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#and I have a feeling they’re like ‘BUT I CAN CHANGE YOUR MIND’
keen-li · 17 hours
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What you need | 02
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synopsis: everybody needs, but how do you define need? do you even know what you need.
Genre: best friends au, angst, fluff, smut, slow burn.
jungkook x reader.
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'’I’ve been in Seoul for a week now’’ he says hand in pocket, and tall figure towering over you as you just stand there.
‘’oh,’’ you say not knowing what else you could add. Namjoon’s aura is quite intimidating for you.
‘’I’m sorry I delayed your flight though.’’
The awkward smile you’ve got on your face makes him chuckle.
You take the time during his smile to admire the little dents on both his cheeks. You’ve never seen a man with dimples. Or maybe you're just paying too much attention to namjoon's face.
‘’That's alright yn’’ The way he says your name has a little more essence than the way others say it. ‘’I hope you enjoyed your lunch at least’’
You smile at the thought of lunchtime with jungkook. You enjoyed yourself and had your first full meal. Which you’re glad about.
You don't know if it will happen again it jungkook isn't around to force feed you.
‘’yeah I did’’ you smile and Namjoon can tell you’re not smiling at him.
‘’is it a boyfriend?’’ he asks walking on eggshells.
You internally scoff.
‘’that’s personal, don’t you think’’ you say knowing jungkook is far from your boyfriend. But it is personal for him to stick his nose in.
‘’you’re right, I apologize’’ he says, ‘’ I'm overstepping’’ You don't reply instead just let the silence sink in. You think you've indulged in personal conversation for too long. You never go past hi's and hellos when with make customers and neither do you spend so much time admiring their faces, but here you.
‘’what car do you have in mind’’ you change the topic and get to working. You’re not going to get yourself into personal conversations with a client. Last thing you need is more men on your plate.
‘’honestly, all of them’’
You know people like Namjoon, have too much cash and don’t know where to spend it and want to show it off (softly of course)
‘’wow, that’s a lot. Giving me a run for my money’’ you scoff
Namjoon shows you his dimples once more. You walk forward to the first car and Namjoon’s eyes follow your figure.
‘’I think you can handle it’’
-
‘’sorry I'm late’’ You walk to the booth jimin, willoe, and jungkook are sat at. All eyes are on you as you try and calm your breathing.
‘’what happened to you? ’’ willoe spits out eyeing you in concern as you breathe like you’ve got asthma.
‘’got off at the wrong stop and had to power walk here’’ you puff out. Jungkook moves out of the way so you can sit by the window and opposite facing willoe.
‘’you walked? What happened to your car’’ jimin asks staring at you even more concerned. You can see from the look on his face that he’s worried about you. It’s the first time you’ve seen him since your phone call. So he takes the time to analyze you.
‘’My car’s in the shop’’ Immediately you say it Jungkook’s eyebrows go up and he turns to face you. You bite your lip and avoid his eyes knowing what’s on his mind after your words.
You fight the urge to laugh nervously.
‘’That’s what happens when you don’t drive it.” Willoe spits out munching on some cheese sticks.
‘’I did drive it’’ for like a week, you honestly don’t even know why you bought the car if you weren’t willing to start driving it. You kinda place the blame on the fact that you recently got your license and are still shit scared of the road. Jungkook offers to help you get comfortable but you always procrastinate.
‘’what shop’s your car in?’’ jungkook eyes you warningly as his tongue grazes his inner cheek. He’s asking to provoke an answer.
‘’just some shop near work’’ You avoid long eye contact cause you know he’s probably feeling some way about it and you don’t want to face it.
‘’you didn’t tell me about it?’’ his words come out like a silent fire and everybody else at the table can feel the heat. So, willoe and Jimin ignore as they look at each other and speak with they’re eyes.
‘’yeah. I saw you were busy and I didn’t want to bother you’’ you spit out a little harsh. You understand what’s got his mood changed but you don't think it’s that big of a deal. You took your car to another auto repair shop, so what? ‘’it’s not that big of a deal kook’’ your words leave you mouth too quick for your liking.
‘’yeah you're right it’s not’’ his tone says otherwise. You roll your eyes at how childish he’s being. He can get childish sometimes over nothing and it bugs you.
‘’okay how has everyone been’’ willoe chimes in to change the air and you couldn’t be happier. But you were gonna have to talk about it later anyways.
-
‘’Now that the house is sold I have less work on my plate. Cause that house was impossible to sell’’ She exaggerates her tone and emphasizes how hard it was.
‘’That's great babe, I'm happy for you’’ Jimin rubs his hand on her thigh.
‘’thanks’’ she replies blush on her cheeks.
‘’how about you yn, how’s work?’’ she turns to you, who's mind is so far away.
‘’as horrible as ever but at least I just got a really big client’’ you adjust in your seat.
‘’ou, who?’’ willoe puts her elbows on the table.
‘’just some entrepreneur. I think he lives in France or something’’ you state like it’s nothing.
‘’he?’’ you can see the tease in Jimin’s eyes.
‘’please shut up jimin’’ You roll your eyes and scoff.
‘’what did i do?’’ he shrugs his shoulders amusingly.
‘’I thought you only worked with women?’’ jungkook decides to finally speak to you and it’s nothing more than a shallow inquiry.
‘’It’s not that I only work with women, it’s just that I prefer them over men.” You the words come out a little sharp and bored. You bite awkwardly into your cheese stick.
Jungkook hums.
‘’I know you want to say something’’ you turn back you Jimin as jungkook goes back to being silent after having his query's answered
‘’nope,’’ he shakes his head childishly.
‘’say it’’ you narrow your eyes.
‘’Nothing. Just be careful with these entrepreneurs from Europe’’
‘’why? He’s Korean though’’ you defend.
‘’doesn’t change a thing’’ willoe adds, she’s always on Jimin’s side. That’s what happens when in a debate with a couple.
‘’Their favourite thing is to prey on girls from here and promise them a fantasy’’ jungkook spits out. You can’t believe he’s still sulking.
You look at them as they seem to agree with each other. Why do they always act like they know better than you?
‘’you guys are being so dramatic. I'm not even interested in him like that’’ you insist ‘’plus I promised myself to never date again’’ you say like a vow and jungkook’s heart throbs in his throat.
‘’Whatever, I hope you just stick to your word’’ Jimin mutters with a cheeky smirk pasted on his face.
‘’yeah I will’’ your mood goes down a bit. You will prove them wrong.
You watch the waiter put the food down on your table and willoe is almost drooling.
‘’you’re gonna droll all over the table, babe’’ you hear jimin mock her before she lands a gentle smack on his shoulder and a soft mumble of words leave her mouth.
You turn to stare at jungkook to see if he’s still sulking. He is. You frown at how distant you feel from him when he’s like this.
You’re busy talking about your week and just some funny moments.
You watch willoe and Jimin bicker and it makes you smile at how cute they are.
You’re smiling when you turn to look at jungkook again. Your smile drops when you watch how silent he is and how he hasn’t touched his food.
‘’you okay?’’ he doesn’t seem to catch what you say immediately but when he does his smile and reassurance are unconvincing.
You don't poke more at it. He can’t be seriously this moody over you taking your car else where.
You're forced to stare out the window cause of the awkward silence in Jungkook’s car. The whisper of the wind the only conversation going on.
You haven’t spoken since you left the restaurant. You don’t want to nag him but you’re just worried he’s upset about the car thing when you didn’t mean to make him feel bad.
‘’kook’’ you speak so softly and unsurely you almost think he doesn’t hear. But the hard hum he releases lets you know he’s heard you. Now that you have the floor you wonder if you should even ask, you don't want to irritate him.
‘’Are you mad?’’ he raises his brow at you but still stares at the road. ‘’about the car thing’’
‘’I'm not mad’’ his tone says otherwise.
He takes a turn.
‘’it doesn’t seem that way’’ you ease in more.
‘’well I'm not’’ It comes out sharp and angry causing you to raise your brows ‘’Sorry’’ he murmurs out.
‘’I never meant to hurt your feelings, I just didn’t want to bother you with my junkie car’’ Your car was far from junkie but you’re just spitting out rubbish to ease the tension.
‘’it wouldn’t be a bother’’ he takes another turn. He doesn’t even know why he feels the way he does cause he’s not really mad, he just has this dull achy feeling in his chest and he doesn’t know why it’s there. But it’s there and making its existence known.
‘’I know, but I’ve seen you. You’ve got so much on your plate’’
You are right.
‘’I know but I just wished you’d told me, I could’ve recommended somebody I know’’
Why jungkook prefers you go to him about car issues is because he knows how some other auto repair shops work. They see women and find an opportunity to swindle. He believes he’s told you enough about it. But he still worries and prefers you tell him and he deals with it.
He pulls over at a red light.
‘’I’m sorry’’ you say taking a risk and bringing your hand into his free one, while the other stays on the wheel. Your body shivers at his warm hold which is contrary to your freezing ones.
You bring his hand to your lips to place a peck on it, just for fun and to catch his reaction. Jungkook crunches his face at the action, not that he minds but it just feels weird.
‘’don’t kiss my hand’’ he chuckles out. Then he interlocks your fingers together.
In your friendship you’ve become comfortable with this little holds and touches, so nothing feels weird about this. Just comforting.
‘’why?’’ you question with a huge teasing smile on your face.
‘’cause I'm the one who should be kissing yours’’
You watch him pull your hand to his lips. With his eyes locked on yours, he places a tender kiss on the skin.
The action soothes the ache in Jungkook’s heart, slightly. It brings some form of comfort to him.
You smile when he pulls his lips away, you can feel his lips still tingle on your skin.
You don’t know what to do but smile. At least he doesn’t seem to be mad.
The green light causes him to pull his eyes back to the road.
You try to pull your hand away from his so that it’s easier for him to drive. But his grip tightens around your hand, you raise a brow at him confused.
‘’ your hands are cold, I’m just warming them’’ he smirks and his thump caresses your skin.
--
‘’you don't wanna come up?’’ you lean against the window and wait for his response. ‘’I have banana milk?’’ you bribe.
He sucks air between his teeth ‘’it’s tempting, but I can't’’
‘’Maybe next time?’’ he bargains and you nod.
‘’yeah sure’’ you back away from his car.
‘’I’ll call you though’’ he says before he drives away, almost reluctantly. He watches you figure through the side mirror and watch his car disappear. The sad look on your face makes jungkook want to turn around.
But its not a sad look, more of a ‘I’m grateful to have you as a friend’ look.
When you’re back in your apartment and into your warm comfy bed. You throw your coat somewhere on the floor and make a mental note to pick it up soon, it was too expensive to throwing on the floor. But you’re exhausted.
Your mind slowly and unintentionally slips to the moment and feeling of jungkook holding your hand. You’ve held hands before but in the car, it felt...
In that moment for the first time, you never thought of yunho.
Ring, ring.
You groan when you hear your phone ring. It could be willoe cause she promised to call when she got home, but knowing willoe she’d never call cause she would forget to. Or it could even be jungkook. Your heart jumps at the thought.
Your smile drops and you let the phone ring to voicemail when you see the name that’s there. Unchanged still saved with the red heart and teddy bear emoji. You wonder why you never deleted it.
That sick and horrible feeling returns when you see the text that follows up on your screen.
Yunnie: I know you probably don't wanna talk to me, but I really wanted to hear your voice.
Yunnie: I've missed you.
Yunnie: are you free this weekend, I wanna talk things out.
You have a mix of emotions going through you and you can’t think. You could honestly throw up. Why the fuck is he texting you and why the fuck do you feel your heart pound.
The feeling gets even worse when a message from jungkook pops up and you open his chat.
[image]
Kook: goodnight bunny, <3
The picture of him on his couch with his black t-shirt and pajamas on and bunny smile in view causes you to smile. It almost makes you forget your dilemma for a second.
You: goodnight kook <3
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discoscoob · 2 days
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✧ ˚ BREAK THE CHAIN
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˙ ✩°˖🏛️ ⋆。˚ Donnie Barksdale x Reader x Kevin Lomax
CW: toxic and abusive marriage, physical abuse, possessive and jealous behaviour, threats of violence.
Synopsis: during the turmoil of your divorce proceedings against your abusive husband, you and your lawyer confront your husband's relentless refusal to accept the end of your marriage. 2.6k words.
˙ ✩°˖🏛️ ⋆。˚
“How can he do this? How can he get away with spewing such venomous lies about me? He knows the truth. He knows what he put me through. Why can’t he just admit it?!” you emerge from the courthouse, alongside your lawyer Kevin, trying to seek some reassurance after yet another gruelling day in your divorce hearing. You’re on the verge of tears, wondering how much more of this you can take before you reach breaking point.
In a desperate attempt to tarnish your reputation and undermine your credibility, your soon-to-be-ex-husband, Donnie, and his sleaze-ball of a lawyer, hurled accusations of infidelity and deceit against you, claiming that any abuse you endured during your marriage had not been at the hands of your husband. His entire defence was built on a lie, shifting the accusation of abuse onto fabricated lovers, stating that you were trying to pin the blame on him and make him out to be a monster.
The touch of Kevin’s hand grounds you, takes control and pulls you back to reality before you spiral any further. Gently brushing the soft pad of his thumb against your knuckles, you can’t help but compare how smooth and gentle his hands feel to the rough and calloused texture you were used to feeling from Donnie’s.
“Listen to me,” Kevin’s velvet tone pulls your focus away from your intertwined hands and you look up into his gentle eyes that are full of calm determination. “Donnie is grasping at straws, he can make as many accusations as he pleases just don’t let them get to you. These claims only show how desperate he is to regain control over the narrative. His lies hold no weight in the eyes of the law, they’re nothing but baseless accusations. We have the truth on our side, nothing can change that.”
“What if the truth isn’t enough?” you worry, casting your gaze downward. Your mind is plagued with doubt, brought on by the accusations of betrayal to dismantle your claims of abuse.
“Trust me, Y/N,” Kevin gently takes your chin between his finger and thumb to guide your gaze back towards him. “I’ve got this, alright? Donnie will slip up eventually.” promise radiates from his gaze, while he speaks with unwavering confidence.
For Kevin, litigating a case is like playing chess, he has the skill to anticipate every move the opposition will make and he has every counterattack planned in advance. He knows when to sit back and observe and when to strike, possessing the ability to unravel an opponents case with strategic attacks that ultimately secure victories for his clients. He has no reason to believe this case will be any different.
You draw strength from Kevin’s optimism, like a soothing balm over your doubts and anxieties, once again the gentle brush of his thumb against your knuckles grounds you.
“If it wasn’t for you, I don’t think I could get through this.” you mumble as you rest your forehead against Kevin’s shoulder, in return you feel his arm wrap around you, offering the comfort you were seeking.
“Enough of that,” Kevin’s melodic accent whispers in your ear, soft and mellow, as he pulls you closer. “You’re strong, Y/N, stronger than you know, you hear me? I’ll be by your side you every step of the way but don’t for a second underestimate your own strength and resilience.”
Before you can respond, the shrill sound of Kevin’s ringtone interrupts the moment. Withdrawing his embrace, he digs into his suit pocket to pull out his phone and inspect the caller ID.
“I oughta take this real quick. Wait right here, I won’t be a minute.” he sighs while offering an apologetic glance for the disturbance. Your focus lingers on Kevin as he jogs down the remaining steps of the courthouse to take his call in private.
As you stand alone, your attention focused on Kevin as he takes his call, Donnie lurks in the distance, like a predator stalking its prey. His menacing glare is pinned directly on you as he seizes the opportunity and closes in on you. Only once his rough grip is sending a jolt of pain through your arm, do you realise you’re no longer alone.
“We need us a li’l chat away from all these folk tryna fill your head with bullshit.” Donnie’s menacing drawl growls in your ear, dripping with venom as he roughly hauls you to the secluded side of the courthouse, away from prying eyes.
“That slick-talkin’ lawyers got some nerve wrappin’ his arms ‘round what don’t belong to him, I reckon he’s tryna steal you away from me.” Donnie’s rugged face is inches from yours as he cages you in against the red brick wall. “Now you might think I’m stupid but I ain’t blind to what’s been happenin’. You and that fancy lawyer of yours been fuckin’ for months behind my back, ain’t that right?”
“No, Donnie.” your breath shudders through your quivering voice as your estranged husband intimidatingly looms over you. “You’re wrong.”
“Bullshit, Y/N!” Donnie’s tone is laced with distrust as he narrows his suspicious eyes down at you. “Ain’t no way you’d be divorcin’ me if it weren’t for that son-of-a-bitch tryna lead you astray. He’s the one behind this whole fuckin’ mess, whispering his poison in your ear since the start, ‘cause I know you ain’t got the money for no know-it-all lawyer like him, so somethin’ ain’t adding up right.”
“Donnie, that’s enough. Let her go.” Your heart leaps at the sound of Kevin’s commanding voice breaking through the tense atmosphere.
Donnie’s head whips around in the lawyers direction with thunderous expression. “Mind your business, Lomax. This is between me and my wife.”
“It is my business when someone’s threatening my client.” Kevin stands his ground as he confidently steps between you and Donnie. “Now leave her alone otherwise you’ll leave me no choice but to get the police involved. And I’ll give you this tip for free, Donnie — getting arrested for harassment sure as shit ain’t gonna do your case any favours. So if I were you, I’d be on my way.”
With a huff through his flared nostrils and his chest heaving with rage, Donnie begrudgingly relents and takes a step back. “This ain’t over, you hear me?” he stubbornly reminds you both as he takes leisurely steps back with his chin raised in defiance. “I’ll be damned if I let any man think he can steal what’s mine.”
With one final menacing glare, Donnie storms off towards his pickup truck leaving you trembling against the brick wall as all the tension floods out your body. Kevin’s arms are around you within an instant, offering you the security and care you desperately need.
“Told you he’d slip up, didn’t I?” Kevin’s voice carries a subtle note of triumph as he rests his chin against the top of your head.
˙ ✩°˖🏛️ ⋆。˚
“Mr. Barksdale, earlier in this trial, you made some rather bold accusations against my client, Mrs. Y/N Barksdale. Accusations of infidelity and deceit. Is that correct?” With a professional tone, Kevin addresses Donnie, who is sitting at the witness stand.
“Yeah, that’s right.” Donnie responds as he shifts uncomfortably, his dark eyes bounce between you and Kevin.
“And yet, despite the seriousness of these accusations, you have provided no evidence to support these claims.” Kevin confidently paces in front of the witness stand but his challenging glare never leaves Donnie. “Meanwhile my client, Mrs. Barksdale has provided the court with medical records documenting incidents of abuse at your hands.”
You notice a subtle twitch on Donnie’s face as he momentarily glances away, a sight you were all too familiar with when he was trying to hold back the anger that was starting to boil beneath the surface.
“Just ‘cause she got some bruises don’t mean I put them there.” Donnie shrugs, triggering an uncomfortable twist in your gut as you watch him so nonchalantly reject accountability for the hell he put you through.
"Mr. Barksdale, the medical records clearly indicate patterns of injury consistent with physical abuse," Kevin rebuts, while maintaining a firm and professional manner. "These are not just 'some bruises.' They are documented evidence of repeated incidents of violence against my client."
"Just 'cause she's got some marks, suddenly it's all my fault?” he scoffs, his voice laced with contempt. “Them injuries could've come from any one of them men she was runnin' around with behind my back.”
“You know, Mr. Barksdale, it's getting rather tiresome hearing about these mysterious lovers of Mrs. Barksdale's that you've yet to prove the existence of.” Kevin rolls his eyes as a note of boredom enters his tone.
Donnie’s jaw clenches tightly as he glares at Kevin, fury burning within the dark shadows of his eyes and his nostrils flaring as he barely maintains his composer. A pulsating vein on the side of his neck displays the rage that is threatening to erupt at any moment. Donnie decides to keep his lips sealed.
“Mr. Barksdale, during your marriage to Mrs. Y/N Barksdale, did you ever exhibit signs of jealousy or possessiveness.” Kevin smoothly continues his cross examination, undeterred by Donnie’s visible signs of anger.
Donnie’s face twitches with irritation as he shifts uncomfortably in his seat, his darkened gaze briefly flickers in your direction before settling back on Kevin.
“I fail to see how it’s any of your damn business.” Donnie’s voice is twinged with the slightest hint of a growl as his chest starts visibly heaving with his poorly concealed rage.
“Order!” The judge immediately scolds Donnie for the slip of his tongue. “Answer the question, Mr. Barksdale.”
“I reckon every man’s got a right to protect what belongs to him.” Donnie finally admits through thinly veiled irritation.
“Is that what you call it, Mr. Barksdale?” Kevin leans forward slightly, as he steps closer to the witness stand. “Is that what you were doing yesterday, outside this very courthouse, when you forcibly hauled my client out of sight of any potential witnesses and pinned her against a wall with the intention of intimidating her?”
Leaning forward in his seat, Donnie grips the edge of the witness stand until his knuckles turn white. “You got some goddamn nerve twistin’ the truth like that.” his menacing voice rises with fury. “I was tryna have a private conversation with my wife but you can’t resist stickin’ your nose where it don’t belong. You’re nothin’ but a snake in a fancy suit, tryna fill my wife’s head with your poison and steal her away for yourself but I ain’t gonna let you have her. She’s my goddamn wife! Mine! She belongs to me and no ones gonna tell me any different!”
“Order!” once again the judge pipes up with an authoritative tone, trying to control Donnie’s outburst. “Mr. Barksdale, I will not tolerate that kind of hostility in my court! This is your final warning.”
“Your honour, I believe Mr. Barksdale’s temperament speaks for itself,” Kevin calmly addresses the judge in a composed manner. “His outburst here today offers us a glimpse at the mere surface of the ongoing abuse and intimation my client has endured throughout her marriage to Mr. Barksdale. I have no further questions.”
“Mr. Barksdale, you are on thin ice. One more outburst like that, and I will hold you in contempt of court. Do you understand?” The judge turns to Donnie with a disapproving frown after acknowledging Kevin’s statement.
Donnie offers the judge a curt nod, but the his clenched jaw and sneering expression betray the anger that is still running through his veins like boiling hot magma.
As soon as Kevin sits back down beside you, your hand is immediately enveloped by his, the soft touch is a soothing comfort easing the discomfort and tension that still lingers within from Donnie’s outburst.
“You alright?” Kevin whispers, his eyes radiating concern as gives your hand a gentle squeeze, understanding how triggering hearing Donnie’s outburst might have been for you. When you offer him a silent nod, he sends you a wink that you find comforting, as it showcases his ease and confidence. “It’s almost over now.”
˙ ✩°˖🏛️ ⋆。˚
“After careful consideration of the evidence presented in this case, it is clear to this court that Mrs. Y/N Barksdale has endured significant hardship and abuse at the hands of her husband, Mr. Donnie Barksdale. Therefore, it is the ruling of this court that the divorce petition filed by Mrs. Y/N Barksdale be granted. Additionally, a restraining order shall be issued against Mr. Donnie Barksdale, prohibiting any contact with Mrs. Barksdale or her immediate family. Furthermore, Mr. Donnie Barksdale shall be required to undergo anger management counselling and attend regular check-ins with a court-appointed counsellor to ensure compliance with the terms of this ruling.” As the judge announces the ruling, a wave of overwhelming relief rips through your body. Raising a trembling hand to you mouth you sob into your palm as you look at Kevin, just to make sure you are hearing correctly.
The smile of triumph Kevin’s face is enough to confirm that you weren’t imagining it, as sobs of relief continue to shake through you, Kevin pulls you into his embrace. Leaving a kiss on your forehead, his soft hand gently strokes your back, soothing the overwhelming emotion that has taken over your senses. His comforting clean scent envelopes you as you burrow into the crook of his neck and wrap your own arms around his shoulders.
“Let’s get you outta here.” Kevin whispers in your ear, before he helps you out your seat, a sturdy arm around your waist keeping you steady. Only once your on your feet do you realise Donnie is being restrained by security as his fury filled eyes glare daggers at you full of unrestrained rage and malice.
“You filthy whore! You connivin’ bitch! You think you can just walk away from me?!” Donnie’s thunderous voice echos through the courtroom as he’s held back by two security guards, his body thrashing to escape their unyielding hold. His long hair flying around his face as he spits and snarls like a wild beast. “You’ll never get rid of me! You and that damn fuckin’ snake of a lawyer! I’ll hunt you both down, you fuckin’ hear me?”
Kevin tries to get you away from the commotion as quickly as possible with a protective arm around you, urging you to not look at your now ex-husband as he swiftly ushers you out of the courthouse.
As the sunlight strokes your face, you take a deep breath of the cool breeze that welcomes you like a reprieve, sweeping away any echo of Donnie’s rage that still rung in your ears. You lean into Kevin’s side, grateful for his steady and calm presence beside you.
“You’re free now, Y/N. He can’t hurt you anymore.” Kevin whispers into your ear with a confident assurance, dismissing the validity of Donnie’s threats. When you lean your head against his shoulder, he cups the nape of your neck before leaving a tender his on your temple.
“I wanna get away from here.” you whisper, as Kevin gently tilts your chin up to meet his warm gaze.
“I’ll take you anywhere you wanna go.” Kevin promises without any hesitation, “just tell me where.”
Kevin’s promise makes anything seem possible, like no dream is too big and by his side you truly feel like the world is your oyster.
“I’ve always wanted to visit New York…” you look up at Kevin, your eyes over brimming with hope for a new beginning.
“New York it is.” Kevin smiles down at you, mirroring the yearning for an adventure in your eyes and he takes your hand in his and leads you towards his convertible.
⋆。°✩ note i: in the beginning I kinda wanted to leave Kevin and readers relationship up to interpretation but I think that ending gives away the fact that they’re a little more than just lawyer and client.
⋆。°✩ note ii: I have an idea for a prequel revolved around how Kevin and reader met and began their affair which I might work on depending on the response to this fic!
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starnightlover · 2 days
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Hi. Sorry, I just really feel like complaining. Obviously you can ignore this, I just have nowhere else to word vomit lol. I've been trying to shift since 2019. I've gotten into the void state for like 20 seconds but got too freaked out/excited and lost stability before I could manifest or shift anywhere. I feel like I'm going crazy. I've done the whole thing of pasting sticky notes with affirmations all over my apartment, had meditated for an hour or more a day for weeks at a time, listened to subliminals 24/7 and obvious tried all the classic methods like the raven method, julia method, etc, etc. I've had multiple lucid dreams where I tried to make portals and I've even had a lucid dream (or I guess I shifted) where I saw a "centre" for shifting with a bunch of islands and floating petals that we used as transportation between islands. I got a whole tour by some guide and he showed me other lives I'm currently living. That was like a year ago, and I haven't manifested anything significant or went anywhere since then. I'm going through a really tough time right now. I wouldn't have gone on like this if I didn't believe in it, but I'm just feeling really beaten down. I'm exhausted and frustrated.
Hi lovely, I'm so sorry you feel this way.
It’s understandable. But remember all the lucid dreams you’ve had and the void states that you’ve been in. They’re a reflection of your ability for shifting. You’ve been incredibly close before, and your subconscious mind is capable of doing so. You can take a break if you want, because shifting requires a healthy amount of persistence. Just remember that no matter how long of a break you have, you’ve come really far already. The void state is one step away from shifting. And don’t forget your lucid dream, where you basically saw your ability to change realities. Don’t take my word for granted. Just think about it. You can do it, you do have the abilities, all you have to do is keep going. You can take a small break if you want to rest, but don’t let yourself lose all your progress. Stay determined, stay motivated, don’t lose your abilities. You can do this!!
You’ve come so far, and you’ve been in the final stages. Don’t think about how it’s been years without a single shift. It’s been years where you’ve learned techniques, you’ve learned about yourself, you’ve honed in your shifting abilities. Just because you haven’t shifted in years doesn’t mean you’ve made no progress. This is just the next step in your shifting journey. Go forward. Take that step. Shift like nothing’s stopping you. You’re so close. You’ve had enough time to think about it. You’ve been here, wanting to get to your desired reality for all this time. You haven’t given up on it yet. You’ve kept coming back hoping, trying, dreaming, wanting to shift to the reality you want and finally be with your hard work! Why would you stop now? You owe it to yourself to keep trying. Don’t give up, because it has always been your dream to shift.
Your determination, drive, motivation, and dedication to shifting is so praiseworthy. It's been years since you started this journey, and you haven't given up! You've persisted for this long and you've gotten close so many times, it's almost impossible for you to not have enough abilities to shift realities. Remember all the things you've seen and experienced while trying to shift realities, all the things you've gone through and the efforts of hard work that you've put into shifting realities. Don't give up now. You just have to keep going. You can do it, I believe in you!
Keep going. Don’t stop now.
I mean, just think about it: you possess this incredible power within you to shape your own existence. You're not just a passive observer in the grand theater of life; you're the playwright, the director, and the star actor all rolled into one.
You see, the universe is like this vast, infinite canvas, and you? You're the artist putting forth the brush. Every thought, every belief, every intention you hold is like a stroke on that canvas.
Now, here's the kicker: you have the ability to shift to any reality you choose. It's not some distant, unattainable dream—it's within your awareness right here, right now. Reality-shifting isn't this Herculean task reserved for a select few; it's as easy as changing your mind.
You are the god of your reality, lovely!!! You have the power to shift!!! It's not about waiting for the stars to align or some external force to swoop in and save the day. It's about realizing that the power you seek has been within you all along. So, embrace it. Own it. Know that you are the creator of your own destiny. And when doubts creep in or challenges arise, remember this: you are god, and reality-shifting is as easy as flipping the script. You've got this. After all, you are god.
And remember! You don't actually need specific methods to shift realities; it's about tapping into your innate power as a being that is pure consiousnious not attached to any body, mind, or reality! . Every moment, you're making choices that shift you to a different reality, and reality-shifting to your DR is just as easy! It's just bevomi b aware of it. While methods and techniques can be helpful tools, they're just that—tools! The real magic happens when you tap into your own inner wisdom and intuition, trusting yourself to allow the process to unfold organically. Embrace your innate creativity and intuition, and watch as your reality begins to shift in ways you never thought possible.
Now just remember my love, to keep on visualizing, keep on affirming, and most importantly keep persisting!!!! . And, be gentle with yourself along the way. Shifting may not happen overnight, but each step you take brings you closer to your DR. So hold onto hope, and know that your breakthrough is just around the corner.
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fostydosty · 1 day
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If I was gonna make 3 fundamental changes to the Riordanverse it would be these:
The demigods don’t influence wars and take station of high leadership, they’re *natural disasters*. What made the Big Three sign their pact? A zombie outbreak caused by children of Hades brought on by a battle between children of Zeus and Poseidon. Mortals remember this time as the Spanish Flu. We already see stuff like this with Typhon and the battle of manhattan— they just look like storms. The Black Plague was actually bc 40% of all Europeans were legacies at that point, and monsters started hunting down and killing any demigod who wasn’t strong enough to protect themselves. Went by the Black Death bc most of them were shadow creatures sent by Nyx who didn’t like the idea of that many godlings being in the world.
Demigods don’t all inherently have ADHD and Dyslexia, even if it is common. However *all* disabilities that a demigod has will have a benefit/power associated with it. Because they’re fkn demigods! Even their disabilities are superpowers! Oh, you have a hand tremor? Well you can run like a cheetah. Oh, you use a wheelchair? Well your upper body strength could make an ogre’s knees buckle. Eye trouble = ears of a hound. Narcolepsy/chronic fatigue = more potent powers. I feel like this would skirt the “magical disability” trope a bit since it’s not “you get ADHD from your magic parents therefore it’s fake ADHD” it’s “you have ADHD, but because you’re a magical demigod, you also get this.” I would also apply this to acquired disabilities btw. Amputation = magical demigod body reacts accordingly, focusing your half divine power into something else.
Children of Athena are adopted by Athena bc she sees potential in them, rather than them being her actual weird mind babies. I imagine her Blessing imparts all of the powers her demigods usually get, though they would only *smell* like demigods to arachnids. Also in my HC Annabeth runs away bc she feels like a burden on her parents bc she’s the only one with ADHD and dyslexia (even tho they don’t actually care, she still feels resented for struggling in school). Athena sees this mortal child willing to live on the streets and be independent when things don’t go her way and she says Thats My Girl Now and Annabeth becomes scared of spiders and starts seeing a sht ton of monsters everywhere.
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anemoiashifts · 11 hours
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how to detach for reality shifting.
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⋅˚₊‧ ୨୧ ‧₊˚.
♡ stop putting your dr on a pedestal.
we’ve heard this before but really. i mean it.
im going to assume if you’ve wanted to shift you’ve asked people what it is, asked shifting creators other questions, looked into theories. you were trying to expand your knowledge by looking for answers outwardly. looking for information isn’t a bad thing, but obsessing over what shifting is / isn’t can make shifting harder because your focused on the “what-if’s” & not living as you are. deciding to set out & rationalize shifting & policing others can be detrimental in your journey. this is why i say, i don’t care what shifting is because it’s something. & that should be enough.
the truth is, there is no 10000% concrete proof that shifting is this or that. there is no experiment that solidifies one theory or another, demeaning it as “correct”. they’re all just theories for a reason. so stop trying to rationalize is. find comfort in the unknown. in my opinion, that is the first thing needed in detachment. the letting go & elimination of overthinking how something works & just allowing it to work within time.
⋅˚₊‧ ୨୧ ‧₊˚.
♡ “ill shift & things will be better. ill be happy, ill accomplish this. ill be better.”
your reality is a mirror of your thoughts & internal world. if you’re someone who thinks “this world is awful” you will subconsciously search for things that affirm those beliefs. i saw this example before & i think it really drives this thought home. if you see yourself in the mirror & notice your lipstick got on your teeth, you’re going to wipe it off your teeth. meaning, the mirror didn’t change. you did.
looking for external validation may unintentionally self-sabotage because you are not in the feeling of having it. you are searching for it which is you reminding yourself you do not have it yet.
don’t put off your happiness. allow yourself to feel everything you’re expecting in your dr at this moment. neville goddard once suggested the practice of living your life & imagine what it would be like if you had your desire. continue your imagination with the mindset that you’ve already shifted / manifested / achieved everything you’ve ever wanted until it shows in the 3d, when you are in full alignment. you are focusing on your desire, thus you will recognize it more & watch it show itself in your exterior. the 3d is a mirror to the mind.
⋅˚₊‧ ୨୧ ‧₊˚.
♡ so how do we detach ?
there is no step by step, how to guide. in its simplest terms detaching is accepting & not obsessing over an outcome (when it comes, how you will achieve it) because you know it’s yours already. detaching doesn’t mean not caring or not thinking about our manifestations or —in this case— our desired realities. it means not overthinking your desires.
detaching is ultimately trusting yourself & the universe. that everything will work out in your favor no matter what.
you must change yourself before anything else. once the concept of self is changed, everything else in your life will follow. you decide what you are worthy of. you decide what life you want to live. you are the only one who can truly define yourself. every one else, every other person you have come across, only has their assumption & interpretation of you.
⋅˚₊‧ ୨୧ ‧₊˚.
i want to take a moment to speak about timing. there is no set time your manifestation will come. everyone attracts at different rates. it takes some people days to shift for the first time, it takes others months and some it can take years. patience & persistence is vital in manifesting.
example. some people are able to solve math problems really fast & get every answer correct on exam. while others need more time to preform at the same rate as the students who are able to complete their work faster. the quality of the work is the same. vs if the person who needed more time on math exams rushed through every single problem resulting in getting the answers wrong. everyone goes at their own pace & that’s okay.
a second example. let’s say your baking a cake. you put in all the ingredients correctly, you have to correct sized pan. but when it comes to baking it — let’s say 45 minutes — you keep opening the oven door to check on it every minute. it’ll never cook. you have to give things time & the seeds you’ve planted time to grow.
⋅˚₊‧ ୨୧ ‧₊˚.
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itsabouttimex2 · 2 days
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I just had a thought about your Taken Abroad story, what is demon child reader depicted like in the Journey To The West Story in LMK modern times? Like what would their reputation be?
I have a feeling that a certain Monke would be keeping them safe at Flower Fruit Mountain after he “vanished” (and probably longer before tbh)
I like to think that historical reviews of Y/N’s character are rather… divided. It’s agreed that Sun Wukong, for example, is an analogy for the human mind, creative, powerful, but utterly uncontrollable all the same.
It’s a little more complex for the child.
Some people think of Y/N’s journey as a metaphor for the human capacity to heal- they’re taken as a child from a barbed forest full of monsters and brought to civilization, taught to live and love and be better. The road is hellish and paved with difficulties, but things can get better. People argue that the shift from wild to tame represents the mending of trauma.
Those who disagree might say that, no, Y/N is a historical representation for adoption. They get pulled from an “awful, dangerous” home and put with a doting band of “brothers, and even a father” and gets raised properly by those who actually care about them, not just surrounded by mindless tromping monsters. (Which are interpreted as callous and uncaring parents.)
Others still view the demon child as an analogy for humanity’s ancient affinity for animals and their constant meddling with the lives of fauna. So many of Y/N’s chapters and passages in the book are dedicated to them sympathizing with caged beasts and freeing them, or getting into trouble to save an animal in need.
I like to think that they’re worshipped as a minor deity of animals and beasts, statues displayed prominently at zoos and sanctuaries. In some places, it’s customary to give those statues a pat on the head to bless yourself with good luck and a kind day.
I like to the think that by the present day, Y/N is still only a teenager. They hole up with Wukong and tend to the mountain with him, occasionally heading back to the Emerald Grove to ward off any loggers and poachers- non-lethally, this time.
But mostly…
“Playing something fun?,” the Great Sage asks, ruffling your hair as he leans over your shoulder. “You’ve had that game set aside for a while now, bud.”
“I was saving it for a week like this.” Is your placid return, laying on your back with a veritable storm of monkeys cuddling up to you. Each one is cozily sleeping, sucking up all the warmth they can from your resting form. “Rain’s not gonna clear up for a while.”
“Aww. Is it one of your ‘making friends with monsters’ games, huh?”
“Can it, Wukong… but yeah, it is.”
“Don’t ever change, kiddo. Also, scoot over.”
And then “Brother Wukong” is squishing in beside you, the monkeys shifting their heated puddle to accommodate their beloved king. It leaves you both of you trapped in a storm of fluffy white fur.
“Tell me about your little game,” he says, inviting you to infodump your way through another bleary rainstorm.
For now… things are good. Maybe not always, but at least for today.
And you’re happy.
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bobfloydsbabe · 1 year
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Petition for people on dating apps to actually read the bio/answers/general info. I don’t want kids, so if you do, don’t try to match with me. I’m not going to change my mind.
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phoenixonwheels · 8 months
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Being able to take new information on board and change your mind is such a hugely important skill. I feel like we’re in a place where way too many people stick with something because they’ve already done it or said it or decided it and they’re not open to new information that might change their minds.
You’re never going to unlearn the racism and homophobia and transphobia and ableism and sexism you were raised with if you won’t listen and learn new things.
Props to everyone who is doing the hard work. It’s not always easy but it’s so so worth it.
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unfinishedslurs · 11 months
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do u love the colors of the comphet
When it’s over, when Henry Creel is dead and dust and they’ve emerged battered and triumphant. When she and Jonathan have ended things. When there is no more fighting to be done, she and Steve give it another go. 
She knows he’s going to ask the same way she knew in ‘83. There’s no waiting this time, no need to wonder if Jonathan might want her too. They gave it the old college try (He lied to her. He was lying to her for months, and she knew something was wrong before that. She thought they could work it out. She’s so fucking sick of lying to herself being lied to). 
He asks with wide, hopeful eyes, running a nervous hand through his hair. He doesn’t have anything to be nervous about. She made up her mind before he even asked. 
She can do it right this time. She can love this boy the way she wants to. The way he wants her to. They’ve both grown in the years since. She’s going to do this right. 
That’s the mantra she keeps in her head when he picks her up and spins her. I can do this. 
She can’t do this. 
It’s somehow the same and different from when they dated the first time. They’re going through the same motions, but there’s something lacking. They’re both older, more jaded. They’re not kids anymore, and it shows. 
They rarely kiss. He hesitates now in a way he didn’t before. Sex is something they don’t bring up at all. Eddie makes a crude joke once, something or other about what Nancy is like in bed, and she and Steve make eye contact. There’s something there, something like mutual understanding, before Robin smacks Eddie upside the back of the head and the moment breaks. She keeps thinking about it long after. Whatever it is that they shared, they don’t talk about it. 
Maybe they’re lying to themselves, both of them. Puppets going through the motions, too stubborn to admit they’re play acting as real people. Still, she can’t give this up. She can’t make the same mistakes all over again. 
Robin corners her two months into the relationship. Part of Nancy is surprised it took her this long. The rest of her is angry she brings it up at all. 
Saying she’s cornered might be doing her a disservice. They’re having a sleepover, painting their nails and talking about boys. Everything a girl is supposed to do. Except Robin is awkward and fumbling, and every name she brings up sounds like a question. Nancy only has Steve to talk about, and barely talks about him at all. 
Finally Robin sighs and puts down the nail polish. “I feel like this subject is making us both miserable,” she declares. “I don’t want to talk about boys, I was just doing it because I thought that’s what you’re supposed to do at girl sleepovers. I haven’t actually been to a sleepover since I was in middle school and the other girls decided I was weird, but I’m pretty sure the point is to have fun. This is not fun. This is agonizing. We should talk about something else.”
“Steve isn’t making me miserable!” She snaps, before realizing she sounds way too defensive. 
Robin peers at her. “Yeah, see, that’s not what I said. That’s not even a little bit close to what I said. Maybe we should talk about this instead. What’s the deal with you and Steve?”
“What deal? There’s no deal.” She turns around and rummages through the nail polish selection. Robin doesn’t exactly have a variety. Her options are red, dark red, and black. She chooses the brighter red with the absent thought that the black would look good on Robin, with her long fingers and dark eyeliner. Then she banishes that thought away. 
“There’s definitely some kind of deal.”
“There isn’t.”
“Nance.” 
She can’t help but turn around then, drawn in by the tone of her voice. There’s a glass wall inside of her, and someone is pounding on it, trying to get out. She wants Robin to see it. She wants someone to see behind the glass. There’s something in her trying to get out. 
“Nancy,” she says again, eyes searing into her soul, “are you happy?”
She smiles, fake and fixed on her face. The glass stays firmly in place.  “Of course I am,” she replies. “Why wouldn’t I be?”
The next time Robin wants to hang out, she’s busy with college preparations. 
It’s not just Robin. She thinks everyone can tell something’s wrong with her. Eddie gives her these looks every time she and Steve are in front of him, like he’s putting together a puzzle. Her mom keeps trying to talk to her. Jonathan keeps trying to talk to her. 
They know, she thinks wildly, every time. She doesn’t know what it is they know. She doesn’t want to find out. 
She avoids them all. 
When she and Steve go to dinner, the waitress captivates her. 
Long, dark hair in braids. Long fingers tapping against the notepad. Dark eyes in a dark face. She’s always loved brown eyes. Nancy has never been one to be jealous of other girls (lie, lie, lie), but suddenly heat floods her body. She wants to be as gorgeous as this woman. She wants her full lips, popping gum. She wants the woman’s swaying hips as she turns and leaves their table. She wants— she wants—
She tears her gaze away to find Steve already looking at her. 
The heat is dosed by the ice that fills her veins. All her senses go on high alert until she realizes he’s actually staring past her. She turns around to see the bartender. He’s handsome, she thinks, tall with tan skin and brown hair carefully styled. He’s talking to a customer, teeth shining as he laughs. 
When she turns back, Steve has firmly fixed his eyes on her. She could almost believe he’d never been staring at the bartender at all. 
There’s something there. Something just out of reach, something she could put a finger out and touch if she were braver. She doesn’t. There’s no gun in her hand here, no adrenaline to keep her going after it all falls apart. 
“What did your dumb boyfriend do this time?” Mike demands, storming in her room. Nancy has half a mind to yell at him to knock first before she registers his words. 
“Steve is- Steve is fine,” she says, startled. “He’s great, actually. Nothings wrong.“
“Then why are you so miserable all the time?” Mike accuses. 
“I am not miserable!”
“You are! You both are, and neither of you will tell anyone what’s wrong, or why-“
“I don’t know why!” She shrieks. Mike falls silent, eyes wide, and Nancy suddenly realizes she’s crying. 
“I don’t know why,” she repeats. “Everything is fine. He’s like, the perfect fucking boyfriend. It’s me, I’m the problem. There’s something wrong with me. There’s a beautiful boy who loves me, and I’m- I’m trying. I’m trying so hard to love him back, but I can’t. I can’t. There’s something wrong with me.” She’s desperate now, wiping away tears as she curls into a ball. She feels pathetic, crying in front of her little brother. She’s the oldest, she should be keeping it together, she shouldn’t let him see her like this. But she can’t help it. There’s something in her screaming to get out. 
Mike, with all the grace and bewilderment of a newborn deer, gingerly pats her shoulder. 
“Have you…talked to Steve about it?”
She gives him a cutting look. It’s probably not as effective as she wants it to be, with her red eyes and tear streaked face. Mike holds his hands up. 
“I’m just saying! He’s your boyfriend, you should talk to him. And if you don’t want him to be your boyfriend, you should really talk to him.”
“I want him to be my boyfriend, I just need to get past whatever this is—“
“Nancy,” Mike says. “It’s not just you. He’s miserable too.”
“Because of me. I just need to—“
Mike shakes his head. “I don’t think it is. If it were because of you, he’d be acting different. More…kicked puppy, or whatever. He’s just being weird,  and won’t tell anyone why. Dustin said he asked Robin, and she doesn’t even know.”
Nancy doesn’t have anything to say to that. 
“I think you need to talk to him,” he says again. “I think you need to talk to each other.”
“When did you get so smart?” She asks, instead of crying again. 
“I’ve always been smarter than you.”
She kicks him for that blatant lie.
“Are we holding onto a dead thing?” She asks out loud. 
He rolls over and looks at her. She’s worried she’s hurt his feelings, broken his heart again, killed any chance they have at a relationship, romantic or not. Then he snorts. 
“Robin got to you too, huh?” He asks, flopping back onto his back to look up at the sky. 
“Mike, actually.”
“Mike? That shithead? What does he know about relationship problems?”
“Are we having relationship problems?”
“I mean,” he says, wry twist to his mouth, “we haven’t had any arguments.”
“Nope.”
“Or general drama.”
“That might be debatable.”
“There’s no need to spice up our sex life.”
She snacks him for that one, and he laughs. She props herself up to look him in the eye. His face is more open than she’s seen it the entire time they’ve been dating. 
“I think you have to be in a relationship to have ‘relationship problems,’” she tells him. “Are we in a relationship?”
He visibly considers this. “I mean, I asked you out, and you said yes. And we never broke up.”
“We haven’t kissed in at least two weeks.”
“Did you want to?”
She takes a moment to think about it. “Not really,” she admits, and his face splits into a grin. 
“Not that you’re not still wonderful, Nancy Wheeler,” he says, teeth shining, “but I don’t think I want to kiss you either. Isn’t that weird?”
When they dated in high school, it was like he couldn’t stand being away from her. He spent every moment he could kissing her, wherever he could. Sometimes it felt almost like a performance he put on for the people around them, lifting her up and spinning her just so everyone would know how in love they were. It was stifling at times, feeling like something to prove. Still, it was how he was, so in love he could burst with it. 
Now, she wonders if it was always a performance. Maybe they’ve both been on a stage, and neither of them noticed the lights blinding them until now. 
“It is a little weird,” she says finally.
“Right?!”
He holds out a hand to shake, the other one firmly in his pocket. God, she wishes she could love him. “Good go, eh Wheeler?” He asks, smile crooked and shaky. 
She snorts. “We made ourselves and everyone around us miserable,” she points out. But she takes his hand. 
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cats-in-the-clouds · 1 year
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it’s all been said before but the whole pronouns thing for some people is getting so ridiculous it’s honestly just sad
#just saw a TIF post ‘i’ve decided that in addition to he/they i am now interested in ‘he/they/she. but just as a spicy little extra#only on rare occasion for fun. but please don’t ONLY use she/her for me if you use that please switch it up from time to time!’#like girl can’t you see how meaningless this all is. it’s a consumerist hobby to you it’s a game of playing with masks for fun#it’s literally just about playing pretend and getting excited when your friends play along. it’s a bit#but actors get uncomfortable when the topic lingers on the truth for too long. they’re cool with dancing around it sometimes#but they don’t like being unmasked openly because they don’t like their true selves they like having a persona#this whole trans thing is so insanely dangerous people are straight up encouraging personality disorder type behavior#or like. when people who ‘use multiple pronoun sets’ post stuff like ‘i wish people would actually bother to switch it up sometimes#or use he or she instead of always just they :/‘ like yeah people are avoiding saying anything real because they’re afraid of upsetting you#and catching you on a bad day where that’s not right#or like. they’d prefer a consistent approach to language at the very least instead of fulfilling your ever-changing fantasies#because you can’t make up your mind because you always need more and more attention and can’t just be satisfied with yourself#literally i can remember my own experience with this thing wasn’t ‘maybe i’m actually not a girl’ (this is almost never it)#it was ‘maybe it would be fun to go she/they and put a non-binary flag in my icon and reblog all these cool posts about being trans’#’it looks like it would be a lot of fun to get in on this cool thing and be someone special and have a secret identity in real life’#it is so much fun to play pretend. and it is so damaging to act like these intrusive thoughts actually mean anything about your gender#bc when you spend too much time on the internet and start entertaining the idea of being someone else#it starts to feel weird when people irl refer to you as who you are with all relevant gendered language#dysphoria is being manufactured by overthinking about things while having ideas flow into your mind by a constant social media stream#for a whole generation of people online it is almost never an actual natural thing
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majoringinsarcasm · 1 month
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Ok now under a read more but here’s major’s thoughts on bodies and shit
So I came across someone who is in the process of de–transitioning on Instagram, which made me wary at first because. You know. But it’s really refreshing to just see One Person instead of a static used against people. To hear one singular real person talk about their journey which people in the comments said was akin to a different kind of transition. And how media does not do them justice.
It takes a lot of courage to come out as trans. To figure out so much on your own and then be faced with such hatred and doubt and riddle. To find who you are in the fire and hope you come out alive on the other side.
It takes a lot of courage to say “I actually don’t like this change I’ve made” after however long of talking about it and being on hormones or even having regret with surgery. It’s framed as a reason to keep trans people locked down but that’s not fair. To be unhappy with your identity and to want to change despite how you might’ve felt before. To maybe have overshot where you wanted to be and needing to find a middle ground. To search for your identity in the rubble of what you thought you wanted and trying to find all the pieces.
Being trans is not evil. Detransitioning / transition remix is not evil. Whats evil is using people’s very vulnerable emotions and thoughtfulness of their OWN BODY as a weapon against a community while also MOTHER caring about “this important group that sheds light on the truth of transitioning” outside of using them as a platform to step on.
Had they not detransitioned they’d be back on the chopping block. If they weren’t vocal about their regret and were causal about it they’d be poster children for “getting un-needed surgery like it’s a game”
There are people who have detransitioned who are not kind to the trans community and that sucks. But there’s trans people who aren’t kind to other trans people either. It’s bad because those people are being used for a hateful agenda and people don’t actually care about their journey or lives outside of how it can be weaponized. And it must suck to want to talk about your regrets and changes and how you’re gonna move forward and your words always being used as a gotcha and not what it truly is which is your personal experience
Anyway it was really good for me to see. The media won’t show you allies when talking about those who detransitioned and we have to remember that it’s done like that on Purpose
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samuraisharkie · 6 months
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I don’t think I’m going to be able to convince my parents that Palestine is the victim. My Dad is so aggressively for them every since he heard the propaganda about Hamas “killing thousands of children”, and nothing I could say sounded like it was getting through. He’s a republican so i guess it was kind of fucked from the start. It fucking sucks I had to go to a doctor’s appointment and the tv in the waiting room was just. full blown Israeli propaganda and support and when I tried to ease into a discussion he started acting like I was being tricked and brainwashed and that he was the only one who knew how to find correct sources (his source is Fox News so. and he doesn’t believe in researching both sides, he pretends he does but he doesn’t) I had to leave bc I got called in and pretend I wasn’t shaking with rage and fear. It’s terrifying to see what my Dad has become in recent years. He falls for it every time there’s a “rage bait” propaganda bc he gets so mad he refuses to even entertain that it’s not true. He also refuses to entertain that he could be wrong about anything he believes. It’s fucking mortifying to witness all of this and then watch my family align themselves with such fucking abhorrent evil people. colonizers naturally align with colonizers I guess. I wish I could show them how wrong they are and peel the film off their eyes. I wish I could do something more to make up for their heartless, callous cruelty.
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saetoru · 6 months
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✩ ‧₊˚ ✩ my life with you (that’s way over now)
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synopsis. some people get drunk calls from their exes, maybe even flowers with hand written apologies. you get a knock on your front door with two random kids and a murder case
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length. 3.0k words (once more it was supposed to be short)
contents. exes to lovers, ex boyfriend! suguru, gn! reader, slightly deviated from canon (he doesn’t kill the entire village + doesn’t defect), slightly a fix-it fic, blood, murder, child abuse + neglect (canon events with suguru and the twins), angst to slight fluff with hopeful ending (pretty much happy tbh), mentions of family + kids, suguru pretty much being a broke and depressed lil guy lollll
notes. idk what this is but it was written for me i just wanted to write it so here. take it and look away
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right before you graduate, you and suguru break up. you don’t want to, but he insists it’s only fair—he can hardly be there for you the way you need him to be, he says. something’s changed in him, it has since that day last year. but still—you don’t want to break up.
so you argue, he stays firm, you cry, he doesn’t change his mind, you break up, he leaves, and the world momentarily collapses.
it’s the way things work, you suppose. they don’t quite always go the way you planned. you graduate not long after that, leaving him behind to throw yourself into work while you toe into the baby steps of adulthood. real adulthood—the jujutsu world has a way of thrusting you into that faster than normal, anyway.
by the time it’s late summer, you get your first apartment. it’s a rundown place—the bathroom tiles look dirty no matter how much you scrub, the walls haven’t been repainted in what seems like decades, and the thermostat never works properly to feel like what the temperature indicates.
but it’s yours—you leave jujutsu high fresh into the real world, paying your taxes and buying your groceries all while you exorcise curses for a living. barely an adult, barely getting by, barely alive as you get up each day and live.
and then suguru comes knocking on your door half past midnight.
“hey,” he says nonchalantly, like there’s nothing wrong with standing there—but you know him better than that. you can hear that detachment in his voice as he stares between your eyes, but not quite in them.
“you—” you start, staring at him incredulously before you decide to give up. there are no surprises with suguru, not anymore you suppose. you don’t really know him anymore. “suguru, it’s midnight,” you sigh—and that’s when you see them: two small children that can’t be much older than five.
bruises are clear as day on their arms, even while standing in the darkness outside. there’s also the slight swollen curve of their eyes, and you can’t help but notice how they’re practically skin and bone. children who have probably not yet even lived for five winters, and you almost wonder if they’ve been through more than you have in you’re entire lifetime.
suguru clears his throat before you can stare at them any longer.
“this is nanako,” he gestures at the blonde, “and this is mimiko.” the brunette one seems more shy, curls behind his leg further as her name is uttered.
you don’t know what to say, so you settle for smiling—you’re not sure if it comes out too genuine, but you try. it’s all you can offer, really.
“hello,” you hum for a moment. and then you turn back to suguru, “it’s midnight.”
“i know.”
“you should be at school grounds.”
“i know.”
“suguru,” you sigh, eyeing the blood stained on his cheek. you don’t like where this is heading. there’s a sick feeling twisting in your gut, bubbling, bubbling, bubbling.
bile. you can taste it. something’s not right.
“where did you find these kids?”
“on a mission,” he says simply, “village heads were keepin’ em locked in a cage like animals. can you believe it?”
again, that casual tone. it almost as easy as humming your favorite tune, as smooth as your skin on freshly washed sheets, as quiet as the first day of snow when the world is still. but something about it is hollow—something’s not right.
“why’d you bring them here? instead of school? shoko should look at them—”
“i told them they’d be safe here.”
they’d be safe anywhere, you think. as long as suguru’s there too. as long they’re under his watchful gaze, nothing could hope to beat down on their youth like it already has their whole lives. but you don’t say that—something tells you he won’t believe you.
maybe not right now.
you don’t look at him. you can’t. something’s not right, but there are children present. so you throw on your best smile and open the door wider, offering them to come in.
your apartment is small, just one bedroom and one bath. there’s hardly enough food for yourself for tonight, you still have to go grocery shopping this week. the missions were lined up back to back to back—but that’s just life as a sorcerer, you suppose. most days you hardly have the energy to eat more than a few apple slices when you return home anyway.
you wave your hand at your place dramatically as you say, “come on in, ladies. your humble abode awaits.”
they giggle slightly at that—it’s the first time suguru hears them laugh. you have that effect, he knew you would. it’s why he brings them here and not there. and…well, there’s a more complicated issue at hand. but that’s for later.
right now…well, for right now, he lets you guide them to the bathroom.
“you have money on you right?” you ask. he blinks, staring at you for a moment before slowly shaking his head.
“spent the last of it on cigarettes this morning.”
great, you think, before sighing and trudging over to grab your wallet as you press a few crisp bills of cash in his hands.
“here.”
“what’s this for?” he raises a brow.
“go buy them clothes,” you look at him like he’s stupid. he might be, in all honesty. just a little. “i’m not putting them back in…those once they’re all cleaned.”
“wha—i’ve never shopped for children before,” he gapes, “and i don’t know what size they are, or—”
“figure it out, suguru,” you say tiredly. it’s half past midnight—by now, you’d be passed out from your mission. he seems to take the hint. “and bring some snacks too. should be enough.”
“fine,” he grumbles—and then he’s walking out the door.
for a second, it feels familiar watching him leave. but then you decide not to dwell on it—there are much more important matters at hand.
you turn to the two girls before crouching in front of them with a gentle smile, “who’s ready for bubbles?”
——————
nanako and mimiko have never had a bubble bath before. you decide to let them taste the first tendrils of youth by splashing in your tiny bathtub while you find suguru for some much needed answers.
he sits on your couch, shirt wrinkled and hair falling loose and blood still staining his cheek as he hunches over his legs, elbows resting on his thighs as he thinks. and thinks. and thinks and thinks and thinks.
you wonder about what—what could be plaguing his mind? a lot you’re sure, but this isn’t suguru. not the one you know, at least.
the one you knew, the voice in your mind hisses—do you really even know him at all anymore?
“so,” you sit on the opposite side of the sofa, curling your legs under yourself as you eye him from the side, “care to explain?”
“i killed them,” he mutters. you go still. “the village heads. i did it without hesitating. that’s bad, right?”
“well fuck, suguru,” you breathe, restless, “that’s certainly not good.”
“i had a reason,” he argues, “all i needed was one.”
“there’s nothing that excuses murder—”
“oh, but we can excuse locking kids in cages, is that right? why? cause they’re sorcerers? they’re not—they’re children.”
“i didn’t say that,” you rub your forehead. this is all too much. too, too much.
being a sorcerer is too much. being in front of suguru is too much.
you finish your third year with a broken heart and graduate in spring—at one point you’d hoped graduating wouldn’t change anything between you and your friends, between you and the boy you loved. everything would be the same, even if you’d leave the place that held you all together—you’d still find a way back to each other, you liked to think. but then it all changes before you can even comprehend.
haibara is dead. nanami is hardly coping. gojo is everywhere but here. shoko is in high demand. suguru is hardly present even when he’s right in front of you. nothing is the same and you don’t think it ever will be. you lose the one thing you count on being yours forever, and now, he’s right here again. but not really here—not with you so much as near you.
suguru has killed people, sitting on your couch with you while the two children he finds are bathing happily in your bathtub.
there’s some irony in that—maybe in a perfect world, suguru and you would sit on the couch, much happier than right now, though. maybe you’d be tucked under his arm and curled into his side as you both chuckle at the happy squeals in the distance. maybe in a perfect world.
but this world is cruel. too cruel, in fact. it forces children to grow up too fast during some times and lets adults continue to be children during others. it’s sickening and all too much.
but this is the world you live in. there’s not much to change in that—not much you can change. maybe sitting on the couch with suguru is what you should be grateful for, whether it’s in this world or another.
“i came here because it’s safe,” he mumbles, quieter this time, “i don’t…i didn’t trust anywhere else.”
something tells you he’s not talking about the kids. you look at him for the first time that night—really look at him. you take in the lost weight, the sunken cheekbones and the bruised under eyes from the lack of sleep. the cracked lips from being chapped and the dry hair that’s lost its normal shine.
something’s not right—you won’t be able to mend it, but you think you can keep it from getting worse.
“it is safe here,” you murmur, nodding in assurance, “but you can’t…i can’t let you do that. not again.”
“what? kill people?” he snorts in dry amusement. it’s quiet for a bit—you open your mouth a few times like you want to say something, but nothing ever comes. he finally decides to fill the silence. “i don’t know what’s right and what’s wrong anymore. people shouldn’t kill. but some people shouldn’t live.”
“i think jujutsu is supposed to save people. not everyone will deserve it, but i suppose we wouldn’t be much better than them if we used it for anything other than that,” you whisper. he looks over at you at that, peers at you deep in thought as he contemplates your words.
“that’s funny,” he chuckles, “i used to think that too.”
“what changed?”
“everything.”
“then change it some more,” you shrug, “until you think it again.” he looks at you incredulously at that, eyeing you like you’re crazy.
“you’re an idiot,” he scoffs.
“says the killer,” you scoff back. you look at him this time, in the eyes and full of conviction, full of promises you couldn’t make before but fully intend to keep now. “don’t kill anyone else and i’ll help you. with those kids, i mean.”
“you want to co parent with me?” he chuckles.
co parent—the word makes your stomach twist. even after all this time, after all the hurt and pain, suguru is easy to imagine that with. he’s easy to imagine anything in the future with, really. he’s always been perfect like that, but you’re starting to realize there’s a lot more imperfections to him than you initially thought.
but it’s okay, you think. if you didn’t stop loving him before, you certainly don’t stop now. blood on his hands or not, he’s yours—even if he doesn’t want to be.
“don’t say it like that,” you murmur softly, hugging your arms around yourself, “please.”
you let yourself be vulnerable for just a moment—not because you want to, but because he needs to know. he needs to know how unfair he’s being and how patient you are with him despite it all. you deserve that much.
“sorry,” he mutters—he has the decency to look away and drop his smile.
“you don’t kill anyone, and i’ll look for a bigger place. deal?”
“for us…all?”
“yes. just until you figure it out, i’ll help you out with them. and then you’ll responsibly use your paycheck as a full time special grade sorcerer and maybe send a few checks my way to say thanks to my good will.”
he chuckles at that, shaking his head. “i’ll repay you,” he hums, tapping his foot. he does that when he’s nervous, you still remember—you could never forget anything about him. “i…i owe you, anyway.”
it’s quiet some more. you don’t know what to say, and quite frankly, you don’t want to say anything at all. but once more, he fills the silence for you after a while.
“what if…” he starts, “what if i want to co parent with you?”
“you dumped me,” you point out, unable to hide the bitterness any longer. it cracks from your tongue through your words like honey that went dry. “remember that? cause i sure remember.”
you’re an adult now, just barely, but an adult all the same. you should handle this the mature way—but you’re still young. still hurt. still blanketed in the fresh wave of nostalgia that leaves you aching with grief.
so you let yourself be bitter. suguru can handle that much after he left you to pick up your shattered pieces.
“i didn’t want to,” he says quietly. “i never wanted to.”
“but you did.”
“i didn’t…you didn’t deserve to see me unstable.”
“you’re not very stable right now either,” you pinch your nose tiredly, “you killed people, suguru. but somehow you can manage to have two kids now. but not me.”
“they need me,” he defends.
“i needed you too,” your voice cracks.
you did. you needed him—and you like to think he needed you too. maybe it wasn’t perfect, nothing ever is, especially not when you fight curses and see their ugliness every day. but that’s the best part of having each other—having something pretty amidst the hideousness.
he left you with more ugly than you knew what to do with. it’s unfair, you think for a moment, unfair that two girls who hardly know him at all have more of him than you ever did. he’d never abandon them—that much you know for sure.
you’ve laughed with him, held him and wiped his tears and kissed him under the moon until it became the sun. you’ve seen him with his hair down and his guard lowered. you’ve seen him in every way possible but in the end, he walked away.
they’ve seen him for less than a day and somehow, he’ll be there forever. there’s something unfair about that and you hate that you’re bitter with children but the world in cruel like that.
suguru slowly inches over—it’s cautious at first, and then he fills the gap all at once. you pretend you don’t feel the way your thighs touch.
“i need you too,” he admits, voice small. there’s a small, shaky crack that eats away at your heart, trying to gnaw into the raw part. the easy to reach part. the part you shouldn’t let him see anymore. “i…i always needed you. i’m sorry.”
“we were supposed to need each other,” you sniffle.
“we do,” he slowly slumps his head onto your shoulder. you let him stay there—don’t dare move a muscle in case he pulls away. “you’re the only thing that keeps me stable. i don’t think that’s fair.”
“needing someone isn’t unfair, suguru,” you scoff.
“okay,” he grabs your hand, squeezing. for the first time, he lets it all go. lets tears slowly slip from the corners of his eyes as he slumps into your side. he cries for riko. for kuroi. for satoru and the time he lost him for a moment. for their youth. for haibara. for not being enough even when he shouldn’t have had to be. somewhere amidst all that, your arms wrap around him and he’s pulled into your chest—that familiar feeling of your fingers threading into his hair makes the world start spinning again. “i need you,” he chokes.
“okay,” you say shakily, nodding slowly as you let yourself hope, “as long as you don’t stop this time.”
he buries his face into your chest, and you kiss the crown of his head.
cruelty is an unstoppable force. your love for suguru is an immovable object. neither is going anywhere, but perhaps they can coexist.
“satoru’s gonna have a massive headache when he explains this one to the higher ups,” you snort after a while.
he laughs into your shirt, real for the first time in a long time. “i’ll buy him something sweet. should make up for it,” he hums. and then he looks up, smiles innocently as he asks, “wanna lend me some cash? i’ll pay you back when i’m a responsible handler of money.”
“you’re hopeless,” you chuckle, “but at least you’re here.”
————— BONUS —————
“okay,” satoru starts, holding his hands up in surrender as he stands before the higher ups. damn old geezers, he thinks. “so he did kill a person or two…but—”
“there is no excuse,” a voice hisses.
“he didn’t mean it,” he huffs indignantly, “it was an accident. those can happen sometimes.”
“what—”
“he’s going through a phase, okay? let him work through it, he’ll be fine.”
“that’s not—”
“i’ll let him off the hook this time,” satoru grins, pushing his glasses up his nose as he shrugs, “he’s got a family now, y’know? kids and a spouse, and they’re looking for a home. can’t take that away from them.”
“he’s not even married—”
“it’ll happen eventually,” he insists, “so let’s all just calm down, yeah? great, thanks!”
“gojo—”
“see ya!”
he walks out, flashing an obnoxious peace sign at the higher ups as they hiss at him to return as he’s walking out. that takes care of that, he thinks, as long as suguru doesn’t make his life harder and kill more people, he can handle it—you did promise him kikufuku if he does.
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satoru is babygirl defender no. 1 ain’t nobody doing it like my guy 🤞🏽 he would be loyal to you while you were in jail no doubts
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raeathnos · 11 months
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#also! finally getting my tubes out 😁#after being told no by two doctors#just waiting for them to call to schedule it#I’m like so fucking relieved#I have never wanted kids at any point in my life and I’m trying to be responsible and get rid of the chance of that ever happening#and every doctor is just ‘I know you’ve never wanted kids and have a medical condition that makes pregnancy very dangerous but…’#like I’m not changing my mind! ever! and then it’s always ‘oh what about your husband?’#he doesn’t want them either and I made it very clear when we were dating that wanting kids was a deal breaker for me#like omg#this doctor is so chill she’s just like hell yeah when you wanna do it?#no questions asked no trying to guilt me about it#was great#also she’s being rad and gonna remove any endometriosis she finds while she’s digging around in there#so yay less pain in general#gotta make the appointment still- I’m waiting for them to call- and I gonna do it after summer so I can swim#but fucking relief#it’s scary having a uterus with roe v wade gone#I’m in a purple state 🙃 trying to move to a blue#I have this fear that now that abortion is no longer protected they’re gonna attack birth control next#and I feel like it’s not a stretch to think they might go after having your tubes removed too#another friend already got it done cause she was worried about the same thing#times are scary#trying to take control of the situation before things get any worse#I’ve heard some insurances in florida aren’t covering bc because that counts as ‘gender affirming care’ even if the person is cis#which fucking scary#which is why I’m doing this now rather than waiting for things to get worse
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azullumi · 11 months
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“his habits during it” ; genshin men
warning — nsfw content ahead but nothing that graphic or explicit (seriously i tried my best to not even mention the word sex and the genitals)
summary — there’s one thing he loves to do whenever the two of you get in bed together.
characters — diluc, kazuha, ayato, kaveh, alhaitham, tighnari, cyno, zhongli, and wanderer (w/gender-neutral reader) ; no specified anatomy nor even mentioned parts
tags — kind of fluff, nsfw, not proof-read (wrote this while i was irritated and needed something to pour my attention to) ; headcanons
words — 1265
note — hey siri, how do you say they’re fucking without saying they’re fucking
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handholding
DILUC — (i have already said this before) diluc likes, no, he loves the intimacy the simple act of holding one’s hand has even when two of you are just walking together side by side or when his skin is pressed against yours, lips colliding against one another, and he’s whispering words of affection to your ears—a mere distraction and a sense of comfort, grounding you and keeping you with him. it’s just that effortless gesture of intertwining his hand with yours, locking fingers, as he indulges in the way you feel around him. he squeezes your hand in the middle of it all and oh, how he melts so much when you also squeeze his own in return. he could never tell you how much you make him so soft and weak with just the slightest hold.
eye contact
KAZUHA — “don’t look away now,” he coos at you, seeing how you shy yourself and avert your gaze away from him which he obviously didn’t like. he likes seeing you coming undone while you try to remain eye contact with him—it pleases him seeing your features contort into into what you are currently feeling—, likes teasing you every time you try to look away from him and hide your expression, likes saying such remarks that gets you embarrassed most times just so he could see and watch the change of your expressions every single time. he just loves looking at you, adoring you with his eyes, especially more so when you also do the same and keep contact, gaze nailed on each other.
praises and talking dirty
AYATO — he’s a talker, both outside the matters in the bedroom and inside the sheets, so it’s no wonder that he always shower you with praises in every chance that he gets even if you’re not in the right mind to respond or even comprehend what he’s saying. he conveys most of his affections through the words that falls out of his lips, finding it so easy to say such things and teasing you with it, he can’t help it, can he? how could he not when you look so pretty—not only outside the bedroom—or beautiful, or handsome, or lovely, or anything that he could think of right at that moment when he sees you naked? Even if he had held and seen you with nothing to cover your skin so many times, he still gets mesmerized by the sight of you like it was his first time.
playing with your hair
KAVEH — he plays with it, he tugs on it, pulls on it, and everything. and though it gives him some sense of control especially when he pulls on it, it also grounds him and helps him realize the affection and love being shared between you two in this intimate moment. sometimes he only dances his fingers on your head, treating you softly and tenderly with the delicate hold of his hand on your hair, which could often provide a huge contrast to what he’s actually doing, the rough treatment he’s giving you which makes you roll your eyes and see spots in your vision. “you look so pretty like this, my love,” he would say before tugging your hair back to take a good look at your face or to tilt your head in a way that gives him more access to your neck.
lots of kisses
TIGHNARI — gently laying you down the bed? kisses you while doing so. sliding your clothes off your body? presses his lips against yours before trailing down, tracing your jaw, his mouth making its way down your neck, and resting on your collarbone. asking you consent? he kisses you before he speaks. he presses gentle kisses of adoration all over you as he pushes himself into you, your bodies becoming one in the process, providing comfort and easing you as he could feel your nails digging deep into his skin and possibly, leaving marks and wounds but he didn’t mind. his fondness and desire murmuring into you, helping you breath and regain yourself. it was clear that his way of affection was simply just kissing you.
giving orders
CYNO — he doesn’t always take the dominant position but perhaps it was the sense of authority, the power whenever he does it. he has the habit of giving orders and commands whenever you two are spending a passionate moment and seeing you willing to follow him ignites something in him—however, if you disobey him, then that’s a different matter altogether (it’s not like he hates it however. deep in him, he likes it as it gives him the pass to do more things but with your consent, of course). you’re so vulnerable, so obedient to him and it fuels his excitement further when you follow what he says. it makes him wonder, a question pondering his head, how could he have someone like you, someone as lovely and sweet as you, so good to him?
restriction / holding your hands together
ZHONGLI — no, it is not the act of locking your fingers with his as he pushes himself into you just like diluc, this one is completely different. he has big hands, we all know that zhongli’s hands are big and one of it just enough to bind both of your wrists together—he is well-aware of that fact and abuses it. he likes seeing you struggle, tugging your hand against his but his hold wouldn’t budge, at all. although zhongli hasn't explicitly told or mentioned it, he absolutely loves the way you look so helpless and weak whenever he holds your hands together, whenever he restricts your movement. oftentimes, he would have a silk ribbon—it has to be a silk ribbon—tying you up just so he could rest his hands on your hips and hold you.
hands always touching and roaming around your body
ALHAITHAM — he just loves to feel you, in general. he loves the softness of your skin underneath the tip of his fingers as he glides his hand all across your body, the warmth of you seething into his touch and being buried in his bones, and he is obsessed on the way he could feel the sweet trembles of your body underneath his hand, could sense the small shiver when he finally touches you, and he adores it and he doesn’t hesitate in conveying his affections to you, often accompanying his caresses with his words of praises and compliments. perhaps it overwhelms you, not knowing where to focus yourself on, and he loves seeing you in such a state, pushing you more and more further to the edge with his hands and mouth alone.
biting and leaving marks
WANDERER — the line between pain and pleasure soon blurs into one as he bites into you while, and one could say it serves as a distraction but it isn’t, it’s not even close to being a distraction, it’s simply something that adds to the stimulation that you are feeling, overwhelming and effectively bringing you into some sort of space. he takes joy in the sounds that you make once he buries his neck on the curve of your neck, hard but not hard enough to draw blood; he takes pride in seeing the bruises and marks that he left on you, looking at you like you were a work of art carved and sculpted into something more than perfection with his own hands.
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© azullumi — do not plagiarize, copy, repost, nor translate any of my works.
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moonjxsung · 5 months
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Visions of You in Solitude
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Copyright Ⓒ 2023 by Moonjxsung
All rights reserved. No part of this book may be reproduced or used in any manner. Doing so will result in a legal takedown per the Digital Millennium Copyright Act and is subject to legal action.
Pairing: Hwang Hyunjin x fem reader
W/c: 26.5k
Warnings: erotic painting, mentions of masturbation, sex in a semi-public place (no one is around), breast/nipple play, dry humping, unprotected sex, creampie, oral sex (fem receiving), cum eating, use of pet names, drinking
Synopsis: You were hired to paint him- not fall for him. But intentions quickly shift when Hyunjin finds himself infatuated with you and learns the secrets you harbor.
18+. Mdni!
There’s something to be said about the loneliness that comes with being an artist. The repetitive cycle of translating tangibility to canvas or paper in whichever chosen medium. Fleeting muses you draw inspiration from, which quickly become burdensome as you’re faced with them every waking second of your day. Obsession with perfecting your craft, the anxieties that come with criticism of your life’s work and sometimes even succumbing to changing it entirely at the hands of someone else’s advice.
It’s very seldom even your craft at a certain point, only existing to satisfy the visual demands of others and turn a profit when displayed at a show. And it’s certainly not for everyone, not when it’s this lonely and rooted in the discomfort of personal solitude.
*
From this proximity, the blinding white walls that span the perimeter of the waiting room feel like that of a prison’s- coupled with the glossy laminate flooring and glaring white lights, you feel completely entrapped.
“They’re almost ready for you,” your boss says abruptly as he enters the room and occupies the gray folding chair next to you. “You have everything you need?”
Headcount- your black leather briefcase of oil paints, brushes, charcoal, pencils, paint thinner, old rags and your painting palette.
“The canvas is already set up,” your boss chimes in as if he can read your mind. “And there’s a seat for you. Just relax, and don’t push yourself.”
You take a deep breath, doing your best to follow his advice- but a part of you wants to get up and leave, to run away from all of this. Painting is your passion, it’s your forte and it’s been your life’s work for as long as you can remember. But being commissioned like this, for men much richer than money you’ll ever see, it feels suffocating.
They don’t tell you their names these days, nor the name of whatever organization they’re from. Last month it was an elite group of stock investors, the month before, it was a famous violinist from Japan. And today, it’s a male group, eight members with net worths that look like telephone numbers, or so you’ve been told. And it’s not that you’re intimidated, but you do get self-conscious at the prospect of people watching you while you paint. At some point, it’s like you become the model, their eyes boring into your flesh as you paint long strokes across the canvas and order them to hold still.
“Five minutes,” your boss now says, checking the time on his silver watch and adjusting it so that it sits a little higher up on his wrist.
You wish he wouldn’t count the minutes. You wish he’d stay quiet, allow you to sit with your thoughts and ruminate the day ahead of you. And yet he taps his heel in syncopation with the second hand on the clock above you, the echoing click of both driving you up the wall.
“I need a breather,” you state suddenly, sitting up from your chair and smoothing down your smock. “I need to go outside.”
“Three minutes,” he responds sterly, tapping at the glass lens of his watch and motioning to the door.
You shove your way past the double doors, past the white tiled hallway and just in front of the double doors that lead to freedom again. Two minutes.
It’s like your body is giving out on you involuntarily, your knees buckling as you grip the stair railing and steady your breathing. A quick glance around to ensure no one’s caught you heaving so nervously- and you’re too late. A man saunters down the hallway past you, his hands shoved casually in his pockets as he cocks his head to stare at you, his long black hair falling loosely around his shoulders as he does. He’s tall, and slim, with an elongated torso hugged by an expensive denim coat, his slender legs on display in black slacks and complemented by a sharp pair of boots. You don’t catch a very good look at his face, his figure blurring by as you check your watch, to the second now- you’re supposed to be inside.
You waste no more time jogging down the hallway past the figure and back into the waiting room, where your boss is angrily tapping his heel and scanning the room for you.
“There you are,” he says frustratedly. “No more breaks if you can’t manage your time. They’re waiting for us.”
And with a deep breath, he helps you gather your art supplies, motioning in front of you to the brightly lit room. You take one breath, and then two, as you finally begin into the painting room, eight men already seated and ready for you.
*
The crowd is nothing like the stock investors, or the violinists you’re used to. They’re rowdy, and loud. They very seldom sit still, cracking jokes amongst themselves and shoving each other off the wooden stools every other minute. You do your best to keep your gaze away from them when you don’t need to look at them, trying to memorize their features in intervals so you can focus on just the canvas in front of you as you paint. But it’s nearly impossible, their melodic voices pressing you for answers and insights into your artist career.
“What’s the hardest painting you’ve ever done?” One asks, his baritone voice sounding almost startling in contrast to his bright appearance.
“There’s lots,” you reply quietly. “I’m not sure I can pick one.”
You give him a small smile, trying to memorize the freckles on his face before turning back to the canvas, hoping you won’t have to glance back over at him for the next minute or so.
“Let’s take five,” your boss says as he enters the room again, two iced coffees balanced in his hands. “Thanks, guys.”
And the men scatter to their break room, where neat trays of food are already set out for them to choose from. As the doors swing closed behind them, you watch them select from a variety of pre-cooked noodles, assorted fruits and vegetables, packs of chips and trays upon trays of desserts. They’re fed as though they’re the ones doing all the painting.
“Coffee,” Q says, setting down a plastic cup in front of you, the straw already conveniently placed for you.
“Thanks, Quinton.”
Your boss, Quinton, or Q, is a brutally honest man when he wants to be, quick to comment on your work and keep you in your place. He runs your calendar like the military, never missing an important appointment and opting you in for every profitable painting session possible. He’s another thing you find suffocating at the worst of times, always somewhere breathing commands down your neck and dragging you to every private event under the sun.
“Let me see,” Q states plainly, gesturing to the canvas with his cup of coffee. You shyly angle the canvas toward him, hoping he won’t scrutinize anything about your pacing- you’re trying to get out of here as quickly as possible, and you silently pray the art doesn’t reflect that sentiment.
But to your surprise, he doesn’t, swiping a few stray eraser shavings off the canvas and giving you a nod.
“Looks good. Remember, we just need the skin tones and facial features. The clothes and all that can be filled in later with our reference pictures.”
You nod in response, taking a generous sip of your coffee, realizing this is probably the worst beverage you could’ve picked to calm your nerves. The caffeine pulsates through you, making your heart flutter even more than it already is, and the bitter taste leaves little to salivate over.
“How much longer, do you think?” You inquire, chewing on the tip of your straw nervously.
“No more than an hour, if you keep up this pace,” Q responds. “I’m going to the bathroom real quick, have everything ready again for when I get back. Don’t make me wait.”
You watch as he gets up from his own wooden stool, placing his cup of coffee where he sits, and exits the room to the corridor once again.
You’re alone in the painting room, the white sheets that line the floors staring back at you with little eyes in the form of paint splotches. From behind the door, you can still hear the eight men shuffling about, laughing loudly and downing their snacks. And you want to leave again, the feeling instilling another sense of foreignness inside of you. Like you don’t belong here, even though you’re the painter. You feel small, cramped, even useless, as you stare down the painted flesh outlines across from you.
A click of the door closing beside you garners your attention, and you look up expecting Q to return and resume the session. But it’s not Q- it’s the same figure from earlier in the hallway, slowly making his way inside and hoisting himself back up on the wooden stool. He keeps his head down as he gets comfortable again, two hands running through his black hair and slicking it back out of his forehead.
And then he looks at you- or stares, rather, two hands resting on the exposed wood in front of him as his legs balance on the wooden beams below. You can feel his eyes burning into your figure, and you do everything in your power to avert his gaze and keep your eyes locked on the canvas in front of you. But he remains like that, staring, for several minutes, until you nervously tilt your head to catch his gaze.
You feel your heart race as you do, catching a glimpse of his flawless features as he furrows his brows in concentration. His silky black hair isn’t the only striking thing about him- he has piercing brown eyes, which narrow with such intensity as he remains seated there, unmoving and confident in his stance. His plump lips contrast beautifully against his chiseled jawline, and his lanky figure makes him look like the contemporary art statues you’re so acquainted with, like he’s formed from wire and positioned to slouch so artistically in his spot.
You say nothing to the man, opting to give him a little nod, before focusing back on the beverage in your hands. And despite his clear fascination with you, he doesn’t reciprocate, instead pulling a cell phone out of his back pocket and preoccupying himself again.
You can’t quite tell if he’s rude, or strange, or even just unaware that his presence is so uncomfortable when he’s choosing to speak through cold stares instead of words. As you watch him through your peripheral vision, you hear the familiar sound of Q’s boots click through the doorway, gesturing rapidly at you and at the canvas.
“Let’s continue,” he orders, clasping his hands together with such purpose. “Where are they?” Q then questions, his eyes darting over the quiet man’s indifferent posture. And the strange man finally gets up from his stool, making his way through the break room door to usher the others inside once again.
They follow like a row of ducks, back to their respective seats, some of them with drinks in hand as they share whispered laughter amongst themselves and make little effort to sit still. You have no trouble picking up right where you left off, the innate talent to mirror figures in front of you coming in handy as you race the clock to complete their flesh-colored outlines.
Most of them converse lightly amongst each other, holding your gaze with a more serious expression when they catch you looking over at them.
Except for the strange man.
He’s relentless in his ways, continuing to stare so impolitely at you, his eyes piercing daggers right through your soul as he cocks his head to the left, and then the right, studying your face as you study all eight of theirs. What his intentions are exactly, you have no clue, simply opting to avert his gaze when you can and keep busy with your painting.
One hour later, the canvas illustrates all eight outlines of flesh and distinctive features, highlighting the beige freckles on one man’s, the toned biceps of another, and all other features that set them apart from each other. True to Q’s reminder, their clothes are traced in outlines, but color is void of their stencils, as you still have to bring the canvas home to complete the finishing touches. When they’re dismissed for the day, the gentlemen are all led by a sculpted man with a big smile who introduces himself as the leader, orchestrating the bows and applause that are held for you.
And as he ushers them out one by one, the strange man who’s been watching you all day is the last to leave, lingering a little bit too long with his hands shoved in his pockets like he wants to say something. He loiters by the canvas for several minutes, but you make no move to angle the painting at him, usually maintaining a certain extent of confidentiality in your work to keep the surprise.
He seems to take the hint, almost nodding indirectly at you and more toward the wall, as he finally saunters out of the room with his hands still in his pockets, his strides painfully slow as he disappears from your sight.
And when you look back to the painting, you cock your head at his outline, trying to gauge whether your art properly captures the sheer sense of unnerve he instills in you with his features alone.
*
Painting sessions are burdensome. They require a lot of planning ahead of time, stocking up on supplies, scheduling around the hours-long timeframe and of course, the mental preparation of having to be stared at by rich men for several hours.
But perhaps critique sessions are even worse these days.
Your paintings are typically set in stone after the initial outlines, considering there are usually a few important figures who review your work and give you the go ahead to take it home and finish it.
Yet sometimes, you still have people complaining, pointing out unimportant features like the color of their sneakers which aren’t to their liking. It’s normally Q who fights these battles for you, refusing to allow you to make any changes since the payments are made upfront, too. But sometimes, even he caves, ordering you to pull out your briefcase and mix a darker shade of green or add more volume to the subject’s hair.
It’s the worst with investors, who put their audacity at the same level as their incomes. But with boy groups like this, you’re unsure, having never done a painting for a band prior to this one.
The finished canvas is transported in a nylon zip-up bag, held by yourself and Q as you fit it inside the truck and secure it with metal prongs. While the drive there is just an hour long, it feels much longer than the last time you traveled there, perhaps because you’re much more nervous.
And perhaps also, it’s because of the same strange man as last time, who you already know is going to have a mouthful to say. The way he lingered by your work station a little too long, wouldn’t stop staring and even excused himself from his own break early to resume his insufferable task of making you uncomfortable. You reckon it’ll be a comment about his hair, asking for a longer length or more volume. Maybe something about the stage outfit you were presented with and how it doesn’t make his legs look long enough. Or knowing his douchebag tendencies, maybe he won’t hesitate to ask for a fucking bulge in his pants at this point.
When you arrive, Q calls over the building staff to help transport the collosal work of art, while you wait awkwardly on the side with your hands shoved in your pockets. You take a moment to crane your neck and look up at the building, a tall glass monument with blue-tinted windows and cobalt text that displays the company name. It’s just as intimidating as you remembered it, instilling the same unnerving feeling that a hospital might.
When the building staff are finally making their way inside, you follow reluctantly, making yourself as small as possible behind them while they navigate the long blinding corridors. It’s an unusual feeling to be at the top floor of the building that you were just looking up at from the street below, and as you pass the windows that line the hallways, you can make out the rows of cars and people that now resemble ants from this high up. It’s as though you were never down there to begin with, like the world is different from up here, much more secluded and shut-in.
And seeing the pin boards that line the walls, with photos of successful artists and flyers for company events, it very well might be, this haunting building where dreams either go to flourish or decay.
Into the last door on the right, eight chairs lined up for eight artists who definitely seem to have flourished. The building staff set up the canvas at the front of the room, securing it into its wooden easel, and Q occupies himself setting up a recording camera which points directly at the painting and captures all eight chairs in the frame. It’s common protocol for events like these to be filmed, not always for public consumption, but for the staff to archive important commemorative moments in the artist’s name. Once the camera is rolling, Q gives you a thumbs up, gesturing to the staff to permit their exit as you make your way to the front with him.
“Ready?” He asks, clasping his hands together as he eyes the camera nervously. You say nothing in response, giving him a small nod, before taking your spot on the other side of the canvas and folding your hands behind your back.
For a few moments of complete silence, the two of you keep your gazes fixed on the clock that lives on the wall across you, the hands ticking with the passing seconds as you await the arrival of the band. Q turns to say something, seemingly disregarding it as he turns back to the wall and shifts his eyes to the door every few moments.
You wish he wouldn’t be so… anticipatory. You wish he’d just stand there, like a rock, indicating nothing of importance, so that you could put less weight into this and unveil the painting to them without any reservations.
Here’s the painting, you want to say. It took me forever, so don’t criticize it. You guys are shorter than my usual subjects. Except for the weirdo- and he stares too much.
You smile to yourself at the thought of being so candid with them, before an abrupt push of the door startles you, and you instantly straighten your posture at the sounds of boots clicking along the floor, leading the eight men who live on the canvas behind you.
One by one they take their seats, dressed to the nines this time in black slacks and collared button ups. They even flaunt ties, mirroring the businessmen you’re used to painting, and the fancy attire quickly makes you nervous as they fold their hands in their laps and fail to joke around like they did the last time.
“Welcome,” a booming voice says, as other important looking figures stand around the room and eye the covered canvas. “It’s a pleasure to have you here, and we’re eager to see what you’ve come up with.”
Applause fills the room, inclusive of the members of the band, which you finally allow yourself to look at. They sit properly, hands folded in their laps and serious expressions painted on their chiseled faces.
Except for the strange one, again, whose gaze is locked on yours. He cocks an eyebrow curiously, as though you’re the one doing the staring. And you quickly turn your attention back to Q, hoping that disregarding the men will calm your nerves a little.
“… she’s paid particular attention to detail,” Q continues, and you realize you’ve missed half his speech already.
“And we are so excited to hang her work in this renowned building as a commemorative piece for the members. Without further ado, please let’s unveil the artwork.”
As he finishes, two members of the staff tug on the beige cloth, letting it fall to the tiled floor beneath it and expose the giant portrait.
Their faces light up instantly, little “woah’s” filling the room as they rise from their seats to take a better look. They laugh at their own figures, they point out each other's and most of them even pull out their cellphones to snap photos of your art. It’s always a gratifying feeling, having a crowd admire the fruits of your labor this way, especially when you aren’t immediately met with verbal protest against your creative choices.
You take a few steps back to give some room to them, the staff talking amongst themselves and gesturing to the building where you presume they speak about where the painting will live.
“It’s a hit,” Q says, coming around to tap you lightly on the arm. “You should be very proud of yourself.”
“Thanks, Quinton,” you respond. “I’m glad everyone enjoys it.”
And the staff applaud you once more, bowing to you and lining up to shake your hand as they begin to file out of the room again.
The members stick around for a good while, unable to take their eyes off the painting as they point out each other's features and admire their own. And as they begin to leave, several of them thank you personally on the way out, giving you a bow and shaking your hand.
“Thank you, really,” the man you remember being the group leader says to you. “We are so honored to have worked on this with you.”
Another clasps your hand in his, bowing several times before speaking. “Seungmin,” he states his name politely. “Thank you, I think you really did our old group leader justice.”
“Hey!” The leader calls, and you can’t help but laugh a little in response.
The others share similar sentiments, bowing and shaking your hand as they exit, chatting excitedly amongst themselves as they make their way down the hall for their next schedule.
And when you turn to face Q, you’re met with the last member, who folds his arms in front of him coldly and eyes the painting with raised eyebrows.
Like clockwork. He doesn’t like it, he’s going to request a change be made to it and he’s going to berate you in front of your own boss.
“It’s nice,” he chimes in casually from where he’s standing.
“Thanks,” you reply, Q gathering the cover from the floor and zipping it up again.
“Just one thing,” he says now, turning to face you.
“Oh, we normally don’t make changes after-”
“I have a freckle under my eye,” he finishes. “The left eye. You didn’t catch it.”
Your eyes scan the painting, where his chiseled face and long hair stare back at you, a serious expression in his eyes like he wears in person. And then you glance at him standing in front of you again, a small brown mole under his left eye, just like he speaks of.
“Go ahead and add it,” Q says, as he zips up the cover. “That should be on there already.”
And you nod your head at both of them, unzipping your briefcase again to retrieve your paints. He’s watching you like a hawk again, towering over your bent figure as you pull out a thin tube of brown paint and squeeze just a miniscule dollop onto the back of your hand. You retrieve your thinnest paint brush, dipping it into the paint and swiping it across your skin to rid the excess from the fine hairs.
It feels as though you have to paint it with his permission, as you bring the brush to his face and glance over at him for instruction. He gestures to his eye, motioning for you to start, as you bring the brush to his canvas flesh and tap on a tiny, single dot.
He stares at it for a moment, cocking his head as though a brown dot somehow won’t be to his liking. And even Q holds his breath while he waits for a comment from the man. You begin to say something, your lips parting silently, stuck on what to remark as you await his feedback. And then with bated breath, he finally speaks, giving a small nod as he does.
“Good,” he says simply. “It’s me now.”
Q nods at him, nods at you, and then gathers your belongings as you cap the loose tube of paint.
“Do you have a card?” The man asks suddenly, and Q pauses his shuffling about to retrieve one from his coat pocket.
“Here’s her card,” he says, against your silent protests. “She’s available for commission any time. Payments are up front and scheduling is through me only.”
The man nods, thumbing the gold foil cardstock in his slender fingers, and then shoves it into the pocket of his slacks.
“Hyunjin,” he says curtly, reaching his hand out to yours. “I’m the main dancer.”
And you just nod, placing your hand in his reluctantly as you shake once.
“Y/n.”
His hands are cold to the touch, the metal of his rings feeling like blocks of ice in your grasp. He holds it there for a moment, his narrowed eyes shooting daggers into yours, before he finally pulls away and pivots to leave with the rest of the band.
And you can only catch a glimpse of the back of his head when he’s halfway out, before Q turns to speak to you.
“Looks like we may be back very soon,” he remarks, latching your briefcase once more. “I’d hold on to that brown paint if I were you.”
*
Exactly four days pass before you hear from Hyunjin again. In fact, you’ve all but forgotten about the little run-in, until Q barges into your studio while you add the finishing touches to another client’s piece.
“I have a proposal for you,” Q voices, setting an iced coffee on the table beside you while you dip your paintbrush in a muddy cup of water.
“What is it?”
“Well financially, a massive opportunity. Career-wise, much of the same thing you’re already doing.”
“Businessmen?” You question, working your paintbrush in thin strokes to add hair to the figure on the canvas.
“Band,” he replies simply. “The same band you did last week. Just one member, though.”
And you know instantly who he speaks of, your face contorting into an expression of disgust as you wash your paint in the cup of water once more.
“Hyunjin?” You query.
“That’s him,” he says, snapping his fingers as the name comes back to him. “He’s offering double what we paid last, and just for an individual piece. That’s a massive markup from what we usually charge.”
“I don’t know,” you reply hesitantly. “I’m pretty busy with this, and we-”
“I already said yes,” he states simply.
“You did? What- I thought this was a proposal.”
“Yeah,” he says with a scoff. “A proposal to get your stuff ready. We start tomorrow. And he wants you to bring every color you’ve got.”
“Tomorrow? Don’t we already have a prior commitment?”
“Already moved them out,” Q says, sitting on the chair across from you.
“Look,” he begins, sighing deeply. “I know you’re hesitant about these things. But this is the best move you can do, career-wise. Painting these famous figures is a gold mine for us. One day you could be commissioned to paint royalty, and then we’ll be reaping three times our salary.”
And you sigh, too, knowing very well that he’s right. Being a painter who gets commissioned to commemorate important characters, you know the best thing you can do for yourself is say yes to every opportunity. You’re very seldom able to, which is why you have Q in the first place. But the prospect of spending another day with Hyunjin scares you, and you’re not sure Q would consider it a legitimate concern if you brought it up to him.
“I’ll be there, too,” Q interrupts, almost as though he can read your mind. “It’s just him. One day, max, and then you can pick up your other projects.”
It doesn’t seem like there will be a way out of this one, no matter how much you pray that things will fall through eventually.
“One day,” you echo. “And then I’m tunnel vision on the rest of my projects.”
*
You can tell Hyunjin’s thought about this very carefully, judging by the way he saunters into the room with purposeful strides and slings a bag off his shoulder.
He’s dressed a little more casually today in a denim jacket and jeans, with layered silver jewelry that contrasts nicely against his jet black hair.
“Like a model headshot, but painted,” he describes his vision to you, gesturing with his hands as he speaks.
“I want it to look really serious. And maybe a cool-toned color palette.”
He’s meticulous with his requests, and you wonder briefly if he dabbles in art, himself.
“Sure, we can do that,” Q responds, jotting down a few points in a small notepad.
You say nothing, letting Q do all the talking, but Hyunjin’s eyes glance over at you briefly like he wants you to acknowledge the request. So you just nod graciously, giving him a thin-lipped smile, and begin to undo your briefcase.
Hyunjin assumes his same spot on one of the wooden stools, dragging it closer to you by its leg and propping it within eye-view of your big canvas. And then he sits on it, or rather slouches, adjusting his gaze to look straight at you and maintain a cold, serious expression.
It’s just as unnerving as you’d remembered it, having this model-looking figure pierce daggers through your soul while you mix your paints- cool-toned ones, at his request, and prepare for the hour-long trek of capturing his essence.
At least you won’t have to talk to him- or so you’d assumed from the last session you completed with him.
“What’s your process like?” He asks, his sultry voice perfectly matching his features.
“Oh,” you remark, mixing a set of paints to mirror his even skin tone. “I don’t know, I just paint what I see.”
He nods, satisfied with your less-than-wordy answer, and then he begins to prod you with more questions.
“What are your favorite art supplies?”
You cock an eyebrow at this, well aware that you have a long list you can indulge him in, but not wanting to share your secrets with this complete stranger.
“I dunno,” you reply softly. “Oil paints, and graphite pencils really.”
Hyunjin nods again, and then he glances at Q, who gives him a thin-lipped smile much like yours, trying his hardest to remain polite with Hyunjin. You know Q is likely frustrated with you for not entertaining this conversation in a more lively manner, especially considering what he paid for this session, but you’re not going to indulge him in anything except painting him- and only for this one session, like you promised Q.
And the rest of the session is uneventful, Hyunjin poking you with questions about your personal favorite paintings or inquiring about a time you messed up on an important piece. All questions which are answered with brief “I don’t know’s” or “there are so many, I can’t choose.”
And although you are trying hard to keep Hyunjin at a distance, nothing seems to faze him, his head nods and little hums serving as indicators of his satisfaction with all of your answers. He doesn’t get pushy, like your other clients often do, and he even presses Q for a few answers as he makes sense of your work.
At just past 5, the session draws to a close, as Hyunjin rises from his stool and announces he has to tend to his evening dance practice.
“It’s nice seeing you again,” Hyunjin says as he approaches you, giving a small bow as Q waits off to the side.
“Thank you,” you voice back, glancing at Q for a push to leave.
And Hyunjin extends a single hand, gesturing for you to place yours in his, as he towers over you with a curious expression.
You reluctantly place your palm in his, letting the cool metal of his rings graze your skin as he clasps his thumbs over your fingers and rubs them in gentle back and forth motions. He doesn’t bring it up for a cordial peck, he doesn’t shake it- he simply caresses your artist hands tenderly, before letting go again and turning to give Q a small bow as well.
“Take care,” Hyunjin says, pivoting to exit the room into the corridor.
And as Q pesters you with orders to clean up your workstation, you examine your own hands, rotating your own fingers around, like they might somehow be changed by his touch.
*
ON HOLD- The notes under your projects on the big calendar in Q’s office read, written in dark red pen and underlined twice across the pages.
You furrow your brows in confusion, setting your bag down as you enter for the day and ready your art supplies.
“What’s going on?” You ask Q, who’s busy sorting through a stack of invoices.
“Have a seat,” he replies plainly, gesturing to one of the leather chairs that accompany his grand wooden desk. And you do, sitting on the very edge of the chair as you await further instruction from him.
“A gift came for you,” Q says, slinging a large box on the desk in front of you.
You stand up once again, peering inside at the myriad of oil paints, sharpened charcoal pencils, new smocks, palettes and even books about artists and their works. You dig through the supplies, heart racing at the expensive choices, feeling undeserving of all the presents the box contains.
“This is all for me?” You question, baffled at the prospect that anybody could care enough about your career to indulge you in such a fine assortment of goods.
“Read the card,” Q then says, his arms folded in front of him as he nods toward the top of the cardboard box, where a simple yellow envelope is taped to the cover, cursive text scribbled on the front. Hyunjin, it reads.
You undo the seal, pulling out the small card inside, which only contains a short, cold sentence, in contrast to the warm gift.
“For the next few”, it says, not so much as a sign off or even a simple “thanks”.
“Next few?” You repeat, meeting Q’s gaze with a confused expression.
Q sighs, sitting across from you, folding his hands out on the wooden surface where you can see them.
“His manager called this morning,” he begins. “And commissioned us for another one. Except this one has a long set of rules. He wants you to use these supplies, he wants to visit your studio instead of occupy the company building. And he specifically asked me not to accompany you.”
“What?” You exclaim, angered at the sheer audacity he has, and knowing very well that you only agreed to one painting.
“That’s completely against our rules,” you continue. “Did you tell him no?”
And Q gives you a sheepish grin, gesturing to the stack of papers he flipped through earlier. “They’re offering quadruple the pay,” he says sternly. “He’s obsessed with your work.”
“So what?” You argue. “I have a ton of other projects to finish. And I’m not throwing all of that away because some guy wants time alone with the artist.”
“There’s nothing wrong with wanting alone time with an artist,” Q emphasizes.
“This is a huge sacrifice, Quinton. I wish you would’ve run this by me earlier.”
Your eyes meet the calendar above his desk again, counting the number of projects with a big ON HOLD scribbled below them. Q sighs, evidently feeling a little guilty for his own actions, and then pinches his wireframe glasses between his fingers, pulling them off his face and tucking them into the pocket of his blazer.
“I’m willing to give you 10% more than what you already make from these.”
Your gaze snaps to his, a bewildered expression on your face as you process his words.
“What- seriously? Quinton, that’s-”
“His company’s loaded” he says with a shrug. “The guy is so much bigger than I thought he was. People love him.”
And your gaze flickers between the calendar and the big red text, Quinton’s hopeful stare and at the box of new art supplies you’ll be required to work with.
Q doesn’t need to press you for verbal confirmation, knowing that the caress of your fingers over Hyunjin’s name on the envelope serves as answer enough.
*
Your studio is particularly messy on Wednesdays, housing all of the project paraphernalia from the days prior. Today is no exception, canvases that sit on easels lining the walls and cans of paint thinner spread out on the tarps. You make your best attempt at shoving everything against the wall, creating a clear pathway for Hyunjin to stride into the way he always does. And you set up your canvas prior to his arrival, getting all of your necessary supplies in place to avoid the awkward few moments of setting up while he watches you so intently.
He’s a punctual idol if you’ve ever met one, arriving at 5pm on the dot, expensive-looking sunglasses shielding his eyes from the barely visible sunlight outside, and a black beanie pulled over his head. He looks like he could be a security guard of his own, the all-black attire even more unsettling as he makes his way inside.
There’s a reason you never house clients in your own studio- the reason being it’s small. It’s office-sized, large glass windows on one side of the wall that overlook a sea of greenery that’s now overgrown with all the recent rains. The floor is gray concrete, stained just about everywhere with swatches of paint and charcoal pieces. And the two tabled surfaces that are available are covered in art supplies, the color of the furniture now indistinguishable as they house tubes of paint, brushes and cans of thinner.
“You can put your bag on the chair there,” you say as he walks in, his hands still shoved in his pockets.
He does as told, setting a designer crossbody on the folding chair by one of the tables, and then he stands confidently, observing the room as he awaits further instruction.
He takes long strides around the perimeter of the room, leaning closely into the existing canvases to study your techniques. But he says nothing, remaining much quieter than last time, the only sound coming from his heeled boots as he moves elegantly around the studio.
“I’m ready,” you say, and Hyunjin turns around to face you. He cocks his head slightly, and then he brings one hand up to pull the beanie off his head, letting his brown tresses fall loosely around his handsome face, not requiring much adjustment as they seem to fall in disarray so perfectly. He pulls his sunglasses off as well, folding them between his plump lips before tucking them into the pocket of his jeans as he finally stops to look at you.
He looks as handsome as he always does, his unreal features looking as though he was modeled by a painting and not the other way around. You feel small in front of him, and unimportant, as he approaches you and stops just in front of your much smaller figure.
“How do you want me?” Hyunjin asks, cuffing up the sleeves of his black knit sweater.
“It’s up to you,” you reply to him, giving a small shrug as you speak.
“This one’s your call,” Hyunjin retorts. “I want it from the artist’s vision.”
And you can’t help the blush that creeps up on your cheeks, feeling embarrassingly flustered at the idea of someone caring even slightly about your vision. Everything’s from your client’s vision- the outfits, the poses, even the adjustments they request following the painting’s unveiling. It’s very seldom that you’re able to provide any directions to the standard of your vision, and though it’s unexpected, it’s a little endearing.
“My vision?” You echo, tapping your fingers on your chin.
You glance around the room at the supplies you have on hand, nothing special, but definitely materials you can work with.
Without replying to him, you pull forward one of the folding chairs, setting it down in front of your easel and gesturing to it.
“Could you sit on the top part? Like, on the back of the chair?”
Hyunjin nods, climbing up onto the chair and balancing as he takes a seat on the back part. It’s a little unstable looking, but Hyunjin seems to manage just fine, spreading his legs casually and running his hands through his hair.
“Your hands,” you chime in, taking note of the silver watch he flaunts on his left wrist. “Could you rest them on your knees?”
“Like this?” Hyunjin questions, sprawling his palms out over his kneecaps.
“Not quite,” you reply. “A little more like…”
And then without warning, you take both his hands in yours, positioning his elbows to rest atop his kneecaps so that his hands hang loosely in front of him. He cocks his face up to meet your gaze, the same intense expression he always houses, and you take a step back to admire the position.
“Exactly like that,” you say to him. “Tell me if you get uncomfortable and we’ll take a break.”
Hyunjin shoots a small smile, perhaps more of a smirk at you, as he sits still and watches you begin to paint in long strokes along the canvas. Your movements are fluid and impetuous, but every stroke proves itself more robust than the last, painting a clear outline of Hyunjin’s seated figure as he keeps his eyes on you. And maybe it’s because you’ve chosen his pose this time, or because it’s your third time doing this with Hyunjin, but you don’t feel nearly as uncomfortable anymore, keeping your attention on the painting and disregarding any implications that might derive from his cold stare.
“I wasn’t sure which brand of oil paints you preferred,” Hyunjin says suddenly. “So I bought you three kinds.”
“Oh, yeah,” you reply softly. “Thank you for the gifts. You really didn’t have to.”
“You have a talent,” Hyunjin voices. “I hung the last one up in my own studio.”
“You have a studio?” You question, remembering Q had previously mentioned something about him being an artist.
“I do,” Hyunjin answers. “It’s nothing like this one, just some canvases in the shared dorm we have. But I paint in all my free time. If I wasn’t here right now, I’d probably be painting.”
“That’s interesting,” you reply. “I’d love to see your work someday.
And Hyunjin doesn’t hesitate to pull his phone out, navigating to his camera roll to show you some of his pieces. He flashes you a painting of a bouquet of roses, placed in a glass case atop a table. Another showcases a city street, scribbled cars and people that line the pavement. And a whole gallery of them depict people- couples, in particular, in all sorts of romantic poses. Kissing, hugging, embracing with such passion and force, almost consuming each other with their visible desperation for one another.
“They’re beautiful,” you say, in awe at the technique of his art. You weren’t expecting him to be so good, for someone who doesn’t paint as a full-time career.
“Thank you,” Hyunjin replies, stuffing his phone back into his pocket. “I’ve learned so much from you.”
“Me?” You retort with a small chuckle. “I highly doubt that, your stuff is very unique. But I’m flattered that you’d say that. Thank you.”
Hyunjin keeps his gaze on yours for a moment, cocking his head to the side as though he’s observing your features. He doesn’t say anything, his eyes narrowing and widening again as he takes in the sight of you dabbing a little more olive paint into his complexion. And then he straightens his back, steadying himself on the chair with two hands gripping the sides.
“When was the last time you left this studio?” He inquires with a smug expression. He sounds a little more serious now, and his tone of voice makes your heartbeat race.
“I don’t live here,” you reply plainly. “I leave every day.”
“When was the last time you escaped?” He then clarifies. “When was the last time you weren’t confined here for the purposes of work?”
You furrow your brows, trying your best to keep busy with your task and avert his gaze.
“This is my job,” you say sternly. “I don’t want to escape.”
“I’m a dancer,” Hyunjin states matter-of-factly. “I don’t live in the studio at the building. Sure, the bright lights and the walls of mirrors help with the choreography. But sometimes I dance in my dorm. And sometimes I dance in a big grass field when nobody’s watching.”
You pause your brushstrokes for a moment, finally meeting his gaze as he stares down at you. He raises one eyebrow, waiting for an answer, which you fail to provide him with as he leans forward once again and clasps his hands together.
“You feel trapped here, don’t you?”
And suddenly his words infuriate you, the sheer audacity of him to walk into your studio demanding all these rules from you, like your boundaries can be overlooked if they’re bought. And who is he to pry into your life like this, knowing next to nothing about you except that you’re a painter? It’s blasphemous- offensive, even.
“I’m not trapped,” you say, standing from your stool and backing away from him a little. “I love my job. I can quit whenever I want to, and this is my passion.”
“Who are you when you’re not painting these portraits?” Hyunjin inquires, and your eyebrows contort into a much angrier frown.
“Who are you to imply any of this, anyway? You’re an idol. You’re the one who’s trapped in the confines of a million rules- are you even allowed to be here right now? Who are you when you’re not putting on the mask of a completely different persona?”
You exhale frustratedly as you finish, taking a moment to catch your breath, and trying your best to avoid his gaze. But when you meet his piercing eyes again, he’s smiling, a wicked expression on his face like he’s amused at your lashing.
“I’m glad you asked ,” he says simply.
“What?”
“I’d assumed it was part of your vision, to maybe scratch below the surface of the flesh outlines you paint. I know there’s more than meets the eye to your work. You have this passion about you.”
“Passion?” You reply nervously, now fiddling with the brush still in your grasp.
“Mhm,” Hyunjin responds casually. “Like you want to lash out. Go on, get it off your chest. I won’t mind.”
And you say nothing again, shrinking back into the confines of your wooden stool as you swirl the brush around in the same mug of water and dip it back into a dollop of paint.
“I’m sorry,” you voice to him. “I don’t treat my clients like this. I hope you’ll forgive me.”
Hyunjin’s shoulders sag a little, as though he was waiting for you to keep the chaos alive in this little studio. He just nods, and then he assumes the same position as earlier, his knees spread in front of him and his hands resting comfortably on his knee caps as he slouches forward.
You resume the task of shading in his skin tone, adding highlights to the elevated portions of his face and glancing over at him in intervals to confirm where the light hits him.
“I’ve learned so much from you,” Hyunjin says for the second time tonight, and you’re still unsure what he means by it. “I think we could learn a lot about each other.”
And the studio falls silent for the remainder of the session, as he allows his eyes to bore into your soul while you translate his being onto the canvas in front of you. Or at least the parts that are able to be translated.
*
Your calendar is blocked off for the remainder of the week for other clients, Hyunjin rescheduling his sessions as he prepares for a performance overseas.
Your heart sinks a little when Q announces the schedule change to you, secretly praying you haven’t completely ruined your artist/client relationship with Hyunjin. He’s definitely a little odd, and he can be pushy when he wants to be. But he’s undeniably more intriguing than the investors you’re used to housing at the studio, telling you stories of his dancing and inquiring about all your favorite techniques every chance he gets.
He’s the first client who’s ever uttered the word “vision” when it came to yours, and not his, and you can’t let go of the value it added to your last session with him. You had yelled at him, ordered him to stop projecting his thoughts onto yours and asking personal questions. But it was the first time you felt alive, somewhat visible to a client as you painted them. His eyes pierce through your soul, every tangible inch of it, and not just the empty shell of who you are when you’re not existing so loudly. And Hyunjin seems like the only catalyst that allows you to exist loudly these days, even Q walking all over you like you’re an extension of his tedious ways.
Although your last conversation didn’t go quite as smoothly as you’d hoped it would, Hyunjin’s words continue to circle your mind relentlessly, your heart trying to make sense of them no matter how hard you try.
“Who are you when you’re not painting these portraits?”
It’s a fair question, and it doesn’t necessarily have to be a discourteous one, either. Maybe he’s genuinely curious about the woman you are when you’re not following Q’s orders. But where has Hyunjin pulled the implication from that you’re anyone except for the person assigned to produce these portraits? You’ve given him no reason to think anything of you besides the well-mannered, focused painter you are. And to imply anything else would also, by extension, imply he knows something about you.
“I’ve learned so much about you,” he had also said to you, twice in the same session. And can one really learn from two, three sessions of watching an artist paint? Sure, if he was more focused on your technique and your mannerisms rather than staring at you so intensely. But he hadn’t seemed to be interested in much else, simply keeping his gaze on yours and asking base-level questions about your artist career.
If anything, you could learn a lot about Hyunjin, who has the whole world at his disposal and walks around this place like he owns it. He speaks of you like he’s trying to study you. He wants to learn from you, despite being the one wielding much more knowledge and wisdom than you could even begin to fathom. True, you don’t escape this studio- and you don’t utilize it without the intention to work. In fact, your work consumes you most days, your personal life just a microscopic dot in the grand scheme of this arrangement.
But Hyunjin seems to think otherwise, his generous gifts and his fascination with returning seeming to imply something else. Like he wants to learn from you, or like he’s convinced he already has.
In apprehension, like he knows you.
*
“Where are we going?” You query when Hyunjin arrives next, quickly ordering you to gather your supplies and ushering you to the door.
“We’re not painting here today,” he says plainly.
“What? No, Hyunjin I don’t paint anywhere except for-”
“The studio or a company,” he finishes. “That’s the issue. I want to take you somewhere more lively.”
“I can’t be around people,” you respond. “I don’t… it’ll just mess up the whole process.”
“Do you trust me?” Hyunjin asks suddenly, his hand extending out to yours for the briefcase you grasp.
What a simplified question- absolutely not. You don’t trust him, that’s the issue with leaving the studio. You’re still not sure of his career as a whole, you’re not sure why he’s so adamant about breaking all sorts of rules and you don’t know anything beyond his name.
“No,” you reply. “I don’t think I trust you at all, actually.”
And Hyunjin just smiles, stepping forward to take the briefcase from you.
“Good,” he replies, the same amused smile plastered on his face. “That means there’s still a lot I can teach you.”
He watches you slip on your coat, undeniably confused, but in a trance-like state obeying his commands, like your heart won’t let you hear your brain’s protests.
Hyunjin doesn’t drive. He doesn’t need to, having his own personal chauffeur at his beck and call, able to go just about anywhere in the evening during his allotted hours of free time. Ones he normally spends in the studio, watching you paint.
You sit quietly on one side of the fancy black car, your hands folded neatly in your lap and staring at the passing blur of city lights out the window. Hyunjin occupies the other, one of his slender hands resting atop the briefcase in an attempt to steady it whilst the driver makes sharp turns and brakes a little too harshly.
You watch as the city roads turn to one long paved road, surrounded by tall grass and trees. And this path goes on for a while, maybe 20 or 30 minutes, as you remain in comfortable silence. The driver seems to be acquainted with the road, turning every way he needs to, no form of navigation telling where to go, simply having memorized the route. And Hyunjin doesn’t seem tense in the slightest, humming softly to himself as he taps his fingers along the leather surface of the briefcase.
The fork at the end of the road signals the stopping point for the driver, who hits the brakes, but doesn’t turn the car off. The keys remain in the ignition as he comes around to open your door, guiding you out with one hand and bowing graciously to the both of you.
“One hour,” Hyunjin says to him, sliding him a generously folded bill.
The driver nods, occupying his spot in the driver’s seat, and you watch him make a U-turn before driving off down the path again.
The environment is quiet, much quieter than any spot back in the city. It’s nothing except for trees and tall grass that sway with the gentle evening breeze, the sky swallowing up a now orange sun as nighttime begins to over both of you. If you squint, you can even see the mountains from here, some of them lined with little yellow lights, probably vacant buildings or farm workers. And the birds sing their last songs of the day, mellow tunes that harmonize with the growing chirps of crickets.
“It’s pretty here,” you remark to Hyunjin, who stands looking out at the view with his hands tucked in his coat pockets.
He doesn’t reply for a moment, his long hair swaying with the breeze. And then he tilts his head in the direction of the briefcase, nodding once.
“Paint what you see,” he orders.
You nod reluctantly, scrambling to open the briefcase and set up your supplies.
“Do you want to stand there? Or… do you prefer something else?”
He smiles, a little amused at your rushed state, and then he shakes his head.
“Not me,” he clarifies. “The view. Paint what you see.”
You swallow a lump in your throat, stopping your movements and pondering the words for a moment. You haven’t painted a view in god knows how long. Your skills are rusty, your techniques are skewed and the whole concept of it makes you shudder.
“The view?” You question back. You take a moment to look at the view again- there are possibilities everywhere. Green grasses that resemble paint strokes themselves, a deepening blue sky with strokes of blues and blacks, stars like paint splatters and trees with sponge-painted bushels. The art is everywhere, the possibilities are vast and endless with a view like this one.
“The view,” Hyunjin echoes. “Don’t take it too seriously. This isn’t some company's order to paint me. I just want to see the world through your eyes.”
And you nod, once, Hyunjin helping you latch your sketch pad to the easel as you mix a myriad of blues and greens together on your wooden palette.
He flips through your sketch pad for a little while before stepping away, nodding at the pages upon pages of art unlike any of your portraits. When you think he’s going to move, he doesn’t, remaining in the same spot and nodding his head at the works. And you feel a little shy, a little confused at why he’s taken so much interest in the work you complete on the side, work completely unrelated to any of your portraits. When he reaches a blank page, he meets your gaze with a small smile, nodding his head once at you as he finally moves out of the way.
And then you finally begin, hesitantly, as Hyunjin finds a spot in an undisturbed part of the grass, sprawling his long legs out in front of him and pulling out a sketch pad from his own bag. He angles it away from you, beginning to make long, generous lines with his charcoal pencil, peering over at the trees every now and then to gauge their shape. And you remain there, a comfortable silence among both of you, as you both capture the view in your respective visions.
The technique comes back to you instantly, like motion memory, quickly sponging leaves into the trees and pulling the dark sky from its draped position over you to plaster it onto the canvas you work on. Blues, greens, glittering whites for the night stars and fantastic shades of chartreuse and viridian find their homes on the canvas, so carefully placed and mirroring the view you overlook. You emulate the shadows, the waning glints of light, even the sounds seem to live on the picturesque view where time stands still in the confines of four walls.
Hyunjin doesn’t disturb your work flow- in fact, for most of the time you remain there, you cease to remember he’s even working on a sketch of his own, his delicate figure disappearing among the trees as your peripherals shut him out and bring nature to the forefront.
It’s only an hour you’re there, like Hyunjin had promised, before he’s returning to your spot and standing behind you to look over your shoulder.
“Beautiful,” Hyunjin states dramatically. “Beautiful, and spectacular, and shining.”
You chuckle lightly, wiping the brush on your smock and tucking it away in one of the front pockets.
“Will you sign it?” Hyunjin asks, cocking his head a little to try to find where your signature currently sits, but finding nothing.
“Oh, yeah,” you respond, bringing a charcoal pencil to the bottom right and scribbling a quick signature.
He scans the painting once more, tracing a finger over the corner where you’ve added your signature, and then he gives a small nod before meeting your gaze.
“This one’s my favorite,” Hyunjin tells you. “Because it’s entirely your vision.”
“The ones I make of you are my vision, too,” you explain, and Hyunjin shakes his head with a small smile.
“I like how you see the world. Not how you see me. Or anybody else, for that matter.”
And you find yourself blushing again, unsure if his intention is to fluster you with his poetic words, but well aware that he’s having the effect on you regardless.
“Thank you,” you echo politely. “I like this one, too.”
Your gazes remain fixed on each other for a brief moment, the grass now standing still as the night falls over you, stars glittering in the black sky and the crickets singing their nocturnal songs.
For the first time since meeting him, Hyunjin looks less cold at this proximity to you, his entire demeanor exuding softness and comfort as he smiles at you. Maybe it’s the black puffer coat he wears, the collar pulled up to his chin to keep warm from the frigid winter night around you. He wears his glasses, too, these ones a thicker black frame, pushed high up on his face and a little dorky, admittedly. But it’s also because he seems kinder, more warm and welcoming. There’s no existing rush to capture him any which way- in fact, there’s no pressure to capture him at all. And maybe when you’re not translating his model-like appearance onto canvas, you’re able to step back and admire that he’s soft under his hard exterior, he’s so gentle and human.
At first, you debate telling him, a sudden urge inside of you to apologize for your presumptions of him and admit that he’s slowly become your favorite client to be around. Maybe he’s right- maybe you do have a lot you can teach each other. He lives a life of lavishness, entertaining varying aspects of his idol career and serving a role of great importance to those who know him. And he is certainly of importance to your career, being your highest-paying customer and the one you’ve painted the most now. But he plays a role in other parts of your life too, allowing you to try new techniques, entertain your vision, circling your mind with his poetic words and his strategic motions. All lessons which allow you to grow outside the confines of your studio, too.
But you settle on silence, not wanting Hyunjin to think too boldly of you. Maybe he’s like this with everybody he crosses paths with. Choreographers, vocal coaches and painters alike. Maybe he’s simply as fascinating as he looks.
As you study him again, the sound of a car engine interrupts you, and you turn around to find Hyunjin’s driver has returned as promised. You bring a hand up to shield your eyes from the bright headlights that illuminate the whole field, as Hyunjin helps you gather your supplies again, securing the canvas in its case and transporting it into the backseat of the car with the driver’s help.
Hyunjin holds the door for you this time, ushering you inside, and then he comes around to slide into the backseat next to you.
“I think it’s going to rain,” the driver says as he puts the car in reverse.
You crane your neck to look at the sky through the tinted windows, dark blue clouds that loom overhead and seem to make the night even colder.
“I have one more place we need to stop at,” Hyunjin says suddenly, sitting forward to make eye contact with the driver through the mirror.
The driver nods in response, as if the last location is a secret kept between them, as he begins down the dirt path again in silence.
*
“Ever been here?” Hyunjin questions, as he holds out a hand to guide you up the stairs. The steep concrete stairs lead to a grand crested marble doorway, a bronze statue out in front and dimly lit lamp posts that illuminate the sign overhead.
Museum of Modern Art.
“Once, a long, long time ago,” you respond. “I think I usually steer clear from galleries since I don’t show my work at them.”
Hyunjin chuckles softly, stopping at the front door and meeting the gaze of a security guard, who promptly strides over and opens the door just an inch.
Hyunjin pulls out an ID, and a folded paper of some sort, and you watch as the security examines it briefly before nodding. It’s only then that you realize the museum is closed for the evening, the only person around behind the night security, but of course that rule doesn’t apply to Hyunjin, who can get in just about anywhere with the flash of a smile.
“It’s the only way to visit with no one else around,” Hyunjin says, confirming your theory. “They let me stay as long as I want. Sometimes I draw here.”
You nod at his words, giving a small smile as the security eyes you intensely, and then he opens the door to guide both of you inside. Hyunjin removes his coat, slinging it over a nearby coat hanger, and he flaunts a white knit sweater with his dark jeans, looking cozy in contrast to the dark winter night outside. He holds your sketch pad tucked under one arm, and then he skips excitedly to a room behind a curtain.
“This one’s my favorite!” He exclaims, giggling softly like a child might. “Do you know they’re all made out of recycled materials?”
And you brush the curtain aside, being met with the sculptures he speaks of, neutral-toned figurines that appear to be made of paper mache, all resembling people. Their forms hold each other, mimic ballroom dancing, and even embrace each other in a tender kiss as they stand tall in the center of the room.
You watch as Hyunjin snaps a few photos with his cellphone, craning his neck to view them at a better angle, and then he turns to face you.
“What do you think?” Hyunjin asks.
“They’re beautiful,” you reply. “They kind of remind me of your drawings.”
He shoots you a flustered smile in response, touched that you’ve even remembered what his drawings look like. And then he graciously bows as he ushers to another room.
“I think you’ll like the next one.”
The next room behind another dark curtain is a gallery of paintings, all of them abstract forms of art that experiment with different colors and mediums. You take a while in this room, sauntering down the row of canvases and observing how each one captures something completely different from the others. Some include only cool-toned shades, their strokes much smaller and overall more somber. Some play with warm tones, long generous strokes that capture passion and heat. And some mix both, two stories dancing in harmony on one canvas, contrasting light with shadow and love with regret.
As you cock your head slightly, observing the way the colors are so evocative from this proximity, Hyunjin comes to stand next to you, cocking his head in a similar fashion and taking in the same details that you do. And if someone were to stand behind you, maybe both of you would mirror the painting, too, two hues of life and recluse working in perfect harmony alongside each other.
“Nice, isn’t it?” Hyunjin asks, and you hum in response.
“Yeah. I love these colors.”
Hyunjin nods, giving the painting a last once-over before nodding in the direction of another curtain.
“Come on, I want to show you this last one.”
The last room houses a little bench, where Hyunjin occupies the left side and pats the spot next to him. You take a seat, your hands folded neatly in your lap, as you observe the colossal painting in front of you.
It’s a watercolor painting, one amorphous shape at a far distance, yet at this proximity, the tangible outline of a figure, sat with legs pulled to the chest and crouched in a position evoking such sadness.
The cold blue hues highlight the shadows which define body parts among the pile of limbs, the curve of a breast, the almost indistinguishable outline of a leg, aspects you have to really squint hard to make out. But the colors complement each other so artistically, and the figure in the painting looks so melancholy, so longing for something more than the confines of the canvas she lives on.
“Isn’t it beautiful?” Hyunjin voices, and you nod, swallowing as you remain quiet.
He pauses for a moment, his voice hitching in the back of his throat, before speaking again.
“The artist was a child prodigy,” he begins. “Apparently they painted all their life and then became a sort of recluse into adulthood. No one’s seen a painting from them since. This was their last big project.”
“Interesting,” you remark quietly.
“Yeah,” Hyunjin replies. “And their art is always titled around themes of loneliness and solitude. Every painting kind of feels like a puzzle piece leading up to their disappearance from the art world.”
Hyunjin says nothing as your eyes dart around the room, swallowing nervously as you ponder what to say. And nothing comes to mind, nothing that won’t make you seem crazy, or irate.
And then before you can protest his actions, he flips open your sketch pad he’s kept tucked under his arm all this time, flipping through a few pages until he’s nearly at the end. He stops at one of your paintings, cool aqua hues filling the paper in the same manner as the one hung on the wall.
“It’s you, isn’t it?” Hyunjin finally says, and you realize he’s turned to face you now.
You stand up at this point, smoothing down your blouse and turning away from his gaze.
“Sorry, I have to go-”
You search for an exit, unable to locate one amidst the dark curtains and the dimly lit room. And the only thing you can think to do is walk back the way you entered, beginning back through the abstract painting gallery as Hyunjin follows behind you.
“They’re amazing,” Hyunjin says. “You have a talent. Your paintings were always my favorite-”
“Please, stop,” you interrupt, your heart beating erratically as you make your way past the paper mache sculptures.
“Why did you stop making them?” He asks, now standing still in the entrance, the security guard on high alert as he watches Hyunjin’s stressed demeanor.
“Sorry,” you voice to the security guard, bowing to him. “I have to go, thank you so much.”
And without turning to look at Hyunjin, you push the doors open, making your way out of the museum and onto the concrete steps. It’s raining now, hard, like the driver had predicted, and you march right past his parked car to one of the taxis parked by the curb.
The cab driver takes an address from you, punching it into his navigation system as he begins to drive down the street, and you pray he can’t hear the quiet sniffles coming from you in the backseat.
As he pulls away from the curb, you glance out the window at the museum, where Hyunjin’s now shoving past the door and standing still, his hands dropped at his sides and a hurt expression on his face.
His hair falls damp around his face as he lets the sheets of rain wash over him, his driver exiting the vehicle in a rush to get Hyunjin back into the safety of the car.
But he remains there, unmoving, his hurt gaze fixed on yours, as you turn a corner and fall out of his sight.
*
And just like the sessions were uneventful before Hyunjin, they’re much more uneventful after him, too.
Putting the sessions on hold for Hyunjin is nothing, his life full of vibrancy and color when he’s not spending an hour or two with you in the evening posing for a painting. It’s time he fills with extra dance practice, vocal training, spending time with his members and even doing art of his own.
But for you, it means returning to a life of mediocrity, requesting stock brokers to angle their big heads in a more appealing manner so you can capture every one of their unsightly features. You’re ogled at by salesmen, disrespected by accountants and not a single one of them could give a shit about your vision.
A part of you wants to call Hyunjin and apologize, to explain that he was out of line in his approach to identify you and catch you so off-guard. But you’re mostly angry at him, for having ruined something so beautiful you took pride in every week. Now he’s gone, the sessions put on pause until further notice and your life forever changed by Hyunjin, though he’ll keep living his life of lavishness despite being the source of all your pain.
“Now that we don’t have Hyunjin on the books after this week, I need you to resume the work on Mr. Lee’s painting. Let’s not lose sight of the ones we started prior to his pieces,” Q says, as he flips through a clipboard of printed schedules.
“This week?” You echo in question. “I thought sessions with Hyunjin were put on hold until further notice.”
“They were,” he responds. “After your last session this week. He’ll be here tomorrow evening. He’s your last client of the day.”
“Tomorrow?” You repeat, pausing your brush strokes as you turn to look at him. “He requested to come in tomorrow?”
“Yeah,” Q replies with furrowed brows. “Why, is there a problem? I already told him yes.”
“No, that’s fine,” you reply, rotating the brush around in your fingers as you think over his words. “Tomorrow works fine.”
Despite the sessions being put on hold, you’ll still have a moment to explain yourself to Hyunjin and make amends. It might not get you exactly where you were before all of this, but the thought of letting Hyunjin part ways thinking you despise him makes your stomach turn. You’ll still get a moment alone with him to rekindle the state of your friendship.
… Or so you thought. When you arrive at the studio the next day for your last session, Q is still there, organizing papers at one of the tables and still dressed in a fancy blazer and tie like he never left from this morning’s session.
“Quinton?” You call, setting your purse down and toying with the hem of your shirt.
“Yes?” He responds, not looking up at you.
“Are you… don’t you normally sit these sessions out?”
“Oh, I forgot to tell you,” he says casually. “I’ll be sitting in on this last one. I know they were put on hold pretty abruptly, and I wanted to be around for your last one.”
You give him a small nod, protesting his actions mentally. You won’t get a minute alone with Hyunjin after all- not with Q watching you like a hawk. You want to scream at him, to tell him he has to leave and that he’ll be permanently disrupting the client-artist relationship you’ve developed with your highest-paying customer if he stays and taints the room with his overwhelming presence. But he largely determines the success of your career, whether you like it or not. And requesting Q’s absence will most certainly point to something more going on between you and Hyunjin.
“Right,” you reply. “That’s fine.”
You wish Quinton wouldn’t be so… mechanical. You wish he could trust that you’ll get the job done, despite any existing tensions between you and Hyunjin. You wish he wouldn’t pretend to care about being present, when in reality you know he just wants to make sure it wasn’t you who screwed something up. And you wish he would leave you alone with Hyunjin to make amends the way you know you need to before you part ways with him.
When the door opens once again, you both turn your heads to look at Hyunjin, who strolls in with casual strides, his hands stuffed in his pockets. His gaze falls on Q, and he furrows his brows together, finally looking at you, with a confused expression on his face.
“Welcome!” Q says obnoxiously. “I’ll be sitting in for this session, I hope you don’t mind.”
Hyunjin shoots him a thin-lipped smile, giving a subtle nod as he slings his bag off.
“Sure,” he replies. “That’s fine.”
He assumes his spot on the same wooden stool, crossing his legs and folding his hands in his lap, and then he turns to meet your gaze.
“How do you want me?” Hyunjin asks. He sounds more somber than the other times he’d asked the same question, his voice trailing off a little as he waits for a reply.
“This is good,” you say, taking your own seat and beginning to work light strokes across the canvas. You start with his jawline, the same chiseled jawline you’ve gotten so used to painting, working a robust angle where the crook of his neck meets his cheeks. Then his eyes, the piercing intensity of them, narrowing involuntarily as he poses with such skill, the same eyes which have graced the covers of magazines and album covers. His lips, plump and rosy, forming a small pout as he remains silent. And the outline of his luscious brown tresses, which fall beautifully around his face and soften the rest of his features.
He looks so enchanting this evening, like he’s straight out of one of the paintings at the museum. And your anger feels almost completely dissipated once he’s in front of you like this, just a pressing urge to be alone with him so you can communicate properly.
“Looking good,” Q says as he comes up behind you, his hands folded behind his back.
Hyunjin’s eyes dart over at Q’s standing figure, glancing over at you again while you paint. You attempt to shoot him an apologetic expression, wanting to tell him it wasn’t your idea to have Q here watching your every move. But you can’t properly convey your emotions to him with Q practically breathing down your neck.
“Beautiful work”, Q chimes in, nodding as you add the color to Hyunjin’s hair.
You can feel yourself getting frustrated with him, wishing so badly you could at least ask him to wait on the other side of the room like he normally does. But he remains there, crowding around you as you work and filling the room with his awkward presence.
“I’ll drag up a chair,” Q says with a small chuckle. “So I don’t have to stand.”
And both you and Hyunjin watch as he pulls up a folding chair, dragging it along the floor in one painfully slow motion, the sound of the legs screeching against the concrete floor as he places it next to you and takes a seat.
Hyunjin’s eyes meet yours again, cocking his head slightly as though he’s asking why you’ve allowed Q to be so overbearing today. But none of this is according to your plans, either.
“Go on,” Q urges. “You don’t have to wait for me.”
You hadn’t even realized you’ve stopped painting, grasping your brush between your fingers as you watch Q adjust in his seat and gesture to the painting.
“I think we should take a break,” Hyunjin says finally. “My leg is cramping a little.”
“Of course,” Q echoes back. “We can take five. There’s a vending machine out by the front door. And the bathrooms are on the right, by the-”
Q can’t even finish his sentence before Hyunjin’s shoving his way past the door, taking long strides away from the studio and waiting outside. He pinches the bridge of his nose in deep annoyance, letting out a deep sigh as he ponders the evening’s events so far.
“I’m going to use the restroom,” you tell Q, setting your brush down and following Hyunjin. “I’ll be right back.”
And you follow his footsteps, pushing on the door to meet him outside, where he stands with one hand on his hip, the other massaging his temples frustratedly.
He looks angry, as you predict he would be, but you approach him anyway, fiddling with your thumbs as he stays quiet for a moment.
“I organized this last session to speak with you,” Hyunjin says in an annoyed tone. “I should’ve known you’d invite him.”
“I didn’t invite him,” you say quickly. “I didn’t even know he’d be here, I swear. He just stayed, and he was insistent on sitting in.”
Hyunjin finally drops his hand at his side, meeting your gaze, a softening expression on his face.
“I didn’t mean to scare you off,” he finally says. “I overstepped my boundaries. I’m just here to pay you for art. Not prod into your personal life.”
“I know,” you say back. “I wanted to explain to you, but…” your voice trails off, remembering this is technically your last session with him. And judging by the way everyone speaks of him, it’ll be near impossible to contact him again after this.
“It seems like I missed my chance,” you finish, referencing Q’s persistence.
Hyunjin glances around for a moment at the overgrown plants that line the studio windows, still damp from the evening rain. It looks like a jungle out here, the plants providing no clear view through the windows and instilling such a peaceful sense of privacy.
“Could you stay a little longer?” Hyunjin questions. “After he leaves. I just want to talk to you before I go.”
You think over his proposal for a moment- Quinton is punctual at leaving right past the hour mark. He never stays longer for hours than he needs to, but he’s no stranger to you utilizing the studio to finish up some of your work after hours.
“Sure,” you say finally. “Just pretend you’ve left after the session and I’ll tell him I need to stay longer. Don’t wait near the parking lot or he’ll see you.”
A somber smile grows on Hyunjin’s face as he nods in response.
“I’m going to call my driver and tell him I’ll be longer than the original session. Meet you back inside.”
And you make your way back into the studio, where Q is busy shuffling through papers at the table.
“Ready?” He asks, already taking strides back to his stool, positioned far too close to your canvas and Hyunjin’s seat.
“Yeah,” you reply, sighing a little as he occupies the seat next to you and glances around the room for Hyunjin.
“He’s taking a phone call,” you explain to Q. “Just give him a minute.”
And Q pushes his glasses further up his nose, humming in response as he observes your painting again.
“You’ve really mastered his features,” he comments, scanning over Hyunjin’s painted outline. “Even his eye mole is already there.”
And you scan the painting too, at the little mole painted just below Hyunjin’s left eye as he requested.
“Yeah,” you reply. “I guess I have.”
You wouldn’t forget it, because everything about him occupies your mind, much like his figure lives on your canvases.
*
It’s just half an hour more before you’re finished with Hyunjin’s painting. It’s still lacking some detail, like the contours along his face and the buttons of his cardigan. But they’re all details you give yourself time to finish later, before you wrap up your final piece and gift it to Hyunjin.
Q is relentless in his micromanaging for the remainder of the session, making useless comments about your techniques and asking Hyunjin about his own work. Hyunjin’s answers are all short and echo his clear annoyance, desperate to finish the session in order to speak with you privately. But you both remain collected in your manners, graciously conversing with Q and reaching the end of the session.
Q reviews his invoice documents as Hyunjin slings his bag on once more, standing by the door as though he’s ready to leave.
“Payment was finalized today, and your sessions are on hold until your tour is completed.”
“Thank you,” Hyunjin responds, bowing graciously. “It was a pleasure to work with both of you. I’ll be back when we’re done overseas.”
“Don’t hesitate to reach out!” Q calls, as Hyunjin makes his way past the door. He waves Q off with a small smile and then turns the corner until he’s out of sight.
“Well, there goes your best-paying client,” Q remarks with a deep sigh. “We have a lot more to pick back up on. I know Mr. Lee’s paintings are still in progress-”
“Thank you, Quinton,” you voice to him. “We’ll talk scheduling tomorrow. Please just get home safely.”
“You’re not leaving yet?” He queries, already pulling on his canvas bag and hanging his clipboard from a thumbtack on the wall.
“I’m going to finish the details while I still remember them. I’ll only be an hour longer.”
Q shrugs, making his way pivoting on his white canvas sneakers and giving you a small wave.
“Call if you need anything,” he says plainly. “Make sure to lock up.”
“I will,” you echo, craning your neck as you watch him finally exit past the door and jog down the stairs. You can’t see Hyunjin anywhere, but Q doesn’t seem to notice him if he’s still around, starting his car and speeding out of the parking lot.
And not even a full minute passes before Hyunjin makes his way back inside, shaking water off his hands.
“I stood under one of the gutters,” he says in a disgusted tone. His hair is stringy wet with rain water, and he chuckles when you meet his gaze with an amused smile.
“You’ll have to let me paint it like that, someday,” you respond, and he laughs lightly.
You take a seat on the folding chair previously occupied by Q, and Hyunjin assumes his same spot on the wooden stool. For a moment he says nothing, observing your face as you tap your fingers along the metal of the chair below you. There’s not a sound in the room between the two of you, with the exception of a small creak coming from the wooden stool as Hyunjin adjusts his long legs. He runs his hands through his hair nervously, and then he licks his dry lips with his tongue before speaking.
“I have something for you,” Hyunjin says suddenly, his voice echoing around the empty room.
He stands up to pull his bag off the floor, and then he digs around in it for a moment before pulling out his sketchbook. You watch as his slender fingers open the spiral-bound cover, flipping past pages upon pages of sketches and paintings. He flips close to the end, and then he stops, bookmarking the page with his index finger before turning the book to face you.
“I’m sorry if you don’t like it,” he says, keeping the book shut in anticipation. “It’s just something I drew.”
And then with bated breath, he opens the book out to you, adjusting the page in your view to give you a clear sight of its contents. It’s a carefully drawn sketch, of you, standing in front of an easel with a brush in your hand. Painting, like you always do. You recognize the scenery around you as the spot he took you to the other day, the long charcoal streaks perfectly capturing the grass that surrounded you and the tall trees that overlooked the hills. Although it’s a sight familiar to you, it also feels so foreign, seeing yourself through somebody else’s eyes. It feels peculiar to remember people also perceive you while you paint. It makes you feel less unimportant, a little more visible.
“Wow, Hyunjin, this is…”
“Do you like it?” Hyunjin interrupts.
“It’s so lovely. Really. I feel like I don’t deserve this.”
“You do,” he’s quick to respond. “You’ve drawn countless ones of me. And of so many other people. I wanted to gift you one of your own.”
You run your fingers along the thick paper, watching as Hyunjin tears it along its perforation and hands it to you.
“Please, keep it,” he urges.
And you bow once in response, turning to set the drawing along with your bag so you won’t forget it.
“Thank you,” you finally say. “I love it. I’m going to hang it with all my favorite art.”
Hyunjin smiles in response, a breathy chuckle escaping his lips, and then he shoves his hands in his pockets again, leaning against the wooden stool as a silence falls over you both.
For a moment, you ponder what to say to him, wanting to explain the events from the other evening, but unable to verbalize anything amidst your nervousness. Any way you think about it, you fear Hyunjin is going to get mad, especially considering you’d just walked away from him in the face of confrontation. But you also couldn’t help it, his accusation coming so suddenly and so boldly, regardless of it being based on any sliver of truth.
“I’m sorry,” Hyunjin breaks the silence. “I don’t know if I was right or not. But it wasn’t my place to ask you.”
You nod at him, initially planning to divert the topic. But you can’t any further, a growing urge inside of your chest to unveil the truth to him, knowing he’s already pieced this much of it together.
“It is my painting,” you say finally, your voice shaking a little. “I specialized in those ones before portraits. They kind of gained traction when they were first unveiled, and a lot of galleries picked them up. But they drew a lot of criticism, and it became so draining to be the topic of people’s judgment. I think being perceived so heavily just kind of… scared me off. So I shifted to portraits instead, and I no longer do public showings or galleries.”
Hyunjin doesn’t react in a shocked manner, nor does he press you for questions immediately. He just nods, taking in your words, and then he meets your gaze with a concerned expression.
“I learned so much from you,” he explains. “When your paintings were unveiled at the annual art show across the city, I was so mesmerized. They’re why I started painting, too.”
You chuckle lightly, shrugging at him as you slouch back in your seat.
“Yeah, well, I don’t do them anymore.”
You think over your response for a moment, and then you stand up from your seat, too, furrowing your brows together.
“How did you… know it was me?” You question, cocking your head slightly.
“I had a hunch when I first saw your painting techniques. But I also knew it the moment I saw your other paintings in your sketchbook,” he explains. “My favorite painting of the series is printed out and taped to my locker in our dance studio. It just felt like you. I paid attention to your art for years. I was bound to know it when I saw it.”
You nod for the umpteeth time tonight, making sense of his words as you think back to the signature you drew in front of him back in the field.
“I’m sorry I figured it out,” Hyunjin says finally. “I know this was an elaborate plan to remain anonymous and shift your focus to a new form of your work. And your portraits are amazing. But you have a real talent for those older ones. And the whole series just… it changed me.”
“You don’t have to be sorry,” you tell Hyunjin, looking up to meet his gaze at last. “If anyone was going to find out, I’m glad it was you.”
“You are?” Hyunjin questions, and you hum in response.
“As a client, you have this really interesting way of making me feel seen. When I’m around you, It feels a lot more comfortable from the businessmen I’m used to. It’s like…” your voice trails off as you struggle to finish your sentence. “I feel like I did when I was painting my old stuff. I can see the world beyond just portraits for a little bit.”
Hyunjin says nothing, his eyes flickering down to your lips and back at your eyes once more, which are wide with curiosity and passion as you speak. It’s such a sight to see you talk about your art with this level of devotion again, color in your face once more as you attest to your life’s work.
“Tell me,” Hyunjin begins. “Why are all your paintings so lonely?”
You chuckle softly, shrugging up at him.
“I am lonely,” you say simply.
“I’m lonely, too,” Hyunjin remarks.
And your expression turns serious again, your eyes not leaving his intense gaze as he flickers over your parted lips and takes one step closer to you. He’s towering over you at this point, a strand of hair falling into his face as he lets himself lean into you a little more, just barely grazing his lips over yours.
“Can I please kiss you?” Hyunjin asks so politely, his voice coming out in a whisper as he stops himself from pressing his lips to yours while he waits for an answer.
“Yeah” you finally reply in a whisper of your own, almost on your tippy toes to match his towering height.
And then without another second to waste, Hyunjin closes the gap between both of you, leaning down to press his plump lips to yours and embrace you in a tender, desperate kiss.
He tastes like mint, his lips working against yours with no particular rush, yet his mind still running rampant with thoughts of having you as close as possible. It feels so wrong kissing him here, in the studio you strictly use for the purposes of completing your work-related tasks and nothing more. But with Hyunjin’s lips on yours and his slender hands snaking around the small of your back to pull you closer, it also feels so thrilling, instilling a sense of desire deep within you that can only be fulfilled through acting upon the emotions rooted in your innate fascination with Hyunjin’s entire being.
And you feel visible right now, so tangible when Hyunjin’s nimble hands are running down the sides of your waist and sprawling his delicate fingers along your flesh. It’s you kissing him here, not some shell of who you are when you’re capturing the essences of millionaires on canvas. You’re not the scribbled outlines in Hyunjin’s sketches of couples consuming each other with such passion, though you mirror them. It’s you, child prodigy artist turned portrait specialist, and Hyunjin, in all his fame and splendor, who chooses to spend his free time with you in this studio teaching you about yourself the way you learn from him, too.
Hyunjin’s hands move to tug off the fabric of your cardigan, slouching it off your shoulders and letting it fall to the floor, where it piles in disarray among the white tarp that houses loose paints. You’re pretty sure there may still be wet paint on its surface, but you don’t care, your body desperately arching into Hyunjin’s tall frame as his hands cup your cheeks to kiss you even deeper.
You can barely reach him while his frame looms over you, only able to reciprocate his kisses on the tips of your toes as he takes full control of you with his mouth. And Hyunjin seems to take notice of this, intertwining his hands in yours and pulling you down with him as he sits among the tarp and sprawls his legs out in front of him. You bestride his lean figure, balancing yourself on his lap as he adjusts himself on the concrete floor, and you both laugh when you take note of the admittedly uncomfortable positioning. It’s not meant for lovers, this dinky studio and its cold, concrete flooring. But it’s nothing that can’t be overlooked when his lips are back on yours, kissing you breathlessly and tucking strands of hair behind your ears. You can feel him smiling into the kiss, an indication by Hyunjin’s definition that he’s wanted this so badly. And he knew it from the moment you walked into the company building the first time, nervously preparing yourself out in the hallway like you weren’t going to be an absolute pro at your craft the way he now knows you are. He also knew it every time he observed your paintings, both your old ones and the newer ones that capture Hyunjin with such ease, every minute detail that builds up his intense stare only to break him down and soften him, translating this multifaceted version of him only you seem to visualize. And he gains confirmation of it when he’s finally acting upon his urges, your hands snaking around the back of his neck and moving in tandem with his hungry kisses against yours, grasping at his flesh like you’re trying to prove to yourself he’s real, too.
His sweater is the second article of clothing to go, your bodies only separating from one another briefly as you guide the knit fabric off over him and discard it beside you in the tarp. Your hands find his torso reluctantly, running your fingers along his flesh as though asking for his permission. And Hyunjin smiles when you do, placing his hands over yours and pressing down a little firmer for you, so that you can feel every inch of his toned body. He wields the body of a dancer, delicate curves that run along his sculpted obliques and highlight the years of intense training he’s done. His body feels strong underneath you, but he still feels soft, his touches exuding the gentle fondness he possesses for you.
And you’re kissing him again, all while his hands find your tank top and he separates to undress you, pulling it off over your head and tossing it aside. His hands are quick to find your breasts, splaying them over the mounds of your chest and massaging gently as his kisses turn hungrier. You can feel him getting hard underneath you, and you can hear his breath hitching in the back of his throat as he struggles to contain his growing bulge while you straddle him. But you indulge him even further, undoing the clasp of your bra with your own hand as you continue kissing him. Hyunjin doesn’t notice until your hand reaches out to toss your bra aside, a gentle rustle emitting from beside you as it joins the pile of discarded articles of clothing. And he separates to take in the sight of you, raised goosebumps along your bare skin and your nipples aroused for him, the cold air grazing over your chest as you wait for him to resume his touches. Hyunjin gasps a little, leaning forward to take one in his mouth, and then he begins to suck harshly as his tongue swirls around your bud generously and trails saliva along your skin. You moan at the sensation, Hyunjin digging his fingernails into the small of your back and leaving little crescent marks as his sucking resumes harshly, soft moans bubbling from the back of his throat, too, as he stays latched to you. And then he pulls away to give attention to the other one, his teeth grazing the tip of your nipple before sucking again, his eyes shutting as he relishes in the taste of your skin in his mouth. Hyunjin’s hips rock gently against you as he does, chasing the friction of your legs around his crotch as he grows even harder beneath you, desperate for some release. And then he pulls away finally, breathing heavily, his eyes wide with lust and a bead of sweat dripping down his forehead. You bring a thumb to his forehead, swiping the bead off his blushed skin, before cupping your hands around his cheeks and bringing him in for a kiss.
“Please let me fuck you,” Hyunjin says sheepishly against your lips, groaning lightly when he feels you squeeze your thighs once against his crotch.
“You want to?” You ask teasingly, massaging your hands up and down the sides of his neck as he nods eagerly.
“I really, really want to,” Hyunjin responds, shutting his eyes as you squeeze your legs again and pepper his face in kisses, trailing from his forehead, to his cheeks and down his neck. Hyunjin leans back on the palms of his hands in a state of pure bliss, taking in the sensation he’s only dreamt of until now. And when you nibble down on his neck, beginning to suck a small bruise into his skin, he sits up suddenly, his hands finding yours and pushing you away gently.
“Wait,” Hyunjin says. “I can’t… do hickeys. Company’s orders,” he admits, a little defeated, and you nod your head quickly.
“I’m sorry,” you remark. “I totally forgot.”
“It’s okay,” Hyunjin almost cuts you off with a kiss, leaning forward and sitting up on his knees. He guides you down onto the tarp, hoisting himself up over you so that his figure is now hovering over yours, and then his hands find your pants.
“You can do hickeys though,” Hyunjin says in an amused tone, trailing kisses down your neck the same way you did him, and latching his teeth onto your flesh to suck a line of purple bruises. You chuckle underneath him, the sensation tickling a little, but still adding to the generous pool already formed between your legs. And as Hyunjin presses into you with his kisses, you can feel his erection graze your upper thigh, once more seeking the friction of your body for some sense of relief as he longs to feel you around his hardened cock.
“Hyunjin,” you voice as he kisses you, and he hums quietly in response.
“You’re hard,” you remark, your eyes flickering to the tent pitched underneath his jeans.
“Sorry,” he replies, pulling away with a worried expression in his eyes, and you shake your head quickly.
“No, no, it’s fine,” you assure. “I just want to take care of it for you.”
And your hands find your own jeans, pulling them off your legs and tossing them aside. Hyunjin’s eyes skim over your lace panties, the trim almost see through with delicate feminine patterns, and he begins to undo the button of his jeans, too.
He kisses you as he snakes off his own pants, not wanting to separate from you any more as his eagerness grows to be as close to you as possible. And when he’s finally letting his hard cock rub against the fabric of your panties, moaning softly at the sensation, he knows he won’t be able to take it much longer if he doesn’t make love to you right here in the studio.
So his hands work to pull off his boxers, finally freeing his erection against his abdomen and gasping with the cool air grazes the tip of his cock. You slide off your own panties as well, tossing them aside and letting his cock rest against your bare flesh now, his precum painting your clit with his preemptive arousal as he ruts against you. Your flesh is slick with his arousal and yours, the existing lube between both of you allowing your skin to glide upon one another so effortlessly, the same way your lips work against each other. And he continues to push his hardened length against you until he’s halfway inside of you, your cunt taking him with no struggle as he thrusts inside of you now. You adjust to his thick girth easily, his length seemingly never ending as he pushes deeper and deeper into you. And then he gives one particularly hard thrust, bottoming out inside of you and coaxing a fervent moan out of you.
“Is it okay?” Hyunjin asks, wincing at the sensation of your walls hugging his erection.
“So good,” you whine, tears pricking the corners of your eyes. “Feels so good.”
And he begins to move in and out of you at a slow pace, trying his best to stave off the orgasm he’s already close to reaching as he fucks you, filling your cunt entirely with his long cock and bottoming out every time he thrusts himself back in.
And he tries to kiss you, but he can’t, his mouth simply looming over yours in its parted position as he echoes his moans into you and lets his saliva-coated lips graze over you. He looks like the subject of an erotic painting himself, eyebrows arched up so artistically with every thrust, melting into your touch as you run your hands through his hair. His initial dominance over you is quickly shifted to that of submission to your mind and your body, little whines leaving his lips as he lets you consume him whole and mold him between in your touch, like he’s made of clay and you’re the sculptor. His lanky body seems to extend as he sways his hips into yours, little dips from the pads of your fingers embedding into his pale skin. He folds effortlessly above you, the points of his elbows jutting out as he steadies his body over you, like he’s made of wire and positioned to balance over you so perfectly, not very sturdy, and yet bent and snapped just right so that he can remain glued to you. And if you were to climb out of your body and paint this exact moment, all you would see are an indistinguishable, amorphous set of limbs that seem to dissolve into each other like hues of paint on a palette. Two colors swirling around to make one, the two of you like primary colors that create endless possibilities when mixed together like this, offspring of a hundred different shades, painting the darkened studio around you with your yearning for one another.
And as Hyunjin brings a hand to stroke your cheek gently, a smile grows on his breathless lips as he realizes he’s brushed a thick stroke of wet paint along your skin. The indigo stripe contrasts coldly against your flesh, still glistening in its freshness like he’s just begun on a blank canvas.
“It’s paint,” Hyunjin says as you gasp at the cold sensation, smiling too, when he swipes it again with his thumb and flashes it down at you.
And you chuckle lightly below him, taking note of the bright orange streak that lines his neck, just below his adam’s apple. You’re not sure when it got there, or whether it was from you or him, but you run a finger through it too, bringing it to his cheek to rub your thumb lovingly across his face and paint it there, too. And in one swift motion, Hyunjin swipes the palm of his hand along the tarp, coating it in hues of indigo and deep violet and gray, cupping a hand around your breast to coat it in the same wet substance. And you do the same, your hand dipping generously into the myriad of reds and fuchsia paints that live below you, running a hand down his chest and painting a long stripe along his toned torso.
You both laugh, as he picks up his pace again, pushing himself to the hilt inside of you, the paints melting together with your sweat as he fucks you rhythmically again. And like two blank canvases finally being put to use, new colors blossom between the two of your longing bodies, shades of magenta and blue-gray making themselves known across your breasts and his torso. The colors are vibrant and robust, transferring life from the dull tarp of the studio floor onto blank slates of skin. You wish you could step out of your body and capture the colors forever, mix paints together into little jars and name every shade after every feeling Hyunjin’s ever given you. Longing, lust, fear, fascination, infatuation, obsession.
“I think I’m obsessed with you,” Hyunjin breathes into your mouth so desperately. “It’s indescribable, the things you do to me.”
He lets his hands intertwine with yours again, giving them a small squeeze as he fucks you a little faster now and lets his groans shift into small whimpers that escape his lips.
“Please let me cum inside you,” Hyunjin begs, his cock slipping against your cervix with ease as wettened noises of his arousal pooling against yours fill the room. “Please, please, I promise to take care of you, baby. I feel like I belong here.”
He’s a whimpering mess for you now, tears pricking the corners of his eyes as he fucks you and lets his hands explore every inch of your body. You want to cry, too, at the realization again that this all feels so tangible, that he makes you feel so seen when he’s hovering over you, placing open-mouthed kisses onto yours and letting his melodic moans fill your ears. The paint between you serving as proof that he’s touched you so desperately and wholly, creating art together in the confined space of your otherwise dull studio. And you want to feel him cum inside you, too, as a final reminder that you’re visible to him, that you’re no longer a fleeting, anonymous artist when you’re with Hyunjin. That he sees you for exactly you are, he knows your deepest secrets, and yet still he holds you, whispering words of permanence in your ear and letting you mold him like art. He’s an artist on his own, and he’s art at the hands of you, both of which draw you to him in ways you can’t begin to fathom, unlike anything you’ve felt before. And he teaches you that you’re an artist on your own, and art at the hands of a lover, both of which you hadn’t considered before Hyunjin, deeming yourself invisible in your comfortable solitude to the vast world around you. But the two coincide to echo the same sentiment that he teaches you exactly the way he also learns from you.
“Cum inside me,” you breathe desperately, grasping his hands a little tighter as he fucks you at a faster pace now.
“Yeah?” Hyunjin confirms, still staving off his orgasm until your verbal consent is heard.
“Yes,” you respond, wrapping your legs around his waist and making your best attempt to kiss him through his release. And you do, your lips moving against his in labored breaths, as he finally twitches inside of you and paints the inside of your listless body, hues of glazed white arousal filling your aching cunt as he whimpers through his orgasm.
“Fuck,” Hyunjin, breathes, giving a few more thrusts as he slows, his arousal dripping onto the tarp below you as he pulls out. And he rolls over to lie beside you, a mess of paint streaks sprawled out along his skin as his chest rises and falls with slowing breaths. The two of you say nothing for a moment, your eyes glued to a blank canvas housed on an easel in front of you.
It’s an almost blinding shade of white, begging for an ounce of color like the shades that now live on your skin. And through your heavy breaths, you picture the endless possibilities that can fill in the empty spaces above you. Grasslands, trees, oceans, clear waters and a vast, endless blue sky…
*
There is no overseas schedule Hyunjin has to tend to. You’re already aware of this, Hyunjin explaining to you that he made it up to put the sessions on hold and to keep Q from pressing him with questions.
But he resumes the sessions after a few weeks of putting them on pause, because he can’t seem to stay away from you any longer.
Hyunjin reckons he has a couple dozen of your paintings in his room now, all similar portraits of his face, portraits you capture in your signature formal essence, his face staring straight ahead or off in the distance, complete with the fine details of his long dark hair and the mole under his eye.
Only now that Hyunjin is back, Q is present at nearly every appointment. You’re not sure why things changed, and Q maintains a new stance to Hyunjin that the guidelines are based on adjusted company policies. But Hyunjin will do just about anything to be close to you- even if it means putting up with your obnoxious boss breathing down your neck every minute while you paint him.
The sessions are somehow even more unnerving than they used to be, Hyunjin still making every valiant effort to convey his obsession with you through intense stares and little gestures only the two of you can read. Q is obstinate in his ways, his gaze constantly flickering between you and your paintings to ensure everything is going swimmingly. But Hyunjin wishes so badly he could spend the entirety of these sessions alone with you, getting to break down your walls and see you for the person he knows you are when you’re not doing portraits under Q’s all-seeing eye.
With every passing day, and every passing session, Hyunjin grows a deep hatred for Q, despising the way he watches you work and chimes in to converse with the two of you. And he knows he shouldn’t, aware that Q is just your boss and nothing more. Something you’ve reiterated to him time and time again, but he can’t help it, desperate to have you all to himself every second of the day, a deep-seated longing to protect you from the hurt you’ve been dealt and wanting so badly for you to break free from the monotonous cycle you’ve confined yourself to of painting for anyone except yourself.
You can tell Hyunjin hates Q, judging by the way he doesn’t so much look in his direction when he arrives for his sessions. But you can’t convey the slightest bit of reaction in front of either of them, too scared of the prospect of what would happen to your career if anyone were to find out you’re fucking a client.
You maintain a professional composure around Hyunjin, despite the knowing stares he gives you and the sketches you catch him slipping into your purse when Q isn’t looking. At times he’s not around, you complete your daily tasks, well-mannered and organized to the clients who hire you, shooting them kind smiles and complimenting their black business attire when they show up for the evening. When the days draw to a close, Q is punctual as always, leaving just minutes past your last appointment and taking his work home with him.
And when his sleek black car turns out of the corner of the parking lot, Hyunjin slips inside like a mere shadow on the wall, quick to seduce you all over again and gift you with all of his recent sketches. Some of them are portraits of you, smiling or focused on your work. Some of them are erotic nude shots of you, lying on the tarp of the studio or touching yourself the way he pictures you do when you’re all alone. And some of them include both of you, your bodies tangled desperately into each other and drowning in your yearning and love. Sometimes nude, his hands on yours and fucking you mercilessly. Sometimes fully clothed, his lips on yours and bundled up in winter clothes. But always together, always desperate in your touches and always so tangible. You reckon he’s persuaded you into being fucked you on every surface of the dingy studio by now- against the canvases, on the tarp- several times, on the table Q typically occupies and just about every stool available to the two of you. And while Q is oblivious about why you stay a little longer every night, Hyunjin is both calculated and persuasive in returning so you two can get some time alone, time that always ends with his seed dripping out of your still-aching cunt, bodies entangled somewhere within the studio and covered in fresh swatches of paint.
He may have somewhat of an obsession with you, but life is teeming around the studio when Hyunjin is near, the colors and shapes of your work much more robust and vibrant when he’s striding around the space commenting on all his favorite pieces of yours. And you relish in stories of his days, typically spent at fan events or at dance practices. Having him return feels like having your physical figure return home to you, the world in complete equilibrium when he’s near, much less lonely than the one you’re used to.
“I could watch you do this forever,” Hyunjin remarks, watching you glide a brush along your canvas, filling in the shadows of a figure on the canvas in front of you.
And this one’s not a portrait- it’s a watercolor figure, much like the ones you used to paint back then, the technique coming back to you with ease as you highlight the convexes of a body mirroring yours and add varying hues as highlights.
Per Hyunjin’s request, you paint the figures occasionally, only because he’s repeatedly expressed his fascination at watching you complete the process in a live session. The paintings reminiscent of your old work aren’t for sale, nor are they critiqued by anyone except for yourself. And they’re certainly not done with the knowledge of Q, who would turn irate at you utilizing the studio’s supplies for anything but portraits.
They’re just for his viewing pleasure, a little exchange you indulge him in as he continues to gift you with sketches of his own.
Hyunjin’s arms snake around your waist as you paint, his head resting on your shoulder as he watches you dip your brush into a mug of water and dilute the caramel shade that taints the bristles.
“Will you add a second one?” Hyunjin asks in a curious whisper, his lips grazing your ear as you paint.
“A second one?” You echo.
“Yeah,” Hyunjin says, working a trail of kisses down the shell of your ear. “This one’s you. Will you add me?”
You chuckle lightly, dipping your brush into a warmer shade of brown and swirling it around to gather the color on the fine hairs.
“So they can resemble us,” Hyunjin says, his kisses traveling even lower. “Paint me fucking you the way you like it.”
You chuckle softly again, not missing the way Hyunjin’s hands travel to your skirt, flipping it up to graze his hands along the mound of your upper thigh.
“Hyunjin, I-” you begin to say. But you can’t answer him, shutting your eyes in pleasure as you hear him unzip his jeans behind you and position himself.
“Keep painting,” he says in a sultry whisper, pumping himself lightly behind you as he pulls your panties down.
And you try, bringing your brush to the canvas to add a second figure like he’s requested. But you can hardly make it past the first few strokes before Hyunjin’s sliding into your dripping cunt, letting his hands grip your waist to steady himself as he begins to move.
“Go on,” Hyunjin encourages, as his hips thrust in and away from your trembling figure, your hands trying their very best to keep hold of the little wooden paint brush and fill in his form.
You manage to add a subtle few streaks, beginning the amorphous outline of Hyunjin’s hair, his tall lanky figure towering over yours and taking you with such desperation.
But you don’t get very far before Hyunjin is angling your face to kiss your drooly lips, his hands now finding purchase on your breasts as he continues to fuck you. And all of this is wrong, you know very well. You’re not supposed to be sleeping with a client like this, much less one this powerful, this rich and who wields so much he can hold against you. One slip up and Hyunjin can go tell the world about how you’re the artist who disappeared to sell yourself out to rich men for all their selfish needs. And any option you have to defend yourself would never hold up against his wealthy corporation and all its investors.
But you also can’t help but give into his urges when he’s around, his lips so tantalizing on yours and his cock filling you so fully and completely when he has his way with you.
Maybe it’s not even just about the sex for you- maybe it also has something to do with his stories you live through vicariously, listening to tales of the outside world while you’re trapped in this studio or at the businesses of wealthy men. It’s also the drawings he makes for you, ones you find yourself staring at for hours after he leaves, like proof that he was here and he touched you. The drawings are you in your most tangible form, his hands on yours and his lips on the curves of your neck. It’s like a glimpse into a version of yourself that ceases to exist when he’s absent. And it’s the late hours of the night he spends asking so politely to watch you paint your older work, always so fascinated with the way your mind conjures up varying lonely figures crafted from watercolors and a nylon bristle brush. Older work you hadn’t realized you missed so dearly until you began producing it for Hyunjin again.
But you know that to Hyunjin this is just a exhilarating idea for him, to view your art the same way he carves out a couple hours each week for a museum tour or to sketch in one of his books. He probably finds it more convenient to fuck you here where nobody’s around than to stroke himself in a dorm he shares with three other men. And you can feel it in the way he so desperately pleads you to paint for him or cum for him- that his obsession with you is less about you, and more about the thought of you.
Maybe this is just the result of Hyunjin uncovering a secret nobody else paid close enough attention to connect you to. Or the thrill of you being his favorite artist for years, and realizing you’re finally tangible in front of him, real, and not disappeared like he previously took you for. You reckon it must be the same phenomenon other girls feel toward him, getting intimate with somebody they idolize, desperately cupping his face like it might dissipate if they don’t grasp hard enough. But just the thought of somebody doesn’t imply love. It doesn’t imply a mutual understanding, and it certainly doesn’t imply permanence for either party involved. When he’s gone again, you’ll cease to be real like you already are when he’s not around. And then every vision you have will be rooted in unfaltering solitude once more, your anonymous life resuming again.
“Will you cum for me?” Hyunjin asks, and you snap back to the feeling of his cock twitching in your dripping cunt as he grips your waist. “God, you don’t understand what you do to me.”
You can’t give him an answer before you feel him reaching his release inside of you, shooting thick white ropes of his cum into you and slowing his pace again as he moves your hair away from your face.
“Fuck, I’m sorry, I couldn’t help it,” Hyunjin says sheepishly as he pulls out. “Sit down for me,” he orders between kisses to your neck, trailing down to your shoulder, grazing his hands along your waist and groaning against you.
And he’s already guiding you back to one of the stools, kneeling between your legs and spreading you for him, your glistening cunt on full display for him to taste.
“Want you to cum for me,” Hyunjin whispers, before positioning one of your legs on the wooden dowels of the stool. You can’t verbalize anything to him before his tongue is darting into your entrance, lapping his own release out of you and trailing up to give attention to your swollen clit. He works you in such desperate motions, tongue working your core like a starved animal and eagerly trying to coax an orgasm out of your trembling body. When his arousal is effectively brought out of your tight cunt and painting the tip of his tongue white, he coats your clit in it, giving kitten licks to your bundle of nerves as he hums against your flesh and whispers little pleas for you to let go.
And between your pussy still clenching down around the sheer memory of his cock inside of you mere minutes ago, and his plump lips kissing all over your wettened core, you do let go for him, dribbling cum down the edge of the wooden stool and threading your fingers through his hair as he trails kisses down to your thighs in encouragement.
“So good,” Hyunjin murmurs as he comes up for air, intertwining his fingers in yours as you get cleaned up. You shoot him a little “thank you”, and Hyunjin presses a chaste kiss to the back of your hand as he nods, getting dressed once more and tucking his softened cock back into his boxers.
“Come here,” he states. “I want to ask you something.”
“Should I be concerned?”
“It’s exciting,” Hyunjin retorts.
He guides you to his same wooden stool, where he climbs upon the seat and then takes your hands in his again as you stand in front of him, pressing a small kiss to your palm before speaking.
“You know I care about you, right?” He begins, his eyebrows raised curiously.
“You’ve mentioned it,” you reply.
“And you know I love your art.”
“So you’ve told me,” you say, and Hyunjin brings your hand up to press another kiss to your palm.
“I have a proposal for you,” he then says. “And I just want you to hear me out.”
Your heart sinks at his words, already fearing the worst as you wait for him to elaborate. You pray he hasn’t done anything to reveal your identity, or to make these secret erotic sessions public, knowing you’d both never live a normal life again at either of the instances occurring.
“What is it?” You ask Hyunjin, heart racing in your chest.
He rubs his thumb along the back of your hand soothingly, trying to calm you down before he speaks.
“I privately sponsor the art gallery every year,” he begins. “I put some funding toward a painting of my choice and it allows those artists to have their pieces displayed for the winter show and make connections,” he continues.
“Okay…”
“And I want to sponsor you this year,” Hyunjin finishes, giving your hands a little squeeze.
“Hyunjin, there can't be an installment of your face at the art museum. People will get suspicious.”
“Not my face,” he says reassuringly. “Your art. Like the ones you used to do.”
And you feel your throat dry up at his words, the exact thing you’d feared coming to fruition.
“I can’t,” you’re quick to say.
“Why not?”
“Because I don’t do those paintings anymore. I can paint you, or another person or whoever. But I can’t do one of my old ones.”
“But your old ones are beautiful,” Hyunjin says. “It doesn’t have to be your old series. You can start a new one. Do something entirely different.”
“I don’t want to do something entirely different, Hyunjin. It’s a chapter of my life that’s been closed already. You know I don’t do those anymore.”
Hyunjin maintains his collected composure, his eyes softening as he speaks to you.
“You’re not happy doing portraits. I know you. You have a spark in you when you’re painting for yourself, and people love them. You deserve to be doing what you love.”
“I’m sorry,” you say, letting go of Hyunjin’s grasp and shaking your head. “I’m so grateful for the offer, but I can’t put myself back out there again.”
“You can still be anonymous,” Hyunjin offers. “Some artists I’ve sponsored choose to remain anonymous and only reveal to serious patrons of their art. I can make sure they don’t find out who you are.”
“It’s me and my art I don’t want to be seen,” you emphasize.
Hyunjin doesn’t say anything now, rising from the wooden stool and reaching for the iced coffee he’s placed on the table beside you.
“Okay. I won’t press it any further.”
He swirls the cup of ice around in his hand, and then he hangs his head in defeat.
“Hyunjin, seriously. Thank you for the offer. It’s sweet of you to consider it. But I’m not ready yet.”
He shoves a hand in his pocket and cocks his head slightly.
“Is this because of Quinton?”
“What? Hyunjin, I already told you our relationship is strictly professional-”
“Not romantically,” Hyunjin continues. “You’re like a slave to him. You do everything he tells you to do. He probably doesn’t let you leave this studio.
You’re quiet again, not answering him immediately. No, you don’t stay here at Q’s behest. But it just feels safer to follow his advice. He was just a client when you met him, but he took you under his wing to get you where you are now. He runs all your schedules, he books your appointments for you, he even gives his say on most of your work. He’s the only part of your old life that’s remained the same, despite your transition to portraits, and cutting him off would be stepping into a world completely unbeknownst to you.
“No,” you say finally, but you don’t expand further upon your stance.
“You’re so lonely here,” Hyunjin responds frustratedly. “And yet you follow orders from the same person whose job it is to keep you invisible.”
“Why should I follow your orders?” You retort.
“Because I love you.”
“You don’t love me, Hyunjin,” you reply frustratedly, finally feeling the anger overtake you as you continue your angered speech. “You love the idea of me. You love the idea of escaping your crazy rich life to try and resolve the tortured artist you’re so infatuated with. You love the idea of fulfilling somebody’s life with your presence because it’s all you do for a career. I’m not the person I was when I was doing those paintings- I do portraits now, and I work under somebody who knows what’s best for me. And you’re just a client I’m sleeping with.”
Hyunjin purses his lips, amused you would stoop that low for the purposes of declining his offer. And then he shakes his head as he speaks again.
“You’re right,” he finally says. “I’m just some client you’re sleeping with. I never tried to push you out of this line of work you hate so much, or drew you on every page of my sketch book or made love to you in every square inch of this goddamn studio. I’m not proposing this because I care about you and I want you to do what you love, it’s because I’m just a client you’re sleeping with.”
And he pivots on his heel to exit the studio, taking rushed steps toward the door as tears brim the corners of your eyes.
“Hyunjin, wait,” you call desperately.
“I see you,” Hyunjin says suddenly, turning around to face you. “I see all of you. Your work didn’t just materialize by some anonymous form. You’re a painter, a really talented one, and I don’t want you to feel this all-consuming solitude anymore. I say that because I love you, not just because I’m sleeping with you. If you want to remain invisible to everybody except Quinton, then be my guest. Just know that I tried.”
And without another word, the studio is empty again, the tip of your brush still dripping with the remnants of the warm brown color and every intention to add a second figure to your painting.
*
You don’t speak with Hyunjin any more that evening. Or the next day. Or perhaps for a whole week following the conversation, for that matter. The reality is that you want to partake in his offer, the thought of it candidly piquing your interest to paint something other than another rich man. And it would be nice to watch your art be displayed for people to see just once, rather than to live on the walls of a company where only people within a certain tax bracket will ever grace your work. But what you reiterated to Hyunjin still stands- you’re scared to venture out into the competitive world of art galleries again. Your old series was a hit, sure, but it was also torn down relentlessly by those who didn’t understand it and those who simplified it down to its medium. And it was a much harder endeavor to make people understand your watercolor forms, unlike the portraits Q advises you continue producing.
But you can’t seem to stop thinking of Hyunjin’s proposal as a whole, understanding very well that his offer is one of the kindest things he could propose to you at this place in your life. He sees you- all of you, and subsequently he knows that you’re unhappy in this monotonous abyss of adding new features to the same faces every day. The way a change for you is determined only by a shift in a client’s pose or even just an addition of their pet- it’s all so repetitive, exactly what art isn’t supposed to be.
Maybe you’re just scared of getting rejected again, or perhaps it’s that you’re scared of finally being seen again, anonymous or not, putting yourself on the map again and being perceived.
*
“I want a painting,” Hyunjin says as he saunters into the studio one evening, throwing off his bag and dragging a stool to the middle of the room.
“Oh- Hyunjin, pleased to see you again,” Q remarks, bowing and giving you a nervous look.
Hyunjin doesn’t even acknowledge him, keeping a stern gaze locked on yours as if he’s challenging you.
“We have the evening booked today,” Q begins. “But I’m sure we can accommodate something for next week-”
“I need it now,” Hyunjin replies. “I’m willing to pay five times your asking price.”
And you narrow your eyes at Hyunjin, knowing he’s making his best attempt to provoke you and disrupt the work you’re completing per Q’s orders.
“How do you want it?” Q then asks, not hesitating to put aside your entire evening for Hyunjin’s offer.
“I want to be in a suit. And I want to be holding a wad of cash. I want to look like an investor.”
“Interesting,” Q says, his gaze flickering to yours. “She can do it though.”
Q turns to face you, giving you a knowing look as he raises his eyebrows. “I’ll clear your calendar for today and we can stay and work on this piece.”
And Hyunjin looks to you, too, waiting for you to protest, to say something along the lines of a refusal to partake in the outlandish task. But you avert both of their gazes, readying your paint palette and gesturing to one of the stools in front of you.
“Have a seat,” you say plainly, void of any emotion or desire to fulfill the task. And by the way Q hovers over you, void of autonomy, too, Hyunjin concludes.
“How are things at the company?” Q asks Hyunjin, leaning in a little too close to you as you begin painting long strokes on the canvas.
“Fine,” Hyunjin says, not taking his gaze off yours. His eyes are narrowed like he’s challenging you, yet you don’t give him the reaction he searches for.
“You must be busy,” Q remarks, his hands folded behind his back. “It’s been a while since we’ve seen you here.”
“Yeah, and I’m sure you’re running her schedule like the fucking military,” Hyunjin retorts, cocking an eyebrow at him. Q takes a sharp breath, but he doesn’t argue, doing his best to keep in line at your highest-paying client.
“She’s pretty busy,” Q replies reluctantly. “But it’s nothing she can’t handle.”
Hyunjin doesn’t say anything, again waiting for you to chime in, but you still don’t, working on adding details to Hyunjin’s tresses on the canvas.
“This will be my final session,” Hyunjin then says, and your head snaps to meet his gaze.
“Is that so?” Q questions. “Going overseas again?”
“Indefinitely,” Hyunjin replies. “Not overseas, I’ve just no need for the paintings anymore.”
Your lips part as though to ask if he’s serious, but you can’t, not with Q here alongside you.
“I have so many of them now,” Hyunjin remarks, not taking his eyes off you. “It’s been a lovely time with the two of you, but I won’t be returning after this evening. I hope you understand.”
“Please don’t hesitate to reach out if there’s anything we can provide you with,” Q voices. “I hope we’ll remain connected with the peers at your company.”
“Oh, you will,” Hyunjin replies. “I’m sure the investors and the senior managers will love portraits of their own. She’ll have a lifetime of portraits to complete when I’m gone.”
You can feel a pit forming in your stomach, queasy at the thought of carrying on this task of capturing rich businessmen and ceasing your sessions with Hyunjin. He’s unmoving in his attempts to make you revisit your old art. But his begging has also been eye-opening, making you realize just how much you hate this line of work and having Q breathe down your neck.
Hyunjin has a point, you’re unhappy doing portraits. You love the watercolor figures you paint, you love your time with Hyunjin and the feeling of unending curiosity he instills in you. There’s no solitude when he’s around, filling every aspect of your life with such color and vibrancy like the figures you paint. And you learn from him just as much as he learns from you.
But the fear remains, the feeling of hopelessness remains, the perception that Hyunjin is only obsessed with an idea of you and that your career is far gone from the watercolor figures you painted so long ago.
And of course, that you require Q’s uncompromising presence in your life to be even close to successful. He’s the one who transitioned you to a successful career of portraits after your previous line of work fell through. And you’re not sure you can shift to a new focus without him to guide you.
“Hyunjin,” you say suddenly, garnering the attention of both he and Q.
“What is it?” Q replies, as though you’re referring to him. And you wish he wouldn’t be so… disruptive, making you lose your train of thought as Hyunjin waits for your words with bated breath.
“I’ve completed the initial outline,” you settle on saying. “It should be sent over to you in a couple days.”
And he nods, a somber, thin-lipped expression on his face as he understands you’re never going to divert from this path of fear you walk, one you’re forcing yourself to stick to.
“Thank you,” Hyunjin responds, getting up to leave again. “I’ll see you around.”
*
Private events are seldom actually private for Hyunjin. The interior of the gallery is organized accordingly so that patrons can mingle with their respective artists and all of the prestigious guests invited.
But the exterior is only private up the crowd control stanchions, where beyond it live hordes of people wielding all sorts of fancy cameras and cell phones, snapping photo after photo and analyzing every one of Hyunjin’s movements.
Hyunjin’s attending an art gallery today, the crowds murmur amongst each other, the message echoing all over the city and overshadowing the art itself, which hasn’t even been unveiled yet.
His departure from the black limousine he arrives in is met instantly with deafening screams, the repetitive click of camera shutters and commands for him to angle his face every which way. The people stop to stare at his fitted black suit, the long black hair he sports styled slick out of his face and expensive jewelry he flaunts as a clear indicator that he’s a sponsor of the evening’s show, alongside a long list of other wealthy individuals.
His hands remain tucked in the pockets of his black slacks, giving a gracious bow to the fans before making his way inside to the main event.
And the gallery is significantly more packed than he’s used to, people crowding every square inch of the marbled floors and admiring the intricate pieces of art. The curtains are pulled back neatly so that guests can roam freely among the halls, easels set up in neat rows and canvases mounted on walls to display all the sponsored works of art.
Hyunjin is quick to gravitate to the long white table pushed against the wall by the entrance, set up with generous servings of hors d’oeuvres. And in a bout of nervousness, he’s sampling the cheese platters and the varying flavors of wine, sighing as he swirls a glass of cherry merlot between his slender fingers.
He was supposed to be here sponsoring you tonight, unveiling your paintings for the world to appreciate once again, and so that he’d finally put forth the notion that you’re more than the halls of law offices your portraits exist in.
But that was three weeks ago now- three weeks in which Hyunjin failed to visit you like he’d warned he would. And three weeks in which neither of you reconnected, letting the temporary affair between you dissipate like the sketches he stopped producing of you, like the portraits he finished collecting from you. And like the hope he held onto that maybe you’d come around and entertain a life in which you aren’t so comfortable being invisible and inhibited at the hands of your Q. But that never came around, and although Hyunjin is frustrated with you, he misses you just as much, knowing very well he could spend a lifetime learning from you if only you let him. Now in the gallery he once dragged you to, where he admitted to having learned the secret you hid, he can only pray you know that he sees you for who you are, and not some invisible producer of your static portraits. That a life lived in complete solitude doesn’t have to be the answer to succumbing to your fears, even if it feels more comfortable than the perception and the critiques of others. And that although the idea of you was a lovely one indeed, he loves every part of you, not just the concept of you- and pushing you to grow was his way of making it known.
The gallery hosts are quick to introduce the paintings and their respective sponsors, a variety of them being under anonymous titles and names as they choose to remain hidden, too. But Hyunjin doesn’t wait around to listen to much of it, examining the paintings on his own in between nervous trips to the snack table, where he gets tipsy off a little too much cherry wine. It’s his first time not being a sponsor to a specific painting, instead having opted to donate a large sum to the gallery in his company’s name. But after you declined his invitation to be sponsored, Hyunjin didn’t see it fit to highlight the work of any other painting. It’s you he wants to see up there, proudly showing off your work and making a name for yourself in the industry again the way he knows you secretly want to. And he so badly wishes he could stop by your studio one last time to tell you that he’s not sure he can ever sponsor another painting again if it’s not one of yours. Your art circles his mind relentlessly, as do your words, your heart, your body and your real, tangible presence.
“Nice, isn’t it?” A voice says from beside Hyunjin. He almost jumps, the wine making him a little tired at this point in the evening, not having socialized with many people while he stands in the corner of the room and takes in the sight.
“Quinton?” Hyunjin voices plainly, scowling at his uptight demeanor as he leans against the table beside Hyunjin and crosses his legs.
“So nice to see our former highest-painting client,” Q responds. “And to what do I owe the pleasure?”
“I’ve never seen you at one of these,” Hyunjin chimes in. He then looks around the room frantically, thinking maybe you’d accompanied him to the event tonight.
“Don’t bother,” Q says, as he takes a sip of wine. “I’m alone. Just scoping out the competition.”
He’s quiet for a moment, swirling his glass of wine around in his hand before speaking again.
“She never had a portrait at one of these gallery shows. Said they felt too commercial. Of course her old stuff was shown just about everywhere. I think she was just scared.”
“You mean- you knew?” Hyunjin questions.
“Of course I knew. I led her career’s entire rebranding. Of course she didn’t love the portraits, but the money came to us like you wouldn’t believe. And coupled with her fear of these gallery walks and important figures, we had no choice but to compromise. I got her the opportunity to paint people like you. And she did all the work.”
Hyunjin doesn’t say anything for a moment, simply shaking his head and crossing his legs, too.
“She had a lot of people who believed in her art.”
Q shrugs. “She was free to walk whenever she wanted. Her fear kept her controlled, not me. I’m just another businessman for all she cares.”
And Hyunjin gives a small nod, finishing the last of his wine.
“Look, I can’t help but feel like I owe you an apology,” Hyunjin says finally. “I was just a little jealous whenever you were around. Not that there was anything going on, I just mean-”
“You think you’re the first client to have taken a liking to her?” Q interrupts. “I’ve seen it a million times. People want to take advantage and they get obsessed, and they start pulling crazy shit like offering five times the pay for a simple portrait.”
Q looks down to examine his leather shoes, adjusting the glasses that rest on the bridge of his nose. And then he sighs frustratedly before speaking again.
“I would know,” Q then says, doing his best to avert Hyunjin’s gaze. “She’s a tough one to crack. She loves her paintings, and being alone and I don’t think she’d ever give the time of day to a good man. Not even if he followed her to her next endeavor.”
Hyunjin nods at the marbled floor, and then his head snaps in the direction of Q’s somber gaze.
The way he speaks of you, the way he gets a little too close to you for Hyunjin’s liking- Hyunjin finally thinks he understands. It’s not just the fear of being perceived that keeps you from picking up your old life again. It’s the fear of abandoning Q, who so arrogantly feels like he’s owed something for helping get you back on your feet after you shifted your work’s focus.
He’s the only other person who knows your secret, and he holds it over you like it makes him more important than anyone else in your life. He reduces you to a lifetime of following his orders, likely because he’s bitter that he was never the solution to your loneliness. A wealthy businessman himself, it was Q who kept returning for paintings once not long ago, accumulating piles of your work and making every last effort to pursue you. But when he wasn’t successful, he convinced you that you were right about your fears, that it was your best move to take his advice and he’d keep you turning a generous profit as long as you stuck by him. Q was so hopelessly devoted to an idea of you, and when he couldn’t help you overcome your fears, he became the catalyst for your fears, instead.
“You and I are a lot of the same,” Q voices. “Two rich men with dreams just out of our reach. It seems money can’t buy you everything, after all.”
Hyunjin doesn’t say anything, swallowing nervously and looking at Q. And then Q shakes his head as he sets his glass of wine down on the table.
“Only I’ve never seen her willingly paint the same client so many times the way she does with you,” he finishes. “I guess she really liked being seen, after all.”
Q adjusts his glasses once more, and Hyunjin feels his heart sink at Q’s words, suddenly feeling overwhelmingly guilty for not having contacted you again.
“Could you tell her I stopped by?” Hyunjin inquires.
“Me? Oh no,” Q begins. “I can’t get in contact with her. No one can.”
“You- what? What do you mean?”
“Exactly that,” Q responds. “She told me she was done, and she walked out on me with a single watercolor palette and a notepad. She didn’t say anything else.”
“Did she say where she was going?” Hyunjin interrupts to ask, and Q shakes his head.
“She just left, and it’s been almost a month and she’s still MIA. Maybe she’ll come crawling back when she needs another rebranding.”
Hyunjin can feel his heart sinking deeper and deeper with every passing word that leaves Q’s lips.
He’s tried your cell phone- twice since leaving, and you never answered. But he assumed it to be a fleeting argument that would eventually make amends in due time when he could stomach visiting the studio again- not you running away from all of this for good.
“I have to go,” Hyunjin says frantically, chugging the rest of his wine and slamming his glass on the table.
“It was me who found her the first time,” Q says, not taking his eyes off the art across the room.
“What?”
“It was me who chased after her. After she disappeared. Don’t be surprised if she shuts you out when you finally do find her- I think I’ve already scarred her enough with my relentless attempts at persuasion.”
Hyunjin nods nervously, watching as Q cocks his head at the art, still averting Hyunjin’s gaze. And when he finally does turn to look at him, his eyes are glossy with tears, guilt painting every feature on his face.
“Could you just tell her I’m sorry?”
Hyunjin nods, though he makes no verbal promise to relay the message to you.
“Don’t do what I did,” Q emphasizes. “I think you’re the one person who makes her feel like art, herself. Don’t ruin this.”
*
“I forgot my ID today,” Hyunjin remarks to the security guard in the late hours of the evening. He’s met with a gracious bow, the same security guard opening the door and ushering him inside anyway.
“Don’t worry about it. Take as long as you need.”
The security guards all know Hyunjin very well now, taking note of the way his visits increased tenfold following your departure from the city.
At first he felt as though maybe he was searching for you when he’d come out here, any ounce of proof that you had indeed existed the way he remembered, and hopeful for the confirmation that you moved on to something new.
But as paintings cycled through their respective artists, and exhibits cycled through varying themes, it was a confirmation he never received, never finding a hint of you among the gallery. Thus, Hyunjin drew the hopeful conclusion that you’d escaped to a nicer city, worked on your old paintings again and made a new life for yourself, independently instead of under the overbearing presence of any other man. It’s what he wishes, at least, feeling disheartened every time he remembers you’ve very seldom lived any part of your professional career for yourself only.
The gallery is quiet at this hour, akin to the silent gray evening beyond its walls, and Hyunjin’s shoes squeak along the floors as he makes his way over to the curtains that veil the artwork.
New sculptures, by the same artist who had formed the paper mache ones. These ones are formed from wire and clay, the figures once again embracing each other in tender touches and dances. Hyunjin studies every careful bend and arch, making a mental note to sketch some of them when he gets a chance.
Another room houses a similar spread of modern art from before, these ones all coinciding with the warm lighting that hangs overhead, strokes along the canvases all housing similar warm-toned hues. He knows you’d love this installment and its careful attention to making use of color.
And the last room, the same little room behind a curtain, a small bench in front of a colossal canvas and just barely lit for his eyes to make out the scene.
Hyunjin’s seated before he can even examine the artwork, squinting carefully at the painting to get a better look. He even makes a conscious decision to put on his black frame glasses, making every attempt to get a proper look at the artwork in front of him.
Diluted hues of paint and water dance along the canvas, figured outlines he’s very familiar with, and the essence of solitude radiating from every brush stroke. Only this one isn’t one figure- it’s two, a warm-toned figure and a cool-toned outline holding each other in a tender embrace, their faces indistinguishable, true to the mystery of your work.
And between them, bright hues of paint, yellows, blues, magentas, fantastic mixtures of chartreuse and vermillion, all painted like brush strokes along their yearning bodies and illustrating a profound sense of togetherness, much more robust than the ever-present solitude.
“Visions of you in solitude,” reads the small bronze beneath the canvas.
As he cocks his head to make sense of the painting, he feels the leather of the bench dip beside him, indicating the presence of another patron. And at this hour, he doesn’t need to turn his head to understand who it is.
“There’s two,” Hyunjin says with a small smile, not averting his gaze from the painting.
“It felt incomplete without one.”
“Is that…”
“You?” You question quietly.
He nods in response, eyes scanning the swatches of paint between their bodies. It has to be me, he thinks. It has to be us.
“Maybe it is,” you reply. “I don’t disclose my processes to just about anyone. But you’re welcome to make your assumptions how you see fit.”
Hyunjin gives a breathy chuckle, finally turning to meet your gaze.
You look lighter- happier, as though you have the weight of your fears and reservations off your shoulders for once. Hyunjin can’t help but lean a little closer into you before stopping himself, knowing he can’t come in here to mirror the same thing Q once did long ago.
“You’re doing galleries,” he settles on saying.
“And they scare the hell out of me,” you respond, huffing a little at the end of your sentence. “But, it is nice to be seen again.”
He gives a little nod, and then his mind goes back to Q, who had asked to relay his version of an apology to you. But Hyunjin hesitates to speak of him, not wanting to taint your new art with the mentions of the old businessmen who took advantage of you.
“I’d have kept my distance if I knew how this went down the first time,” Hyunjin explains, hoping you’ll get what he implies. “It wasn’t fair of me to ask you to shift your focus. I just wanted you to be happy.”
You sigh for a moment, scanning the painting across from you, too, before turning to speak to him once more.
“Of all the clients I’ve painted, you were the first to ask about my vision. I think you do see me. And I think it was easier to say you loved an idea of me, because I couldn’t understand why you’d love any other part.”
Hyunjin nods, not taking his eyes off of yours.
“I learn from you the same way you learned from me,” you continue. “And you make me feel so seen. But I’m learning how to do that without needing you, too. Getting comfortable with my loneliness, I don’t think it’s something I was able to practice very much. At least not with…”
Hyunjin nods, not needing to hear Q’s name to know who you speak of.
“I understand,” Hyunjin voices. “And I want you to take all the time that you need. What matters is that you feel fulfilled, and that you’re not being pushed at the hands of somebody else. That’s more than enough for me to love you at a distance.”
And you nod at him, your heart swelling at his words as he turns to look back at the painting once more. The two of you stay there like that for several minutes, observing the way you’ve so carefully captured the togetherness you feel when you’re beside him. Swatches of paints that echo the color he brings into your life, and yet rooted in the solitude you’re still learning to be comfortable with. Visions of him in your own solitude, also creating a version of yourself that will continue to learn from him as much as he learns from you. And still art at the hands of him, both when you’re loving him wholly, and at this comfortable distance from each other.
And by the summer months, he’ll love you at a close proximity when you’re ready again, exchanging passionate embraces behind the curtains at galleries and making love to you in your shared apartment. He’ll continue to draw for you, and remain the biggest fan of the two-piece figures you illustrate with watercolors, capturing the same sense of togetherness and yet unwavering solitude that comes with breaking yourself down to the world around you. And the love will be reciprocated unconditionally by you, who finally feels seen at the hands of somebody who perceives you beyond just a concept.
But for now, he’ll remain right here, at this comfortable distance, allowing himself to learn from you as much as you learn from him. And the love will be undemanding, but it will be real, tangible.
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