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#and it did NOT disappoint >_>
booasaur · 6 months
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The Lazarus Project - 1x08
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moldyhay · 4 months
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A joy I thought I'd lost
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demadogs · 6 months
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just wanna say that ive lost all respect for noah schnapp weeks ago and i continue to every time he does something more stupid than the last. free palestine.
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The most tragic thing this episode to me is Kendall recanting his confession. That was the one real thing he’d offered his siblings, and he took it back, and now he can’t un-take it back. And they’d given him something real in return, the best version of tenderness they could muster, and now that’s gone too. Kendall was never going to be CEO, but maybe he could’ve been a less lonely man, less apart from the world. (Or maybe not, the trick to tragedies is they always seem avoidable and inevitable at the same time.) Kendall, alone, Colin trailing behind him...he did get to be his dad in the end 
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uncanny-tranny · 8 months
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To any disabled person undergoing tests to find What's Wrong: I hope your results come back the way you hope and that you receive the help you need. I hope you are not denied care, I hope you are taken seriously even after this, and I hope that you will be taken care of compassionately
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dimensionzero · 11 months
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anyway, a series of things I did not notice about the little spinny thing pav does while rescuing civilians from freefall, yknow the one:
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he's not holding them all with one hand, he made a second loop of webs to catch his diabolo again in his other hand so it would be more secure
I can't get a good picture of it but it's the same way he caught the diabolo in his introduction after he hit the spot with it and I like that repetition
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the reason he does the mid-air spin is to catch the other 'end' of the loop with his foot and wind it around his waist, to free up his hand to grab miles' arm when miles comes swooping down to catch him
(the web is staying wound around his waist because he caught it with his leg and folded his leg up so it wouldn't slip off)
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also presumably it worked to slow their fall and heft the civilians a little higher, so they'll land on that roof instead of crashing into the side of the building
there's also a tiny animation error here since pavitr is still wearing his bracers/bangles on both wrists even though he's using his diabolo to do his yoyo tricks!
I actually double-checked another scene because I wouldn't put it past the costume design to have the suit coloured gold and red under the bracer but nah, in this bit his wrist is pretty clearly bare after he flicks it off:
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in conclusion: this scene fucks even harder now that it makes sense to me, 10/10
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encion-posting · 1 month
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Based on a true story.
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bet-on-me-13 · 5 months
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Dr Leslie Thompkins has some interesting references
So! The Batfam in in Dr Thompkins' Clinic for the usual Vigilante Related Injuries, and the Good Dr seems to be distracted.
One of them asks why she is so nervous and she reveals that her old teacher is coming over to visit, and she is worried that the state of her Clinic and the fact that she never managed to find a good job in a Hospital despite his teachings will upset him.
She is worried that she will disappoint him, because he has done so much for her in the past. He is the entire reason she ever managed to become a certified Doctor in the first place.
The others are curious as to what kind of person would illicit this level of concern from the Stric Doctor they knew?
There is a Knock on the Door, and she goes to Answer it.
In steps an 8 Ft Fall Glowing Yeti with an Arm made of Ice.
Frostbite smiles warmly at his former student, "Leslie! It's been too long!"
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aaphra · 4 months
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Skyrim Scenery 11/∞
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canyonlouist · 1 year
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unfollow me now this is gonna be the only thing I'm gonna be talking about for the next week I've wanted "dabi's dance" animation for so long fuck what the fuck-
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erenalias · 7 months
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“But House MD is unrealistic because of all the medical malpractice!!”
WRONG
House MD is unrealistic because he gives the proper diagnosis more often than not
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sandushengshou · 5 months
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to defeat monsters: become the greater monster | m.a.w
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ambipotentsbestie · 4 months
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okay my one qualm about the pjo episode today, that I just HAVE to address, is that they did not utilize the ingenious cinematic tool that is The Montage enough.
the lotus casino IS A MONTAGE. They are meant to be doing things!!!!! Many things!!!! Playing games and going to water parks and having spa treatments and stuffing their faces!!!! Annabeth plays a sims game!! Percy figures out that they’re stuck!!! Not this they know from the start and get out in twenty minutes business.
like…………. a montage would’ve been perfect, in fact they could’ve kept in the rest of the episode and new stuff they added, it wasn’t even a forty minute episode! Montage would’ve fit PERFECTLY.
thank you for coming to my ted talk.
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corvidcall · 2 years
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None Of You Know What Haiku Are
I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.
If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?
Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!
First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.
For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.
In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほととぎす" (hototogisu).
Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?
Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.
(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)
Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.
Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.
Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:
古池や 蛙飛び込む 水の音 (Furu ike ya kawazu tobikomu mizu no oto) (The old pond — A frog jumps in The sound of the water.)
You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.
English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.
Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.
Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)
The piercing chill I feel: my dead wife's comb, in our bedroom, under my heel
We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.
"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:
meteor shower . . . a gentle wave wets our sandals
When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.
"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?
I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards
a year at most . . . we pretend to watch the hummingbirds
Sources: (x) (x) (x) (x) (x) (x)
Further reading:
Forms in English Haiku by Keiko Imaoka Haiku: A Whole Lot More Than 5-7-5 by Jack How to Write a Bad Haiku by KrisL Haiku Are Not a Joke: A Plea from a Poet Who Has Had It Up to Here by Sandra Simpson Haiku Checklist by Katherine Raine
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nugatorysheep · 1 month
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Heartbreak as a young lad. He looks pretty normal for a future dictator and genocidal maniac lmao
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nerdpoe · 10 months
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Injustice Timeline but with more Ghosts
Superman loses Lois, and starts to go rogue a la Injustice route.
Problem.
Dan, who was just entered into the Justice League, takes great offense to this.
Dan, who is reformed.
Dan, who remembers ripping every single member of the Justice League to shreds in that other timeline, and still remembers how to do it.
Superman never makes it past his opening speech to pitch the idea of hero-approved murder.
Dan, standing over an actually unconscious Superman who probably definitely needs medical treatment, looks at the other Heroes who would have sided with Superman.
"Ẅ̸̖̭͚̰̳̼̰́̇̋̚͜ͅh̴̨̛̭̝̘̻̙̝̜͔͚͛͌̿̉̓̈́̔̈̍͆̾͘͜o̵̦̟̣̖̝͔̠͍͙͖͕̔̏̈́͗̍͒̎̿͗̚͜'̴̦̣̪͓͓̤̲̲͐͌̂͋̉̚͠s̵̛̛̛̙̠̾̂͐̌̏̐́͝ ̵̛̩̹̪̤͔̰̣̼͈̒̉̿́͆͌͒͊̄͘̚͝ñ̷͉̠̩̝̇̒̐͂̄̽̈̃̅̕͘͝͠è̷͓̹̫͊̍̔̃̾̌̽̈́͑̓͜͝x̴̻̓̊̽̎̑ṫ̶̬̮̭̳͕̗̙̙̭̬̣̯͌͋̅͌̎͒͐̍͜?̴̗͍̺̼̪̞̋̕"
Meanwhile, Danny was sitting bored in his throne when a rather frightening new ghost forced her way in.
She demands an audience with him, introduces herself as Lois, and bullies him into making an interdimensional Passport.
She bullies Walker into agreeing that a Passport would make interdimensional travel follow the rules.
She has Danny searching various dimensions to find hers, because she wants to spend her afterlife with her still alive alien husband.
Danny...is too scared of her to tell her no.
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