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#back then there used to be a theory that the whole story would end after 19 full days because like in 120 chapters only a week had gone by
foreversaba · 3 months
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Then and now.
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ariaste · 9 months
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The Magic Trick You Didn’t See: Being An Analysis of Good Omens Season 2
(or: Neil Gaiman, Your Brain is Gorgeous But I Have Cracked Your Sneaky Little Code And Have You Dead To Rights*) (*Maybe)
***
Soooooo I just spent the last 48 hours having a BREATHTAKING GALAXY BRAIN EPIPHANY about Good Omens Season 2 and feverishly writing a fuckin16,000 word essay about the incredible magic trick that @neil-gaiman pulled off. 
Yes, it’s long, but I PROMISE your brains will explode. Do you want to know how magic works? Do you want to know what Metatron’s deal is (I’m like 99% sure of this and it’s EXTREMELY FUCKING GOOD)? Do you want to know about the Mystery of the Vanishing Eccles Cakes and the big fat beautiful clue I found in the opening credits? Do you go through the whole inventory of Chekov’s Firearm & Heavy Artillery Discount Warehouse? 
Here is the essay, go read it: https://docs.google.com/document/d/193IXS11XN46lziHRb6eUpM17yK0BQkRqke1Wh64A_e0/ When ur done u can tell me I’m an insane crackpot, and u know what, i won’t even be offended
In case you don’t know whether you want to bother reading the whole enormous thing on google docs, I’ve put the first couple sections of it under the cut. JUST TRUST ME OKAY, HEAR ME OUT, THIS IS VERY EXTREMELY COOL, NEIL IS GOOD AT HIS JOB--
Proem
A dark theater. The rustling of the audience: clothes, breathing, whispers of anticipation. The lights come up. A man enters, stage left. He is a magician—a master magician—and he performs for you a magic trick so good and so subtle... that you don’t even notice you’ve seen it. 
You know there must have been a trick—after all, you came to the theater to see a trick performed, didn’t you? And he claims to be a magician. So there had to be a trick somewhere. There had to be.
But maybe there wasn’t. Maybe there was just a man on a stage, talking to you, telling you a story with a strangely unsatisfying ending you didn’t quite understand. 
I know. This is a weird beginning to an analysis essay. But hear me out, because I have to explain the mechanisms of the stage before I can show you what the trick was, where the trapdoor was hidden, and how Neil Gaiman pulled the whole thing off so gently and elegantly that you didn’t notice a thing. Ready? Here we go.
The Facts As We Know Them
Let us begin by establishing a baseline—some fundamental, logical assumptions that underpin the magic trick. These will seem obvious as soon as I say them, which is precisely the point: They are self-evident, loadbearing foundations for my entire argument, and if I don’t point them out, I’m going to sound like a crackpot conspiracy theorist. (Which! To be fair, I might be. I could easily be wrong about all this—but I don’t think I am.)
Our baseline, loadbearing assumptions that preface my Grand Unified Theory of Season 2: 
1. Neil Gaiman is extremely good at his job.
2. Neil Gaiman loves these characters and wants with all his heart to do them justice; likewise, he has a great deal of respect, love, and admiration for Terry Pratchett and is striving VERY HARD to write the show the way Terry would have been happy with.
3. The devil, as they say, is in the details: Neil Gaiman and the entire Good Omens cast/crew are fully capable of doing extremely subtle detail work, as conclusively proven in Season 1 Ep 6, specifically the whole sequence of the body-swap scenes.
With me so far? Great.
The Elephant In The Room
Season 2 was... odd. It was odd, wasn’t it. This isn’t a matter of whether you loved it or hated it—there was just something odd going on.
I spent the entirety of my first viewing very much enjoying myself and being very happy to be back with these characters and this world, but I was also liveblogging to my groupchat as I went, and a theme soon began emerging:
“Neil, what are you doing? Where are you going with this?” “What in god’s name is going on here? I’m so lost lmao.” “What is going on with the music situation?” “WHAT ARE YOU DOING HERE NEIL” “zombies, ok, I trust u to pull this all together in the end, Neil, but I still don't know what you're up to” “What is going on LOL” “Incredibly what is going on here” “NEIL! WHAT IS HAPPENING!” “Literally what is happening” “Neil Gaiman why have you constructed a regency au for mystery VIBES reasons” “just????????? lesbians????????? dancing what's HAPPENING. just all the background characters are gay here ok sure sure sure NEIL GAIMAN WHAT IS HAPPENING--” “mmmmmmm neil what u doin”
All these are copied verbatim from my liveblogging, and apparently I am not the only one to have this reaction. And to be clear, I was having a good time! I came out to this theater to see a magic trick, and this Neil Gaiman guy on stage is a master magician—but I didn’t see the trick, even though there must have been a trick. 
At first, I wasn’t sure how I felt about the season. I wanted to like it! Indeed, there were many things that I liked about it! But I felt a bit muddled and jumbled up and confused—I felt like there was something I didn’t understand about it, and so I couldn’t yet understand how I felt about it either.
I started chewing on this question in a friend’s DMs: Why is season 2 so fucking odd? What is going on here, Neil? What are you up to? The matter of whether he was up to something was never in question. I knew that he had to be up to something. Writers are always up to something, and as I watched season 2, it was as if I was watching Neil scamper around the room with a mischievous expression as he messed with things here and there and made little tweaks and adjustments to the arrangement of all the Chekov’s guns he’s stockpiling on the mantelpiece. 
You see, Season 2 has some very bad writing in it. HANG ON, DON’T ARGUE WITH ME YET! THIS IS NOT A JUDGMENT CALL!! This is the rug that the trick’s secret mechanism is hidden under!!! This is the hidden mirror that makes the trick work!!!!! This is the trapdoor in the stage!
Yes, of course I will explain myself.
Neil Gaiman is a master magician, but I am a pretty damn good magician myself—I’m a professional fantasy author who has published nine books, and I teach workshops for apprentice writers online and at universities—and if there is one thing I have learned about the process of achieving mastery of your craft, it is this: 
Regardless of what medium they’re working in, the apprentice artist is concerned primarily with achieving realism via an expansion of their control—control of their brush strokes as they paint a photorealistic eye; control of their deck of cards, the mechanisms of their magic tricks, and where the audience’s attention is being directed; control of all the little factors of voice, plot, character, setting, suspense and surprise that go into writing a good story. However, the master artist has achieved that control—so much so that it often looks effortless to an untrained eye—and sometimes the master artist returns to a messy, amateurish style simply because they have control even over this too. 
As an example, consider Picasso and his entire body of work. He begins as an apprentice focused on achieving control, doing portraits of people that look like people—like what we expect a portrait of a person to look like. Then, as he grows in skill and gradually achieves mastery, he pulls away from realism. He develops a style, he experiments with faces that don’t look like any human alive  colored in ways that do not appear in nature. He expands his control. His work becomes abstract. Towards the end of his life, he starts experimenting with what’s called “Naive art”, something that a 5 year old could theoretically draw... but you have to achieve mastery before you can do it on purpose and have it look good. 
On one hand, Neil Gaiman is extremely good at his job. On the other hand, Season 2 has bad writing in it.
What does that tell us?
Well, we know from our Baseline Assumptions that Neil Gaiman is simply too good of a writer to fuck up through garden-variety clumsiness and lack-of-control the way an apprentice writer would. Additionally, he cannot fuck up by accident in this case because I am positive that the man is scrutinizing his work on Good Omens far too closely to let anything slide—for Crowley and Aziraphale’s sakes, for David and Michael’s sakes, and especially for Terry’s sake. The stakes are sky-high, and he cares too much to write a weird, kind of “bad” season by accident.
Which leaves only one option: He did it on purpose.
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(Am I sounding like a crackpot conspiracy theorist? Baby, you ain’t seen nothin’ yet. I’m gonna get SO MUCH MORE CRACKPOT.)
If he did it on purpose, then the natural question to ask is: WHY!?!?!??
It’s a great question. Not “Why?” in terms of why he as an individual person with emotions would decide to do that, mind you. More like, “What purpose does this serve for the structure of the narrative?” There is a story he is intending to tell, and out of all the choices he could have possibly made, for some reason this one was necessary and correct in order to achieve that end goal—so what was that reason?
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See? Intentionality. He knows exactly what details he left in, and he did it on purpose. (Editing! It’s important!)
So there has to be a reason. It’s like when a master magician “casually” rubs an itch on his nose—why did he do that? What is he sneakily slipping into his mouth by hiding it under the excuse of this little gesture that does not even register to you as meaningful? (If you haven’t watched enough stage magic to know what I mean, watch this.)
This question is, of course, impossible to simply answer out of thin air without any further evidence. It is a dead end—so we must adjust the question and come at it from a different angle.
The one I settled on when I was chewing on this was: Well, okay, what do I mean when I say “bad writing”? What is it about S2 that makes it feel so goddamn odd?
The Pledge, The Turn, and... The Conspicuous, Expectant Silence
There are three parts to a magic trick: Pledge, Turn, Prestige. 
First, the Pledge: You show the audience something ordinary. Second, the Turn: You make that ordinary thing do something extraordinary, like vanish. Third, the Prestige: You bring the ordinary thing back.
To quote the 2006 film The Prestige just after its explanation of the first two parts: “You want to be fooled. But you wouldn’t clap yet, because making something disappear isn’t enough. You have to bring it back.”
You have to bring it back.
When I teach apprentice writers, I call this a “setup-payoff cycle”. Achieving control and dexterity with this tool is crucial, because the setup-payoff cycle is the engine of the story—it’s what makes the story run. You can have a setup-payoff cycle at any scale—I have read ones that were a single sentence long; I’ve read ones that were two books long. Additionally, all jokes, no matter how long they are, are structured on a setup/payoff cycle. These cycles work precisely the same way a magic trick does:
You set up the audience’s expectations. (Optional but generally considered stylish and elegant: You give those expectations a firm jolt to throw the audience off-balance.) You pay off the audience’s expectations in a way they weren’t expecting, while saying “TA DA!!!!” really loud with your arms flung wide.
Audiences really like this. A setup-payoff cycle executed just right makes the audience’s brains light up like Times Square and hammers on their mental “reward” buttons like nothing else. It’s like you’ve personally handed them a cookie and a gold star. They go wild for this.
Here’s an example of a setup-payoff cycle, though it’s not a perfect one—and you’ve probably heard it before, so you’re not going to be throwing chairs and tearing down the theater from sheer glee:
The Setup: Knock knock. Who’s there? Banana. Banana who? The Jolt: (the joke starts over and repeats several times without reaching the payoff (aka the prestige) while the audience grows more and more annoyed and frustrated about the unfulfilled expectations, until finally...) Knock knock. Who’s there? Orange. Orange who? The Payoff: ORANGE YOU GLAD I DIDN’T SAY BANANA?
Good Omens Season 2 feels so fucking odd because the setup-payoff cycles are incomplete—nearly all of them are, and the ones that do close the loop do so in really weird ways which, as a professional author, make me feel kind of, “Bwuh?????? But where’s my cookie? Excuse me??? Sir???? Neil????? My cookie, tho???”
When I realized this, when I finally put my finger on why the whole season was giving me some uncanny valley heebie-jeebies, a chill ran down my spine. (The rest is here: https://docs.google.com/document/d/193IXS11XN46lziHRb6eUpM17yK0BQkRqke1Wh64A_e0/ I’M GOING TO GO STARE INTO THE ABYSS NOW BYE)
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eatingaburrito · 2 months
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SNOOZE — oscar piastri
summary. in which, everyone finally meets oscar’s new girlfriend—who happens to be a ballerina—but the history takes on a whole new meaning. (last part !!!!!!)
genre. smau
previous ↺ reading…
side note. no hate to lily this is just for the plot and sorry that was really short but im lazy 🙏🏽🙏🏽🙏🏽🙏🏽🙏🏽🙏🏽🙏🏽🙏🏽
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liked by oscarpiastri, charlottesine and many others…
yourusername still under the sun w my snooze
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landonorris finally the end of the depression posts 🙏🏼
yourusername LMAO I WOULD NOT DO THAT IF I WERE YOU
landonorris don’t know what you’re talking about
yourusername oh so the depression posts on your private ig means nothing ?????????
user can we see the private ig pls
user WHO IS YOUR SNOOZE
yourbestfriend oscar duh 🙄 [comment deleted]
user I SAW THAT
yourbestfriend sorry 👉🏽👈🏽
yourusername i can’t believe my bestfriend is a snitch
lilymhe @ francisca.cgomes, @ charlottesine, @ landonorris and i are not 😇
yourbestfriend CUNT BEHAVIOUR 🙄🙄🙄🙄🙄🙄
user i wanna know what’s @ yourbestfriend’s comment ???????
yourbestfriend nothing 😇
user all the people in this comment section are so suspicious
charlottesine omg vacation must be feeling so good, have a good time love 🤍
yourusername awwwww thanks pookie 😘😘😘
user THE RETURN OF OSCAR IN THE LIKES
user did anybody saw the ‘thread’ thingy of the girl who’s explaining her theory of the whole oscar-yourname affair ?????
user you’re using the word affair like we’re talking about a crime 😂😂
user i did
user OMG I DID TOO
danielricciardo I also did
user DANIEL ????
user not the snooze lyrics ☹️
user connect the dots it’s not a depression song anymore
user okay but we need explanation bro
user GO WATCH LILY’S NEW STORY ON IG !!!!!!!!!
user lily who ???
user bro oscar’s ex gf ?????
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liked by yourbestfriend, charlesleclerc and many others
yourusername (loyal) boyfriend appreciation post
tagged @ oscarpiastri
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user FINALLY !!!!!!!!! THE IT COUPLE IS BACK
user bro i was so scared i thought oscar was a cheater
user same but thanks to lily who finally gave us explanation 🙄🙄🙄🙄🙄🙄
user AFTER MORE THAN 4 WEEKS BRO
oscarpiastri Always loyal, you know me
yourusername i know you very well
landonorris ew stop being cute thx
yourbestfriend stfu
landonorris let’s fight
yourbestfriend we’re literally in the same room but ok bro
user AYO WHAT
user NEW ROMANCE @ landonorris @ yourbestfriend ???????????????
charlesleclerc Couple goal (after me and Chacha but still) 🥰
yourusername awwww (my favourite) facebook-mom
user we can ALL go back to sleep our favourite couple is back together
danielricciardo It’s been a while, but yes we can all go back to sleep
lilymhe @ francisca.cgomes @ charlottesine heard that ?
francisca.cgomes 😴
charlottesine 😴
alex_albon Zzzzz
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retroellie · 1 month
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Dating Spencer Reid
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Summary: What dating spencer Reid is like
A/N: I wrote this super-fast because I know I haven't really been active... so I wanted to write something quick for y'all! I miss y'all and I hope y'all enjoy!
Warnings: Some NSFW moments
Word count: 1.5K
-Spencer grew up on Victorian romance novels and old valentines' poems, so he was quite the hopeless romantic
-When Spencer wasn't solving theories and getting PHDs, he was dreaming of a beautiful romance. Basically, what I'm trying to say is that he isn't the most confident boyfriend, but he makes up for it in his own way!
-Y'alls first date was something straight out of a movie! I mean it was a bouquet of flowers, an expensive dinner followed by a movie theater that played only old 50's films.
-It was the kind of date that had you falling in love with him first thing, knowing that this boy was the person you see yourself coming home to every night.
-After the date, Spencer offered you his jacket and walked you home. It was a chilly night, the streets lit up from the moonlight. He rambled on and on about the movie, but you couldn't even focus on what he was saying because you were too distracted by him.
-What you fell more in love with was the fact he didn't expect you to even kiss him!
-He was more than okay to say your "goodbyes" and "see you later" than leave.... but you gave him a soft peck before heading into your apartment. Even throughout the darkness you could see his blush.
-Anyways, that date led to a beautiful love story between y'all
-Spencer was a romantic even in the littlest of ways, like sending flowers to your work randomly or leaving you small poems in your fridge before he leaves so it feels as though he never really leaves.
-Spencer would always make sure to call you every night when he was away for work... I mean EVERY night.
-"Spencer honey it's 3am here..."
-"I know! But I just wanted to call you, should I call back in the morning?"
-"No, I'm already up and well I miss hearing your voice anyways." You laughed softly.
-The start of your relationship was so innocent, there was no sex or jealousy... it was just so simple and romantic
-There was lots of making out though, something that surprisingly Spencer was the one to initiate every time.
-There were just lots of times when you two would be discussing a book that Spencer probably recommended to you, then all of a sudden, his tongue would be down your throat.
-He was getting used to hugs and the touching, but kissing was something that felt so natural when he did it with you.
-Speaking of books! He had a list of books he recommended to you, like books that you never thought you'd read but you're glad you did yk?
-You would finish a book in one sitting and call him immediately to talk about it
-In turn though, you would bring him into the modern era and show him newer movies and music. Most of the stuff he did not like, but he pretended to like it to be nice.
-The first couple of months of your relationship, the team had no idea you existed. They started to notice spencer being in a lot better mood, but nothing too alarming.
-However, Derek Morgan is a lady killer... so he caught on a lot faster than the others.
-Like one time, the whole team was going out for drinks and Spencer said he had plans... Derek caught him in a lie real fast
-"So, who's the lucky lady?"
-"What?"
-"Pretty boy...I don't need to be a profiler to figure out why your suddenly so "busy.""
-Because of Morgan prying, Spencer decided to invite you out with the team one night.
-The team was all pretty nice, but very confused on why someone like you would want someone like spencer?? You two were completely different from each other... like night and day damn near
-Besides your differences, the team fell in love with you probably harder than Spencer did. I mean Penelope basically adopted you by the end of the night... she did however do her background checking before meeting you, but we don't gotta talk about that.
-The meeting of the team made the relationship real, like now you had become a part of their small family, and they trusted you enough to take care of spencer
-Spencer also felt this was a huge step, like now that his family accepted you, he was going to spend the rest of his life with you
-Spencer would always bring you up when he got the chance now, putting a framed picture of you and him on his desk just so people would ask about you.
-"Oh, who's this?" Someone would ask.
-"That's my girlfriend, Y/N. We've been dating for 11 months, 2 weeks, and 4 days. She's a (profession) and she smells like lavender."
-Like girl, all they asked was who you were... not every detail of your existence.
-But now that you guys are now officially dating, and everyone knows it... there's some newfound jealousy
-Spencer knew that you were attractive, but sometimes he forgets that you are also attractive to others as well
-Sometimes when you come into the FBI office, he sees other men staring you down... probably wondering how a nerdy boy like him could get someone like you.
-Spencer getting jealous is quiet and polite. He doesn't get angry or upset, we all know he does not do good with emotions. So, he'll just keep his distance from you, accepting the fact that you could leave him at any moment and not wanting to feel the effects of it.
-He will go silent for days if you didn't ask him about it, not even sure what he was feeling but knew he didn't like it.
-"Just didn't like how he was looking at you... made me feel weird."
-"You're jealous?"
-"I guess... I don't know."
-You just laughed it off, telling him how you would never choose anyone over him even if there was a gun to your head.
-Spencer also remembers everything about everything so... he picks up on your favorite things and your little quirks, plus he never forgets an anniversary!
-Derek bullies the shit out of him, like omfg
-he'll always call you his mommy and make kissing sounds when you call him, loud enough for the entire office to hear.
-"Muah muah muah... Oh Y/N!!" Derek yells, making sure you heard him.
-"So let me guess... Dereks with you?"
-"How'd you know?"
-He actually doesn't use too many pet names, but you definitely do lmao. His name is literally "Spenice poo <3" on your phone.
-Eventually, Spencer asks you to move in with him and omfg!!! You are so excited, like jumping up and down excitedly.
-I feel like spencer would be so domestic too omfg
-He would play music while cleaning the house, but it would all be like Mozart and classical music. You would always grab him by the waist and start dancing with him, you both looked so stupid but at least it was together.
-He would ramble to you all the time and you were probably the only person in the world that would let him, honestly you enjoyed it too.
-Like you had just gotten out of the shower, Spencer barged in and started talking about a case. He sat on the toilet seat while you did your skin care, just rambling on and on about how sick this person was.
-Yours and Spencer's different aesthetics clashed a lot in the house, like Spencer's apartment was slowly being taken over by you and your stuff... but he didn't mind.
-Since you guys have decided to take your relationship to another big step... Spencer decided he wanted you to pop his cherry.
-Spencer wasn't too experienced and he's never really had sex before. He's done stuff with someone, but never the actual act of it.
-He wanted to do it way before, but he thought it would complicate everything and honestly, he wasn't completely ready for it yet.
-You made sure it was the perfect night, you had it planned out. You took him on a picnic, watching the sunset as you loosened him up a little bit, making sure he was comfortable before setting yourself down on his lap.
-You were so soft with him; I mean you were afraid you might break him. He had to beg for you at one point because you weren't going fast enough.
-The next morning, he had to go into work, something about him was different... his confidence boosted a bit. Derek could sense it from a mile away, making sure Spencer knew that he knew.
-The popping of his cherry had created something inside spencer, he found his favorite thing to do, and he wanted it at all times
-You obviously were glad to give him whatever his little heart desired, so you let him fuck you anytime he wanted. Sometimes it even got a little filthy... something you would have never guessed about spencer.
-My bad I got sidetracked... but spencer was also way touchier with you
-Spencer was never really touchy in public, but now it's all he ever did. If you were in the room with him, then his attention would be completely on you.
-He really just felt so safe with you, knowing that you gave him not only your body but also your mind... he just wanted you, period. 
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figonas · 1 year
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I’m sorry but you all aren’t listening, lyctorhood itself is not the “indelible sin” and you can pry this theory from my cold dead hands, honestly, maybe not even then. TazMuir herself could not dissuade me until she explicitly tells me otherwise. My proof for this you ask? Pyrrha’s conversation with Varun in NtN chapter 9.
But let’s backtrack for a second. John has stated that the resurrection beasts are after him and the lyctors for committing the indelible sin of lyctorhood, and as such the lyctors can never return to the Dominican System for fear of drawing the RBs back to the Nine Houses. I’ve never believed this was true given the fact that John is always the greatest common denominator when it comes to the presence of an RB and there’s no mention of an RB going after a lone lyctor. Sure, lyctors have been killed fighting resurrection beasts but there’s a huge difference between being caught in the crossfire and starting a firefight. For me, Nona the Ninth only reinforced that what we’ve been told is the “indelible sin” is either John misunderstanding the RBs (doubtful) or lying for his own purposes (more likely).
In chapter 9 of NtN, Nona recounts the story of her disastrous beach trip and towards the end of this recitation Nona says that Pyrrha;
“…crossed to the taped-up window, bottle and glass in hand. To Nona’s awe, she twitched the blackout curtains aside—stood bathed in the hyper-blue light from the sky as Nona held her breath—and she said to the window, “Here’s to Camilla Hect, yet another of devotion’s casualties,” and knocked back the glass. Then she said to the light, quite gently, “No, I don’t blame you, man … He was always looking for things to throw himself on.”
Pyrrha stands in front of Nona, bathed in the light of Varun the Eater, and proceeds to have a conversation with it. We only get one side but based on the context of the last line, “No, I don’t blame you, man … He was always looking for things to throw himself on.” Varun seemingly apologizes to Pyrrha for killing G1deon. It’s proven later on in the book that Varun can speak to Nona, and while it could be argued that since G1deon is dead and his soul is gone the “indelible sin” has been undone this still begs the question; why would the punisher apologize to the sinner?
If Varun and the other RBs are hunting the lyctors to dole out justice for their sins why would they apologize for doing the very thing they sought to do unless that wasn’t their true intent. The “indelible sin” is not the consumption of another soul, it is the consumption of a specific soul. It is John taking Alecto into himself, not being able to house all of her and instead making an exchange. Housing a piece of her in him, and a piece of him in her. Splintering the soul of a great and terrible force into manageable parts. Which explains Varun’s ominous presence hanging over the planet in the first place.
If RBs are hunting Lyctors there are no lyctors on this planet. Palamedes has not consumed Camilla’s soul, G1deon is gone, Harrow is in the River, Gideon is thumbtacked to her dead body, the only soul of any significance to Varun is Nona. Later on in chapter 13 Varun, by way of Judith, says to Nona;
“…what they did to you and what they wrung from you and what shape they made you fill—we see you still—we seek you still—we murdered—we who murder—you inadvertent tool—you misused green thing—come back to us—take vengeance for us—we saw you—we see you—I see you.”
And in chapter 27,
“….what did he do to you, to make you this way.”
What did HE do to you!!! what did HE do to YOU!! To give John credit he doesn’t deserve he may not realize it himself but the RBs have been looking for Alecto this whole time. They don’t want the lyctors, they want what John stole, they want the piece of Alecto inside of him. Want to make her whole again, their misused green thing. She’s almost there. She has her piece back from harrow’s body, united with the piece of her hidden in the locked tomb. She only has 1 piece left to collect. And god knows what will happen when the green and breathing thing is whole once again.
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wolfy1298 · 9 months
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Don’t you ever wonder what kind of secrets and plot points Venti keeps hidden? He claims to be the weakest amongst the Seven-and that could be true given his whole 500 year slumber and poison and all- but he’s still a god. AND one of the original Seven. You gotta be good at SOMETHING to survive for this long…
He’s also the only archon so far that doesn’t have a second story quest so what is he hiding?! We have accounts of him literally shaping the land with ease from both the Golden Apple Archipelago events and his character stories. We know that he has close relationships with the Hexenzirkel and somehow managed to avoid conflict with them??? And there’s also the fact from the skyward sword series that he was originally a catalyst user before picking up the bow in honor of Amos. He’s pulling a Childe when it comes to weapons he currently uses and the ones he’s proficient in.
And don’t even get me started on his connection with Istharoth and Celestia! Mondstadt already has the Thousands Winds Temple AND the nameless island where both Venti and Istharoth were once worshipped. And from Before Sun and Moon, we know that the Thousand Winds (which Venti IS A PART OF) were once called the Thousand Winds of TIME, all of whom were created and controlled by Istharoth. AND THEN you have Venti suspiciously appearing in the right place at the right time again and again and again. He even self proclaimed knowing every song: past, present, and future. Hell he’s probably one of the only few beings in Teyvat who can naturally bypass Irminsul because of his songs: Nahida already shown it’s possible to save deleted info if rearranged into fiction so the same should work for songs and poetry. And there’s also what the hydro fungus in Nahida’s second story quest said about changing forms. That you need time for growth to occur. And Nahida - an ARCHON- had trouble maintaining her fungus form for even the short period of time. She was even told that to do so for longer, one would need to bypass time itself which is near impossible. AND YET VENTI CHANGED INTO THE FORM OF HIS FRIEND IMMEDIATELY AFTER RECEIVING HIS GNOSIS AND HAS YET TO CHANGE BACK OR TIRE FROM FATIGUE (as we know it). HOW STRONG IS HE. Sure, the yokai in Inazuma and Adepti in Liyue can all change into a human form, but we know in game that it takes a long time and steady energy to take on a human shape, and the Adepti all seem to have that ability naturally: there’s no bending the laws of nature if it’s already natural to them. So what’s Venti’s excuse?!
As for Celestia: there’s already written in the statue of Barbatos “the gateway to Celestia” and what not. And Khanreia! In the chasm AND in the Caribert quest, Barbatos and Mondstadt keep getting named dropped. According to Dainself, the city in the chasm is supposedly OLDER than Khanreia and possibly the Seven, yet BARBATOS of all beings is mentioned in the records you find??? And in Caribert, it’s a Mondstadtian woman who that one bloke had a child with. Never mind that Mondstadt is where Kaeya and Albedo - the two characters with confirmed Khanreian origins- end up! There’s also the fact that Khanreia seems to base its gods and names and whatever around Norse mythology….which has strong ties to GERMANIC HISTORY. WHICH MONDSTADT IS BASED OFF OF. And Enkanomiya, which was once ruled by Istaroth, is Greek origin. Suspicious considering all the connections to HERMES Venti keeps portraying. (And then there’s also a connection to all three places with the hexenzerkel with their Chinese names? Like I think I read somewhere that Alice is Aries(?)/Eris(?) and Nicole is actually Nike in the Chinese version? Which are very much based in Roman/Greek origins)
Oh and something I forgot to mention earlier with the whole Istharoth connection. Mondstadt’s saying “seeds of stories, brought by the wind, and cultivated through time”. SUSPICIOUS
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Anyways, this has been my nonsensical Venti theory rant
And you’re stuck with me @worldsokayestmagicalgirl
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teejaystumbles · 6 months
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Happy Halloween! It's the last day of October and the last bingo square for the Monsterfucktober Bingo finished - "science gone wrong"!! 👻🧟🥰
I couldn't help writing a little story for this - find it under the cut! Thanks to @valiantstarlights for the idea of Hob reacting to Dream's voice!
Morpheus looked at his new creation and frowned at the mismatched skin tones of the shoulder and leg. He had tried to keep most of the man’s body parts but the left knee had been so badly crushed that he had rather used a whole different limb than try and repair or exchange the joint. It would make for much smoother maintenance than having to deal with an inserted knee joint that was much more prone to infection or damage. The upper left arm had also been badly damaged in the accident that led to the man’s death - well, near-death. His brain waves had been declared too shallow to warrant any actual activity. The man had had no family, and no friends had come forward or visited. The man had carried a donor card, though, and so, with no one to protest, he had been quietly shuffled into Morpheus’ lab with little fanfare. Morpheus knew that what his employers did to obtain his materials wasn’t strictly legal but he tried not to think too much about it. He was being paid very handsomely to do his research, and not just in theory.
He was very satisfied with this new try. It was only his second finished work, having been commissioned after the Corinthian was a sounding success - well, mostly. He huffed and set about disinfecting the needle he had used to close up the throat of the man. His employers had had only one complaint about the Corinthian-
He talks too much, and he talks back. No need to include capacity for speech in the next one, Doctor.
Morpheus looked at the young man’s handsome face and sighed. “I would have liked to hear your voice. I’m sorry.”
He turned around and switched on the life support to see if everything ran smoothly. While he cleaned up the lab there was only the quiet whooshing sound of the respirator. He knew it took time for the subject to come back to life. He would probably have to use the defibrillator to really get it going-
A sudden loud beep from the heart monitor made him jump and turn around.
The man was sitting up and staring at him. He’d removed the respirator mask and slowly pulled off the ECG monitoring electrodes. His eyes were wide and milky, not yet able to see. It was a condition the Corinthian had never recovered from - in the end Morpheus had given him bionic eyes. With this new subject he had hope that the original eyes of the man whose body he had used would recover once a steady circulation had been achieved. (They had been the most gorgeous brown eyes Morpheus had ever seen after Calliope left him and he hadn’t been able to switch them for bionic ones straight from the start.)
“That was fast. Good- Good morning,” he said, stunned at the man’s fast return to waking. Morpheus grabbed his recorder and switched it on. “Subject 002, Working title “Hope”, Day 62 - subject has awoken after life support was activated. No respirator necessary, it seems. Subject is alert and- hey, hey, what are you doing? Take it easy!”
He dropped the recorder as the man suddenly stood up from the metal table and stepped towards him, only stumbling once on the unfamiliar leg. Before Morpheus could stop him the man had boxed him in against his lab desk. Morpheus felt several papers shuffled and bottles getting pushed over by his elbows as he tried to keep his distance but the man nearly crushed him against the edge of the table. He smiled down at Morpheus, unseeing eyes still focused on him, and hummed. Morpheus gasped, shocked at this unusual display of coordination and force so soon after waking up. He needed to keep up the subject’s emotional balance, he needed to give positive feedback to not induce a backlash or violent reaction to an unfamiliar situation. The Corinthian had taught him that.
“You’re, you’re doing really well. This- this is great. Very good,” he praised, heart hammering, trying his best to keep his voice low and soothing.
Subject 002, “Hope”, grinned happily.
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fastcardotmp3 · 1 year
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Steve is the first person Robin ever comes out to.
And it's good, it goes better than she ever could have hoped, it goes miraculously well considering just how reckless she had been about it in hindsight, how nearly accidental and vaguely self-destructive a choice it had been to wield Tammy Thompson's name like that in front of a boy she'd learned to trust within the past six hours.
The thing is, it's good, but she realizes later on that she never actually says the word. The big one, the identifying one, the one that gets thrown around as a slur as often as queer or dyke do towards any girl who dares not present in a specifically feminine way.
It's a bad word, a scary word, a word that drips off tongues like acid and drips drips drips a corrosive hole in Robin's chest every single time because if it's being said in her vicinity that means-- just at any moment-- anyone could figure out--
Robin doesn't care for the act of coming out either in theory or in practice. She believes that anyone she trusts enough to know gets to learn from context clues and anyone she doesn't trust will just never get to know her fully and that's good enough for her.
She doesn't sit her parents down and say, "Mom. Dad. I'm a--"
She doesn't sit her little apocalypse posse down and say, "Just thought you guys should know I'm a--"
She didn't tell Steve.
She doesn't say the word.
Because as much as she's able to accept who she is, it's so hard to claim a word that has been used like a weapon her whole life. Because as much as even her parents and her friends love her for who she is, there is something about saying it like that that makes her wonder if it could sully the support.
As if they'd realize oh, you meant like that...? and change their minds.
It's not until IUPUI, a little house in Indy with Steve, and a little record shop next door to the deli where Eddie got a job slicing meat that she starts seeing that word, feeling it anew.
There are zines at this shop, the ones behind the counter that she's offered after a few visits and a few conversations that she later recognizes as coded and questioning in nature.
There are stories and art and poetry and that word is all over them.
And the thing is? The thing that has Steve finding her crying in their living room one afternoon as she reads through the stack like it holds the answers to the universe?
Is that it is written and spoken and displayed like the most beautiful word in the world.
It's a compliment and a blessing and a brag. It's a little bit of magic and a great deal of history.
It's her, in the end. It's her and it belongs in her mouth, deserves to be spoken, because too many people are out there misusing it like a disgusting thing when it is divine, fucking love incarnate.
Robin tucks into Steve's embrace, his instinct to hold her even as he tries to understand what has her sobbing in the middle of the day, whether or not he needs to fight anyone about it.
He holds her and she holds him back and it only feels right that it happen like this when she takes his face in her hands, shaky but oh, so certain.
Steve was the first person she ever came out to.
If she's going to let the scary word become her favorite the way it is for the people writing it out so proudly, this is probably the place to start.
"Steve Harrington," she beams at the furrow in his brow, those big concerned eyes that she knows will be confused about this, but she knows will only hold her tighter once she explains. "Steve. Stevie. Guess what?"
"What's up?" he laughs, gathering the joy in her tears like she knew he would, and Robin feels something click in the moment before she says it to him.
Out loud and real.
Very nearly holy.
"I'm a fucking lesbian."
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beaulesbian · 1 month
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[egghead spoilers, up to chapter 1110]
Sanji's humanity & Zoro's strength
(or lack thereof) - a theory of possible conflict between Luffy's wings before the end of Egghead arc. Long post ahead. Like.. very long post.
So the new chapter had a very interesting new "banter" between Sanji and Zoro, but no, actually just Sanji, because there was no usual back and forth quips followed after.
Yes, this whole post started because of these few panels: (" ...!!")
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After rereading the chapter more times I realized, Sanji's not even speaking to Zoro or knows that Zoro can hear him. He's talking about Zoro, and calling him a burden to the team.
Which is just baffling to me? (fair, maybe I'm looking too much into it and next chapter it would be explained in different way) but for now, I need to put this out there and make my own small (long) theory on this.
There's lot to be said about the word burden here, and I will get to it later in the post, but for now, let's start with Sanji and his eyebrow!
It wouldn't be a perfect story if Oda didn't tangle threads of each respective characters from multiple arcs before and brought them up together later on during one of the most difficult times when Strawhats and Luffy are facing off with so much danger (reminds me of Sabaody but in a very different way).
In this instance Sanji's past could be brought up again, something that started worrying him since his fight with Queen in Wano, and especially given that his left eyebrow has been changing its shape quite a lot during the run of the Egghead arc.
Here's just few panels throughout end of Wano up to current Egghead chapter, where Sanji' left eyebrow is in the focus on the pages:
Chapter 1029 was the first part where Sanji was thinking his body might be undergoing some changes he couldn't control -broken bones insantly healed, stronger and faster than ever before, due to him beforehand using the Germa suit which possibly triggered this sort of superhuman modification he wasn't really aware of until then. When he realized he couldn't remember certain memories, he panicked, thinking he might be changing into something similar like his brothers, a scientific weapon created by his father. The worry and panic was all the more present because he thought he hurt someone without his knowing, and that'd slowly take away his kindness and sense of humanity. (Too bad I hoped the changes his body might be undergoing would only be realization of his non-cis gender status, but maybe that's still on the table for sometime in the future.):
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^In this second panel his face is on purpose shadowed, which was the last time he was shown in that chapter,
and only again was in chapter 1031 - where his eyebrow changed:
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and it takes him to think about Luffy and what his purpose would be if something so important of him would change. He knows why Luffy went after him in WCI, he knows what values are important for Luffy and his crew, and of course he doesn't want to be reminded of his family and his brothers and act as they did. He chooses the humanity, the kindness that Luffy loves in him.
Even to the extent to call Zoro and make a deal with him - to kill Sanji if anything would go wrong with him. "If I'm not in my right mind, I want you to kill me." That much trust he has in Zoro to protect the crew and Luffy!
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Of course Zoro wouldn't do anything reckless without a good reason, but part of their banter and understanding each other would be to promise something like that - echo of Thriller Bark and the range of how far Zoro would go to take on someone elses pain. It's a promise to win their separate fights, but also this was something that Sanji put out there for Zoro to take notice of. (I will come back to that later.):
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(still the "bad eyebrow" - he had that the whole chapter 1031).
After his fight with Queen (where it was also cleared what his actions were and weren't), he was only shown two times until he woke up, and both times he had his eyebrow back on good side.
1036 & 1044 (hearing Luffy awaken his powers):
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All the way up to Egghead he seemed to have his eyebrow drawn this way, and it started to change only during fights -
ch 1075, still good eyebrow, tho.. ehh this behavior.. whatever:
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ch. 1078, protecting his crew from Seraphim, bad eyebrow:
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in between chapters 1090 - 1105 (most of which were flashbacks and Sanji nor Strawhats were shown) he appeared with his typical eyebrow:
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and it changed again in ch 1107 - when he was again protecting Bonney / fighting against Kizaru:
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interesting was chapter 1108 where he's standing between Saturn and Vegapunk, and he's describing Saturn with "he's less and less human by the minute" while his own face was obscured, (I mean.. interesting choice of words and what character said it, huh?):
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and the next page he still has the bad eyebrow:
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in chapter 1109 it's back on his typical side, where it continues from previous chapter of Sanji carrying Vegapunk- so at some point it must have shifted back (and I'm curious if these changes would be noticable in the animation). At this part he's watching how Saturn is summoning the other Gorosei to Egghead:
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Which leads me to the point from above with Zoro.
chapter 1110 and their interactions (for me) was just off. I like their usual banter and bickering, it's funny (if it's in the manga and contained to few panels to make sense, not so much in the anime, but i'm not going into that now), but the thing to call anyone of their crew a "burden" just doesn't fit right. (Especially after WCI... c'mon Sanji, and especially to someone like Zoro, who's always the first one to think about the crew.)
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I would understand it if he laughed along with the words to elevate their seriousness, or said something like "Finish it up, Mosshead, we need to get moving." but no. He calls him a burden. And again as I mentioned, it pretty much could have been even Sanji not realizing Zoro can hear that.
These words (in my opinion) were chosen on purpose for multiple reasons:
First we have the Zoro vs Lucci fight that goes on for a while in the real world - in the One Piece world it might be just few minutes - plus we don't know how tough were the fights with the Seraphim which let others be injured.
When Lucci attacked, Zoro immediately thrown himself with him away from the rest of the crew. Zoro was possibly stalling with the fight for time to leave. I feel he could have finished that fight earlier but that wasn't the point. The point might have been to hold him back from his crew.
also this was possibly the only fight after King where Zoro could test the limits of his powers and haki, just like Luffy in the Udon prison in Wano was basically training, this (and the Seraphim fights we haven't seen) could be something similar for Zoro.
Some people think that just because of these characters getting new powers it means they already understand how to use them/how it works, but that's usually not the point of how stories go - there can be progress and there can be setbacks, growing up but also falling back down, which makes the stories more interesting.
The words that Lucci used against Zoro were basically the same thing that Sanji said to Zoro few chapters later:
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Amongst them he pointed out the Strawhats inability to cut off one of their own out of their crew to save others - like Lucci left Kaku behind just chapters before this fight when he attacked Vegapunk and Stussy (and Sanji trapped Kaku in the bubble prison). It's a play on very different characters and how they think and act to show clearly how they different they are.
The words burden or dead-weight really stood out, already when Lucci said it in chapter 1107, and the fact that they were targetting Zoro - someone who always blames himself (in his mind, not usually out loud) for not being strong enough, and someone who always has protecting his crew at the first place, was interesting in the connection to Sanji repeating basically the same words in the latest chapter.
I will probably make a different separate post only focusing on Zoro and his fear of being weak, but for the purposes of this post, just to pick a few moments where it's important in the manga:
One of the first time I've noticed how much Zoro keeps berating himself with words like "not strong enough" "too lax" "still too soft" "if I'd been stronger/ faster/ better..."
was just after Little Garden arc, where he almost cut off his ankles just to keep fighting. Time after time the crew encounters strong enemies and Zoro gets a new understanding how far up is the limit that he has to reach to keep the crew safe, so he keeps training. ch. 129:
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When Luffy went to fight Crocodile and Zoro was worried and kept training on the way to Alubarna, this banter between Sanji and Zoro felt typical between them - it's about the two way street, the back and forth (that's why that new chapter and insult from Sanji feels so foreign, there's no reply, not quip back - only silence and some sort of determination, which isn't good nor bad, just.. weird.) ch. 179:
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and after the final fight of Alabasta, possibly one of the first times I really started paying attention to how much it gets to Zoro, this question of how strong he needs to be. (along with what possibly was one of the first introduction of his haki and how he began training the Observation haki, disguised as meditation in the terms of the early manga) ch. 213:
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Thriller Bark was one of the biggest arcs in this sense of Zoro and his protectiveness towards the crew and Sanji knows that - he knows what happened there, he even wanted to sacrifice himself in stead of Zoro for Luffy (but this is beside the point here, and I talked about it in other post before).
Zoro took on himself Luffy's pain, and after that arc he still went right to train as soon as he could despite being still injured, ch. 490. "still too weak!"
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which goes through to Sabaody arc.
Chapter 510 until the end of that arc is just painful to go through again. Luffy was worried for Zoro and didn't know the scope of his injuries, while Sanji knew and was concerned in his own way too - that is another thing of how they care, sometimes wordlessly but there is that understanding of what to mention or not. ("Burden" still shouldn't be one of the words to use between them, not that far into the story.)
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Now - fast forward to Punk Hazard where one of similar moments played out - Zoro telling Luffy not to goof around because they got in the New world and needed to take things seriously.
It was one of those small moments where Sanji was actually one of the few people shown with reaction to Zoro's words and his urgency, ch 678:
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Sanji saying "He's so tough on himself" really puts into perspective how he sees Zoro - he knows what he's been through, and knows to what extremes he's willing to go to protect his crew.
He's definitely not someone who would carelessly call Zoro "a burden" even in the time and place and situation they found themselves on Egghead, if anything, he was supposed to be one of the first ones to know how serious is Zoro always about protecting the crew. (Even in the beginning of Egghead, Zoro stayed at first on the Sunny because "who will save them when they will need saving.")
There's few others scenes and parts where Zoro questions his worth and strength, especially in later Wano, calculating what needs to be done so they have strength to face off with Kaido, ch 980:
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and later against King, ch 1033 "it was my strength that was lacking!" while unlocking his Conqueror's haki, still unknowingly:
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The fact that it's been happening pretty much since the beginning of the story - how Zoro views himself as not strong enough, yet persisting in always getting stronger and protecting his crew - means so much for what character Zoro is and how much he values and loves his crew (just like all the other Strawhats in different ways), and also, as I've been catching up so quickly with the manga, there's been that hope for some call out of this behavior, to poke it where it hurts, to see what would happen if someone turns those words Zoro possibly feels in his mind against him out loud. And that's kind of what's been happening lately - and I'm curious what impact will this have on both Zoro personally and on the other Strawhats, depending who will be around for the conclusion.
Zoro is one of the few strawhats really thinking about the future, plans and what they need to still fight through, carefully calculating what his opponents might be doing, how strong they are and how much of a problem it would be to go through them.
And Sanji normally understands that, he knows how Zoro works and the other way around, that's why he still protected him when Zoro was injured, (if anything, in this moment Zoro could have been something like hinderance or annoyance to Sanji, yet he never said something like that), ch. 1015:
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Even on Egghead, where there was temporary truce with Lucci and Kaku, Zoro pointed out how to recognize the Seraphim's weaknesses, and apologized for 'wasting their stamina' - again, calculating on his strength, ch. 1077:
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Zoro isn't just fighting for the sake of a fight, he does have his dream and does know what's important to focus on (he himself always keeps the crew in focus when it's important!)
So it's difficult to have a conclusion about the whole Zoro vs Lucci fight without knowing what is Zoro thinking - hopefully in next chapter we will have more info on it (that is number 1111 - Zoro's birthday and bounty! so I hope it will be a big focus on Zoro again). But even beside that, it was obvious in such short time two people around him suddenly called him a burden to his team - something he takes very close to his heart and mind, something that will hopefully have some consequences for us to see and read, because as Oda is choosing words definitely carefully to have the right impact, two very similar words like "burden" don't seem like a coincidence.
To wrap this up - with Sanji telling this to Zoro felt different than their usuall banter, and as I said before - maybe because Sanji wasn't even speaking to Zoro. At the same time, on Wano Sanji gave Zoro a clue that somehting was happening with him, the fact that there was a panel with just Zoro's ear twitching and then being silent, thinking, and not replying to Sanji with anything that would hint to us about his state of mind, and it could mean he's also aware of some difference in Sanji's acting.
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The way he says this reminds me of the what Sanji was thinking during his fight with Queen - "what would be more useful to Luffy, regular flesh-and-blood body? Or a cruel, cold emotionless warrior of science." Even for this small part of seeing him speak with Jimbei and hearing what Zoro was up to until then, he speaks without almost any emotions beside anger? Even with his eyebrow not indicating the change, precisely, it doesn't have to be connected in this way, except physical fights, but there could be something still changing within Sanji to make him act this way, a way that really isn't something we've seen before. I think if in next chapters he speaks to Nami, Robin or some other woman without his typical over-the-top pleasanteries, it could indicate how much of a problem this could be for the Strawhats.
So we have Sanji's need to stay human and kind, the pact created with Zoro to kill him if anything felt wrong; and we have Zoro - someone who's biggest purpose from the beginning was to protect the crew and Luffy, while many times we've seen him question his own strength, and now two people in the span of like 5 minutes in the One Piece time are calling him a burden.
It will be interesting to see if this is heading towards a clash or conflict between Luffy's wings while Luffy needs the support to fight / flee from the Gorosei.
To end this too long post, I feel it's very on point for One Piece not to have a sole focus on just one character going through it™ in one arc, but it's always a few crumbs here and few hints there. This sort of conflict would be perfect to deal with both of Zoro and Sanji's respective fears - because this is very much about fears in their minds, while at the same time if they can resolve this, it would only strengthen their crew once again.
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bahrtofane · 20 days
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promises under the stars - jude pov
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Jude never meant to replace you. But that's how it ended up isn't it. There's no one to blame but himself, no one behind each and every decision that now has him standing at the end of an aisle, waiting for his bride. A bride that isn't you. 
highly highly recommend reading this fic first. or else it kinda doesnt make a whole lot of sense on its own. then come back here. this is kinda like a part 2? kinda
shout out to this anon for this idea ! hope you like it
word count - 2.1K+
watch it - well angst, yet again. pregnancy talks the works. sorry if i used ur name for his wife xoxo. enjooyyy
p.s. - shout out to @anadiasmount for the inspo to create the image at the end ! go read all her stuff yall so good
—————-
He thinks the moment it all comes crumbling down is when he gets word of you getting mobbed. After you've just been to Madrid with him. And he can't do anything about it but send security and hope it doesn't get out of hand. 
He expects you to give up right then and there, curse him and wish for him to have nothing to do with your life again. But you don't. You can never bring yourself to blame him. To hate him.
Then comes your whole family suing him for something completely out of his control. Fresh after your father has threatened him, this is just what they need to come after him legally. 
It's okay because they don't win. Of course they don't. How stupid do you have to be to try and sue for going on vacation for someone you love. He wants to call you every step of the way. But his lawyer warns against it. So he doesn't. And you’re left in the dark.
Do you even know that they've tried to sue?
He can guess what you're thinking. He knows you too well. You think this is him taking an exit from his life. He doesn't want it to be this way. Maybe its for the best after all he finds himself thinking. Back to the thoughts of letting you go for your good as much as his. 
But like most things in life, things get muddy. 
He spends his time in a whirlwind of emotions, all leading back to you. He can not go more than an hour without you in his mind. 
Even if his texting habits dont show it, he wants to talk to you every second of every day. Do you remember when he would call you to complain about the mundane. When he stubbed his toe, or drank out of his mind, pressing his nose against the screen trying to feel you against him. 
Things have changed. He’s no longer the same youthful Jude with a penchant for recklessness. Taking day trips to see you, skirting around paparazzi and your families just to have a moment together.
He misses you, but he’s scared to reach out again. So he remains silent and an onlooker to your life. 
Funny isn't it. World class player with more money than he knows what to do with is scared to text you in fear of what your families will say or do. 
And yet, he can’t stay away for long can he. His resolve breaks on your birthday. Months and years have gone by. Legal cases are drawn out go figure. And he's been so busy with games every few days and events he can never say no too. When he gets home his bones ache, only finding the strength to clean himself up and go to bed. 
When he calls you he realizes maybe it's too late. That waiting for things to blow over have left a gap in your time together. He knows nothing but memories. Your life eludes him. He tries to go back truly, but seeing your story while you're out with friends, smiling- actually smiling. He thinks he better not intrude. 
His mother isn't helping one bit. She's come to the conclusion that the only way to move on and get your family off his back for good is to just move on. Find a “nice sensible girl” she says, smiling.  
Jude doesn't want to. It makes him sick. Kicking and screaming the whole way about it. It’s not a bad idea in theory. Pretend to date someone. Your family gets off his back his family of yours boom you can be happy together again. 
So he can learn who you are again. Find a way into your life. Do you still tilt your head when you're confused? He needs to get back to you. He can't let someone like you leave. He doesn’t just love you, he’s fascinated with the person you’ve grown into. 
The thought of you with anyone else makes him sick. He still loves you, and he makes himself believe that the same is true. 
If only right.
He meets Kaylie in the dead of winter. At a sponsorship event that he completely forgets about and shows up an hour late to. He looks around trying to find his agent but before he can even say his usual rounds of hellos he spots his mother standing with a blonde who clutches her necklace to her chest while she laughs.
This is the start of his own nightmare.
He comes back around when he knows he has to. After taking his sweet time talking to everyone. He tries to look for help to get out of the encounter but it's already too late. His mother is flagging him down. So he walks over, already sweating. 
His mother all but pushes them together. 
“What a couple you two are.” she beams, hands clasped together. 
He gives a tight lipped smile and tries to wiggle his way out the awkward slew of introductions Kaylie gives of herself. But his mother gives him a look, grabbing into his arm and making stand and listen. 
There's a look in his mothers eye, he knows what it means. This is the woman that's supposed to replace you. He feels sick. 
——-
Along the way he thinks that maybe this is what's best for him. For you. 
His family all love Kaylie. And she's sweet enough.
Nothing like you, dragging him into different clubs while you linked arms to get ice cream at the same time.
He finds it hard to keep up with her. Her life is fast paced, more so than his. Every time he calls she's in a different country it seems, catching flights and going to fancy resorts.
You never minded a quiet night in. Its what you loved, being able to exist with him. 
Most of all she doesnt know him. She knows Jude Bellingham. The player, the figure, the celebrity. She doesn't know that he has a bad habit of touching his ears when he's nervous, how his eyes go wide at praise and teasing. How without a hundred reminders and alarms he truly would be late for everything. You always helped getting him to things on time.
When you were both awkward pre teens struggling to make sense of the world, you’d stop by his house to make sure he wouldn’t miss the bus. Sitting next to him on the beaten leather seats, and spitting facts you learned the day before. 
He always listened. He still would today. 
He doesn't think Kaylie’s noticed anything about him. She spends most of their time together taking pictures and flaunting him around. He pretends it doesn't bother him. Is the peace even worth it at this point?
She doesn't know how much he loves making little daisy chains, how much he loved putting them in your hair when you were kids. You’d throw a fit, but he never missed the look in your eyes when his fingers would swoop down to settle them gently. 
Kaylie is beautiful. But she's not beautiful like you. She may have an expensive taste for clothes that allows her to put together a stunning outfit for any occasion, cleavage on display while she pouts her lips and bats her eyelashes for a kiss. Kisses he never gives her. He can't. Not when he knows you wait for him. 
Sure she's great by the average man's standards. But she's not lovely like you. You could be in a trash bag and he'd still think you're the most gorgeous person on the planet. 
He thinks this whole Kaylie thing will blow over, that he'll be able to get back to you. 
And he tells her this. 
He goes through the motions, just to shut everyone up. 
Sitting her down when his mother isn’t around, “I don't love you. I will never be okay. I'm only here to get my mom off my back.”
And she laughs, flicking her hair over her shoulder, “Okay Judey whatever you say,” bracelets clanking together.
The name makes him want to hurl. “Get out of my house.”
Kaylie has got it in her head that she's here to stay. They've gotten into screaming matches because she's gotten her hands on the spare key and spends her days lounging in his house while he's away. They're not even officially dating by any means. 
And he keeps finding her in his bed, in nothing but one of his shirts. Giggling and acting coy. He's losing his patience and losing it fast. 
“Why did you give her the key.” Jude storms into his mothers house. 
She's making tea, swirling a spoon in her mug,”she's your woman isn't she. She needs one.”
“No. She's not my woman and you know that. Everyone that.”
She set the spoon down in the sink, going over to where Jude stands.
“Jude. you need to focus on what's good for you. And she wasn't good. You should be lucky that they didn't win the case. I went and told them about Kaylie and how wonderful she is. Be thankful. “
He's losing his mind. He needs to talk to you. 
He gets the chance when he's back in his hometown. And he sees you. He doesn’t think he could ever miss you, not even in a crowd. A rush of people stop him from running right to you. So instead he texts you. For the first time in ages. 
Was nice seeing you.
He hopes you can read between the lines, that you still know him well enough to understand what he really means. 
I still see you. 
For Jude is a coward. 
——
You dont reply. He forces himself to go back to what hes been forced to know.
Kaylie is all over him, hands roaming his body. There are days when he gives in. Sharing a bed with her as a cruel demented way to find some sort of release from everything that goes on around him.  The look on her face after its all set and done makes him genuinely want to punch something. A look of arrogance, like she's won something. 
And to top it all off he's been called up for England. His life gets even busier, if possible. Trying to keep up with it all proves to be grueling.
But light comes in the form of you. In the form of a single text.
Watched you play tonight. I'm proud of you.
You're proud of him? You watched him? 
The words bring him to near sobs, the light of his phone illuminating his hotel room while hes getting changed into his pjs. It's completely dark, his personal preference. And hes so happy he would fly the damn plane himself to see you. 
Before he can even think of a reply Kaylie tells him she's pregnant. Barging into his room with a little white box in hand. He thinks is some sort of congratulations for the game. Tacky card, maybe a watch. 
When he opens it, his world comes to a halt. Its a single pregnancy test.
He wants to cry. He's too young to be having kids let alone with her. It makes no sense to him. He always used protection the handful of times they did sleep together. Each time he'd only cry in the shower trying to scrub off her smell and the feeling of her touch off of him. She's only a distraction he tells himself. Too late for those words now.
It feels so wrong, so so wrong. He was supposed to be waiting for you and here he is sleeping with another woman. Who's now pregnant. He wants to vomit. 
He's in too deep now. And he can't be a deadbeat dad. 
Thoughts of you get pushed back to his mind while he scrambles to deal with the consequences of his own actions. 
When they get back to Madrid, his mother doesnt let him off easy. Screaming at him till he thinks he's popped an eardrum. And yet there's a gleam in her eyes like she's happy it all worked out this way. Doting on Kaylie and rubbing her belly (that's not even close to showing yet), and calling herself grandma already. 
The next step is obvious. He has to marry her and make it work.
So he does. An impromptu wedding that happens so fast he doesn't even hear the congratulations from everyone. He doesn't know how to break it to you so instead he posts on instagram and tries to figure out what his life has become. 
Jude is nearing 25. He has a kid on the way. He's married. He hates his wife. He hate himself.  Can you ever forgive him?
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miss-menhera · 3 months
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HELLO THERE!!! Trying to cope with OR UNDERSTAND Adam's death? The denial and "what ifs" just get stronger?!?!?!?
Me too tbh I'm fucking miserable
BUT!!!! YOU WILL FIND OUT THAT THIS SHITHEAD COMING BACK IS ACTUALLY MORE PLAUSIBLE THAN YOU THINK! (W.O.W!!!!)
I actually also have some pretty solid theories about season 2 in here so be warned.
(This is a bit different from my usual goofy post I might delete this and separate into parts since I talked about too much)
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VIVZIEPOP MADE A COUPLE STATEMENTS THAT COULD BE GAME-CHANGING AND WON'T LEAVE US GRASPING AT STRAWS ANYMORE. I'LL DISCUSS EVERY GROUND THERE IS TO COVER AND EVERY COPIUM THERE IS TO INHALE, AT THE MOMENT!! (Might update this or make a new post if more comes out)
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Ok so to start this off, don't be put off by this person's perspective, just listen to me. Vivzie talked to this fan at megacon and got asked if Adam was still alive, all she said was "he lives on in a way", I'm gonna take my delulu aside and the most pessimistic guess would be that someone (pfff lute obviously)avenges him or that his death has an everlasting impact that changes the story, BUT we already got that made clear, like that was pretty obvious already.
(It's made obvious by this scene, Adam's death created a whole other big problem)
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(Unless what she means by it is that his death is honored? Like maybe we get to delve deeper into his history, but again i dont think so) SO I DONT THINK THATS IT, I feel like if it was either of the ones I mentioned she would just say "Nope, he's deceased BUT he lives on in a way" But ALL she said was "He lives on in a way" which is very different, although it could be she expressed herself badly or the person writing the tweet didn't quote it word for word. But taking it in the literal sense, this might be pretty much confirmation he lives. There's a way he lives right? So considering that.... could it be that after Lute took his halo,(which was also broken which often renders an angel as "fallen" by default) and left his body there, he just... like woke up as a sinner? Yes yes, I know everyone's been talking only about that, I'm not giving any groundbreaking revelations but I'm just saying that there's alot of options that open up to that possibility. Or who knows! What if he actually doesn't get reincarnated? What if he just wakes up with no halo, so no place to come back to or what if the ever-absent God takes notice of his death and fixes up his first loyal creation?
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Besides that if they THINK Adam is dead, (hesnotdeadhesnotdeadhesnotdeadhesnotdeadhesnotdeadhesnotdeadhesnotdeadhesnotdeadhesnotdeadhesnotdeadhesnotdeadhesnotdeadhesnotdeadhesnotdeadhesnotdead)
They make these huge ass changes in tactics, and need to find another way to deal with what Charlie is doing; IF Adam actually becomes a sinner, and his life is super important to heaven... with evidence that sinners can now be redeemed... What if people like LUTE, or LILITH actually become allies of the hotel in an effort to redeem him? He WAS God's first, most loyal and favorite creation, HELL THE REASON HE WAS ALLOWED TO DO WHATEVER HE WANTED AND WAS BASICALLY IMMUNE TO THE LAW IN HEAVEN IS BECAUSE OF HOW MANY PRIVILEGES HE HAS, I don't think God would be too pleased with his soul dissipating or whatever the fuck. That might actually be a plot point, he's way too important to just be killed off like this, am I the only one who got that impression? He's the FIRST MAN, first man, the first man being THE FIRST TO DIE IN THIS SHOW IS ABSOLUTELY MIND-FUCKING AND ALSO A CRUEL JOKE anditskindafunny OF FATE FOR HIM.
Something else I want to add is that my personal take on it is that if I learned anything about this show, Lilith will show up in the next season and pretend to be an ally to the hotel, she will pretend to support Charlie and basing this off the theory that Alastor made a deal with Lilith to keep her daughter safe, he failed to meet the end of his deal. So now she's coming to take matters into her own hands after all these pesky men failed, (ermmm girlboss!!) Stop, and manipulate everyone in the hotel into giving up on the idea. Considering how she deliberately kept Charlie away from her dad her whole life, there's gonna be a whole lot of family drama. And we might see Alastor lose his shit for good. Still tryna figure out wtf does "Lilith thrived and empowered demonkind with her voice" if her voice is that powerful, and her words are just as powerful, we're gonna get 1. FIRE ASS SONGS 2. Mother Gothel ass song with Charlie, I just know it holy shit. Not to mention that they actually don't know that Sir Pentious went to heaven, Lilith definetely will know and won't tell anyone. Lucifer will definetely be the one to step up in the situation yet again. Anyway after I yapped my heart out about what I think will happen in this show, I just wanna say one thing.
There is this DUMBASS thing everyone in the fandom is talking about when someone says Adam is gonna be reborn as a sinner. "He is not gonna come back because he was killed with an angelic blade and Pentious was not" That is the most stupid bullshit I've ever read and if you genuinely believe it for a second, i feel sorry for u cuz how did your brain go and make this correlation?
Most of these people say that the show explicitly stated that Angelic metal SPECIFICALLY and just if it's metal, it can castrate a soul or whatever. Which is literally NOT true, at no point was it established that Angelic steel was the only thing able to exorcise demons. You really need just a bit of common sense to come to this conclusion, what makes the weapons dangerous for demons and angels isn't that they're steel specifically. It's that they're ANGELIC guys.. Have y'all seen Helluva boss at all?
There are blessed ropes, Angelic guns, Angelic bullets. These are just items that replicate the power of Holy magic. A PURE,HUGE, HOLY BEAM of unfiltered angelic power is not stronger than a little dagger infused with a fraction of it? Not only does that not make sense from the show's lore perspective, but using common SENSE that sounds even dumber. This is the only argument I can completely scratch off the lists of why Adam can't come back, and it's the most popular one...
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Man you know what guys, after he died, whether he comes back or not, he's never gonna be the same again I just can't picture it. He's gonna be much more insecure, without a mask and not funny and goofy............. Or he is just gonna come back and go full joker. He just cant possibly keep being a light-hearted dark humor andrew tate stan after the most, first immature man in history pulled a gentle smile like that. That just can't be, like take a look at the way he always smiles to the last smile we saw him have.
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THAT IS A CHANGED MAN YALL, THATS ANOTHER ENTITY 😭
I HIGHKEY DONT WANT HIM TO GET A REDEMPTION ARC EITHER :(( MAN WHY DID THEY HAVE TO DETHRONE THE LITTLE GUY, THEY RUINED EVERYTHING. One small little theory floating in my mind was that, what if the news of Adam being dead could result in some powerful overlord or even A SIN we've never seen or know the power of, revive him and have him work under them? Even if he actually comes back as a sinner, this little theory I haven't brainstormed much about could be explored.
But y'all know what? Let's say he's dead okay? Let's say he's dead dead, then what did they do with his BODY? I didn't see anyone dig him a grave, yet he died on the hotel, I didn't see anyone even move his body after the angels left. And we know damn well they didn't take him, that's too much of a big detail to leave it out unless they REALLY screwed up with the writing and animation direction in the rush to have the serie come out, but the animation has always been so detailed with almost unnecessary background details. I think they left it out intentionally to have that worked out in season 2, heard some people say it could be they just built the hotel over his body? But I doubt it. If so maybe he could become part of the hotel or just condemned to never leave the hotel in a.... a... ghooooost.... like form...?(Massive amounts of copium). Someone could argue his body just dissolved or something but 1. That makes no sense pookie 2. In the first episode they found the body of the dead exorcist long after it died, and we definetely know atleast it's head was still perfectly intact by episode 3. AND i also went back to check, after Lute takes the Halo they purposefully never show Adam's body, ONCE. Not once, not even as they show all the corpses on the ground as the exorcists depart. So that couldn't be it, one thing we know for sure is that Vivzie is definetely letting on there's something more to his death she doesn't want to reveal yet. It could be she's doing that just to leave it ambiguous to delusional theorists like myself,,,,,since my type of stupid is usually the kind of idiocy infectious enough to rot everyone's brain into pointless speculation based on minor details. Which definetely sells the show better AND keeps discourse and attention alive till more is fed to us, which in that case, very effective marketing strategy at the cost of everyone's mental health Viv! Good job, the prospect you might be giving us false hope cuz its good for business is really making me reconsider signing the christian mom petition to make Amazon prime cancel tis' demonic blasphemous show. (And yes that is a serious threat, I will even fund the petition with 100 euros watch what you write, i don't want any mammon ass marketing tactics pls)...... or... she just doesn't wanna spoil the surprise and im reading too much into it... BUT YOU NEVER KNOW OK?? I NEED TO EXPLORE EVERY SINGLE POSSIBILITY AND NOT LEAVE ONE UNCOVERED. I seriously think I've thought of almost anything-Except that he's just dead, we'll see his funeral in the next season and he actually makes no other appearance......... BUT THAT'S BORING AND I WILL DROP THE SHOW IF THAT HAPPENS! By the way kinda can't wait for Adam merch to drop, cus it means SHE STILL FINDS HIM RELEVANT ENOUGH TO MARKET HIM!!!......and i just really want to have physical objects of him...... But u know what guys Vivzie likes adam alot, he's one of the characters she retweets stuff about the most, along with Lucifer and Alastor. And she also kinda admitted to it.
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NOT TO MENTION THERE IS MORE THAT PROVES ITS NOT OUT OF THE WINDOW FOR HIM TO MAKE A COMEBACK CUZ ALEX BRIGHTMAN(Adam's va) ANNOUNCED HE WILL BE IN SEASON 2. and I know he voices Sir Pentious too,(insane range btw wtf) but like i said if they're keeping it a surprise (Thats been pretty much confirmed, Vivz refuses to give too many details so she obviously wants to keep us guessing, which would be cruel if it was for nothing, and i think she knows would leave fans very disappointed) the possibility of Adam still being present in the show could work out.
VIVZ UNLESS YOU'RE A SADISTIC EVIL WOMAN YOU WOULD NEVER HOPE PEOPLE LIKED HIM IF YOU DIDNT HAVE BIG THINGS PLANNED FOR HIM, RIGHT? RIGHT? VIVZIIEIEIEIEIEI3IE😭😭😭😭😭😭😭😭 GIVE US BACK OUR FRATBOY BEETLEJUICE UNSCATHED PLS NO MORE PAIN!!!
Also guys look adam actually changed out of that smelly ass robe and dolled himself up for the early extermination!!!!
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alicerosejensen · 3 months
Text
Find me pt.1
Warning: kidnapping, mention of blood, two-person narrative (Leon v reader), castle with bioweapons, angst, trauma, dark, forced relationships, hints of sexual violence.
Summary: half a year. That’s exactly how long it took Leon to get on your trail and try to find you. He is ready to do anything to get you back, but hope fades every day.
A/N: I'll probably still post this when I get inspired. The warnings will vary depending on each chapter. You can think of this story as a big reference to another Capcom game.
I apologize for any mistakes because English is not my native language.
Feedback is welcome, but no insults please.
Prologue here.
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His eyes closed by themselves from lack of sleep when Leon looked at the received data, which for him is now equal to the treasure, or more precisely, the key to the treasure is to you. Ingrid said that this could turn out to be a false trail, the threads that he had been looking for for so long turned out to be either a waste of time, or led to a dead end stopping the whole thing. And only now, six months later, a single clue that appeared literally out of nowhere makes you drop everything and try to find you.
Hannigan looks at the audio file trying to determine whether it is a fake or not. She runs it through a lot of programs trying to make sure that it's not gluing while Leon is standing next to her, clutching the back of the chair she was sitting at.
"Tell me this is a real recording," the tone of his voice was almost pleading and at the same time scared as he heard your recorded crying over and over again.
"Yeah." Hannigan's hesitant voice made Leon lower his head and look at the woman who continued to click her fingers on the keyboard.
"Hannigan?"
"We don't know when this recording was made…Maybe it's a trap. Another false trail that will lead nowhere. We've checked everything Leon! We found a car with DNA traces, but the trail ended. There were no witnesses, no recordings from the cameras, it was as if she had fallen through the ground."
Leon froze. The arguments were weighty, but what does he have besides this record?
"What's the point of being trapped after six months?" He sees Ingrid biting her lip trying to squeeze out as much data as possible. "If this was a kidnapping for ransom or luring me out, they would immediately get in touch, but nothing. So it wasn't me or the money that was needed, but my wife."
"However, we have not been able to find a motive. I checked all the documents, passport, parents, records from the hospital where y/n was born - there is nothing that could give us a tip. It's all clear."
"Or we don't see something," he sighed.
Leon was sure that something was missing. But it was not on the surface, but somewhere in the depths, which is not so easy to get to. When he was informed about the shots in his house and found a mess with a syringe lying on the floor, he really had hope that he would be contacted very soon. He waited a week, then a second without leaving the search, because with the current level of technology it is impossible to completely cover up all traces so that they lead nowhere, and in the end Ingrid quickly found a car with traces of your hair and drops of blood on the back seat, but that was it. You became one of those who mysteriously went missing.
But no one asked for money, no one sent any extortionate emails or calls. At one point, Hannigan even put forward the theory that you could have initiated your abduction yourself, but he refused to believe it. Why would you leave like that if you could just break up with him, even though on the day you left, Leon was ready to swear that everything was fine between you.
So it just didn't make sense.
Leon speaks softly. He is pacing the room, waiting for additional information, at least from where this recording was sent to him. The sound of the keys echoes in his head and Leon rubs his face tiredly, stopping his gaze at your photo.
"There was a drug in the syringe, there was her blood on the needle and on the floor, in total two shots were fired from the Matilda, one into the closet and the other into the ceiling... traces of a struggle..." Leon quietly wondered out loud, trying to understand what he could have missed, but it seems more there was nothing left that he could grab onto.
"Leon?" Ingrid suddenly called and Leon was next to her in one sharp movement. “I think I found it!”
A map and tracked coordinates appeared on the screen, presumably from the place where the recording with your request for help was sent.
"This..."
“Not low beam”
Leon twitched anxiously, seeing the designated forest area, looking meaningfully at Hannigan, who rested her chin on her hand, not believing what she found. At one time, intelligence discovered Ashley in a godforsaken Spanish village, but she was kidnapped with the aim of infecting her with a plaga and sending her to Graham, and what Leon saw on the map defied any logic. How did you end up in a mountain range in another country?
“This is Leon’s mistake. There is nothing there, mountains and forest, another mistake, someone made a cruel joke.”
“Not if there is any hint of civilization there.”
It was an unnecessary risk. Hannigan is still trying to find at least some information about the nearest village in these places. On the one hand, it’s an ideal place to hide a person, but on the other hand, there are no guarantees that you will end up there and that Leon won’t go to hell in a meaningless search. Suddenly you have been dead for a long time, although Ingrid’s female intuition tells her that until he finds your body or at least clear evidence of your death, Leon will continue to sniff out the trail of his beloved, like a devoted bloodhound, even if there are no traces left.
You are not the daughter of the president, only the forces of Leon and Hannigan are sent to search for you, the latter helps him only out of the kindness of her heart, and no one will send reconnaissance to find at least something that indicates that you were even really in this place. But Leon worked as an agent for too long, he saw the underside of this world and in theory assumed that there might be a house or village in which you are being kept for some unknown reason, but even if it’s all a trap and you are bait, then Leon is ready to go there.
"Nothing, Leon," Hannigan's annoyed voice must cut off hope. He himself sees no signs of human life on the screen. “No one even reports missing people in populated areas”
“I don’t have anything else anyway, right?” he answers confidently, taking his phone to get the exact coordinates “The fact that there is nothing on the map and no one reported missing tourists means nothing. There are places that someone hides very well.”
“This is your personal mission… I won't be able to help you there. I can book tickets, find someone to help with the weapons, but no outside support. You'll be on your own there.” Ingrid drawled sadly, hoping that he would come to his senses or at least weigh everything again before taking an unjustified risk, "You don't know what awaits you there, perhaps there is nothing there except trees, wild animals and mountains. Let's check it out again?!"
"For six months!" he exclaimed, "I've been trying for six months as a bloodhound to find at least something that can shed light on the kidnapping of my fiancee. I have the coordinates and her message for help, which you yourself confirmed was not falsified. Even if I can't find anything, I'll at least try. She wasn't taken away for money or to get back at me… there's something else there, and if she's there…" Leon poked his finger at the monitor, "then she's completely alone there. Defenseless and vulnerable to any danger if they want to harm her."
There was an oppressive silence. It was useless to convince Leon to wait at least a little longer before rushing headlong for a single straw, but she had already delayed him enough. All Hannigan could do for him was squeeze out any crumbs of information about the area, record it, and help with the equipment. At least the technical component. And if they both believed in God, they could pray for a successful return.
"Allright, have it your way." she spread her hands in surrender.
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The awakening was painful and difficult. However, between brief glimpses of wakefulness that quickly ended with another dream, you could feel Leon's gentle touches all over your body. His breath on your neck and lips was like an apologetic kiss. You tried to dodge, as you usually did in the morning when you were still asleep, but he was persistent, after which you vaguely heard laughter through the veil… Heavy, broken, unlike Leon's usual laugh. Random images flashed before your eyes, and the last thing that made you fully wake up was the bang of your head on the floor and the sound of a gunshot, after which you abruptly opened your eyes, looking straight at the dark ceiling, trying to figure out what happened.
Tick tock tick tock
The sound of the clock ticking filled the space, remaining for a while the only thing your mind could focus on. Your head was pounding painfully as you stared madly at the dial, standing a few meters away from you, barely discerning what time it was. The lump on your forehead throbbed unpleasantly and may have caused a concussion after that bastard hit your head on the floor with all his might so that you lost consciousness. Feeling with your fingers the place where the skin painfully swelled, you painfully hissed down immediately removing your hand, stopping it and tried to breathe deeply trying to put the latest events in chronological order.
However, nausea rolled in waves, forcing you to squeeze the bedclothes in your hands and finally realize that the environment in which you are unfamiliar.
A dark room lit by a single fireplace in which a fire was still burning warmed the space making it less frightening, but the pouring moonlight from the window made the soul shrink from the horror of the unknown. You slowly looked around realizing that you were lying on a huge bed with a giant canopy of a delicate green shade on silk bedding of the same color. Everything seemed so unreal. As if it were a nightmare and now someone will jump out from around the corner at you and you will wake up realizing that nothing terrible really happened, but after sitting on the bed in one position for several minutes without moving in the hope of waking up, in the end you realized that you were no longer sleeping.
Your eyes involuntarily began to look at paintings by unknown artists. A portrait of a woman sitting at a small table with a human skull on it, an aristocrat with noble features as if carved out of stone, ordinary landscapes… You put your feet down on the cold stone floor, immediately shuddering and slowly wandered to the window to understand your location, but all you saw outside was an endless forest area without a hint of roads.
Listening to other sounds besides the annoying knocking of the clock and the fire, you hugged yourself by the shoulders, thinking that it was definitely not worth shouting just yet. The room you were in was clearly made in the Gothic style and in the current situation it only caused discomfort, given the fact that upon closer examination of the paintings you were able to understand that in front of you were originals and not reproductions. Old Varnish should have been removed a long time ago, perhaps it made these stories less dark, but this is clearly not something that should be thought about now. Turning around in search of some kind of closet to throw on something warm, you could see clothes neatly laid out on a dusty chair: a white shirt with wide cuffs tapered at the wrist, which was probably worn with a short tapered floral pink vest without sleeves, reminiscent of a corset with lacing on the chest, dark trousers and elegant boots next to them that look like they are made of real leather. The sole is small but looks comfortable and is just your size.
Examining the clothes in his hands, it was impossible not to notice the quality of the fabric, for the shirt was clearly silk, and besides, next to it, on an elegant carved table, someone had carefully left a metal box with decoration and a fresh red rose, which until recently seemed , bloomed in some garden, filling the air with its aroma.
You lowered your hands, taking the box in your hands, carefully opening it, as if a spider or other crawling crap might jump out of it, which always filled you with uncontrollable horror, but nothing catastrophic happened. Inside was a cameo brooch, decorated along the edge with fifty small stones resembling diamonds, and at the bottom hung a drop of pearls. Leon once gave you something similar, but it was in no way comparable to what was now in your hands. It was clearly worth your year's salary. It’s not like you had a choice… in the corner of the room, of course, there was a chest of drawers, but you couldn’t find anything in it except snow-white sheets, and you didn’t really want to walk around in negligence. Considering the fact that you were given no choice and that at least the clothes looked comfortable, you decided to comply, scared by the fact that everything fit perfectly as if it was tailor-made for you. You even caught the brooch on your vest because someone probably left it here on the table on purpose.
“Well, at least I feel a little better,” you thought, sighing as you found the mirror. The lack of light made it difficult to judge how bad the bump on his forehead was, but perhaps that was for the best. There were still no footsteps or sounds in the room behind the wooden door, but so you quickly put your hair in a not-so-neat bun so that it wouldn't get in the way while you explored the area and tried to figure out what happened to you after you were attacked and left here.
Perhaps you should find a phone and contact Leon or the police directly… There must be some connection, right? Looking back again, trying not to pay attention to the slight dizziness and nausea, your gaze lingered on a metal plate hanging directly above the fireplace with some kind of inscription engraved on it, but you did not look at it or at other objects in the room. . Not now… all that mattered at that moment was to find someone or something that would help you navigate and call for help.
With a soft tread, almost quietly like a cat, you pushed the door forward and it gave way, making a slight creak, forcing only to pray that it would not attract unnecessary attention, your head poked out looking around. Cold stone walls like in a medieval castle pressed down on consciousness, the wind blew down the gloomy corridor so that even clothes did not save too much and you wanted to throw some kind of jacket on top, but you took a step forward rejoicing that there are familiar lamps here, even if they shine a little badly, but it was better than if there were candles here.
However, the candelabra here were also really empty. When you were completely out in the hallway, you couldn't figure out which way to go to the right or to the left. It was too dark on the left and you wanted to go there the least, so you wandered in the direction where the wind was blowing, listening carefully to everything, trying not to fall off any stairs, although it was not very bright here, but still your eyes could distinguish the situation well and in the end you went down somewhere to a single door. Pulling the handle, it turned out that the door was closed on the other side and except for the old junk lying under the stairs, overgrown with cobwebs in places, there was nothing, which obviously made you turn around and go upstairs again, turning into that dark corridor where you initially did not want to go, but it seems that the choice was small.
Of course, you could go back to the bedroom and wait for a miracle or trouble, the latter seemed like a more obvious scenario, but still you can't leave everything on its own, even if you find yourself in the most non-standard of all situations. Eventually, after passing through the already familiar room again, you breathed a sigh of relief when you realized that the corridor was not at all as long as it initially seemed, and the door at the end was fortunately unlocked and led you to some long well-lit balcony. Your heart was beating wildly from fear of the unknown, but you still walked forward with your hand on your chest, walking to the other end, passing by some more locked rooms, stopping only at the moment when you clearly noticed a bright scarlet stripe on the floor as if something was being dragged… … like a corpse, and the red streak seems to be blood. Your feet were rooted to the ground as you looked around in a panic, looking for potential danger. Despite the disgusting silence, no one was nearby or someone simply did not want to be noticed earlier than expected, so at your own risk you decided to follow the bloody trail that ended abruptly. There were stains on the floor as if someone had tried to wash them earlier, perhaps they didn’t have time to do it or… Well, Leon always said that you have a rich imagination, which no one from your family ever argued with, so you decided not to give it free rein just yet because that otherwise it will drive you crazy.
It was all just disgusting. You realized for sure that you were in some kind of castle or giant mansion that clearly needed cleaning in places, and the worst thing was that all the rooms here practically remained locked. After an hour of wandering through the dark corners, you were damn cold and lost in addition, despite the fact that you found nothing and could not go anywhere except a couple of chambers, although mice ran through there a couple of times and spiders wove a web in the corners, which horrified you, forcing you to quickly slam the door and scream several times. No one really showed up. On the one hand, it was calming, but on the other it was aggravating.
You need at least some kind of map to figure out which part of the building you're in at all, but all you've found is useless trash and increased anxiety. Breathing exercises generally helped, which was why you were on the verge of hysteria. There must be at least a landline phone here! Panic was rolling in and my eyes started to water, I just wanted to call Leon and beg him to take you away from here because every rustle or shadow made you jump on the spot. And if someone really chases you? Where to run to? You don't have a mountain of muscles like Chris Redfield and you're not even Leon's equal. Your brain was clearly no longer trying to think of any plan, and it was at this moment that somewhere in the distance you heard a clock tinkling. It was dark outside, you couldn't see a thing, which made you think it might be midnight.
Startled, you looked around again and still decided to follow the sounds, hoping that they would not lead to your death. Another dark corridor gave way to a lighter one, which led you to a wide oak carved door, which made you even momentarily happy as you entered the wide hall with snow-white marble columns and an almost mirrored floor where a mosaic in the shape of a sun was laid out in the middle of the hall. Everything was luxurious and at the same time forgotten, but the clock that brought you here with a loud blow really showed midnight and it was a real antique! You were ready to swear to God that such a miracle could only be bought by a wealthy well-connected collector. Nearby there were several tables similar to those in your room, and although they were very dusty, in the vases that stood on them smelled sweetly of fresh flowers.
It wasn’t so gloomy here anymore, which helped relax a little. With sincere curiosity, you looked at everything that lay on the tables, and would like to turn the porcelain figurines of animals in your hands, something like this always caught you, causing memories to come flooding back against your will, how during your travels Leon could not tear you away from the souvenir shop where you emptied his card with great generosity, but this was not the case. And although you kept your eyes glued to everything you saw, your feet carefully walked down the steps until you stopped dead in your tracks when you heard loud clapping of hands.
You looked up at the source of the sound but didn't see anyone, however…
"So you've already woken up, my dear?"
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todostiddies · 4 months
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Modern Eren Boyfriend HC
Modern AU headcannons of Eren Jaeger (my beloved) and GNReader pt2
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*** **** **** **** **** **** **** **** **** **** **** ***
Eren likes to stargaze with you. He really enjoys finding all the different constellations or making out shapes of your own with you
The first time he took you on a stargazing date was on the hood of his car, somewhere far from the city lights. He tried to impress you with his knowledge of myths behind constellations (the whole big friend group takes camping tips and Historia and Armin nerd out about the Greek myths behind certain constellations) BUT he ended up forgetting or messing the stories up because he was nervous and so he just made some up that starred a beautiful heroine/hero that was suspiciously a lot like you, and a beautiful, mysterious savior that was a lot like him
Now every time yall stargaze he makes a new story up to add to the saga
As mentioned above, camping trips with the whole gang are SO much fun!!
Connie and Eren try and see who can make the most smores the quickest and then eventually switch to who can eat the most the fastest. This usually ends with both parties cheating as Connie hands Sasha some smores behind his back and Eren starts handing you some as well, and both don't even know they're doing the same thing because they're both too focused on winning AND not getting caught.
Eren will cure your resulting tummy ache with a kiss and a lil belly rub, then lift his shirt and pout for you to do the same and honestly who would say no
He sometimes gets lost in his head or overthinks about your relationship or maybe a shift in your mood, so anytime he gets that way or he knows he messed up, he will call his mom for advice and then Mikasa afterwards, which always ends up on a group call with Armin
He has taken your mom or guardian figure on a "date" at least once, and he pulled out all the stops and was so nervous be could have barfed, but on the surface he turned his charm all the way up and they loved him
He wanted to take them^ on a date after he realized he wanted to be with you for the rest of his life and wanted your family to like him
Babies like him but toddlers are sometimes scared of him??
It's a height thing, he just looks so intimidating and he has a resting RBF for fucking sure. Like to the extreme.
But after one conversation they do that cute kid thing where they pick a person and follow them around whole heartedly copying them and trying to impress them, and it's always going to be Eren.
He gets super into it too and makes sure to lead the kids on cool little adventures and hang out with them and give them some "life advice" which really isn't that deep lol but sometimes it's pretty good but it's always cheesy
He deffo screams like a girl when gaming but if he remembers you are in the room he will clear his throat with a blush and sober up quickly lmao
Bear with me on this one, maybe unpopular opinion but... he reads a book a month
Sometimes two, but never goes a month without at least one book. During high school he had some anxiety and anger issues he had a hard time first getting used to even having, and then managing as time went on with personnel stuff and high school things, so he REALLY hated having time alone where he did nothing
The worst was before bed where he just laid awake and could not sleep :( but then Armin kept going on about this book he was reading, so Eren pirated it online and read it every night before bed. And reading really helped give him something to do in those moments and actually helped him a lot when it came to accepting therapy
So I think he does enjoy reading and even has some reading glasses and likes to read with a warm drink, like hot chocolate or some decaf coffee he made, and likes to read cuddled up in the rain
Will talk to you about his book and his theories, and if an ending pisses him off or was just straight up bad?? You will never hear the end of it, it will literally sour his mood for the rest of the day and every time he thinks about it. And if you're a reader too, then you two have dates where you fill up dinner table conversations just talking about books and go on little book dates once a month too and will often read the same books (like a mini book club, fun!!)
He has annotated a book for you at least once
Going back to the therapy thing, I know a lot of modern headcanons show Eren as super termpental and with a lot of mental health issues too, and though I 100% agree that he was that way in canon, I think Modern Eren would be a lot more happy and chill and even easy-going because he didn't have to deal with all that canon trauma. That being said, I do think high school was hard for him because (in my modern AU at least) that would be when he found out about Zeke and his dads other family, which even his mom didn't know about...
His dad had a past marriage and son that didn't work out and he had an opportunity to leave for work and so he just did. It is his greatest shame and regret so though he sent money to them every year, he never wanted Eren or Carla to find out. But eventually Carla tracked the money and they found out. So in his high school years, Eren hated his father and even hated the other family like it was their fault too for all the drama in his. His parents verged divorce and he felt him and Mikasa growing apart as she crushed on Jean (they still were SUPER close and once he told them about everything going on the three of them grew even closer) and Armin was super academically busy and didn't have a lot of free time either. So because of all of this, I feel like Eren did struggle with some anger issues, depression, anxiety, and overall teenage angst during this time.
But, eventually him and his family went to therapy and they met with the other family and they eventually moved closer and Eren and Zeke ended up becoming good brothers yay
Speaking of, he gushes to Zeke about you ALL of the time
He has a strained relationship with his Dad, but he is A MAMAS BOY of course
He is very open with you about his past and his family situation and everything he felt and went through. It is easy for him to let you in on things that he has already processed and been through, but sometimes harder to fully open up about more recent things
He gets all the tea on everybody from specifically Armin, Mikasa, Sasha , Connie and Historia (the gossiping queens). Every time the gang gets together they are dishing out everyone's dirty laundry and tea and Eren brings it back to you boiling hot and he makes you both a cup of something warm while you sit on the counter nodding along with your mouth open
He loves getting your reactions so much, and you two always end up gossiping just as much and laughing, and since he loves your reactions so much he sometimes plays out his reaction to the particularly juicy parts for you too I don't condone gossiping but I also recognize it as fun and socially bonding lmao but be nice about it okay
He gives you a bite of everything he eats no matter how large or small the portion and even before you ask. He will also give you a sip of whatever he is drinking too, and if you like it more than him or are more thirty or hungry he always ends up either giving it to you or splitting it
He went through a phase where a got a slushi every single day, didn't matter what time (though he usually liked them best after school or the gym or super late at night like 3am when he can't sleep) He still likes to have them a couple times a month now
Will go on late night drives with you, driving slow with the windows down, crickets from outside and the radio playing, it's just so nice and always makes you both smile. He watches you more than the road but is a VERY safe driver, especially with you
That being said, he will also speed up to very illegal speeds at least once (on completely deserted and safe roads) just to hear you squeal and laugh
Likes when you fall asleep in the car. He will drive on the wrong side of the road or in the other line to avoid any kind of speed bumps or risks to your slumber, skips songs that are too noisy or shocking, avoids potholes at all costs, and will take the longer route home. He also gets a little distracted every time you snore or just from admiring you because you look too cute asleep like the lil passenger princess you are
Has done donuts in the car with you a couple times late at night in an empty parking lot and he LOVES the way you laugh and howl into the night while the engine nearly drowns out everything else
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That's all for now, but I have more to say soon!
Thank you for taking the time to read this, I hope you enjoyed it!!
pt2
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hayatheauthor · 1 year
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How To Get Away With Murder Part Two: Writing Murder Mysteries
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Murder mysteries are possibly one of the most complicated genres in fiction. Unlike other genres, authors need to create a very comprehensive backstory and worldbuilding that seamlessly ties into the present story while also creating intriguing characters that move the plot forward. As an author, you need to weave a complex web of clues, red herrings, and twists that ultimately lead to the big reveal, all while maintaining the integrity of the story.
Writing a good murder mystery is a daunting task, but with the right tools and techniques, you can create a gripping tale that keeps your readers on the edge of their seats. In this blog post, I'll be sharing my personal tips and insights on how to craft a compelling murder mystery that will leave your readers guessing until the very end.
Establish The Rules 
Before you jump into your murder mystery it’s important to first set the scene and establish the ‘rules’ for your murder mystery. Your readers need to know what’s at stake here. Who was murdered? What is the most likely reason for their murder? Why is this particular character investigating their murder? You need to set up a clear foundation for your story. 
Authors should also attempt to establish some semblance of a ‘stage’ for where the story will take place. If a character was murdered in their hotel room the hotel itself would likely be the ‘stage’ for your book’s murder mystery. This is where the detective will live and uncover clues until the end of the book. 
Once you have a clear story and setting, move on to the characters and their role in the murder. Who is the investigative figure? Do they have to face any obstacles or follow certain rules while investigating? A great example of this would be Pip’s legal restrictions in A Good Girl’s Guide To Murder. Her position as a teenager significantly limited her investigative methods. 
Plant The Seeds 
Foreshadowing is the key to a good murder mystery. You need to start foreshadowing as soon as possible. As a writer, you need to plant subtle clues throughout your narrative that will keep your readers engaged and guessing.
But it's important to strike a balance between too much foreshadowing, which can make the plot predictable, and too little, which can make the conclusion feel like it came out of nowhere. Start foreshadowing early on in your story, and use a mix of subtle hints and more overt clues to keep your readers engaged without giving away the ending. Remember, the best foreshadowing is often invisible until the reader looks back on the story as a whole.
The Repitition Rule 
Writers are often advised to repeat foreshadowing at least three times to help readers remember it. While this can be a helpful guideline, it's important to use your own judgment and avoid overdoing it. After all, if you repeat the same clues too often, you risk telegraphing the ending and ruining the suspense. 
Instead, aim for a mix of subtle and overt foreshadowing that will keep readers engaged without giving too much away. Remember, the goal is to keep readers guessing until the very end.
Misdirect The Reader 
In order to keep readers engaged and invested in the mystery, it's important to misdirect them from time to time. This means leading them down one path only to reveal that it was a dead end, or presenting a red herring that turns out to be unrelated to the actual crime. 
There are many ways to accomplish this, from introducing false suspects and motives to using clever misdirection to steer readers away from the truth. One effective technique is to present conflicting evidence that suggests multiple possible solutions, forcing readers to constantly reassess their theories and stay engaged with the story. 
However, it's important to avoid overdoing it or making the misdirection too obvious. You want readers to feel challenged and intrigued, not frustrated or misled. Ultimately, the goal is to keep readers guessing until the very end, when all is revealed and the pieces fall into place.
Add Depth To Your Characters 
Developing your characters is crucial in murder mysteries. Not only does it make them more interesting and relatable, but it also helps to create a sense of connection and investment in the story. Make sure each character, even minor ones, have a distinct personality and backstory that ties into the plot.
When it comes to suspects, be sure to give each one a clear motive and opportunity to commit the crime. Think about their relationships with the victim and other characters, and how those dynamics could have played a role in the murder. Consider adding red herrings, false leads, and hidden secrets to make the investigation more complex and engaging.
Adding depth to your characters also helps create an emotional connection. This is especially important for the victim, you need to show your readers why they should care about this character’s death. 
In A Good Girl’s Guide To Murder everyone’s illtreatment towards Sal’s family made the readers empathetic and had us rooting for Pip. It is important to establish some semblance of this empathy, or any other emotion such as anger, for your victims. 
Use The Setting To Your Advantage 
In a murder mystery, the setting can play a crucial role in providing clues and red herrings. Think about the location where the murder took place, and how it could provide hints about the killer's identity or motives. Perhaps there's a hidden object or a peculiar feature of the setting that only the killer would know about. 
On the other hand, you can also use the setting to throw off the reader's suspicion, by including false clues or misdirections. For example, a character may have a motive to commit the murder in a particular location, but it turns out that they were actually somewhere else at the time. Overall, the setting is a powerful tool that can enhance the suspense and intrigue of a murder mystery, so make sure to use it to your advantage.
In addition to using the setting to provide clues and red herrings, it's also important to use it to create a mood and atmosphere that supports the murder mystery genre. Consider using a dark and moody setting, like a creepy old mansion or a foggy alleyway, to create tension and suspense. 
You can also use the setting to create obstacles for your characters to overcome, like a hidden trapdoor. By making the setting a key part of your story, you can enhance the overall experience for your readers and make your murder mystery even more memorable.
Tie Up Loose Ends 
Tying up loose ends is an essential part of writing a murder mystery. The reader expects a satisfying conclusion, and that can only happen when all loose ends are resolved. It's important to address any unanswered questions and resolve any plot holes.
Plot holes can be frustrating for readers and can ruin the entire reading experience. As a writer, it's your responsibility to make sure that there are no unresolved issues in your story. If there are any inconsistencies or plot holes, they need to be addressed and resolved.
To ensure that all loose ends are tied up, it's helpful to create a list of all the questions that need to be answered by the end of the story. Go through your manuscript multiple times, checking to make sure that each question is answered and that all loose ends are resolved.
By taking the time to tie up loose ends and address any plot holes, you can create a satisfying conclusion that will leave your readers feeling impressed with your attention to detail.
Practice Makes Perfect 
To write a good murder mystery, you need to practice. Writing a successful mystery requires a skill and experience, and you can't expect to get it right the first time. Practice by reading other murder mysteries and taking note of how other authors structure their stories, how they use clues and foreshadowing, and how they misdirect the reader.
When you're writing your own murder mystery, don't be afraid to make mistakes. It's common for writers to encounter plot holes or inconsistencies in their story. The important thing is to recognize these mistakes and fix them as soon as possible. One way to do this is to get feedback from other writers or beta readers.
Remember, the more you practice, the better you'll become. Don't get discouraged if your first attempts aren't perfect. Keep writing, keep learning, and keep honing your craft. Eventually, you'll be able to write a murder mystery that will keep your readers guessing until the very end.
I hope this blog on how to get away with murder and write a murder mystery will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  
Looking For More Writing Tips And Tricks? 
Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and marketing tools for authors every Monday and Thursday
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Alright, I'm going to attempt to hopefully clear up a few misconceptions and assuage some worries about this Disco Elysium sequel and the general situation at za/um right now.
I see the shitshow that is unfolding on social media, and as someone who has known about this whole disaster for over half a year now I'd like to weigh in on it and provide some context for everyone who may not know the full story.
First off, Robert Kurvitz was fired at the end of last year. December 2021. As is strongly implied on Martin Luiga's twitter, the reason for this is greed (calling them "money men" and "crooks" and other similar statements for like, months now), and the executive producers, Tõnis Haavel (who has previously been tried for fraud) and Kaur Kender (who has previously been tried for... other things.) screwed everyone over. Kender provided funding for the game, as the majority of the original za/um cultural association did not have the financial means to.
The original za/um cultural association consisted of Robert Kurvitz, Jüri Saks, Martin Luiga, and Aleksander Rostov, originally founded in in 2009. The group, along with Argo Tuulik, played many different ttrpg campaigns over the years, several of them set in Revachol (centred around Precinct 41), and slowly built the world up from there. Kurvitz released the book The Sacred and Terrible Air, set 20 years after Disco Elysium, back in 2013* but the novel flopped, and it was decided that they would make a video game. Rostov has always been more than just an artist for Disco Elysium, as you can see from the dev threads he frequently updated promoting the game, as well as on his personal instagram, tumblr sketch blog, and several other accounts he used while the game was first gaining traction.
*The most notable credits for TSaTA are as follows:
Author: Robert Kurvitz, Editor: Martin Luiga, Cover Design: Aleksander Rostov, Worldbuilding: Robert Kurvitz, Martin Luiga, Kaspar Kalvet, Argo Tuulik. Helen Hindpere and Kaur Kender also appear in the credits.
I say this because some of the staff at za/um are now accusing fans of being unable to overcome the "auteur theory" of it all (ie. seeing Kurvitz as the singular creative mind behind it all) but the fact is that they have now lost not only the original ttrpg campaign's game master, The Sacred and Terrible Air's author, and Disco Elysium's lead writer/director (Kurvitz) but also their lead writer for the Final Cut's political vision quests (Hindpere) as well as their "co-founder" and art director/designer (Rostov). They are all CREATIVE LEADS, and not just well known only for their reputations/titles.
Luiga himself (who originally broke the news) was an Elysium world builder and provided much of the pale and innocence-related lore. He was also a part of the original tabletop campaigns (Chester McLaine is his player character!), but left midway through Disco Elysium's development due to creative differences (or as he says, "bad vibes" at the company). He is credited as an editor, but claims to have written a good chunk of the text in the game, including much of Joyce's dialogue about the pale. I have seen people discredit him due to his early departure, but Rostov also tweeted out confirming that he, along with Hindpere and Kurvitz were no longer at the company, with no additional comments. Rostov also posted a drawing on his twitter several months back depicting a man jerking off over an NDA, so take that as you will.
So what does this mean for the future?
Luiga has said that he has hope for the sequel, which could either mean that the script was finished or nearing completion before Kurvitz was fired (likely, and fits a pattern in the industry) and it's just a matter of finishing the actual game development aspect, or it may be that he has hope for the original za/um creatives to be able to re-acquire the IP.
I think it's worth pointing out that the original pitch for "Disco Elysium" was actually "The Return", and Disco Elysium was meant to be the smaller-scale prequel to introduce players to the world. Considering that the team was planning on this sequel all along, I think it's possible that a large amount of the "original" game was written years ago, so it's not all that far fetched to believe that the basic outline may be finished, or even that a large portion of the script already exists. Keep in mind that there are a large number of writers for both Disco Elysium and The Final Cut, and it may still be possible to work with a base that the others provided. We have no idea how far into development the sequel may be. Of course, proceeding without three key members of the original team is kind of a kick in the balls, and imo really quite disgusting, especially with how long the company has been keeping their departures secret (dishonesty is not a good look lmao), but it may still be canon, true to the authors' vision, and genuinely a good game in the end.
Argo Tuulik, original Elysium world builder and part of the old ttrpg campaigns, as well as a main writer on Disco Elysium, is still working at za/um. Justin Keenan, former writer on The Final Cut who wrote the political vision quests alongside Helen Hindpere, still works at za/um (and has been promoted to lead writer, according to his LinkedIn), as does Kaspar Tamsalu, who painted several character portraits, (René and Gaston) and worked as a concept artist on the original game. Plenty of the original creatives still remain. The sequel could very well still be in good hands at the development level, even if the higher ups are "crooked".
So, in conclusion... If this game comes out and they still haven't worked things out with Kurvitz, Rostov and Hindpere? Honestly... fuckin' pirate it. But it is very likely it could still be a great game that plays out as it was meant to! All that being said, FUCK za/um as a company, don't support them through Atelier or their merch store. I wish everyone luck if they do attempt to get the IP back, and I sincerely hope this fan pressure will help get things moving for them.
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wackus-bonkus-maximus · 4 months
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In the special, why emonette couldn't make a wish? Was it because of Supreme leader?
hello october anon, i'm very sorry for the delay i've had such a time but believe me when i say toxigriffe hasn't left my brain. i'm about to give you so much more of an answer to what you asked (but dw there will be pictures)
so it looks like whatever seal plikki have on their mouths does belong to the supreme. and it appears that even in their true forms this seal still lasts.
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and it's not just a block either. it seems like resisting actually hurts plikki, like a shock collar.
and then right after marinette makes the wish, the seal appears again beneath her feet.
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whatever power the supreme has, it's more powerful than the wish. but what could have made the supreme so powerful to begin with? my theory is this: the supreme got a hold of the ladybug and black cat miraculous (maybe even the whole miracle box) and made a wish. we don't know what it was, but it seems that there's evidence enough to back up the inclusion of the clause that no one can supercede their wish. that's what makes them the supreme.
lets take a look at what the miracle box looks like in fu and then marinette's possesion:
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and then here's the supreme's (from the intro), complete with their symbol and everything:
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doesn't it look like the symbol of the order of the guardians?? just with an x superimposed over it??? and since fu had the lb & bc miraculouses at the start of the series, maybe this miracle box that the supreme acquired as the guardian also had those miraculous. that's how toxigriffe ended up getting their proper miraculous in the paris special!!
i think the intro is telling us a story of what happened, actually. first, the supreme got a hold of the miracle box. next, they made a wish. (i assume it's an image of the wish, given what the wish looked like in re-creation)
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the image splits into hexagons, with the one with the wish happening forming in the center. i'm guessing all those other hexagons are parallel worlds, and this world in the center is the one the supreme became the supreme of
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then we get an image of this person, who i assume is the supreme, given the giant x they are standing in front of - the same symbol that blocks the guardian insignia on the box and on plikki's mouths. like all the fractured worlds featured in the previous image, the supreme stands in the midst of fractured pieces of what looks like glass.
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maybe all the shards represent worlds the supreme has tried to take over before, but failed to. maybe they are all the worlds the supreme has conquered already. or maybe the broken mirrors are meant to parallel the supreme to poor emonette, whose misuse of her powers (under the supreme's threat of her life) have fractured her body and soul.
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but unlike emonette, the supreme doesn't have the miraculous of creation. the supreme isn't the girl who can fix anything.
SPEAKING OF WHICH, YOU WANNA KNOW WHO I THINK IT IS? (you know who i think it is!!)
to begin with, we get this sneak peek of the supreme's suit. those colors are unmistakeably purple and gray (and green but idk why that's there).
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who know who else would have a purple suit?
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YOU KNOW WHAT ELSE HAS AN X SHAPE?
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YOU KNOW WHAT HAPPENED AT THE END OF RE-CREATION?
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YOU KNOW WHO CAN GRANT UNIVERSE-HOPPING POWERS??????
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the person with the butterfly miraculous, that's who.
maybe there's a reason the supreme wants the butterfly back so badly. the toxigriffe universe is a universe where the supreme doesn't have a complete miracle box after all. at least, it was when we left off.
but maybe s6 will change that.
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