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#also when i DO want to draw other stuff it goes here too lol because i add a frog or say 'my blog my rules it an honorary amphibian'
amphibianaday · 4 months
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Do you have like, an alt where you post other art?
there isn't really any other art to post ^^;
(except stuff i do for work which i'm not sharing because 1. NDAs and 2. it's tied to my real life identity, which i like to keep separate from my internet frog art) i used to draw and post more elsewhere, but nowadays i don't really feel like it. i'm creatively fulfilled by work and amphibians :)
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Hello, I hope you don't mind if I share a weird headcanon of mine 👉👈
I normally see people talking about Kakyoin make drawing about you but what if Jotaro does that too? The reason I have this headcanon because I remember the scene when Jotaro using Star Platinum drawing the fly he saw in the picture, and he draw it so well. It makes me think that maybe Jotaro has talent in art too. Jotaro's style will be realistic style while Kakyoin will be more like cartoon/anime style.
Imagine their sketchbook filling with so many drawing of you 💕 Jotaro will watching you from afar, sketching you with your cute smile, your beautiful eyes, he captured it all. For Kakyoin, I think he will even make up characters (oc) that look like you and him and ship them together lol (this headcanon inspried by my friend, she actually do that with her crush).
Thank you for reading my ramble, glad to talk with you :D I would love to hear your thoughts about my weird headcanon
P/s: Love you writing so muchhhh 💝
This is fun stuff, I could eat it up all day. Thanks for sending it in, so I can blabber my mouth about it
This always internally bugged me so I’m very thrilled that someone brought up how well Star Platinum drew that fly. I suppose it’s kind of easy to gloss over for a lot of people compared to Kakyoin’s scene of painting on that canvas. (Then again that fly was kind of important to identify to figure out where Dio was so then again it’s “???” for an explanation)
Anywho, I’d say signs point to Jotaro being able to draw, and I think it’s a hobby he prefers keeping to himself. Like you said of him having a sketchbook, almost no one sees what he draws in it and he doesn’t want anyone else to see it especially if it’s various sketches of you. So more than likely when he does do so, he’s somewhere where he won’t be pestered by school girls, or whatever punk tries to start a fight with him.
I’d also like to think he goes back and lingers on prior stuff, just staring at it for a little while. This applies usually when you’re out of school sick (which he’ll probably stop by later anyway with or without your knowledge). But there’s something comforting about seeing every piece of your visage in his sketchbook. Literally no one else knows about this sketchbook aside from maybe Kakyoin (Holly has her suspicions he takes a sketchbook around but she smiles not pestering her son on his hobbies as she thinks it’s adorable).
For the most part art wise I think Jotaro sticks to traditional art, maybe a dabble of charcoal but he prefers pencils. Maybe watercolor if he ever went beyond, but traditional with pencil/pen is the easiest way for him to pull something out at his leisure. Would he let you see? Maybe eventually when he gets you where he wants you, or if the cat is out of the bag early and you see it and you’re not quite with him yet. Let’s just say seeing that may speed up him taking you.
Kakyoin I could definitely see diving into the oc type of thing, he’d certainly reference an artstyle of a manga you like. (Don’t ask how he figured that out so quickly). Though he definitely loves putting some passion into his artwork and occasionally shamelessly make sultry artwork of you and himself. He loves painting the most as he spreads colors, mixing them into the wondrous hues that is your skin tone. Or splashing watercolors in a notebook, that looks something out of a fairytale. Soft and warm lighting….oops he’s getting a tad bit excited.
He definitely presents pieces that are obviously meant to be stand ins for the two of you. That no one else would ever be wiser too, yeah you might have this odd feeling something’s not quite right, but there’s nothing there you could really prove other than observe just how pretty the composition is. If you compliment it, that just fuels this man’s desire further.
Biggest takeaway here is Jotaro and Kakyoin very blatantly have their own styles whether sticking with black/white/grey, or full on color. Both would be pretty in their own right, and their style choices speak of their personalities without saying a single word.
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nikki-tine · 13 days
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Pretty hastily slapped together, but here's a comm sheet for those who were wondering about the prices in my pinned post! I'm a little nervous about taking comms from social media again, but I'm open to it as my family needs the money so often now...
More recently, I've taken to working on iPad - this will be a more common thing as the summer months roll around and it becomes too stuffy to stick to my PC for working on art.
Here's what I CAN do, for the moment:
Cute, simple designs - Pokemon and simple (rookie-level or earlier) Digimon are a strong suit of mine, but if you have a wonderfully simple OC I can work with too then it'll do!
Cats. I loooove drawin' cats! If you have a Warriors OC, chances are I can draw em.
Fluffy stuff overall! (As long as it's simple enough, obviously - Fluff is another comfort thing I looove to work with. This means literal fluffy stuff like fuzzy animals/critters, and figurative fluff like cuddles and tickles!)
Sans!! (No seriously, I funkin love drawin' sans. If you got a Sans I can draw, I will happily draw him!)
Here's what I CAN'T do, for the moment, on the other hand:
NSFW art (This is because a) there's minors who follow this blog - I have to keep that stuff away (and keep them safe)! and b) I'm not ready to take NSFW commissions, and probably won't be a for a while.)
Heavy gore and themes (It's a lot to work with, and it's not something I personally dabble in if at all, so the result would NOT be to your liking if I tried more than likely lol)
Intricate Detail (I have my reasons for this! My wrist has been acting up more often in the last few years and so intricate detail is... overwhelming for me, right now, outside of personal work. It's just not a strong suit of mine, as much as I'd love it to be - it's not quite a part of the art style as it is right now.)
Added notes:
- I have the right to decline a commission if it either makes me uncomfortable to work with it or otherwise is overwhelming. That is to say, if one artist can't achieve what you're looking for then usually that's an indicator to hold onto your money for a bit until you find the right person!
I send the paypal link at the halfway point (the sketch, just before lineart) normally - but if you want to pay upfront, then please let me know. (I don't wait until the piece is completely done as a safety measure to ensure the person commissioning me doesn't nab the piece and run lol)
I CANNOT REFUND ONCE THE COMMISSION IS PAID FOR. The money goes STRAIGHT into family-related necessities like bills and groceries, and I absolutely CANNOT afford to return money when we are consistently struggling to even get food for the house, nevermind commissions. (It's also just kinda mean?? :c)
I am on commission burnout - what this means is that my work may take longer than usual to get done, but I hold to my word that I get it done no matter how long it takes. If you need the piece done as priority, then make sure you specify when giving the details for your commission! (I do best, however without a time limit or deadline to work with.)
As of right now, I'm practically (metaphorically) crying for simple designs due to this burnout! I need something I can just fly through to get done so I don't stress myself out further on a queue that's been waiting to be done for a hot second.
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trinkerichi · 5 months
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What is your oppion on ribbun?
OOOH that's Jax/Gangle right? Oh boy you probably aren't asking for this but I feel like doing a big ramble and this is gonna be a long one. CHARACTER ANALYSIS INCOMING!
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I'll preface this by saying I don't usually get too invested in shipping. I really like drawing interesting character dynamics tho, so I'll play around with the ships I see without really sticking to one. It's why I tend to draw a LOT of different ships only a few times each.
I'll ALSO preface by saying I really uh. Don't like Jax very much lmao I'm sorry. I'm not opposed to jerk characters in general, but I just didn't think any of his lines were funny. BUT I think that comes down to the fact that we only have a pilot and haven't seen much of their personalities yet. My favorite jerk characters, (Osomatsu, Bender, etc) all balance out their jerkiness by being dorky insecure losers that almost never win in the end so you kinda feel bad for them. I think if Jax ends up being written that way I'll become endeared to him. And goose has revealed before that none of the others actually like Jax so I kinda want to see that.
On the other hand, Gangle is my favorite character. She has barely 2 minutes of screen time but I love her concept so much. A friend called me out for this recently lol but all my BIG FAVS are characters that are themed around strong divided emotions. Pretending they're happy even when they're not, and having a hard time controlling their emotions as a result. (The latest ENA episode was a great example of this. Anyway.) Gangle being a sensitive flimsy pile of ribbons with a literal mask for a face? The fact that the tragedy mask seems to be her REAL face, while the comedy mask is so fragile that breaks if you so much as breathe on it too hard? I find that COMPELLING I want to see a whole series about her honestly.
Pairing her with Jax was inevitable, as is any fandom ship where the characters hate each other in canon. I usually hate this kind of pairing but this time I found it kinda fascinating! I think it's cause we don't really know a whole lot about either one of them so there's a lot of room to explore their characters through it.
I really do feel like Jax could hold a specific resentment towards Gangle. He's obviously not handling being stuck in the circus well, and he's bullying easy targets. He plays dirty. A person with high self esteem doesn't do that. Maybe he takes it out on Gangle because he hates how open she is about her feelings. He's putting on a tough and uncaring front, trying to pretend nothing bothers him, and she's out here being sensitive and fragile? How dare she! He's pushing her to her limits and she still won't harden herself. She doesn't have the energy to! Maybe she feels like she doesn't deserve to defend herself. It's so unhealthy! It's horrible!... And uh, sometimes horrible things are fun to write! DON'T JUDGE ME.
(And just so nobody accuses me of being insensitive here, without revealing too much, I've been in Gangle's place before. That's all I'll say.)
So with relationship stuff oh boy. We can take all those toxic traits to their extremes. But who would be the instigator?
What if Gangle coped with Jax's bullying by becoming more clingy. Becoming used to it.. Seeking him out. After all, he's paying attention to her right? Her warped self image being depressed and isolated in this circus for years would drive her to wanting any kind of stimulation.. does she realize this is self harm? What's it going to take for someone to step in before it goes too far?
Or on the other hand, what if Jax's fixation on bullying Gangle got mixed up in some more complex feelings.. If he really wanted to, I can see him manipulating her into a relationship just to see how many boundaries he can cross. He could have her wrapped around his little finger. Literally. He DOES have some misplaced affection for her deep down. He won't let himself think about it long enough to understand it, he's acting on impulse. She's uncomfortable but thankful for the seemingly lessened cruelty, so she puts up with it. And sometimes, rarely, between the thinly veiled insults disguised as compliments, he says something truly genuine and vulnerable. She can see it. He needs help. He needs love. But they're both hurting each other even more. It's wrong, but they're stuck now.
And now.. for the drama. Nobody can be pushed that far before snapping. As is the usual trope with soft spoken pushover characters, Gangle is a ticking time bomb. And I don't think she'd be willing to abstract entirely because of Jax, at least without clawing her way down.
Here's a fun fact. Have you seen that walk cycle video? Jax is tall, sure, but Gangle is PRETTY DARN TALL TOO. and she slouches. With her ribbons stretched to their full length she would tower over everybody. I want to see her get angry and be SCARY. I want her to stand up to Jax and lash out and scream and see him Genuinely Terrified. Everyone else caught in the crossfire too, covered in ribbon slashes. It wouldn't last forever. If the tension doesn't cause her to abstract she'll calm down eventually, or someone will be forced to break her mask to snap her out of the tantrum. Jax would pretend it didn't shake him at all, but would be noticeably quiet afterwards. Kinda shifting uncomfortably, they both avoid eye contact for as long as possible. His teasing towards Gangle never goes beyond slight ribbing again.
Whew.
Ok uh if you read this far, I don't LIKE the ship but it's a great character exercise! Hah I've thought a lot about it clearly. That being said, i usually prefer sweet cuddly ships myself. I think my favorite is Gangle/Pomni. I haven't seen this one around much, but those two are my favorite characters in the show and I'd love to see them interact! I think they could help each other with their anxieties and it'd be really cute. I don't even necessarily need it to be romantic I just think they'd have a sweet little dynamic together.
Surprisingly I've seen Gangle shipped with Zooble the most even though they haven't talked at all either and Zooble has like.. 2 lines. It might be cute but I wanna know more about them first.
As for Gangle n Kinger, I prefer them to have more of a father daughter type dynamic.
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hollycircling · 10 months
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would you consider dropping some tips on how you color? your art always has such a nice feeling to it
Thank you so much, and yes, absolutely! 
So... I have been agonizing over how to answer this question for over a week because I tend to make a lot of my major decisions based on what looks and feels good to me in the moment. It’s sort of hard to explain. Then I started getting philosophical with it (“how does one color? How do I explain aesthetic?”), and I started rambling, and had to cut the answer way, way, way down lol.
But here’s what I can help with right now. I think the most important part of how I color is my tools and what they allow me to do. These are currently my favorite brushes to use: 
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From top to bottom, I use Kyle T’s Gouache for just about everything. A lot of my recent pieces are done entirely in that– I love the chunky texture and how the pressure mimics traditional gouache. It’s great for children’s book illustrations, and filling linework, and realistic portraits. She is my soft wife and I love her. 
I practically never use the default hard round. Ignore that. 
The roller brush is another one I use for painting. It was my go-to before KT’s gouache, so you’ll find it a lot in my older work (and as a big texture thing in my current works). The “Sampled Tip” below that one I usually use for children’s book styled illustrations. It’s like a really dense, waxy crayon, so it’s fun for textured lines and details.
I always paint in my own shadows and highlights, but I like to use the soft round if I want to blow the shadow or highlight out. It’s for extra large areas.
And finally my pencil. I use it for sketching as well as linework, if I plan on doing a linework-centric piece. I don’t think there’s much of a difference between the two there… one is probably smoother than the other. 
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The reason why I like textured, pressure-sensitive brushes so much is because they’re important to how I paint. When I blend, I don’t use a blender brush or a smudge tool. What I do is layer two colors– lightly– then use the eyedropper to select the color between them and continue painting with it. That’s probably the key to most of my work. I’ve gotten pretty fast at it, so I’m constantly selecting colors from the painting and reusing it throughout my painting. 
I still use the color-wheel to hand-pick what I think will look best, though. This is probably going to be a really frustrating answer, but I choose color palettes based on basic color/lighting theory combined with personal aesthetic preference. It can take some studying (of both theory and other artists’ work). If you’re ever looking for a really great reference on the former subjects, I highly recommend Color and Light by James Gurny. Even if you’re not into watercolor or dinosaurs or realism, the guy is a master at explaining all that different stuff in depth. 
Shape and negative space are also pretty important to me, but that's a whole other thing. And as a side-note, I recommend following more children’s book illustrators. Their work may look simple, but a lot of intention goes into how they use color, shape, space, and texture. 
Also, on texture, I hand-draw most of mine. I love to add little scratches and drops and splashes when the painting is almost over. It's one of my favorite things to do :')
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Now, the other most important tip:
Once I’m happy with the sketch/linework, and once I’ve laid down the basic colors of my piece, I do a Really Terrible Thing. I become a graphic designer’s worst nightmare and collapse everything onto one layer. 
Then I paint directly on top of it, linework and all.
I do this for a lot of reasons, but mostly because 1) my tiny brain is overwhelmed by the clutter of too many layers, and 2) it forces me to approach a piece as if it was traditional media– a process which I find a lot more comfortable and rewarding. I paint right on top of the base colors, and right on top of the linework, effectively redoing and cleaning up what I already have there. Even if I'm working with a blank background, I'll paint a new blank one on top because it gives the feeling of a more unified piece, if that makes sense.
Basically, I approach my drawings as if I’m using traditional media. I like chunky brushes, utilizing (what I personally think are) interesting color combinations and textures, and smashing everything down onto one page so I can just paint. 
Anyway, please let me know if there’s anything specific you’d like me to go into detail on, any pieces of mine you’d like to know how exactly I went about it, etc etc etc. I’m happy to answer ^^
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thatturtleleon · 9 months
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TFP Human Hcs Pt. 2
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Note: I love this scene, just look at them LMAO, also here's pt.1
Raf
so this is a bit of a newer headcanon i have of him, but i feel like he's transmasc or genderfluid
raf never really cared about gender roles and things like that, but he overheard miko talking about how she didn't mind being called a girl or a boy or whatever people wanted to call her
he asked her about it and she replied saying she knew herself better than anyone else so it didn't matter what other people thought or wanted to label her, she knew who she was and that's the important part
miko then went back to talking about monster trucks or something and raf's just *cue the mind blown emoji*
lol i love them
he definitely went as the Dr Emmett guy from back to the future or as some mad scientist character for halloween
is actually pretty ok at drawing, just doesn't enjoy it as a hobby that much
LOVES learning about cybertron and its history and everything about it
at first ratchet thought all of raf's questions were annoying but grew to appreciate his curiosity
raf prefers asking ratchet any questions he has about cybertron because optimus goes on telling a long memory/story and trails off from the original question (raf's a sweet kid tho, he listens through the whole thing), while ratchet gives more straightforward answers
dog person
Jack
him and miko have "try not to laugh" challenges (raf's the judge) and usually wins
one time however, miko did something unintentionally funny while doing the challenge and jack let out the loudest screeching laugh they've ever heard, like the type of laugh that bubbles up and explodes when you're trying to hold it in
dated sierra for a little while, then sierra came out as lesbian, they still remained good friends though
(leon try not to HC every girl as a lesbian challenge, failed.)
considered going into the medical field like his mom did but decided it wasn't for him later on
in the future he eventually got a job with the government thanks to agent fowler
goes to drive-in theaters with raf and bumblebee but always ends up falling asleep
bought a mini blue motorcycle figurine and carries it in his bag
cat and dog person
favorite song is "roll on (eighteen wheeler)" by Alabama
discovered that he and optimus had similar taste in music (country music ofc) and plays some songs in the base if it's just him
Miko
makes fun of jack for liking country music
cat person (canonly has cats i believe) but she loves dogs too, except for the crusty tiny white dogs that old people have
drew bulkhead and herself together fighting some decepticons and framed the picture for him as a gift
he cried lol
speaking of gifts, she told the bots about birthdays and all of them immediately wanted to know when all the kid's birthdays were
bulkhead and some of the others took her to a monster truck event and she had the time of her life it was amazing
actually got jack into some of the music she likes, and they like going to smaller concerts around town
she bonds with raf by getting into comics and graphic novels, they both enjoy sci-fi ones
definitely doodles all over her desk at school, especially when she's in detention
although she's VERRYY extroverted, whenever she gets a crush on someone or thinks they're pretty, she gets a little quieter/shyer; not a lot but you can tell
jams out to metal music with bulkhead (canon)
i don't remember if this is canon or not, but she has a bag with pins and stuff she's collected over the years
her bookbag has doodle marks all over it, like little stars and swirls and stuff, very much a miko bookbag
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bigshotspambot · 1 year
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I wanted to do a redraw of the first drawing I posted here… I can’t thank you you all enough for so much love and support :) I guess I’ll just go on about everything here …
TLDR: You’ve all made me so much happier and I appreciate you so much 💕I hope I’ve made you all a bit happier too…! ALSO THANK YOU FOR SPREADING SNEO LOVE !!!! HE LOVES YOU !!!!!
(Also this isn’t the end I just wanted to make a long ass thank you post 😁)
Last year I can’t even describe how self conscious this whole “finding out I had feelings for Sneo” thing made me. I know that it is VERY SILLY to say but it was confusing because I thought I only liked girls. That maybe started to lead to an identity crisis? If that’s the right word?? I also felt really ashamed for some reason, I think I internalized a lot of stuff. I was also horribly paranoid of people I knew finding out I liked this Thing a Non-Normal amount and thinking I was weird for it.
When I made this blog it was a decision I thought about a lot. I eventually went through with it cuz I REALLY wanted to see more x reader content with SNEO, and I was hoping other people wanted that too. So after posting this stuff and seeing people actually liked it, I was filled with both excitement and regret. (Regret because it was embarrassing that anybody saw it) but it was also so exciting because I wanted people to know they weren’t alone in how they felt. For me it’s so validating to know people feel the same (especially about a weird crush lol) and I wanted to spread that :]
I can’t say how much the first asks I got meant to me, especially the supportive ones, they were just so sweet. I could probably go on about this for an unreasonably long time so I’ll try to keep it short- after so much support (and a lot of freaking out) this all eventually helped me accept myself and made me more confident and happy.
It took months though, and it’s still an ongoing process… but I am confident in saying that I’m so, so much happier right now than I was last year :) and it’s because of you!!!
I know this is really cheesy but you guys mean the world to me and you’ve helped me so much, I hope this content has helped you feel more comfortable and understood too 💖I love interacting with you guys. It makes me so happy reading the tags in reblogs, replies, or even seeing the super nice drawings of my Sneo design 🥺 the idea of anybody spending their time to like or reply or even make something for me is just so incredibly kind. The numbers have started to boggle my mind and it’s hard to express how much it means to me, but it genuinely means the world :)
(Again I could go into a lot more detail, but I’m not great with summarizing, and I don’t wanna make this into another horribly long post that goes straight to drafts cuz i couldn’t finish it LOL)
Also one final note FUCK CRINGE CULTURE ‼️CRINGE CULTURE IS DEAAAAADDD GO BE CRINGE AND WEIRD AND CRAZY AND HAVE FUN AND BE PASSIONATE ABOUT WHAT YOU DO BECAUSE YOU CANNOT BE STOPPED‼️‼️ this is the path to enlightenment
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theoraclesystem · 2 months
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I'm sick with COVID, but there's been some stuff brought to my attention about a tiktoker by the name of AspenFrost-EN who is in the DID/OSDD community. (They also have a tumblr, @aspenfrosten )
Since the post we made about pinksugarfairies went pretty well, I thought I'd talk about this too. I'm feeling a bit better right now and have some spoons for this.
Aspen is a 20 year old in the DID/OSDD community on tiktok and also has their own server on discord that they claimed wasn't a syscord server, but then it became a server with primarily systems, making it a syscord server. The thing about their server is that it's 13+ and Aspen themself has stated that their server is NOT a safe space for anyone.
If you have a server that is for systems, it needs to be a safe space or you should not have a server dedicated to systems. Systems are inherently traumatized individuals and there are plenty of minors in this server as well, a server that is dubbed as "not a safe space", where people bully others for speaking out, there's NSFW topics, there's "schizoposting" ("I'm in your walls, there's bugs in your skin!!" type shit), even encouraging self harm to minors and other severely traumatized individuals.
Aspen has allegedly had minors draw NSFW art of them and even knows their actions are wrong and harassment/bullying, but they have admitted that they do not care because "I'm literally immature lol!" or "I'm a treachery demon!!"
As I've stated in the callout about JudasFlower, it doesn't matter what you are in a system, you are still human when you front. And if this person wants to be a "content creator" for DID/OSDD, they cannot act like this.
Aspen has also mentioned that DID/OSDD is a "uniquely autistic trauma response" - which is not true - and then goes on to say that it's often comorbid with autism, and when asked where they got their sources for this, they only responded with "therapy lmao". This is not how DID/OSDD works. Anyone that goes through repetitive childhood trauma can develop DID/OSDD, regardless of whether or not you're autistic.
There are a few tiktokers making callout docs about this person and I'll link one of them to this. They've been called out for being a "centrist", being a TERF, being anti-boycott and calling it "liberal bullshit", saying that alter names being culturall appropriation if you're not part of that culture is "liberal bullshit", called the abuse from Wilbur Soot "drama" and was more empathetic for Wilbur fictives/introjects than the actual survivor of the abuse, etc etc.
Here's the doc for it, please be wary of this person. I did not write this doc, by the way, I am simply sharing it for awareness.
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venusmages · 7 months
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I always love hearing about other people's D&D games and I was wondering if you had like a method for how you plan out your sessions? In a slump rn myself so looking for some inspo lol
ok so i need to get better at this again (depression made me a way more 'seat of my pants' DM) BUT i basically lay out a "timeline" of main story points the party will eventually hit, and place "questlines" there. Essentially like a tree of quests and their progression in a videogame. This is NOT always detailed by any means but it helps me get a linear view of what's going on. If you run pre-made modules, this is the book stuff. My current game started out this way before I went "I like doing this myself" and went completely off the rails.
Then I go into the main details of the questline. Stuff like where it is, if there's going to be new lore introduced, the actual contents of the quest itself and it's requirements, etc. My players and myself are big on RP, so I also try to always make sure the quest will have interest for Story or Character reasons. If it doesn't directly push the plot in a major way, will it still give the party interesting interactions with each other and npcs? Are there going to be any new threads for some of the game's mysteries?
Then I also ask what in the questline is going to play to the party's habits and strengths. I admit this is WAY looser, and again kind of wraps around into "what would be cool RP for them" - but for example; knowing an encounter with nobles will give our noble-born artificer some additional lore, since he understands the city's politics.
After that, I do sometimes "script" certain lines of NPC dialogue or location and item descriptions. Stuff I'll be narrating that I want to make sure has a certain weight to it, or to flow well. You might not need to do this if you speak succinctly, but I find my brain stutters when trying to describe scenery on the spot, so it usually helps to write it. After that I make the session from there!
For me that usually includes picking out "splash screens" for the conversation backgrounds in our game, drawing new npc portraits if I have the time (it started because some of my players have aphantasia/some former players were new, so I drew PC and NPC portraits to make RP easier to visualize - then it just became the Only Way I Want To Do It Now LOL), and making maps. I use Epic Isometric for my maps, highly recommend. I get most of my splash screens from Art Station, but I have to say obviously that's unwise if you're streaming a game. Same goes for using pre-existing art as character/NPC art -- I know myself and other artists don't care if someone uses our stuff for their home game that no one's ever gonna see. I plan to release some of my portraits in packs one day free of use though.
Here's the RP Backdrop kind of splashscreen I use in R20 (but you can make one in FVTT too, I've done it) and an Epic Iso map I threw together (the party tokens were drawn over Epic Iso assets. If you join their discord people make community edits constantly. I'm currently working on a project to color all the released decor assets)
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kozachenko · 2 days
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I've crawled out of my cave after playing Final Fantasy IX for a long ass time what have I missed?
Artist's Notes:
I'M BACK BABY! A while back I made a post with a new style experimentation thingy but I ended up deleting it because it was just kind of a boring face thing, I was planning on doing more art but then I started playing Final Fantasy IX and uhhhh yeah so that game has kind of taken of my brain for the past two weeks and I am 20 hours into the game because I love it so much. I wanted to draw Vivi because Vivi is just really fun to draw ok? I've kinda been feeling really burnt out with my lineless style, mainly because of how hard it was to do lighting. I'll show one of my initial art style tests on the bottom of this post. Again, used to have it be an individual post but it was just one face so it was kinda boring, so might as well include with this one on the subject of art styles. I wanted to kinda mix some aspects of my older style with the sketchy shading lines with a more painterly way of doing the lighting (mainly in the shadows). All in all, I think that's my favourite part about this drawing, it feels nice to finally be able to do some proper lighting again, and I want to experiment even more with my lighting and rendering in future pieces. Also, part of the pant shading got kinda lost in the sketchiness, so for next time I'll probably focus on the clarity of the more sketchy parts of the drawing, since I did go with my initial sketch for the final drawing. I also gave up on the background since I had no idea what to do for it, and I didn't put too much detail into the staff as I forgot which one I gave him in my current playthrough and I didn't want to risk spoiling myself via looking up references, but that's ok I like how the singular yellow circle on it matches Vivi's eyes. Also I was having a bit of trouble figuring out how to draw his body and how to pose him, but I like how the pose turned out a lot. It was inspired by his idle animation when in a battle in game where he does a little shimmy.
Ok I need to talk about Vivi's design because I love it so fucking much oh my god-
I absolutely love how his face is just in complete shadow and only his eyes stand out, it's so cool and unique and I love how they recontextualized the original black mage design from the classic Final Fantasy games. How they did it I won't say because I don't wanna spoil the game, but someone give this poor baby a therapist because he goes through a lot. Actually, same can be said for all of the FFIX cast, they all need therapy (again, I won't spoil anything, please go play the game for yourself).
While I do love almost all the characters in the game, even though Vivi is most fun to draw, my favourite character has to be Zidane (the main protagonist of the game). He's a really fun protagonist, and they could have easily written him as a misogynistic jerk who doesn't respect women but they didn't, and I really appreciate that. He's just an overall cool dude who's a really nice older brother figure to Vivi and also just has a cool character design (who I also want to draw eventually). Initially in the game I was planning on grinding levels for Vivi to make him the tactical nuke of the party, but then that title went to a different character (who was initially multiple levels behind the group since I grinded the party in the starting area way to much before they joined, but now they are two levels ahead of everyone and have pulled the team through a lot of tough battles, again I won't say who it is because it is kind of a spoiler and the way the gameplay actually ties into their character arc is just so good omfg). Once I eventually finish the game I'll probably write a full review on here, so no spoilers until then lol
Also, I've kinda been burning out a bit with making Touhou art, which also made me a bit burnt out with Touhou stuff in general (although I will continue keeping up with the manga) so getting into other things (i.e. Final Fantasy and even Fallout since I've watched the first season of the TV show which is a whole other post for another day) has helped me refresh and given me something new to think about. I've ended up in the exact place I feared ending up, where I would start drawing fanart for it not because I wanted to but because I felt like I had to, so I'm taking a bit of a break. When I do draw Touhou fanart again I'll try to draw for the sake of myself, and to all the other artists and fanartists on this platform (and on any social media for that matter), take care of yourself and don't forget to take breaks when you need to!
(Ok part of that last paragraph was definitley influenced by the good ol' "it's 9:00pm and I need sleeb, but the message at the end still holds up, always take care of yourself)
Oh yeah, and here is that one style experiment I did btw
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Man I really fell down the "Yoshitaka Amano art enjoyer" to "Final Fantasy fan" pipe line didn't I?
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tastesoftamriel · 1 year
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I'm sure you're entirely sick of talking about this bc that initial anon was... dumb as hell and I too would like to forget about it if I were you lol, so feel free to ignore this ask!! but I just wanted to throw in my two cents as a fellow non-white non-American fantasy writer. cause fantasy as a genre is so insanely whitewashed, and even in settings like TES that have multiple different fantasy-cultures that are meant to draw inspiration from lots of different real-world-cultures, they tend to be shallow and lacking and let's be real, TES isn't getting any awards for being politically correct. I for one always get insanely hyped when I see more diverse takes on fantasy, whether thats in original fiction or fanfiction, cause 1) it just vastly improves the quality of the world building and 2) it creates more welcoming spaces for other bipoc to create more cool stuff. and also, it's just fun as hell to project your own culture into dope fantasy settings. I do it all the time and I fuckin love when other people do it.
I feel like that anon was just looking for a fight and intentionally trying to interpret your comment in the most bad faith way possible (classic tesblr behavior ngl). and like I get it, orientalism sucks ass, but I've followed you for a couple years now and I've only ever known you to be a super chill, super respectful person who (like I said before) creates a welcoming space for other bipoc in the fandom.
tldr: anon is a clown, representation is fun, your blog slaps
❤ from @reachfolk
Yes yes YES I could hug you! Inclusivity and breaking away from whitewashed fantasy is one of my main goals with this blog! My recipes and worldbuilding have me neck deep in exploring global cuisine and culture, but as soon as it's a picture then people go off about cultural insensitivity. Because reading comprehension is low here so most people barely glance at the worldbuilding posts.
Growing up in the 90s and early 2000s, as far as Asian actors in Hollywood went, you had Lucy Liu and Jackie Chan. There was that show about Imperial Chinese cats called Sagwa (傻瓜 shagua literally means "dumb melon" which is what you call a certified idiot). Mulan (forever my favourite). Crouching Tiger Hidden Dragon? But that's it. Seeing Michelle Yeoh winning everything recently makes me feel proud to be Asian. I cried when I saw Over the Moon.
If just ONE person looks at this blog and goes "cool, I learned something" or "cool, my culture is being recognised and represented as a form of inspiration", then I have done something right. Other Chinese/East Asian people in the past have applauded me for bucking the western "Asian" stereotype, simply because I express my love for my culture differently.
I'm no less Chinese for being fluent in English (which is actually my mother tongue btw thanks colonialism), or being a goth, or an author who happens to be atrocious at math. I just am. And I want everyone to just be too. To embrace their otherness, to rejoice in the diversity of the human experience, and to learn to live together. And most of all, I wanna see more awareness in writing (especially fantasy) about non-Global North cultures and the people who represent them. I'm sick of being a media cliché.
If you're a POC and you're looking for your sign to delve into fantasy worldbuilding, this is it. Go write. Create. Destroy. Build the world you've always wanted to see through the lens of your heritage, use your history as a lesson, use your language as a weapon. ~Tal
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sphxremint · 8 months
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(man this art is really old but im usin it anyway lol)
☆ Heya heya一it's me, Mint!
I'm the guy that does the funny draws (and music (and sometimes edits)).
Some of you have definitely heard that line way too many times before. Or some of you probably just know me as the Simple Yet Stupid guy. If you haven't seen me before, congratulations! You've successfully met "that guy" (me) for the first time!
This is my tumblr. I reblog stuff I think is neat and post art/music/stuff I like once every [unspecified time frame]. I dipped (sort of) from Twitter (ah, sorry一ECKS [X] as it's called now) like a year or two ago because some guy had too much fun ruining it. Now I'm here more often!
Right, this is an intro post. lemme get on that...
☆ cool things you should know
• I'm 19 (born July 4th, on MINT day. not whatever the hell independence day is. eugh)
• I'm aroace (certain of it now! we out here)
• I'm black (there's like no way to make this funnier it just is what it is)
☆ some other neat stuff
• I draw!
I'm definitely not consistent with it at all, but I'm trying, 'cause it's fun and I like doing it. I may be into a lot of medias too, but I'm mostly an oc artist, and it's a curse I will bear until the end of time
• I make music!
I'm also not very consistent with it, but I'm a bit less open about it... I do it for fun, really; though it's more of a personal thing compared to my art.
• My timezone is CST
...which is about UTC -05:00. if you need to know that. i know we all got varied timezones
• I'm very good at being inconsistent!
(such as basic punctuation and grammar. cause thats important. sometimes i'll actually use apostrophes and sometimes ill just completely forget mid-sentence. lmao)
☆ my 5 core interests
aka. The main things I like! I switch between the 5 of these on a whim. Be ready when it happens.
• Sonic The Hedgehog (he's just THAT GUY, yknow. just a guy who loves adventure. ultimate life forms and whatnot)
• Kirby (i'd forfeit everything for him. #1 blorbo living life)
• FINAL FANTASY (esPECIALLY XIII and XIV. but it's mostly XIV. two lalas ready for Dawntrail WOOO)
• Celeste (#1 game ever. i love everything about it so much, i naturally get my friends to play it. i'm also pretty good at speedrunning. smile)
• and anything osc! (though I'm mostly just in the "surface layer" of whatever the fandom is right now. bfdi, ii, boto, ppt2... funny shows go brrr)
☆ cool and awesome tags
□ #mint.txt = probably some random garbled text i spat out one night
□ #mintdraws = i sure do! and you should go look at it!
□ #mint.png = funny image included (not guaranteed)
□ #mint.mp3 = rarely use this but i still want people to know i make music
□ #mint.ask = because i get those. sometimes art, sometimes stupid funny stuff
□ #simple yet stupid = yeah its for those funny objects i talk about. i put this one here just in case
□ #mint's expoboard = i'm probably talking about one of my ocs
☆ and some extra stuff i guess
□ my sonas and stuff
if you need that
□ my carrd!
go read it cause most of my extra links (and contacts) are already there
□ my toyhou.se
Did you know I have a toyhou.se? because I never shut up about my characters, and sometimes people just need the Repository of Information. well... here it is.
Okay. I'll update this post more as time goes on, but... that's about it. That was probably like a read and a half. oops.
Remember: if you do follow me, you are (unofficially) officially consigning yourself to my presence and any stupidity and/or brainrot that follows.
...if that's cool with you. lmao =ᴗ=)b
(big shoutouts to the old pinned i had. you will forever be missed)
last updated: 01 / 15 / 2024
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kicktwine · 1 year
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wanted to ask, could we get a look in to how you put together your animatics?? I've been toying with the idea of trying to make one of my own, but I've got no idea where to start
oh yeah totally
though to be fair, a HUGE chunk of my time is spent listening to about 20 seconds of a song and imagining how the images move around like a little movie, and I refine a ton of stuff in my head before starting to actually put scenes down on paper. This happens with non-music boarding too, imagining different versions of how the scenes line up with dialogue/music. So step one: put a song on repeat and daydream for at least two hours. But, if you aren’t sure how to do this, I’d suggest looking at animatics, MAP projects, AMVs, animated musicals, fight scenes, etc. what do they do that’s cool? Imitate them.
after that, I have most of the main images with some blank spots im not sure how to fill until I put them down. I make something like this and get the compositions of each main image looking more or less okay in this form. This is also the stage I figure out the in between blank spots. I try not to have weird camera moves or other storyboarding don’ts, but some storyboarding donts are completely valid to break if you know what you want aesthetically. As usual. This one was actually pretty clean, but check out all the framing edits. i always have to make the frame bigger
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If you really don’t know what goes in between things, don’t be afraid to focus on some little details of the scene, pull out and show us the setting, put some flowery symbolism on screen, give us some fun little comedic anime inserts, or do what cowboy standoffs do and build tension. What we used to do was draw paws stepping across the screen or eyes blinking, lol
next comes audio sync! I like to get the timing extant on copies of these rough thumbnails before moving on. It helps my brain work through smaller more animated movements + testing if the things I came up with for the blank spots work. and also just makes it happy. And also, most importantly, it tests if the compositions work. If you can see it, the whole sequence with mom was a blank spot until I sketched it. I usually do this step in roughanimator even if i don’t finish it in roughanimator. Keeps it very rough.
after this is just a lot of polishing and layers! For lots of small animatics, I just use roughanimator and leave it like that. It’s surprisingly good for a very basic program. But, for things that need tweens or lots of camera movement, I use toon boom harmony. It’s more powerful and is actually supposed to be used for animation, which. Yknow. I do. I tried storyboard pro, it wasn’t my favorite.
Here are some, I guess, miscellaneous more technical tips for making your animatics feel nice!
If you’re going for lots of movement, try out timing it so big movements or scene transitions line up with the spikes in the audio WAV. If it doesn’t feel right, move it a few frames BEFORE the spike/audio beat. Your brain usually wants to see something move barely before it hears it - this works for dialogue especially. BUT! Don’t feel like you have to do this for every beat. unless you want to feel like Wes Anderson, which you can do and I will not stop you.
If you’re going for something slower with not that much movement, try motion tweening! or adjusting something very slowly so we don’t linger on one still image for forever.
you don’t need crazy camera angles for everything, but put a few in there for spice. This all depends on your mood you want to cultivate. Slow = flatter, spacious, details; fast = lots of moves, weird angles, perspective; disorienting = slow/jerky weird angles etc etc. the camera has emotions built into it. Because the camera is you! surprise!
watch storyboarding tutorials. lots of people zoom in too much when they draw and I am not excluded. Also, keep in mind the eyesight rule. It’s hard for me to explain concisely but… you as the artist are always leading the viewers eye somewhere, with every shot you make. Don’t make them dizzy by having the center of attention jump around to six different spots for six shots straight - if you find yourself unhappy with a sequence, especially a fast one, see if your line of sight is going all over the place and try moving the subject of a shot or two somewhere else or having them move/gesture towards the new shot’s focal point so the viewers eye moves there naturally. I’m actually not great at doing this when words/lyrics are involved, pmv makers have my respect.
contrast is your friend. If you want to emphasize a big fast move or big bright image, put little slow moves or simple images right before/after it. and vice versa! this counts for camera too!
easy camera shakes are just 3-4 frames of cam down/up/down less/up less, a blank tween or two (easing back into normal), and then a key for your desired normal camera location. Or left/right, whichever.
your brain needs about six frames to fully register an object as being an object. If you want someone to see and really See it, rather than just get a glimpse of it and go "What was that!" It needs more than six frames.
don’t be afraid to experiment!!!!!! And don’t get overwhelmed! Everything I just described I MOSTLY do off instinct, which you’ll get a sense for after you make one. Or like…. Ten. Does it feel good in your heart? Then that’s what’s important. Find an idea you want to make move, figure out your limits (programs, attention span, drawing capability, make sure not to commit to a minute long amv if you dont KNOW you wanna do a minute long amv), and plan around that. When I was A Child, people on youtube were just making like three amvs per second and cringe hadn’t been invented yet so they were all mostly untrained unpolished and so so important and based to me. Stop thinking so hard about it. You gotta get that animatic out there into the world or it’ll start fermenting in your brain and make you sick. So what if it doesn’t turn out exactly the way you imagined it? You’ll have another idea tomorrow. And if it matters that much, you can always do it again. Go make! Good luck!
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ryuichirou · 1 year
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hi there! first of all i wanna say i love all your works~ i found your works right after i entered the TWST fandom and it made me fall in even harder LMAO especially for lil mushroom eel man i love our lil mushroom eel man- I wanna ask though, how to you perceive Idia's interaction with the Tweels? It's always fun to see those two messing around with Idia and being intimidating for Azul's sake but I wonder how does Idia think of them in your headcanons? Is it a "run at first sight" type of relationship www have a good day!
Hi Anon! Thank you very much, it’s fantastic to hear that you love our stuff this much. I am very grateful.
Ahhh lil mushroom eel man!! This is such a cute nickname, and he is such a special boy lol, I’m happy you like him. I don’t draw the Tweels as often as I’d love to, but then again, that goes for a lot of characters… But damn it, drawing them is fun, especially with our poor popular boy Idia lol
Sooo, here is what Idia thinks about the Tweels in our headcanons! In a form of a headcanon list haha.
You’re right: in general, it definitely is “run at first sight” type of deal: Idia is a scaredy-cat in general, but with these two? He senses legit danger to his safety lol
A lot of times the Tweels harass Idia because of something Azul asked them to do, but there are times when they do it just for their own fun, and these situations are much more terrifying to Idia. Like, what do they want from him? The answer usually is to have fun. They won’t elaborate on what kind of “fun” they want to have with him.
A lot of times Idia sees the Tweels as a unit, but he is actually aware of how different these two are, and if separated, their dynamic actually changes quite a lot.
For example, Idia ended up having a surprisingly good time with Jade at Epel’s village. He didn’t expect to enjoy hanging out with him as much as he did, but they kind of bonded. A lot of times Jade would say things that would amuse Idia, like when he suggested sabotaging their opponents before the sled race. Idia was instantly on board with that, because, unlike Epel and Sebek, these two had this weird sleazy petty solidarity.
That trip also made Idia fully realise how much of a (mountain) nerd Jade is, which made him kind of relatable to a degree. Idia respects that and is actually happy that he got to know Jade better.
Idia is actually a liiiittle bummed out that they don’t get to hang out anymore after the trip, but whenever they see each other in the school and Jade smiles at him, Idia remembers that time and feels a bit fuzzy.
That being said, none of that made Jade stop teasing Idia together with Floyd, so Idia still needs to be aware of the Tweels lol
Idia is wary of the Tweels, but with Floyd he’s genuinely terrified at times. When he’s with him alone, he feels like Floyd can pounce on him at any moment: he’s too chaotic and unpredictable and god know what he’s capable of, especially when Jade and Azul aren’t around to stop him or at least get him to senses.
Idia is kind of irritated by Floyd ignoring his need for personal space, and Floyd doesn’t give a fuck about personal space: he touches Idia, he strokes his hair, sometimes even nibs on him. This makes Idia shake in horror, which only makes Floyd more playful and interested in him.
Oh, and also Idia is terrified of the fact that the Tweels know some pretty cringy personal stuff about him. He is still traumatized by that time they tried to blackmail him. The Tweels probably have already forgotten about it, but Idia haven’t…
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sparkles-and-trash · 2 years
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Shouto and his friendship with some of his classmates, headcanons ~  
note: this have been on my wip list forever, and I really wanna write something soft rn, so... yeah! also, if a friendship you enjoy isn't here, it's not because I don't like it, I just might have to do a part 2 <3
when Shouto started at UA, he hadn't had a real friend in his whole life, and frankly, at that point, he was okay with that
there's something about how you don't know how to miss something you've never had
but suddenly, Shouto has a few friends
he didn't even mean for it to happen, it just did
and oddly enough, it kept happening
before he knew it, he was spending one-on-one time with almost everyone in his class
and the oddest part of it all was that he enjoyed it a whole lot
some of them made sense to him, like with Mido-, no, Izuku, and Ochako, Iida, and even Bakugo, who he either had a lot in common with, or spent a lot of time with early on
others made no sense to him what so ever, but he enjoyed them all the same
like his "self-care nights" with Mina and Ochako
he wasn't sure why they kept inviting him, but he enjoyed it too much to ask
he enjoyed how they offer to paint his nails (he always says yes), and he thinks they both have very interesting thoughts and goals for being Heroes
and they always help filling him in on internet slang and pop-culture stuff, and never make fun of him for not knowing
the same goes for Sero and Denki, they'll occasionally have a chuckle when he asks very seriously about these silly stuff, but they both think Shouto is the coolest guy ever (he has no idea tho), and they listen to him talk about training and stuff like he's a genuis
Kirishima tries to help him with the pop-culture stuff too, but Shouto have learned that Kirishima is sometimes as clueless as him, he is just clueless with confidence
so Shouto always thanks him for his help, but does a quality check with Mina, Ochako, Denki, Sero or even Izuku
when Denki finds out Sero and Shouto have these little manga nights where they trade mangas and discuss them etc, he decides he wants something fun to do with Shouto, too!
he tries a few things, but it turns out they both really like drawing
so they take a couple of courses together online, tries different methods, coal, acrylic, pencils, oil paint, yanno, just a bunch
while Shouto isn't interested in eating much other food than soba (he does it, but out of necessities), but when he sees Sato bake one day, suddenly he's very interested in baking
it's kind of like art, you see?
Sato is a little shy about it at first, but after a while they have a real good time together
to be fair, Shouto had a good time the whole time, he couldn't tell Sato was shy at all lol
one day he hears that Izuku, Tsu and Koda is going to volunteer at a local animal shelter, and when Izuku invites him, he's very happy to join them
but while Shouto expected kittens and puppies, it turned out this was a wildlife centre
at first he was a little awkward, he knew how to handle kittens and puppies, but raccoons, badgers and foxes???
but quickly, he and Koda starts helping this little raccoon baby, and Shouto is delighted
not only is the thing fascinating, and cute, and happy to see him, it purrs when he cuddles it!
so now, the four of them do this every couple of weeks, or more when they have the time
one day, Shouto is in the common baths pretty late, and he's surprised to find Shoji there as well
he's used to finding others there at this time, but what surprises him is that Shoji isn't wearing his mask
Shouto isn't sure if he should mention it, but he's curious, so he does (the convo can be read at the end of this post)
after Shouto tells Shoji that he has a "nice face", Shoji actually starts taking his mask off sometimes when he and Shouto is alone.
Shouto doesn't know it, but Shoji is planning to talk to him about it some more, and is actually so grateful for that blunt, but honest conversation
Shouto isn't sure how it works, but sometimes he and Bakugo do homework and study together, and while Bakugo sometimes growls when Shouto mentions it, he is pretty sure it means they're friends now, because Bakugo is sure not denying it
and that's good enough in Shouto's book
one time in their second year, Shouto gets sent to Hawks' agency with Tokoyami when Endeavor is our of town, and Shouto is very happy to get someone else to study for a while
Tokoyami tries to warn him what Hawks can be like, that even though he's much better at including Tokoyami in the work now, and that they do more background work after Hawks' wings were injured in the war, Shouto is still very excited
but fifteen minutes in, Hawks has already made ten jokes about grilled wings, called Tokoyami his "lil' bro", and shown Shouto the little Badtz-Maru plush he refers to as "Tiny-yami" and Shouto is just like
"...is he always like this?"
and Tokoyami just keeps doing his work while going; "yep."
and maybe Shouto understands Tokoyami a bit more, after that
did he learn a lot from this work study? sure.
did he also have some fun while doing? yes, he did.
does he also feel like he aged 50 years during the study? he sure as hell does.
Shouto and Shoji convo: Shouto: You're not wearing your mask. Shoji: No, not right now. Shouto: ...You have a nice face. Shoji: You do not have to lie, Todoroki. Shouto: You can call me Shouto. And I'm not lying, I hate lying. Shoji: Well, I know my face is not nice. It makes kids cry. Shouto: A lot of things makes children cry. My face does sometimes, too. Shoji: I didn't know that. I'm sorry. Shouto: That's not your fault. And I try not to take it personally. *silence* Shouto: Well, I'm going shower now, but I meant what I said. You're face is nice. Shoji: Thank you, Todo- Shouto: You can call me Shouto. Shoji: ...Shouto. Thank you, Shouto.
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neighborlywelcome · 5 months
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hello there! i hope i can still request because i just wanted to say i love the match ups and i want to try one myself, it can be tadc or welcome home whatever you prefer since im in the both fandoms anyway. So here i go!-
*im cis fem and bisexual but mostly prefers women
*im short so i adore teasing people shorter than me at times
*prefers platonic
*loves to draw
*loves physical contact but would try not to when the other person is not comfortable by it
*im usually expressive in my emotions by comedy style (over reacting, making obviously fake cry expressions etc)
*oh and i also have a long hair that goes to my knees
*people used to see me as a shy person before but now im trying to be more outgoing now
*one of my goals ever since i was a kid that i wrote in my bucket list is to scare people with my long hair as a ghost lol
*can do embarrassing stuffs without problems just to impress someone
*is also clumsy and forgetful
*my clothing style can either be casual or a simple dress, but always with jackets no matter what im wearing
*i mentioned im more feminine but in pictures i always pose like a boy just for fun
*when people compliment me i make a macho pose and say "of course!" always
and thats all! hope you have a great night or day wherever you are!
Yeah, of course you can! I can do a Welcome Home one and if you want a TADC one too, let me know! :)
YOUR (PLATONIC) MATCHUP IS…
SALLY!!!
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Oh-ho! Someone with a flair for the dramatic? You must be the perfect match to be friends with a talented actor such as the Sally Starlet herself! Like you, Sally loves being expressive and otherwise exaggerated in everything she does, and she'd love someone who could keep up!
So obviously you and Sally are two dramatic peas in a pod! She loves how expressive you are and encourages you to be in the star in as many of her plays as possible. I think not being embarrassed easily would help with this, whether or not you’re good at acting, and Sally would love to direct you.
I feel like Sally wouldn’t mind physical contact. She probably touches people a lot anyways when directing them so she would like it when you greet her with a hug or if you wanted to initiate platonic hand-holding, basically anything like that. Either way, she gets comfortable being close to you a lot.
Sally appreciates any and all artistic hobbies and is ecstatic that you love to draw! As long as you participate in her plays, she will help you draw by joining you or—what she prefers—modeling for you! She always demands being the center of attention anyways so she’d enjoy posing for a drawing!
She would definitely help you with your goal and put on a horror production where you can use your long hair to your advantage and scare people! Sally probably loves long hair in general so she can style it perfectly for her plays, or even just at sleepovers as a fun activity. I imagine she loves braiding hair…
Overall I think you would have a really playful friendship. Sally is probably easily annoyed with your clumsiness and forgetfulness and calls you out on it in a joking manner and you can get back at her by teasing her for her height (she is 3ft so she will be shorter than you!) and so on and so forth. Just playful bickering and banter would be the norm in your friendship!
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