believe that Lyanna Stark returned this love?

Dany is not sure what to believe.

5. Since all of their mothers died, who gave Jon Snow, Daenerys Targaryen and Tyrion Lannister their names?

Mothers can name a child before birth, or during, or after, even while they are dying. Dany was most like named by her mother, Tyrion by his father, Jon by Ned.

March 2002

3) Is your world round. I mean if Dany traveled far enough east couldnt she come to the other side of westeros?

Yes, the world is round. Might be a little larger than ours, though. I was thinking more like Vance's Big Planet.... but don't hold me to that.

Oh, stupid fan question. I've been trying to get a visual of what the Quarth look like in my mind. In terms of what race they might be in our world. Tall and pale but I don't believe their hair color was mentioned. Would they be Western European looking? Slavic? Whenever their culture is mentioned I always think of either Persian or Indians.

I have tried to mix and match ethnic and cultural traits in creating my imaginary fantasy peoples, so there are no direct one-for-one correspodences. The Dothraki, for example, are based in part on the Mongols, the Alans, and the Huns, but their skin coloring is Amerindian. The Qartheen are an even more exotic hybrid, and offhand I don't recall where I got all the cuttings.

April 2002

[Shaun] How do you view Dany's place in the series. She seems an heroic character to me, but the writeups on the back covers always speak of her as a villain...

[+GeorgeRRMartin] to shaun ignore the blurbs on the back cover and make up your own mind who is the hero and who is the villain

[Erix] Dany will be betrayes 3 times. Did ser Jorah betray here once for money? so does this make it 2 betrayels so far?

[+GeorgeRRMartin] to erix no comment (twice!)

He said that in his original plan (when he wanted to write a trilogy) the Red Wedding would take place in book one, and Dany's landing in Westeros in book two. Now he says that Dany's arrival in Westeros will take place in book 5, A Dance with Dragons.

December 2003

Shaw: You created Jon as a bastard and an outcast from the get-go. Yet he's also one of the most attractive characters. Did you choose to make Jon a bastard to make him more attractive as an "underdog," or was his bastard birth central to the shaping of his character itself?

Martin: Almost all the characters have problems in some way. Very few of my major viewpoint characters have all the answers or have an easy path through life. They all have burdens to bear. Some of them are women in a society that doesn't necessarily value women or give them a lot of power or independence. Tyrion of course is a dwarf which has its own challenges. Dany is an exile, powerless, penniless, at the mercy of other people, and Jon is a bastard. These things shape their characters. Your experiences in life, your place in life inevitably is going to change who you are.

Shaw: As the novels unfold, Jon becomes increasingly identified with the northern cold and ice, just as Dany is closely tied to the southern heat and fire. Will these two ultimately embody the central image of the series, Ice and Fire?

Martin: That's certainly one way to interpret it. That's for my readers to argue out. That may be one possible meaning. There may be a secondary meaning, or a tertiary meaning as well.

Shaw: Are all the Targaryans immune to fire?

Martin: No, no Targaryans are immune to fire. The thing with Dany and the dragons, that was just a one-time magical event, very special and unique. The Targaryans can tolerate a bit more heat than most ordinary people, they like really hot baths and things like that, but that doesn't mean they're totally immune to fire, no. Dragons, on the other hand, are pretty much immune to fire.

February 2004

Jon and Dany will be the two focal characters of AFfC (in the sort of way in which Ned was the focal character of AGoT).

May 2005

He doesn't feel that it's fair to call his work gratuitous. He wants the reader to live vicariously though his books (a function of fantasy writing), feel the characters emotions. If a character is at a feast, he wants the reader to smell the food, experience Dany's discomfort at being served an unappetizing dish. The same with the sex scenes-he wants his readers to feel like they are there.

Another bit of information that I found interesting- we *WILL* hear about the POVs who will not have front stage as it were, but will have it in ADwD. The reports of those chars will be somewhat garbled and messy as can be expected from any news that has travelled that distance and is that important. ex) Varys' manipulation of the Dany information, or Theon's skinning of the miller's information (we didn't know it wasn't Bran and Rickon until later). *THOSE* are the kind of reports we will see in AFFC about the missing POVs. We will get information on them, but have no idea which parts, if any, are correct.

I have some more things to add about things I asked, but I will probably trickle out things as I sober up and recall them. :p

The following will show up in ADwD:

Arya, Bran, Jon, Dany, Tyrion, and Asha (she will be in both books, as she gets involved in affairs of the North)

[Note: Spoiler POV redacted] has the most number of chapters in AFFC, while Dany has the most in ADwD. Also, the number of Tyrion chapters is going up from 4 to 7 in ADwD (his storyline is basically beinbg expanded).

GRRM said Dany and the Wall is excluded. That removes Dany and probably Tyrion plus the Wall which presumably means Jon and Davos.

Dragons will deal with Daenerys and the North. He decided to split by character, rather than in the middle of the story, as he wanted a complete book, rather than FfC part I and II.

This is no hoax.

I swear it by ice and fire. I swear that I will never post again should this prove false. I swear I will never touch wine again, if it is not true.

George said it is done.

But he had to make a major change. It had grown too large.

Daenerys will not appear. There will be little if any action in the North. Those chapters will be moved into the next book, which should come out shortly thereafter.

AFFC will be the size of AGoT.

The next book will still be called aDwD. (Dany will be in it after all).

That being said, Dany will be presented with a map of the world from a fellow whose name I cannot remember because the pronunciation was very odd indeed.

There was some talk about the Targaryen bloodline and how it worked when there weren't enough siblings to marry. Uncle might marry niece or aunt, nephew. There were also cousins in that family at one time.

Dany has more chapters than anyone. He also said that Dany's love life is going to become "extremely complex"

Parris has proclaimed that Arya cannot die! (No, she wasn't there :( but he mentioned it when someone said that he's not allowed to kill Dany)

So yeah, in short, book not done but soon, lots of Dany, the Ironborn, and the Dornish, and Renly and Loras were INDEED knocking boots.

October 2005

The main point of discussion was the reason for the five-year wait since A Storm of Swords. I'm sure most of you know this already but, briefly, he wanted a 5-year gap between ASOS and ADWD to allow the kids to grow up. Some characters, mainly the children and Daenerys, really benefited from this, but most of the other characters suffered and the book was degenerating into a flashback-fest. After about a year he decided that wasn't working, ditched everything, and started again.

November 2005

His analogy is that the series is a symphony and each book is a movement, and explained that he likes each character arc to have some sort of finale in each book, whether it's on a cliffhanger, or a completion of some phase of the character's story arc (or death hehe). Ultimately, he decided to divide it geographically as you all know, since Dany's story is taking place in Martinland's China, and the rest is taking place in Martinland's England.

One man asked whether George ever learns of people naming their kids after his characters. He pointed the guy to his website, where he even has baby pictures of Sansas, Aryas, even a Daenarys, Nymeria, Eddard, Bran, Chataya, and several Cerseis. He won't take credit for the Jons, though (hehe). It was great; someone in the audience made a crack about Cersei, and someone else said "as long as they aren't twins"). He mentioned meeting a little girl whose parents had named her Daenarys and he made a joke about how she was really going to hate spelling that when she gets to first grade. He also once got a letter from a 23-year-old girl named Lya whose mother said she was named after a character in one of his stories (A Song for Lya) and wanted to know who the heck Lya was. George sent her a copy! Hehe. He said he finds it flattering overall, but thinks it's a bad idea when the story isn't done yet and some of the characters will come to a bad end, and then those parents will be pissed with him!

He was asked or mentioned most of the stuff that's already been covered, but one thing he talked about that I found particularly interesting was Romanticism. He said that he is a romantic, in the classical sense. He said the trouble with being a romantic is that from a very early age you keep having your face smashed into the harshness of reality. That things aren't always fair, bad things happen to good people, etc. He said it's a realists world, so romantics are burned quite often. This theme of romantic idealism conflicting with harsh reality is something he finds very dramatic and compelling, and he weaves it into his work. Specifically he mentioned that the Knight exemplifies this, as the chivalric code is one of the most idealistic out there, protection of the weak, paragon of all that is good, fighting for truth and justice. The reality was that they were people, and therefore could do horrible cruel things, rape, pillage, wanton killing, made all the more striking or horrifying because it was in complete opposition to what they were "supposed" to be. Really interesting stuff.

At the San Diego signing, I asked GRRM at the Q&A, "Besides Dany's dragons, have all the Targaryen dragons been descendants of Aegon the Conquerors three?" GRRM answered "yes".

And that one of the things he regrets losing from the POV split is that he was doing point and counterpoint with the Dany and Cersei scenes--showing how each was ruling in their turn.

Q: 5-year gap?

A: It worked for characters like Arya and Dany but not so much for the adults or those who had a lot of action coming. He was writing chapters where Jon thought, "Well, not a lot has happened these past five years, it's been kinda nice." And Cersei chapters where she thought, "Well, I've had to kill sooo many people the last five years." So he ended up dropping it. He said he would have done it sooner if he hadn't told so many fans about it. And there is no gap anymore. "If a twelve-year old has to conquer the world, then so be it."

(Petyr is just Peter, for example.)

Some he did say during the course of the evening:

Cersei = Sir-say

Jaime = Jamie (I think that was obvious but just in case)

Sansa = Sahn-sa

Tyrion = Tear-ion

Arya = Ar-Ya (Ex, Are ya?)

Daenerys = Dane-err-is

TARGARYEN KINGS

SUBMITTED BY: AMOKA

[Note: The following information was sent to Amok for his contribution to the Fantasy Flight Games artbook.]

These are all Targaryens, of course, so there should be a strong family resemblence from portrait to portrait. All of them (except as noted) will have the purple eyes and silver-gold hair for which House Targaryen is noted. All of them should be wearing crowns... the same crown in many of the pix, though it will change once or twice along the way, as noted.

The hard part will be making each of the kings an individual, despite the similarities, and evoking each one's character through facial features, pose, clothing, background, and other elements in the portrait.

Here's the lineup:

DAENERYS I. Daenerys Stormborn. No description necessary, I assume. Show her wearing the three-headed dragon crown she was given in Qarth, as described in A CLASH OF KING. Might be good to include the three dragons in the picture. Show them very young, as hatchings, one in her lap, one wrapped around her arm and shoulder, one flying just above her.

January 2006

He repeatedly emphasized that he prefers to write grey characters, because in real life people are complex; no one is pure evil or pure good. Fiction tends to divide people into heroes who do no wrong and villains who go home and kick their dogs and beat their wives, but that reality is much different. He cited a soldier who heroically saves his friends' lives, but then goes home and beats his wife. Which is he, hero or villain? Martin said both and that neither act cancels out the other.

February 2006

NAERYS TARGARYEN

SUBMITTED BY: AMOKA

[Note: The following continues GRRM's series of descriptions of notable Targaryens (and Targaryen bastards) for Amoka.]

The sister of King Aegon the Unworthy and Prince Aemon the Dragonknight was beautiful as well, but hers was a very fine and delicate beauty, almost unworldy. She was a wisp of a woman, smaller even than Dany (to whom she bears a certain resemblence), very slender, with big purple eyes and fine, pale, porcelain skin, near translucent. Naerys had none of Dany's strength, however.

July 2006

George regrets that Cersei and Dany will not be contrasted directly. I told him of how some dedicated boarders try to defeat him and piece together a timeline. George replied that he tries to keep it vague.

He likes the extra breathing room to flesh out the characters. Bran didn't have any chapters and Dany's ending was different. Now he likes the way she ended. I think he actually may be doing more with Dany.

SPOILER: Possible for ADWD

The second Dance of Dragons does not have to mean Dany's invasion.

Geroge stopped himself short and said he shouldn't say anymore. The response came because of my question of whether the dance would take place in ADWD because AFFC and ADWD parallel. So now my friends, speculate away.

February 2007

Some other bits of info from Q&A: In Song, he considers Bran the hardest viewpoint character to write, while Tyrion is the easiest. The Red Wedding was partly based on a historical event in Scotland called the Black Dinner. His biggest lament in splitting A Feast for Crows from A Dance with Dragons is the parallels he was drawing between Circe and Daenerys.

E. His dragons have no front limbs -- just rear legs and wings. He said that although the traditional depiction of dragons as six limbed creatures has become a staple of fantasy -- the fact that no animal in nature has ever evolved in such a way always bothered him. As a sci-fi writer originally, he insists on the depiction of the dragons with just four limbs. I never heard that before and though it was pretty neat.. In addition, he said that although AsoIaF dragons are intelligent, they cannot speak and will never evolve into the sort of dragons we see in Tolkien or Le Guin. Specifically he said’ Drogon is never going to share witty aphorisms with Dany. The Targaryens rule by Fire and Blood and that is what the dragons represent in the story". I guess the power icon is more Nedly for them than some of us thought when they were first rolled out back in AfoD.

F. Cersei and Daenerys are intended as parallel characters --each exploring a different approach to how a woman would rule in a male dominated, medieval-inspired fantasy world.

May 2007

GRRM: Well, the next book out is A Dance with Dragons, of course, and that's the fifth book of the series but in some ways it's really 4B, as those of you who follow the series knows that A Feast for Crows got so big I had to pull it in half. I split it not by chopping it right in the middle but I split it by characters. The one I'm working on now is going to have an awful lot of the characters that that aren't in A Feast for Crows, it's going to have a lot of Jon Snow, a lot of Daenerys, a fair amount of Davos, and it's going to have have a lot of "me" -- Tyrion, who is your favorite, and my favorite, so I'm enjoying writing a lot of those right now.

And you know I got phone calls from people at the studio afterwards saying, "There is a way to make this as a feature. There's a way to do it as a movie. You could just take Jon Snow and Daenerys and just concentrate on them and get rid of some of the minor characters." And it just, it was kind of appalling because, much as I love Jon Snow and Daenerys, I didn't want to lose the other characters. I mean this is an epic and the only way we could conceive of doing it properly was to tell it as a series. And you can't do it as a series where's it interrupted every twenty minutes by a commercial for toothpaste. And you can't do it where I'd have Tyrion saying the things he says and doing the things he says, all of which network TV would have had a huge problem with.

So we really felt from the beginning that the best way to do this was on HBO or possibly Showtime.

August 2007

Just because I still love Popinjay and the Turtle and my other Wild Cards characters does not mean I have stopped loving Arya and Tyrion and Dany.

April 2008

BERBERS AND DANY

[Did the unrest during the transition between Arab and Berber rule inspire Dany's storyline?]

No. Sounds fascinating, but I'm afraid I don't have enough experience with the Berbers or their history to draw on them for inspiration.

July 2008

GRRM was asked the typical question, of where the idea for ASOIAF had come from. He replied that in the summer of 1991, when he was working as a Hollywood screenwriter, in a gap between assignments he began work on a new novel, a sf novel called Avalon ( personal note, no I would not swap it for ASOIAF, but I would have loved to have read it), set in his future history universe. And somehow, he found himself writing the first chapter of AGOT, about the direwolf pups un the snow. And after that came a second chapter and pretty soon he spent the whole summer writing AGOT.

From there he started to plan a trilogy, since there were 3 main conflicts ( Starks/Lannisters; Dany; and the Others) it felt it would neatly fit into a trilogy (ah!), but like Tolkien said, the tale grew in the telling.

April 2010

GRRM said he regretted mentioning the eye color of any of his characters. He also noted that as a brown-eyed person, he finds it annoying that brown-eyed characters are always portrayed as ordinary, while the doers of great deeds always have blue or hazel eyes or something - he notes that he himself was somewhat guilty of this with the violet eyes of Dany or the red eyes of Melisandre.

(25) Any particular storyline he is enjoying right now?

He said that Dany's storyline is emerging in increasing importance. But he is struggling with the Meereenese Knot. So he can't say he is enjoying it. But he is really enjoying writing Arya's story. He could write an entire novel of it. He could write an entire YA novel about her...(at this point the audience starting clapping and calling out YES! DO IT!)...but her entire story isn't part of the greater novel. He has 12 novels worth of info for this book and its hard to fit it all in.

February 2011

Sam Thielman: So, why did "A Dance With Dragons" take longer to write than the other books in the series?

George R. R. Martin: Well, you know, that's a good question and I'm not sure I have an easy answer for that. #1, none of the books have been exactly fast, I mean, I'm a slow writer, I've always been a slow writer, and the books are huge. I mean, they're three, four, five times the size of most novels being published. And they have extremely complex interweaving storylines. I remember back when I did the first book, 'A Game of Thrones,' Asimov's Magazine wanted to publish an excerpt and I pulled out the Daenerys storyline from the first book, and they published that as an excerpt, and after I pulled out all the Daenerys chapters and put them together for Asimov's, I did a word count and discovered, technically, I had a novel, just about Daenerys. I'm never gonna be one of those writers who has a book a year, or two books a year like some of my colleagues do. I simply can't write that fast. I do a lot of polishing and revising, and it's a big task.

July 2011

Tad: Question: Do you purposely start a character as bad so you can later kill them?

GRRM: No. What is bad? Bad is a label. We are human beings with heroism and self-interest and avarice in us and any human is capable of great good or great wrong. In Poland a couple of weeks ago I was reading about the history of Auschwitz – there were startling interviews with the people there. The guards had done unthinkable atrocities, but these were ordinary people. What allowed them to do this kind of evil? Then you read accounts of acts of outrageous heroism, yet the people are criminals or swindlers, one crime or another, but when forced to make a choice they make a heroic choice. This is what fascinated me about the human animal. A lot of fantasy turns on good and evil – but my take on it is that it’s fought within the human heart every day, and that’s the more interesting take. I don’t think life is that simple.

Tad: All of us work with multiple viewpoints – I hear this next question a lot: with story-driven plots, how do you decide which character viewpoint to write from – do you write several characters, taste them, then decide?

GRRM: No, not several, at least not intentionally. I had more choice early in the series, I frequently had situations where 2 or 3 were present at the same time. But as it’s progressed they have dispersed, so I need to be in the viewpoint of whoever’s there. There are some cases when I have a choice and in that case, I weigh which one. Without talking exactly about "The Mereenese Knot" – I’m not going to talk exactly about it, but but [there was a time when] a number of viewpoints were coming together in Mereen for a number of events, and I was wrestling with order and viewpoint. The different points-of-view had different sources of knowledge and I never could quite solve it. I was rewriting the same chapter over and over again – this, that, viewpoint? – spinning my wheels. It was one of the more troublesome thickets I encountered. There’s a resolution not to introduce new viewpoint characters, but the way I finally dealt with things was with Barristan, I introduced him as a viewpoint character as though he’d been there all along. That enabled me to clear away some of the brush.

Tad: Question: do you choose characters because they will provide you with a viewpoint or something characterful?

GRRM: Actually, no. I try to give each viewpoint character an arc of his own, and ideally I would like to think that you could pull the material out – in the early books I was able to pull out the Daenerys chapters and publish them separately as a novella, and I won a Hugo Award for that. It'd be great if I could pull out each [character-arc] and it would resemble a story. In some cases a character died and that was a very short story. My prologue and epilogue characters always die but even then I try to give them a story.

Your books, especially recently, are full of women trying to exert power in a male dominated world who have to compromise themselves along the way. Are you trying to make a feminist statement?

You could certainly interpret it that way. I don't presume to say I'm making a statement of this type or that type. But it is certainly a patriarchal society, I am trying to explore some of the ramifications of that. I try to write women as people, just as I try to write any other characters. Strong and weak, and brave and cowardly, and noble and selfish. It has been very gratifying to me how many women read my work and how much they like at least some of my female characters.

The one thing I must confess to being frustrated by is the first Tyion chapter where you set up this expectation that he’s going to meet Dany, and I got excited. Then about 600 pages later I’m realizing, “OK, that’s not gonna happen, at least not in this book.”

Yeah, it’s the “kind of bring ’em together but don’t give them the confirmation.” In some ways it’s not so different than the sexual tension in TV shows — are Catherine and Vincent [on Beauty and the Beast] finally going to kiss? Same philosophy. This is the kind of stuff I wrestle with. I could have ended the next chapter: Tyrion gets off the boat and there’s Dany. But the journey itself has its own interest.

There’s a point in the series where you feel like you’re reading a bunch of separate stories. Toward the end of Dance, you feel the threads starting to come back together. Is that accurate?

That’s certainly the intent, and always was the intent. Tolkien was my great model for much of this. Although I differ from Tolkien in important ways, I’m second to no one in my respect for him. If you look at Lord of the Rings, it begins with a tight focus and all the characters are together. Then by end of the first book the Fellowship splits up and they have different adventures. I did the same thing. Everybody is at Winterfell in the beginning except for Dany, then they split up into groups, and ultimately those split up too. The intent was to fan out, then curve and come back together. Finding the point where that turn begins has been one of the issues I’ve wrestled with.

There was a fair amount of explicit sex in the series and some fans of the books were taken aback.

One of the reasons I wanted to do this with HBO is that I wanted to keep the sex. We had some real problems because Dany is only 13 in the books, and that’s based on medieval history. They didn’t have this concept of adolescence or the teenage years. You were a child or you were an adult. And the onset of sexual maturity meant you were an adult. So I reflected that in the books. But then when you go to film it you run into people going crazy about child pornography and there’s actual laws about how you can’t depict a 13 year old having sex even if you have an 18 year old acting the part — it’s illegal in the United Kingdom. So we ended up with a 22 year old portraying an 18 year old, instead of an 18 year old portraying a 13 year old. If we decided to lose the sex we could have kept the original ages. And once you change the age of one character you have to change the ages of all the characters, and change the date of the war [that dethroned the Mad King]. The fact we made all these changes indicates how important we thought sex was.

References the chapbook with the first three Dany chapters from 2005 and that it offers insight as to how much the book has changed since then.

There's been an interesting discussion on our forum concerning "orientalism" as it's expressed in your work, and one question it's led to among readers is whether you've ever considered a foreign point of view characters in Essos, to give a different window into events there.

No, this story is about Westeros. Those other lands are important only as they reflect on Westeros.

Part of the difficulty of this particular novel was what you called the "Meereenese Knot", trying to get everything to happen in just the right order, pulling various plot strands together in one place, and part of the solution was the addition of another point of view character. Was this something where you tried writing it from a number of different point of views before settling on a new one? Did you actively resist adding a new character?

The Meerenese Knot related to everyone reaching Dany. There's a series of events that have to occur in Meereen, things that are significant. She has various problems to deal with at the start: dealing with the slavers, threats of war, the Sons of the Harpy, and so on. At the same time, there's all of these characters trying to get to her. So the problem was to figure out who should reach her and in what order, and what events should happen by the time they've reached her. I kept coming up with different answers and I kept having to rewrite different versions and then not being satisfied with the dynamics until I found something that was satisfactory. I thought that solution worked well, but it was not my first choice.

There's a Dany scene in the book which is actually one of the oldest chapters in the book that goes back almost ten years now. When I was contemplating the five year gap [Martin laughs here, with some chagrin], that chapter was supposed to be the first Daenerys chapter in the book. Then it became the second chapter, and then the third chapter, and it kept getting pushed back as I inserted more things into it. I've rewritten that chapter so much that it ended in many different ways.

There's a certain time frame of the chronology where you can compare to A Feast for Crows and even A Storm of Swords and figure out when they would reach Meereen and the relative time frames of each departure and each arrival. But that doesn't necessarily lead to the most dramatic story. So you look at it and try and figure out how to do it. I also wanted to get across how difficult and dangerous it was to travel like this. There are many storms that will wreck your ship, there are dangerous lands in between where there are pirates and corsairs, and all that stuff. It's not like hopping on a 747, where you get on and then step off the plane a few hours later. So all of these considerations went into the Meereenese Knot.

Then there's showing things after [an important event], which proved to be very difficult. I tried it with one point of view character, but this was an outsider who could only guess at what was going on, and then I tried it with a different character and it was also difficult. The big solution was when I hit on adding a new point of view character who could give the perspective this part of the story needed.

March 2012

If you listen to the CBC interview which you'll see the link for under General ASOIAF, much of what he said was repeated tonight. He admitted Tyrion was his favourite, and if he was having dinner with 3 characters, they would be Tyrion, Maester Aemon and then he thought of Arya, but feared she would throw food at him, so he'd go with Dany, because she's hot!

June 2012

Near the end of the signing, a man presented Martin with two books and his daughter. “This is Daenerys,” he told Martin, “I sent you a letter about her five years ago.” Daenerys, a squirmy blonde in a pink jacket, looked about five years old. “Hello there,” Martin said, “do you like dragons?” She nodded, and they made room for the next fan.

Now that we know how the "Meereenese knot" played out, what was the problem with this? For example, was it the order in which Dany met various characters, or who, when, and how someone would try to take the dragons?

Now I can explain things. It was a confluence of many, many factors: lets start with the offer from Xaro to give Dany ships, the refusal of which then leads to Qarth's declaration of war. Then there's the marriage of Daenerys to pacify the city. Then there's the arrival of the Yunkish army at the gates of Meereen, there's the order of arrival of various people going her way (Tyrion, Quentyn, Victarion, Aegon, Marwyn, etc.), and then there's Daario, this dangerous sellsword and the question of whether Dany really wants him or not, there's hte plague, there's Drogon's return to Meereen...

All of these things were balls I had thrown up into the air, and they're all linked and chronologically entwined. The return of Drogon to the city was something I explored as happening at different times. For example, I wrote three different versions of Quentyn's arrival at Meereen: one where he arrived long before Dany's marriage, one where he arrived much later, and one where he arrived just the day before the marriage (which is how it ended up being in the novel). And I had to write all three versions to be able to compare and see how these different arrival points affected the stories of the other characters. Including the story of a character who actually hasn't arrived yet.

October 2012

What's exciting to me about this session is that in this conversation, Martin talks at length about craft. He's been in the business of telling stories for many decades -- as a television writer and as a writer of fiction -- and he has a great deal to say about what works and what doesn't in different mediums. How is information conveyed to the audience (or the reader)? How do you keep sophisticated audiences on their toes? How do you create worlds in which most characters have to choose between the best of many bad options? How do you examine power from the perspective of outsiders, rejects and those who are constrained by conventional wisdom? Martin shared the insights of someone who has been contemplating these questions -- practically and philosophically -- for a very long time.

About midway through the podcast, there's a interesting discussion of his use of "close third person" narration and why that's effective in the creation of memorable characters. It's also interesting to note that he doesn't write the chapters in the order in which they appear in the books, and that he may write four or five Tyrion chapters before stopping and switching to another character. (Another fun fact that emerged -- and I'm sure hardcore "ASoIaF" fans already knew this -- Martin originally signed a contract for a book trilogy. I'm betting his publishers aren't sad he's now working on the sixth book in that "trilogy.")

Eventually, Martin zeroes in on his least favorite thing in any story: Predictability. But he admits that it's "very hard" to shake up the audience, which has grown more sophisticated with every passing decade. When he was writing for the revived "Twilight Zone" in the '80s, for example, network executives wanted the producers to end episodes with a twist of some kind, as the original Rod Serling series had often done. But the audience "could see all these twist endings coming a mile away," Martin said.

He also spoke about his fascination with power and with hierarchies that appear stable but are actually anything but. He mentioned reading a history of Jerusalem in which a mad ruler began killing dozens of courtiers and ordering the hands chopped off the women of the court.

"Why doesn't the captain of the guard say to the sergeant, 'This guy is [expletive] nuts?'" Martin said. "'We have swords! Why don't we kill him instead?'"

But loyalties -- clan loyalties, family loyalties, strategic alliances -- are powerful influences in the lives of Martin's characters, and their personal desires and their traditional duties or roles are often in conflict. And those kinds of unresolvable dilemmas are at the heart of what makes his stories resonate with those of us who didn't begin fighting with swords as children.

Paraphrasing Faulkner, Martin said "the only thing worth writing about is the human heart in conflict with itself." And that's a scenario that is very familiar to anyone who's ever visited Westeros, either as a reader or a viewer of the HBO drama.

Is A Song of Ice and Fire a parallelism or a criticism to our society?

No. My work is not an allegory to our days. If I wanted to write about the financial crisis or the conflict in Syria, I would write about the financial crisis or the conflict in Syria, without any metaphor. However, it’s true that in my novels appear several elements which we can find in world history. Things such as power, sex, pain… I have grown up as a science fiction reader, and it was my first love, even before fantasy. But science fiction, then, presented an idealistic world: the space, a bright future, but unluckily that optimism disappeared very quickly and the future wasn’t as good as we had expected. Nowadays, science fiction is very pessimistic and talks about dystopias: about a polluted world, about a rotten world… Of course I would prefer to be part of another world; a better world, but I can’t. Perhaps winter is not coming only to Winterfell, but in the real world.

March 2013

The readers are unhappy with leaving out the five-year gap?

Well no, some of the storylines from Feast for Crows. I get complaints sometimes that nothing happens — but they're defining "nothing," I think, differently than I am. I don't think it all has to battles and sword fights and assassinations. Character development and [people] changing is good, and there are some tough things in there that I think a lot of writers skip over. I'm glad I didn't skip over these things.

[For example], things that Arya is learning. The things Bran is learning. Learning is not inherently an interesting thing to write about. It's not an easy thing to write about. In the movies, they always handle it with a montage. Rocky can't run very fast. He can't catch the chicken. But then you do a montage, and you cut a lot of images together, and now only a minute later in the film, Rocky is really strong and he is catching the chicken.

It’s a lot harder [in real life]. Sometimes in my own life, I wish I could play a montage of my life. I want to get in shape now. So let’s do a montage, and boom — I'll be fifty pounds lighter and in good shape, and it will only take me a minute with some montage of me lifting weights and running, shoving away the steak and having a salad. But of course in real life, you don't get to montage. You have to go through it day by day.

And that has been interesting, you know. Jon Snow as Lord Commander. Dany as Queen, struggling with rule. So many books don't do that. There is a sense when you're writing something in high fantasy, you're in a dialogue with all the other high fantasy writers that have written. And there is always this presumption that if you are a good man, you will be a good king. [Like] Tolkien — in Return of the King, Aragorn comes back and becomes king, and then [we read that] "he ruled wisely for three hundred years." Okay, fine. It is easy to write that sentence, “He ruled wisely”.

What does that mean, he ruled wisely? What were his tax policies? What did he do when two lords were making war on each other? Or barbarians were coming in from the North? What was his immigration policy? What about equal rights for Orcs? I mean did he just pursue a genocidal policy, "Let’s kill all these fucking Orcs who are still left over"? Or did he try to redeem them? You never actually see the nitty-gritty of ruling.

I guess there is an element of fantasy readers that don't want to see that. I find that fascinating. Seeing someone like Dany actually trying to deal with the vestments of being a queen and getting factions and guilds and [managing the] economy. They burnt all the fields [in Meereen]. They've got nothing to import any more. They're not getting any money. I find this stuff interesting. And fortunately, enough of my readers who love the books do as well.

And meanwhile, you've got Daenerys visiting more Eurasian and Middle Eastern cultures.

And that has generated its controversy too. I answer that one to in my blog. I know some of the people who are coming at this from a political or racial angle just seem to completely disregard the logistics of the thing here. I talk about what's in the books. The books are what I write. What I’m responsible for.

Slavery in the ancient world, and slavery in the medieval world, was not race-based. You could lose a war if you were a Spartan, and if you lost a war you could end up a slave in Athens, or vice versa. You could get in debt, and wind up a slave. And that’s what I tried to depict, in my books, that kind of slavery.

So the people that Dany frees in the slaver cities are of many different ethnicities, and that’s been fairly explicit in the books. But of course when David [Benioff] and Dan [Weiss] and his crew are filming that scene [of Daenerys being carried by freed slaves], they are filming it in Morocco, and they put out a call for 800 extras. That’s a lot of extras. They hired the people who turned up. Extras don't get paid very much. I did an extra gig once, and got like $40 a day.

It's probably actually less in Morocco since you don't have to pay quite the same rate. If you're giving 800 Moroccans 40 bucks each, you're not going to fly in 100 Irishman just to balance the racial background here. We had enough trouble meeting our budget anyway.

I know for some readers, they don’t care about this shit. But these things are about budget and realism, and things you can actually do. You are shooting the scene in a day. You don't have a lot of time to [worry] about that, and as someone who has worked in television this kind of stuff is very important to me. I don't know if that is answer or not. I made that answer, and some people weren't pleased with that answer, I know. They are very upset about that.

August 2013

Amid reports of a dramatic uptrend in babies named “Khaleesi” and tourism to Dubrovnik, Croatia (aka King's Landing), we're guessing George R. R. Martin doesn’t need much of an introduction.

AC: How do you decide what you're going to work on, whose voice you're going to work in today?

GM: Well, I don't write the chapters in the order in which you read them. I get into a character’s voice. It's always difficult to switch gears, actually. When I do make that transition from one character to another, I usually struggle for a few days trying to get back the voice of the character I'm just returning to after some hiatus. But once I get into it, I tend to write not just one chapter by that character, but three or four. So I'll be writing Jon Snow chapters, and I'll carry that Jon Snow sequence as far as I can. And then at some point, maybe I'll get stuck or not be sure what I should do next, or maybe I've just gotten way ahead of all of the other characters in the books, so I need to sort of rein myself in and make myself switch from Jon Snow to Sansa or Daenerys or somebody like that.

November 2013

We can't leave Martin without pressing him for his thoughts on which of his characters keeps the best table. Would it be the wealthy, sun-loving Martell family with their Mediterranean-leaning flatbreads, olives and spiced snake? The sensualist Tyrion Lannister? Or the moveable feast of the court of Daenerys Targaryen with its duck eggs and dog sausage?

"Oh, Illyrio Mopatis, the magister, no question. Just watch out for the mushrooms."

March 2014

Was it a big shift for you, when you were writing the scenes that take place at Winterfell and suddenly you have the Daenerys scene, with an entirely different location?

Pretty early on, in the summer of ‘91, I had the Daenerys stuff. I knew she was on another continent. I think I had already drawn a map by then – and she wasn’t on it. I’d just drawn the map of the one continent that would come to be called Westeros. But she was in exile, and I knew that, and that was sort of the one departure from the structure. It’s something I borrowed from Tolkien, in terms of the initial structure of the book. If you look at Lord of the Rings, everything begins in the Shire with Bilbo’s birthday party. You have a very small focus. You have a map of the Shire right in the beginning of the book – you think it’s the entire world. And then they get outside it. They cross the Shire, which seems epic in itself. And then the world keeps getting bigger and bigger and bigger. And then they add more and more characters, and then those characters split up. I essentially looked at the master there and adopted the same structure. Everything in AGame of Thrones begins in Winterfell. Everybody is together there and then you meet more people and, ultimately, they’re split apart and they go in different directions. But the one departure from that, right from the first, was Daenerys, who was always separate. It’s almost as if Tolkien, in addition to having Bilbo, had thrown in an occasional Faramir chapter, right from the beginning of the book.

Although Daenerys is hooked into Winterfell, because we hear talk of her family, the Targaryen family, early on.

You see overlaps. Daenerys is getting married, and Robert gets the report that Daenerys has just gotten married and reacts to that and the threat that it poses.

Fortunately, the books were best sellers, I didn’t need the money, you know, so I could just say no. Other people wanted to take the approach of, there are so many characters, so many stories, we have to settle on one. Let’s make it all about Jon Snow. Or Dany. Or Tyrion. Or Bran. But that didn’t work, either, because the stories are all inter-related. They separate but they come together again. But it did get me thinking about it, and it got me thinking about how this could be done, and the answer I came up with is – it can be done for television. It can’t be done as a feature film or a series of feature films. So television. But not network television. I’d worked in television. The Twilight Zone. Beauty and the Beast. I knew what was in these books, the sex scenes, the violence, the beheadings, the massacres. They’re not going to put that on Friday night at eight o’clock, where they always stick fantasies. Both of the shows that I was on, Twilight Zone and Beauty and the Beast, Friday night at eight o’clock. They think, "Fantasy? Kids!" So I wasn’t going to do a network show. But I’d been watching HBO. The Sopranos. Rome. Deadwood. It seemed to me an HBO show, a series where each book was an entire season, was the way to do it. So when I sat down with David and Dan at that meeting at the Palm, which started out as a lunch meeting and turned into a dinner meeting, and they said the same thing, then I suddenly knew we’re on the same wavelength here.

June 2014

Q: What can you tell us about a warg dragon rider?

A: There is no history/precedent for someone warging a dragon. There is a rich history of the mythical bond between dragon and rider. There have been instances of dragons responding to their riders even from very far away (hmm) which shows it is a true and very strong bond. We will learn more about this. Keep reading (we hear “keep writing” from the back of the room).

Q: What is your favorite line in ASOIAF?

A: I can’t single out one line but my favorite passage is Septon Meribald’s speech about war in… what was it? (crowd yells out Feast for Crows).

November 2014

For people who are not familiar with your work, the series takes place in an imaginary world. There is a struggle for control of the kingdom. This dynastic war is essentially one of three main plot lines. There are the other plot lines involving these sort of superhuman characters, and then there’s the exiled Targaryen daughter who seeks the return of her ancient throne. Why those three main plot lines?

Well, of course, the two outlying ones — the things going on north of the Wall, and then there is Targaryen on the other continent with her dragons — are of course the ice and fire of the title, “A Song of Ice and Fire.” The central stuff — the stuff that’s happening in the middle, in King’s Landing, the capital of the seven kingdoms — is much more based on historical events, historical fiction.

Pop culture has grabbed “Game of Thrones.” It’s been featured in “The Simpsons” and “South Park.” What goes through your mind when you see these references?

Well, I think it’s tremendously cool, of course. It’s nice to be doing something that everybody is so aware of and that has entered the cultural zeitgeist in that manner. The only aspect of it that really astonishes me is not that the characters and the story is being parodied or referenced in these various places but the extent at which I personally am. I mean, when I see myself as a character on “South Park” or I see Bobby Moynihan imitating me with the suspenders and the hat on “Saturday Night Live,” when I see companies selling Halloween costumes, not Halloween costumes to be Jon Snow or Daenerys but Halloween costumes to be me, that’s pretty freaky. That’s something I could never have anticipated, and I just don’t know what to think of it.

May 2015

Still, it’s only natural that there’s a few characters Martin would have liked to have seen on the show that did not make it in.

“Strong Belwas, who was part of Dany’s entourage,” Martin said. “I understand why he was cut, but I kind of miss him.” In the books, the massive eunuch warrior is a former pit fighter who joins Dany in Qarth. Belwas’ story elements have essentially been combined with the character of Daario, who is arguably more essential to Dany’s journey.

June 2015

I explained that in my own head, Yandel is in King's Landing, clutching his book, showing up each day for an audience with the king... and each day being told perhaps the next day. Except on those occasions where, you know, they tell him the king's getting married today, and then whoops, Joffrey is dead, etc.

I also noted that of course, given how he wrote about the reign of Aerys and and the rebellion, that if Aegon or Daenerys take King's Landing he may indeed end up having his head chopped off... George seemed interested in the idea, I think. :P

May 2016

4. GRRM and Picacio both made the joke about "you need to pay the artist" and such regarding general fan fiction. And then GRRM said he has issued some sub-licenses to things like art and games, etc. GRRM also mentioned that HBO owns the rights to the exact likenesses of the tv version of the story, meaning, no art can be made where Dany looks like Emilia. He was very careful in avoiding a real link in feeling between him and HBO even though he was asked about it twice. Then GRRM mentioned, and Picacio joined in, how GRRM knew the show would overtake the books. Not too much new.

Reactions after the episode

c. Dany on Drogon seemed random and a repeat of previous seasons.

d. Others loved Dany on Drogon.

December 2016

And the most revealing: he said that for Winds, Winter is the darkest time 'where things die' and many characters will go dark places.

At last I was able to ask him the question I had sent for the tombola. I have always been fascinated by how ASOIAF embodies the theories put forward by Acemoglu and Robinson about countries with extractive institutions (which hamper development). So my question was: Why do you think the political institutions in the Seven Kingdoms are so weak? His answer: the Kingdom was unified with dragons, so the Targaryen's flaw was to create an absolute monarchy highly dependent on them, with the small council not designed to be a real check and balance. So, without dragons it took a sneeze, a wildly incompetent and megalomaniac king, a love struck prince, a brutal civil war, a dissolute king that didn't really know what to do with the throne and then chaos. Interesting answer.

July 2017

To a certain degree, also, it’s so intertwined, tragically and unfortunately, with the character histories. Daenerys doesn’t get to where she is unless she’s sold as a child bride, effectively a slave.

And I should point out, and you probably know this if you’ve read the books and watched the show, Daenerys’ wedding night is quite different than it was portrayed in the books. Again, indeed, we had an original pilot where the part of Daenerys was recast, and what we filmed the first time, when Tamzin Merchant was playing the role, it was much more true to the books. It was the scene as written in the books. So that got changed between the original pilot and the later pilot. You’d have to talk to David and Dan about that.

I had all these meetings saying, “There’s too many characters, it’s too big — Jon Snow is the central character. We’ll eliminate all the other characters and we’ll make it about Jon Snow.” Or “Daenerys is the central character. We’ll eliminate everyone else and make the movie about Daenerys.” And I turned down all those deals.

When you’re walking down the street in Santa Fe, do new character or historical details just pop into your head?

Sometimes it happens to me on long-distance drives. When I was younger I loved to take road trips, and get in the car and drive for two days to get to L.A. or Kansas City or St. Louis or Texas. And on the road, I would think a lot about that. In 1993, I think it was, I visited France for the first time. I had begunGame of Thrones two years before in ‘91 and I had to put it aside because television was happening. And for some reason, I had rented a car, I was driving all around Brittany and the roads of France to these little medieval villages and I was seeing castles, and somehow that just got me going again. I was thinking about Tyrion and Jon Snow and Daenerys and my head was full of Game of Thrones stuff.

You’re in unusual territory, with your characters very much still in your hands but also out in the world being interpreted for TV. Are you able to have walls in your mind such that your Daenerys, say, is your Daenerys, and Emilia Clarke’s Daenerys is hers and the show’s?

I’ve arrived at that point. The walls are up in my mind. I don’t know that I was necessarily there from the beginning. At some points, when David and Dan and I had discussions about what way we should go in, I would always favor sticking with the books, while they would favor making changes. I think one of the biggest ones would probably be when they made the decision not to bring Catelyn Stark back as Lady Stoneheart. That was probably the first major diversion of the show from the books and, you know, I argued against that, and David and Dan made that decision.

In my version of the story, Catelyn Stark is re-imbued with a kind of life and becomes this vengeful wight who galvanizes a group of people around her and is trying to exact her revenge on the riverlands. David and Dan made a decision not to go in that direction in their story, pursuing other threads. But both of them are equally valid, I think, because Catelyn Stark is a fictional character and she doesn’t exist. You can tell either story about her.

Is there anything we didn’t get to talk about?

I suppose there are issues we could have explored more with the whole question of sexual violence and women — it’s a complicated and fraught issue. To re-address that point a little, I do a lot of book signings, and I think I have probably more women readers than male readers right now. Only slightly, but it’s probably 55 percent, 45 percent, but I see women readers at things and they love my women characters. I’m very proud of the creation of Arya and Catelyn and Sansa and Brienne and Daenerys and Cersei and all of them. It’s one of the things that gives me the most satisfaction, that they’ve been so well-received as characters, especially by women readers who are often not served.

August 2017

- My question about Daenerys was chosen as the third question (I was lucky!) but he refused to answer it lol … I asked “How old was Daenerys when she left the house with the red door, and was it located close to the palace of the Sealord of Braavos?” (thanks Butterfly for suggesting it to me) I don’t know why he refused to answer about her age, but about the house with the red door he said there will be more revelations about it in future books.

- He was asked to comment about the differences between the book and show characters, particularly Daenerys. GRRM ignored all the other characters and talked only about Daenerys - he said that the show one is older because there are laws in USA that prevent minors from having sex scenes so the decision was made to age Daenerys. Otherwise, book Daenerys and show Daenerys “are very similar” and “Emilia Clarke did a fantastic job”. (I guess he can’t really say negative things about the show, can he?)

- “Will Jorah ever get out of the friendzone?” (side-eyeing the person who asked this). GRRM: “I would not bet on it.”

August 2018

Q: if you did have a child what would you name him or her?

A: “I don’t know... probably Not Daenerys”

November 2018

“I have tried to make it explicit in the novels that the dragons are destructive forces, and Dany (Daenerys Targaryen) has found that out as she tried to rule the city of Meereen and be queen there.

“She has the power to destroy, she can wipe out entire cities, and we certainly see that in Fire and Blood, we see the dragons wiping out entire armies, wiping out towns and cities, destroying them, but that doesn’t necessarily enable you to rule — it just enables you to destroy.”

[...] “If you read Fire and Blood, you’ll know there’s definitely a bond between the dragons and their riders and the dragons will not accept just any rider,” says Martin. “Some people try to take a dragon wind up being eaten or burned to death instead, so the dragons are terribly fussy about who rides them.”

[...] The prince defeated the threat in the North by driving his sword through his wife’s heart. Will Jon have to do the same to Daenerys? Or is she the prince, Azor Ahai, reborn? Martin suggests all may not be as it seems.

“The Targaryens have certain gifts and yes, taking the dragons and dragon riding and dragon breeding was one of them,” he says. “But the other gift was an occasional Targaryen had prophetic powers and could see glimpses of the future, which they didn’t always necessarily properly interpret because, you know, they were fragmentary and sometimes symbolic.

“But to what extent did they share those gifts, what did he see, what prompted him to do all this? These are things I find really interesting to ponder.

What was interesting from The Guardian interview you did, is this book — as daunting as it would seem for most authors to attempt, and as tough as Winds has been for you — this was curiously easy for you to write. Yes. Partly because it’s linear. Although it covers 150 years or so, it’s very straightforward — here’s what happened in the year 30, here’s what happened in 25. In Winds, I have like 10 different novels and I’m juggling the timeline — here’s what’s happening to Tyrion, here’s what’s happening to Dany, and how they intersect. That’s far more complicated.

August 2019

On the fame thing, does it ever feel surreal to stop and think about the reach that your work has had? I mean, couples meet through Game of Thrones, there are Thrones-themed wedding ceremonies, and babies are named after your characters. Is that something you ever dwell on and think to yourself 'God, my work has had this massive effect on people?'

It's very gratifying when you get letters, emails, and hear stories like that. They definitely do name children after my characters and send me pictures of their babies.

People also name their dogs, cats, iguanas, after my characters. Sometimes, it’s a little surreal. I often wonder about all the young Daenerys’ out there because kindergarten teachers will hate me because they have to spell it!

#daenerys targaryen #resources #grrm #valyrianscrolls

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