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#first time in here i didn't even try to jump the core
hzdtrees · 2 years
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Cauldron KAPPA, pt. 3
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animehideout · 5 months
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I think a lot about jjk men being angry because their gamer girlfriend ignores them 😩
(sorry for the writing, english is not my first language
JJK Men x Gamer GF
a/n: Hello anon thank you so much for your request. I had fun writing this one. I really hope you like it 🫶🏻
( Requests are open )
Characters: Gojo Satoru / Toji Fushiguro / Ryomen Sukuna / Nanami Kento.
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Gojo Satoru:
Satoru has been very busy with endless missions lately, getting home really late.
To ease your lonliness, you started gaming.
Well till it turned into addiction.
You were kinda mad at him for not making time for you or at least speak to the higher-ups to take some days off.
But you never talked that out with him, since you didn't have the chance to express yourself.
He surprisingly arrived early tonight, excited to spend the night cuddling with you while watching movies.
But he didn't expect you to have your eyes glued on the screen in front of you while gaming like a maniac.
The room echoed with the sounds of keystrokes and game music.
He jumped in excitement to surprise you but no reaction.
“huh? baby! Im hooome”
“hey” you smiled unenthusiastically at him and quickly turned your focus back on your game.
He raised his eyebrow, watching as you delve into your virtual world, a world seemingly more captivating than his presence.
Would try everything to bring your attention towards him.
He knows his touch makes you weak, so he leaned in wrapping his arms around your shoulders, kissing the top of your head, wishing to draw your attention away from your screen.
“I missed you so much babygirl”
His attempt failed miserably, you just hummed in return completely ignoring him.
When his affection didn't work he started teasing you attempting to provoke you and get a reaction out of you.
“You sure you can play this game? I feel like you suck at this”.
When his teasing fell on a deaf ear as well, his frustration reached its peak.
His calm and amused voice turned into an annoyed tone.
“ARE YOU REALLY GONNA IGNORE ME FOR THAT STUPID GAME Y/N?” he would yell in an unusual harsh tone.
The question hang in the air as it left you momentarily stunned.
“Why the hell are you yelling?” you would question.
“Oh so now I got your attention?! I've been trying to talk to you for half an hour now and all what you did is playing your stupid game”.
His anger was very evident.
He would remove his blindfold throwing it somewhere in your shared bedroom.
“So you got mad because I was focusing on playing my game but you didn't consider that I'm probably the one who's mad because you're never home” you let out of everything, confronting him.
“you're comparing this stupid game to my job?”
Oh boy he fucked up, he didn't get the whole point.
After raging and snapping at you he would give you the silent treatment.
Of course his narcissistic ass wouldn't apologize first.
He's convinced that it's your fault even though he was offensive as well.
You would eventually say sorry and he'll show you his bright smile at the spot.
Both of you would talk things out and find a solution to spend more time together.
“so we good now baby?...can we cuddle?”
“yeah Satoru just lemme finish this round” you would joke.
Toji Fushiguro:
As much as he enjoys your giggles and the way you throw cute tantrums while playing, he HATES IT when you're completely engrossed in your game, oblivious to the way he's sitting there watching you.
Kinda paradoxical.
He wished to have you in his arms.
Or having you on his lap while making out.
But all of these were just thoughts crossing his mind cuz you don't seem like you're finishing your game any time sooner.
And that annoyed him to the core.
“y/n, y/n ?”
“HOW LONG IS THIS GOING TO TAKE”.
You didn't even hear him with having your headset on.
He's very possessive of you and he wants all of your attention to himself.
Especially when you started chatting with your friends, while playing together.
That shit was his last straw.
“Thats it...get your ass over here y/n”
You would look at him in disbelief.
Mouthing “my friends heard you”
“oh trust me I don't give A SINGLE FUCK” he would yell again.
You apologized to your friends and quickly paused the game.
“Are you out of your mind Toji why did you say that”.
“Why did you apologize to your friends while I'm the one you should apologize to”
He would stand up approaching you, narrowing his eyes, clearly pissed.
His giant figure making you take a step back, trapping you between him and your desk.
“Now what should I do to you for ignoring me for too long huh?” he whispered.
You started stuttering, his strong aura did things to you.
His narrow eyes piercing through you, sending shivers down your spine.
“I- I'm s-sorry” you gulped.
“What a good girl...now turn off that computer before I smash it and get your ass on the bed”
Well you had no other options, so you obeyed him.
Unless you want to act bratty which will result in him punishing the hell out of you.
Would spend the whole night cuddling you, literally smashing you in his strong arms, never letting go of you. 🫶🏻🥹
“But Toji I really need to use the bathroom”.
“Nuh-uh”.
Ryomen Sukuna:
Two possibilities, whether you're too bold or you're suicidal and have a death wish to test this man's patience.
They just released this new game and you're completely obsessed with it.
You would spend hours playing it, luckily Sukuna was busy with some things so he didn't notice the way that game took your whole attention and energy.
He wants to be the one taking all of your time and energy.
But when he does notice, oh god, run or pray for your life.
“y/n come here let me kiss you”
“one second!!!”
He would look at you in disbelief.
Cocking his eyebrow, while leaning back .
Even though your back was facing him, you could feel the daggers he was sending your way.
“I said NOW”
“Please baby, I'm winning be there in a sec-”
You didn't even get to finish your sentence when he threw your whole set up off of your desk.
Your eyes would widen in shock.
You don't know if you should feel sad that your whole gaming set up got destroyed or scared that you're the one about to get destroyed.
“You dare to ignore me.. that's bold of you y/n” he would say in his deep voice, making your chest tighten.
“I'll only allow this once, there won't be a second time... do you understand?”
You would nod immediately.
He would throw you on his shoulder taking you to your shared bedroom.
“You need to be taught a lesson after all”
Of course he wouldn't apologize that he got angry at you.
I mean, it's Sukuna we're talking about.
The next day, Sukuna would surprise you with a new gaming computer with complete setup.
You've never imagined him doing this gesture but you truly appreciated that the king of curse actually considered your feelings.
“I don't understand what humans find so entertaining in this game... you should try murder is much more fun..”
You would happily unbox it and place it on your desk.
“Now, Doll next time when I tell you to stop you stop immediately without any stupid excuses”.
Nanami Kento:
Would be home after a long day at work.
Brings dinner with him and expects both of you to eat together while talking about your day and future plans for the weekend.
Only to find you in a dark room, only your computer screen glowing.
“y/n I'm home darling!”
“oh hey there baby” you would simply say eyes still glued on the game.
He wouldn't think much of it even though you were used to jump on him, embracing him in a long hug and telling him how much you missed him.
But lately all what you've been occupied with is this game.
Would give you space, while he takes his time to shower, prepare the table for both of you to have dinner.
“y/n dinner is ready, let's eat”
“yeah yeah I'll be there in a sec Kento” you said, agressively pressing the buttons on your controller.
He would sigh and head to the kitchen, to wait for you there.
Half an hour has passed, an hour and you didn't show up yet.
“shit” you said to yourself when you checked the time.
You ran downstairs to find him on the couch watching TV.
You slowly approached him and sat next to him.
“ken-”
“you don't have to say anything y/n”.
Your heart ached because you know you screwed up.
He would ignore you, his eyes fixated on the big screen in front of him.
You would place your hand on his lap but he would reject you.
“Kento please”
He would start lecturing you.
“You know, that was extremely childish y/n.. I've been waiting for us to have dinner together since the moment I left the morning.. that's what keeps me going.. knowing that I'll come back home to find you..but you did what? you ignored me”
He would be really furious but he kept it to a low and cold tone.
No matter how much he gets pissed he'll never raise his voice at you.
You would look down, embarrassed and feeling extremely guilty.
“I'm your husband y/n , lately you're not fulfilling your duties towards me like I do to you..”.
He is a responsible man, and he believes in efforts from both sides.
You would end up crying.
And he'll end up apologizing even though it was your mistake from the beginning.
He hates seeing you cry, especially because of him.
He regretted getting angry at you.
Between sobs you managed to explain to him that you were trying to win an award by getting the first place in this game.
Would bring you to his chest, holding you close.
“shh I'm sorry.. that's okay. I understand. I'm sorry if my words were harsh”
Would wipe your tears.
Doesn't go to work the next day and spends the day with you while you teach him how to play.
Thank you for reading (⁠♡⁠ω⁠♡⁠ ⁠)⁠ ⁠~⁠♪
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jennamoran · 3 months
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The Far Roofs: Systems
Hi!
Today I’m going to talk a little bit more about my forthcoming RPG, the Far Roofs. More specifically, I want to give a general overview of its game mechanics!
So the idea that first started the Far Roofs on the road to being its own game came out of me thinking a lot about what large projects feel like.
I was in one of those moods where I felt like the important thing in an RPG system was the parallel between that system and real-world experience. Where I felt like the key to art was always thinking about the end goal, or at least a local goal, as one did the work; and, the key to design was symmetry between the goals and methods, the means and ends.
I don't always feel that way, but it's how I work when I'm feeling both ambitious and technical.
So what I wanted to do was come up with an RPG mechanic that was really like the thing it was simulating:
Finding answers. Solving problems. Doing big things.
And it struck me that what that felt like, really, was a bit like ...
You get pieces over time. You wiggle them around. You try to fit them together. Sometimes, they fit together into larger pieces and then eventually a whole. Sometimes you just collect them and wiggle them around until suddenly there's an insight, an oh!, and you now know everything works.
The ideal thing to do here would probably be having a bag of widgets that can fit together in different ways---not as universally as Legos or whatever, but, like, gears and connectors and springs and motors and whatever. If I were going to be building a computer game I would probably think along those lines, anyway. You'd go to your screen of bits and bobs and move them around with your mouse until it hooked together into something that you liked.
... that's not really feasible for a tabletop RPG, though, at least, not with my typical financial resources. I could probably swing making that kind of thing, finding a 3d printing or woodworking partner or something to make the pieces, for the final kickstarter, but I don't have the resources to make a bunch of different physical object sets over time while I'm playtesting.
So the way I decided that I could implement this was by drawing letter tiles.
That I could do a system where you'd draw letter tiles ... not constantly, not specifically when you were working, but over time; in the moments, most of all, that could give you insight or progress.
Then, at some point, you'd have enough of them.
You'd see a word.
That word'd be your answer.
... not necessarily the word itself, but, like, what the word means to you and what the answer means to you, those would be the same.
The word would be a symbol for the answer that you've found, as a player and a character.
(The leftover letters would then stick around in your hand, bits of thought and experience that didn't directly lead to a solution there, but might help with something else later on.)
Anyway, I figured that this basic idea was feasible because, like, lots of people own Scrabble sets. Even if you don't, they're easier to find than sets of dice!
For a short indie game focused on just that this would probably have been enough of a mechanic all on its own. For a large release, though, the game needed more.
After thinking about it I decided that what it wanted was two more core resolution systems:
One, for stuff like, say ... kickstarter results ... where you're more interested in "how well did this do?" or "how good of an answer is this?" than in whether those results better fit AXLOTL or TEXTUAL. For this, I added cards, which you draw like letter tiles and combine into poker hands. A face card is probably enough for a baseline success, a pair of Kings would make the results rather exciting, and a royal flush result would smash records.
The other core system was for like ... everyday stuff. For starting a campfire or jumping a gap. That, by established RPG tradition, would use dice.
...
I guess technically it didn't have to; I mean, like, most of my games have been diceless, and in fact we've gotten to a point in the hobby where that's just "sort of unusual" instead of actually rare.
But, like, I like dice. I do. If I don't use them often, it's because I don't like the empty page of where to start in the first place building a bespoke diced system when I have so many good diceless systems right there.
... this time, though, I decided to just go for it.
--
The Dice System
So a long, long time ago I was working on a game called the Weapons of the Gods RPG. Eos Press had brought me in to do the setting, and somewhere in the middle of that endeavor, the game lost its system.
I only ever heard Eos' side of this, and these days I tend to take Eos' claims with a grain of salt ... but, my best guess is that all this stuff did happen, just, with a little more context that I don't and might not ever know?
Anyway, as best as I remember, the first writer they had doing their system quit midway through development. So they brought in a newer team to do the system, and halfway through that the team decided they'd have more fun using the system for their own game, and instead wrote up a quick alternate system for Weapons of the Gods to use.
This would have been fine if the alternate system were any good, but it was ... pretty obviously a quick kludge. It was ...
I think the best word for it would be "bad."
I don't even like the system they took away to be their own game, but at least I could believe that it was constructed with love. It was janky but like in a heartfelt way.
The replacement system was more the kind of thing where if you stepped in it you'd need a new pair of shoes.
It upset me.
It upset me, and so, full wroth, I decided to write a system to use for the game.
Now, I'd never done a diced system before at that point. My only solo game had been Nobilis. So I took a bunch of dice and started rolling them, to see ... like ... what the most fun way of reading them was.
Where I landed, ultimately, was looking for matches.
The core system for Weapons of the Gods was basically, roll some number of d10s, and if you got 3 4s, that was a 34. If you got 2 9s, that was a 29. If your best die was a 7 and you had no pairs at all, you got 1 7. 17.
It didn't have any really amazing statistical properties, but the act of rolling was fun. It was rhythmic, you know, you'd see 3 4s and putting them together into 34 was a tiny tiny dopamine shot at the cost of basically zero brain effort. It was pattern recognition, which the brain tends to enjoy.
I mean, obviously, it would pall in a few minutes if you just sat there rolling the dice for no reason ... but, as far as dice rolling goes, it was fun.
So when I went to do an optional diced system for the Chuubo's Marvelous Wish-Granting Engine RPG, years later, to post here on tumblr ... I already knew what would make that roll fun. That is, rolling a handful of dice and looking for matches.
What about making it even more fun?
... well, critical results are fun, so what about adding them and aiming to have a lot of them, though still like rare enough to surprise?
It made sense to me to call no matches at all a critical failure, and a triple a critical success. So I started fiddling with dice pool size to get the numbers where I wanted them.
I'm reconstructing a bit at this point, but I imagine that I hit 6d10 and was like: "these are roughly the right odds, but this is one too many dice to look at quickly on the table, and I don't like that critical failure would be a bit more common than crit success."
So after some wrestling with things I wound up with a dice pool of 5d6, which is the dice pool I'm still using today.
If you roll 5d6, you'll probably get a pair. But now and then, you'll get a triple (or more!) My combinatorics is rusty, so I might have missed a case, but, like ... 17% of the time, triples, quadruples, or quintuples? And around 9% chance, for no matches at all?
I think I was probably looking for 15% and 10%, that those were likely my optimum, but ... well, 5d6 comes pretty close. Roughly 25% total was about as far as I thought I could push critical results while still having them feel kind or rare. Like ...
If I'm rolling a d20 in a D&D-like system, and if I'm going to succeed on an 18+, that's around when success is exciting, right? Maybe 17+, though that's pushing it? So we want to fall in the 15-20% range for a "special good roll." And people have been playing for a very long time now with the 5% chance of a "1" as a "special bad roll," and that seemed fine, so, like, 20-25% chance total is good.
And like ...
People talk a lot about Rolemaster crit fail tables in my vicinity, and complain about the whiff fests you see in some games where you keep rolling and rolling and nothing good or bad actually happens, and so I was naturally drawn to pushing crit failure odds a bit higher than you see in a d20-type game.
Now, one way people in indie circles tend to address "whiff fests" is by rethinking the whole dice-rolling ... paradigm ... so you never whiff; setting things up, in short, so that every roll means something, and every success and failure mean something too.
It's a leaner, richer way of doing things than you see in, say, D&D.
... I just didn't feel like it, here, because the whole point of things was to make dice rolling fun. I wanted people coming out of traditional games to be able to just pick up the dice and say "I'm rolling for this!" because the roll would be fun. Because consulting the dice oracle here, would be fun.
So in the end, that was the heart of it:
A 5d6 roll, focusing on the ease of counting matches and the high but not exorbitant frequency of special results.
But at the same time ...
I'm indie enough that I do really like rolls where, you know, every outcome is meaningful. Where you roll, and there's never a "whiff," just a set of possible meaningful outcomes.
A lot of the time, where I'm leaning into "rolls are fun, go ahead and roll," what it means to succeed, to fail, to crit, all that's up to the group, and sometimes it'll be unsatisfying. Other times, you'll crit succeed or crit fail and the GM will give you basically the exact same result as you'd have gotten on a regular success or failure, just, you know, jazzing up the description a bit with more narrative weight.
But I did manage to pull out about a third of the rolls you'll wind up actually making and assign strong mechanical and narrative weight to each outcome. Where what you were doing was well enough defined in the system that I could add some real meat to those crits, and even regular success and regular failure.
... though that's a story, I think, to be told some other time. ^_^
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slutforgarlogan · 2 months
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"You can check if you like" | Peter Maximoff x F! Reader
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Summary: Peter comes back from a mission with a wound and you patch him up. He takes the opportunity to tease you.
Warnings: nsfw content, fingering, teasing, Peter being a cocky asshole
"Oh my god what happened to you?" you jump up from your seat when the team gets back from their mission, noticing the bleeding coming from your boyfriends head. You'd be lying if you said he didn't look hot all bloodied up, but you were too concerned with his wellbeing to indulge in the urge to make out with him.
Peter gives you his usual cocky smile, ignoring your concern "I'm fine babe, its just a scratch." You aren't convinced, but you know he wont go back on the statement, ever the cocky bitch despite his constant dramatics. You raise an eyebrow at him to indicate you dont believe him, "Please just let me look at it anyway"
Peter rolls his eyes and groans, smiling at you playfully while he does so - but he doesn't protest and takes you to one of the bathrooms with a fwip.
Though he does that all the time, you never expect it - and the speed always makes you feel ill and disoriented. You take a second to ground yourself, before getting the first aid things out of the bathroom cabinet to sort him out, and speaking to him as you rifle through it. "You're okay everywhere else yeah, nothing got through your suit?"
"You can check if you like" His tone is suggestive and he wiggles his eyebrows, and you roll your eyes at his answer - taking that as a no. He watches you for a second, and then sits down on the closed toilet lid before you have the chance to tell him to.
You move to stand in front of him, subconsciously situating yourself between his legs where he was practically manspread, and you push his goggles onto the top of his head, trying to make sure his hair stays tucked under them and out the way. The cut looks deep, and you wince a little thinking about it. You lock eyes with him as you pick up a little cotton pad and alcohol to clean the wound - you've done this a fair few times and he knows the drill, but you warn him regardless. "It's gonna sting a second Quickie"
You press the alochol soaked cotton pad on the wound, making sure to be gentle, and Peter grips onto the nearest thing when you do so, which happens to be your thigh. The feel of his hand on you shoots to your core immediately, and your breath hitches for half a second before you catch yourself and ignore it. You keep cleaning the wound, eventually moving on to clean the dried blood around it, and Peters leg is bouncing as he starts to get bored and restless.
You lock eyes with him and lean back a second. "Peter, sit still, find something in here to distract yourself im nearly done i promise" There's a certain look in his eye when he looks at you, and you can see an idea forming in his head, and you worry slightly what ridiculous idea you've accidentally caused him to have, but you get back to what you're doing anyway.
As you grab a roll of bandaid and scissors to cut it down to fit the wound, you feel a hand at the top of your thigh, fingers hooking into your panties to get them down a little - you try to ignore it and focus on finishing what you're doing, holding the roll up unrolling a little bit to see how much you need.
You hear a little cocky laugh from Peter as his finger prods at your folds and you could have ripped his suit off him there and then. But you try not to react, steadying your breathing before you look at him. "Whats funny"
He looks up at you, a shit eating grin on his face. "You're so wet and i haven't even touched you"
A pink shade dusks over your cheeks as you roll your eyes, in your head you know exactly what made you wet, but you know he'll poke fun at you for it so you don't tell him. "Shut up"
You cut a bit of a bandaid off the roll, big enough to fit the wound, and as you do so, he slides a finger into you, thrusting it in and out at a painfully slow pace - but he doesnt take long to slide a second finger in. He is still in his suit, and the gloves of the suit feel weird. The feeling is foreign but good. Your breathing goes a bit shaky as you try to concentrate, putting the roll down and picking up the bit you cut off, flipping it around to peel the back off, struggling a little fiddling with it.
Peter speeds up his fingers, curling them inside you to hit the spot that makes you whine a little, earning the same shit eating grin as before as he makes sure to keep hitting that spot. He brings his other hand to circle your clit as you finally get the back off the band aid, and you moan out as he draws figure 8's over the sensitive bud. "Fuckk Peter"
You stick the band-aid over the wound carefully but quickly, placing your hands on his shoulders as soon as you're done, breathing heavily and whimpering a bit. "Peter please"
He speeds up the finger on your clit, practically vibrating it and you moan loudly, legs shaking as you try hold yourself up properly and your walls clench around his fingers a little.
Thats when he stops. You look at him with pleading eyes "What the fuck"
He laughs a little "You've finsihed patching me up"
You look at him dumbfounded and annoyed, you open your mouth to protest but he speaks before you.
"You wanna check under my suit now?"
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aalyssah · 1 year
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Always Listen To Mommy
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Pairing: Mob!Mommy!Wanda M. x Fem!Reader
Warnings: Smut. Aftercare, Choking, Cursing, Dark!Wanda?, Degradation, Face Fucking, Humiliation, Mommy Kink, Names, (Whore & Slut), Oral, (Wanda Receiving), Praise, Spanking, Strap On and Unprotected Sex. Minors DNI 18+
Word Count: 1,585
Summary: You should Always Listen To Mommy when she say’s No.
A/N: I'm low key not feeling this one at all, but hope you enjoy.
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Wanda was beyond pissed.
You two just got into an argument because you told her you got a job interview. With Wanda being Wanda, and a Mob Boss, she could give you everything you needed. She could pay for everything and anything you wanted so she just didn't understand why you wanted to work.
You left out, last saying. 'I don't care if you have a problem with it! I'm gonna work whether you like it or not.' Wanda didn't even try to come after you, knowing it would only make things worse. At first she had a frown on her face until she got an idea.
~
You walked out the door, going to your car to get your lunch. Even though Wanda didn't agree to the whole job thing, but you could care less. You were bent over searching for the bag when all of a sudden, you were grabbed. They had their black gloves hand covering your mouth, preventing you from screaming.
You tried moving, but stopped once you saw a knife come to your neck. "Your so beautiful. What was I to do if I sliced this pretty neck? You could feel the guy's breath on your neck as he kissed it. "You better go home and never come back before I do something way worse than this." His hand cupped your core as you silently cried.
The guy pushed you in your car and closed the door before running around the corner. You let the tears out, taking your keys out of your pocket and driving home, not caring about your job. "She's coming home boss." You made it home, not stopping the tears from coming out of your eyes.
Instantly, you ran to Wanda who was in the kitchen, sitting at the island drinking coffee. "Wanda!" Wanda hid the smirk, from forming in her face seeing you so scared. "Y/n? What are you doing here? I thought you went to work." You pushed the cup of coffee out her hand, making it spill on the floor, jumping in her lap, hugging her.
"A guy! H-he-" You couldn't even talk right and it was adorable in Wanda's eyes. "Baby, slow down and tell Mommy what happened." Mommy. That one word could make you slip easily. "Mommy! A guy tried, hurting me!" You clearly spoke, letting out another cry. "See, baby. If you just listened to Mommy like she said, you wouldn't be in this situation."
Guilt filled your body as she was right about not leaving. "But you're just a stupid little girl!" Her tone was harsh as she pulled you back to look at her. "Stupid girls need to be punished. They need to learn." You tried backing away, but she grabbed you.
With a snap of her fingers, you were on the red, soft sheets of your shared room, naked, on your knees, with Wanda standing over you with the strap on her hips. She grabbed you by the hair. "And the way you spoke to me. Ugh! It was so cute how you thought you did something." She chuckled, shoving the strap down your throat.
"Look at you. A little cock hungry whore." She thrusted her hips making you gag at the strap hitting the back of your throat.
Her grip on your hair was tight as you tried relaxing your jaw, but her thrusts only got more aggressive. She ignored all your pleads and the way your hands would try and push her thighs back to slow her down. You could feel yourself losing oxygen as she held your head at her pubic area.
She groaned, thrusting one last time before pushing your head back against the carpet floor. You coughed rapidly, getting your air back and the feeling of your throat being normal. She didn't give you time to recover, grabbing you and throwing you on the bed.
She crawled towards you with a smile on her face, as you backed up to the headboard. "Don't run from me!" She snatched your ankles, pulling you down to her.
"You wanna go to work so bad?" You whimpered in response, feeling the tip of the strap rubbing your went folds. "Would you look at that! You're wet!" She laughed, seeing how embarrassed you looked. "Let's see if you can go to work after this." Without warning, she pushed into you hard. Her hip snapped against your as you cried in slight pain.
She wrapped a hand around your throat as she pounded into you. The wet noises from your pussy made you feel ashamed. "Look at you, taking me so well." Wanda praised, running a hand through your hair. The mixed signals were sending you through a frenzy. You breathed heavily, as you tried to get air in your lungs.
Wanda's grip on your throat was hard as her hips snapped to yours. Her hand reached down to your clit. "Feels good, baby? Yeah?" You nodded your head, letting your eyes roll to the back of your head. She began to pinch at your clit, helping you for release, but it was until she stopped. She quickly pulled out and laughed at how whiny you got.
She watched as your eyes shut open, wide. "What's wrong, Lyubov?"(Love) She teased, smiling as if you had a pout on your face. "Your meaning!" You attempt to crawl away, but Wanda grabs you. "If you listen to Mommy, you-" You cut her off, pushing her away from you. "I don't care! I'm not gonna listen to-" You stopped talking as you saw Wanda's eyes glow red.
Her once smile was gone and turned into a frown. Her eyebrows furrowed as she tilted her head to the side. "You don't care? You don't care, huh?" She flipped stomach and life's you up so you were in doggy style. She pushed the strap in not caring about how you basically screamed at the uncomforted.
She thrusted at a brutal pace, not showing any time slowing down. She grunted and bit her lip, trying to hold her moans at the sight of her strap going in and out of you. "Fuck, baby. You look so good." You hated how harsh she was being.
You attempted to crawl away, but that didn't do anything, but made it worse. "What did I say!" Her voice turned into something deep and scary as red strings formed around you, yanking you back. "You should've listened to me. Now, I'm gonna ruin you." You didn't understand what she meant until she pulled out and walked to the closet.
She picked out a box that was on the top shelf, knowing you can't reach it and pulled out a vibrator. Except, this vibrator could go inside you and touch your clit. There was no way. She next pulled some lube. She wasn't really gonna do this, right?
She stalked towards you, smiling at how scared you looked. "What's wrong, Puppy? Scared Mommy's, gonna break your pretty little ass?" You whimpered again just imagining the feeling.
She used her magic to hold you still from squirming around before successfully putting the vibrator in you. All of a sudden, you heard a knock at the door, following a voice. "Ms.Maximoff, Steve and Bucky are here, at the door for you." Wanda hummed looking at your confused face.
"There we go, now we got this thing in you. Mommy's gonna go talk with her friends and I expect you to be on your best behavior."
She began walking to the door making you whine. "Oh yeah, and don't cum and don't make any noise." She didn't say anything further, leaving you in the room. At first you thought she was gonna save you for later, until you felt and heard the buzzing from the vibrator.
You moaned, feeling the vibrator slowly brushed your clit and then it moved inside you. You pressed your head against the pillow, trying to twist and turn your body, but you couldn’t. You whined and moaned, feeling the vibratior’s speed increase each time you moaned loudly.
You could hear the laughs from the living room as you were stuck on the bed with a vibrator attacking your insides and clit. She must’ve cranked the speed to max because it started buzzing loud, rocking side to side as you cried.
It was gonna be a long couple of minutes, or hours, who knows?
It’s been hours and you don’t know how many times you came, but you know that you should’ve come at all, after what Wanda said. You could hear laughs and goodbyes being said outside the door, before the front door slamming shut. Her heels clicked against the
Wanda walked in the room, ‘tsking’ at the sight in front of her. “Baby, baby, look at yourself.” She ran her hand down your body, ping hung your nipples slightly, making you jump. “I told you not cut, but look at what you did.”
You found strength in you to look down and see the puddle of your cum, sinking into the sheets. She felt like you were done, so she picked you up and carried you to the bathroom.She turned the water in the right temperature and once it was ready she put you in. She helped wash you as all your never was drained out.
“Y’know, I hate doing this to you, detka.” You nodded your head. “Well that’s why you should always listen to mommy and nothing like this will ever happen.”
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gavisfanta · 4 months
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REMEMBER IT - GAVI
summary: you have trouble with studying so Gavi helps you a bit
warnings: smut 18+
"Trouble with studying?" Gavi walked over to you as you were looking over the papers, your head in your hands.
"A bit, yeah." You pushed your hair out of your face as you felt his arms wrap around you from behind.
"What do you need help with?" He asked as he whispered into your ear, the vibrations of his voice sending shivers down your spine.
"I cant concentrate, and you being here does definitely not help." You tried to say as nice as possible, but he sat down and looked at your papers.
"Sassy, isn't she?" Gavi asked while he put down the paper again and lifted up his shirt to scratch his body.
"What are you doing?" You asked as you looked at him taking the papers again.
"Oh just helping you study." He mumbled and looked up at you again. "German I see." He mumbled while looking at the paper.
"This is so not gonna work." You said.
"Great, everytime you get something right, I'll remove a piece of clothing." Gavi smiled up at you and you couldn't help but smile too.
"Okay." You agreed and you saw him smile.
"What's 'ich kann heute leider nicht arbeiten?' transalted?" Gavi started with the first translation. His pronunciation was a bit funny.
"I can't work today sadly." You answered and he took off his shirt.
"How do you say 'I bought 29 new jeans at the store' in german?" He kept asking, and so you answered, almost every question was right.
After about 10 minutes Gavi was sitting in front of you in boxershorts. You had an even harder time concentrating when he was sitting in front of you, half naked.
"Okay Princesa, only a few more." He looked up at you through his lashes.
You felt your core getting even wetter at the sight of him. You had to push your legs together the entire time.
"What's 'Language' in german?" Gavi looked up at you while he brought his hand down to his boxershorts, rubbing the budge that was slowly getting bigger.
"Sprache." You mumbled and Gavi lifted up his hips a bit, and pulled down his boxershorts.
You saw his hard dick basically jumping out of his boxershorts. He sat back down and took the paper into his hand again while he pushed his hips a bit forward.
"What's 'Continent' in german?" He asked again. Gavi was trying his hardest to concentrate.
"Kontinent." You answered without taking your eyes off of his dick. At this point you could cum on the chair by how wet you already were.
"Good, two more questions." Gavi scanned the entire paper, there were two words left.
"What's 'Wallpaper' translated into German?" He asked, you watched his movements as he brought his hand down to his dick and massaged his balls. You bit on the inside of your cheeks.
"Hintergrund." You said and he nodded his head. You looked at him, there was no piece of clothing left he could take off.
"Come here." He waved you over to him, you stood next to him as he opened your jeans and slid them down your legs.
He also took off your panties, but he rubbed your clothed clit first. "My god youre so wet." Were the only things he said.
"Come sit down." Gavi told you and you took off your panties and as you stepped out of them, you walked over to Gavi and hoovered over his dick. You felt his tip against your hot core.
"Sit down princesa, sit down." He pulled your hips down and you felt yourself stretch at his length.
"Good girl," Gavi muttered as he was balls deep inside of you. You almost didn't even manage to hold yourself up properly.
Your head was on Gavis shoulders as you whined at his dick twitching inside of you. Neither of you two moved.
"What's weak translated into german?" Gavi asked and looked up at you.
"Fuck, I cant-" You whined and he lifted up your chin with his finger.
"Let's focus okay?" He asked you and you nodded your head while closing your eyes. "Weak in german is?"
"Schwach." You brought out and he put down the paper again. He stood up but held you so you wont fall, you wrapped your legs around his torso and he set you down on the kitchen counter.
Then he began thrusting into you at a rapid speed immediately. You were already adjusted to his size so there was no trouble.
"My god Gavi." You whimpered as you arched yiur back and felt your high aproach.
"Cum for me, cum all over my dick." You clenched around his dick as you came, that also led him to cum too.
"Fuck keep gripping me like that. Yeah-" Gavi moaned as he threw back his head. You let go of him and he pulled out immediately.
"Fuck y/n, you're so hot." Gavi kissed your lower stomach and then looked up at you again.
"Why?" You smiled as he leaned down to you and kissed you.
"The way you held me. My god." He lifted you up and walked upstairs to the bed with you.
"You know we probably need to clean up downstairs." You laughed a bit but he shook his head.
"No, I don't think so, it just reminds me of how hard I fucked you."
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The Crow Road by Iain Banks
I finished The Crow Road and had a little time to think about it. I'll put my thoughts under a Keep Reading in case anyone is trying to avoid spoilers.
As I speculated before, I think it's likely that The Crow Road is more related to Good Omens in philosophy than in plot. I mean, it's not that the plots necessarily have nothing in common, and we could be very surprised in the end of course, but now that I've read the whole book, its philosophical commonalities with GO are both apparent and kind of inspiring. Also, if I were a writer, I'd be more interested in dropping hints about what themes are important than telegraphing my whole plot ahead of time.
So here, I will describe the book and point out themes that I believe may reappear in Good Omens 3.
This is a long post. If you read it, make a cup of [beverage of choice].
Update on 4/20/2024: I made a second post: The Crow Road and Good Omens: Further-Out Thoughts
Below are mentions of suicide, death/murder, and sexual acts.
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The Crow Road centers around a character named Prentice McHoan, a university student in Scotland who starts to sort out his complicated relationship with his complicated family as he explores the mystery of his uncle Rory's disappearance. Although the book is mostly from Prentice's perspective, the narration jumps around in time with the McHoan family. There are quite a lot of important characters to keep track of; the bare-bones summary I put below doesn't even include some of the important ones. I wanted to make the summary even shorter and simpler than this, but the truth is that this book is not short or simple, and if I made the summary any simpler, it might be downright misleading.
There are at least three major cultural aspects of The Crow Road that I am inexperienced with: the overall culture in the 1950s-1980s (I was born in 1988, so of course wasn't here for the relevant decades), the international experience of the Gulf War (again, born in 1988), and the history and culture of Scotland itself (I'm USAmerican with only reading as a source). As a result, I'm sure there are important dimensions to the book that I've missed. If someone has a different perspective taking some of these things into account, I'd love to know about it.
Also, keep in mind, there is a great deal of descriptive writing in this book. There are a lot of pages about the geography of Scotland, and about Prentice as a kid, and about Prentice's father and uncles hanging out together in their youth, and about various family incidents, and about Prentice spending time with his brothers and friends. At first, these passages seem to just make things more confusing, and in my head, I accused them of being "filler." But they definitely serve a purpose. They're a way of showing and not telling the characters' attitudes and relationships to each other. More importantly, because we get to actually live these experiences with the characters, they are what give all the plot points below their deeper emotional impacts. In other words, the everyday experiences give the plot its deeper meaning. They resonate with one of the core themes in the novel: that our experiences in life, rather than any supposed existence after death, are what matters.
The Crow Road's story is like this:
Prentice is rather directionless in life, and he seems to have trouble investing any energy in his own future as he moons over his unrequited feelings for an idealized young woman named Verity. Soon, Verity ends up in a romance with Prentice's brother, Lewis, and Prentice feels that Lewis "stole" her from him. Prentice has also become estranged from his father, Kenneth, over spirituality. Prentice believes there has to be something more after death because he feels it would be incredibly unfair if people didn't get anything other than this one life; Kenneth is not only a passionate atheist, but is offended by the notion of an afterlife.
Prentice's uncle Hamish, Kenneth's brother, has always been religious, although his religion involves a number of bizarre and offbeat ideas of his own, with inspiration from more traditional Christian notions. Prentice is not really sure about this ideology, but he's willing to talk to Hamish about it and even participates during Hamish's prayers, whereas Kenneth is openly scornful of Hamish's beliefs. Hamish interprets this as Prentice being on "his side."
Prentice has a few opportunities to go back and talk to his father, and is begged to do so by his mom, Mary, with whom his relationship is still good. Mary doesn't want either of the men to give up their inner ideas about the universe; she just wants them to agree to disagree and move on as a family. Prentice says he will visit, but he just keeps putting it off and off and off.
Prentice acquires a folder containing some of his missing uncle Rory's notes in the process of hooking up with Rory's former girlfriend, Janice Rae, who seems to have taken a shine to Prentice because he reminds her of Rory. Using the contents of the folder, Prentice wants to piece together the great literary work that Rory left unfinished, which Rory titled Crow Road; however, it becomes apparent that Rory didn't turn his concepts into anything substantial and only had a bunch of disconnected notes and ideas. He hadn't even decided whether Crow Road would be a novel, a play, or something else. The few bits of Rory's poetry for Crow Road read are bleak and depressing.
Prentice also spends a lot of time with a young woman named Ash. They've been good friends since childhood and seem to have a somewhat flirtatious dynamic now, but they aren't in a romantic relationship; mostly, they drink and hang out together. Ash tells Prentice bluntly to get his life back on track when she finds out he's failing at school, avoiding his family, and engaging in shoplifting. She is a voice of reason, and when Prentice insists to her that he's just a failure, she reminds him that actually, he's just a kid.
Prentice's efforts to figure out Rory's story or location stagnate, and he continues to fail at school and avoid his father. He then receives word that Kenneth was killed while debating faith with Hamish. In fact, Kenneth dies after a fall from a church lightning rod, which he was climbing in an act of defiance against Hamish's philosophy when it was struck by lightning; Hamish is convinced that Kenneth had incurred God's wrath. Ash is there for support when Prentice finds out about the death.
With Ash's help, Prentice returns to his hometown again to help manage Kenneth's affairs. Prentice speaks with a very shaken Hamish, who is handling Kenneth's death with extreme drama and making it all about his own feelings. Hamish tells Prentice that Kenneth was jealous that Prentice shared more in common with Hamish's faith than with Kenneth's lack of faith. However, this isn't really true, and as he contemplates his father's death, Prentice begins to internalize one of the last things Hamish reported that Kenneth had argued: "All the gods are false. Faith itself is idolatry."
As the chapters go on, Prentice is compelled by some of the meaningful items related to Rory that he discovers in his father's belongings. He gains a renewed sense of purpose trying to solve the mystery of where Rory went and what happened to him. Among the interesting items are an ancient computer disk of Rory's that Prentice can't access with any equipment he can find; Ash uses her connections in the US and Canada to find a computer expert who can finally open the files on it. This takes quite a while, since the disk has to be mailed and Ash's connection is investigating the disk only in his free time.
Prentice also discovers that his feelings for Verity have changed. He no longer feels angry with Lewis for "stealing her." At first, Prentice's narration describes this as his feelings "cooling" as a result of the trauma of losing his father, but interestingly, this soon means Prentice gets to know Verity as a sister-in-law without getting caught up in jealous romantic feelings. Verity gets along well with the family, and Prentice is actually happy to discover that she and Lewis have a baby on the way. Prentice's relationship with Lewis improves greatly as well, partly because he is no longer jealous and partly because he realizes he does not want to lose Lewis, too.
Ash's connection who was looking at Rory's computer disk comes through and sends the printed contents of the files to Prentice. The files reveal to him that Rory likely knew Prentice's uncle, Fergus, murdered his wife by unbuckling her seat belt and crashing their car. Rory had written out a fictional version of events and considered using it in Crow Road. I'm not clear on exactly how certain Rory was about Fergus's crime, or whether Rory would have intentionally reported Ferg, or whether Rory even had enough proof to publicly accuse Ferg of murder, but people would likely have connected the dots in Rory's work and become suspicious of Ferg. For this reason, Prentice believes Ferg murdered Rory as well.
Prentice confronts Ferg. He doesn't get a confession and leaves Ferg's home with no concrete proof of anything; Ferg denies it all. But Prentice is soon physically assaulted in the night, and it seems Ferg was almost certainly the culprit, because he hadn't been home that same night, and he had injuries (probably from being fought off) the next day. A day or two later, Ferg's body is found unconscious in the cockpit of a plane, which crashes into the ocean. It's uncertain whether this was a suicide, but Prentice suspects it was. Rory's body is then soon recovered from the bottom of a waterway near Prentice's home, where Ferg had sunk it years ago.
As the mysteries are solved, Prentice realizes his feelings for Ash are romantic love. However, it's too late, he thinks, because Ash is about to take a job in Canada, where she may or may not stay. Prentice also hesitates to approach her because he's embarrassed about his previous behavior, venting all his angst about Verity and his father. He isn't sure she would even want to be in a relationship with him after that. But the very night before Ash leaves, she kisses Prentice on the cheek, which leads to a deeper kiss. They finally connect, have sex, and confess their mutual feelings. Ash still goes to her job in Canada, but says she'll come back when Prentice is done with his studies that summer.
The relationship's future is somewhat uncertain because something could come up while Ash is in Canada, but Prentice is hopeful. The book ends with Prentice getting ready to graduate with his grades on track as a history scholar, fully renouncing his belief in an afterlife while he acknowledges the inherent importance of our experiences in our lives now, and enjoying his time with Lewis and Verity and his other family members.
What's the point of all these hundreds of pages?
Well, look at all of the above; there's definitely more than one point. But the main point I took away is that we get this one life, with our loved ones in this world here and now, and this is where we make our meanings. There is no other meaning, but that doesn't mean there's no meaning at all. It means the meaning is here.
It's not death that gives life its meaning. It's the things we do while alive that give life its deeper meaning.
The Crow Road is described (on Wikipedia) as a Bildungsroman, a story focusing on the moral and philosophical growth and change of its main character as they transition from childhood to adulthood ("coming-of-age novel" is a similar term that is interchangeable, but more vague and not necessarily focused on morality/philosophy). And, indeed, all of the plots ultimately tie into Prentice's changed philosophy.
After his argument with Kenneth, Prentice feels childish and humiliated, and as a result, he refuses to go back home, which leads to a spiral of shame and depression. Kenneth dies and Prentice realizes it's too late to repair the relationship, which also leads him to realize it's what we do in life that matters, and that therefore, his father's argument was correct after all.
At the end of the novel, Prentice outright describes his new philosophy. However, I can't recall one specific passage where Prentice describes the process of how he changed his mind (if anyone else can remember something I missed, do let me know). There is, however, a moment when his narration indicates that Hamish seems less disturbed by his own part in the incident that led to Kenneth's death and more disturbed by the notion that his beliefs might actually be true: there might actually be an angry, vengeful God. In other words, Hamish's philosophy is selfish at its core.
My interpretation is that when his father died, Prentice realized three things: how utterly self-serving Hamish's devout faith is, how Kenneth's untimely death proves the importance of working things out now rather than in an imaginary afterlife, and how much profound meaning Kenneth had left behind despite having no faith at all. After these realizations, a determined belief in an afterlife no longer makes our lives here more profound like Prentice once thought it did.
Also, it's worth noting that this incident changes Prentice's idea of partnership, too. He loses interest in this distant, idealized woman he's been after. In love as in the rest of life, Prentice lets go of his ideals, and in doing so, he makes room for true meaning, both in a sincere familial, platonic connection with Verity and a sincere intimate, romantic connection with Ash.
But what about the sex scene?!
Yes, indeed, at the tail end of the story, Prentice and Ash have sex and admit they want to be in a relationship together. Prentice's narration describes them sleeping together and having intercourse not just once, but many times, including some slow and relaxed couplings during which they flex the muscles in their private parts to spell out "I.L.Y." and "I.L.Y.T." to each other in Morse code. This is relevant because earlier, they had been surprised and delighted to discover that they both knew Morse code; it isn't a detail that came from nowhere.
I didn't get the impression that this scene was trying to be especially titillating to the reader. It was mostly just a list of stuff the characters did together. I felt the point was that they were still anxious about being emotionally honest, a little desperate to convey their feelings without having to speak them out loud, and awkward in a way that made it obvious that their primary concern was the feelings, not the sexual performance. They cared about each other, but they weren't trying to be impressive or put on a show; contrast this with previous scenes where Prentice would act like a clown in front of Ash to diffuse his own anxiety. I've always thought that being able to have awkward sex and still enjoy it is a good sign.
Okay, so what does this all have to do with Good Omens?
Here's where I have to get especially interpretive. I'm doing my best, but of course, not everyone reading this will have the same perspective on Good Omens, the Final Fifteen especially. I believe similar themes are going to resonate between The Crow Road and Good Omens regardless of our particular interpretations of the characters' behavior and motivations, but I suppose it could hit differently for some people.
The TL;DR: I see similar themes between The Crow Road and Good Omens in:
The importance of mortal life on Earth
Meaning (or purpose) as something that we create as we live, not something that is handed to us by a supreme being
Sincere connection and love/passion (for people, causes, arts, life's work, etc) as a type of meaning/purpose
Relationships as reflections of philosophy
The dual nature of humanity
Life on Earth as the important part of existence is a core theme in Good Omens, and has been since the very beginning. We all already know Adam chose to preserve the world as it already is because he figured this out, and we all already know Aziraphale and Crowley have been shaped for the better by their experiences on Earth. But Good Omens isn't done with this theme by a long shot. I think this is the most important thematic commonality Good Omens will have with The Crow Road. Closely related is the notion that we create our meanings as we live, rather than having them handed to us. Isn't this, in a way, what Aziraphale struggles with in A Companion to Owls? He's been given this meaning, this identity, that doesn't fit him. But does he have anything else to be? Not yet.
Partnerships as a parallel to the characters' philosophical development also resonates as a commonality that The Crow Road may have with Good Omens. Prentice's obsession with Verity goes away when he starts to embrace the importance of life on Earth and makes room for his sincere relationship with Ash. Note their names: "Verity" is truth, an ideal Prentice's father instills in him; "Ashley" means "dweller in the ash tree meadow" in Anglo-Saxon, according to Wikipedia, and "ash" is one of the things people return to after death. Prentice literally trades his high ideals for life on Earth. We see in Aziraphale a similar tug-o'-war between Heaven's distant ideals and Crowley's Earthly pleasures, so I can see a similar process potentially playing out for him.
I don't particularly recall a ton of thematic exploration of free will in The Crow Road. However, there is a glimmer of something there: Prentice feels excessively controlled by Kenneth's desire to pass down his beliefs, and part of the reason Prentice is so resistant to change is simply his frustration with feeling censored and not being taken seriously. As the reader, I do get the feeling that while Prentice is immature, Kenneth made major mistakes in handling their conflict, too. And Kenneth's mistakes come from trying to dictate Prentice's thoughts. There is likely some crossover with Good Omens in the sense that I'm pretty sure both stories are going to take the position that people need to be allowed to make mistakes, and to do things that one perceives as mistakes, without getting written off as "stupid" or "bad" or otherwise "unworthy."
Suffice it to say that the human characters in Good Omens will also certainly play into these themes, but it's hard to write about them when we don't know much about them except that one of them is almost certainly the reincarnation of Jesus. This also makes me suspect perhaps the human cast will be 100% entirely all-new, or mostly new, symbolic of how Aziraphale and Crowley have immersed themselves in the ever-evolving, ever-changing world of life on Earth. Alternatively, if we encounter human characters again from Season 1 or 2, perhaps the ways they've grown and changed will be highlighted. For example, even in real-world time, Adam and Warlock have already, as of the time I'm writing this, gone through at least one entire life stage (from 11 in 2019 to 16 in 2024). They'll be legal adults in a couple of years, and if there's a significant time skip, they could be much older. If characters from Season 1 do reappear and themes from The Crow Road are prominent, I would expect either some key scenes highlighting contrasts and changes from their younger selves or for stagnation and growth to be a central part of their plot.
The more I write, the more I just interpret everything in circles. Hopefully this post has at least given you a decent idea of what The Crow Road is like and how it may relate to Good Omens.
I'll end this post with a quotation that feels relevant:
Telling us straight or through his stories, my father taught us that there was, generally, a fire at the core of things, and that change was the only constant, and that we – like everybody else – were both the most important people in the universe, and utterly without significance, depending, and that individuals mattered before their institutions, and that people were people, much the same everywhere, and when they appeared to do things that were stupid or evil, often you hadn’t been told the whole story, but that sometimes people did behave badly, usually because some idea had taken hold of them and given them an excuse to regard other people as expendable (or bad), and that was part of who we were too, as a species, and it wasn’t always possible to know that you were right and they were wrong, but the important thing was to keep trying to find out, and always to face the truth. Because truth mattered. Iain Banks, The Crow Road
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gofancyninjaworld · 27 days
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Blast is a mediocre hero
Talk about a controversial opinion! Well, I intend to defend it! With thanks to Eldrich_Void, who heard my rantings out.
This is not an opinion I rushed to. However, it has bothered me a lot that Blast seems to have a real track record for fucking things up. Almost all his endeavours seem to end up cursed in some way.
His evil partner, the ninja village horror he set up, and the way he seems intent on protecting the guy. His estranged son. The two heroes he saved both having serious complexes as a result. The monster he couldn't subdue.
Now that we get to see how he saw the situation on the ground, I think that Flashy Flash's accusing him of being unconscionably hesitant is right.
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Under the circumstances, if I were Flash, I'd not trust that pressing that button would summon Blast in a manner timely enough to matter to me.
So, shall we see below the cut?
Before...
So, let's wind back all the way to chapter 165, back when Cosmic Garou landed. Remember then? He had time to pose for the benefit of the heroes gathered...
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…then to look at himself, look at the heavens, and thank God for this gift of power.
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Then Bang crawled up to Garou to try calling him back to his senses.
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It took a while for the situation to ripen.
It's only in the next chapter, with Bang continuing to plead futilely with Garou, that Blast showed up.
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Looks like he showed up as soon as he could.
So far, so good. It seemed that Blast came as soon as he could, given whatever else he was busy with. In the current timeline, Saitama came back from the future and punched Garou right when the latter looked up to thank God, so we thought, reasonably, that Blast never had a chance to appear. Case closed.
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And looks like he didn't have an opportunity to show up.
But now we see more...
Several chapters have come and gone, and now we have a fuller picture of the event. And now we know that Blast was aware and on scene when Garou unleashed his gamma-ray burst:
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Oh, so you were here.
We know too that Blast was on scene when Saitama appeared to punch out Cosmic Garou, before Bang even had a chance to crawl to Garou.
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And there!
So Blast had had an opportunity to intervene earlier but did not take any action until after everyone was dropping dead and Bang was using the last of his energy to plead with Garou to come to his senses.
Okay, there's a place for observing the scene before you wade in so as not to make matters worse. As Drive Knight points out, rushing into things without proper analysis is a foolish thing. However, there's one thing I can't overlook. Even if Blast did not want to carelessly jump into a fight, the fact that he was able to reroute Garou's cosmic rays away from the heroes on the ground -- but had not done so originally... that is borderline unforgiveable.
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Damn, if you could always do that, you should have done it earlier!
Let me be extremely clear. I don't hold Blast wholly responsible for restoring Empty Void. Yes, his rerouting the now free-floating 'God' powers as well as the cosmic rays to another dimension accidentally fed Void. That was careless, but not incomprehensible: thinking that one's evil ex-partner whom you left more dead than alive 15 years ago might be camping his nasty half-starved body on the other side of the dimensional hole you opened up in order to receive God's powers is not at the top of anyone's mind. What I am holding him responsible for is failing in the first duty of a hero: HELP PEOPLE!!
Now, let's go back to the original timeline. Even before he stepped up to support Bang, he could have rerouted those cosmic rays and saved most of the heroes. But he did not. I don't think he thought of it. Not a good hero instinct. But it gets worse.
Once it was clear that Garou had no intention of leaving the planet or ceasing to kill with his very presence, Genos stepped up, risking his life to buy Blast an opening.
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Being a hero to the core. When people are in need, he is there.
However, when he was in danger and it was clear that Garou was fixing to kill him, did Blast step up? No. He just stood there, opened his mouth and bleated 'No.' [1]
And it gets worse still. It's not like Garou ripped Genos's head off to kill him instantly. Garou punched Genos through his center of mass. That was really bad: his upper torso is heavily protected for a reason, but that is not what killed him. We find out afterwards that Genos remembers seeing Garou pull his core out. Even that did not kill him: we've seen from back with the Giant Meteor that while losing his core's functionality will stop him being able to move his body, Genos's life support systems run independently of it. No, what killed him was Garou smashing him down so hard that his head and armor shattered and his blood splattered and ran into the ground, some of it being washed into long runnels by the fallout rain. So Blast stood there and watched while Garou not only struck Genos critically, but mutilated and maimed him to death. It was as if Garou was taunting him to try something heroic. And when Saitama finally arrived on the scene, Blast was just standing there. Uselessly.
Blast does not have the instincts of a hero.
Saitama rightly criticised himself for losing sight of what a hero's true duty was. I remember back when Sonic asked him who he was, he defined himself as the person who helps people when they are in trouble. [2] And he knows he fell short.
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Blast appears to have totally lost sight of this fact. That's why his work is cursed.
A Hero Is More Than Mere Works
Without any doubt, Blast is strong. He is righteous but he's not looking at situations the way a hero should. He looks at things more as a warrior -- and it's not really helpful. He's forgotten the need to actually *be* a hero.
If I think about it a bit more, Blast was concerned for the health of the heroes on the field. Yet he did not protect them, even though he could have. He did not move them out of the way, even though he could have. He did not call on the rest of his compatriots to help him accomplish these goals, even though he could have and they would have helped.
I don't think that Blast is in danger of being deposed as the number 1 hero any time soon but man, it's as Flashy Flash says, his conduct is disappointing.
It's an insult to the heroes we've seen. I can't begin to imagine how bitterly Tatsumaki would be if she could have seen him. As the narrator said, she puts him on too high a pedestal. When I think of how hard she fought while never forgetting the helpless child, the civilians at risk, the rest of the strike team, and taking care of them even as it reduced her fighting efficiency, it's everything Blast ought to be. We saw so many heroes risk their lives to help others, even when they weren't of any strategic value.
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Tatsumaki's determination to throw nobody under the bus, no matter how expedient, is the soul of heroism.
A hero is not merely their works. A hero is also what they symbolise. Amai Mask gets it: that's why he goes on and on about a hero being a beautiful symbol of peace. Saitama gets it: that's a big part of why he refused to out King because he symbolised being a hero so well. Mumen Rider lives it: even though he's not strong (by hero standards), he's greatly respected and people are inspired by him to do better in their lives.
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What a hero is: someone who saves from danger, someone who reassures, someone who inspires.
Blast doesn't get it. When he had an opportunity to mitigate Garou's cosmic radiation and save lives, it did not occur to him. When he could have swallowed his pride and called back up to help him subdue Garou and save hero lives, it did not even cross his mind: he only saw a fight.
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Since when was justice a matter of who can hit who harder?
And when he didn't prevail, he just stood there. When it was time for him to step up as a hero and actually take on some risk to try saving a life, he stood there, as hapless as any civilian. Even when it was hopeless, we didn't see the likes of Tank Top Master giving up. We didn't see Genos giving up on Tatsumaki, even when they were swarmed by Black Sperm. You don't give up on people.
No wonder his works are cursed.
How might the curse be lifted?
Some thoughts.
Never mind Tatsumaki: it's a rare hero who wouldn't be appalled. They all look up to Blast as the ultimate hero.
Fortunately, the only person who knows is Genos: it takes knowing how else things would have played out if Saitama hadn't arrived in the nick of time. Genos has no interest in trying to run down Blast: what little credibility he's got, he's used to tell Sicchi to ensure that Saitama got called up if Blast came up with anything.
Unfortunately, Sicchi hasn't passed on that message to Blast and Saitama's been allowed to go dawdling away. Even more unfortunately, what Sicchi has told Blast about Genos is that he's a terror who impedes access to Saitama. This may have terrible consequences down the line.
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Talk about leaving out the important part. That 'is that so?' gives me chills.
You know how some readers are disappointed that the MA arc did not end with Saitama lecturing Garou about the importance of not compromising one's goals? It seems to me that Blast needs that lecture a lot more badly than Garou ever needed it in any version. He's forgotten that the point of heroism is the people you help *first* before it is about glorious fights. Important as it is to fight, losing sight of the human need in front of you is a hiding to nothing.
Or, if you want to put it differently: Saitama is likely to have a reason to confront Blast in the future.
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Someone needs to hear this message and it's not the truculent teenage tearaways.
I am going to be there for it with a giant tub of ice cream!
Asides
[1] What was it that Awakened Garou said back in the WC: 'When facing an imminent threat against a monster, all you do is open your mouth and start babbling. It's an easy kind of job.'? (ch 85). It has applied very brutally to Blast here.
[2] In case you need a reminder:
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That's the right thing to be. Saitama's been struggling since he forgot the brief a bit.
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foone · 1 year
Text
My one bit of advice I think every gamer should hear:
GO PLAY OUTER WILDS.
Seriously. It is easily one of my top 5 games of all time, and that's mainly because I'm being cagey about if it's the #1, because it probably is.
It's a game where you're a little alien who is taking their first flight into space, in their little spaceship. You go to space and find a mystery, and have to figure it out.
It's a game entirely about learning things about the world you're in: it's a tiny solar system modeled amazingly well, with varied planetary environments, archaeology, and quantum fun.
It's a game that's hard to talk about without spoiling, because it's about solving the mysteries. There used to be some other aliens here, they're long gone. What happened to them? Their whole society was built around trying to find something: what was it? Did they find it? And there's a weird disastrous event that keeps happening, why? Can you stop it? Should you stop it? Is it connected to the other weird things that keep happening? What happened to that ice planet that exploded with vines? One of the astronauts who came before you was the best pilot who ever lived, but they vanished. What happened to them? And why can you sometimes hear their harmonica over the radio when you point it at your own planet?
The game is wonderful and non-linear and the most unique approach to a Metroidvania I've seen years: it's basically "what if we did the Metroidvania idea but with no items or power ups? What if the thing that you got to unlock new areas WAS INSIDE THE PLAYER'S HEAD?"
Because you don't unlock the next area by picking up the high-jump boots, you unlock it by learning something new. Now you can do something you didn't realize you could before, but now you know you can.
And that's only one of the amazing concepts they stuffed in this game. The itemless Metroidvania, the tiny simulated solar system, the quantum mechanics... Each of these alone could be enough to carry an indie game. They stuffed them all in one game combined with a great story, and that's in a gamewith relatively little dialogue!
There's like a dozen people to talk to, but you spent a lot of time reading conversations left by the long-gone aliens. You get to know them, what they were working for, how they interacted, and what happened to them, thousands of years later. It's less the bioshock style audio-logs, and more like going over bits of ancient writing, making connections and correlations from the fragments you can find.
And don't get me wrong, this might sound like this game is going to be dry and boring: it is so very not. It is a game about mysteries in the void of space, the death of a civilization, and the potentially world-ending dangers that face a living one, and even bigger concepts. It could so easily be a cosmic horror, about the cold death of space and the universe itself, and the nihilism of realizing that even a race that could cross the gap between the stars and bend spacetime to their will... They too died out. If they couldn't make it, what hope do you have, in your little spaceship that's primarily made of WOOD?
And yet... The game is always engaging. It has a few scares, and space is never a safe place to be, but it maintains a sense of humor and wonder. Yes, the universe can be scary, but it's also amazing. And you're just a little salamander-guy who wants to see it all, and figure out all the things. Maybe you don't know something yet, but tomorrow is a new day, and you can go blasting off to another planet, find some writing in a city suspended upside down over a black hole, try to fly into the core of a water planet, dodge giant anglerfish inside the warped space of an exploded planet, and try to explore an ancient city that's slowly filling with sand. It is a game about Things Ending, and it refuses to give into despair. It is one of the most relentlessly optimistic games I have ever played.
And the experience of playing it is so unique. This isn't a game where you could watch a letsplay and only get spoiled on some plot points, it's a game where the fundamental gameplay loop is about learning things. You should try it for yourself. It's got hints and many different avenues to explore (and it even keeps track of them for you, in case you forget!), so you don't have to worry much about getting stuck for too long. You can always put aside a "puzzle" and come back later, after you've learned more. (I put puzzle in quotes because it's not exactly a puzzle game. It's more of a mystery game. You aren't solving a logic puzzle or putting the pegs into the right holes, you're asking "Why is this like this? Where does this go? What is this for?" and then figuring that out from clues)
It's like 25$ on steam, and you can get it for Playstation and Xboxes as well (sadly no Switch version. They were working on one but it seems that version has stalled, with no announced release date)
You can probably get it for like 10$ if you're patient and wait for a sale.
One final note: there's also a DLC. The DLC is fully self-contained, in that you won't miss anything playing the main game without it. It basically adds a huge side-area to the game which goes and fills in some gaps in the history, explains some things, and introduces some more variety to the Outer Wilds universe.
It's utterly amazing, too. It's basically Outer Wilds 2 in everything but name, but it's totally fine to just grab the base game and play that. You can always come back and grab the DLC later if you want more Outer Wilds.
Seriously. To sum up, Outer Wilds is one of the greatest games ever made, it won a ton of awards, and it should have won more. They should invent more gaming awards just to give to Outer Wilds. This is one of the games that is going to be talked about in future "history of gaming" classes and put on lists of the 50 most groundbreaking and influential games, alongside things like Myst and King's Quest and Zork and Mass Effect. It's just that good, that groundbreaking.
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skzooweemama · 7 months
Note
Helloooo
Could you do a thing of like how you found out skz was ticklish for the first time🤭
Only if you want to ofc, tyyy💖
but ofcccc~
what a cute idea! i. am. in. love!!
i hope i did this justice and again i apologize for these wait times <33
~~~
How You Find Out They’re Ticklish!
~~~
Bang Chan:
i feel like w chan you were curious
like his love language is 1000000% physical touch
he's touching his members all the time, and he's touching you all. the. time.
back hugs, forehead kisses, hand holding, playing with your hair
he's usually making physical contact with you whenever the two of you are together
because sometimes you don't get to be together so he's gotta savor what he can get
on to my point
he pokes you a lot and he's kind of a lowkey tickle monster
and one day! you're fed up!
like why should he be tickling you all the time hm?
time to try it out for yourself
when he's in one of his goofy/fun moods and he's poking at you, you decide to poke him back
he freezes, not expecting this turn of events
that's all the info you need fr
while he's buffering, you get in all the tickles you can
this becomes a frequent occurence, and you pretty much tickle him whenever you can
it's not your fault though!
channie's giggles are heaven, and you're so glad you can hear them whenever you want <3
Lee Know:
this one happened as a total accident
i think minho wouldn't be too big on affection until y'all were a little more comfortable with each other, and then that's when he'd want to be more touchy
his affection is quiet, like a soft hug or kiss on your forehead
it's way sweeter than he realizes, honestly, and it makes you wanna give him affection back
picture this
cuddling on the couch, you nestled into his side while his hand strokes your hair
it's quiet and you're just enjoying each other's company
you begin to absentmindedly rub his tummy, lost in the nice feeling of his hand in your hair
almost immediately, you feel him tense up and pull away from you gently
you're about to apologize until you see that his ears are red and he's biting his lips
"are you ticklish here?" you whisper, hand ghosting over the same spot.
"no, you're insan- AHH!" and he's lost in a fit of giggles
the lying does not work out for him this time but he just lets it happen because he's tired
you won't get this lucky again, so use your time wisely!
Changbin:
with changbin, it was inevitable
you are obsessed with him, of course you wanna feel him up ;)
when you discover his weakness, the two of you are at the gym together
you both had just finished up and were helping each other stretch out to avoid soreness
he is so gentle with you, stretching your muscles just enough to feel good but not enough to hurt
in turn, you help work out the tension in his shoulders
he gets really giddy when you do this actually, it's adorable
post work out mirror pics are a MUST
you best trust that binnie will work those angles for you!
he's flexing in the mirror when your eyes are drawn to his pecs
he just looks so good and you decide you need to touch him
back hug? nope.
biddie attack!
your hands snake around him from behind and squeeze his pecs
changbin screams and clamps his arms down to try and fight your hands off while letting out his signature giggles
he even ends up on the floor while trying to get away from you lmao
waste no time in getting your tickles in!
you're just giving him just one more small core workout! thats all!
Hyunjin:
it really did not take that long for you to discover hyun is ticklish
like c'mon, he is so dramatic
(yelps like a dog before you even touch him sometimes smh)
it definitely happened on one of your first dates
it's a cute memory just because it was so awkward
there was a small art pop up he wanted to go see and he asked you to go with him
ofc you said yes <3
you showed up looking cute, and that made hyunjin kind of shy and hyper aware of himself
so he was jumpy
the
entire
time.
you almost didn't think about it when he jumped and let out a small squeak from your hand grazing his side lightly
almost.
deciding to test your theory, you wrapped and arm around his waist in what seemed to be an innocent side hug, but was really something much more sinister
that much was obvious when you dug your fingers into his flesh and he let out a loud squawk, confirming that he was in fact incredibly ticklish
you giggled and apologized, hugging him close right after
hyunjin almost wondered if you didn't mean to- was his secret safe still?
the answer to that was a resounding "no!" when he dropped you off at home and you gave him some goodbye tickles 😜
Han:
okay but han also has the tendency to be dramatic
like why are you screaming? calm down??
he's just goofy and when you first found out he was ticklish, it actually wasn't even the first time you had accidentally tickled him
picture this:
ultimate mario kart smack down with the rest of his members and you're playing dirty
like you weren't even trying to win, you were just trying to beat han in the most defeating way possible
it didn't matter if you came in second to last, as long as he was last
han was pretty good at mario kart too, so that made things significantly harder
at first, you just tried to sabotage him every chance you got
unfortunately that only worked for so long before he was climbing the ranks once again
next you tried to distract him by leaning your body into his, getting in his line of sight, and just all in all being super annoying
han was locked in, your plan did nothing
finally, you pulled out the big guns and tasered his side
han screamed, dropping his controller and grasping his side like you hurt him
immediately you felt bad and started apologizing, but minho waved you off
"don't worry, he's fine. just ticklish."
oh?
safe to say you used that to your advantage and han did, in fact, come in last <3
Felix:
felix is your sweetie
i just love him so much
he likes to bake for you as a surprise, just whenever he feels like you deserve it
which is a lot of the time bc he loves you so much
one afternoon after you had finished a giant assignment for your midterms, he came over to celebrate
by "celebrate", i mean y'all just took a nap together
but really that sounds like heaven so i digress
when you woke up, you were alone and suddenly sad, so you went to find him
ofc, felix was in the kitchen making you some celebratory cookies!!
your heart melted
he beamed at you when you entered the kitchen, cooing at you and calling you cute
you flushed and he wrapped you up in a tight embrace, swaying you back and forth
i'm literally gonna die i love him so much
as you hugged him back, your fingers inadvertently dug into his sides and suddenly he was giggling and squirming in your hold
you laughed at his reaction, nuzzling into his chest as you kept up your tickling
to his credit, felix never pushed you away or told you to stop, he just stood there and took it like a man (a very ticklish man)
he's the besttttt
Seungmin:
i feel like he provoked you
i'm sorry, but seungmin really is just naughty sometimes
like "bad dog!" yk?
he was being lowkey mean all day and you were actually fed up
the last straw was when he refused your affection for the millionth time in one night, and it actually made you so mad you were close to tears
you stormed off to your bedroom, telling him to leave you alone for a while
(idk why i like these sorts of situations with seungmin but i do)
he felt guilty and followed after you soon after, finding you stewing in your anger on the bed
wordlessly, he sat beside you
imagine a guilty puppy staring at you, begging for forgiveness
you huffed at him and turned away, but that didn't stop him
seungmin crawled onto the bed and tackled you with a hug, murmuring that he was sorry in your ear
you groaned loudly, pushing at him as he laid on top of you, calling him annoying and insisting that you were mad at him
ofc, he did not let you go! time to pull out the big guns
you reached down and grasped his hips, squeezing at them quickly
seungmin cried out, peals of laughter leaving him at this unexpected attack
he tried to roll off of you to get away, but you just followed him to get him back for being so mean :)
I.N:
because innie doesn't like touching, i think it took awhile before he allowed you to touch him enough times to find out he's ticklish
but when you do, he can't keep his secret any longer lol
he had come to your apartment for a impromptu date night after practice
it was super casual, like a sweatpants, snacks, and a movie kinda night
but you could tell something was bugging him
jeongin kept shifting and sitting in different positions and he seemed to be in pain
you asked what was wrong and insisted he tell you, which he finally did and explained that his feet were hurting from dancing
shyly, you offered to rub them for him and told him that something similar used to happen to your mom after work
he was just as shy as you about the offer, but eventually set his feet in your lap
you got to work, rubbing out all the tension you felt in his feet, and by the end of it, he was feeling better
he gave you a big smile and thanked you genuinely
he's so cute- anywayyy
before he could move his feet, your hand accidentally brushed one of his soles as you reached down to pull your blanket closer
jeongin nearly kneed you in the jaw with how hard he jerked, a scream jumping from his throat
luckily, you were fast and held his leg down when he freaked out, smiling at him mischievously as you teasingly ran your nails down his soles again
he nearly saw god from how bad that tickled
yeahhhh if his feet started hurting again, it definitely wasn't from dancing hahaaaa
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skyeslittlecorner · 3 months
Note
can you post some photos on chapter five? ive been struggling to get to it and im impatient if ykwim 😭😭
Don't worry anon, I got you covered! Let's break this chapter for three parts - one for story and for one for both H-scenes. There are a lot of things to look forward to~
Warning: HEAVY SPOILERS BELOW THE CUT. In fact, I'll try to shorten the whole thing and focus on plot-relevant facts, so for those who want to go through chapter 5 on their own, come back when you're done! (Or just skip to h-scene, they are marked.)
Ch5 - STORY
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First, I would like to warn that my opinion about it may be unpopular. As someone who hadn't paid much attention to Hades before, I fell in love with it after this episode. I adore ch5. A lot of people hate these boys to the core for what they did, and I understand and respect their opinion, but I'm with Hades here. I would love to analyze their behavior in more detail, but we don't have time for that today.
Summarizing this chapter is going to be hard because a lot of things happened. Let's go!
We start by going down a slide sponsored by Leviathan and his Lovecraftian friends (TM). But worry not! It seems we have friends even in the realm of death. Say hello to grandpa!
We talk a little, being in a questionable mood. Well, who wouldn't be? But we have the opportunity to know Solomon better, and I'm getting to understand why all devils love him. By the way, it turns out that we are his last descendant.
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Sorry Solomon, you're still a peepaw.
He also advises us not to be afraid of Leviathan and not to be submissive to him, and then in a brilliant way he sends us back to the world of the living. Of course, our beautiful king is delighted.
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We take Grandpa's advice to heart and finally stand up to Levi. He's surprised, but he doesn't try to kill us again (for now). We witness him hanging one of his subjects, who dared to ask about an accident from 311 years ago.
Fun fact. Devils must have much stronger spines. Do you know how people used to die by hanging? The first methods involved cutting off oxygen, but later they involved into breaking the cervical spine and this was considered a standard hanging execution. Leviathan must be gentle (how bad it sounds in this context), he could kill instantly with a loop like that.
Back to the point. We find out that we also have a noose around our neck, and Leviathan makes use of it. We're hanging, but we finally begin to meet Leviathan's nobles one by one.
Glasyal plots (and ends up hanging for it), Foras argues with him, along the way we learn that Leviathan needs us in his plan, and, you know, maybe killing us isn't the smartest thing he can do. Only Barbatos realizes that maybe it's a good idea to stop hanging us like wet laundry. He's the only one so openly nice to us.
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Remember that.
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Another fun fact, our MC is of medium height (~160 cm I guess). Leviathan is 187cm, Foras should be similar. I only noticed this because I myself am 180 cm so they are not so strappingly tall for me.
Foras wants to take us away from Levi and explain everything calmly, but the king does not agree. We learn that the guys know where the seed from the Tree of Knowledge is. We're supposed to go with them, and we have about a 50/50 chance of survival. Also, we have the opportunity to see a very rare phenomenon, a joking Leviathan.
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Sweetie.
Colossally shortening the rest, the cavalry arrives! You didn't have to. I haven't had time to fuck them yet.
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And this cavalry is very much at odds with the nobles of Hades. Most of the time is them arguing. Fortunately, they didn't kill each other…
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...because Barbie decided to kill us.
Barbatos is poisoning us to force Bimet and Valefor to join the plan. While we are unconscious, we have flashes of Leviathan's past, which is too sad to analyze considering that we are about to jump to hot scenes now. Besides, most of us already know what this is about. Experience it for yourself. Really. We also learn that not only angels experimented on children, and a little about Mammon's childhood.
In the end, we learn that in Ch6 we must visit the abandoned laboratory in Tartaros, where the seed from the tree of knowledge should be, because as Solomon's descendants, we may be the only ones who will not be killed by it.
Ch5 - VALEFOR H-SCENE
(I really wanted to post CG from Valefor's scene here, but I don't know if Tumblr will block it.)
TIME FOR DESSERT!
Bimet is the first to realize that we lack devil energy. He wants to take care of it, but Valefor brushes him off, sends him to scout, and overall Bimet is our wingman, what a bro lol
Since we are away from Satan and Gehenna, we cannot summon Minhyeok's room. MC thinks she's outgrown it anyway. So we can count on the next scenes to be more and more creative.
It all starts with us telling Valefor that he reminds us of Mammon. And what a beast it brings out of him.
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And he loves it.
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...aaand then, someone wants to interrupt. Bimet informs us about this and goes to chase them out. Valefor stands with us at the door to see if anyone else is coming. Yes. Naked. With us. In us.
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Fortunately, no one catches us and after the entire session we fall asleep in our knight's arms.
I really would like to do more screenshots, but tumblr is blocked… and there's one more part to come.
Ch5 - LEVIATHAN H-SCENE
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At least you look beautiful and the platform won't block you.
And here's what I love the most. It was sick. I'd love to experience it again.
I would love to make a whole post ONLY about this and just leave the screenshots.
We are in Leviathan's office, and he interrogates us when we feel like we are lacking devil energy. We want to go to Bimet, but do you think our jealous king will allow it? Oh no no no. And of course, his hands land on our chin and then our neck. He doesn't like our hickeys.
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We start asking him valid questions like "why are you jealous of us if you hate us?" So he silences us with a kiss. A deep, suffocating kiss. This is also how Leviathan discovers that we gain their energy through "intercourse with the devil".
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And how can I not fall in love with this idiot.
The conversation that follows gives us some light on his approach to sex and to relationships in general. Which is… sad. It fits him perfectly, but it's sad. And I would also like to analyze this someday, this character is beautiful and how he's written is even more beautiful, especially from writer's point of view. He does not want the admiration of his people or the hatred of angels. The only thing he can believe and consider to be sincere is that someone's dislike. This is something that might actually turn him on.
At first he rules, he asks questions and he hangs us. And he does everything he can to piss us off. He hands us a whip and lowers us down.
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Just disliking him isn't enough, and he works diligently to make us hate him. He insults Minhyeok, us, wishes us dead, and the more he sees our anger, the more he gets excited and talks more. He knows that we are connected to Satan and we will know how to release our anger. On him.
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He finally got what he wanted. We straddle him and, with the help of Satan's strength, begin to strangle him. Neither you nor he are gentle.
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Also, his words (unfortunately, I already have a limit on screenshots). "Do not bite your lips. Bite mine instead." I beg, let me violate him even more.
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Compliment from Leviathan, nice. In the end, we fall asleep cuddled up to him, and he has no intention of giving us up to anyone. As in the case of Sitri, he only opens up to us when we are so unconscious that we do not see his softer side.
꧁:・ ✡ ・:꧂
AND THATS ALL! What a ride it was, I hope I was a good guide. One day I will go into the Hades boys in more depth, but for now, let this be a shortcut for everyone who is still struggling with ch5.
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sonik-kun · 3 months
Text
Reminder that WWX did use a homophobic slur (cutsleeve) before he found out he was, in fact, a "cutsleeve" himself.
I'd also argue that him taking advantage of MXY's body and the rumours associated with him by acting as a "stereotypical gay" to get out of situations was a form of homophobia in itself.
He assumed this was how crazy, gay people act - like sexual deviants. He used that stereotype on top of the rumours about MXY just to get out of sticky situations and avoid being captured.
Whilst this isn't aggressive homophobia, nor would I consider him a raging homophobe myself, he still took advantage of the world view he was raised in, which, in modern terms, was problematic in itself.
Think the harmful, stereotypical, predatory gay trope in anime that a lot of anime fans have taken issue with. That's the stereotype WWX was trying to perpetuate and brush off as a silly joke which is bordering that harmful stereotype territory mentioned above. And yet I don't see the moral "holier than thou" crowd talking about that in their analysis on "fictional characters in an ancient Chinese setting."
(Note before I get jumped on: I don't think WWX was being cruel or malicious when he did this. Nor do I think he purposely intended to sully poor MXY's image further. And I ofc don't think that WWX is a terrible person for doing so either. The guy was desperate and needed to pull tricks to avoid capture. But that still doesn't make things right by modern standards. Even if said stereotype was used to goad a load of "homophobes." Would also like to add that even after coming out, WWX didn't really challenge the societal standard or think ill of anyone who thought like that. It's not like he toured the CW with LWJ, promoting gay rights. He'd be very extraordinary for doing that and brave, too. But he didn't. Instead, he just got up to sexy times with his husband daily and lazed about living the good life. Which is valid of him, tbh, giving the shit he went through. But my point still stands. The social norm persists.)
Also, bare in mind, WWX was heavily in denial about his own sexuality at first and struggled to come to terms with it in the beginning due to the societal norms back then, anyway.
Homophobia was the norm. Stop denying that when you know most of the characters found it bizarre.
By their standards being gay was, unfortunate as it is, unusual and to them, perhaps even immoral in its own right.
By modern standards, we know now that it is wrong. And the moral consensus is that being gay is normal and should not be vilified (even then, not all cultures today have reached that consensus and LGBT rights still have a long way to go).
With this in mind and the notion of what morality meant to people back then, you mustn't hold the characters to modern standards because that was simply the world view. What was "right" back then.
You cannot say with certainty that you wouldn't be homophobic back then, in a world where people called it strange and immoral. As much as I'd like to believe that I would be one of the few who find it wrong to treat gay people poorly, most of us probably would find homosexuality strange because that was the moral consensus of that time. As such, it is unfair to hold characters like JC, JL, and JGY to modern standards for that reason. That's the point we've all been trying to make here.
(Even then, JC and JL both watched as WWX left with his hubby into the sunset and didn't speak illy of their relationship again, nor consider them social outcasts like the Jins and Mos treated MXY. It's almost as if people can change their world views entirely (or to some extent) after things become normalised. Hmm. 🧐
Furthermore, MXTX herself said that JC wasn't a bad person. She wouldn't say that if he's the "aggressive homophobe, incapable of change" like you all seem to imply he is.)
You all make this point about historical context when us JC fans criticise WWX for his clear breach of bodily autonomy with the core transfer and his own war crimes. You should apply that logic to the period typical homophobia too. Because as I have said before, you cannot say for certain that the characters would be homophobic had this taken place in a society where being gay was the norm whilst homophobia was frowned upon. Let's use some logic and context when talking about characters from an ancient time period, shall we?
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fairuzfan · 3 months
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it's quite a dishonest framing that you say hussein was "regarding you with suspicion" baselessly even though you've publicly state on your blog how you believe zionism is an "intracommunity" discussion.
they at no point even mention that they blame you for "israel's actions". they assumed you were talking about zionism because of previous pointed statements you endorsed where you say zionism should be only discussed by jews. its not imagined, you straight up said this? and you claim that hussein is antisemitic for assuming you're saying the same thing again just with more inclusive language? And it coincided a few days after me posting that tributary post about "defining yourself as zionist or antizionist"? So he assumed that it was in relation to it? sure you might not have meant it about zionism this time, but with previous statements you've made/endorsed you don't exactly have the right to act like you have no idea why they would assume that and misconstrue this as an antisemitic attack where he's conflating zionism with judiasm when you literally agree that zionism should only be discussed by jews, which means you yourself are conflating zionism and judiasm.
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but ok, i guess, they were just taking your words out of context because they're "antisemitic". I even saw this ask last month and assumed you were talking about zionism in your recent post because of this statement you published and told him privately thats what i assumed you were talking about. Not because of you being jewish. But because i remembered this statement you agreed with because i was so offended reading it. And yeah it's a really bad statement that I'll remember because of how antipalestinian it is so sorry I don't think you get to claim the moral highground???? You didn't exactly disagree with any part of this person's statements?????
And like I would have left this alone but hussein often gets called antisemitic by people you associate with and reblog from, and it really shows how little compassion you all have for Palestinians (which btw as I say over and over, we have a right to point out harmful rhetoric that impacts us) who have a "knee-jerk reaction" to these things when we quite literally see our communities call for the deaths of our friends and family by starvarion and bombing in the name of zionism and when we call it out irl we get called antisemitic. You could have like sent an ask or publicly clarified your intentions but you just jumped straight to calling him antisemitic. Which the onus of responsibility is on YOU because of your previous statements. Why would we assume you mean something different based on past experiences???
Rhetoric like "zionism is an intracommunity issue" is stuff that has literally led to death of our loved ones so of course we have "kneejerk reactions" when there is literal proof of you saying these things before. We are not doing this because you're Jewish, we are doing this because we see and experience first hand this rhetoric and youre perpetuating it blatantly and you have people who follow you who look to you for perspective on "israel/palestine". It's so disingenuous to claim he's an antisemite when he's literally finding common talking points zionists perpetuate against us and call it out. And saying "I don't support the likud government or Westbank settlers" means nothing to us because our families were expelled from palestine before likud and settlers happened. Trying to separate modern day zionism from its colonial roots from the 1800s is at its core anti-palestinian, no matter what other conversations you want to have.
Again like the only reason this matters is because people follow you and look to you for perspective AND you reblog/interact with people we have pointed out as harmful. I literally would not care enough to make this post if i didnt see your posts spread enough times around here. So it's not because you're jewish and framing it like that is really dishonest when the person pointing this out was a palestinian who lost family due to zionism throughout multiple generations of their lives.
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hyperactivewhore · 8 months
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It’s honestly so weird to me how many KC, CK, and KH stans jump through hoops to justify their “Klaus loves x girl more than Hope” arguments. As if their ship isn’t valid unless they can prove Klaus loved their fave over his own child. Do they not feel a bit odd trying to compete with a infant/toddler/teenage girl for Klaus ROMANTIC/SEXUAL affection??? They act as if Hope herself gave af about who Klaus was dating/actively went out of her way to sabotage any of his ships.
Because while the writing for Klope is very (and I mean VERY) iffy, the one thing that remained constant for all 5 seasons was that there’s no one he would choose over Hope. Joseph said it, the writers said it, Klaus said it, and even multiple characters in the show (Cami and Hayley included) said it.
They're the same people who excuse his or any Mikaelson's behavior, so I'm not surprised.
I'll start with saying that there is no one Klaus could ever love more than his daughter, no one: not Caroline, not Cami and certainly not Hayley. If you don't agree you're just delusional and haven't watched the show, because The Originals is constantly throwing in your face how Hope was the only thing and person Klaus couldn't live without.
Granted, they had no time together at all but Klaus adored her. Saying any woman would come before her is stupid, and while Klaus is impulsive and has done things that could have prevented them from being together (him dying for Cami in season 2 aka giving his own life for her, biting Elijah when Hayley was pregnant aka putting his unborn child in danger, and etc) she has always been his first priority.
"My daughter, my heir, you're my heart" "Because you've helped me feel something that I never thought was possible: unconditional love" "She's my heart and soul" "You are all that matters to me" "Because you are my peace. And I regret a lot of things, but I don't regret a single moment I spent with you. I love you so much" Klaus said all those things to Hope and yet people believe she was second in his life??? Like, what.
Hayley and Cami were definitely important persons in his life, but they would never be as important as Hope. Klaus "allowed" every single thing that Hayley did because she was the mother of his child and he couldn't harm her, not only because Hope would hate him but also because his family wouldn't allow it. I mean, even the episode of her wedding is more about Klaus and Hope that is about Hayley herself. He was terrified of anyone other than him being Hope's father, and Elijah noticed.
"Elijah: Just listen to yourself! Fueled by your delusions of persecution! Think, Niklaus-- if you kill Jackson, the wolves will descend into chaos. You're acting out of fear, terrified that Jackson might be a better father to Hope.
Klaus: Do not bring the child into this.
Elijah: Your child arrived here today, her security strengthened by those wolves that would defend her, and you would jeopardize that alliance? Niklaus, you yourself have mentioned that had you been raised by Ansel, you might have been a better man. Now, perhaps, a better man has entered Hope's life, and having seen that, you are shaken to your core."
And then he proceeded to get jealous about Elijah spending time with Cami. Like, all of season two is Klaus not wanting Hayley to marry Jackson because he knew he was a better man than he could ever be and he could be an even better step father to Hope, of course Klaus didn't want that to happen. And he eventually agreed, because his love and need to be with his daughter was bigger than his fear and etc. And it's something Hayley agreed on: she married Jack because she wanted to, but mainly because her kid could be back home.
Or in 2x12, his whole fight with Jackson was basically him whining and being jealous because he got to met Ansel, his biological father aka the man Klaus had always wanted in his life. And his argument/fight with Hayley just proves my point:
"Klaus: Well, allow me to make this simple for you-- under no circumstances will you divulge any family secrets, especially none that would endanger our child!
Hayley: Except it's not that simple, Klaus. You saw what Finn did. He's growing more powerful by the day. Right now he controls over half of the wolves. This marriage could change that.
Klaus: The outcome of your strategy is not worth the risk it imposes on our daughter."
"Hayley: Klaus, think. We could have a whole army of super-wolves who could protect Hope as one of their own.
Klaus: Hope doesn't need a wolf army! I'll protect her myself! And an easier time I'll have of it, too, without you running off sharing secrets with every motley member of your werewolf brethren.
Hayley: Damnit, Klaus! This is our chance! We can bring her home. We have to at least consider this!
Klaus: I have considered it, and I have deemed it absurd. And in this matter, there is no one above my decree, not even you."
It took three seasons for them to be able to even stand each other, not to talk about the fact that Klaus was cosplaying as a single father for months demanding Hayley came to apologize to him, knowing she was in potential danger. And well, he was in fact flirting with Caroline while being aware Hayley was kidnapped and suffering, so let's not lmao.
It's the same thing with Cami: she was well aware she wasn't Klaus's light and yet she asked him in her deathbed to be the light for Hope and stuff, to let go of his anger and he swore to always carry her with him and etc, and it was clear he did but Hope was still his main priority and the one he loved the most. And Camille loved Hope a lot, Klaus and Hayley and actually all the Mikaelson siblings knew her and were aware about the impact she had on Nik.
Klaus and Caroline are something like a wtf, because when it comes to them the writing for both characters just disappears. But well, Klaus did some decent things for her but he never actually changed until Hope was born (he was forced to tho, but that's another conversation) and Caroline was aware of that. She trusted him with her twins and Klaus with his daughter, and they had a mutual respect in The Originals because they had grown in their own personal ways.
Caroline, Cami and Hayley are all very different women who managed to leave a mark on Klaus, but they weren't even in the top of three persons he loved the most. Hope was the first one, Rebekah the second and Elijah or perhaps himself is the third, not his love interests.
People need to stop being mad about the fact that a daughter is the most important person to a father 💀
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thesoftboiledegg · 1 year
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Man, I did NOT realize how much I missed Morty until I watched "A Rick in King Mortur's Mort." If you've spent thirty seconds on my blog, you know that Rick is my favorite character. I like Morty, but I don't specifically watch the show for him. But his dynamic with Rick is brilliant, and separating them by putting Morty in the background could've been a fatal flaw if season six didn't start turning it around near the end.
When other characters appeared on the screen (especially in group family scenes) I thought "OK, let's not take too much attention away from Morty." I never thought I'd hear myself thinking that. I think that season six is great overall, but that actually made me look at it a little more critically. This show just does NOT work without Morty. Developing the family dynamic was great, but I'm hoping that the show will start focusing on the core characters again.
Anyway, this was a good episode. Like Morty, I kept waiting for the reveal that Rick was just being an asshole and letting Morty talk himself into a disaster so that Rick could save him and then hold it over his head for ages. I wasn't too worried since Rick's been changing so much and going to therapy, but it still crossed my mind.
Maybe Rick's still following Dr. Wong's instructions: being patient and watching events unfold instead of immediately reacting with anger.
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The callback to the infamous "The Vat of Acid Episode" blew me away. I didn't think the show would ever even mention it again. That episode was Rick at his worst: an abusive, sociopathic monster who emotionally destroyed Morty under the guise of being nice. So much of Rick's affection in seasons 1-4 was fake or manipulative. He did care for Morty, but boy, he didn't hesitate to smack him down and remind him who was the Rick.
I loved how the end of the episode paralleled the start of "The Vat of Acid Episode" perfectly. It's like this scene with Rick and Morty saying "I love you," grasping each other's hands and jumping willingly into the lava together undid all of Rick's cruelty.
Well...not quite. Which brings me to the one issue that I have with their relationship development: the show keeps acting like they needed to come to a mutual understanding, like their issues were partially Morty's fault. 99% of their problems came from Rick's bullshit.
Rick IS taking accountability, admitting that he fucked up and trying to do right by Morty. However, I think Morty needs to tear into him. In fact, it's a little unsatisfying that he doesn't. Rick needs to know how much he hurt Morty because that's the only way that Morty could ever find peace and Rick could even begin to atone for it.
I don't think Rick's trying to dodge responsibility. If Morty finally unleashed his rage, I think Rick would stand there and accept it. Maybe Evil Morty was supposed to be C-137 Morty's stand-in when he tore into Rick at the end of "Rickmurai Jack," but it's not enough because C-137's got personal issues with Rick that no one else has.
Rick's my favorite character, but--he deserves it. He took his shit out on that kid for way too long. Even once would have been too many times. I wish the show would let Morty seriously confront Rick about everything that he did.
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Also, Rick's still got a lot of work to do, but this episode left me wondering where they could go from here. Either Morty's going to start seizing control, or something huge is going to happen that shakes up the status quo.
Still, I enjoyed the sweet moments in this episode. Rick calling Morty "little junebug" was so unexpected, but so loving and sincere. He's called Morty "buddy" and "kiddo," but that's the first time he's given him an affectionate nickname like that. Sounds like something that he would have called Beth when she was little.
I was wondering when Rick and Morty would share an emotional hug (as opposed to the spontaneous one that they shared in "Get Schwifty" all those years ago), and there it was. Not the scenario that I expected, but Rick and Morty hugging while Rick assures him that "we're going to make your dick so fake" is perfect for this series.
And again, Justin Roiland does a great job. I love how he captures the gentle undertones in Rick's voice.
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Between Rick (basically) having two daughters in the house, trying to give Beth parental advice and showing Morty affection, it seems like he's learning how to be a father again. The way he extends his arms to Morty while shushing him looks so natural, like when he gently turns on Morty's goggles for him in "Full Meta Jackrick." He's reclaiming in his 70s what Prime Rick tore away from him in his 30s.
I also liked how this episode kept things fresh by returning to Earth's solar system. When Rick and Morty can visit infinite planets in infinite universes, what else is there to do? Return to an "ordinary" setting that they haven't spent much time in. This episode reminded me of "Something Ricked This Way Comes," which Rick mentions directly--another great callback to earlier seasons.
I noticed that Morty and Rick are continuing to gradually switch places. Morty's the one who suggests that they move to another dimension, and he says in the beginning that he wouldn't be too upset if he never saw his family again. Glad to see that he hasn't regressed back into being a passive little boy, which I was worried about.
Overall, this was a solid episode. I would've done a few things differently, but the writers have done a great job of pushing the show's boundaries and transforming the characters. Still, this upward growth can't go on forever, which makes me a little worried about what's coming next.
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ilovehobi101 · 2 years
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Little mama
Warning; infidelity, Grammar errors, breeding kink, daddy kink, creampie, pussy slapping and degrading kink, manhandling. Unprotected sex (guys wrap it before taping it) Just filth you know how it is. This is my first time writing so please give me feedback and please if I forgot something, do tell me. Anyways onto it. Audience for 18+ and older.
Part 2.
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The first time you met Elvis was when you were pick up empty drinks from the tables during his every first show at international hotel. He was in the middle of singing 'Love me tender' before he jump off stage and kisseing every women close to him. Someone had pushed you to get to Elvis well it happened quite the opposite, you run right into his chest
" l-l'm so sorry sir i-" you cut yourself when you saw his stare; it was like the world stoped. He started leaning closer so close you could feel his breath against your lip and your eyes almost fluttering closed before another woman pull Elvis to her and kissing him like her life depending on it. Taking it as your cue to leave. You speed walked; more like running and heart beating so fast. You never forget that day after even a year and a half ago.
After that day Elvis had called your manager and said he wanted you as his personal server.
~~~~~~~~~~
As always you waited backstage for Elvis to be done. not that you mind such a thing oh no, watch him was like a blessing seeing how much he loved to sing and being himself upon that stage. You smiled as he joked with the audience before performing his last song for the night. When the golden curtains finally touched the ground Elvis stood up, breathing heavily as someone from his Memphis Mafia threw him a towel to wipe his face and he did so while walking straight to you.
'Damn it.' You cursed at your beating heart 'must you always do this with him close?! ' "Darlin?" Elvis chuckled as he pulled you from your thoughts "Yes?" You reply trying to seem calm "Meet me my suite in a minute" Elvis said smiling at you before heading to his dressing room. Finally after waiting you enter the elevator trying hard to remember to breath; nerves biting at your body. You let out a relieved sigh at hearing the ding alerting that you reached his floor 'God I hate elevators' you thought stepping out into his suite.
You looked around a little before you notice Elvis; seating on the couch, head leaned back and eyes closed. Almost alike he sense you were there,Elvis turned his head towards your direction and those ocean eyes meet your gaze. He smiles "c'mere lil darlin'" he said softly in that beautiful southern drawl of his and patted the spot next to him, walking almost in a trance you round the couch to find him what it appears to be only in a robe and suddenly a feeling of heat rushed to your core.
Elvis watched as you nervously sat next him and looking at anywhere besides him, Elvis put a ringed cladded hand under your chin and gently turns your head towards him. He smirked as you finally look at him "sugar I call ya up here to confess somethin'" he said his thumb slightly rubbing your chin, his gaze zoned on your lips. " since I met you, I can't seem to get ya out of my head. Look 'm gonna be straight with ya, I want you and I want to love on you. Whatcha said baby" he whispered almost afraid to scared you away eventually his eyes meet yours it was like you couldn't say no looking into those hypnotic icy blues but part of you knew it was wrong, this was wrong.
" What about Priscilla? " you say looking at him "I know you feel somethin' too..jus let me love ya" that was it. You couldn't say no, you didn't want to say no. before your mind can think about a reply your body made one for you. You kissed Elvis. The kiss soon turned passionate Elvis's tongue licked and swirled around your tongue; exploring your mouth.
"Bed." He growled making your already wet underwear into a pool when he let go of the hold he had on your chin you shot up like something burned you and headed to his bedroom. You knew the way because he'd order breakfast in bed some mornings when he particularly was in a good mood. Reaching said room you look around, having not really pay attention when you served his breakfast 'beautiful..: you thought while you sat on the amazing soft lage bed not long after you Elvis walked in hands working to untie the knot on his robe
'I'm really gonna do this?' The robe fall off his shoulders and pooled around his feet and any thoughts you had before vanished. You were right..nothing was under that, your eyes look at that part of him 'h-how is that gonna fit!' He had to be at least 7inches and quite wide, his tip red and leaking pre-cum there was a little bit of pubic hair but it was groomed and his balls heavy with cum that he was happy to give.
Seeing this made you hurry and take off everything. you didn't care if it can't, you'll make fit. You panted slightly in desperation; you wanted him- no need him. You both stare at each other in unbearable silence his hooded lustful gaze locked on to your desperate one before he moved to get on the bed and between your parted legs. He kissed you with so much passion it dazed you. Running his right hand down your pump body he had found what he wanted; your clit, he didn't hold back using three of his fingers he rubbed figure eights on your poor button of nerves. "F-fuck." you whimpered as Elvis started sucking on your neck.
He did this for what felt like hours before he slid two of his fingers into you thrusting them as hard as he can. You silently gasped as he ripped his digits away " Need to be in ya mama" he said while slowly running his dick up and down your folds, teasing the opening to your pussy "p-pleas-" not even letting you said the whole word out he slammed his cock inside hitting your soon to be sore cervix. You both groaned at the feeling. He slowly started to thrust "Fuck. Such a pretty cockslut for me" Elvis grunted as he puts your legs close to your head, manhandling you in mating press. It wasn't long before he was pounding into you like there was no tomorrow by this time you couldn't barely speak from the pleasure of being fucked by Elvis Presley.
Letting go of your leg and putting it on his shoulder his fingers found your clit once again. " T-too much! Gonna-" you cried out as your ball of pleasure was close to snapping "Do it lil mama, cover Daddy's cock with your cum" he growled as he slap your pussy, driving you over the edge. You loud moans turn into whimpers as your hips stutter as you came down from the high.
Elvis didn't stop no. He had a mission. "That's it sugar! 'M gonna fill ya up, make ya a mama! Be so p-pretty carryin' my babies..wanna see ya big with me!" Elvis grunted the southern accent thick as he thrusted one last time, he filled you with his cum while panting and sweating like he ran a marathon. "Goddamn..ya alright darlin'?" All you could do was nod, eyes barley open and lazy, blessed out smile on your face 'I wouldn't mind carrying his baby' you couldn't help but think happily.
Elvis smiled before reluctantly pulled out. He placing a sweet kiss on your lips as he got up to get a towel to clean you both up. "Goodnight lil mama" Elvis whispered.
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