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#especially because we don't ever know if there is something going on behind the scenes
racinggirl · 3 months
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that's my girl
Lando Norris fic - requested
My inbox for requests
a/n: it took me a bit longer as I have been quite busy this last week, but it's hereeee! I hope you like it, I have to say I love badass Y/N a lot, so thank you for the request! It's a bit shorter, but we need some variation in life, don't we? Let me know your thoughts! It's not proofread, so be aware for any minor mistakes, if there are some. Lots of loveeee. Don't forget to send in requests! I love all the requests I've gotten so far 🫶🏼
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‘’What kind of snacks do you want?’’ You asked your boyfriend as you were preparing some somewhat healthy snacks before he would go live on Twitch. You were filling up a bowl with Maltesers because, let’s be honest, who doesn’t like those? You then decided to grab a knife and cut the cheese and cucumber to make the tray snacks somewhat healthier.
‘’Can you lay on the tray?’’ Lando wrapped his arms around your waist from behind, causing you to tilt your head when he planted soft kisses on your neck. ‘’You already had that snack not too long ago, mister Norris.’’ You teased, keeping your eyes closed as you felt his hands making its way under your shirt, close to your bra.
‘’Nah, ah.’’ You put down the knife and took both his hands in yours, moving them down and placing them on your hips before reaching back for the knife. Your action caused him to groan, and you simply smirked as you felt how much he needed you, because let’s be honest here, it was impossible to not feel him through his jeans.
‘’Grapes, mango?’’ You continued, focussing back on the tray of deliciousness in front of you. ‘’Chocolate covered strawberries.’’ He replied, walking to the fridge. ‘’Yeah, ehm, about those…’’ You bite your lip as you looked over at the – way too perfect – McLaren driver, who happened to be your boyfriend.
‘’No, you ate them?’’ He asked, turning 45 degrees to look at you with puppy eyes. ‘’Oh stop it! You ate my piece of cake the other day!’’ You laughed, feeling his hands on your body as he tickled you. ‘’Lando! Stop!’’ You managed to breathe out in between your laughter.
‘’You ate my strawberries!’’ He exclaimed; his arms wrapped tightly around you as you tried to somehow escape his grasp. But he was strong, of course he was, he was a Formula One driver.
Talking about his job, you were proud of him. The two of you had been dating for a few years now, the world only finding out in your 3rd year of dating each other. You had no idea how because you never purposely tried to be secret about it. You never went out in public, never really posted about one another on your socials, either. You only really started doing that when people noticed your relationship.
You were almost done with your degree now, though. Meaning you had more time to come to some of his races. You loved going there, not only to support your boyfriend, but also to learn about all the behind the scenes of the sport. It was something that fascinated you ever since you started dating Lando.
However, you tried to stay out of the camera’s as much as you could. You never held hands when you walked through the paddock with him; if you walked through the paddock with him. Most of the time you arrived after he did because you either had to finish some online work in the hotel room, or because you wanted to stay out of the spotlight.
You never really enjoyed being in front of the camera’s, hence why you were so invested in all the behind-the-scenes stuff. It wasn’t because you weren’t confident enough, not at all, because you were, and that’s something Lando always admired about you, especially when you started to receive hate. You just never thought being in front of the camera suited you, those cameras around you, people asking questions, it just annoyed you, and you decided you didn’t want to take a part of it.
It didn’t mean you never supported him, though. You were always there for him, and he knew. He never complained, he never told you you weren’t supportive, no. He loved how your relationship was different than the ones from all the other WAGS, he felt like he wasn’t sharing you with the entire world, that you were just his, and that’s exactly how you felt, too.
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‘’Good evening chat! Long-time no see, ey?’’ You heard Lando’s smile through the words he just spoke, waving at the camera as he leaned back in his chair. He glanced over at you, his eyes gliding over you before quickly shooting you a wink. You laughed and rolled your eyes at his action, simply knowing the chat would comment on his wink.
‘’I’m good, enjoying the off season as much as I can.’’ He smirked. ‘’Aren’t we, babe?’’ He asked and you got up, looking at him with a raised eyebrow. ‘’I for sure am.’’ You winked before walking to the kitchen to get your snacks.
You always were seated outside of the camera’s view. As much as you loved staying out of the cameras at the track, you did the same whenever he streamed. You never did it purposely, though. You never hid away from the cameras; you simply never purposely were in front of them.
‘’Grabbing snacks!’’ You yelled from the kitchen when you heard Lando read the comments. ‘What’s Y/N doing?’ and ‘Where’s your girlfriend going?’
‘’She’s getting snacks, chat. You won’t believe it, but we actually prepared those for tonight.’’ He smirked, sipping his water as he read through the comments. ‘’We?’’ You asked, raising an eyebrow with a smile. ‘’Right, sorry chat, my lovely girlfriend Y/N prepared the snacks.’’ He said, watching you placing the tray of delicious food in front of him.
‘’I’m just missing one snack on here, but sadly there’s not enough room on the tray for that.’’
‘OMG HE DID NOT JUST SAY THAT’
‘HAHAHAHA Lando naughty naughty boy’
‘DUUUUUUDE LANDO WHAT LMAO’
You sat down next to him, your legs over his as you grabbed a Malteser from the tray. ‘’You’re very original with your jokes tonight, Norris.’’ You smirked, reaching for your phone before you opened TikTok, keeping yourself entertained when Lando continued his stream.
He loved this about you, he loved the fact that even though he was live, streaming and being in front of cameras, you never backed down. You never changed when the cameras were there, you always stayed yourself. That was probably the thing he admired most about you, and things he definitely learned from you.
As the hours went by, the tray of food was nearly empty. You got up a few times to go to the bathroom, get something to drink, get some more snacks and so on. Lando got up to go to the bathroom for the second time this evening, leaving you alone with chat.
You kissed his lips before he left the room, you simply deciding to pop up in front of the camera this time. You read some messages, smiling as they told you you looked beautiful. ‘’Aw, thanks guys, or girls, that’s sweet.’’ You replied, leaning your chin on your hand as you continued reading a few more comments.
The second you heard him coming back in the room, you commented on a question in the chat, Lando sitting next to you with a smile on his face. He loved it when you interacted with his fans, which you sometimes did. It’s not like you were completely offline when it came to the fame he carried with him, you just never really bothered to become an influencer like some others did.
‘’Nah, ah, Norris, they are asking me questions now.’’ You teased, holding your hand up when he started to talk again.
‘HAHA Y/N’s such a vibe’
‘Yeah Lando, we’re chatting with your girl now!’
He simply chuckled, pecking your lips when you looked at him and he then enjoyed the scenery he saw in front of him.
After a while, you got up from your chair, going to the kitchen to refill your glass of water for the fourth time that evening, and made your way back to the room when you heard your boyfriend reading some comments out aloud.
‘Y/N doesn’t love him, she never holds his hand in the paddock, what a supportive WAG.’
You furrowed your eyebrows at that comment, and just as Lando was about to say something to defend you, you put your glass of water on the table in front of you.
‘’Last time I checked, my job title wasn’t ‘WAG’. I’m an engineer, not a runway model.’’
Lando looked at you, amazed, proud, and smiling like an idiot. ‘’You heard her, chat.’’ He smirked. ‘’That’s my girl.’’ He whispered happily.
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The end of the stream was nearing, and you got up to head to bed. ‘’Goodnight, babe, I’ll see you in a bit.’’ You whispered before placing a kiss on his lips, smiling against them as he returned the favour. You glanced over at chat one last time, feeling Lando’s hand on the back of your upper leg.
‘’Next time I’ll open the ‘WAGs Handbook’ to catch up on some of my duties.’’ You smirked at the chat. ‘’Goodnight chat, sleep tight.’’ You blew them a kiss before walking out of the room, heading straight to bed.
Not long after you positioned yourself in the king-size bed Lando had in his bedroom, you heard the door opening; your boyfriend making his way to you. ‘’You’re amazing, please never change.’’ He whispered and pressed his lips on yours, firmly.
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Later that season
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dixons-sunshine · 20 days
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Holding On To You | Daryl Dixon x Fem!Reader
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Summary: Despite not being too keen on PDA, Daryl craved comfort too. He got that comfort by holding your hand in his. It wasn't always that simple, though. He had to work his way up to being comfortable with that. Luckily, you were a patient person.
Or, three different scenarios in where the archer shows progress in his comfort with you.
Genre: Fluff.
Era: Pre-prison (on the road); pre-Alexandria; Alexandria, pre Saviour arc.
Warnings: Swearing, migraines, mentions of injuries.
Word count: 2.1k
A/n: @louifaith, the muse you are, feeding our Daryl obsessed minds with your beautifully crafted scenarios. I wasn't feeling well today (a migraine and I was pretty dizzy) and didn't get much writing done, but this idea deserved to be written. There's a bit of Eugene slander in this but it's because I don't really like S5 Eugene. He's way better in the other seasons imo. Anyways, I hope you like this!
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The cruelty of life seemed endless. With the stability and safety of the farm being something of the past, having to scavenge for scraps and having to move from house to house every few days, and with the impending arrival of Lori's little baby, everyone's spirits were diminished. Everyone longed for the comfort the farm brought for those few weeks you had all been looking for Sophia, everyone wanted a decent meal to satiate their hunger and although Lori's unborn baby was a reminder that innocence still existed, it was also a cruel reminder that you all needed to find someplace to plant some roots, and fast—especially if you didn't want to attract the dead with the baby's loud crying.
You sighed softly as you quietly followed behind Daryl, yours and his boots making clear tracks in the deep snow. The archer, as observant as ever, noticed your shift in mood and turned his head, eyeing you carefully.
“Ya alrigh'?” he questioned, turning his attention back to the tracks in front of him. Your relationship was pretty new, only having been "officially" together since the two of you had shared a kiss back after the fall of the farm.
You nodded, although he couldn't see you. “I'm fine.”
Daryl hummed, unconvinced. “Yer not fine. I know ya better than tha'.”
Your lips twitched up into a smile, walking a little faster to walk next to him. Daryl slowed his pace slightly to allow you to walk next to him at a steady pace, eyeing you as you adjusted your compound bow over your shoulder—a gift he had gotten you when you had mentioned wanting to learn how to hunt.
“I'm fine, I promise. I'm just tired, that's all,” you replied reassuringly, walking almost shoulder to shoulder with your partner.
Daryl shot you a worried look, fully prepared to head back. “If yer tired, we can go back. This trail ain't leadin' us anywhere, anyway.”
“I don't mean tired in the literal sense,” you corrected. “I'm just tired of all this moving around. Not knowing what our next meals going to be, if we even eat at all, not knowing when our current camp's going to be overrun with walkers, not knowing when Lori's baby's going to be here... It's mentally exhausting. We all need a break.”
Daryl nudged his nose up in a nod. “Yeah,” he agreed. “We could do with a couple' of days where we ain't gotta worry.”
Before you could respond, there was a snap of a twig ahead of the two of you. Instinctively, you and Daryl raised your respective weapons in the direction of the noise, expecting to find a walker staggering towards you. However, instead of coming face to face with danger, you saw a small deer walking over to something in the distance.
Daryl raised his crossbow, aiming to take the shot. However, your hand on his arm halted his intentions. He shot you a questioning look, but you only hushed him and beckoned for him to follow you. The two of you slowly crept closer, the scene before you becoming clearer. The small deer made its way to what was presumably its mother, nuzzling against her legs.
You smiled softly at the sight. Despite the fall of the world, beauty still remained. Unbeknownst to you, Daryl was thinking the exact same thing at that moment, but he wasn't looking at the deer. He was gazing at you, taking in your radiant smile, the sparkle in your eyes, just everything about you. You truly were beautiful to the archer.
Hesitantly, Daryl brushed his hand against yours. Your smile widened but you made no move to grab his hand, not wanting to scare him off. You moved at his pace, and whether he held your hand at that moment was his decision.
In the end, the only thing he did was link his pinky with yours, and it was a perfect moment for you. In your mind, that was really good progress for a man who wasn't familiar with giving or receiving comfort. You'd wait as long as you needed to for Daryl to be comfortable around you. You'd never push him, never.
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The road seemed endless. You listened to the incessant yapping from one of your newest companions in your group of ragtag survivors, Eugene Porter, and had to resist the urge to tell him to shut up. Despite the euphoria and relief that came with reuniting with your group and having new members that could help you all, you were tired. Not just physically, but mentally, too. It was so much worse this time around than when you were initially on the road two years back. You were sporting a bruised cheek with deep cuts and scrapes littering the rest of your body, and you had a raging migraine.
And Eugene's droning wasn't helping matters at all.
As if sensing your deteriorating resolve at not biting the poor man's head of, Rick finally called for a break. “We rest here for now. We'll get moving again in an hour. Everything you want to do, do it now. Once we move again, we're not stopping until nightfall.”
Everyone soon dispersed, some heading to a nearby creek to refill the water supply, some starting a small fire to heat up some food and some even laying down on the hard ground to get some much needed sleep. You walked over to a tree and slid down against it, resting your head on your knees, willing the migraine away.
You soon heard a rustling next to you, before feeling a body sitting down next to you. You didn't even have to look up to know it was Daryl—the archer's presence was something you had grown used to and you could identify him anywhere.
“Hey,” he greeted you quietly, loosely hugging his knees. “Ya alrigh'?”
You hummed, lifting your head to look at him. “I'm fine,” you replied. “I just have a migraine.”
Daryl nodded, his face showing sympathy for you. “M'sorry we dun' have anythin' fer yer migraine. I know how bad they can get.”
You smiled and shook your head, placing your hand on the ground beside you, right between you and Daryl. “It's okay. It'll go away eventually. It's not that bad, as long as Eugene's quiet.”
Daryl chuckled, eyeing the aforementioned man who was sitting near the campfire. “Yeah, he's quite annoying, ain't he?”
“No, he's alright. He just needs to learn to be quiet from time to time.”
Daryl hummed and quieted down, simply basking in the early afternoon heat under the shade of the tree while the two of you observed the survivors going about their chores. However, Rick soon called for everyone to regroup, and you and Daryl got up to follow behind him.
You and Daryl walked at the back, giving you some semblance of privacy, and some semblance of relief from Eugene's rambling as he was at the front with Abraham and Rosita. Slowly and hesitantly, Daryl moved closer to you and brushed his hand against yours, before slowly interlacing his fingers through yours.
You smiled up at him, and he returned the smile with a small one of his own. It may not have been the first time that you've held hands with the archer, but it was the first time that you've done so with people around. Although Daryl slightly manoeuvred the two of you in a way that your locked hands wouldn't draw attention if people weren't directly looking at you, it was still a big deal for you. He was starting to show you off publicly. Although people back at the prison knew you as "the hunter's girl" because of an incident where a guy flirted with you and Daryl put him in his place, PDA wasn't something they ever saw from the man. He preferred to keep that part of your lives private—so this simple gesture was a big deal.
You squeezed his hand, a gesture you and Daryl had come up with to quietly tell the other "I love you". Daryl smiled softly and squeezed your hand back.
You truly loved this man, and he had shown countless times that he loved you, too.
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“You guys should come over again. This was nice,” Eric told you with a smile, him and Aaron walking out onto the porch with you and Daryl.
You smiled at him and nodded. “We will, especially if you're going to be serving that spaghetti you made again. It was delicious. Seriously, thank you. It's the best meal we've had in a while.”
“No thanks necessary,” Aaron replied, waving you off. “It was our pleasure.”
Daryl nodded, moving to shake Aaron's extended hand. “Thanks. This was a hell of a lot better than tha' party at Deanna's woulda been.”
Aaron nodded and withdrew his hand again, allowing Eric to take his place before moving over to give you a hug. You returned it before giving Eric a hug too, and then pulled back.
“We should get going. Once again, thanks for tonight.”
“Once again, it's our pleasure,” Eric laughed. “Goodnight, guys. We'll see you around.”
“Goodnight,” you greeted them.
“Nigh',” Daryl responded, turning to you and subconsciously extending his hand to you.
You smiled at him but didn't say anything, not wanting him to change his mind about it. You slipped your hand into his and walked with him down the porch steps and into the relatively quiet streets of Alexandria, music from Deanna's party playing very faintly in the background.
You and Daryl didn't instantly go home. You simply walked through the streets, familiarising yourselves with the community. Daryl never let go of your hand; he had even brought your hand up to his lips once to kiss your knuckles, and your heart swelled with love for the man.
The two of you had run into a couple of the people in the community who were returning to their homes after the party, and you had suspected that Daryl would pull his hand from yours, but he never did. His grip on your hand seemed to tighten slightly during your interactions with those people, seeking your comfort around people he didn't know. It made you feel special, important. It made you happy to know that the man you met back at the quarry trusted you enough to bring him comfort.
Later that night, when the two of you returned to the empty house and retreated into the sanctuary of your shared basement, snuggled up together under the covers was when you finally addressed what he had done. Daryl was laying with his head on your chest, absentmindedly tracing shapes and figures onto your hand.
“You held my hand today,” you told him, softly threading your fingers through his freshly washed, brown locks, the shower having been courtesy of your skillful convincing.
“Mhm,” Daryl hummed absentmindedly, nuzzling his face deeper into your chest.
“In front of people,” you said, eyeing his reaction carefully.
Daryl simply glanced up at you, his face not revealing anything. “Ya want me to stop doin' tha'?”
You shook your head. “No, I like it. It's just a little out of the ordinary for you, and it took me by surprise.”
Daryl was quiet for a few moments. “I always wanna hold yer hand when we're walkin' together. I jus' never had the courage to. Dun' want people to overreact when they see it. But, I dunno... I love ya and I'll be damned if I dun' hold my girl's hand 'cause of wha' people think.”
You giggled and kissed the top of Daryl's head. “So I can expect an increase in handholding?”
Daryl nodded. “Yeah.”
You smiled at him. “Good. That's exactly what I wanted to hear. I love you, Dar.”
Daryl placed a kiss to your chest, before laying his head back down. “Love ya more, sunshine.”
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n3ptoonz · 5 months
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Part 2 of MK1 men pushing the reader to a wall while kissing them, please? 😊
i mean i GUESS i can do that 🤭 since you asked so nicely! part one here
how liu kang, reiko, sub-zero, havik, johnny cage, scorpion, and geras go about pushing reader to the wall while kissing them
just know it may not show the long pauses i took while writing this but know IT HAPPENED!! THE THINGS I DO FOR YALL🫵🏾don't say i never did none😫
havik's regeneration mentioned. i've also been told havik looks like that on purpose so like, let's act like he can make his face go back to where it was for the sake of shits, giggles, and pandering XD
tags: @luna18night20 @momopad
warnings: suggestive, fluff elements, sphinx tried her best, there will not be a part 3 im sorry y'all 💔
Liu Kang
Liu Kang was rarely ever rough with you. In fact, the only way he'd do it is if you either verbally say it's fine, or if he knows you're poking the bear just to get a reaction. And when you get a reaction...there's no going back. You've kissed with your back to the wall several times, and every time was gentle and loving and laced with care. However, if you've presented that you were that desperate for him to give you the attention you deserve, he will gladly be a little rougher in pushing you back with his lips on yours. Just be prepared for him to leave some handprints on your waist.
Reiko
Reiko is a warrior. Hardened by battle and discipline, so the way he kisses you usually starts off that way. He can't help it. Not only is it the way he was raised and what he was told a man is "supposed to be", but it also came with how his partners were to be treated. When it came to you his sense of duty and protection spiked every single time. So here you were, well within his unintentional bear hug as your back was against the wall. His kisses always started off like he was going away to war/fight (because he usually was) but he would eventually melt and become smoother because you're by his side.
Sub-Zero
Bi-Han, a truly complex character. I believe that whoever captures his heart will be the main obsession in his life. In this case, it is you. He constantly needs to be on you, around you, see you, hear you, you name it. He can't get enough of your lips and this is especially apparent the way he's almost always pushing you to the wall while kissing you. Can we blame him? He's a tall hunk of touch-starved and the only thing that will satiate that hunger is roughly making out with you every chance he gets all while still knowing how to treat you like a porcelain antique.
Havik
Havik...this guy. Even though I'm pretty sure it's not canon I still feel like he'd regenerate and degenerate for fun and for different purposes/occasions. For the sake of my sanity I can say I found him fine as hell before his face got fucked up, and so did you. But you don't mind him either way because you love his crazy ass. Allow me to set the scene: You say something snappy to get his attention and boom...he regenerates his facial wounds just to back you against the wall and shut you up with pure smugness and arrogance behind his kiss. But, this is what you wanted, nonetheless. And you'd do it again!
Johnny Cage
Who's to say Johnny Cage wouldn't try to get you in one of his films just so he could keep getting takes of him backing you to a wall and kissing you? For Elder God's sakes, he's the one who wrote the script! And of course it's something dramatic like him being a villain that captures the hero and tries to convince them to ditch their position to be with him. Dude would totally think he's Loki (did i say that bc i think it would be hot if Loki did that to me? ..don't worry about it!) He's for sure fucking up his takes on purpose and you know this, but you only pretend to be irritated and maybe even fuck up a few yourself.
Scorpion
Kuai Liang, the romantic this man is. Like Liu Kang, he's never rough with you. Except it would take a little more convincing to let him know it's fine for him to act on his feelings when he wants to. With him, his kisses are slow and gentle. They will always start off like that even if he has a hard day. All he wants is to hold you, but it's like whenever your back hits the wall a gear starts turning in his brain. The idea of you having nowhere to go and enjoying it? Not even an Elder God is pulling him from your embrace. He gets handsy and a lot more affectionate around this time; he's kissing your face, neck, and shoulders too, because why the hell not?
Geras
Geras is a special case. He's an immortal who has never experienced romantic love before. So naturally you will have to teach him some things and even point out things he has observed that can be taken as romantic love. But he's still a man who has seen a lot, so this guy knows what kissing is and how to kiss. Surely you didn't think this giant fine ass immortal being didn't know how to treat his partner? Crazy talk! Understand that when you introduce the classic wall kiss by showing him what to do, he's leaning in to kiss you as he lifts you in his arms with no effort to be found and there won't be kissing going on much longer!
a/n: thanks for reading and i hope you enjoyed! collapses onto the ground
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ao3commentoftheday · 7 months
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I got a response to a post like two weeks ago that I've been thinking about ever since: how do I know whether I'm writing for myself or for others?
Sometimes this is an obvious answer and sometimes it's harder to pin down, especially when so often we're doing both at the same time - at least if we're posting our writing online.
Writing a story is one activity and posting that story to AO3 or tumblr is a different activity. Doing the first one doesn't necessarily mean doing the second. If you go into a story without the intention of showing it to anyone else, then you can feel pretty confident that it's just for you. But what about the times when you go in knowing that the end result will be read by others?
Fandom is a community space. Even when we write something self-indulgent, we often want to share it with others or to hear others tell us they enjoyed our work. That's normal and healthy and makes us an active and participating community member. What's not so healthy is when that desire for feedback becomes the sole driving force behind our writing. If you find yourself only writing in order to get that feedback, then you're most likely writing for others and not for yourself.
But that's also a scenario that lots of people talk about. You've probably heard that before - maybe even from me. What if that's not the issue, and yet you still feel uncertain about who you're really writing for?
That's when you need to start listening to yourself. And I don't just mean check in with your feelings. I mean listen to your own thought processes and reasons for making choices.
Are you developing a character in a direction that you think the fandom would like, even though you don't find that direction particularly interesting?
Are you pulling your punches in your whump or angst scenes because you don't usually write stuff "that heavy" and you don't want to "lose your audience"?
Are you making your smut tamer? Kinkier? Trying to satisfy someone else's idea of a hot scene instead of writing what you'd actually want to read yourself?
The decisions you make around your writing should please you, more often than they don't. If most of your decisions are based on the reaction of your imagined future readers, then you might be happy with the ship or the plotline or the resolution but feel less than satisfied about the smaller bits and pieces that make up the fic.
Give yourself the gift of not posting everything you write. Keep some of it back and just for you. Spend time on those works and really analyze why you're doing what you're doing there - and why you're not doing it in the works you share. Figuring out the difference might help you get a better idea of how to find the best way to reach the only guaranteed audience you ever have: yourself.
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cutielando · 2 months
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conflict of interest ~ rafe cameron
my masterlist
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Everyone on the island knew you were the Kook Princess. That title had long been taken from Sarah, specifically ever since you started dating Rafe Cameron, the renowned Kook Prince.
Life with Rafe was everything you had ever imagined it to be and so much more. 
He took care of you, made sure you never lacked anything, spoiled you rotten with gifts, spa days, holidays, boat days, movie nights, adventures, everything you could ever think of.
You two loved each other more than anything, your shared love proving to be a force to be reckoned with.
However, not everybody believed that what you and Rafe had was unbreakable. Amongst that crowd was also Topper, Rafe's best friend.
Topper knew how Rafe was, they had known each other ever since they were little kids. He knew how possessive and protective Rafe could get over things, especially over you.
But he couldn't help it.
He couldn't help the way your presence made him feel, the way butterflies would just go wild inside of his stomach every time he would hear your laugh or see your smile, he would just go numb every time he would smell your perfume, the sweet flowery scent he had come to obsess over.
Breaking up with Sarah meant he got to see other people, explore the island a little more. And the lucky bee had been you.
You didn't like Topper. Not in the slightest. You had always found him a little weird and too much of a soft puppy dog who couldn't think for himself.
Your heart and everything belonged to Rafe and only to Rafe. 
Of course, the both of you had seen the way Topper would stare at you at parties or when you would hang out with the other Kooks at someone's house. The way he would be way too eager to help you with anything just so he could get some time alone with you.
Rafe had been furious at first, of course. He couldn't even fathom the possibility of someone stealing you away from him. That was just not an option. He loved you way too much to let himself lose you.
Especially to someone like Topper.
Which is why the current situation you had found yourself in was not favorable for anybody.
Rafe had only left you alone for maybe 2 minutes while he went to the kitchen to get a refill for the both of you. You had been left talking to a good friend of yours when Topper suddenly appeared in front of you, drinking out of a red cup and swaying from side to side.
"Heyyyyy, Y/N" he was slurring so badly that you could barely understand what he was saying.
"Hi, Top" you smiled at him and redirected your attention back to the conversation you had been having with your friend.
That didn't seem to satisfy his need for conversation, because the next thing you know he was pulling your arm so he could get you to face him.
"Can we talk? I've got somethin I've been meanin to tell ya" he said, his grip not letting up.
You looked around, your eyes searching for Rafe. You knew Topper was harmless, but you were very uncomfortable with the way he was touching you and you knew Rafe would cause a scene if he saw it.
"Topper, I really don't think it's a good idea right now" you said, plastering a convincing fake smile on your face while subtly trying to get him to let go of your arm.
Your attempt proved unsuccessful.
"Come on, don't be a bitch. Rafe doesn't even have to know about this" Topper continued to insist, downing the remaining alcohol from his cup before grabbing your other arm. "I've been meaning to confess something to you, way before you and Rafe got together, I just didn't have the courage to do it. I think you need to know how I feel" his eyes were staring at you so hopeful, like a puppy in the rain.
It made you feel a little bad, but once you saw Rafe over Topper's shoulder marching through the crowd, his face contorted in anger, you knew a fight was most probably about to go down.
"You better watch what you're going to say very carefully" Rafe threatened from behind Topper, his eyes trained on the grip the blonde had on you.
You could see Topper's demeanor change, even drunk knowing that he shouldn't have even thought about messing with Rafe's girlfriend.
"Yo man, I was just playing a little, you know how I get at parties and shit" Topper finally let go of your arms before turning around to face your boyfriend, trying to talk himself out of the shitty situation he had found himself in.
"No, no, no. I'm curious now. What was the important thing that you wanted to tell my girlfriend while I wasn't here?" Rafe crossed his arms, his stance all that more threatening.
By this moment, you had backed down from the two with your friend, watching their interaction closely. You knew Rafe was about to lose his shit any moment, and you also knew better than to get yourself involved while he was this tense.
"I was just trying to make conversation and keep her company while you were away. You know how many creeps are at these parties" Topper slurred, sniffing and searching Rafe's eyes for any indication as to what he was thinking.
"Topper, I'm going to give you one last chance to tell me what you were doing with my girlfriend before I beat your ass so hard you won't feel your body" Rafe's voice had now turned downright dangerous, which you surprisingly found hot.
"I wasn't trying to do anything, man, she's yours and I would never-" Topper couldn't finish his sentence before Rafe punched him in the face, making Topper drop down on the floor in front of you.
Rafe kneeled down over his body and started punching him repeatedly, each time repeating "Stay the fuck away from my girlfriend" until he had to be physically pulled away from him.
One look in your direction and you knew your night had come to an end. You took his hand and let him lead you to his truck, not minding the blood that had transferred to your hand.
"Are you okay?" he questioned once you were both in the safe space of his car, his breathing now back to normal.
You nodded, looking worriedly at his bloody knuckles.
"I should be asking you that" you mumbled as you took his right hand in yours, inspecting the bruises already starting to form.
He shrugged, seemingly not in any pain which was a relief to you. "I'm fine, Topper has it worse than me. I'm just glad nothing happened and I came in time"
You leaned over the console and kissed his cheek, showing him that you weren't mad at him for getting into yet another fight.
"My knight in shinning armor. What would I do without you?" you joked, but there was truth behind your words. You really didn't know what you would do without him.
"I love you" he kissed your palm, intertwining your fingers with his.
"I love you too, my big bad boy"
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aimasup · 2 months
Text
Spoilers for The March 2024 Welcome Home Update, LONG post warning:
The Eddie Scene
Let's establish two realities: The Neighbourhood (theirs) and The Show (the humans').
(The third is ours, here, actually real, no black gunk and Welcome Home is just a really cool fictional horror project. Irrelevant, just wanted to bring us down to earth)
I like to believe it's an unaware Wreck-It-Ralph situation: The Neighbourhood exists as The Show because that's how they live and what they were created for.
They have a happy home in the commercials and episodes, interviews with humans and playfully leaning on the fourth wall (via Narrator). And when Playfellow Workshop had a really good influential show, they quite literally brought these puppets to life, perhaps too much.
That's where the trouble comes in; we don't know if the puppets being sentient was ever revealed to the public, or what the black rot even is yet. Personally I can't really even guess how much the other puppets know at the moment, not even Home. All we know is that Wally was the first to 'wake up', likely.
So I'm just gonna say what I think about the Eddie segment at the end of the commercial compilation from his perspective alone (bravo to the voice actors and artists my god).
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The Neighbourhood...
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The Show.
Here's what I assume: both in the Neighbourhood and The Show, Eddie is being given a break from working so hard. Because I believe the script/special was supposed to end here:
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Eddie Dear was happy.
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[calm jazz music as the title card fades in] And a Happy Homewarming to one and all! Ho Ho Ho!!
End.
Because it makes no sense why The Show staff would spend extra resources to give the puppet Not Quirky Anxiety and end their Christmas special on a worrying note for general audiences.
I think The Show staff wrapped up that scene and left to go check on the rest of the set or something, and the Eddie puppet was left there, alone in Wally's room set because its job is done. Except it isn't, and Eddie became aware somehow.
He sees Home, his friend, and something isn't right
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I don't know what this is: my first thought was that it was Home's hand crank, and Eddie was seeing but not understanding the puppets behind the scenes
"Sources say, however, that this puppet’s (Home's) eyes could move through a hand crank on the other side of the prop facing away from the camera."
-(welcomehomerestorationproject.net)
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His friend's eyes look dead but they're moving, I thought. But looking at it again, it looks more like a microphone stand a Show staff is holding? Some sort of set equipment. Speaking of the set
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Wally's room is too big and leads to nowhere. Is this a visual representation for Eddie's mental state? Did they literally turn the lights off on set? Or can he not see everything right now because his poor fictional brain can't handle our reality just yet?
His hands are fuzzy but there's something in them. Something was under his skin just now. They don't feel like his hands.
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"Eddie was a live-hand puppet who required two puppeteers to operate."
-(welcomehomerestorationproject.net)
I imagine he's in a limbo of awareness, he's seeing so many things and not quite understanding what they are, and he's getting more lost and panicked
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Can you imagine how overstimulating it must be to go from a clean, happy children's fantasy reality to a world with the laws of physics?
The clock's ticking doesn't quiet down and it's constant. He's sweating when nothing is wrong (?). Gravy was poured on the tree ornament, he's always helped do that, but now it's dripping onto the floor and it's making a gross mess. Little things like that don't have consequences unless the script calls for it. Eddie doesn't know that, and especially he's freaked out by the breathing and the heartbeat.
Maybe it's Home's, or his own, or both, idk.
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What's curious is that Frank and Sally are fine and talking about the day's events. This means that Eddie should've been fine after the episode too, relaxed like normal, but he didn't get to. He probably didn't even know when they got there or when Sally left.
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This image right here? I think it symbolises the scary clash between both realities by now.
2 (Eddie and Wally) or 4 (counting Sally and Home) out of 9 neighbours being aware is too many. Frank wasn't supposed to have to comfort Eddie. The episode was supposed to end and Eddie can see all of it.
(and yeah maybe romance is an additional factor here)
We don't know if people remember seeing this scene on their televisions. Maybe the episode ended as normal for them. The cameras weren't rolling, so currently, we only get to witness the puppets' descent into decay because someone behind the television is Letting The Neighbourhood In, bit by bit.
Maybe we'll get to see all the other puppets go through the same awareness crisis as the website keeps updating. Personally, I don't think there's an ulterior motive for Home, nor do I think any of the puppets are under strict supervision to behave a certain way for filming episodes, like celebrities.
What freaks me out is that they banter with the narrator and do commercials for real products. They're aware of the fourth wall but only because the fourth wall let them be aware. And it even got me thinking about the nature of existing as a concept (they're fictional characters. they don't really exist? Not in the same way individual humans do anyway. They aren't really supposed to belong to themselves.)
Sorry this turned into ramble rubbish, these are just my thoughts, could be entirely wrong about everything. Welcome Home is just super neat and the amount of effort gone into it shows. Lemme know what yall think, kudos if you read this far
For your troubles 🍪🍪🍪🍪🍪🍪🍪🍪🍪🍯🥛🍵☕🍶
Extra note: I don't think they require the puppeteers to function outside of episodes either. They just live their lives chilling, don't even know there's a Show. Maybe there's an explanation but for now I'm content with 'it's magic'.
That being said I've seen other theories about the peas and the isolation of Eddie specifically those are real neat
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churipu · 3 months
Note
Hi can I request the jjk men (toji, yuji, yuta, sukuna) with an s/o who doesn’t show any emotions?? If you do thank youu. <3
JJK MEN + "NO EMOTIONS" PARTNER 𓏲 ๋࣭  ࣪ ˖
featuring. toji fushiguro, itadori yuuji, yuuta okkotsu, sukuna ryomen x reader
warnings. cursing, soft and ooc toji and sukuna :(
note. hi hi nonnie :( sorry for the very late update to your ask — uni has been busy lately, but i promise all my inbox is going to be emptied, even if it takes long.
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TOJI FUSHIGURO. he tries to make you show emotions — teasing you, annoying you, anything that could make you be at least a little emotional; whether it is happy or sad (kidding, he wants you to be happy all times).
toji doesn't actually mind. but he wanted you to be more reactive of his teasing, because he didn't get the point of teasing if you weren't angry at him. instead of you being angry, or telling him that he should stop, all he got was a nod and an "it's okay".
so the top of his bucket list was to break down this emotionless wall of yours.
preparing a snack for both you and toji at movie night, you spent your sweet time in the kitchen. waiting for the popcorn to cook, when suddenly he stomped inside, boldly asking you, "what the fuck do we have for snacks?"
seeing you flinch in surprise, toji awaited your answer. ready to receive a mouthful of angry words, but all you did was stare at him with those beautiful doe e/c eyes of yours — and you meekly said, "popcorn."
the male's gaze softened as he reaches his hand out to you, "don't ever let me talk to you like that ever again," he pulled you into a warm embrace, "got it?"
you nod, "okay."
he never does that again.
ITADORI YUUJI. opposites attract. opposites attract. opposites attract. i said what i said. yuuji finds you amusing, especially the way you're always so unbothered about . . . everything? he asks himself how you're able to do that, and tries to find out the anatomy behind it. which ended up leaving him more clueless than ever.
you get a cut on a mission? you were just okay. you get hit by something that wasn't directed at you? okay. you get insulted? okay. it was okay, okay, and okay with you.
although, the male is a firm believer that even you — could feel hurt sometimes. after all, you are still human, right? so he's always the one telling people off for you, even if you tell him that it's not needed and that you were okay. yuuji doesn't believe in that.
"hey, piss off — don't say that about my partner." yuuji glares at a male, eyeing him up and down in menace.
"yuuji, let's go," you grabbed the back of his collar and pulled him away from the scene, and yuuji was still giving out stink eyes to the same male, motioning his finger across his neck like a threat.
even if you didn't manage to express it, you were very very thankful for him. because he is right. you do feel hurt at times, but it was something you hear a lot so you don't bother.
YUUTA OKKOTSU. honestly, he gets pretty intimidated at first. he's always so fidgety around you — it's pretty funny. but when he actually got to know you, yuuta's a little surprised that you could crack out jokes (unknowingly), and everyone ends up laughing . . . except for you.
he's really attracted to you. and rika, well, she wasn't the keenest on knowing that (she tried to hurt you) — but yuuta was there to tell her off nicely. rika still didn't like you at all, she tolerates you at times, but after a mission with yuuta, where you found yourself in a position of taking a blow meant for him. rika still hates you (not), it's getting there, she didn't want to kill you. that's progress.
"why did you do that?!" yuuta ran towards you, grabbing your upper arm, pulling you up.
". . . do what?" you asked nonchalantly before wincing out in pain.
and i guess, ever since then, yuuta has been stuck to your hip. he gets really excited to see you, even if you don't look as excited. but still — something about you attracts him, which eventually leads to the both of you dating.
still the same, you barely show any emotions. barely. that was also progress, with him, you could actually be honest with your feelings. but with anyone else? big no.
yuuta feels very honored. protects you. tells rika to protect you. he's so in love with you.
SUKUNA RYOMEN. oh, he despises it a lot. this man, he isn't satisfied if he doesn't get a reaction out of you — which he doesn't. most of the time. at most, you're going to brush him off and walk away, which he deemed as "being angry", but he's just embarrassed because it's not often someone brushes him off just like that.
kind of like a love language. he teases you to show affection, but when you don't react. it's like a punch to the gut, like you don't acknowledge his love for you.
but sukuna would never say that out loud.
despite that, you also had a way of showing love to him. it's not one of the 5 main love languages, but it works for him. sukuna pretends not to know, but he knows. and he secretly loves it.
you always. always without forgetting a day, scribble down on a post it note and leaving it somewhere that sukuna always notices. whether it being on the fridge stuck to a magnet, on the kitchen island, on the coffee table in the living room, by the corner of the bathroom mirror, by the snack cabinet. sukuna could always find at least three in a day, randomly stuck around.
and on the note, it would just be a random "i love you" or a cute doodle of animals holding a heart or a flower for him. he didn't ask you why you do it the first few times and just goes along with it, secretly keeping them all in a secret place where he makes sure you weren't going to find out.
"why'd y'keep leaving these random notes everywhere?" sukuna grunted.
"why? should i stop?" oh, sukuna was actually a bit mortified at the thought of not finding anymore notes specifically made for him, so he could only be silent, "doesn't matter what you think — i like making 'em."
oh, thank god.
he never questions you on it ever again in fear that you'd actually stop.
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© CHURIPU 2024 , DO NOT COPY OR REPOST ANYWHERE
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yumeka-sxf · 5 months
Text
Today's new chapter was so intriguing 👀
First off, nice to see the Authens again. Guess we're sure now that Endo will make them reoccurring characters! Yor's embarrassment about being called "Mom" ("okaa-san" in the JP version) was really cute.
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They managed to translate this joke very well; in the JP version, the word "ebento"(event) makes Sigmund think of "obento"(lunchbox). Using the word "function" for "luncheon" was clever!
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But the main highlight of this chapter for me was seeing the ever enigmatic Melinda again after so long!
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She's a really a tough one to figure out, and this chapter only brought up more questions than answers. She seems extremely nice here, being very forgiving of Millie despite her harsh accusations against her husband. She also mentions that she'd be very resentful if anything were to happen to her family...which is kind of contrasting to her thoughts about Damian from the end of the bus hijacking arc.
I also loved the scene of Yor sticking up for Millie. Her expression was so blank yet so deep at the same time. It actually reminded me of Anya's expression when she punched Damian - in both cases, their blank expression doesn't match their action, but it makes sense because they're still unsure of how to act and what emotion to portray in many seemingly "normal" situations. Anger and annoyance aren't feelings that come naturally to them.
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In Yor's case here, having to defend someone against such accusations isn't something she's had much experience doing (at least not for someone who isn't family), and at the same time she can't just outright kill the hostile party like she would on an assassination mission. So despite being in such an awkward situation, especially for someone like her who struggles with social interactions, she managed to remain remarkably calm. As usual, Yor gets easily flustered when it comes to her own feelings, but if she sees someone else being threatened, her capabilities shoot up to maximum! That unpredictable expression should be feared from both her and Twilight!
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We also learn that Yor lost her parents in the war, which is something I always suspected. Her words in the below panel reminded me a lot of the thoughts she had during the end of the cruise arc. As I've mentioned before, despite her naivety about many things, she understands the tragedies that go on in the world, especially in terms of war - that it's not just soldiers who suffer, but the children and everyone else left behind. It makes sense that someone who understands that kind of loss and hardship has such outpouring empathy to others the way Yor does...
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...which is actually contrasting to the way Millie deals with her loss, by lashing out at others. It's said that those who have suffered can become either very sympathetic or very resentful. It was interesting to see that subtle contrast between Yor and Millie here.
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Speaking of Millie, it was nice to see her get some redemption and backstory. Like Camilla, I still don't think this makes up for all the mean things she's said to Yor before, but it's something!
Good to see McMahon again after so long. Don't think he's made an appearance since the cruise arc 👀
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As usual, it's hard to say if this chapter is leading to a new arc or not. I'm sure things mentioned here, especially about Melinda, will come back later, but who knows if it will be right away or several chapters from now. I know we were all expecting something relating to Anya's backstory based on the previous short mission, but I still think there's a chance that what happened here could tie into that. We'll see! We're close to chapter 100 so I wonder if Endo is planning something special for that 🤔
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dustofthedailylife · 1 year
Note
We talked about about black cat gf but what about
Golden retriever yn x black cat genshin boys
I'm finally getting to this ask, sorry for taking so long. It's been a busy week and I didn't want to half-ass this reply. 😭
The guys who would fit the bill here in my opinion, would be:
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Black Cat Genshin Boys
Alhaitham, Xiao, Ayato, Diluc x (gn!) Reader [Fluff & the boys being protective] -> Masterlist || -> Taglist
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Alhaitham is the guy who mostly protects you in secret. Whenever he sees you're struggling with something, he'd try his utmost to help you resolve it behind the scenes. He loves it when you come home with a big smile, telling him that you finally managed to do the thing you were struggling with.
Another benefit of being with him was that whenever both of you were out together, everyone made sure to stay clear of you, or well, him rather. They don't even dare to look at you the wrong way.
And whenever someone is trying to get in your way, no matter what it may be, you can count on him to talk to the person in question. And while he generally hates his position as the Grand Sage and because he knows he generally is intimidating to most people (not that he really cares) he gladly makes use of those two traits for your sake. You're too innocent and nice for your own good. One could say, to a fault. But you're the most precious thing and wants to protect you from all evils this world had to offer.
Xiao immediately knows the moment you two get together that you're an innocent person with not a single bad thought on their mind. You wear your heart on your sleeve and he genuinely appreciates that. Although he feels like it may get you hurt either emotionally or physically due to that one day. And he genuinely feared for that.
You're not particularly good in a fight, not that you ever needed to either. But it constantly has Xiao worried. Especially since you're with him now and he is almost certain he attracts evil. In fact, he believes he is evil. And that he doesn't deserve you, this pure and innocent being, one bit.
But despite that, he protects you where he can. When you're out alone he always has a watchful eye on you. Almost getting ambushed by treasure hoarders? They'll be dealt with before you even knew they were there.
Diluc has lost so much already, it has turned him into someone who is always cautious and protective. Especially of his loved ones. And you're vulnerable and entirely oblivious to the evils of this world - and he'd like to keep it this way. He doesn't want you to endure the same things he had to go through already.
Ever since getting together, he makes sure to be home on time. His contacts always keep him informed about the doings of the Fatui since he knows they have him on their radar. He'd hate it if you became their target simply for being with him.
What also helps is that Diluc is generally very respected throughout Mondstadt so out of the citizens no one would dare to mess with you anymore. That's at least one thing he didn't have to worry about.
Ayato loves his family and loved ones dearly, it's no secret. He'd drop everything for them the minute it is required of him. He'd go to sheer unimaginable lengths. And you, as his partner, are no exception to that rule.
He cherishes how open, outgoing, and generally lovable you are. The people of Inazuma would agree. They love you. But with love also comes jealousy and mischief of political enemies and other folks. Lucky for you, he has the required foresight to interfere with anything his political enemies might be plotting before they're able to execute their plans.
He knows them long before anything can happen to you, thanks to his informants and the Shuumatsuban. He knows a lot of people are against his marriage with you and would rather see him wed to their children instead of some commoner like you, but they don't see what he sees. And he will do everything in his ability to protect you from any evils of this world.
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Do not repost, copy, translate or edit - © dustofthedailylife || reblogs, comments, and asks about Genshin or my fics are always greatly appreciated and motivate me! Maple dividers are mine - do not copy.
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starluvsx · 7 months
Text
★𝐅𝐢𝐫𝐬𝐭 𝐤𝐢𝐬𝐬
𝐂𝐡𝐫𝐢𝐬 𝐬𝐭𝐮𝐫𝐧𝐢𝐨𝐥𝐨 𝐱 𝐟𝐞𝐦!𝐫𝐞𝐚𝐝𝐞𝐫
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Word count:1015
Proofread:yup
WARNINGS: insecure reader,kissing,kinda angst and fluff
A/N: this took embarrassingly long to finish😭
𖦹 𖦹
"Okay so the next question is 'who was your first kiss' and what's the story behind it" Nick shouted over Chris and Matt trying to explain why fairies are and aren't real to each other.Everyone in the car immediately had their own separate reaction to this question.
Nick was smiling ear to ear, most likely because of the embarrassment that came with answering the question.matts head was down with a cringed face.me and Chris both looked at each other knowingly before my cheeks flushed and he looked away.
Once everyone had their stories in their heads we looked around for who should go first. "y/n i think you should go first" chris said with a cocky smile.
5 years ago
"ok so what do you wanna watch?" chris said as he sat down next to me on the bed.a good amount of distance between us for friends so it's too bad i wanted to be more than that.i played the lack of romance off by just ignoring it,refusing to look over at his side profile while he flicked through an assortment of movies.
"no clue, what are my options?" I asked while staring at the tv.
“Uhm maze runner ‘Nah’ nightmare before Christmas ‘ehh’ hairspray ‘YES OMG YES’ ”was how the interaction went before he clicked on the movie I wanted.
𝐌𝐢𝐝𝐝𝐥𝐞 𝐨𝐟 𝐭𝐡𝐞 𝐦𝐨𝐯𝐢𝐞
While watching the movie we had gradually moved closer together.not on top of each other but definitely closer than before.now I was slouched down slightly with our shoulders touching, nothing crazy i know but I’ll take what I can get.
Once we got about an hour into the movie I began to zone out.letting myself to wander in my own thoughts.watching the romance movie only made these thoughts worse. “Jesus” I muttered under my breath.
“What, what’s wrong?”he asked, looking down at me.
“It’s nothing, just movies like this always make me sad.” I replied truthfully.I knew what I was about to say but I was ok with it.he was one of the few people I didn’t mind sharing these thoughts with.
“Why?” He asked with a puzzled look on his face.just one word for him but years of insecurities,self hatred and yearn for love for me.
“Cause I know I’ll never have anything like that, nobody will ever love me like that, ya know”I answered hesitantly while still staring at the tv.I had now sat up a little from the previous position I was in.being at the same level as him made me nervous especially since the topic of conversation but I had to,my back was killing me.
“Why do you think that?”Chris said with a slight laugh,as if he couldn’t believe I thought like that.now although the thought he was shook I found myself unloveable was comforting,I knew he was only being nice.
I looked at him for a second before saying what I had been thinking my whole life. “Dude I’m like the ugliest girl at school.” I answered honestly. “I mean it’s whatever, I know everyone thinks that.”I continued with a shrug at the end of my sentence.it felt weird talking about this but also for some reason, reliving.
The look he gave me after I said that wasn’t one I could describe or replicate.he looked shocked and confused at the same time almost. “I don’t think that…”he mumbled.if I hadn’t tuned out the movie long ago I wouldn’t have even heard him to be honest
“What” was all I could say.had i misheard him?I must've, right?
"I don't think you're the ugliest girl in the school, you're...you're beautiful ''he said, making me feel like I was in a scene from a movie.although i wanted to keep up my nonchalant act of not caring about what others thought,i simply couldn't.
i was shocked he had said this.my lips were slightly parted due to me knowing i wanted to say something but not really knowing what to say.i mean how does one respond to that.his eyes flicked down to my lips before the one thing i never thought would happen, happened
Before I could realize what he was about to do, the boy in front of me who I had been crushing on for like forever grabbed my jaw and connected our lips passionately.I was shocked at first but slowly melted into the kiss I had been longing to have for most of my life.
our mouths moved in sync while both of our eyes were closed.it felt like we were the only two people on the planet.once we pulled away i took a moment to look at the boy in front of me.his disheveled hair,piercing blue eyes, pinkish lips, he was perfect.i then said words i don't think i will ever forget saying. "i-i think your beautiful too"
my face heated up as i finished the story. "You guys are too cute, it makes me wanna throw up."Nick said jokingly. Normally I would respond with something snarky but if I opened my mouth i think I would burst out laughing out of embarrassment and nervousness.chris's head was just down, most likely with the same expression as me.
"We were so corny" he said, laughing as he picked his head up.although i thought the moment was really cute,it was pretty cringe when i think back on it.
"We were like 15,"I said in my own defense.
"yea and you wouldn't even get with me till like 2 years later!" my boyfriend responded.
"ok ok next story"i started with a huge smile on my face still.
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etoilesbienne · 22 days
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I don't know how to deal with the situation anymore, on one hand I understand everyone having hope and looking forward to the server repairing, really I do, but like... I feel like every update makes me feel more and more bleak for the communication issues. I'd like to say I feel reassured when a CC comes and says "well things are being fixed up and the admins I talked to are saying it's going great," but I just don't anymore, especially when I go look at one of the said admins public twitter, and they're liking tweets talking about how everyone leaving the company and exposing the way they were treated were just "ungrateful petty pieces of shit," and like... I don't feel comforted, I feel frustrated and like no one is talking to the admins who got ousted even more. Am I supposed to just smile and nod through the fact a language is just gone from the server? Why were we expendable... Why am I supposed to know you "support the admins" because you posted once in support of them a month ago but you proceeded to go on a tirade about how useless and liars all of the now out admins are over a week. I don't know. I don't think we know everything behind the scenes. Everything feels so weird. I just want the admins who got ousted to be okay and know their part of the server meant something to me. I don't know the answer and I doubt I ever will but this last year was a delight. I don't think it could've been the same without every former admin like Léa or Ana or Lumi or Shade or Dianna or Amz3t or Rainylour or Pancks or any of the update admins who kept me up on new content or all of the coders on the backend making websites like qsmp.tv usable and the purgatory website and the elections website and the cool ARG website or all of the builders in game who made events really shine or any of the unnamed many many more admins and people who worked so hard to make the project work so well despite all of the conditions. Like the server with any of these removed is hard to imagine and I still don't think I can fully believe it.
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yangsharperavery · 8 months
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i do find the contrast between body language/nonverbal communication and verbal communication with these two so fascinating.
especially as carmy and sydney navigate each other in a space where there's clearly something that exists between them that one, or both of them, aren't conscious of yet.
as they struggle so significantly with verbal communication, we see the way they use nonverbal communication via their bodies and mannerisms and facial expressions to convey how they feel and what they want.
what sticks out to me is the way that carmy shakes and nods his head when he and sydney are having a serious, intimate or important conversation.
as if he knows himself well enough to know that his verbal agreement or response would fall short so he simply moves his head in affirmation. letting his energy convey the rest.
this is also part of why he uses his gaze and eye contact the way that he does. he's speaking to her without words.
they often stand so close to one another. like... all the time.
in many of their scenes, one could say this is a stylistic or director's choice for the shot but that makes zero sense because the shots with everyone else don't have that level of physical closeness except for some of the obvious kitchen (behind!) scenes. carmy and sydney's closeness is almost tactile even though they only touch a handful of times.
which is why the wall tear down scene is so amusing because they literally had no reason to be in each others face like that.
carmy got in her space, looked at the demo/the guys before he turned back to sydney, but she only moved away from him after they made eye contact and she said "yeah, exactly".
as if it was super normal for him to be that close to her, whether he was looking at her or not.
the under the table moment is incredibly intimate for a number of reasons. they're already incredibly close because there's not a lot of space under there, but not only do they situate and move their bodies within the confines of that space notating physical proximity, carmy reaches out and fiddles with her side of the table, which posits her energetically directly underneath him. not just beside him.
conceptually, that is almost the closest he could be to her without actively touching her.
nevermind that moments later his fidgeting hand starts to quicken when she looks up at him and they have that moment of prolonged eye contact.
again, a form of nonverbal communication practically shouting. she can't see his hand, but we do.
the wordlessness of that particular moment, especially after they had managed to say some of the most vulnerable, affirming and comforting phrases they'd ever uttered to one another up to that point (their best verbal communication yet), is pretty extraordinary.
when they're talking about the veal fat in s1, and she's reaching over her head and says the right answer and he turns to look at her, they're SO physically close.
when they're cooking at his apt and he's cutting tape, he's so physically close to her, his shoulder is practically leaning into hers when she teases him about the chef's whites.
even in the meeting with cicero, if you look at the three of them sitting behind the table, sydney is closer to carmy than nat and carmy has his arm out, mere centimeters from sydney's elbow.
before they start their back and forth about stars, when sydney says "we're going to be better", their arms are practically touching.
even when she's walking out after saying goodnight and carmy gitches, she walks so close to him to leave. his body fully turns to accommodate and follow her energy, she almost literally physically brushes past him.
claire kind of moves out of the way but sydney walks into carmy's space and he moves his focus/attention with her as she exits.
if you watch it happen, he acquiesces to her energy and presence like a human revolving door. again, nonverbal communication.
the doorframe isn't that narrow. she could have easily said whatever polite thing to claire and not gotten THAT close to carmy to say "i'm saying goodnight."
there are a bunch of examples of their physical closeness that doesn't make sense outside of gravitational pull, a desire to be that close to one another and nonverbal communication.
sydney's body language after the under the table moment and before receiving her gift is also a huge tell, even though it's not directed at, or meant to be communicative towards, him. she's clearly impacted by what occurred.
of the two, i think sydney is the closest to realizing that what exists between them is far beyond professional likeness, purpose or partnership.
the way she's obviously trying not to get mad at him when she says "well tell claire thanks then", you physically can see her stuffing something down.
even carmy can see it, he says something about it. sydney actually does this alot with carmy specifically, ayo is so damn skilled at it.
we've seen her get mean or be reactionary with richie, tina and marcus.
but never carmy. even when she walked out on him s1, in the midst of a highly emotionally volatile scene, she didn't raise her voice.
that's why she doesn't argue with or lash out at carmy, even though it's often warranted, she doesn't want to hurt him. doesn't want to make him feel bad. doesn't want to be angry or annoyed with him.
but why? she has no problem being upfront and direct and again, even argumentative if she needs to be. but never with carmy.
to me, it seems like she doesn't want to display too much emotion with or in front of him.
but why? does the range and depth of those emotions scare her? are they messy? are they warranted? are they illuminating?
sydney is very protective of carmy (and of herself emotionally). see how she reacts when richie talks shit or when her father questions her trust in him. or even when nat makes that snide remark after he gets locked in the walk in.
she cares a lot about carmy's emotional and mental fragility and feelings.
when she came back to "get her check" they don't hash it out or fight. he just stares at her, with this unbridled relief that he can't articulate but we all see it! it's so obvious he can't even start speaking right away.
and then he launches into talking about the dining space for a new restaurant and she forgot why she was mad.
it's like when the person you have a crush on does something cute or sweet and the dumb or mean thing they did right before it completely leaves your mind.
none of this is written in the dialogue of this show. it's all nonverbal communication, toward each other or to us, the audience.
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scarisd3ad · 3 months
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In a world of boys, he’s a gentleman
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pairing - steve harrington x fem!reader
summary - "But if I'm all dressed up, they might as well be looking at us and if they call me a slut, you know it might be worth it for once, and if I'm gonna be drunk might as well be drunk in love."
(A/N) - happy kind of late Valentine's Day lol, but here is a cute little fic based off of my favorite 1989 tv vault track.
Warnings - slut shaming, cursing, drinking
Masterlist
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"Are you sure? I know you don't really like these kinds of things anymore," I say with a sigh. Steve and I are parked out in front of some random junior's house. Ever since Steve had graduated this May, he wasn't really in the party scene anymore. It might have been just because he was always busy working, or with the kids though, or maybe he wanted to leave his high school self behind. I was a year younger than Steve so I still being in high school wanted to party my senior year away before subsequently going to college next August.
I wanted him here for some type of protection from the men who frequented these parties. When I didn't have someone, I could claim as my 'boyfriend' they'd have their grimy little hands all over me. Luckily, this time I had my actual boyfriend. "it's fine," he whispers, grabbing my hand and giving it a little squeeze before removing the keys from the ignition and getting out of the car.
As we walk up to the front door, I can feel the chill in the air seeping through the thin fabric of the dress I'm wearing. The dress, which I thought would be perfect for the occasion, now seems like a poor choice, given the unforgiving October winds. I shiver uncontrollably as a strong gust of wind blows past us, sending my hair flying in all directions. The coldness of the wind is so biting that I almost regret leaving the house without a jacket.
Steve reaches out and grabs my hand as he pushes the front door open. As we approached the house, the booming sound of music and the constant buzz of voices could be heard from the outside. I could feel the beat of the music reverberating through my body as I made my way to the door. However, as soon as the door opened, the volume seemed to increase tenfold, making it difficult to hear anything else. The house was alive with energy, pulsing with the rhythm of the music and the excitement of the people inside.
The house seemed to be getting more and more crowded as we made our way further into the house. As we ventured deeper into the house, the once spacious and airy rooms gradually became cramped and stuffy. The air was thick with the scent of cheap booze, sex, and teenage sweat.
Although Steve had been gone from the hallways of Hawkins High for almost an entire semester Everyone still fawned over Steve Harrington the same way they had been for the past four years. sophomore girls, smile and wave as they send him flirty winks that are paired with a "hii Steve" which makes me roll my eyes each time, even freshman girls bat their eyelashes at him and wave shyly. god, sometimes I wished my boyfriend wasn't as popular as he was.
"Wasn't she with Eddie Munson last weekend?" I hear one girl ask as Steve and I pass by them. Luckily or unluckily, Steve stops to talk to one of his old basketball friends so I can hear the rest of their conversation. "No, no, that was the weekend before that last weekend she was with…what's his name fuck Sam…Samuel gives" The other girl, a brunette I recognized as a junior who was in p.e with me, says. The other one was a blonde that I don't particularly recognize but I knew I'd probably seen her around at least once laugh a big belly laugh before scoffing "fucking slut, didn't realize Steve was into those types of girls, especially after Nancy wheeler" it hurt but 'slut' was something most girls including me have been called more than once.
When I'm using my male friends as human shields at parties, I never thought about how other girls would think about me. It's not like I really cared anyway (I did). "Dresses like one too, who even thinks of wearing something like that" I looked down at my dress, maybe it was a little over the top, but there were other girls here dressed similarly in tiny dresses that barely covered their asses, most were shorter than mine. So why was I getting judged for my dress when Heather Blake was in the tiniest red dress I've ever seen as she was grinding up against Daren Russel?
"When I was getting dressed earlier, I thought the dress looked cute. It was smaller than what I usually wear, and I was a bit scared that I might draw more attention to myself than I'd like. But I thought, "if I'm all dressed up, they might as well be looking at us". But now, after being called a slut, I was rethinking that mindset. "Hey Stevie, I'm gonna go get a drink kay?" he nods. "Yeah hon, can you get me a beer?" I hum quietly as I nod before walking off towards the kitchen.
There are a few girls, freshmen, who are taking shot after shot. Their boyfriends must have been seniors because normally freshmen aren't invited to parties like this. "Hey, can I have some of that?" I ask. All three girls are hammered, slurring out their words and stumbling around, "Y-yeahhh girl hereeee!" one shouts over the music as she hands me a prefilled disposable shot glass. The liquid inside is clear, making me assume it's vodka. I might as well be drunk if I was going to be overthinking those girls' conversation the entire night. I lean my head back as I take the shot, letting it burn down the back of my throat.
The three girls are giggling as the middle one, who is way smaller than me in height and weight, boldy downs two shots in a row before shouting "Wooooo!!!" which makes me internally cringe for her. "Hey, can I have another?"
7 shots in and I'm drunk as a motherfucker. The three girls had since gone, mumbling a quiet excuse about how all three of their mothers were going to be pissed in. They didn't get the littlest sobered up fast. So that left me with about half a bottle of vodka.
"Hey baby, thought you were bringing me a beer" Two familiar arms wrap around my torso which makes me drunkenly smile and turn around in his arms. "I wa-wasss," I slurred as I leaned my head against his shoulder, "but got distr-distracted," I said with a giggle. Steve sighs softly as he takes my face in his hands "You're drunk honey" I roll my eyes playfully giggling a quiet "duhhh" his thumb caresses my cheek as his eyes fall behind me at the empty shot glasses and now about quarter-filled vodka bottle. "Shit, honey, how much was in that bottle? " I shrugged as I watched the two girls who had been talking about me earlier walk into the kitchen, both giggling as they looked me up and down.
I frown as I look up into his big brown eyes, which are filled with concern. "Am I a slut?" I whispered softly. Despite my best efforts to not let those girls' words get to me; they had been unknowingly eating away at me all night. "What? who…who told you that? Why the fu-" I shrug as my bottom lip pops out in a pout. "Honey, you're not a slut. And if you were, I wouldn't care because as long as you're my girl, I'll be the happiest man alive. " If I'm gonna be drunk, might as well be drunk in love.
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dduane · 9 months
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hi ms duane (who is rlly cool and i love your books btw),
any advice? one of my favourite book series (released 30 years ago) was never finished... it's rumoured the last book was written but never published . ever since i have discovered this i have been heartbroken 😔. how do i cope with the cliffhanger? is it okay to approach the author and ask him about it? (he has written other books since + has other social medias) what do i dooooooo?
Well—per the second-to-last question, and speaking as someone who started one novel series more than forty years ago, and still haven't finished its last main-sequence book (and hears about it more than occasionally from the readership)—my immediate reaction would be:
From where I'm sitting, no, it's not really okay. So don't.
To clarify the thinking behind this, a couple of questions need to be answered.
(1) How sure are you about whether the rumor accurately reflects reality?
(2) Is the author someone you'd care about possibly hurting?
(And #2 is more important than #1, but bear with me.)
First of all: rumors are, well, rumors. I wouldn't approach an author about something like this if a rumor was all there was to go on. In particular, if the author's ever been asked about this and declined to answer, there may be legal complications in the background that they can't or don't want to deal with in public.
Secondly: if the book does indeed exist but was never published, three decades back, then there are numerous reasons that could be behind it, and all of them are painful to consider. A couple that immediately occur to me are:
The publisher decided they didn't like the last book enough to take the risk of publishing it (or sales figures for preceding books had been poor or declining), and/or no other publisher wanted the final book because they couldn't also publish the front end of the series. (I.e., the original publisher refused to revert those books' publcation rights.)
The author decided for some reason after completing the book that they didn't like it (and/or the series preceding it), and pulled it.
And there are many other possibilities... but I'm not going to get into a long list of maybes here. The point is that there's a better-than-even chance that having someone turn up on social media or in their inbox with a question about Oh Sweet Gods Not This Again, will cause the author pain.
And the issue of whether (for whatever reason) some people might think the author deserves the pain is completely beside the point. Hamlet's got it right here: "Use every man after his desert, and who shall 'scape whipping? Use them after your own honor and dignity—the less they deserve, the more merit is in your bounty."
So if I was standing where you are, after thinking about it a bit, I'd say "...yeah, no." ...and let the author be.
Now as for the question "How do I cope with the cliffhanger?": well, you pull on your Thoughtful Reader Pants—pull them right up high— and remind yourself that:
(a) Powerful though all art can be, it also can be fragile, especially as regards completions... because entropy, and sometimes mortality, can get in the way.
(b) And while we're discussing mortality: Cliffhangers are an inescapable part of the human condition. One day, you and I and everyone we know will suddenly depart this scene, and leave everyone else who knows us wondering what would have happened if... and never finding out. Maybe this is why we have a certain amount of trouble with cliffhangers in literature, on TV and in other arts: because "art is supposed to reflect life" (...long pause...) "But not like that!"
(c) In the meantime: Read the author's books that you do have. Celebrate what that person's made in that particular universe that you've got access to. And know that, in the fullness of time, eventually your heart will mend, and be stronger after the break as a result.
And finally: never give up hope. That author, and that book, might surprise you some day, when you most need it. :)
HTH!
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the5n00k · 4 months
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An observation about TGAMM The End
Big big spoilers ahead, click away if you aren't caught up
This is also my first NEGATIVE TGAMM analysis post! Wowie! So if you don't want to see me bitch, also click off now
The End and how Molly McGee's character was disrespected
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The End is. An episode. I have many MANY thoughts about it but it would be far too long to put in one post so I'm going to explore one of my more reoccurring opinions. This episode recontextualized a lot of things but I'm going to talk about how it recontextualized Molly as a character. Most importantly as a MAIN character. A TITLE character. A character with her own past and personality and feelings. All of which this episode completely stomped all over, handed her the check, and said "figure it out"
I want to apologize to my friend who called this so SO much earlier into the series and that he had to listen to me watch this show on lethal amounts of copium. You were right but I knew neither of us wanted you to be.
Now let's get into the meat of it, shall we?
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All throughout season 1, Molly's history and relationship with the concept of friends is always treated with complete sincerity and the emotional pause it needs to sink in with the audience that she's been through it. Moving away and leaving friends is why she put so much importance on the "forever home" in the first place because she's had to leave so many people she loved. She had a rocky beginning with Scratch during the early season but quickly became on equal footing with him as they began to understand each other and their boundaries. Because she genuinely cares about him. Similarly, season 2 explores the boundaries of their friendship and shows Scratch more willing to participate in whatever Molly is doing, even begging sometimes to be included. And Molly is very patient and kind with him all throughout trying to help him regain memories of his past. And Scratch actually reciprocated a few times like helping her learn Thai and working with Libby to set her up with Ollie. They're the closest they've ever been and something I can confidently call true best friends, possibly the closest and healthiest friendship I've seen portrayed in media. Season 2 showcases how far either of them are willing to go to help each other.
Then The End happened.
Molly is the same understanding and supportive friend as she had been all season, almost to a fault. She encourages scratch to go back to his life, knowing the risks that come with it. Why did there need to be the risk of forgetting her when his spirit didn't immediately forget his living life? Don't know. Something to do with an unreleased episode although I doubt the rest of season 3 would have sweetened my opinion of this episode. Only she knew he was about to do this, she didn't talk to any of his other friends or family before he went out to Todd's house. They only found out after the fact and the next morning is when he left. None of them had any time to process that they just lost a family member, especially not Molly.
The scene where he's talking to her on the bench breaks my heart. Knowing your friend is no longer there and is replaced with this stranger. So much of this episode would have been fixed to just let him keep his memories. Considering how hard it was to pull his living memories out of his spirit, it's very likely that even the small fragments of her he remembers will slowly fade away. She had to do the one thing she never wanted to do again and repeat the same pain that's plagued her for the entire series. And it sucks! Why doesn't she get a happy ending? Hell, I'm not even convinced this was a "happy ending" for scratch since he can't remember any of the people he just spent the last two years with.
The biggest slap to the face is when Libby, Geoff, and the McGees come up behind Molly and just act like all of this is fine? They're treating scratch like this wild animal that deserved to be released into the wild because he could never fit in with society when he was PERFECTLY HAPPY with the McGees. He proudly displayed to the entire ghost world that he was an "honorary McGee" and told a ghost hunter to his face that him and Molly would do anything for each other despite their differences. Was all of that completely pointless? Because it sure feels that way. He had this entire new "life" he just completely abandoned because oh I guess I'm not really dead. Guess I better go reconnect with my childhood friend I haven't seen in person or had any meaningful conversations with in decades!!! See ya, chumps, hope you weren't attached to me or anything!
It's so disrespectful to the audience's investment in Molly and Scratch's friendship, the themes of friendship overcoming all odds and lasting forever, and Molly as a character. And to a lesser degree, it's even disrespectful to Scratch since most of the season he spent brooding over the fact that he didn't remember his past! Now he's forgotten a large portion of his "life" all over again. Now he's going to have to live with this nagging itch at the back of his mind that he's forgetting something until he manages to completely repress it too. And to rub salt in the wound, the credits don't have near sight nor mention of Molly McGee outside of a painted portrait of her and (spirit) scratch. All this does is tell me a LONG time has passed and neither of them have managed to successfully contact each other. The dream team is gone, this is a story about a girl and a ghost and none of it meant anything.
"he'll remember when he dies again!" Where does it say that
"he didn't forget, he said Moll! That means something!" The longer he spends away from the McGees and Brighton, the more likely he is to completely forget them altogether. The vague memories will eventually fade away and every "forever memory" will be worthless.
"it doesn't matter, this is Scratch's story" then why isn't it called 'scratch and the human girl'? Or 'the scratch show'? Why is Molly a title character if she's nothing but a plot device for his character development.
"Molly had to learn how to say goodbye." No she didn't. She's been doing that her entire life. She's pretty well aware of how to say goodbye. Making her relive 13 years of trauma from the other side of the vehicle doors is not a useful life skill. Pain is not necessary to grow up.
I don't care what the excuse is. This was a terrible ending for both characters and no amount of "he's happy now!" coping from both the fans and the writers is going to get me to see this any other way. If you enjoy the episode, great! I'm happy for you, there's a lot to love in the music and voice acting and breathtaking animation. But none of that could save me from this abysmal attempt at a series finale. I was so viscerally disgusting by this as a finale that I spent a good two days completely nauseous thinking about it. What a disaster. The sad part is I like the story potential! Him reuniting with Adia is what I've wanted for him all season so he could get closure. Molly and Scratch having to say goodbye is heartbreaking but understandable, a lot of shows nowadays end that way and I half expected it. But him completely forgetting the girl he owes his new lease on life to? My gosh it's just a deal breaker. It is such a cruel end for these characters and I cannot wrap my head around why they thought it was a good idea outside of cheap angst.
I wanted to like this episode and I still do. But they just did so much wrong when one thing could change and it would have completely flipped my opinion on the episode and series in general. But what do I know, I'm just a negative nancy.
Anyway idk how to end this off, justice for Molly McGee, Scratch deserved to be called Scratch McGee, kill Todd Mortenson, peace out
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elasticitymudflap · 5 months
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If Betty returns in season two, what kind of plot lines and character arcs would you like to see for her? Which characters do you want to see her interact with?
oh man. okay buckle up because you are about to endure my full frontal autism.
first you're going to have to go into this post knowing that i am insane about betty grof. i am aware of this. but they also called me crazy back in 2012 when i said simon and betty probably loved each other very much despite the fact she disappeared, and that she was probably a huge chaotic badass, AND I WAS RIGHT so.
all of this aside, here are a couple things i think would be epic and sexy of them to address:
~betty's past~
GIRL WHY ARE YOU LIKE THIS.
no, seriously. i hate that the cut content from the storyboards revealed so much about her that didn't make the final 'jerry' cut. betty is passionate, intense, and liked simon's work because he was this weird little guy who proudly had all these "out there" theories. she even stated that "ancient magic" was once her major, so it's no fucking wonder she was so jazzed to find the one other guy who studied and believed in the strange things she did.
how did betty come to have these strange beliefs, and to the point of pursuing it in fucking grad school? was she just always like this? did her interests and beliefs put her at odds with others when she was growing up, little miss dig-her-way-down-to-the-devil, and that's part of the reason she wanted all the more to support simon?
reading that scene in temple of mars where magic betty laments "what remains" of her original self after spending so long dedicated to simon, even if you take into account the way MMS is warping her perspectives and cranking her obsessive tendencies to 11, i find it hard to believe betty didn't grow up with some kind of instability or trauma that made her more prone to throw herself completely at someone who showed her genuine love and kindness. this isn't necessarily a fault on simon's part, he probably didn't even clock it because he was so caught up with trying not to fuck things up with her (he's got his own issues). but it definitely seems like this is something deeply coded into her being, especially when you consider she was willing to leave everything she knew behind in an instant for him.
and i NEED to know more about the wacky shit she was up to in ooo, before and after becoming magic betty. did she ever go to wizard city? did other wizards even know about her? what does she think about her time as magic betty? moreover, how the hell did king man even get betty to agree to his weird idea of cognitive behavioural therapy?? how did she actually go from literally willing to kill herself via time travel to actually accepting that she needed help getting over simon?? did prismo and the cosmic owl get involved?? what is their connection to king man and mars anyway, i mean we know grob gob glob grod hung out with them?? do you think betty knew at any point about simon's head holding the fionna and cake universe?? SO MANY QUESTIONS RAAARRGHGHHGHH
also, not to get super sappy, but i want to see the enchiridion expedition from her perspective!! i want to see her progression from 'hell yeah im going on an adventure with that guy whose research i admire' to 'oh my god i love his stupid ass help????'.
~betty's guilt (feat. regrets)~
i don't care what the alternate bus stop scene said, you will never convince me betty grof has "no regrets". i think she has 'no regrets' in terms of loving simon, and she would never want him to think that she regrets their relationship because of what it "did" to her (turned her into a kaiju). i think this scene was betty trying to give simon a modicum of closure by reassuring him of that fact, and trying to help him reckon with the fact that there's no going back and changing how things ended up for the two of them; from here on out they can only move forward.
that being said, we know that betty will often push simon into doing things she thinks are best for him, whether he wants these things or not, such as not getting held up by snakes or not dying. she's a quick thinker and a risk taker who doesn't like looking at the 'big picture', and these are things she's probably very aware about herself.
i think, in the 12 years that they were apart, betty probably had a lot of time to reflect on her decisions after the crown came into their lives. how her hubris in trying to study magic ended up in her becoming "magic betty", how magic betty nearly ended/condoned the end of the world multiple times, how she ultimately did cure simon but almost killed him in the process. most of all, you cannot convince me betty wouldn't agonize over how her split-second decision to jump into the future affected simon. you really think betty fucking grof would've have been totally unaffected by the revelation that simon spent nearly ten human lifetimes agonizing over driving her away?
in her last interaction with him, magic betty's recklessness cured them... only to then be grotesquely crushed to death inside of golb. but he didn't get upset with her, he didn't panic, he didn't even fight it, he just... gave in. there's this air of acceptance to him, an acceptance that comes after prolonged and complicated grief, that i'd argue, wasn't the culmination of being cured, but the culmination of his long and painful battle over losing her; he was content to die as long as he was with her. that must have been... really something for her to mull over.
i could easily see her developing a bit of a complex over it. i think it would be fascinating to see a betty who now, after all the dust as settled, has looked at their history and concluded that she was the common denominator in all of this, that she is bad for simon, that in a way she is a "curse" to him. and that it would be the perfect justification for her staying away from him all these years, thinking without her influence he could finally move on from her and live the rest of his human life happily with his new magic future friends.
i don't think betty has necessarily "moved on" from simon, i think she still loves him dearly... but as i said, thoroughly convinced she'll only damage him further if she keeps trying to pursue him, and that simon's breakdown during season 1 was only more evidence to that fact.
i think she's trying to lead him to get over her 'for his own good', and that she's purposefully being vague and simplifying conclusions about their relationship so he doesn't try to fight her on it like he always does when she makes these huge decisions for them. she's not bringing any of the stuff she actually regrets up with him because only betty sees it as a problem. simon is so enamoured with her he probably wouldn't even entertain the possibility that she had negative effect on him, but he would believe the reverse in a heartbeat.
this isn't me saying they're ""toxic"" at all, i'm saying that these are two very damaged people who would benefit from multiple types of therapy. and that, as they are, they currently are more likely to keep going in loops with unhealthy behaviours and blaming themselves ad infinitum rather than try to reckon with how they can change, and how it is a problem that they'll always do it for the other, but never for themselves.
even if all of my above ramblings turn out to be bunk: betty grof needs some kind of therapy for her pre-existing self sacrificial tendencies and self worth issues, a space for her to process and work through all of the things that happened to her in ooo, couple's counselling, and the biggest blunt known to man.
you might be wondering "emery, why are you talking about her like she isn't beyond such things? she's golb now, the embodiment of chaos! her ""arc"" is over."
~golbetty conspiracy theory time~
i'm not entirely convinced betty is golbetty as we've come to understand her. i stand by this with my crumbs of a conspiracy theory in that when simon first did the ritual, it was ORIGINAL golb's face that flashed over the scene (not golbetty or even the statue's face), and how golbetty seemed to transform back into Golb Classic after she blew simon away into the void. there's also this weird thing where golbetty had these holes or rips on her leg when she rotated; i thought it was an animation error but then it was also in the storyboards so idk what to believe...
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plus the boards ive seen seem to only refer to them as "GOLB", never 'GOLBetty', which i just find... interesting
and i keep thinking about simon info-dumping about golb to betty in the 'come along with me' flashback and the specific wording that was used: "imagine if we could somehow harness all that dank energy..." and then comparing it to the specific wording of betty's wish "... however it has to happen, I wish for the power to keep Simon safe"
there's a couple lines in 'you forgot your floaties' regarding betty's work before becoming magic betty that i feel often get overlooked, one being how tiny manticore describes the situation as "she thinks she can save her BF, Simon, by finding the source of magic," and in betty's own words: "studying [magic madness and sadness] could lead me to their underlying cause, and then I'll control the forces that hold sway over Simon"
i've always wondered if part of the reason betty's wishes to "banish golb from this world/for golb to disappear" didn't work was not just because they didn't tap into her heart's deepest wish (keeping simon safe), but because a wish like that would also require some kind of fundamental change to the laws of the universe first in order for it to work. magic betty even references golb as "the most powerful force in the universe," so how would the crown ever hope to compete with that? according the ancient candy elemental, wish magic has the potential to cause "irreversible damage to the very structure of existence". maybe the crown itself couldn't banish golb with a simple wish, but it could restructure the world to create someone who was powerful enough to control even golb, if only it were structured through the correct wishing language.
and it would make total sense for betty to become that person.
i've been thinking about the way the candy elemental tries to warn evergreen from using the crown: "this wish may see things in you you cannot see yourself, can you truly say you know your heart's truest desire?"
i wonder if there may have been two elements to betty's wish, and the part of it that betty "didn't see in herself" was her worded in the language of "power"; betty's desire to gain control over forces of the universe no human could ever hope to fight against, let alone win.
she spent her human life fascinated by ancient magic, fighting to get her's and simon's work recognized as valid and worthwhile. then, she's suddenly in the future, fighting to stop simon from dying, physically fighting at times, and fighting to find a way to gain control over these "forces" that held him prisoner. she essentially is fighting to become the conqueror of magic, madness, and sadness... and she fails, becomes a victim of it. and it all goes downhill from there, the loss of control over herself, over her mind, over her goals, yet the most 'betty' thing about her is that she's still fighting, albeit a bit crooked and to the detriment of all else. in the end, she's even fighting with herself, fighting to remember who she even is without the fight, not even sure if that person exists anymore.
and then she's freed, suddenly, from the confines of MMS to the literal confines of a quickly shrinking prison. when you watch the two of them in that scene, she isn't fighting to escape the same way finn is literally fighting the wall, but you can tell she's not giving up. part of her is still fighting to think of a way out, even when it feels like there's absolutely no hope left.
her desire "for the power" could mean, in a sense, to have the ability to be in control of all that she couldn't at one time or another: time, fate, magic, life, death, chaos... but this was articulated through her love for simon, because it's the only way she probably even recognizes it within herself.
this is why i don't entirely think betty and golb are fused, or that betty is solely "golbetty". i think being "fused" with no possibility of escape would be antithetical to the language and possible wider implications of her wish. this is why i think she's something above even golb, like a being with the ability to possess/harness the power of other deities. and i think she does this specifically in scenarios where simon is in immediate danger and she needs to control them or harness their power in order to protect him.
i'm ready to be proven wrong, and i probably will be. still, i rotate these thoughts in my head at a dangerous velocity, and none of you can stop me.
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~ok i'm done ill stop being insane now (lying)~
so to... actually answer your question, i REALLY want betty to meet fionna and cake, because it sounds to me like they remind simon a lot of her. i would just love to see the absolute fucking tornado they'd be when put in a room together.
also, obviously first and foremost, I NEED BETTY TO TALK TO MARCELINE!!!!!!!!!!!!!!!! PLEASE!!!!!!!!!!!!!!!!!!!!!!!
anyway, as far as season 2 goes, something is definitely up with prismo. and since he's guardian/creator of multiverse entities, who the fuck knows what that means for the fabric of existence if he's glitching out.
all im saying is, i wouldn't be surprised if our main trio end up having to save the multiverse and have to do so with help from other... entities. bettities, even. (hehe. bettity)
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