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#he has his problems but like... don't we all
wifeyoozi · 2 days
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Svt with a high maintenance girlfriend, thank you <3
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Ot13 seventeen : high maintenance girlfriend
Ceecee note - I literally don't know a lot about high maintenance girlies because I literally am too lazy to get stuff done even though I love doing it all and being a girlie lol so forgive me.
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seungcheol : literally doesn't expect you to be any other way. if you weren't high maintenance before, he'll spoil you enough to be so eventually we all know it
jeonghan : he's equally high maintenance so the both of you better be rich or he be stealing cheol's money for you both
joshua : he is a man from LA with a J name I think he can really afford a high maintenance girlfriend. Secretly actually prefers that. Just because mindful that he's still The Bitch in the relationship you cannot take his spot.
Junhui : lowkey finds you tiring but simultaneously loves spoiling you. "Oh you want to get your nails done? AGAIN?? you just got them done! No problem tho I wired you $300 enjoy babe 😘😘"
Soonyoung : loves spoiling you in a way where he comes to all of your expensive appointments and shopping and likes yo personally pick your nail and hair and dresses
Wonwoo : I think he doesn't even notice you are high maintenance until his friends point that out. He's like "oh don't all girls like to get their things done like that?"
Woozi : on the outside he shows that he doesnt care as much about spending money on your maintenance but it secretly turns him on. To flex his money on your beauty. His black card has its first home in your wallet not his.
Minghao : this man is dressed up in Gucci and Versace all day long so I think he'd be really proud of a girlfriend who's the same. An equally high maintained couple going to get their nails and hair done together all the time that's you.
Mingyu : highkey intrigued by everything you do. He's that typa man. Would randomly show up at your saloon one day just to see how you get your manicures and pedicure and body spas done. Loves how you always get so happy after you've got it all done.
Seokmin : what's the use of him earning as much as he does if he can't spend it on you? Feels so entitled when you are by his side because of how strong your aura is with your luxurious looks.
Seungkwan : complains and pouts about you spending more time in the saloon than you do in his arms. Starts insisting you book home appointments just so he could cuddle by your side as you get all of your shit done and successfully make the aesthetician uncomfortable with the strong couple energy.
Vernon : I think he secretly knows a lot about manicures and pedicures and nails and hair and spas because of how close he seems with his sister so he just loves spoiling you like that and see you be all fresh and happy afterwards.
Dino : I feel you're gonna have to explain him why you need to get so many things done and why you gotta buy so many skincare and then he has that invisible question mark on his head everytime you go on and on talking about why you need it and all the other beauty details and why you love it ykwim
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harunayuuka2060 · 1 day
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Twst Unveil Event Part 6
Philomela: You want to change the location you've chosen?
Silver: Yes. If it is possible.
Philomela: Hmm... I would've granted your request; however, you're up next. It would be difficult for me to make last minute changes.
Silver: But... Didn't you say that it isn't a problem to you?
Philomela: ...
Philomela: *laughs*
Philomela: Clever kid! Alright! Let me hear your reason first!
Silver: ...
Silver: I realized that the location I've chosen is nothing compared to what Sebek and Floyd had chosen.
Philomela: Hm? You think that Enchanted Garden is nothing?
Silver: Huh?
Philomela: Listen here, Silver.
Philomela: It might seem that it doesn't pose any threat, but trust me. That garden is one of the places you should never underestimate.
Silver: ...
Philomela: Still, if you really want to change it, then I'll have to respect it.
Silver: ...
Silver: No, it's fine. I'm sticking to my chosen location.
Philomela: *smiles* Good.
Leona: Yuurin!
Yuurin: Leona-senpai?
Leona: What was that, huh?!
Yuurin: ...
Ruggie and Jack: ...
Leona: *looks pissed*
Yuurin: ...
Yuurin: I won the second match, Leona-senpai.
Leona: Yeah, congrats. But that's not the point!
Ruggie: Shishishi!
Malleus, Sebek, Epel, Floyd, and Jade: ...
Epel: Is Leona here to scold him or what?
Jade: He must've been worried.
Floyd: Eeeehhh~ So Sea Lion is here for me too~?
Sebek: It might be! Because you attempted to drown Yuurin!
Floyd: Hehe~ You're just jealous that our match was more exciting than yours~.
Sebek: WHAT DID YOU SAY?!
Malleus: Sebek, calm down.
Sebek: Krk... Yes, Waka-sama...
Epel: *sigh*
Yuurin: *has introduced Leona to Philomela*
Philomela: Ah, you look strong! You should join our wrestling competition next time!
Leona: No, thank you. I'm too lazy for that.
Yuurin: Philomela, can I ask you to prepare a room for Leona-senpai?
Philomela: Of course. But isn't he here to watch?
Ruggie: Nah. His heart is too fragile.
Jack: *nods in agreement*
Leona: *glares at them*
Ruggie and Jack: ...
Philomela: I see. So he's like Akane, huh?
Leona: Huh? What about Aki— I mean, Akane?
Philomela: She always worries for Yuurin. It never came across to her that her brother received blessings from the gods.
Yuurin: ...
Yuurin: Aren't we all, Philomela?
Philomela: Yes. That's why I will never understand your sister.
Philomela: Us from the Kingdom of Heroes have always been adventurous!
Philomela: Danger excites us!
Yuurin: ...
Yuurin: I have to disagree on that.
Philomela: That's your opinion. Haha!
Leona: ...
Leona: Let's change the subject.
Leona: Who's the next person to fight Yuurin?
Philomela: Silver.
Leona: Huh.
Ruggie and Jack: ...
Ruggie: *whispers to Jack* He's already crossing out Silver from his list.
Jack: *whispers back* List of what?
Ruggie: Yuurin's potential suitors.
Jack: ...
Philomela: Our third match is about to begin!
Philomela: Are you ready fighters?!
Yuurin and Silver: Yes!
Leona: *frowning*
Malleus: You do not need to worry, Kingscholar.
Malleus: Yuurin will be alright.
Leona: I don't need your reassurance, lizard.
Sebek: How dare you?! You should be grateful that Waka-sama is showing some concern to you, human!
Leona: I don't need it. And I don't care.
Malleus: *smirks* Well I hope Yuurin win against Silver.
Leona: ...
Leona: Huh?
Malleus: Silver has been trained by Lilia.
Malleus: There is a chance that Yuurin might lose this match.
Leona: Are you making me laugh?
Malleus: I'm only stating the possibilities.
Leona: Grr... *smirks* Then I hope your Silver won't lose.
Malleus: *smug face*
Epel, Jade, Ruggie, Jack, and Floyd: ...
Floyd: Looks like Damselfish can't afford to lose now~.
Epel: So is Silver.
Jade: Hm. Everyone, has anyone seen Rook?
Epel: Oh, Rook-senpai is doing some warm-up exercises in preparation for his match.
Jade: I see.
Yuurin and Silver: *have been sent to the Enchanted Garden*
Silver: This is...
Yuurin: ...
*The Enchanted Garden is a place straight out of nightmare — with heavy storms and lightning striking the ground.*
Leona: What the heck?
Philomela: Ah, one of the most beautiful places in the Kingdom of Heroes. Hahaha!
Ruggie: This is going to be difficult for both of them.
Philomela: I doubt it.
Leona: What do you mean?
Philomela: That place is being taken care of by a nymph, who Yuurin rejected.
Leona and the others: !!!
Silver: I don't understand. This is not what I imagined this place to be.
Yuurin: ...
Yuurin: It is a beautiful place. Though you'll get to see it after the nymph who's protecting it is no longer mad at me.
Silver: I see.
Philomela: ENOUGH TALK! START FIGHTING!
Yuurin and Silver: ...
Yuurin and Silver: *proceed to take their fighting stances*
Sebek: SILVER! DO YOUR BEST AND WIN THIS!
Epel: Sebek, can't you just watch quietly?
Sebek: Hmph!
Malleus and Leona: ...
Ruggie: Damn. These two look so serious.
Yuurin and Silver: *seems to be thinking the same thing*
Yuurin and Silver: *charges at each other, aiming to grab other's shoulder*
Yuurin and Silver: *fends off each other*
Yuurin and Silver: *creates distance then attacks again*
Epel: Holy shit—
Malleus: *smirks*
Leona: ...
Leona: What's going on? Why does it seem to me that Yuurin is slowing down?
Philomela: The garden is restricting his movements, providing an opportunity for Silver.
Leona: ...
Epel: Yuurin is slowing down?
Philomela: Yes.
Philomela: Watch closely.
Yuurin: *her steps look heavy whenever she moves*
Epel: Wait... Is the gravity... different for him?!
Philomela: Haha! You have a keen eye! Yes!
Leona: ...
Ruggie and Jack: ...
Yuurin: !
Silver: *has finally managed to grab Yuurin's shoulder*
Silver: *quickly pulled her leg and pushed forward; both of them falling to the ground* *then stayed on top of her*
Leona: That little—!
Malleus: Looks like the match has been decided—
Yuurin: *uses sweep; knocking Silver off-balance by hooking his hip with her leg, then used her other leg and upper body to create a momentum and flipped him over*
Silver: *is genuinely impressed*
Malleus and Leona: ...
Leona: What were you saying again, lizard?
Sebek: SILVER! THIS IS NOT THE TIME TO BE AMAZED!
Philomela: *laughs*
Yuurin: *doesn't waste any second and immediately applies the Ezekiel choke by gripping his collar with one hand and sliding her other arm under his head, positioning her forearm against his neck*
Yuurin: *applying downward pressure with the hand gripping the collar while using her forearm to compress his windpipe*
Silver: !!!
Silver: *tries to escape*
Yuurin: *doesn't budge no matter how he tries to move*
Silver: ...
Silver: I... give up.
Yuurin: *lets go of him* *sighs in relief*
Silver: *coughs; catching his breath* .
Silver: I need... to train more.
Yuurin: Just say when and I'll help you.
Silver: ...
Silver: *smiles* Thank you.
Philomela: Our winner— Yuurin!!!
Silver: I'm sorry. I lost.
Malleus: *smiles* That is alright. You did your best.
Sebek: Hmph! I told you to win!
Leona: Yuurin, how are you feeling?
Yuurin: ...
Yuurin: My body feels sore.
Leona: ...
Leona: You should rest a little.
Philomela: Yuurin! That was amazing! *picks her up and hugs her tight*
Leona: !!!
Leona: Hey!
Yuurin: ...
Philomela: One more match! *laughs*
Yuurin: Please let go of me.
Epel: I feel bad for Yuurin. His match with Silver must've exhausted him.
Jade: Honestly, I think it was more of the garden's fault.
Floyd: *nods in agreement*
Rook: Oh la la~.
Rook: *amused smile*
Rook: Our match will surely be interesting, Monsieur Tranquille.
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hotvintagepoll · 3 days
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Do you have any opinions on modern (post-1970s) movies that you feel capture the essence (in a good way) of Old Movies?
No, unfortunately. That doesn't mean I don't like modern movies or that modern movies aren't good, but modern movies—and here I'm really using modern to mean post-2010, so contemporary movies—have different standards for pacing, characterization, budget, and production that make it harder (or impossible) to capture some of the magic of old movies. Even when modern movies clearly try to emulate that old-movie feeling—I'm thinking of La La Land, The Artist, The Shape of Water, In the Heights—they play the homage too broadly, or they ignore crucial components that make the original films work.
There's kind of too much to go into here without writing a full essay, but essentially, the Old Hollywood system—ugly, failed beast as she was—made some movies simply more accessible to make, due to the ongoing storage of props, sets, master craftsmen, crew, and onscreen talent that could move from one movie to the next without pause. If you needed a dancer, he was already on staff. If you needed a fancy bed, it was already in the warehouse. That kind of longterm storage is invaluable if you want to crank out movies quickly and cheaply because it saves so much time on individual negotiation and sourcing. Modern production companies have to work out individual contracts for every actor on every film; crew members have to negotiate rental contracts and source pieces from scratch; if you need someone with specialist skills, you have to contract them specially at a high rate, which a lot of small companies can't (or won't) budget to do. There's sand in the wheels where there needn't be any. It's wasteful, and costly, but that's the system modern movies are made with.
Which all means that even if the modern movie system wanted to make a classic movie musical just like the old ones, they couldn't, because the talent isn't already there—it hasn't been trained up enough, and there's not that breadth of knowledge you can only get from people who have been allowed to work in the same department in the same place for decades. Movies like La La Land fail, for me, because they present themselves as descendants of Fred Astaire or Busby Berkley movies, while missing the bit where Fred Astaire was a master of his craft. When you watch Fred Astaire dance—or Moira Shearer, or the Nicholas Brothers, or Ann Miller—you are watching a true artist at work, purposely showcased by the studios because they already have them on contract. Modern movies, on the other hand, tend to take people who already have star talent (as actors) and try to convert them into dancers/singers—or they pull dancers/singers off of Broadway, but then they don't have the star power built in. You end up with lackluster musicals where no one truly knows what they're doing, or they do but they're not built up enough by the studios to sell. And that's me discussing just on-screen talent for musicals—there is a huge loss behind the scenes, as well, for all kinds of movies, where roles that would have been filled by union crew who moved continuously from one job to the next have been swapped for freelance labor who live with immense turnover, financial insecurity, and knowledge loss. You could hand me the budget and I could try to make an old movie, but the industry itself has changed so much it's impossible to recapture that charm of steady, niche talent, the amazing possibilities of bonkers set design, and the ability to take a risk on a smaller movie because the other films being produced by the same studio can help balance the budget.
I've talked way, way too much about all of this! Sorry, I just have a lot of thoughts—and the one above is just one of them; the talent loss and storage issues are only facets of a much bigger problem that extends to how we watch movies today, how we market them, what we expect of them, and what's allowed in them. It's a crying shame because the talent is still there, but times change and so does the industry, for better or for worse. (And, just again to clarify, I don't think modern movies are bad—they're just missing a lot of the juice old movies got to play with, even if there's more talent available than ever before.)
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Devotion.
I just want, or rather need, to write about this scene, because it stuck in my head for the last seven days. And because of the wonderful @lurkingshan I decided to post it...
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This scene is the culmination, the end of the years that Qian has forbidden himself to feel joy or love. Romantic love that doesn't demand, that doesn't require him to be in control, to take care, to be the big brother. So far he has not allowed the depth of his feelings for Yuan to surface. He has kept them locked away, kept control of them. He knows they were there, but couldn’t or didn’t dare to face them, to name them. And he would have continued to do so if Yuan hadn't finally told him what he actually wants from him. It wasn't enough for him to tell Qian that he loves him, that it was his own problem, not Qian's, that he was content if the person he loved was happy. The talk with San Pang and the staircase talk were the first steps, Qian is finally able and willing to face those emotions, but couldn’t make up his mind. Still couldn't name those feelings.
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Everything is too much for him. He is overwhelmed by the decision he has to make and the possible outcome of that. He could lose Yuan, if they don't work out in the end. If those boundaries are finally crossed, there is no going back to where they were. So Qian needed to hear that Yuan doesn't want him as a brother. Every time Yuan told Qian he can take care of him, he is there for him and holds up the world together with him, it was as a brother. In Qian’s mind, he said that as a brother. All Qian brought Yuan was suffering and sadness and abandonment, because he fell in love with him.
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In his mind, Yuan shouldn’t love him as something else than a brother, because that would harm both of them. Because loving Qian isn’t a good thing to do. Qian knows that Yuan loves him but hasn't understood, or rather wanted to understand, the extent of his feelings. Yuan wants to be his partner. He wants him to be able to rely on him, to be Qian's rock, no matter what life brings, he wants to be there for him. And not just for the moment, but for the rest of his life. And not just as a brother Qian has to take care of, but as a lover, the one person who puts Qian first.
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He wants to be Qian's partner, he wants to protect him and take the burden off his shoulders. He wants Qian not to have to deal with everything on his own, but to open up to him, to share his worries and hardships with him. And Qian finally understands what it means when Yuan tells him that he can summarize his life in two words: Wei Qian. Yuan puts Qian above himself, he would run to the end of the world for him if he had to, he would fight against the rest of the world if he had to, he will protect him, he will take care of him and love him no matter what the world holds. And finally Qian understands that it's good, that Yuan won't just leave him once he opens up, because he loves everything about him, his dark sides and his light ones. Yuan can take care of him to the end, can love him to the end. And Qian surrenders. He's always in fucking control, no matter what, he has to control everything, even his heart. But at some point, all resistance breaks. He just had to understand.
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And when they get into the bedroom, Qian is beaming. The lightning focusses on his face, this delighted face. He is like pudding under Yuan’s kisses, touches, breathes. In that moment he exists only out of his emotions. There is nothing more and nothing more is needed in this situation. He has never looked so weightless before and has certainly never felt like this.
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We know what Yuan imagines at night, or at least we have a pretty good idea. We have witnessed countless moments when his love and affection for Qian literally leaked out of his face, while Qian tried to suppress his feelings with a petrified expression. But finally, he can feel them. He allows himself to give in. He allows Yuan to take care of his world, to let him feel how much he loves and desires him. The power of emotions and sensations are depicted on Qian’s face. He has his eyes closed, tasting every single moment, savouring every single touch. Blissfully.
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Yuan's presence is Qian's entire focus. Just as Qian is Yuan's entire focus. And he makes sure that Qian feels good, that he forgets everything, all problems and responsibilities, illnesses and losses, for the moment. He takes care of his world. This one thing he wanted to do for so long, he is finally able to do.
(Well, there is an edited version out now with this whole scene as one without the flashbacks, but I saw the other one first and I loved it, so I stick to it.) The whole scene is repeatedly interrupted by scenes from the past and it is always Yuan. I was also a bit irritated by the time jumps at first, I get why people are annoyed by this, but it makes sense. We know that Qian is Yuan's whole world, the centre around which he has revolved for years and for which he would do anything. We see scenes that led to where they are now. Their shared history. Their shared memories. The sequences speed up and at some point it's just Yuan’s face at its core. Yuan. Yuan. Yuan.
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And you can understand, without needing to be told, that Yuan is also Qian's whole world. He is the centre, the heart that gives his own life warmth, with whom he can let himself fall, who knows him better than anyone else, who was always there, even when he physically wasn't, the only one who could tell him to do things he didn’t want to do, the one he can’t fucking live without. And Qian surrenders. The feelings he couldn't allow for so long are now boiling out and we have these close-ups of his face and see how he's longed for it. How touch starved this boy was.
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I don't need a close-up of Yuan to know that he's enjoying every single second. Would it have been nice? Sure, but I think narratively, that's the way they wanted and needed to go. And I love this whole scene. It's aesthetic, it advances the story, it's intimate and it's fitting for the show. Because Qian always was Yuan’s world and Yuan is Qian’s whole world.
I just wanted or needed to say I love this scene, its buildup, its pace, its hecticness and this disconnected feeling. It's Qian's scene. It's what we've all been dying for, for Qian to finally give in. And when the emotions overwhelm you, then it becomes hectic, then nothing hangs together and thoughts can't be grasped, can't be put in order. You jump from moment to moment, starting at one point and ending at a completely different one. It's Qian's scene. It's not Yuan's. We've had enough scenes to see Yuan's love and devotion, now it's time for Qian. We are, like Yuan, experiencing Qian in his first moment of absolute devotion. Without time, without place, without anger or fear. He doesn't think about the past or worry about the future, because for the first time he lives in the present. Yuan gives him this security that he can let his guard down, give up the control. I don't think Qian has ever felt as safe, secure, and loved as he does in this moment. And I love it so fucking much! Perhaps I just ignore my little dissappointement in them rushing this whole thing, because I watch those scenes with a narrator in my mind and he is giving me so much more in those scenes than the actual scene shows. But I understand everyone who is dissapointed with this scene and editing.
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ackermai07 · 2 days
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hi there !! i hope you're having a great day so far ^^
i wanted to request the three musketeers (katsuki, izuku, shoto) that give prince/ss treatment to reader ! like the reader is just so tooth-rotting sweet that the boys can't help but treat reader that way ฅʕ◍·̀·́◍ʔฅ
you are so free to ignore this if its not up to your taste ^^ thank you in advance !! 💌🍰
girl you're crazy if you think this isn't up to my taste, you literally blessed me with this! Anyways I hope you have fun reading, enjoy!
𝗣𝗮𝗿𝗶𝗻𝗶𝗻𝗴: Todoroki, Bakugou, Midoriya, fem!reader
𝗪𝗲𝗮𝗿𝗻𝗶𝗻𝗴: headcanon, fluff!
Don't repost!
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The one thing we all agree on.
He'll cook for you.
No one argues with this; he's literally your personal chef.
He'll always make sure you eat well, whether you're a big eater or not.
This damn guy will literally stuff your stomach and cook for you anytime.
You can wake him up even at 2 a.m., and he won't mind, like:
"Hey, Katsu... I'm feeling kinda hungry... so-"
"Shut up, I already know."
And boom, he'll get up to cook a delicious meal for you and make sure you go to sleep feeling full.
He also loves styling your hair, no matter the type.
Straight, wavy, curly, it doesn't matter.
Just tell him how you want your hair, and he'll do it professionally.
He does most of the chores for you, like cooking, washing dishes, doing laundry, etc.
He absolutely hates seeing you tired or exhausted; he sees himself strong enough to do everything.
"You weren't created for exhaustion, not even your beautiful ass deserves to be tired from sitting."
Another reason he always holds you in his arms when you're alone together.
He always brings snacks for you at school.
At the end of each class, he turns around to give you candy or chocolate to keep you energized.
(He completely refuses to admit he brought them for you, always saying he got them by chance.)
When you're sitting in the dorm with others, he lets you rest your head on his shoulder if you're tired.
He absolutely doesn't let you go downstairs; he always carries you bridal style while going down while you're in his arms.
His excuse is that you're too foolish and will definitely trip and fall and hurt yourself.
(He loves you dearly and worries about you like crazy.)
Did I mention he's your guard dog?
Wherever you are, he walks behind you and gives death glares to anyone who dares to stare at you.
He also makes sure every day that he's the first person to say good morning or goodnight to you, whether in person or through messages.
He's not a big person with words, but he makes sure to say "I love you" enough times because he knows it makes you happy.
Believe me, he's just there for your happiness (I would die for this man).
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This boy is the epitome of sweetness.
He's not just a green flag, he's the whole forest.
One thing I'm sure of is that he'll take notes for you during classes.
Even if you've already taken your own notes, he doesn't mind.
He still brings your notebooks and edits your notes to make them look like his own.
If you ask him why he does this, he simply replies:
"Just to ensure our information is the same so we don't have any problems when we study together."
He just loves being the reason behind your intellectual growth and knowing that he's helping you.
Every night, literally every night, he braids your hair.
Because he simply read that braiding hair before bed helps keep it healthy.
(He loves touching your hair and smelling its scent.)
Speaking of nighttime, he takes you for walks at night when everyone else is asleep and lies on the grass to watch the sky just because you told him you love seeing the stars.
He's literally the kind of gentleman who lays his jacket over a puddle of water for you to walk on so you don't get wet.
He has a sixth sense about you, so for example, whenever something bad happens to you, he's already there to fix it.
He's 100% ready to defend you against anyone and doesn't feel embarrassed to stand up to them either.
He carries your bag for you on the way to school and back to the dorm, insisting on it even when you say it's okay.
He loves sharing his food with you; he always does.
No matter what it is, he always makes sure you take at least a bite of it.
"I don't taste the food's flavor until I share it with you."
He always keeps your hands intertwined and makes sure you're close to him, especially in crowds.
Every day, he makes sure to kiss you on the cheek and tell you how perfect you are, how lucky he is to have you, and how much he loves you.
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This guy is literally like a character from books.
He has a top-notch degree in princess treatment.
He buys you anything you want, no matter what.
Even if it's a car plated with gold, he'll always fulfill your desires.
He flirts with you, but in poetic ways.
For example, he reads a love quote or a poem and makes sure to dedicate it to you.
Either he writes it for you on a paper and places it on your desk in your room before you wake up, or he whispers it in your ear just to drive you crazy.
He loves seeing you shy and flustered.
He also buys you books, a lot of them.
The reason for that is your talk about a story or a novel.
Be sure that by tomorrow he'll present you with the entire book series along with a red rose.
"Shoto! You didn't have to do that!"
"If my girl desires something, she gets it."
(Help me... I'm melting while writing this)
He lets you do anything to him literally.
Braiding his hair, putting makeup on him, dressing him up as you wish... etc.
Just say the word, and he's like, "Yes, ma'am"
(Once you put your daily makeup on him, and literally you cried because he looked more beautiful than you by miles.)
This man is literally carrying your bags when he takes you shopping.
And he doesn't complain; it gives him a sense that he's your strong man.
He also allows you to try makeup on the back of his hand.
(He's as pale as hell.)
He carries you on his back if you feel tired from walking.
Or in other words, if he feels it, which means he always carries you on his back.
So you won't tire from something as silly as walking.
He knows that everyone is looking at both of you, but does he care? Of course not.
(I feel like he's read "The Art of Indifference" at least 100 times.)
He's the kind of guy who allows you to wear anything you want.
You might come to him not sure about your clothes, and he simply shrugs in indifference.
"Wear whatever you want; I can fight."
(But not too revealing because you won't get away with it.)
One of his greatest features is that he uses his quirk to either warm you up or cool you down according to the weather.
He always gives you his jacket even without you asking because he knows that his scent calms you down and also ensures that you're warm.
Like the others, he makes sure you eat well and goes crazy if he knows you haven't.
(I think this is an Asian thing...)
This might seem gross, but on the contrary, it's not the case for him, but he allows you to spit out the food you didn't like on his hand.
He tells you to do it in the most poetic expression ever.
He hugs you a lot, first because he loves being close to you and secondly to stick his scent to you, so people can smell you and know that you're his
(he has a special scent so..)
(I've written a lot for him, I know, and I'm sorry, but I love him so much that I couldn't stop!!)
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I hope you had fun reading! Please feel free to request more whenever you like!
𝐓𝐡𝐞 𝐄𝐧𝐝.
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omegalomania · 2 days
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some extremely funny things abt the discord q&a
patrick "randomly picked up" rick remender's the sacrifcers, seemingly unaware that his bandmate is literally writing a comic book (holy roller) with rick remender rn
joe gives one book recommendation (the glassy burning floor) while patrick and pete go off listing various titles they've picked up. pete recommends the three body problem but doesn't mention if he actually read the book, just says he watched the tv show. andy just says "my favorite book series is the dark tower by stephen king" END of question. love that guy
when asked who they'd like to tour with, alive or dead, patrick joe AND pete all make the same joke about how they'd like to tour with the alive band because they don't want to dig up the dead. i hate them.
question is "whats the moment you feel like you made it" and patricks like well i think when i realized people weren't leaving during saturday it felt like we made it. andys like the first time we signed to a major label it felt like we made it. joes like well during warped tour after sugar was released it felt like we made it. and petes like when we played metro and my mom whacked a giant inflatable dildo out of her face. okay pete
patrick wanted the original jacket from dance dance SO BAD but they wouldnt let him keep it no matter how much money they offered for it. for the arm's race video they had to make a knockoff
the guitar patrick uses in the saturday mv was one that joe essentially bought for him w the last of his bar mitzvah money and patrick LOVED it. and then in the saturday mv joe just absolutely destroyed it. but patrick kept a piece of it cause he loved it that much :')
pete still has franklin from the infinity on high cover but has said he's ended up in the pool before. also his cat beats him up.
joe got some custom molded vampire teeth for the sixteen candles video that never got used in the video proper, but he still has them!
petes dream collab is kid cudi. patrick is just happy to be here and likes collaborating with cool people. joe likes collaborating with his band the most :)
andy would love to collaborate with trent reznor but doesn't see it happening. andy ilu but i agree ldkfjdlkjfd
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vivwritesfics · 1 day
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Fake It Till You Make It
Chapter Six - Where Is The Party Princess?
The Princess of Monaco is wild and out of control. She needs to stop being in the tabloids for all the wrong reasons. Charles Leclerc has had a spot of bad press since his very public break up. He needs some good PR. What better way to fix their problems than to pair them up?
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a/n: thank you so much to @nirrahbrii for help with some translations! i don't think this chapter would have been the same without that little world lol
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Where Is The Party Princess?
The Monaco Post prides themselves on their ability to keep the public updated on the whereabouts of our favourite royal. We've documented every one of her scandals, from the time where she was fifteen years old and found herself detained by the police, to last year, when she was caught in bed with American actor, Glen Powell.
For the past few years, we have thanked the Princess of Monaco for providing us with such stories. She was a royal like no other, one we found our readers could relate to.
So, that leaves us to wonder, where is the party princess now? It has been a week since we've last seen Princess Y/N. Our sources have reached out to members of the royal family and staff for comment, but only managed to get one reply.
It seems, dear readers, that our beloved party Princess has run away.
"Are you sure you want the party princess to drag you down to her level? Because that's what's going to happen next time we're pictured together."
Charles turned his full body towards her. "What're you saying?" He wore a frown on his face, one that didn't suit him. She realised it immediately. He looked so downtrodden when he frowned. "Do you want to break this arrangement off?"
Once again she shrugged. "Just giving you the option to get out before you end up like Frédéric Archambeau," she said.
"Who is Frédéric Archambeau?"
"Exactly."
Charles sucked in a breath. He drummed his fingers against the arm of the chair and stood up. "That's it," he said, striding towards her. "We can break off this arrangement, if you want, but I'm not going to leave you to here to rot."
She scoffed. "Stop pretending to care."
Immediately, Charles took a hold of her mug and placed it down onto the coffee table. "Come on," he said, taking her hand and pulling her to her feet. "We're going away."
She couldn't stop the laugh that was pulled from her lips. "Fuck off, Charles," she said and pulled her hand out of his.
But Charles grabbed her again. He pulled her towards her bedroom. "Pack a bag, we're going somewhere warm," he said and pulled open her wardrobe.
"Where?" It wasn't a genuine question, more of a challenge. She sat on the bed and folded her legs under her body, watching him. "Where the fuck are you taking me?" Her voice was bitter, filled with venom as she watched Charles.
He found a suitcase under her bed and began throwing clothes in. It was impossible to sort out what was clean and what wasn't, so Charles just threw it all in. "Australia," he said. "Or Spain. We can go wherever."
"I don't want to go with you," she said immediately.
Charles released an exasperated sigh. "I am begging you to go along with this," he said as he crouched in front of her. "Don't even do this for me. Do it for yourself!"
"Why?" She cried. "Why the fuck do you care about me?!"
Charles dropped his head into his hands. "Please," he said quietly. "Just, let me help you."
It wasn't for her, she realised quickly. For some reason, Charles needed this. He needed this trip, she just didn't know why he needed her. "Fine," she said and began filling her suitcase with everything she'd need for a trip away.
A relieved breath left his lips. "Thank you," he whispered.
That was how she found herself in Greece with Charles Leclerc. For the first few days, the tabloids had left them alone. The Monaco press wasn't around to write new crap about her (so they'd been recycling the same old crap).
It took a few days for her to really warm up to him. She knew Charles, sure, but she knew the Charles the world saw. She knew the rich kid from Monaco, the one that the tabloids wrote about, the one that had the tiktok edits made about him.
She didn't know the real Charles. The Charles that loved his friends. The Charles that had so much he wanted to do with his life. The Charles that was genuinely so funny. She knew the F1 driver that doubled as a super model, she knew CL16, not Cha.
Cha. When had she taken to calling him that? It had happened all at once, but she hadn't stopped. It was maybe their second day in Greece, their second day of peace, their second day of getting away from it all.
Every call she'd gotten from Henri, she'd ignored. She didn't need her brother's constant scrutiny. He didn't approve of the trip, that much was clear, but she didn't care. Henri had tried calling Charles, but, at her request, he didn't pick up the phone.
Both the Princess and Charles were used to being waited on through their vacations. They were rich enough that it had become expected. But, for this vacation, Charles wanted it to just be the two of them. No interruptions, nobody to report back to the press.
Just the both of them making the most of it.
She stepped out of her bedroom in the villa and yawned. Her body was adorned in nothing but shorts and a vest top as she walked across the cold stone flooring, heading towards the kitchen.
Charles was already sitting there. He sat in just his swimming trunks, a coffee in front of him as he went through his emails. (As embarrassing as it was to admit, it had taken the two of them two days to work out how to use the coffee machine. She and Charles each had a coffee machine, but this one was different, not as simple as having a 'go' button.)
"Wanna go out for drinks tonight?" She asked as she sat opposite him. Her body was turned towards the kitchen doors, looking towards the pool.
She hadn't had a drink since they'd gotten to Greece. Charles was incredibly proud of her, although he hadn't said anything. "We can go for a few," he answered. Nothing too crazy, Charles wasn't sure what to do with her if she got too crazy.
He was barely able to take care of her after they'd gone to The Hole In The Wall.
Maybe that was what led Charles to suggest something else. As much as he wanted to, he couldn't in good conscience take her out for a night on the town. They'd managed to stay out of the spotlight for this long, and Charles could see how much good it was doing her. Doing both of them.
He wasn't ready to drag her back into it.
"What if we stay here?" He asked, standing up and walking towards the glass doors. He carried his coffee mug with him as he looked at the pool sparkling in the morning sun. "We could have drinks around the pool."
She let out a snort, one she assumed he would have found unattractive. "You still that embarrassed to be seen with me?" She asked through her snort. But then she saw the way his face fell. "I'm joking, Cha. Yes, I'd love to have drinks with you around the pool."
They went about their day, swimming in the pool, lounging in the sun, going out for lunch together (always in big hats and sunglasses. It wasn't the most covert operation, but it was working).
In the evening, Charles attempted to make dinner. He wasn't the best cook out there, but it was something he enjoyed. They'd gotten drinks on their way back from lunch, shopping in the little supermarket on their way back to the villa.
It wasn't supposed to be anything fancy, but she still dressed up. Charles had the nicest shirt and shorts combo that he'd brought with him and she wore a pretty little dress.
He wasn't going to admit that the sight of her walking down the stairs, sitting in the little out by the pool in that pretty little dress, it would have had a weaker man on his knees. Charles didn't know how he was still standing. Maybe because he wanted to help her, maybe because he respected her brother too much to try anything on.
She sang his praises while she ate, a far cry from the girl he'd practically forced to pack a bag just a few days ago. This was a side of her that the world had forced to hide away. This was the side of her he wanted to see, the real her that he wanted the world to fall in love with. Not the her that the world had decided to hate.
When they finished eating, they just sat there, drinking and talking as they looked at the pool. "So, are you actually friends with my brother, or is it just because he's the princess?" She asked as she drank from her wine glass.
Charles let out a laugh. That was exactly the kind of question he'd expected from her. "Henri and I are actually friends," he answered, not paying attention to the way her toe hit his knee (he didn't mind it, not one bit). "I'll admit, I felt bad when people called me the Prince of Monaco, and that may have contributed to me wanting to be friends with him. But our friendship is real."
She nodded as she sipped. "Must be nice having the Prince of Monaco at your every beck and call," she mumbled.
"You're saying that like you don't."
That dry laugh he'd heard so many times before, that dry laugh that Charles hated to hear, left her lips. "Trust me, Cha, I don't." She finished her drink and stood up. "At least, not the real Prince of Monaco."
He couldn't tell whether it was the alcohol that controlled her. But she hiked up her skirt and sat himself in her lap. It was so sudden, so unexpected, he had no idea what to do. Her hands were around his neck. "I'd rather have the unofficial Prince of Monaco at my beck and call. What do you think of that?"
Charles couldn't react. He didn't get a chance to, not when she pressed her lips to his own.
It wasn't slow, it wasn't full of passion. No, it was quick and clumsy. One taste of her lips against his own. And, when she pulled away, she laid her head against his shoulder. "I shouldn't have done that," she whispered as she played with his hair. "Oh, crotte."
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mpregdimension · 1 day
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I melted back against the couch cushions, savoring the warmth of Santiago's muscular arms wrapped tightly around me. At 7 months pregnant, my belly had ballooned out enormously, though the sleepy Santiago still thought I was only carrying one big baby. If only he knew the truth that I had twin sons brewing in there.
"It's time for you to tell me how your three weeks in Colombia went. How're your parents doing?" I asked, craning my neck to nuzzle against his scratchy cheek. Santiago had just gotten back from another Colombia trip.
"They're good, babe" he mumbled groggily, planting a lazy kiss on my temple. "Mom keeps bugging me about when I'll finally bring you to meet them."
I managed a smile, though part of me worried his mother might not be as accepting of our relationship as she let on. Since I found out I was pregnant Santiago has stopped talking about his parents, children and friends like he did before, even though he travels to Colombia almost all the time to visit them.
"What about your...other family?" I ventured cautiously.
Santiago immediately tensed up, his eyes flashing open. "Paul, you already know I'm still in the same situation, there's no need to ask every time, please don't make me talk about that damn ex-wife," he grumbled, suddenly sounding more awake. "That shitty divorce is still going on for years, at least my boys are fine, busy at university without having to get involved in those problems."
Deciding to drop it, I just nodded and leaned back against his chest, breathing in his musky, familiar scent. Santiago nuzzled against my neck, his hands roaming down to cup my huge pregnant belly.
"Damn, you're getting so fuckin' big, babe," he purred in that deep, gravelly voice. "I can't wait to meet our little man."
Our little man...if only he knew. I worried my lip, debating whether I should finally tell him about the twins. 
Before I could decide, Santiago surprised me by whispering hotly in my ear, "You know...it's been way too long since I pounded that sweet ass of yours. Why don't we head to the bedroom so I can really go to town on you?" His breath was hot against my neck.
My eyes widened in shock at the bold suggestion, panic fluttering in my chest. As much as I craved intimacy with Santiago, I couldn't risk anything that might inadvertently trigger labor prematurely.
"Babe, I...I really don't think that's a good idea," I stammered awkwardly. "The doctor said rough sex is off-limits this late in the pregnancy."
He let out a deep, rumbling chuckle. "Who said anything about rough? I was thinking nice and hard...Help get you all loosened up down there for when the big day comes." His hand stroked along my thigh teasingly.
I gulped nervously, my heart pounding as desire warred with prudence. Part of me was tempted to throw caution to the wind. But the protective father within wouldn't endanger the twins.
"Please, baby," I pleaded, putting my hand over his to stop the sensual motions. "I want the memories of going into labor to be peaceful, not because we got too carried away fucking like animals."  
A frustrated groan rumbled from Santiago's lips as he begrudgingly pulled his hands away. His eyelids were growing heavy again, that burst of frisky energy fading. I could see him struggling between the urge to ravish me and the siren call of sleep.
Finally, with a defeated sigh, Santiago seemed to give in to exhaustion. "You're right, babe. We'll save that for after the little dudes get here." Within minutes, his breath had evened out into the steady rhythm of slumber. The lingering secret about my twin pregnancy is still burning in the back of my mind. Would it be better to keep it a surprise?
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acourtofthought · 2 days
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My husband finally put into words for me something that has been the main problem with this whole Anti Gwynriel because of Gwyn's past narrative.
According to Anti's, it's not ok to ship Gwyn with Az because she's not healed enough and hasn't shown that she's ready for a relationship.
According to Anti's, fanart of Gwynriel in provocative positions are not appropriate because it's disrespectful to Gwyn due to her SA, that she needs to first give verbal consent before we're allowed to imagine what a HEA for Gwynriel might look like.
And at first, it almost feels like a gotcha for them because you question whether you're disrespecting real survivors by saying, "she doesn't need to give consent for us to ship them since it's a book." This statement is true, I don't think readers should be forced to abide by real world morals when it comes to possible paths a characters arc might take, however it makes you pause for a moment to question whether what you're saying is disrespectful to those who have been victims.
But he actually flipped that entire thing on it's head when he said, "if the issue is about consent, then why is only being applied to a SA victim? Shouldn't consent be applied to everyone?"
It was kind of a lightbulb moment for me because those Anti's never vocalize how it's wrong for people to ship Eris & Az, Mor & Emerie, Vassa & Lucien (SA victim), Lucien, Jurian & Vassa, the LoA & Helion (because at this point they are not a consenting pair), Nesta & Eris. There are a bunch of non canon, non consent ships in this series and nobody has an issue with those. Nobody takes up the crusade arguing that it's wrong for people in the fandom to imagine those pairings together or drawing fanart of them in NSFW positions. Most of the time they're celebrated but has Emerie consented to having a sexual relationship with Mor? All she did was call her beautiful and Feyre had done the same in ACOMAF. Why do they never call out fanart of that pairing? Or Neris after Nesta harshly rejected him? Where Eris is currently suffering torture at the hands of Beron and we've got no clue as to his sexual preference. Also, Elain only consented to a fully clothed kiss in the bonus (remember, she grew up with human morals which she still holds fast too, she didn't jump right into bed with Graysen), we have no evidence she wanted more yet there's plenty of NSFW E/riel artwork out there and I'm betting some existed before SF, before she even consented to a kiss.
The only time I've ever heard anyone argue for consent or argue against NSFW art is in relation to Az and Gwyn and the message they're sending is that only female characters who have been SA need to give consent before fans should be shipping them.
That's when the shipping agenda makes itself known because if no other non-canon / non-consenting pairing disturbs them to the point they need to create post after post surrounding how wrong people are for shipping them, then it's clear to see that it's only Gwyn being shipped with Az that they take issue with and when only E/riels make these arguments, it seems highly suspect.
Gwyn's SA is irrelevant in terms of consent because EVERYONE should have consent before engaging in physical acts with others no matter their past. However, Gwyn's SA should not be the weight dragging her character down, the scarlet letter on her chest that means the fandom isn't allowed to give her the same treatment that all other characters receive. Where we're free to imagine and create fanart / fanfiction / headcanons (even the NSFW variety) for any pairing that we desire, regardless of their past or preference, even those who have never expressed romantic interest towards one another, except for Gwyn.
Consent in the actual book will be important but consent having already been given in our imaginations so we can imagine possibilities beyond what is currently written is the right of any reader.
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skamenglishsubs · 17 hours
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Subtext and Culture, Young Royals, Season 3, Episode 6
Out here in the real world it's been a week since the cliffhanger ending of episode 5 where Simon broke up with Wilhelm, but in-universe it's just the next day, and Wilhelm is being comforted by Felice.
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Subtext: This entire episode is incredibly meta, there are so many times characters say things that reference earlier seasons or episodes, or the entire series as a whole. This is the first time, and Felice is saying what we're all thinking. IS IT REALLY OVER?!? 😱
Blink and you miss it: Felice gives Wilhelm her sunglasses and dries his tears so he can hide the fact that he's been crying. Also, look at that gorgeous Swedish summer. It is so pretty.
Culture: The third-years are painting the banners that go on the trucks on graduation day.
Culture: They're also signing each others' student hats, which is a common tradition. You can just sign your name or write something funny or do whatever.
Culture: This car is what we in Sweden call a sossecontainer. It's an old 90's Volvo, it's square, it's ugly, and it was pretty cheap and reliable, so it was very common and popular among working class and the lower middle classes. It was never a high-status car, so it perfectly illustrates the Eriksson family.
Subtext: Oh look, another throwback to season 1 when Sara argued with Simon about their dad, and said that he should stop giving people second chances.
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Culture: Oh look, another poem by Karin Boye. This time it's Eternity, a poem about cherishing your time with your loved one, and the text is about how good times feel like an endless summer, which is what it certainly looks like for the kids and their teacher in the lush landscape. But just like in the poem, their endless summer is about to end.
Culture: This is pretty much exactly the reason used when real-world Lundsberg was temporarily closed.
Culture: And Wilhelm isn't wrong, the shitty traditions are in the walls of the place, it's always been like that, and it's always been upheld by everyone involved with the school, parents, teachers, staff, and students.
Subtext: Since this is the last episode, let's prepare the viewers to say good bye to the show, and let's do it with a little montage of students crying and taking their stuff down and emptying their rooms.
Culture: This is a 100% factually true statement, Göteborg is the worst city in the world. Source: I'm a native Stockholmer, and you just have to trust me on this, ok? Look, it's just common sense, alright? Don't listen to people from Göteborg, they're just jealous they're not living in the glorious capital. Also, they talk funny. And they have no sense of humour! And everyone is named Glenn or something.
Culture: I don't think they're referencing an actual school here, and the current Norwegian royal children went to school in Norway, not Switzerland. But the current Danish crown prince went to some boarding school in Switzerland for a while, but then he went to the Danish elite boarding school Herlufsholm. However, it was rocked by a bullying scandal in 2022, so they had to pull him out of that one and deny all knowledge of the events. Feels familiar?
Culture: Solliden is the private summer palace of the real-world Swedish royal family located on Öland, an island off the south-east coast of Sweden. The show has consistently stayed away from every likeness with the real world, but I guess they couldn't be arsed making up a fictional summer palace for the YR royal family so they went with something familiar.
Subtext: Farima is talking about the problems of finding a new school for Wilhelm from an academic perspective, but he's just thinking about how this means he won't be close to Simon any longer.
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Culture: Vincent and the boys are pouring one out for Hillerska. It's a way to toast a dead friend, or in this case, a place.
Blink and you miss it: August places a king chess piece on the table before telling his friends that he's Wilhelm's reserve and might be king someday.
Subtext: And he's still so blinded by the glamour of it, despite everything. Thankfully, his friends can bring him down a couple of pegs.
Blink and you miss it: While Wilhelm is returning Kris, the book from last season, the second book in the pile is a book by Kjell Westö, Den Svavelgula Himlen - Yellow Sulphur Sky. It's about a working class kid in Finland becoming friends with his upper-class neighbour family, and his struggle maintaining a relationship with the girl of the family because of their class differences. Slightly on the nose there, show.
Meta: Henry interrupting our boys at the worst possible time is just a running joke at this point. How many times has it happened now? Four times? Five? Read the fucking room, Henry!
Subtext: Last chance to have a party together, but also last chance to see Simon, "maybe ever". Oh no, we have to start preparing for a sad ending!
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Culture: Red solo cups are not a thing anywhere outside the US really, but you can buy them as a gag gift in Sweden, because to us they're just a weird movie prop we've seen American movies. Every other party scene in the show has featured regular plastic cups.
Culture: Drinking with the teachers?!? Yeah, sure, why not, everyone is an adult.
Subtext: Emo outfit? ✅ Sitting on the floor? ✅ Full of self-pity? ✅ Exaggerating the catastrophic state of his world in the way only a 17yo disaster boy can do? ✅
Meta: Another throwback to how Wilhelm was referred to as the party prince back in season 1.
Blink and you miss it: Felice hides the wine bottle behind her back before Malin comes in. She knows, Felice. Malin knows everything.
Meta: Another throwback to when Wilhelm was eating the dirt at the very same football field that disaster emo boy Simon is now sitting at together with his friends, who are trying to convince him to go to the final party.
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Subtext: This time, August isn't just sorry that he got caught, he is genuinely sorry for everything he did to Wilhelm. He in turn forgives August, and we're all getting closure for this plot point.
Meta: Hey, hey, hey guys, do you remember that scene in season 1 episode 1 when Sara helped hold Felice's hair while she was throwing up? We're doing a throwback here!
Meta: Hey, hey, hey guys, do you remember that scene in season 1 episode 3 when Felice told Sara that maybe you don't have to speak the truth all the time? Well, Sara still doesn't understand why you would lie, but this time she's right, Felice was right to tell the truth.
Blink and you miss it: Stella and Fredrika are making out at the party, Felice saw it, and is making a very funny face. This is also why Stella rudely rejects Rosh, because of course she's gonna choose Fredrika, Rosh was just a distraction to make her jealous.
Subtext: Vincent is talking about Nils, who just came out, but August just saw Sara, and that's the whoever he wants.
Subtext: But despite saying that he doesn't care about anyone else seeing them, he still ducked behind a stack of pallets for this conversation.
Meta: This is a brutal Fleabag reference.
Cinematography: This scene is overwhelmingly lit in that sickly greenish fluorescent hue, but there's golden light coming from somewhere, so Sara and August share one final kiss in that golden light. But there's not enough of it to go around, not enough for their love to last, so August is left standing there alone, and all the golden light is gone.
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Cinematography: Wilhelm and Simon left the party sometime after midnight, this is supposed to be a very early morning summer sunrise, and our boys are just gonna be bathed in the golden light throughout the entire scene. Gods, it is pretty.
Meta: Hey, hey, remember that scene in season 1 when Simon was singing that song, and Wilhelm instantly fell for him?
Meta: Hey guys, remember that scene in season 1 when they were discussing welfare politics in class and Simon threw shade on Wilhelm? This is a throwback to that.
Cinematography: Just fucking look at this shit. What a nice view. The nature and the sunrise is pretty, too! Going naked into the water? Yeah, that's a rebirth metaphor as well. Lisa said so!
Subtext: This entire scene is basically Wilhelm trying one last time to get Simon back. They said they weren't gonna, but he's trying anyway. They're talking about that politics class where Wilhelm couldn't speak up because he was "not allowed". So he's still bound by his royal duties, which is why Simon broke up with him last episode.
Subtext: And since Wilhelm is still stuck, he's left on dry land, while Simon swims away from him, free. Guys, I'm thinking we're actually gonna get a sad ending! This does not look good! 😭
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Blink and you miss it: Stella and Fredrika are sleeping in the same bed and making out the morning after, and millions of #Stedrika shippers are rejoicing! Yay, fanservice!
Blink and you miss it: Walter is helping Henry up after he passed out in the grass outside after the party, and millions of #Walty shippers are rejoicing! Yay, fanservice!
Subtext: The last photo Wilhelm takes down from his wall is the one with him and Simon, because that's the most important memory of this place.
Blink and you miss it: Wilhelm shuts off his red lightstrip in his room. Those lights have typically been a symbol of his love for Simon, but he's turning it off. Sad ending confirmed.
Meta: Listen, it's a lovely little song that Simon wrote for Wilhelm, but it's 100% fanservice, it's referencing events in the show that Simon actually didn't witness, and it's even referencing the soundtrack to the show itself! I mean, come on! And we're getting yet another sad boy Wilhelm montage of him moping around Hillerska with his earbuds.
Subtext: Remember how the frog snowglobe was a gift from Erik, who in turn got it from their grandpa, the king? It's so obviously a symbol of the monarchy, but Wilhelm is dumping it in the trash. Are we... Are we not getting a sad ending?
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Cinematography: The shot of the flag being raised is cut off at half mast, which is a pretty universal symbol for mourning. Oh ok, we're back on track for a sad ending.
Subtext: This is the first time this season that Simon speaks Spanish with his mom, and the first time in the entire series that Sara does, which shows that they're fully themselves again, they've pulled themselves out of the Hillerska world.
Culture: The graduating students are having a champagne breakfast before the graduation ceremony, that's also very common in Sweden.
Subtext: Felice and the rest of the choir decided to have a little rebellion and not sing the boring old Hillerska song, and instead the new improved one that Simon made last season. No-one told him about the switch though, which is why he's so surprised.
Culture: After the ceremony, the graduating students will run out of the school to find their parents and family and friends, who are waiting for them, usually with a big sign with the most embarrassing baby picture they could find of them.
Blink and you miss it: August's mom and stepdad have also made a huge sign with an embarrassing picture of August Malte as a kid. Adorable.
Lost in translation: The queen is saying "lilla gubben", which literally means "little old man", a very common term of endearment in Swedish families. The show has been pretty consistent in that Wilhelm's family are all using normal words, just like any other family would. So it's pretty funny that despite everyone else using titles and styles all the time, to Wilhelm, his parents are simply "mamma" and "pappa", as if he was a regular kid.
Subtext: As a graduating student you get little gifts from your family, flowers, champagne, stuffed animals, all with a blue-and-yellow ribbon so you can hang them around your neck. August is family, so the Queen gives him one as well. Of a frog with a crown. Which is a symbol of the monarchy in the show. Wilhelm threw his frog in the trash, August is getting a frog from the Queen. I think there might be symbolism here! I think we're setting up August to become the next king! Do we dare hope for a happy ending?
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Cinematography: Just fucking look at this shit. The composition, the contrast, the height difference, the distance between them. It's so pretty. And they're talking about how good it was while it lasted, just like how a TV show with a sad ending can still be an amazing experience. Hint hint.
Subtext: We're saying our goodbyes, Wilhelm and Simon are saying goodbye to each other, Wilhelm wishes Simon a nice summer, just like how Simon wished Wilhelm a good Christmas back in season 1, and just like back then, they both understand that they love each other, but can't be together.
Cinematography: And then Simon exits the scene, again, leaving Wilhelm standing there alone, again, having seemingly chosen his family and royal duty.
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Culture: It's common to either rent a truck as a large group of students, or to be driven in a flashy car alone or with a friend. The two girls in the centre are sitting in a very nice Aston Martin, while a bunch of their classmates are on a truck. I can't make out the full text on the banner, but I think it says something like "Lock up your sons because tonight we become like animals".
Culture: Svensson is a very common Swedish last name, so to "be a Svensson" basically means that you're super average and mediocre, you're like everyone else. Whereas these elite kids are used to having everyone else bow and scrape for them, so that message is on brand.
Cinematography: We're in the car, it looks like the ending of season 1, and we're doing a close-up of Wilhelm's face. We're ready for the fourth-wall-break of him staring sadly into the camera, having been once again broken down by the system and not getting the boy. We've said goodbye to everyone, roll the credits, start your crying...
Cinematography: ...except the show isn't ending here. We're having an honest conversation between Wilhelm and his parents for the first time. Because every other time he's said that he doesn't want to be crown prince of the next king, he's been angry or upset, he's been threatening, and definitely impulsive. But he's never wanted any of it.
Cinematography: His parents let him go, they open the door to their van, Wilhelm exits, and the show turns up the volume of the soundtrack. "Energetic music" my ass, it's the Harmony theme! It's the main theme of the entire show playing as Wilhelm runs away.
Subtext: Oh, yeah, August sees him run away, and understands that he's next in line now. Sorry buddy, sucks to be you, but never mind that now. RUN, WILHELM, RUN!!! GET YOUR MAN!
Cinematography: The shows turns into the most perfect rom-com, with Wilhelm chasing down Simon's car through the incredibly lush and green Swedish summer. He catches up to them, tells Simon that he ditched the crown for his own sake, and asks if it's really over between them.
VAD FAN TROR DU?
As if the soundtrack wasn't triumphant enough, it now starts playing As Long As you Are Here as they throw themselves in each other's arms. Happy ending! They're crying, I'm crying, we're all crying! 😭
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Cinematography: A montage? With all the best scenes between our boys from the entire show? With the text of the soundtrack perfectly matching the montage? I should be outraged at how cheesy this is, but it is perfect. Perfect. I love it. I swear, this fucking show.
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Subtext: Finally we are at the true ending of the show. Wilhelm has managed to escape Hillerska, him and Simon and Sara and Felice have all escaped the hierarchies, the expectations, the duties, and the toxic environment of the school. He arrived in a Ferrari, and is now running away with his boyfriend and friends in a crappy Volvo station-wagon. The stiff suit jackets are gone, they're all in white, his hair is ruffled in the wind, and for the last time ever Wilhelm looks into the camera. And he smiles.
He is finally free.
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Brienne and Femininity (and Masculinity)
I’ve been musing how one of the most important topics in Brienne's storyline is femininity, and even though her story isn't finished, we can fairly see what some of her major themes are around this—particularly, how performing or failing at performing femininity affects her both internally and externally.
Often I see people pointing out that, in spite of all of Brienne’s traditionally masculine ways—her clothes, her skill set, her body shape, to name a few—she does not fully reject femininity. That she likes little cute animals and fairy tales and wears dresses, and is shy and blushes frequently. This is an important point because, very often, fantasy settings made the assumption that a woman can only be taken seriously if she goes beyond “her womanhood” and acts and thinks “like a man,” as opposed to other girls who are too busy mending or wanting romance. Brienne challenges those tendencies that GRRM saw in his contemporaries. Things have changed a lot since (hello The Locked Tomb, for example), but you can still see where he is working from, and how many of the aspects of Brienne's story still resonate with more modern audiences because, well, sexism hasn't stopped existing. It's also important because the larger asoiaf and got fandoms often refuse to see this side of her, reducing her to a walking sword or a cardboard cut out of a pushover.
Now, my main issue here is that I feel several interpretations of Brienne have now gone on the other direction, and focus so much on Brienne PERFORMING traditional femininity—wearing luxurious dresses, using make up, accepting lavishing gifts, or wondering if she can be desired, for example—that we've gone sometimes on the opposite direction. I feel like many times we���re afraid or do not know how to approach characterizing her as someone who rejects aspects of femininity without making her into another “not like other girls” stereotype.
My two cents on the matter is that if we focus too much in what Brienne can't but "wants" to perform, we forget that she is, in fact, gladly rejecting some common impositions of femininity in her society.
Beginning with swordplay at a young age, for example, she was very glad to ditch a more traditional education in order to learn how to fight the way we know men are taught in asoiaf/got. She is also explicitly more comfortable in men's clothes. We all like the scene where Jaime makes an effort to give her a dress and she appreciates it, but we don't even find out what happened to the dress, because, presumably, the dress itself is not THAT important, at least not as much as the fact Jaime gave her gifts as a form of appreciation. Dresses have been used in Brienne's past to mock her (the event with the bear being the most recent one), and the important part is that Jaime is the only one who has given her one without that ulterior motive. The point of the scene is that where everyone undermines and underestimates her, he is acting the opposite way. We’re seeing how the relationship between them has evolved and that he is doing his best to mend what has happened and what he has done. She is given a dress and a sword as symbols that someone else in the story is beginning to appreciate her for all she is.
Beyond that, we even get details on the old shield Brienne got at Harrenhal, but not a word about the dress. Brienne explicitly doesn't really like being in dresses, she prefers mail and breeches, and feels more at ease in them than anything else. This is not her hating dresses because she is above them. I can’t remember well but as far as we know it’s just her preference: I don’t recall her saying she hates dresses, just that she prefers trousers. She must have been wearing dresses her whole life! It’s not likely she is unused to them. But we do know the act of being given a dress is important in Brienne’s story. The problem is not that they can’t make dresses for her, the problem is that everyone who forces her to wear a dress wants to signal how lacking she is as a woman, trying to fit her in a box too small for her real shape and then mocking her because she doesn’t meet their standard. The problem is they want to make her uncomfortable and they want to humiliate her, because she dares to exist in a way that doesn’t conform to patriarchal ideals. And the problem is that she likes to wear trousers and mail. She likes to wear masculine clothes, and they want her to be very aware of how much they disapprove.
And we also hear a great deal about marrying and having children out of duty. There's a certain loss she feels there because she believes that, at that point, all those missed opportunities will never present themselves again. All her life, she grew up with a dichotomy that dictated that the chance of having a family or children was through duty or none at all, because she is her father’s heir and—they kept telling her—nobody would want an ugly, masculine, temperamental girl as a wife. They could only want her for the money she brought. The point of the story is that, once again, failing the standards of femininity has forced her into a mentality where she thinks she can’t be loved because nobody would like who and what she is. But even then, even with that thorn in her mind, she still feels relieved she didn't have to perform these particular duties. The only thing she’s sad about is that she thinks she's missed any chance at having a family at all and will never know what that might be like. She doesn’t actively want babies or even to be married. She is still young, and at least to me, she seems to view these things in hypothetical rather than explicit goals or wants. She thinks that, at 20, there is no opportunity for her to experience these things because of how her society works. It’s the lack of choice that she mourns, down the line. But she rejects that particularly role that femininity imposes on her now. She didn’t want it, and she is happy it didn’t go through. She literally fought an old man to prove how much she didn’t want those impositions.
All this is interesting to me because Brienne also sort of thinks of herself as her father's son as well as her father's daughter. It almost slips her mouth once or twice. She is aware, I think, that many times the differences between a son and a daughter boil down not really to gender but to the sort of duty they perform. And she wants to do the sorts of things sons do, too. Men regularly learned to fight and wore the clothes she liked best and used hard-earned skills in a way she wanted to use them. There are layers to this (we’ll get to that in a bit) but she is, I think, very aware of her masculinity, and, if left to her own devices, she seems comfortable in it. The problem is she is NOT left to her own devices.
Most of Brienne's self doubt comes from outside forces. As a woman, they underestimate her. As a woman, they think she is stupid. As a gender non-conforming woman, every jape uttered goes directly to her womanhood. As a woman, if she looks the way she does and dresses the way she does and fights the way she does, when she expresses any vulnerable emotion, any shred of “femininity,” she is mocked for it. She likes dancing and beautiful things and pretty boys but a woman as masculine as she is is not the sort of person who gets to express those preferences without judgment from those around her.
The point is Brienne’s world wants her miserable either way: being unable to be a woman the way they demand of her, because she is too much “like a man” for it, or being unable to be a man, because she is too much a woman for that. The point is she can’t win regardless of what she does. Because that’s how sexism works.
But Brienne’s story is, I think, one about choices. The thing is that the world makes it harder for her, but she shouldn't have to be one thing or the other. She shouldn’t have to be defined by one or the other. If she wants to fight in the mud and smell roses and wear chain-mail and talk to charming men, she should be able to choose all of those things. I think it’s easy to focus too much in what aspects of femininity Brienne likes or dislikes instead of looking at what the story is proposing, which is to look at what Brienne,as a person, likes or dislikes. What she wants. Her parallel story to Jaime is about how the world will always try to put folks in boxes, especially those who, for some reason or another, do not easily fit in those boxes. The question is not “what feminine/masculine parts of Brienne is she happy performing” but rather “what does Brienne want, and why does she feel like she cannot get it and doesn't dare ask.”
This is also what drives her to servitude. There’s a phrase out there that says that if you don’t think you can be liked, you try to become useful, so at least there’s a reason to keep you around. It’s heartbreaking to see how Brienne’s vision of herself has been so skewed by the emotional abuse, parental neglect, and bullying she’s experienced since a young age. She doesn’t think anyone will grow close to her, so at least she can be close to people by serving them. She wants to put her skills to use, she wants to find a place where she fits, where she can be more herself, but she isn’t sure what that looks like or how to find it. She’s still searching, and learning many things on the way.
And Brienne is still very young. We can see her confidence growing and her worldview challenged and she is beginning to see the realities of herself and of the world around her through various trials by fire. Misogyny makes her feel incomplete, but we know the things she trusts about herself while simultaneously seeing the way she constantly doubts others. How she can't never express all of herself without constant judgment or mockery.
I feel like yes, the fact Brienne doesn't reject all traditional femininity is really important to her themes, but by extension, it's as important that shedoes reject some of those traditional expressions of femininity. What she is truly rejecting is imposition, not femininity. What she truly needs to embrace is freedom, not masculinity. She's making her own vows, breaking her own promises, going through her own mistakes. She is learning the hard way. Agency in a world of limited choices is one of Brienne's main themes too. There are moral issues that go deep within her story as well as examinations of the effects of war and the struggle to find authenticity and connection in a community that refuses to acknowledge yours, a community drenched in pretense and lost in performance.
And I think it’s easy to get too caught up in her wanting to be a girlfriend or a mother or wearing a dress that we bypass the whole conversation around why that matters at all. I feel like Brienne's success isn't going to come from her fully embracing all her feminine traits or fully accepting all her masculine traits but from being able, down the line, to be exactly who she is.
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nyandaah · 2 days
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I don't know how to articulate my thoughts on it consicely (as usual, hence why I rarely ever write posts here anymore), but ever since this week's dunmesh ep I can't stop thinking about That scene between toshiro and laios and how it's been talked about as a piece of representation of the neurodivergent struggle.
I've seen those panels countless times before the anime got to it, and I can't understate how Real of a thing it is that we're seeing through laios- that pain and frustration that comes from having the rug pulled under you in being told that been getting it Wrong the whole time and nobody's bothered to point out the donkey tail pinned on your ass.
but I think that's only the first half of the statement, and the way people talk (and don't talk) about toshiro does the moment a disservice.
seeing how people talk about it before getting to the scene itself, it ended up catching me off-guard how much of a Person toshiro is. he's always talked about as the strawman or the figure representing neurotypical society- the one that others us.
I see where it's all coming from, he's not a likeable character to most of the fandom for reasons I won't hold anyone against, but again- he's an important part of the picture that dunmesh paints of the nd struggle.
I find it absurd to portray toshiro as a representation of the 'average'. being both of royalty and of a culture that has instilled upon him his own values and expectations when it comes to socialization. it's why the inclusion of his retainers (especially maizuru) was a brilliant story decision; alongside laios', we get to see HIS social ineptitudes and how central they are to HIS character.
like. a major point of grievance many of the audience has with toshiro is his rose-tinted 'romance' with obviously-uninterested falin. I get it, especially if you've experienced that type of engagement with an unwanted pursuer. but dear lord if that doesn't perfectly parallel him with laios as a fellow Socially Inept Man.
it hit me as much as laios hit me when he said he envied our boy's sincerity. because that's a true and often less talked about part of the neurodivergent struggle(tm)- the difficulty to express your feelings. just like the other end of the spectrum, it hurts yourself as much as it hurts others.
as someone whose brain problems often manifest as social anxiety and feeling like i'm either unable to or unworthy of expressing how I feel, I envy laios too.
tl;dr- there are two characters present in that scene in episode 17.
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Kipperlily just kinda sucks now.
Spoilers for Fantasy High Junior Year, as of episode 16.
I, personally, have not been on the *hate kipperlily* train. I've been looking forward to her pretty much since we met her, a passive-aggressively busybody, a mean girl Riz. Is she evil? Is she just nasty? Will she eventually team up with the bad kids? Ect. And I'd like to say that now I just kinda don't care anymore, she's just... She's not fun to speculate about anymore. I have some info I think people aren't considering, so please read, and I'm also not complaining about the *writing* or Brennan's choices. This is a perfectly logical reveal, doesn't contrast anything, and I'm still excited to see the season unfold. But in terms of kipperlily lore I'm good, she's not potential anymore, she's just kinda shitty. Sorry she's a rage rez now, hope she gets better but kinda fuck her in general now.
Let me be clear, for all those *wildly* speculating about her motivations or making her into something she's not: she is just plain, jealous, full stop, when it comes to tragedy. She is not attuned to larger magical events, she does not have a point, she is fucking *wrong.* Why is she wrong? Consider the main thing she's upset about; that Riz has an adventure advantage because his dad was eaten by Kalvaxis, so he's motivated to adventure more than a normal person.
Let me remind 'yall real quick Riz *did not know* this had happened. Riz, thought his dad was just as relatively 'normal' as kipperlily's. He found out his dad was an agent *halfway through the year* and died in the service, and found out it was *Kalvaxis* that killed him, let me fucking remind you, in the finale from the dragon himself. Kipperlily, has known this for most of freshman year and hated Riz for it. This means she dug up *extremely traumatic* information on a fellow student and proceeded to project her insecurities on him, seeing him as having an advantage in life, while that kid *did not know* any of this and thought his dad, I don't know, died in a car crash or something.
She's wrong from the jump. She digs into people's personal shit for her own *satisfaction*, makes sweeping assumptions about people she doesn't even bother to talk to, and rails against the system for not being fair and rewarding her for *not* experiencing a tragedy. Love Brennan, love this story, fuck kipperlily. She is *not* a sympathetic suffering queen she has toxic insecurities and of all people *Jawbone* has been ineffective at clocking and addressing this problem. I'm all for people who need help getting it but it doesn't make her any less of a creep.
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pomefioredove · 1 day
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Hi! This is very very specific, but…I've had a rough start to my day today, kinda relating to the topic of my request…
So I was wondering, would it be alright to request HCs of Jamil, Ruggie, Leona, Floyd and Rollo with a Reader who runs into an emotionally abusive/manipulative parent they haven't seen in a long time? The kind of subtle abuse that's hard to tell (from the inside, at least) is even abuse at all, and makes you doubt yourself a lot. Kinda narcissistic abuse
Kind of a hurt/comfort thing? Like how they'd deal with the bad parent and the Reader opening up a bit about it. Romantic or platonic, either one is good
Feel more than free to ignore if this kind of request isn't your thing: that's totally fine, I understand it's a bit heavy, not to mention very specific, so please do what makes you feel best. I hope you have a good day!
ahhh of course! I relate to this sort of thing a lot (although I don't use terms like narcissistic abuse since abuse is just abuse to me) and I know exactly what you mean. I love hurt/comfort and you're well within my boundaries since the only thing I wouldn't write pertaining to this topic is intimate partner abuse (like with an s/o). so you're perfectly fine! I enjoyed writing this <3
summary: comforting a reader with an abusive parent type of post: short fics characters: jamil, ruggie, leona, floyd, rollo additional info: reader is not specified to be yuu ("shrimpy" is used as a nickname during floyd's part tho), reader is gender neutral, food mention (ruggie's part), actual interaction w the parent happens during leona and rollo's parts, mentions/descriptions of emotional abuse, although reader is kinda vague about it
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Jamil Viper
Jamil knows what it's like to feel stuck.
That's really all he has to know when he recognizes that look on your face.
Perhaps you usually wear your heart on your sleeves, or perhaps you're better at keeping your emotions to yourself, like him, but either way he can tell something is very wrong the second he sees you.
It's a bit strange, isn't it?
Surrounded by people in the cafeteria and yet no one seems to notice the shadow cast over you.
He tries to talk himself out of it for the rest of the day. He has enough on his plate as it is, and it's not his problem. He's Kalim's keeper, not yours.
But that sense of unease doesn't go away.
He drags himself out of bed and somehow finds himself at your door in the dead of night.
And even though it takes you a moment to answer, he can tell you were already awake.
"Here," he says, handing you a warm meal in a container. "I noticed you didn't eat today. We had leftovers."
You don't feel very much like eating, but you accept the gift, anyway. It smells amazing. His cooking always does.
"Thank you," you mumble.
You can't think of anything else to say.
"Are you... well, Kalim sent me to ask if you're feeling unwell," he lies through his teeth.
"I'm fine,"
Another lie, this time of your behalf, which annoys him ever-so-slightly.
"You're clearly not. Are you sick?" the question is vague enough, said in such a way that leaves you with the impression that he wasn't exactly referring to a physical illness.
"I've... had a rough day,"
Jamil is quiet for a moment, thinking to himself. And then: "Do you mind if I come in?"
He's always so careful with his words that such a direct (yet polite) request almost catches you off guard. You step to the side, letting him in your room.
"I don't mean to pry. I know it's not my place," he says, watching you close the door. "But... Kalim is worried. Yes."
You shake your head. "It's fine. I'll get over it,"
It.
What did "it" mean? Surely this couldn't just be a lousy day.
"Did something happen?"
You hesitate.
"Have you ever... ran into someone who made your life miserable? That you thought you moved on from... and it starts to feel like you're stuck in that place all over again?"
Of course. Of course he knows what that feels like.
He has to live through that exact experience every day, without even being able to move on.
But he can't just say that. And this is about you, after all.
"I'm familiar with the feeling. I suppose that's what's ruined your day, then?"
"That's one way to put it," you sigh, sitting at the edge of your bed. "Sometimes it feels like all the progress I've made is just... null. Like I'll never really move on."
He hates how much he's relating to you. How much you're affecting him, now, too.
He follows you to the bed and sits beside you.
"Someday, though, you will. It may feel hopeless now, but... you won't stay stuck forever,"
Unlike me, he thinks.
"How can you be so sure?"
"I can't be. But you don't strike me as someone to give up after hardship,"
Like me.
You're quiet for a moment, seemingly considering what he told you. And then you hug him.
A nice, soft hug. Not abrasive or sudden like the ones Kalim gives. He'd almost forgotten what it felt like.
"Thank you, Jamil,"
He hugs back. "Of course,"
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Ruggie Bucchi
It was almost painful, watching you fumble with your wallet like that.
You couldn't seem to get the proper amount out, shaking like a leaf and apologizing profusely. Sam keeps telling you it's okay, but the line forming behind you is starting to grow restless.
Ruggie included.
He has places to be, after all, and he's got two whole crates of energy drinks to lug back to Savanaclaw.
He has half a mind to ask what the holdup is.
And so, he peers over your shoulder, ready to- oh, no. You're crying.
Damn it. Why can't things ever be easy for him?
He can't even chew someone out for taking up all his precious time without being thrown a curveball. And now he feels bad.
Sigh.
"Hey, I got this," he says, setting his heavy crates down on the counter and flashing a card.
Your eyes widen. "Oh, no, Ruggie, you don't have to-"
"Relax, it's Leona's money, not mine," he offers a grin, ignoring the tears trailing down your face. "He won't even notice it's missing."
The line behind you two breathes a collective sigh of relief (much to your embarrassment) and Ruggie shoots them a glare.
"I... I still can't accept this-" you start, before he quickly shushes you.
"Hey, if you wanna make it up to me, you can help me carry these things. I'll call it even,"
You're silent for a moment as Sam finishes ringing you both up, and then you take a crate. As quiet as ever. It's unnerving.
You're walking back to the Hall of Mirrors when Ruggie breaks that silence by bringing up your purchase. "So, what's up with the afternoon snack? Not that I'm judging- I'm jealous. I skipped lunch, shishishi,"
"Oh, it's nothing," you mutter. "Comfort food, I guess."
The concept of comfort food is extremely appealing to him. "Huh. Long day?"
"Something like that... Why'd you skip lunch?"
Trying to change the conversation topic? Clever. But he'll bite, anyway.
"Leona forgot some of his class stuff, so I had 'ta run and get it. Too bad he forgot where he left it... I was all over campus,"
"Did you find it?"
"Eventually. Or else I'd be busy getting my neck wrung instead of 'bein here with you,"
You nod, and the conversation swiftly dies.
After another awkward beat, he clears his throat. "So you... you wanna talk about it, or something?"
"What?"
"You know, your... your day," he mutters, shrugging. He's desperately trying to remember all of the things his grandma did for him when he was upset as a child. "Talking about it might... make 'ya feel better, y'know?"
You're quiet again, and for a moment Ruggie is worried he said something to offend you.
Then, much to his relief, your voice picks up. "I ran into someone today,"
"What? Like someone was giving you trouble?"
"No, not a student. Someone I don't see very much anymore. Um... I guess it just threw me off,"
He tilts his head to the side. "Why?"
"I don't... well, we don't get along very much. Something about them just makes me feel... very... small. Insignificant,"
You don't ask if he understands what you mean, but he does. Not that he'd ever admit that so openly to you at a time like this, but being small and insignificant is basically his job.
And as much as he likes the perks, he can imagine how rough it would be to deal with that and not get to use a bottomless credit card whenever the opportunity presented itself.
He struggles to respond for a moment.
"That's rough,"
Definitely not the sympathetic response he was going for. At least you don't seem to mind.
"I-I mean, sometimes we have to act small to survive. It's a part of life, 'ya know? But that doesn't mean you are small. Just surviving on its own is an accomplishment," he recovers from his earlier blunder, trying to smile. "You should be proud of yourself, if anything."
"That's..." you say. "That's one way of looking at it."
He sighs. "I'm not expressing myself very well, am I? What I'm trying to say is that you're not small or insignificant, and living life feeling like you are is a survival tactic at best,"
The both of you stop in front of Savanaclaw, and he offers another grin.
"And if you ever wanna talk about this stuff... well, I'm around... And you can come inside now, if you want. I could definitely find more stuff to carry!"
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Leona Kingscholar
Leona Kingscholar is very, very much enjoying parent weekend alone, thank you.
Of course his folks don't want to attend a school event for their disappointment of a second son. Why would they care? And on Cheka's birthday weekend, no less...
But that didn't bother him. Not at all.
As long as he slept through the weekend without being bothered by any happy-go-lucky nuclear family units, he'd live.
That plan lasts about five hours.
"You'd be better off doing something more useful with your time. Sports, or science, or... something that might help your future. But if you're so sure... I suppose it's better to cut our losses now than put any more faith in you. You just can never decide, can you?"
That voice. Unfamiliar, but drawling, laced with poison. Aggravating enough to stir Leona from his nap in the botanical gardens.
And it's getting closer.
"I just don't understand. Why get accepted into one of the most prestigious schools in the world just to spend your time goofing off?" a long sigh. "But as long as you're happy... we just want what's best for you."
Leona grumbles, turning over and trying to drift back to sleep.
"I'm trying,"
This voice is different. No- he recognizes it. It's yours.
"Are you? You know I know what's best for you, right?"
Sevens. This is your parent speaking to you? No wonder you've been acting all jittery lately.
He sits up, giving up on his nap, and continues listening in.
"I know," you say. "I really am trying, though."
"Did I say you weren't? Don't speak for me,"
This is getting ugly. Leona stands, stepping out of the shrubbery and clearing his throat behind the two of you.
You're the first to turn. "Oh- Leona! Sorry, we didn't mean to disturb you,"
"You're fine," he snaps, sharp eyes turning to your parent beside you. "Who's this, then?"
"This is-"
"Their parent," they go ahead and introduce themselves, cutting you off as if you weren't speaking at all. Like you're a piece of furniture hanging in the background. He's not a fan.
"Really? From the way you were talking, I would have guessed that you were their coach. Or boss,"
Your eyes dart between the two. "Leona-"
"You're fine," he reaffirms. "I was just looking for you, anyway. We really have to talk."
You pause, raising an eyebrow. He? Wants to talk to you? Now?
"Is it important?" your parent asks. The question is directed at you, although he answers.
"Very. I was just coming to ask you, very politely, I might add, to reconsider my offer,"
"Your... offer...?"
Your parent looks down at you. "What's he talking about?"
"Can't blame you for forgetting. I'm sure you're busy with all your... school... things. But I do have to ask you to rejoin the spelldrive club. We're in shambles without you,"
He gives you a certain look, one that clearly reads "Go along with it."
Leona Kingscholar offering an olive branch to someone is a rare occurrence. So you take it.
"Oh! Right, I have been busy with school. I've been meaning to get back to you..."
Your parent looks between the two of you with just the faintest hint of confusion, and then frustration. "You've been playing spelldrive? When was I going to hear about this?"
"They haven't been playing with us," Leona says, a small smirk already forming. "They're the team manager. They're way too smart to be out on the field- no, they're running the team, they're organizing everything, their strategy is like nothing we've ever seen. If only they were in Savanaclaw, we might have a chance at winning one of these years."
"Uhhh..." you start, looking between your parent and the oddly friendly and receptive clone that's replaced Leona. "...Yeah, right."
"Now, if you'll excuse us, we really have to discuss official club matters," he says, shooing away your parent until they eventually give in and leave.
As soon as they're out the door, you turn to him. "What w-"
"Are you alright?" he asks.
Stunned would be an understatement. "I'm fine,"
"Really? Cause you're looking at me like a gazelle caught in headlights,"
"I-I guess it's just been hard... having them here,"
Leona nods, closing his eyes as he thinks to himself. Then, he sighs.
"Yeah. I get that. Come on, then,"
You raise an eyebrow as he starts off in the opposite direction. "What? Where are we going?"
"Somewhere quiet and warm to nap. Being around that person sucked all the energy right out of me, I can't imagine how exhausted you feel,"
He turns to look over his shoulder with a smile. "With any luck, we'll avoid them for the rest of the weekend,"
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Floyd Leech
Of course, he can tell something's up right away.
Well... maybe it takes him a little while to tune into the conversation, but once he does, he notices you've been... awfully quiet throughout it.
His favorite little shrimpy? All sad? Moping around like a kicked puppy?
Now this catches his attention.
"Bored?" he asks. It's his first guess.
"Hm?" you ask, looking back at him. "No, I'm fine."
"But you're not,"
"Okay, I'm a little distracted,"
Now that, he can understand. But there's still something very off about the whole thing that he can't quite put his finger on.
"You're not telling me something," he states, matter-of-factly, crossing his arms.
You raise an eyebrow. "...And?"
"And I wanna know. I'm not letting you leave until you tell me,"
Your thought process is probably ranging somewhere between "oh, no," and "oh NO," by now.
"I sweaaar, it's nothing," you insist. "I just had a bad day, okay?"
"Why?"
There's no turning back now. He's invested, and until he loses interest, you're stuck here.
"It was... just... long. Can I go now? I have things to do,"
He frowns, and stands, and then puts you in a headlock. "Alright, where're we 'goin?"
"FLOYD!"
He drags you along with him, remembering not to be too rough as he takes you from place to place on his dailies. You begrudgingly learn to accept it.
When you walk back into the Mostro Lounge, Azul and Jade don't even bat an eye.
"You're thirty minutes late- ah, why do I bother?" Azul says, rifling through a stack of papers on his desk. He only looks up when he catches a glimpse of you. "Oh. Hello, there."
You wave half-heartedly. "Can I get some help?"
"Floyd. What is the meaning of this?" he asks.
Floyd pouts. "There's 'somethin wrong with them and they won't tell me what,"
"Are they ill?"
You lower your eyes at the two as they speak like you're not even there. "Hello?"
"Nah, they feel fine. They're all mopey, though,"
Azul hums to himself, lost in thought. And then: "Well, figure out what it is, and get to work, if you please,"
"Azul!" you shout. He ignores you.
Floyd drags you back outside the office and sits down with you at one of the tables, waving to concerned lounge-goers as they pass by.
"Now will you tell me?"
"Geez, alright, alright. I give up, you win," you sigh. "I... well, my parent was here earlier. At school. And we talked, and they... said some not-very-nice things to me. That's why I've been upset, okay?"
Floyd's smile immediately drops. "I win? But that's not a very good prize,"
"Tell me about it,"
"Why would anyone be mean to you, anyway? You're the best shrimpy I know!"
You avert your eyes. "It wasn't... mean... per se. Just... not nice,"
"Sounds mean to me," he mutters. "I don't get it."
"Well, sometimes these things just... don't make sense. It's my fault, anyway," you sigh.
His gaze sharpens at that. "'An who told you that? You didn't do anything! I'm starting to really dislike this parent of yours,"
His sudden mood swing doesn't phase you, but it does lift your spirits... just the tiniest bit. Even if you wouldn't admit that to yourself. "Hey, it's fine. I'm over it,"
"You sure you don't want me to squeeze 'em?"
"Heh. No, that's okay. I would like you to let me go, though,"
His eyes widen at the sudden realization he still has you in a headlock and he quickly releases you.
You sit up, stretching and rubbing the back of your neck. "Thanks,"
"My arm was starting to hurt, anyway..." he thinks for a moment, looking back to the office door. "Ya think I can use that to get out of working? I wanna spend more quality time with my favorite shrimpy. You could use it!"
You look to the door and shrug. "Hey, worth a try, right?"
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Rollo Flamme
Out of all the things to ruin the day, of course it had to be your parent.
The disappointment between the two of you was palpable. And even though it was only a brief encounter, it was enough to sour the rest of the afternoon for the both of you.
The first thing Rollo noticed, of course, was the manner in which they carried themselves. As an authoritative, important figure, puffing out their chest and towering over you. What gave them the right...?
They were not a leader, nor a public figure, nor anyone of interest, if your earlier mentions of them gave him any idea. Nothing but an adult who spoke to the both of you as if you were tiny children.
He loathed being talked down to.
Perhaps he should have said something sooner than he did, and perhaps he should have said something more than the interruption he used to excuse you from the conversation.
And now you're just quiet.
"Are you well?" he asks, looking at you from the corner of his eyes.
You shrug.
"I apologize for not speaking on your behalf sooner. I did not want to be rude,"
No response at all.
Your silence was driving him mad. He couldn't get a good read on what you were feeling when you kept looking away like that.
"If you'd like to return home early, I would understand and escort you promptly,"
"No,"
A response. Not a good one, but a response nonetheless.
"May I ask you a question?" though he doesn't really wait for your permission to go on. "Why do they speak to you like that?"
That comment seems to jolt you, and you turn to look at him with wide eyes. "What? Speak to me like what?"
He struggles for the right words.
How could he describe it? It was so... odd. The words they spoke to you didn't sound cruel, but there was something sinister lurking beneath them. And not even in the typical "polite for the sake of it" sense.
Each response they gave was laced with a sort of venom that seemed to sting you. You had grown quiet, distant, as if you weren't really there at all.
Of course he was familiar with such tactics. He could weave his own words with ease. But you had done nothing wrong- you were guiltless. Why were you being punished?
He couldn't quite come up with an answer.
"You seemed uncomfortable," he finally says, looking away again. "I apologize for such an experience happening to you under my watch."
"It's not your fault,"
"It certainly isn't. And it's not yours, either,"
A blanket of silence falls over the two of you until he speaks again.
"You have nothing to feel bad about," he reaffirms.
Another pause.
"And I don't mean to intrude. But if you ever need my assistance, you know where to find me,"
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mixterglacia · 1 day
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WARNING: VIVZIEPOP CRITICAL, STOLITZ CRITICAL CONTENT.
I get fairly mean in this one, you've been warned.
I am so sorry, Viv. You can't convince me to see Stolitz as anything beyond a toxic, doomed to fail, train wreck.
I'm SO down for a good toxic ship.
In fact, I found their pilot dynamic far more interesting than the current writing seems to be depicting.
I refuse to feel bad for a man that caught feelings for a childhood """friend""" so hard he ruined his own life. Blitz owes NOTHING to Stolas. He agreed to fuck him so he could run a business that is barely discussed, even though it was the original point of the show.
Does it suck that Stolas had to deal with an arranged marriage that he never wanted with a mean wife? Yeah.
You know what else sucks?
THAT STELLA HAD TO MARRY A MAN SHE NEVER WANTED, AND HAD TO GIVE BIRTH TO HIS CHILD. ALL WHILE HAVING A FUCKING CREEP OF A BROTHER. ALL WHILE BEING TREATED AS A MONSTER BY THE FANDOM THAT CAN'T UNDERSTAND HYPOCRISY IF IT BIT THEM IN THE FACE.
Like yes, she's a cantankerous bitch. But you can't seriously pretend like she isn't also suffering in this relationship. The only difference is she turns her pain into external anger, where as Stolas has been turned into uwu soft bird who can do no wrong.
Even though he destroyed his family in an extremely public way. Octavia is going to have to live with the impact of her father's decisions for the rest of her life. You can't seriously expect me to feel bad for a man that is the agent of his own destruction.
You also can't tell me that Blitz just needs to get over himself just so he can be with a man who's father BOUGHT HIM FOR HIS SON AS A PRESENT.
To reiterate. If this was meant to be read as a terrible toxic arrangement that just keeps happening? I'm down for that. But this is not, and will never be cute or healthy.
Blitz doesn't owe Stolas anything. He keeps up his end of the bargain. It's purely sexual, and just because Stolas can't accept that doesn't make it Blitz's problem.
Stolas needs to learn how to accept rejection and move the fuck on. He knew he would catch feelings and considering he basically has Blitz on a leash, that doesn't make this any less gross.
The fact that he knows Blitz will leave if he's given the power to go to earth on his own proves it.
Blitz has frankly done very little IF ANYTHING to warrant being subjected to this level of obsession on Stolas' part. He's just trying to make a living.
Frankly, if you wanted us to actually think Blitz was interested, you've totally missed the boat with that one. This should have been worked on ages ago and it makes it feel exceptionally rushed and out of character on Blitz's part.
At this point I'm starting to think Fizz and Ozzie are a fluke of good writing in a sea of godsawful shit. Charlie and Vaggie felt like a literal afterthought in their own show. Husk and Angel are so rushed it felt like watching a relationship at double speed. Are we even supposed to think Pen and Cherry are actually a thing? Because if I was Cherry I would have punched Pen for that shit.
Christ. I don't drink but Viv makes me feel like starting.
Thank you for coming to my TedTalk.
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engie-ivy · 14 hours
Text
(Fic I didn't know I wanted to write! So thank you for the inspiration, @wolfstarmicrofic!)
28th: Dogwalker AU
673 words
Some good old mutual pining between a dogwalker and his client!
Date My Hooman?
“Has he been a good boy?” Sirius is sitting on his knees, scratching Padfoot’s ears (and making quite the sight while doing so).
Remus crosses his arms over his chest. “Now you're just fishing for compliments. You know damn well Padfoot’s always a good boy.”
Sirius grins up at him. “Guilty as charged.” He looks back at Padfoot who's thoroughly enjoying his ear scratches. “I know my dog is great, but I love hearing other people tell me that my dog is great also.”
“Right you are,” Remus chuckles. “How was your day at the office?”
“Dreadfully dull,” Sirius replies instantly. “Really, Remus, you made some good career choices that you now get to play with dogs all day.”
“Well, I don't get to live in a house like that.” Remus nods towards Sirius’ three-story mansion with the sprawling garden around it.
Sirius winks at him as he gets up to his feet. “Maybe if you play your cards right.”
Remus can feel his cheeks heating up.
Before, he was just amused by Sirius’ flirtatious banter, and he actually gave it as good as he got. But now, he suddenly feels flustered, at a loss for words, and wholly out of his depth whenever Sirius makes a comment like that.
After long conversations, with Sirius being the last stop on Remus’ afternoon route, and being subjected to Sirius’ sharp mind and disarming sense of humour, things have changed for Remus.
He used to think that the best part of his day would always be seeing the excitement on a dog’s face when he reaches out to unclip their leash to let them run around the park and play with their friends, but now, it's like nothing compares to seeing the excitement on Sirius’ face at the end of the day as he crouches down to greet his beloved dog after long hours the office. Remus’ days have started to revolve around the moments he brings Padfoot home, and it's becoming A Problem.
“And that's not even taking into account cold, rain, new regulations, demanding clients,” Remus continues, as if he didn't hear Sirius’ last comment.
Then Remus’ own dog, Moony, dashes forward and starts licking a tail-wagging Padfoot’s face, like he knows he has to say goodbye to his friend for now, and Remus’ heart just melts. “Oh, who am I kidding? It's bloody amazing.”
When the dogs have said their goodbyes, it's time for their owners to do so as well.
“See you tomorrow?” Sirius asks.
“Of course.”
“Great.” Sirius beams at him. “Looking forward to it.”
Remus’ heart skips a beat at those words. Yes, definitely A Problem.
Sirius has given Remus the key to the annex besides the main house, so he can pick up Padfoot, take him for a long walk, and then, by the time they return, Sirius will be back from the office and usually already waiting on them.
Sirius has actually turned the annex into a space especially for Padfoot, with water and food, several dog beds, toys, and a dog door, so he can go in and out to the yard whenever he wants. Sirius has even hung framed pictures on the walls of him and Padfoot together. A fuzzy feeling spreads across Remus’ chest upon seeing those pictures. A Problem indeed.
Padfoot immediately comes running, happily wagging his tail, brimming with excitement to go on his walk.
“Calm down, Pads,” Remus laughs, as the dog keeps circling his legs and jumping up and down. “Come on, I need to attach your leash, otherwise we can't go. Hey, what you've got there, buddy?” He spots a piece of paper neatly tucked underneath Padfoot’s collar and he plucks it out. As he unfolds it, he realizes it's a note.
And as he reads, a huge smile starts to spread across Remus’ face.
Dear Remus,
You might have noticed that my hooman has quite a crush on you.
Will you please save me from his desperate pining, and let my hooman take you out on a date?
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