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#as if you did not expect me to make this parallel
sepublic · 2 days
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Fascinating to me how in the pilot, Luz found the Boiling Isles because of AMITY... Because she's trying to return this exchange student's passport to her. She chases a bus on foot the entire way just to repay her kindness. And so she follows her through the door.
I think the final version works just as well, considering it emphasizes Luz's connection to Eda and King, as well as her relationship with her mother. But there's also something special about how in the pilot, Luz's pretty obvious crush, and hopes of finding a friend in someone who unwittingly showed her kindness (though she doesn't realize it was unintentional) is what leads her into the Boiling Isles. It's what begins everything, it's what starts her journey and helps her find the place and people where she belongs.
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There's just kind of a parallel between Luz trying to return the passport, and Luz wanting to hold onto the book, her father's last gift to her representing their mutual weirdness and kinship with one another. And there would’ve been another Lumity in parallel in them being students of two worlds. The crush vibes are so much more explicit and present from the start, it's like the queer aspect of Luz and the show is intertwined, since the beginning, since the very inciting incident, with the weirdness of our cast and their found family dynamics and everything. Like you can't discuss the weirdness without mentioning the queerness, without acknowledging it as just as much the foundation to the story and Luz.
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Plus there's Amity rejecting the drawing from Luz, only for it to be appreciated by Eda unknowingly... Once again, someone, unwittingly, is kind to Luz. But in this case Eda is more explicit about encouraging and welcoming Luz, and it makes me wonder if Amity necessarily dismissed the drawing as much, or only did so because she was around her peers? She's much more of a traditional, popular girl prep in the pilot. But then she DOES throw away the drawing, and her seeing Luz later could represent the shift in attitude, her reconsideration.
It's just. You have the mother figure. You have the love interest. And they bring and affirm Luz's ties to the Boiling Isles respectively. Luz doesn't get the approval she was initially looking for, but her quest for it leads her to find approval from someone else; And obviously, her chances with Amity aren't entirely off of the table! Her girlfriend brought her here. She lit up Luz's life in a way, as the final version had Luz barge into Amity's life and light up hers without meaning to.
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Plus Eda not being the friend Luz expected or was looking for -they cross paths by pure coincidence- but being the one she truly starts off with in the end. Like how in the final show Luz doesn't quite get what she's looking for, but she finds something else just as great and beautiful. Luz braces herself to be mocked through her drawing by Eda only to be supported and encouraged! All three of these characters are cut from the same cloth, tied together. I love it.
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danytar · 7 hours
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Hello there darling, I was wondering if you could write a young aegon and reader, where aegon and reader are to be married and reader is close with aemond so instead of Alicent comming in its the reader then aegon get reader to help get him off?
If not not a problem
“The Bond We Share” [ Young!Aegon!Targaryen X Sister!Reader X Young!Aemond ]
Warnings: Incest, swearing, expletives, wanking, vulgarity, No use of y/n, aegon and the reader is married, cussing, there is no romantic relationship between aemond and the reader, jealous aegon, mention of sex.
a/n: I wish you like it! I hope this is what you wanted ✨!.
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“They gave me a PIG! ” Aemond replied, avoiding eye contact with you he was sad and feels insulted.
“A what? ”You said in a puzzled and sympathetic tone towards your little brother you knew this was Aegon's stupid pranks.
“They said they found dragon for me but it was a pig.... they all laughed” he said with a shy tone and a defeated voice. you felt bad for your little brother.
“You will have a dragon one day! ”You replied to him, placing both your hands on his shoulders and your eyes stare into his violet eyes. Aemond immediately hugged you and wrapped his small arms around your waist. You were taller than him, of course.
“They are making fun of me sister” He muttered, and still wrapping his arms around you. “I doubt it...Everyone laughs at me when I ask for one...They laugh at me...I mean look at me...” he said in a low voice as he looked away.
you kneel to become parallel to his height.. you cup his cheeks and looks at him, “Don’t say those things about yourself, my dear, you are a Targaryen ”. You told him and looked him in the eye.
He sniffed and his lip quivered, he looked away as he was trying to hold in his tears, “Yeah...I am...but I am the only Targaryen who doesn't have a dragon...I get bullied for having no dragon...and I am told I'm not a true Targaryen,” he replied in a low voice again.
“Who told you that? Rhaenyra's bastards? ”
He sniffled again, “Yeah...sometimes they call me, the dragonless ...and even Aegon makes fun of me,”. he replied with a shaky voice and he wanted that hug again. she hugs him again "it's okay.. it's okay.. I will deal with him" you replied.
He buries his head into your shoulder and he sniffled some more "thank you..." he mumbled in a low voice whilst hugging her back.
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Now you were on your way towards your future husband's chambers You can't, but you feel some frustration and anger combined at the same time.You tried hard to calm down and discuss it calmly with him,the both of you quick to get angry.
When you finally reached the door of his room, you sighed quietly and opened the door completely calm. well It was an expected scene. You were not shocked or surprised by his actions.
Aegon was standing at the window, completely naked, with his back facing the door, so he didn't notice you when you entered his room you could hear his low groans. Suddenly you found yourself staring at his ass and his naked body and a wave of lust rushed through you.
But you quickly caught yourself and remembered why you came.. so you sighed and said in a low voice.
“Was it your plan?”
Aegon froze for a second “oh- fuck”. He fell on his bed, he covers his private parts his vision blurring, and he was unable to recognize you directly. He pushed his long strands of hair away from his face and looked at you. He answered you in a hoarse and slightly breathless voice.
“D- darling you scared me ”.
“The pig”. You looked at him with a disappointed look and moved closer.. “Was it your plan?”.
“Y- yes”He replied to you in a breathy voice, then he composed himself and looked at you. You're still standing there slouched and waiting for an explanation from him.
“What? Did the mouse complained to you again?”.
“Aemond is your brother.. our brother”. You said and crossed your arms together.
“He's a twat!”. He replied in a sour tone.
“He's child Aegon! you can't do that in front of our half-sister bastards.. do you think rhaenyra's sons would be your play things forever? ”.
“It was funny! ”.
“He is our brother! we have to defend each other this is the bond we share aegon! ”.
“Why are you so angry?”.
You hold your head and bite your lip to maintain your composure “Don't fool me aegon!”.
“Gods! darling! why are you acting like mother?Besides, why are you defending him so much! How does he will become a man and you defend him like this,Do you like him?”
“WTF Aegon! Don't be so silly he's a child!”. You respond, dismissing aegon's comment you didn't like it at all it was ridiculous comment.
“I am serious! he's sticks to you like glue!”.
“Aegon-
He gets out of his bed and pushes the sheets to stand directly in front of you, exposing his naked body to you. You didn't break eye contact with him.
“Besides, i'm older and i'm better suited to it than him,”. he said, smugly.
“Shut up-
Aegon rolled his eyes, “Whatever...I'm allowed to have an opinion and I am allowed to be right”.
“He's your brother!”
Aegon was silent before he looked away, “So? That doesn't change anything...He is weak...and because of that, he should not have a dragon...and when he doesn't get one, he'll be a disgrace to the Targaryens...like the pig boy he is,” Aegon stated coldly.
You can't help but slap him aegon was stunned and he backed away a bit as a red mark appeared on his cheek, "You slapped me?!" Aegon exclaimed in a surprised and angry tone.
“I did”.
Aegon pulled her so closely to her as his grip on her hair tightened, “He is pathetic...Weak...He doesn't deserve a dragon...” Aegon said with seething animosity in his voice.
“Besides, why don’t you take off your clothes, sis? Let's forget about our idiot brother and enjoy our time ”. he whispered.
“Take off your clothes..” Aegon said again as his hands rubbed her hips.
“Aeg- No stop”.
Aegon looked at her as a devilish grin appeared on his face and he replied in a low voice, "Why should I?".
“Because I have no wish to fuck you now”.
His grin became even bigger as his hands started to travel along her curves, "Sure about that?" he whispered with a smirk on his face. you nodded and he put his fingers under your dress to check when his cold fingers touched your wet pussy, he smiled he wiped the liquid with his fingers, then removed his hand from your dress to taste your taste on his finger.
“Little lying whore”. he whispered and put his finger in his mouth. You felt heat spreading through your body as his fingers began to work their magic on you. For a moment, you forgot the reason for your argument with him.
He pushed you on the bed and pinned you under him to begin his work with you. You had already interrupted him, so he will finish what he started but with you.
“You can't do anything about it, can you? You're mine." Aegon murmured and he leaned even closer to her face, "And I can do whatever I want with you”.
You looked at him with your big blue eyes.. “Aegon.”... he looked back at her with a smug smile on his face, "Yes?".
“Fuck you”. You said before pulling his face towards you and poking his lips. Your teeth were scratching the soft flesh of his lips.
He gasped as she said those words and when her teeth started scratching the soft flesh of his lips, his eyes lit up as he leaned into her and started kissing her more aggressively, he pulled her against his body as he made out with her passionately.
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– Taglist ♡ : @hisfavegiri @callsignwidow @xitsemm @saltytidalwavetyphoon @credulouskhaleesi @darylandbethfanforever9
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aenslem · 10 months
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Spock & Christine STAR TREK: TOS (1966–1969) STAR TREK: SNW (2022–)
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#elena of avalor#beauty and the beast#batbedit#disneyedit#eoa edit#belle x beast#estebalena#kinda but also not kinda#I think a lot about the fact that it's been confirmed that this is an intentional homage#like EoA series supervising director Elliot M. Bour was just like casually bringing BATB into things as an Easter egg#since it was his first job in animation#and like don't get me wrong; I LOVE that he did this. I just don't know how he expected anyone (i.e. me) to be normal about it afterwards#once you've introduced BATB; it ceases to be a fun and casual reference and just makes the literature major girlies go feral#i thought this was gonna be a quick and easy little project but it wasn't#the parallels are all there but they're in slightly different order in EoA than the original and the pacing for each reference is differen#so i had to determine which ones I needed to skip frames for and which ones to use all the frames#and then try to figure out the speed from there#the coronation day scenes were very hard to color because the grey skies and muted filter kind of whitewash the characters#like you don't even understand i added so MUCH vibrance and saturation to the 4th and 5th gifs but elena's skin still is just gray#and the coloring is still just a very very mixed bag#also i've realized that while I don't think it was an intentional reference in the same way BATB was#anna's sacrifice and resurrection from frozen is perhaps just as --if not more-- a clear parallel to the coronation day scene than BATB#so maybe I will do that one someday too?#once i psych myself up again to try coloring coronation day again#which i imagine will be awhile#these do not look like the same scene and pretty much the same scene at all even if i tried to use the same psd when i could#and edit them to make the coloring as close as i could
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deva-arts · 3 months
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I have a ladybug in my room that made it in to find shelter for the winter. It's been flitting around on my windowsills, and every once in a while I see it pop up again. It's been here for a few days so I think we're roommates at this point... I wouldn't know, I haven't asked it yet.
Today I placed a droplet of water in front of it. It practically scampered over and has been drinking for the last five minutes. I hope it understands I offer free refills.
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waroferas · 29 days
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(trying not to run head-first into the nearest wall) ravio is cool . i like ravio
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oveliagirlhaditright · 11 months
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Parallels: Buffy probably hinting that she enjoyed her and Angel's physical relationship.
So... there's a large part of me that actually hates this, of course. I feel like Buffy and the writers themselves have forgotten all of Buffy and Angel's good times (we even saw some of this in "Chosen"). And this is just completely inaccurate, because they actually talked a lot. All of season three, that's what their relationship was about, and that's all they could have then, really. And in fact, Buffy was often telling Angel things that she didn't anyone else. If I'm going to defend this at all, I guess it could, sadly, make sense that with everything that's happened with them, and the time that's passed, she's somewhat forgotten that (I think that's partly what was going on with the "Chosen" conversation, too). She's also furious in the last pic (and for good reason). And Buffy has been known to cut people to the quick when she is.
Why am I posting this, then, if I really dislike it? Because I feel like a lot of people in the fandom like to try and spin that Buffy and Angel didn't have the greatest physical relationship in the world (good--over Riley and her for sure--but maybe not great in the end)? Especially after they could no longer make love, and when compared with another ship? Buffy feels differently.
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lesbiten · 2 years
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ohhh yaz.....oh no
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dragonmuse · 6 months
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Keep It In The Box : An Essay on OFMD Season 2 and the Failure to Heal
(here in is my season two reaction. It contains many many spoilers. It's also about 3k words long so you know what you're getting into.)
“See, I have a system for dealing with all the terrible things I've seen. There's a box in my mind, and I put the things in the box..” -Frenchie, Season 2 of Our Flag Means Death
…..and then he never opens it. Chekov’s locked box has no key in season two.
On first watch, it seemed clear to me that Frenchie’s declaration was a narrative plant. Clearly the whole season would be about that box of pain and trauma being opened, sorted through and at least the beginning of healing. The show had developed a reputation after season one of being kind and focused on queer narratives of healing from childhood. Ed and Stede’s parallels in their childhood traumas were frequently on display through season one and were repeated in flashback throughout season two. Jim’s season one arc about becoming someone who doesn’t think just of revenge and can now forge meaningful connections was profound, beautiful and often funny. Izzy is an antagonist because he doesn’t want Ed to move on or stop acting like the trauma-response version of himself. The antagonist wants to stop healing. The point is to grow, to change, to learn how to love. It’s one of the things that made season one work for me at the time, despite reservations about pacing and tone.
So naturally season two should follow suit. It’s a kind show! About healing and falling in love!
For the first several episodes, the remaining crew on the Revenge go through a gauntlet of trauma, forced to do and receive violence at Ed’s whims as he careens from self-destructive behavior to self-destructive behavior. This is the wounding setup. It was dark, but it seemed like it would have a payoff and at first it did.
Perhaps one of the most beautiful moments of the season comes in one of the small respites in those early episodes as Jim recounts Pinnochio to Fang to soothe him through his grief. That was the show that I expected. The kindness of that moment struck me very deeply. It gave me some understanding of Archie too, who seems to fall for Jim right at that moment.
That scene is the show season one promised. Season two led with packing Frenchie’s box full to bursting. Here is the fight to the death between lovers, there is a first mate who is mutilated and rotting in the very walls (the rot of the Revenge itself), and there is the storm of Ed’s rage and pain that threatens to consume all of them.
So surely these remaining episodes would concentrate on finding the humor in healing from those moments. That is the setup. Frenchie has a box. The box must eventually open.
Except time and again, all the characters who suffered are told that the only way to deal with what they’ve been through is to stick it in the box and never open it again.
Pete tells Lucius that he’s unable to move on and needs to let it go. Izzy has a story about a shark. Ed’s apology to the crew which doesn’t even contain the words ‘I’m sorry’ is just…accepted. I kept waiting and waiting for a meaningful apology to the people Ed had hurt the worst with his actions, but it seems all we get is Fang saying ‘eh, no problem, I got to hit you back so I feel better’.
The playful theme of ‘pirates are just violent sometimes’ from season one becomes a grinding horror machine in season two when every atrocity visited on someone is forgiven because the narrative needs it to be. Ed and Stede spend more time making amends with each other over the bloodless night on the beach than either of them spend trying to repent for their actions towards anyone else.
And let’s talk about Ed. Arguably this season pivots on his narrative, on his path to healing and growth. A path that starts at a very low point. His moment in the gravy basket, deciding he wants to live because there are still things to live for is so great! So one might assume that what would follow would be him pursuing those things, making amends, making connections. He and Stede have a wonderful moment, talking about being whim prone and how they’ll work to avoid that, build a relationship by going slower.
Yet, at no point do either of them stop following whims. They never heal or learn from what’s happened to them. They both keep running from thing to thing, particularly Ed. It’s a whim to sleep with Stede, it’s a whim to run off to fish, and the finale gives us just more of their whims. Ed drops fishing as fast as he picked it up. He finds those leathers in the ocean, murdering the symbolism of leaving them behind. Even the inn is a whim, one of those things Ed decided he’d be good at without evidence. And Stede joins him in that without a single on screen conversation about it ahead of the moment.
Ed needs to heal himself and to do that he needs to confront what he’s done and do the work to heal the wound. Instead, he doesn’t meaningfully apologize to anyone, besides Stede and Fang. Despite Izzy’s dying words (we’ll get to that), not only do we never see the crew caring about Ed, working to make him family in the same way they do with Fang and even Izzy, he also doesn’t choose to stay with them. So what is the point? Where is the healing? Or does even Ed, beloved main character, have to live with it all stuffed in a box?
He ends the season in the leathers he threw away, in a relationship that’s barely stabilized, going to live in a house which we are told by the narrative (in that they are very very clearly paralleling Anne and Mary with Ed and Stede or why do we even get that whole Who’s Afraid of Virginia Woolf? episode) will only end in them setting fire to each other to stay warm.
But Vee, I hear you cry, it’s a ROM-COM. This is all meant to be ha-ha funny and you are taking it so seriously!
Cool beans. Then why the hell isn’t it funny? Healing is often filled with comedy because people deal with pain with humor. You can heal and laugh at the same time. The finale especially is almost entirely devoid of laughs, almost entirely devoid of joy until the last minute for that matter. The episode that should show off with a flourish how far everyone’s come, mostly serves to show that no one has grown.
Okay that’s Ed. I want to talk about Lucius next. Our former audience surrogate (that’s taken away in season two when he doesn’t get enough screen time to perform that role and no one takes his place) really goes through the wringer. He experiences many many terrible things, including sexual assault (which is made into a grimace-laugh line that doesn’t take away from it’s seriousness because oh hey, that can be done as it turns out). He’s nervous, he’s smoking, it’s clear he’s suffering.
There’s a beautiful moment where Pete tells him ‘hey, I was also in pain. I grieved’ and that’s great. It’s good that Pete sets a boundary about Lucius not obsessing over the past to the point of occluding their future.
We even get our comedic moment where Lucius pushes Ed off the boat (still not apology, but I’d lost hope for that by then) and that doesn’t help enough. So Izzy comes in with a shark and the advice that you just have to move on.
Just…you know. Play pretend. Forget.
Shove it in a box. Ed didn’t take my leg, a shark did. Ed didn’t kill you, a shark did. Live with the person that tried to murder you because it’s your fault you dangled your leg over the side of a boat. That is the show’s message. I thought on first watch, that surely this would also come back up and be explained that you can’t live that way, that that is no way to heal. That it would become clear that this was no way through. You cannot make everything into sharks.
Lucius can move forward and still carry pain. He can still want a meaningful apology and still want to talk to his lover about what he’s dealing with while moving forward toward a brighter future.
And what of the flirtatious promise of relationships and connections being the way to heal? Look to Oluwande and Jim, whose heartfelt romance from season one was relegated to the bins of history in favor of a narrative that made him a brother Jim once had sex with. They could have had Archie AND Oluwande, who in turn could also have Zheng, but that never seems to be an option. With a single short conversation, they are broken up with, despite a brief tease at the birthday that they still ‘dance’ together, it never actually manifests. Jim and Archie never talk about what they went through. It’s swept under the rug as fast as knives are lowered.
Lucius also no longer flirts with other people, the solution to his pain is to propose and get married (but not too married, lest we forget that they’re two men, they don’t even get to be husbands or even the more respectful mates, no. They’re mateys.) This season proposes that the only happy endings are monogamous ones, where no one talks about anything painful that went before.
To ensure that message, beyond assuring the success of Oluwande and Zheng’s relationship, Jim and Archie almost entirely disappear from the narrative. Sorry you guys were given layers of trauma and no growth and not even much to do this season, we need to make sure that everyone remembers Oluwande is the break in Zheng’s day so when he says that to her five minutes later we know exactly what he’s referencing. No time for Archie to learn what an apology is or for Jim to get one line in with Oluwande that isn’t affirming their newfound broship. Must do more flashbacks to things we just did two episodes ago!
The show even dangles the conversation of the Revenge being a safe space. Why would any of them ever feel safe when the man who tortured them is allowed to walk among them and they are expected to forgive and forget? What’s safe about that? The ship is never made safe for any of them, but that’s never addressed.
And Zheng! Amazing, hysterically funny Zheng! She loses her ships, her entire way of life, the kingdom she built for herself and then…she doesn’t even get to captain the Revenge. We don’t know what becomes of her fleet, of her plans, her ambitions. Don’t worry about it, she has a romantic partner and isn’t that what every lady wants in the end?
(But Vee, I hear you cry again, there will be a season three! Maybe it will be All About Zheng! To which I say: then why did they present us with the most series finale feeling episode ever? If there’s more, I have no idea where it’s going. BUT VEE: BUTTONS AS SEAGULL ON THE GR- Fine. It’s time.)
Let’s talk about Izzy Hands.
Izzy manages more healing than anyone else this season. He reaches his lowest point, suicidal in the bowels of a ship that’s become a prison (very much in contrast to Ed’s suicidal low). The person he loves most in the world has shredded him physically and emotionally (and if you’re in the camp that thinks Izzy deserves the abuse that Ed gave to him, I would really like you to sit quietly with yourself and ask why you think there is ever anything anyone can do to deserve that treatment). He’s low, he shoots Ed to protect everyone, and then seems to plan to drink himself to death, mourning his losses.
And then another beautiful moment! The crew move past their own pain to help him. They work together for the first time and it’s to give Izzy mobility back. He treasures it. He cries over it. He uses that kindness extended to him to reach a new understanding of Stede and help him succeed, doing the work to make real amends. He sings in drag, he’s vulnerable and beautiful, celebrating the side of himself that he must’ve loathed in the first season. He’s an elder queer man, coming into himself.
He never gets an apology though. (‘Sorry about your leg’ without eye contact is not an apology. There is no responsibility taking, no acknowledgement of the weeks of torture that came with it.) Izzy also never really has an honest conversation with anyone about what it means that the man he loves punished him so severely for the crime of trying to protect the crew (yes, lest we forget, Izzy lost his leg because he was trying to keep Ed from re-traumatizing the crew and himself).
Izzy does all this work, but even he’s not allowed to take it out of the box. It’s a shark, not Ed. Ed is just ‘complicated’ (the language of abuse here is so upsetting and I think not even intentional).
And then he dies. His last act? To apologize to the man who tortured him and shot at him. To have done all this work, to take on all the blame. And then die.
In a rom com.
This show ends in a profoundly unfunny moment of telling the audience: this is the one character that did the work, that made amends, that tried his hardest to accept the parts of himself that he had a hard time embracing and formerly embittered him. He’s fully accepted his queerness and turned it into beautiful music. He’s disabled, and he worked hard to accept that. The man he loves will never love him back, so he worked hard to make Stede able to meet Ed on an even playing field. The Giving Tree gave up its limbs and its trunk, and it’s not even allowed to be a stump to sit on.
Kill the queer elder, who has managed to figure out how to live and in his own way how to heal. Kill him before he manages to teach anyone else how to meaningfully move forward (he almost gets it with Lucius, almost, but it’s meant to be rule of three, you know. Cigarette..shark…and then…and then fuck it, Lucius doesn’t even get to say a word at his funeral).
The message of this season again and again is that there is no healing, just moving forward. Like a shark. Like a bird that never lands.
That is not a kind show.
Season two is not a kind season.
It splinters people up and jams them back together without purpose or reason. It tells everyone who experiences pain that they should shove it in a box and not deal with it. No one who really needs one gets an apology of any sincerity. No one puts in the work to gain forgiveness. (Ed wearing a onesie is not The Work. Ed fixing a door is not The Work. Ed broke people that the show wants us to care about. Ed never does the work of making those amends. He fires off a Notes app apology at best. After all, it’s what he told himself via Hornigold in the gravy basket: you move on or you blow your brains out! Good thing he took his own advice and therefore had to change nothing to get his just rewards.
I would’ve taken just fifteen minutes of Ed trying to actually make amends. It could’ve been hilarious! Imagine awkward Ed trying to dance around what he’s doing with Jim and the two of them having a knife throwing competition about it. Or him and Frenchie attempting to make music together, writing a song about the raids they went on! It’s not just the crew robbed of their healing because of this, it’s Ed himself. He never meaningfully changes or makes amends. How is he any different at the end of the finale then he is standing on the edge of that cliff with Hornigold? He hasn’t moved on, he hasn’t healed. He tried one thing (fishing) that doesn’t fucking work and then he runs right back.
No one leaves this season better than they went into it. They’ve lost an elder queer, they’ve lost their joyous and queer polyamory, they’ve lost a chance for meaningful reconciliation with Ed and Ed lost any chance of looking like he gave shit if they did. Stede grows enough to accept the crew’s beliefs as important and then leaves them behind without a care.
Izzy gets a beautiful speech about piracy being larger than yourself. Ed and Stede, within twenty minutes of that speech, leave piracy. They are incapable of giving themselves to something bigger, apparently. They haven’t learned to be a part of a community. They haven’t healed from their childhood trauma or their fresher wounds. They are still just following their own whims.
Zheng’s life work is in tatters, but it’s fine, she has love. Oluwande and Jim aren’t together, but it's fine because they both have dedicated monogamous partners. Lucius was deeply scarred by what happened, never recovers much of his first season personality, but hey he got-well it’s not married exactly- but you know good enough!
Frenchie, who has a box forever locked in his head, is captain. Because the key to success is to lock it all in a box and never open it. What a message. What a show. Conceal, don’t feel. Smile because it’s a happy ending. Don’t mourn the dead, don’t try to tell people what happened to you (they will literally run away or cry too hard to listen and really you’re just bumming them out), and any meaningful change you make is only rewarded with death.
Frenchie is now a pirate captain with a box in his head full of trauma that’s never been opened, leading a crew with more wounds than scars. Wonder how that could turn out? Wonder how many years before he might want to retire and then happen to run across a gentleman pirate. As if no one learned anything at all.
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Alright. I came across someone saying that Rick "put Jason in a pedestal" and "overhyped" him by emphasizing how good looking he is and that Jason shouldn't have been so attractive looking. (Tbf tho that person made it sound like they seemed more mad bc their least favourite character was considered good looking lol) but I'll yap about the significance here anyways. Beware of a very long yapping session below.
I do understand their frustration though, because jason getting told that he looks good all the time makes it seem very shallow and unfair to the others.
And let me tell you, Jason is SUPPOSED to be gorgeous looking in everyone's eyes. He is supposed to be conventionally handsome, Rick didn't intend for his looks to be "beauty is in the eyes of the beholder " or something like Percy's (like how Piper didn't find him as impressive) Percy's is supposed to be more authentic. Percy's character isnt centred in people idolizing him, everyone can acknowledge that he's handsome looking, but it isn't in a "perfect" type of way, he's a carefree spirit and that reflects on his looks. While Jason is hardwired as this ethereal looking hero in people's eyes that not even ONE can deny that he looks good, bc ppl in Rome had set him as the "standard". Jason said this before in the lost hero, that him being a son of Jupiter, makes him feel like the support he gets is only because his dad is a very regal and intimidating figure.
That's kind of the whole point, he's supposed to look like this perfect man who can do no wrong. His "Golden noble boy" arc is literally the whole concept of his character. Why else do you think rick wrote Aphrodite approving of Jason's looks saying that he needed no improvement (which she rarely does) ?
Because Jason is supposed to be put like a statue to admire and idolize, that's ALSO why rick made sure to add that Jason looks like a Roman sculpture, bc that's like a metaphor for his inner conflicts. The guy was put like an artifact for people to ogle at in camp Jupiter ever since he was a kid of 4. That's part of the tragedy.
Annabeth said it perfectly “Annabeth tried to hide it, but she still didn’t completely trust the guy. He acted too perfect - always following the rules, always doing the honorable thing. He even looked too perfect. In the back of her mind, she had a nagging thought. What if this is a trick and he betrayed us?” Mark of Athena, page 6.
His mother, whom he's supposed to look like, is also a literal world wide tv actress. So you can't expect anything less either.
Also, Jason is supposed to mirror Percy. And let's be real. Rick put Percy in a VERY high pedestal looks wise, aswell, Not just Jason. And that's okay.
Rick made Hazel mistake Percy for a literal god because he was just that good looking (tbf, in a way, when I was younger, I found this to be a little bit of an exaggeration, bro was covered in mud and seaweed and was compared to a god, it was rlly funny to a 10 year old me 😭 yeah but don't mind this though, this was just a younger me jealous that I couldn't be as pretty as Percy was in mud lol) If Percy can be "hyped" up so "unrealistically" in that particular situation then so can Jason. They are both literal half gods, so unrealistic praise is very normal) and rick also made sure to emphasize that almost all the teen characters had a crush on Percy. So apparently that isn't called putting a character in a pedestal but Jason's is? They are BOTH put in pedestals, because they're both heroes.
Jason and Percy are supposed to be equals, so both of them being in the top two when it comes to looks makes SENSE. Because people are supposed to argue about who is better looking, since they're written as foils.
You cannot expect rick to make Percy look like a god and Jason look like a rat 😭 then there's no point of having them as parallels if one has the upper hand in something. Rick did a good job by conveying that they are BOTH attractive, but in different ways. That's why the Percy/Jason looks debate always have mixed answers.
Jason getting complimented by Aphrodite, the GODDESS of beauty, for his looks and her saying that he didn't have anything to "fix" in his face BC it already looks gorgeous = Percy getting compared to a gorgeous Roman god by hazel. They are both equal comparisons in slightly different tones.
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coriphallus · 7 months
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The Dark Urge thoughts (and prayers)
anyone whos been following me knows im absolutely not normal about durge and i wanna share some tidbits that are implied, but not necessarily canonised, from their story;
I already made a post about it but it seems like bhaal has a degree of control over whether they live or die. he can deny them death, if they fail the duel with orin.
bhaal can command the slayer. he forces orin to transform if you talk to her about sarevok and the scene makes it clear that its against her will.
bhaal manipulates his kin in a subtler way. in the colony you can find a letter from old durge thats apologising to his father for 'liking' gortash. you can interpret their relationship as something deeper but even if it wasnt, this reads to me as terrified and desperate.
the reason being, if you have a LI in act 2 you get the famous bondage scene. coupled up with the letter above makes me think this is a pattern. bhaal can use their feelings against them. he did it with sarevok and orin's mother, orin's mother and orin, etc... it's not as straightforward as 'if you disobey ill kill the one you love'. you will. durge will.
bhaal is testing them in act 2, he revels in chaos, sure, but in the grand scheme of things he doesn't care about isobel. even if you tell scel that you'll kill her you're told that youre too late, you ignored your urges. from durge, bhaal doesn't expect calm calculated murder, he expects blind obedience. failing to receive that his first punishment is to take away something they cherish. there are no half measures, theres no bargaining with a god.
we get so many snippets of information that this has happened before, their foster family being their first victims. theyre made to kill their support system with their own hands, with no one to blame but themselves. they are actually apologising to their father for being fond of gortash because (in my humble opinion) theyre genuinely afraid.
how many times could this have happened, how many nights durge couldve woken up covered in the blood of someone they love until they gave in, became daddys obedient puppet?
durge is groomed for murder. scel says 'you always failed to conduct yourself without me' and given who he is i dont think hes talking about table manners when he says 'conduct'. durge needs 24/7 oversight to set themselves right lest they get tempted by softer things. lest they dare to step away from bhaals grand plan.
durge do have a choice. just as shadowheart had a choice, just as wyll or astarion had a choice. its a choice only in name.
theres no ending besides refusing bhaal that their friends and LI wont die by their hands. the entire lore of bhaalspawn is that theyre meant to conquer the world in his name and slit their own throat a top the mountain of corpses. as cazador aptly put, 'theyre made to be consumed.'
you can pray to bhaal and the narrator says he won't accept [any offering] but the entire world.
durge (and bhaalspawn) do get some sort of euphoria from murder. they crave it like an addict, but bhaalspawn (on prev games) don't constantly have to grapple with these urges as durge does.
now durge is a slightly special case but not in a good way. its implied that theyre not like a regular bhaalspawn, that theyre made by bhaal directly -so to speak-. which is to say, if youre playing a drow, they are bhaals closest approximation of a drow rather than a drow flesh and blood.
thats why theyre fighting tooth and nail against these urges every step of the way, they are literally bhaal himself(in essence). the personality they develop, the person who calls themselves 'tainted' and 'wretched', the character thats making choices throughout the game, theyre the tumour.
theirs is the story of cycle of abuse cranked up to 1000 and it is in parallel to all other origin companions.
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05raine · 11 days
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“When you love the Doctor, it's like loving the stars themselves. You don't expect a sunset to admire you back. And if I happen to find myself in danger, let me tell you, the Doctor is not stupid enough, or sentimental enough, and he is certainly not in love enough to find himself standing in it with me!” -River Song (Doctor Who: The Husbands of River Song)
Inspired by this post by @ibenology
My rambling about this below 😎👍
These three pairings actually hurt me in how similar they are, not to mention how River’s quote here could apply to both Hob and Mobius as well as of course- herself. The three of them(River, Hob, and Mobius) all fall for this seemingly timeless ethereal being; the sunset that they don’t expect to admire them back.
But the quote I referenced above is shortly followed by The Doctor revealing that he’s been next to River this whole time, and that can kind of tie into both Morpheus and Loki in how they admire their partner back in their own repressed way. River, Hob, and Mobius are all under this assumption that there’s no way that their affection will be reciprocated, but they don���t realize that The Doctor, Morpheus, and Loki have been by their side through it all and it just- UGH. THE PARALLELS BREAK ME.
Anyways, if you can’t tell I’m not used to drawing real people but I did my best to make them look like the actual actors while somewhat retaining my art style 💀
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macfrog · 2 months
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Just me up at 2am wondering how many times Joel replays that wedding hotel room night in his head 🤔
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warnings: breeding kink, pregnancy, m masturbation, desperately horny joel word count: ~600 words
i think he thinks about that entire night and wonders what the fuck even happened there. the way the world tilted ever so slightly the moment he pulled open his front door and saw her on his porch – sunlight twinkling from her earrings, satin draped over her breasts in pale waves; the shameless flirting under the cover of rosé wine and beer, string bulbs and rainbow disco lights.
i mean, one minute he’s waving his newspaper at her like a grumpy old man, counting down the seconds until she’s skipping back over to her own fucking porch – the next he’s caging her against the bed in her hotel room, thinking if he doesn’t fuck her here n now, he might tear the entire place apart.
between the wedding and three weeks later? yeah, he might think about it – just a little.
might think about her dress, the shape of her body beneath it. the way it fell from her hips – just slipped down over her curves and pooled at her feet like venus emerging from the ocean. might think about her naked body: how, until that night, he’d only ever wondered about it – stealing sideways glances over the fence at her little shorts and tight vest tops. but now…now, he knows what she looks like. he’s seen her undress for him.
and i bet he thinks about her soft gasp when he first pushed inside, after she finally caught her breath again; feeling the size of him inside her, how he knew she didn’t expect him to be so big and so fucking hard for her. how much he had to focus on not coming within five thrusts, she was so fucking tight.
bet he thinks about it in the shower, one hand against the tiled wall, the other jacking himself furiously. mouthing the words he whispered in her ear as their bodies rocked together: how good she is for him, how pretty she looks all full of his cock. bet he still hears the echo of her moans, the sweet little laughs lilting from her lips.
and when he finds out she’s pregnant? shit.
when he’s watching the evidence of what they did grow right before his eyes? her body blooming: stomach swelling, breasts growing, her cheeks plumping and her skin glowing? knows that he’s the one who changed her forever? knows that it’s his baby she’s growing?
sure. he probably thinks about that part a normal amount, too.
and i bet he thinks about how he shouldn’t be thinking about it. about her.
not when he’s sure she wouldn’t look at him ever again, if not for their parallel driveways and the parallel lines on that pregnancy test. not when he’s trying to act his fucking age, date someone actually appropriate for a forty-eight-year-old with backache and still two decades off retirement.
but it makes it worse – the fact he shouldn’t be doing it. shouldn’t be relieving the heavy weight between his legs in the morning with the memory of her lips closing around his fingers, playing on a reel behind his eyelids.
shouldn’t be staring into space while he’s driving, hearing her giggles once they’d finished; feeling her nails as she drew shapes on his sweat-sticky chest. shouldn’t be thinking about her wandering around with his baby inside of her; her body growing ‘n changing all ‘cause of what they did together.
he shouldn’t be. he shouldn’t he shouldn’t he shouldn’t but jesus, he is. you fucking know he is.
dear reader, joel has absolutely wrecked the tape, the number of times he’s replayed that night. the vhs player is smoking.
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captainfern · 10 months
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May i request your majesty 🐈..
Cosy! Sfw (or if you find a way to make it NSFW then go wild) headcanon/ imagine of fem! Reader, reading to the boys every night or after a mission?? Like.. so mother ?? Bc they mostly fight and train and wrestle so, they have a lil calm, story time moment with the reader ??
Ugh I’m reading a book rn and thinking I just wanna mother these boys and read them a story!! Babies !!!
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"This Is Not A Book Club"
141 x gn!reader [platonic!]
[Imagines 1]
[SFW]
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• summary - what the request says :) • rating - sfw • wordcount - 1.8k • warnings - ik the request is for fem!reader but no specific pronouns/gendered language are used in this, pet name "love" is used once tho, strong language, no smut sorry fellow whores ✋
this idea is so fucking cute i just had to write it omfg. also i love that gif soap and ghost's interactions are just too adorable *pat pat*
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You didn't mean for it to become a habit.
It began on a whim.
After a strenuous mission, you relaxed in your respective room, curled up in your bed, reading a book. The main light was off, and you relied on the soft glow of the lamp on your bedside table. It was a relatively new book— you were only a chapter or so in— when a light knock at your door made you jump.
You hadn't been expecting it. It was pretty late, too.
You were surprised when Gaz poked his head in, apologising for interrupting. He figured he could unwind in your room, since the rest of the 141 were doing their own thing, and he needed some company.
You accepted, of course— how could you not when he looked at you with those deep brown eyes?
He settled on the bed next to you, sprawling himself across it near your feet. You laughed as he sighed, face buried in your duvet. He lifted his head, peering at you quizzically.
"What are you reading?" He asked.
You held the book up. "I... honestly don't know. It's pretty good, so far though."
He hummed, intrigued, as he scooted closer to you, head now resting parallel to your thighs.
"Read to me?" He asked, long eyelashes casting shadows across his cheekbones beneath the lamplight.
You smiled. "I'm two chapters in."
"That's okay," he muttered. "Just fill me in on what's happening."
You did, explaining the last couple of chapters in as much detail as possible. You then told him what the book was about, reading the little summary on the back. By this stage, his head was now resting on your lap atop the blanket, hand cupping your slightly bent knee.
"Right, okay," he said. "Now you can read from where you were reading."
You chuckled at his enthusiasm for you to hurry up and begin. So, you obliged, reading a couple of chapters before his breathing slowed. You looked away from your book, realising that he had fallen asleep, head still resting in your lap. You smiled, gently patting his head.
He mumbled incoherently.
"Gaz, come on, you fell asleep," you giggled, nudging him. "You need to go to bed."
He yawned, forcing himself to sit up. His eyes drooped, bleary with drowse as he stumbled off of your bed.
"Fine, but I'll be back for the next chapter tomorrow." He muttered, leaving with his eyes barely open.
The next evening, at roughly the same time, Gaz found his way into your room again. This time, with Soap in tow.
"Soap?" You greeted skeptically.
"Gaz said you're reading to him. I like a good storytime, too." He smiled, sprawling himself out on the rug beside your bed. He didn't give you any room for argument as Gaz resumed his place resting against your lap.
"Oh...kay... do you want me to fill you in?" You asked as you grabbed your book from your bedside table.
Soap shook his head. "No, no, don't worry. Gaz filled me in on the way here."
You laughed. "Of course he did."
So that's how you began reading to both Gaz and Soap. That night, Soap did much the same as Gaz did previously by falling asleep— face to the ceiling, stretched out on your plush rug. His soft snores prompted your eyes away from the pages. Gaz, too, was drifting in and out of consciousness.
You closed the book gently. "Okay, you two, time for bed."
Gaz got up without much of a fuss, but he had to shake Soap to get the man to cooperate. Soap grumbled and complained the entire time Gaz hoisted him to his feet. Then, still muttering grumpily under his breath, he let Gaz lead him out of the room.
The next day really confused you.
Both Gaz and Soap turned up, and once they were comfortable in their usual positions, a soft knock echoed through your room. Soap opened the door for Price, much to your astonishment.
"You too?" You questioned as your captain took up position in your desk chair, near the foot of your bed.
He relaxed in the chair, legs spread and arms folded across his chest.
"Got nothing else to do, love." He said simply, imploring you to pick up the book with a nod of his head.
You were in slight disbelief, but nevertheless, you continued with the book. While Gaz and Soap relaxed, listening to the peaceful lull of your voice, Price asked the occasional question. You stopped patiently and replied, ignoring the frustrated groans from Soap on your floor.
"Just shut up and listen, Price."
"Watch it, MacTavish."
Not long later, you managed to finish the chapter before Soap fell asleep. You waved them all goodbye as they filed out of your room, and you forced yourself not to laugh as they did.
Now, if you were confused before, the next day threw you completely.
Once again, Gaz lay sprawled out on your bed beside you, Soap on the floor with his arms behind his head. Price returned, too, taking his place in your chair. Then, just one word into the newest chapter, the door creaked open.
Ghost slipped in, almost silently, and you couldn't help but gape at your lieutenant as he lumbered into the room, cozy black hoodie on and hands jammed into the front pocket.
"L.T, I knew you couldn't resist," Soap beamed from the floor. "You want in on the book club?"
You scoffed, smiling. "This is not a book club."
Ghost just shrugged at Soap. "Lonely outside when I can't hear you lot making a racket."
He stepped over Soap and sunk himself onto the end of your bed, leaning himself up against the wall. He stretched his legs out, brushing your and Gaz's feet, knees cracking as he settled down.
You stared at everyone, slightly dumbfounded. Then, you turned to Ghost.
"You're... here willingly?" You asked him.
"Mhm."
"You... willingly want to listen to me read my book?"
"Mhm."
You took a deep breath. "Right, okay, cool. Um, do you need—?"
"Johnny's given me a rundown." He mumbled.
Of course he had.
And that's how it started, just over two weeks ago. Every night, especially after a particularly rough mission, the boys seemed to gravitate to your bedroom. They'd curl up and listen to your soft voice as you read to them; reading them to sleep on many occasions.
Despite Ghost and Price's lack of enthusiasm compared to Soap and Gaz, you could tell they enjoyed it just as much as the younger two did. It made you smile, feeling all warm and fuzzy inside knowing you could bring these hardened military boys some peace and comfort.
"Okay, so you're telling me, the kid didn't even know he was a wizard?" Price asked, leaning forward in his chair.
You laughed. "No, he didn't. Well, now he does."
"Ridiculous." Price muttered, shaking his head.
Ghost scoffed. "It's unrealistic."
Soap rolled his eyes. "Obviously, Ghost, it's a fucking fictional book about wizards an' shite."
"No, I mean, some big cunt with a beard turned up with a fucking ugly cake and told the kid he's a wizard, and the kid just believed him?" Ghost grumbled. His attitude had definitely shifted since the first time he joined their little, as Soap called it, book club.
"Yeah, basically." You smiled.
You had just introduced them to the Harry Potter series. You weren't even halfway through the first book yet.
"Ridiculous." Ghost said, echoing Price.
"Well, what would you have done, eh?" Soap questioned, sitting up, now cross-legged on the fluffy rug.
"What, if a big cunt called Hagrid turned up on my eleventh birthday and told me I'm a wizard?" Ghost mused. "Woulda knifed him, Johnny."
"Whatever." Soap scoffed.
When they weren't arguing about the book you were reading them, the night's with the boys were really peaceful. Relaxing, too.
A balm for their tortured souls, and a salve for the wounds they had earned during battle.
Dusk would fall, and they would limp into the comfort of your bedroom, warm and smelling sweetly of you. Waves of exhaustion would pin them in place while they clung to the presence of you for stability. Some days, all four would find themselves curled up on your bed— Gaz laying next to you, head on your lap; Soap on the floor, but his head resting on the edge of your bed, a hand resting in the crook of your arm as you held the book; Ghost with his back to the wall, your legs propped up over his, his gloved hands stroking circles on your shins; Price settled next to Ghost, shoulder to shoulder, his legs beneath yours as well, a hand resting warmly around your ankle.
They listened carefully, silently, as you read to them, basking in the comforting warmth of you. Battered, bruised, and bleeding from the cuts of battle, they rested tranquilly at your side. Their ears were no longer ringing with echoes of explosions, nostrils no longer filled with the acrid stench of gunpowder and death. They could hear only you, voice silken with each word you spoke. They could smell only you, the candles that burned and permeated the air, rich and sweet and a consoling sense of familiarity.
Towards the end of a chapter, you could sense a shift in the room. Some time ago, Soap had wiggled in beside you, head in the bend of your arm and shoulder. He breathed deeply, slowly, eyes closed and hair dishevelled against the sleeve of your shirt. Gaz, too, breathed slowly as sleep had overtaken him, hand still heavy on your knee.
Ghost had slumped to the side, somehow managing to tuck his hulking frame between Gaz and the wall. Mask still on, you could see his eyes, closed and smeared with black. Price, too, had fallen asleep; still, impressively, sitting upright. His head tilted forward, hat low over his forehead, snoring softly.
You sighed to yourself, closing the book and carefully putting it back on your nightstand, mindful not to disrupt Soap curled into your side like a cat. You nestled back into your bed, snuggled up with your task force, a sight you had never thought you'd see. As you wiggled to get comfortable, Soap stirred, groaning as he looked up at you, still resting his head near your chest.
"S'all right, go back to sleep." You whispered, angling your arm so it draped securely over top of him.
He didn't reply verbally, just burrowed deeper into your side, reaching a hand around to physically tighten your arm around him. He ran his thumb over your knuckles, before he fell back asleep.
Your other hand found Gaz's head, delicately skimming his hairline, smoothing along the soft skin of his forehead and cheek. You heard him sigh contentedly, still deep asleep.
Eventually, the warmth of the room and powerful bodies around you carried you to sleep.
And it was the best sleep you ever had.
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idk if this was good or not lmao but thank you my darling anon <3 this was nice to write mwah mwah xx
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tumb1rprincess · 3 months
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Okay, I just binged the rest of the Hazbin Hotel episodes.
Carmilla and Zestial are hot. And Carmilla is so interesting. I loved her and Vaggie's song. I actually didn't expect them to reveal who killed the angel so quickly. But I love how they're showing that even some of the top overlords in Hell care. The only question now is what Alastor is going to do with this information.
I love Vox. He has a great voice and his rivalry with Alastor is hilarious.
Sir Pentious is such a fucking loser and I adore him.
Nifty almost reminds me of Little My from the Moomins with her little gremlin energy. I don't know if we'll get any serious moments with her like we have with the other characters, but I guess we'll see.
I love how Alastor's room is a literal bayou/swamp. And him eating the whole fucking deer was hilarious.
I didn't expect for some of the others to find out about Angel and Val's toxic relationship so quickly, but I did like how it showed an uncommon angle: how trying to save someone from an abusive relationship can make things worse for the victim. I can't think of any other media off the top of my head that shows that kind of thing. But with Charlie and Husker knowing about this (and Cherri Bomb if we're counting Addict as canon), how long before everyone else finds out? And what are their reactions going to be?
I haven't been the biggest Angel/Husker shipper, but holy hell, am I on board now. Husker once being an overlord and pretty much implying that he sold his soul to Alastor much like how Angel did with Val was a development I didn't expect, as well as drawing parallels between his addiction to gambling and Angel's addiction to drugs. Hell, I really didn't except this angle they took with Husker. We only saw his bitter attitude in the pilot, and we still get plenty of that here, but I didn't expect him to also be a good people reader and being able to see how the other characters really are and what they're hiding. He's almost empathetic in a way.
All of the songs are fucking bangers, Poison especially. I listened to it once before the show and I liked it okay, but seeing it in context, it hits you ten times harder. I almost cried.
The show is so good at making the viewer feel so uncomfortable with how Val treats Angel, it's almost too hard to watch. I've seen shows tackle abuse before and they've done it well, but this was very raw and in your face and it makes your insides twist. And I love it.
Looking at the show's cast, Vivzi got so many people with Broadway experience and I love that. I feel like a lot of popular media nowadays just like to cast popular actors regardless of whether they can actually sing or not (I'm looking at you live action Disney remakes). But every actor who's sung so far is fucking good at it and it shows.
So far, I am in love, love, love with this show. I remember first watching the pilot when it was causing some controversy and I fell in love with it immediately. It almost became a comfort thing for me for a while. I was watching it over and over during 2020 when Covid was running rampant and everything was shit. I'm so proud of Vivzie and everyone else for their hard work and dedication and love. This show is so different from everything else out there. I hope now that it's out, even more people can fall in love with it.
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astroboots · 10 months
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Every You Every Me | Issue #7
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COLLABORATED WITH @thirstworldproblemss
Pairing: Miguel O'Hara x female reader
Summary: You finally get some answers out of Miguel about who you are to him.
Word count: 5,700 words.
Series Masterlist | Spiderverse Masterlist | Astroboot’s Masterlist | thirstworldproblemss' Masterlist
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"So let's take it from the top," you tell him, as you sit down and put down the Trenta-sized caramel flavored hot chocolate with extra whipped cream and chocolate syrup in front of the man named Miguel O'Hara.
The two of you are sitting across from each other at a small booth at the nearest Starbucks you were able to find, seeing as you're homeless now, and there's nowhere else you could think of to go.
He's dressed in a large fitted hoodie that drapes down to his thighs. Where he's managed to find something that is oversized in length on him, you don't know because he's not exactly short.
"I'm from a dimension known as Earth-928," Miguel says.
Before he can continue, you raise one hand, and you can see his right eyebrow twitch unhappily at the interruption. 
"Yes?"
"Just to clarify, so we don't have another ‘coffee cake’ misunderstanding. When you say Earth-928, do you mean a different version of the Earth we’re on now? Or is this a habitable planet in another galaxy that happens to be partially named Earth?"
"It's a parallel universe characterized by distinct physical parameters and initial conditions, accounting for the diverse manifestations of our observable universe. So still Earth," he says, sweeping his gaze across the café, nose wrinkling the way one does when there's something off-putting in their vicinity. "Just a little bit less primitive."
Of course he would say that, wouldn't be able to resist the jab would he.
You peer up at him across the table. He is very technical and thorough with his explanations. But as grateful as you are for him finally being willing to answer your questions, you hadn't expected those answers to be quite so information dense. You need to pick your questions more carefully or you are going to have to go down the street to buy yourself a notebook in order to keep up.
"How did you end up on this Earth?" you ask.
"Where I'm from, I'm a scientist, a researcher. One of the things I studied was the theory of physical cosmology and the existence of the multiverse. My work was concentrated on the theoretical ability to navigate between distinct universes within a hypothetical multiverse–”
Ah shit, you should've been more narrow in your question. Should have asked him to simplify it a bit more for you. Because now you're sitting here blinking up at him, pretending you understand half of what he's saying. 
It makes sense that he’s STEM. He speaks like the type. Smart as hell with none of the social skills to gauge whether the other person is following the conversation. 
Listening to him reminds you of that time in college, when you'd walked into the wrong lecture hall, wound up in advanced chemistry instead of your math class, felt too awkward to leave and just sat there drawing doodles with an attentive expression until the class was over. 
And he’s still at it, “– employing advanced mechanisms that manipulate or transcend conventional spacetime frameworks, enabling exploration–"
"Okay, wait, hold on a sec," you interrupt, once it becomes obvious he’s not going to stop any time soon on his own. "Can you... simplify, please?"
He stops mid-sentence, taking a deep breath as he looks up at the ceiling and considers your request, with a serious expression as if he's thinking really hard on it. "I’m a scientist. I study the multiverse. I built a parallel universe traversal device, it allows me to visit different dimensions." Your brain feels insulted that it clearly took more mental effort for him to dumb it down for you than to just give the supergenius version.
“So… a machine that allows you to jump between alternative universes?” 
“Yes.” 
There’s a pause between you as you run through the questions in your mental list you want to tick off now that he’s turned cooperative and talkative. But with everything that’s happened in the last handful of hours, a lot of the questions you previously had seemed outdated. The one question, the most important one, you’ve wanted to ask from the start though remains. 
"Who am I to you?"
Miguel takes the large sized drink in his even larger hands and somehow this big paper cup still manages to look tiny in his grip. "You and I were... involved," he says.
You frown. ‘Involved’ is such a vague term. It belongs in the trash with other useless terms to describe relationships: “situationship”, “complicated”, you hate them all. 
"So I was your girlfriend?"
"Yeah, something like that," he concede, fidgeting with the thin gold chain looped around his neck, his eyes not quite meeting yours, like he's embarrassed to use the term.
‘Something like that,’ you chew on his answer unhappily, sympathizing with your other dimensional self and how the other you seemed to have snagged a commitment phobe. 
Other-you, who isn’t here in this dimension with Miguel. You wonder why that is. 
"What happened to me?" you ask.
His eyes are glued to the table,  not looking up at you as he answers you in a voice so quiet you can barely hear it. "She died."
"Oh."
The revelation shouldn’t take you by surprise. 
Every time Miguel’s brought up your other self, it’s been tinted with earth-shattering sadness. It's not hard to put one and one together and come to the conclusion that whatever happened to you in this other dimension didn't end happily.
Still it's an odd feeling to know that out there, somewhere, a version of you has died. A version of you that was clearly very important to the man in front of you.
"I'm sorry," you tell him.
It feels silly to say. It's bizarre to give your condolences over your own parallel death, but Miguel looks so heartbroken. He’s slumped in his seat, large shoulders rounded until his frame looks so much smaller than you're used to, and you don't know what else to do.
"So what is happening to me now," you start, not sure how to word what the phenomena that you're going through is, "these continuous near-death experiences, is that how she died?"
"Yeah."
"And do you know why that... kept happening to her? Why is it happening to me?"
"I don't, and I don't know how to stop it. Believe me I tried."
He cradles the paper cup in his hands, the grip a little bit tighter now until he's creasing the paper and the caramel liquid oozes and leaks from the top.
"What I do know is that the universe isn’t going to stop trying to kill you, no matter what you do. And with every near death incident you manage to survive, these incidents will escalate in nature, until..." he stops, eyes flickering away from the cup to meet yours, but it's like he loses courage and doesn't want to say the last part.
"Until, what?" you prompt.
"Until your dimension collapses."
The blood freezes in your veins. "Wait, collapses!? What do you mean?"
"I can't guarantee it will happen again. But that's what happened last time. When the other you kept cheating death, the universe eventually started to collapse in on itself."
You slump back in your chair, trying to process what you've just been told. What does that mean? That even if you managed to defy all odds to survive, doing so would doom the rest of this universe as you know it?
"When will that happen?" you ask, and you're surprised you manage to get the words out because there is a hard lump in your throat that makes it hurt to even swallow.
"Judging from the trajectory and escalation of events, you have about three months give or take."
The two of you sit in heavy silence, for the moment you're not sure what else to ask him. Because it feels like you are trapped in a building looking for an exit sign, but all that’s tacked onto the brick wall is your death certificate, waiting to be signed and formalized.
There’s no way out. Nowhere to go.
"Give me your hand," he says, breaking the silence. 
You give it to him without hesitation, watching, puzzled, as he takes off his watch and secures it around your wrists.
"Why are you giving me your watch?"
"It's not a watch," he says, then he presses something on the face of it, and an image of a young woman flickers into existence in the space above your wrist, vaguely see-through. A hologram!
"This is Lyla," he introduces.
Wait, wait? Lyla? As in your mom Lyla? You watch the tiny woman floating above your wrist. Short bob-cut, and flashy heart-shaped sunglasses, with a twinkle in her eye. 
The hologram looks nothing like your mom. You part your mouth, about to ask about the name but you're interrupted by the energetic buzz of a female voice greeting you.
"Boss-girl! Long time no see. Want me to catch you up on the latest multiversal gossip? I compiled an edit of highlights set to Despacito."
"Lyla," Miguel warns, tersely. "Not now."
"Ruuuuude! You're the one who woke me up you know."
"Lyla, go back to sleep."
The female avatar grumbles, but then her image flickers away and the watch turns back into, as far as you can tell, just an ordinary watch.
"Why did you name the watch Lyla?"
"It's not a– " He cuts himself off, sighing with exasperation. "Lyla is an advanced A.I. she's going to be with you at all times. She's an added layer of security, built to protect you."
He didn't answer your question. Completely sidestepped it as if the two of you are having two different conversations.
Built to protect you, he'd said. Does that mean he still intends to do that?
"So you're not going to leave?" you ask him.
He leans back in his seat, eyes drifting towards the table. "No."
You look up at him, stumped. Not sure you're understanding what he's saying. Because not even a few hours ago, when the two of you were in your apartment, this man was adamant there was nothing to be done to save you. That he was going to leave and you were never going to see him again.
Right now though, his actions seem to be contradictory to that. You can't make heads or tails of him. Hot and cold doesn’t even begin to cover it. 
"Why not?" you ask, "I mean, not that I’m not grateful, but you seemed pretty set on the whole ‘I can’t save you’ thing. What changed your mind?"
“You did.” His eyes narrow as he looks down at you, crossing his arms ever his chest, "You told me you wanted to live. Have you changed your mind already?"
“Wha– NO! I just want to know why you changed yours.”
“I–” He hesitates, another wave of sadness passing over his face. “I’m a superhero. I save people… or try to. It’s what I do. I’m not gonna just leave you to die after you tell me you want to live.”
It’s a good answer, even if you don’t buy that it’s the whole truth. 
You look down at your wrist, and the shiny chrome of the not-watch he's just gifted you winks back up at you. "Do you think I have a chance of surviving all this?"
"It's pretty hopeless," he says, and there’s no break in his expression as he continues. "Your chances of making it out alive are pretty much mathematically impossible."
It's odd though. Even though he's outlining the futility of your situation, basically telling you to raise the white flag and surrender, there's something contradictory in the tone of his voice. 
"What do you want to do?" he asks you.
It’s a challenge, you realize. An encouragement. He has faith in you. It's all of these things rolled into one. As if he's telling you to prove the universe wrong.
"I want to live," you answer. "If the universe collapses in three months, then please stay with me. Give me time to solve this and find a way to stay alive."
His mouth curls into a hint of a smile. The very first you've seen from him since you've met. It's bright and boyish, erasing the harsh lines of his stern expression until it gives way for something much softer underneath that makes your heart leap in your chest with triumph.
You grin, a strange elation of happiness buzzing in you as you stretch out your hand to him, in an invitation for a handshake to seal the deal.
"Deal?"
Miguel leans over the table, clasping your hand in his much larger one as he squeezes it back gently.
"Deal." That small smile from before is still there. "So what's next?" he asks.
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The thing you never realized, being an ordinary person bereft of super genes or other superhuman powers is just how convenient commuting can be if you have them. 
No longer do you have to brave the Lynchian nightmare that is the NYC subway system. Half-naked manic street preachers giving sermons as you’re held hostage, with nowhere else to go in the carriage. Being chased down by a drunk trumpeting Mariachi band. Instead, all you need to do to get from point A to point B (A: being the Chrysler building and B: the building formerly known as your home) is to hold on tight to Miguel as he swings you both above the city gridlock.
You imagine that this is what paragliding must feel like, except it's so much better because here you don't have to do the safety training beforehand or pay $3,000 for the privilege.
The city skyline is a dark evening blue, dotted with the sparkling lights of office buildings, cab roof lights and street lamps, as the wind ruffles through the fabric of your clothes.
It's such a different sight when you're flying above instead of walking on the streets below, that you don't even clock that you're in your neighborhood, until you see a building with a collapsed wall that's been blocked off, looking like a crash site. Only then do you realize... you're home.
Miguel carefully sets you down on your feet on a small patch of concrete that is clear of the rubble and destruction.
"Why did you want to come back here again?" he asks. 
It’s a good question. Now that you're here, standing in the middle of charred debris and cracked bricks, you're not sure either. You had some vague plans of seeing what you could salvage, hoping for some clothes, maybe your electric toothbrush, or really just any of your stuff. Something that’s yours, no matter how small, to hold on to after the events of today have ripped away life as you know it.
But there’s nothing left. The furniture, all your books and knick knacks, and even your dirty laundry piles have been demolished. Your home as you know it is gone. There's only piles and piles of rubble and traces of white fire extinguisher foam on the ground. The fire has been out for hours, but the pungent smell of smoke and sulfur still pervades the air. 
"You okay?" Miguel asks.
He's still standing at the outer edges of the apartment, close to where your window would have been if a helicopter hadn't crashed through it.
"Yeah... I guess the silver lining is that I didn't have anything expensive. Though it'd been nice if I could've saved my mom's Le Creuset set or at least the nanny-cam so I could return it and get a refund," you joke glibly. 
You nudge aside some concrete rubble with the cap of your shoes. There's nothing under there, no treasured memorabilia that's still miraculously intact. Just more burnt concrete and rubble.
"Why did you have a nanny cam?"
You turn around at his question, to see him hovering close to you, one eyebrow raised with an unhappy set to his jaw. 
From the displeased expression on his face, he's probably misunderstanding something here. Probably thinks you're operating a very unlucrative Onlyfans business, when what you've really been doing is spy on him and his nightly visits. You don't know which is worse to confess to, so you don't confess to anything.
"No reason," you say, ignoring the way his already raised eyebrow twitches with irritation at your lack of an answer.
"Come on, let's go," he says, and he waves towards you in a come hither motion like he's commanding a dog.
"Go?" you ask him. "It's past midnight. My place, as you can see, is wrecked. Go where exactly?"
Miguel shoots you a strange look. "A hotel," he says, like it's the most obvious thing, and– okay, he's not completely wrong in that assumption.
Problem is, you didn't have time to pick up your wallet or phone before your impromptu interdimensional visit. They’ve been incinerated along with all the rest of your worldly possessions, which means you don't have any way to pay for a hotel.
Plus Manhattan hotel prices average $400 a night. Even if you still had access to your debit cards, your budget’s pretty tight right now after all the capital you invested in your unhinged quest to trap the superhero before you. 
"In the city? I don't have that kind of money and it will take months for any insurance payouts to come in."
You should know. As an insurance claims adjuster, you know you’ll be lucky if your claim is processed before the end of the year. And, ugh, just the thought of the paperwork you’ll have to fill out is enough to give you an anxiety migraine.
"I’ll cover the room," Miguel says casually before holding out a hand to you, "Come on, let’s go."
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When Miguel said he’d cover it, you expected a reasonably-priced room at one of the Days Inn across the river or the like. Hopefully a place with no rats or bed bugs, and maybe clean bedding over a somewhat comfortable mattress for you to pass out on if you were lucky.
You didn't expect this.
Standing in front of the Midtown Four Seasons, you find yourself on sleek marble so polished you can see your own reflection. You haven't even stepped a foot inside yet and there are two old fashioned doormen, wearing immaculately fitted suits, with an even more impressive posture opening the majestic double-set doors for you as you approach.
It's swanky as hell, and you can’t help gawking like a tourist, eyes glued to the decadent carved ceilings that must be at least 30 feet tall, soaring above you. Honey-colored limestone that looks like it’s been looted from Ancient Rome.
You feel more than a little bit out of place. This is way outside of your budget. You could probably work your job for a lifetime, and not have enough disposable income to stay the night at a place like this.
"Uhm, Miguel... this place is way too–" you start, turning towards him.
But as you were busy lamenting the state of the housing market, he's already walked away from you (for such a bulky guy, he moves swiftly and silently) and as you whip your head around to find him, he's already standing in front of the receptionist.
Damned antelope legged man, would it kill him to wait up for you once in a while? You run up after him and have to tip-toe in order to see over his shoulder because the giant mammoth is blocking the check-in counter.
And wow, even the receptionist here is of a different caliber than the ones you'd find at Holiday Inn. A fashionable bob-cut with razor sharp edges, looking like a model cut out from a Vogue cover.
"Do you have a reservation, Sir?"
You half-expect him to say no, and that the two of you would have to tuck your tail between your legs and walk out of here to the backdrop of a sad trombone playing.
To your astonishment he says your name. The receptionist tip-taps away at her keyboard and then she nods and smiles gracefully at you both. 
"Yes of course. After reviewing your reservation details, I am pleased to inform you that all necessary arrangements have already been made, including advance payment and verification of your identification. Your room is ready for you, we trust you will enjoy your stay."
She flashes you a pearly white smile so shiny it's almost blinding and hands you a hotel key card. 
When you turn around, to your confusion Miguel is no longer next to you. How does he keep disappearing like this? 
"Cielito," Miguel’s voice calls. The nickname doesn’t register at first. It doesn't even occur to you that he’s referring to you, until he barks it out a second time. 
Your head darts up to see him standing by the elevator, tapping his feet impatiently as he waits for you to make it over to him.
"How did you do that?" you whisper loudly to him as you step into the elevator. "Where did you get my ID? How did you make a reservation? How did you--"
He takes your hand, mid-sentence, turning your wrist upwards and taps the watch.
"The computer systems in this universe are child's play for Lyla to manipulate. Reservations, money, ID, she can take care of all of that easily," he explains.
"She can do that?" you ask, and Miguel merely nods at you as the elevator closes behind the two of you.
You tip your head down to inspect your gifted watch. In awe of this technical marvel that would make Siri look like it’s from the stone-ages. You wonder if she can boost your credit scores. She could probably hack any wi-fi password so you'd never have to worry about data throttling again. She could get you table reservations for Libertine! The possibilities are endless!
You turn to Miguel. "Can Lyla get me Beyoncé tickets?" you ask. 
He just shakes his head at you with what almost qualifies as an amused smile.
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The room upstairs is massive. 
It’s easily three times the size of your little studio apartment, and the ceilings are twice as tall, with a hanging glass chandelier that’s sparkling bright enough to blind you. It looks like one of those places featured in Architectural Digest. 
Everything is in an art deco style, with expensive looking furniture and even more expensive art hanging on the one spare wall that isn’t covered in floor to ceiling windows. There are large shelves and a sleek looking kitchen, complete with an opulent looking velvet lounge chair of emerald green that looks like something a Roman emperor would be fed grapes on. 
In this colossal space of a room, there is only one bed. One colossal, plush-mattress-topped, goose down duvet and probably 1,000,000,000 thread count sheet covered bed.
You tense up, not sure what the arrangements Miguel had in mind. Did he want the two of you to sleep in the same bed?
Miguel did pay for the room, so you’re not going to start voicing objections. After all, it wouldn’t be the first time in the short time span that you two have known each other to do that. This bed is also a lot wider than your tiny double bed, so it wouldn’t be the cramped disaster it was last night. You’d just have to make sure to use the bathroom before bed this time so he doesn’t jab your full bladder in the morning again. 
Without saying anything, Miguel strides across the length of the room with impatient and determined steps. His hand reaches for the balcony doors and slides them open. 
"Wait wait, where are you going?" you ask him as you run up to the middle of the room. 
“I’m sleeping outside,” he says over his shoulder, and your mind boggles with that. 
“Why? Isn’t it better for you to stay here?”
"This is the 62nd floor. That’s about as safe as you’re going to get. I’ll keep a lookout to make sure no more helicopters come crashing in.” 
You’re not sure if he means the last part as a joke or not, but as you watch his broad back retreating as he walks away from you, a sickening sort of the deja vu twists through your chest. 
I can’t save you, he’d said back in your apartment, Nothing can. 
The feeling clawing at your chest feels alarmingly like panic. It screams that he’s leaving you. That he’s never coming back. That you’ll never see him again. 
You’re being irrational, and you know it. You remind yourself that he wouldn’t have done this much for you only to bail in the middle of the night, but that doesn’t stop the fear that’s festering, sharp and urgent, under your skin, or the way your heart races, your whole body flashing hot and cold at the same time. 
You want him to stay. 
“Miguel,” you call out, and he immediately stops and turns to look back at you, one eyebrow raised in a skeptical question. 
Please stay. 
You open your mouth, but the words won’t come out. You can’t ask this man—this big, sarcastic, rude hulk of a man—to have a sleepover with you because you’re scared to be alone in the dark. He would laugh you out of the hotel room.
“Uhm… thank you,” you say instead, but it’s no less sincere, “For everything.”
His eyes soften, the sharp narrowness of them easing up. “It’s fine,” he mumbles, and despite the cold chill of the evening, you think you can see a faint flush blooming in his cheeks, before he quickly ducks his face from you. “I’ll be right outside if something happens.” 
He turns back around and walks out, closing the patio doors with a gentle click behind him, leaving you by yourself. 
It’s quiet. 
You survey the empty room you’re in. Without Miguel’s large frame taking up space, it seems even bigger than it did before. 
It’s a beautiful room. Something that you’re pretty sure you’ve seen in a movie set. You don’t know why you’re not as excited as you were before. This is you living your Pretty Woman moment. You should be filling up the big jacuzzi tub you saw with bubbles. Heck, maybe ask Lyla to order you a bottle of champagne from room service. 
Instead, your eyes linger on the glass patio doors leading to the balcony terrace. You walk over to the bed, perching yourself down on the edge of the mattress, then flop down. 
Might as well try to sleep, you think to yourself as you climb under the covers and switch off the light. The best thing you can do right now is catch yourself some rest so you’ll be alert while trying to figure out your next steps tomorrow.
3 months… That’s what Miguel told you.
That’s all the time you have left. 
That means you don’t have time to waste, but you also have no idea where to start. The local library doesn’t exactly carry any resources on how to stop the universe from trying to kill you. 
The Universe. 
An infinite cosmos, grander than any human being can possibly comprehend. This vast space containing all the galaxies with its billions of stars and planets, where an individual being does not even register as a speck, and it wants you dead. How can you possibly fight against those odds? 
You lie wide-eyed and awake staring into the dark of the room, and the feeling of dread gnaws into you. 
You don’t want to be alone right now. Turning in the bed, your eyes find their way back to the blank slate of the pitched night outside the balcony doors. 
You really wished he had stayed with you. 
Sitting upright in the bed, you consider your options. You can lie back down. Suffer insomnia and the existential horror of knowing the universe is trying to murder you. Or you can man up, swallow down whatever tiny morsel of your pride you have left and ask Miguel to come back inside and stay with you. 
Flinging the duvet from your body, you get up to walk over to the balcony. You hesitate for a moment before tapping the window pane the way you might knock on a door, giving a polite head's up before you slide the balcony patio open. But when you poke your head out, turning your head left and right, Miguel's nowhere to be found. 
Okay, that’s weird. He said he’d be right outside if you needed him. You walk up to the ledge of the balcony terrace, leaning over the rail and peer down to see him dangling upside down, from the ledge of your balcony. The sight nearly makes you scream. 
"Miguel!” 
At you calling his name, he pulls himself up, one clawed hand gripping at the concrete wall as he climbs his way up and over to you. He makes it look easy, as if gravity does not exist for him, and it’s only a moment until he’s perched on the ledge of the balcony, facing you. 
“What’s wrong?” he demands, eyes concerned, and you’re suddenly aware of how very close he is. His face mere inches from yours, your noses nearly touching.
“What’s wrong? You’re hanging upside down from the 62nd floor! What are you, a bat?!"
“Why did you come out here?” he clarifies, and his words give you pause. You try to gather your thoughts after the bizarre sight you just walked into and remember what you came out here for. 
He’s still looking at you with his full and intense concentration that makes your skin prickle with warmth.
God, it’s embarrassing to ask. You feel like you���re five years old, asking your parents to turn the nightlight on, even though you know you’re a big girl now and aren’t supposed to be afraid of monsters hiding under your bed any more. 
You look down on your hands, where you’re wringing them together, then back up at him, and make yourself spit it out, "Could you… maybe… stay with me tonight?" 
His eyes widen at your question, but he doesn’t actually answer you and gives you no physical indication one way or the other. 
"I feel safer when you're with me,” you admit. 
“I am with you out here,” he counters, because of course he can’t make this easy for you.  
“I can’t see you out here.”
The line of his shoulder eases, and he ducks his head down with a resigned sigh. "Fine. Get back inside, Cielito. You're going to catch a cold like this."
You shuffle back inside to your bed, watching out of the corner of your eye as  he follows you inside and settles himself on the lounge sofa. He’s so tall that his feet are sticking out over the armrests, like a long-legged stork. 
Hiding a smile, you climb back into bed, wrapping the bedding all around yourself.
“Good night,” you call out, and he makes a grumpy noise of acknowledgment. 
Your head drops back onto the soft pillow, and you close your eyes, ready to sleep. It’s such a nice bed. The sheets are cool and soft against your skin and smell of fresh eucalyptus. The mattress is the most comfortable you ever remember resting on, firm but somehow soft at the same time. You feel like you’re sleeping on a cloud. 
Moments go by, and you revel in the sumptuous bed, waiting for the best sleep of your life to claim you. 
Except it doesn’t. 
Somehow… you still can’t fall asleep. Is it… too soft maybe? You turn in the bed, twisting your torso to get into a position you can comfortably sink into, but something doesn’t feel right. There’s no lumpiness like at home, but that should be a good thing. 
Except… despite the decadent softness of the bed. Despite the fact that the sheets probably have a thread count with more zeros than your checking and savings accounts combined. Despite all of the luxury that surrounds you, you still find yourself tossing and turning and wide fucking awake.
The bed is too big. You don’t know what to do with all this space. Your body is not accustomed to this sort of decadence. What if you suffocate sinking into this soft fluffy pillow in your sleep? What if you toss and turn until you fall off this massive bed and break your neck? Maybe that’s how out of all of the universe’s attempts to kill you, you end up dying? 
Fuck! 
You can’t sleep. 
You turn to your side and stare into the velvet lounge chaise on the opposite side of your room, where Miguel is. 
Quietly, you pad up to his still form until you’re standing in front of him and hunch over, trying to decide how rude it would be to wake him up again when there's nothing he can do about your stupid insomnia anyway.
In the dim light, you spot something glinting at you. Looking closer, you notice that the thin chain looped around his neck has escaped his shirt to pool on the fabric of the sofa cushion under him. You gently drag the loose end of the necklace toward you, and find a smooth golden band threaded onto it.
Picking it up cautiously, you flip it in your hand and find that there's something engraved on the inside.  It's hard to see in the darkness, but when you lean closer and squint your eyes, you can just make out what it says.
'MO'—undeniably the initials of one Miguel O'Hara.
Twisting the ring slightly, you find a tiny plus sign followed by your own initials, and your heart drops into the pit of your stomach.
Oh.
The memory of sitting across Miguel at Starbucks returns to you, when you had asked him who you were to him. You think of the avoidant gaze and how he couldn't look you in the eye.
‘Something like that,’ huh?
Guess the other you wasn't just his girlfriend after all, you think, chest drawn so tight it’s painful.
Holding the wedding band in the palm of your hand, you slide down to sit down on the floor with your back pressed against the chaise lounge.
Your heart aches for the man in front of you and everything he's lost.  You really, really hope you're not going to end up as just another regret on his list.
~ Next Issue
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Dedication & Credits: As always to my best friend @thirstworldproblemss I am half asleep and running on fumes. I'm wording things poorly but I just want you to know that I am very happy I have you. Thank you for being my friend and for the time we get to spend together. I have the most fun when I'm with you.
Also to @guruan who is my muse, my source of inspiration. This chapter is dedicated to her because have you seen this beautiful piece of artwork she did for EYEM?!
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