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#chicanos
kemetic-dreams · 1 year
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Chicano or Chicana is a chosen identity for many Mexican Americans in the United States.
Chicano was a classist and racist slur used toward low-income Mexicans that was first reclaimed in the 1940s among youth who belonged to the Pachuco subculture. By the 1960s, Chicano was widely reclaimed to express political empowerment, ethnic solidarity, and pride in being of Indigenous descent (with many using the Nahuatl language). 
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Chicano developed its own meaning separate from Mexican American identity. Chicano Movement leaders expressed solidarity with the African political struggle and collaborated with the Black Power movement. Chicano youth in barrios rejected cultural assimilation into whiteness and embraced their own identity and worldview as a form of empowerment and resistance.
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Prominent journalist Rubén Salazar defined a Chicano as "a Mexican-American with a non-Anglo image of himself
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In Mexico's Indigenous regions, Indigenous people refer to members of the non-indigenous majority as mexicanos, referring to the modern nation of Mexico. Among themselves, the speaker identifies by their pueblo (village or tribal) identity, such as Mayan, Zapotec, Mixtec, Huastec, or any of the other hundreds of indigenous groups. A newly emigrated Nahuatl speaker in an urban center might have referred to his cultural relatives in this country, different from himself, as mexicanos, shortened to Chicanos or Xicanos.
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adanalove · 7 months
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evilenterprise · 3 months
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gregor-samsung · 2 years
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“ I can say my political consciousness began the moment I recognized my otherness. I was in a graduate seminar on memory and the imagination. The books required were Vladimir Nabokov's Speak Memory, Isak Dinesen's Out of Africa, and Gaston Bachelard's Poetics of Space. I had enjoyed the first two, but as usual I said nothing, just listened to the dialogue around me, too afraid to speak. The third book, though, left me baffled. I assumed I just didn't get it because I wasn't as smart as everyone else, and if I didn't say anything, maybe no one else would notice. The conversation, I remember, was about the house of memory—the attic, the stairwells, the cellar. Attic? My family lived in third-floor flats for the most part, because noise traveled down. Stairwells reeked of Pine Sol from the Saturday scrubbing. We shared them with the people downstairs; they were public zones no one except us thought to clean. We mopped them all right, but not without resentment for cleaning up some other people's trash. And as for cellars, we had a basement, but who'd want to hide in there? Basements were filled with urban fauna. Everyone was scared to go in there including the meter reader and the landlord. What was this guy Bachelard talking about when he mentioned the familiar and comforting house of memory? It was obvious he never had to clean one or pay the landlord rent for one like ours. Then it occurred to me that none of the books in this class or in any of my classes, in all the years of my education, had ever discussed a house like mine. Not in books or magazines or films. My classmates had come from real houses, real neighborhoods, ones they could point to, but what did I know? When I went home that evening and realized my education had been a lie—had made presumptions about what was "normal," what was American, what was valuable—I wanted to quit school right then and there, but I didn't. Instead, I got angry, and anger when it is used to act, when it is used nonviolently, has power. I asked myself what I could write about that my classmates could not. I didn't know what I wanted exactly, but I did have enough sense to know what I didn't want. I didn't want to sound like my classmates; I didn't want to keep imitating the writers I had been reading. Their voices were right for them but not for me. Instead, I searched for the "ugliest" subjects I could find, the most un-"poetic"—slang, monologues in which waitresses or kids talked their own lives. I was trying as best I could to write the kind of book I had never seen in a library or in a school, the kind of book not even my professors could write. Each week I ingested the class readings and then went off and did the opposite. It was a quiet revolution, perhaps a reaction taken to extremes, but it was out of this negative experience that I found something positive: my own voice. “
Sandra Cisneros, The House on Mango Street; 1st edition: Arte Público Press, Houston, Texas, USA, 1984. [Excerpt from author’s introduction to 1993 edition]
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taniateyacapan · 9 months
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Let’s keep it real, everyone finds redxbrown culture sick af. We create art that can have the whole world mesmerized. Here is to every indigenous womxn, to every Xicana. 🌹💯🤎🪶
#taniateyacapan #taniafirstborn #nativeamerican #apache #lipanapache #chichimeca #mexicannative #xicana #chicana #chicanamakeup #makeup #fyp #brownpride #redxbrown #indigenous #brownsideoftown #decolonize #nativexicana
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jotapinkman · 7 months
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One more time …
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jasonstodds · 1 year
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hispanicsofthenorth · 10 months
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The homeboy posted up in Watsonville de North Side Watson
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callmeanxietygirl · 4 months
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un-film-de-m · 11 months
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The 80th Anniversary of the Zoot Suit Riots in Little Tokyo (LA) 6/3/23
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Vatos Locos
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sentimentoz · 7 months
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adanalove · 7 months
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Even though you are all wrapped around me, you still don't feel close enough 💋
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metroroobin · 1 year
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RALFI✨(Hombre De Bien).🍻🌹🙏
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gregor-samsung · 13 days
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" They always told us that one day we would move into a house, a real house that would be ours for always so we wouldn't have to move each year. And our house would have running water and pipes that worked. And inside it would have real stairs, not hallway stairs, but stairs inside like the houses on TV. And we'd have a basement and at least three washrooms so when we took a bath we wouldn't have to tell everybody. Our house would be white with trees around it, a great big yard and grass growing without a fence. This was the house Papa talked about when he held a lottery ticket and this was the house Mama dreamed up in the stories she told us before we went to bed. But the house on Mango Street is not the way they told it at all. It's small and red with tight steps in front and windows so small you'd think they were holding their breath. Bricks are crumbling in places, and the front door is so swollen you have to push hard to get in. There is no front yard, only four little elms the city planted by the curb. Out back is a small garage for the car we don't own yet and a small yard that looks smaller between the two buildings on either side. There are stairs in our house, but they're ordinary hallway stairs, and the house has only one washroom. Everybody has to share a bedroom—Mama and Papa, Carlos and Kiki, me and Nenny. Once when we were living on Loomis, a nun from my school passed by and saw me playing out front. The laundromat downstairs had been boarded up because it had been robbed two days before and the owner had painted on the wood YES WE'RE OPEN so as not to lose business. Where do you live? she asked. There, I said pointing up to the third floor. You live there? There. I had to look to where she pointed—the third floor, the paint peeling, wooden bars Papa had nailed on the windows so we wouldn't fall out. You live there? The way she said it made me feel like nothing. There. I lived there. I nodded. I knew then I had to have a house. A real house. One I could point to. But this isn't it. The house on Mango Street isn't it. For the time being, Mama says. Temporary, says Papa. But I know how those things go. "
Sandra Cisneros, The House on Mango Street; 1st edition: Arte Público Press, Houston (TX), USA, 1984.
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taniateyacapan · 1 year
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The real flex is loving who you are and honoring those you came from 🧿💗 Photographed by: @xipi.teca Top & Jewelry: @xipi.teca #native #nativeamerican #taniateyacapan #indigenous #chichimeca #apache #lipanapache #chicana #xicana #chicanos #southerncalifornia #redxbrown #brownbeauty #healing #healingenergy #healingvibrations #alchemist #xipiteca #roses #brownisbeautiful https://www.instagram.com/p/CqY2ja_P3mk/?igshid=NGJjMDIxMWI=
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