#i don't really know if any of these compositions worked like i wanted but i REALLY like the colours in this batch

[hawberries]

I have added: yet more ships to the MXTX bookmark catalogue :)

#id in captions #AS PROMISED!! PROMISED AND DELIVERED!! #i don't really know if any of these compositions worked like i wanted but i REALLY like the colours in this batch #i think i did a good job on those #tgcf #mdzs #feng xin #mu qing #fengqing #quan yizhen #yin yu #quanyin #lan wangji #wei wuxian #wangxian #fanart #people! #gallery

[wombywoo]

Ok! I've finally decided to put together a (somewhat) comprehensive tutorial on my latest art~

Please enjoy this little step-by-step 💁‍♀️

First things first--references!

Now I'm not saying you have to go overboard, but I always find that this is a crucial starting point in any art piece I intend on making. Especially if you're a detail freak like me and want to make it as realistic as possible 🙃

As such, your web browser should look like this at any given point:

Since this is a historical piece, it means hours upon hours of meaningless research just to see what color the socks are, but...again. that isn't, strictly, necessary 😅

Once I've compiled all my lovely ref pics, I usually dump them into a big-ass collage ⬇️

(I will end up not using half of these, alas :'D)

Another reference search for background material, and getting to showcase our models of choice for this occasion~

When picking a reference for an actor or model, the main thing I keep in mind (besides prettiness 🤭) is lighting and orientation. Because I already kinda know what pose I'm gonna go with for this piece, I can look for specific angles that might fit the criteria. I should mention that I am a reference hound, and my current COD actor ref folder looks like this:

Also keep in mind, if you're using a ref that you need to flip, make sure you adjust accordingly. This especially applies to clothing, as certain things like pants zippers and belt buckles can be quite specific ☝️

Now that we've spent countless hours googling, it's time to start with a rough sketch:

It doesn't have to be pretty, folks, just a basic guideline of where you want the figures to be.

The next step is to define it more, and I know this looks like that 'how to draw an owl' meme, but I promise--getting from the loose sketch above to below is not that difficult.

Things to keep in mind are--don't go too in-depth with the details, because things are still subject to change at this point. In terms of making a suitable anatomically-correct sketch, I would suggest lots of studying. This doesn't even have to be things like figure drawing, I genuinely look at people around me for inspiration all the time. Familiarize yourself with the human form, and things like weight, proportions, posing will seem a little more feasible.

It's also important at this stage to consider your composition. Remember to flip the canvas frequently to make sure you're not leaning to one side too often. I'm sure something can be said for the spiral fibonacci stuff, which I don't really try to do on purpose, but I think keeping things like symmetry and balance in mind is a good start ✌️

Next step is just blocking in the figures. Standard. No fuss 👍

Now onto the background!

It's frankly hilarious how many people thought I was *hand-drawing* these maps and stuff 😂😂 I cannot even begin to comprehend how insanely difficult that would be. So yeah, we're just taking the lazy copy and paste way out 🤙

I almost always prepare my backgrounds first, and this is mostly to get a general color scheme off the bat. For collage work, it's really just a matter of trial and error, sticking this here, slapping this there, etc. I like to futz around with different overlay options until I've found a nice arrangement. Advice for this is just--go nuts 🤷‍♀️

Next, I add a few color adjustments. I tend to make at least 2 colors pop in an art piece, and low and behold, they usually tend to be red and blue ❤️💙There's something about warm/cool vibes, idk man..

Now we move on to coloring the figures. This is just a basic block and fill, not really defining any of the details yet.

Next, we add some cursory values. Sloppy airbrush works fine, it'll look better soon I promise 🙏

And now--rendering!

I know a lot of beginner artists are intimidated by rendering, and I can totally understand why. It's just one of those things you have to commit to 💪

I've decided to show a brief process of rendering our dear Johnny's face here:

Starting off, I usually rely on the trusty airbrush just to get some color values going. Note--I've kept my sketch layer on top, but feel free to turn it on and off as you work, so as to not be too bound to the sketch. For now, it's just a guideline.

This next stage may look like a huge jump, but it's really just adding more to the foundation. I try to think of it like putting on make-up in a way~ Adding contours, accentuating highlights. This is also where I start adding in more saturation, especially around areas such as ears, nose and lips. Still a bit fuzzy at this point, but that's why we keep adding to it 💪

A boy has appeared! See--now I've removed most of the line layer, and it holds up on its own. I'll admit that in order to achieve this realistic style, you'll need lots and lots of practice and skill, which shouldn't be discouraging! Just motivate yourself with the prospect of getting to look at pretty men for countless hours 🙆‍♀️

I'll probably do a more in-depth explanation about rendering at some point, but let's keep this rolling~

Moving forward is just a process of adding to the figures bit by bit. I do lean towards filling in each section from top to bottom, but you can feel free to pop around to certain parts that appeal to you more. I almost always do the faces first though, because if they end up sucking, I feel less guilty about scrapping it 😂 But no--I think he's pretty enough to proceed 😚

They're coming together now 🙆‍♀️ Another helpful tip--make sure you reuse color. By that, I mean--try to incorporate various colors throughout your piece, using the eyedropper tool to keep a consistent palette. I try to put in bits of red and blue where I can

Here they are fully rendered! Notice I've made a few subtle changes from the sketch, like adjusting the belt buckles because I made a mistake 😬 Hence why you shouldn't put too much stock in your initial sketch~

The next step is more of a stylistic choice, but I usually go over everything with an outline, typically in a bright color like green. Occasionally, I can just use my initial line layer, but for this, I've made a brand new, cleaner line 👍

And the final step is adjusting the color and adding some text:

Tada!! It's done!

All in all, this took me the better part of a week, but I have a lot of free time, so yeah ✌️

I hope you appreciated that little walkthrough~ I know people have been asking me how I do my art, but the truth is--I usually have no clue how to explain myself 😅 So have this half-assed tutorial~

As a bonus, here is a cute (cursed) image of Johnny without his mustache:

A baby, a literal infant child !!! who put this wee bairn on the front lines ??! 😭

Anyway! peace out ✌️

#tutorial #my art #art tutorial #since people have been asking #I remembered to save my process from this latest work~ #enjoy 🙆‍♀️

[mechaknight-98]

Aftermath (NSFW) FT Sejeong

Authors note: had to do a bit of world building as I try to figure out what the world looks like now that I don't want to use Karina or Jiyho anymore due to the dating thing…it would be weird ya know.

"Hey, Danger can I ask you something," Seji asks me with a clear and concerned tone,

"Yeah, sure," I answer hesitantly. Sejeong smiles brightly.

"Why did you run away from me," She asks. I bite the inside of my cheek as I consider my response.

"I figured it would be better than dealing with any of the repercussions of my feelings. I have a limited time left to live and I didn't want to put anyone through the sorry of losing someone they care about. So I figured dipping before that would be a cleaner cut-off than this going too deep instead," I reply

"You coward," Sejeong teases.

"I...yeah you're right. I should have let you choose," I reply

"At least you're a reasonable coward," Seji teases further

I squint at her causing her to smile wide, "I am not a coward, nor am I reasonable," I reply. Seji beams

"Oh really and why don't you think so," Sejeon asks sternly.

"You'll see soon enough," I replied.

Three weeks later Sejeong bought my little photo studio and shop. she was okay with not paying rent as long as I became her "personal photographer", and so I went with her all on these trips and events to snap pictures of the beautiful girl, but honestly she used it as an excuse to relentlessly fuck. I would spend hours cutting angles and working on shop composition to make sure the photos were perfect, and looking at her face always led to a visceral response. I'd be hard for hours, and like clockwork, she'd come into my office give me a warm-up blowjob then have it lead right into mindblowing sex.

As I worked on photos there was a knock on the door. I assume it's Sejeong as she's the only one who comes in here typically. The door opens to a tall dark-skinned man he smiles at me with malicious intent.

“Well, I didn't think I'd ever see you again,” he says as aggression rises in his tone.

“What do you want Alistair,” I ask

“Oh remember call me AL or Tahm,” Alistair replies

“Oh well you know I'm just checking in on my favorite curse bearer. I truly thought you'd come hunting for me, but you never did. I wanted to know why, but you were hard to find. When you said I want to disappear I guess you meant it,” Alistair adds.

“Are you here to kill me, because if so I'm not going down without a fight,” I reply

“What heavens no! I'm here to give you something you want more. Freedom,” Alistair replies.

“What is the catch,” I ask.

“No catch at least this time. I can't beat the curse bearer chasing me as he is using holy relics, but you have a myriad of experience so I figured I'd make a deal,” Alistair answered.

I look at the photo on my desk of Sejeong and I, “Fine I’ll draw up the contract.” I reply

30 minutes later I procured a draft of the deal between Alistair and me. He's excited as deals are like his favorite thing to make something about the ability to bind and

Making rules that can't be broken makes him feel safe. After we sign he smiles and hands me my Maxos Cards. I look at him surprised

“Why,” I asked

“I am asking you to hunt someone using holy weapons and not give you your best tools against holy weapons. I'd be a fool, besides I have to give them back to you anyway.” Alistair replies nonchalantly. I nod and grab them.

“So where was the last reported location of this curse bearer,” I ask

"So there I was, in Minnesota of all places, following leads to my ex, Janie. The trail led me to a scene that raised my concerns: golden ichor staining the ground. I knew this was about to get more complicated. As I concealed myself, the door creaked open, accompanied by ominous sounds of groans and a knife piercing the wall.

"Step out from your hiding spot," a familiar voice demanded. I cautiously emerged, armed with my card and sword, only to face Janie.

"Dangerfield? Of course, he'd send you," Janie muttered with evident annoyance.

"What brings you here?" she interrogated, her accusatory tone emphasizing the revelation that my ex was now a full-blown witch, a fact I was still processing.

"I'm here for the holy weapon, nothing more," I asserted, my mind grappling with the revelation of Janie's newfound identity.

"And what were you promised in return?" Janie probed further.

"Freedom," I replied succinctly.

"Freedom? From whom?" Janie's disbelief was palpable.

"Alastair," I confessed, bracing myself for her reaction.

"Alastair? Did you strike a deal with him? You're unbelievable," Janie's frustration simmered.

"He promised Morrigan would leave me alone," I explained, hoping to justify my actions.

"You never think, do you? Your recklessness causes chaos for everyone," Janie scolded, her frustration evident.

"I'm only here for the weapon. Give it to me, and I'll leave," I urged, attempting to end the confrontation.

Janie's gaze hardened as she considered my request. "What if I refuse?" she challenged, prompting me to reveal my trump card - my maxos card.

Her eyes widened at the sight. "You wouldn't dare," she uttered, realizing the seriousness of my intent.

Taking a defensive stance I watched as Janie's eyes widened

With a mixture of resignation and menace, Janie relented, handing over the holy weapon. "You'll regret this, selling out a friend for your gain," she admonished.

"If I were truly betraying you, I'd have handed you over to Alastair," I retorted, stowing away the cards.

"This is why I despise dealing with your kind," Janie spat bitterly.

"Careful now, insults might provoke me to take action," I teased, though the underlying tension remained palpable.

"Pathetic," Janie scoffed, as I left her house, her warning lingering in the air.

Returning to Alastair, I handed him the weapon, cautioning him against its use.

"Why not?" he inquired, intrigued by my warning.

"It's not just holy; it's a fusion of divine and demonic energies, a result of a battle between a demon and an angel," I explained,

"so why is the blade okay with you," Alastair asked

"Because I am Fomori," I answered.

"Oh...Interesting," Alastair said. Alastair's grin widened at the revelation. "Morrigan's favored, no wonder you sought to disappear quietly," he mused, anticipating the chaos to come as he reveled in it.

"I look forward to seeing the next part of your tale," Alastair replies. "Our deal is done," He says calmly as he conjures two contracts that burn themselves up before me. I feel the burden of my curse lift and Alastair smiles.

"I look forward to the damage you will cause. That will be more interesting than anything I could ever do with such a weapon. I see it has bound itself to your soul so using it would only garner your strength." Alastair adds. I shrug at his point to which he smiles.

The next day I arrived at my office to see a pouting Sejeong

"Hey, Seji. are you ok..." Before I could finish she had me cornered in a kiss.

"I got your not but I was worried sick for you," She replied. As she she ran her arms through my body she gasped,

"You're curse-free," she exclaimed with surprise.

"Yeah," I nodded.

#kpop fanfic #sejeong smut #kim sejeong #sejeong

[hansoeii]

Hellooo :D!! I just wanted to ask if you have any tips for coming up with ideas for full pieces. It could totally just be “oh this seems cool/cute” and then just testing compositions/colours/etc on the spot (and I’d be happy with tips about that too), but I was curious if there’s any brainstorming you do when/if ideas don’t just pop up in your head (or you do have a very loose idea, but need a bit more planning before actually starting the piece)

Also I obviously need to mention that I ADORE your art!! Your most recent piece with angel Crowley had me in AWE (I’m pretty sure my jaw actually dropped).

Thank you!!!

It's a mix of both "oh my god I have this great idea I gotta draw it NOW" and "let's scroll through pinterest for 2 hours and hope that something inspires me".

For example this piece under the rain was an idea I had while taking a nap. I didn't have any proper references for it and just put a bunch of puzzle pieces together and hoped for the best, haha.

I usually have this one specific idea that I wanna turn into an illustration and then I spend hours searching for references that make the process a little easier. This was my reference sheet for it:

Most of the time I just go through my Pinterest poses board and see if there's something I'd like to draw, though. I save a lot of poses I like constantly that I can go back to later on. This was the case with the angels illustration I did!

I didn't have anything super specific planned for it when I started working on it. I actually planned for it to just be some small and quick little drawing. It somehow turned into the best thing I've ever made djhdhd

Here's my reference sheet for this one:

With most of my work I don't really do a lot of planning. I do that enough in my school assignment already, so I tend to just draw loosely when it comes to personal work, haha.

So the tip I'd give you is to get as many references as you possibly can! It makes your life so much easier. Also look for color palettes you enjoy, see how other artists use colors! And be willing to just experiment. Most of my art is just one experiment after another in hopes that one day I know what I'm doing.

Hope this helps a little bit! Thank you for supporting me and my work! :D

#Ask #art resources #good omens

[geovanag]

🪐 Astrology Observations 5 🪐

Capricorn Moon signs start to look more attractive to other people when they reach middle age (after 40).

You may know that the Moon is at its lowest position in Capricorn. So how did I make such an observation despite this position? By middle age, many turning points in a person's life are completed. The moon is one of them. Now the mature (Capricorn) emotions (moon) begin to show themselves.

Then these people, who maximize their emotional maturity, improve the problems in their relationships with their mothers and sometimes succeed in camouflaging their feelings and sometimes in sharing their feelings with people they feel close to.

(This was the position I observed in men).

~

I think the Sun Ascendant square aspect is really challenging for a man. He has a problem with the authority figure, the father from an early age. It may not be completely confrontational (unless Mars, saturn, uranus and pluto are in hard influence)

Being in the same environment together can make them feel like they are being restricted. Maybe they feel that something is wrong. But is it really what they think it is? Yes. With the other person, (the Sun) it is very difficult for them to forget everything and get back together with them. (Orb should be maximum 6)

~

Although they say that Juno is only a marriage indicator and other asteroids can show ceremonies like weddings, I don't go into that much detail. I think even Juno can show the wedding process. For example; I had a friend with Juno in Virgo. Maybe she didn't scrutinize the person she was going to marry down to the most meticulous detail, but the wedding process was exactly like that. She had prepared details down to what the guests would wear. Ugh I think it is very tiring, even though I have Virgo juno, lol

Juno in Virgo may have met the man she will marry at work.

~

Chiron - Moon square aspect, this aspect allows you to feel the healing and wounded spirit of Chiron deep down. Let's not discuss whether it's good or bad, but it's certainly very palpable. Your emotions are shaped by "compassion". For example, you see a homeless man and a little child a little further away. You feel infinite compassion for these two people and a desire to give them a home. You take into account the situation and circumstances and just think that they are in need of help. Independently of this, I find it interesting that people with this aspect do not get enough support from the women around them. Maybe this is how the "lacking" aspect of chiron works. I would like to write a more detailed article about Chiron.

~

Having a Venus-Neptune-Jupiter T-square. The signs and houses where the planets are located will play a serious role. I know someone who has this T-square in 2nd-4th-10th houses. I realized that he is not where he is supposed to be because of his family's pressures. He doesn't want to talk about it but I can observe it. Sometimes his mother and sometimes his father try to shape his future position, how he will earn money without asking him. This will hurt him a lot but he has a very strong character and he will get what he wants at the end of this path.

~

Having Pluto aspects in synastry is known to be quite difficult. But you should know that it is difficult for the planetary person. Because they are both deeply attracted to Pluto's mysterious aura and very annoyed by it. Both of these feelings are exhausting for them. I am not saying that Pluto benefits from this, but things are much simpler for Pluto. It's the other one who gets exhausted.

In the next post I will write about the ascendants in the Composite chart. New post will be coming very soon, please get in touch if you have any observations you would like to share.

TAKE CARE,,, 🌬

#astrology #astro #astro observations #natal chart #synastry #composite chart #mercury #moon #saturn #sun #venus #mars #jupiter #conjunct #trine #sextile #opposite #square #tsquare #natal #astro notes

[moumouton4]

i need itachi's beach day with his s/o nsfw plss

Beach Vacation || Itachi Uchiha x reader

A/n : I don't remember this gif, though he looks like he is at the beach 🤩

Warnings : no mention of gender for reader ( unless that mention of pregnancy ), exhibitionism no one sees though, cockwarming, vanilla sex, implicit bredding kink, 18+ READERS ONLY and wrap it before you tap it

Masterlist ⚜

I don’t give permission to repost my work, if you want to share it just reblogue it

Word count : 706

It’s not always that the both of you get to enjoy so vacation, let alone beach vacation

He is always hovering around you because you’re showing a lot of skin and he is torn between a pure protectiveness towards you and the ones you may attract the gaze off, and a deep magnetic attraction that keeps him longing for more

Even if he too is on vacation he doesn’t want you to lift a single finger either for the grocery shopping or simply to make a sandwich

He’s going to princess treat you during the whole time

Now that you’re finally at the beach he’s going to make sure you’re not to warm, stay hydrated and doesn’t need some ice cream or whatever snack to cool down or break a little fast

Of course even if you’ve never been there, Itachi knows every good place that is away from the tourist hotspots. With him it’s guaranteed privacy for sure

And since he isn’t working he is also not wearing his signature robe nor his kasa ( you know the hat )

You’ve guessed it, your eyes are clearly wandering on his strong and lean body. He looks so damn hot like this dark short trunks that showcases his long legs and his tight fitting shirt that lets you catch glimpses of his toned chest

He would send you teasing glances because he knows you’re starring

At the beach, even if you’re in a relatively private area he’s going to make sure you set your towels in a place where you're sure there won't be any vis-à-vis, and where you can leave quickly if the need arises - what do you want, habits die hard

“Hey let me help you my Love” he’d tell you as he sets your towel down for you

Looking at the gentle wave breaking against the shore he thinks that taking you there would have the power to connect you together and with nature in ways not many other places would

But he doesn’t know the water composition enough to take the risk ( also i’ve heard it wasn’t very good lol )

He is very wary in vacation, he cares too much about you and his in not in his comfort zone there

Normally he would wait for the night to set on the beach to have his way with you. Overlapping your two towels, maybe even adding a third one to get comfy enough and make sure you sands gets in the way

Then he would lay you down before gracefully make him way between your thighs, either to have a little midnight snack or to give your his love in the most primal way

Loving you between the skies, as the rhythmic sounds of your bodies meld with the ones of the water

Just imagine a nice and slow love making with the only sounds are your breathings and the waves

But if he really wants you during the day he’s surely going to free his throbbing hard erection and discretely motion for you to come closer

Carefully pushing your swimsuit aside you’d sink on him, stifling any moans or groans that would escape your mouth as more of him slides into you

“Ngh just like that Beautiful” he praises

Not to make it too obvious if anyone were to come around here you’re sitting facing away from him. But if you actually looking at him you’d witness the way his teeth sunk in his bottom lip, still his hands that were at your hips squeezed with the force of the desire he felt towards you

Maybe will roll his hips upwards from time to time just to grant you both that delicious friction

If you’re feeling a little more frisky you can still tighten your inner muscles to tease him until his head falls in the crook of your neck, against your shoulder as he gently presses his mouth open while he cums and fills your insides with tangible traces of his love

“You wanted it so much now, didn’t you ?” he’d whisper lowly against your ear

You naively thought you were going on vacation with your lover, it may only be a little plan of his to put a baby inside you

~

~

Taglist : @dreamcastgirl99

#naruto #naruto imagine #naruto smut #naruto shippuden #naruto shippuden imagine #naruto shippuden smut #itachi uchiha #itachi uchiha imagine #itachi uchiha x reader #itachi uchiha smut #itachi x reader #itachi smut #smut #request #miri-writes

[watchoutforthefanfics]

Ticking Love Bomb (Part One) || Eleventh Doctor × gn!Reader

Part 1...

Summary: Your adventure with the Doctor and the Ponds takes a harsh turn when it seems you're targeted with a potion. A love potion, specifically the type where you fall in love with whoever's eyes you met first after "drinking" it. But what if you're already in love with him?

TWS: aliens, space, references of guns, smoke, unrequited love (but not really), self sacrificial attitudes, and purely oblivious people. Also, just a touch of angst (typical of a love confession).

A/N: This is a lil angsty so be ready!!! Enjoy :)

The room was filling with a sort of pink gas, at least it looked pink. Maybe like a salmon color?

The walls were bland, white and tall, and the lights were fluorescent. If you didn't know any better, you would've assumed you were in a hospital of some kind.

"Uh, Doctor… What-" you spoke watching as the gas pooled in around your feet, "What is that?"

He paused, taking a few sniffs, and mumbling to himself before answering, "A potion. They must-"

He stopped, eyebrows drawn in confusion, "Well, they must not know who I am, this won't work on Gallifreyans. It's kind of like that one poison that just makes us sleep for a few centuries but could turn a human to dust-"

"Doctor," you interrupted, hand placed on his shoulder to shake him out of his mind, "-as much as I love a bit of rambling, now's really not the time."

"Right," he corrected, straightening up and glancing around the room (for an escape you assumed), "-I don't see-"

"Hello, my doves," a voice boomed through the room, bouncing off the terribly empty walls, "-having fun yet, are we?"

It was prim and proper, a thick accent in a tone you recognized as 'all-knowing'. She seemed to be readily in control of the situation, and the Doctor… didn't seem to have a clue.

"What is it? What is she filtering in here?"

"Well," he answered, peering at the gas which was now at mid-calf, "-I'm not entirely sure. My best guess is it's a mix of potions, hastily made based on the composition. There's no real proper composure to it, an amateur is the most suspect. Or maybe someone who just wants results?"

"Doctor," you groaned, your fingers starting to swirl the pink around you, "-what is it and how will it affect me?"

"Human, right," he blinked, looking at you solidly for a moment, before turning down to his sonic, watching it buzz, "-I'll see what components are in it and that should-"

He stopped mid-sentence, body frozen and eyebrows furrowed even more, and… was he- was he blushing?

"You must understand now?" The voice continued, tone light with amusement, "The potion was never for you, Doctor; it really was to tear you away from your sidekick. I know how terribly fond you are of them in particular, and thought… this may be the perfect leverage opportunity."

"Doctor, what are they talking about?"

He didn't answer you, just set his eyes on what appeared to be a camera in the corner, "What do you want from me?"

You blinked, ready to argue with the Doctor about just… giving in (the Universe was far more important than you), but something else caught your attention.

It was the smell, god, it smelt just like roses in here. So fresh and beautiful, you could almost smell the morning dew on the thorns. It was so… wonderful.

"Y/N?" he spoke, you knew that voice, you really did, but it just smelt so nice in here. You couldn't help but picture the velvety petals beneath your fingertips, the grass underneath your shoes, the rays of sun on your face.

In an instant, your eyes fluttered shut -finding comfort in the warmth. It was like a warm sunny day on the beach, so nice to just… absorb.

"Y/N, darling-" the voice continued, "-can you hear me?"

And just like that, your brain was doused in, what felt like, a cold bucket of water -the rosy pink glow in your head faded, leaving a bit of paranoia in its wake.

"Alright, Y/N," he explained, calmly, "-listen to me carefully, don't-"

Before he could even finish, your eyes flew open, eyes landing on his green ones -searching for some solace. It was almost an instinct, hearing his voice, you just had to search for him.

"Y/N, wait-" He sputtered, eyes connecting with yours, "-why do you never listen to me? You weren't supposed to-"

He paused, staring at you for a moment (almost analyzing you), you blinked.

"Y/N, are you… are you feeling anything?"

"I, uh," you paused rubbing at your eyes for a second and just having a little check in, "-I don't feel anything different, why? Am I supposed to?"

"Well," he looked at you in wonder, and did that thing where he scrambled for a moment, "-yes."

"What?" The voice boomed again, disbelief coating her tone, "You… Why didn't it work? Doctor, what have you done?"

"I didn't-"

You interrupted, confused, "Wait, what's supposed to be happening to me right now?"

The voice answered, a bit more polite than an assumed antagonist should, "You are supposed to fall in love with whomever you see, it's perfectly disposed in the human genes, I don't-"

You blinked, oh.

"Well, I don't-" you inhaled, trying to calm your internal storm at the fact that the Doctor was looking at you like he just knew, but he couldn't have (could he?), "I feel normal, so…"

"Well, then," she spoke, tone a bit surprised but seemingly knowing, "-let's just hope we don't have any after effects, shall we?"

"What do you-"

The Doctor interrupted, voice stern, "Your potion just didn't work, there are no after effects."

"We shall see, Doctor, we shall see."

And with that… ominous answer, there was a click on the large gray door that had sealed them off before, an unlocking -assumedly.

In an instant, the Doctor grabbed your hand, and pulled you out of the room -where the fumes still lingered. You could smell the hint of roses in the air, and your head started to hurt a little bit from the memory of how strong it once was.

"Hey uh, Doctor?" You asked, slowly following a step behind him through the cavernous hallways, "What did they-"

"Shush," he spun around to you, and without hesitation, put his fingers to your neck (checking a pulse?), "-okay, good. A little fast but, alright so far.

Your face was burning hot and you could barely breathe. Your skin tingling where his fingers once were.

"Doctor, can you please explain what's going on? You act like I'm a ticking time bomb-"

He flinched.

"Wait, am I-" you exhaled shakily, pulling your hand out of his, "-am I on a timer? I can't hurt you, I really can't-"

"Y/N," he spoke, voice soft -a kind of gentle whisper-, "-calm down, okay?"

"I'm not-" you huffed, voice shaking ever-so-slightly, "I can't until you tell me what's going on!"

He exhaled, a deep sigh through his body, and you knew that look in his eyes well, an old man who'd seen worlds crash and burn.

"A lot of people have this idea that putting 2 similar things alike can make a better thing," he began, "-objectively, anyway. Scientifically through, that doesn't work, things clash and spark and burst. Like putting two ends of a magnet close to each other, they repel."

“And, that means?” you asked, tone questioning.

"The person who did this to you, tried to make a, objectively, better potion that was compiled of the same things that 2 other potions had," he continued, hand still locked with yours as you roamed down the hall, "This, being done haphazardly didn't really work."

“So, what, Doctor? What’s-”

“Your-” he started, eyes falling in a huff, “-Your heart is a ticking time bomb.”

#eleventh doctor #eleventh doctor x reader #doctor who #gender neutral y/n #a bit angsty but #it fixes itself #is really sad kinda so #unrequited love but not really #use of y/n #enjoy part one #watchoutwriting #ticking love bomb

[tangibletechnomancy]

With the WGA and SAG-AFTRA on strike, I want to take this moment to talk about one really important thing that I've alluded to but haven't gone into depth on, and people don't like to hear because of a lot of the noise, but-

We need to also support VFX unionization efforts (everyone's with me so far right...?), and in doing so, acknowledge the labor actually involved in using new technology (not just AI, but whatever the NEXT big breakthrough is too, and the one after that, and the one after that, indefinitely) and credit the people operating it properly-

Aaaand I've lost some people, but hear me out.

Sure, it's easy to type a single prompt and get a result that looks kinda nice. "Kinda nice", however, isn't going to cut it for most productions! It's like photography that way. As ubiquitous as good-quality cell phone cameras are, anyone can just point and click with some very basic understanding of what makes a passable composition and get something that's pleasant on the eyes.

And yet, generally speaking, people aren't grabbing random people with cell phones off the street to shoot movie posters! Because even a layperson can tell the difference between the photo you get when you stop a random stranger on the street and ask them to take a photo of you and your friends together, and the photo you get when a trained professional sets up the actors in a studio, with deliberate lighting, a thorough understanding of what lens(es) to use, and so much more.

Photography is easy. To be able to get a professional quality result? Not so much. Sure, sometimes a total rando who barely knows how to use a camera will luck out and get the shot of a lifetime - but it sure doesn't happen often and you DEFINITELY can't make a whole profession out of hoping for it.

The same goes for AI.

Most singular AI pieces that are high enough quality to get people really excited take hours, and hours, and hours of work and refinement and retrying and tweaking to get right. I mean, go test out a free image generator and pay attention - you might get a lot of results that look fun just by typing in a very silly prompt, but good enough to be a major part of a movie without any alteration? ....maybe one in a million - and then you still probably have to upscale it! And the standard for "nice to look at for a moment" vs. "good enough to be a major part of a professional production" will only get stricter and stricter as things get more saturated and people see Default Midjourney Style or the like as being super boring and amateurish for anything bigger than a literal one-man production, too (which sucks on a tiny level for me personally because I like Default Midjourney Style, but that's not important).

I point this out because bringing this up in the context of unionization helps to kill the entire motivation behind using AI to undercut manual art. The higher-ups want the world to think it's just mindless, super-easy button-pushing that anyone can do, so it's fine to crunch people even HARDER than they already crunch VFX artists or outsource it to people they can pay subminimum wages, right?

It's not. It never is. It never will be. We need to cut it off at the pass before one more studio even fucking tries it.

#not art

[astrologylunadream]

What They Want For This Connection🔮🌠(Pick a card/Tarot love reading)

Hey it's Lunadream again!!🌌🖤 This will be a reading of your person and what they want in this connection, so let's see~♡ hope you find your message😇

Notice: Only take what resonates because the most important thing is your own judgement!♡ If anything doesn't resonate, don't worry! It's not your message right now <3 (Entertainment purpose only. All rights reserved)

Now, shall we begin~? ^w^ Think of the your person and your connection, and pick whichever pile that fits the energy you're feeling~🖤

Pile 1🦋

Pile 2💜

Pile 3🐦

Pile 4🎮

Take your time and choose carefully with the heart~♡

On to the readings —> 🌌

Pile 1🦋

Sign energy: Amusement park, Mind, Psychic, Structure, Children, 2nd house, Libra, Eros, 9th house 1st house, 😷🔪♊❌

🔮Your person's energy: Ohh we have some interesting energy for my pile 1's person. Your person has a bright and innocent approach to life, they tend to do things without thinking first. Their curiosity has no bounds, and they prefer to be free of restraints mentally and emotionally. They are very Intuitive aswell as spiritual, especially when it comes to love and partnerships. Taurus, Libra, Sagittarius and Aries energy especially Venus is coming through for them.💗 Your person has a childlike wonder for the things that peak their interest, and they love having fun.😁 Childish in a good way. I love their vibrant and lighthearted energy omgg They may speak their every thought or say what they are thinking often. Alsooo this person does not like communication all that much lol it's not for them. For some of you your person may really not like geminis😭😂😂😂 Oh my gosh maybe they had a bad experience with geminis or placements with that sign °•° They might be annoyed with people who can communicate so Intellectually or witty with a sharp mind as this person only rushes into things without thinking it through often. This person likes new things and prefers to learn as they go, they brush off mistakes and keep going.

🌌What they want for this connection: Perfectionist, 1st house, Under, Competition, Wild, Taurus, Cancer, Mars, 12th house, South node, ⚔🟪🎥🧍‍♂️ Omg my pile 1's there is some heavy Aries energy in this connection you guys could have a composite chart filled with this sign or over all mars energy.🔥 Definite yes on feelings from this person, they want to touch you, hold you and have you all to themselves. The chemistry is through the roof with this person! They want to put up a fight for this connection, just know that what you and them have is under their protection for real😍 They wanna keep this special connection between you both safe and cared for, they will push away any threats to this connection my pile 1's!! Now your person is a little needy when it comes to your energy, they want to control my pile 1's a little. Though they are very passionate and possessive they are also very particular in everything you do, like the way you dress or the activities you are into. Your person wants you both to be your best together and strive for perfection in eachother's eyes. They don't like not knowing what you're up to my pile 1's I'm getting that in order for this connection to work there can't be any hidden motives between you guys.😳 They want to have full awareness of what you are doing most of the time and your needs and wants for the connection as well. That's what they want my pile 1's!!

🔊 Messages from your person: I have fantasies about you, Hold on to me, I warned you, Would you let me? I wish I had you (Omg omg so cute my pile 1's☺🌠) Extra cards: Thighs, Together, Broken, Lies, Commitment, Lilith, Vertex, 3rd house, North node (They see a wild rollercoaster with you guys in the future, some crazy adventures for you both <3)

Thank you my pile 1's! If you feel this resonated, you may tap the heart to claim this message!🖤

I hope you enjoyed your reading! ʚ(｡˃ ᵕ ˂ )ɞ If you did be sure to let me know pile 1 with the butterfly emoji~🦋 Thanks for scrolling through, Hugs hugs hugs!! See you in the next reading🎶

Pile 2💜

Sign energy: Audience, Year, Order, Chiron, Height, Air, Vertex, Sagittarius, Cancer, Venus, 👊🛎💡🆚️

🔮Your person's energy: Okaaay for this pile your person could be a Cancer venus!! Air venus is also likely, or any of those sign placements including Sagittarius! Your person attracts others easily like it just happens, they may have decided to live this year wild and adventurously unlike the past years. Your person may be taller in height or have a noticable height. This is someone who is healing emotionally, they have had to fend off others from damaging their feelings and harming their energy.🖤🩹 They may have noticable knuckles or hands, may make fists a lot out of frustration or defense. This person is very soothing and sweet when they aren't being provoked, for some of you they may be in a choir or conduct for a band (I just got that vibe) or service job like waiter/waitress, something higher end. They are very protective over others who are vulnerable emotionally and they hate when conflict arises without rationality.⚔

🌌What they want for this connection: Tease, Thighs, Present, Art, Luck, 11th house, Mars, Pluto, 4th house, Lilith, 🌠👀🧣🪓 Omg there is a lot of passion and understanding from this person, they hope for great things with this pile for sure.♡ I'm seeing comfort is a huge focus for them with you. They want to take care of you and this relationship, like I'm seeing them wrapping you up in a thick little scarf and hugging you tight🥺🧣😭💗 So cute wtf they just want to hold you so that no one can touch or hurt you. For some of you this person wants a married life with my pile 2!! They imagine waking up beside you, cooking together and teasing eachother in cute funny ways.🍳❤ This really is a sweet connection you guys have, and they know it by heart. They want you to be safe in the present right now as well as in the future, I'm also seeing that if some of you have toxic family members or close friends that your person wants you to cut them off if they are causing you pain. Your person can't stand seeing you get hurt, they won't have it without putting up a fight. Omg and your person really wants to give you little gifts and they see this connection as a gift itself from the universe.🥺💘🌠 They also have some hot fantasies about you in this connection omg seriously I won't go into too much detail but with mars and pluto they literally just wanna pull you by your thigh and make out with you this instant💋🤯🖤 They are obsessed with touch and emotional support within connection and that is all they want from you pile lovely pile 1 besides giving you everything💗

🔊 Messages from your person: My wounds won't heal, You're trying your best, Calm down, Things aren't going well, These days are meaningful (Aww they just want to tell you that you are slowly healing them and even when things are rough you shouldn't be worried because everything matters when they're with you.🥰) Extra cards: Tongue, Stress, Darling, Neck, Universe, Sagittarius, Virgo, Mars, North node, Venus (My god there is some heavy attraction for my pile 2's they wanna do some naughty things with you...🥵❗)

Thank you my pile 2's! If you feel this resonated, you may tap the heart to claim this message!🖤

I hope you enjoyed your reading! ʚ(｡˃ ᵕ ˂ )ɞ If you did be sure to let me know pile 2 with the purple heart emoji~💜 Thanks for scrolling through, Hugs hugs hugs!! See you in the next reading🎶

Pile 3🐦

Sign energy: Museum, Communication, Weapon, Danger, Text, Juno, 1st house, 11th house, 5th house, Water, 🗿🍦🎀🔦

🔮Your person's energy: Okk pile 3 your person is intellectual and online savvy for sure! I feel they enjoy discussing topics online and coming up with conflict resolutions. They are very perceptive and mature, there is definitely an older vibe even just mentally for this pile's person😁💫 Aquarius, Aries, Leo placements. They see technology as a source of power but also danger, it has many possibilities in their eyes. This could be someone who works in technical fields or even with artificial intelligence. For some of you this person could work for huge online companies like as google or twitter/x (OMG and this pile being the twitter bird symbol!! This is definitely a sign for my pile 3's). They are on their phone a lot, and for them, the most important factor in a partner is up front communication and emotional understanding. Now for a small amount in this pile I'm seeing someone who works a night shift, security guard possibly. They could work at a museum or have a job related to museums, I'm seeing someone very fascinated in historical objects and events. They may act cold or stoic on the surface, not showing much reaction. They probably think they are on a higher vibration than most lol, but they maybe right after all they are very smart and attractive mentally and physically.

🌌What they want for this connection: Prove, One and only, Cook, Moon, Pleasure, Lilith, Vertex, Gemini, 🌁🚺⚖🎰 Alright my pile 3's your person really wants a base for this connection, they wanna be sure where this is headed with you both and know exactly what will come of it. Your person does desire a feminine energy from this pile, they may feel drawn the idea of you being the "perfect housewife" for them. I don't think this person fantasizes about this connection a whole lot but what I do see is they definitely looking into the long term of this connection. Your person is considering this as a contract partnership, and they actually deep down believe in fate when it comes to this connection with you my pile 3's🥺💓 I just think they are really drawn to your feminine side like the thought of you cooking, nurturing and pleasing them they find that incredibly hard to resist. They may want to go over the pros and cons with this relationship to you, and they wanna make sure you guys are both on the same page.✔ But this person does want all the many possibilities for this connection such as emotional support, positive mental stimulation and supportive conversations, there's even some wants from you they try to resist the thought of💋😈 Let's just say they want some special pleasures from this connection aswell but only after stable committment and when the time is right.

🔊 Messages from your person: It's all chemical, What's wrong? You should smile more, You can't look me in the eye, I want your lips on mine (Omg😳) Extra cards: Destruction, In, Want, Night, South node, Air, Virgo, 4th house, 6th house, 8th house (Wtf your person has some hidden desires they wanna let out with you at night...🤯🥵)

Thank you my pile 3's! If you feel this resonated, you may tap the heart to claim this message!🖤

I hope you enjoyed your reading! ʚ(｡˃ ᵕ ˂ )ɞ If you did be sure to let me know pile 3 with the blue bird emoji~🐦 Thanks for scrolling through, Hugs hugs hugs!! See you in the next reading🎶

Pile 4🎮

Sign energy: 5th house, Sight, Entertainment, Song, First impression, Mars, Moon, 7th house, Venus, 5th house, 🔇🌁🧱🎪

🔮Your person's energy: I'm getting a soft masculine energy but also some very fun and daring vibes from this pile's person. So many signs coming out omg Aries, Scorpio or Cancer, Libra, Taurus, Leo energy. You may have met them at a concert or some place entertaining, festival, dance, karaoke, club, bar, ect. There may be a song that reminds you of this person, it could have played when you guys first met. There could be a period of no contact for some of you with this person. Youtuber/streamer vibes, they may play games for a living, or that may be how you met them through it🎮 I'm getting devine masculine energy from your person but they could be either genders that's the vibe I'm getting. Regardless they have a nice fusion of masculine and feminine qualities, you may have saw them as very aesthetically pleasing and pretty at first glance, lol this is so random but for some of you met this person as a carnival/circus🎪🎠🎡😂😂 Help- maybe it resonates for someone in this pile. This person is very physically pleasing to you even just in a platonic sense you just find them very pretty and pleasing to the eye. They are fun to be around and probably have a lot of friends I feel like they make a great friend. Oh for some of you they burned the bridge on this connection😥 You or them may have blocked the other for whatever reason.

🌌What they want for this connection: On, At last, Stomache, Target, Empty, Water, Cancer, Aquarius, 5th house, 9th house, 🏩🦄🔙🤍 Ohh wait a minute for some of you it's their goal to date you, like make you theirs. They just want emotional connection with you at the end of the day, I'm seeing them taking your hand and saying "don't go", maybe some of you left this connection or are drifting away from it. They may want to "take you back", maybe they thought you were once theirs at one point but then there were mixed signals. They want to be in contact with you still, they always loved you even if it wasn't in a romantic sense. Just pure admiration for my pile 4's.🥺💖 They may seem like the type to want a "casual" relationship but for this connection it means a lot more. I think they are worried there could be a target on your backs for this relationship, like I'm getting jealous friends who don't have someone to party with anymore all because you two are in a committed relationship. Omg your person may have had wild friends that engaged in parties or night life with them, for some of you they may have been a player/fboy/fgirl. And now that your person is loyal to someone their friends think it's taking away from their fun.😒😤 They desire a connection with you even at the most friendship because they just love being around you and connecting with you.💓💓💓 I think they realize what you two have is special, they may wish to go back to all the memories they had with you guys. They want to be around you, and this connection may have felt empty until they gained knowledge on the situation.💡 It's their mission to experience everything they can with you, just in case there's no other chances.

🔊 Messages from your person: I love you, You know the truth, I want to kiss you against the wall, They're against us, I told myself to quit (Yep there's bad people who don't like the thought of you guys committing to eachother but your person is like noo I want you😣💞) Extra cards: Waist, Practice, Walk, Twin flame, Yellow, Mars, Uranus, Neptune, Saturn, Venus, (This could be a twin flame connection for some of my pile 4's <3)

Thank you my pile 4's! If you feel this resonated, you may tap the heart to claim this message!🖤

I hope you enjoyed your reading! ʚ(｡˃ ᵕ ˂ )ɞ If you did be sure to let me know pile 4 with the controller emoji~🎮 Thanks for scrolling through, Hugs hugs hugs!! See you in the next reading🎶

Wanna see more readings like this? Check out my tumblr for accurate readings for you!💗🌊🌸

Thanks for reading! \(*^w^)/💌 -Lunadream <3

#pick a pile #daily tarot #love pac #tarot pick a card #love tarot reading #free tarot #pac reading #pick a photo #love reading #astrology reading #tarot #tarotblr #tarot reading #tarot love #tarot readings #tarotcommunity #tarot community #relationship reading #astrology readings #pac tarot #tarot pac #pick a picture #pick a card #pick a card reading #love pick a card #divination

[thatlittleegyptologist]

What are Hieroglyphs? - A Q&A from a Poll

I ran a poll last week to see what people most wanted to know about how Hieroglyphs and languages such as Old/Middle/Late Egyptian work. While certain responses had more of an interest, the most common tag/comment I was getting was 'umm all of them?'. So, I'm going to do just that, but under a cut, because no one needs a post that's going to be as long as this one is without choosing the colour of the sky. Trust me, this is colour of the sky long.

So, without further ado, these were the results of the poll (yeah it's not finished yet, really, but the percentages haven't moved in 4 days and the poll ends in about 12 hours so here we are):

I'll start with 'least interest' and move onto the bigger things, as some of these I can get out of the way pretty quickly. I'll apologise to screen readers in advance, because you might imagine how difficult it is going to be describe hieroglyphs in a way that makes any meaningful sense, especially if they're using different cultural concepts. So, here we go!

How long does it take to translate?

Honestly, it depends on the text, and to some extent the language I'm translating it from. For me, Late Egyptian is the easiest, so a text in Late Egyptian (with all that entails) is a breeze. Others will find Late Egyptian really difficult because that form of the language (used from the Amarna period onwards when the written language changed to reflect the spoken language...except on monuments and tombs which kept using Middle Egyptian) uses a lot of semitic loanwords and has differences in orthography (the way signs are laid out and spelt), as well as changes in grammar (moves to frontal exposition so all the markers come at the start of a sentence).

Once you're past the 'oh it's in a form of the language I like/hate' you're into 'what kind of bullshit is this text going to pull on me?' and that can be easy or nasty grammar, lots of spelling mistakes/no spelling mistakes, what kind of text it is like biographical (formulaic, tend to be easy) or literary (not formulaic, full of metaphors and strange sentence composition), or religious (formulaic, but *Chalmers pointing* Dear Lord what is happening in there?). You can get a formulaic biography that's nasty to deal with (Tjetji) or a 'I'm so full of metaphors that I can fight god' literary text that's actually pretty nice to deal with.

In any case, if we're talking about something longer than 5 lines of text we're talking hours to translate. It's not like the films where they just read it on the fly (though you can reach some level of that), you are going to need a notepad, a dictionary, and several hours. This obviously lessens the more experience you have.

Why are the signs so specific?

We're dealing with a language whose script communicates in what are essentially pictures with sounds. It's also an art form as well as a written script. This means that it can, through necessity, create a new sign to express something. More often than not, these signs are very specific, which means you don't see them all that often (hello religious texts again) or they've combined two signs together (overlapped them essentially) for space reasons and it's ended up as it's own sign eventually. I mean, if you had the ability between trying to use what you've already got, and drawing an entirely new sign that is literally a picture of what you want...you're gonna draw a picture. This is why you get the penis glyph. There was always going to be one because at least half the population has one. There are also tit hieroglyphs. Equal opportunities and all that. The tit ones have less applications though, sadly.

How do you remember all the values for all the signs?

I'm gonna be annoying and say: Practice

But it's true. Just like children learning to speak, it has to be repetition repetition repetition. The more you see it, the more you're exposed to it, the more likely you are to remember sign values. There are still some signs I have to look up because they never stick in my head, but mostly I'm able to transliterate very very easily. Once you've got sign values down, you're more likely to begin to recognise them in word groups, which means you're more likely to just know the words by sight. It is very much like learning to read. First you learn the letters T, H, & E, and then you learn that T, H, & E together spell the word 'the' and then you simply recognise the letter group as the word from then on. Same principle for hieroglyphs! Some people will be able to remember them effortlessly. Some people will never be able to remember them. It's all about how your brain works, so don't beat yourself up about it.

How do you work out the grammar?

*laughs nervously* erm....so y'know how I'm bad at remembering grammar? This is going to be a wild ride. In the simplest terms, there are markers within the Egyptian, just like we use certain endings (like '-ed' for the past tense or -ing for present action) or markers (! ? . , etc), so do the Egyptians. I'm not going to cover them all here because goddamn no one needs to know those unless they're actually learning the language and it would get LONG. But I'll show you at least the past tense, pronouns, some special markers called Particles, and prepositions.

Pronouns

Simple, yet important. These little guys come at the end of verbs (at least in Middle Egyptian). They have every pronoun we do except the singular 'they'. Now there are several different types of pronouns depending on whether they're the subject/object attached to a verb, or subject/object that are independent of the verb. This is where you get the 'suffix' (attached to the verb as the subject), dependent (not attached to the verb but related to it), and independent (come at the start of the sentence, not attached to the verb but still the subject. Usually Participial Statements have these). I'm only going to deal with the Suffix pronouns here because sweet jesus this is a whole chapter to itself in a normal grammar book and I'm not doing that. They look like this:

For other hieroglyph readers sake: I am of the school of hieroglyphs that uses =i instead of =j, and I don't use z for one of the s signs. That's why you're seeing that difference.

For the rest of you: Sometimes there are variants of types of signs for a pronoun, so I've listed them all. The most common one you'd see when translating is at the start of each entry.

As you can see, the pronouns are fairly distinctive in construction, especially when they come at the end of a verb in a sentence. The only ones that would give you any real issue would be the =n (we/our) and =t (she/her) pronouns. This is because they look like the 'past tense .n' and 'marker of the feminine verb .t' endings (sometimes they omit the plural strokes the =n 'our' pronoun and that's just not cool). When you're starting out, you essentially have to look at the context the word is in, and partially continue with the rest of the translation to see if a pronoun is there or it's a tense/feminine marker. Correctly identifying which one it is, is again down to experience. Thankfully this one is something you pick up pretty quickly, because your sentences won't make much sense otherwise.

An example of a pronoun in action is the following sentence:

You can see that the pronoun =k (you) comes after the verb 'sDm' to hear, and before the object of the sentence miw (cat). Any of the pronouns above can be inserted where =k is, and the sentence will read as necessary.

Prepositions

Prepositions often tell us where one noun is in relation to another (e.g., The coffee is on the table beside you). But they can also indicate more abstract ideas, such as purpose or contrast (e.g., We went for a walk despite the rain). Prepositions also indicate direction, time, location, and spatial relationships, as well as other abstract types of relationships. Just like we say 'the cat is on the mat' or 'the fox at the house', Middle Egyptian can do the same thing. Here's a list of prepositions:

These, of course, occur anywhere within a sentence in Middle Egyptian just like they would for English. They can also take pronouns like xr=f 'under him' in order to give a subject or object for the sentence. If you were translating and you saw one of these, you'd know that you were about to change direction/time/place or get more information on a relationship in that sentence.

I've constructed an example here:

MEg readers: There's probably supposed to be some sort of nominal -pw construction in the first sentence to get the 'is' sense, but it's late and I am le tired, so please ignore this potential glaring error. The gist of the sentence is at least right.

Everyone else: You can see I've used the prepositions xr 'under' and mi 'like' to construct this sentence. If I was translating this from the Egyptian, they would be the grammar markers that tell me something in the sentence has got or changed a location, or that it was a comparison. Basically, if you're looking at a word and it's not a verb/pronoun/adjective/noun, you're probably looking at a preposition.

Particles

These are tiny words, which don't always translate as anything, but give more meaning or information about a sentence. Basically, they have a grammatical function, but don't actually translate. In English the word 'to' performs this function, as it appears with many verbs 'to fly' 'to go' etc, but doesn't actually translate (yes, I'm aware 'to' can also be a preposition). I'll only deal with a couple of the more common particles here because there are a lot of them, and you don't need to know all of them.

iw is probably the most common particle. As far as we're aware it doesn't have a translation (there's debate), but it always comes at the beginning of a clause. We don't even know why they use it, because it's one of the particles that you get taught 'always comes at the beginning of a sentence/clause' but then once you learn more MEg (Middle Egyptian) you realise that it barely shows up at all. Anyway, the little guy looks like this:

In a sentence it looks like this:

This is a few lines from the Shipwrecked Sailor, a literary text from the Middle Kingdom. You can see the 'iw' particle used twice in this sentence and both times it does not impart any direct meaning to the translation, but it does tell us of a new clause.

ir is another particle that turns up semi regularly and has the meaning 'as for/if' depending on the context. The original context for it, is that it stemmed from the preposition 'r' 'to/from' (see table above) and evolved into its own usage. It looks like this:

So if you see it in a sentence before a noun like so:

ir will only translate as 'as for' when before a noun. That's how they mark that sort of grammar.

However, if 'ir' is before a verb, this happens:

The sense becomes 'if' when before a past or present tense, meaning the particle has express a conditional sense. If it was before something other than the past or present tense, the sentence would read entirely differently, and thus wouldn't have ir there in the first place. That's how we know to translate it that way. mutters something about the ir conditionals

Past Tense

I'm not sure I need to explain the past tense to most of you, but rest assured that Middle Egyptian also has the past tense. This can usually be identified by the .n ending after a verb, but before the pronoun. You might be sitting there saying 'wait, lottie. isn't the pronoun for 'we' also an 'n'?' and yeah you'd be right! It's all to do with context.

Let's take a very basic sentence:

You see the 'n' sign above the pronoun =i ? That's the .n of the past! It tells us that the verb preceding it, in this case sDm 'to hear', is being read as the past tense and thus we have to translate it with the -ed past tense ending in English. Yes, it does look very similar to the 'n' pronoun for 'we' (=n) and the preposition for 'to/for (a person)' (n). It's because they are all the same sign, they're just being read in different ways.

What do all the .'s, ='s, and brackets mean in transliteration?

So as I just showed you, the marker of the past tense is denoted with the water sign 'n' which is attached to a verb in transliteration using .n at the end. You've also seen me use the equals sign with the pronouns like =i. In Egyptology, at least, we use these symbols as a way to differentiate between different markers of grammar and basically make it easier to spot when we're just reading someone else's work. Say you've got sDm.n=n mdw r=k 'we heard the words concerning you'. Here are the glyphs:

You can see that sDm is easy to see (the ear reading sDm, and the owl reading m as a phonetic complement, forming the word) and then you've got two water symbols for n, and three vertical strokes. Now, as I've already shown you, the n of the past tense, and the n that's the pronoun for 'we' look pretty much the same, but you know they're different. However, when they're together in one sentence it makes them difficult to distinguish. In order to make them distinct when transliterating we use .'s for marking the endings of verbs be they tense markers or say the feminine .t ending. For pronouns we use ='s so that it's clear they're separate from both the verbs and grammar markers. Otherwise you'd end up with sDmnn mdw rk and it would really tell you absolutely nothing if you were reading it without the glyphs.

I should note at this point that some schools of Hieroglyph teaching use the . for both the verb ending marker and for the pronoun. So it'd look like sDm.n.n and that would be completely fine. I didn't learn this way, so I won't be using it. I'm just mentioning it here for the sake of completeness.

For brackets, I'll do a quick run through: … denotes a lacuna (a hole in the text) with no restoration, [ ] denotes a lacuna with restoration, < > denotes an omission made by the original scribe, whether intentional or accidental, and ( ) denotes a modern addition, usually in the translation to give proper English sense or to provide clarification. In cases where an Egyptian word is legible but the meaning is unclear, ___ denotes an unknown transliteration and a (?) denotes an uncertain translation.

How do you know where a word stops and another one begins?

Ahh the classic! This is a two parter: the first part is 'usually there's a sign that tells you' and the second part is 'more experience with hieroglyphs.' With experience you tend to learn how the most common words are formed, so you know what those look like and how they're spelt. This means that you tend to be able to pick those out of a sentence, and whatever is left must be a word/s you don't know. Over time you'll begin to realise what signs do and do not form words, so if you're trying to read a word and it doesn't make any sense you probably need to separate the signs you're looking at. It really is just practice and becoming more familiar with the language.

The other way, is learning how to spot what are called 'determinatives'. A determinative is a sign that helps to categorise a word without having any consonantal value. It’s just there at the end of a written word, like a man with hand to mouth at the end of the word ‘vomit’ in Egyptian tells the reader (most of whom were illiterate) that the word had something to do with something that comes from the mouth). Not every determinative has the same value as the word it’s written for, and some can even be metaphorical in nature. If I bring back the first sentence I used in this post 'You hear a cat' I can show you what a determinative looks like:

Since you know that sDm is the verb 'to hear' and =k is the pronoun for 'you', then miw must be the word for 'cat'. But there are 5 signs and only 3 consonant values in miw, which ones are we reading? The answer is the first three signs: the m 'owl' the i 'reed leaf' and the w 'quail chick'. So what about the last two signs: the seated cat and the pelt? Well those are the determinatives I told you about. They're part of the word, but they don't have any sound values. They're just there to tell us that the word is about a cat (seated cat!) and an animal (pelt!). Now I could have written the word miw 'cat' with just the seated cat sign, as that by itself has the 3-consonantal value of miw, but here, along with the pelt, it's just being used as a way to reinforce to the reader that this word is animal based and that animal is a feline.

It also helps that words in Egyptian tend to have no more than 2 or 3 consonants in them (some have 4, but they're not as common). So if you're transliterating and you've got a word you don't know that appears to have more consonants in it...you might want to take a look at it because you've probably added two words together, or joined the past tense marker or pronouns into the word you're looking at. In fact, knowing the grammar markers, and the pronouns, and what a determinative looks like is what helps you pick out the words more easily. It's sort of a process of elimination of words/grammar you do know, to see what's left and that's where you get the dictionary out and start looking things up.

I'm going to try my best here to show this in diagram form. Ideally, this would be done in person where I could write it on a board and go through it in real time, but since I can't do that I'll have to go with this:

This is an excerpt from the 'Dialogue Between a Man and His Ba' and you're looking at it going 'oh dear god'. So let's start by marking out where our words separate in blue:

So, these are all the words within this sentence, and I hope it at least shows you where the transliteration is following. However, how do I know this? You can see the pronouns in the transliteration marked with the ='s sign. I'll mark those in pink:

So you can see for four words in these two sentences they end with either the =f 'he' (second person masc.) or =i 'I' (first person masc.) pronouns. Those suffix pronouns only come at the end of words, so those must be the ends of those words, and what comes before is the word. Cool. So, what about determinatives in these sentences? Can seeing them help us see the end of any other words? I've marked them in green:

So, now you can see where the determinatives are. The walking legs determinatives noting a verb of 'motion' appear twice before pronouns, and that's fine, they're marking the end of the word where the pronoun goes anyway! Some of them don't though! The first set that don't are the Ra 'sun' symbol and the single stroke, which are determinatives for the word hrw 'day'. These determinatives are a) showing that the word hrw has something to do with the sun (passing of time), and there's only one of them (hence the single stroke). Thus we know this means 'day'. The next is the bird and plural strokes at the end of qsn.t 'suffering'. Plural strokes don't usually come in the middle of a word, so that helps us to identify the end of a word quite easily. The bird is what's known as the 'bin' or 'bad bird', which turns up as the determinative for words that have bad connotations (not always being used in a bad way though). In this case we have the word 'suffering', so the bad bird is here to tell us that. With those two together, it tells us this is the end of the word qsn.t. After the word 'gs' (meaning 'side') you can see I've highlighted the single stroke determinative. This is because that sign can also be read as 'm' like the owl sign in the sentence before it, and what they're using this sign to denote is that 'hey we're not dealing with a preposition here this is a noun!'. The last set are from the word nHnw 'praise singer'. You have the man with his hand to his mouth indicating that the word is something that comes from the mouth (in this case singing), and then the seated man is not a pronoun (this is one of those cases where you'll have to watch out in your translations!) but another determinative telling us that this is a 'person' word i.e. someone who does the action. Thus we translate it as 'praise singer' rather than 'praise singing'.

There are no tense markers, like the past, in these sentences so I'll skip that. There is another grammar marker of the .t ending in qsn.t, but that would require explaining an entirely different verb form and no one is here for that. I'm just noting it's there for people who can read this and are like 'girl there's one right there!' I know and I'm choosing not to perceive.

Anyway, the last things to look at are prepositions and particles. Do we have any of those in these sentences that could help us identify where words begin/end? I've marked prepositions in red and particles in yellow:

So we have one preposition and it's the preposition 'm' in/from. So we know, thanks to the pronoun before it that it doesn't belong to that word, and since 'm' as a preposition is a single sign, it can't belong to the next signs. Then we have the two particles. One is right at the start and is the 'iw' particle that has no written meaning. It's at the beginning, so we know that this is the opening to a clause and therefore the signs that precede it in the text (which aren't shown here) don't belong to it. The pronoun attached it is the 'he' at the beginning of the clause. The other =f pronoun attached to tkn is what's known as a resumptive pronoun, meaning it's there for emphasis but isn't read in translation.

The other particle is 'mi' 'like', which comes after a determinative stroke for 'gs' (side), and before a lot of signs that end in the two men (hand to mouth and seated). So we know that if 'mi' is a particle by itself, it doesn't belong to the signs that come after it, and therefore is its own word. If you tried to read it with the other words, you'd get miirnHnw and since we know that Egyptian words tend to be 2-3 consonants long, with a max of 4, this is too long to be an actual word. Therefore mi has to be separate from ir and nHnw.

There's another little bit of grammar I didn't cover, because 'too advanced for this post', but for completionist's sake: there's another type of pronoun in here called a demonstrative pronoun. In English it's what the words 'this/that' are referred to. Here the word 'pf' (the sign group with the rectangular box and the horned viper) is performing that function meaning 'over there'. So in the sentence we have: aHa=f 'he should stand' (subjunctive + second person masc.), m 'on' (preposition), pf 'the other' (demonstrative pronoun), gs 'side' (noun), mi 'like' (particle), ir 'does' (infinitive verb), nHnw 'praise singer' (noun). If that makes sense? It probably doesn't, but that's how we know pf isn't connected to either m or gs. Somewhere my lecturers are feeling a weight lifted from them and it's because I'm finally able to express this without confusion. Sadly they'll never see it lmao.

So what do we have left unmarked? Those are all your verbs, nouns, and adjectives! tkn (stay close), hrw (day), qsn.t (suffering), aHa (stand), ir (does), nHnw (praise singer). Once you remove all your grammar markers what you're left with can only be those three. The only one that isn't clearly marked is 'ir', and that's because it tends to just show up as the eye sign, or the eye sign with an r 'mouth' sign beneath it. Here it's just the eye sign, and an inexperienced reader will likely either read it with the particle 'mi' making miir, or with nHnw making irnHnw. Either way they're going to run into some issues, and unfortunately the only way they'll stop making that mistake is experience with translating MEg.

I hope that this post has at least somewhat cleared up the confusion about how Hieroglyphs and Middle Egyptian work. If I'm honest, I think it's more likely to have confused some of you even more. I apologise for that. Trying to explain a dead language, for which most of you have no reference point, on a medium like tumblr is pretty difficult. If what I've said here is too complicated, I would suggest getting yourself a copy of Mark Collier's 'How to Read Egyptian Hieroglyphs'. That book is about £10, and it's really easy to get hold of. The British Museum shop has copies you can buy (it got a reprint thanks to the Hieros exhibit) and I know it's on Amazon too. Go forth and get the book written by the man who taught me how to read them! sorry Mark

Congrats on reaching the bottom of 'Do you know how to read hieroglyphs? Which one?'

𓋹𓍑𓋴 ꜥnḫ wḏꜢ snb

#scheduled #this took me the best part of a week (over several evenings) to write and create all the hieroglyphs for

[the-offside-rule]

Max Verstappen - Nice To Meet Ya

Requested: no

Prompt: Nice To Meet Ya by Niall Horan

Warnings: nope

Max sat in the Red Bull garage, looking over to a new member of the team, Y/n. Max could never seem to be able to introduce himself to her casually and that bothered him greatly. He just wanted to know her name and he couldn't even do that right. He would go asking, but then word would spread and people would assume things. Regardless if Max felt those feelings or not, he didn't want those whispers spreading. He carefully formulated multiple plans to find out her name and nott a single one seemed to work. Everytime he turned around, she disappeared which made everything so much more difficult.

Max looked away from her to talk to one of his engineers that was showing him something and the second he turned back around, she was gone. He groaned slightly frustrated. Where did she have to be all the time? He had given up on waiting for her, he decided to go and look for her instead. He turned to his engineer Paul and decided to just ask. "Hey Paul? Who's that girl that I keep seeing but never meet?" he asked, trying to sound as uninterested as possible but it didn't work. He tried too well and that's what betrayed him. "What? Do you fancy her or something?" Max was cornered now. "Yeah, yeah. Don't tell anyone! But who is she? I've never seen her before." he said, keeping his voice down. "Well you can go and ask her now. She's working on your car." Max spun his head around and low and behold, there she was doing a check. "Right guys, the car seems to be alright on the outside. Let's have a look inside and then fire her up." Max was almost captivated by her voice as he looked down at her admiringly. He heard a few chuckles and laughs which made him look up to see some of the other mechanics catching his stare. "Guys! Less of it, come on!" the mystery woman snapped. Max liked her. She was feisty.

"Can I help you at all or are you just going to stare at me from behind?" his eyes widened. "No, not at all. Just watching the car." Max replied cooly. "Actually, what's your name? I know everyone here except you." he continued on. "Does it matter really? You can't possibly remember who I am." she scoffed. "No really, I know everyone's name. I just need yours and I've ticked off my list." She stood up, finally finished looking in her side of the car. "Front right is fine." she called and walked to the computers. "Seriously, what is your name? What do you do here?" She finally gave in. "I'm Y/n Y/l/n and I'm Composite Event Support Technician for Red Bull Racing in 2023." Max blinked. Y/n. What a beautiful name.

"So then Y/n, any problems with my car at all?" Max asked as she worked away. "Nope. You don't have to worry about any of that. You just drive well so it proves we weren't wasting our time." She smiled, getting a bit annoyed with the driver. "I am getting the feeling that you don't like me all that much." Y/n let out a breath and turned back around to work. "Look, let me bring you out and I'll prove I'm not that bad of a guy." Max said swiftly sliding in front of her. "Out? Like a hangout?" she asked. "I was thinking more of a date." Y/n looked at him with wide eyes. "Isn't that a bit unprofessional?" she asked. "Very but I want to blow your mind. Just come with me." She chuckled and shook her head in disbelief. "You just met me and already you asked for a date. Why is that?"

"No reason. I just like the way you talk, I like what you wear, it's just perfection." he smirked. "You've only ever seen me wearing Red Bull gear." she laughed. "So let's change that. I'll treat you to a drink and you can determine whether or not I'm a good person." Y/n really didn't want to go but she was curious. Was he at all a good person? Only one way to find out she guessed...

#f1 blurb #f1 imagine #f1 oneshot #max verstappen #max verstappen x you #max verstappen x reader #max verstappen imagine #max verstappen one shot

[pure-electric]

~an introduction to ecobricking~

hello fellow solarpunks! i've been interested in ecobricking for a while but i recently invested some time into researching them so here's a guide! it's a responsible way to sequester plastic from the environment, but making them is slightly more involved than just stuffing plastic in a bottle, if you want to use them for construction or weight-bearing projects like furniture. I'm mainly using information from GoBrik, which had the most comprehensive guide, but feel free to comment or rb with supplemental information.

FAQ:

Isn't it better to recycle plastic rather than ecobricking?

There are many plastics, such as food wrappers or packaging, that can't be recycled and end up degrading rapidly. Ecobricking sequesters those kinds of plastics from the ecosystem and also reduces the surface area exposed, which limits plastic degredation over time.

How do you use ecobricks?

You can use ecobricks in many applications, from furniture to structures. The long-term environmental impact of using ecobricks is still speculated on, but responsible upkeep mitigates their potential environmental impacts, which are still far less than the impact that plastic would have were it not sequestered.

How To Ecobrick:

Find a plastic bottle. The bottles that you use for ecobricking should all be the same variety, which will help in any building projects that you may choose to use them for.

Find some plastic! Make sure to wash and dry your plastic, as any food residue or moisture could make your brick moldy or structurally unsound. You can cut up larger pieces of plastic, like food packaging (think bags of shredded cheese or frozen berries, or the plastic bags inside cereal boxes)-- just pack em in. If you want to be fancy, GoBrik recommends making the bottom layer of your ecobrick all one color, for aesthetic purposes later on. But it's really up to you. Please avoid putting biodegradable material, such as cardboard or paper, as well as glass or metal, in your ecobrick-- it'll affect the density and preferred composition. Plus, you can recycle those!

Calculate the density! This is the only part that involves math, I swear. You want to aim for a density of about 0.37 grams per milliliter; it shouldn't be under 0.33 g/ml or it'll be structurally unsound. It's also good to aim for a density less than 0.7 g/ml, or your bricks might be too heavy to move comfortably. The equation is just the weight in grams divided by the milliliters of the container you're using, so, for example, if you used a bottle than was 1250 ml, you would be aiming for about 475-500 g of plastic (including the bottle). (a kitchen scale is great for weighing, and you can thrift them pretty easily) Of course, if you're ecobricking to sequester plastic and not necessarily to build, you don't need to worry too much about the density, but if you wanted to donate your ecobricks to a project in the future I would encourage you to try to keep track of density.

Cap your bottle tightly, leaving 1-2 cm at the top of the bottle (basically, you don't want the cap to bulge, because it will make the cap degrade rapidly and crack). Label them with the density of the bottle (if it's relevant) and the date (so you know how long the brick has been around so you can maintain it if needed)-- nail polish works the best. Keep them out of the elements (especially the sun) and off the ground until you plan to use them.

There are tons of ways to use ecobricks! I'll link a few ideas below.

https://ecobricks.org/en/build.php

https://ecobricks.org/en/modules.php

anways, happy bricking! i'll post a picture of my finished ecobrick when it's done (hopefully not soon!)

Sources:

https://en.wikipedia.org/wiki/Ecobricks

https://ecobricks.org/en/how.php

#solarpunk #solarpunk action week #sustainability #zero waste #hopepunk #goblincore

[naturecalls111]

I wrote this on twitter but I thought I'd put it here too, since I occasionally get asks on how I draw/any tips I might have. On twitter I also made the caveat that I don't feel I'm qualified to give anyone tips, LOL, but I was drawing today for an assignment and felt like this is worth noting to any beginner artists who have a tendency of clinging onto sketches that they feel like they finally got right! (A.K.A, a habit I still have years later HA!) This isn't so much of a tutorial as expressing my thought process in this discovery of how to draw more dynamic pieces. I found it to be satisfying on my end, seeing it unravel, so hopefully it can help someone who may be struggling with the same thing I am.

MAKING MORE DYNAMIC PIECES, A PERSONAL STUDY!:

I wasn't upset by this drawing, but I could tell there was something stagnant about it so I ended up pushing it and redrawing it a million times to see if I could somehow make it look more dynamic.

Here's one part of the timelapse - I'm clearly adamant on trying to make this pose/composition work but while the sketch itself may look better, the stagnation hasn't changed. Perhaps this works for some people, but anyone seeking a dynamic visual will be able to spot that this simply isn't working as anything more than a semi-decent anatomy study attempting to be applied.

I changed the position of both arms, I tried to play around with the angle of the head, I tried to just the hips forward more so that the spine had increased curvature, but the main issue, really, was that the initial composition lacked the dynamism in general. It prioritised dramaticism over dynamism. Both can exist in the same piece - it did not, in this one.

This was the new sketch I started with. Less rigid base to go off of. Just getting down the general shape I wanted to score - make the spine and tail take a sort of mid-whip path, shoulders hunched, hips cant forwards, as if he's curling in on himself. I think for a dynamic piece, it's more helpful that your initial sketch uses the body as a general marker as opposed to something to do lineart over (granted, I don't really do lineart anyway, my sketch is usually the extent of my "lineart", but since this is just looking at creating a more dynamic composition, I think it still applies!)

Here it's the same principle. For the left image (the legs) I've established where the knee of the right leg goes, and where the hip that precedes the left leg will sit. These are just base anatomical structures that help me figure out 1. Whether or not the mere idea of this composition will work, and 2. where I have to stop once I start drawing. For me, having some sort of limitation for the body helps me stay within range of proportionate anatomy (not that I particularly care for the anatomy to be realistic, just proportionate to the style I'm drawing in)

On the right image is also the same principle. Establishing the movement of the arm, the elbow/arm bend, and the hand. (If you see the full sketch before the two above, I established the hand in that one too - it really is helpful figuring out the placement of the hand ahead of time.) If it looks atrocious afterwards I always have the lasso tool/eraser to save me.

The new attempt brings me to this. While preference in art is subjective, I do think I'd be staying in SOME realm of objectivity when I say this is more dynamic than my initial sketch, LOL. Of course, lighting/rendering choices help push the composition a little more, but this achieves what I couldn't do with that first sketch. I had a general idea, but it's important to know when to let go of something that clearly isn't working.

Would love for anyone to add their own tips or ideas to this post - I'm not particularly known for dynamic pieces so I'm always looking to learn. This was a really valuable study for me so I wanted to share it, but everyone has their own method and what works for me may not work for the next person!

There's a few other asks that asked me for tips on general anatomy, and more specifically legs (oh dear god, I'M going to need to study for that before writing out any sort of resource guide for that, lol) that I hope to get around to doing in the near future. Thank you for your guys' vote of confidence, haha! ❤️

#nc111 tutorials and studies #sketch #art tips #art help #study #I had a lot of fun with this piece so while part of this was definitely to passively respond to my inbox requests #a big part was also just me wanting to talk about my brain expanding as I realised how to Push A Composition #I can't wait to try more things in the future to try and get more dynamic compositions #let me know if this was helpful let me know if it was utterly useless #I'm not a great teacher but I used to tutor my neighbours 7 year old daughter and she found my methods boring but hey she got better

[krembruleed]

alright, the other day i loosely implied that i would make a behind the scenes/tutorial type of thing. momma didn't raise no liar, so here goes nothing i guess!

step 1) rough sketch

honestly i skip this entirely if have a really concrete idea of what i want to do. sometimes compositions are just beamed into my brain from On High and a sketch is unnecessary.

step 2) 3d ref

this is where i refine the composition, lighting, camera angles, props, etc. i use DAZ studio for model posing and blender for almost everything else (props, horns, lighting, rendering).

here's a 10 minute video on how to pose models in DAZ if you're interested in doing something like this! it's not very hard! basic posing requires almost no technical know-how.

i've heard magicposer and virt-a-mate are also good for model posing, but i don't have any experience with either program.

after i'm done posing, i transfer the models to blender so i can work on props, environment, and lighting because doing it in DAZ is ass. you can see that i went overboard on the ref for the paladin i worked on last year by modelling armor.

step 3) lineart

at this stage i'm synthesizing my 3d models, reference images, and style choices into lines.

the 3d likeness of my models is poor because I don't have time for that shit, so this is where my humongous folder full of bg3 screenshots comes into play.

for example: looking at my screenshots, astarion's forehead tilts back towards the back of his skull, much more so than my reference model. his chin and jaw are sharper and longer, and the transition between his brow ridge and nose is almost a straight line. if i combine the information from my 3d model and astarion's face, i get something like this:

3d models aren't fleshy (ie, tummy rolls, wrinkles, muscle deformations, butt squish) unless one puts in A LOT of effort like absolute madman chris jones.

you guys know bernini, right? he has a couple great examples of this. see how hades' hands press in on persephone's leg?

this is what we want to add in the lineart because it's too much effort for 3d. laziness is king.

i guess i draw clothes at this stage too, but for some reason there aren't many in this image. ( ͡° ͜ʖ ͡°)

step 4) base color

i have a little color picked palette that i use for everybody so i get their skintones right before i start messing with colored lighting. i'll use overlay and hard/soft light layers clipped to the base layer during the shading step later.

step 5) shading

if you thought we were done with the 3d part, guess again! i posterize my 3d reference so i can see the shapes of the shadows and highlights better. if i'm not feeling it, i can go back to 3d and change the lighting really easily.

could I make a cel shader for this? yes. am I going to? No. custom shaders are for people with intelligence and I am fresh out. posterization it is.

from there, i do a pretty standard cel shading deal that i usually blur and set to low opacity. (for this image i stuck to no blur because i had been looking at a lot of morebird's art and was really feeling the hard edges)

photoshop is what i use for final rendering because it has bangin tools. the brush customization alone make ps worth it, but i also particularly abuse puppet warp, noise generation, the camera raw filter, and layer styles.

step 6) background

i put the least effort possible into a background and then i blur it into oblivion so you can't fathom the depths of my ineptitude.

and then i have a finished image! ᕕ( ᐛ )ᕗ

#art tutorial #this got long!! the rest is under the cut #i encourage everyone to try out DAZ and blender! theyre both free!! #i love goofing around in 3d

[astrobydalia]

Relationship observations pt. III

I actually meant to post this on Valentines Day but overthinking and procrastination took over as usual ☺️✨

Relationship observations: pt. I and pt. II

Masterlist

Work by: astrobydalia on tumblr

Juno in Aries people either get married quite young or they get married to someone younger or both things might occur

Juno in 1st house tho IS a big indicative of marring very young after having a love at first sight situation with the person

Also, Juno in Aries/1st house people will marry someone that is just like them in some way

Similar thing can happen if you have Juno in Leo/5th house, you guys just have very similar personalities and get along like buddies. You’ll definitely marry someone you’ll have lots of fun and laughs with

Venus-Chiron aspects indicates attracting third-party situations in relationships. It's not necessarily cheating (could be) but things along the lines of your partner being in a relationship when you meet them, falling for two people, etc.

I swear I’ve never seen Cancer and Taurus placements NOT ending up together

Mars in the 1st house synastry: honestly I really dislike this overlay. Yeah it creates great attraction blah blah but it’s honestly the most superficial overlay in my opinion cause it’ll only make you interested on how the other person presents themselves not wanting to look into deeper levels of their personality, which turns to be incredibly irritating in the long run. Not a good indicator for longevity in any connection.

Capricorn moon in the Juno persona chart indicates the marriage can feel a bit "serious" and maybe even traditional, could indicate unhappy marriage or a partner that is not emotionally expressive. This also indicates a marriage that is hard to break, I've seen this in people who felt the "obligation" to maintain the marriage for some reason

Eros is often interpreted as just a sexual asteroid but I've very much often observed that people end up committing to those who embody typical traits of their Eros sign which goes to show that Eros is also related to romantic/platonic attraction (just like in mythology) and not just sexual attraction

I've observed so so so many times Fire moons pairing up with Earth moons and these couples work surprisingly well together. Basically the earth moon calms down and grounds the fire moon and the fire moon person energizes and amuses the earth moon person. It's pretty cute.

I don’t know why people don’t talk about 2nd house synastry/heavy 2nd house in composite more often. 2nd house is significantly more common than 7th house in many long-term/married couples. This house literally represents stability and our sense of value, things we feel like are worth maintaining because of the value we give to them. Therefore 2nd house synastry or activated 2nd house in composite indicates you see potential of long-term stability in that relationship and you also value your connection together.

I don't think people talk about how commitment-phobic Scorpio/8th house Venus people can be a lot of times. They can be exactly what people think Aquarius Venus is. I’ve seen SOOOO many Scorpio/8th house venus people being super indulgent in their relationships like wanting an open relationship, avoiding labels, getting in on-and-off situatioships and even cheating sometimes. They are deep down very hedonistic and want to explore their sexuality. If they find someone they genuinely wanna settle with they'll be fiercely loyal, but they're not necessarily looking to get attached like that right off the bat cause they see love as giving someone the power to hurt you so a lot of times they just get into relationships to test the waters and if they find the love of their life great but if they don’t then they’re okay with just having a good time *wink wink*

People with moon in the 7th house are the type to dye their hair blond bc their crush likes blonde girls or stuff like that

Libra, Pisces, Cancer and Virgo placements are literally the ones who invented the "don't leave, we can try again and make it work" concept

Gemini risings will attract wealthy partners!!! Nobody talks about this enough but I swear I haven’t seen a single Gemini rising who didn’t have a wealthy partner/spouse. Their 7th house is ruled by Jupiter after all.

All Cardinal Venus people loooove the chase and those first stages in a relationship

Gemini Venus naives either date literal clones of the same type of person over and over again or they date people that are completely different from each other. No in-between

Libra Venus people think they have a type but deep down they don’t know what they want. One day you’ll see them date someone that is the exact opposite of what they previously described as their “perfect partner”

People with 8th house Venus/Mars are the type to make out with random people in clubs and parties just for the sake of it lol

Venus/Mars in Aquarius or aspecting Uranus will at least once in their life date someone who their family doesn't approve of

Aries moons engage in toxic and co-depandant relationships more than scorpio placements

I’ve noticed people with Venus in the 4th house end up with partners who have a very childish/immature energy either physically or mentally

It’s well-known that Juno persona chart talks about spouse but I’ve noticed it also represents how the marriage is from your pov

Everyone talks about Pluto but honestly natives with Moon-Saturn or Venus-Saturn or Saturn in the 7th house are the ones who will REALLY get themselves in very toxic, possessive and controlling relationships. (Saturn = authority, restrictions)

I’ve noticed Capricorn placements always end up falling for Virgos particularly

Something I’ve noticed about 8th house synastry that nobody talks about is that this overlay a lot of times comes with a whole deal of admiration. The planet person specially is able to easily see everything the house person is capable of (since this is the house of our inner power) and this can either be intimidating or threatening for the planet person or on the contrary it can cause literal fascination and admiration for the house person (this is where the infamous obsession comes from). When healthy, the planet person could really desire to lift up and empower the house person or the planet person feels more empowered around the house person or vice versa. When developed this overlay causes genuine devotion and loyalty in the couple

I personally believe natives with Moon-Pluto aspects belong with people who also have Moon-Pluto aspects in their own natal chart (romantically), otherwise they will feel very misunderstood and alone in their own intensity. Although this can be a double-edged sword too

Natives with Chiron in Libra/7th house are serial daters. The type to jump from one relationships to another in a matter of months. They’re usually loyal tho

Pay attention to PoF in the Juno persona chart, I’ve observed this sign/energy is bound to be significant in the chart of your fs

Capricorn Venus have this tendency to be condescending or patronizing with their loved ones, because in their mind they're just taking care of you

#astrology #astro #astro observations #astro notes #zodiac #ascendant #birth chart #gemini #moon signs #capricorn #synastry #composite rising #composite

[emillyverse]

Production stages of the Fan Comic of "The Wish Kingdom" !!!

(written by @annymation)

And as promised, here is the "schedule" I said I was putting together for the Comic fic production process.

In the end, this isn't really a "timeline", it's more like a list of what I'll do to build the comic. I want to make all the processes very clear and described to give you an idea of how it will be done and a small idea of how long it will take.

Remembering that I am a human being, not an AI to do things quickly, I have another life beyond networks and this project.

Besides the fact that none of us are being paid to do this comic (although I really wanted to, I'm not going to lie), all of this is being done on the basis of love, affection, positivity and adoration for the initial concepts dispensed by Disney, their classic films that really made that company grow and the main messages conveyed by Walt Disney while he was still alive: "If you can dream something, you can make it happen!" and "It's fun to do the impossible!"

So please be patient and kind to me and the entire team! I already love, adore and thank everyone willing to follow our project.

<3

Well… Let's get started!

1- Rereading and Separating the text:

Starting today (02/26/2024) I will be re-reading Anny's fanfic, separating all of her text into scenes, highlighting the following points:

Atmosphere

Characters (designs made by @uva124)

Speeches and facial expressions - the message

Thus defining "who says what, how and in which place?"

Since I will be doing the setting art myself, as the story progresses, I would really appreciate a little help. I'm guessing if you're reading this you've probably already read The Kingdom of Wishes and consequently imagined the scenarios! If you find any images online that remind you of the locations of the scenes in your mind, you can send them to me as a reference! I'm always open to references for drawings!

2- Make the "Thumbnails"

I don't know what term foreigners use to define the thumbnails that make up the first drafts of comics, but here in Brazil, we call them "Doll", in reference to the fact that the sketches are a "test doll" for the comic strip .

Anyway, I digress! It is at this stage that I define the composition of the scenes through sketches. This is where I define what appears or not in the scene, what the scene will be focused on, how I will guide the reader's eye by the meaning of reading the scene, where the lines, the characters, their movements and others will be located… It's a planning phase on how to portray the scenes; the most complex I would say.

3- Review

Here I take a break for two days or three days at most, to relax and forget about the project for a bit. I come back with new energy and review everything that was done, ask for opinions and suggestions from the team, in short, I give a great evaluation and improvement in everything!

4 - Finalization and Publication

In this last step, I transform the sketches into final artwork using graphite pencils, colored pencils and pens that I have available.

When they are all finished, I will publish the comics here and on all my social networks!

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Finally....

I would like to say that yes, I will be posting spoilers for all these stages, watch them at your own risk!

Remembering that English is not my native language, so I really hope everything was understandable! But if you have any questions, you can send questions to me or any member of the team!

And if you want to know a little more about my arts, you can check out my Instagram!

Kisses full of light and stars!

Let's work!!

#starsha #starboy x asha #wish 2023 #disney wish #wish rewrite #wish reimagined #kingdom of wishes fic comic #kingdom of wishes #disney asha #disney fanart #disney comics #fan comic #comic strip #asha #human star #asha wish #asha x star #starboy #artists on tumblr #the kingdom of wishes au comic #the kingdom of wishes au