#i finally get what ppl mean when they talk abt setting out to write a oneshot and ending up with a longfic bc it's happening to me rn

[steddiehyperfixation]

don't you forget about me (part two)

(part one)

Steve doesn’t know how long they sit there in silence, waiting. It’s making him insane. The seconds pass too slow; the seconds pass too fast. His mind is a storm; his mind is empty. He’s feeling too much; he’s not feeling at all. He paces the room; he sits catatonically against a wall. He needs to get out of here; he needs to stay. 

He’s been here before, just barely over a week ago, tense and anxious and despairing and waiting for news. But waiting to hear if Eddie will ever remember him again really should not feel this much worse than waiting to hear if Eddie will ever fucking breathe again. Steve thinks there must be something wrong with him. He’s being selfish and stupid. His pathological fucking need to be loved is not what’s important right now. Eddie is alive and awake and okay and that’s the only thing that really matters. That’s the only thing he should really care about.

Steve’s pacing again now, yanking his hands through his hair as he does laps around the room until Eddie finally appears in the doorway. 

Eddie must’ve just cracked a joke or something because the nurse is laughing as she pushes his bed into the room and he’s got this adorable grin on his face. Steve’s heart twists in his chest and he nearly bursts into tears all over again because god does he want nothing more than to press a kiss to those dimpled cheeks. 

“Good news, boys,” Eddie announces. “My brain is fully intact.”

“There’s no physical permanent damage to his brain,” the nurse elaborates. “His amnesia is likely a result of psychological trauma and the temporary disruption of brain function from blood loss and lack of oxygen that occurred at the time of his injury. But there is no obvious reason why he shouldn’t regain his full memory, given time.” 

So there’s hope. Steve breathes a sigh of relief. 

“That is good news,” Wayne agrees. 

Steve asks, “How much time?” 

The nurse gives an unhelpful shrug. “Impossible to say. It could be anywhere from days to months, or even years. I’m sorry, there’s no way for us to know.” 

Years. “Okay.” Steve pinches the bridge of his nose. He can keep it together. He can. “Thanks,” he tells the nurse. “I, uh-” He makes the mistake of looking at Eddie who looks right through him, and Steve can’t keep it together anymore actually. “I gotta update the kids,” he mutters, backing his way towards the door. Wayne nods in acknowledgment; no protests this time at Steve’s excuse to leave.

“See ya, Harrington,” Eddie calls after him, casual, impersonal, like they're nothing more than acquaintances passing by each other in a high school hallway.  

Steve can’t get out of that hospital fast enough. 

He makes it to his car in record time, slamming the door shut and sinking heavily into the driver’s seat. A ragged sob tries to claw its way up his throat now that he’s finally alone, but he forces it back, staving off his breakdown for just a little bit longer. As much as it was an excuse, he really does have to update the kids. 

Steve fishes his walkie out of the glove box. “Code - whatever, I don’t know. Code Eddie,” he says. He doesn’t remember the kids’ system of codes, nor would he be sure which one this news falls under even if he did. 

“Is he okay? Is he awake?” comes an immediate, eager response from Dustin. “Over.” 

“Yeah, he’s awake, and he’s fine, except he’s got pretty bad amnesia. The doctors say it should be temporary, but right now he doesn’t remember anything since May of ‘85,” Steve explains, trying his best to keep his voice even.

“Steve, come pick me up and take me to see him,” Dustin demands, “right now. Over.” 

“Me too. Over,” Mike chimes in before Steve can respond. 

“And us,” Erica adds as well. 

Steve pauses for a second, both to steady his own breath and to make sure no one else wants to jump in on this too, before he reminds them, “He won’t know you, any of you.” 

“I don’t care,” Dustin says, bossy as ever. “Just come get me. Over.” 

“Jesus Christ, kid,” Steve mutters to himself. He sucks in another breath; it wobbles dangerously. He’s just about reached his limit on how long he can keep himself from falling apart. “I- I need a minute, alright?” he manages through the walkie. “Can you just give me, like, an hour? And then I’ll take you guys to visit Eddie.” 

Steve doesn’t wait for a response before he slams the antenna closed, tosses the walkie aside, and finally, finally lets himself shatter. That sob rips free from his throat, followed by another and another and another. Tears flood from his eyes; his nose runs. It’s an ugly, gross, visceral cry that leaves him exhausted and raw and aching to be held by the time the last sob shudders out of him. Drained and hollow, he craves the embrace of someone who knows him, someone who loves him. 

He sweeps up his broken pieces, wipes the mess of tears and snot off his face, and drives to Robin’s house.

“Steve, oh my god.” Robin pulls him into a hug the second she opens the door and sees the look on his face. Steve clings to her. “What happened?” 

“Eddie’s awake,” he mutters dismally. 

“Oh! Not the tone I’d expect you to deliver that news in, but okay.” Robin pulls back, looking at him with narrow-eyed concern and confusion as she analyzes his puffy eyes and red nose and swollen lips. “And you look like you’ve just been crying because…?”

“Because he doesn’t remember me, Rob,” Steve sighs. “He doesn’t remember anything from the past 11 months.” 

Robin’s eyes go wide now. “Shit,” she says, so plainly it startles a short laugh out of Steve. 

“Yeah,” he agrees. “Shit.” 

She asks him more questions as she walks down the hallway so they can talk in her room. Steve once again reiterates what was said at the hospital. 

“So you didn’t tell him you two were a thing?” Robin asks, closing her door behind them. 

“Of course I didn’t.” Steve flops back onto her bed. “I didn’t want to spook him.” 

She sits beside him. “You didn’t want to spook him,” she repeats, looking down at him with raised eyebrows, “but you told him about Vecna.” 

“Well, yeah. I just-” He lifts his arms to gesture vaguely into the air as he tries to explain himself. “I mean, imagine how you would feel if you woke up in a hospital and some random guy you’ve spoken to maybe twice was by your bedside telling you you’ve been in a relationship with him for the past 9 months.” 

“Uh, I don’t know, dingus, probably about the same as I’d feel if said guy told me I’d nearly died fighting some evil twisted creature from a hell dimension,” Robin retorts.

Steve drops his hands onto his chest with a huff, shaking his head. “No, trust me. He seemed far less surprised by that than he did to hear that we were even just friends,” he says, a bit bitterly. Tears are pricking at his eyes again as he looks up at his best friend. “You didn’t see the way he looked at me, Robin. All he saw was King Steve.”

Robin softens, snark replaced with sympathy. “That sucks, Steve. I’m so sorry.” 

Steve sighs in agreement that yes this really fucking sucks. He sits up and scoots back so that he’s slumped against the wall, hitting the back of his head against it. “I think I’m a horrible person,” he admits, just venting now, “because of course I’m glad Eddie’s alive and all I really want is for him to be okay, and I know the nurse said he should remember eventually, but there’s still some sick part of me that thinks maybe it would’ve hurt less if he had just died.”

“I don’t think that makes you a horrible person,” Robin assures him as she settles next to him, shoulder to shoulder. “I think you’re just grieving, and grief is weird sometimes.”

“It was one of the worst things I’ve ever felt,” he mutters, “when he looked at me without recognition. To see it on his face, just the- the absence of everything that we’d built. I’ve never felt so- so- I don’t know, it was like I couldn’t breathe. He just- he doesn’t know that I love him. He…he doesn’t know that he loved me...” 

Because that’s what it is, isn’t it? It’s not that he’s lost someone that he loves, it’s that he’s lost someone who loves him. Because Eddie’s not gone, just his love for Steve is, and that’s what’s tearing him apart. It’s the fact that there’s one less person in the world who loves him. It’s the fact that Steve’s got this big gaping hole inside of him that’s always made him so desperate to be loved, liked, wanted, needed; and his biggest fucking fear is becoming obsolete. He could probably trace it back to his parents, the first to forget him, the first to stop loving him, but the fact remains that now Eddie has fulfilled that fear too. Now Eddie has carved that pit a little deeper, a little darker, validating the voice that whispers within it and tells Steve that he is forgettable, unlovable, so easy to abandon and erase. 

“Well, I love you,” Robin tells him, like she can read his mind (which, at this point, she probably can). She slides an arm around his shoulders, hugs him close. “And I’m not going anywhere.” 

Fragile as he is right now, Steve falls apart again in her arms, and she holds him together. Because she knows him, because she loves him.

It’s a quieter cry this time, soft and sniffly. Whereas the last one wracked through his body and left him fatigued, this one flows from him almost gently, and when his tears finally subside and he lifts his head from where it had been buried in his friend’s shoulder, Steve actually feels a little bit better, a little bit stronger. Which is good, because he’s gonna have to face Eddie again soon. 

“Thank you,” he says quietly as he pulls away from Robin, wiping at his eyes and glancing at the clock on her nightstand. It’s definitely been an hour by now, probably more. He stands. “I have to go, I promised the kids I’d take them to see Eddie.” 

“Then I’m coming too.” Robin stands with him. “For moral support.” 

Steve gives her a grateful smile. “I love you so fucking much, you know that?” 

“Yeah.” She grins at him. “I know.” 

~ 

The nurses have changed his bandages and upped his morphine, so Eddie’s considerably hazy now but at least he can raise his headrest and prop himself up a bit without nearly blacking out from pain. He’s boredly flicking through channels on the shitty TV in front of him, alone since Wayne had to leave for work, when Harrington returns followed by a very unexpected group consisting of Robin Buckley and four strange children. 

“Sorry,” Harrington announces their presence with an apologetic shrug, “I know you don’t know them anymore, but they insisted.” 

“Eddie!” a pudgy, curly-haired kid shouts before Eddie can even react, coming barrelling towards him and trying to hug him. 

“Ow!” Eddie yelps, pain flaring even through the extra morphine. “Fucking Christ, kid! Be careful!” 

The kid jumps back immediately, eyes wide. “Shit. Sorry.” 

“S’fine,” Eddie grumbles.

The kid looks at him expectantly for a moment before seeming to realize, “Oh, right, you don’t remember me. I’m Dustin.” 

“Ah, so you’re the guy I sacrificed myself for,” Eddie mutters, and Dustin looks a little sheepish. That means these must be ‘the kids’ Harrington had been talking about earlier. He surveys the group for a second. “Actually, I think we have met before,” he tells Dustin. “And you too.” He glances at a pale, dark-haired kid. The other two - a Black boy with a flat-top and a younger Black girl - look less familiar, though. “There was this, uh, open day thing at the high school for next year’s incoming freshmen; I talked to you about Hellfire.”

“Yeah!” Dustin’s whole face lights up, so bright and infectious it makes Eddie grin too. “Yeah, you did!” 

“So you guys joined the club, then?” 

This sparks a very animated conversation about D&D, the rest of the kids (Mike, Lucas, and Erica, as they soon reintroduce themselves) gathering around his bed now too to join in. It makes him feel a bit more like himself again, familiar, normal. Except, of course, for the fact that they’re not only talking about how they defeated Vecna in Eddie’s “totally epic” and “sadistic” campaign (adjectives courtesy of Dustin and Mike respectively), but also filling in more pieces of the story of how they defeated him in real life too. Still, it’s nice, fun. He totally understands how he could’ve gotten attached to these kids.

At some point, Eddie glances over to find Harrington hanging back and just watching them talk, fondly, wistfully. Robin whispers something to him and he sort of smiles, just a trace, and whispers something back. They seem close, intimate. Eddie wonders if they’re dating, and then he wonders why that thought makes him feel a bit sick. He waves them over. Harrington looks like he’s about to protest, but Robin gives him a Look and he allows her to grab his hand and drag him to join the crowd around Eddie’s bed. 

“So, what’s your deal, Buckley?” Eddie asks her. He doesn’t know her very well, they’ve only crossed paths a few times in the bandroom, but right now that makes her the most familiar person in the room to him. “Are you and Harrington a thing now? Is that how you’re involved in all this?” 

Robin wrinkles her nose and drops Harrington’s hand. “Ew, no. Definitely not.” 

“She’s my best friend,” Harrington says. 

Eddie snorts, doesn’t know why he finds that so comical. (He’s starting to get tired and it’s making him loopy. Or maybe it’s just the morphine.) “You've got a funny choice of friends nowadays, don’t you? Me and band geek Buckley and a bunch of nerdy freshmen.” He looks at Harrington with incredulous amusement. “Who would've thought, huh? Steve Harrington, collector of geeks and freaks.” 

Harrington doesn’t seem to find it as funny. He shrugs. “Yeah, well, it’s better than King Steve, collector of asshole bullies and shallow one-night stands.” 

“Yeah, ‘course it is,” Eddie agrees through another huff of laughter that breaks off into a yawn. “Didn’t mean it as a bad thing, Stevie. Was a compliment.” 

“Alright.” The barest hint of a smile flickers across Harrington’s face now, but then he’s looking away and corralling the kids and saying, “We should head out, let you get some rest.” 

And Eddie kind of wishes he’d stay.

(part three!)

taglist: @romanticdestruction @daydreamsandcrashingwaves @paintsplatteredandimperfect @hallucinatedjosten @mugloversonly @estrellami-1 @alongcomesaspider @thatonebadideapanda @tell-me-a-secret-a-nice-one @dragonmama76 @wxrmland @nuggies4life @sirsnacksalot @myguiltyartpleasure @marklee-blackmore @vinteraltus @sebastiansstanswhore @0happyeverafter0 @scarlet-malfoy (only tagged people who explicitly asked to be tagged; if you would like to be added or removed from this list please lmk!)

#still angsty sorry #we're getting there tho! this will have a happy ending eventually! i promise! #i finally get what ppl mean when they talk abt setting out to write a oneshot and ending up with a longfic bc it's happening to me rn #steddie #steddie angst #steddie fic #steddie fanfiction #steve harrington #eddie munson #stranger things #fanfic #mine #1k #dyfamsteddiefic #<- specific tag for this fic

[greensaplinggrace]

honestly THANK YOU for saying all that abt baghra bc i thought i was going crazy from not liking her??? bc i haven't read the books and only summaries of them on wiki and like. i dunno why ppl like her actually even in the show bc this guy, her son, is like "i wanna make the world better for us grisha" and she's just like "no." even tho he sees that she's MAKING HERSELF SICK from suppressing her powers! she's literally like in bed coughing in the flashback yet seem much healthier at the little palace. also like after everything, after her disapproval, after the fold, after centuries of waiting for the sun summoner.. he never abandons her. he makes sure she's cares for. he doesn't harm her. and i have to wonder if baghra has ever thanks him for that, for just not leaving her alone. like i dunno how im suppose ro believe aleks is a heartless villain when he still cares for his abusive mom like this. like has baghra even told her she loved him (honestly she reminds me of a classic emotionally unavailable asian parent but maybe that's just me). also im wondering if baghra ever told aleks that he had an aunt.. bc like.. now that u bring up her isolating him it's like hmmmm...

not at me being like alina... why do u trust the bitter old woman who literally beats u with a stick and verbally abuses u every chance she gets.. just bc she showed a bad painting... like.. pls use two braincells to see that who u figured out as his mother... is also using his protection..

like baghra could've upped and left with alina. but no. she stayed bc she knew she was safe under aleks's protection.

alsoim just impressed that after his first friend tried to drown him and harvest his bones... he didn't go into hiding???? he still wanted to make a safe heaven for grisha!!! HE STILL WANTED TO PROTECT GRISHA EVEN AFTER HIS GRISHA FRIEND TRIED TO KILL HIM FOR HIS FUCKEN BONES. like... this is the guy im suppose to believe is the villain???

honestly i feel like part of the reason why LB's plotlines seem so bad and disconnected (and sometimes outright racist but that's another rant) and why darkles is disproportionately more violent and villainous in the later books is bc she didn't expect the darkling to be so popular and wanted to stick with her guns of making him the villain. but also wanted the money from aleks's popularity. but like you can't have ur cake and eat it too.

Well thank you for sending this ask! It's very sweet and very passionate. I'm glad you liked my post! I didn't put as much thought into it as some of my others lol. I kind of just talked. But it was nice to be able to finally talk about some of the problems I have with both her character and the fandom/author's perception of her.

HERE is the post this is referring to, in case anyone's wondering.

👀👀 You've hit the nail on the head for so many things, here!

Baghra is extremely emotionally unavailable, basically to the point of neglect. She's also verbally and physically abusive, traits which I doubt were only reserved for her students and not her son. Baghra claims she would do anything to protect him, but I've known a lot of parents who have that mindset and yet still harm their children because they think it's "good for them".

Aleksander stays at Baghra's side for years, and even when they're opposing each other she's never too far away from him. Idk if you've read the books but he does eventually hurt her. And as much as I don't like Baghra, I think his actions were horrid. But I'm also honestly kind of surprised it took him so long lmao.

Yeah I mean, in terms of isolation, let's not forget that she never wanted to introduce him to his father, either. Baghra's sense of eternity clouds a lot of her judgments on relationships, which means she views most people as dust and therefore teaches her son to as well. The problem with that is that he's a growing child, and he needs those social and emotional attachments for healthy development.

I would bet quite a bit of money that Baghra has either never told him she loves him or she has told him so few times it's practically forgettable.

And everything becomes more complicated because so many of Baghra's actions are understandable because of her life and her history, but the impacts they have on the people around her, especially Aleksander, are permanently damaging. And the fact that that's never gone over in critical depth in the books or how it's glossed over in fandom is just very disconcerting. Like, acknowledging Baghra's failings doesn't mean we're excusing Aleksander's actions, it just means we're holding Baghra liable for her own. Which the fandom should be doing, considering she's the epitome of an abusive parental figure.

And Alina trusting Baghra over Aleksander is even more confusing! Especially in the show!! This is the woman who beat her and abused her and tortured her friends when they tiny little children (and who probably still does so now that they're adults). This is the woman who mocks you and harasses you and insults you on a regular basis. Why does Baghra revealing she's Aleksander's mother make Alina change her mind?! Like fuck, I'd just feel bad for Aleksander. No wonder he kept it a secret, I would too! And that painting is enough evidence?! Really?! A random painting shown to you by this abusive mentor that's been making your life hell. That's what you're going to betray your new lover over?

The friends trying to harvest his bones thing is a good point, too. I think Aleksander, especially show Aleksander, is incredibly idealistic. I think he cares too much for others - those he's deemed worth his care (a sentiment given to him by Baghra). Despite everything she's tried to teach him about hiding and abandoning others and never caring and never doing anything to help or reach out or connect with people, Aleksander still continues to do so. It's likely because he never got it from Baghra growing up, and so is desperate for those emotional needs to be fulfilled elsewhere.

His turning point, when Baghra tells him it was understandable that those kids tried to kill him because the world is such a hard place for them - that's crucial. And the reason it's possible as a motivating factor is because of that idealism and that desire to help and that desire to be everything his mother isn't. Baghra tells him this trauma he just experienced was because of the oppression of his people, and instead of following her lead and accepting that, going into hiding and abandoning everybody to their misery, he goes I can do something about that. I can make it so this never happens again. Which is usually how trauma like that combines with one's core personality traits at a young age, especially when there's none of the essential support systems in place to aid in recovery (ie, the role Baghra should have been filling but wasn't, because she decided to exacerbate the problem instead).

And yeah, one of my biggest problems with the ham-fisted "beating you over the head with a sledgehammer of evil deeds" look-how-bad-this-character-is! portrayal of the Darkling in the later books comes from the impression I get that Bardugo doesn't trust her readers. She's so desperate to have us hate this character and think him an irredeemable villain, not trusting any of her readers to engage critically with a morally gray character, that it feels quite a bit like condescending fucking bullshit. Which ew, I know how to engage with literature, thanks.

She really does seem to look down on a large part of her fandom, and imo, the infantilization of the female characters in her books seems to carry over to her impression of most of her female readers as well. Which is why the Darkling's character arc gets fucking destroyed. But he's still a good cash grab, of course, so she'll shake his dead corpse in front of the fandom for money every time she wants something from it.

Also! Another reason I think her plotlines feel disconnected (I'm sorry Bardugo I respect you as a person, but shit-) is because the writing in SaB is just bad. I mean, nevermind the absolutely nauseating implications of the way she portrays the Grisha as a persecuted group who's situation is never actually fully addressed as it should be, considering Grisha rights is what her main villain is fighting for (imo for a series called the Grishaverse, LB seems to be pretty anti Grisha), but her characters and story alone are just wrong for each other. They don't fit together.

And the ending is one of the main pieces of evidence in that regard! You can’t say the ending where Alina isn’t Grisha anymore is her “going back to where she started” when she’s always been Grisha. She just didn’t know she was Grisha because she denied that part of herself that she was born with.

Alina is reluctant to move forward or change, she struggles with adapting, and she’s very set on the things she’s grown attached to throughout her life. She also has some latent prejudices against the Grisha, and so denies the possibility of being Grisha for those reasons as well.

Alina’s lack of powers in the beginning of her life because she willfully doesn’t learn about them to avoid change versus her lack of powers at the end of the book when she’s accepted them and then they’re stripped away from her by outer forces are two entirely separate circumstances. You can’t make a parallel about lost powers and lack of Grisha status bringing her back to the start when she was always Grisha and she always had powers and she simply refused to come to terms with it because of personal reasons.

The first situation is an internal conflict that indicates a story about growth and a journey of self acceptance. Denying herself the opportunity to learn about her heritage and to find acceptance with a group of people like her because she’s tied to the past and because of the way she was raised is the setup for a narrative that tackles unlearning prejudice and learning how to connect with a part of her identity that was denied her and learning how to grow independent and self assured. It’s the setup for a different story entirely. The second situation is an external conflict that centers around the ‘corrupting influence of power’... for some reason.

In a world where Grisha do not have social, political, or economic power and they are hunted, centering your heroine’s journey of self acceptance and growth around an external conflict about... the corrupting influence of power (in a group of people that don’t actually have any power?!) just doesn’t work. It is literally impossible to connect the two stories Bardugo is trying to push in Shadow and Bone without seriously damaging the main character’s developmental arc.

The only way a narrative like this would work, claiming that she has gone back to where she started, is either a) if the Grisha weren’t actually a persecuted group and instead were apart of the upper class, or b) if the one bad connection between the two instances is acknowledged - that Alina denied a part of herself crucial to self acceptance and growing up, and that losing her powers at the end has also denied her. It is a tragedy, not a happy ending.

Alina suffered because she didn’t use her powers. She grew sick. It was bad for her. This was not a resistance to 'the corruption of power and the burden of greed', it was her suffering because she couldn’t fully accept herself.

Framing the ending as a return to the beginning can’t be done if you don’t address how bad the beginning was for your main character. You brought her back to a bad point in her life. You regressed her. This should be a low point in her arc. It should be a problem that’s solved so she can finish developing organically or it should be something that is acknowledged as a tragedy in it’s own right, for the future the world (the writing) denied her.

This is a ramble and it makes no sense and I’m really sorry, but my point is that Bardugo put the wrong characters in the wrong story. The character arc required for organic development doesn’t match the story and intended message at all. The narrative doesn’t fit the cast. She's got two clashing stories attempting to work in tandem and she ends up with both conflicting messages that fans still can’t comprehend in her writing and an ending that doesn’t suit her main character to such an impossible degree that it’s almost laughable.

So yeah, there's a few reasons why I think the story and the plot feels so bad and disconnected. I hope you don't mind me making this answer so long! 😅 I was not expecting to write this much.

#shadow and bone #sab #grishaverse #alina starkov #aleksander morozova #mymetas #the darkling #baghra critical #anti leigh bardugo #sorry! #sab salt #sab meta #fandomcourse #negative #negativity #myramblings #asks and answers #joonmono #anti baghra #leigh bardugo critical #abuse tw #torture tw

[makiema]

finally finished writing about how much stormbringer enhances the skk dynamic which was at a nascent stage in Fifteen and anticipates the developments which happen later and culminate in Dead Apple where the faith they have in each other is absolutely remarkable! the fact that i said i’d do this in a few hours yesterday but it took me like 24 hrs to finish i have an attention span of a whole 2 minutes 💀

my favorite thing about stormbringer is that it actually builds up on the concepts/themes introduced in Fifteen so it's a glimpse into what has changed in dazai and dazai & dhuuya after one year of being together. As much as it's about chuuya confronting his past and his identity this is also about dazai’s development from who he was in fifteen. chuuya and rimbaud both left their marks on dazai and in Stormbringer we see him, actually trying to emulate or follow in a sense a way of life, that chuuya and rimbaud represented. Stormbringer is not just about chuuya, abt his test of humanity, or he coming in terms with who or what he is. it's about dazai too. it's about dazai developing or at least attempting to develop what he calls “boyish”/ “ordinary” in Fifteen. its not about chuya having an identity crisis. in fact what we understand from Code 04's last section is that chuuya never considered it as his crisis and neither did dazai. so to dazai “saving chuuya is important, human or not doesn't matter” and when dazai gives chuuya time to think abt what the operation will cost him chuuya doesnt so much as flinch form his purpose. This goes on to show unlike verlaine he doesnt care about memory and certainly doesnt consider it as the only determinant of someone being human. He cares more abt yokohama and his friends and in that, in caring abt his “family”, he is just as human as the next person. whether he’s factually human or not comes secondary to his desire to save people. This is a message that the quality of being human has more to do with embodying human qualities or humanity than having memories and lineage. so yeah stormbringer is essentially about embracing humanity but this happens on 2 levels: both chuuya and dazai embrace humanity. Going back to the boyish or ordinary bit, im talking abt this segment:

here dazai is shocked because he assumed everyone “gangsta” and everyone crazy powerful delighted in homicide, in deliberately indulging in the macabre. but he is proved wrong. He logically concluded that anyone with power more than average and belonging to the underground would kill people and delight in that because it’s a given they lack any kind of moral understanding. To that end, they’d be exalted at the prospect of relentlessly shooting a dead body, mutilating it and dishonoring it. The mafia code (any general mafia code) works in a way where honor and death goes hand in hand. So only the lowest of the low would do that to a dying person, who even when faced with certain death is loyal to his own organisation. This really shows that even within the mafia dazai is the only person whos like the devil incarnate. So yeah dazai at this sate far lower than even a mafia member. But chuuya who actually embodiess the mafia code and is incredibly loyal to his organisation and “family” [ putting family in quotes bc he himself calls his friends family 🥺] ofc kicks the gun away. From dazai’s pov chuuya being as insanely powerful as he is should also do the same. But chuuya comes along and suggests that even enemies should be shown respect where it’s due. And that is what an ordinary person, oblivious to mafia life (mafia life as in waht dazai makes of it) thinks. So in undermining the binary between “ordinary” and “mafia” chuuya proves that being mafia doesnt necessarily mean selling your soul to the devil and giving up the last smidge of humanity. In fact by embodying qualities like compassion and kindness and mutual respect, you can make the mafia a better place for yourself and for the other members. Now in Stormbringer, we see how this affected dazai. here dazai is introduced as someone mercilessly killing to set up the channel. 

Now to expand the channel one would need to keep doing it right? To mercilessly kill ppl and stuff but instead what he does is hand the channel over to chuuya bc he knows chuuya wouldnt handle it like him. im not suggesting that dazai miraculously becomes v good or anything with dazai the key words is “try” or “to some extent” like in Fifteen when Chuuya asks “do u wanna live” he’s like “ not to that extent”. similarly its not to say he doesnt kill people anymore. it is that he tries to lessen the number of casualties by handing over one of the most troublesome channels to chuuya who would manage it in a much more humane way. That dazai draws from his friends/at least tries to is smth we’ll see again later on when he deals with akutagawa. He talks about odasaku and ofc its baffling to him that a mafia member as powerful as him would be taking acre of orphans. and dazai says but he cant afford to be that kind and proceeds to shoot akutagswa but again does so in a calculated way such that he doesnt end up killing him ( im NOT justifying dazai’s abuse not at all im just saying that its hard to believe he coincidentally knew the exact no of bullets that aku could block. and had odasaku’s words and his way of life not been in the back of his mind he could’ve ended up killing aku) coming back to chuuya and dazai we also see him avoiding further conversation on the jewelry channel thing as he says “leave that for now”. He does a similar thing again when mori brings up the concept of double suiciding with chuuya.

 Its a HUGE thing for him to digest that him suiciding would inevitably spell the doom for chuuya. this puts an unimaginable responsibility on him. And he avoids further discussion on this. Now we know dazai is the rambly type. Even in the most dire moments he goe son with his LOONG monologues so really he is the last person who’d avoid a conversation but he deliberately does it in these 2 instances because its hard for him to grasp these things. That he can go against his nature and do a conscientious thing by handing over one of the most grisly channels to chuuya (i dont think dazai’s nature is evil. Or even if it is, its a a social construct keeping in mind the war ravaged times or its mori’s construct because he does exploit dazai to the hilt. but dazai ofc thinks of himself as non-human, devious. perfectly devilish...etc.) And also the fact that someone as suicidal as him is actually responsible for the life of someone else is really too much to take in. a whole 10 seconds pause indicates just how much he was thrown off when mori opened his eyes to the reality of things: if he dies, chuuya inexorably dies as a consequence. also i dont think the “wow” here or the next bit :

is something jokey. if it was like haha double suicide with chuuya is the worst haha wanna do it w pretty lady kind of a deal. that pause would have been unnecessary. dazai’s immediate reaction would’ve been whining and shit. the use of “froze” too implies the gravity of the situation. so ofc what is “wow” is how much meaning his life has for someone else. and for some so much....better than him. and what is unacceptable is this sad, sad truth that his life (to which he ascribes no value) would be so inextricably linked with someone else’s and hold so much meaning to them. it is like when a suicidal person at the brink of suicide understanding his life is not his own. his life and death holds consequences for ppl surrounding him. so both of these are huge things to grasp and at both these times dazai is visibly shaken up so much so that he doesnt want to do his favorite thing- ramble in a condescending tone. smth he does in so many instances. this really is a testimony to the fact that things are changing in him. the redemption process has begun. he’s no longer the kind of maniac he was before he encountered chuuya. when zuko underwent his transition in atla he was so shaken up after one (1) right decision he had a fever. i think this is true for anyone who’s trying to change. change is after all a huge thing for everyone. ofc he’ll be unsettled. so anyways this is proof that he has indeed come a long way from being someone who revelled at the prospect of meaningless bloodshed.

now coming to the concept of love he assumes he’d get sick of love and die:

and that death is the singular goal worth chasing after because it makes you feel more alive/get a fuller picture of what living entails. but here he is erring by supposing love is something that’ll bore him/have no meaning. and it cant provide him that “something” he’s looking for. at this point he hasn’t loved so he doesnt know whether he’ll be sick of it or if it'll have no impact. And yet he’s morose and regretful. this is a kind of self-imposed constraint hes putting on himself. he cancels out the v idea of love because hes convinced it isnt worth it. he hasnt even been in love okay scratch being in love that sounds romantic and i really dont mean love in a romantic sense here...its just love. in general. any form is cool. anyway so dazai is not familiar with any kind of love. He is entirely alien to the concept. he doesnt even know what a friend/partner is so he doesnt know what love is. this is cleared out here when rimbaud confesses he did everything for paul and dazai is unconvinced:

chuuya ofc admonishes him and shuts him up for good, he says dazai has no right lookind down upon smth he doesnt understand. he doesnt understand friendship, love. or loyalty. or how important those feelings are at this point. now this situation is turned on its head in stormbringer. but before we go into that let’s look at the message rimbaud had for both of them. ik he specifically asks for chuuya to “live” but there’s purpose behind including both of them in the frame. it’s a message they should both take to heart. and at the end of it its implied both are changed after hearing it:

and in this message the first bit is for chuuya. what he says is basically memory doesn’t make u human... ”you are you” just a frame or not doesnt matter. and even if hes just a frame, he is still beautiful. beauty actually is a v important concept in literature starting right from Plato to Shakespeare. i’d not bring this here but because bsd is so deeply rooted in literature i feel like the reference to beauty, and later on to soul and even warmth and also the universal tone of this message carries some meaning. so the thing is  both Plato and Shakespeare were endorsed the idea of love as a force awakened in the world by beauty which then leads the soul to perfection. so humans and by extension, all life are beautiful frames that can inspire love. this concept is also there in Romantic poetry like Keats and Wordsworth all of them talked about loving beauty in nature and how that can elevate the body mind and soul. so essentially in telling this to chuuya what ehe basically means is that chuuya just by being him, by being a beautiful framework can inspire love and warmth in others and thats a great purpose! how much chuuya understands of this purpose with his one (1) braincell and his low self esteem is questionable but he gets some sense of belonging. now this is a two way relationship so ofc dazai has to be factored in. he comes in the next part: 

these are from 2 different translation so the disparity im sorry ;-; but anyway,  this last part abt the world being a cold place. then paul. then “warmth” is a message to dazai who’s been introduced to us as cold-hearted and having like no bearings of a human being. this is the reason why its important for both o f them to be there. now going back to chuuya being a beautiful framework, the framework can be beautiful in so far as its beauty is appreciate by someone and inspires warmth and love in someone. this again is the whole beauty/beholder nature/the romantic concept that is there in shakespeare and in Romantic poetry where both are a part of a codependent relationship. so what rimbaud implies here is that dazai can have that kind of a relationship with another person (chuuya) just like rimbaud had with paul which makes him warm and the world doesnt feel cold anymore. rimbaud has no regrets about what he did because. so the idea is that dazai and chuuya can share the same dynamic. also after this, the narrative says that their hearts are now changed and wont return to what they were before....and even their souls are refined in a way. but in Fifteen we dont have a concrete proof of how this happened bc the novel ends at this point. Instead, Stormbringer shows exactly how deep the impact of those words is: 

this is the third instance of dazai showing hesitation and once again this has to do with chuuya. the seed of the dynamic that rimbaud was talking about  is already germinating in him. his reactions, his fidgeting, his hesitancy, in response to chuuya’s situation is such a big contrast to his cocksure self when he’s conversing with adam and verlaine. after this of course we have: 

not only does he clearly express his concern but he gives chuuya 2 whole mins to make a decision and based on that he’s prepared to overturn the operation. the success rate of an alternative plan will ofc be lesser than the og one but that doesnt faze dazai. he’s ready to turn the tide for chuuya’s sake and if this is not development idk what is. just a year ago, he was someone to whom the concept of rimbaud going thru all that trouble for his friend was a lost concept. ironically enough, now he finds himself doing something that is along the same lines. he puts chuuya above his mission. to him, chuuya is more important than getting a satisfactory result. another bit that i wanna talk abt is that one controversial section where dazai says he’ll save chuuya, human or not, and then the justification is: 

i think a lot of people got mad bc of this and honestly at first glance i was peeved too. as a chuuya stan some of the shit dazai has done so far did rub me the wrong way. i love skk obv but still those were moments that kind of left a bad taste in the mouth. i’ll discuss them later on bc stormbringer helps allay that feeling. coming back to the “i wanna see chuuya suffer” part firstly context is important. ofc someone like dazai cant be expected to be upfront about his feelings with ppl (or AI) he barely knows. so what be relays to adam, is only partly true and its actually a kind of a twist in concept. the things is, and this is  smth dazai knows all too well is that ppl suffer simply on account of being human. human suffering is brought on because humans, by virtue of being humans, feel. so when he says he’s willing to acknowledge chuuya as human despite what N and Verlaine said he’s already admitting that chuuya suffers. so there is really nothing “new” to see for him. he knows chuuya suffers already and he does too because they’re both humans trying to make it thru their messed up lives. also chuuya “ceasing to be human” is a p huge concern for him bc he himself is like that. just like with the suicide thing, it bothers dazai when someone else shares his situation/his fate like as long as his life is his own, he has no problem ending it whenever but the situation is complicated when someone else’s life span is determined by that decision. and similarly, as long as he is “no longer human” its not that much of an issue because he’s like resigned to a doomed fate but someone like chuuya ceasing to be human or worse yet never getting to know if hes human or not are pressing matters. so anyways what he actually means here is that in saving chuuya, he saves someone who suffers just like he does and in their case, even the cause of suffering boils down to a shared psychological conflict: what essentially constitutes being human and if im human or not. now this sharing of pain and suffering is the foundation of forming a connection with someone, which makes life a little better. here again, what rimaud imparted to dazai and chuuya is driven home. also dazai’s key anxiety is not finding meaning/anything. this “anything” can be assumed to be something that justifies life. so all his anxiety and frustration stems from the fact that there really is no discernible meaning to be found in the mechanism of life. so it is an empty pursuit because it is true that nothing can explain why feelings of pain and suffering are exponentially heavier than feelings of happiness or why after getting to experience one (1) free day we’re back to square one where life is grueling. these are questions that really dont have an answer so every time dazai like gazes into the abyss and says he didnt  find anything, he is not so much asking if he’ll ever find anything as swallowing the hard truth that there is nothing to be found, no singular entity exists that can magically justify everything. again drawing upon literature or philosophy more specifically, there’s a concept called Absurdism which says the only philosophical truth so to say is this that life is absurd and looking for meaning is futile. instead what we can do is accept that it is absurd and deal with it in the best way possible, by finding little sources and moments of happiness, and strewing them together so we feel somewhat content. even if it is just for a fleeting second. and this happiness/contentment amidst a wretched life (altho temporal) can be found in friendship, in sharing, and even in having fun with people you’re comfortable with! this is actually why dazai wants to save chuuya and now it may seem like im interpreting his words through the shipping lens but thats not so and it can be corroborated by looking into dazai’s words to odasaku. after chuuya, dazai’s next attempt at friendship was odasaku who he found “interesting”. now when odasaku sort of like threw hands and chose death over having to live a life without the orphans, dazai tried to stop him not by saying stuff like life is good. and things will def change for the better. but instead he admits that living is hard and the sense of void is ubiquitous and yet he doesnt want him to  up and die because then he would be sad. because the little comfort that he got from odasaku and something he probably assumed odasaku also got from him would be gone. [how much odasaku considered dazai a source of comfort remains unclear. in fact the reason odasaku gave up and died was because he did not have this. this feeling of sharing in someone else’s suffering and seeking comfort in friends in the real world. instead he was too vested in his ideal world. his over reliance on an entirely idealistic concept is actually what pushed him over the edge. and this would have been the case for dazai too had he not encountered and sought comfort and companionship in chuuya and eventually in odasaku ] so this again goes on to show how rimbaud’s words changed dazai’s heart. and in a way dazai really has been doing this unconsciously form the v beginning like by teasing chuuya continually in Fifteen. you dont expect someone as cold as him to indulge in friendly bickering and taunting so often but he does. that there is significance and even happiness in that is something he learns over time, after rimbaud’s words to him. although these things seem futile on the surface they give a moment’s respite. so although chuuya spinning dazai on a rope in stormbringer might seem weird to everyone, they still serve a purpose:  

what shirase puts forward is particularly relevant here because neither dazai nor chuuya is fully aware of the extent of their feelings (or even what those feelings are like they dont know what label to put. so typical oblivious lovers) for each other or what they stand to gain just by driving each other nuts but there is something intangible but satisfying to be felt. a kind of contentment that helps him continue. one day at a time. there is no one great “thing” that can make him like wake up one day feeling like he doesnt want to die ever again. but again like i said before, the key word for dazai is “extent” so, these little things to some extent contribute to a sense of fulfilment which helps him keep death at bay. thats why he’s bent on saving chuuya bc he knows they can share in their suffering and make life better for each other. its not like he wants chuuya to suffer. chuuya will suffer nonetheless like every other human. but in suffering together there is something to be found so he doesnt want him to cease being human. 

this covers more or less the intertextuality between Stormbringer and Fifteen. i just wanna talk a bit more about a couple other moments in Stormbringer that i feel are p important because they put some things in the series in perspective and also made the dead apple moment 10x more emotional 🥺 one thing that really strikes me is the absolute fanon level of comfort that dazai and chuuya share in Strombringer. its like scenes form k-drama lol. 

so yeah this stuff. compare this with dazai’s reaction @atsushi when he drops im not saying that its not just a joke and that what im saying should be the right way to look at this contrast. its not like that at all. but what this does is give an estimate to the readers just how close and comfortable dazai feels when its chuuya. and this plus everything i rambling on abt for so long also gives us an estimate about the sincerity of dazais feelings. now 2 things always bothered me : the fact that dazai actually left chuuya and the fact that after the fight against lovecraft he actualy deserted him (this again can ofc be construed as just a humorous bit but still it did leave a bad taste in my mouth) dazai leaving the mafia is ofc something he had to do to fulfil oda’s dying wish but it still dint sit right with me that he would abandon chuuya. just like oda levaing is harder on dazai, dazai leaving is harder on chuuya. its always harder on the one left behind. so anyway, these sorts of things sometimes made me doubt dazai’s feelings but now that stormbringer clears it all up i do think there is a larger motif at work here. when mori offers dazai to come back to the mafia in s2 we see him saying that it was mori who kicked him out and that he did so because he was afraid dazai would usurp his position. so he set it up in a way that dazai would be forced to leave but on his own accord. now more than usurpation i believe what mori really did fear is that dazai had no allegiance to the mafia (which is actually true) bc he doesnt have that sense of loyalty and that to him his friends were more important than swearing allegiance to mori. (which again is true). so by getting oda killed, the message that mori seemed to be giving out was if dazai didnt leave he would do it again. and if we consider ango’s betrayal which had already transpired at that point, the one mori would next target to sort of get at dazai would inevitably be chuuya. this is only conjecture but still, i do believe this might as well be true because then it would explain why dazai didnt carry chuuya back to the base after their fight [something he was v comfortable doing in Stormbringer. in fact in the first case he carries chuuya back to the billiards bar and not to the mafia’s base so he could hear albatross’ last words 🥺] its because mori needs to know unlike dazai, chuuya is absolutely loyal to him which regrettably he is. it kinda becomes imperative therefore on part of dazai to make it seem that way to mori. that they really are at each others throats and that dazai is insignificant to chuuya. and that the mafia comes before dazai. (which is not true bc we see chuuya protecting his friend [shirase] while also staying loyal to the mafia in Stormbringer) 

mori also in his own way tries to provoke hostility b/w them like in Dead Dpple when he was all like yeah so dazai is the star and chuuya is merely bait. so it kinda makes sense if dazai left the mafia not only to like do good work but also to protect chuuya from mori. also the fact that chuuya did the same thing— left the Sheep and joined PM to protect Shirase from the mafia makes be believe that my speculation is plausible given all the parallels we find between dazai and chuuya. 

and the last bit is about the brilliant Dead Apple scene and how much added context it gets in light of Stormbringer. 

in this scene dazai first says: “you used Corruption believing in me?” and then the translation is “how beautiful” which is an okay translation but the exact thing dazai said was “nakasetekurerune” which literally is : youre gonna make me cry you know? now my knowledge of japanese is like duolingo level but i do know “nakasete” has to do with crying and “kureru” is used by the receiver to indicate he’s receiving a feeling/object from someone close. so basically chuuya trusting him is something so beautiful that it could almost move him to tears. now lets look at dazai’s intro in Stormbringer:

dazai, being dazai, ofc would be able to tell genuine trust from fealty out of fear so ofc the fact that chuuya has this kind of blind faith in him is overwhelming for him. also stormbringer really expands on the sight effects of Corruption in full detail. its so PAINFUL and to think that chuuya would jump into it right away for dazai’s sake.....no wonder he is so soft when deactivating him. and then he proceeds to flirt for a little bit with the Snow White and the kiss of life reference. but this flirting doesnt seem even a little out of place now. it doesn't feel like smth meaningless or smth that dazai is just saying as a joke. that there is absoluetly no subtext to making a statement like that. instead that kind of flirting feels like smth inspired from a deep, deep familiarity with someone who really shares his heart and soul. when he talks to chuuya abt the problem of not knowing whether he is human or not, it is a problem that is as central to him as it’s to chuuya. not feeling fully reconciled to a human identity is a problem thats fundamental to both of them. I don’t think familiarity gets any deeper than this where you share the exact same psychological problem. so its really wonderful how we can trace the skk development now: what starts out as a crush on part of dazai or not a crush exactly rather, a feeling of perplexed admiration because chuuya is breathtakingly beautiful inside out, eventually gain all these layers and develops into something meaningful where they have so much faith in each other and where they literally help each other live. knowing someone out there shares your exact issue so you’re really not alone in this is perhaps the greatest comfort in the world. also now its clear how both of them would have turned out had they not met each other and had they not taken in rimbaud’s advice. chuuya in his desire to learn about himself and frustration at not being able to do the same would have perhaps spiralled downward and ended up becoming like verlaine. he is his double here after all. and had dazai not seen chuuya up close being the wonderful person he is, he too would have probably ended up developing a god complex and becoming like fyodor. dazai is there to save chuuya literally from dying a monster and chuuya is there to remind him he too can try and mend his ways and embrace his human side. after all chuuya has so much trust him in! (despite him having questionable methods) for both of them, it starts out as an attempt to be more human, then establishing a fruitful partnership, and finally coming in terms with their feelings to some extent. for dazai, he’s comfortable enough to engage in occasional flirting at this point and for chuuya it’s playing along with dazai’s antics (well with the ones he get 💀 pretty boy has half a functional braincell) and openly showing his concern for him. so really by confirming their feelings what strombringer does is enhance the skk development in a way that Dead Apple doesnt seem like fan service anymore. the fact that dazai would casually flirt or be comfortable with chuuya landing on his crotch 💀 all that isnt as ridiculous as it first seemed because stormbringer lays the groundwork and anticipates all the intimate/flirty skk moments that have happened till now and ig will happen again soon. 

#bsd #stormbringer #soukoku #dazai osamu #chuuya nakahara #bungou stray dogs #stormbringer spoilers #bsd meta #bsd analysis

[papers4me]

Fruits Basket Manga Review , ch 110

The writer doesn’t need to rush to akito (antagonist) & give us quick background exposition & escalate her mentality to the exploding moment, simply cuz tohru (the protagonist) isn’t emotionally in her most vulnerable moment yet. Tohru’s issues will be presented deeper  with each pov chapter she’ll have. So what should the writer do now?

This is a connected plot, meaning the emotions belonging to the previous chapter are still lingering & needs to be dealt with. There is no stupid laughing & cooking or even dumber momentarily amnesia. Nope! There is this:

-The Art of Writing Slow-Burns: (Lingering Emotions:)

Last time kyo hugged tohru thro the sheets. sth he wouldn’t do if it weren’t for the heartbreaking moment of tohru’s tears & the reason behind them. Why wouldn he do it? cuz he believes he’s the reason of her pain & is setting his mind on leaving her & being imprisoned as a punishment. He  wouldn’t do it cuz he loves her but he did it cuz he loves her. why? cuz love is illogical. Kyo’s heart moved him effortlessly to embrace her & “ his tenderness covered her pain” as the writer put it at the end of ch109.

Last time tohru hugged kyo thro the sheets, sth she wouldn’t do if it weren’t for the comfort of his warmth enveloping her loneliness & providing safety & a home. A home can a person. Why wouldn she do it? cuz Tohru is someone who hides pain behind a smile, someone who thinks she’s ugly & unlovable cuz she’s grieving still after all this time. She’s thinks she’s a burden. But here she confessed to kyo unprompted or advised by anybody. He only asked a fleeting question. but tohru cant hide who she is friom him anymore. Still, he accepted her & tenderly held her thro the sheets & she threw her body at him, she initiated the hug.

The sheet hig is the biggest emotional moment between kyo/tohru yet. It altered how they feel for each other cuz in that moment tohru’s mask fell & kyo was the most honest with himself emotionally. That’s not sth you move from with the stupid ED song. They both try to carry out normally afterwards cuz they live together after all. The slightest touch brings..... sexual tension!!!  it was so bad poor yuki left the house running!!!!!!!!

The writer cleverly escalates the sexual tension as they awkwardly try to find a talking topic, then dissolves it a bit when kto asks if tohru wants to go out together & where, then escalates it when tohru suggests buying eggs cuz she’s awkward, then dissolves it when kyo grumpily agrees but this is just grocery shopping” not a fun going out”, the escalates it when tohru said she’s happy for just bring together with him regardless of the location & kyo looses it! sexual tension explodes!

The target of the slow-burn isn’t the characters... the target is the audience! the writer plays with their emotions & cleverly puts the audience in a place where they desperately want these two idiots together but still remember why they aren’t! that’s very important. Having the readers cheer for a romantic relationship includes the readers understanding the obstacles ahead & how big they are & still cheer. If the obstacles are meh~ the readers will find the couple unrealistic, if the obstacles are so big & the couples emotions aren't buildup properly, then the couple themselves will feel meh~. Glad kyoru survived such writing mistakes both manga & anime ( anime hurt their characters more than their relationship).

-Yuki wants to move on from the unofficial son third wheeling his mom & her man:

The writer jokes abt yuki admitting he felt as a son watching his mon & her bf. I love tha this joke becuz it cleverly addresses the following points:

it is cleverly weaved in with the kyoru incident from last chapter. Sth happen & yuki doesn't know what is & doesn't want to! Yuki represents the audience I talked abt in the slow-burn point above. He is us. He’ll cheer for them to be together & will be so frustrated when they can’t. It adds to yuki confronting kyo at the climax!!! You see in the anime kyo/yuki stopped interacting much in se03. Then tada~~ big fight when it’s a must! & can’t be escaped... Here we still have kyo/yuki moments despite each boy moving away from his issues being the fault of the other. Basically better writing.....

The writer cleverly used this to address that yuki still feels like tohru’s son sometimes despite being more independent now, which is natural as you cant switch ur feelings with a button. But also the writer doesnt stay in this moment long & use it to build the next moment.. yuki/Aya , yuki/machi & aya/mine.... sadly all there dynamics are shortened in the anime like kyoru’s.

-I don’t think yuki/Aya  moment suffered much from the cuts, the entire school parents meeting ep us enough to reconcile the brothers. Aya defended yuki that day & so did yuki. He completely accepted him & stood up to him in front of the mom.

- More aya/mine would’ve been good to see & I would’ve preferred it to yuki/motoko moments in the anime that served nothing. but aya/mine too are stand alone story. They’re the most alike couple in a healthy way. Aya is the guy who protected his woman the most. simply cuz he’s the snake. snakes are secretive. he kept her to himself, even from yuki!!! impressive.

- What I lament from the cut of this mini yuki adventure?

1- This: ( yuki’s facial expressions) This is sth the anime fears, either cuz (a) pretty yuki is 100% pretty all the time, so no expressiveness cuz it leads to showing eyebrows & hiding them under layers of hair is the A.B.C of pretty characters... (b) Yuki in the anime is a prince 98% of the time, except with kyo (they got rid of this in se03 & give them one honest/ugly moment together) & with kakeru (one tiny moment in se03 in match’’s focus ep & then quickly back to prince yuki!)..., ugh!!!!!! I hate how yuki is prince thro & thro in the anime!!that’s why they couldn’t get rid of any motoko content!!! he’s a prince there... heck! school girls float after him the graduation ceremony... what’s up with that!! lol.

2-. This: ( machi with the toy that tohru/kisa/kagura/momiji & kiro like! so cute!!! also, foreshadowing yuki’s future chosen extended family! (his bro & his wife), (yuki & his wife) & best friend/his brother in law! Also, yuki is so himself! no glitters, no bubbles & no pretending anger! <3

Side Notes:

The lovely @mizzraynelly​ made notice kto’s speech in ch109 abt not vising his mom’s grave! Even tho it’s such a minor line, it’s one of the biggest cuts that foreshadow the accumulation of kyo’s guilt towards his mom. Kyo’s thing is guilt towards ppl he loves & fear of hurting them, by keeping this feeling alive in readers’ minds, the writer is making sure that the climax will hurt like sharp knives cuz the readers are on the same wave liength as kyo!!! epic buildup consists of tiny subtle pieces!

 Luckily, kyoru as a ship felt so strong in both manga & anime despite the later cutting half of their moments. Why? cuz the chosen cuts didnt affects the romantic relationship...no... the cuts affects the characters’ own personal struggle... most precisely tohru. Kyo’s own character struggles had better luck in the anime despite the cuts, simply cuz (a) was drawn with very expressive emotions & the anime team lingered on them in his scenes. (b) His character design as a whole was very expressive, the anime team didnt give him constant wide eyes like tohru & didn’t fear expr4essivness will affect for his “beauty “ like yuki. (c) kyo was given one ep per season for his issues which altho not much but way better than tohru (d) most important: kyo’s issues are very universal & very relatable” feeling guilt, mistakes & choosing wrong. That’s sth we all do!!! Tohru’s thing is grieve: this is very personal & most ppl experience it differently. 

I love kyo’s oufit!!! we have a hint of this moment in se03, ep 10 when yuki was fighting kyo... but they made yuki see them shopping as opposed of him seeing them being sexually charged!

I’m so mad this kyoru moment is cut!!!!!! tohru as a woman with pending sexual emotions is so refreshing & underrated in the trope of “ girl saves guys”. Also, it contradicts the pure mom image that’s been suffocating her since se01 ep 1!!!!! oh now i know why it’s cut... That’s why! momma tohru is so pure for such things & only when it’s the last two eps, then will allow her to be a woman choosing to live away with her man by her own desire! Why the anime only allow things ti happen when there’s no escape!!! I’ve always felt tohru/kyo is the type of couple to be expressive emotionally & sexually with each other based on seeing that ALL of their romantic interaction involves body language & I’m so happy there’s a canon proof so early before the future glimpse in finale!!!!!! 

I liked the aya-story, but it felt like the typical “ lesson of the day” formula, so I didnt analyze it much, but I enjoyed the brotherly interaction so much!! It had a gold mine of yuki being himself & so nit a prince! Im so happy I saw it! <3.

Every time yuki looked expressive is a happy moment for me!

#Fruits Basket #anime only #fruits basket manga #manga review #manga spoilers #sleepy paper #ch 110

[ranboo5]

whats 'the clip' and knifetrick?

Augh. Under the cut for shipping discourse and p/dophilia ment (nothing graphic or specific). Gets long bc I discuss my thoughts on DSMP shipping in general. You are setting me up fr anon

Some quick vocab -

intimacy here is used to refer to. Well. Any kind of intimacy between characters, of any sort, as an umbrella term /r, /p, and /qp here are used as shorteners to denote "romantic," "platonic," and "queerplatonic," both as adjectives And as verbs ("to /r" = "to portray romantically") shipping here is used to refer to any focused examination of intimacy between characters

And some clarity that Should follow from the essay next but may not - """anti-antis"""" and RPF writers delete forever

The Clip is from one of if not the? most recent Discord stage(s) Mr Live has done (which I missed when it was live RIP) wherein he issues a hard ban on shipping him ("do not ship me, in any way, with anyone!") which would less influence c!beeduo (which has been portrayed/stated to be romantic AND nonromantic both conflictingly for a while until being confirmed unconfirmed several months ago, that being the last was heard) without its direct invocation if he hadn't also cited for the reason as being underage ("'Cause, one, it's straight up pedophilia") which is! a) immediately applicable to At Least his DSMP character, Partially and b) while not Strictly True (should b obvious that portraying a relationship within the bounds of what it is in canon and in a nonsexual way is not That, and /r-ing c!beeduo etc was possible to do Appropriately again by remaining w/in the bounds of canon) is Clearly Indicative of the fact that baggage-wise it IS associated with people being fucking creeps

This Really complicates things bc like okay the apparent solution is "lol just don't /r it" but it's really like. A Worse issue than that bc like.

Okay the reason shipping in terms of fictional characters is a Different Bar is bc it's an examination of Intimacy and certain lines exist in certain dynamics of intimacy that Isn't Shown (which is the whole Within The Bounds Of Canon thing) which is important in a medium like DSMP because of the smaller gap + more personal relationship b/w character and streamer. Examining intimacy beyond th bounds of the consent that has been established in that regard is Weird at best and Violating And Creepy more often and, As Mentioned In Ranb's Stage, Literally Evil at worst

Which is why writing abt like. QPR or platonically intimate Techno and Philza (characters) is smth that is fine because that's smth that has been shown and repeatedly stated onscreen; it's in the bounds of canon n thus within th bounds of what the streamers've consented 2 be done with their characters. But writing T3chza making out or whatever is fucked up because it's smth that's beyond those consent barriers

And the thing is right

Slapping a /p on T3chza makeout doesn't. Make it less violating

Like what you CALL romantic is not the measure or whether it's past those barriers yk? And if it's indistinguishable, if it's in extrapolative territory that is Past The Bounds, it Does Not Matter how much you /p it EVEN IF IT IS TECHNICALLY PLATONIC y feel? Like at the end of the day placing a moratorium on some/all forms of shipping is placing a moratorium on certain examinings of intimacy

And okay 2 go back to Mr Live and his character. What it implies taken in context w/ older portrayals of c!beeduo and said by invoking smth that both evokes Really fucked up baggage (that does unfortunately exist btw I'm sorry if you didn't know that but People Really Do B Fucked Up Abt Beeduo) AND applies to his character is a revocation of consent to examining deep intimacies:tm: with his character, which is gonna apply regardless of the nature of that intimacy (even if nonromantic)

Like I don't /r c!beeduo myself, do not, never have, but I talk to people who have and have consumed content where they r background /r; I also don't think it matters. Like I don't Actively /r it and I don't Actively Not /r it because imho w/ the intimacy regarding c!beeduo that is plot relevant and character important whether that intimacy is /p /qp or /r doesn't really matter. I don't consider myself Less of a c!beeduo shipper than someone who /rs them because that would be dumb as hell and while none of the content I've made* is Intrinsically or Intentionally /r it certainly can be read tht way as much as it can be read /qp or /p. It's be dumb and hypocritical of me to like, dunk on ppl for /r-ing c!beeduo when I'm also invested in these two and my tonetags r not gonna suddenly Delete the picking apart I've done of the dynamic @ hand

Which Has Been. Within Bounds Of Canon. It's been what's been shown (sometimes to my great distress. There is a reason that the :canon_beeduo: emote looks the way it does) Directly Onscreen and in general keeping with the tone n intensity/directions of what they've Done With The Characters

HOWEVER

As mentioned up there. Revocation of consent

It makes. Full sense 2 me that Mr Live wants to place a moratorium or fullon ban on shipping his characters perhaps where he wouldn't have before because of the Unfortunately Very Extant trends of people being Fucking Weird about shipping his characters AND of using them as a Thinly Veiled Excuse to ship HIM, which. I should not have to explain why shipping real people is fucking abhorrent

THIS creates a problem which is a. Bit of a vacuum in interacting with what is a facet of c!Ranboo's arc, decision making, and character. Like you CAN have c!Ranboo w/o cbeeduo but you Can't Really have his plotline without examining c!beeduo. And as I mentioned earlier: even if your examination of c!beeduo is fully platonic, the significance of it To the plotline means that any examination of it and its relevance to the plotline and characters IS gonna be an examination of intimacy, which. Regardless of it's platonic, Is Still Shipping

Unless some HARD retconning happens it leaves this like. Hole in an aspect of c!Ranboo's arc and decisionmaking and it's very. Uncertain? God. Fucking months ago I was already kind of :huh. Does he know what the fuck he's doing: irt c!beeduo and desperately wishing for things to be cleared up and now it's only That Much Stronger

NOW. KNIFETRICK, FINALLY

Knifetrick (or, as it’s actually listed, Bishop’s Knife Trick) is a fic about "Ran and Jackie from The Pit TFTSMP" in a "canon-typical ambiguously romantic relationship." As you can tell from the scare quotes, especially if you've seen me vague, both of these are, to put it politely, Doubtful. I've read the fic; I will not be sharing my opinions because that would be neither productive nor responsible (I will just say I can't recommend it and leave it at that) but I WILL say the following that Is relevant to the conversation:

Ran's and Jackie's characterizations respectively have very little to do with characterizations from The Pit, and bear a dollar-store-version resemblance to tropes and personality motifs found in ESPECIALLY fanon c!beeduo, especially later in the fic. I would not go so far as to say they are Intentionally Literally Ranboo and Tubbo but they are transparent expies and were clearly written at LEAST unintentionally w/ c!beeduo in mind (esp since. Ran and Jackie barely interacted in The Pit), and for a readerbase that, as far as I can tell, is HUGELY dominated by /r c!beeduo shippers. Like. Sorry. This is off-brand c!beeduo.

The dynamic between the two is pretty unambiguously romantic, also; despite what the fic's white knights claim, romantic tropes and implications/motifs/imagery from at LEAST chapter two, and is very much explicitly romantic by the most recent chapter.

FROM CH1:

"And now, with raised eyebrows and a pursed lip, the newly named General Jackie observes Ran in such a way that makes the enderman’s skin crawl. Ran reminds himself that this kid, as short and harmless as he may look, is trained to kill. [...] Jackie narrows his eyes and tilts his head a little, as if he’s trying to read in between every one of Ran’s imperfect scales."

FROM CH2:

"It makes Ran’s skin itch with discomfort. [...] 'That actually doesn’t explain much of anything at all,' complains Jackie, and he pops a few croutons into his mouth with one hand. 'Tell me what you’re thinking, pretty-boy.'

"Ran feels his face flush, no doubt mildly glowing green.

"Yes, that was the other thing. The unnecessary compliments to his physical appearance.

"They don’t happen very often, and don’t seem to have very much meaning or intention behind them— Jackie often speaks like an unthinking kid— but when they do happen… they’re embarrassing. [...] It’s annoying how the rug is pulled out from under his feet in these moments when he’s 'embarrassed'. Like the conversation see-saw has temporarily shifted weight in the general’s favor."

I am not going to include excerpts from Chapter 6 because it's just the entire chapter.

I WILL SAY, HOWEVER, STEPPING ON THIS SCORPION BEFORE IT STINGS: they are not written in an RPFy manner and I don't think there's any grounds, including Vibes, of accusing Knifetrick of being like. Closet truthing or whatever. Also, while I think there's certainly Some Weirdness ESPECIALLY around the reaction, the romance itself is Not written in any way I'd call weird or problematic pre-clip; it's nothing inappropriate or like Weirdly Fetishy or whatever. Knifetrick is not #problematic or anything and I don't have beef with like the concept of liking it intrinsically; if I thought it was like. Abhorrent I wouldn't be sharing excerpts lmao dhjfnhdsbvdnfjh. Hence: if anyone uses this post or anyth like it to send harassment or bad faith ANYTHING to anyone involved with Knifetrick I will hunt you down in the fucking night even if it WAS #problematic that'd be the LITERAL OPPOSITE of productive and as it stands it's Literally Not. Essentially: Knifetrick is a (questionably-written /mean) fic using Ran and Jackie from The Pit as a vessel for a large chunk of the dynamics and headcanons of fanon /r c!beeduo in particular

And again, I would not call it problematic in any way (aside from the disingenuity of the insistence that it's TOTALLY UNRELATED TO BEEDUO and TOOOTALLY WASN'T INTENDED TO BE ROMANTIC GUYS like own your shit please)... IF it weren't for the advent of The Clip, which is calling in2 question the Entirety of the problem of /r-ing any variant of c!beeduo or any of Ranboo's characters at all

I really do not have an answer for this tbh. I genuinely wanna hear from the streamer on this more specifically because I like,,, I got no clue where 2 go from here? Do I just consider an arc retconned? Was it an issue of speaking abt a troubling subject kneejerk wise and I'm reading too much in2 it?

I just. I dunno

Tl;dr (AT LONG LAST)

- The Clip is a clip of a Discord stage where Ranboo (streamer) loudly explicitly decried shipping in a way that implicitly applies to characters he plays - This would be all well and good but is rendered complicated by the plot relevance of c!beeduo, which does not stop being shipping if it's /p'd due to it still necessarily being an examination of a particular intimacy in a way that is in canon hard to distinguish the /p, /qp, or /r nature of - Bishop's Knife Trick is an AO3 fic centered around using TFTSMP characters as /r c!beeduo expies which is not a bad thing in and of itself unless it also is covered under this moratorium - Things remain unclear until and unless we get clearer word from streamer, but considering Mr Live seems to be allergic to clarifying anything abt c!beeduo this is doubtful

*very little if any of the content I personally have made 4 c!beeduo has been posted publicly, for related reasons. You May have seen it if you're in servers w/ me, depending on Which Ones

#dsmp fandom critical #kind of? #jic #ask to tag #I am technically defending Kn1fetrick on this post #I am not nice to it but I am defending it technically. If people start being rude abt it I am going to set myself on fire #this IS ludicrously long but I have tl;dr'd it as I do with all my ludicrously long posts. I think I have salient thoughts

[meltwonu]

| 🍒 CH-CH-CHERRY BOMB! 🍒 |     [CHAPTER 7]

pairing; dom!seungcheol x camgirl!reader

this chapter’s notes; camshow, fingering, daddy!kink, dirty talk, ‘cuz you can touch touch me~ 😏 ur gonna need to imagine headband/bandana wearing left&right cheol for this cuz that’s the fantasy i was imagining for this chapter the entire time i was writing it hehe 🍒 quick apologies to anyone who thinks this is moving a little slow 😩 I literally don’t know how to shut up and I end up writing too much LMAO and as always, thank you for the continued interest! Have a great weekend bbys! 💕 

chapters; 1 - 2 - 3 - 4 - 5 - 6 - 7 - ?

dom.cheol has donated $400

therealchan99: yea this is about right on course

dom.cheol: what, did u miss me? 😏

gentleman_josh95: loosely

chwenon: more like the obscenely large donations were missing lolol

You jokingly roll your eyes, exhaling deeply as you push your toys off to the side of the bed. You’d just finished your Saturday show without a hitch, albeit feeling a little lonely. “Aww, c’mon you guys! Don’t tease~” Glancing around the room, it did feel a little odd to you now that Seungcheol wasn’t there but he had called earlier in the day and told you that it might’ve been better if he stayed back.

In truth, you understood exactly how he felt.

Part of you was ready to throw all caution out of the window when it came to Seungcheol and he felt it too. But at the same time, you knew it wouldn’t be that easy and that there were still things that the two of you needed to discuss before deep diving into intimacy, especially when it came to powerplay.

kitty_junjun: hey dont take this in a weird way but like

kitty_junjun: i feel like i saw u earlier today…

universe_WZ: ooo i never thought abt that before

sleepy_wonu has donated $75

xcaliburDK: have ppl recognized u irl before? :o

dom.cheol: i feel like i might’ve seen u irl before too…

Your cheeks bloom a hot pink; a nervous giggle on your lips. “Oh! I mean, yeah, there’s been a handful of times. I’ll wear wigs out sometimes though. Can’t have people calling me out in a grocery store, y’know?”

kitty_junjun: wait so maybe i did see u? I dont wanna give out locations tho…

“Maybe! I’m still out on my little weekend trip and I was out and about earlier~ if you see me next time, don’t hesitate to say hi! I promise I don’t bite~” You pause, leaning closer into the webcam as you wink.

“Unless you want me to~”

You start running a bath right after you end your show, stretching and turning on some music as you start to unwind. Thankfully you didn’t have a tiring show today, so you decided to take the rest of the night to pamper yourself in preparation for your day with Seungcheol.

Biting your lip, you pick up your phone, already seeing a multitude of messages from Seungcheol on your lockscreen.

cheollie ✨: don’t forget ur glass of water!

cheollie ✨: also don’t forget i’m picking you up at 9:30am

cheollie ✨: hope ur ready to spend all day at the roller rink with me baby

You can’t help but grin, already excited to see how Seungcheol spent his day at work. Typing a response, you quickly hit send before setting your phone down onto the nightstand and making your way to the bathroom.

‘I can’t wait! I’m so excited~ u promised me free skates and free food so don’t forget!!’

It’s exactly 9:29AM when Seungcheol messages you that he’s downstairs.

You check yourself in the mirror one last time, smoothing down your dress and hair and grabbing your bag before you rush down to meet Seungcheol. 

There’s a mild feeling of nervousness that pours over you, but you quickly shake it off once you see his blue headed figure standing outside of the lobby.

“‘Cheollie!”

He turns around to face you just as you stop in your tracks; gasping when you see the cute way he’s styled his hair for today. “Whoa… wow, uh, j-just.. Wow. You look great in bandanas...”

Seungcheol laughs, eyes forming crescents. “I don’t usually work the weekends so I thought I’d spice it up a little. Guess it looks good?” You can only nod shakily, mentally cursing yourself when you feel the arousal already pooling inside your body. He winks at you once, opening the passenger’s side door as you slide into his car.

“Hope you’re ready to have a boring day at the roller rink with me.” He gives you a tight lipped smile, shutting your door before he rounds the car to get in on the driver’s side.

“I’m telling you, it’s not going to be… y’know, anything crazy.”

“Who says it has to be! I’m excited to see where you work and anyway you promised!” You tease, poking him in the arm as he starts the car. “I know, I know… I just---I don’t want you to be disappointed. I bet you thought I was some rich old hotshot before, huh?” Seungcheol shoots you a glance, smiling gently.

“Mmm.. not really.”

“No? You didn’t think I was some lonely CEO with loads of money with a thing for camgirls?”

You laugh at his response, placing your hand over his on the gear shift.

“Nah, if there’s anything I thought about you, it was that you were way too nice to be on some camming website.”

The two of you have idle conversation as Seungcheol takes his time to drive to the roller rink. In all honesty, he was a little nervous himself, although he’d never say it to your face.

“Oh my god, is that it?! It’s so cute!”

He parks close to the entrance, turning the car off as he jogs over to your side to help you out. “‘Cheol, you know you don’t have to be so sweet~” You pout, latching onto his arm as he locks the car.

“Oh but I do. You deserve to be spoiled once in a while!”

A blush coats your cheeks yet again, shy eyes fixated on the floor as he walks you towards the entrance. “Yeah, but all you ever do is spoil me… That sybian was no joke and my god, Seungcheol, the price! I almost had half a mind to return it…” You end in a mumble. Seungcheol laughs, opening the door for you as you unlatch from his arm and step in first.

“You’re worth spoiling. Now stop worrying, okay? I promise I’m not up to anything illegal in order to afford your gifts.” Giggling, you lean up to kiss him on the cheek, nodding firmly.

“Fiiiiine, I trust you, y’know?”

“I know, baby. I trust you too, now let’s go meet my best friend who’s going to play butler for you today.”

He leads you over to the concession stand where an equally tall yet bored male stands. “Hey, Jeongguk!” The said male looks up from his phone, eyebrow quirking when the two of you walk up. “Uh, hey Seungcheol-hyung…” Seungcheol feels a weird tenseness fall over the three of you, clearing his throat to get Jeongguk’s attention when he finds the younger male staring.

“Um, this is my friend. She’s---uh, she’s gonna be hanging out here for the rest of the day. I promised her that you’d give her free food, so uh, just--just let me know how much it is so I can tell Namjoon to take it out of my paycheck.” Jeongguk grins, a sly look in his eyes when he finally meets Seungcheol’s concerned eyes.

“Sure! Can I talk to you over there? It’s about our paychecks actually.” Jeongguk turns to you, leaning over the counter. “Sorry, employee only info, ch--uuuuuh, you know the deal.”

“Yeah, of course!”

Jeongguk points off to the side, gesturing to Seungcheol who follows suit.

The younger male makes sure they’re a safe distance away, watching as you pluck your phone out of your purse before he starts talking in harsh whispers. “What the fuck, dude!? You’re---no, you’re not fucking Cherry. She doesn’t have a boyfriend so what the fuck?”

The blood drains from Seungcheol’s face; the feeling in his fingers going numb as his throat goes dry. “Wuh--what? What are you---what are you talking about?” Jeongguk scoffs, eyes rolling jokingly.

“So, hyung, how do you know her?”

“You’re asking me?! How do you know her!?” Seungcheol’s eye twitches just as Jeongguk shoots him an incredulous look, arms crossed in mock annoyance. “I’m a horny boy, what can I say.”

“Please do not ever use those words to describe yourself again.”

The younger male stands in silence, nodding in thought.  

“Fuck, wow, I should’ve noticed. All those extra shifts you were taking, the reason why you could never come hang… You don’t like working here as much as Yoongi-hyung but you--holy---holy shit, wait--you… you can’t be…”

Fuck, here it comes.

“You’re fucking ‘dom.cheol’ aren’t you? You’re the one always leaving her insane fuckin’ donations all the time… and the gifts.. Oh my god. The ‘cheol’ was from Seungcheol, I should’ve known...”

Seungcheol dies a million deaths inside his head; the ringing in his ears becoming unbearable while Jeongguk stares at him in mild disbelief. “It all clocks out, holy fuck. No wonder you were so fucking eager to pick up so many extra shifts…” Seungcheol’s mouth opens and closes a few times, unsure what to say.

“I mean, fuck hyung, I--I’m kind of impressed but wow. You think you know a guy, huh?” Jeongguk laughs, patting the older male on the shoulder. “She’s only one of the hottest camgirls out there right now. You’re a lucky man, hyung.”

A weird possessiveness washes over Seungcheol, hands gently balling up into fists at his side. “Okay, well, she… she’s just here to chill, alright? Don’t do anything weird. And most of all, don’t say anything weird either.” The younger male nods, already walking back to where you were standing.

“Hey, sorry, hyung’s paycheck is gonna be pretty sad next week and I had to let him down gently. Anyway, I’m Jeongguk. You are?”

You give him a fake name; shaking his hand over the counter as he grins at you.

“It’s my pleasure.”

You spend the first two hours on the floor skating; catching Seungcheol’s eyes on you from time to time as he sits nearby cleaning skates. The place seemed pretty empty, which was something that Seungcheol was immensely glad for.

Eventually you skate off out of the rink, making your way to Seungcheol who smiles at you when you come sit next to him. “Told you. Bored already, huh?” The two of you share a laugh, watching as the few other people continue to skate around the rink.

“I mean… it’s different! Right about now I’d usually be six episodes into a new series or something… It’s nice to be somewhere else and doing something different.”

He nods in return, slightly pouting when he turns to face you. “I hate that you have to go home tonight.” You mirror his sentiments, lips quirking into a sad smile.

“I know… I don’t wanna go home…”

Seungcheol bites the inside of his cheek, eyes flitting over to Jeongguk. “Hey, maybe we can bail a little early. This place is pretty dead anyway, and I--I can have Jeongguk clock me out when he leaves. My shift is supposed to end at 3PM and it’s noon now so… We can leave in a hour? Maybe get a late lunch?”

“Seungcheol… I don’t want you to get in trouble…” You mumble, brows furrowing in concern. “Really, it’s okay! We can just hang here ‘til then and still have time to get dinner!” He sighs, knowing you were right. Now was not the right time to be testing the waters with Jeongguk and Namjoon.

“Okay, okay, you win, baby.”

It takes 45 minutes.

45 minutes and a free drink from the concession stand before your mind starts wandering.

You watch Seungcheol converse with Jeongguk behind the concession stand; his cute laugh sending you into orbit when your eyes meet and you can’t stop the thrums of lust pouring over your body when a certain idea pops into your head.

Seungcheol turns his attention back to the younger male and you quickly start to unlace your skates and put your normal shoes back on before Seungcheol’s entire break gets taken up. 

You walk up to the two; Seungcheol cleaning off his hands before he exits from behind the counter.

“Seungcheol…” You softly call out; a look of concern crossing his features when he stops in front of you. “Hey, is everything okay?”

“Yeah, mmhmm! I just--I need to talk to you, if that’s okay?” Jeongguk already turns to leave, wiggling his eyebrows at you.

You drag Seungcheol away, tugging him towards an even emptier part of the roller rink as the concern builds up inside of him. “I have an idea.” He feels himself gulp, already anticipating what you have to say.

“And…?”

“Well… It’s… It won’t t-take long I don’t think, just… hear me out?” You question gently, head tilting cutely up at Seungcheol who already knows he can’t say no to you. “Okay, shoot.”

“Wh--what if we… film a small POV v-video… like, not a live one! Just a small upload on my channel to test the waters maybe? I just---you don’t have to say anything and--and it’ll be quick, and--and like, nothing major just a little, um, f-fingering and--oh my god, sorry, I shouldn’t have a-asked, that’s just---I’m s-sorry I was thinking about it and it kinda got to me and I’m---I’m kinda already wet just thinking about it and--”

“No, let’s… let’s do it. To be fair, people seem to like risqué public things like that right?” A crimson blush falls on Seungcheol’s cheeks as he turns the tables, wrapping a hand around your wrist as he walks you to the employee restroom. “It’s… there shouldn’t be anyone in here so we should be safe.” He mutters, checking to make sure before he ushers you inside and locks the door behind him.

“I don’t know what to do so you’ll have to guide me a little here, baby.”

You nod, pulling your phone out and opening the camera app. Scrolling, you put it in video mode, clicking the red button before passing it to Seungcheol. “I’ve never done it either but I’m sure I can just… crop it and I m-mean it’s meant to be a little shoddy, right?” You giggle nervously, body already on fire when Seungcheol makes the camera face you. “You don’t have to say anything if you’re not comfortable with your voice being in the video, I just need… this.”

You reach for his free hand, playing with it as you run your fingertips across the veins. “I’m sorry, daddy… I just… I couldn’t help but think about your fingers inside my tight pussy...” Seungcheol almost loses his grip on your phone; palm clammy when he watches as you bring his hand underneath your short dress.

“Please… please, won’t daddy fuck me with his fingers? I promise I’ll be good for the rest of the day if he lets me cum on his fingers…” You whine.

Seungcheol isn’t ready to have his voice heard yet, so he nods, fingers twitching in your hold.

You take this as an okay to continue, dragging his hand up until his knuckles graze your panties. “O-oh, fuck…”

This time Seungcheol takes the lead; his own body ablaze when he can already feel your wetness soaking through your panties. He presses into it, digging his fingers into the wet material until it sticks to you like a second skin. “D-daddy, please, please, put them inside, I need it!!” You mewl, trying to keep your voice down as much as possible while still being audible enough on camera.

He shoots you a look; one that tells you to hike your dress up until your soaking panties are seen through the camera lens. And you easily follow, holding your dress up as Seungcheol drops to his knees, angling the camera upwards until only his fingers and your clothed pussy are in view. You spread your legs a little more, back resting on the wall behind you.

“Please, I can’t wait any longer…”

He gulps once, saying a prayer before he slowly pushes your panties to the side. And you all but lose any semblance of sanity the second he runs his fingertips through your wetness, pussy clenching around emptiness. “Fuck--fuck me, please!”

Once Seungcheol deems his fingers wet enough, his eyes meet yours, asking for silent consent before he makes any further moves. You nod frantically, fingers gripping the material of your dress tightly.

Seungcheol bites his lip the second he starts sinking his first finger into your tight warmth; already feeling the drool pooling in his mouth when you moan loudly. He starts a slow pace, mentally noting just how obscenely wet you are when he drags his finger out slowly. “Ngh, daddy m-more, please, I can take it, I wanna be f-full~” He gives it a few more thrusts of his index finger before he adds his middle finger; this time slowly sinking both digits into your pussy as you whimper above him.

His eyes flit up, mesmerized when he sees your face contort in bliss. “O-oh my god, I’m--I’m already so close… Daddy’s fingers are so much bigger and thicker than mine, it fuh--feels so good…” You mutter; squirming when Seungcheol doesn’t move.

And it takes him a second; too fixated on the way your tight walls only seem to suck his fingers in deeper.

But he starts a moderate pace, scissoring and curling his fingers inside of you until you’re reduced to whines and soft breathy moans.

He can already feel you getting tighter around his fingers after a few more minutes; doubling his pace when you start to beg.

“Oh my god, oh my god, ‘m so close, fuck! P-please touch my clit, daddy, please make m-me c--cum!”

Seungcheol feels his cock throbbing in his pants but he focuses on you, thumb immediately on your clit as he rubs harsh and quick circles on the swollen nub. He doesn’t know how much time has passed or if his break is over, but the look of absolute pleasure on your face is enough to make him not care.

He curls his fingers into your g-spot, holding them still as he continuously rubs your clit until you’re cumming; thighs shaking as you let out shaky breaths above him.

“Oh m-my god, daddy!” You mumble in a hurried frenzy, thighs clamping around his hand between your legs as the pleasure washes over you.

Seungcheol lets you ride out your high, gently wiggling his fingers inside of you as he starts to slow down.

“Mmh… Seungcheol…”

Oh fuck.

He definitely liked it when you moaned his name. 

“Y-yes…?” It’s his cue to turn off the camera, shaky finger pressing the ‘stop’ button. He gently slides his fingers out of you, muttering an apology when you wince.

“You don’t have to say sorry! It’s just… ‘m sensitive…” You mewl, already missing the feeling of his fingers inside of you. “Y-yeah, of course! I, um, I hope that was okay? I’ll give you a second to get cleaned up, I’ll uh, run and get you some water.”

You nod in response, thanking him before he quickly washes off his hands and bolts out of the restroom; ears and cheeks redder than a tomato.

Once you’re alone, you quickly open your camera roll, clicking on the video as you hurriedly crop out the beginning and end, making sure that the short video didn’t have any incriminating details before you open up your camming homepage.

There’s a moment of unsureness that makes you pause. You bite the inside of your cheek, weighing the potential outcomes of posting this to your page. 

But before you can change your mind, you quickly start the upload; adding a title and a short description before you lock your phone to let it process.

In the meantime, you get cleaned up, checking your appearance in the mirror once before picking up your phone again. Unlocking it, you find the upload has finished and you exhale sharply, publishing the video before locking the device again.

You move to exit the restroom, already finding Seungcheol holding a bottle of water on the other side.

“Oh, there you are! Everything okay?”

“Mmhmm! I uploaded the video before I could change my mind so I’m a little nervous…” You trail off, accepting the bottle that Seungcheol passes you.

“Well, the good news is, we’re bailing, now. I told ‘Guk to clock me out so we should get out of here so I can get your mind off of that.”

He shoots you a genuine smile, offering his hand which you take.

“Let’s fuckin’ get some ice cream, I think we deserve it.”

Seungcheol takes you on a scenic drive, taking you to an ice cream shop further away from town.

The two of you sit down in a booth towards the back of the shop and he helps clear your head, talking about various topics to keep your mind off of the huge risk you’d just taken.

“Anyway, that’s one of the reasons why I’m never bar-hopping with ‘Guk again. He’s got no limit, nobody can keep up and nobody wants to keep paying the uber fees.” You laugh as Seungcheol finishes his story, taking a sip of your milkshake.

You can’t help but sigh after a few seconds, pouting at Seungcheol who blinks questioningly at you. “‘Cheollie, I don’t wanna go home…” He stares back, unsure of what to say. A million different thoughts run through his mind in the split second before he opens his mouth.

“Why don’t you stay with me for a couple more days?”

Seungcheol doesn’t understand the gravity of his words until they spill out of his mouth; a panicked look on his face when you go completely silent in the seat across from him. “I m-mean, uh, I mean, like, fuck. I’m sorry, that must’ve been way too out of bounds. I just---it’s just, you don’t want to go home and---and I can take care of you while you’re here! Even if it’s just a couple days. I can help you film too!” He curses himself for rambling; immediately shutting himself up.

“I--I don’t want to bother you, ‘Cheol… That’s really too kind of you…” A shy blush coats your skin; chewing on your bottom lip when you shyly avoid his gaze. “A-and my filming stuff is back home too… I brought a few toys with me so I could film my weekend shows but--but my camera…”

“I can ask Jeongguk!”

You shoot him a bewildered look, brow quirking. “He--he streams sometimes too, like, video games ‘n shit. He actually offered me his extra equipment a while back, if I ever wanted to get into it myself. I can ask to borrow it, if you want?”

You drink in his words, unsure. The thought of staying with Cheol might’ve danced across your mind a handful of times, but now that the offer was on the table, you weren’t sure how to respond.

You trusted Seungcheol, and you knew by now that he would never do anything to hurt or betray you. But this was a far leap from how things were the last time you’d seen him.

“Listen, I can see the cogs in your head turning, baby. You don’t have to if you don’t want to, I’m not forcing your hand into anything you don’t want. But I know you’ve been wanting to get out a ‘lil more and… well, in truth, I think it’d be nice for both of us? I can take care of you while you’re here with me and we can keep each other company.” He pauses, smiling at you from across the booth. “But I can also take you back to your hotel room and let you pack so you don’t get home too late.”

“‘Cheol I trust you.. It’s just that… I’m s-scared…”

“Scared? Of what, baby?”

The warmth blooms inside of you; shy eyes meeting his.

“Scared that I’m not gonna wanna go home…”

Seungcheol takes it easy for the rest of the day and doesn’t make an effort to get an answer out of you. He takes you around the city, tugging you into shops he thinks you’d like and walking around with you aimlessly until the sun goes down.

But time seems to go even faster once he takes you to dinner; a sigh on his lips when he knows he has to bring the topic back up.

“I hate to ask but… I have to take you back to your hotel after this so…” Seungcheol trails off, leaving it open-ended for you.

“I know… I just want to know… Why do you like me so much?”

The question takes Seungcheol by surprise; eyes wide as saucers. “I--I’m sorry I don’t follow?” You chuckle under your breath, tucking a strand of hair behind your ear.

“It’s just… we were strangers, kind of, before Friday, you know what I mean? And now you’re offering your place to me to just… crash at for a few days? What if I rob you blind? Or what--what if you try something with me that I don’t like?” You suddenly start catastrophizing; mind going a mile a minute with potential outcomes.

“Hey, whoa, whoa, wait. Calm down, sweetheart. It’s okay! Breathe!” You let out a shaky exhale, groaning as you hide your face in your palms. “God, ‘Cheol, ‘m sorry, I--I really want to stay with you for a few days. It’s just that my brain is going light speed and I can’t keep up. I really like you too, you’ve been nothing but kind and sweet and you’re so handsome, it’s just so crazy to me...” Your words are slightly muffled but Seungcheol catches it, a soft chuckle on his lips when he leans his head on his palm.

“I’ll sleep on the sofa and leave you alone. You can take the bed. Hell, you can even rob me blind and I’d say thank you.”

He reaches his free hand over, fingers circling your wrist as he pulls your hand down. “And I’m offering you my place because I like you as you. You’re cute and funny, and so fuckin’ humble. And I want to get to know you better. In person, y’know?”

“Y-yeah… I wanna get to know you better too. And it’s only a couple days right?”

“Right.”

Seungcheol drives you back to your hotel, a smile on his face when he sees you in better spirits.

He parks his car in front, turning to face you. “So I’ll just wait here while you grab your things and check out, okay? I’ll contact ‘Guk to see if I can swing by and take that extra equipment he offered.”

This time you nod cheerily, body buzzing with excitement as you hurriedly step out of his car. “I’ll be quick!”

He gives it a moment before he picks his phone up, taking a deep breath before typing out a message to the younger male.

‘Hey, ‘Guk I have a favour. Get back to me asap if u can.’

Jeon 🥴 : bold of u to msg me…

Confusion crosses Seungcheol’s features; fingers hovering over the keyboard. ‘What are you talking about?’

Jeongguk takes a second to send a screenshot, Seungcheol’s cheeks burning a crimson colour when he sees the content.

Jeon 🥴: it’s the employee restroom for me.

Jeon 🥴: bruh it’s also the fuckin way i knew it was u before i even played the video… fuck man is that why u too so long on ur break? u do kno u went over right, I clocked it cuz i was expecting u to come back sooner

Jeon 🥴: for the rec im not mad, actually im impressed just cant believe this is u

Seungcheol ignores Jeongguk’s messages, instead opening the screenshot again and re-reading the video title.

‘I was so needy… 🥺 so I asked daddy to finger me in public…’

Jeon 🥴: bitch i kno ur reading this im dropping the hyung bc u kept this from me!!

Jeon 🥴: after i even offered u my extra camming stuff u were already doing it behind my back…

Seungcheol rolls his eyes at the younger male’s dramatic nature, fingers quickly swiping across the keyboard.

‘Alright, I’m sorry okay? I just didn’t think my online habits needed to be public knowledge and for the record, that was the first time I’ve ever done anything like that. I promise no more secrets, unless absolutely necessary. And also speaking of that extra equipment, can I swing by and grab it from your place?’

Jeon 🥴: r u gonna cam now? u got one sip of the devils juice and now ur all in?

‘Would u stop being dramatic oh my god. It’s not for me, it’s for ‘cherry’. She’s going to be staying with me for a few days and I fully expect you to keep your mouth shut on this.’

Seungcheol grimaces when he calls you by your online handle; already feeling unfamiliar with it.

Jeon 🥴: o i c. sure, u can come pick it up, simp. I’ll make sure she’s got all the necessary things before u get here and u owe me one!! i fully expect u to come stream with me at least once for keeping ur secrets 

‘It’s a deal. I’ll be there in an hour and a half.’

A sigh escapes Seungcheol’s lips, his eyes dancing over to your figure that skips towards the car. He locks his phone just as you tap on the glass, popping the trunk before he steps out.

“How’d it go? All checked out?”

“Mmhmm! Did you get in contact with Jeongguk? What’d he say?”

A nervous laugh spills from his lips as he puts your small luggage in the trunk, slamming it shut before rounding the car to open your door. “I’ll help you get settled in at my place and then I’ll drive over really quick and grab the stuff from his place.”

You hop in his car, fiddling with the seatbelt until Seungcheol slides into the driver’s seat.

“He didn’t ask what you needed it for?” Gulp. Shit.

“I just told him that I was thinking about streaming, for--for gaming stuff. He was okay with it.”

He’d tell you the truth. Soon, he promises.

No. Now.

Seungcheol sighs, hands on the wheel as he stares straight ahead. “No, no, I--I can’t sit here and lie to you. Jeongguk knows you. I’m sorry I couldn’t tell you earlier, I told him to keep his mouth shut because I didn’t want him to bother you while we were at the roller rink.”

“I--oh…”

He can only nod; eyes dancing over to you as you play with the hem of your dress. “Yeah, I--I’m really sorry. He--He also found out I was ‘dom.cheol’ too and, fuck, I--I don’t know, I kind of panicked too. I hid that part of me from everyone I know so it was just… it was a lot.”

You meet his sad eyes, shooting him a small smile of your own. “It’s okay! It’s a little funny that happens right after that ‘kitty_junjun’ says he saw me in person too, huh? I mean, thanks for trying to protect me at least. It must’ve been weird for you too.”

“Yeah… If you’re not comfortable anymore, I… I’d understand too.” Seungcheol prepares himself for the worst, knowing that there was a chance that this was goodbye.

“Are you kidding! What’s one person gonna do? And you said he’s your best friend and you trust him… I’ll have to take a leap of faith on that one but… I trust you.”

You lean over the center console, kissing him on the cheek. “And anyway, as long as he’s not one of those weirdos asking for ‘favours’, I think we’re in the clear, right?”

Seungcheol grimaces; as long as it’s from me and not you, he thinks.

#cherrybomb!cheol #seungcheol smut #scoups smut #seventeen smut #svt smut #scoups scenarios #scoups imagines #seungcheol imagines #seungcheol scenarios #seventeen scenarios #seventeen imagines #svt imagines #svt scenarios #scoups #seungcheol

[kellyvela]

Has GRRM ever said in any interview or on his blog that he hates Sansa's complete storyline after 4th season? I dont really follow all of his fan/media interactions but from what I can recall he has spoken abt how LF in books wont give sansa to ramsay or how noone had issue when Jeyne was given the Ramsay storyline in books etc. Asking this question to you bcs you rightly point out how ppl misunderstood his interviews/posts ( sansans/targ stans etc) & I cant recall him ever saying he 'hates' sansa's story in the later seasons of the show ( not s5 in particular but even s6 to s8).

Capclave 2013:

A change that has repercussions for season 4 is Marillion’s tongue removal from the first season. Martin said that the change was made (from an anonymous singer being the victim of a de-tonguing) because they wanted Joffrey to maim someone the audience would recognize. He believes this is an issue because of the part the singer plays in Sansa’s storyline, how he affects her interactions with others in the book, and he doesn’t believe another character will be fulfilling that role on Game of Thrones.

—GRRM talks season 4 & beyond - Winter is Coming - October 13, 2013

2014 Fan Reports about Capclave 2013 (*):

In a convention panel this year, George said on the record that he had no idea what they were doing with Sansa or where they’re taking her storyline, which now makes sense perhaps. He was not pleased when he was talking about it, so who knows what’s going to happen with her! Knowing GRRM, that could mean they’re going off the canon reservation, and/or that they’re going to be making a lot of shit up

I have notes I’ll be responding to (thanks!) but enough people commented about Sansa that I thought I’d share that tidbit, since it happened back in September iirc (was the same panel where he criticized the exclusion of Tyrell brothers)

—starkalypse - June 3, 2014

GRRM’s comments at capclave about Sansa (which I was in the third row for, for those asking about legitimacy) were among others during the panel that had a general theme of dissatisfaction with show changes. He was not in good spirits for that con and didn’t really have anything positive to say regarding the show. So take it with a grain of salt; there are deviations away from the books in the episodes he gets writers credit for, so maybe they’re doing something stupid or they really don’t have a gameplan!

—starkalypse - June 4, 2014

(*) These reports were posted in June 2014, during the airing of Game of Thrones Season 4, about Capclave 2013 that happened in October 2013.

Just after the rape episode:

How many children did Scarlett O’Hara have? Three, in the novel. One, in the movie. None, in real life: she was a fictional character, she never existed. The show is the show, the books are the books; two different tellings of the same story.

There have been differences between the novels and the television show since the first episode of season one. And for just as long, I have been talking about the butterfly effect. Small changes lead to larger changes lead to huge changes. HBO is more than forty hours into the impossible and demanding task of adapting my lengthy (extremely) and complex (exceedingly) novels, with their layers of plots and subplots, their twists and contradictions and unreliable narrators, viewpoint shifts and ambiguities, and a cast of characters in the hundreds.

There has seldom been any TV series as faithful to its source material, by and large (if you doubt that, talk to the Harry Dresden fans, or readers of the Sookie Stackhouse novels, or the fans of the original WALKING DEAD comic books)… but the longer the show goes on, the bigger the butterflies become. And now we have reached the point where the beat of butterfly wings is stirring up storms, like the one presently engulfing my email.

Prose and television have different strengths, different weaknesses, different requirements.

David and Dan and Bryan and HBO are trying to make the best television series that they can.

And over here I am trying to write the best novels that I can.

And yes, more and more, they differ. Two roads diverging in the dark of the woods, I suppose… but all of us are still intending that at the end we will arrive at the same place.

In the meantime, we hope that the readers and viewers both enjoy the journey. Or journeys, as the case may be. Sometimes butterflies grow into dragons.

—The Show, the Books - Not A Blog - May 18, 2015

Report about the last Game of Thrones Script that GRRM wrote:

No Wedding for Sansa and Ramsay: Without question, one of the most controversial changes the show made in trying to streamline the books was by slotting Sansa into the role of Ramsay’s wife and rape victim in Season 5. In the books, Ramsay marries and assaults Sansa’s best childhood friend, Jeyne Poole—who is being forced to impersonate Arya—instead. (You can actually see Jeyne briefly sitting next to Sansa in the show’s pilot.)

At the time Martin wrote this script, though, substituting Sansa for Jeyne was not yet the plan. Martin has Roose Bolton tell his bastard son: “We have a much better match in mind for you. A match to help House Bolton hold the north. Arya Stark.” It should be noted, however, that in Martin’s script, Sansa isn’t free from menace either. At his own wedding-day breakfast, Joffrey still threatens to rape the older Stark sister—once he’s “gotten Margaery with child.”)

—Game of Thrones: The Secrets of George R.R. Martin’s Final Script - Vanity Fair - December 7, 2018

A month before the Game of Throne S8 Finale:

Sansa’s story, in particular, has really deviated from the books. Ramsay Bolton — that marriage obviously was with a different character. When they start deviating like that, did you initially have any emotional reaction, even though you worked in Hollywood for many years yourself?

GRRM: Well, yeah — of course you have an emotional reaction. I mean, would I prefer they do it exactly the way I did it? Sure. But I’ve been on the other side of it, too. I’ve adapted work by other people, and I didn’t do it exactly the way they did it, so ….

Some of the deviation, of course, is because I’ve been so slow with these books. I really should’ve finished this thing four years ago — and if I had, maybe it would be telling a different story here. It’s two variations of the same story, or a similar story, and you get that whenever anything is adapted. The analogy I’ve often used is, to ask how many children did Scarlett O’Hara have? Do you know the answer to that?

I know it’s different in the book and the movie …

GRRM: Three children in the book, one by each husband. She had one child in the movie. And in real life, of course, Scarlett O’Hara had no children, because she never existed. Margaret Mitchell made her up. The book is there. You can pick it up and read Mitchell’s version of it, or you can see the movie and see David Selznick’s version of it. I think they’re both true to the spirit of the work, and hopefully that’s also true of Game of Thrones on one hand, and A Song of Ice and Fire on the other hand.

—George R.R. Martin on the Stark Sisters and Ending ‘Game of Thrones’ - RollingStone - April 22, 2019

James Hibberd’s Book:

GEORGE R. R. MARTIN: Jeyne Poole was included in the pilot—she’s shown giggling next to Sansa—but she’s never seen or referred to again. I actually wrote Jeyne into “The Pointy End,” my first script, when Arya killed the stableboy. I had some stuff with Jeyne running to Sansa being all hysterical and dialogue in the council chamber with Littlefinger saying, “Give her to me, I’ll make sure she doesn’t cause any trouble.” That was dropped.

DAVID BENIOFF: Sansa is a character we care about almost more than any other. We really wanted Sansa to play a major part in that season. If we were going to stay absolutely faithful to the book, it was going to be very hard to do that. There was a subplot we loved from the books, but it was a character not involved in the show.

GEORGE R. R. MARTIN: I was trying to set up Jeyne for her future role as the false Arya. The real Arya has escaped and is presumed dead. But this girl has been in Littlefinger’s control for years, and he’s been training her. She knows Winterfell, has the proper northern accent, and can pose as Arya. Who the hell knows what a little girl you met two years ago looks like? When you’re a lord visiting Winterfell, are you going to pay attention to the little kids running around? So she can pull off the impersonation. Not having Jeyne, they used Sansa for that. Is that better or worse? You can make your decision there. Oddly, I never got pushback for that in the book because nobody cared about Jeyne Poole that much. They care about Sansa.

—Fire Cannot Kill a Dragon: Game of Thrones and the Official Untold Story of the Epic Series by James Hibberd - October 6, 2020

GEORGE R. R. MARTIN: My Littlefinger would have never turned Sansa over to Ramsay. Never. He’s obsessed with her. Half the time he thinks she’s the daughter he never had—that he wishes he had, if he’d married Catelyn. And half the time he thinks she is Catelyn, and he wants her for himself. He’s not going to give her to somebody who would do bad things to her. That’s going to be very different in the books.

—Fire Cannot Kill a Dragon: Game of Thrones and the Official Untold Story of the Epic Series by James Hibberd - October 6, 2020

I hope it helps you.

Thanks for your message.

#sansa stark #grrm

[wistfulrat]

ficss when youre in the mood for sobbing? 🥺

oh H E L L yea god i love crying on purpose okay here’s a list of fics that have straight up made me sob:

-like every fic on my dramas reclist, but specifically: (Un)wanted [cry scene: draco talking in bed with harry about wantedness], Hurricane [cry scene: hospital bed confessions at the end goD], Away Childish Things [cry scene: like, so many but harry talking to ron and hermione abt the first time he felt loved]

and if i could add to that list:

The Bolthole by gallaplacidia, aideomai, tepre - 54k, M Harry is a hoarder, Draco is grief-stricken, and both are capable human adults who can definitely spend a month in a cottage in the Cotswolds together without ever talking about the time they slept together in eighth year. Yeah, no, totally.

they are both so so sad in this. draco makes bad jokes. harry broods constantly. they both just want to Kiss the emo away. but naturally they are incapable of saying what they feel, what they want. when their unspoken needs finally fall out of their clumsy mouths it is a glorious mess. cry scene: “You’re making fun of me,” Harry said, voice shaking, “but I just wasn’t—I’m not good at saying what I want and Ron said I should just be direct with you, he said you always respond best when you just say something clearly—” “You’re not clear,” Draco said, wild-eyed, chin tilted up to him, breath hot against Harry’s cheek. “You’re not clear to me. I don’t understand you at all. the whole scene is a collision of insecurities and i sort of just unravelled while reading it tbh.

Such Great Heights series by aideomai - 115k, E 

Draco Malfoy, wide-eyed and pale and in a decidedly ragged shirt, was crouched next to the pile of whatever the dragon had been eating. Harry threw himself to a halt and yelled, “Merlin, how many times do I have to save your life?”

this is an adventure fic with dragons and hijinks and a ragtag collection of the DA filling up grimmauld place bc aideomai is incapable of writing boring plots. but it’s also set against the emotional landscape of draco and harry’s unlikely friendship that begins out of suspicion, struggles through that mistrust, and flourishes anyway. seeking pleasure and comfort from ppl is easy. admitting love is hard. draco and harry push and pull at each other so much you want to strangle them. cry scene: “Being brave doesn’t mean you’re not scared,” Harry said, voice strained. “I wish you two would stop acting like the fact that he hasn’t been brave means he doesn’t ever have to. It’s not a Gryffindor badge that they just give you and then it’s easy! It’s - it’s--”

“I know,” Pansy said.

“I miss him,” Harry said, and then doubled over, horrified, hiding his face. His voice had cracked. After a moment, he felt a light touch to his hair. He shuddered. “Don’t. Don’t.”

Yours is the Earth (Hold on, Hold on) by chickenlivesinpumpkin - 127k, E After a serious accident in the Forbidden Forest, Draco's personality begins to undergo subtle changes. At first, Harry credits this to a new enthusiasm for life. But as the days pass and Draco's behavior becomes more and more mysterious, Harry begins to suspect that something bigger--and darker--is at work.

a horror fic about monsters, anxiety, grief, and strained love. it’s draco holding the ppl he cares about at a distance and harry never knowing how to cross those lines without driving draco away. it’s watching a malevolent dark being have philosophical conversations about the nature of love. it’s a fraught relationship built on need, hanging by a thread. this story is like 97% angst but man did i sob like a child at the resolution. cry scene: Draco’s face crumpled. “Well, not anymore, okay? Because it feels awful, and I don’t like it, and I want you here, next to me, all the time.” His chin wobbled and the first tear fell, and Harry’s heart softened and broke all at once, even as Draco kept going. “I won’t get mad anymore. I promise.” the admission of craving nearness after years of distance. perhaps that destroyed me.

#anon i love u #crybaby solidarity #drarry fic rec

[androidemotions]

OK NEURODIVERGENT GAANG TIME BC I WANNA

these hcs are kinda halfway set in a modern au bc thats my context for this ! (gonna split it up so its not as long bc i drafted the original and it was LONG) water tribe siblings first !!!

Sokka

adhd/autism king 😌

[ID: a screenshot of Sokka standing on a raised stone platform with a map of the Fire nation hanging behind him. He’s holding his arms stiffly by his side with a wide-eyed look on his face, brows raised as he has his mouth open, saying something. End ID.]

- schedules to survive, he likes to know what hes getting into and if you try to change plans on him without warning he’ll be very resistant

- smart kid who doesnt study, oh he tries, oh boy does he try, he ends up reading the same sentence over and over until he gets distracted by drawing something, working on the blueprint for his latest invention, or with researching something completely unrelated to what he’s mean to be studying. then he tosses and turns all night because he’s stressed by not having studied, but when he actually takes the test he makes a 105, despite there not even being a bonus question, he just answered the essay question so well the teacher gave him an extra 5 points

- special interests?? we got em!!! classic weaponry (think swords, boomerangs, but also, like canons and catapults and shit) engineering/physics, art/drawing, strategy games. he tends to hyperfocus within his special interests, so like for a week he was hellbent on building his own full sized trebuchet, much to the dismay of Gran Gran who just wanted to grow her tomatoes without them being crushed by said full size trebuchet

- (also he plays all types of games probably, but he def plays those ones where you take over the world, like the ones online and azula also plays them too and they end up being rivals, while not actually knowing who the other is outside of their usernames)

- he also talks a lot in his classes/is like the ‘class clown’ and ppl think this is him not focusing but engaging this way actually helps him focus way more than sitting silently, a lot of teachers dont understand it but the ones who do are actually paying attention and realize that he’s generally talking/joking about their current topic

- some observations (this shit is all canon babey!!!) - sokka is great at being a leader and communicating in groups he’s in but he really really struggles in front of crowds, one-on-one and sokka can talk well, joke and stuff but as soon as he’s separate from other people and everyone is just listening he clams up (solar eclipse pt 1). he also loves to joke and make people laugh, and a lot of the time he misinterprets stuff because he’s autistic but he also will realize this and do it anyway because he thinks it’s funny and he likes laughing with his friends (idk if this happens in canon but i do this and sokka does too bc i said so :^). He also takes up the protector/comforting role but despite his best intentions he can sometimes say insensitive stuff and not even realize what he’s done to upset people (when he happily told aang ‘the whole world thinks your dead!’) works best when he feels needed, if he feels unnecessary or like something doesnt matter he struggles to complete it (i feel like the beginning of sokka’s master rlly demonstrates what i mean here), and this goes both ways, he will put too much value into certain things that he cares about and can get his priorities mixed if he’s focused too much on what he believes matters more than what might be most pressing (zuko destroyed his suki sculpture, oh right bc he was attacking aang)

Katara

she also has adhd/autism, (so do both Hakoda and Kya 💙)

[ID: a screenshot of Katara, Hakoda, Sokka, and Bato. Hakoda has his hand on Katara’s shoulder as they both look at Bato who is saying something, she has curious look on her face with her brows raised, while Hakoda looks exasperated. Sokka beside him his also looking curiously up at Bato, with one brow raised and the other furrowed. Bato has a neutral expression on his face as he speaks. End ID.]

- palms sweaty thoughts spaghetti, she tries to be practical bc she thinks someone needs to be but really her brain is like a runaway train, she sees something that needs doing and is like, guess ill do that now! and drops whatever she was doing first. she can get very anxious because of this because all the thing that need doing start to pile up because theyre all in her brain at once. that and as much as she tries to be practical she’s very impulsive, getting help from other people really helps alleviate this stuff

- interacting w ppl, when she was only part of her own smaller community she had a lot less toll on her, bc she knew everyone and was used to them, as she meets more people she gets really frustrated with how many people seem to refuse to say what they really mean. Katara is very straightforward herself and she says what she means, so even tho she gets more and more perceptive when interacting with new people, she resents how much she has to work just to decipher what people really mean half the time.

- caring for ppl, with people she cares about communicating is much easier bc she knows them, so she’s very open about her feelings around these people, and she can be hyper empathetic at times, but then sometimes she will say SUPER insensitive stuff off the cuff because she’s just very impulsive and she might regret it after the fact but she really struggles with apologizing because being wrong makes her feel like ppl are going to reject her

- perceptions, she knows what’s expected of her by the world, but she really rejects the idea that she has to stay in her role. still, she has internalized a lot of these expectations and tries to perform them, even when she sometimes struggles. beyond herself, she’s very certain about what she knows is wrong and has a strong moral code, she sees something wrong and she wants to fix it.

- she’s awful in school, not because she’s not smart, but she’s smart in ways that society does not appreciate. she doesnt care at all about all the worksheets and math she’s never gonna use, and all the history that got distorted, she’s much better at learning stuff on her own and she will go on deep dives of subjects she cares about and is super knowledgeable abt them.

also:

[ID: A cropped screenshot of Sokka with his arms extended outwards, palms flat as he gestures. He has a slight grin on his face with his mouth open to speak, eyebrows raised and looking at the viewer calmly. He’s wearing his usual blue tunic with the Earth Rumble XI belt along with his earth kingdom bag hanging across his chest. The text on the image says, “This post made by ADHD Sokka gang. End ID.]

[ID: a cropped screenshot of Hakoda, he has a serious expression on his face as he looks ahead. The text on the post reads, “This post made by ADHD Hakoda gang.” End ID.]

from this post (part of what inspired me to write these out) @meteor-sword​ now just katara needs one 😄

adhd aang next, i will finally live up to my url (will edit with a link when i post)

#a:tla #atla #katara #sokka #avatar the last airbender #avatar: the last airbender #hakoda #adhd headcanon #autistic headcanon #water siblings #image described

[seijorhi]

asks :))

what i have learned today is that y’all wanna get fucked by some monsters...

What does nostos mean? What language is it in? 🤔 also I of course loved it, mind blown as usual queen

it’s ancient greek! it means homecoming, the idea of a triumphant return home for the hero after a long journey. i found it through looking at the root of nostalgia. in this fic of course it’s kind of a grim tongue in cheek play on it. the reader’s coming back to the mountains, but she’s running away after a bad breakup, and the welcome she gets is... shall we say less than ideal haha

Just read nostos-

First of all as a person who reads monster shit- hell ya. Mhm. That’s some good shit right there. That was DELICIOUS horror. It actually had me a bit nervous and afraid to read what was gonna happen next 😳

Secondly- omg I wanna know what happened next (at the end) 👀 know what I mean??? 😼

ANYWAY AS ALWAYS you never disappoint and your writing is fantastic (if/when you write horror yandere stuff again I’ll be there- frothing at the mouth. A+++++ work ILY💖)

you want me to write the monster porn, just say it bby ghfjdkshgfjkd but ty

Omfg that fic was so good!

Did the readers mom know about monster kuroo?? Or was she just worried because of the previous murder? And did Kuroo somehow manipulate reader into coming back to the forest or was it just a big coincidence? (👁👄👁 there's no such thing as a coincidence)

Looking forward to your future work <3

ty nonnie!! i didn’t have the right space for it, but after kohsuke was ripped apart and eaten kuroo stayed by the reader’s side until late in the night, only disappearing when he heard the reader’s parents/search party approaching. they found her lying in pools of blood (and scattered half eaten body parts), shaking and unresponsive – they knew no animal could’ve done something like that. so they knew something lurked in those woods, but considering the reader had repressed the memories, her mom couldn’t just come out and say it <33

You are an AMAZING horror writer!!!

The uneasiness I got from the conversations with the mom is just *chefs kiss*

A+++++

ahh thank you!! horror is such a hard genre to write because i’m never sure if the suspense and everything’s gonna hit right haha

I read Nostos before going to sleep last night and at the time I was like “sure hope this doesn’t give me nightmares” and thankfully it didn’t lol. But I think I’m willing to take that chance again because it’s so GOOD and I think I’m just going to have to relive it – @ohno-otome

fhdjgbfhjkdfn i’m glad it didn’t give you nightmares bby!! but i also appreciate that haha, i’m an absolute wimp with scary movies and stuff but i just can’t stop watching them haha

I just wanna say that I was listening to "You're a psychotic villain playlist" on youtube while reading Kuroo's oneshot and I can't explain the emotions I felt, but I'd let Kuroo do things to me asdfghjkl – @itishebihime-samaforyou

ooh nice! sometimes the right playlist makes things doubly as fun haha

OH MY GOD!?!?! Nostos was soooo GOOD?!?!? Like it was so creepy (but in a good way), and scary and suspenseful!! And the ending!?!? Omggg honestly one my fav fics from you!! You did my mans Kuroo justice 🥺💖💕

TYYYYYYY i was genuinely concerned i was gonna scare everybody off haha

Ah! The new fic! Chiefs kiss! Magnificent! Bravo!🧚‍♀️✨🧞‍♀️🦖🦭🌹💫

tysm nonnie!!! <33

i’m pretty sure i’m in the same/similar timezone as you? and i do be staying up late to be one of the first to read your fics (i usually stay up late anyways). so imagine my surprise when i see you post in the afternoon. in conclusion, whether you post to align with your european and american readers’ timezone, my gmt+10 arse will still be one of the first to read your fics. also nostos sjdufigyyjf i have to admit, i recently just found out about monster fucking and nostos scratched the itch😫 i feel bad for kohsuke though

bby i always post at like 2-4 in the morning please get some sleep!! the fics will be there in the morning lmao. i kinda low key forget about my aussie/gmt+10 followers because i think there’s like... 3 of you haha

Honestly if i could give u a dollar everytime i got off to your fics, you'd probably be rich by now

lmao the idea that people find my fics hot enough to get off to still blows my mind lol

your newest kuroo fic was so SO good!! its totally okay if you dont want to answer this so you can keep things ambiguous but is monster kuroo planning on killing the reader after he's...done with them

thank you, bby!! but no, monster kuroo isn’t gonna eat her – he’s had plenty of chances to do that if that’s what he wanted, but he has other plans for the poor reader

RHI, I WANT TO STATE FOR THE RECORD THAT I AM OKAY WITH MORE MONSTER FUCKING IN THE FUTURE. i also want to say im not a monster fucker, but that just feels like a lie at this point. okay, now that that's off my chest, i love it. the mystery, the connections of kuroo to a cat. kuroo's probably gonna go and batter around his prey once they're under his grip like my cat does. hopefully the reader will come out somewhat unscathed, if they are ever allowed to leave 😌 love this, love how different it is, the way kuroo just tries to weasel in. very monster and yandere vibes, very you. have i said i love this yet?? id willingly let him get me drunk on his cock, maybe never leave the peace of the mountains again

‘i want to say that i’m not a monster fucker’ bby the denial will get you nowhere haha. just lean in and embrace it hgfjkdlkfgjnkdl ahh but thank you this is such a sweet ask ILY!!!

Omg omg the monster thing kuroo was in ur latest fic is so familiar to me abdhdmfnjfjf. I remember being told abt a monster with VERY SIMILAR characteristics to it (aka the not being able to go inside a house unless invited and using fire to lure ppl out) AND JFC IT TERRIFIED ME. Esp how when i told ppl around me and they didnt recognize what it was, but it was somehow known to the kid that told me abt it.

(Some ppl thought it was familiar but still didnt know what it was)

Do u know what im talking abt? Hopefully u do

-🥚

GHFJDK so the monster in this is kind of based off the nekomata spirit in japanese folklore - they can appear like people, torment victims by reanimating the corpses of their loved ones, they’ve been blamed for forest fires, so it was just fun to use that as a basis and then go buck wild haha. anyway thanks for the ask bby!

Rest In Peace Kohsuke, you would’ve loved Haikyuu season 5😔✊– @joyvstheworld

poor kohsuke deserved better, i’m just mean to the oc’s i throw into fics haha

Monsterfucking ❤❤❤❤❤❤ a little annoyed you're making me simp for yan Kuroo though (a vibe tho tbh). You're so extremely talented!!!! &

This is probably a stupid question, but how did Kageyama react when he couldn't find y/n? How is life with yan Suga? I imagine probably awful BUT yknow maybe the stockholm syndrome set in fast lmao. Sorry, I'm going on a binge reading your stuff. - @oracleofdin

i will not apologise for making you simp for kuroo he deserves it the man’s a snacc. and as far as your second question, suga’s a very caring, very smothering kinda yandere, so i guess in some ways it’s better than what the reader had with kageyama but... pick your poison haha

That was so good. I’m so shook rn I can’t comprehend anything but how good that was and how good a writer you are

TYSM NONNIE!!! <33

Ok, so, I just read Final Girl and the lil' ticket addition to it and just---

Well, ok I've been playing Dead by Daylight a lot lately? And I'm just picturing Tetsu as the newest killer "The Trickster" and I'm positively RANDY.

Your writing is ALREADY thirst inducing and just as satisfying, but this has SENT ME- If you're not familiar, please...

https://youtu.be/iowkiPobYYQ

Understand my thirst. (I'd also like to clarify, I use a different skin for him that gives him black hair and he looks like Kuroo with an undercut.)

~ @the-casual-hedonist 🌸

i love how feral y’all got for final girl kuroo. like bo and akaashi had his fans, but i put a spiked bat in kuroo’s hands and y’all lost your goddamn minds and i love to see it. fghdjkvhfjdkls thanks for the ask bby

idk why but I love preggo reader as long as I don't pretend it's me 😢✋ I hate babies n pregnancy anywhere else other than horny haikyuu fics

i think that’s a valid thing for a lot of fans. the idea of breeding is sexy, the actual getting pregnant and having a kid thing... not so much. but especially with non-con scenario’s, it’s more about the aspect on control than the actual desire to have kids. but yeah, i feel you

Sorry to bother but uh was just wondering in fracture did Osamu kill his wife or was it actually an “unfortunate event” ? Love your work btw!!

he most certainly did :))

LMFAO RHI i totally get not liking cheating/infidelity fics (towards reader) bc IT HIRTS ME SO BAD I CANNOT HANDLE THOSE.

id be reading fics those fics like: tf you mean my yandere aimt gonna baby me and only want me??🤨🤨🤨⁉️‼️

EXACTLY! listen i get that it’s a fucked up fantasy, but in my fucked up fantasy you damn well better have the decency to be loyal smh

Finders keepers is the most beautiful thing I've read by you: I read it twice like I normally do and here's what I figured out the second time (that's when I analyze it and find the little tidbits of things that are much darker than they appear (: )

To start I LOVE THE DETAILS OF THEM NEVER TEACHING READER ANYTHING- at first I assumed "oh they might see her as a little sister or child or something" but realized thAT WAS THE ISSUE!! they infantilize her and isolate her from everyone but her group. the small details like that are what make the story amazing 😎💅

ahh thank you so much, nonnie!! pls this is making me soft 🥺

I just wanted to stop by and say that I love your writing and I hope you're doing well!!! Drink plenty of water and keep up the amazing work :) but seriously you're one of the best fanfic writers I've seen on tumblr! I read your "Imitation" piece about kuroo and i keep coming back to it, it's so good! I did want to ask if you think it'd be possible for the reader to ever escape with the baby (or at least attempt to). Or if Kenma would "help" at all just to put an end to kuroo's antics lmao

kenma would in no way help the reader, and tbh by that point if kuroo did get her pregnant, she’d be far too emotionally dependant on him to actually even want to leave, but thanks for the ask!

You know who I think would be a perfect Yandere in the JJK world? Choso.

🚨Spoilers Ahead🚨

After being locked in a glass jar for however long he was, and all that happened with his brothers, I feel like he would absolutely never let his darling out of his sight. He would be possessive. Obsessive. And Oh So delusional. Sure he’d be your anything - he truly is a softy - but to what end?🤤

choso would make an excellent yandere, ngl 😌

what au/troupe of your fav character(s) that you have written do you like the most?

(rlly hope this makes sense🙏)

i am always a slut for soulmate au’s :))

#ask #anon #rhi answers #ohh so many asks #i love you guys <33 #fic q's

[simplaertes]

OKAY here it is breakdown/rant over the rh apology.

 bright side is looking up the waste of a tweet led me to see SEVERAL ah members reactions (presumably, they were pretty understandably vague tweeting) and they were so funny fdksal;fa; 

anyways. back to the angry and depressing stuff. (under a read more ofc)

tl;dr: it was incredibly narcissistic and had some pretty clear hallmarks of complete manipulation. but like, i cannot stress enough. the narcisissm

these past few days have been a difficult time

okay, starting off strong, basic, and lame. pretty usual call to sympathy (boo hoo things have been hard for me) 

but also, a little hidden here and VERY manipulative, is that he’s starting off with a relatable statement. “difficult time” yeah they sure fucking have been. anyone else saying that, we would all agree! it’s a textbook way to start off manipulation

without knowing exactly where to start...

ooooh here is where it starts getting interesting: this is what i like to call “anti-ethos” so in argumentative stuff, ethos is basically the plea to respect/authority/competence/etc. but this right here is the OPPOSITE of that... so what does THAT mean?

basically, it’s there as both a cop-out and another, subtler plea for understanding. “please be nice to me” it begs “i don’t know what i’m doing.” it’s a simple, one sentence way to buy yourself some leeway when you know what you’re abt to say isn’t the best. it’s like having to present in class and starting with a “well, i’m not entirely sure this is what was wanted....” it gains allowance from your audience in a sneaky kind of way

i want to say that i know i let a lot of people down, including those that i am closest too

textbook. it’s all so textbook it’s almost boring. the move here is he’s made himself look like he’s taking accountability and apologizing without doing EITHER of those things. also, look at those fantastic i-statements. “i want, i know, i let, i am” it’s just all about him, like always

also, great shoutout to the general language there: who did he let down? who is he closest too? it’s so incredibly vague. ALSO the way he says “let people down” is textbook downplay-- he doesn’t say what he did and phrases it to sound small, like a mistake rather than... what it is.

this is what i regret the most.

i think this was SUPPOSED to be a like, nice short statement that would hit hard. usually you only do short sentences like that when you’re sure they’re going to affect your audience? but like. this doesn’t work AT ALL which is why i’m prettyyyyyy sure there’s some narcisissm or smthn like that at play here

seriously, it just falls INCREDIBLY flat. letting down ppl you know is what you regret the most? not, y’know, DOING it? like jesus CHRIST. notice how he doesn’t apologize or say he regrets the actions once in this entire thing?? he just focuses on how the consequences have affected him. disgusting.

i take full accountability for the way i’ve conducted myself over these past years.

once again, he REFUSES to say what he’s done!! just talking himself around it. and using “conducted” there...... it’s written as though it’s all abt him, like, being a little creepy. it’s not abt how he “conducted” himself it’s abt how he GROOMED AND RAPED PPL!! 

it was unfair to those i have hurt, unfair to my friends in the community, and most importantly -- unfair to my family

“unfair” is once again downplaying it, my friend. but i do think there’s a little bit of an attempt at ethos here..... by throwing in his “friends in the community” where he doesn’t have to, he’s reminding everyone who he is -- that he was, as of a couple days ago, revered. loved. looked up to. 

also, bringing up his family to illicit sympathy for it. he’s STILL pushing this image of a “family man” and it’s DISGUSTING bc after all this, he’s made it very clear he doesn’t really care abt them at all

[stop harassing ppl paragraphs]

i agreed with this on first read and wasn’t going to comment on it but then i realized that’s what this part was meant for. it gives a break in talking abt things most ppl dislike him for, and makes you (the reader) AGREE with him, briefly. therefore, you form a comradery. this is argumentative essay 101: don’t start with the hard stuff, start somewhere everyone agrees and work from there. 

as for providing clarity to my mistakes, i would like to state: i never set out to hurt anyone

calling them mistakes again, you know how i feel about that. also, the “providing clarity” part is so strange. once again he’s framing it like he’s getting ready to write an excuse, like he’s exonerating himself by saying he never “set out” to hurt ppl

i flirted with and had sexual relations with members of the community

notice how he doesn’t address anything other than that. all he owns up to is flirting and sex. he doesn’t address the age gaps, the money, the rape -- nothing. and look at what he calls them: members of the community. that he makes it so general and broad means it’s CERTAIN there’s far more victims than have come forward. 

i am continually saddened to learn that my actions have contributed to anyone’s pain, especially as my interactions, as inappropriate as they were, always came from a place of what i thought was a shared connection

this is just. So Much. in one sentence. first things first: this sounds like a robot wrote it?? or someone who never experienced human emotions?? like seriously. saddened??? saddened was the best word you could come up with for that??? like. try horrified, floored, distraught, but SADDENED?? it just goes to show how UTTERLY disconnected he is 

and then!!! we get to the meat!!!!!! he says “contributed” instead of “caused,” alleviating himself of some responsibility and throwing subtle shadows on the girls who have come forward -- basically “well. they’re all a bit off in the head” in fewer words. also, using “interactions” there is just so fucking strange as well. you weren’t “interacting” with them. he said what he was doing (at least loosely) earlier in the paragraph, so once again he’s DOWNPLAYING IT

THEN there comes the SHARED CONNECTION. HOOOOOBOY. i have a theory on what this shared connection could be.................. love of fucking ryan haywood. bc it’s becoming more and more clear that ryan really, really loves himself. wtf else could he have possibly believed he shared with these victims??? i cannot see it. 

i apologize for all the hurt i’ve caused... i may never redeem myself, but i am taking steps to be a better person

okay sorry most of that paragraph was pointless so i’ve cut it. here, in the final statements, we get down to it.... the real kicker... have you seen it yet? well, i’ll tell you: he didn’t fucking apologize for what he did. TEXTBOOK, TEXTBOOK, TEXTBOOK NON-APOLOGY. HOLY SHIT. he apologizes for the “HURT HE’S CAUSED” like waaaa baby }i’m so sorry you got hurt. not sorry i did it tho lol”

AND THEN: the one, final appeal to sympathy. the pledge to do better. doesn’t matter if it’s true, EVERYONE wants to better themselves in some way, so EVERYONE can relate to this!! everyone wants to do better and be better and he’s playing on those basic human emotions to illicit sympathy. GROSS.

basically, this was one of the most narcissistic, stupid things i’ve had to read in a while and I CAN’T BELIEVE THIS GUY IS STILL ON TWITTER HOLY SHIT. 

at it’s most basic form:

he mentions himself (says i, my, etc): 37 times

mentions mistakes/accountability/unfair: 13 times

mentions his family/friends/community: 11 times

mentions the other victims: 3 times

...see the problem?

#mine #text #ryan haywood #for the blacklist #god this got LONG #i hope it makes any sort of sense #sorry guys i was VERY ANGRY

[cattles-bians]

exes au part 11

post directory

obsetress: i'm about to fully fall asleep but i have been thinking about exes au danvi and like the isabel of it all and dani dating a single mom and how just like

obsetress: vi is so protective of isabel and as much as she loves dani like

obsetress: she took SO LONG before introducing her and then like

obsetress: when they broke up dani left and dani wasnt in isabels life anymore and dani was so good for isabel and viola just feels so fuckin shitty and blames herself and

obsetress: but i'm also thinkin bout soft fluffy stuff too like how much dani loves isabel and how much vi loves watching isabel w dani and

em: hey hannah what the fuck

obsetress: isabel has a nightmare one night and goes to her mom's room and dani's there too and she just curls up between them

em: do you think when they finally reconnected dani was like hey um. does isabel remember me. would it be weird if

obsetress: FUCK

obsetress: this absolutely happens

em: viola is VERY apprehensive at first

obsetress: god yeah esp after getting so hurt by it but

obsetress: viola sure cannot say no to dani!

em: i love some dani with kids tho

em: maybe too soft but do u think for at least a couple years dani would like. send isabel a bday card

em: like dead air otherwise

em: hmm idk i am chewing that one over more

obsetress: god it's hard i think dani wants to but she doesn't

obsetress: i could see dani writing them and holding onto them

em: oh that’s even worse

obsetress: even tho she really doesnt think she'll ever talk to vi again

em: what a soft and depressing thought. thank u. i resent u.

obsetress: yeah it hurts!

obsetress: but then she does! and she gives them all to isabel when she's older maybe

em: hold on i’m gonna bawl

em: sometimes my parents will be like um. do u remember this person and i’m like uh i don’t remember people i worked w two years ago let alone

em: but i think isabel does

em: i will be thinking about this all afternoon bestie have a wonderful slumber

[em note: em yells in hannahs DMs while she's asleep dot png]

em: no um. mate im still furious about the isabel of it all wtf

em: thinking about um. like ok i dont wanna use isabel as a prop but this is certainly one of those times where

em: violas been hurt before and viola's hurt other people before because she's deeply troubled and i feel like that would be one of the first times she sorta. sure she licks her wounds and feels miserable for herself but its also like uh

em: really sobering to realise This Hurts Isabel Too

em: because yknow violas very gatekeep gaslight girlboss i think shes got a strong enough sense of self that nothing really shakes that. maybe even to a deluded degree. i dont think she goes to therapy because shes like wow im fucked up i gotta get help, she's more like

em: shes really driven by her love for isabel!! gestures WILDLY

em: realised this is an au where parents get therapy and dont pass their traumas onto their kids and i want OFF this WILD RIDE im so tired of discovering things about myself through the realm of fiction

obsetress: yeah same i kept thinking about it too alfkadlsfkjdasf

obsetress: i want to reply to every single line of the isabel thing but i'm not gonna do that so let me just say: YEAH

obsetress: like isabel is her cornerstone full stop everything comes down to isabel

em: dani's probably so nervous reconnecting w isabel again. absolutely spinning her lil wheels

em: they set up a lil date and time and dani's doing her gay nervous babble abt if isabel even remembers her or god forbid resents her n jamies like...

em: im pursing my lips as i draw a line on the whiteboard between jamie's whole childhood and isabels and shaking my head Goddamn It

em: jamie lets dani babble it out n pauses and reflects on what she's saying n then jamie's like. the fact ur nervous means u care. n kids are v good at picking up when ppl care. you'll be alright.

obsetress: god yeah this bit i can just. hear it

obsetress: it's so visceral

---

em: viola

obsetress: god my favorite taurus hedonist

[em note: hannah yells in em's DMs while em is asleep dot png]

obsetress: god fuck what was i thinking about isabel this morning like

obsetress: that's what i get for daydreamin between snoozes and not writing it down alas

obsetress: but just like how excited isabel is to see dani again when she does and also like, isabel and rebecca

obsetress: then i started thinking about

obsetress: rebecca and vi getting married and vi's always like i'm not gonna get married again it's bullshit and rebecca's like it's not for me but then they just

obsetress: like they live together and they share everything and rebecca looks out for isabel just as much and they get to a point and it's like

obsetress: oh. oh

obsetress: like they're both like it's the logical thing to do. it's logical and it's safe and we should have this extra layer of protection but also it's like

obsetress: they find themselves more and more excited a lil you know? and just thinking about how isabel's there and how excited isabel is and

obsetress: but god yeah what i was thinking about this morning like. one day vi has to tell isabel dani's not gonna be coming around anymore and like

obsetress: isabel doesn't really understand and she's so sad and then vi feels even shittier

obsetress: and she's like "we'll be okay. it's you and me, remember? moving mountains"

obsetress: "you me us, right?"

obsetress: the first time rebecca meets her she brings her a book as a gift and is like "this was one of my favorites" and

obsetress: OH I REMEMBERED

obsetress: so like when dani sees isabel again finally (and yknow as nervous as dani was vi was even more on edge because it's so inconsistent and is she gonna understand yknow? and the two of them just spiral––which is also another thing about the two of them in a relationship! i think they push each other down spirals)

obsetress: jamie's there too and dani's like "this is... this is, uh, jamie" and it's like you said jamie isabel parallels and so jamie's like a lil tender

obsetress: spoiler: isabel and jamie end up bonding the most

obsetress: jamie's like running around with isabel on her shoulders and then showing her all these plants and taking her to gardens and

obsetress: another tentative jamie vi alliance

em: isabel mikey hangout When

obsetress: isabel mikey hangout!

obsetress: they're hanging with isabel and she and jamie have a very spirited discussion where isabel's like "i wanna be a princess" and dani's like "why not a knight?" and jamie's like "why not opt out of the feudalistic hierarchy entirely and ditch the kingdom for the high seas?" and convinces isabel to go full pirate

obsetress: and then isabel kinda passes out with her head in jamie's lap and jamie's just kinda idly playing with her hair (vi is already like "am i... attracted to jamie in this moment?")

obsetress: and jamie's like "y'know, i should bring mikey round next time isabel's here" and viola's like "......who?" and jamie's like "my little brother? mikey?" and viola's like "right.... right"

obsetress: cut to later, when dani and jamie have retired to vi and becca's guest room: "since when does jamie have a little brother?" "she always has, babe"

em: kinda obsessed w like. violas love for isabel means her wires get crossed when the surly gardener is Good With Kids

obsetress: yeah

obsetress: mikey and isabel immediately hit it off i think

obsetress: a bit of an odd couple because i think isabel is definitely, like, her mother's daughter and mikey is............. mikey

obsetress: but i think they meet in the middle and help each other grow and play pirates together

em: viola is like. of course mikey and isabel will get along. isabel is wonderful. but jamie is quietly Sweating about the whole thing

em: so damvibecca are having their afternoon tea and their little cakes and jamie is Quietly sweating and she’s like ‘quiet is good, right? like they’re not tryna k-‘ and then there’s the sound of two 8 year olds (idk how old they are tbh) YELLING as they chase each other down the hall w wrapping paper tubes

obsetress: nervous babbling dani x quietly sweating jamie, an otp

em: isabel has gotten into the make up n given them both black eyes n scars and moustaches n everyone’s like oh no how’s viola gonna feel about this but viola is DELIGHTED

obsetress: dani's like "chill you all she's gonna––" and then viola is getting up and asking them to do her face too

em: made a parrot outta a sock and newspaper

obsetress: viola playing pirates w isabel and mikey

em: kids w their endless creativity n absolute disregard for personal property is truly a thing of dreams

obsetress: mikey gives her a paper tube and she disarms isabel, takes hers, and offers it very seriously to jamie

em: cuteeee

obsetress: rebecca's giving dani a look and dani is completely unfazed and reaching for another tea cake

em: absolutely unflappable dani clayton

em: dani and rebecca sharing a Look like hey have you ever seen her this gleeful

obsetress: there is something very tasty about jamie taylor having a direct hand in making viola so gleeful

em: takes a village!

obsetress: when viola's two big loves are sitting five feet away from them both

em: everyone changes everyone for the better

em: fucken soft ass chat over here

obsetress: everyone changes everyone for the better

obsetress: soft as hell

em: thesis statement everyone likes each other so much (jamie pretends she doesn’t)

obsetress: (jamie pretends she doesn't) (jamie might like everyone the most)

obsetress: viola registers mikey for isabel's school n pays full tuition

em: oh my god

obsetress: jamie is horrified and refuses to accept it and viola waves a hand and is like "too late, deposit's non-refundable"

em: (they carpool)

obsetress: PLEASE

obsetress: oh god and like

obsetress: flora and miles go there too

obsetress: full circle complete

em: broke: highschool au woke: guardians of primary schoolers au

obsetress: dani jamie in bed jamie's like "you don't...... think it's weird?" "hmm?" "mikey going to.... school with our boss' kids?" "why would that be weird" "i dunno" "he also goes to school with my ex's kid" "he's best friends with your ex's kid" "and that's not weird, is it?" (grumbles) "not anymore" "so why would this be?"

em: jamie’s ribbing mikey for his silly tie and straw hat but she teaches him how to tie a tie and also she keeps crying for some reason???

obsetress: oh fuck

em: mikey: can’t i just get a fake tie >:/

jamie: no because when u have a real tie you can leave it untied a little as an act of rebellion

obsetress: god it's jamie crying for me

em: i love that big baby

obsetress: so much!

em: jamies like idk what’s gotten into me i never cry n danis like. raises one eye brow and mentally checks off all the times jamie has absolutely bawled watching a movie

em: not even a sad movie

em: dani plays along

em: maybe ur getting soft in ur old age jamie

obsetress: jamie i cry three four times a day five if i'm being honest taylor

em: thinking about their weekly weekend lunch w damvibecca and hannah and owen and miles and flora and

obsetress: dfjsldkfjslfslfj

obsetress: god big found family

obsetress: you know viola doesn't like

obsetress: dani and jamie respectfully toe around whatever the fuck owen and hannah have going on but viola just does not suffer it. she's so blunt to them

em: big viola grin and all ‘owen, hannah, i assume you will be each other’s dates?’ (owen chokes on his tiny egg sandwich)

em: hannah grose is serene and unreadable as she dabs a bit off yolk off owens moustache

em: maybe even a bit pleased

obsetress: everyone is always so tense when viola and hannah get together because neither of them take shit yknow

obsetress: and everyone's like "which way is this gonna go"

em: god. peak snarky broads

obsetress: but usually they end up good. two apex predators where one is a lil vicious but the other is so confident in its status that it just chills

em: they have the Best gossip

obsetress: would love to sit in and listen as they drink tea and gossip tbh

em: viola presses owen on hannah and he goes red and viola presses hannah on owen and she does a little wouldnt-you-like-to-know into her tea

em: viola nee willoughby and hannah grose friendship is. truly something i never knew i needed until now

em: they’re both just that lil bit older than the rest of the gang too

obsetress: an important coalition

obsetress: hannah grose! hannah looking out for rebecca and that's the couple times she gets a lil testy w vi

obsetress: mikey and isabel besties but flora and mikey get along really well and isabel and miles do too i think

em: the sheer chaos of a taylor-lloyd-windgrave story time

obsetress: LDKFjKLSDJF HELP

obsetress: taylor lloyd wingrave story time

obsetress: jamie suddenly very invested in story time

obsetress: dani's like "i know this is the first time you've actually cared about story time, babe, so let me give you some pointers"

em: i was just in my head thinking fondly about like. jamie is a drop out and plays a lil dumb sometimes for fun but also prolly reads a lot especially to mikey and now i’m like. wait i’m talking to Ms Floras Two Moms herself

em: idk if i had that headcanon before i read she taught me a lesson alright but yknow what! doesn’t matter it’s a beautiful one

obsetress: thank youuuu i love it a lot

obsetress: jamie big reader is generally one of my fave headcanons tbh i'm glad it seems to be widely accepted. can't even explain why it's just nice

em: sometimes i will talk 2 ppl about my passionate drop out jamie taylor belief n then they’re like but she’s smart (it’s only happened a couple times hahsj) and i’m like these aren’t mutually exclusive!! this is my very biased experience but my friends who do manual labor for a living seem to read so much more than my friends who don’t

em: your brain wants to chew over things while the hands are workin i reckon

obsetress: yes yes yes yes yes

obsetress: i think that's also like (sighs heavily)

obsetress: symptomatic of hegemonic perceptions of the working class

em: i love when u sigh heavily it’s always a fun take

obsetress: i think jamie is v clever and reflective and like if there's one thing i've learned getting older it's

obsetress: smart doesn't matter i think the most insightful most thoughtful people are the most reflective ones

obsetress: like none of it fuckin matters just be a nice person

#in which hannah says hegemonic perceptions of the working class and i pretend its foreshadowing vampire au #the dani jamie viola rebecca exes au #LONG one its like #2500 words which is #yknow! some pages #idk what counts as long all writing is witchcraft to meajhfjbnk #ik i should be pacing these a lil better but #i just wanna get up to vibeccas wedding im IMPATIENT

[k1rishiki]

i am curious, as someone who’s only exposure to arthurania was reading jane yolen’s young merlin as a child, would you mind saying why hnoc is a bad adaptation? i’m super curious but no worries if not <3

this has been sitting in my inbox for months bc i kept telling myself i needed to write a full essay with proof from medieval lit to make myself feel smarter.  however, since i’ve recently lost all credibility bc i can’t articulate points to save my life, and since i’ve realized that i could answer this in a just a couple paragraphs, now seems like the right time to answer this ask. sorry for the wait.

under a cut bc length

also warnings for mentions of racism bc this is hnoc we're talking abt and sexual assault bc this is med lit we're also talking abt

the basic problems are pendragon polycule itself, the story beats of the album, the fridging and lack of characterization of morgan le fay, the clear influence of pop culture arthuriana, and whatever the fuck happened with gawain/e.

pendragon polycule is... just not a good take.  there’s a bit in the lancelot-grail abt arthur viewing lancelot like a son (and lancelot not giving a shit abt him).  also arthur knew his parents for years before lancelot was even born.  plus lancelot just Doesn’t care abt him and i can’t stress this part enough.  arthur repeatedly tries to have guinnevere killed, mostly in the lancelot-grail, and guinn didn’t really have any say in marrying him bc she was a teenager.  lancelot and guinnevere is a lot better but that’s not saying much.  guinn doesn’t exactly treat lancelot too well... like at all, BUT it’s not intrinsic to their relationship and is completely caused by medieval misogyny and i’m all in favor of modern retellings saying fuck that.  but also lancelot has multiple pseudo-canon boyfriends (this is med lit after all), and one pseudo-canon husband so like... there were better options.  (also lancelot’s husband is basically in a lavender marriage with guinnevere’s maybe girlfriend who most authors just eventually forget abt as the story progresses).

this next one is a problem with a lot of modern arthurian works bc the inclusion of elayne of astolat is too much to ask apparently.  the grail quest isn’t tied to the fall of camelot, it just happens to be one of the last grand adventures the knights of the round table have.  the event that traditionally sets off the fall is the death of the maiden of astolat/the lady of shalott/elayne of escolat/she has a lot of names, her story has a few variations but usually she either is cursed to stay in a tower and weave and only be able to see the outside world through a mirror positioned across from her window, until lancelot rides by and she rushes to see him out of the actual window and her mirror shatters, setting off her death, or she lives with her father and brothers and takes care of lancelot bc he was injured for a time and she gets to go on adventures to find him and she’s friends with gawaine and she dies bc lancelot rejects her and this version’s a lot more fun but also more happens which makes it harder to explain.  the way her story ends however, is that she dies after she makes arrangements for a glorious boat to drift from astolat to camelot carrying nothing but her dead body and a letter explaining that she died of love for lancelot du lac and the court mourns the death of such a beautiful and young maiden (her age varies a lot but i’ve always read her as a young teenager at most).  but the important thing is, camelot is doomed from the moment she washes up on its shore bc she’s an omen of the end and has symbolic meaning and all that, the maiden of astolat washes up on camelot’s shores, the court mourns the loss of a maiden in her prime and she marks the end of camelot’s prime as well, morgan le fay reappears after being presumed dead and warns arthur of guinnevere and lancelot’s affair, aggravaine and modred conspire to bring lancelot and guinnevere’s affair to light, they succeed but lancelot escapes, guinnevere is to be burnt at the stake and lancelot rescues her, killing aggravaine, gaheris and gareth (gawaine’s brothers) in the process, gawaine drags his uncle and camelot to war bc he was driven mad due to the loss of his brothers, lancelot accidentally kills gawaine, his best friend and maybe boyfriend (i have RECEIPTS), and gawaine forgives him on his detahbed while lancelot and guinn rejoin arthur, meanwhile modred, who practically had the throne handed to him, usurps and invites the saxons in, camlann happens, and camelot is destroyed.  no where in there is the grail quest.

morgan le fay is honestly the most questionable part of the album bc there’s not a single text where she dies.  like....  at least with eurydice in udad she died in the original... there’s no basis for morgan dying.  also she is NOT modred’s mother and anyone who tells you otherwise is a liar, she interacts with him once in the vulgate bc she had three of her nephews over and that’s IT.  it’s a horrible take which originated in the mists of avalon by marion zimmer bradley who is an honest to god monster for reasons i don’t want to trigger tag this post for.  also she’s one of the most dynamic and thought-out characters in the entire canon and they just made her a watered down morgause (modred’s actual mother, morgan’s sister, canonical milf)... there was no reason for it to be her apart from the fact that she’s more well known......

pop culture arthuriana is,,, one of my least favorite things.  no, morgan wasn’t modred’s mother, no, morgause wasn’t abusive but her husband sure was implied to be, no, aggravaine didn’t kill his mother, that was gaheris, he loved his mother, you’re only saying that bc he has a reputation as the “evil” orkney, no, the once and future king is not a good descriptor for arthur, stop making me read it, no, morgause wasn’t the one to initiate the thing with arthur resulting in modred, no, lancelot and arthur weren’t friends, no, tristan wasn’t a self-centered asshole, tennyson is a fucking liar, no, galahad didn’t have sex or want to, he’s one of the first ever explicitly asexual characters out there, no, galahad’s conception was NOT consensual, lancelot was tricked, and no, elayne of astolat wasn’t galahad’s mother, she’s implied to be younger than him.  those are just the big glaring ones, but i swear it’s bc of arthuriana’s reputation as a mythology and the connotations belonging to that word (no one true canon (which is true but there are still things that just AREN’T canon, not completely written down, passed by oral tradition) that causes ppl to see mediocre modern texts and go “oh. well this is abt as close to the original as i’m going to get” and don’t bother to look into so much as malory (who i only name bc he’s one of the most well known medieval authors with the most commonly used storylines, don’t read malory kids, he’s a mediocre-at-best writer even by medieval standards).  the big perpetrators of modern arthurian tropes are the books the once and future king by th wh*te, who is a shitty person and lets it bleed into his writing (which isn’t like... nice to read or anything, seriously why do ppl love this book so much it doesn’t have redeeming qualities), and the mists of avalon by marion zimmer bradley (it’s poorly written, the story is a mess, and mzb is honestly a monster and one google search will tell you that), and unfortunately the writings of tennyson, which are mostly good but he clearly didn’t read the povest (a later text that’s also my favorite, known for significantly improving ppl’s opinions on tristan, isolde and co.) before deciding he hated both tristan and isolde and he has HORRIBLE takes on them.  high noon over camelot is SEEPED in pop culture arthuriana and i think it would have been so much better if the band had read so much as a SUMMARY of the events of le morte.  it’s evident in the song “the once and future king” bc it’s,,,, literally named after one of the worst books in existence.  it’s shown in the morgan le fay thing, and it’s shown in the pendragon polycule thing.  and hell, i think you can even explain away the lack of elayne of astolat with pop culture arthuriana, bc ppl have had bad takes on her ever since th wh*te combined her character with that of ela*ne of corbenic, and the band probably went “huh, let’s write lancelot’s abuser out of this” and they would’ve been right to do so if that’s who elayne of astolat was.

the final big issue is gawaine, the closest thing the genre has to a protagonist, he’s pretty much canon bi and, in some texts, arospec, he’s a dashing knight of great reknown and he derails every romance to steal hearts, commit murder, and make out with every knight and lady mentioned.  and in hnoc he’s... racist.  that’s it.  it’s,,, almost completely unfounded by the arthurian canon and shows a major misunderstanding of his motivations (like i said earlier, he wants to avenge his brothers bc there’s a reoccuring motif of how much the orkneys value family).  i say almost bc in one text it’s his motivations for killing palomydes but i’ve never heard it mentioned by name bc that’s just what it’s known for.  most arthuriana fans just look away from it except when critiquing hnoc but that one text is an outlier, shouldn’t be counted, and i highly doubt the mechs made hnoc gawain how he is bc they found this text.  it’s just a bad text.

hnoc has,,, quite a few more minor issues, such as villainized ladies of the lake (their ONLY crimes were sealing away merlin bc he tried to assault teenage nimue/ninniane (proto-nimue/vivianne from the vulgate), and that one time vivviane/ninniane kidnapped adopted baby lancelot), assigning brain to merlin (y’know,,, the predator who helped arrange the [redacted] of arthur’s mother and tried to assault a teenager,,,) although merlin is portrayed in a positive light throughout modern arthuriana so i don’t think they knew, giving a song to pellinore, who my perception of has been forever altered bc i was introduced to him through malory and the explanation of torre’s conception, which you can just look up “sir torre arthurian” to find out abt if you can’t just Guess, if they wanted a song abt the questing beast palomydes was Right There AND has been associated with the questing beast for longer, but once again i don’t think they knew.

also namedropping a bunch of knights in the fiction is... it Suggests a bigger world full of all these other stories but they just don’t work bc the world of hnoc wasn’t designed in a way where the appearance of half these characters would make sense.  like,, tristan is referenced as dying in the grail quest in the same sentence as bedevere (one of the characters who is known for almost always surviving), but tristan Isn’t one of the knights who dies on the grail quest, his possible deaths (ignoring the potentially happy ending of the povest for a second) are either being murdered by his uncle, king mark (bc mark married tristan’s gf to try and get tristan killed and also to spite him), bc he was driven into a fury bc of tristan and isolde’s affair, or he’s injured and only isolde (the best healer in the world) can save him so he sends for her and if the ship he sent for her is supposed to fly white sails if she’s there, or black sails if she’s not, and the ship flies white sails but his wife (also named isolde) says it’s black sails (the why depends but usually comes down to jealousy), and so he gives up bc he thinks all hope is lost and usually succumbs to his injuries, either way isolde dies of a broken heart over his body.  there’s no way for the tristan and isolde story to play out like it’s supposed to in the world of hnoc, just as there’s no way for any story with gawaine (and Oh Boy are there a lot of stories with gawaine) or pretty much anyone else, without severely altering the canon.

of course, there are still parts of hnoc i like a lot, most of the music i adore and i just like the idea of space cowboys and the secret good hnoc that lives in my head.  and it has one of my favorite characterizations of galahad, even though galahad hnoc is nothing like galahad arthuriana.  it’s not GOOD but i like it and it’s fun to turn my brain off too, and i’ll always value it as my introduction to arthuriana.

also there are modern arthurian tropes i do like such as characters being genre-savvy/knowing they’re fictional/knowing they’ve done this before (which hnoc does wonderfully!) and bedevere-as-the-storyteller (everyone say thank you lord tennyson).

WOW that was longer than expected, i feel very passionately abt this, when i was planning to write a fully sourced essay i meant to include a bit at the bottom with recommendations to get into better arthuriana and i think i’ll keep that in this post.

if you like hnoc for the arthurian music i’d like to suggest heather dale’s arthurian music to you, she does occasionally fall into the trap of modern arthuriana (some parts of lancelot and arthur being close, morgan as modred’s mother), sometimes she’s just wrong (galahad at lancelot’s trial, a lot of tristan and isolde), and her stuff is kinda straightwashed sometimes (sir gawain and the green knight, for example) but i’d be lying if it wasn’t catchy, and it’s not quite as bad as hnoc adaptation-wise.  culwch and olwen is pretty accurate (albeit abridged bc culwch and olwen has SO many tangents), as is lily maid (it’s abt elayne of astolat!).

if you liked hnoc for king arthur... in space! then may i recommend to you my own fanfic? it's not posted yet but the second i finish writing the first chapter i'm going to make a Big Deal out of it that'll be impossible to miss!

if you want to learn abt arthuriana through tumblr-osmosis like i did at first, i’d like to recommend the love of my life @acegalahads, first and foremost (it’s me on a sideblog i’m just obsessed with myself), and i can’t recommend my arthuriana mutuals over there, @/gringolet, @/merlinenthusiast, @/jcbookworm, @/elayneofshalott, and @/elaineofascolat (the elayne urls have been popular recently), also i know for a fact that my mutual-in-law, @/itonje makes great arthuriana posts that i look forwards to whenever i open the tag.

here are a few good reference posts, a quick guide to the characters, a guide to characters of color, and a much more comprehensive intro to arthuriana post with even more texts linked to it.

if you want to ease into med lit, i’d like to introduce you to pre-raphaelite poetry, alfred lord tennyson and william morris are my favorites, although tennyson can’t be trusted with tristan and isolde.  the poem the lady of shalott is basically a rite of passage for arthuriana fans, although when it comes to tennyson’s writings abt elayne of astolat, i prefer lancelot and elaine, which is part of his much larger story, idylls of the king.  for morris, don’t trust what he says abt aggravaine killing his mother, but my favorites of his are sir galahad, a christmas mystery, which sounds like a shitty disney sequel, and palomyde’s quest, which i blame for my love of palomydes (that and the one bit of the povest where he asks tristan to be his greatest enemy and that he wants nothing more, gay ppl,,,,).

if you want to read abt lancelot and his husband, there’s the lancelot-grail cycle, which i believe was taken off of archive dot org and i think i found it on @/tobeisexhausting’s blog but don’t quote me on that.

the povest, which was a religious experience for me and i can’t reccomend enough if you want to like tristan and isolde, is here, i don’t know who scanned it but i think i found it on @/lanzelet’s blog

the dutch texts are just good in general, here’s a link to their section of a(n unfinished) site for hosting various texts by my former mutual @/reynier (who’s no longer on tumblr).  i’d like to recommend lancelot and the white hart specifically bc it’s mainly just just gawaine being gay for lancelot.

if you want older works, here’s my scan of the history of the kings of britain, and here’s culwch and olwen and pa gur.

oh wow this is even longer than i thought it would be so i’m going to wrap this up by saying that i always love to talk abt arthuriana more than anything if you have any questions or just are curious!

#med lit on main #asks #hnoc #the mechs #romeo.txt

[musashi]

sending u this ask as an opportunity for u to talk to me abt fi!! i love ur thoughts n words on things nd i don't send asks as much bc i don't have. good words to talk to u abt stuff but i rlly enjoy just. ur Passion nd stuff. autistic people r the best at talking abt stuff i stand by that we r just Epic. anyways if u wanna, i'd love to hear more about just... how fi sorta. changes, over the game? like the Little Things that show her starting 2 care abt link more, or becoming more "human"!

i love this whole ask. you’re right autistic folks r sexy as hell idk how the divine powers that be fit so much passion into my tiny body but i’m glad they made the attempt. 

ANYWAYS FI. i don’t think i’ve ever actually laid this out because for the most part it is incredibly subtle and requires a lot of filling in gaps yourself, and i think that someone who cares less abt her can probably come away from it with an entirely different interpretation. fi’s development of actual feelings are a very sudden a mysterious thing, and i have a LOT of thoughts about them going in a lot of different directions so forgive me if this answer isn’t particularly linear or coherent. i’m not just gonna talk about her slow burn into feeling things, i’m also gonna talk about... why i think it happens.

we don’t get to learn a lot about sword spirits and how they come into being, other than it takes great power to enchant a sword with a spirit/temper a sword with one inside it. hylia obviously created fi and, presumably, demise created ghirahim, and they are pretty much as opposite as two people can be with their only real characteristic in common being precision, intelligence & otherworldly loyalty to their respective masters. 

we thus don’t get to learn how much control the creator of a sword spirit has over what kind of spirit comes of it, if their personalities are organic to their experiences or crafted from the moment they awaken. what i mean by this is like... ghirahim could have been a cold, calculating AI like fi when he was first tempered and gained his dramatics over time, we have no idea how long he’s been alive in comparison to her, if his personality is so much more extroverted because he was allowed a life outside his blade whereas fi was isolated in hers for millennia. or if he just came into creation immediately ready to scream and stick his tongue in ppl’s ears.

i swear to god i’m going somewhere with this. ok. anyways.

fi in the beginning of skyward sword is, i think, how most people remember her--data-interested, icy, and detached. there is a reverence in how she addresses link from the start, even before he formally becomes her wielder, but beyond that she is calculating and precise and rarely wastes words. all of this kinda paints a picture of hylia creating fi, to me--breathing life into the spirit and willing her to be effective, be efficient, be loyal, and be sharp. when you have that image in your head, a lot of how fi operates makes sense--she wasn’t created to have emotions, because emotions get in the way of what her purpose is. hylia made a weapon and a servant, not a friend. it sucks to think about, but that is fi’s purpose.

the game is very careful, however, to show you it’s not that simple from the beginning. because hidden in Ice Queen Fi’s introduction is... a surprising amount of personality.

like this shit, where she straightup just dunks gaepora in the trash because his #Lore is out of date. it’s hysterical because you really do not know if she’s just a) an AI who doesn’t understand when she’s being kinda Rude or b) being snarky On Purpose. and that ambiguity in itself crafts this beautiful air of mystery where you, from the get go, don’t entirely know what to expect of fi all the time.

or this, which she says directly after link hesitates to accept the blade:

this scene, which people who have edgier takes on fi constantly use to paint her as intentionally manipulative, where all i see is... her using emotional validation to calm link down enough for him to take in what’s happening. a really important thing about fi is that she’s paradoxically an empath? she can read auras and detect emotion with extreme precision even if she’s incapable of feeling it herself in the beginning. so she knows everything link is experiencing here, understands that it’s holding him back, and takes care to deconstruct the whirlwind of emotion he’s collapsing under and explain to him why he can and should trust her words.

again this is all in her introductory scene. they write her very specifically to be a seemingly flat character with this... rumbling of something more going on under the surface. so much so that the first time you get to a sacred spring and fi, completely randomly, just starts skating across the water’s surface and speaking ancient poeticisms to you, you don’t question it. you’re not like hey, why is sword alexa doing a little dance? you just accept it as something fi is doing, because fi always feels like she’s at her job, and you don’t know how she acts outside of work, but you kinda feel like maybe you want to.

fi’s affinity for music is another way they insert humanity into an AI without making you think too hard about it. singing and dancing are inherently human, artforms are something we associate with the heart and soul. even teaching a robot to paint is, in itself, an art project crafted by a human hand. but you don’t really... consciously think about that, when you watch her do these things. you just kind of accept that she is this otherworldly thing guiding you. you don’t think about the contrast of this programmed assistant performing music alongside you in a sacred ritual. you’re just kind of like, yeah? i can’t JUST play nayru’s wisdom on my harp, i need someone who can sing and god put a vocaloid in my sword???

throughout the game, fi’s dialogue chains when you summon her don’t change in any meaningful way (besides based on what you’re carrying, where you are, etc) but as you near the end, there are a couple things of note. one that sticks out to me is what she says about one of the mid-game minibosses, who is also an artificial intelligence--

a lot of people laugh abt this line and make jokes about fi being hot for the tall handsome robot pirate and they’re valid. but the thing is, like, from the beginning of her mission, fi knew she’d essentially be dying once the world was saved. and early game fi has no hesitations about her part in things regardless, because, as we know, she wasn’t created to feel things like that. she wasn’t created to fear death, to grow attached to life or anyone in it, or to experience sorrow at the idea of saying goodbye. but this is mid-game fi, who still... never says anything she doesn’t deem entirely necessary, but she says this. for no discernible reason, she says this. it’s an unskippable dialogue option, one they WANT you to see and one that is different when you know where she ends up. admiration is already something you wouldn’t really expect of her, but it’s more than that--she’s longing for her own story to mirror it. by the sand sea, fi has started to realize she doesn’t want to go to sleep.

it’s another one of those moments where you’re kinda like, ‘haha, what, fi?' and then move on. another one of those moments where she kinda does something a little unexpected, but not so unexpected you question it too hard. fi excels at those.

before you go off to fight demise, fi stops you to warn you that it is the final battle, and you cannot return. and when you tell her you’re ready, she says this:

as i’ve said, fi doesn’t waste words. almost always, everything she says is for the purpose of efficiency, and rarely does she offer thoughts without fixed probabilities and ultimate endgoals in mind.

this is a sentiment.

it serves no purpose. it is purely an expression of devotion.

and because of EVERYTHING i’ve mentioned thus far, this line both hits you HARD as significant and foreboding in how suddenly tender it is, AND manages to read as in-character for her to say. because the way they write fi’s humanity is so beneath the surface, so easily missable, so hard for me to even lay out with concrete evidence despite the fact that i’m a person who reads a text dump of all her dialogue before bed every night.

but to me, what lays out fi’s inner workings best is actually her actual goodbye, and... not the moment most people would think, tbh? it’s not her tender farewell that speaks her emotions loudest to me, but the moment right before:

these lines, which would read as perfectly in character if it were early game fi, cut you. her complete and utter flippancy, the way she talks about all you’ve been through together as though it were nothing to her, the absolute coldness here after everything. you as a player feel kind of pathetic when she says this, like you were misguided in growing attached to her and thinking of her as a friend. and you KNOW thats the intended effect, because this is what link looks like:

he takes a moment in that last shot to like. swallow sadness and turn away from her, but even as he’s turning his head, he doesn’t take his eyes off her until the last possible moment. she hurts his feelings! why.

because it’s an act, is why. of COURSE fi loves him. of course she’s grown attached to him, of course she’s happy to have known him, of COURSE they’re friends. but fi was NEVER supposed to feel that way, she was never supposed to have the capability to love, and there’s no calculation she can run to set the uncertainties of that at ease within herself. so those lines up above is her trying her best to reset herself to who she was in the beginning, to snap herself back into the role of an emotionless servant to the goddess, to convince herself--not link--that saying goodbye won’t hurt. she’s trying to cope with something she has no idea was in the cards for her, and that’s why she’s seemingly so cruel for a moment.

all of this becomes apparent when she calls him back moments later and tells him how she really feels. there’s major whiplash because fi herself is Going Thru It. but essentially what’s happening in that moment is she thinks she knows what will hurt the least, but she miscalculates and backpedals and realizes even if saying goodbye hurts, it hurts less than pretending she doesn’t want to.

i think a lot of people overlook that line--“the most precious data i have on record.” fi, who contains multitudes within her. who contains knowledge immeasurable, the thoughts and feelings and stories of thousands. of civilizations, of gods, of countless ages passed. everything she holds within her is dwarfed entirely by what she feels for link, beside link. nothing in her encyclopedic knowledge can even compare to her friendship with him in the significance it has to her. like all things, fi has her own way of communicating her meanings, and this is her way of saying she really, truly loves him. 

in addition, she very carefully does this after he abandons the sword, so it’s clear that it’s of her own will, not a part of her purpose as his servant. for this whole cutscene, up until she end, she drops the honourific and calls him just Link. 

and while i see a lot of people debate if she truly does ‘feel,’ anything, like... she says it right here, she does. whether or not she was able to feel from the beginning or not, she can feel now. she has trouble putting words to those feelings, or explaining to herself and others where on earth they came from... but she feels now. that cannot be disputed.

happiness that she was able to know him. loyalty she wants to transcend lifetimes. sorrow at the idea of them having to part. gratitude that he took the chance, and did so beside her.

let’s talk about gratitude.

in skyward sword, gratitude is a tangible source of magic. it opposes malice, which as of botw is a reoccurring thing in zelda lore. skyward sword has two items--evil crystals and gratitude crystals--that represent malice and gratitude respectively. while the first isn’t entirely relevant, the second is something you’re actively encouraged to more or less harvest by helping people and basking in their thanks toward you. these feelings of gratitude are so canonically powerful in the zelda universe that they can turn monsters into humans entirely, and the outpouring of energy that event causes makes every monster & hostile creature within all of skyloft turn docile at once. 

according to batreaux, the monster in question, this is well-established legend, the idea of gratitude granting humanity to the nonhuman. skyward sword literally said the power of love was canon.

the song that plays over the goodbye, of course, is called fi’s gratitude.

this is just one theory i have on the matter, but... whether hylia intended or foresaw fi to be capable of feeling human emotion or not, i do believe it was gratitude that woke her heart up. whether she was meant to love or not, link’s spirit contained within it enough love for the both of them, enough to touch her soul and rouse her from her cold and emotionless state. as always, through everything, they work in perfect tandem--his passionate heart touches hers as it sleeps, her wisdom holds him steady and level-headed. 

when fi says “may we meet again in another life,” she says it like a prayer, because it is one--she knows hylia, knows that hylia loved link’s spirit just as she did, and knows that hylia of all people understands what the sword spirit is going through. and fi also knows that hylia immortalizes those she loves with cycles, with reincarnation, eternal life without the pain of never dying. fi doesn’t have a soul that hylia can bring back from death nor a physical body to revive, but she works with what she can--and so long as link’s spirit breathes anew, he finds fi. in a sunlit grove, with light bearing down on her, safe and warm and always loyal, even as the world rages on outside. fidelis, she was named for--“faithful.”

the fandom doesn’t really talk abt it, but fi is an angel. she’s an angel god sent to watch over one human, and when god said your mission is complete fi faced god and walked backwards into hell. her divine mission is long passed, but it stopped being about what she was fated to do long ago.

fi began to watch over link because he was her master. and fi resolved to stay forever because he was link.

#skyward sword #long post #hand of sorrow #wendy rambles #Anonymous #wendy answers

[papers4me]

Fruits Basket, Se3, ep11 (part 1)

Breaking toxic bonds & accepting healthy ones isn’t a miracle. A bond that started with love could end up chained & toxic, another that started wrong could’ve become the joy of a life time. You can do it. Break the cycle of abuse & stand up for yourself, it is easy yet so difficult, you aren’t alone, tho, loved ones stand nearby cheering. Be kind on yourself, otherwise you’ll throw your life away. Life isn’t just happiness & joy, it’s also sadness & loneliness. Break free from the shackles that held you down. Embrace life & Live.

-Tohru’s “ I’m okay” mask is finally shattered! (the Importance of kyo’s rejection for her development):

This is the last part of tohru’s character development! The last few eps were abt her role in Akito’s redemption & their similarities. she staood up for herself & choose a path away from her mom while keeping her mom’s memory in a healthy manner. No more planning my life according to mom’s wishes, no more talking to mom ‘s picture 24/7. Now, I’ll plan my life & move forward even if it is with the guy mom said she cant forgive. even If it is without him, I’ll move forward. I love him so much, yet I won’t force our bond & let go. So easy yet so difficult!. tohru doesnt know anything abt kyo after her fall. All she remembers is his heart-broken face as he wept beside her. Those tears on his face, she caused them. He cried cuz it is too painful to see her hurt. She was a burden to him! tohru restored to her old coping mechanism of pretending “ i’m Okay” & smiling. She did so numerous times before. Always worked. No one noticed. Except him. Se02, ep7. he urged her to show her true fears. Now, she’s faced with a pain so big she can’t pretend no more. the pain of loosing him. She cried in front of yuki! The smile & chatting abt chores couldn’t conceal the running tears! Yuki’s first time seeing her like that. Se01, ep14, yuki wondered how could tohru smile after her mom’s death. She can’t pretend no more! She’ll have to wear her feelings on her sleeve! cuz it IS ok to do so! She tells kyo to give her a moment to compose herself. She couldn’t lie & pretend like she did with yuki. Here she either run away or just try to compose myself! I LOVE THAT! This way, whenever kyo/tohru fight or have any misunderstanding in the future as a couple, you’ll know tohru won’t just bear it & pretend, “ i;m okay” No! she’ll talk to kyo & express herself! I LOVE THIS SO MUCH! It gives her so much strength as a human & I’m happy all the obstacles & set backs in kyo/tohru’s romantic journey has led them to be better ppl little by little to build healthier & more realistic love! 

-The mechanics of writing a compelling slow-burn romance:

1. Igniting the romantic feelings slowly: Slow burns don’t work with love at 1st sight. It must first sparkle naturally, slowly & subtly. Both kyo & tohru repeatedly stated they don’t know exactly when they first fell in love. The author’s decision to create an environment where the two live together is a genius way to start & nurture their romance quietly & subtly. Kyo was tricked to stay in shigure’s house while tohru had to stay cuz she had no home, Natural reasons that force the two to spend days together & get to know each other gradually.

2. Dynamics of their personalities: For slow burns to work, the two characters need to be similar yet opposites! Kyo & tohru are both kind, endearing, innocent, good at chores, independent & hardworking. They both have history with their mothers that is filled with love yet traumas. However, tohru is calm yet prefer maneuvering around subjects, can’t stand up for herself, reads ppl easily, tends to trust ppl easily & disregard herself. Kyo is fierce, strong, tends to distrust ppl, despite ppl loving his spontaneous character, he has hard time figuring out if they’re mocking him or teasing him, very straightforward with his words & actions. The similarities helps them understand each other, however, the differences creates chances to clash & come even closer thro various situation. Ex, se01, ep2, kyo apologizing for hitting her head with the table which created the situation where she needed to confess she always loved the cat zodiac! It is HER gush of emotions that struck kyo. ppl really want my friendship? the cat is loved? Thro those difference they learned to better themselves so they won’t hurt the other, kyo toning down his anger for her, tohru desiring to know him even more as he becomes even more awkward.

3. Creating natural, realistic  & convincing obstacles that prevents them from being together:  This is the most important part! Slow-burn is two characters in love & cant be together despite everyone wanting them to be! if the reason that stops them from uniting is trivial, stupid, one-sided, can easily be solved, then the slow-burn would be a fillery & no one would cheer for it! Takaya-san is a genius!

Kyo can’t be with tohru cuz he thinks (a) he killed her mom! we saw thr flashback, he could’ve saved her & couldn’t save her. It was a split of a second difference & he hates himsef for NOT trying! that split of a second also prevented from thinking of better ways to save her than holding her! it happened to fast, he couldn't think of a better alternative cuz this was his 2nd time loosing someone (b) his mom’s sucide being pinned as his fault created this immense guilt & defeated feeling that “ no matter what, I just cause death & misery! There’s (c) too!, he knew tohru! thinks she deserves the world & cuz he didnt save her mom, he watched tohru talk to a freaking picture for two years! heck! he is the only one who can see thro tohru’s “ i;m okay” mask, so in se01, ep 14 in the grave yard! kyo wasnt the only one who is sad! tohru was too! & kyo could tell! (d) her mom’s death is the reason tohru is accepting shigure’s offer to stay with them rent-free in exchange of doing housework! (e)? he saw her confess crying her heart out abt missing her mom so much that she imitated her dad! so tragicly sad! (f) he saw her die in his nightmare!! how can he accept her love,now? Perfectly orchestrated obstacles! 

Tohru, unfortunately, in the anime it wasn't that clear due to shortening her backstories & trauma in se03, ep6. But she too couldn’t see herself confessing love to kyo. Tohru is has low self-esteem, always thinks she’s a burden to others, an orphan who just wants her mom, so scared, lonely & sad! we the audience believed the mask! we saw her work her motherly charm yuki, isusuz, kisa & believe her issues are not that deep.  tohru wont cry for herself but shed rivers for others! grief is so ugly it broke her! I cant let go of mom, must keep her always in my heart, such a hard emotions to write & I believe 100% the director couldn’t understand her grief & decided to split ep6 between her, kyo, isuzu & shigure. But Tohru struggling to confess to kyo is no laughing matter. ppl who are grieving find it the hardest to live after the loved ones die. they wont mostly commit suicide, they are alive, but they arent living. they just go thro the motions & live for the sake of those around them but not themselves. Tohru deciding to confess to kyo is her deciding to live for herself.

4. Writing a perfect psychologically & emotionally packed climax: I dont need to explain how perfect kyo’s rejection of tohru in se03 ep9 was. How much we felt for him yet were mad at him. He we were “ ugh! kyo no!!!! I mean I get why you do that , but you idiot no! come back! poor kyo! He was just so sad & broken! OMG he’ll kill himself after finding tohru’s injured body!! he totally would! his nightmare came true! But Tohru reached him! she wanted him to be okay! he wont kill himself but still feels hella guilty! but so utterly in love with her that his instinct upon seeing her come to life after near death is kiss her! Perfect display of psychology & emotions! filled with right, wrong, sad, happy, guilty, innocent! basically so human~ As the audience you MUST have this mixture of feelings of wanting to hug him so bad cuz this boy has been killing himself for years now yet want him to stop & just see that he was a good boy afterall. Tohru is THE best girl & if the audience are cheering for kyo to be with her, kyo really deserves her! The only problem is for kyo to see that now.

5. The Perfect wrap up of all romance: If you make your audience suffer the slow-burn this long, you gotta reward them good! & Takaya-san delivered! Just like how the entire romantic story is realistic, the reunion must be as realistic too! Tohru is hurt by kyo;s words. Facts remain his words were hurtful to her. I love that was addressed! tohru gets to tell her side, too! If you love someone, you are bound to be hurt by them as much as be happy with them. Simply cuz they matter so much to you! you arent one person, but two ppl coming together. Kyo must work hard for this confession. Must run & chase her. Must earn her proper! He gets on his knees, I cant express how important that is! he is way taller than her, Imagine apologizing while she looks way up & he looks down? He gets on his knees & apologize like a man, for every mistake, all while not loathing himself. He aint going back to that deep abyss again. He did wrong by her & he is owning up to his mistakes. Give me one chance. I’m not gonna force you with persistence or guilt you into taking me. Give me ONE chance cuz i deserve it & no more. The choice is yours. She asks to confirm, he shows her, they kiss, they hug, they are rewarded with a blessing from the heavens! One of the most simple yet emotionally fulfilling confessions in anime!

- Hugs over kisses: (And her kiss hugs her & the curse was lifted):

Prince charming kisses the princess & she wakes up~ they live ever after~ except furuba is all abt “ eternal ever after is not true, real life is where the real love is”

Kyo kissed tohru once, she didnt wake up, she didnt even think he loved her back. didnt even remember the kiss.

Kyo hugged tohru once. se01, e024, He initiated it, tohru was all in tears, surprised, happy & so utterly in love. he called her name for the first time ever, for a brief moment, they both connected, they both comforted each other. The rain stopped, he became a man not a monster, she got him back. She got her kyo that she fought for with none other than kyo himself.

kyo hugged her again, se03, ep6. They both initiated it. He made the first move, pulling her just a little closer, she made the second move & hugged him hard, he transformed, it was a moment were they both connected, both so sad & broken, both feeling needy for the other, both desperate for the other, both just living the moment. the result is them coming closer, her wanting him more, him realizing her love, there is no escape. Admit it. she loves you. You can tell.

Kyo hugs her again today. He asks permission. No spur of the moment feeling. But a long lasting permission to be together. To hug. He wants to hear her acceptance of his cursed body. “ is ok to hug you? this body will cause you pain as it wont be able to fulfill your wishes of constant hugs & intimacy”. She responds, permission granted, for love, for hugs, for a life long acceptance of you as a whole. weakness & strength, sadness & happiness. I accept you all in better & worse! we’re invincible. Why? cuz we understand love isnt magic. It is a path for us to walk together~~~ reward curse break!

Every time kyoru are closer it is a hug. The one thing the zodiacs cant do. A hug. They can kiss. But cant hug. comes this Zodiac Ruler girl so lonely, away from ppl, so sad, meets a cat boy who comes to the house she’s living in, a house away from ppl, the boy is drawn to the girl, However, when the boy needed to leave, the girl was able to let go despite loving him, the boy comes again, this time wanting to stay, the girl accepts the boy. They both accept the realistic reality of life. Embrace the obstacles & the achievements, celebrates the weakness above the strength. Both so imperfect. Both so endearingly dumb! that’s why the girl’s hug broke the boy’s curse. The girl’s acceptance of the cat broke all curses.

Side Note:

Kyo’s confession is so kyo! so straightforward, so direct, & so physical. He’s on his knees, holding her hands, looking at her eyes. “ i want to be WITH you. If I’m gona live, I want to to do it with you & no one else! cuz I love you” that’s it. That’s all.  So sincere & so romantic!

it is crazy how different tohru & kyo are now after the confession! she stood confidently & happily & said “dont you know, I love you!” all while teasing him, her giggle is so girlish & cute! my girl is a happy woman in love! long buried the angelic mother image of se02! YES! also, kyo’s happy face is love! Dude! when was the last time he smiled so freely? Did he ever do that? He smiled in se01, ep4 with kazmua, but not like this! T_T. my son is healing~

Kyo’s “ i wont ever feel afraid if you’re with me” is a huge growth from his “ I want to protect her” mindset. Now he realizes it is two-sided mutual desire. She gives him strength as much as he does! <3

I dont like open eye while kissing, but here it is so perfect for tohru in this moment! cuz she spent days thinking kyo rejected her & even ran away as soon as she saw him, now he’s not only confessing, apologizing, admitting she is his life, but also kissing her signaling they’re romantic couple. kissing on lips is so personal, what more evidence she needs? still, her thoughts? “ it’s like a dream?” aww~~~ tohru~~~ my precious girl! she just cant believe all her suffering is over, now? She was just practicing “ i’m okay” smile & now she’s an official girlfriend to the man of her dreams? He just bent da kneeee~ go for it queen!

yuki’s face when tohru cried is exactly what I meant of “ allowing yuki to have strong facial expressions”! XD these types of faces humanize yuki so much into the teenage boy he is! Unfortunately the anime team only sees him as the pretty prince in most times. That’s why fave yuki is when he’s with kakeru. He becomes so un-princly as he should be.

Speaking of yuki, I see you anime team~ postponing his moment into next ep so him & machi wont be overshadowed by the long awaited kyoru!! While this defies the perfection of all cursed zodiacs breaking on the same ep making akito’s breakdown less perfect & poetic, I take it as the anime team admitting they underdeveloped yuchi & decided let’s give them more screen time & not putting them in close distance from any couple. A week later ep is enough with lots of time. I dont mind at all, I’m just saying more time after/while confession is not what i was hoping for~~ sigh~ At least I hope yuki would say sth along the lines” all this time I was looking at you, i realized i love you” to imply he was thinking of her as a lover not his kindness for someone he helped. I just dont want their love to be sudden simply cuz yuki needs happy ending. oh well~ I’m sure whatever it will be, the anime will give it utmost attention.

That sad moment when kagura wasnt allowed a moving image. lol. girl was given a still image that didnt even move with the breeze! T_T

Not gonna lie... the scene with kazuma & kyo was underwhelming. Why the wide shot? I mean you dont need budget for that. Just give me a closeup from the waist up with kyo head buried in kazuma’s chest. Dont need to waste budget on kazuma’s face, either.... do the old trick of hair covering eyes & show me glittery tears~  why the awkward shot of kazma towering in his own house! how tall is this man & why cant he he fix his roof?...lol

Also, shigure, you got scars man... who can hurt shigure? akito? gotta be her. I dont think hatori scratches...lol.. Aya? nah~ too busy with Mine! yup, akito... another steamy night? could be, she’s changed as he wish now. But scratching a face is weird while..um..kissing? a quarrel? but why? I bet she wants him now & we know he wants her....

More on part 2! especially abt the curse’s lore~

#Fruits Basket #Anime Only #happy paper #final season #part 1

[mychemicalaromanticism]

things ive already established r on this post

besties this got so fucking long but heres a giant ramble about cherri

okay so. there are huge differences betwn cherri as a hyperviolent drac hunter and cherri as a friend of the four and cherri as the girls mentor. with the first one he was 17 and desperate to distance himself from his upbringing so he went all in on Being A Killjoy. he was always one of the first ppl to rush into a fight and he fought hard. he blew up his fuckin hand with that attitude. and all the while he was just racking up more unaddressed trauma and eventually he ran away from that, too. giving himself radiation poisoning was more appealing than facing his problems.

so as a teenager/young adult hes kind of constantly in a panicked state. hes scared the people from his past are going to find him and drag him back with them. so he lashes out and he runs away over and over again.

i said in another post that he has some past life shit goin on which usually would give him a connection to the witch that manifests early in life, but with all the stuff hes gone through he has been Preoccupied. he can become oblivious to almost anything that doesnt apply to whatever hes focused on. not in a hyperfocus way its likeeeeee. when u live on survival mode during prolonged periods of stress. hes immune to magic bullshit bc hes too tired and scared.

anyways around his mid-20s he finally has a little more stability (as much as the average person living in the zones can have, that is) and he finally notices that Weird Stuff happens around him. basically: out of my list of Powers People Connected To The Witch Have he has the prophetic dreams/enhanced intuition as well as a form of sensing ghosts where he can see auras and kind of like, echoes of past events in ppls lives. that look like auras. itz complicated and not of utmost importance so im leaving it at that.

anyways thats what makes him start writing poetry. just 4 funsies he'll describe his weird experiences and embellish them to make em pretty. just as a casual hobby n all that.

he would forget fun ghoul in between the times they ran into each other but its pretty easy to be reminded of who fun ghoul is. the most insane 10 year old cherri has ever met. cherri isnt a brother figure to ghoul. hes just. his friend that happens to be more than twice his age. its whatever lmao

to cherri, ghoul is kinda like a stray animal he keeps seeing. which is hilarious. ghoul actually goes and finds him to introduce him to jet when they start running together, and cherri meets party and kobra (spark and birdie at the time) when he drives the four of them to a party. because he has a truck hell yeah. so now instead of one stray animal he has, like, a feral cat colony that he drives around occasionally. i have no real-life human relationship equivalent to them because irl if some guy that is not related to any of you and isnt even a childhood or family friend and theyre hanging out with you? they are usually not a safe person lmao. but this is my fantasy land and im too stubborn to change anyones birth years even though ghoul being born in 2004 makes everything really hard to make not creepy.

so yeah hes a casual somewhat friend of the fab four. hed probably get more and more concerned as they got famous. the beginnings of any sort of protective feelings, awww :) that sets him up for becoming the girls mentor.

OH FUCK. THE GIRL..... i think if i was in my late 20s and i heard that the gang of 13-17 year olds had adopted a 5 year old kid i would go bananas. what the fuck. it is a LONG while before cherri meets her. but he has the strongest affection for ghoul (if you could even call it that) and ghoul absolutely adores the girl and swings her around under her arms like a cat to show her off to cherri and its very endearing and the girl is sweet and funny so its easy to be around her. and (unfortunately) she is somewhat used to interacting with weird easily agitated people so she kinda gives him space. cherri isnt quite the uncle figure the fandom usually makes him (i luv uncle cherri sm but he simply cannot exist in the universe ive created, f), but hes a little similar.

and then the four had to go and pretend to die. lol.

when the girl was kidnapped, fucking everyone who knew her was ready to storm the city then and there. like regardless of how little you knew her, if you had ever met her you would fucking die for her. she is pure childish charisma and shes precious. i love the girl. so cherris immediately on board with whatever plan the four make to get her back. ive already talked abt how it fucked up the girl tho; there was no way to tell her that the four werent actually dead, she sees the building collapse and she shuts down. and cherri has to fight against his instinct to leave the radio station and never come back when he sees an eight year old girl sitting dissociated on the couch. that fucks everyone up.

i just realized i havent talked about literally anyone else at the radio station. i think cherri started lingering around the station bc it was safe and sheltered while also not being a popular spot. there are less kids there (people pass through but its not a hangout spot). he was kind of just hanging around to get away from the heat and noise and dr d took notice. because that man can see ur soul and no one knows if thats literal or not. so theyd chat a few times a day and show pony was the one 2 get him out of his shell a little and also was the first one he mentioned his poetry hobby to. im making this all up right now as im writing bc i dont know anything about LITERALLY any of the ppl associated w the radio like im not even going 2 try with chimp n newsie i do not have the willpower to tackle all that. justttt. cherri pony n D become bros and live 2gether there.

back 2 the regular timeline. the rescue mission happens in 2019. the girl lives at the station until 2023. during that time she is very much depressed and withdrawn and is only happy when the four come to visit. none of the Adults know how to help her so they just keep her safe and cared for and hope she'll open up to them.

she does not. she takes the weird cat thats been hanging around and she runs away.

cherri does not see her for three years. shes still worse for wear in the mental health department and he can see all kinds of visions of what shes been through since the last time he saw her and he fucking hates the ultra vs bc they remind him of his past. he does not want her going down that path but its obvious that she isnt crazy abt the ultraviolence thing either so thats a relief.

they have a kind of tense relationship throughout the comics. he feels like he failed her and that spirals into feeling like he failed the four for not being a good adult to them and fun ghoul for not helping enough when his commune was bombed and all kinds of shit and that irrational thinking mixed with plain old, yknow, caring about the girl, is what makes him take a bullet (laser. whatever) for her.

i was trying to figure out the timing of each of their ghost experiences, but i want both of them to talk to the witch and im just gonna make it like dreams where a whole buncha stuff happens but irl its been like seconds. so its like barely a second while the girl has her Witch Convo and cherri FINALLY gets a straight answer, yes there is weird shit going on with him having powers. he doesnt have any story-significant past lives because im lazy, hes just an old soul. like really fuckin old. the amount of latent life experience and stuff his soul/energy/whatever has picked up along the way makes him VERY noticeable to gods n stuff. he fuckin lights up all the alarms like what the FUCK is that over there. she wasnt rly able to get to him or even properly notice him while he was a kid and a young adult so shes happy to finally see him again. he has a STRONG sense of familiarity with her. they know each other on a wild ass level that he cant really comprehend.

welp thats some more lore I'll have 2 think abt. anywayz

post canon is when he and val get to have the most awkward spiderman meme moment of realizing that they have the same trauma SOOOOO thatz fun lol /s sorry kings i thought it would be fun to give u something fucked up to bond over <3

not much changes in his personality. he has a better understanding of Weird Magic and delights in freaking out the ultra vs but for the most part he returns to his life at the radio station. i love him

THIS GOT SO CRAZY LONG I DID NOT MEAN 2 GO THROUGH EVERY PART OF HIS LIFE LIKE SOME WEIRD CHARACTER STUDY but here we are. this is basically a first draft like almost all of this is subject to change but u gotta start somewhere. so heres my start i love this guy. its probably obvious but i have not read ANY twitterverse killjoys stuff </3 maybe i will someday idk

#cat talks #lore #ok2rb but what a mess this post is