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#Will I actually make more than super rough sketches for my AUs
chubs-deuce · 19 days
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Hi!! Love your artwork and your Charlastor AU with Dawn!!
I was wondering if you think Alastor would make any dawn-themed dad jokes and puns in your AU, and if he does, what would Dawn and Charlie think of them? I can’t really think of any off the top of my head right now, but I know ‘a brand new dawn’ is a phrase he could maybe use!
Again, love your art!!! If you don’t mind answering questions about it, do you have any advice for artists who want to improve their drawing or any practices that have helped you develop your skills? And are there any particular artists that really inspire you?
You’re one of my favorite artists and I don’t know how to explain it but your drawings have so much life in them!! 🌟
sdlksdflkj thank you so much omg!!!
I'm so glad you're enjoying them ;W;
And he would be insufferable with them lmfaoo, especially because I'm sure Charlie would hop in on a few of them and add to the pile as well xD
One more I can think of rn is "Oh, I was wondering where the sun went!" whenever Dawn enters a room, because the implied punchline is "but then it Dawned on me" or something? XD idk I'm not good with puns sadly
Now regarding the art advice!! This one got HELLA long so I'll hide it under a cut for everyone's comfort lmao
I know it sounds shallow and like worthless advice, but a huge huuuuge part of getting better at art is to just... make art! Practice makes perfect - it develops your motor skills, gives you somewhat of a muscle memory for certain basic shapes that are a necessity to have a good feel of for good foundation sketching.
Practice also develops your eye for compositing and for how color theory actually applies in practice, it basically helps you develop a more consistent grasp on art as a whole :D
There are some things I've learned over time that definitely helped speed things up though xD
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here's some rough sketches I did just to demonstrate what my rougher drawings can look like - also a little diagram (on the right side of the image) of things I keep in mind for the average proportions of a human body!
I tend to sketch very loosely and try to capture the overall vibe and silhouette/rough shapes first before I even think about adding details - there's a certain flow, squish and stretch to everything that's just much easier for me to get a good feel for when I use quick, loose brush strokes and as few lines as possible to convey a concept.
Repeatedly sketching humanoid characters of various shapes, builds and sizes for years genuinely helped enormously in getting not only faster but also more consistent with it!
I'm fairly well practiced with hands and expressions especially at this point since I like to focus on those in my art often, so those come fairly easily to me as well now!
Something I learned along the way about keeping a certain liveliness to my artworks is that sometimes you have to forego anatomical correctness a bit if you want to fully express specific emotions - if you try too hard to keep everything perfectly proportional and realistic, it can make the outcome look stiffer than you might've aimed for - this is something I actually struggle with in my cleaner artworks :'D The ones I do proper lineart for, since a lot of the flow of the original sketch gets lost in the process haha
As for artists/artstyles that inspire me...
There's @/southpauz for example!
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Her artstyle is unbelievably expressive and her eye for compositing and her use of shapes is SUBLIME - it inspired me to let loose more with my expressions, exaggerate features a bit more and to push the way I try to vary facial features :D
Then, back when I had that massive Rise of the TMNT phase, the artstyle of it has actually greatly influenced how I draw today!
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It manages to be detailed and highly recognizable despite its deceivingly simple style - it exaggerates shapes and uses it to communicate personalities, emotions and action super effectively and taught me a lot about utilizing those more efficiently myself :D
And last but not least Ishida Sui - the mangaka behind Tokyo Ghoul (which used to be a highschool obsession of mine)
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His striking use of colors, textures in abstract, yet symbolically heavy ways and his courage to be rough and expressive rather than looking polished, yet also having such a solid understanding of realism blew me the fuck away as a teen and still does now!!!
His art may have less of an influence on my style today than it used to back then, but I think in my more exagerrated, more horror-esque drawings you can kind of see it still :'D Either way I greatly admire him as both a writer and artist.
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I'm genuinely so so flattered that you enjoy what I do enough to give me such high praise, thank you so much for writing me such a wonderful ask <3 I'm glad I got to gush about some of my favorite artists/artstyles for a bit haha
If you have any more specific (digital) art related questions don't hesitate to reach out!! I love giving pointers about a subject I'm so passionate about, we don't gatekeep helpful information in this house!!! <3<3<3
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onejellyfishplease · 6 months
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So, I noticed that Tinker-the-dragon showed you storyboards of their own animatic (which looks great btw, can't wait to see it), and since you said you enjoyed seeing the process, I figured I'd do the same! After all, having people acknowledge and get excited for my WIPs gives me a sense of accountability to finish it, which makes it much more likely to actually get done.
So, behold my chaotic, colorful rough sketches!
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The process is slow-going, since I am simultaneously working on a couple other creative projects, some are tangentially related to this one (like how I'm finalizing my headcanon designs for all the turtles beyond just Donnie), and some aren't (like drawing long overdue art of my D&D party's characters).
I'm also making some guesses/taking some liberties when it comes to the timeline. Like, I'm assuming that this AU takes place post S2 finale, and thus will take place in the new lair, but I don't actually know. (If this has been addressed in asks before, I'm probably too new of a fan of SnapDonnie to have paid attention to those asks, and don't have the attention span to scroll through a ton of asks just to obtain a specific bit of information)
Similarly, I don't know exactly at what point Donnie starts attracting flies. It might not be as early as I'm depicting here. I can certainly move that part to a later section, but I don't know what I'd replace it with.
In general, if you have suggestions for things to be changed/switched around to better fit with the 'canon' of SnapDonnie, I'd love to hear it. It's better to make changes now while things are still very rough and flexible, than once I'm more committed and frames have taken quite a bit more effort to make.
Sorry for the super long 'ask,' this ended up being a bit of an info-dump lol.
WHA- YOURE MAKING ONE TOO????
thats so cool omg!! And im just gonna go a bit crazy over the frames if u dont mind me~ BUT THE ONE WITH THE SHADOW??? thats literally so creative im obsessed with it. I love cinematic shots like that, they just make my brain buzz <3
and the one where hes doing thumbs up to Raph absolutely cracked me up!
Also to answer your questions- SnapDonnie takes please after the movie, So Raph has a blind eye and hole in his shell/plastron, Mikey has his scars (though u cant drawing them in bandages to aviod drawing them if i want -i always forget to draw them lol) and Leo has a leg brace.
And as for the flies, Donnie starts to attract them basically immediately once the physical changes start, though he basically douses himself with insect repellent at first (while he still wants to repel them) So frames 24 and 25 would go after he really starts to change instead of before.
Hope that helps!! It looks amazing so far! <3
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sasukimimochi · 1 year
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This is a small snippet of the first chapter of Clash of Immortals i mentioned that made me cry. I can't share the full thing but like uGHGHGH i love it but i hate it ヽ(*。>Д<)o゜!! This song from the COI playlist fits the introduction scene so well it hurts.
you see i hadn't planned this introduction section to be this way- i hadn't had anything planned yet at all, actually just rough ideas and the history of how wwx became a demon- but one detail made me write this scene into a completely different direction than my original idea.
originally i was going to write a very sappy, bittersweet introduction, but this one detail made me realize that would be impossible and that it had to be a very intense start to the story- i could have probably sat down and thought of an alternative but i feel like it would have been a weak solution ಥ_ಥ i hope to write a lot of good fluffy shit later though in order to make up for it asdfadsg--
You can see LARGER ficlets though in the links below [there are two, i have marked them]. one is explicit so i put it on reddit, but the other one is here!
so, now that that is out of the way: More COI ficlet/art/info below the cut! ♥️
What is COI? -
“Clash of Immortals” / COI is an upcoming project I’m super excited about with Demon WWX and Angel LWJ. I use my own version of hell/heaven for this [tho it focuses on hell mostly], allowing for lots of fun details and some creatures unique to my universe, including A-Yuan who is a “Garden of Eden” [not drawn yet].
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Here's all the sketches for COI in order! ♥️ I update my original COI post / each new COI post list every time i draw or release something new!
OG POST - Demon WWX & Angel LWJ [you can also find au info here].
COI - MXY YLLZ WWX Demon WIP COI - Chibi kisses COI - Cuddles COI - Slumber COI - hugs COI - Hellscape Concept art [ficlet included in this post] COI - Er-Gege COI - Marks
See the Reddit post here
See Explicit™ COI ficlet here [i can't post this on tumblr, so i posted this on Reddit, sorry!
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raksh-writes · 2 years
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where do you get your inspiration from for writing? are there any activities you do that helps your creativity flow? i ADORE your work and really love the passion you put into your fics! i’m excited to see what you come up with next whenever you’re ready!💗
Hello! 😊
Firstly, thank youuu 💗💗🥰 it means a lot to read that people see how much passion I have for my writing and enjoying my stories, so really, thank you for such a sweet ask 💗🥰
Where do I get my inspiration?
Hmm, that's a quite hard question actually, feels very much like pretty much anything and everything could be inspiring for me 😄 Definitely other fics I happen to read, whether it'd bcs of the specific AU that gives me an idea or that I liked the writer's style. Music can be super inspiring for me too, tho more in the sense that whenever I just let myself listen and daydream that's when lots of scenes and ideas come to me ^^ Some prompts lists can be inspiring too (most of my smutty one-shots are from those!) and sometimes just some talks with my friends or some of their posts can give me ideas also (A simple gesture of affection or How to give a fox a forehead kiss came about this way 😄). And these days, as Im knee deep in my BatB AU, talking with my lovely beta and bestest of friends @flowers-for-stiles really helps me a lot with keeping my inspiration and motivation going + lots of ideas come out whenever we chat about the AU ^^
And as for activities that help my creativity flow, aside from mentioned above talking with my hun @flowers-for-stiles 💗🥰, which is one of the main things for Sure, then I guess it'd be mostly working around the story. For example, I like imagining some scenes from a different pov than usual, which gives me a better feel for the character or offers me just more insight into the scene/story. I outline my ideas too, writing down key points, which I sometimes use my whiteboard for to give myself a different way of looking at it too. Then, with my BatB AU now, I need to do A Lot of worldbuilding, so for example I'd make lists of what character would be which on the a/b/o scale or in the last few days I sketched down the rough ideas of how Stiles' and Void's rooms would look like so I had an easier time describing everything - which I might post here on tumblr and link to over on ao3 so y'all can have a general idea of where everything in the rooms is situated 😄 In general I like giving my brain lots of different ideas and things to munch on, bcs I always need something fresh to keep my creativity going otherwise I get bored 🙈😂
And this BatB AU I've been writing so much in this reply is probably what will come next 😄 Not anytime soon, unfortunately, but it is the WIP I'm focusing the most on rn and it has A Lot of worldbuilding and plotting to do (just on a single chapters level too, it’s actually not that easy to finds conflicts and things to do for characters that are interesting to read while I need to introduce everything important to the story and the world it happens in 😂), so often times I'm writing down notes about that instead of writing actual chapters and it makes the whole process waaaay longer. I've also divided it into three parts and will prob only start posting when I have the whole first one, or most of it, written because that's just what feels right for it, y'know? And I'm still pretty raw emotionaly after finishing up LitA -- nothing besides this AU actually speaks to me enough to write it -- so rn I'm just trying to slowly ease myself back into writing overall and this AU feels good for that ^^ I might try reblogging prompt lists and ask to send me some, because I've been thinking of trying that to see if it gets my creative juices flowing and allows me to write some short, fun things, but we'll see! For now my hopes are that you, lovely nonnie, or any of my readers won't be too disappointed that I'm not posting much these days and that when it comes it might be in a few months not anytime soon, but also that y'all will enjoy it too 💗
Oof, and I rambled quite a bit, didn't I? 🙈😂 Anyway, gotta rest my wrists now, and hopefully, I can maybe write smth in the evening ^^ Thank you for the lovely ask, nonnie, and I hope your week is gonna be wonderful, best vibes and big hugs to you 💗💗💗🥰
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rtnortherly · 3 days
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Here to ramble about my dos2 AU comic I’m planning (I’ll probably just title it Good Intentions with a subtitle or something) because I live for long meandering train of thought posts.
So, to start with, I’m low-key redesigning some smaller elements of Loke and Arboren’s looks. Arboren is already super off model (referring to his game look). He’s a Conjuror in-game and tends to have bulkier armour & a shield, whereas what I draw him in what probably would work best as some kinda mage armour, probably. That’s mostly because I get really overwhelmed by armour and how it layers and effects mobility and when I first started drawing Arboren I was even less confident with it (drawing my Elden Ring Tarnished has only helped a little).
I made a post about how he looks in-game versus how I draw him before but for illustrative purposes I’ll add the images here.
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And for fun, here’s an old armour redesign I did based on the whole idea that he’s scavenging armour piecemeal and how you can craft stuff with shells and driftwood and stuff:
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I still really like it as a look but realized very fast that there’s a lot of detail there that I didn’t want to have to draw every time. All things considered, his orange and green look can be broken down into a handful of different parts, which is much easier to navigate than all those shells. And that wheel shield, which I still think is dope but is a nightmare to visualize.
I also don’t tend to draw him with a wand, but given that I don’t draw in-game scenes much, it hasn’t really been needed. It’s only been recently while doing comic stuff I realized I’d have to think about it.
Anyway.
Recently I did the black and white two page thing and made some more changes. Nothing big. I just decided that I couldn't be chuffed to draw the driftwood arm guards (I'm still so sick you guys it has been brutal) so I went with one super long fingerless glove, and none on the other arm as to not interfere with the golden arm band I draw on Arboren (what is it there for when he's a poor escaped convict, you ask. For fashions I say. Because I love asymmetry.) Might decide to give a shorter wristlet or something for a bit more balance though, who can say.
And then, since I was messing with the outfit anyway, I did this rough sketch of Arboren with a head band solely because I'm always wrestling with drawing his hairline:
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Realized after the fact that I didn't draw the horn headpiece that he has in-game, which isn't uncommon. I'm prone to leaving them out depending on how I feel. They clearly aren't part of elven biology, so I get confused about how they're attached?? Or if I'm reading the model wrong???
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I'm not right?
But it did get me to thinking: this is an au. I could just give the elves fun little satyr/faun horns. To compensate for the fact that I never draw the (really so so cool and I do love it as a feature) skin texture they have that kinda gives them that wooden look?? Y'all know what I mean? I never draw that because, again, that's a detail I knew I would have a hard time replicating repeatedly (it's not being lazy, it's being "efficient". yeah).
Did I consider going full crazy person mode and just making them some kinda faun/satyr? Yes. Have I completely given up on the idea... not entirely. Will I maybe doodle that when I'm done with this? Tempting. Because If I'm going au... why not go ham with it?
Which brings me to some plot things. And this is really just me "talking out loud" so to speak, so I can get things straight in my head. Y'all are being my rubber ducks or whatever.
So, years ago now, I actually started to draw out panels of my fanfic. Mostly just the segments that focus more on Loke and Arboren, and I got part way through fully colouring it and my will died.
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^Proof
I kept all the plans which was a large segment of chapter one, and now, having done aforementioned black and white things which is from chapter three, I have a large chunk of that chapter too (I planned way more panels than I needed but that was all mentioned in another post. Or at least the first part of it before the two really get in the weeds talking.
So that made me think I wanted to say heck to heck, why don't I just cave and start making a comic about these two? I've only been dancing around the idea for the last Two Years or whatever. I know I have Uncanny in the Grove going on at the moment, and a million other things I want to do, and UitG at least I think I can keep on doing alongside its illustrations on top of a side comic thing. It's just... I keep coming back to these two, anyway. I know what I want from drawing them so I'm not going to do the thing I always do where I get bogged down by the design of the characters while I have a plot just waiting for me to get my shit together. Like, I know these two and they give me joy to draw so i might as well just stick to it. especially now that I'm wrangling things down to a more simple style that I could maybe manage long term.
To reiterate a point, I made in a previous post... somewhere... here or on bluesky idk, this is an AU which won't involve Source, or Godwoken or Sourcerers or any of that. While I love fan fiction I've never been very good at just... retelling a plot that has already happened. Even the written drabble series I have for them always took place, like, off-screen of the game if that makes sense. The only really tie over was Loke's pejudice and background as a Magister, and Arboren's role as someone victimized by the Magister's so it feel feasible to me. I just... as far as plots go, that feels like a very big one, unless I literally just illustrate moments in time outside the canon game plot as I have been doing in my written fic. But to do that I'd actually have to finish the game (I will eventually I'm just really bad at playing games consistently) and I know myself well enough to know that if I put even one more step than absolutely necessary between me and a thing, it starts feeling insurmountable.
Now how do you write about these two when the entire premise of their relationship is that Loke is deluded by "duty" and a mob-like fear/superstition, and Arboren is viscerally unwilling to be imprisoned and violated by a system which is so corrupt it isn't even funny.
But transplanting Loke's duty and delusion (the fact that it was Source never felt super intrinsic to his character, more that bad things were happening in the world and his fear made him make dumb uninformed choices and he got all weird and fanatical about it which... its never really about the reason in those situations, just the reaction) onto some other problem, and by focussing down on the kind situation the elves were in. The whole lore surrounding the elves in dos2 was super fascinating to me (MY DUDES WERE FORCE FED PERSON MEAT TO UNCOVER ENEMY SECRETS IN HORRIFIC BASTARDIZATION OF A SACRED PRACTICE WHAT THE FU-).
Now... I've got some ideas. The issue is that it'll be a stretch to make it fit with all the comic stuff that I have already roughly drawn. Which was the whole reason I even came around to doing this. So. IDK, maybe I'll just line those out and post them and be done with it (I don't wanna some of them are already coloured) maybe I'll let it be another side project that I work on sporadically and update once in a blue moon like the mermaid au. Maybe I shall embrace the oldest and most noble of Drawfee sayings and Delete My Art and just start afresh. Who can say? Not me. That would require decisiveness lol.
In the meantime I'm going to go draw Arboren as a Satyr/faun and consider other ways I can skew this even more into AU because I have zero restraint.
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midnightmeatsubway · 3 years
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Obi-wan leaves the Order to train Anakin AU where him and Shmi end up working as mechanics on a space station. Jango frequents their shop for repairs bc  Roz recommended them, their service is Good and their work is Reliable and it is NOT!!! so that he can stare at Kenobi’s glistening, shirtless chest as he works. That is NOT the reason. 
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phrynewrites · 2 years
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could u write some soft jasco for love letter or blind date au🥺i had a rough doctors appt and need comfort😭
Hi hun! I hope you're feeling a bit better! I'm sorry this is coming you late, but hopefully it's extra fluffy to make up for it.
This is some blind date au jasco, set during the Iowa Layover (tm)
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At this point, the Iowa layover could be measured by seven hours, three tequila shots, and soon to be two lava cakes. 
“You know at this point,” Jasmine says, grabbing at the straws in her drink, filling the silence the waitress left after Bosco placed the order with the clinking of ice against her glass. “We could have just ordered our own, since we basically had one each.” 
“Sure, but then I wouldn’t have the fun of stealing whipped cream from you,” Bosco took a swig of their beer, letting the glass cool their hand, cool their lips. “And before you say it, yes, you’re super greedy with the whipped cream and yes, I had to stop you.” 
Jasmine pouts, but Bosco only shrugs and grins their wicked grin in return. 
“You had too much power.” 
It’s quiet for a moment, so Bosco busies themself with peeling the label off the bottle, watching the wet paper furl downward. 
“Hey, um.” Jasmine’s words fall on uneven ground. She’s back to stirring that drink. “I didn’t mean to bring up…” 
“No, it’s…” Bosco wants to say fine, but really, they weren’t planning on Jasmine’s gentle thumb dragging across their cheek, pulling tears from their eyes like rain from clouds. And they weren’t planning on discussing anything personal at all, let alone with Jasmine. 
But when she had stopped her frantic sketching, pages flipping every moment, snapping at Bosco as they said they ‘hadn’t photographed an asymmetrical hemline in at least five years,’ her face hot and wet, uselessly pressing her index fingers under her eyes as she stumbled through a monologue about how for all her trying, she’s never good enough?
Well, there wasn’t much else Bosco could do besides wrap an arm around her and pull her against their chest. There wasn’t much else to do besides let her mascara stain their sweater, like marking their heart, a permanent reminder. Really, the only other thing to do was whisper apologies against the little frizzy hairs peeling from her braid and make her feel less alone. 
So Bosco did that. Because despite Jasmine’s protests about how they ‘control’ the set whenever they’re on a shoot, or how they get to live out their dream while Jasmine’s only trying and failing, or how they’ve got advertisement shots in Jasmine’s textbooks for fucks sake, when Bosco took stock of their life as a whole, they still didn’t feel like enough 
“I’m not really ‘living out my dream’ you know,” they said, pulling off Jasmine’s slipping hair tie and wrapping it around the end of her braid again. 
Jasmine pitched her chin forward, her own sniffles subsiding when she saw Bosco’s eyes rimmed red. 
“I—my last girlfriend, we worked together actually, like, partners.” Bosco makes a move to pull their hand from Jasmine’s back, tries to wipe their own running tear, but Jasmine beats them to it. They settle again. “I feel like I’m chopping that onion again, damn.” 
The laugh is forced. Jasmine’s hand stills, her palm soft against their cheek. 
“She cheated on me. For months, actually.” They bite their cheek and nod. There’s something calming about saying it out loud, maybe for the first time. And Jasmine, surprisingly quiet, though pout growing deeper every moment, wasn’t actually a terrible person to say it to.
“Sometimes I think I kind of want that back, like, maybe to be as good as I was with her. Or maybe…” They inhale, but it does nothing more than fan the flames, like throwing kerosene on the fire, throwing the storm doors upen during a monsoon. “Maybe to have someone like me and love me.” 
They don’t end on fine, but they do manage to meet Jasmine’s gaze, flickering warm like a candle across from them. And they manage to meet Jasmine’s outstretched hand with theirs, again, warm. 
“Thank you,” they say, the reverence heavy on their tongue, their thumb washing across her hand, back and forth, back and forth, like they’re brushing velvet. “It actually felt nice to talk about.
Jasmine’s grin is toothy and sincere. She rests her other hand—covered by the sleeve of that same sweater, bearing that same mascara stain—against her cheek. 
“See, isn’t it nice to talk about your feelings?” 
“Oh my god, shut up.” Bosco almost says wish you took me up on ‘fucking the stress out’ instead, but takes another swig. Because it was actually quite nice, talking for once. “Sorry for mocking your design. And taking your moment.” 
“No, no, have it.” Jasmine says, though she’s edged out by the waitress, returning with the lava cake. She must have heard their conversation, because now there’s a pile of whipped cream on either side of the cake. 
Jasmine takes up her spoon, still stealing from the whipped cream on Bosco’s side. “I needed to be told to, like, be normal and have a normal hemline. I’m not trying to make my model look like a disaster, like that.” 
She waves the spoon toward the family squashed into the booth next to them, each in their own Hawaiian shirt and matching shorts, each with its own faded pastel color palette.
Bosco shakes their head, stealing from Jasmine’s whipped cream pile. “I’ll pay you a hundred bucks to make something in that print for a project.” 
“I’m trying to live my dream so…” Jasmine’s spoon hits Bosco’s with a metallic ring, stealing the whipped cream back and popping it in her mouth before Bosco can retaliate. “And I can’t do that if I don’t pass Draping.” 
Bosco lets out a cackle and finally breaks the cake, coating the plate in the oozing chocolate. Jasmine watches as it streams, as though they hadn’t done the same thing only an hour ago.
And Bosco thinks, coating the back of their spoon in the chocolate, the edge of the plate pressing against their still joined hands—who are they to stop Jasmine, especially when they’re trying to do the same?
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smugpugchimera · 3 years
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I kind of have an AU of my own, but it’s mostly a playground for character interactions and dynamics.  It’s basically a post Embrace the void ending thing So Ghost kind of had a meltdown after ascending, and Hornet with few of other characters needed to bring them into their senses again. It totally featured White Lady whom Hornet managed to get out of her cocoon. After things cooled down WL still went back, cause before she struggled just with the guilt from vessel-creation, and now it accrued to her that the creatures produced were kind of alive still and no mindless tools, and it kind of broke her even farther After that 3 siblings kind of left on their own, trying to make sense of what even do at this point. (I don’t plan on making them want to rebuild the kingdom or smt, like, the point of no return has been crossed a while ago, think they’ll just try to get all the survivors in safety  and put their own life together) Hornet’s super stressed out, but starts to form new bounds, with Ghost primarily, though they had rough moments in their relationship she feels like she can rely on them, which is quite a step for the such loner as her. The state of her other sibling is pretty upsetting to her, while she didn’t know them very well duo to being young when they interacted she thought of them as an actual family, and the only one remaining.  Yeah so Hollow is a total mess here, and will stay for a good while Hollow actually blames themselves for failing and don’t yet realize how f**ked up the stuff that happened to them was. Don’t worry they’ll get better eventually! I have a nice identity-searching arc for them. Ghost here maybe less chaotic as in most AUs, their quirks mostly come from a complete lack of socialization and not their personalty. Though they have short temper, especially after all they’ve been through. Other than that they’re relatively calm, actually often finding themselves keeping Hornet from some  rushed decisions. Still they feel tired and fed up with bad stuff happening and just want to get things in more or less livable condition .  Also note: Ghost grew after transforming into the Lord Shade, they cast their shell off, I think i even had a sketch of them holding it and basically being like “that was my head wtf” yeah, pretty sure i won’t make anything of substance out of it, but... let it be here
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thiswasinevitableid · 3 years
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for the meet uglies, 55 indruck sfw? sorry apollo
Here you go! For those wondering, Apollo originates in my Amnesty Super Hero AU
“Okay sir, I’m gonna say this as nice as I can.”
Indrid looks up from his drawing of some mushrooms. The ranger, a man about his age whose little bronze name tag reads “D. Newton”, has the look of someone choosing his words very, very carefully.
“You are this close to me writin you up. And I mean this. Close.” He puts his thumb against his finger.
“I, is this not allowed?” The log he’s sitting on is technically on the trail, just next to it.
“This ain’t the problem. It’s everythin you done since this morning that’s the problem.”
“I-”
“First there was leavin your breakfast trash on the picnic table by the visitor center so chipmunks got into it--it’s real bad for them y’know, makes ‘em too bold--then there was the selfies on off-limits spots, then you had the fu, uh, freakin nerve to be rude to Juno when she asked you to stay in safe areas, you littered left and right, then you left a beer can in the reeds by the plover nestin’ grounds. I don’t even know where to start with that one; you know we don’t allow alcohol in the park. Campgrounds sure, but we don’t want fellas like you gettin drunk and then fallin off a rock. How can you be so careless, or not give a shit for a place people put time into protectin?
The smile that’s been spreading across Indrid’s face since the word “selfie” is wide enough that the ranger spots it.
“Man, if you think this is funny, you won’t when you’re too drunk to swim or run from a bear. Then I’m gonna have to bail your ass out, which I will, and you’re gonna eat a slice of humble pie big as that overinflated ego of yours.”
Indrid snickers. The ranger glares. Slowly, Indrid pulls back the hood of his sweatshirt and retrieves his glasses from the front of his shirt (he doesn’t wear them when drawing in color due to their red lenses). The other mans expression slides off confusion and tumbles into horror.
“Aw hell, I’m sorry sir. Thought you were your, uh, well, guessin you got a twin runnin around this park.” He pulls the brim of his hat down in a charming attempt to hide his face.
“I do, and this is far from the first time I’ve been scolded in his place. Less so since I dyed my hair” he indicates the artificial silver framing his face, “I’m mostly amused by how accurately you captured his orientation towards the world. It’s also bitterly funny to discover he made someone else's day as unpleasant as he made mine.”
The ranger studies him, seems to notice the creases by his eyes and mouth, “Seem a little old to be gettin forced into family time. Not that you look old. Just, uh, I mean, you might be younger than me, hard to tell with the hair, uh, yeah.”
Indrid points in the direction of the beachside campsites, “The Cold Family Reunion can only be begged off so long.” His phone dings, the reminder that it’s his turn to help his aunt with dinner, “speaking of which, I should pack up.” He quickly gathers his supplies, sends the other man a final smile, “thank you for the laugh, Ranger Newton.”
“You’re uh, you’re welcome. And tell your twin to throw his damn trash away.” He smiles as he says this, suggesting a joke, but Indrid resolves to remind Apollo of his manners anyway.
----------------------------------------------
The fog caresses the coastline, hiding the dawn entirely. Indrid pulls his hood up against the chill, the wooden bench and viewing deck damp from the weather. He’s not going back to camp until he’s captured the sight before him; dozens of fishing boats on the dark water, their lights beautiful and soft against the grey world.
Sandy gravel crunches to his right, and then Ranger Newton appears. He keeps glancing at Indrid as he writes something indecipherable on a clipboard.
“I’m the nice one.” Indrid says in response to the quick, searching, looks.
“Thank fuck.” He turns so they’re actually looking at each other, “guess we’re both on the early shift.”
“Normally I wouldn’t be, but the cold and quiet is preferable to my twin snoring. I brought my own one person tent, but then my aunt and uncle had their monthly argument and she needed a new place to sleep.���
“That was mighty kind of you.”
Indrid shrugs, “Not really. I just want to get through this reunion with as little conflict as possible.”
“How’d you end up on this thing? Said you couldn’t get out of it but-”
“I just moved to town a month ago. Turns out this is a place my parents have always wanted to visit. Not enough to see me, mind you, or refrain from criticizing my choice of towns, but enough to host the reunion here so I had no escape. And if I want to eat with the family, I have to spend the night in the camp and not at home. And since money is tight after moving, well..."
The ranger whistles, “Damn, that’s rough. But uh, since you live in town you’ll actually get to see this place in nice weather.”
“I’m looking forward to it.” He shivers, “though I enjoy the cold when I can be in my nice little apartment. In a tent, not so much.”
“If you get a good sleepin bag or good company, gets a lot better.” The ranger smiles, then looks at his notes, “sorry, that ain’t appropriate talk around a visitor.”
Indrid meets his green eyes, “If you have recommendations for either, I’m all ears.”
A gust of wind carries salt spray all the way to the platform, Indrid shivering as it mists his glasses.
“Here” the ranger holds out his hnd, “I gotta go open the visitor center; nice and warm in there.”
“...Could you possibly come back in ten minutes? I’d like to finish my sketch.”
“Sure, won’t kill me to check on the tide measures while I’m out here.” He tips his hat and soon Indrid sees him winding down a path to the beach. Eleven minutes later he’s back, telling Indrid about a huge starfish he saw.
On the walk to the visitor center, he learns the “D” on his nametag is for “Duck,” that he’s a transplant from West Virginia, and that they’re actually the same age. When Indrid explains that he’s a tattoo artist who sells his drawings on the side.
“You’ll appreciate this, then” Duck bends down to roll up his pant leg. Indrid appreciates the view and the well executed geometric tree tattoo on his ankle.
“Juno and I got ‘em together. Had to go with the ankle because I already got some on my arms. Can’t show those off right now though.”
“My, my, Ranger Newton, you’ll flash a scandalous ankle at a guest but not take him to the gun show?”
Duck laughs, the sound like the mating call of a strange tropical bird; absurd and enchanting.
“Glad you’re in town to stay, Indrid. Think you’re the kind of fella I’d like to get to know.”
----------------------------------------------
Maybe he’s being childish. It’s not wrong for Apollo to say he’s making their father proud, that he’s successful, that he’s a golden boy of his field.
It’s just obnoxious for him to do this the one time their extended family expressed Indrid’s professional accomplishments. With that smile, the one Indrid knows for a damn fact he had fixed, that tone, that, that….
That voice sounds familiar.
He reverses course, takes the path he passed by that points towards the amphitheater. What he gets is more a firepit with a small stage, but standing at the center and addressing fascinated families is Duck.
Indrid sits on the rickety bench furthest from the stage, lets Ducks explanations of night blooming plants and the creatures that pollinate them drown out the echoes of family dinner. When the program ends and the parents shepherd their children off with instructions for bedtime and brushing teeth Indrid stays, not ready to leave but not intending to attract Duck’s attention.
He gets it anyway.
“Enjoy the talk?” Duck stays two steps down from him, rests a foot up on the bench, “this one is always real popular; when it gets warm, the little animal rehab place south of town brings education animals in. Y’know, bats and owls, stuff like that.”
“I’ll have to come back to see them.” The thought of seeing bats up close excites him, but he’s too tired to sell the emotion.
Duck frowns, “You okay?”
Indrid shakes his head, tells him about the constant comments, the threat of living forever as the family disappointment, a threat he can deal with until he’s around them all. Then he’s right back to being seventeen and afraid of failing them.
“....Apollo’s always been the golden boy, ruthless and goal focused like our father. He always knows just what to say to get under my skin and dig out the scar tissue,” Indrid sighs, “All I wanted tonight was to roast marshmallows and go to bed early.”
The ranger moved from the steps to the bench beside him as he told his story. Now, Duck looks at him, smile more soothing than the thrum of the distant waves, “I got an idea. Guessin’ you don’t gotta tell your family where you’re goin, right?”
“No, most of them will assume I’m off sulking and Apollo will hope I’ve fallen off a cliff.”
“Then leave ‘em to be their shitty selves and come home with me. Uh, not, not-not like that, fuck, like what you’re thinkin, uh. Fuck. What I mean is; I got a fireplace and some marshmallows. You want in?”
Indrid watches the dying fire flicker of the curves of his face, thinks back on the last week. The ranger has been a frequent companion, brings him hot cocoa from the little cafe and tells him where he’ll be for chunks of the day in case Indrid needs a break from his family. Last night, all Indrid could think about was wanting Duck to be in the tent beside him.
“Absolutely.”
On the drive over, Indrid points out his apartment complex and Duck points out the best places to eat and the cheapest laundromats. His house is tiny, looks like it was built when the town was a logging hub and not a tourist destination.
“Make yourself at home, it’ll take me a sec to get the fire goin’--uhuh, Taco, stop tryin’ to open that cabinet.” He hoists a yowling, blonde ball of fur on the couch. The cat directs a suspicious look Indrid’s way and then settles on top of the pile of blankets.
“You a s’more man?” Duck calls from the kitchen.
“No, thank you. I prefer my sugar in a single bite.”
“You eat marshmallows in one bite? I’m always worried I’ll choke.”
“I have an accommodating mouth.” Indrid smirks when Duck audibly drops the bag. He’s not always the best with social cues, but if the way Duck kept brushing their hands together on the center armrest in his car is any indication, the ranger is trying to pick him up.
Once the fire is going Duck sits on the rug, patting the spot to his left. Indrid joins him. Caramelizing sugar and increasingly sleepy laughter soon fills the air. Neither of them keep their knees from touching, and Duck keeps dropping his head to Indrid’s shoulder when he giggles. The whole scene is so heavenly Indrid isn’t paying attention to their marshmellow consumption. He reaches into the empty bag and makes a disappointed noise.
“Damn, we really went through ‘em.” He catches Indrid’s eye with a playful grin, “you still cravin’ sugar?”
Indrid licks his lips, “Yes.”
Duck cups his cheek, guiding him into a sleepy, close-mouthed kiss, brushing their noses together when he pulls back to murmur, “That do the trick?”
“Hmmmmm?” Indrid cocks his head, “no.”
The other man guffaws as Indrid pulls him down on top of him, kissing him happily and wiggling his hips when Duck digs his fingers into his hair. His own hands migrate under Duck’s shirts, finding his body just as warm and wonderful as he hoped.
He nips Duck’s lower lip. The ranger growls and Indrid is no longer tired.
“Care to see just how accommodating my mouth can be?”
Duck rolls them twice so they’re a safe distance from the fire, “Hell yeah.”
-----------------------------------------------------------------
Indrid saunters into camp late in the morning, some of the Colds already packing up to depart. His twin is stuck on dish duty, grins like a barracuda when he spots Indrid.
“I don’t know why you’re here. You missed breakfast, and you weren’t in camp last night, so you don’t get lunch or dinner either. May as well skulk back into the shadows.”
“Mmm, yes, I was rather undutiful.” Indrid spots a figure checking campsite permits, who stealthily blows him a kiss, “but at this moment in time, I don’t particularly care.”
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sunflowersseemhappy · 3 years
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Do you have any headcanons for main 6 set in modern times? What kind of job would they have, what music would they like or whatever else? I love your headcanons, they're always so detailed and on point 💖
I really loved doing this, only reason it took so long is because I definitely over thought a lot of this. Thank you for the ask! I hope you enjoy the headcanons, I definitely want to do more of this! SO when I have the time I definitely will and I actually have a rough plan of what the story and the background for the six and MC’s would be.
The “Event” mentioned references the plague but when and if I get to it that will all be explained.
REQUESTS ARE CLOSED but here is my Masterlist in the meantime!
Asra
You’ll usually find Asra in one of two places, the shop or the local cafe/bakery, living the slow city life.
Asra loves to people watch and more importantly he loves photography, he’s always taking pictures, a lot of them are of MC.
His bedroom wall is plastered with his photography and he sells a lot of them as a side gig on etsy.
He has a great blog too.
But his main focus is the shop, tucked away on a quiet corner street it feels faintly magical. Asra does tarot, sells candles, crystals and other trinkets, as well as herbal remedies that Julian admits work quite well.
In this AU Asra grew up in foster care, so when he finally found his home in the shop he never thought about living anywhere else.
It’s stayed that way for years, sharing a two bedroom flat above the shop with MC, its cluttered at times, filled with secondhand belongings but Asra loves having his own space and own things.
And he so loves taking his little holidays out of the city, bringing back more trinkets that bring good luck and fortune.
Asra always wears sneakers or trainers on his feet, mainly because all he does is walk in the city.
Although he does have a painted van for the shop deliveries; he and MC spent a week painting a swirling pattern on its sides.
His wardrobe is all tees with faded logos and cotton pants but on the rare occasion he decides to dress up Asra has an impossibly colourful blouse and faded jeans he loves to wear.
And there are so many hats! Vesuvia is sunny but he has more hats than he needs, although it's nice to have one for any occasion.
Also has crocs, they are an abomination of pink.
Asra’s phone of choice is an old samsung, he keeps meaning to update it but he’s a bit scared the photos on it will get lost.
Asra and technology don’t always mix well, for some reason...
Even in this universe Asra wouldn’t be Asra if he didn’t have Faust, a mischievous lavender python who always seems to escape her vivarium and ends up in Asra’s camera bag.
When Asra picked her out at the pets store he was told he was the only person she had ever not bitten or squeezed. Asra believes in fate, so he took her back home with him and the two are inseparable.
Asra oh so loves music, and just about any kind of tune can be found on his mp3 however he soon found his favourite to be the chillhop tunes the cafe played everyday. They really relax him.
The biggest Disney fan when he was younger, Asra then slowly decided Dreamworks were better but his favourite movies are those from Studio Ghibli. Asra simply adores the art, the music and the stories.
As mentioned Asra loves photography but he also quickly discovered watercolour paint and he doesn’t claim to be good at it but he does love making little pieces of art for birthdays and Christmas.
Speaking of which Christmas is his favourite holiday.
Asra also dabbles in growing orchids, he's too successful and there are so many he and MC don’t know what to do with them!
Asra’s favourite hobby aside from photography is rollerblading. He’s pretty good at it, cruising through the streets and along the dockside of the city (he definitely dragged MC into trying it out).
Asra never really thought he’d be one to get a tattoo but after getting Faust he changed his mind, since then he has a gorgeous complicated tattoo of the little snake on his shoulder blade.
It was only after “The Event” that Asra got another one; MC’s favourite flower on his hip bone.
Nadia
Nadia Santrivia, she’s beautiful, generous and married one of the richest men in the city, for the most part she’s alright with that.
Although Nadia hasn’t always lived in Vesuvia she’s tuned into the city around her so well, she’s in her element and thriving.
Work doesn’t end, if there was ever a beginning to start with. It's one thing after another; approving designs, attending fancy dinners, opening a charity fundraiser. Life is busy for the CEO of Vesuvia Industries.
Nadia’s happy to run Lucio’s business, because she knows she can do good with it but she can get lonely. Thankfully she has several friends who she can rely on to cheer her on...
The most important thing is that she can be herself, her own person, being last in line for her parent’s business and overshadowed by several sisters Nadia needed an escape.
Vesuvia provided the opportunity.
Nadia’s apartment is sat above the clouds in the skyscraper of Vesuvia Industries, much the same as the other universe home and work go hand in hand when it comes to Nadia.
She’s not materialistic, her apartment is clean and open and perfect for yoga and other purposes that require open space. It's very new and high tech, the coffee machine is her favourite thing though.
The views of the sunrise over the bay are gorgeous.
Ashamed to admit she has tons of shoes.
It’s usually required of Nadia to have the suits and dresses befitting a woman of her status, so when the sun goes down or she has a day off Nadia looks like an entirely different person.
She’s no less stylish, but her airy blouse’s, ripped denim jeans, subtle leather jacket and ankle boots give her a whole different persona, and man does it make her look good on her motorcycle.
Yes a motorcycle, Nadia owns one. It comes out of her garage only once a month but when it does she turns heads.
The rest of the time Naida is pretty eco-friendly with an electric car the business made just for her in a deep shade of purple.
As the CEO of the company Nadia is expected to have the latest iPhone model, her phone is always ringing and if she weren’t so patient she’d probably hurl it off the skyscraper roof.
Nadia always wanted a pet but she could never figure out what kind, and one dropped into her lap literally. Turns out she’s an owl person, although Nadia would never consider Chandra a pet more a companion.
A skyscraper is no place for a semi-wild owl but Nadia is happy enough to make the trip to the stables outside of Vesuvia to see Chandra and give her toys. Such a change from the small owlet Nadia raised.
When it comes to music Nadia is very picky, she spent her childhood listening to her sister’s choice of music and certain songs just put her in a bad mood, except for jazz.
That music preference surprised her but as soon as she discovered Lucio didn’t like it she was hooked. She thought about learning the saxophone (not to annoy Lucio or anything, no definitely not...)
Nadia’s not a big movie watcher, although she is a big fan of disaster movies when the mood strikes (it's nice to think about more chaotic things happening than signing a stack of papers), mainly she only has time to watch tv shows.
Her favourite is the Walking Dead but MC has caught her watching ‘how its made’ shows too. Of course being an avid inventor Nadia would be enthralled by seeing how her car or coffee machine is put together.
Speaking of inventing, although Nadia always wanted to make it her job she’s only ever gotten to approve the inventions her company makes.
It's not entirely what she wanted but thankfully she has just enough time to squeeze in working on her little projects. Ones she hopes will help others one day.
Nadia’s found it super important in the big city to keep herself safe, between her hobbies of yoga, kung fu and fencing she’s a pretty formidable opponent. It’s saved her life more than she’ll ever admit.
Her other hobbies, to list a few are horse riding, polo, piano, swimming, wine tasting, and playing those arcade grabber machines (she has about 50 teddy bears and MC has about the same amount). Most of those hobbies began in her childhood.
Nadia likes to pretend she is above getting a tattoo but anyone who knows her well enough will reveal she has a owl shadow tattoo on her inner heel.
Julian
Poor Julian is the definition of a struggling city batchelor, and he certainly wouldn’t have it any other way.
Still the most well traveled of the group Julian spent his formative years abroad in the army as a field medic (where he met Lucio), now though he’s a lean mean crime fighting machine!
Well he’s a forensics doctor for the Vesuvia PD, but it still counts as being a crime fighter! He’s never really lost that dramatic flair that's for sure.
He’s been a bit of everything; medic and doctor, waiter, translator, actor, sailor, troublemaker and a fugitive (but that’s a story for another day).
But Vesuvia truly is his real home, a place he’s always come back to and where he’s made friends and family, enemies, lovers, and memories.
Sure he lives in the ‘bad part’ of town as Asra calls it, but Julian feels at home enough that it doesn’t bother him, that and he’s got Mazelinka to handle the riff raff.
The two of them share a two-storey house that sits next to his favourite bar, a bit too convenient for Maz’s liking. Despite that the place is cozy and old, all wood flooring and furniture that's been around longer than Julian’s lifetime, it’s filled with the scent of cooking and coffee and other than the box tv and Julian’s phone there's almost no modern technology.
Julian’s room has faded photos of his friends, and postcards from places he’s been too and a few posters of his favourite plays, as well as rough sketches tacked to the corkboard his desk is littered with papers and he even has an old school microscope.
In the mess of his room only Julian can find the thing that he’s looking for, he calls it an ‘organized mess’ when in reality it’s really just a mess.
Unfortunately this extends to his clothing choices too, Julian is terrible at laundry so there is no end to the stains on his mellow patterned tees and jeans, the only smart thing about his wardrobe are his boots and oxfords.
Quite true to form his black trench coat is a constant companion. He usually dresses like he’s in a black and white movie or like a scruffy doctor when he’s in his lab coat.
Still has an eye patch, his depth perception when crossing roads is not great... there are a lot of hospital bills.
Also the reason he doesn’t drive unless he can help it, Julian doesn’t own a car but he’s prone to borrowing one if he needs it (usually from Asra).
Julian is very much the guy on the subway who falls asleep on your shoulder because it's the only place his mind isn’t working overtime.
MC thinks it’s very cute.
Julian’s not really too fussed about his phone of choice, Samsung, Apple, so long as he can make calls and do google searches on symptoms of a flu he’s good. No matter how hard he tries his screen is always cracked.
People often point out the raven following Julian around, he’s not too sure if its the same one but Julian knows its his own fault feeding the scrawny thing when it landed on his window pane. Now it won’t leave him alone, Julian took to calling it Malak and he’s quite fond of the bird even if it likes to cackle for food outside his window at an ungodly hour in the morning.
Maz has threatened to cook Malak on more than one occasion.
Music is one of the few things that helps Julian focus, he’s not usually super into any particular artist or album but his main love is music from musicals and movie soundtracks, if he’s able to do so he’ll sing along.
Lead forensic doctor Valdemar finds it highly unprofessional when they are conducting autopsies.
Almost has no time to watch movies or tv but if you strapped Julian to a chair and put on Brooklyn 99 or any kind of superhero movie he might enjoy it just a little bit...
Honestly though those things are just background noise for him, Julian will put on the tv to keep himself occupied while he’s doing reports. But he loves comedy movies and shows, they might tear him away from his laptop just long enough that he gets a few good laughs.
However if Mazlinka gets the old camcorder out he’s all over watching old home videos of him and Portia and his old hound dog, he’s just so nostalgic sometimes.
Thinks learning counts as a hobby, Julian habitually grabs any book he can to read through so youtube is a miracle in his eyes. Free content, that he can listen to and learn from as well as visually see? Yes please.
Julian learned to play the fiddle when he was younger, for a time as a teen he even went street performing to earn money for Portia’s obsession with bracelet making. He doesn’t play it much anymore but he’ll give MC a tune anyday.
He’s also very invested in cocktail mixing, only thing he mixes is Salty Bitters, he’ll argue any day that the Salty Bitter counts as a cocktail.
Also very invested in his self sustaining bio-tank at work, the other officers are growing concerned about the leeches Julian likes to keep in it. They’re planning an intervention.
The only tattoo Julian had was one forcibly given during “The Event”, his ‘murderers mark’ on his hand. He’s really ashamed of it because it reminds him of the part he had in the disaster that befell Vesuvia.
Muriel
He definitely suits the other universe more, it's even harder to get away from people in this modern world.
But the start remains the same, he was lost and his only friend was Asra for a long time, until Lucio came along and tricked him into doing unspeakable things as a ‘bodyguard’ until he escaped.
People are unavoidable and Muriel keeps to himself during his job as a keeper for a local animal sanctuary, raising and re-releasing wildlife with other volunteers, he practically runs the place.
But the volunteers know not to bother him especially when he goes back to his house on the hill, to take care of his chickens before he vanishes like usual into his house.
No one knows much about him, and he prefers it like that.
Muriel’s home is simple and honestly built for one, there’s only one chair, only one pillow on the bed, only one set of cutlery, only one of everything. It leaks on occasion and always needs fixing, he’ll forgo sleep to fix things.
Who needs more than four hours of sleep anyway?
A lot of Muriel’s belongings are from garage sales, or picked up off the side of the road, not a lot of money goes toward his comfort Muriel prefers that the animals in the sanctuary have comfortable beds and good food.
Muriel’s clothes? He wears them till they die, an usually when he picks them up from a garage sale they’re already pretty close.
For that reason Muriel doesn’t have a specific choice of clothing, he owns jumpers, tees, denim jackets, flannels and whatever jeans and pants fit. He has one pair of khaki coloured boots that are surprisingly well maintained and usually wears a beanie or cattleman hat to hide his face.
Old pick up, old pick up, old pick up! Owns an old pick up truck he fixed up, it breaks down regularly and only plays radio but Inanna enjoys riding in the back. Muriel likes driving a lot on those country roads.
All that’s to be said about Muriel and his phone is this; he owns a nokia and has no intention of getting a smartphone. Ever.
His hands are a bit big for it though, he’s called MC and Julian accidently so many times... and he only usually text’s, so that's awkward.
Inanna is Muriel’s constant companion, and when they’re in the city man do the two of them turn heads. Inanna is a wolfdog in this universe and she definitely looks more wolf than dog.
But she really is a big sweetheart, Muriel raised her from a puppy after she was rejected and placed in a shelter, he knew a wolf dog would need some special attention to grow into a perfect companion rather than a dangerous animal.
Anyone can look at Muriel and instantly think he’s one of those people who would play country music, for the most part that’s true. He does play the guitar and can sing okay, he does like country but his real love of music comes from indie artists.
He can’t really explain it but the music gives him a sense of carelessness and hope he’s never known.
Doesn’t really watch tv or movies, Muriel is almost always too busy for that but he’s found it the strangest thing, Inanna likes watching tv...
After that he got drawn in by the documentaries about animals, he didn’t really realize that people did shows about the habitats and behaviours of animals but he finds himself entranced by it when he passes by.
He soon relented and sits on the floor with his arm draped over Inanna as they watch documentaries about wolves in Alaska.
With the amount of animals Muriel raises anyone would call it a job, Muriel however would argue it's a hobby for him. Sure waking up every hour in the night to feed raccoon babies isn’t ideal but it's never been anything short of joyous to watch them go back to the wild.
Muriel's other hobby centres around his guitar and learning songs to play to himself and maybe a certain person *cough* MC *cough*.
He’s also an avid baker, none of his meals are ready made. Leading on from that he forages for mushrooms, and herbs rather than buys them.
Muriel doesn’t have a tattoo, only his scars.
He thought about getting some but he doesn’t trust someone to touch him that way and also he’s not a big fan of needles.
Probably a good thing otherwise Inanna and all his chickens names would be on his arm.
Portia
Absolutely suits the modern life in this universe, Portia somehow finds the time to do everything, the bustling worker or the relaxed dreamer.
She’s almost everywhere in the city, doing everything at once; working at Vesuvia Industries, grabbing the sweetest iced tea at the cafe, exploring the corruption of downtown streets.
Portia is obsessed with knowing every inch of the city, and what goes on inside it because it's a very strange city with a stranger history.
Portia is a great and helpful assistant to Nadia, but she’s also hiding a lot including her identity as Pasha Devorak the reporter for Vesuvian Times.
She has as many curious secrets as the city.
Portia previously lived in a small studio flat however since working for Nadia she has been lucky enough to afford to rent out a small cottage outside the city. She loves it so much and other than being in an AU not much has changed between the two cottages.
It’s shielded by so many grand trees and a vivacious garden that it feels like her own little world, the inside of the cottage is filled with hand knitted blankets, painted glass figurines and the warm smell of baked goods.
Sometimes its a bigger place than Portia can manage by herself but she likes taking to fixing things as they come along, she definitely is a fan of the saying “if it ain’t broke don’t fix it!”
Her clothing choices are just so cute and by no means is she afraid of showing off her cottage core style; jumpers, skirts, vest tops, crop tops and patterned blouses look really good on her. Of course the garden requires the heavy duty stuff, sweatpants, a tattered tee and the old hoodie that refuses to die.
She’s not to much into heels even though she’s short, Portia prefers pumps and loafers because “comfort over beauty!” (although she would be pretty cute with or without).
Nadia finds Portia’s headstrong and optimism very amusing and definitely takes a few life lessons from Portia.
Who needs to drive? Portia doesn’t, she loves taking the bus or the train wherever she goes. That way she can bop her head to her tunes while watching the landscape go by, in a beautiful intricate place like Vesuvia it's important to take it all in.
That and everyone can agree that Portia behind the wheel of a vehicle is a disaster, she just gets so distracted.
Nadia has offered Portia a new phone many times but Portia is plenty happy enough with her older gen 6 iphone (because if she got a new one she’d have to get wireless headphones!) Also she’d feel bad for Siri.
Unfortunately Pepi the cat came from terrible circumstances, certain circumstances where Portia jumped of a bridge after witnessing someone chuck a mewling bag into the river.
But Portia is so thankful for her amazing kitten, the two of them protect each other. Though Pepi’s idea of protecting Portia is making sure the birds don’t feed from the feeder outside and meowing at the fridge when it’s too loud.
Portia’s music taste is disarming to those who don’t know her well, she is a huge fan of rock, any rock music just so long as it’s good and a classic (ACDC, Queen, etc...) she likes to think she is a connoisseur of rock.
Julian can not put into words how much he abhorred it when his little sister would blast that music to drown out his.
Portia will either watch every movie or show when it comes out or will binge watch a show or movie after forgetting it existed. There is no inbetween, but she loves media, consumes it even.
Detective shows and spy movies are her favourite but she’ll enjoy just about anything unless it's a musical she was forced to watch one too many times because of Julian.
Portia has so many hobbies, one would say too many but she digresses.
Of course gardening is at the top of her list, moreso because the garden always needs doing but she gets a great sense of pride growing her own food and Pepi loves chasing the spiders that hide in the strawberries.
Portia is also a very avid blogger, there is a lot of conspiracy theories on there but with a following of half the city it seems pretty popular.
In her downtime Portia is loves to relax with her favourite soft drink and beat V3suviaC0unt#1 ass on her games console, she finds the shrieking of her enemy to be great fun.Portia’s love of games however soon transpired to collecting action figures of her favourite game characters.
She is very protective of them.
Like Muriel, Portia also doesn’t have a tattoo. It’s not that she’s afraid of needles but she just hasn’t found a reasonably good design to get yet.
Lucio
Lucio is definitely the one out of the six who was made for the modern world, sure being a Count is cool and all but in this world he can have both power and freedom and not have to sit in every meeting called.
He’s never once taken anything seriously, Lucio’s power has been built on the backs of others without him ever having to raise a finger.
It’s happened everywhere he goes, in the army he sacrificed the good of his teammates to rise in the ranks, he forced the Asra’s parents to make him the best prosthetic arm in history, he codled up to an old dying man to get his business and when he found out that wasn’t for him Lucio pawned it off to his wife and rolled onto the next devious plan.
Lucio’s been an army man, a CEO, a crime lord and the cause of “The Event” but maybe one day he’ll rise above those defining moments and be greater (but that is a story for another day).
Of course Lucio did live with Nadia for a time, but when he made her CEO Lucio took to calling his mansion home, Nadia wasn’t a fan of the creepy vibe it gave off which is just as well because Lucio hosts a lot of unsavoury characters...
True to form each room in that place has only the most expensive belongings, every bed is king size and the garage is filled with gas guzzling monstrosities of cars. It’s not cluttered by any means, but it's gaudy and shows off his wealth.
The only place things seem normal is the kitchen, Lucio doesn’t spend much time in there but on the wall sits a board of old memories when he got along with the others, they didn’t always find him unbearable.
Lucio’s torn it down and put it up so many times already he can never make up his mind if he wants to keep it.
Only thing Lucio ever liked about running a company were the expensive suits he was told he had to wear at least that was a great improvement on his fashion sense. Of course he’s not always wearing suits sometimes he’ll just wear a dress shirt with one too many buttons undone and a pair of white chinos and trainers.
Sunglasses are a must, that, and a lint roller. The dogs shed a lot...
As mentioned before Lucio has a lot of very pricey cars, he is the product of what would happen in Portia was given a car, he’d get distracted and crash it into the back of another vehicle.
He’s lucky anyone will insure him and that he has so many cars.
Lucio tried to be different to the ‘normies’ by getting his company to make a phone suitable to his taste. A phone that had two charging ports (to charge it twice as fast) and a waterproof casing (that kept it a bit too dry and hot so it spontaneously combusted in his pocket).
Lucio now has the latest iPhone instead.
Owns a lot of pets, the exotic eels, macaques, cockatoo, etc... The same as he does in the normal universe, none of which are particularly nice and well behaved. He prefers his fur babies Mercedes and Melinchor.
They were two dogs he saw fighting in dog fights and he was in love instantly buying them and bringing them to live with him, chaos follows those two like a bad odour.
Lucio decided that to be the cool rich guy he needed to like cool music, for the longest time he spent his time listening to hip hop no one really ever notices that Lucio in fact hates hip hop, he much prefers pop music.
It's a secret he will take to his grave but MC has definitely heard him singing to Katy Perry’s ‘Firework’ in the shower.
Lucio is the biggest movie buff in Vesuvia, he’s definitely offended when no one invites him to premieres, which is why he’s done all he can to get into movies (with little avail). And he will watch anything and enjoy it, he is usually one of those people who don’t realize the book exists when such a movie is out.
But do you know what his favourite kind of movies are?
Romantic-comedies, or just anything that's classed as romance. Date nights with Lucio are pretty good but he cries a lot, poor guy.
Just don’t get started with Lucio and hobbies, if he’s tried something once he’ll make out he knows everything about it and even if he hasn’t tried it he’ll pretend he has. He’s forever speaking out of his a** but no one dares call him out on it.
That being said Lucio really doesn’t have the capability to commit to a hobby, unless parties count? They don’t? They should!
Although one could say maybe planning parties does count...
Tattoos? Lucio has a few; his army number on the back of his neck, a sword piercing a heart on his chest and the twin silhouettes of the dogs running on the heel of his foot.
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something-like-air · 3 years
Note
For the ask thing 1, 5, 21, 24 😊
🙇‍♀️🙇‍♀️thank you for the ask!!
1. What themes would you like to write about that you feel don’t get explored very often?
okay! so, to be honest, i think this has actually become a very popular theme more recently, but ive always enjoyed aftermath as a theme? especially as it pertains to side characters. so a lot of my stories will start AFTER the big action climax and will usually follow the fallout from that and how the POV characters navigate that. And usually like, I tend to gravitate towards the characters who either weren't really actively involved in the main event (karin, for example) or who were ancillary to the main characters (more of itachi, i think)
another theme that i really enjoy is non physical kinds of strength? like, strength of will, mental strength, emotional strength. i would say that personally i feel like these themes are common only when paired with physical strength? like the hero is usually a mix of both, but i prefer to write protagonists who arent physically strong but get by using other means. i also really like kicking itachis ass w his mysterious illness to make him a little less op
5. Would you rather write a happy ending that soothes the soul or a tragic ending that hurts the heart?
hehe definitely the former. i like opening with angst and then spending the rest of the story untangling it. im gonna sound like a broken record, but since karin and itachi are my go-tos for writing, angst is a little hard to avoid unless its a big au. i think karin got the 'bad' ending in canon (not badly written, but on the bittersweet to tragic scale), so i try to avoid putting her right back there in fanfic lol.
21.How do you come up with titles? Do you use placeholders or tend to change your titles while writing the first draft?
i would say maybe - 1/10 of my fics have easy titles. usually i pick a poem or something that i like that fits and ill stick with a line from that. for some ill try to incorporate the lines extensively, if i can, though some its more like - this single line says everything im saying here. other than those, i almost exclusively use placeholders until i nail down a good one.
24. Do you let your story evolve as you write or do you meticulously plan everything prior to writing the first draft?
I really wish i could plan things out but i cant. sometimes for a fic ill let the idea simmer and then sketch out something rough? like ill start writing the first scene and then start blocking out the rest of the fic for how i want the plot to progress. usually most of these marks will stay in, but about halfway through the process i usually start looking at themes to incorporate (i can either start with a theme or a plot but not both) and then add scenes to nail it down better. my process is hell and there's a reason im super slow!
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ravenwolfie97 · 3 years
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2020 Art Summary
Yep, it’s 2021 already. 2020 is finally over. It felt like it lasted forever, and it felt like the end would never come, but here we are. Crazy how the time flew by.
I felt like I didn’t get much art done this year because of Current World Event, but I made a lot more than I thought I did. Even some of my new favorite pieces came out of this year, so I think that’s worth celebrating and looking back upon!
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I was insanely productive during the first month of 2020, and looking back I was surprised at all the stuff I did, but then I remembered that that winter season was actually one of the best times of my life! I started being more socially involved, and I think my newfound drive at the time translated into all the art I pumped out this month. This is just a small fraction of what I made in January, but I only have so much space. Quite a few complex pieces in both style exploration and polishing my own style.
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Apparently February was a rather intimate month. Things began to slow down in terms of my own art here, with me spending more time in social settings and school work ramping up, I didn’t have as much time to coop up in my room to draw. I did wanna do something for a friend’s Valentine’s Day OC art challenge, so I drew my lovey-dovey couple from Dance of 1000 Words havin’ a dance. Nothing actually came of that challenge, but it was fun to do regardless.
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One of the things I was most proud of in the winter season was making more friends, and one of the closest friends I made was completely coincidental. I met a person named Kiri on the bus one night I decided to volunteer somewhere by myself, and we ended up chatting and getting along. They quickly told me their tumblr username, and I shot them a message immediately after they left. A couple days later, we met up for brunch, and we started becoming really close friends and creative partners!
Not much else happened in March cuz that’s when Current World Event started becoming an issue, but Kiri and I still kept in close touch and we randomly started developing a concept for a Pokemon Mystery Dungeon: Galar Edition. These are a handful of characters we thought up, with Skipper the Scorbunny and Dross the Dreepy as the main characters, Morgrem as the main antagonist, and some shopkeepers such as those of the Greedent Bank and the Indeedee General Store. This was also my first time drawing all of these Galar Pokemon (except Scorbunny, but I also made Skipper a bit more unique than a regular Scorbunny).
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Lots of events happened this month. First of all, Steven Universe Future ended, one of my favorite and most influential shows was no longer continuing. I had to do something as tribute, both as a send-off to one of the greatest cartoons in the world and as a cathartic release for my feelings towards it.
A while later, I got the opportunity to start playing an MMO in beta called Fer.al, by the same people who made Animal Jam, which coincidentally I had also beta tested for back in the day. I ended up getting really attached to my first character, a Senri I named Sasha, and though I’ve made more characters than them since, they’re still my absolute favorite. Though I haven’t touched the game in a few months, I was really engrossed for a long time and enjoyed playing through the beta and early access phases.
At the end of the month, some friends of mine invited to a roleplay group with some mutuals, and we all played characters in a crime syndicate. Just a bunch of ragtag thieves and criminals who ended up together in order to protect an artifact called the Crown of Thieves, which was essentially a flag to be taken by other groups to prove that they are the best thieves in the land. My character was based heavily on my sona (if it wasn’t obvious) and was also influenced by Cloud Strife, since the FFVII Remake had just come out and I was super into watching the cutscenes at the time. My character’s (code)name is Valkyrie, and they are a mercenary, going between multiple different employers to carry out whatever duties they need to do. They have a more complicated backstory, but presently they were recently hired by recommendation of their friend Shark (played by @shmoots-universe​ who is also My friend now ily maya) who works with a group called the Court Cards who are currently in possession of the Crown of Thieves. Valk never really had a place to call home, but staying with this group of people had to be the closest they could get to that feeling. They still sleep with a knife under their pillow because of trust issue but that’s okay.
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Okay, so technically these examples started in April, but I continued making content with them in May, and the month was just pretty void of art in general, so here I am addressing them.
There were two main things I worked on this month: a Steven Universe AU of my own and the whole #sixfanarts thing that kicked off around then. Let’s start with the fanart bits. I did two and a half of them (six in April and nine in May), and it was so much fun to be able to draw stuff I don’t normally do! My personal favorites are shown here: Blake Belladonna from RWBY, Roll from Megaman, Yuki Konno from Sword Art Online, and Link from The Legend of Zelda: Twilight Princess. The other thing I’d been planning for a while was a Steven Universe AU, probably to cope with the show being over but also because I was inspired by a lot of those SU AU artists I started following at the time. I won’t share the details here because it’s gonna have its own blog at some point, but the example I’ve shown here is of a comic I made loosely in order to introduce a divergence in the plot of the story as well as introduce a character unique to my AU. It was a lot of fun figuring out how to draw the characters and get a feel for the style.
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As the year progressed, my amount of art I made per month began to dwindle, this time mostly because school was kicking my ass especially hard with finals. However, I took what time I had to get some backburner pieces finished, like the Tigerlily picture which I sketched out a couple months back, and the Gunvolt picture which I started working on SIX YEARS AGO. I don’t quite know why I got the urge to work on it again after so long, but it was nice to finally realize. The other drawing for DOTS was done in the dead of night but I was really happy with how it came out.
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Despite only having two summer classes left of school, this month was really rough because they demanded a lot of my time and attention. I did not have the gumption to do anything digital, so I stuck to my sketchbook to get out what I felt like getting out.
My friends and I did a stream of the game Helltaker, and I really enjoyed the concept, so in following my friends I made my own Helltaker demon OC named Raksha the Ravenous Demon (it’s a pun but also got mythical insp). I also got super into Hazbin Hotel at this point, mostly because the Addict music video dropped and I couldn’t get enough of it, so I doodled Angel Dust cuz I felt like it. The other drawing I did was actually a free commission I gave a friend of mine as a prize for a trivia game show I ran back in June. He along with a couple other friends got some free drawings from me for getting the top three scores, and this one in particular was fun because of how interesting it was. He wanted me to draw a video game reviewer called the Irate Gamer from a specific moment, and I decided to go ham and just make it as dramatic as possible.
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University classes finally wrapped up and right after that I was in the process of moving out of my apartment and getting adjusted to living with my parents again. I did a couple of agg.io drawing sessions with my friends from the Court Cards group as well as a new Dungeons and Dragons homebrew group I had joined. I drew some more of Valkyrie and came up with a design for my DND character Qakuqtuq (or Kai for short). He is monkey grandpa and I love him.
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My main focus was on finishing a polished piece for my friend Cake, whose birthday was in the upcoming month. I wanted it to be as amazing as possible, so I put a lot of time into getting more detailed and making them look good. In addition to that, I did a few TOME doodles just for fun. The creature on the bottom was for this month’s art challenge on my Discord server where we made original TOMERPG monsters, and I created Hundylow, a Crystal-element monster based on the Grindylow from English folklore.
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This month was a lot more productive than the past few had been. I tried to do a 31-day art challenge called Creatober but failed to get past the third prompt because I was still swamped with other work. I’m still happy with what little I did, including the piece with my characters Kyle and Guarudan from DSWD.
I don’t remember how, but I also suddenly rediscovered an old Flipnote Hatena series called Tales of LostClan, a Warriors fan series that I would say was the most obscure thing I’ve ever been super invested in. It was what got me into the actual Warriors books, and I liked it so much I redrew the animations into a comic... twice. Didn’t get nearly as far the second time but clearly my love for this little fanfiction had not waned after nearly a decade. I felt like drawing a book cover/movie poster for the series, just to get it out there and see how much I’ve improved over all that time.
Also I felt like making a vampiresona just before Halloween because I never dress up for Halloween in art (or real life anymore, for that matter), and I wanted to do something like that for once. It was short-lived but I really liked the design!
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The focus of this month was definitely on Pokemon stuff. As per usual I contributed to the current Gotta Draw ‘Em All collab, and I was tasked to draw Regieleki. It was really fun to figure out how to make it stand out and look like it was made of electricity.
I also committed a lot of my spare time to my Fakemon Gym Leaders, as I had been working on bringing them to life in the past year or so now. As of this post, I’ve finished rendering their full body poses and gym badges, but I’m still working on completing all eight VS portraits, the first half of which are shown here.
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I... didn’t draw anything this month, actually. What I’m showing here was worked on in the last few days but has actually been in progress for a couple of months, and I just finished it earlier today, in 2021. But I needed to show something off, and it’s also about time I mentioned it.
Back in October, I kept seeing people rave about this game called Genshin Impact, and I was interested but not so much as to start playing it... until my friends started playing and I was like “fuck it, let’s download it”. Since that day, I have been super immersed and in love with this game, to the point I came up with my own canon based on my gameplay experiences. This also included the creation of an original player character: Astra, the non-binary Traveller. And now, I’ve finally drawn them and brought them to life.
It has been one hell of a year. I had some of the highest highs and lowest lows in 2020, lots of changes, and I have now officially moved onto the next chapter of my life now that my time at university is finally over. I’m very excited for what 2021 has to offer, and I’m going to go forward with great ambition.
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verocitea · 4 years
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CA Summary and Character Bios
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So, as promised, I wrote up a basic summary of the AU and the character bios for Sonic, Tails, and Knuckles (with rough sketches)! Sorry it’s a little late.
------------------- Summary -------------------
As I mentioned initially, this AU is set in a dystopian cyberpunk world. The population of the world (human and mobian) have come together to live in several titanic cities after a worldwide climate shift hundreds of years ago made wastelands out of over 80% of the land. The Chaos Emeralds are thought of as myth and most Mobian culture has been lost to time.
In this time, people with Chaos Abilties (superpowers essentially) are called “Chaos-Touched” and are a seemingly recent development. The amount of energy in their bodies makes them unstable and essentially ticking time bombs unless they use their abilities and release enough chaos energy on a day to day basis. The government and researchers stepped in with proposed solutions and the world went on. This is where the story starts.
Sonic is a chaos-touched individual thrust into the world of the Chaos Arena: a fighting tournament meant to allow strongly gifted Chaos-Touched to release their powers in spectacular fights. Sponsored by Robotnik Industries, he must fight through a system that isn’t quite as clean as it makes itself out to be.
That is, until the Chaos Emeralds make their grand reappearance.
TLDR: Sonic, an athlete in the Chaos Arena, is trapped in a seemingly never ending cycle of fighting for his life due to the mere existence of his powers. However, everything changes when the Chaos Emeralds return and prove themselves to be more than just myth.
(This was about as short and sweet as I could get it, oops! I did my best lol... Thanks to those who gave me tips and guidance on how to actually put together a summary!!)
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------------------- Sonic the Hedgehog -------------------
Age: 15
Chaos Abilities: Super Sonic Speed and Dexterity
Personality: Similar to his canon counterpart, Sonic is someone who is very set in his own convictions. He has a strong sense of justice, and values freedom above most everything in his life. He tends to be overconfident and can’t help but show off and joke around, even when the timing is off. He is fiercely loyal to those he cares about. In this AU, he has lost that freedom that he so valued and as a result tends to be more short tempered, aggressive, and stir crazy than his canon counterpart. 
About: Having extraordinarily high levels of chaos energy, he was a shoe in to be an athlete in the Chaos Arena. Sonic has seen great success, having won many of his fights, and even has his own fanbase. Despite this, he genuinely hates the sport and his “generous” primary sponsor, the illustrious Robotnik Industries. He longs to leave the city and travel the world with no restrictions. Sonic has only lived in the city and been a part of the Chaos Arena for a year, having grown up on South Island.
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------------------- Miles “Tails” Prower -------------------
Age: 8
Chaos Abilities: Intelligence and Flight
Personality: Like his canon counterpart, Tails is a generally good-natured and inventive child who is more mature than his age would suggest. He is typically more timid and quiet around those he does not know. Despite this he is cunning and subtle, able to twist and manipulate situations behind the scenes. In this AU, he has a warped sense of trust in anyone who isn’t Sonic and he is not above deceiving others to accomplish his goals. He also tends to fall victim to worry and crippling anxiety.
About: Sonic’s best friend and surrogate brother who lived with him for two years back when they lived on South Island together. Having been drafted into Robotnik Industries at the tender age of six for unstable levels of chaos energy, Tails has been tasked by Ivo Robotnik himself to research ancient Mobian culture and translate the lost Mobian language. He was never told why, and over the years has only become more and more frustrated with the odd and seemingly impossible task.
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------------------- Knuckles the Echidna -------------------
Age: 16
Chaos Abilties: Strength and Chaos Manipulation
Personality: Like his canon counterpart, Knuckles is strong willed, serious, and brash. He is anchored to his duty and morals and is not easily swayed from them. He tends to have a ridiculously short temper and is not one for joking around. In this AU, he is actually quite insecure of his short temper, as he was always taught that a guardian was meant to stay calm and collected under all situations. He is a man of his word, and if he makes a promise he would die to keep it. 
About: The current Guardian of the Master Emerald and Angel Island. While his origins are shrouded in mystery, Knuckles is well aware of the fact that he is the last echidna alive. He is cut off from society, as he has never left the island and the world is unaware of Angel Island’s existence. He has the ability to communicate with the spirit of the demigod Tikal through his red chaos emerald and the Master Emerald, and she has taught him everything he knows. 
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chalantness · 4 years
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fic: Here, On the Edge of Hell (3/6)
Rating: M Word Count: ~9,300 (part three) Characters: Steve/Natasha Summary: mafia au. She knows her father hadn’t been lying when he said that Uncle Howard wanted her to keep an eye on Steve, but if this was simply about protection, he wouldn’t have put her on the line at all. Especially not with all of the heat Steve Rogers is getting from the other Families, which means that her uncle has another reason for Natasha to be involved.
He just won’t tell her what it is. 
Read On: [ ao3 ]
A/N: Okay, here's a confession: I kept changing the end of this chapter and then just ended up taking that scene out entirely because it got super long and I felt like it was... too much? This may or may not bump the chapter count up to 7 but for now there are still only 6 parts, so let's celebrate for being (technically) halfway through this 'verse! I'll try my hardest to keep it down to only 3 more chapters, though, so the last three parts might just be super long. I hope you darlings won't hate that!
Natasha seems distracted, but considering everything that happened yesterday, he figures she’s got a few good reasons to be. He asked if she wanted to talk about it when she first got to his place, but she’d given him this coy little smile and asked, “Talk about what?” and he’d simply chuckled and taken it as his cue to leave it, at least for now. She must’ve spent the entire day sorting things out at the club with Howard; if she wants to take her mind off of it, if only for a few hours, then he can give that to her. He wants to give that to her, and honestly, the little smile she’s giving him right now, with her eyes twinkling and her cheeks slightly flushed from the wine, is entirely worth it.
“I ran into your sister this morning,” she tells him, passing over her empty glass when he holds a hand out for it. “She had interesting company.”
Steve breathes out a laugh, pouring her more wine (they’re both on their fourth glass) before handing it back. “Her interesting company invited us to breakfast tomorrow, by the way,” he says, and Natasha raises her eyebrows, her eyes sparkling in pleasant surprise. “Yeah, I know,” he says with a shake of his head, filling his own glass and then setting the bottle back down on the coffee table. “Technically, he said he and Sam wanted you there, and Wanda followed up by saying that she convinced Pietro to join us.”
Natasha laughs, her voice slightly raspy from all the wine. Steve feels his lips curve in response to the sound and he glances at her lips, but only for a second.
“Now that is a conversation I would’ve loved to see.”
Steve exhales a chuckle. “I think they’re all just doing it to make some sort of statement. I overheard Clint advising Pietro to play nice, establish a united front for my sake.”
Even as he says the words, though, he knows they’re not quite right, and the little grin Natasha gets is all the reassurance he needs. “They’re doing it for you, Steve,” she corrects, her voice lilting in amusement. “If this was just about making a statement, there are a dozen other ways they could’ve done that without throwing more fuel on the fire by taking two detectives to lunch. Although,” she adds with a tilt of her head, “I have no doubt that Pietro will insist otherwise until he warms up to Bucky and Sam.”
Steve feels himself smirk. Yeah, he doesn’t doubt that, either. His brother is stubborn as hell and not the type to like anyone at first.
That doesn’t mean that he immediately dislikes anyone, though. He’s simply wary, and maybe that’s because, when he does decide to trust you, he’s almost loyal to a fault.
He’d told Steve last night that he’d been following the Asgards around ever since the drive-by, and Steve knew that wasn’t just another impulse of his. Pietro could be a little reactive sometimes, that’s for damn sure, but something like this – accusing another member of the Family – is something he wouldn’t have taken lightly. Wanda thinking that she saw the car would’ve only been enough to raise suspicion, but it’d been Bucky vouching for his fellow officer identifying the car, too, that convinced Pietro it was a lead worth looking into. Maybe he doesn’t trust Bucky, but he trusts Steve, and that was enough for him to consider Bucky’s hunch about the drive-by being intended for Wanda.
(And Steve knew he didn’t need to remind Pietro to be careful, but he’d said it, anyway, and his brother hadn’t even rolled his eyes or quipped about him being overprotective.
They both know how dangerous things will get quickly if anyone finds out what Pietro is doing, let alone what they might be accusing the Asgards of.)
“Speaking of the twins,” Natasha adds after a moment, her voice softer now, some of the amusement fading from her expression when Steve looks at her. “They didn’t want to be here for this?”
Steve doesn’t need to ask what she means. This, as in finally opening the damn box on the table that they’d found in his mother’s old apartment.
It hadn’t been his only reason for inviting her over tonight; in fact, he never even mentioned in when they made the plans. He’d genuinely wanted to see her, to check on her after everything that happened yesterday, but he also knows she would want to be there to open it with him and honestly? He didn’t even consider doing so without her.
“I told them it was their choice, but that I also didn’t want to put them through it in case it was something shitty,” Steve tells her.
“Willing to carry that burden all on your own, huh?”
He shrugs, staring down into his wine glass. “Something like that, I guess. The two of them have been through a hell of a lot more than I ever have.”
“And you want to, what? Pay your dues?” She gives him a look. “That’s not how family works, Steve.”
He chuckles faintly. “No, I know. It’s not that. I guess—” He cuts himself off with a shake of his head, turning to her with a wry sort of smile. “I know I’m the helpless one out of the three of us, but I guess I just want to protect them if I can. They were the ones that were raised by Dad. If something shitty about him is in that box…”
He trails off, stopping his own thoughts again, but he knows by the look in her eyes that Natasha doesn’t need him finish his sentence.
He knows that there could be nothing important in this box, or if there is, it could be something Pietro and Wanda have already known. It’s not as if he plans on keeping it a secret from them, either. He doesn’t even know why it feels important for him to see it first, but it does, and his siblings trust his judgment.
Natasha gives him this little smile. “You’re a good brother,” she says, her voice barely above a whisper before she takes a small sip of her wine. This time, she’s watching as his eyes shift down to her lips again, and he lets his gaze linger for a moment before turning away, smiling into his own glass. “So, shall we get this show on the road?”
“Might as well,” he murmurs, taking a gulp of wine before setting it aside.
Considering how old the metal box must be, it doesn’t surprise Steve that it only takes a few tries to get it open. That should’ve been his first clue that there might not be anything incriminating in here. There may not have been as many ways to keep things locked up back then, and it’s not as if this box was somewhere easy to find, but still. Going through the offices and coming up empty had shown Steve just how careful a man his dad was, so he wouldn’t have left anything important just sitting in this thing.
And Steve thinks he’s right, for the most part. The box is slim and rather small, so there’s nothing more than a few photos and folded pieces of paper inside.
Sketches, he realizes, when he unfolds the one sitting on top. The penciled scene looks vaguely of a grand building in an open field with a mountain range along the horizon, and there’s something about the architecture that seems like it should make it seem distinct, but the lines are too rough to really tell.
The rest of the sketches are more of the same – a few snowy landscapes, more mountain ranges and more buildings with unique silhouettes – so Steve sets them aside and picks up the small stack of photographs instead, flipping them over to find his mother’s face smiling back at him. She’s younger here, her hair brighter and longer and half-covering her face as it’s angled away from the camera, and the color from the photo is faded from years of sitting, but Steve knows without a doubt that this is his mother.
“She’s beautiful,” Natasha says quietly, her leg pressing against his as she leans in. “You have her smile.”
Steve feels his chest squeeze as he exhales a laugh. He’s heard that before, but even now, he doesn’t quite understand it. He knows he looks almost exactly like his father and that he always has, but he’s also always been told that he has his mother’s smile, too.
“Dad says that all the time,” he tells her, handing over the photo for her to take a closer look, and he watches as she gently traces it with her fingertip. “I don’t really see it.”
“I do,” she replies simply, her eyes flickering to his. “Trust me, you look just like her.”
“Okay.” His chest squeezes again, and he holds her stare for a moment longer before exhaling a breath, turning back to the small stack of photographs in his hand.
There are a few more of just his mother, a few of his parents together and then a few of them with Steve, but that’s it, so he sets them aside with his father’s sketches and picks up the worn leather journal, flipping it open. At first glance, it actually looks more like his mother’s swirling handwriting than his father’s, but before Steve can actually read anything, something slips out from between the pages. He picks it up from his lap, flipping it over, and then his heart slams against his ribcage at the face he sees.
Melina.
Steve has only ever seen her face in photos a few times and only once in person, and she’s much younger in this photo, but he knows it’s her—and he can tell by the way Natasha inhales sharply beside him, her entire body going completely still, that she knows it, too.
He recognizes his father standing next to Melina, his face much younger, just like hers, but it’s without a doubt Joseph Rogers. There’s another man and another woman with them, too, the four of them all right around the same age, not even into their teens yet. The other woman has light, long hair and a sweet, smiling face that seems vaguely familiar, at least at first glance. She has both of her arms curled around Melina, her body half-angled toward hers with the embrace, and the photograph seemed to have caught the two of them in the midst of a laugh. On the woman’s other side is a man that’s tall and broad, his figure imposing and his expression gruff, even in his young age. Unlike the other woman, though, there’s nothing about this man that stands out to Steve, nothing about him that feels as if he’s seen his face before, maybe even in passing.
Then again, maybe he didn’t really recognize the woman at all. Maybe it’s simply the fact that he does recognize his father and Natasha’s mother that’s throwing him off.
Never, not once, had his father mentioned having any kind of relationship with Melina Stark. Not one that came from childhood, at least.
His father is close to the Starks as a family, of course, but he’d always been closest with Howard. And not even Howard has mentioned anything in particular to Steve. If his father had known Melina for so long, Howard Stark would’ve brought it up. Even if he already assumed Steve knew it already, the man would’ve worked it into at least one conversation, especially since Howard knew Steve would be spending even more time with Melina’s daughter—except, fuck, could that have been the reason for it all along?
Steve could never quite put a finger on why Howard offered his niece up as another advisor for Steve, and even Natasha admitted it didn’t quite make sense, either.
But maybe the idea hadn’t actually come from him. Maybe it’d come from Melina.
“What the fuck is this?” Natasha breathes, her hands shaking ever so slightly as she reaches for the photo, which Steve passes over to her before smoothing one of his hands over her back, gently circling. He watches her as she stares at the photo, the shock so crystal clear in her expression that it makes his heartbeat falter in his chest. Her eyes are a little bit wild as they snap onto his. “Why is my mother in this photo with Joseph?” she asks, though he knows she isn’t asking him, specifically. “What am I looking at?”
To anyone else, her surprise almost seems tamed, but Steve knows better.
She may not be overreacting, but the fact that he can feel her trembling and that he can see the genuine surprise on her face means she isn’t trying to filter her reaction, or maybe she simply can’t in this moment. But whether that’s because of all of the wine or because she trusts him, or both, is a matter for Steve to address another night.
“I don’t know,” he admits quietly. He doesn’t quite kiss her temple, but his lips brush against it when she leans into him.
She exhales, her gaze fixing back on the photo for another moment before picking up the journal it had fallen from. Steve knows this is his mother’s handwriting, and as he skims over her words while Natasha flips through the pages, it’s clear that this is more of a diary than anything else. Half of the pages are empty, and there’d been nothing other than this one photograph tucked inside of it. He’s not sure why a picture of Natasha’s mother and his father would be in his mother’s journal of all places, especially since it’s from before his parents had even met—but, as Natasha flips to the last page that’s been written on, it’s clear they’re not going to get any kind of explanation for it, either.
She lets the journal fall closed as she places it back down in his lap, and then she’s standing, the photo in her hand as she starts to step around the coffee table.
Steve is up in the next second, gently but firmly grasping her by her arm, just above her elbow, and turning her back around to face him. He can practically see the thoughts flitting in her eyes as she murmurs, “I have to go.”
“Nat, no,” he argues. “We’ve both been drinking. A lot, might I add. You’re in no condition to drive home, and you’re not getting into a cab, either.”
“I’ll be fine,” she insists, about to turn around again, but he grasps her other arm, too, pulling her against him. He feels her struggle against his grip, but he also knows it’s only half-hearted. If Natasha wanted him off of her, he would’ve been flat on his ass right now.
“Someone purposefully put a car through the club you manage.” He feels his eyebrows furrow as he gives her a hard look. “You’re not getting in a fucking cab. And I know you’re not going to storm over to your mother right now and demand answers. Even half-drunk on wine, I know you’re a hell of a lot more strategic than that.”
She pulls back a little at his words, a reluctant flash of indignation – and also amusement – in her eyes. “I’m not half-drunk.”
He cracks a smile. “We went through an entire bottle of wine in an hour. You’re not half-sober, either.”
“I’ll be fine,” she repeats, though there’s less force behind her words this time. It’s not in defeat, he can tell, but she’s also stopped squirming against his hold. She shakes her head, not so much as flinching when he brings a hand up to cup her cheek, as if he’s touched her like this a dozen times. “I just need to think.”
“Then think here,” he tells her, almost pleading. She tilts her head up to look at him. “This was a big revelation for me, too, you know. Maybe I need you here to comfort me.”
Despite herself, Natasha breathes out a chuckle, rolling her eyes playfully. “Is that really the move you’re going with?”
“Is it working?” he asks, and she chuckles again, more of the tension ebbing from her body as she leans into him. “You can borrow something to sleep in, take Wanda’s room if you want. Hell, take my room and I’ll sleep in Pietro’s.” Natasha’s lips quirk and Steve feels his own smile widen a little in return. “I’ll get in a cab with you and make sure you get home if you really want to. But if all you’re going to do is worry about this alone in your apartment then you might as well worry about it here, with me in the other room.”
“In case you need comforting?” Her tone is mostly teasing, but there’s something about it that tells Steve that she knows what he really means, too.
“Yeah,” he murmurs, sliding his hand down her arm to gently grasp onto the photograph, and she lets him take it from her hand, twist around to set it on top of the coffee table behind him.
Her expression softens when he turns back to look at her. “Okay,” she says, barely above a whisper. He strokes her jaw again with the hand still cupping her cheek, his thumb only an inch away from the corner of her lips, and then he pulls away.
... ...
Natasha can’t remember the last time she slept in. She’s always gotten up early to take a run, even when she was younger; a habit she picked up from running with her father almost every morning, and one she continued even when she no longer in school and didn’t need to keep up some kind of schedule. But she likes having the routine, and she’s gotten so used to it that somehow, she knows before she’s even opened her eyes that she’s slept in, though a quick glance at her phone tells her it’d barely been by an hour.
There’s also a text from Maria that she’d sent last night. Honestly, Natasha had almost forgotten that she texted her at all, and after the revelation from that damn photograph, seeing Sarah Rogers’s signature on a receipt at the café seemed like something that happened days ago rather than just that morning.
And yes, she’d still contemplated telling Steve about it, even though she and Maria agreed it would be best just to leave it, at least for now. Sarah Rogers isn’t exactly an uncommon name, and considering the woman had gotten sick and passed away after Steve graduated high school—something Joseph told the Family himself when he and the twins attended her funeral—it seemed unnecessary bring up something that could be a coincidence. But that didn’t get rid of the feeling that she should’ve told him anyway.
It feels a little less important to bring up after last night, though.
She walks out into the hallway just as the door opposite of her room (well, Wanda’s room) opens, and Steve steps out in nothing but a pair of jeans, a towel draped around his neck as he uses it to rub at his damp hair. He pauses when he sees her, his mouth hitching up at one corner in a crooked, almost boyish sort of grin.
“Good morning,” he greets, and, to his credit, his eyes stay on her face rather than skim down to the tank top and tiny pajama shorts she’d borrowed from Wanda’s closet.
“Good morning,” she echoes, her lips tugging in a smile as her eyes flit over his bared chest. “If that’s how you plan on going to breakfast, it’ll probably end up being free.”
He breathes out a laugh. “Sorry, I wasn’t sure when you’d be awake,” he replies, glancing down at his own torso for a moment before his gaze is back on hers, his thumb pointed over his shoulder. “The shower in my bathroom still needs to be looked at, so I just keep using this one.”
“No need to apologize.” Her smile widens, just a little. “This is your place, after all.”
He presses his lips together, eyes glinting like he knows that she’s teasing—like he knows what she really means—and, since he doesn’t seem the least bit self-conscious, she lets her gaze fall back onto his chest. Now that she’s really looking, though, she can see them: thin, jagged lines scattered across his chest, all of them almost entirely faded into his complexion. But they’re there, and there are a few dozen of them, and Natasha is willing to bet that she’d find a few dozen more on his back if she asked him to turn.
Scars. He’s covered in scars.
“Steve,” she exhales, glancing up into his eyes, the amusement and teasing faded entirely from his face as he simply peers down at her. She reaches up, touching her fingertips to a particularly harsh line curling under his ribcage, and she feels rather than hears the way he takes a deep breath.
“I told you I was a scrawny kid,” he reminds gently, pulling the towel out from around his neck, revealing a few more slivers there, too. “Scrawny is easy to kick around.”
“This isn’t kicking around,” she argues, her voice barely above a whisper. “Did either of your parents know?”
She already has an idea of what the answer will be, so no, she’s not surprised when Steve shakes his head. “Mom always had a lot on her plate and I didn’t want to add another thing for her to worry about. By the time I met Dad, I only had a few months left until graduation.” He gives a small shrug. “It didn’t seem worth mentioning by then.”
Natasha’s chest tightens. “It could be decades from now and it would still be worth it to Joseph.”
“It wasn’t worth it to me, Nat.” He reaches up, covering her hand with his where it’s still pressed against his chest. “Dad would’ve done worse to them in return.”
She feels a little bit like she can’t breathe, and her voice comes out quiet and tight as she asks, “You don’t think they deserve it?”
Steve’s mouth hitches in a smirk, something dark flickering in his eyes—and, in that fleeting moment, he looks so much like his father that Natasha nearly shivers.
“I think they deserved worse than what my dad would’ve done with them,” he admits quietly, curling his fingers around hers in a gentle, almost comforting sort of squeeze. “But I’d made a promise to myself to fight my own battles, always. It just so happened that by the time I was capable of truly fighting back, I hadn’t seen them for a while. I wasn’t going to waste energy on seeking them out, but if we crossed paths again, I’d make sure that they couldn’t kick anyone else around. That time just hasn’t come yet.”
Yet.
His tone is casual, almost nonchalant, but she can hear the gravity of his threat in that one word.
And, not for the first time, Natasha thinks that maybe Steve Rogers is a lot more adept at this life than he realizes.
... ...
Steve honestly didn’t know what he anticipated when he and Natasha first got to the restaurant. There were a few dozen reasons for this to be a tense breakfast, or at least an awkward one, but he also didn’t think it would come to that. If any of them genuinely felt uncomfortable, they just wouldn’t have come.
But at this point, none of them are exactly on opposite sides, even if that’s still the case on paper. Bucky and Sam have been working their asses off to figure out who’d been behind the drive-by, and whether that’s because it’s their job as detectives or that’s because of their loyalty to Steve doesn’t really matter. They’re doing what they can to look out for Wanda, and Bucky has been trading off with Pietro and Clint to watch over her, which is more than enough of a reason for Pietro to give them the benefit of the doubt.
So, no, maybe Steve hadn’t expected all of them to argue the entire time.
But he hadn’t expected everyone to get along so damn well, either.
“Hardly even recognized him,” Bucky says through a laugh as he gestures a hand at where Steve is sitting across the table from him. Steve chuckles as he shakes his head. “He leaves for college and comes back, what? Almost a whole foot taller? With over a hundred extra pounds of pure muscle?”
“You know, I still thought maybe Dad had those photos of you when you were younger mixed up with some other poor sap.” Pietro grins, reaching behind Wanda to smack a hand on his brother’s shoulder. “I didn’t realize student research projects allowed volunteers to be genetically modified,” he jokes, and Steve barks out a laugh, giving Pietro a half-hearted shove. Between them, Wanda shoots them both a warning look, though the way she giggles into her mimosa a moment later tells them she’s not actually pissed.
“I thought for damn sure I’d hear about him getting into more fights now that he could do some real damage,” Bucky adds. “Of course, only Steve would decide to stay out of trouble after he was able to throw a decent punch.”
Wanda’s eyes widen as she whirls her gaze onto her brother. “You got into fights?”
“Couldn’t keep the little punk out of them,” Bucky answers for Steve. “Granted, he never started any, and he never threw the first hit. But Steve wasn’t about to let the fact that he was less than a hundred pounds and sent himself into an asthma attack half the time stop him from fighting back.”
His tone is proud more than anything else, even though Steve can hear the hint of exasperation. Steve can’t exactly blame the guy. It seemed like Bucky was always jumping in to save his ass, though the guy hardly minded. If anything, he probably enjoyed putting those kids in their place. He just preferred Steve not to take the brunt of it first.
“I don’t like bullies,” Steve says simply with a shrug, glancing at Natasha beside him. She gives him an almost carefree sort of smile, but her eyes flash in the same way they did just an hour ago, as she traced over his scars with her fingertip—somehow burning bright and ice cold at the same time. He can almost see the calculation in her gaze, as if she plans on hunting down each and every asshole to lay a hand on Steve (he doesn’t doubt she has the means to, either) but he can also see something else. Pride, maybe. Back at his place, it’d almost look like there was awe in her eyes when he’d explained why he hadn’t sought out any sort of revenge against anyone that ever gave him a scar.
Seeing that praise in her eyes had felt damn good, but feeling her gentle, feather-light touch on his skin had felt even better.
Now’s not exactly the time to relive the memory, though. Not with his siblings and his best friends at the table.
She takes a sip of her mimosa as she holds his stare, that dangerous flash in her eyes shifting into amusement as she hides her smirk behind the rim of her glass.
He nudges her knee with his under the table, returning her smirk, but a groan from Pietro interrupts them, drawing their gaze onto his scowling face. “Speaking of bullies,” he mutters, and Steve follows his brother’s gaze across the street, feeling his body tense as he realizes who’s caught his brother’s attention.
Ivan.
Steve clenches his jaw. He’d heard of Ivan before they’d met, of course. Clint never had a single decent thing to say about him and Anton, and considering how mellow the guy usually is, that’d been one hell of an insight that just talking about those two seemed to piss Clint off. Evidently, that still hadn’t been a clear enough picture of them.
He couldn’t have cared less that Anton and Ivan clearly had it out for him and blatantly tried to provoke him into a fight the entire time he’d been with the Starks at Howard’s. What he did care about, though, is the way they eyed Natasha while also completely dismissing the danger she would’ve been in had she been at the club when it’d been hit. Clint had told Steve that Howard put up with them out of some sort of loyalty; Anton had been a key player in getting Stark Industries off of the ground, after all. But none of the Starks had ever liked him (apparently, half of the Family still doesn’t) and Steve had only been in their presence for five minutes before deciding he shared that sentiment.
“He seems like the kind of guy you’d want to hit for no real reason,” Sam comments.
“He is,” Wanda chimes in, turning away from Ivan and wrinkling her nose at her mimosa. “He may not even breathe in your direction, but if you threw the punch first, you’d still have plenty of reasons to justify it.”
“That bad?” Bucky’s voice is gruff. “Kind of sounds like you might be speaking from experience.” His eyes flit back to Ivan across the street, jaw ticking, and Steve is willing to bet his best friend is genuinely contemplating if it could be justified to punch the guy without being provoked.
But when Wanda huffs out a breath, his gaze shifts back to her, softening. “No, thankfully not,” she reassures. “But it’s hard not to know his business with the way he acts.”
“That’s for damn sure,” Bucky mutters into his coffee with a shake of his head. “Ivan’s got more hard evidence against him than anyone else in New York.”
“He’s sloppy and reckless,” Natasha agrees. “He doesn’t give a damn about casualties, and he sure as hell doesn’t give a damn about leaving his mark, either.” She rolls her eyes. “He likes notoriety for his ego, and he loves that every cop in the city knows his face.”
“Isn’t that a thing, though?” Sam wonders. “A way of sending a message?”
“Our messages are far more discreet,” Natasha tells him. “If you don’t know how to cover your own ass, you sure as hell shouldn’t be threatening someone else’s.”
Sam’s lips twitch in a grin. “Sounds fair.”
“You also shouldn’t be putting anyone else’s ass on the line just for the hell of it,” Pietro adds, almost scowling. “He used to just be dick and a mild headache, but now he’s getting stupid and has the rest of us putting out all of his damn fires. I don’t know why the hell he’s still in the picture at all,” he adds to Natasha, arching an eyebrow.
“Trust me, neither do I,” she replies, and then tips her head back, draining the last of her mimosa. “He’s got a reputation.”
“Don’t you all?” Sam’s tone is more joking than condescending, if a little curious.
“Yes,” Wanda replies with a bit of a giggle. “It’s different, though.”
Bucky’s smile widens as Sam chuckles in amusement, neither of them arguing with her claim, and it makes something warm tug at Steve’s chest.
Just a few weeks ago, Steve had almost used those very words as he struggled to explain to his best friends why he couldn’t just use his new role in the Family to turn them in. They’re still criminals, after all, and Steve had been convinced that he would’ve done exactly that if it wouldn’t have meant putting his brother and sister on the line as well. Now? He knows he couldn’t do it so easily. Honestly, he couldn’t do it at all, because he’s not just Family in name and not just in their eyes. He’s Family in his own eyes, too.
He doesn’t want to walk away from them.
He doesn’t want to walk away from Bucky and Sam, either, but he isn’t going to pretend it’s that simple for them. For right now, though, he can appreciate that his siblings and his best friends finally seem to be getting along—and not just for his sake anymore, but because they want to.
... ...
“You’d be surprised how many ‘Sarah Rogers’ are in New York,” Maria says, pulling out a stapled stack of papers from her bag and tossing it onto the counter. Natasha glances at the photo of the woman on the top page (a brunette, though, not a blonde) before passing over one of the martinis she’d poured, and Maria takes it from her by the stem of the glass. “But only five of them showed any activity in Manhattan around the time you would’ve seen her at the coffeehouse. Of those five,” she goes on, sipping her cocktail as she flips to the page she wants, pointing her finger at the picture, “this one is the only one to match the barista’s description.” Maria arches an eyebrow. “Look familiar?”
Natasha hums, taking a moment to study the young woman, with her long, golden hair and hazel eyes.
“Vaguely,” she admits, which doesn’t really mean much. Maria already knows Natasha hadn’t gotten a good look at the woman’s face that morning in the coffeehouse with Wanda, and considering how many faces the employees there must see every hour, asking the barista for a description two days after can only be so reliable.
“She flew into town a few weeks ago but never checked in anywhere,” Maria informs, but something in her tone catches Natasha’s attention.
“And?” she prompts.
Maria smirks, her eyes glinting. “And that purchase at the coffeehouse is the only purchase ever made on her card, other than her one-way plane ticket from London.”
Natasha can’t quite help the way her eyebrows lift in surprise. Well. That’s definitely unusual.
She knows Maria has been digging deeper into this woman, and Maria doesn’t wait for her to ask before she continues with, “So far I’ve only caught a few security camera sightings of her around Manhattan and Brooklyn. She’s been alone every time and she’s damn easy to lose track of.”
“Staying somewhere residential, or at least somewhere that doesn’t keep a digital record,” Natasha adds. “And only paying in cash, except for the coffeehouse.”
“Except the coffeehouse,” Maria echoes, arching an eyebrow. “I find it hard to believe she can get away with almost an entire month of never using her credit card and yet, she charges eight dollars for a latte and a croissant? She didn’t even pull it out to pay for her rental car.”
“She’s using a rental car?”
Maria nods. “I saw her getting into a car from a security camera and the license plate is registered with a car service, but her paperwork didn’t disclose any payment.”
Natasha feels something odd tug at her chest as she stares back at Maria. “A black compact car?” Natasha asks after a moment.
Maria pulls back a little, blinking. “How did you know that?”
Natasha exhales a sigh, taking a gulp of her martini before answering with, “Because there’s been a black compact parking across the street for the last three weeks that keeps catching my attention. Any chance you happened to see one on your way in?”
“Most likely, but I’ll have a look at the security feeds later to compare plates.” Maria tilts her head. “Why haven’t you said anything?”
“It seemed a little paranoid, even for me,” Natasha admits with a shake of her head. “Plus, my family has been on edge even before what happened at the club that I didn’t want to give them another reason to act weird.” She furrows her eyebrows, thinking back to when she’d had dinner with Peter, and when she’d had dinner with Tony. She thinks about how her parents seemed to be bothered by something more often than not recently, and somehow, all of it feels less and less like some kind of a coincidence.
Maria nods, and Natasha can practically see it in her eyes as her best friend tries to find any kind of immediate connection.
Before either of them can say anything more, however, Natasha’s phone chimes with a text and she flips it over on the counter, her body pausing as she sees that the message is from an unknown number. Maria leans forward to look at the screen, too, and Natasha sets her martini down as she swipes to open the text.
... ...
Steve can hear her laughter above all of the excitement and chatter already filling the restaurant where Clint and Laura are hosting Baby Nathaniel’s first birthday—and, not for the first time since arriving, his gaze drifts across the room to seek her out. They’ve only had a chance to talk a few minutes here and there, but considering it’s usually one of the kids that ends up pulling her away from him, he can’t complain. It’s easy to see that she’s the favorite, although Peter and Pietro seem to be fairly close in second place.
“Auntie Nat has always been the one the kids adore the most,” Wanda chimes as she floats up to his side, offering him a limoncello and rum cocktail. “Although I admit, it’s still a little strange to see each time,” she adds, laughing as Morgan Stark suddenly pops up from under one of the tables in an attempt to surprise Natasha.
Steve laughs, too. He gets what she means. It’s a little odd to see Natasha being playful, almost silly, when she’s almost always elegant and composed, or coy and tempting.
But he also knows that she likes to tease and she certainly loves her jokes—the cheesier and nerdier, the better—so maybe this side of her isn’t actually odd at all.
“While we’re on the subject of strange sights,” Wanda adds, her voice lilting in amusement, and Steve finds her eyes twinkling brightly when he turns to look at her with one eyebrow arched. “I noticed Nat was wearing the same clothes at breakfast as she wore the day before, when we bumped into each other.”
He chuckles. He’s been wondering when this would come up.
His sister has probably wanted to ask him right after they dropped Natasha off at her apartment after breakfast, but then he’d taken Wanda and Pietro back to his place to take a look through the box themselves, so they ended up having other things to discuss. As he’d guessed, neither of them knew the man and the woman in that photograph with their father and Melina, and they also hadn’t had any idea that their father knew Melina from before he met Howard, let alone before Edward and Melina were married.
The silver lining had been that neither of his siblings seemed pissed off by this new revelation. They may have been a little upset, but he’d anticipated that.
It might have made sense that their father wouldn’t have had the chance to tell Steve about this, but Wanda and Pietro lived with Joseph their whole lives. Hell, they’d practically grown up with the Starks. Melina could’ve told them herself, or any of the Starks, for that matter.
Which makes it more likely than not that the Starks don’t know of it, either. Or, if they do, there’s a reason why everyone’s keeping quiet.
“I didn’t want her driving home after we’d been drinking,” Steve tells his sister, trying in vain to keep a straight face with Wanda practically beaming at him, “and I didn’t want her getting a cab, either. She borrowed your pajamas, by the way,” he adds. Wanda arches an eyebrow, giving him an expectant look. “She also slept in your bed.”
She pouts playfully, nudging his shoulder. “That’s not what I wanted to hear.”
“Wanda,” he laughs.
“You two are really good together,” she insists. “You’ve been spending so much time together, too. I thought you might’ve already…”
Steve rubs his lips together, glancing away with a shake of his head. Yeah, he doesn’t really need his sister finishing that sentence. He gets that she’s not a little girl, but he still doesn’t really want to hear that his sister assumed he and Natasha have hooked up already.
“We both work long days, almost every day,” he points out. “We only really meet for dinner, and honestly, we’re both tired as hell most of the time.”
It’s the truth, but only really half of it. Yes, he and Natasha see each other almost every day, and it hadn’t taken long for them dining out to transition into them ordering in (mostly at her place, because he’d rather be the one to drive home afterward than her). They tend to meet up late, and Steve is typically tired by the time they get around to eating, but that wouldn’t have been enough for him to say no if she asked him to stay the night. In fact, he tends to feel wide awake after they’ve spent the night talking.
He would be lying if he said he’s never thought of them being more. Honestly, he thinks he’s entertained the thought from the moment they met.
But he knew the reason she’d gone out of her way to see him at first had been because Howard asked her to, and after they’d developed a genuine friendship, he still hesitated because he knew she still felt apprehensive toward his friendship with Sam and Bucky.
But now, he can’t explain exactly why, but things feel different. Now it feels like they’re ready for more.
“But you do like her, don’t you?” Wanda asks, and he can tell that it isn’t really a question. She just wants him to admit it.
Steve feels his lips tugging into a smile as he takes a sip of his cocktail. Across the room, Natasha has managed to steal Baby Nathaniel away once more, holding him with their faces close together as her gaze drifts across the room. Her eyes catch Steve’s, her smile widening as it’s half-hidden behind Nathaniel, and she waves.
“Yeah,” Steve answers, feeling his own smile widen. “Yeah, I do.”
Wanda lets out a giggle, wrapping an arm around his waist to squeeze him into a hug, and Steve chuckles as he leans down to brush a kiss atop her head. Somewhere in the back of his mind, he thinks about how, just a few months ago, he wouldn’t have had a conversation like this with his sister. Not because she wouldn’t have cared, but because, as often as they tried to visit each other, their lives wouldn’t have been intertwined enough to for them to talk like this. Not specifically, anyway, and certainly not enough for her to have a preference on who he might be interested in. Hell, she probably wouldn’t have known who else was in his life, other than Sam and Bucky, and he wouldn’t have known the same for her or Pietro, either. He’d always felt he was close with Pietro and Wanda before, as much as the three of the could be, considering their circumstances.
But he hadn’t realized just how much closer they could be if he could see them every day like he does now. If their lives were more involved on every facet.
And honestly, other than Sam and Bucky, Steve hadn’t had any particularly meaningful connections in his old life. He’d had friends, but none he allowed himself to get genuinely attached to. Who his father was had always lingered, and if push came to shove, Steve didn’t want to risk anyone getting tangled up in something they had no idea about if someone found out who he was and who his father was—and someone would’ve found out, even if his hand hadn’t been forced the day that his father went missing.
He’d gotten lucky that his two best friends had both ended up cops and put the dots together on their own, because Steve really wouldn’t have known how to tell them. He hates that he put them in a tough spot by choosing to stay friends, but, at the very least, he knows that they’re more equipped to handle themselves.
And now, he has the luxury of becoming attached. After a lifetime of only having his parents and Wanda and Pietro, and Bucky and Sam, now he has the whole Family.
And he has Natasha.
... ...
With the club only barely starting repairs, Natasha brought everything she needed from the office back to her apartment, though truthfully, there’s not much for her to work on. Her father is the one directly speaking to the contractors to get the front of the club fixed, and since they won’t be open until that’s done, she only really needs to check in with management. She supposes this means she could drop in on either of her parents to give them a hand, maybe spend a few hours at Stark Industries with her uncle or help May at the diner. Natasha plans to soon, because she doesn’t really get to see May all that much, and because Peter always helps out, too, so they can hang out more.
But between looking into “Sarah Rogers” and trying to figure out why the hell her mother and Joseph Rogers were in that photograph together, she’s still got quite enough to keep busy. She’ll likely need to start making the rounds soon, though, before her family starts asking what she’s up to.
Unless you happen to be Tony, who decides to invite himself over unannounced to find out.
She gets a text from her cousin as she’s stepping out of the shower, asking what she wants for breakfast, which she knows is really just him giving her a head’s up that he’s on his way over. The last few days of digging haven’t turned up anything, so she figures she can take a break to tag along with whatever Tony has planned.
But when she sees Peter walk in through her door after Tony, she realizes that this is more than just her cousin being nosy and wanting to poke into her business.
Peter has a terrible poker face, and right away, she knows something’s wrong. “What happened?” she asks, reaching over to push aside some of the longer chunks of his hair flopping into his eyes. “Why aren’t you in school?”
He hesitates, eyes flitting over Natasha as if worrying if something happened to her, before reaching into his pocket as he says, “I got something this morning.” He pulls out his phone, swiping at the screen a few times, and then flips it around to show her the screen to show her a photo of herself leaving her apartment. It’s obvious it’s taken at a distance, just across the street, though considering that cameras on phones can get a decent zoom quality, she can’t say for sure how far away the person had truly been.
Peter swipes for her before she can respond, pulling up another photo of her, taken through the front window of the club before someone had put a car through it.
Natasha blinks down at the photo for a moment before glancing up, eyes flitting from Peter and Tony, and she watches the realization flash across both of their faces almost in the exact same second as they stare back at her.
“You’ve gotten one, too, haven’t you?” Tony asks, holding up another photo of her on his own phone.
Peter’s expression pinches even tighter with worry, if possible. “Nat.”
“I did, just the other day,” she admits, turning to walk into the kitchen, knowing that they’ll follow. “Maria was here when I got it, so she knows, too.”
“The other day? What the hell, Nat?” Tony asks, setting the bakery box and tray with their coffees down on the island counter as Natasha drops onto one of the barstools. Peter immediately hops onto the one beside hers, spinning to face her. “Why didn’t you tell anyone?” Tony half-demands. Natasha doesn’t quite flinch at his tone, but she feels her surprise flit across her face before she can catch herself, and at this, Tony’s frustration seems to ebb almost entirely as he drops onto the other stool beside her. “Sorry.”
“It’s okay,” she replies, and he nods once because he knows she’s being sincere. She knows he’s just worried and it makes him come off impatient.
On her other side, Peter judges his knee against hers. “When did you get your text?”
Natasha exhales, tugging the bakery box closer and popping the lid open as she replies, “The same day as Nathaniel’s party.”
“Is that why you haven’t told anyone yet?” Peter asks, although his voice sounds a little off, like he knows that isn’t quite right.
Natasha shakes her head, glancing from him to Tony. It’s not that she doesn’t trust them to keep quiet if she asks, but also, she doesn’t want them to have to keep a secret from everyone else. Still, now that they’re obviously involved to some extent, she doesn’t really have a choice. She also thinks that they’re likely the only two out of the family to get these photos so far, because everyone else would’ve come to her the moment they a text themselves, just as Tony and Peter did; clearly, since Peter is skipping school.
“You can’t tell the family,” she insists. “You can’t tell anyone, other than Steve and Maria. At this point, I suspect Wanda and Pietro might know, too.”
Confusion tugs at Tony’s expression. “They all got photos?”
“No. Or, if they did, they haven’t had the chance to tell me. But I’ve got more than just this going on,” Natasha admits, waving a hand at where Peter’s phone is on the counter, his screen still pulled up to the photo of her, “and I’ll admit that, at this point, I don’t know what the hell to feel about all of it.”
“Wow,” Peter says quietly, studying her face. “This is really bothering you, isn’t it?” His forehead creases. “And you’re sure you want to keep it from everyone else?”
“For now, it’s probably for the best,” she admits, her lips twitching in a wry smile. “Our family is pretty good at keeping secrets, anyway.”
... ...
Steve isn’t sure whether it’s reckless or just stupid for him to have Sam and Bucky here, but they were already near the brewery when they called to say they had news to share, and Steve figured that they’d at least have some semblance of privacy here in his office. People would talk—and have been talking—every time Steve meets up with either of them no matter what, and honestly, it doesn’t feel so much like a threat anymore. He’s knows that both Howard and Nick would back him up with little hesitation, and even if Odin hasn’t entirely warmed up to Steve yet, he also wouldn’t jeopardize his standings with the other two Families simply because his daughter wants to cause chaos.
Clint didn’t even bat an eye when Steve told him that Sam and Bucky were coming, and if Steve had been looking for approval, that would’ve been all he needed.
“Anonymous tips?”
Steve glances at where Clint is sitting on the corner of the desk, arching an eyebrow, before turning back to Bucky and Sam sitting in the chairs placed across his desk. “There’s no way they were all called in,” Clint argues, though his tone gives away the fact that at least part of him is genuinely considering this.
“I didn’t think so, either, but we’ve got all the call records to back it up,” Sam insists with a shake of his head. “Every damn one of those busts were tipped off, and most calls came in an hour beforehand, sometimes half an hour, but it still would’ve given the precincts a pretty generous chance to prep and then haul ass to each of the sites.”
“Well, shit,” Clint says on an exhale, swiping a hand over his face. “Now we know why they felt too damn consistent to be a coincidence.”
“Someone clearly had it out for you,” Bucky tells Steve.
Steve feels his lips twitch into a wry smile, but only for a moment, because then he’s glancing at Clint again. “It hasn’t just been our shipments, though,” he points out as he taps his pen to the desk for the sake of something to do. “Everyone’s been taking hits. Sabotaging me would make sense, maybe even cutting a few losses themselves to hide their own tracks. But all those shipments lost, all across the board?” Steve shakes his head. “It’d be a pretty damn risky plan, because now everyone in the Family is pissed.”
Clint nods, even as he adds, “Doesn’t mean it’s unfathomable. Someone just might be that reckless.”
“Or hold that big of a grudge,” Bucky chimes in.
Clint nods again, turning to Steve. “Could be Ivan. He sure as shit doesn’t think things through before acting. But then again, it’d be too damn obvious of an answer.”
“Yeah, but it’s still something worth looking into,” Steve points out. “And if anyone would be willing to piss off the whole Family for their own agenda, it’d be him. He’s barely loyal to his own father, let alone to Howard or anyone else. I doubt he’s pulling this off alone, though,” he adds, and all three men nod at this. Steve exhales sharply, shaking his head again. “What about the drive-by?” he asks, catching the way something dark flickers in Bucky’s eyes as he sits up a little straighter. “Anything new come up there?”
He knows they would’ve mentioned it themselves if anything substantial had turned up, but they don’t seem surprised that he’s asked.
“They got a match on the plate, which pretty much confirms what we knew about it being an Asgard car,” Sam answers. “No one we’ve interviewed from the scene so far has had any leads worth following, or any reason someone would be after them, specifically.”
“Other than Wanda,” Clint guesses.
Bucky nods, glancing from him to Steve. “Did Wanda have a reason for being there at that time, something that could’ve been planned? I know we asked already—”
“No, I know.” Steve offers a wry smile. “She won’t mind if you need to question her again, though.”
But Bucky shakes his head with an exhale. “She and I have already combed over the details of everything she could remember. She was there getting dinner, but it was something she’d done on an impulse because she’d been shopping nearby.” Something flickers in his eyes before he adds, “I asked if she could’ve been followed. If she had even a damn second of paranoia at all that day, or any day before, that maybe someone had been watching her. She said she didn’t, but as soon as I thought about it—”
Steve feels his chest tighten. Shit. As soon as Bucky had said the words, they felt pretty fucking real, and it felt like a damn good hunch.
“Fuck,” Clint mutters. “Why the hell hadn’t we thought of that?”
Sam winces, looking annoyed with himself. It’s true that they’d assumed Wanda had been the target, but they’d also just assumed someone knew she’d be there. She goes shopping in that area often enough that it would’ve made sense, but it was never anything she planned ahead of time, so how the hell could someone had anticipated it?
If someone had been following her, though, they wouldn’t have needed to know her schedule.
They would’ve just needed an opportunity.
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baileys-aurora · 4 years
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My favorite color is you
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Hongjoong x reader(fem) Artist au
Warnings: None
Word Count: 1.6k
A/n: Enjoy :)
“Congratulations, you have been selected as a participant in the 17th annual Seoul painting exhibition. We have selected 2 out of the 10 paintings you have sent and will be displaying them the last two days of the event. Please respond if you see any mistake we could have made. Sincerely, Seoul’s artist team.”
You fell backwards on you bed kicking the air with excitement as you wore the biggest smile trying to control your squeals. This was your goal, your dream, and it actually happened. The morning sun barely awake as you had been up hours before waiting for an email, this email.
After regaining your composure, and rereading the message multiple times, you clicked the attachments to see which paintings were chosen. It could be the pastel dusk sky you spent hours on, trying to perfect every detail to match perfectly with the one you grew up watching from your hometown. Or perhaps what you envision a good dream would look like.
However, when you opened the first one up it was the sketch of your grandmother watering her sunflowers, a picture that held a great deal of emotions for you, eyes tearing up as you looked over the piece again, it’s been a couple years since you’ve completed that piece, a couple years since you’ve seen her smile that always meets her eyes, or the way she treated everyone. As if the world never betrayed her, she lived that way until her last breath. The emotion of pure love and joy emerged from your drawing, you missed her more than anyone else.
Opening the second attachment you were met the oil painting of a boy. Completed a couple years ago as well, a smiling boy you had observed at the time, he was bending dog to pet a dog owned by a stranger. You were so fascinated in his kind nature. Pulling out a pocket sketch book and making a rough sketch to remember the small details he had. Sparkles in his eyes shining though the tired looking features he held that day, the way the sun reflected of his light brown hair, and how his smile could save a dying soul. You had almost forgotten that this piece was submitted. It was a last-minute thing so you could reach the ten-piece requirement, not thinking much of it, as you had more faith in the other works. Especially since you had struggled with the face of the boy, opting to just make vague features instead of the sharp ones your old sketchbook held.
Ironic how the two pieces that are the rawest and portrays emotion of everyday life, beat the pretty designs of the others.
Reading over the email again just to make sure it was real, another smile meets your eyes but this time a bitter sweet one. Presenting a piece so close to you heart would be tough, especially the personal questions people may ask.
You had two weeks before the event started and a mind full of things to be done.
Hongjoong debated submitting some of his works, however his busy schedule wouldn’t allow him to attend certain days if he had somehow impressed the judges enough. Looking at the dates again he could possibly make it the last day for a bit. Sighing he knew the odds were against him, but what’s the harm in trying he thought to himself.
The first day of showing your pieces was rough, many tears were held back, and fake smiles replaced them. Explaining the story behind you work over and over again was slowly getting to you, you haven’t had to be this open about the previous events in a long time.
The second day was somewhat easier, you had the story you wanted to tell on lock, repeating the same thing as if you were programmed to. It saved many almost tears. As the day went on less people stopped by, eventually resulting in a few older women who walked closely together, enjoying their time here, admiring each piece for what it is and not what is should be.
You admired that, sitting down and pulling out your pocket sketch book you began to draw as you see the three friends smiling with each other and pointing out small details only one would notice. Becoming so deep in your drawings you seemed to be unaware of the boy standing over your shoulder and watching your hand move lightly over the small pieces of paper.
"Those are really good.” He complimented polity, causing your heart to miss a couple beats as your soul disappeared for a mere seconds before returning. Whipping your head around with a hand on you racing heart to look at the reason for all this.
A man with wide eyes stared back at you, it was rare to see eyes like his, not many people carried them. They were genuine, ones you could get lost in painting every detail of.
“I’m so sorry, I didn’t mean to scare you”
“It’s ok I should have been more present in my surroundings.” You calmed your breathing.
He smiled and nodded, looking for something to say next to the cute girl so caught up in her passion she lost track of reality a while, something he is able to do often with what he does, “are these yours?” He gestured to someone else’s work. Shaking you head you stood up and walked past him slightly to the same place you’ve been standing the last two days. “These are mine.” You responded to him while lifting your hand towards the two hanging pieces, advertising them like a store-bought product.
He approached slowly while studying them, his eyes flickering over every detail. Watching him you were able to see the emotions he felt through studying them, sending a feeling of pride your way.
Hongjoong could tell the amount of emotion you put into your work, which ultimately ended up being his favorite two in the gallery. Love was prominent in the sketch of the old women watering her beautifully drawn sunflowers as admiration was obvious in the oil painting hanging next to it. The boy in the painting reassembling his younger self, when his debut was his only goal. Tiredness from the hours of training yet happy to be there.
“Wow. Just wow” the man spoke after his close examination, “my works could never” he side glanced at you before returning his gaze in front of him. “Did you submit work too?” You asked curiously, “I wanted to but wouldn’t have time be here to present them.”
“I’m sure they are just as good if not better.” Trying to make him feel better, it was obvious he wanted to be here.
He laughed before shaking his head and pointing to them both, “there’s no beating that.” “I would have to judge for myself.” You playfully responded to him, not quite realizing how that could be taken. When he looked at you again shocked, realization hit you and your cheeks began to heat up. “I’m so sorry, I didn’t mean it that way.” Cringing inside you had hoped he would leave from what you had just implied, and you could never see him again.
Instead he just laughed more, finding humor in your embarrassment. “You’re really cute.” He quietly commented, igniting more heat to burn on your face. Before you could defend yourself further his phone began to ring, causing quick movements to answer the phone in his jacket pocket.
Walking away after holding up a finger to signal he would come back, you let out a breath you had been holding, trying to figure out what you would say when he returned so you wouldn’t embarrass yourself again.
He returned a few minutes later with a smile on his face, “sorry about that, a few of my friends are planning dinner and wanted my input.” You smiled back out of habit, “which is?” now it was his turn to become shy, “I told them I wasn’t going to be eating with them.”
“That sucks, are you to busy?” he smiled before rubbing the back of his neck, “hopefully.” He began to walk around again to escape your gaze, it was too much to handle at the moment.
“Do you sketch people often?” he asked once he made his trip back to you, “when they inspire me” you looked at your phone checking the time. Fifteen minutes until the gallery closed.
“Would you draw me like one of your French boys?” he could barely ask before laughing again shaking his hand as a form of an apology. Joining him in his laughter you only just met him yet feel comfortable around him. Out of nowhere his wide eyes met yours, “I’m so sorry, I’m Hongjoong.” He reached out his hand, “that as super formal compared to the question you popped before.” You took his hand, “I’m y/n” you introduced yourself as his cheeks slightly changed colors.
Watching you check your phone again he felt slightly burdensome, “am I holding you up for something?” you looked at him confused before realization hit you, “no, I’m just waiting for the clock to reach ten so I can eat, I haven’t had time all day.”
He smiled reveal his perfectly aligned teeth, “could I possible treat my favorite artist, it would be a dream come true?”, “I thought you had plans?” He shook his head, making his hair bounce with it, “I said hopefully I did, but now I for sure do.”
“ohh, very smooth.” You chuckled at his advance, “well I could only accept such an offer since my favorite fan asked.” You winked at him before checking your phone one last time, ten. Perfect.
“If things go well, I could even show you my works” he jumped his eyebrows at you while walking backwards, “very sexy.” You commented picking up your purse and following him, “only for you.”
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aggresivelyfriendly · 4 years
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Hi all! Here is the next Installment of the little au pair Harry ditty inspired by @papiermachecat, thanks to @chasm2018 for the brainstorming sessions, @emulateharry for the read through, and @dirtystyles and @bleedinglove4h for being my people!
To Be So Lonely
Home Not Alone
"Shhhhh," Victoria told the door as it clicked behind her; she hoped she suppressed her pointed exhalation enough. These were difficult nights, the ones where she thought she'd make it just in time for the twins bedtime, but missed it by just enough to be a distraction. It had been happening more than she'd liked the last month, being late for the routine.
The routine that Harry created with them. Not her.
Was it normal to be jealous of your nanny? Manny?
That was weird, her face screwed up at that. That word didn't need to be gendered.
"Your face might stick like that." The softly accented voice was her third favorite thing to hear when she came into her apartment. After Mateo and Maribel giggling together, the ding of whatever food Harry had ready for her, and way above her kids calling him 'Awwy'. Partially because it was annoying that they said it wrong. Mostly, because it came not long after mama and was said more often. Not that she was keeping count.
Her eyes had closed while she grimaced over her loud entrance. She blinked open and noticed the slight bags under Harry's eyes. She should send him to bed. Mateo had been on a very early kick, which meant she got to see him first thing, but also, that he was very cranky by 7 pm but had to be kept up for an extra half hour to stay on schedule. That half hour felt really, really long. And she only had to do it last Sunday, when the new pattern emerged. Then the work week had come and Harry had taken over. It was Thursday now. That was lots of tiring nights.
Plus the twins had tarted crawling. They moved faster than a two legged creature on four legs should be able to. They also tended to go in separate directions straight into harm's way. Victoria had decided to call a baby proofer this weekend, though Harry claimed to be certified. He didn't have the time.
Who certified baby proofers?
Her hand mopped the hair that had fallen over her forehead. Her weighted lids seemed heavy to open. She was tired too, her wandering mind proof. Victoria finally convinced her eyes to open, it took all her strength. Speaking of baby proofing, the coffee table had been moved again, so they didn't get stuck under it she'd been informed. Maribel had done it right before afternoon nap not too long ago, and she couldn't push up all the way under the mid century design, it had pushed her to her belly, and Victoria figured she had flashbacks to all the tummy time Harry instituted. The fit had been epic, he'd sent her videos. She wondered if Harry rued his tummy time emphasis in that moment. It was responsible for her early crawlers and their baby frustrations, which Harry bore the brunt of. She should buy him ear plugs.
She should get rid of the coffee table. If they started pulling up on that, and god forbid walking into it, she imagined hospital trips, even if it was pushed against the wall. She had a mental flash of someone losing an eye. Coffee tables were useless anyway. When she had a mug, it was in her hands. She'd never wanted it anyway. Her mom had insisted she had one; Victoria had wanted an ottoman.
"They busy today?" She pushed off the wall and walked to the kitchen. Her plate was in the microwave, since it wasn't next to his on the breakfast bar where it was when she made it home in a timely fashion. He waited if he could help it, so they had an excuse to not eat standing up in the kitchen. It was later than she thought, kids should definitely be sleeping well by now. Then why was he whispering?
He answered her raised eyebrow.
"Yeah," he huffed and sat across from her at the breakfast bar. "Bell was really fussy at morning nap, kinda kept Mateo awake, but then he returned the favor later. He was out by 7, but Maribel was unsettled I'd really just got her down when I heard the door click."
"I'm so tempted to wake them both up at the same time tonight." Victoria cut into the chicken. "You stuffed it? How'd you find the time?"
"I got it premade." She nodded. He continued. "I don't see why you dont. Seems like a solid choice with two babies. To change all the nappies and such at the same time?"
"I guess I can't get my mom's 'no molestate, tienen suenos' out of my head." She looked up and immediately started translating.
"I get the gist," he had a nice laugh. Harry was pleasant all together. "But, due respect," clearly tip-toeing over what he thought were dropped eggs. "your mom never had twins." She laughed and it brought out the dimples. She always had a soft spot for those. They inspired trust in her mind. It had gotten her in trouble with clients, because she'd assumed honesty. She assumed nothing these days, but she had trusted Harry and his dependable face straightaway.
He stretched and his sweatshirt lifted to show one of the tatttoos she'd not discovered he had until he rolled up his sleeves to do dishes one day. One day she'd have energy to ask about them. She'd even missed the hand tattoo at the first meeting. She must have been in dire straits. Right now she was too tired to even think about the leaves?
She could sleep standing up at the moment, entirely too tired. Oh, his eyebrows were a question mark.
"She did not, and I should have ignored her benediction months ago. They wake up much less now, and for shorter periods of time." Her forehead felt tight. She should wash up.
"Do you want a glass of wine?" His question interrupted the mental argument she was having with herself about washing her face and doing skincare before laying down on her bed. She'd recently got a new mattress, and it was, frankly, the best thing in the world. But, she passed out the minute she laid down. She had to go do the motions first. Definitely.
Wait, he'd asked her a question. Wine, at this time of night, by herself?
Her question must have been on her face.
"You just look like court was rough. You've been later the last few weeks. It'll relax your temples, drop your shoulders," her deltoids came down at his mention. "And, it may ease you to sleep?"
"New mattress does the work." Victoria exhaled.
"Yeah, I noticed today." He said nonchalantly.
Her brow knit. "You were in my bed?" He never gave her sketch vibes. Weird, that's why you couldn't trust dimples.
His already big eyes were huge, "yeahs sorry! weird,I know. I was super desperate with Mateo, that tooth is really bugging him. and they were keeping each other up, so I separated them. I had to grab wipes from in there, and it...damn. I really have no good explanation." He shrugged. "It looked really inviting."
She laughed. It did, that was purposeful. So she would stay there when her insomnia kicked in or when the babies woke up. Made it was easy to wait the 10 minutes to see if they settled themselves. Slowly stretching that time out would be easier and easier in the sanctuary she'd made the bed a centerpiece of.
He relaxed, "Whew, thought I may lose my job."
"Unemployment sucks, no worries, you're safe."
"I mean, yeah, but I'd miss the twins, and..." He shook his head. He'd need to find a place and he'd be out a job, those were good reasons, but less sweet and more obvious than Harry tended to be. "Anyway, glass of wine?"
What exactly was he offering? With him in the kitchen, or a sad drink in her bed alone? Victoria wasn't sure which. She thought he may have offered her wine last week too. This case must be killing her if her nanny was worried about her.
Should only be a bit longer. She hoped.
"No, but thanks, really Harry. But I think we may both do better with sleep." She smiled
"Another time then." his voice was thin over the distance. She heard it as she headed to her bedchamber.
She clicked on her monitor, though she'd given Harry the farther room, so she could hear the babies through the wall. It made it easier to tell if they were really awake of just stirring. Harry didn't need the monitor or proximity during the day. She let him sleep at night. He didn't make breast milk, and needed the sleep to chase them all day.
She drifted to sleep with the taste of wine in her mouth and a pleasant new smell in her nostrils
🌲🌲🌲🌲
"Vee!" He tried to keep his voice level, and he'd already resorted to a new level of desperate with the voicemail. Who listened to voicemail these days? No one. Except Vee. "Give me a call soon as you get this!"
Actually, she talked on the phone more than any person he knew. Usually, it was for work, or to her mom. But she seemed to talk to old friends from college and Texas, which she referred to like it was a time in her life instead of a place, on the regular.
Her mom, she talked to her mom several times a day he had noticed, usually in Spanish so rapid fire he couldn't even catch the words he knew. Though he really only knew pidgeon French.
He liked hearing her Spanish better, he thought maybe he should learn it, so he could talk to the twins in it.
Without discussing it, they had split up language duties. Victoria only spoke to them in Spanish, he took English. But he was with them when they were awake more.
He knew she secretly hated that, the only times she'd ever really mentioned it, her long hours away, it had to do with Spanish, and how she wished she had more than nights and weekends to teach them.
She wished she had more than nights and weekends with them. He could tell her career had been her baby before the babies. Now she was stuck in the middle, walking a fine line between her own ambition and her desire.
He should help with the Spanish, may kill some mom guilt. If he learned to help her. Or would it induce more? Women were complicated.
But, mental workout over, she talked on the phone, so he was hoping she'd see he called, which he never did, and know to call back.
He was thinking he needed to take Maribel to the emergency room. She'd been a little warm when she woke up, late, and then she just got hotter.
Then she was puking. Mateo seemed to sense he needed to be an angel that day and did just that. He was spinning away in his play saucer while Harry frantically walked his sister while she cried. She had thrown her water on the floor every time he tried to get her to sip on it, and the look she'd given the popsicle, he was surprised it stayed frozen. Wow! Fireball.
He loved it! Except when he had to parent it. Help parent it.
He wondered if Vee looked like that in court?
The popsicle cooled him down, he wished Maribel would try it.
Should he call again? Just bundle the kids into the car? He had all of the things, the insurance and the affidavit, and car seats put in correctly. Except, he felt like if Vee came home to an empty house she would freak.
"Harry?" She sounded distracted, maybe just that bit worried. That shade of gray her voice got "Everything ok?"
"Um, well, yes and no. Maribel has a temp of 103,—"
"Oh my god! Is she ok?"
"She's weepy and tired and she's thrown up a few times-"
"I'm coming home."
"Yeah, yeah, that's a good idea." He heard 'oh my god' and shuffling paper in her background. "But I think we should meet is at the urgent care on Washington? Her fever isn't responding to meds." He tried to keep the worry out of his voice. He wouldn't be concerned, kids got fevers all the time, but for that. The baby had taken the medicine, begrudgingly, over an hour ago, and she was still getting hotter. But, that was a detail he could share with Vee later, after, when everybody was ok. She'd freak out even more that she was about to. And then be consumed with extra guilt, and he didn't want her to feel like that.
He could hear the ding of an elevator.
"I might lose you, I'll call you back."
"I've got to get out of the house—"
"Oh, ok, just text me if you-"
"I'll call you from the car?"
He liked that she sighed in relief. "Please."
"Of course." He went to hang up, but first said "She's gonna be fine, kids get sick all the time."
"How do you know?" Oh, the lawyer voice, he may have overstepped. "You don't have kids."
"Ouch," slipped out and he heard her suck in a breath. "I don't, but I love yours, and this isn't my first nanny gig." He chose not to remind her that he had more experience with kids, on paper, than she did. She hung up then after a soft "yeah."
He frowned, he hadn't meant to incite the lioness. He worried about it for almost an hour while he tried to keep both kids from touching anything in the emergency room.
Her cheeks were flushed when she rushed in the door that opened like theater curtains. He had only seen that color the first week she had insisted on taking running back up. It was like a month in to him working for her. She walked out the door confidently.
"Take it easy, yeah? Your body's been through something," he had suggested gently.
"Pfft, I ran until they induced me." She may have rolled her eyes.
Then she came in like a hurricane popping back over the ocean to get more moisture to dump over a neighboring city. She drank water like it too.
He did not say 'I told you so', he did not need to.
"If you mention going easy, so help me..." She said between her second and third glasses.
He zipped his lips and picked up Mateo. He must need a diaper change by now. Then he had told the little guy how lovely and silly his mum was.
This was a less amusing flush to her cheeks.
Shit! She might have run here.
"Fucking Uber driver." She cursed and he laughed and jokingly covered Maribel's ears. Well he hovered his hands over her ears, she'd fallen asleep. It wasn't restful, but he was not going to disrupt the dribble she had started leaving on his shoulder. Mateo sat on a blanket at his feet. Harry had bracketed it with his legs to keep him within its lines. Luckily, Teo was very interested in the shape sorter that had delighted countless generations, because that floor was infectious. Harry was doing his best to keep the boy off of it.
"What happened with the driver?" He was still chuckling. Her ire was his favorite. Well, after her delight at the babies.
"I told him how I wanted to go, but he said 'Waze and driving all the time say this way.'" And I said, "Fuck waze, I used to walk this in college and this road backs up horribly in the next twenty minutes."
"Did he listen?" He knew the answer, he just wanted her to tell him.
"No! The Puto!" She sat next to him and tucked Mateo's chin and silhouetted Maribel's curls. She exhaled a little bit then. But fussed a little bit more, now for the sake of story telling rather than real frustrations. "And he messed up my rating!"
"Did you cuss at him a lot?" He already knew that answer too.
"Of course! Because I was right and he needed to say it." He knew he was grinning. The little smile that started backwards, with her eyes before it spread to her mouth, when she caught his amusement told him so.
"De la Rosa?" The triage nurse called. And both of their heads swiveled like a meerkat on the plain.
"But, I suppose it was better to wait in traffic than here. I saved myself some drool and energy, sticking you with the babies." She slapped a smile on her face.
"Wasn't" he caught her eye to say.
"I know." And she picked up Mateo and scooped the four corners of the blanket while blazing the trail to the curtained room they were in until 3am.
🛌🛌🛌🛌🛌🛌
"This is weird, yeah?" He asked.
"Listen Goldilocks, you've already been sleeping in my bed, don't act like you're not excited." She must be punch drunk to be teasing him about their kitchen conversation. 4:00 was an ungodly hour by any rights, especially at a pharmacy where the workers are half asleep. Seeing the wrong side of 5 made you desperate, which explained their current arrangement.
Their bodies had formed brackets around Maribel like she was the primary number in their equation. She was. And Mateo. He'd never have been here but for her needing a bit of help with the twins. Maribel had napped on and off during their time at the emergency room. She'd been sleeping best on his or Vee's chest. He'd had to dislodge her from her mum to place her in her car seat. It did not go over well. Maribel had favored them with her best high notes the whole drive home. So Mateo was awake as well. He was easy enough to get down, they just had to get home.
Their steps were slow. He had Teo and she had Mari, it was easy enough to keep the division. They wordlessly agreed to keep them separate. He followed her down the hallway after carelessly leaving everything but the babies and the medicine in the living room.
"Vee." He whispered and motioned with his head to his awkwardly extended hand. She nodded, took the step closer to retrieve the paper packet before leaving him to it at the nursery door.
Teo was tired and Harry only had to dance him a bit before he lay him down.
Harry pressed his hand to the sweet tummy for just a few minutes for good measure, but he was out like a popped bulb.
Harry could hear the fussing as soon as he left the nursery door frame, the closing a soft snick behind him. Maribel was still awake and so overtired her cry was more a pathetic whimper. Or maybe that was Vee's soothing sounds.
"I remember when I used to stay up for 24 hours on purpose!" She whispered when he came near enough to hear. "Do you ever mourn all of the sleep you gave up before?"
"Think I'm still too close to the staying up on purpose phase."
"Ah, I forget how young you are." She pursed her lips and it threw the lines of her face into stark relief in the morning light sneaking through her blinds.
"Hey, I turn 30 soon."
"Oh yes, so grown up." She smiled sleepily and the expression highlighted the 10 years she had on him.
"Let me take her. You worked all day yesterday." He could feel the bleeding heart in his eyes.
"So did you." She reminded him.
"Yeah, but I just had to make two wonderful babes smile and keep them clean and fed. You fought for someone along with the patriarchy."
"The patriarchy?"
He shrugged and shifted the baby over. She let him. "I just imagine you as the only woman standing in the courtroom."
She blinked. "I'm not always." She started rubbing Maribel's back, and the baby's whimper ceased.
"But often enough," he whispered. They looked at each, their eyes going wide moments later when they realized the baby was sleeping. Vee carefully removed her hand and Mari stirred, mewled.
Harry motioned with his chin and she replaced her hand. They stood breathless, rocking in the same slow rhythm for long moments.
"I think she's really out." Vee said after 15 min. "But I'm afraid for you to lay her down."
"I'll lay down with you guys at first?" He raised his brow.
"Yeah, yeah, ok." He could see her desperation, the call of sleep.
"I'll leave soon as I can. You need sleep."
"So do you." She cocked her head to the side.
He ninjaed his way down to the bed and was thankful he'd gone down to his tee shirt and had worn trousers. He hadn't slept in Jeans since undergrad, he was unwilling to take the habit back up. Maribel moved a bit, but she curled her little body into him and got hold of his earlobe like she did when her sleep was gonna get deep.
"She's got my ear." Harry whispered. They'd found it disrupted her when you dislodged her hold.
Vee tightened her face. "Damn, she's got my pinky." She used to do that to Mateo when they shared a blanket. When he rolled away, she always woke up. It occurred to Harry that Maribel was not a good sleeper, now he was tired enough to be grumpy about it. "I think you're stuck here." Vee opened her big brown eyes and looked up at him from her drowsy lashes.
"Yeah, looks like." He tried to inject some regret in his voice.
And that was how they found themselves forming a cocoon around the sprawled out baby whispering across a shared pillow.
"Can you pull more blanket from the side of the bed? I want to pull it down away from her face, but my shoulders are cold." She sighed with closed lids. "I already feel guilty enough she sleeps on her tummy."
"She started that as soon as she could roll over. And we both got more sleep for it." He adjusted the blanket.
"I know," trickled out slowly. "But it makes me worry."
"I know." He brushed her hair off her face where it had fallen before he could catch himself. Her eyes dragged open. "Vee," he caught her ear lobe between his fingers. "Stop worrying, go to sleep."
"Yeah, yeah, stop worrying, he says." She chuckled and he slid his errant touch away without mention. "But sleep, I can do."
Harry woke up hours later. The sun was using all its cold power to push through the wooden slats. The day would be freezing with that amount of sunshine. That had been a news flash when he'd moved here. Sun like that in the winter equaled brr. But his circadian rhythm insisted he also rise and shine.
He didn't want to wake either female in the bed. Maribel had released his earlobe in her rustling, so he was clear there. But the anchor was stronger in the hand laced with his.
Harry was sad to let it go, but he looked back from the door and congratulated himself on not disturbing them. The warmth of his hand, that was anything but upsetting as he set about checking on Teo and cooking breakfast.
It may be cold outside, but they were snug in here.
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