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#except then it started becoming more and more clear something was wrong especially as more of her mom’s past came to light
multiversal-pudding · 8 months
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Hey listen- I admittedly don’t have a direct source on this, but if I remember right, I think it was said somewhere that Liam took inspiration from the Resident Evil Series for his stuff?
And I double checked- RE8 came out. About the same time Pilot did, so assuming he played it RE 8 would’ve been pretty fresh in his mind during the post pilot rewrites
…So like.
*looks at Uzi Doorman*
*looks at Ethan Winter’s propensity for getting his hand mutilated, the fact he got tortured by cannibal southerners/a cannibal southerner*
*looks at Rose Winter’s thing about her mom having been someone actively involved in experimentation with some weird parasite mold thing that turns people into fucked up zombies/monsters and sometimes comes with strange and unnatural powers and how that later came into play with uh. Her*
*Looks back at Uzi Doorman*
*Looks at some of the later reveals about Ethan and Rose’s natures/their connections to the Parasite Stuff*
*Looks at Rose functionally turning out to be made of Parasite Stuff, Ethan finding out about why his hand kept growing back*
*Looks back at Uzi Doorman*
…Uh oh
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lazydoodlesandfanfic · 8 months
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Keeping Quiet (Sherlock & Mycroft X Deaf!Brother!Reader) *PLATONIC
Characters: Sherlock & Mycroft X Deaf!Brother!Reader
Universe: Sherlock
Warnings: Severe bullying, injuries, turf burn, mention of violence
Request: Hi, can I request?, a Holmes brother fic, where reader is their youngest brother who is in high school/university getting bullied bc their disability(mute/deaf) and how their deal with that situation, I kinda want reader to be a ball of sunshine who always smile but are sad inside and although they can see through his smile, they struggle to find a way to help them. 🥺
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Your life from the get go has always been a little harder than other kids your age. For one, you were the youngest Holmes, which wasn’t necessarily a problem, though when you were born your eldest brother had already graduated university, and your other brother was a teenager not far from leaving school. With their own unique personalities, they struggled to connect you immediately, and you didn’t see them much as a young child. However, since starting Secondary school, they had become a bit more involved, especially since you had moved in with your eldest brother so you could attend a good school that was closer to him, however, you were still mostly by yourself, especially since how work driven both your brother’s were. Oh yeah, and the other thing that made your life a little harder- you were deaf. 
A silent world was all you had known since birth, and because of that, you didn’t have to adjust to any change, instead you just learned to do things differently, like when trying to cross a road on a corner, you’d look at those around you to see if they were going to cross, knowing that if the road was clear and they didn’t move, they could hear a car coming. You never had speech therapy growing up, and since when growing up your parents and brothers always communicated with you with sign language, you never used your voice. To you, your hands were your voice, and the thing in your throat that let you make noises was only for dire emergencies to get immediate attention. 
Right now, you were convinced this wasn’t an emergency, but you had the overwhelming urge to just scream as hard as you can. You wanted so badly to be heard, but feared backlash, either from your peers of your issues being perceived as fake or not nowhere near as bad as you felt they were, or backlash from the people who were making you feel like this. 
You’d just gotten home from school, and you entered as quietly as you could, closing the door briskly and looking around, not sure if Mycroft was home, and you didn’t want to see him right now. You closed the front door, looking at the empty coat hook where you’d usually place your coat, except you didn’t have it with you, so instead you just kicked off your shoes and tried to head to your bedroom with your school bag. However, for obvious reasons, you hadn’t heard Mycroft and Sherlock bickering in the other room, or that they had promptly stopped when the front door shut loudly from how quickly you had shut, followed by your footsteps through the house at an accelerated rate to your bedroom, and the noise of your door being shut just as quickly as the front door. The two brothers stood in silence, staring in the direction of the noises before turning to face each other. “Something’s wrong.” Sherlock spoke up. 
“I’m aware of that.” Mycroft scoffed, before they began to walk to go up the stairs. Sherlock stopped at the bottom though, though Mycroft continued up. Sherlock checked the entrance of the house, noticing your lack of coat, either meaning you were still wearing it or didn’t have it, and the droplets of water on the floor, as well as your school shoes being shiny and darker than usual, told him it was the latter. It hadn’t rained in the last hour. He finally followed after Myrcoft, who was already trying your door, though it was locked. He turned to Sherlock, and Sherlock’s eyes followed the wet droplet stains in the carpet to your door. “He’s locked himself inside.” Mycroft pointed out.
“Give me your credit card.” Sherlock demanded. Mycroft went into his back pocket, grabbing his wallet and going through it to hand him a card, before Sherlock shoved him out of the way, sliding the card through the door, pushing the lock out, and when it clicked open, he turned the handle opened the door enough to stick his hand in, reaching for the light switch, flicking the lights on and off in your room to get your attention. He didn’t get a reaction from you. No multiple knocks to signify he could enter, and not a singular knock for him not to come in. He waited another moment, before looking at Mycroft who at this point looked worried, fist pressed to his mouth. Sherlock opened the door further.
They didn’t see you when they first stepped into the room, but Sherlock noticed your school bag- wet through, soaking the carpet, dirty, the zip busted, a strap broken, several school books looking ready to fall out after being crammed in that were soggy and ruined. With that, he knew where you were- the small bathroom attached to your room. He walked to the shut door, trying the door, finding this one unlocked, and he slowly stepped in, looking down and to the side, seeing you sat on the floor, legs pulled to your chest, head resting on your knees. 
“Mycroft, go make tea.” Sherlock said monotone, not taking his eyes away from you. Mcroft, who had noticed your bag and was trying to find anything to salvage, stood up straight, processing the situation, before turning and leaving the room. Sherlock slowly entered the bathroom, kneeling down before sitting on the floor beside you, carefully reaching out, lightly tugging on your soaked and dirty school jumper to get your attention. You peeked up, making eye contact, your eyes red and as wet as your uniform. Sherlock didn’t need to ask what happened, and you didn’t need him going on a revenge campaign in your honour, at least not yet. Instead, he signed ‘I’ll run you a hot bath, and you get undressed. Are you hurt?” You sniffed, signing a yes, before you started to take off your jumper, pulling it over your head, and Sherlock’s eyes immediately took notice of the wet white material that had stains of red on your arms, and as he looked closer, he saw your hands, and presumably your forearms as well were scraped up and red raw. Sherlock took your jumper from you, standing up, before signing to you again. “Drop them just outside the door when you’re done.” He said, turning to the bath, plugging the drain, and turning on the taps, before leaving the room, shutting the door behind him.
Mycroft arrived shortly after with a tray, cup of tea and snacks as well, placing it on your bedside table. “What happened?” Mycroft asked. 
“He’s been bullied. I’m not sure what happened, maybe he tried to bring up what was happening or tried to stand up for himself, but it escalated outside of school- his uniform needs to be cleaned and died- where’s your first aid, he’s scraped up as well.” Sherlock listed. Mycroft’s mouth open and closed repeatedly, before he spoke. 
“I-I didn’t know.” He stuttered. “He never… he never told me he was having issues at school. I had no idea.” He explained, and Sherlock frowned. 
“I didn’t know either.” Sherlock added. It wasn’t a lot to say, but it made Mycroft feel so much better. If Sherlock didn’t notice something was wrong until now, then there was practically no way for Mycroft to see either. You hid it, and you hid it well. You hid it from the best. 
“I’ll call the school administration and organise a meeting with them. I’ll find out who did this.” Mycroft decided, reaching out and taking the jumper from Sherlock. “I’ll also get the first aid” he commented, turning and leaving the room again. Sherlock stood in your room, not moving, and he waited until he heard the bath water turn off, the door open, your clothes hit the floor and the door shut again before he turned and went and grabbed the clothes, taking them to be washed with your jumper. Sherlock heard Mycroft on the other side of the house, yelling on the phone about repercussions, demanding a meeting tomorrow, even if it’s the weekend, before his voice became louder, him walking into the same room with Sherlock, wordlessly giving him the first aid before leaving again to continue his argument, and Sherlock headed back upstairs to your room. 
He peeked into your room, seeing you had gotten out, dried off and dressed into your pyjamas, sitting on the edge of your bed. He flashed the lights again to get your attention before stepping in, coming and sitting down on your bedside, carefully taking your hands, rolling up the sleeves to properly see the scrapes and turf burn, which made him wince, imagining the pain in the bath, even though you didn’t make a peep. You didn’t make sound despite the pain, and that really, really bothered him. He wordlessly cleaned them and bandaged them, before signing to you “Are you hurt anywhere else?” You nodded, crawling deeper into the bed so your legs were rested on it, and Sherlock pulled your pant legs up to your knees, seeing even more turf burns, and he copied what he did with your hands, pulling the legs back down when he was done, before he pushed the medical equipment away from him, and waited in front of you till you looked at him. “Why didn’t you tell us?” He signed to you, speaking the words along with it. All he got was a shrug, which Sherlock was not going to accept. “Did they threaten you?” He added. You looked away, before finally signing. 
“It wasn’t too bad. I could handle it, I didn’t want to worry you. But I think someone else reported what they saw and they thought it was me.” You explained to him. 
“So if it wasn’t reported, you hadn’t planned to tell us?” Sherlock questioned. 
“It wasn’t a big deal.” You signed, clearly frustrated, which was paralleled by Sherlock. 
“Well it is now. We’re your brothers, your family. If something bothers you, you tell us, even if you’re annoyed at the way light reflects through a window, or how they’ve changed the packaging on a product in the shops, you tell us. Even if you think it’s harmless or not a big deal, we’d rather you told us about little things instead of hiding things until they become huge things. This is huge now, and we’re going to deal with it.” His signing firm and almost exaggerated. You’d never seen someone yell via sign language, yet here Sherlock was, somehow finding a way to do it, and it was pretty effective. 
“Okay. I’m sorry.” You quickly apologised to try and calm him down, which seemed to work. 
“How long has this been going on? How many of them are there, and what are their names? Tell me everything.” 
A few minutes later, Mycroft finally got off the phone, pacing for a minute to plan his next actions- deciding if he needed to call someone else, or go and check on you, but then Sherlock came into the room, and handed him a piece of paper, with names, examples of what each person did and their role in the attack, and how long it had been going on with a short timeline of other incidents. “I trust this is enough to start with?” Sherlock asked, watching as Mycroft skimmed over it. 
“This has been going on since he started secondary school?” Mycroft questioned, Sherlock briskly nodded, before tapping the paper to make him focus again. “Yes. This is enough. I’ll locate their parents and addresses, gather more information, I’ll have people look into CCTV to see if we can catch any footage of them following, chasing or… attacking him.” Mycroft explained, folding the paper up, before tucking it into his pocket. “How is he?” 
“He’s going to be sore for a while, keep an eye on his injuries- maybe take him to the doctor just to have it on record. He’s not very talkative at the moment, but we really need to get him to start talking to us more about things happening to him. If he’s ever quiet around you, try and engage him and ask about what he’s thinking about, get him out of the habit of keeping everything locked up. Leave the addresses to me. I’ll personally make sure they get the letters about the police investigation when you have it ready.” Sherlock said, walking to the entrance of the house, Mycroft followed him, watching his younger brother grab his coat, swing it around him and put it on. 
“Sherlock, do not threaten them- it’ll not be good for the investigation.” 
“I have no intention of threatening children, Mycroft. But I will make sure the point is put across that those parents have done an awful job and that they shouldn’t have messed with Y/N.” Sherlock promised, before promptly leaving. Mycroft huffed after the door shut, glancing up the stairs, before deciding to make a fresh hot drink for you to get started with a conversation with you.
Hope you like it! If you have any questions, please send them in!
*Not my gif
TAGS: @holy-tea-cup-blog @sassy-specter@keenmarvellover @multifandomfix @sleutherclaw @otterly-fey @rebellionofthecattle @hello-love-youre-pretty @werosemagic @courtneychicken  @graysonmalfoy @bellero @originalpottervengerlock @supernatural-pan @esoltis280 @lady-of-lies @lenaswritingandstuff @macbetheliza @mandywholock1980 @cdwmtjb8 @caswinchester2000 @determinedpines @huntheimpossible @automaticbakeryfreakshoe
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thesoappope · 3 months
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My thoughts on Chaggie/ Charlie x Vaggie
Before we begin, no this isn't a "I hate chaggie post" and no I will not be hating on those who ship it either. Rather this is just my thoughts on chaggie at the moment.
So, I'm just gonna say it, Chaggie is my OTP. Not because it is perfection, but because it's in my opinion one of the most interesting relationship canon/noncanon, I love both the characters in the relationship, and any moment of intimacy (not just kisses and such but any intimacy that reads as romantic) is cute. And with that I want to talk about the relationship so far.
Now I've been seeing people say their relationship is toxic or unhealthy, and to that I say...that's a bit strong. Let me explain. So because hazbin is kinda speedrunning it's plot (which I understand bc limitations on episodes and seasons green lit) we don't get to deeply know all the characters and specifics on why they make certain choices and how they ended up the way they did so we have to rely on the broad and limited information provided in each episode.
Based on the 6 episodes released, we can tell Charlie is very optimistic, to a fault at times, passionate, a go getter with some direction, very empathetic, ablivious at times, and ultimanty wants to be a leader but lacks the confidence and authority (despite begin a princess bc we love the royal that doesn't know how to rule troupe, genuinely) to be one.
Vaggie on the other hand, is like Charlie, very kind, but isn't as willing to put faith in a person till they've proven they deserve it, protective, loyal, good intended, not very trusting, lacks confidence, and dependent on Charlie.
Now when you put these two together, while the two do help eachother supplement what the other lacks, whether through reassurance, doing what the other can't or doesn't want to do, or giving the other what they need at the moment, even if that isn't them, it's clear who relies more on the other. After it's revealed how Vaggie and Charlie met, it really reframes Vaggie's character. No longer is she just a slightly insecure girlfriend who just wants to make sure her partner is happy and is being supportive and good enough to her, she's now a character who has bad identity issues. I mean can you blame her?! Her whole life disappeared in an instance and started all over when Charlie found her. I imagine they haven't really been apart since then except for a couple hours maybe, but never for days or longer. And being with someone for so long especially in an unfamiliar place, of course you become attached to them. Add Charlie basically saving Vaggie's life, there's an imbalance there. A feeling of indebtedness even if Charlie never said Vaggie owed her bc wow that would be way out of character.
Now as I mentioned before, Charlie is a bit ablivious to certain things, she's especially ablivious to how vaggie feels and what she's going through. Now that's not entirely her fault, she didn't know Vaggie was an angel and that Vaggie may feel indebted to her for saving her life, but also it's clear Charlie doesn't understand social cues and again, because of her trust in Vaggie, she'd assume Vaggie would tell her anything that was wrong or bothering her since the contrary just isn't something established in there relationship. And if Vaggie didn't want to talk about something she'd say it, not lie. Like in all honesty I think Charlie won't be upset by Vaggie being an angel, but rather hiding it. Now it may sound like alot to ask of Vaggie, but again, Charlie is under the impression that Vaggie would be explicit about what to talk and not talk about. Also Charlie may be hurt because she may feel like Vaggie doesn't trust her enough or think she wouldn't accept her. So I get both sides.
So to me there relationship feels like any relationship, complicated. The relationship Itself isn't unhealthy, but some of the actions of the two involved aren't healthy or the best. Don't think I forgot about Charlie being pushy at times, I understand why she does it, but combine it with her abliviousness it's not so great. I definitely think Charlie and Vaggie can bounce back and maybe the two can have a moment together that helps the two be better together and separate. Which brings me to another thing I'd like to talk about.
My hope for Chaggie in the future is this. In the next episode, the two give eachother space, and they hangout with people in the hotel. I like the idea of Vaggie, Husk, and or Angel hanging out. Charlie and Lucifer or Charlie, Sir Pentious, Husk, or Angel spending time with her. Then half way or 3 quarters through the episode Vaggie and Charlie have a moment together after talking and hangingout with the others, talk about it/maybe apologize, make up, and have there first kiss in the show (other gestures like their foreheads touching or noses touching or a combination of gestures work as well). Then of course setting up for the 8th episode.
Another thought I had, is also the two trying to act as if nothing happened, they continue with there plans with the hotel, then when everyone notices the obvious tension, while they want to prepare for the extermination, they also want to figureout/help Vaggie and Charlie get through what ever happened. Then I imagine they either try doing the exercises and such Charlie plans but secretly use it as a way to help Charlie and Vaggie, in the end Vaggie or Charlie blow up. Shit goes down and then they make up. Or it's still not working so they try getting the two away from eachother by saying they need help with stuff, talking to them, then the two make up. Or one last one I swear, Vaggie or Charlie say to take a break from this. Everyone does, Charlie and Vaggie talk or argue. Walk different ways, Vaggie stays at the hotel and Charlie leaves the hotel. After the two end up figuring shit out, I like to think Charlie got into some shit, Vaggie saves her, they talk as they deal with the trouble Charlie's in, make up, and have an intimate moment.
Now the last thing I wat to say is kinda related but not, so if you came just for Chaggie you can leave. Anyways, with the current state of chaggie (especially with the lack of typical romantic intimacy) I noticed people shipping Charlie x Emily. And while yes I see it, personally I don't ship it just because they've only met in episode 6, they're too similar, and in my opinion, I like them as friends. With that being said, I do like them together so long as Charlie is still with Vaggie. Like I just love Charlie and Vaggie together so much, I don't want them to split. So either I'd have them as a throuple, or Charlie is dating them both but Emily and Vaggie are just friends. Either one is a pretty interesting shipping dynamic and great for fanfiction. Also just to clarify, I'm not hating on Emily x Charlie, it's just not one I'm strong about. So if you like it, more power to you. And you know what, I'll probably still look at content of it anyways cause even if it isn't my fav it's still cute.
Uh anyways, I hope you enjoyed my word vomit and thoughts? Idk how to end this...uh goodbye!
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bestworstcase · 2 months
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So, I recently read your post regarding the Adam short, the WF and Remnants broad sweep of treating children more like tiny adults ETC and found a lot of it deeply insightful and interesting!
However, I feel its worth noting that even before killing that guy Adam was already building a splinter cell/personality cult in Ghira's White Fang with Sienna no where in sight. One rooted in making Faunus resemble monsters to create terror.
Also the comics definitely make it clear Adam was specifically targeting and grooming Blake from day one I feel. Kali & Blakes interactions on that front were really good as well.
i haven’t read the comics myself so i don’t have an opinion on how they handle the characters or the specific dynamic between adam and blake.
wrt to adam and the grimm masks, though: while adam was definitely the one who started it, it’s shown to be something that was not a secret (except for ghira and sienna, all the WF characters are masked in the next scene) and it’s also strategically a good idea to hide your face while engaging in direct action. & the reasoning blake recounts to sun in V2 (“humans wanted to make monsters of us, so we chose to don the faces of monsters”) is an echo of what oobleck says of the WF in v1 (that bigotry and persecution is what pushes people subjected to it to resort to violence).
the point of the grimm masks isn’t to cause terror but rather to demand attention and make a statement without sacrificing the anonymity that keeps the members of the white fang safe: it’s “if fighting back makes us monsters, then monsters we will be.”
(there are also perhaps deeper underlying cultural narratives about grimm and faunus being tapped into—“among beasts and monsters” and all, the dehumanization of faunus is intertwined with the cultural belief that grimm prey upon humans specifically with faunus being at best caught in the crossfires; so i’d argue the grimm masks are motivated in part by reclaiming that narrative and turning it into a weapon for the faunus)
all of which is especially salient to adam because a human literally branded his face. his choice to cover the scar with a grimm-like mask carries a lot of emotional weight; he is taking what humans did to him and turning it into a symbol of the faunus cause that will make it impossible for humans to look the other way—as humans no doubt looked the other way when he was attacked.
that’s why i think narratively it’s important that adam came up with the grimm masks before the turning point that incited his gradual corruption into someone driven by spite and hatred; ghira accepted the adoption of grimm masks by rank-and-file members because because they served the narrative and the strategic ends his white fang was trying to advance. it’s only after ghira leaves and adam increasingly loses that strategic focus and becomes consumed by spiteful vengeance that the red detailing begins to appear on the masks as a visual symbol for the corruption of his original purpose. bc there’s a difference between saying “if you’re going to treat me like a monster for defending myself, i will proudly continue to defend myself because you are wrong” and “anything i do to you is justified by what i suffered.” and adam’s arc is about the slow corruption of the first thing into the second.
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matan4il · 3 months
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Something I see and have seen more of since the SA hearing started was people taking tweets/statements in Hebrew and using Google translate to claim these Israelis are saying really racist, crazy things. Like I'm sure there are asshole Israelis who spout off racist shit, but every country has that, and people can cherry pick whatever they want.
But part of me doubts all of these tweets are even translated correctly. I mean, Google Translate is notoriously bad, but suddenly, it's reliable? I'm sure it's fucking up in some cases, and I wouldn't be shocked if some are straight up wrong or faked (it's not that hard especially now with ai).
But again even if all these racist tweets calling SA's monkeys/slaves and should be bombed are true, those don't represent all Israelis and its clear they're picking the worst examples. Also, it's so annoying to see this idea coming from people who defend the antisemitic stuff in their movement by claiming it doesn't represent all of them. So again it just becomes anouther double standard for Israel/jews in general.
Hi Nonnie,
Absolutely, you're right that there was a lot of taking things out of context, like presenting something that an Israeli official said about destroying Hamas, as if it's said about all Palestinians.
But you're right to be skeptical that maybe some translations are incorrect. Automatic translations ARE bad, but there are also people who are intentionally mistranslating.
I'll give you an example. I'm sorry now that I didn't save that post, but I found the vid that the post used the first 5 seconds from. It's a vid of Yoav Gallant, Israel's Defense Minister, speaking about how, "Gaza won't return to what it was before. We will eliminate everything." Which sounds pretty damning, right? Except the translator intentionally skipped four short words in Hebrew. Gallant actually said, "Gaza won't return to what it was before, Hamas won't be, we will eliminate everything." <- These 3 short words (Hamas lo ihie) totally change the meaning! Here's the vid, and a transcription of the Hebrew words, if you wanna try and follow: "Azza lo tachzor lihiot ma she'hi haita, Hamas lo ihie, nechasel et ha'kol."
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Please note that this is an official translation, from an actual news source, the Al Arabiya channel. Which shows you how much you can trust media that's biased against Israel.
Those three omitted words make it clear that what Gallant means will change after the war is specifically that Hamas will be removed from Gaza, and 'we will eliminate everything' refers to the terrorist infrastructure of Hamas in Gaza, not to the entire area.
What gets to me is that you can clearly hear Gallant say 'Hamas' at the start of his second sentence, even without understanding Hebrew or following the entire transcription, so you don't even need to take my word for it. You can listen to it for yourself, and see that someone omitted the word 'Hamas' from the translation, which in the context of a sentence then quoted by countless anti-Israel social media accounts, and by South Africa at the UN's International Court of Justice, is quite a significant omission.
And this is just one example. So yeah, absolutely DO NOT TRUST translations that come from anti-Israel sources. They have every reason to lie, omit and distort, and millions who blindly believe them.
As for how there are some bad apples in Israel, of course there are! Every human group has both horrible and amazing people, and everything in between. That's not the question. In the context of a state, it's a question of whether these people represent an actual policy? Do they even have power to dictate policy? When they say awful things, how are they treated, are they embraced, or denounced? Is the implementation of the state's actual policy in the field indicative of genocidal intents, or do the over 10,000 aid trucks allowed by Israel into Gaza so far, speak louder than an insignificant Israeli politician, who doesn't even have the authority to dictate Israel's policy regarding Gaza, and who thinks he's scoring some cookie points by saying some dumbass shit?
Like one Israeli politician, who's in charge of heritage, whatever that's supposed to mean (I can't tell you a single accomplishment of his, or a task he oversees, but he certainly isn't in charge of ANYTHING that has to do with the war) who was asked (so this dumbass didn't even come up with this dumb take himself), "Would it be a possibility for Israel to use a nuclear bomb on Gaza?" and he said yes. He didn't come up with this idea, he didn't say it's a certainty, he didn't call for its execution, he was just asked about the option and said it exists, except anyone with a single brain cell (yes, you can tell my opinion of him), and certainly the people in Israel with real power, would tell you that even if anyone was that inhumane, dropping a nuclear bomb on Gaza, which is right by Israel, with tons of Israeli communities right next to the border, would kill countless people in Israel, too. Which I am sure he would not actually support in a real life scenario. Oh, and he also got denounced and suspended right away. And still he was quoted at the ICJ, because why not? We all know every country is measured by what its dumbest, least consequential politician says, not by what its leaders do... Oh wait, no. That's just Israel.
So yes, you're right. It is an application of a double standard that discriminates the Jewish state, while most countries aren't treated that way, and while Israel haters themselves wouldn't wanna be treated like that.
I hope you're well, and taking care of yourself in the face of all of this hateful propaganda and discrimination! xoxox
(for all of my updates and ask replies regarding Israel, click here)
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cheesecakezyum · 2 years
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Sun Wukong's courtings, please?
Being Courted By Wukong <3
Yay! They’re here! I 100% didn’t expect all the positivity my other posts have received— and I still have around 3-4 more requests just following through the idea.
I need to pay more attention to my Ao3 account as well, so my time is going to be split up going forward. I just wanted to get things started on here for future plans! alsomayhavebeenabittooinvestedwiththeseideasyouguysaregivingme.
This one might be a bit shorter! Demon courting is overall pretty similar with both monkeys, but I still added + changed some things.
But yeah! Let’s get to it, shall we?
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♡- You couldn't seem to shake the feeling in your noggin that something was definitely wrong. Not with you, nothing has changed whatsoever. You considered your life to be quite normal actually! If you ignored the whole ‘monkey king is your closest companion’ dilemma.
♡- Like I’ve stated in my previous post, I like to believe that demons have natural, more primal centered instincts despite how modernized they’ve overall become. A reminder of their past origins and rituals in rural times. The monkey king is no exception with this matter. Especially when thoughts of courting you come into play.
♡- Building a friendship with someone like you was never something he’d be able to foresee, but destiny apparently had its way this time.
♡- Not like he minds, but the monkey king actually fell for you without paying too much attention to it.
♡- But it didn’t bug him as much as he initially expected. If anything, it cleared the air! That's why he found teasing you more fun, why your laugh gave him such a serotonin boost, why he kept staring at your lips. And why he was still thinking about you more than necessary.
♡- It definitely takes Wukong a while to even realize these feelings. Not that it’s necessarily impossible for them to come, not at all! He was just used to seeing everyone in a platonic light until it just hit him.
“You think they’d like this?”
“ Imagine their face if they saw that!”
“Oh.”
♡- You’re just.. intoxicating? Yeah. Something like that. He’s so utterly interested about you and your life– expect questions galore from him just about your daily routines. This delves into the courting aspect as well! Would ask you what your favorite food is, movie, hobby– specifically for things to bring you in the future. It can be a bit nagging at times, definitely. But you knew he had nothing but good intentions.
♡- Would attempt to watch anything you like for more opportunities to talk to you and open up to him.
♡- He’ll constantly tell you about all his adventures. Come on, he just has to tell you how cool he is and worthy of being your mate! You’d definitely accept him then!
♡- The staring is something you caught onto fairly quickly. Plenty of times he’s been seen in a daze of sorts, just… gazing at you. Wukong’s utterly clueless about it, at least until you decide to mention it.
♡- Isn’t afraid whatsoever to be blunt about it when caught in the act as well! Why hide his feelings when his whole job is to win you over?
“Hey, are you even listening? Helloooo?”
“Oh! Uh, yeah. Did you know how much I love your smile?” he wasn’t listening.
♡- Compliments galore! The way you did your hair, how you look so good doing a certain activity– He isn’t lying when he says he just can’t get enough of you.
♡- Holding your hand, always. Extremely physical with you in general really, but now it’s been more saccharine? Just, sentimental– sweet. Hugging you from behind with his arms wrapped around your waist, his chin propped over your shoulder etc etc.
♡- There have been plenty of times where all he’s needed was to be held or hold you– but now it's close to a daily routine. This includes rubbing his face all over you– especially your neck.
♡- 100% because he wants other demons to know that he’s pursuing you. When he notices you’ve showered, will not let you go until you’re practically drowning in the smell of ambrosia and peaches. You’re usually stuck there for a while.
♡- It tickles too. ALOT. You can’t help but wiggle in Wukong’s grasp as his fur brushes against your collarbone, which mildly annoys him. Just stay still for once! Not like you can help it anyways, with his superior physical strength; You’re basically forced to succumb to the torture.
♡- Grooming you isn’t a common occurrence, but he loves instead being groomed BY you. Will rest his head on your lap and just let you brush through his mane, or lay in between your legs as you untangle the knots that have been building up.
♡- This man will purr. Most of the time it’s quiet, but you can tell by the faint vibrations. Gets really fussy if you mention it to him though. Not like he even attempts to hold it in.
♡- Will discreetly give you his merch and overall memorabilia. Keychains? Slide them on your keys when you’re not looking. Shirts? Throw them in your closet.
♡- And when you actually wear them? Mann is he absolutely wrecked. Even if it’s just to sleep in, it makes him happy!
♡- It wouldn’t take him too long before he’d bring up the question he’s been waiting to ask. Impatience at its finest.
♡- It’d be after a long day of overall enjoying each other’s company. Whether it be a stroll, binging a show, overall nothing too grand; But comfortable— domestic.
“Sooo… how did I do?”
“What?”
“Courting you!”
“Oh.”
♡- You quickly pieced together that everything he’d been doing was all adding up to that. And surprisingly, you didn’t mind? It was just.. different.
“What’s courting to you, Wukong?”
♡- The rest of the night would be a long conversation, both of you comparing both human and demon courting rituals and such. Who knew it was so different! The two of you definitely had some research to do.
─────────────────
Hopefully this will suffice <3
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max1461 · 7 months
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One of the most frustrating things is making a post that you think is right, and also important, but which unintentionally conveys something that you think is subtly wrong. Especially when the post gets popular. You want to keep it circulating, you want your point to keep spreading. But you worry that you're spreading something bad along with it, a misconception that your readers might not even know they're absorbing.
That post I made about the Meiji restoration a while ago was one of these. I ended up making in unrebloggable, mostly because I was just getting tired of that discourse. I think it was a good post and I stand by it. I criticized the Meiji government for an ideology that saw "Westernizing" and "industrializing/modernizing/becoming competitive with the Great Powers" as necessarily part-and-parcel, and I criticized contemporary political leaders who think the same thing. And I think that's a fair criticism in both cases.
But I did have a major concern about that post, which is that it I think it played into this idea that the Meiji restoration was some absolute break in Japanese history, where Japan stopped being... idk, "authentically Japanese" and started being "a Westernized country". Which is almost exactly the type of narrative I'm trying to critique! Like, no! Disregarding even the general dubiousness of those categories: there was serious continuity between pre-Meiji and post-Meiji Japan, this wasn't an early-Soviet-Union-level reshaping of society.
Maybe I shouldn't say that, I don't know enough about the early Soviet Union. But you get my point. I worry that my post made it sound as if the Meiji government were ripping up shrine gates and shit left and right, shredding kimonos and foisting Western suits upon people, and banishing nay-sayers to the gulag. No! That would not really be an accurate description of what happened.
So I worried about giving the wrong impression. I think I've posted about this already.
But my whole point, really, the point I was trying to make with that post and the point I am perennially trying to make, is that the modern world is not inherently "Western". Not in principle or in actual fact. Modernity was made across the whole globe. That sounds like a sort of trite statement, a meaningless inversion of the typical Western chauvinist narrative, but it isn't! The more you learn about early modern history the more clear this really becomes.
Japan was an early industrializer. Not among the very first wave, but ultimately still early. This means it was not only "on par", in terms of access to material wealth and technology, with many nations in Europe, but that its industrialization also meaningfully predated that of much of Europe, especially Eastern Europe. The core element of industrial society—the industrial factory—is a technology. A technology invented in Britain, which just like any technology spread first to nearby regions and later to far off regions. Of course in the increasingly interconnected modern world, sometimes technologies make big geographical jumps, as industrialism made to Japan in the nineteenth century.
And of course I'm oversimplifying the history here, but my point is that this is all ordinary. There's a narrative which sees the whole process of the spread of industrialism as almost mystically exceptional. A divine enlightenment was given to the West, which from then on separated the West and the Westernized in their very essence from the rest, the unenlightened masses, the savages. The White Man's Burden. But, aside from being a perennial justification for colonialism, this view is intellectually immature. It's a just-so story.
Like all inventions, the industrial factory and the technologies which emerged around it have a geographical place of origin. But like all inventions, they spread—both inside and outside the West—and people in the places to which they spread immediately started iterating on them and adapting them to local conditions and contributing to the larger sum-of-effects we call the modern world. Modernity was made all over the globe. Japanese modernity is not a mere Western importation, layered on top of indigenous pre-modernity. It was made right there in Japan, by Japanese people, in Japanese institutions, and so on and so forth. It drew from ideas developed elsewhere (as cultures always have! As Japan did with China just centuries before!), developed in France and Germany and Britain, and it contributed ideas which were then taken up in France and Germany and Britain.
And these kind of effects are easy to see with Japan, because it was an early industrializer, but once you pay attention you see them everywhere. The making of the modern world not as a unilateral imposition of the West upon the rest, but as a mutual engagement of many societies across the globe making something new together—sometimes cooperatively, usually competitively, and very often at the expense of the most marginal. But, still, together, as an aggregate process.
Our world was made everywhere. I do think it sounds completely trite, especially because I'm rather tired and don't have the wherewithal to source more specific examples. But I really do think this because meaningfully clear when you engage with the history.
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thewitchofbooks · 1 year
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A few things about Cyril Rose, Chevalier Michel and Lucian
I was always curious about Chevalier's behavior towards Cyril, especially after Lucian was introduced as the covert and the royal guard later on for Chevalier. The question in my mind was, if Chevalier really trust Cyril to become the lead knight of the foreign affairs faction, then would he ever call him by his name? The post is based on Chevalier's election promise party event
Spoilers and facts about Cyril (and a few about Lucian) under the cut!
After obtaining Chevalier's Early Clear Bonus from this party event (promise from 2nd anniversary/election):
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The story was in his POV and fully voiced (meaning that his thoughts and dialog were voiced, except for a few lines of narration).
But from this story, we are able to see a few sides of Chevalier that we never saw before, nor did we hear him talk about. Including Cyril Rose.
The story starts with him training with the knights, before "killing them" as he said after knocking them out. And it ends with Cyril being the only one standing. From the Mc's POV, Cyril could keep up really well, but Chevalier kicked his sword. In Chevalier's POV, Cyril actually got distracted, else the battle would have continued.
This whole training thing was never something that Chevalier would have done, but he feels the need to show off in front of Emma.
Back to the topic, while training and inwardly praising all the knights, who were able to keep up so much longer against him, Chevalier thought of Cyril.
And while thinking of him as Clavis' knight, he also acknowledges his name!! The same way Lucian's name is acknowledged, meaning that it's written right on top of his job in the castle:
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Translation:
Chevalier's thoughts: 'Usually, I leave the management of the knight's to Clavis and the red head (Cyril),'
So he does, indeed, acknowledge him with his name. Conclusion: Chevalier loves to "make fun" of others with these nicknames (more like he points out what describes them XD). Lucian is also called the long black haired royal guard (Since Chevalier is the king, Lucian is the royal guard).
A few things for Cyril:
In the party event story (previous discussion), it shows how much more familiar the knights are with Chevalier and how much more they are scared of Cyril (as their master in training). Chevalier told them to run 100 laps around the castle, making the knights complain about it (with no fear towards him). Translation of the moment:
Knights:"Hyahhhhhh.....100 laps!?"
Chevalier:"Even if I'm showing the losers mercy?"
Cyril:"Thank you for your mercy! Everyone, keep your mouth shut!"
When Cyril told them to shut their mouth, they all stopped complaining and run out to train
Before that, Chevalier admitted to Cyril that out of all of the knights, he would be the only one standing at the battlefield. And not only that, but he told him to make sure to withdraw if something goes wrong and return to the castle before he dies. He also said that he should help and save as many of those around him, leaving Cyril at a loss but he was quick to agree with Chevalier.
Thank you for reading this far! This event was truly enjoyable and definitely worth to get the ECB. A small flashback of Chevalier and Clavis is also in there, but in Chevalier's thoughts.
Chevalier was drawing Benitoite in huge detail and Emma was watching in amazement, before she complimented him. Chevalier thought that he never payed attention to drawing before, but he once tried it, because Clavis made him draw to find a weakness, but Chevalier knew how, so Clavis threw a tantrum when he saw the finished project.
And of course, after he finished drawing Benitoite, he drew Jade and gave attention to the huge greenhouse, because it looked like it came out of a fairy-tale, so he knew Emma would love this the most.
Although he finished with the drawings, gave them to Emma after she asked to keep them, knowing that all he was doing was useless and had nothing to do with their lessons, he still asked her to draw something for him.
(Keep in mind that Sariel doesn't give Emma lessons as much anymore, it's mostly Chevalier when he is off of work).
Emma drew roses, books (Chevalier's thoughts were that this was a rose garden with her favourite things), and in the end, she added added tiger! And Chevalier took the quill pen from her hands to draw a little rabbit too. He started praising Emma a lot and her expressions changed a lot, so he laughed very hard at her (his thoughts were that he never laughed this hard in his whole life).
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morallyinept · 3 months
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A full transcribe of MAX LORD'S dialogue/lines from the film WONDER WOMAN 1984
Includes full dialogue, and dialogue from any deleted/additional scenes available.
I've created this as a point of reference when writing for Pedro's characters, and I hope you find it useful. Even if you just want to read the dialogue. 🖤
FULL MASTERLIST OF PEDRO CHARACTERS DIALOGUE
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☝🏻Dialogue has been fully transcribed by myself using reference to original scripts (if available), audio subtitles and using my own two ears. Therefore, mistakes can be made, however I have tried to be as fully accurate as I can. If you spot an obvious mistake, please kindly let me know. Where audio is not clear, I have marked with *inaudible* Scenes are separated for ease of reference.
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FULL SCRIPT DIALOGUE:
Welcome to the future. Life is good, but it can be better. And why shouldn’t it be? Everything we’ve ever dreamed about is right at our fingertips. But are you reaping the rewards? Do you… have it all? 
Welcome to Black Gold Cooperative. The first oil company run for the people, by the people. Think about finally having everything you’ve always wished for. 
For a low monthly fee, you can own a piece of the most lucrative industry in the world. And every time we strike gold, you strike gold. 
No matter who you are, no matter what you do, you deserve to have it all. Do you have everything you’ve ever wanted? Aren’t you tired of always wishing you had more? Join me today. Operators are standing by. You don’t need a pile of money or some business degree to get started. You don’t even have to work hard for it. 
At Black Gold Cooperative, all you need is to want it. 
__________________
A pleasure, Ms. Minerva. 
No.
Life is good, but it can be better!
“The oil guy,” I’ll take it. 
Well, what can I say, doctor. Your reputation precedes you. And apparently we share a passion for gemology. 
What? 
I'm right here! Haha! 
Life is good, but it can be better. Hahaha! 
Well, I have a great relationship with Sears. I can get you a brand-new TV by the end of the day. Nineteen inches. No strings attached. 
Okay.
It's going to be an amazing party. I hope you have something nice to wear. 
I agree. Except, I like to party. 
You like Latin dancing? 
Really? No, I doubt that you’re a terrible dancer, the shape that you're in. 
You know, I really should be going. Thank you for the tour. I will have to see you tonight. 
Thank you, John. 
__________________
Ladies. Not now, Raquel. My supplements? 
How? How! Yes, clearly. Alistair. 
It's not done yet, buddy. But it doesn't matter. You just have to be patient. I told you the pool, the helicopter, you’ll have it all. But remember, Rome wasn’t built in a day, was it? No. 
Well, it takes time to become a great, great, number-one man like your dad is going to be. 
Simon. These offices aren’t ready for guests yet. 
Alistair, go wait with Raquel. 
Simon. I know it's hard to see right now, but we are finally at the edge of turning this thing around. 
No! I have a big… there’s something in the works. And it’s no scheme. Simon, we have millions of acres of potentially oil-rich land. 
I am not a con man! I'm a television personality. And a respected businessman with a plan. With… with… a great plan. 
You’re going to regret this. 
Simon, wait. Simon. 
I am not a loser! He’s a loser. And don’t you ever believe a word that man said, he’s a liar and he’s wrong. And he will rue the day he walked away from me. And you. And you are going to be so proud to be my son. You’ll see. Everyone will. 
__________________
Dr. Minerva. You look breathtaking. 
Mmm. 
Biotin. You should try it. Makes you glow like a teenager. Reverses the clock. Never accept limitations of nature. 
Especially not a beautiful woman like you. 
God, it’s so loud in here. 
Can we go somewhere? Just me and you? 
Hmm… your office? 
__________________
Oh, wow! Look at all this stuff. It’s so… It’s so beautiful. Like you. What is that? 
Wow. 
Let me help you. Max is here. No need to be stumped ever again. I have a dear friend in Roman antiquities. Could give it a look, if you like? It is Latin, isn’t it? 
__________________
“One great wish.” I’ve been waiting. I wish to be you, the dream stone itself. 
__________________
Thank you, Belinda. 
I’ll have your money, Simon. Today I’m here for an apology. 
I’m sorry. I messed up. I messed up. I lied. And I'm sorry. You know the truth is, I knew we were going to sink a long time ago, the wells were coming up dry. And no data suggested that was going to change. I should have folded then. But all the people that bought in, that believed in me... I wanted to do right.  
Simon, don’t you understand that I wished for better? That with every ounce of my being, I wished that Black Gold would change the world for all of us. And I know you wished that too. 
Then your wish is granted. And in return I’ll take all of your shares… and full control of Black Gold after you are somehow magically removed from my path… forever.
Ow. 
__________________
My word. Are we in danger? 
Raquel? Raquel?! 
Raquel? 
Which ones? 
I'll get you help. Tell me again. You wish you had more help? 
Emerson. Yes, you’re hired too! 
I’ll take it in my office. And bring me my vitamins. 
__________________
To meet a peer. 
On my journey to self-fulfilment, I lucked into a secret. The secret of the wish. So I wished for it. Or someone wished for it for me. Tell me what you wish for, your highness. And I will show you how it works. 
Like what? 
You wish for that? 
Your wish is granted. And in return I will take your oil. 
Then I will take your security team and leave you here with nothing to defend yourself against the wrath you will most certainly face. 
__________________
You’re looking at it. 
Whoa! 
__________________
So who’s the next closest person with oil? 
Like I want any of these people in the club anyway. Can’t we tell them they’re not invited? 
Oh, the FCC. The BBB, the FBD. It’s a conspiracy against my success. They’re jealous, that’s why. Who’s next? 
Send in Mr Zhong, please. And buy Alistair a pony. No! A race car. Get him a race car. Get him a race car. 
Alistair? Again? How many weekends do I have-
What? What? When? Tonight? 
Let’s get to it, Lai. Tell me, what do you want? What do you wish for? 
Mmm-hmm. Mmm-hmm. 
And you need… what do you wish for? 
__________________
Consider the sex tape gone. And God darn it if I have to keep doing this one by one by one by one… How's your health? Forget that. But I will take your entire congregation and your time slot. Let me ask you, when they pray, is there any way I could get all of them to join hands with me and simply say "I wish" rather than "I pray?" Would that even work? I need to find a way to touch a lot of people at the same time. 
Oh, God! This isn't working. Bring in someone new. And my son. You, beat it. 
No! You don’t use your one wish like that, Alistair. You don't wish for something that you already have. You wish for greatness, for success. That’s why I’m doing all of this. Don’t you see that my greatness is your greatness? Huh? 
Alistair! I’ve missed you, buddy! Come, sit down with daddy. I’m sorry. But your dad is on the absolute precipice of everything. Remember when I told you that I would be number one? Do you remember? Your dad? Well I’m inches away.
Huh? I know it's hard, I know. But listen, I also know what you wish for, and I wish for it, too. Do you hear that? I wish for it, too. 
No. No! 
Thank you. I love you so much and I promise you one day everything is going to make sense and one day you'll thank me. But right now I need you to stay here with Emerson. You stay here. I’ll be right back. 
__________________
You. You! Don’t you wish I had an audience with the President today? 
Wait a minute? Have I asked for your wish before? 
What is it with you aides and Porsches? 
__________________
You! 
How’s traffic? 
Don’t you wish it wasn’t? And that everywhere you went parted like the great Red Sea? 
__________________
Everything okay, Mr President? 
Exactly that, Mr President. These hectic days, hectic times. And you. 
You’re having some troubles? 
Mmm. 
It’s not money I’m offering. You… You are a man of faith and I have been very blessed lately. I want to share my blessing with you. The power of positive thinking. Now… tell me, Mr President. What do you need? And you’re not speaking to me here, but to the universe. What do you wish for? 
A nice thought. And I grant you… ah, oh…oh my… And you’d know what I’d like? I would want all of your power, influence, authority. All the respect you command, and the command everyone must respect. 
Ahahaha! I mean, what else is there? Now, tell your people I would appreciate absolutely no interference whatsoever. No taxes, no rule of law, no limits. Treat me like a foreign nation with absolute autonomy. 
What’s this? 
So what does that mean, you’re taking over everyone’s TV’s? How? 
You said “touches”? As in the particles you are sending are touching everything? 
I need immediate access to this satellite. And a chopper to get me there. 
__________________
Well, aren’t you resourceful? 
No, I don't think so. Remove this woman, please. Permanently. 
__________________
Oh, how sweet, defending your love, huh? What do you wish for? Do you wanna be a real boy? 
__________________
Everyone stand down. Nobody hurts her. 
__________________
You made a wish too, huh? Ahahahaha. They’re a bitch, aren’t they? Make you pay a price, but I’ve never been one for rules. Luckily, I have a way to reverse it. The answer is always more. 
But I, my dear, grant the wishes. So I take what I want in return. There’s nothing in this world someone doesn't have. I’ll rebuild my health wish by wish, organ by organ, if I have to. I'll be invincible. Tell me what do you want? I’m feeling generous. 
I like the way you think. Go on. 
__________________
You heard we were coming, I presume. 
How many broadcasting signals can I take over at once? 
I’ll take all of them. 
And I sure wish this works for me. Don’t you? 
Lights, camera… 
__________________
Citizens of the world, allow me to introduce myself. I am Max Lord, and I'm here to change your life. All you have to do… is make a wish. Anything you want. Anything you dream of, you can have it. If you can dream it, you can achieve it, so just look into my eyes and make a wish. Anything you dream of, have it. Right now. Do you want to be rich? Do you want to be powerful? Say it out loud! Look around you! Make your wish! Take what's yours! Whatever you want, you can have it!
Wish for It. Anything you want. 
Anything you dream of, have it. 
Yes, I hear it, I hear you. Yes, say it. Say it out loud. That’s right, I wish. Take it! Take it! It’s all yours, it’s all yours for the taking! And I… I take your health, and your strength. Give her your rage, and your prowess. And I take your power. I take your life force. Yes. Yes! That's right! You're doing great. 
It’s all yours. All you have to do is wish for it! 
That's right. Just wish for it. It’s yours now. All you have to do is say it out loud. Make a wish. Any wish. Look into my eyes and everything you've been waiting for, it’s all yours. 
You're too late.
Granted. Granted. Granted. Granted! Granted! Why not more, why not wish for more? We want what we want, just like you did. So make a wish. Very good. 
Granted. 
It's too late, Diana. They already heard me. Already wished. And those that haven’t yet… ahahaha! Oh, they will!
Granted. Granted. Granted. Poor Diana. Why be such a hero? You could have kept your pilot, and your powers. If only you'd joined me. Wanna reconsider? Hahahaha! I’m a forgiving man! Hahahah! You want him back? Just say the word. You can have it all! You just have to want it! 
Why would I when it’s finally my turn? The world belongs to me! You can’t stop me, no-one can! 
Stop! Cut the signal, stop! 
Alistair! Alistair! Alistair! 
Wait, my son. I can see my son! I have to save my son. Alistair. My… Alistair. I renounce my wish! 
__________________
Alistair! Alistair! Alistair! 
Alistair! Alistair. 
Oh, Alistair, Alistair. I'm so sorry, baby. 
No. That is not why I'm back. No. I’ve been lying to you. I’m not a great guy. In fact, I’m a pretty messed up, loser guy. And I made terrible mistakes. But you… you don’t ever have to make a wish for me to love you. I’m here because I love you. I just… I just wish and pray that one day, I’ll be able to make you proud enough that you’ll be able to forgive me. And love me. Because I’m nothing to be proud of, Alistair. 
__________________
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FULL MASTERLIST OF PEDRO CHARACTERS DIALOGUE
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wordybee · 1 year
Text
Leverage does a phenomenal job with consistent character development across all episodes barring a few exceptions (*cough*French Connection Job*cough*) but they really deserve bonus kudos for Parker. Parker is a stand-out example of good character development without sacrificing the elements of a character that make them great.
Parker starts out as a quirky super thief with an occasional cutthroat lone wolf attitude that seems, frankly, strange in hindsight. Moments in the pilot like drawing a gun and saying “That makes me cry inside my special, angry place” is not Parker language we recognize from her at any other point during the series run. The closest we get is her jaunty “Bye, now!” when she’s a few moments away from throwing Tara Cole off the roof of a building, but that’s still not quite as affected as the “special, angry place” line, which really sounds more like she’s mimicking something she’s seen elsewhere.
And what might have been a scene in which writers new to these characters were trying to find their footing but slipping a bit becomes a moment of genius when you realize that a core aspect of Parker is that she is mimicking the people around her, all the time. She doesn’t have a good enough hold on social norms to respond confidently to situations without using others as a blueprint. We see it constantly throughout the show, where she questions whether something is supposed to be funny, or “hot”, or creepy, and it becomes retroactively clear that her “special, angry place” line is terminology she likely got from someone in her past.
Leverage effortlessly portrayed Parker’s growth as stemming from her exposure to the other members of the team. Sophie is probably her most formal teacher of socialization, since Parker asks her directly about what to do in certain situations. She learns human connection more naturally from Hardison, who also helps by reassuring her that she is not broken, not crazy, and there is nothing fundamentally wrong with her. Parker recognizes an innate goodness in Hardison and tries to mimic it while Sophie gives more specific direction. From Eliot, Parker learns that the things that make her different aren’t necessarily bad and can in fact benefit the rest of the team. And the way Nate affects Parker might be the most interesting, since it’s clear from the start that Parker observes Nate’s methodology and approach to jobs — they collaborate on plans, he tests her, and his influence takes her from the loner she was before meeting the team to the leader of the team when Nate and Sophie retire.
The team members other than Parker are fairly set throughout the original series run. There are moments of growth and learning (Sophie and her sense of identity, Nate and everything going on in his head, Hardison and his strengths/weaknesses and generally growing up, Eliot and wrestling with his past) but they are primarily the same core people from beginning to end. 
No one experiences as dramatic a shift as Parker, who goes from being so removed from humanity that she doesn’t understand why anyone would be upset by death/dying, to wanting to understand that concept and throw herself into it, to embracing empathy and understanding around grief especially and kind of becoming a secondary emotional core (Hardison is, of course, the primary emotional core of the group). That's amazing growth, portrayed subtly but consistently over the course of the original series while the writers "show their work" the entire way.
And the best thing is, she never loses her quirkiness. She never becomes less weird or less Parker, she just evolves into a greater version of Parker. That’s the key to excellent character development: leaving room for growth and evolution but sustaining the character in the same way actual people might change and grow but remain, ultimately, themselves. Leverage manages that beautifully and it’s a remarkable, remarkable thing.
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murdockmeta · 10 days
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hi, im new here (not to dd just to the tumblr sphere— why does everyone seem to hate zdarsky/checchetto? i really enjoyed the first part of zdarkys run and i adore checchetto’s art + design, so idk what i missed that makes everyone who comicsposts dislike it so much??
hm. this isn't the easiest question to answer. there's a LOT of different reasons as to why people disliked that run.
tbh I'll admit the first 20 or so issues of v6 are kind of okay. not impossible to read. it goes downhill fast after that, tho. very very downhill.
here's this post by @/xycuro-illuminati that does a good job of explaining why so many people disliked the run. here's my post on the ableism in zdarsky's writing. trust me you aren't the first person who's asked this question before
i'll give you a more general answer of my own opinion, tho
zdarsky's writing misses what most consider to be crucial points of Matt and Elektra's characters. with this, he entirely obliterates their characterization and that really pissed a lot of comics fans off.
i would consider volume 6 to be the beginning of the MCU-ification of dd. it is clear that at that point, some higher-ups were pushing for daredevil comics to become more like the show. the show was a MASSIVE hit and they wanted to cash in on that. so, they had the writers start shifting the comics and the characterization around to fit the show better.
this is where the problem lies. it is insulting, honestly, to ignore the past 50 plus years of writing for matt's character to shift it into something that will be more palatable to live actions fans just so marvel can get a good payday.
the most glaringly noticeable part of this is - the catholicism. the live action show makes a big deal out of matt being catholic when this was never really the case in the comics. while matt being religious and catholic are present in matt's background in the comics, it's not even close to being a big part of the character.
one of the main things that makes matt so compelling as a character is his morality, his integrity. he upholds his moral code relentlessly because he believes it is the right thing to do. he believes everyone deserves a second chance no matter what. in zdarsky's run and in the show, matt's reason for upholding his moral code is tied to his religious beliefs.
here's a good post on the origins of catholicism being related to matt's character and how it differs from the show and why it is such an injustice to tie matt's morality to his religion.
it's really really hard to articulate every single thing that's wrong with zdarsky's run while also giving you a thorough explanation.
i could tell you about how zdarsky's original plot was focused around matt's guilt when he accidentally kills someone but... matt's killed people before. he killed someone in his very first issue. ever. he was chasing after the man who was responsible for his father's murder and scared him so badly the man had a heart attack and died.
all of zdarsky's plots and subplots are all things that have been done over and over, he just writes it worse.
i could tell you about how shitty checchetto's art is. he can't draw women. or fat people (foggy fans deserve reparations). toward the end of the run he gets ESPECIALLY sloppy. he whitewashed kirsten and sam.
i could tell you about how zdarsky wrecked elektra's character. he completely ignored her origins and the character development she's had over the course of decades of writing just to slap some random retconned backstory onto her.
theres so. many. things.
i got into the comics through the show. when I started reading the comics I honestly perceived comics matt and show matt as two entirely different characters because they just felt so incredibly separate from one another. it is not that there are zero similarities, but their reasons for WHY they are the way that they are diverge wildly from each other
i dont know how else to put it except to say this. when I read zdarsky's run, I do not feel like I'm reading about Matt Murdock. it doesn't feel like matt, it doesn't feel like daredevil. it feels like an entirely new character that I do not know.
to fully explain to you why i feel that way would take a damn book. i realize that my answer isn't at all comprehensive and some parts are probably confusing but it is impossible to pick a start and end point. that's just not matt. that's it.
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snitchesnsneeds · 2 months
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After too much stalling, I finally finished the other half of Miraculous Season 2. Here's my thoughts episode-by-episode:
Zombizou: The episode focused on Ms. Bustier. Honestly I get where she's coming from in that statement to Marinette. This is a world where people can become butt-ugly abominations because they felt upset, although I think Chloe still needs consequences for her actions as well as something like positive reinforcement. She had plenty consequences in season 1. Speaking of Chloe, That Asshole was wrong. There was clear intent for Chloedemption. Also could we at least have seen all that stuff Ms. Bustier does in previous episodes?
Syren: This was an episode the salters talked loads about, and honestly, I get where Adrien's coming from here. On a fundamental level the Ladybug and Black Cat miraculi aren't equals due to the Ladybug's magic reset button, but as one of the first Miraculous users, Adrien should've still been let in on the loop. Kid felt like he was useless, that Ladybug could save the day without his help. At the very least have Master Fu go one-on-one or have both kids show up while transformed or blindfolded. Also the water voices ticked me off, but that's relatively minor.
Frightningale: A fun character-of-the-week episode, especially since I'm fond of Clara Nightingale's constant rhymes and rhythm. She's dedicated to it and I love it. It's also good to see Chloe be an exceptional and talented dancer! It's good to see her having talents and interests that aren't just making people suffer!
Troublemaker: Another episode showing why I think Marinette and Adrien shouldn't date in any of their forms. I don't know enough about stalker shrines but I think Marinette's room is getting close enough to be one for Adrien. Though I'm pretty sure Adrien's seen worse or has been conditioned to not care, based on his reaction at the end. Still a shame that the local TV show had to live-film Marinette's room and beach her privacy in the local city-town of Paris while the real Paris has been converted to an amusement park for tourists. You got any other reasons why the population is so low? One more thing: I'm pretty sure the lack of ladybug-vision was more due to anxiety over losing one of her earrings and the difficulty of the villain more than anything else.
Anansi: I find the new heroes good, personally. They give more screentime to other characters. Also again with Adrien's insecurity about being useful. And I think this episode would've been over sooner if they noticed that Anansi was going to get herself akumatized over the stress and maybe just let her come or something. Or if they got Marinette to arm-wrestle her instead. Marinette has muscles, right?
Sandboy: A lore episode, mostly. The nightmares were funny for a second and I was a bit annoyed by the Akuma's voice, but that's small potatoes. I like how compared to season 1, where we would be given a bunch of development for Sandboy it's just explained to us afterwards while we instead get more time for lore.
Style Queen: Hawkmoth has a contender for the most evil character in the show. Audrey Bourgeois is the kind of person that would be made fun of in those Karen freakout videos. She cheats on her husband, neglects her daughter to the point of not remembering her name, fires people over the most minor inconveniences, and starts G-rated killing people over getting a seat in the second row. She needs to be cancelled, deplatformed, and Chloe needs a therapist and better role models. I really liked the split-second of Adrien looking shocked after Marinette told him he had the catwalk down, btw. Did he think his identity was outed there?
Queen Wasp: This is why teenagers shouldn't get superpowers. I get secondhand embarrassment watching them. Also Marinette What The Fuck why the Hell are you getting Chloe to bond with the Absolute Worst Person For Her
Maledictator: This is what happens when you make Chloe bond with a Chernobyl-level toxic influence, Marinette. In general this episode was funny, both intentionally and unintentionally. Everyone starts celebrating Chloe ditching Paris with her mother except Adrien because Chloe was her only friend even though she was a detriment to everyone else and suddenly Marinette feels bad because she worships Adrien. The first thing the villain of the week does is make Audrey stop being such a horrible person and later he made Chat Noir reach the limit of catboyness. It's like a Smiling Friends episode. Also it was cool to see Chloe's depths and self-loathing. Surely that won't be forgotten and Chloe will be given therapy so she can become a better person, right?
Reverser (Put here so it makes sense timeline-wise): It's Yaoi time. Except that Nathaniel is into Ladybug (who I assume he knows is Marinette) here and Marc is fine with that. Overall a good episode. Some nice humor, and Reverser's probably the best akuma design so far I love the paper stuff. Plus more info on the side characters and a spot of good humor, excellent!
Frozer: Ah, there's the Nathmarc. And explicit Julerose. And Marinette getting some idea that her fantasy of Adrien is unhealthy and shouldn't be followed. And Adrigami, albeit a bit one-sided. Quit pining over someone who doesn't love you and get with someone who does, kid. And a smidgeon of Marigami. And Adrien's bodyguard being his daddy in place of his father. And a pinch of me seeing what the salters were talking about with the girlsquad and them forcing Marinette and Adrien together. Or at least Alya and Mylene. I couldn't hear what Alix, Juleka, and Rose were saying, but they disagreed, right? At least one of them had to disagree, right?
Heroes' Day Two-Parter: Marinette you're being too hotheaded against Lila no you gotta be like Columbo. Also yet another Marinette Costanza moment. Otherwise not much to say here. It's the boss rush episode, it's the series finale, Alya managed to catch onto Nino being Carapace but still can't seem to connect the dots between Ladybug and Marinette, the Peacock Miraculous is introduced, and Natalie is on my suslist.
I might procrastinate again on the first half of season 3. The first episode deserves a post of it's own. It's the salt episode.
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elisysd · 1 year
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The Night We Met – Lord Huron
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Masterlist - Previously - Next Chapter
I've been searching for a trail to follow again Take me back to the night we met
Forty-eight hours earlier, Lyanna thought that she would spend three days of breaks enjoying doing nothing and seeing Charles, maybe even call Kika to spend the time. And now she was spending her last day of break brooding in her pajamas and in her bed. The only thing left that she had planned was her phone call with Kika. But instead of it being a happy one, it turned into as sad one. She told Kika what happened with Charles. She needed someone to vent to. But unfortunately for her who thought Kika would be on her side, she discovered that it would not be the case. 
Kika spent an hour listening to the actress explaining to her what had happened and why, from her point of view, she wasn’t wrong. Charles was the problem to Lyanna. She made him clear in the past that she needed someone who would respect her boundaries, something that Charles had already crossed. She had limits, and talking about her past was one of them. Charles didn’t seem to understand that. He was pushing her to talk about it while she didn’t want to. She was not ready, and she never knew if she would be one day. How could he not understand something as basic as that?
Kika listened to her patiently without interrupting her. When she finally felt that her friend had finished her tirade, she told her calmly:
“You know Lyanna, I don’t know you for very long but I think that you and Charles are more alike than what you think. I don’t want to say things that I shouldn’t, especially because it’s not my place to tell you that, but Charles’ life has not always been perfect you know. Far from it. We all have scars; Charles is no exception. If you would just talk to him and ask him, I’m sure he would tell you.”
But Lyanna was too proud to admit that Kika might be right. She would rather to stick to her guns. It was easier than to admit that maybe she had been too harsh on the Monégasque.
So to avoid thinking about Charles, she started burying herself in her work. It has always been her escape. And so, the last thing she expected was for her work environment to become toxic. She could thank David for that. It all began as soon as she came back to shoot her scene. David cornered her, a snarky smile on his lips.
“Well, well, well I didn’t know that your type of men was the little rich ones, Lyanna.”
He saw the rumors online. Obviously.
“I must say, well done though. I have to admit that I didn’t take you for that type of women. But you’re right after all, you have to secure a future for yourself once your career in Hollywood will be over.”
“What are you implying?” asked Lyanna, glaring at him. She hated the misogyny that was coming out of his mouth.
“We all know that, in Hollywood, when a woman is past her thirties, she is no longer of interest. I just don’t understand how someone like you managed to bag Charles Leclerc. That guy is filthy rich, he could have anyone he wants and yet he chooses you who are nothing special. Well done.”
This shouldn’t have shaken her, but it did. He career was a sensitive topic. One of her biggest fear was to lose it. She was trying to no think about it but David was right, as painful as it was to admit. Ageism was a real thing in Hollywood. She was only twenty three but she knew that if she had to reach her peak in her career it would be between now and the next five years. After that she would not be considered anymore for important roles. It would be given to a new actress, a new face young and beautiful. She tried her best to not show David that he had struck a nerve, but the smirk of his partner made her realise that it was a waste of time.
In the next days, to try to forget how Monaco had turned gloomy for her, she let her job consume her. She was the first one to arrive on set in the morning and the last one to leave. She knew that it was not healthy but it was her coping mechanism. It was also a good way for her to not risk unexpectedly running into Charles. She even avoided taking the elevator in case he would take it too. And that would put her in a very uncomfortable position. She would rather be out of breath after walking the four flights of stairs than endure that.
The conversation with Kika replayed on her mind. Deep down, she knew that she was being unfair to Charles. He was her only friend here and she could not help but think that she had messed up big time. Monaco felt lonely without him. But she didn’t know how she could fix things. Did Charles even want her to fix things? She suspected that a simple sorry would not be enough. Especially if, as Kika had mentioned, he too had gone through difficult times in the past. She said some cruel things to him. She was curious about what Kika meant by saying that they were alike and that Charles had some invisible scars too. She knew that the answers to her questions were at her fingertips, or more like a Google research. But it would be like betraying Charles. And at the same time, she doubted that after their fight he would like to talk to her again.
She was weak and she opened her laptop before typing Charles’ name in the search bar. And then, it felt like opening a can of worms.
The first linked she clicked on was an article about Jules Bianchi and his tragic accident in Suzuka that led to his death. She learned about Charles link to the family and how his death deeply impacted him to the point that he had a reference to Jules on his racing helmet. Speaking of helmet and tragedy, she discovered that his dad died not long before Charles made his racing debut in F1. It was wrong, she knew it, but now that she had started, she couldn't stop. She also learned about the sad story between Charles’ first win with Ferrari. How he became the youngest Grand Prix winner with the Scuderia, and the third youngest in F1 history, 24 hours after the death of one of his close friend Anthoine Hubert on the Spa’s track.
She felt sick in her stomach. Charles knew death all too well. He knew exactly what she had accused him of ignoring. She instantly regretted to have discovered all of that. But what was done was done. She could not go back and pretend not knowing. It was anchored in her. She felt like an intruder and it was too late to fix it.
As for Charles he wasn’t feeling better. He was bitter and upset after his fight with Lyanna. A phone call with Pierre was supposed to make him feel better, not worse. He was trying to figure out what and when it went wrong between Lyanna and him, while one the other side to the phone, Pierre was slumped on his sofa, a glass of coke in one hand and looking at his girlfriend leaning on the balcony, on the phone with the very person Charles was frustrated with.
“I just don’t understand Pierre. It just doesn’t make sense. I want to be there for her, I want to help her. What’s wrong with that?”
Pierre sighed.
“Did you even think that maybe she doesn’t want you to help her. I know you mean well Charles but sometimes you can be a lot, and I mean A LOT, to handle. You have this tendency to act like a knight in shining armor, always wanting to fix people. But you know, not everyone needs to be fixed. Maybe Lyanna is one of them. You can’t help someone who doesn’t want to.”
“I want to be a good friend Pierre.”
“And you will be. But it has to be on her own terms. Not yours.”
“What should I do then. Say sorry? Sorry for what? Act like nothing ever happened between us? I can’t do that. Some things were said and I know it was in the spur of the moment, but I can’t ignore them.”
“Maybe try to not be intimidating.”
“What do you mean?” said Charles, surprised.
“Listen, you have this way to love people that can be a little intimidating to some. Like, you always make sure tat the person feels included in conversations, to hold their stares and it’s great. I’m not saying it’s a bad thing, okay. It’s just that maybe it scared her off a little. I don’t know her but from what I saw when we ate dinner at your place, she is really shy and quiet. And you are sometimes a little too much, Charles, admit it.”
“I’m what I am Pierre. I won’t change and I won’t excuse myself for being this way.”
And if Pierre wasn’t enough, soon it was Andrea, his coach and friend that was bothering him. It all started when Andrea noticed that Charles was pushing harder than usual during their work out sessions. He did what all coaches would have done when noticing their trainees being too hard on themselves: he told him to calm down. To which Charles just brushed it off.  
“Okay Charles, stop you’re going to end up hurt if you keep pushing like that. And we don’t want that. The season is shitty enough as it is, the last thing we need is you being hurt. What’s wrong?”
“Guess” Charles retorted, wiping his forehead, and grabbing his water bottle before opening it and taking a long sip of cold water.
“Oh I see. Is that about that actress that all the media talked about? You’ve been rejected?” Andrea tried to joke but only got a side glance from Charles in return.
“Why everyone thinks I fancy her, hum? Can’t a guy and a girl be friends without any questions or rumors being made up? I’m sick of it. We’re friends for God’s sake!”
“Okay, okay. Relax I was joking.”
Andrea didn’t insist any further. When Charles was like that, it was better to let him cool off on his own.
“It’s just… It’s a mix of things you know. The season is definitely not what I expected, I don’t know if it’s ever going to get better. Don’t get me wrong I love Ferrari and I want nothing more than to win with them but I also have to think about what I really want and what’s best for me. There is a dream and then there is reality. I have to be realistic… If I really want to win a championship, is Ferrari the one who will give me the car to do so? Or should I go with a team that knows how to make a winning car? My contract is coming to his end, I have to think about the future. I want guarantees. I feel that I am at a crossroads and that important choices have to be made. I'm afraid I'll screw up Andrea and then blame myself for the rest of my life.”
At this moment, it was not Charles the grown man that was in front of Andrea, it was Charles who look like a little kid, completely lost and vulnerable. Andrea made Charles sit on the bench of the gym.
“You know it’s normal to doubt yourself Charles. It’s healthy. But maybe you need to see someone to help you sort your thoughts out. You can’t keep everything bottled up like that, it’s going to destroy you at the end.”
“I don’t need a therapist if it’s wat you’re implying. I spent my whole life going through stuff and figure things out on my own. I won’t start getting help now.”
“It would not be a shame. No one would look at you differently or pity you if it’s what you’re scared off.”
Charles shrugged and got up while packing his things signaling to Andrea that both the work out session and the discussion were over. It was time for him to meet his mom for lunch and hopefully she would not talk about his work or Lyanna. He needed a break from all of that.
But it was a hopeless task, because shortly after the son and his mother had settled down on the terrace of the restaurant, the woman began to ask him questions about Lyanna. Charles felt as if he was in a loop in which the same conversation was happening over and over again.
“I’m sorry but it’s all my clients at the hair salon talk about. And I won’t insist, if she is just a friend, it’s okay but I must admit she is really pretty.”
“Mom…” sighed Charles.
“I’m just saying. I’m not implying anything but surely, you’re not blind, you noticed.”
He rolled his eyes, pleading inwardly for the discussion to change quickly.
“By the way, I have this thing that I’m supposed to go to. You know about the film festival of Monte-Carlo. Well I’m invited and I wanted to know if you’d like to be my plus one. I know how much you love cinema and I don’t want to be alone so… Artur is coming to and he brings Carla.”
“Just tell me you don’t want to be third wheeling.”
“Yeah that too. But it would be the occasion for you to dress up and to enjoy a night out, it’s been a while.”
“Well, when you present things this way how could I refuse?”
tag list @zendayabelova @purplephantomwolf @ru-kru @dakotali
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pearl484-blog · 1 year
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My main issue with senti-monsters
Alright, so first of all, this is not an essay about the senti-Adrien, senti-Felix, senti-Kagami, senti-Chloe or any other senti-person theories. There are a lot of complex theories and debates and discussions about the ethics and moral implications around it. 
No. This is an essay about missed potential surrounding senti-monsters, which is probably one of the least relevant things you’ll need to hear about it. This isn’t about poor execution or predicting where the show will go. It’s not about someone who did something right (well, not completely), or anything like that. In fact, I am veering far away from most of the usual senti-monster topics. So, if you’re hear to discuss humans born of senti-monsters or anything like that, this is not for you. Sorry.  
Now, first of all, I have opinions about the name senti-monster. Now, it’s not what you think. I’m not one of those people about to advocate for using senti-being here. No. I’m here because I want to ask: “Where are all the monsters?”
My introduction to the Peacock was a black eyed woman ripping a monstrous butterfly made of grief painfully out of Hawk Moth against his will. This thing was huge, massive, and scary. It’s design was creative and clearly reflected that this thing belonged to Hawk Moth, and he didn’t have any say in its creation whatsoever. 
My next few introductions were promising. A lolipop monster made out of a need for processed sugar from a baby, and I read that very well, and a simple monster made from hunger which was nearly impossible to defeat, which yeah, giant frog that’s basically a moving mouth. I can get behind that. 
But unfortunately, we also had Senti-bug, and that kinda derailed things. Now, don’t get me wrong. I love Senti-bug, and the moral implications behind her and her destruction are beautiful, and it raised the sentiment of “Good God, the Peacock’s ability to create life and take it away in the snap of their fingers is horrifying”, but alas, it set us down the path of human monsters, which is most decidely not monster-like. 
See, what I thought was going to happen was that the senti-monsters would be representative of deeply buried emotions, the dark, forbidden secrets that you shamefully keep locked up and hidden away for no one to find, and that their creations would be a very unpleasant experience for their hosts. 
The design team has proven with it’s design ideas to be more than capable of being up to the task. The akumas especially are amazing design wise. Most of them have a unique silhouette, are recognizable at a glance, and you can tell important character traits with them. (Except Vanisher who does not have a distinct character design and doesn’t even have their own episode). There are some pretty obvious flops, yes, but even those often have a reason. Some of these akumas do not look good at all, but usually there’s a reason behind it. Ie, Aspik’s hood is concealing his hair, reflecting his need to hide himself and a visual reference to Hawk Moth, Reflekta’s design is almost painful, but memorable, and the Bubbler reflects his childnessness of both his worldview and his influence, blowing bubbles. 
However, it was clear that akumas were begining to stagnate. It was obviously getting harder and harder to come up with realistic reasons why a character might lose their cool, and the loads and loads of characters was starting to become worrisome if the series wanted to keep up the momentum and focus on the characters they already had. 
The obvious solution, I believed, was making the Peacock target deeply buried emotions, setting up a one-two punch. Either you could become an akuma, losing yourself to your flaws in a moment that you lose control, or you could bury your feelings until they became strong enough to become a senti-monster, a living embodiment of a feeling you never wanted revealed. This would start a catch-22, either you deal with your emotions in a healthy way and resolve them, hopefully in a way where neither of you lose your cool, or you avoid it and it turns on you. 
This would begin to force people to move things very quickly or suffer the consequences. Long simmering grudges you know are stupid and pointless get brought to the surface. Deep fears come alive. Secrets you keep hidden from everyone come alive. It could also affect the heroes too, without completely incapicatating them. For example, Adrien’s hidden resentments could come to life, or Marinette’s crush may decide to confess regardless of her say so. Even better, you could take inspiration from Fu’s montster and make the host have a strong emotional reaction to them. From panic to anger to fear to hopelessness. It’s rife with drama.
Now, originally, the Peacock was meant to be used for good, so how would it work if they were heroic? Well, the same way Shadows work in the Persona series. Yes, each character rejects their shadows, but when they accept their Shadows, they become allies. Yet, when rejected Shadows are a problem. It’d be a case of Bad Powers, Good People, where the Peacock’s abilities are dark and creepy, but could be used for good, not just for combat, but for self-growth, and it’d absolutely deserve the moniker senti-monster.  
This would let us see the heroes deal with talking people down in their own ways, each with their strengths and weaknesses. Queen Bee could cut straight to the heart of the matter and tell you what’s going on, no frills, but that might also hurt people and she might have to learn how to stop being callous but still use her skill at dissecting people and seeing their flaws. Ladybug may be kind and compassionate, with a lot of people looking up to her, but she might have a tendency to miss the point. Rena Rouge may be confident and have an internal strength that allows for no bullsh*t, but she can also be pushy. Carapace may be calm and non-judgemental, but might need to work on pushing people out of their comfort zone. Chat Noir would be great at this, being that he is very naturally empathetic, and tends to understand what people are dealing with quickly, but he’s also conflict avoidant, and would be screwed if it happened to him. 
Plus, I’d be able to see monstrous representations of problems and each character needing to accept terrible parts of themselves or be afraid of others learning about it. And I’d get to see fan material that leans into monsters and that creative side a bit more. Like debates over what Alix’s monster would be or represent, or fan art of Rose’s sick looking unicorn design. 
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heliads · 2 years
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ok i think i have a plot but feel free to change anything you want!
so, i would like to request fem!reader x lydia martin, around season 2, i guess, when stiles, scott and allison already knew about everything but lydia was kept in the dark. so, she ends up being reader's lab partner and is really amazed by how smart and kind she is, they develop a connection really quick and lydia feels like she can be herself with reader
and one day some sort of attack happens in the school (they always happen in the school lol) and when it comes at them, reader holds lydia's hand and hides her face in her neck and lydia just feels incredibly powerfull. like, she always had to be smaller than she really is, to be this fragile little girl for her partners to like her, but here is reader, trusting her to protect her, and she feels strong and capable for the first time because now she has her girl to protect and she definetely will. after that, she just activates protective girlfriend mode and they live happily ever after!
well, i guess that's it, thank you <3
yes i am using this fic as an excuse to complain about my current chem class. it just makes the inner dialogue more rich trust me on this
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Is it a terrible thing? You know, to be aware of the fact that the people you value the most are keeping secrets from you? Lydia thinks it might be. She believes she has never known a pain so bitter as this one. At the moment, it is the worst agony of her life, and although it will not stay that way forever, the horror of it is enough to sink her current days into tragedy nonetheless.
Contrary to popular belief, Lydia Martin is not an airhead. She is conscious of what happens around her, to the point where her friends hiding things from her is something impossible to be ignored. Lydia knows that there are subjects they refuse to broach around her, topics that they are all piercingly familiar with yet can’t trust her with in the slightest.
Lydia knows all this and bites her tongue so often it bleeds and tints her lips a most becoming red. It is far easier to keep up the act of the airhead, and so she does. At some point, she’s going to reach her breaking point and react so violently no one will ever be the same, but she’s not there yet. With all hope, she won’t ever be there.
Or, she wouldn’t have to reach that point if her friends would just tell her what was going on. Lydia has noticed small things, discrepancies in the dynamics in the friend group. She’s not blind to the way Scott McCall started acting strangely out of nowhere, nor the way Stiles Stilinski started covering for him more than usual. Even the fact that Allison Argent has somehow gotten wrapped up in their drama is not beyond Lydia’s awareness.
Who is not able to share in their secrecy, though? Who is the one person on the outskirts? Why, none but Lydia herself. Despite the years she’s spent knowing the two boys, despite the fact that she was the first one to reach out to Allison when the other girl first arrived at Beacon Hills High School, it is Lydia who must suffer the consequences of not knowing enough. It is infuriating, especially for someone who always prides herself on the information she carries.
It is obvious that there are secrets to be had. Something strange is going on in Beacon Hills, something that, despite her friends’ efforts to keep her out of it, involves Lydia. They’re all wrapped up in this with some great and dangerous string. At some point, it had to be expected that Lydia would start unraveling it. 
What is clear now is that something is wrong. Stiles and Scott spend more time looking over their shoulders than paying attention in class, and Lydia swears she’s seen Allison walking around with a few knives tucked into her backpack. This is going to break down eventually, it’s just frustrating to not be in the loop when everyone else seems to know so much. 
At the end of the day, though, what can Lydia do except go along with it? She stays awake most nights due to a series of dreams that make little sense when she manages to remember them. She answers Allison’s questions tolerably well when the other girl inquires as to the source and material of Lydia’s seeming visions. They’re toeing the edge of admitting that there is something going on, but all the enlightened ones still seem hesitant to let Lydia join their ranks. 
It gnaws at her as the days go by. How can her friends expect to pull Lydia out of nowhere, shoot a few mysterious questions her way, and then leave as if nothing had happened? Lydia is not blind. She sees the blood tracked in with the mud on Scott’s floor. She sees the furrows in Allison’s brow when her family starts asking too many questions. 
Something is happening here, something bad. If Lydia doesn’t find out what, she’s going to end up as another one of the countless bodies littering the streets of the town. Lydia knows the deaths are here, she sees them everywhere. If no one else seems to notice the corpses as they go to school each day, isn’t that a sign that Lydia should be heard and trusted?
Yet each sundown finds Lydia alone without a confidant spilling all, and every morning finds her waking up after another nightmare of tortuous events that aren’t among her memories, but seem to make up her future. She tries to tell Allison or Scott or Stiles, but nobody listens. After all, who could ever believe that Beacon Hills’ resident queen bee could ever have a cohesive thought in her life?
It’s infuriating. Lydia is used to fighting the war against her image, of having to convince everyone a thousand times over that yes, she is smarter than they think, but she didn’t expect that this round of enemies would involve her closest friends. 
All she can do at this point is try to keep pushing, pretend there’s a future out there in which Lydia is no longer Lydia Martin, the Outsider, but something else. Lydia the Friend. Lydia the Trusted. Lydia, who people can look at and know that she’s as much in the In Crowd as she most desperately pretends to be. 
She’s in chemistry right now, hateful class, and about to lose her mind because of it. How can one possibly put their mind towards memorizing long lists of polyatomic ions when they know their friends are in the back of the room whispering about secrets they wouldn’t tell Lydia in a thousand years? She tries not to let it bother her too much. People always have reasons for these sorts of things, don’t they? Perhaps the reasons will come out later, or perhaps never at all. 
Regardless, there is a time and a place for such worries, and this is not it. All fears must be left at the chem class door, for new ones must surely take their place. Right now, Lydia is more focused on making sure she doesn’t mess up yet another lab report, although that’s not really a peak concern.
After all, why would she have to worry when she’s got such a stellar lab partner? Although lab partners were assigned randomly, Lydia still has to fight the urge to scream words of gratitude at the heavens every time she rolls up to class and finds Y/N L/N sitting there and waiting for her to arrive. Y/N L/N, who is an angel in human form. Y/N, who somehow sees only the best in Lydia despite seeing enough of Lydia’s worst. Y/N, who would never keep a secret from Lydia like Lydia’s supposed best friends are doing at the moment.
No, Lydia couldn’t be happier to have Y/N as a lab partner. They work together perfectly, washing glassware and measuring chemicals as if they had been born in unison. You could go your whole life without finding someone who can just click with you like a puzzle piece you didn’t know was missing until the gap is mended. Lydia is desperately happy to have crossed paths with Y/N so early in her life.
Y/N flashes her a smile as soon as Lydia takes a seat next to her.
“Ready for today?” She asks, one eyebrow raised.
Lydia nods, pulling out her lab notebook. It’s been carefully organized, of course, the procedure written out in full and the required blanks for answers starred so Lydia won’t forget to write down what she must. Labs are both a chore and a treasure– the paperwork is less fun, to be sure, but something about dashing carefully measured chemicals in flasks never ceases to disappoint.
Especially not when Lydia’s got a real friend by her side. No, Lydia could do just fine here forever, just the two girls and their muffled laughter as they fit inside jokes around complex solutions. Lydia has memorized two sights by the end of the afternoon:  the way Y/N’s eyes shine when she smiles and the bright green of their perfectly produced potassium trioxalatoferrate (III) trihydrate sitting there on the benchtop.
Looking back, Lydia can suppose that she was distracted that day. It was a good lab– lots of color changes in solutions and exciting new chemicals to carefully pour into others, but more than anything, she was happy. It’s easy to be distracted by the people you care about, even when you swear you’re so locked into misery that you’ll never think about another thing again.
So, when Lydia looks up and realizes that Allison, Scott, Stiles, and for some reason that boy Isaac Lahey who keeps hanging around ominously have all disappeared from the chem lab room, she can’t honestly say when that happened. Nor why she knows without a shadow of a doubt that it’s for something bad. Lydia can only say what she feels, which is a warning deep in her bones. It traces over her in cold fingers of ice, promising only death, wanting only suffering, and it is coming directly towards them.
The screams start about half a second after these revelations hit Lydia. Before she knows it, the teacher is frantically turning off hot plates, and everyone is cowering under their desks or running for the halls. Lydia can hear frantic murmurs, something about how there’s an intruder in the school or a wild animal attack on the premises or some other incident that really isn’t good.
Y/N grabs Lydia’s hand, dragging her out of her haze. “What are we going to do?” The other girl asks.
Lydia doesn’t know that she’s ever seen Y/N so panicked. Y/N always has her stuff together, so to speak– genuine smile, calm nerves, capable mind despite the toughest labs, so it’s a shocker to see her in such hysterics now.
Lydia may not know what’s going on right now, but the problem she can solve is how to make Y/N feel better. So, she squares her shoulders and squeezes Y/N’s hand back just as hard.
“We’re going to get out of here. Alright? If something is wrong in the school, then we’re going to get out of the school. We can come back later, once it’s safe.”
Y/N nods once, the movement harsh. “Okay. Should I get my bag?”
“It can’t hurt,” Lydia decides. She’s seen enough problems happen in this school to know that if you leave your backpack unattended during a crisis, odds are it’s going to show up later clawed to shreds or otherwise dismembered in the name of keeping her friends’ secrets.
Once they’ve quickly gathered their belongings, Lydia guides Y/N out into the hall. The throngs of terrified students have largely died down by now, leaving instead an unsettling silence. The sound of shuffling footsteps comes from somewhere, but Lydia can’t tell what direction. She chooses instead to ignore it, and hurriedly walks with Y/N down towards a nearby stairwell. Their hands are still clasped, and neither girl wants to let go of the other, so they stay like that for as long as they can. Two souls together, looking for any excuse to be closer than they should.
The shuffling sound grows, and Lydia abandons grace, opting instead to sprint for the stairwell. Just as they close the door behind them, Lydia sees the silhouette of something enter the hall. It must have seen them, because it starts to slowly pace down the rows of lockers towards the stairwell entry. Judging by the shrieking sound currently wailing down the hall at them, the thing out there must be extending a claw to tear a long line across the walls of lockers. Lydia has seen enough similar ruins in the aftermaths of similar ‘animal attacks’ to wonder if it’s the same thing.
Whatever it is, the shadow in the hall has stopped outside the door to the stairwell. Lydia can see the outline of it in the frosted glass of the door window. Larger than a man, it twitches strangely as it moves, and she swears that there’s a glowing coal in the place of an eye that is looking directly at them.
Y/N is terrified, and presses closer to Lydia in the silence of the stairwell. Lydia casts her gaze around desperately for something, anything to do, and her eyes land on an abandoned mop and bucket a few feet away. A janitor far wiser than either of them must have dropped them in a rush to get out. Lydia stretches out a trembling hand and grabs the mop, wielding it like a spear. It’s not much, but it’s all she has.
Lydia waits one second, two, three, and when the thing outside breaks through the glass of the window in an attempt to reach them, she’s ready. Y/N screams, and that’s Lydia’s cue to stab the handle of the mop as hard as she can towards that awful glowing eye. Lydia may lose her mind over visions she cannot understand, but she’ll tell one free of charge right now. Either this thing backs off of its own free will, or she’ll give it a future full of death for it and it alone.
She rears back her arm to strike again, but there’s no need. The monster outside is scrabbling away, claws clicking on the linoleum tiles as it hurries to get away. It’s most likely headed for prey that doesn’t try to fight back.
That marks a difference from Lydia, who will fight back every time. Y/N looks up at her, and Lydia wonders what she must see–  a smart girl, a brave girl, someone more than what everyone else seems to think. Lydia wonders this, but she knows one thing for certain: with Y/N, she can take on the world.
Y/N lets out a shaky laugh. “Wow. I think you’re my new favorite superhero.”
Lydia snorts. “I’m no hero.”
“You’re mine,” Y/N says matter-of-factly. 
It makes Lydia’s heart ripple with warmth, a sort of happiness she hasn’t known in quite some time. Y/N takes Lydia’s hand again– they’d dropped contact in the brief fight, but it’s good to know that Y/N is just as desperate for that sort of touch as Lydia is– and jerks her head towards the stairs leading down.
“What do you say we head out? I think I’m just fine with steering clear of this place for a while.”
Lydia nods fervently. “Let’s go somewhere safe. And fun.”
Let the rest of her friends handle the thing in the halls. If they wish to protect their secrets without Lydia, they can protect the school without her as well. Lydia is content to go with Y/N wherever she pleases, and no one can convince her otherwise.
requested by @maximoffgxrl, i hope you enjoy!
teen wolf tag list: @thatfangirl42, @rogueanschel, @lovesanimals0000, @rafecameronswhore, @bellabadacadabra, @watchreadfangirlrepeat, @23victoria
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youwouldntlietopapa · 8 months
Note
24- with Primo. Please and thank you.
First, I was hoping for some Primo prompts. I feel like I don't get a lot of chances to write him and I'd like more.
Second, HOW DARE???? I HAVE A HEADACHE NOW FROM CRYING??? WHY??? WHY WOULD YOU DO THIS TO ME YOU MONSTER??????
Third, I'm not even sorry.
No real warnings on this one except for maybe emotional pain over yet another old man I love. Please refer any complaints to the account above. It's all on them.
Also available on AO3
ahem @the-cardinale just... if you're interested.
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It had always been something when it came to Primo over the years. A few false starts. A few missed opportunities. Always the wrong time, the wrong place. The Ministry, duties, family, Papa, all of it. The stars simply hadn’t aligned. Not like you’d wanted. Not like you’d prayed. And, Satan help you, you had prayed. Each morning and night, before the great altar and alone in your room. Everything you did for the Abbey you offered up as a prayer.
But, instead, you had watched him, year after year. Rising in power, basking in his unholy glory, becoming the man you knew he was meant to be. His radiant beauty and his noble bearing only shining brighter each day. Even as you watched his silken hair of spun gold shift to silver and his taught, perfect skin begin to loosen and droop. Like the finest wine, grown nearly priceless with the passage of time.
If only time had been so kind to us both, you thought, looking into the mirror with a heavy sigh. Pulling your hair back tightly, winding it into a practiced bun at your crown. Trying valiently to put such thoughts out of your mind. The same thoughts you’d been trying to set aside for years… decades.
Fool. It’s too late now. Best to just let him go.
You shake your head and sigh, duty calls and you haven’t risen so high in the ranks to loose your footing now. Just forget it and get on with your day.
You manage it, reasonably well, as you do most every day. Assigning duties to the new Sisters, overseeing others, paperwork, emails, prep for lectures and seminars, making calls about bookings, sceduling meetings. The list is endless. Endless enough to keep you occupied with other things. The way you like it. The way that keeps you sane. Head down, nose to the grindstone.
Right up until you look up and find yourself standing in front of the greenhouse.
You could have sworn you only came out to get a little fresh air, to enjoy the warm early days of fall before the winter chill takes hold. Lost in your own thoughts, a million miles away. While your treacherous feet have betrayed you once more and carried you here, quite against your will. They know the path too well, walked too many times, years ago and all the time in between. Slowly spacing out the visists when it hurt too much to be there. Finding excuses and other places and busy work and anything else that didn’t remind you of the smell of fresh turned earth and the humid heat and sun warmed skin…
“Been a while, Sorella.” His voice catches you off guard. Still low and soft as a summer breeze. The gravel just beneathe is more pronounced than it used to be, but it’s the most beautiful sound in the world as far as you’re concerned.
One hard swallow is hardly enough to clear the decades of desire and regret caught in your throat and threatening to choke you. But it’s all you have before you turn to face him. “… I’m sorry. I didn’t mean to… to interrupt… I should go.”
But his hand grabs your arm and roots you to the spot. You don’t want to look, too afraid of what you’ll see. Anger, hatred… Lucifer preserve me, indifference. Still his hand holds you firmly.
“Please… look at me.”
And how could you say no? How could you ever say no? Even if it hurts. Especially when it hurts. You turn back and his eyes lock on to yours while the world around you crumbles to dust and the once solid ground falls away while you drop into the pit desperately trying to cling on to him just for a moment. Just for one precious, perfect moment where he might actually be yours. The man that he was, that he is, that he will be. Not the nothing it’s been for so long, too long, so painfully, foolishly, hopelessly long.
“I miss you, mia rosa.” His fingers loosen, sliding down your arm to catch your hand. The sensible part of you is desperate to pull away. You know this pain too well. How it will cut the heart out of you again. Again and again. Like every time before. “Please… please… don’t go. For me.”
“Papa, I…”
“No.” He says firmly. Not angry, just final. “No. Not here. Not from you. Non quando ho aspettato così a lungo che tu tornassi di nuovo qui, amore. Non sono quell'uomo, non per te, non posso esserlo. Preferirei morire.”
There’s a desperation in his eyes you don’t know that you’ve ever seen before and his hand holds on to yours like you might drift away.
“You know my name. You know who I am.”
“Primo... please.”
He’s already closer, so close you have to look up at him. So close you can feel his warmth and smell the lingering scents of the garden clinging to his clothes. His warm, gentle hand cups your cheek and he stares at you until you’re sure he can see right into your soul.
“How long are you going to hide from me? If you won’t stay… tell me how long is my punishment? I need to know. Please. So I can, at least, see an end. Tell me and I will wait, without complaint. But don’t just leave me here. I beg you.”
“Primo…” Decades. Decades upon decades. Still he steals the breath from your lungs and the sense from your head. Just being close is enough to drive you to madness. Every wall you’ve built around yourself to keep yourself safe feels as solid and secure as damp tissue. “The punishment isn’t yours. You know that. You know that. How many times have I told you? I know. I understand. It’s all right. I don’t begrudge you one ounce. But it hurts and it will keep on hurting. It’s no one’s fault… but, Satanas… It hurts until I can’t breathe.”
“Amore…”
“Please… it… it’s never forever, Primo. And I can’t do for now. It’s too late for that. Much too late.” It feels like a betrayal. Like an attack he doesn’t deserve. Just to say it out loud. That the tiny spark of hope that refuses to go out isn’t really enough to sustain you after so long.
For half a second you think he might let go, half a second that drags out into eternity where you are terrified he will let go. It���s one thing to say the words, to insist that it’s what’s best. But your stomach lurches dangerously and your throat tightens painfully at the terror that you might be right. That it really is just… done. And when his fingers slip free of yours, it’s all you can do not to scream until you shatter.
Instead it joins the other, cupping your cheeks tenderly. The warmth of his palms seeping deep into your skin and setting that tiny, dying ember back alight. “Not for now, angelo mio.” He says quietly, gently. His work callused thumb brushes a tear from your cheek. “No more for now. I am done with stolen days. With lost time. No more.”
His lips brush against yours, so softly it’s more like a memory.
“No more puppet pretending to be king. No more smiling court jester.” His brow furrows and his eyes glisten with tears barely contained. “Ho dato loro una vita, amore mio. Non ho mai avuto intenzione di dargli anche il tuo. E sono fauci spalancate e insaziabili. Ma non più. Ho finito. Hanno tutto ciò che otterranno da me. Non permetterò loro di avere anche questo.”
Primo’s forehead presses against yours and you can feel him fighting to control his breathing. Shaking from the effort of holding together. “It can’t be too late. Please. Tell me it’s not too late.”
“Look at me, Primo… really look at me. I’m not a girl anymore. Whoever she was was worn down with time and this is all that’s left. You… you deserve better. More. That girl got old, my love. And there are too many pretty young things here who would make you happy. Give you a son.”
“I am looking at you. You think I am so blind?” He says with a hint of a smile, tracing your bottom lip with his thumb. “It’s not them I want. And I raised three sons already. I don’t need another. What would I do with a baby, amore? I have my children here.” Primo waves to the garden. “They are enough.”
“It’s you I don’t have and you I want. Always you. Only you.”
“Hell’s teeth, you are stubborn as ever.” You huff.
Primo finally smiles, chuckling softly. His arms wrapping you in his warm embrace. “Si, I am. More maybe. You know how old men get.”
Your hand reaches up and cups his cheek as he did yours. Noting all the subtle changes and all the things that are still the same. Drifting along his jaw and around behind his sun baked neck. Letting your fingers run through his hair. Thinner now, more silver than gold, and still like the finest silk. His eyes slide closed and the hum of pleasure that rumbles in his chest still echoes through your soul.
His lips are on yours again. Tentative at first, waiting for you to pull away, and claiming your mouth deeply, desperately, passionately when you don’t. His strong hand cradling the back of your head, holding you steady. You’re vaguely aware of moving and the sound of the greenhouse door. But none of it matters. Nothing else matters outside of his embrace, the taste of his lips, and the familiar press of his body. When you drop into his old chair, the years fall away and you’re curled in his lap once more. Hands buried in his hair. His own hand deftly loosening yours from the bun, letting it spill down your back. Combing his fingers through with a soft moan.
“Amore mio…” He breathes against your lips. His grip on your hair holding you close. “Forgive me. Forgive me, please. Ask of me anything. I will burn the greenhouse. I will tear up the garden. I will give you the world if you ask. Only forgive me.”
“Anything?”
“Si.”
One hand slips from his hair. Tracing the lines of his face, all the victories and defeats, all the loves and heartache, the joys and sorrow mapped out over the face that’s been in every one of your dreams from the first time you laid eyes on him. Staring back into his mismatched eyes that have seen even the darkest coners of your mind and never once flinched away.
“All I want is all I’ve ever wanted.” Your hand finds his and you lace your fingers together. “You.”
A rosy blush blooms across his cheeks and he smiles a little sheepishly, dropping his head. “Sono tuo, dolcezza. Come lo sono sempre stato. Completamente, interamente, irrimediabilmente tuo.”
“I forgive you. I have always forgiven you.” You lift his chin and smile gently.
“Now kiss me, you fool.”
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Sorella = Sister
mia rosa = my rose
Non quando ho aspettato così a lungo che tu tornassi di nuovo qui, amore. Non sono quell'uomo, non per te, non posso esserlo. Preferirei morire. = Not when I've waited so long for you to come back here again, amore. I'm not that man, not for you, I can't be. I'd rather die.
Ho dato loro una vita, amore mio. Non ho mai avuto intenzione di dargli anche il tuo. E sono fauci spalancate e insaziabili. Ma non più. Ho finito. Hanno tutto ciò che otterranno da me. Non permetterò loro di avere anche questo. = I gave them a lifetime, my love. I never intended to give them yours too. And they are gaping and insatiable maw. But not anymore. I finished. They have all they will get from me. I won't let them have this too.
Sono tuo, dolcezza. Come lo sono sempre stato. Completamente, interamente, irrimediabilmente tuo. = I'm yours, sweetness. As I always have been. Completely, entirely, hopelessly yours.
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