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#but that’s fine that’s normal (to him)
equestriagirl16 · 3 months
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YALL IM-
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IM LIGHTHEADED IM LIGHTHEADED IM LIGHTHEADED-
Btw his song from my playlist is Defying Gravity by Matt Copley I don’t make the rules💖
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pocket-size-cthulhu · 3 months
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If you are a person who doesn't like Frodo Baggins I am taking you by the shoulders. I am shaking you gently. I am asking you if you've ever had to try to do something overwhelming. I am asking you if you've ever had to carry on in the face of insurmountable despair. I am asking if you've ever carried burdens no one else could know of. I am asking if you've never seen yourself in the monstrous. I'm asking you if you've ever been unable to trust your own mind. I am asking if your mental health has ever made you unreasonable. I'm asking if you've ever been too weak to take care of yourself, too weak to do the right thing in the end, too weak to do what, in your heart of hearts, you want to do. I'm asking if you've ever been too small to make a significant difference and if you tried anyway. I'm asking if you've ever faltered under something heavy placed on your shoulders. I'm asking if you've ever taken the next step despite never wanting to move again.
If you haven't yet, you will.
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bobabisch · 6 months
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h a n d s
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trustypaladin · 28 days
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The process of Wet Catification of Arthur Lester 💕
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itsnotacostume · 7 months
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we as a fandom do not talk about this scene enough. what the fuck is this. why did he feel the need to install this? so he could stare at his boybestfriend all day without having to get up?
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mediumgayitalian · 16 days
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“Thought you might like this.”
Nico turns the thin plastic casing over in his hands. It catches the limited light from the one open window, refracting a burst of rainbow across the shadowy ceiling.
“What…is it?”
“Mixtape.” Will rocks back on his heels, hands swinging slightly at his sides. He hums idly, flicking his gaze across the room faster than Nico can track. Distracted. “Songs ‘n stuff.”
Contrary to popular belief, Nico knows what a mixtape is. CDs as well, for that matter. In fact he distinctly remembers when they came out — the transition from cassette to CD was a triumphant one. Way easier for him to save his game processes and transfer to new machines as they came. (He wonders, idly, what happened to his stack of CDs left at the Lotus. Are they still there, standing alone in his half of the room? Next to his dresser, across from Bianca’s coin and token collection? Is there enough dust in that standstill place to cover the entire living space in a thick blanket of forgotten memory?)
“I can see that, Solace. I meant — why.”
“Because!” Solace gestures grandly, hands fluttering in some particular way that means nothing, really; just accentuates his wide grin, his twinkling eyes. The rocking he’s constantly doing, back and forth, back and forth, the twitching of his fingers. Electrons on a wire. “It’s been a while since you’ve had a radio or anything, right? Figured you might have a couple years to catch up on. Might be fun.”
Nico turns the CD case over again in his hand, peripherally aware of the shifting rainbows, still, reflecting off Will’s hair now, dying it redgreengold. There’s sharpie scrawled across the surface, completely illegible except for the plethora of exclamation points, the doodle of a cat, and the chain of flowers drawn carefully around the edge.
Will is smiling so, so brightly.
“Thank you,” Nico says quietly. He clears his throat, looking away. “I’ll, um. I’ll listen to it. Tonight.”
“Great!” Will chirps. “I got lots more, I’ll stop by after my shift and you can tell me what you liked. That way you can have more input on karaoke night.”
“Oh, I’m not gonna —”
“See you tomorrow! Write down what you think!”
“— do that.”
Nico returns his parting wave helplessly, watching as he sprints down the stairs and then, for no discernible reason, cartwheels three times on his way across the common. Immediately upon righting himself he walks into a (thankfully unlit) brazier and goes sprawling, calling out, to no one, I’m okay! and bounding back off.
“How are you alive,” Nico mutters to himself. He turns back to the CD case, running his thumb across the edges. He notices, for the first time, the hearts that have been drawn along the clasps. A smile pushes its way across his face no matter how hard he tries to fight it back.
When he plays it that night, lying on his bed with his headphones tucked over his ears and his Walkman resting on his stomach, the first song is Walking on Sunshine.
He can’t fight back a smile then, either.
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littlelovelore · 1 month
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this would fix at least 80% of my problems
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ineed-to-sleep · 3 months
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So I've had this wip sitting in my folders for months now and decided to ressurect it to satiate the urge to draw these two again
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the-herdier · 6 days
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Dream throwing a baby tantrum over having to wear normal clothing will never not be funny to me.
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alexisntedgy · 19 days
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controversial take but being a longtime ghosts fan over the past few months has just been watching the captain become increasingly more prevalent in tags and fan content to the point where almost no other character’s stories or personalities are explored and usually if they are, it’s in relation to the captain.
I’m gay, a lesbian, and the amount of fanbases I’ve seen fall to mostly straight women and become a whirlpool of one white, conventionally attractive gay man played by a straight man has been so disappointing. the captain is not the only character in ghosts. he is not the deepest or most tragic character in ghosts. it is a found family themed show. we, gay people, do not exist as tragic entertainment to be fetishised. the women in this show are rarely mentioned in comparison to the captain, Kitty had multiple scenes about her abusive sister, is implied to come from a horrific colonialist background and basically came out as asexual in season 5 and nobody talked about it, Mary died in a way that was so horrific they didn’t even show it on camera but havers had five minutes of screen time and he is everything now, apparently.
it’s to the point where you can’t escape it, no matter what tags related to the show you do or don’t follow. I’ve seen it before with the way the good omens fanbase changed from people who respected this incredible story criticising blind faith in religion with queer characters that inherently further that message into people calling them “uwu husbands” or whatever.
I’m not particularly angry, I’m just sad to see that the internet has turned into this again. I love the captain. I love ben, he’s a fantastic actor that I grew up admiring!!! but the captain is not the entire show and I think we need to think about why he takes up like. 85% of fan works.
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originalaccountname · 9 months
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Mori Ougai’s belief as the boss is [...] “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. [...] “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.”
Kafka Asagiri, for the BSD exhibition
On Mori and regret.
This man acts based on his perceived "optimal solution". It means relying on cold logic, detached from (his own and others') emotions. In that way, he fits right in as one of the smart characters of BSD, contrasting for example Dazai's way of working with/around people's feelings, and Fyodor's way of manipulating and twisting those feelings into monsters.
Mori remains cold, logical, distant, efficient. It meant disregarding Yosano's and the soldiers' deteriorating mental health during the war because the concept of an army that cannot be wiped out was too good. It meant following Natsume's plan and taking the old boss' place himself to fix Yokohama's underground and protect the city and its people. It also meant disposing of Mimic by sacrificing Oda in order to get the special ability business permit, despite (and perhaps because of) Dazai's attachment to the man.
The thing is, humans are not logical creatures, and will inevitably encounter conflicting emotions.
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(does this look like the face of a man without regrets to you?)
Mori in Dark Era tried to pass on to Dazai his practice of putting aside his own feelings for the sake of choosing the most efficient solution that will benefit the group. It backfired spectacularly, so much so even, that Mori regrets it to this day.
For the BSD exhibition, Asagiri wrote some individual character commentaries, all very interesting insights into their characters and the writing intentions. For Mori, here's what he wrote:
“He who fell out of the optimal solution” Mori Ougai’s belief as the boss is described in the novel “Dark Era” and “Dazai, Chuuya, Fifteen”. That is “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. There is an unspoken additional point to it. “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.” We can catch a glimpse of that in this scene. [the ADA-PM alliance meeting] Mori’s expressions after “Burnt it.” and “Like what you did to your predecessor”, gave us a glimpse of his true feelings that were made sacrifices for the sake of the “logical optimal solution”. (By the way, it goes without saying that Dazai is inducing Mori’s thoughts by words that will make him regret the past. It is to make him decide to form an “alliance”.) source and translation: Popopretty
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(notice the inclusion of Hirotsu in this scene. Remember that later, Hirotsu suggests that Dazai knows why Mori did what he did to overthrow the old boss, which, in my opinion, is both a proof of Dazai's support in Mori's goal, and a reminder to uphold it.)
One of my favourite parts of the Dark Era light novel is a small scene during the epilogue that was not adapted into the anime. This is two weeks after Dazai defected:
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To quote Asagiri again, "Therefore, no matter how much your heart aches, you have to ignore your personal feelings." Mori is conflicted about the outcome of the Mimic incident. He holds in his hands the Silver Oracle he himself gave to Oda, and reflects on its purpose: to "help the man mentioned above without hesitation in the face of any and all trials". Didn't he fail to do just that with Oda? Didn't he set him up and sent him to his doom? Didn't he abandon him to his trial?
But he rationalizes the events by saying he got the permit they so badly needed. No matter if he sacrificed one of his men. No matter if he drove Dazai away. He accomplished his priceless goal. It was a total success.
And yet, he poorly folds a paper airplane with the very Silver Oracle he gave Oda, throws it, watches it crash immediately, and mourns the loss of his right-hand man, without ever moving on.
But we have a direct example of Mori expressing regret.
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The perception that Mori in BEAST is a completely different character than Mori is in canon, when that perception doesn't extend to any other character from that universe, rubs me the wrong way. The characters in BEAST are very similar to their canon selves, with some core traits getting a new twist. They are all one or two major life changes away from becoming these versions of themselves. As far as we know, Mori's only life-altering event was being forcefully removed from the Port Mafia by Dazai, and secretly put in charge of Atsushi's old orphanage.
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Mori unambiguously made that orphanage a better place, as stated by Atsushi himself. BEAST!Mori is a lot softer, vulnerable and honest. That Mori offers to be a father to Atsushi while he heals. He also expresses regret in not being able to help Dazai when he was in his care.
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I think it's very interesting, especially when knowing that Asagiri wrote both BEAST and Fifteen at the same time for the Dead Apple movie, because in Fifteen we have this:
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The beginning of the first chapter of Fifteen is a gold mine. It is narrated from Mori's point of view, the man of logic and calculations, and yet it is full of doubt. He is alone and struggling to fix everything with so many people against him. But, throughout this scene about grasping at the Port Mafia's power, there is also this secondary thought being woven in, of Mori having started to actually care for Dazai.
The teenager is scary to him, smart enough to be a threat should he decide to be done with all this and turn against him, and yet, he immediately (and with a hint of sadness) finds that Dazai reminds him of himself. This lonely, lonely man found a kindred spirit, bright enough to grasp any situation in seconds and prone to using an uncomfortable obsession to divert and keep you guessing his true intentions. Mori entered Mentor Mode™ then. He taught Dazai his ways, he shared his struggles and thought process, he fought tooth and nail to keep him alive.
So when he asked Dazai why he wanted to die, it was with the concern of someone who has started to care. It was with the mind of someone who is trying to prevent the worst by fixing the problem at its source.
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(translation: Reneray)
But it's also that self-projection/ability to relate that made him drive Dazai away, when he pushed too hard and forced Dazai to adhere to his optimal solution philosophy. Because Dazai cannot separate himself from his attachments, could not ignore his emotions like Mori does, and chose Oda over Mori's logic. From Dazai's point of view, that was betrayal. Mori and him were accomplices!
Dazai planted the idea that Mori was afraid of him taking over as boss, and Mori seems to agree with that thought (would it be because he feared for his life, or for Dazai's ability to replace him?) Yet, for a man afraid of his closest subordinate backstabbing him, he seems to be hanging on quite hard to the possibility of Dazai coming back, leaving his seat open to this day, inviting him back twice in the same arc, and...
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(yeah I used this picture at the start too. "I hAvE nO rEgReTs" he says)
Mori may try to convince himself he feels no regrets and no guilt over his own actions by weighting gains and losses objectively, but he still hurts and has a very hard time moving on. He's human despite his best efforts, prone to mistakes and doubts. He's lonely and wishes to impart his knowledge onto others. His cold logic has both helped him in fixing the city, and alienated him from some of the people he most cared about.
In a similar vein, should the ADA employee transfer be of topic again, and should Mori clash with Yosano again, I wish we get to see some similar conflicting emotions in Mori between the usefulness of Yosano's ability, and Yosano herself as a person. The war was 14 years ago, that's a long time, and I want to believe that counts for something.
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braxiatel · 8 days
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"There's gonna be more [stamps] coming when more Hermits get added to the system. There's only five left, including Stress"
Pearl has clearly learned from the Grian Mumbo potato incident. This time she's making sure Iskall knows that his specialist little guy /gender neutral CANNOT receive mail yet no matter how badly he wants to send her some
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haunted-xander · 1 month
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It's Riku! Riku's here!
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holographic-mars · 10 days
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Never forgiving tfa for taking cosmos episode from me I’m so mad. I’m so mad
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GIVE HIM BACK GIVE ME MY LITTLE COSMO BACKHKK AAUGHH
AND HES SO CUTE
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HES PERFECT HOW DARE YOU …..TFA COUNT YOUR DAYS TFA
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shalpilot · 2 months
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he got lonely
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haleigh-sloth · 2 years
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THIS IS LITERALLY ALL IT TOOK FOR THE CHAPTER TO REDEEM ITSELF
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