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#but to be honest this is an episode where i don’t care if morty gets sidelined or if him and rick are barely together in it
fear-no-mort · 5 months
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my one fear (aha get it) with the finale is that they’ll focus on rick more than morty, because the thing is with rick it’s SUPER easy to think of stuff that he’s actually afraid of, but with morty, he’s so normally viewed as the scared-of-everything character that people never really take a second to brainstorm on what truly scares him as well. he’s just a kid who got thrown headfirst into literally everything and it’s even a recurring theme in the show of him being told to simply not think about it if he wants to stay a little bit stable, him even having to get his memory wiped of certain things just so he could go on living, even if that whole thing did get twisted up into a whole other thing. all that but nobody really thinks about how incredible it would be to really establish what he’s the MOST deeply afraid of, things like subconscious fears and things he’s more terrified of happening more than anything in the world, even after having seen everything
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lordofhunger47 · 3 years
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The Owl House successed where Gravity Falls failed:
Don't get wrong,this isn't a hate message toward Gravity Falls,I'm not trying to say which show is better and I consider Gravity Falls to be a masterpiece but a flawed one,and I'm going to talk how The Owl House sucessed in which Gravity Falls failed(be civil):
1-Blame Game:In Gravity Falls the narration shown Ford to be the one to blame only, although it is true that he is faulty,so as Stan.
sure he didn't mean to destroy Ford's project but he didn't told him in order to fix it either because he secretly hope that his accident would make Ford stay,he was petty in weirdmaggedon and while Ford is arrogant with messiah complex, Stan is implusive with victim complex and at least Ford TRIES to take responsibilty while stan only did take responsibility when he tries to keep Mabel and Dipper out of this by FAVORITISM and HUMILIATION the fact that he do so after his father the water downed-american-ozai wannable only makes it worse(lets be honest if Dipper was gay,bi or trans everyone in media would scream for blood after seeing Dipper vs Manliness).
Besides,how would you feel if one of your relatives steal your identity,ruin your name and make a mockery out of your life's work?sure he was trying to have enough money to return you but what part of "stealing your name and mock your job" was necessary?even a simple merch shop makes as much money as a tourist trap.
The Owl House on the other hand,Doesn't play "sacepegoat" in Eda and Lilith case,instead it address both of their faults without choosing sides(Lilith for cursing Eda and Eda for letting her insecurities to push everyone away).
2-Protagonist:what makes them hard to write them is that if you are not be careful either they will end up as plot armor or being punished for anything in every turn and Dipper and Mabel examplified it.
Dipper:I get that his character arc pretty much amounts to: "Stop being a pretentious twit, stop trying to act older than you are, enjoy being a kid while you can." The problem is that the show eventually starts beating on Dipper for wanting ANYTHING at all, and that he must always put Mabel first, even if she's in the wrong. The show seems to say that Dipper should take Mabel's approach to life, and although that might make him happier, he's just not Mabel. Instead of learning to pursue his goals in a less reckless way, he is dis-alluded from having goals period, and that can get frustrating to watch,I don't have a sibiling but I do know that pleasing one in sacrifice of your dreams and everything that makes you you is NOT how healthy family relationships works in fact it is toxic.
Mabel:Now now I don't hate Mabel(the only characters in GF that I genuienly hate are Robbie and Pacifica's parents) and I oppose the idea that Mabel should be completely miserable like a CERTAIN AU,but there is no denying that her character suffers lack of change,all her antics is played for laughs only,unlike other characters she never face her consequences and she learns the same repeative lesson and yet never learns(I'm aware of Lost Legends but thats a comic not part of the show so it doesn't change this fatal flaw in the show and even if it was an episode it would still be repeative and only be in "words" not "action").
What makes Luz special?people most of the time forget that it is not her sexuality that makes her unique(sure being the first LGBT Disney protagonist is a big deal but thats just the perk not the character) is that she is balanced between two extrems,not so perfect that it is bland and unrelateable(like rey from sequel trilogy) or only exist to be the punching bag or being idiotic to feel pity(like morty from rick and morty) or despicable(like the protagonist from revenge of nerds who technically committed rape), just human(hence why me a boy who is straight as narrow and is more into sci-fi than fantasy finds her more endearing and relateable than Dipper and Mabel).
3-Ships:The Owl House unlike GF didn't reduce love interests as stereotypical(like Wendy),they didn't made a bigger deal about crushes than it needs to be,didn't fell for tropes(like Pacifica) and take time.
for instance, if you think about it lumity and dipacifica are basically alike except lumity took time,develop,didn't came out of nowhere in one episode and didn't fell for "I hate you but now I love you despite the major differences" cliché trope.
4-The line between friendly tease and humilation:it is true that GF mostly play tease for laughs but sometimes it goes too far.
Take Dipper vs Manliness for example,Stan and Mabel publicaly humiliated Dipper for his insecurities toward masculanity which is just cruel,it is like mocking a tom-boy girl for being too "boyish" and not "girly" enough.
While it is true that Eda and King sometimes mock Luz,I hardly compare those banterings with Stan forcing Dipper into being a furry stripper or giving the ozai treatment to "tough him up" and as I recall Luz and the Blight twins were condemned by the narration for invading Amity's privacy unlike Mabel's invading of privacy.
(Alex once said he didn't mean to make Pacifica's parents look abusive despite the fact that they trained Pacifica to follow the bell LIKE A PET,as much as I admire Alex I sometimes wonder if he underestimates what abuse is)
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silentfcknhill · 3 years
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FAVORITE SHOWS IN POSTERS
Well, we’re back for another installment of this tagged meme, this time for TV shows! I also stole this from/was indirectly tagged by @jcmorrigan. My taste in shows also differs a bit from my taste in movies, as I tend to like a lot of comedy shows with not as many horror ones. I’m not into shows as much as movies overall, but there are some that I am very passionate about so I picked twenty again. So, here we go for part 2, in order:
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1. Avatar: The Last Airbender/The Legend Of Korra (2005-2014)
I'm including these as one show since they take place in the same universe and tell a continuation of the same overall plot. Altogether this is probably the best piece of media to ever exist, including movies. It has so many great characters and villains especially and some of the most epic sequences, charming humor and heartwarming moments ever. I've never met a person who didn't like these shows, even people who normally don't like cartoons. My dad, who is biased against animation? He loved it. My mother? She loved it, watched it with her multiple times. My grandmother? Loved it. My ex-boyfriend? Loved it. My best friend? Loved it. I dare anyone not to, and I'm so glad it's making a resurgence since it's on Netflix for a new generation to enjoy.
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2. Black Butler (2008-2014)
I never was big into anime growing up and only really started watching anime when I was like 16 and above, but this is one of the exceptions because holy shit is it ever dark and epic. I'm not sure I'd really recommend it for kids, it's more of a teens and young adults kind of anime and that's probably why it's so good, because it isn't afraid to explore dark and mature topics and do it with all of the intensity and gravitas required to do said topics justice. It has lots of great characters, and the story of demons who make deals with children who have a dark side is fun to watch play out.
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3. Seinfeld (1989-1998)
My dad was a huge fan of this show so I watched it growing up since I was a toddler and it became a classic for me. I've watched thw hole show through at least 8 times, and I'll never stop because it never gets old or boring. It's also my only comfort show when I'm having a panic attack because of one time a few years ago when I was having a drug-induced psychosis episode and watching it calmed me down, so now it's like the opposite of a trigger and whenever I'm having an episode or something I watch it to bring me back to reality. For that reason it's more than a show to me, it's a medical treatment and I'm forever grateful to it.
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4. The Good Place (2016-2020)
The big four shows made my Michael Schur all made it on this post (The Good Place, Brooklyn Nine-Nine, The Office and Parks And Recreation), either in the main list of the honorable mentions, but this is my personal favorite of the four. It's so funny, quirky, relatable and basically tailor-made to suit my interests. Not only is it an entertaining and wholesome show, but I think watching it helped me come to terms with a lot of things like mortality, ethics, philosophy, religion and my relationships with other people. It gets  alot of different viewpoints across and if you're a very analytical and philosophical person like me you'll probably enjoy seeing it all play out. Not to mention, every single character is 'favorite character' material. It's rare you find a show with no filler characters in the main cast, but I genuinely can't choose who is best.
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5. Brooklyn Nine-Nine (2013-?)
Another of Michael Schur's shows, this one is just barely under The Good Place and to be honest it was tough to pick my favorite between the two because they're both equally funny. I know it's kind of controversial right now because of the whole law enforcement thing, but I actually think they do a good job of handling social issues in the show and remaining respectful of real-life systemic problems. As for the characters, this is another one of those shows where every single character is gold and I think that tends to be a trend among Schur's shows in general. He produces damn good comedy, and damn good characters. I can't wait to see what they bring next.
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6. Rick And Morty (2013-?)
This is unfortunately one of those cases of 'great show, horrible fandom' and for that reason I don't get involved in the fandom even though I love the show. It's a shame because it really is a great show, so funny and, again, such good characters. I think it's a lot more accessible than the fandom likes to claim, so I'm hoping more people will give it a chance and not get put off by the intellectual elitism of the fandom because it does have some of the most entertaining and batshit crazy episodes ever, poking fun of some of the staples of science fiction in media while also poking fun of itself the whole time. Unlike the fandom, the show doesn't take itself seriously and that's enjoyable nowadays.
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7. Orange Is The New Black (2013-2019)
While this show is a comedy, it is also a lot of other things and it's probably made me ugly-cry just as many times as it's made me laugh. Well, maybe not as often, but those few scenes (if you've watched the show then you know the ones I'm talking about) made me hysterically sob hard enough to be worth like fifty minor sads. But I didn't even mind because the show is just that good, and it makes you /feel/ something in a real way. Probably because of just how real it gets in terms of telling stories that happen all the time in the real world, sometimes with inevitably tragic endings. But these things do happen every day, and it's important to shine a light on that. It's not just representation for LGBTQ+ but also for POC, the neurodiverse, the poor, and many more. Give it a watch to broaden your perspective!
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8. Big Mouth (2017-?)
This is probably the grossest show I've ever seen but by god is it ever funny. Maybe it's because I have an immature sense of humor or something, but I love this show. It definitely won't be everyone's cup of tea and I don't recommend you watch this show with anyone else around because it will get awkward. I think part of its appeal to me is that everyone I talk to who likes it considers it so relatable to their lives growing up but for someone like me who grew up on the autism and asexual spectrum and who was physically an early-bloomer by years, nothing about this show is relatable to me in any way so it makes it all the more crazy and bizarre watching how the people around me must have experienced things. Did y'all really have these experiences with puberty in middle school???
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9. Dexter (2006-2013)
I recently heard that this show is coming back for a reboot soon and I'm so excited because this is my absolute favorite drama/thriller show, as evidenced by the fact that it's the highest one on the list so far that isn't a comedy. I love the idea of having a protagonist who is sort of a villain (or at least morally dubious), and the idea of a serial killer who only kills bad people is particularly satisfying for some reason. Maybe because he's the vigilante we all deserve and want in this unjust and evil world of modern times? Idk but the very premise of this show set it up for big things and aside from the ending I think it delivered consistently.
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10. Once Upon A Time (2011-2018)
This show took us on some journeys, and you can't deny that. Sure, maybe it didn't always finish what it started and didn't always end in the most satisfying way, but part of its charm is that you didn't care because the experience was just so much fun. They took characters and stories that have been told to death and somehow managed to put a unique and unexpected twist on them, and that alone is admirable. Good twists, good villains, and pretty much every cliffhanger known to man will keep you hooked on binge-watching every episode.
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11. RuPaul's Drag Race (2009-?)
A bit different than the other entries on my list in that it's not fiction but a reality competition show, but I couldn't leave Drag Race out because it's just so fucking iconic and perfect. Even when you disagree with the judges or can't stand a certain contestant you'll still be having a good time. It's got the personalities you love to love, the ones you love to hate, and the comedy that's completely meme-able. I mean just how much has this show contributed to pop culture and the internet? More than most of us, henny. I've watched every single season, even the international ones and all of the spinoffs. This show will probably be on for another thirty years when Ru is throwing shade from a hospital bed and I'll still be watching.
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12. House (2004-2012)
Some people hate on this show, and I don't get it. I love House. Yes, he's an ass. That's the point. He's supposed to be unlikeable, and that's why I like him. Maybe because I always love the rude, sarcastic, misanthropic jerkass-genius characters for some reason. And I also love procedural shows, so it's a win-win. I also work in the healthcare field so it appeals to me for that reason too, because obviously the whole premise is outlandish which is what makes it funny. Of course it's not realistic for a hospital, so just enjoy the absurdity and don't get too hung up on the details of medical accuracy and professional ethics and you'll be fine.
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13. The Office (2005-2013)
The third of Michael Schur's show and the last one that made the main list (sorry Parks And Rec, I love you too but there was just so many good shows to choose from and I saw you last so the nostalgia isn't as strong!) I don't think I need to hype this show up any, it's already a classic and you can't even turn around online without getting hit in the face by a dozen Office memes. You'll have to pry this show and it's relatable characters (especially Michael Scott) from my cold, dead hands.
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14. All Hail King Julien/The Penguins Of Madagascar (2008-2017)
Like Avatar/Korra, I also consider this as one show for the sake of this list because it also takes place in the same universe (Madagascar, specifically) and I just couldn't choose one over the other because they're both so perfect. They're funny and I love all the characters (it cut out the weaker links of the Madagascar film series and just focuses on expanding the standout side-characters like King Julien and the penguins). It also delved into some lore, particularly the first show, and even though I didn't also agree with the directions it took (you may have seen me get salty about the ending because I cared too much), I can't deny how much I love it.
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15. Bones (2005-2017)
One of the other scarce non-comedy shows on this list, it still has it's funny moments. It's also, like House, another procedural show that involves some medical stuff, but this time on a more scientific and forensic level which is even more interesting. It's nice to see a lead female with Asperger's, too. There's a lot of cop/law enforcement shows where they try to solve crimes, but this one is the best, and I'm saying that as a fan of CSI as well. Don't fight me on this, I'm right. Oh yes, it's corny, it's campy, it's cheesy, but I love every minute of it. Don't watch if you have a weak stomach though.
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16. The Simpsons (1989-?)
We all grew up with this show, don't lie. It's been around longer than most people on tumblr have even been alive. Should it have ended seasons ago? Hell yes. But that doesn't take away what the first like 20 or so seasons gave us (there's a lot of argument about when the show jumped the shark, for me it wasn't until much later than the popular consensus). The characters are amazing, but the secret to the show's longevity is that they always return to status quo and there's comfort and nostalgia in that. Bart will still be in 4th grade when you're out there pushing 90. This show is persistent. This show is eternal. This show will outlive us all.
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17. Ash Vs. Evil Dead (2015-2018)
Sorely underrated. This show is hilarious, gruesome and campy as hell and I love it. I don't think you necessarily have to watch the Evil Dead movies beforehand in order to get the plot of the show, although it would probably help. In my opinion this show ended way too soon and I'm hoping someday we'll get a comeback because Ash is the reluctant, self-absorbed hero we all need and it's 2020 so at this point there really might actually be a demon-zombie apocalypse and who's gonna save us then if not for the impulsive womanizer with a chainsaw for a hand?
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18. Malcolm In The Middle (2000-2006)
Another show I grew up with, I don't think it gets as much credit as it deserves. It has some damn funny episodes and great characters, and it did a lot of the popular sitcom tropes before they were 'cool'. Some other great sitcoms, The Middle in particular, took a lot of influence from this show and it helped pave the way for the future of sitcoms at a time when they were about to make a comeback. If you want a good show about the real experiences of growing up, this is a much more accurate representation of the highs and lows of being an awkward tween from a dysfunctional home.
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19. A Series Of Unfortunate Events (2017-2019)
Unlike most people I actually liked the movie version from the early 2000's, and I read the books growing up so I was excited when I saw there was a live action television adaptation of it on Netflix because I felt like they cancelled the movie franchise too soon. I was interested to see how new actors would handle the roles, and I was not disappointed. I wouldn't say I liked either portrayal of the characters better or worse, they both added their own twist to it and this show is a great and loyal adaptation to the books, probably because the author was so heavily involved. He knew just when to stick to the books and when to improve upon what he had done with the benefit of hindsight. This show is basically the books, but remastered.
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20. Winx Club (2004-?)
Sort of an odd one out on this list, but I really love this show even as an adult and it may surprise you to learn it is still going on and the most recent season came out last year. They take big breaks sometimes in between seasons, but it's still going strong and in multiple countries. The only thing I don't like about watching this show is all the different and inconsistent dubs since the original show is Italian and each dub only goes for a couple seasons so by the time you get used to one set of voices/names for the characters oyu have to abruptly switch to another, but it's still worth it for the beautiful animation and cool characters (especially the villains!)
Honorable Mentions: 
13 Reasons Why, America's Next Top Model, American Horror Story, Arrested Development, Bates Motel, Battlestar Galactica, Black Mirror, Care Bears, Chernobyl, Courage The Cowardly Dog, Criminal, CSI, Duck Dodgers, Goosebumps, Kenny Vs. Spenny, Kim Possible, Kingdom Hospital, Lazytown, Lost, Making A Murderer, Mayday, Mindhunter, Modern Family, Monster High, Obsession: Dark Desires, Parks And Recreation, Prison Break, Project Runway, Queer As Folk, Queer Eye, Salem, Schitt's Creek, SCTV, Spongebob Squarepants, The Emperor's New School, The Good Doctor, The Haunting Of Hill House/Bly Manor, The Middle, The Pretender, The Walking Dead, The X-Files, Through The Wormhole, Unbreakable Kimmy Schmidt, Unsolved Mysteries, Yugioh
Tagging: @bullet-farmer​ and anyone else who wants to!
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sour-n-salty-citrus · 3 years
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Do you have any hopes for the season finale? I saw in another ask, you described the dynamic between rick and morty this season as "very weak, distant, and downright frankly boring" and I completely agree with you! I hope that, because this is most we'll see rick and morty interacting this season, it'll have at least a few moments of what makes their dynamic so interesting to watch.
(Ok i started airing my grievances with this season, which ended up being... long, so skip this paragraph (starting at / / /) to get to my thoughts on the finale)
Oh gosh I remember that ask (I think-). And yeah, maybe I'm being a bit overly critical. I'll probably look back on this season with retrospect, and a kinder, fonder view. Ik androgynousblackbox (think thats right) made a great point about it being the season FOR rickorty shippers. And sure, I agree on some bits, like Rick acting all pissy and partying the way you would if your ex got with someone new in the planetina ep. Overall though, i think my problem lies in that I was enjoying more individual moments than episodes themselves, especially the middle three. For example- Amortycan Grickfitti. Like, I really liked the idea of the Ship getting on a crazy adventure with Summer and Morty (and Chutback). I like the idea of a Beth-Jerry-Rick adventure. But put together, it's just kinda... meh? You know? I liked the first half of the Thanksgiving special... but it kinda dragged on after that. I get that they want to give other characters (particularly female ones) more attention, which is completely understandable and i encourage it(!) but I can't help but find it underwhelming. Like, Summer in the voltron ep was like- girl how are you STILL vying for Rick's attention! He's the worst! Haven't we done this already? (I will say though I ADORE how far Beth has come, props to her for continuing to seeing through her dad's BS. I was worried the character would relapse into a more typical s1/s2 Beth, and I'm glad she didn't). Some of these plots, funnily enough, seem more fitting of the comics (they actually had a voltron parody already). Fun and entertaining for two or three-something issues, not so much a 22 minute episode. i think most of my complaints come from the dynamic between our titular characters- ok, I know I'm very biased (I mean you can see it), but I came to the show primarily for their relationship. It doesn't even feel drama-fueled, just that they kinda... can't be arsed. I'm torn because on the one hand, they're unhealthily codependent and this separation is probably a good thing, but on the other... it doesn't feel natural? I'm not sure if that's the right word- it's like, season 4 had them practically joint at the hip, but all that's suddenly flung out the window. It just kinda feels like this "i got better things to do" vibe from both of them and its strange. The only time they both got a solo adventure (I'm classifying "solo" as an adventure where they spent a significantly large portion of time together, without the other family members) was in the sperm ep and Thanksgiving ep. And, well, in the Thanksgiving ep Morty felt like a side character in his own show, and the sperm ep... um. Yeah. I don't think it's AS bad as people were saying, but I was cringing the whole time (the second hand embarrassment for Morty was so strong I had to turn off the episode multiple times and return to it. It's just like- godammit MORTY). And I think there's good reason those two seemed to be the most disliked episodes overall. They're the ones RaM spend the most time together and it's... meh. Meh? Meh. I don't mean to say the season overall is bad (it has loads of good points, and its amazing for Smith family as a whole) just that if we're talking specifically about the dynamic between these two? Yeah, I wouldn't recommend a single episode from this season so far to use as an example of their relationship.
/ / /
There's one thing this season has been pretty good at, though. And it's showing us what happens when Rick is alone.
And that brings me to the finale.
"Who is Rick without Morty?"
Well... we already know the answer to that. Pathetic. Sad. Lonely.
This season has been phenomenal in humbling Rick. (And trust me I'm happy for it- every time someone beats the crap outta this shitty old man I'm like YES!!! IT'S WHAT HE DESERVES!). Ep 1 had his "nemesis" clearly besting him, ep 2 had Beth making constant digs (love her) and overall pointing out his extreme callousness and cruelty towards even himself(ves). Ep 3- when Morty shows interest in a girl and ditches him (like seriously it's not like he's moving out, chill) he immediately goes on a bender and develops a deep attachment to the first person he can (wearing yellow, funnily enough). Ep 4, he devotes himself to becoming an "honest man" for his new child, only for it to instantly be taken away from him. Ep 5 highlights how RICK is the asshole for making fun of and taking advantage of someone well-meaning and honest, if "simple", and how literally not cool that is. Ep 6 has his crazy rivalry with the president, and they both get smacked down a couple pegs for that. Ep 7 shows what happens when he allows himself to get carried away, and that he can end up driving everyone else away in the process (lucky they still wanted to save his ass when he needed them). And episode 8? Hooooo boy. Episode. 8. We see a direct parallel in Birdperson with Morty, and the whole "Rick and [insert] 100 years!" Rick has few people he cares about, arguably only one or two that he truly devotes himself to, but when he does, boy does he go HARD. We see younger Rick, optimistic, energetic, friendly and hopeful. And we see all of that crushed in minutes. Rick is desperate for a companion, someone to see the stars with. He needs someone there, someone he can trust and rely on to stay. Someone like Morty. So without Morty, who is Rick?
No one.
And the thing is, Morty doesn't need Rick anymore. Not like Rick needs him. In season 1, Morty was this bright-eyed kid who was new to the cosmos and the multiverse, who needed his grandpa there with him as they explored all these places together. But that's not him anymore. That's not them.
The promo has Morty using the portal gun to go somewhere w/o Rick's permission (i like to think it's boob world lol). It doesn't matter to me as much where he's going, as much as he's doing it alone. He doesn't just not need Rick there, he doesn't want him.
(Also correct me if im wrong but I've missed that sweet portal gun so much. I think the last ep was like- the first time this season we saw it).
Morty's response to Rick? "Replace me!". And wow. Wow. WOW. Morty doesn't give a FUCK! I think Rick thinks that because he's so smart, that he can offer so much, that Morty will come crawling back, and I don't think he will.
Hopes for the finale! Hmm. I mean, I definitely hope "evil" Morty makes a reappearance, haha. I think we all do tbh ;). I want to see some Morty development too, this season has been very Rick-centric (not that there's anything wrong with that!) so I wanna see what's in store for Our Boy. I really hope we get to see the Citadel again, and see the state it's in, but I doubt it. We know something super big is in store, it's just a question of what? Other hopes I have is some Summer + Beth action (please let them team up Im BEGGING) and Jerry too ahaha. I'd love if some other side characters made an appearance as well. Oh- I'm definitely expecting a dramatic cliffhanger at the end of the first half leading to the second half, with the kind of angsty music that leads into the credits (pls that shit is so good (OH WAIT imagine if it was like, for the damaged coda, but like- the chopin version or smth so it could be more subtle maybe bruhhhh)). Ok haha, maybe that's asking too much, the writers made it clear in the story train ep that they weren't gonna do that big dramatic showdown (... unless 👀). Oh, I'd also love some Premium Angst too, like someone getting kidnapped/nearly dying (like ACTUALLY nearly dying). These stakes better be so damn high I could spear a man on them! OH, also I remember androgynousblackbox (is that right? I hope it is) mentioned something along the lines that they could be driving Rick and Morty apart this season in order to have them come back together stronger than ever in an explosive finale, which, I'm strongly hoping for myself.
Thanks if you made it this far! If you have any thoughts on or hopes of your own for the finale please feel free to share! :D
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zarchomp · 4 years
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Bojack Horseman is my favourite show ever, and the more I analyze it, the more I continue to think it is the best show ever made.
I first watched it at a point in my life when I was at the lowest point I'd ever been in. I never felt good, and I felt like I'd never ever be okay. I'd been going to therapy for about 3-4 years at that point, but everything about my life felt completely negative and bad, like I could never be good. I started watching Bojack after finishing some other cartoons like futurama and Rick and Morty. And I genuinely felt like it was a show made for me specifically.
Without even going into any of the themes present in the show, it is beautifully constructed. It is completely consistent with itself, and never leaves any loose threads. Even when you think it will, it doesn't. The storytelling techniques are incredible and ever changing. Fish Out of Water and Free Churro are great examples of how the show can shine beautifully in completely different ways, one being completely without dialogue, and the other as a monologue, taking place in one location. But really, pretty much any episode could be taken and used as an example of how to build an amazing episode of television.
The animation, writing, acting, and sound design is incredible. Obviosuly, one of the worst self sabotaging things Bojack ever did was in New Mexico. The build up to that point, though showing his self sabotaging behaviour in the past makes this scene so believable. Despite pretty much the entire New Mexico storyline being in one 20 minute episode, the guitar sting which represent it are still absolutely haunting, years after I first watched the episode. The impact of this storyline, or Sarah Lynn's significance in Bojack's life shows how amazing the writing is on the show.
Not only is it a beautiful show, but it's also really funny. The jokes and timing are fantastic, and the ability of the show to balance genuine good comedy with some of the most tragic scenes I've seen in my entire life shows the versatility of each and every creative involved.
In terms of the themes of the show, I cant properly express how fantastic they are. It is often talked about how great the representation of mental illness is, but it goes a lot farther than that. Bojack is a bad person. He has ruined lives, both before the show and during. His behaviour is completely terrible. The show doesn't try and tell you he's a good person, deep down, but there are so many moments throughout the show where he is truthful and honest with himself, and you see his goodness shine through. The show itself tells you not to root for Bojack, but rather watch him grow. His journey is a slow, drawn out one. Throughout the series, he slowly progresses from being in denial about the fact that he's messed up, to finally be willing to actually change and take accountability for his actions, though this never ever makes him seem like a good person, but instead you see how bad he can actually be. Bojack Horseman shows the affect mental illness and addiction can have on you and the people you care about.
It also shows lots of different representations of mental illness and life. While Bojack is the main character, he isn't always the most important person in the show. Princess Carolyn, Diane, Mr Peanutbutter, and Todd are all treated in the show with as much respect as Bojack, and their storylines are strong independently of their intersection with Bojack's, which feels very true to real life, where everyone is doing their own thing. The struggles of all the main cast are important, whether mentally, emotionally, professionally, or otherwise. In a lot of ways, these characters demonstrate the realities of just being a person who exists in this world, and that's pretty cool.
In the end though, the show is about growth, plain and simple. It's not overcomplicated, but it shows the complexity of acceptance. The show's main principles are simple; being a good person is harder than it looks, but more important than anything else, and sometimes you need help getting there. The show examines this through so many different lenses, and the intricacies of all the different ways in which Bojack addresses this main issue are endless. Bojack Horseman doesn't over burden itself with too many pointless ideas or threads, but rather it focuses on something important and sees it through.
Like I said, part of me actually believes that Bojack Horseman was a show made for me specifically, because I think it's perfect. I'm incredible excited for the end of it. I generally don't trust creators to give me what I want, but at this point I don't even know what I want. That being said, I'm sure whatever it is will be made, as it always has so far. And I will be heartbroken if it doesn't. That's not the point though. I wholeheartedly believe that Bojack Horseman is a perfect show. It means the world to me.
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blogmusicismydrugxo · 4 years
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EVERYTHING WRONG WITH WARRIOR NUN (2020)
Welp, I know what you’re thinking now: Noon disappears for 2 months and then comes back just to bash on something that isn’t even a kdrama?? Well, I mean you are right. I haven’t had the time or will to write kdrama reviews in a couple of months, and I haven’t watched that many kdramas either recently. But then, pretty much just for shits and giggles, I watched this show and it spited me enough to want to write about it, so I’m just going along with it. I am in no way, shape or form a cinematographer, or writer, nor do I generally know much about film making, so take what I’m saying here with a grain of salt. These are just my observations and opinions, you are entitled to your own.
An important concept in fillm and tv is suspension of disbelief. While as a viewer, we are aware that the things on screen are not real, we pretend that the characters are real people who are experiencing those things. Therefore, a show must set up a framework that makes sense to the viewers, in which they can place all of the story. In general, that means that everything on screen must follow the rules of logic and common sense, unless the story explicitly diverts from that. A story about magic does not adhere to our common sense, but if the writers give us a set of rules to logically explain how magic works in this universe, we can suspend our disbelief. It’s important that the explanation is logical, and that the story does not break it’s own rules. This is one of the things Warrior Nun fails to do.
Warrior Nun breaks the rules of common logic on multiple occasions, in big ways and small, without offering the viewer an explanation that would help us accept this deviation from our world. Obvious SPOILER ALERT.
(Dead) bodies don’t work this way
- Ava has been paralysed for most of her life. We know she had her accident when she was 8, and that Sister Frances murdered her because she was about to “age out of the system”. We can then assume she is 17 or 18, which means she’s spent about 10 years being spoon fed and cared for. There is absolutely no way Ava just stands up and goes about her life when she receives the Halo. While the resurrection by the Halo and the apparent healing skills it gives her may account for the fact she seems to even have muscle mass left in her arms and legs, she hasn’t used any of those muscles for a decade. Have you ever seen those videos of people who were paralysed learning to do stuff again like walk or even hold objects? Other than losing the muscle they need to do those things, they also lost the motor skills to do them. Ava shouldn’t know how to walk, or even hold a spoon to feed herself, much less run or dance or fight (we’ll come back to the fighting later)
- TW // death and dead bodies: In one of the early episodes, a Tarask searches Shannon’s corpse because it’s looking for the Halo (that is now in Ava’s body). We can assume that at least 24h has passed since Shannon died, because the priest has already cleaned up her body and it’s night time again. The Tarask uses its claw to turn the body around and then slashes open Shannon’s back to check if she’s still bearing the Halo. There’s two things wrong here. First of all, Shannon’s body would not flop around the way it is shown in the show. Rigor mortis, or the stiffening of the limbs and other parts of a corpse, starts setting in a couple of hours after death and is complete after around 12 hours. If anything, her body should be behaving like a massive plank or brick, and not gently and delicately turn over with little force. Secondly, and I don’t know why I even have to say this but here we are, dead bodies don’t bleed. In a later shot, we see Shannon’s back is covered in blood where the monster cut her open, but how is that even logically possible when there is nothing pushing the blood through her body?
- Another illogical aspect of this show is Ava’s fighting. She can’t have spent more than a few days training with the nuns (she effortlessly finds JC and friends again, who act like she wasn’t gone for too long), so it’s ridiculous how she suddenly has the ability to fight monsters and demons and even other nuns. At some points she seems to not know what she’s doing at all (for example when she swings her sword at the Tarask attacking Lilith), and then mere days later she’s battling an angel/demon as if she’s on equal footing with him. Even if the Halo has given her muscles, it can’t have given her fighting skills because she constantly gets bested at the start of the season. The show has to make a choice: either she’s completely helpless and a klutz, which would endear her to the viewers more, or she’s a super skilled fighter, which would make more sense for the plot but also makes her less accessible and more Mary Sue-like. 
OTHER SMALLER AND LARGER THINGS THAT BOTHERED ME:
- The internal monologue was soooo annoying. This stuff works well in books, but not in a show like this. Ava seems to be a pretty expressive person, but her inner monologue is so boring and monotonous. I get they wanted her to be snarky and sarcastic, but it just sounded like she was desinterested. Big nope
- Can this girl just stop running away for 2 minutes? It got pretty annoying after like the third time.
- The whole love storyline with JC was a big let down as well. I loved the awkward flirting at first, it totally made sense for Ava to be unsure and a bit stupid when this is the first guy she’s met after years in forced isolation. But then she suddenly kisses him in a cupboard while they’re hiding and they immediately have sex? Not only does that not really fit her character, it’s just unnecessary for the plot. Oh, and then the next episode they drop him and he’s never seen again even though Ava genuinely seemed to like him. Justice for JC, Netflix. He deserved better. 
 - The whole angel/demon in a wall plot for the last couple of episodes didn’t make much sense to me and, to be honest, by that point I didn’t have the motivation left to even try to understand it. 
- The acting in general was stilted and unnatural. I can forgive Alba Baptista in some ways because she’s not a native English speaker (I assume), but the writing really didn’t help. I feel like the writers of the show thought their viewers were stupid and tried to explain every single detail in the show through characters’ dialogue. Big tip: if you want to have exposition, don’t do it through characters who supposedly already know the information and have no use for saying it explicitly. 
- When did we decide Jilian Salvius was a good guy and not the bad guy? Made no sense at all. And I won’t even start about her son. Confusion all over. 
SOME REDEEMING QUALITIES
While it was an absolute train wreck of a show, I did enjoy some aspects of it. Here’s a short list in no particular order. 
- The setting. Absolutely loved the Andalusian background and the juxtaposition between the ancient architecture of Southern Spain and the Vatican with the high-tech lab. 
- The whole catholicism thing was present but not overbearing. I am a pretty convinced anti-clerical atheist, but the religious aspects of the show didn’t bother me. The use of religious language was appropriate but not condescending. 
- I loved the use of foreign languages in the show. Father Vincent is Spanish so of course he speaks Spanish with the Spanish art collector. The cardinal and mother superion naturally talk in Italian, Ava grew up in a Spanish orphanage so of course she learned some Spanish, Camila speaks English with Father Vincent because another nun is present but does throw in a couple of words in Spanish when that makes most sense. So often these type of shows force every character to speak in English even when it makes no sense. (One thing though: why is it Orfanato St. Michael’s? Why not San Miguel?)
- Beatrice. Just everything about her. Give me more.
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lovemesomesurveys · 4 years
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How do you feel about full length beards? I’m not into a lot of facial hair. I like some scruff, but that’s it. Have you ever been to a circus? Yeah, once. I was naive and didn’t know about the abuse that went on at the time. Do you know anyone who’s gone to a Fat Camp? No. Do you use Facebook IM everyday? No. I don’t even remember the last time I used it. How many surveys have you done already today? This is my first.
What’s the WORST show on Adult Swim? I don’t care for the Adult Swim shows. Family Guy and American Dad is okay, but after that it gets too stupid and weird for me. Sorry. Like once I saw this show, Mr. Pickles, and uh... wtf. The episode I saw was very disturbing. I don’t get the appeal of Rick and Morty at all. And why the hell is Mike Tyson Mysteries a thing? That’s just to name a few. I see previews of other shows and I just... wow. Do you have any relatives that have shunned you, or vice versa? No. Has anyone ever posted a HORRIBLE picture of you for everyone to see? Not maliciously or because they thought it was horrible and wanted to embarrass me, but yeah. My mom has posted photos where she didn’t see anything wrong and she thinks I looked fine, but I was like EW NO take that down it’s hideous. I reallyyyy don’t like photos of me taken by someone else. I have to take my own photos if I’m going to take one at all because I know the angles and lighting and can add a filter. Plus, I can take a ton before finally settling on one. If someone else takes the photo and they want to post it, I have to approve. Which grade in school was the most fun for you? I enjoyed elementary and middle school. High school had its ups and downs, but there were parts I liked. I liked the last 2 years the best. Which would you rather have, a new puppy or kitten? I wouldn’t want another pet right now to be honest. We have our doggo and one suits our family best right now. Does drama seem to follow you everywhere you go? No, thankfully. I have other issues I struggle with, but not drama. Do you ever just want to go away to a new place where no one knows you? I don’t live in a small town where everyone knows everyone and I was never Miss Popularity, so apart from family and a few other people, not a lot of people know me. However, I do want move away to a new place. My family and I have wanted to for a long time, we just haven’t been able to. A change of environment and scenery would be really nice. You’re ordering a pizza, you can have any kind of toppings, what are they? I’m a simple gal, I just like white sauce, feta and ricotta cheese, garlic, spinach, and crumbled meatballs with pesto drizzled on top. Do you hit ‘quiet’ or ‘ignore’ on your cell? Which one usually? Nah. If my phone rings and I don’t want to answer it, I just let it ring. Do you ever regret giving your number to people? I have before with some people. Have you ever been told that you’re afraid of your own shadow? Haha yeah. Have you ever tried Gouda cheese? Nope. Does/did your high school have pop machines? No. They decided to remove them the year I entered high school, which I was mad about. Do you use a public computer, or do you have your own? I have my own laptop. Do you ever find it odd how you type LOL when you’re not really laughing? >> No, because I understand that its function has moved far beyond representing actual laughing-out-loud. <<< Yeah. I remember discussing that in a class once. Have you ever gambled? A couple times. Not my thing. Although, what really made my experience unenjoyable wasn’t so much the gambling, it was that the casinos I’ve been to allow smoking and I don’t do well with cigarette smoke. At all. It gives me a killer headache, makes my heart rate go up, and makes me feel dizzy and sick. It’s awful. The smell in the casinos was too overbearing for me, so I spent very little time inside. Do you know anyone who’s won the lottery? No. If you could work at any retail store, which one would it be? I really don’t want to work retail. And that’s not shade toward retail workers AT ALL. I salute you, honestly. You deal with a lot of shit. What’s the shortest you would ever cut your hair? I had a “bob” for a few years. Do you listen to any deathcore? No. Do you subscribe to any teen magazines? Which ones? No. I’m also 30 years old. Do you know someone who never smiles? Never? No. Has anyone ever made you feel uncomfortable at work? I’ve never had a job. Do you still watch South Park? I never did. I mean, I’ve seen bits here and there before because my brother used to watch it, but I was never into it myself. Tell me one movie you’ve seen recently that sucked: My mom, brother, and I recently watched this movie on Netflix called, The Platform. It had potential and was interesting at first, but the ending was just... no. It seemed abrupt and I was just really confused. Have you ever carved something into a dinner booth somewhere? No. When’s the last time you were carded at a bar? When I last went to the bar, which was almost 10 years ago. Do you smoke little cigars? Have you ever tried them? Nooo. You’re babysitting, what do you expect per hour for pay? Pfft, no I’m not babysitting. What’s the last thing you returned at a store? I very rarely return things so I have no idea. It’s been a long time. What’s the name of the last cat you pet? I don’t even recall the last time I petted a cat. Do you still look at clouds and make shapes of them? I haven’t in a long time. If you had to dye your hair for one year, what color would you pick? I already do, I dye it red. Who’s got your heart? Me. What’s your television addiction? I have several shows that I’m into. Have you ever stringed green beans before? No. What do you do to make yourself more relaxed when you’re nervous? It’s hard to calm myself when I’m anxious, but I try to distract by talking to someone, listening to ASMR, watching TV or something on YouTube, or reading.  Do you cook? If so, what’s the last thing you made? The only thing I cook is ramen. Oh wait actually I made a grilled cheese sandwich the other day. ha.  Have you ever had any painful dental work done? If so, what? Yeah, a few things. How do you usually spend your Saturdays? I spend all my days and nights the same, really. Do you make your own jewelry or clothing? Last year I briefly got into making beaded bracelets. I made a few. What’s your favorite thing to do when you’re bored? I do the same things everyday whether I’m bored or not: spend time on my social medias, watch YouTube, read, watch TV, scroll through Tumblr, do surveys, just lie there.... ha. Somedays just feel like they’re dragging and going by extra slow and the things I listed above that I like doing just don’t cut it so I just lie there mindlessly watching TV or go to sleep. Do you use drawing to describe what you’re feeling? No. Do you like the smell of new school supplies? As a kid I did. Like getting a new box of crayons. Do you give everything you do 100%? No. I certainly haven’t with life... Do you shop at any independent music stores? No. I don’t shop at any music stores. How do you feel about mainstream music? I like a lot of it.
What song lyrics describe your mood at the moment? *shrug* Do you have healthy eating habits? No. My eating habits are messed up. I have issues with appetite and other issues.
If you could transform into any kind of animal, what animal would you be? A dog. Are you superstitious? If so, what are you superstitious about? I do the knock on wood thing, but it’s just out of habit, really. If you could travel anywhere in the world where would it be? There’s so many places I’d like to visit. What food disgusts you the most? I don’t do seafood at all. What is your favorite thing to cook? Ramen. One place you would never want to get lost in in the dark? I wouldn’t want to get lost anywhere in the dark. :O Are you claustrophobic? Yes. What is your worst flaw? Oh where to start. One thing that always creeps you out? ALL bugs. What is your biggest fear? Losing loved ones, death, never getting better/getting worse, never doing anything with my life and just wasting away... If you could be reincarnated, would you come back as another human or an animal? If an animal, what kind? I don’t believe in reincarnation. Ideal way you’d like to die? Obviously painlessly, but jeez. If you could be roommates with anyone of your choice, who would you pick? I like living with my family. What is the most ridiculous thing you’ve ever heard? Uh, a lot of things. Your favorite kind of dog? I love doggos, but I definitely have a special thing for Labs and German Shepherds. Do you have any scars? If so, how many? I have a lot of scars. I’m not going to count them. What is your favorite scary movie to watch in the dark? I don’t watch them in the dark. Unless I’m at the theater, obviously. I love scary movies, though. Would you rather be buried or cremated when you die? Cremated. What is your favorite thing to drink? Alcoholic and non alcoholic? Coffee and Starbucks Doubleshot energy drinks. That’s also coffee, but you know what I mean. I don’t have a favorite alcoholic drink, I don’t drink. What is your favorite food around the holidays? I love either ham or turkey depending on the holiday and mashed potatoes with gravy, stuffing, and rolls. Easiest way to scare you? I’m such a jumpy, easily scarable (it’s a word, shh) person so you could really just say hi and I’ll jump. haha. Like my back faces my bedroom door and if I don’t hear anyone coming in or they just poke their head in to say something I’ll jump. lmao. Tell me one of your biggest secrets? Nah. What was your last nightmare about? It’s been awhile since I’ve had one, thankfully.
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SVTFOE S4 Episodes 15a-16b REVIEW:
Doop-Doop:
Imitation of the pie folk great, also aww Star is planning a trip for her and Tom; so adorable.
Marcos heading to earth ties up with Britta’s Tacos and Gone, Baby, Gone.
Lol Janna is me; I tend to overshop so the just a few souvenirs is fricken chicken hilarious to me.
Tom has already packed their bags what’s in them Tom.........
Oh lol classic Tom, poor little demon, aww.
Aww he has a name, Petey, aww!!!!
Cheesy postcards lol, speaking of which I also collect postcards.
Oh haha, actually “cheesy” postcards.
And yea Janna, portals are essential!
“Now you’re thinking with portals!”
-Portal
Oh Janna, you crack me up.
Oh Star come on that was unnecessary to throw the book at Petey.
Oh Tom’s; I love you so much was so fricken adorable!!! *SQUEALS*
And a cake In the shape of a mewman that was vegan, geez they are in kahoots with Buddy Valero. (Cake Boss joke you’ll get it if you’ve seen it)
Yeah like the Book of Life States;
“Write you own story!”
-TBOL
Pony is like an angsty teen lol.
Seahorses: O-Oh Y-Yes my dear was adorable.
Now not so much; probation sounds like he came from prison.
Aww Katrina and Star moments, and Katrina has my vote for becoming a famous athlete.
Kaboomsky lol oh and Buff Frog is right life goes by so fast you have to make it count.
Oh shit, Tom take fricken chicken care of Star, Buff Frog is watching you. And Tom is actually sweating from that ordeal oh, Lordy!
Moon actually wants Star to take a long trip, man I wish my parents would let me do that, I’ve always wanted to go to Mexico.
Lol Hunting Class with River sounds fun actually.
Whelp it’s true about the theories on the descriptions being wrong, however a broom, is named Doop-Doop: weird, so weird.
First magic spell oh that’s adorable, and he sounds like Morty from Rick and Morty oh geez.
I fell down and now I can’t get up. Lol
Oh nevermind the description is on point so far. Yay!
and Star comes to Earth yet again aww.
Mariposa is a wonderful name, and she’s so fricken adorable *SQUEALS*
Rafael said what we were probably all thinking.
Aww Star looks so natural holding Mariposa.
Britta’s Tacos:
Well not sure doing nothing is what summers all about I mean I am working half of my summer in Yellowstone.
Hopefully they didn’t kill off Tomstar, that ship is bomb. Forgot to mention that Tom handled his anger pretty damn well.
Hey Sensei and Oskar make a comeback.
Oskar’s still calling him Mango, lol.
Some Jackie x Marco stuff. Ooohhhhh.
Well you did break up that is drama.
Before the reveal:
They keep mistaking him for the father oh no he’s probably going to exploit that.
After the reveal:
Yep he did.
Oh no StarFan13 oh dear. Taco Tuesday man is the best.
Wow mystery dude calm down though your ex sounds really fricken chicken crazy.
Jarco: did you Marco did you
Angus and Ferguson great to see you after two seasons.
AGAIN, I wish my parents would let me study abroad too.
D&D reference.
Starco had a baby lol; oh no!
Whelp a dangerous pepper, is the California Reaper mAking a cameo.
Jackie is back. Again it’s not Marco’s kid.
Hey chole, oh my god is Jackie Lesbian *cheers* you go girl.
And Jarco has it’s closure.
And starco is slowly coming back.
Beach Day:
Pancakes on the couch, bro.
Oh I don’t think Mariposa is supposed to have a quiche this young or that large of a piece.
Also it’s funny that Star has put her bathing suit in the freezer.
Well it is sunny out so beachtime!
Star with the American Flag behind her lol.
and classic morning traffic.
Okay that got dark super fast: like 1984 freaky; “Do I have free will?”
(George Orwell)
Oh geez, driver calm the fricken chicken down.
Also flying car. And darn city smog.
Oh Father Time and Star you do look happy what are you talking about?
Whelp it’s a meme!
“The cake is a lie!”
“The beach day is a lie!”
Oh the time loop, paradox where you do something to your past self and your past self in the future does the same thing, etc.
Too bad the hardest times are still ahead....”
(If this ain’t foreshadowing I don’t know what is?)
Ludo the Sea Mermaid Lol.
Seeing the beach day photo, fills you with determination. Want to save the game?
(Undertale Parody)
It’s a flying shopping 🛒.
Gone Baby Gone:
Puppet show, a finger puppet show aww Mariposa is snuggling with a finger puppet.
Aww Meteora and Mariposa play so well together.
Geez Marco, It’s just Hekapoo.
Also that premonition of it being dangerous to go back to Mewni, means something.
Hey Brunzetta is back baby. And so is Adult (Abs) Marco.
Also Mariposa and Meteora look badass as teens.
Also the thing Meteora said to Marco is freakishly right. (Princess Turdina).
Also the soup looks fricken chicken disgusting.
Ok that’s betrayal and eww that is disgusting as hell.
Food is the answer to everything, lol.
Review: overall the episodes actually all tied together quite nicely and I loved Meteora‘s and Mariposa’s friendship. It’s adorable, also the time loop paradox was really hard to follow but I got it. Starco is coming back from the grave, slowly. I am going to be honest, I really don’t care who anybody ends up with. The whole shipping thing that the show is doing is really unnecessary as it’s creating tensions between the not just the show’s characters but also the fans of the show.
At this point, I don’t care what shipping is endgame, as long as everyone is happy.
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evilfairytales · 5 years
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Star vs. The Forces of Evil Cleaved my Heart (not in the good way)
Okay, so massive spoilers are up ahead, needless to say. And frankly, if you enjoyed the finale, or really Season 4 in general, you’re better off moving along. More power to you, but there’s not much for you here, I’m afraid.
Okay, so I dusted off my old tumblr page here because I just HAVE to get this off my chest. Star vs. The Forces of Evil has been one of my favorite shows of the last five years or so. I like having it on in the background while I write or do other stuff. And I’m still going to do that, up to Season 3. Because I refuse to let Season 4 take my love of the first three seasons away from me. That would be letting it win.
The only other thing I can think of offhand that makes me want to rant like this are the Star Wars prequels. That’s because I don’t like to hate things. If I’m going to spend my time watching or reading or listening to something, I’d like to enjoy it. So even if I don’t think something is great, or even really that good, I’d far and away prefer to focus on what I actually did like about it and try to gloss over the bad things. 
So I tried to like season 4, I really, really did. And you know what? For most of it, I was doing a pretty good job of liking it! There were some very funny bits in there, and some very sweet ones. ‘Curse of the Blood Moon’ in particular was a great episode. I liked Kelly & Marco being break-up buddies, that was adorable, even if we all knew it wasn’t gonna last. I think Pony Head can be hilarious under the right circumstances, and she was in fine form in both ‘The Pony Head Show’ and ‘Queen-Napped.’ 
Right from the beginning, I thought that Moon just being on Pie Island and wrapping that up so nice and neat seemed kind of anticlimactic, but I could deal. As time went on and it became clear Eclipsa really wasn’t planning anything more sinister than getting Globgor uncrystallized, I started thinking that maybe this last season was going to call back to earlier days. Not so much an intricate plot, but just fun adventures with the characters we love. The fact that they seemed to be setting up Mina as the big last antagonist seemed to support that. Ludo, too was one of those cases where I thought they could have done more with it, but he ended up happy, so that’s okay. Maybe he’d help out a little in the end! 
In light of all that, when Star went back to Echo Creek, I was 100% into it. I was feeling it. Again, Beach Day ended up feeling rather anticlimactic, but it was sweet, and I saw what they were going for. We have some fun back on Earth, Mina causes trouble, they go back to fix it...maybe Mina ends up on Earth somehow and we gotta beat her there, whatever. Star probably decides she wants to stay on Earth with Marco, at least for now, the end. I might end up feeling like I wanted more, but I would have been quite pleased with that. 
Then they just decided to set fire to the whole fucking thing in the last four episodes. Let’s start with Mina working for Moon. That was a legitimately shocking twist when it was revealed. And if they had done something GOOD with it, it could have been a great plot point. But seriously, Moon’s ENTIRE plan was to turn Mina and the Solarians loose and force Eclipsa & Globgor to abdicate & exile themselves. And her only contingency plan was a spell to turn the Solarian’s power off that she obviously hadn’t tested. That is a STUPID and DESPERATE plan that puts so very, very many innocents, both Mewmans and Monsters, in lethal danger. It is unlike Moon on just about every conceivable level. 
But you know what? The fact that they just threw Moon’s character into the woodchipper DOESN’T EVEN MATTER, because the situation is just ripped out of her hands almost instantly. Seriously. Imagine if Mina had gathered her army by herself and was acting alone, and Moon really was just there to help. What would be different about the way the plot unfolded? I guess Star wouldn’t be angry at Moon, but she never really DID anything about that anger, so...yeah. You just made Moon a villain for no reason whatsoever. Nice. 
Or was that anger supposed to be what pushed Star over the edge into deciding magic was bad? This. This development, pulled COMPLETELY out of nowhere, was really what made me hate the whole thing. Frankly, this whole bit makes me so mad I can hardly see straight. Magic is bad, and we need to destroy it? When up to that exact moment we’d been using magic, learning about magic, protecting magic, remaking magic, loving magic. 
Up until that exact moment there had never been a single instant where the characters, or us viewers, were asked to even consider the idea that the world would be better off without magic. And in one little fit of pique, Star just turned one of the show’s central concepts on it’s head. It’s like one of those impulsive bad ideas she has that someone needs to talk her down from...except this time everybody, even people who will cease to exist, just go right along with it! 
To be honest, I actually don’t like the ‘In the End, Magic is BAD’ trope in fiction in general, even if it’s set up well. It’s reminiscent of those stories where someone from our world ends up in some amazing magical realm, saves the day, and decides to return to Earth. It’s like the lesson is that our mundane reality is somehow better than an awesome fantasy world. (For the record, if I was the magical savior of some mystical realm where I’d be a hero forever, unless I’ve got the love of my life and/or non-adult children back here, I’m gone. Sorry, friends and family. I’ll try my best to send word so you know I’m not dead, but...)
This time, however, it was NOT setup well. This was GARBAGE. They just threw it in at the last second, and expected us to go right along with it., despite it being completely against the tone of the show up to that exact moment. This is just BAD WRITING. 
Was it supposed to be some kind of allegory for power in general? Because if so, it’s a REALLY shitty one. The people in charge are always going to have power, magic, military, political, whatever. Whoever’s gonna end up in charge of Mewni Creek is still going to have power, whether they’ve got magic or not. The idea should be to use that power responsibly, for the good of everyone. 
So, magic is gone. The Magic High Commission is dead. I mean, I guess they were fiendish villains, even though we had no time at all to process them in that role. So, I guess they deserved it? Even though Moon was at least as culpable as any of them, and we forgave her instantly. Well, again, that didn’t really matter at all. And Glossaryck’s gone. I mean, he doesn’t necessarily have to make sense, and he really stopped being a character in Season 2, so that’s legitimately okay. I mean, it seems like they might have been going for something with him creating the wand and giving it to the first user in the past...that seemed like a thing worth exploring. But then a lot of other things did, too. Like ‘Eclipsa’s’ most dangerous spell. That REALLY seemed like that was going to be a thing. But it was really just Solaria’s Total Annhiliation Spell, and it didn’t really go anywhere. Eclipsa used it, and it was bad, and she didn’t use it again. Guess we’re done with that!
Poor Doop-Doop though, huh? And Spider With a Top Hat, the Warnicorns, the Narwhals...bummer for all of them. I mean, they REALLY fail to make it clear whether ALL magic is gone, or just the Butterfly magic. Admittedly, killing all the magic in the universe seems like a gigantic decision to make for literally everyone...seems like that would wipe who knows how many sentient beings out of existence. And then Pony Head can still float...honestly, it’s obvious the writers didn’t really care one way or the other, so why should we?
But either way, the spells in the wand are all dead, and so is Doop-Doop. Was Doop-Doop a subtle hint that the show’s creators had stopped giving a shit, and so should we? I mean, being voiced by Justin Roiland, he kind of automatically has that ‘nothing matters’ tone from Rick and Morty. And showing up at the end like that, his only real purpose seems to be to remind us that he’s gonna die along with all the other spells. To say nothing of Hekapoo. It’s ASTONISHING how little we’re supposed to care about the effects of what they did beyond ‘Magic is Bad, Stop Mina.’ Mina got slurped down by a corrupt unicorn that also never really got any kind of satisfactory exploration, by the way. 
This was SO BAD. AWFUL. TERRIBLE. It’s so bad, I honestly can’t believe the creators actually thought it was good. I mean, I can see Nefcy & Company being really upset about not getting more than four seasons...that is justifiable anger, and Disney should DEFINITELY have given them at least a fifth season. Were they so upset that they just kind of wanted to torch the thing on the way out? Or did they just not care and they felt this was just the easiest, laziest way to shut it all down? Because I do NOT believe that they thought this was a good finale. I will NEVER believe that. 
By the time the worlds merged, or Echo Creek was absorbed into Mewni, or whatever the hell that all was, I was pretty much emotionally numb. So, yeah, that part’s fine, whatever it’s supposed to be. 
I’m glad Star and Marco ended up together. But that was only one part of why I liked the show, and they were always going to get together anyway. If Starco was literally the only reason I watched the show, I probably would have been okay with the ending. But it wasn’t, and the finale shredded pretty much everything else. So, to hell with it. 
As far as I’m concerned, Divide & Conquer were the last episodes. 
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waezi2 · 7 years
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This may (also) be an unpopular opinion, but...
I think the final episode of the third season of “Rick and Morty” was the best of the entire season, possibly one of the best of the entire series.
First of all: It was funny.
Secondly: I don't think it was rushed at all. Because the entire season had been building up to it.
This season has been a lot about Beth. In episode one, she chose her asshole dad over her husband, believing it would make everything better.
But it didn’t.
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She temporarily had the perfect family she thought she would get in episode two where Rick replaced the kids and himself with robots... and then the real ones returned and she realized that her kids and dad don't love her or care more about her because of the divorce.
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Then she went to therapy with the kids, hoping that the psychiatrist would tell her that her kids were behaving badly in school because they resented her for the divorce. That way, she could have a fair reason to be mad at them... But she must face the fact that her kids don't really care that much.
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And at last, she realizes that she is as asshole-ish as Rick, giving her a much needed bite of a reality sandwich. She can’t run away from who she is. And telling others that she is a good person won’t mean anything because SHE knows the truth. She must take responsibility for who she wants to be.
Honestly, the leaving-it-in-the-open thing with the clone is kinda been there done that and began to feel like a cheap gimmick, so I was glad that the final episode makes her kick herself into re-thinking her relationship with her dad and realize that she loves Jerry. Let's be honest, they were made for each other(for all the wrong reasons, but still) and don't function well separated.
And again, it may just be me, but this was the funniest episode of season 3. It may be a bad reason for it being my favorite of season 3, but I don’t care:P
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inquisitorhotpants · 6 years
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so i feel like ranking the 10 released Star Wars movies, just for funsies.
Note: this is purely 1000000% subjective.
ETA: OH MY GOD i forgot the Ewoks movies. Five year old me is so disappointed. Problem fixed. xD
10: The Force Awakens - I found this a lackluster wannabe ANH lacking the heart of ANH, way too much of a bone thrown to the Prequel Hater crowd (up to and including Simon “I don’t respect prequels fans as people” Pegg as the consultant) with the constant BtS harping on “real effects” and the wholesale lifting of so much of ANH. Absolutely magical cast, zero Star Wars magic in that movie for me. I have no desire to ever watch it again. I will probably rewatch the parts of the Holiday Special that amuse me before I’ll watch this again. Shockingly mediocre; it’s like JJ didn’t even try, he just wanted to make the Whiny Fanboys happy.  (Needless to say, I have my reservations about Episode 9, as you might imagine.)
(TFA lags so far behind the other 9 that I’m straight up numbering them 1.9 and onward. These are sorted honestly by the smallest things.)
1.9: The Clone Wars - Kinda eh plot, but the lead in to see way more from Anakin, plus the introduction of Ashoka, love it. Had the most “eh” plot though, hence it coming in at 1.9.
1.8: A New Hope - At this point in the series, Han, Luke, and Leia are more ... archetypes than characters. This is good, because it serves as introduction, and still hearkens back to the serials that were Star Wars’ inspiration, but it still drops ANH down to the bottom of the crowded #1 field.  xD
1.7: Attack of the Clones - The weakest of the prequels, though I one million percent believe this is because they cut so many of Padme’s scenes. Almost all the relationship scenes were cut, almost all the Naboo scenes were cut, and it infuriates me. I love that Anakin is an awkward dork. I love that Padme likes him and doesn’t know what to do about it. I love that when she says “no, we can’t” he 100% backs off and doesn’t mention it again. The rendition of the Imperial March with the clones at the end is still my favorite rendition of the Imperial March, and the rendition of Across the Stars with first Anakin’s Theme, and then just the barest, barest hint of the Imperial March at the end of the credits is in my top three favorite pieces of Star Wars music ever. I love it. (Like I said, these are all 1.whatever for a resaon. I don’t dislike this movie at all. I’m rating on incredibly minute things.)
1.6: The Empire Strikes Back - I love this one, I do. The confrontation between Luke and Vader! Especially after the prequels, feeling that Vader just wants out from under someone’s control, and here’s a connection to Padme (and how like Padme Luke is! With her heart, her caring, her softness, her optimism; you have to wonder what kind of feelings this stirred up, after decades of trying to bury them). And Luke himself, so determined to save his friends, not controlled by the Order, I just love him. The first hints of Leia being Force sensitive! I only knock it down this far because the fandom has made me exceedingly tired of Boba Fett and frankly I fucking hate Yoda. (I told you it was subjective.)
1.5: The Phantom Menace - Anakin’s story, ultimately, can be summed up as “the road to hell is paved with good intentions,” and to see that well, you have to see where he starts - a nine year old slave boy willing to risk his life to help total strangers. Asserting his personhood even at that age, in those circumstances. Worried about these strangers, and his mom, more than himself. Even here, you see that the Jedi have reduced people to mere numbers, you see them callous and uncaring of a scared child. Even here, you can see that as close as Anakin and Obi-Wan got, their relationship would be doomed. You wonder what would have happened if Qui-Gon hadn’t died. You see new places, new ships, new creatures. You know what happens to the Republic, you’ve seen it dirty and dingy and run-down ... and here, you see it bright and beautiful and gorgeous. It’s the necessary beginning to a fall that will encompass the galaxy. 
1.4: The Last Jedi - This movie felt like Star Wars. New places, new people. Themes that have been ignored in Star Wars, nuance that we’ve been talking about for years. How do heroes deal with failure? How do you step into shoes you don’t think you can fill? How do you find where you belong? How do you become a leader? So few small quibbles with this movie, I could probably move this and 1.3 interchangeably, to be honest. Here the excellent cast gets to shine in a way I don’t feel they did in TFA, and I love them all the more for it. Cried like a baby all over this one, too. (Still should have been Anakin talking to Luke, though.)
1.3: Revenge of the Sith - The corruption rotting the heart of the bright, shining Republic finally bursts forth. The road to hell has been laid with good intentions, brick by brick by brick, and you’re helpless to do anything but watch Anakin begin his journey on it, like a slow motion collision. (It hurts even more after the Mortis arc in TCW, because you know this isn’t what Anakin wanted. God, TCW was so good for the prequels.)  You see how Anakin’s fear of failing, how the Jedi Order’s complacency, how politics can destroy that which is light and good. And yet ... and yet.  “The dark is generous and it is patient and it always wins – but in the heart of its strength lies its weakness: one lone candle is enough to hold it back. Love is more than a candle. Love can ignite the stars.”
1.2: Rogue One - God this movie just punched me in the heart. The cast was amazing, I love that they gave us this whole phenomenal movie to answer one plot hole, I love/hate the ending, and goddamn Vader was awesome (even if they should have had Hayden come back). I’ve rewatched this one a lot. I don’t even have anything more to say about it, I just love it.  
1.1: Return of the Jedi - The happy ending! Vader is finally (fiiiiiiiiiiiiinally my god that man has suffered) redeemed. Ewoks! Yub Nub! this is the first Star Wars movie I remember seeing (I technically went to ESB but I was in utero, so I was a little preoccupied at the time lmao), and I will always love it. It will always be number one for me. I have zero opinion on the Sebastian Shaw/Hayden Christensen fight, I like both endings. I liked older Vader, but I could see the reasoning for the new, I don’t think it utterly destroyed the movie. /shrug  Anyway, RotJ has always been my favorite and will always be my favorite. (And you know what, I’m adding the two Ewoks movies here because I goddamn love ewoks and yes give me more of them.)
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iwannadoabackflip · 7 years
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Will Our Morty Become Evil Morty?
Theory time, everybody. We all know there are a shit ton of origin theories about Evil Morty, one of the most popular being that he is C-137 Rick's original Morty. But what if he's actually C-137 Morty...from the FUTURE?
Okay, yeah, it sounds very far-fetched. I'm gonna be honest, I don't hold a lot of stock in my own theory here. But I think it's definitely something worth considering. The idea is that something BIG happens with our Rick and Morty. Maybe Morty finds the room full of Morty's Mind Blowers without Rick around this time (and without Summer to fix their mess) or something, idk. And I'm sure we viewers didn't see the worst of what Rick has erased from Morty's mind. So maybe that fucks him up, not sure. But whatever happens, really messes Morty up. He sees it as unforgivable of Rick. And he slowly turns into Evil Morty, as we know him. He then uses Rick's box of time travel stuff to go into the past and exercise his right to Fuck Shit Up. A lot of you may already be aware that there is a box in the garage labeled "time travel stuff". Although Justin Roiland and Dan Harmon have insisted that it's a joke, literally showing us that time travel is on the shelf and not going to be touched, I don't know if that's totally true. I mean, it probably is. But keep in mind that these are the guys that aired the season premiere on April Fool's Day with no goddamn prior announcement. You really think these fuckers are above lying to us, especially to keep a secret plot twist on the down-low? I love them, but the answer is no, they're not above that.
It's interesting to watch how Morty has changed since the pilot episode, and how much he's changed just in this season. He still cares about Rick and enjoys going on adventures with him, but he's clearly getting more and more tired of his bullshit (and the world's bullshit in general, like when he yelled at their neighbor for intruding on his conversation with his mom). He's also getting much smarter, in some ways. And he's blatantly incredible at reading Rick and knowing how he plays his games. In the episode with the Vindicators, we witness how much Morty knows about Drunk Rick and how to take care of the situation. He even knows how to disarm the improvised neutrino bomb. Seems pretty damn smart to me.
So yeah, I'm not totally sure where I'm going with this. I think I had a couple more points to make, but I forgot them tbh. I know it's a far-fetched theory and probably not even a little true, but you never know with this show. If anyone would like to share their thoughts about this, leave a comment or message me! Stay schwifty, everyone!
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Not sure how I feel about the newest Rick and Morty to be honest?
Like...I fee like I was empathizing a bit TOO MUCH with Morty in this episode (unless that's the point)? He's just so blasé and genuinely sick of Rick's shit as he ruins the things he enjoys for him the whole episode, and there's not even a little sense of catharsis by the end. I dunno maybe it's because I just read that one old post that got popular about how the show doesn't have anything to say but preaching extreme nihilism? I didn't agree with it at the time and I still don't, but that's still how this episode felt to me; turns out Morty's heroes were all awful shallow people out for themselves, and they let the worst one of them all get away because who cares, right? She and Rick were right, there's no bad, no good, who gives a fuck that she tried to murder you and the grandson you can't admit you care about and probably did this while charade for? And we just end with a party? And Beth and Summer are there and just no one cares about anything? I dunno, am I going crazy? I just feel like either this episode should've had something new to say other than "everyone is horrible and this family is toxic" or the show has just reached a cynicism saturation point of some kind. I know this is "the darkest season" and everything but this show has always been dark but it's never been such a bummer to watch. The best outcome I can see from this is that we're REALLY laying thick how bad things are because the show is building to some massive shit in the family dynamic. But I dunno I just, didn't have any fun this episode? And that's never happened with this show before? And I'm worried that's gonna keep happening if the show doesn't EVENTUALLY move away from the direction of "Rick making everyone in the family as cynical and detached from everything as he is, each other included." I'm bummed out man. I feel like I just watched the version of this show that people who don't like it watch; the show where everything is just pointless and that's all there is to anything.
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awesomegirlystuff · 7 years
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Rating Every Rick and Morty Season 3 Episode
Episode 1 - The Rickshank Rickdemption - Written by Mike McMahan - 9/10
This episode had to be epic. Everyone had waited over a year to find out how or if Rick would get out of jail. Everyone had all kinds of theories. It was one of the most talked about season finales in my entire fandom lifetime. I think this episode did a great job showing a really fun and exciting way for Rick to escape. Morty’s line; “If you think my Rick’s dead, he’s alive, and if you think your safe he’s coming for you!” was just, for lack of a better term, epic. Even with all the twists and turns, some of which were genuinely unpredictable, my favourite part still has to be Lawyer Morty. “No, I don’t wanna see your pog collection....”
Episode 2 - Rickmancing the Stone - Written by Jane Becker - 3/10
Okay, I’m sorry, but this episode was boring. Maybe I just find dessert environments boring because as a kid Where the Buggalo Roam was always my least favourite Futurama episode. Then again, Road the Dendron is one of the best Duckman episodes.... ANYWAYS, this episode was kind of lame. I wasn’t crazy about Summer’s storyline, nor Morty’s or Rick’s. It was just meh. 
Episode 3 - Pickle Rick - Written by Jessica Gao - 4/10
“Pickle Rick” is by far a low point of the season. Not necessarily the whole episode, but just that one moment. Shouting “Pickle Rick!” is not funny. Now, Morty pointing out the syringe on the string with the scissors and all that, that was funny. It had context. The therapist storyline was much better, in my opinion. Rick constructing his new body was very gross, and I’m not really a big fan of grossout humour. Though, it was creative and not really “bad”, just something I personally didn’t enjoy. The whole storyline felt like fluff hinged on a joke that wasn’t very funny to begin with. It wasn’t even Family Guy level, it was more like ThatGuyWithTheGlasses level unfunny gag. And now the phrase “Pickle Rick” will always be synonyms in peoples minds with a particular type of Reddit fan who embarrasses themselves in public. 
Episode 4 - Vindicators 3: The Return of Worldender - Written by Sarah Carbiener and Erica Rosbe - 7/10
I really enjoyed this episode. It was some really classic Rick character based stuff. Seeing the vindicators all slowly break down was a lot of fun, and the episode had enough twists and turns to be very engaging. That dramatic scene where the Vindicators are fighting over a supernova woman fucking a sentient colony of ants was hilarious. I think writing ridiculous stuff so sincerely is one of Rick and Morty’s best strengths, and they use it effectively for both comedy and drama at different points. 
Episode 5 - the Whirly Dirly Conspiracy - Written by Ryan Ridley - 7/10
This episode was a ton of fun. Once again, really character based basic humour, at it’s very best. Throwing Jerry into a situation he’s so unfamiliar with, and teaming him up with Rick proved to be highly entertaining. The B-plot was a little strange, though. A lot of people pointed out it seemed like fetish art you’d see on DeviantArt and I feel like that joke has a lot of truth to it tbh. Wouldn’t be the first time a writer has inserted their kink into a show’s plot (Dan Schneider, Bella and the Bulldogs etc.) The whole concept was weird and not that funny and Summer and Morty both came off as really petty which I don’t think was intended. The scene where Beth calls tech support for the enlarger was comedy gold, however. 
Episode 6 - Rest and Ricklaxation - Written by Tom Kauffman -  6/10
I really loved the concept of this episode. It was interesting to see which parts of their personalities Rick and Morty consider to be good and bad. The only thing I didn’t like was having healthy Morty as this Wolf of Wallstreet parody. Didn’t find that overly funny or creative. Also, what was up with Morty’s adult girlfriends in this one? She literally says “Oh, I knew you were a 14 year old boy”, okay you realize that makes you a terrible person right??? Like, I feel like when you do this you have to kind of acknowledge it? It doesn’t have to be a full on F is for Family style statutory rape plot, but you kind of need a lampshade on it. At least in Family Guy when Peter is molesting Connie D’Mico, they have him turn to the camera and say “calm down, it’s a cartoon.” Or in American Dad when Roger was fucking Snot, at least Steve was constantly saying throughout the episode “Roger, that’s totally fucked up.” (I hate that episode a lot btw lol) But you need something to let your audience know, yes, we know what we are showing is wrong. Otherwise, it just comes off really weird. It didn’t even feel like a Lil’ Bush kinda thing, where it’s like “ooh, isn’t it fucked up we’re showing this?”, it just kinda seemed tone deaf. 
Sorry, that was a ramble.... Anyways, I liked a lot about this episode, though I think it could have used another punch up or re-write to get it perfect. 
Episode 7 - the Ricklantis Mixup - Written by Dan Guterman and Ryan Ridley 10/10
By far the best episode of the entire season. Hands down. I would argue it’s the best episode of the entire show. And of course, it was built up to and earned. Not just a standalone great episode among  a bunch of meh. It was totally earned and stands alongside other great episodes, including it’s sister episode which was previously my favourite of the series. 
Everything felt so epic and huge. All the new Rick’s and Morty’s were so well written. Still clearly Rick’s and Morty’s, but with different personality traits and usually, good reasons for why they developed them. Even though these are Rick’s and Morty’s, it’s still an episode with all new characters and that can be hard to pull off. They need to submit this one as their Emmy nomination next year, and if it doesn’t win something is wrong. This episode seriously blew me away. From the writing, the gorgeous art direction. Every second of this one was great. I’m am so fucking glad they are taking the Evil Morty plot slow and not rushing it, because they are doing amazing with it. 
Episode 8 - Morty’s Mind Blowers - Written by Mike McMahan, James Siciliano, Ryan Ridley, Dan Guterman, Justin Roiland and Dan Harmon - 4/10
So, this is what took the place of the Interdemensional Cable episodes (which I was never a huge fan of to begin with, but they did have some memorable bits like Gazzorpazorpfeild and such). They were a bunch of dumb gags, but they were contained. This time however, the gags are all things that have happened to the characters. Some of them were funny, but that’s not my point. I think being so loosey goosey with canon is not the best thing to do. But more importantly, this makes Rick almost irredeemable in my opinion. That he would erase memories of Morty’s simply because he wanted to, is really fucked up. Like, erasing a memory of beating Rick at checkers may seem like nothing, but how much do you think he’s actually contributing to Morty’s low self esteem with shit like this? It’s one thing to be mean and nasty to someone, but to manipulate their mind. That’s fucked. And nobody seemed to point this out? I don’t know. That’s why I think gag episodes work best as either non-canon, or removed from the characters in some way. Kind of like how American Dad’s christmas specials exist on their own continuity, or the Simpson’s Treehouse of Horrors series. That way you have more freedom. And those shows don’t even have nearly as much continuity as Rick and Morty so I think making this episode canon was a bad move. I get that you aren’t supposed to think about in that way, but I can’t help it because I have in fact seen the rest of the series, so it just takes away from the enjoyment of the gags in my opinion.
Episode 9 - the ABC’s Of Beth - Written by Mike McMahan - 7/10
I liked this episode. It was nice to see Beth get some backstory. It was a solid episode. Not amazing, but not terrible. Only thing I didn’t like was the whole thing with Prince Tommy fucking all the imaginary creatures. I’m just not a fan of gross out humour personally, so I realize that’s a personal thing and not a flaw of the show. I also have a hang up when it comes to portraying kids and sexuality and I think it has to be done by people who really know what their doing and something about this whole thing just kind of rubbed me the wrong way. I suppose it’s supposed to make you uncomfortable... Anyways, these are personal complaints and I realize that. Otherwise, good episode. Some people found the line “Am I a terrible person?” “Worse, you’re smart” to be cringey. I think it was a good line within the context of the characters and what is going on atm. I guess some people could take it out of context and use it to justify...Whatever, but that isn’t the shows fault.
Episode 10 - the Rickchurian Mortydate - Written by Dan Harmon - 3/10
I just found this one kind of boring to be honest. I don’t care about the president character, I already know going in Rick’s obviously gonna win. Just not a lot of investment from me. Maybe making Beth and Jerry getting back together being the main plot, and the president thing more of a little side runner would have been better. I just flat out didn’t care about this episode and it felt like a weak finale, especially compared to season 2. Not saying everything needs to be a big cliff hanger, but it should feel like something more than an ordinary episode with a little bit of continutiy tacked on to the end. They could have switched this idea with the Vindicators, and it would have been better. They’re both pretty much stand-alone’s, but Vindicators was stronger so it probably would have made a better finale. 
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unclecrizzle · 6 years
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THE BEST TV OF 2017: THE UNCLE CRIZZLE EDITION
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Too much horrible shit happened to me in 2017 to get fully immersed in binge-watching EVERY GOTDAMN SHOW THAT’S OUT THERE! (I don’t know how Questlove does it!) But I dipped into several things that turned out to be some exceptional TV. And they are:
1.       Twin Peaks: The Return (Showtime) – Mark Frost and David Lynch’s 18-part trip back the ABC cult soap they somehow got on network TV in the ‘90s is still a magnificent ride. Hilarious, terrifying, baffling, addictive, mystifying -- every episode left me wanting more. And by the time it got to its expectation-obliterating mindfuck of a last episode, this revival-for-people-who-hate-revival’s message was pretty clear: Maybe it’s best to leave the past in the past.
2.       American Vandal and The Keepers (Netflix) – Keepers is a jaw-dropping, true-crime series about the decades-old, unsolved murder of a nun and the unspeakable acts she knew was happening at a catholic school. Vandal is a dizzyingly clever dramedy that poked fun at Keepers, Making a Murderer and other shows of its ilk. What both shows brilliantly did was convey the secrets, lies and personal confusion teenagers usually deal with during their formative years. Fuck war – high school is hell!
3.       Bojack Horseman (Netflix) and Rick and Morty (Adult Swim) – These two savagely satirical cartoons are also the best tragicomedies that are currently on TV. Both shows feature arrogant, astoundingly damaged protagonists who stay suspended in a state of self-centeredness, almost unwilling to accept the damage they end up inflicting upon the people they claim to care about. Man, why are animated shows often the realest shows on TV?  
4.       Jimmy Kimmel Live (ABC) and The Late Show with Stephen Colbert (CBS) – I don’t understand why late-night talk shows rarely get ten-best love this time of year. These two shows not only give consistent, nightly entertainment, but two hosts – guys who took a while for them to truly find their footing – who aren’t afraid to be honest and opinionated when it comes to what’s happening in the world. Letterman would be proud.
5.       Better Things (FX) and One Day at a Time (Netflix) – I don’t know if Louis CK’s sexual-misconduct trouble brought the show more into mainstream focus, but more people (especially critics) realized this season what I realized last season: Pamela Adlon’s single-mom-com is a work of sarcastic, cathartic genius. Meanwhile, the Latin reboot of Norman Lear’s iconic single-mom-com turned out to be an actually well-done revamp. Speaking of moms on the edge…
6.       I’m Sorry (truTV) – The best new show none of y’all probably saw was Andrea Savage’s savagely funny sitcom that started out as a Curb Your Enthusiasm for women, but ended up being a witty look at how a married funnywoman (played by Savage, of course) with kids tries to stay sane and appropriate in the City of Angels.
7.       Last Week Tonight with John Oliver (HBO) and Full Frontal with Samantha Bee (TBS) – The Daily Show vets continue to fight the good fight during our Trumpalicious times, making sense of all this terrible, terrible shit and trying to mine some comedy out of it. At this point in the game, these two are basically comedy angels – and they seriously need a hug.
8.       The Carmichael Show (NBC) -- The minute I saw that its third-season opener would be about rape (a very funny episode, BTW), I knew that this sitcom’s days were numbered. But I’m still pissed that this usually brilliant, often hilarious, all-the-way Black show was cut in his prime. There’s a special place in hell for the execs who foolishly thought Marlon would be a suitable replacement after this show got the ax.
9.       Insecure (HBO) – Although there were a couple of off episodes (what was the deal with that blow-job ep?), Issa Rae’s catty-but-cackle-worthy sitcom still remains a heavily divisive yet wildly fascinating show for folk who need to know how single Black people are living these days. BTW, BEST MUSIC CUES EVER!
10.   The Defiant Ones (HBO) – Allan Hughes’s rollicking, four-part chronicle of the partnership between workaholic musical hellraisers Dr. Dre and Jimmy Iovine is basically a less-bleak O.J.: Made in America, a novelistic look at how music and culture has changed in the forty years – and how these guys changed it.
OK, one more…
11: Patton Oswalt: Annihilation (Netflix) – By far, the best comedy special that dropped in 2017 was Patton Oswalt’s searing but unbelievably funny latest, where he delved into the sudden death of his wife and how life has generally been after that. Also, shout-out to Dave Chappelle for immediately following up those tone-deaf specials he dropped earlier in the year with the hilarious, honest two-punch of Equanimity and The Bird Revelation.  
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2muchfor2long · 7 years
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Feeling like a vampire, I threw on some shades and on four hours of sleep, I went to retrieve my car at the scene of the crime. I can tell you that tequila and herbal X are not your friends the morning after an epic night of partying. Frankly, I was amazed that my car was still there and it wasn’t jacked up.
Recovery was on my agenda for the weekend. I wanted to make sure I was in fine form for Monday. Plus, I had several things I had to do for various classes so the plan was to hang out at the beach and then work on some scripts.
After a day of playing in the sun and surf, I was ready to go home. The minute I walked in the door though, my roommate Stacey had other ideas. “Hey, remember that real cute guy I met in directing, Adam?” I nodded. “Well, he is throwing a party tonight at his place and he wanted us to come.”
Rolling my eyes, I told her, “Look, I have to do some writing and I have to be sharp for Monday.”
“Well, this is Saturday. You will have a day to recover.”
I realized that resistance was futile and that she would just bug the crap out of me until I relented. “Okay. When is this soiree?”
“10 p.m.”
“At least that gives me a little time to get things done and besides you will need the bathroom for several hours. You know 45 minute lips and stuff.”
Looking rather annoyed, she disappeared. Once again, derailment of my best laid plans. I spent majority of the night punching up scenes for my screenwriting classes.  Stacey was busy doing her primping thing and unfortunately, since I don’t necessarily heed my own advice, a bottle of vodka was calling my name in the fridge.
While I waited for drama queen, I decided to toss back a few Cape Cods. Finally, she emerged from her lair looking like Norma Desmond waiting for her close up. We headed into the night toward Loyola Marymount and whatever potentially bad decisions were awaiting us. 
My lips are drop dead sexy!
Once we got to the neighborhood, parking was a bitch. We ended up having to walk a block. LMU is located in a lovely suburb of Los Angeles called Westminster. At the time I attended the university, the area was rather posh but not like Beverly Hills outrageous. Adam’s parents lived in a really beautiful house which could have been featured on the pages of “Architectural Digest.”
I knew some of the people milling about so as I stopped and chatted with everyone, Stacey was whisked away to hold court somewhere. Lucky for me, I found the bar right away. I figured that sticking with vodka was probably a safe bet.
After several more drinks, I was feeling quite relaxed. Stacey had disappeared and I managed to find some people from my classes and spent majority of my time with them. I had to use the bathroom so after I was pointed in the right direction, I headed off.
The staircase to the upper level was magnificent. By the time, I reached the top, I couldn’t remember if I needed to make a left or right turn. I decided on the left. Wrong call, on my part.
Remember that scene in The Shining where a guy in a costume was in a rather suggestive position? Well, I came flying through the door and stumbled in to the 50 Shades of Grey dimension. For a moment, I had to pause and focus because I wasn’t quite sure what I was seeing. After I figured it out and became monumentally frightened, I hightailed it out of there before something insane went down. 
Care to join us?
Getting my bearings, I decided to try door number 2 which was on the right. Stealing myself before heading in, I turned the handle and walked in to several people focused on cutting lines of coke on the bathroom mirror. They must have been ingenious because somehow, they managed to take the ornate item off of the wall. Not wanting to disturb the potential Scarface scene, I extricated myself rather quickly.
My heart is beating so fast, man!
 Giving up, I decided to leave before this became a police event. By now, it was midnight and the music was thumping pretty loudly. I fought my way through the teeming hordes of sweaty, dancing drunk folk and found Queen Stacey surrounded by her minions poolside.
Several people were already frolicking sans clothing in the pool. After leaving behind the Studio 54 house, I managed to somehow enter a portal into the 60s. Stacey and company were passing around joints and just walking into their circle left me in a “Purple Haze.”
 I told her I was going to motor and I was rather relieved that she and Adam had hit it off so I wouldn’t have to wait around for her. Not one to pass up recreational “activities” I took a couple of hits and left. 
Groovy
Thankfully, the drive home passed without incident. PCH was beautiful and the moon was out. I guess you could say it was the type of thing you picture when you dream of living in LA. The moment I was inside my house, I went into my bedroom and immediately crashed.
Sunday passed without incident and before I knew it, Monday rolled around. I was due to report for duty at 9:30, so that meant getting up at an ungodly hour to get ready. Extremely nervous, but dressed for success, I headed into the early morning full of excitement and butterflies in my stomach.
I arrived on time which was terrific. Making my way inside the building, I stopped at the security desk to pick up my pass. It was official! I now had access to CBS- Television City. I rode the elevator up to the production offices. The closer I got to the door, the more nervous I became. Counting to ten, I walked in to what was going to be a pretty intensive three-month gig.
Everything was pretty quiet. First order of business was to go see Billy in his office. Before I could knock, he opened the door and seemed rather surprised to see me.
“Oh, hey! I see you remembered where we were.”
“Yeah.”
“It’s pretty busy so let me take you around to meet some of the people.”
This was like a whirlwind of information. I met both segment producers, the producers, the research department and then I was ushered in to meet perhaps the scariest person of all, Peter Lassally.  This man was a legend in talk show host production. He was the executive producer of The Tonight Show with Johnny Carson for years. He also executive produced Letterman’s show.
Legendary Producer
Normally, I am pretty cool but this was enough to make me want to pass out! As it turns out, he was extremely nice even asking me about what I was doing at LMU.
After narrowly escaping a freak out episode, Billy took me to meet Tom’s assistant, Kelly. Kelly was a nice chap from the UK. He had been with Tom for years. He was in charge of basically running Snyder’s life on the show.
Another interesting bit was actually going to the studio and seeing where the “magic” happened. I really enjoyed this because I was wanting to get experience in television production as well. I was introduced to the “booth” personnel which consisted of the director and his group.
Introductions made, Billy and I walked up to the offices where my day officially began. I did your standard routines like help with administrative functions, mail, and even assisting Kelly with Tom’s fan mail. Then of course, there was picking up lunches and coffee runs.
Since my desk was the very first one in front of the door, I routinely got a glimpse of all incoming traffic. As it just so happens, I was involved with a task from the research department when I got the surprise of my life. I was in the midst of working on sorting the mail when Tom Snyder walked in. 
The late, great, Tom Snyder
This was straight up bananas. I grew up watching the Tomorrow show and now this man was actually standing in front of me. I thought he would ignore me and just carry on but that didn’t happen.
“So, you must be the new intern?”
“Yes.”
“Nice to meet you….”
“My name is Susan.”
“Nice to meet you, Susan.”
“It’s a pleasure, Mr. Snyder.”
“Call me Tom.”
Well, that threw me for a loop. Then he sauntered away to begin his day leaving me to quietly stroke out. Thankfully enough, the rest of the afternoon passed without further incident.
My internship only required me to be there three days out of the week. However, this quickly turned into five days. I was very eager to take advantage of this opportunity and to be honest with you, it was way better getting hands on experience then discussing theories in a classroom.
The show filmed on Friday nights and for the first part of it, I would man the telephones in case we got a call from our other executive producer, Robert “Morty” Morton. For all of you fans of the early Letterman years on NBC and CBS, he was a familiar face and also the executive producer of The Late Show with David Letterman. 
Hi Morty! Welcome to transfer hell.
Of course, the very first night I helmed the phone, around 10:15, it rang.
“Hello. Late Late Show.”
“Hey, hi!”
“Hi?”
“Yeah, this is Morty.”
Okay, at this point, I damned near dropped the phone. Be cool, don’t lose your shit, Susan.
“How are you, Morty?”
“I’m great. Who is this?”
I just looked at the receiver. It sounded like he was in his car or something and this whole conversation was unbelievable.
“I’m Susan.”
“Susan, can I speak with Tammy?”
Tammy happened to be one of the producers.
“Sure. One moment, please.”
Now, this phone was pretty standard and straight forward. The transfer button was not a big mystery. However, suddenly, I felt like NASA needed to talk me through the mechanics of this phone transfer from Mission Control.
After fumbling with several buttons, I managed to find the right combination. I rang Tammy’s office and announced the call.  Of course, when I hit transfer, how was I to know that I was actually going to send our executive producer into oblivion? 
NASA? Can you help me transfer a call from Mission Control?
Smiling and feeling pretty confident, I immediately got a call from Tammy. She was pretty livid. I felt like I was being yelled at by Charlie Brown’s teacher. Fortunately, Morty did call back and this time, he reached his proper destination. Good times.
Weeks went by and every day was a new experience. One morning, I remember walking in to the kitchen area only to be shocked to see the comedian, Steven Wright getting a Coke from the refrigerator. Trying to be nonchalant, I gave him a nod and a “What’s up?” So smooth, I know.
Another fun experience was Friday night cocktails on the set after the show. It was sort of like a wrap party with a full bar. Tom was partial to vodka martinis. He actually made me a drink and we talked about going to Catholic school. Who would’ve thought that one day I would’ve been kicking it, knocking back drinks with a talk show legend? Priceless.
I also got to take a couple of turns in the production booth as well. One of the highlights is they actually let me do the teleprompter! No, I didn’t do anything crazy like Anchorman (F&*# you, San Diego!). The energy of doing a live show was exciting and just being in that atmosphere was better than any college class.
One memorable incident occurred in the elevator. I was bringing something to one of the producers. On the 
way down, someone got on with an entourage. Now, my pleasant ride was jam packed. Out of the corner of my eye, I noticed this guy with a smug look on his face almost saying, “Yeah, you know who I am.” Years later, this wonderful individual would be the star of a show, we will call “40 Pebble,” on NBC. What I can tell you is at the time he was wearing these gigantic hideous green glasses. I remember that I wanted to punch that arrogance right off his face.
You know you want me.
My internship was almost finished. However, it was going to go out with a bang. We were all called to a meeting in the conference room by Peter Lassally. David Letterman was coming to our offices to prepare for the Oscars. I could feel my heart skip a couple of beats.
Don't you look at me!
The very next thing I know, me and the other intern, Mike were shuffled into a closed-door meeting with Billy where we were given explicit instructions on how to handle Letterman’s impending visit. 
We could not engage Dave in any way. The kicker was we weren’t allowed to look at him! This news sucked really hard. Here I was getting the chance of a lifetime to be around someone that I had a crush on since I was sixteen and it was just going to be extremely awkward.
Activity was amped up in the office. One of the tasks that we were challenged with was creating a “playbook” for Dave to study of all the Oscar nominees and the films. This sounds easy, but it wasn’t. The research was painstaking and the actual construction was a bitch trying to get the binders together.
I won’t lie, it was also exciting. I spent several nights helping out until 2 a.m. Things were crazy, we were punchy but it was totally worth it. Finally, the books were assembled and waiting for Dave and his writers.
The day after one of the marathon playbook sessions, I entered the office only to be greeted by the exceptionally animated receptionist, Kathy. “Susan, don’t be too excited but Dave is here. So, make sure if you see him, don’t make eye contact and don’t talk to him.”
“Okay, Kathy. Sure.” Inwardly I thought if I accidentally glance at him will I turn into stone? Will I cease to exist? Shrugging it off, I grabbed some coffee and headed into the conference room to begin the task of sorting mail. This was a mind-numbing activity but it would help to take my mind off being nervous.
About half way through the sorting, the door to the conference room opened. I looked up to find myself face to face with David Letterman. Holy crap! Damn it! I just looked at him. We stood there for a moment. Immediately, I averted my eyes and pretended to care about the mail.
He left the room. Breathing a sigh of relief, the door opened up again, Letterman looked at me with this quizzical look on his face. Of course, me being so poised, I stood there with what I am certain was a look of abject terror on my visage. Thankfully, he left the room.
Yep. I am so smooth. 
After the Oscar ceremony, my internship drew to a close. Everyone was so gracious. The entire staff threw me a going away party. Even Tom and Peter Lassally attended and they sang, “Happy Trails.” That was something to see and a great memory that makes me smile to this day. Another parting gift from the crew, they put my name in the credits. I still have that VHS tape. You never know when it might come in handy.
Hey everyone! I was on tv!
My learning experience ended. I didn’t know quite where the road would lead me. Then again, I was certain it would be exciting.
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