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ixcaliber · 10 months

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Games of the month - June 2023

This month my hyperfocus went towards watching as many movies as possible, so it’s a pretty breezy games of the month

1. Haiku, The Robot

Neat little metroidvania about a little robot. It’s cute it’s pretty fun. My two big complaints would be

1) it felt pretty linear. i don’t doubt that there were probably other ways to get to locations than the ways that i took but the experience of playing it it really felt like each upgrade allowed me access to one new path which would lead me to the next upgrade and so on and so on.

2) i like boss fights better when each enemy has a little name pop up. the designs were cool and did some interesting stuff sometimes. i just wish i didn’t have to think of them in terms of like ‘the car battery one’, ‘the tv one’ etc. It makes them feel less memorable.

Otherwise perfectly fine metroidvania.

2. The Legend of Zelda: Tears of the Kingdom

Chronologically this is when I finished Tears of the Kingdom but I’m not ready to tear into that just yet so lets move on to

3. Life After Magic

This is a free game available through steam or through itch.io. It’s a visual novel where you control Akiko, a former magical girl who has somewhat drifted through life after the big bad that she and her magical girl team fought against has been defeated. With y2k approaching something is wrong and it’s up to you to bring your girls back together and face one more threat.

Hey. I love this game. There’s a good chance this is pretty high up my games of the year list, if not at the very top. I love the girls. I love the trans and nonbinary inclusion. I love the homages to sailor moon, yu-gi-oh and probably some other stuff that I didn’t even get. I love the way the game plays with nostalgia and the way this narrative reaches a head. If you’re like one of the two or three people reading this I absolutely recommend you get and play this one.

4. Monuments To Guilt

This is a digital museum dedicated to hostile design as featured in the Jacob Gellar video Games That Aren’t Games. Throughout you can see a number of benches designed to be uncomfortable, off-putting or otherwise just inaccessible to homeless people and disabled people. It’s a short experience and it is interesting to see this insidious aspect of design presented in the prestigious format of a museum and to see it talked about openly. It’s an interesting little experience.

5. Down In Bermuda

Fun and simple puzzle game. It’s the kind of think that would be approachable for kids, simple puzzle concepts like pipe dreams kind of puzzles, hidden object puzzles, no towers of hanoi to speak of but lots of puzzles that feel like they’re in the public domain so to speak. Nothing too difficult and taxing.

6. Lone Fungus

Another metroidvania from the recent humble metroidvania bundle. This game is okay. I like the cute little aesthetic and the basic movement is fun. The big big Big criticism I have of this game is that so much of the side content is like these nether gates or these ladybird rooms. The first time you go in these you get a little popup or something to tell you just how completely optional they are and they would have to be. The difficulty of platforming going from the actual game to these challenges is a fucking sheer cliff wall both in terms of reaction speed needed and in terms of the sheer length of time you need to platform perfectly.

At one point in the game I got a new skill ability and accessed a little tutorial move about how to use it and it started talking about using it to propel yourself quickly by doing this one kind of dash into it and for the life of me I could not get it to activate properly. I felt like I was attempting to perform some complex speedrun tech and the inputs I had to do were like spread across four different buttons which all needed to be hit so quickly in succession. Impossible. This was about the time I gave up on exploration altogether.

And like... it’s a metroidvania. For me at least that exploration is the point of the video game. If you’ve put me off of doing it I don’t really know what I’m getting out of the experience any more.

Also frustrating is that the final (fourth of four) sword upgrades is locked behind completing every single one of the ladybird rooms. And like, if you’re good enough to manage that you’re not going to need the piddling 2 extra damage that the upgrade can offer. Overall it really felt like so much of the stuff you can find that’s optional is not worth it.

There’s like a relic system (like charms in hollow knight) but the way it costs out the various relics you can only really wear three at a time, probably only two if you want to use any of the useful ones.

And just as a minor nitpick on top of everything else, all the bosses are bigger versions of regular enemies that you fight in the area leading up to the boss. It’s not inherently negative when you do something like this in a game but when it’s every boss fight then it makes them less memorable and less interesting.

Also there’s like two ways to end the game, some npcs tell you to do things the proper way while there’s a couple who indicate this secret back route and imply that everyone else is lying to you. The thing is that like I finished the game and I would still have no idea how I’m supposed to escape through the backroute exit. The way the npcs frame it is like a skipping out on your responsibility to complete the tasks set to you for the rest of the game, but like if it’s weirdly more difficult than those tasks then something isn’t adding up.

I had a lot of complaints about this one. It’s fine if you put yourself into the right mindset, as I said up top the basic movement is pretty fun and the designs are cute. Difficult to recommend it if you like to experience this kind of game in the way that I prefer to though.

7. Growing Up

This is a weird one to describe. It’s a game, as the name implies, about growing up. The game’s like broken up into different aspects. During each turn you get the opportunity to learn new skills; you start as a baby and have to learn skills such as talking and walking but soon you’re in school and your skills become more academic focused. At the end of a turn you schedule these tasks, completing each one a specific number of times can master it which will give you bonuses to your attributes and knowledge points to help facilitate learning new skills.

It’s a very mechanically focused game. Maybe I’m being a little too in depth with my explanation. Okay lets try again.

Each turn has like three major components. Learning skills. Scheduling tasks and exploring the brain map. The brain map is like a little minigame where you move along a randomly generated kind of sphere grid sort of upgrade tree, trying to optimize the attribute gains and bonuses with the limited amount of brain points you have. Since you do it once a turn each turn it’s like ‘okay what do I want to focus on this turn’ and you might always try to grab the thing that upgrades the amount of brain points you can have at any given time, but also skew towards knowledge points if you want to learn something new. It does encourage you to be thinking ahead towards your goals and as you play through the game new kinds of tile are unlocked which add dramatically to the complexity of this minigame and how you play it.

I think this game is very good mechanically. I really enjoyed the loop of learning skills, mastering skills, playing the brain map to try to optimize my ability to learn new skills.

The weakness in the game is the way the narrative is delivered. Which isn’t to say the narrative is bad. In my playthrough I got to befriend some good girls and then date and eventually in the epilogue marry my best friend Alicia.

(Also something of a sidenote but should mention that I got this from the humble pride bundle. It’s great that it does allow for gay and lesbian romances but it doesn’t seem to facilitate playing a transgender or nonbinary character. I’d love to see something added to facilitate that in a patch or free dlc.

(At the birth of your character you’re given the option to pick gender or to let fate decide. If you choose to pick you get to pick male or female. I wouldn’t want non-binary or transgender options added here, but like when you get to an age where you’re going to school to have some pop up or prompt that asks you if you feel comfortable in your gender or something like that and that sets you off along a path of transition. Or to have it opt in, an object you can unlock that allows you to schedule ‘self reflection’ or something that can lead you to a path to transition.

I understand that that might be a lot of work though, as there are a lot of characters in the game and making custom conversations for each of them to acknowledge your transition might be quite time consuming)

The other thing I wanted to point out in regard to it being on the humble pride bundle is at the beginning you can pick your parents. I picked to have two moms. The game allows this and is fine with it. There is however an unintended consequence.

Very early on, when you’re still a baby, I learned how to speak and got this cutscene where one of my mom was encouraging me to say ‘Mommy’ as my first word. And so I did and then my other mom was disappointed that I hadn’t said her name first. Maybe this is a one off oversight, because later in the game when I started dating my girlfriend she did acknowledge that we were both girls, but here at least they’ve not disallowed you to have gay parents but they haven’t made any specific accommodations for it.)

So the way that the narrative works is that the game is sort of presented in a semi-roguelike kind of fashion. It tells you up front that every life is unique and I think what it means is that at each stage of your life it will introduce one new character from like a stock set of characters. I met Jake at like primary school, Alicia at high school and Felicity at like college or something. All the schools were using american terms for the school levels so idk.

You get choices in each of these relationships that can branch them into slightly different directions (i think) but like your control over that interaction is minimal. If I’d been given the option I would never have spoken to Jake again. Not because he did anything wrong but just because I would prefer to be talking to girls. But the way the game is set up these events just sort of happen intermittently as you play and aren’t really informed by any of your decisions in the actual game you’re playing.

And your relationship with your parents is limited to occasionally they’ll give you a goal that you can complete to get a special currency you can turn in for some rewards. They don’t really have characters or expectations or preferences for you. Neither of my moms had like a desire to see me do really well at sports for example.

The other weirdest part is how okay at some point in the game you get two bars to manage. Happiness is your own enjoyment. Get it high enough and you’re relaxed and can schedule extra activities, get it too low and you’re stressed and you can’t learn new skills. And there is parental proudness or something. Get that high enough and you can get perks from them and I don’t know what happens when it gets toward the lower end.

Each activity you can do has some effect on both these meters. Studying will decrease happiness but increase parental proudness. Playing games will do the inverse. In addition to your main academic skills you have stuff like sports that you can gradually gain access to. And they reduce happiness but increase parental proudness. I learned how to start along a creative writing course and that reduces happiness but increases parental proudness. Hell I fucking learned magic (partially because I really liked the magician NPC Daz) and that does the same; decreases happiness but increases parental proudness.

I guess I can see it from a balance point of view but it feels so weird to be playing as a character with no passion. Nothing that they try to do makes them happy. I really feel like you should be allowed to find, or develop an interest. Like when your character is unhappy because they’ve been practicing their magic tricks for too long clearly something is wrong, right?

The overall vibe I get from this game is... you know those posts that circulate on here sometimes where it’s like “If you’re hacking the rules of dnd to do what you want then something is wrong. The mechanics are supposed to lead to the storytelling and if they don’t then you should be playing a different ttrpg where the mechanics do support the kind of narrative you want to tell/experience.”

The mechanics are good, the narrative is sometimes fairly interesting. They are essentially entirely seperate from one another and that’s a shame.

2. The Legend of Zelda: Tears of the Kingdom

(some brief spoilers i suppose)

i don’t fucking know man.

its good. its undeniably a good game. better in some ways than breath of the wild, maybe a little too padded out. i never felt a great compulsion to fully explore the depths. It was neat that they were there but they felt so empty. Just large open stretches dotted with huge monsters I don’t want to fight and sometimes I’ll follow a treasure map down there and it’ll lead me to a colliseum full of lynels and I’ll be kerbstomped so hard that it drains my will to continue playing.

That’s how I felt towards the end. The game does the same thing as breath of the wild where the longer you play the more silver enemies it spawns in and though its more managable with the introduction of sages I never found myself wanting to engage in combat.

I genuinely do feel like the silver enemies ruin my experience of the game. I feel like I’m making progress, getting stronger, feeling more capable of dealing with threats. Now that I have my sages with me sometimes I’ll actively seek out a combat encounter and not hate it. There’s this sweet spot where that’s all true for a little bit, and then silver monsters start showing up and my enthusiasm ebbs dramatically. I never killed a single lynel in this game. By the time I felt that maybe I was good enough to start fighting them they’d started spawning in silver versions.

All that said ascend is such a good ability that it sort of changed how my brain worked a little bit. Playing games immediately afterwards I would just keep thinking ‘oh i can just ascend up there’ and having to remind myself that no most video games do not allow this.

I think I had so much to say about Zelda. About how it feels like too much, about how sometimes you’ll just find yourself caught in a thing of not really accomplishing anything and come off feeling miserable, about the one afternoon where I spent literally hours in a pirate cave trying to solve a puzzle that didn’t exist. I think I’ve just exhausted all that in my brain and all my brain has left to offer is ‘just give me a fucking accessibility menu, let me turn down the damage and the health and turn what is a very good game that I sort of resent into an experience I’d actually like to play’.

#ix plays video games #fuck did i really finish zelda this month?#that feels like so long ago now

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nekyn-alb · 11 months

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Lies of P Demo: Gameplay and Style Review

Style and Narrative

The game looks excellent, from small clutter to massive building fronts. Every street corner is packed with traces of human life ripped apart by the puppet uprising without being stuffed, floating furniture or badly aligned windows are rare, although they do exist here and there. That's completely fine, it happens in every game and often more obviously than here.

Areas are interconnected nicely, although not particularly complex so far. Being able to climb to another level here and there and not dying for jumping off a low roof is good fun.

The hub is not too large, has a lovely atmosphere, and you can see from the stargazer teleport which (additional?) NPCs are in it. Being able to groove with sad tunes is a great design choice. When talking to NPCs however, I have to ask: why can't I talk to them from any direction and why do they take such long pauses between their lines when every other readable prompt disappears two seconds too early?

In many aspects, I find the game too derivative of Bloodborne. Blatantly so, to be honest. Stalkers are hunters, puppets are beasts, both appear to be bereft of humanity. Workshops are workshops, Sophia is a firekeeper (with standard greeting!), the petrification disease stands in for a beast plague driving victims mad, the aesthetic and layout of the city is vaguely adjacent to Yharnam--not gothic of course, but bridges and plazas and carriages and boxes are all so strongly reminiscent that I sometimes felt like recognizing Cleric Beast's bridge, Gascoigne's summoning spot or Arianna's alley. Ergo and otherworldly materials will probably develop into an alien influence adjacent to BB's Great Ones and the arcane cosmic.

But don't fret, the original story elements possess some intrigue of their own. Next to the mystery of maddened puppets, it appears we will come across fairy-like influences that explain the origin of Geppetto's automaton vision, which has been wiped from at least two puppets' minds.

The petrification disease could also be interesting. I am not sure if it comes from the puppets yet, maybe an influence of their ergo, but having more cause of chaos than brutal mayhem is always good.

I always love me a good critique of large companies, so the different depictions of how they influence Krat's life on the large and small scale are welcomed. Soulslikes tend to struggle to put meaning behind their copies, but here I can already posit theories, like the struggle representing P's drive to gain a speck of humanity.

Hooray for making the dingy Daedalians blow up, boo for implying that Venigni is going to be a rad wheel-spinning robogrinder instead of the greedy loser he is meant to be. Knowing the genre, he's probably going to end up mad anyways though.

P should be voiced. No reason not to, really. He is a character with development, not a blank slate. FromSoft allowed Sekiro to speak, you don't have to cling to other titles' concepts.

Gameplay

So you don't think I'm just salty, here's my Souls Cred (I'm a bit proud of these, fight me): Finished DS1, DS3, BB, Sekiro & Elden Ring, the middle three several times, and recently beat DS3+Ashes at SL1. I gave up on my BL4 and No Beads Runs halfway through because I hate getting one-shot. On my first playthrough, I beat every (and I mean every) ER boss bar five in less than 10 tries. I like these games a lot and would like to believe that I know what I'm talking about.

Let's start with the compliments!

Enemies appear in plentiful sizes and shapes with interesting models and varied move sets. Regular puppets have a fun amount of health and deal dangerous but not overwhelming damage.

P's quickly unlocked weapons are equally versatile, even if they only seem to have two light/heavy attacks each. For the most part, they feel appropriately weighty and I never noticed a swing being too fast or slow. Reassembling weapon parts can be strange because the handle determines the moveset, so a blunt mace head might adopt a rapier's quick stabs. Funny enough to not be off-putting.

P himself moves adequately well. He doesn't slip too easily from the thin catwalks bridging Krat's roofs and turns quickly. Same for the camera, this is the first game in a while where I didn't crank the sensitivity up to 8.

Dogs don't teleport. Good dogs.

I skimmed most of the tutorials because they are just Souls mechanics, but they do a fine job of explaining the basics. Being able to see that you have enough ergo by the number becoming blue is a wonderful idea.

The skills seem to be fairly extensive and might allow for a solid build once you get far enough. They should be unlocked earlier though.

There is a rewarding amount of items strewn throughout the world and even the frequent sawtooth cog drops feel nice. It's cool to have something to trigger traps with from afar!

Dropping ergo in front of the boss room is very kind and a good conclusion when you hand the player infinite homeward bones with the watch.

I like the pulse cell regain through attacking. Could go a bit faster though, you don't have that many to begin with.

And now we get to the detailed negatives, much of which comes down to the ever-maligned frame data.

Parrying needs a few more frames. Maybe guard should linger on its own instead of being spammable. Since they basically do not have to recover after a parry, slower weapons get one hit in, then they strike again and hyper armor through anything, even charged heavy attacks. This does not feel good by being unresponsive to player actions. Where's my reward for nailing three perfect parries in a row? And why do I sometimes take damage after I get the SUCCESS vibration and ping? Even red attacks shouldn't knock me down and punish me for perfect parrying.

Perhaps there should also be an indicator like Sekiro's red kanji, whose fading tells you when to act. The red sparks only tell you that a special attack is coming sometime in the next five seconds. Subverting Sekiro's kanji into not being able to dodge the red attack is also an odd choice, since you can dodge it with proper spacing. Without mikiri counter or jumps it only leaves parrying, and again, odd choice. The game didn't need this feature, considering…

Dodge has no travel distance and struggles to actually dodge. I am fine with limited iframes, but if I can't move out of an enemies range with two dodges, I question why I even have the ability. Another factor for the insufficient dodge is how little Capacity improves your carry weight. If I want to stay under 29% for a somewhat acceptable dodge, I can't use a club AND armor pieces. The legion arm was thrown right out because of how heavy it is.

Strongly delayed attacks a la Elden Ring are just annoying. Malfunctioning puppets have an actual reason for doing it, but it's not natural. You have to memorize attack patterns instead of reacting to them. Waiting three seconds for an attack to come down in an instant feels weird.

The waiting game makes for a lackluster combination of Bloodborne and Sekiro. There need to be larger windows between attacks for heavy weapons and less recovery after striking back.

The weapon durability system isn't very appealing to me. The game moves too fast for this tactical element, which would work better in something paced like earlier Souls titles. Bouncing off the opponent with everything, including weapon arts, is bad. That's not how durability works or should be represented. Just make me deal less damage instead of stealing my turn for surviving until the end of the fight. You also forget about it because the areas are too short for your weapon to degrade noticeably.

The stronger watchmen feel like they have too much health (I was level 30 with a balanced build + rapier at the end). Not a lot too much, but their resistance could be lowered for more enjoyable mini bosses inbetween areas of enemies.

Dummy traps could last about 1.5 seconds less.

Why do you only get rally on chip damage? There is no lore reason like in Bloodborne, and I doubt there could be any that would make sense for it to be restricted to blocked attacks. Enemies (bosses!) should not have access to rally, period.

Enemies feel like they have block or jagged models/boxes that won't let me pass. When P collides with them, they stick instead of sliding past each other, which often meant that I was stuck right in the enemy's weapon arm. This is particularly obnoxious with long-limbed bosses, who will just trap me with their left arm and attack with the right. Because of the long dodge recovery, I can't adjust after this happens either.

Why are there six enemies with what appears to be instant parry next to each other? Give that to one or two in a group, otherwise you'll be ganked (completely fine) and an attempt to strike back after parrying one enemy will be punished.

Watchman Paarl leaves shock traps that sometimes hit you as soon as you get up, making it an unnecessary double punishment. He also has two very fast attacks with barely any windup that are inconsistent with his regular attack speed (and another fast one that winds up for about 2.5 seconds). Since all his strikes are either right-left windup while crouching or standing, they and the grab are difficult to distinguish.

Since all his larger attacks place him right on top of you (slams and Sonic slam), he can just combo any attack from there and hits. The grab often caught me because of our models sticking together when I tried to dodge after such a slam or a shock trap. The grab also reaches too far and has unintuitive windup-followup, which messes with dodge timings too hard for an early enemy.

Speaking of shock traps, the radial burst with random lightning bolts surrounded by a ring of lightning doesn't feel fair. Where am I supposed to dodge with my half-inch frolicking steps? Run startup is too long to flee, what fires first is hard to foresee. And when he decides to do another Paarl burst right after, which doesn't have the appropriate charge before blowing up, you've just eaten three to five attacks without seeing any of them.

I enjoyed my time a lot, some improvements and this'll be a great game!

#nekyn talks #lies of p #lies of p demo #lies of p spoilers #review

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64bitgamer · 1 year

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occasionaltouhou · 3 years

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the worst people to meet on toontown

#touhou #touhou gouyoku ibun #yuuma toutetsu #yachie kicchou #saki kurokoma #naturally inspired by that one classic image #toutetsu's a good frickin design. tiny goat with a big spork #i love how all three of the bosses have completely different aesthetics. it's really good

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yeahimaloser · 3 years

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Stuck In An Elavator With You

Shy!Hawks x Reader

Hi, so this story is about a headcanon I have about Hawks secretly being shy around his crush!

I don’t usually make x readers were the reader has a backstory/background, but I liked this backstory for the reader so I hope you enjoy!!

. . .

Keigo tapped his foot anxiously on the ground, heart thumping and practically racing.

He had a good reason to be this riled up, he really did.

For whatever reason, Keigo Takami, also known as Pro Hero Hawks, had a particular repetition of being a flirtatious man, always seeking a new companion. He, nor his agency, knew where these rumors came from, but his press advisors told him that; “People will eat this up!” “This’ll be good for business!” And although he did nothing to refute those claims, they weren’t exactly true.

The truth was, his love life was practically nonexistent, he hadn’t really dated anyone before (not seriously anyway), so when he began to develop feelings for a certain someone, he was surprised, to say the least.

But, he didn’t get flustered around just anyone, he was a hero, a spy, he knew how to keep a clear head. The only person he would ever get flustered around was you.

You would think that pro hero Hawks would have some natural charm to him, but no, he becomes a mess around you. He felt pathetic if he was being honest.

You worked at the HPSC, which were his bosses, the people who helped to train him to be their personal hero, so of course, he got well acquitted with you. Whenever he entered the building he would usually be greeted by you, smiling at him, making conversation of any kind.

He liked how easy he found talking to you, he loved it really, the way you didn’t mind his bluntness, the way you would laugh at his crummy jokes, it made his day easier, it made going into the HPSC building feel more bearable.

He had known you for about a year, talking to you when you came to drop off documents, when he came in you always made sure to greet him with his favorite canned coffee in hand.

He didn’t remember when he got like this when he started to get flustered by you all the time, when he talked his words would come out all jumbled up when he talked to you, his face becoming red whenever you so much as touched his elbow. But, he still loved seeing each time he had to come in, it practically made his week each time.

Of course, luckily, he always had an excuse in hand. That he had stuttered out of exhaustion, that he blushed when you taped his shoulder because that’s where a villain had hit him.

Yet today, he didn’t see you. And he had been prepared too, washing down his nerves and trying to make himself the calm, confident, pro hero people loved, he knew he could swoon you if he acted as the charismatic hero he was. But you weren’t there, and he didn’t like it.

So, he patiently waited for the elevator to bring him up to the higher-ups, looking around the building's main corridor, expecting you to turn the corner any moment, and to smile at him, making his wings sputter and his mind race.

He bounced his leg up and down, seemingly unable to stand still at all when he felt a small tap on his arm.

He was prepared to turn around to offer an autograph, but the words stuck to his throat.

Oh.

Whatever nerves he had thought he had taken care of re-surfaced, making his mind bubble and his tongue feel numb in his throat.

You were right there, only a few inches from him, smiling, your presence alone throwing him off guard.

“Jeez, you really can’t sit still can you,” you said in a teasing tone. “I suppose I should expect that from the man that always moves fast, huh.”

Keigo didn’t know if he would call you a friend, although he did have feelings for you, he knew they were most likely one-sided. So, he just called a work friend (although he desperately wished you two were more).

Of course, that's when his mouth decided not to work, “O-oh, hi there Y/N, you look- how are- did you,” he mentally cursed himself, wanting desperately to have a disappearing quirk right about now.

But luckily, before you could even say anything, the elevator dinged loudly, the people on board quickly got off, seemingly in a rush to get out.

He made his way in, letting you go first like a gentleman, yet, he managed to trip when he entered, looking like a fool.

Yet, to his surprise, you just giggled, “I suppose even top-ranked heroes lose their balance.”

Keigo nodded, looking anywhere but you in order to get his red face under control.

“I’m guessing you're on your way to the top? To the higher-ups?”

This time, he had collected himself enough to look at you and smile, “Yup, that's the one.”

He gave himself a little pat on the back for not screwing that up.

You pushed the button to the top floor, giving him a small smile in return.

The elevator was extremely pristine, the carpeting was soft, the walls of the elevator were lined with some sort of expensive metal. Paintings hug down, making the elevator have that rich sort of feel.

He anxiously looked around, desperately trying to find the courage to speak, but none came to him.

Luckily though, you spoke first, “I saw you on TV the other day, beating up that nomu must have been tough. You gotta work with Endeavor though! And I know he’s your favorite.”

His ears turned pink, did you really remember that from that throwaway conversation you two had about heroes?

It had been about a few weeks ago, maybe three he really couldn’t remember, but he did know he still got extremely flustered around you at that time.

He was waiting in the lobby that most had to sit in to meet with the higher-ups, he had gotten a coffee, waiting patiently when you sat down next to him.

You made a bit of small talk, him listening closely, chiming in so you wouldn’t lose interest in him, yet not being able to find his voice all that well.

It had started when you commented on Gang Orca coming in for a visit, you told him how cool you thought he was, with his different kind of hero aesthetic, saying how, “You don’t really see a lot of scary-looking good guys, but I met him, he’s actually pretty polite.”

He knew it was stupid, but he couldn’t help but get jealous. He wished you would say how cool his quirk was, or how you thought he was ‘pretty polite,’ he just wished he could have the guts to say something, anything flirtatious to you to show you how interested he was in you.

It bugged him, who many heroes you probably knew. He wasn’t a special case, he knew that.

You weren’t at all in the high up of the HPSC, you barely knew anything about what was going on in the commission. You were just someone who ran the errands of the HPSC, giving paperwork to heroes and police, it was probably a very taxing job.

But Keigo liked to believe you two had a special bond, maybe....maybe you even felt the same way he felt about you.

“How about you, Bird Boy? Got a favorite hero,” you asked, a lightly teasing tone in your voice.

He wanted to refute you, saying something quippy like he normally would. But the way your eyes shone with genuine curiosity, the way your face was limited by the light of the lobby you both waited in. Even if you were just in your normal, everyday state, you still made him flush with nothing but a glance.

He managed to sputter out, “Endeavor, I’ve liked him since I was a kid.”

You grimace, “I don’t like him all that much, he's very rude and mean when he comes in or I drop something off for him. He's not like you, you're nice and easy to talk to, he always seems to have a problem with anyone he sees as unworthy.”

You rolled your eyes at the memory of the flame hero, but you didn’t notice how his hands had griped around his coffee can.

You thought he was nice and easy to talk to. He wanted to echo the sentiment, he wanted to say that he loved talking to you and maybe, if he had the strength, segway into asking you out for coffee at a real cafe.

Of course, that's when he was called into his meeting.

He smiled fondly at the memory, and how it was so cute of you to remember.

“Yeah, I can't believe you remembered,” not being able to keep the light edgy of nervousness out of his voice.

You nodded, “Well yeah,” you leaned carefully against the railing of the elevator, picking at your nails, “I like talking to you, Hawks, you're a good guy. You come in and actually treat me like a decent person, you wouldn’t believe how many heroes get such big heads, thinking that the person dropping off their paperwork is, well I don’t really know how to describe it really,” you paused for a moment, “they think that I’m not worth their time I guess, it's kinda gross if I’m being honest.”

Hawks frowned, “That's not fair, I’m sorry. That's really rude of them, they should treat you better than that.”

You looked up at him, and his breath caught in his throat, “See? You’re so nice to me, even if you don’t have to, I enjoy talking to you Hawks, thank you.”

You neared him, his body stiffened as you did so, “I was actually wondering if you would maybe wanna grab something to-”

A loud thud and an ear-piercing scratch cut you off, the elevator floor jiggled and slowed, the fast pace stopping and becoming slower and slower.

But the elevator gave a strong jolt, and before Hawks could even think, his hero instincts kicked in.

He grabbed you, pulling you against him, his wings (or what was left of them) wrapped protectively around you and him.

He pulled you down to the floor with him, wings blocking out the lights flickering above you two, his body taught and waiting.

After the elevator had come to a complete stop, his brain had caught up to the realization of the piston he was in.

He quickly leaped away from you, moving off the floor.

“I-I’m so sorry! It-it’s just, the elevator made my hero instinct act up! A-are you ok,” he reached a hand out to you, watching you breathlessly panting.

“Y-yeah I’m ok. What happened? A villain attack,” before he could answer, he heard the intercom speak before he could.

The robotic voice spoke, “Please stay calm, we are experiencing technical difficulties, please stay inside the elevator as we are sending help. Thank you for your patients.”

His body stiffened. Trapped, in an elevator, with you. He didn’t know if this was his worst nightmare or a dream come true.

You sighed, “Damn, seriously? Stuck in an elevator was not how I wanted my day to go.”

He gave a nod, trying desperately to calm his nerves.

He could do this, he had the chance to flirt and ask you out, this was a blessing in disguise, he knew it. All he had to do was get his act together, calm himself and make a few flirtatious remarks, and not get flustered.

But he couldn’t, his heart was beating out of his chest. He wondered for a brief moment if you could hear it in the silence of the elevator, the music had stopped, casting a silence around the small space.

“So, I guess we’re gonna be here for a while,” you shivered, “why is it so cold in here?”

It was as if his body thought before his mind did. He shed his jacket, walking it over to you, placing it on your shoulders lightly, “U-uh, h-here, don’t wanna catch a cold.”

You looked at him, eyes wide, “Oh, I can’t take this, what about you? Aren't you cold? I can’t let you give this to me.”

He held out his hands, shaking his head, “No, just take it, I insist, really.”

You hesitated for a moment before nodding, looking around you said, “I guess we better get comfortable.”

You slid down the wall of the elevator, sitting against the wall as you lay your legs on the red carpeting of the elevator.

He mimicked your actions, flowing you down on the opposite wall.

His nerves picked up again, suddenly at a loss for words. He had had plenty of conversations with you, yes, but his feelings for you had gotten worse and worse over the months. At this point, he became tongue-tied just by looking at you, worrying he would say the wrong thing and making you hate him.

Luckily, you broke the silence, “I wonder why this happened, maybe a mantis issue? Hang on, maybe my phone works,” you reached for your pocket, pulling it out and giving it a few clicks as your brow furrowed and you sighed.

“I just got a text from my boss, he said help is on their way. He says he doesn't know how long we’ll be here, could be 10 minutes for could be a few hours.”

He hoped you thought the gulp that he had done was out of anxiety of getting stuck, but in reality, it was one of worry about you being in an elevator with him.

He didn’t say anything, nerves pulsing through him. Although he desperately tried to come up with something to say, something that would make you blush instead of him, nothing came to mind.

He mentally cursed himself. This was the perfect opportunity to be the dashing hero that everyone adored, to show you that he could protect you and calm your nerves. He desperately tried to think of anything to say, but his mind was muddled with the thought of sounding ridiculous.

What if he sputtered over his words? What if he said something to make you uncomfortable? What if you hated him?

Those thoughts caused him to tense up, the air feeling heavy around him.

“You know,” his head snapped up, looking back at you, “I think there wouldn’t be a better person to be stuck in an elevator in!”

He gulped, his nerves shot firing, his throat constricted to where he couldn’t even say anything in response.

“Oh, I almost forgot,” you said, flashing him a light smile, “I wanted to thank you, that nomu attack almost hit this place, I’m sure if you weren’t there, we would all be in big trouble. But what can I expect from the number 2 hero.”

Keigo continued to look down at the floor, refusing to open his mouth as he was sure he would say something to ruin this moment.

You just kept complimenting him and he really didn’t know what to say back, or if he could say anything at all.

He could feel his face heating up every second, his hands becoming more and more clammy against his pant leg.

He didn’t know if he wanted you to stop or continue.

You soon noticed the silence, confused and worried etched onto your features.

Slowly, you made your way over to him.

“Hawks,” you said lightly, “are you feeling ok? Your face is really red.”

You reached out, almost stroking his cheek, and before he could even think, he snatched your hand away.

“I’m fine!”

You backed up, feeling pain shoot through your heart.

He cursed himself. Why would he do that! He was an idiot, he was just so worried you would see him flustered and well…

The air around you two became thick with tension.

Keigo felt as if it was difficult getting air into his lungs, he felt like he could barely move.

Slowly, he could feel the air around you two become more and more uncomfortable, and all Keigo wanted to do was roll in on himself.

Of course, you felt it too.

You knew something was off about him, he had been acting strangely around you the last few months.

When you had first met Hawks, his charismatic and charming nature made you gush over him immediately. The confidence that oozed from him was so compelling, you were mesmerized by him.

But know? With the way, he had been acting recently? You worried if he was mad, or maybe even hateful towards you. You had grown anxious of that very thought, wondering if you had said or did something that he disliked.

When you two first met, he had easy, flowing conversations with you. But now, he was like a sputtering child. Shy and quiet, slinking away from you, even scared of you it seemed.

You sighed, feeling even colder although Hawks had given you his jacket.

Finally, as if your heart and body couldn’t take it anymore, you spoke, breaking the suffocating silence, “Is something wrong? You keep acting so weird around me.”

His head shot up, looking you over, his mouth sputtering words that didn’t fit together. His cheeks were flushed, his eyes had grown wide, his hands frantically moved, but you cut off his actions.

“We used to have such nice and casual conversations. But lately, it's as if you hate them as if you don’t wanna talk to me. Did I do something wrong? If I did, can you tell me? I promise I’ll stop doing whatever it is!”

This time, he was surprised to find his words coming easily to him, “No! You didn’t do anything at all, I promise! I love talking to you, I love walking into the building and seeing your face, watching you talk is....mesmerizing,” you watched him with wide eyes, and a part of him wished he could stop talking then and there.

But he continued.

“A-and you're so cute with the way your eyes sparkle in the sunlight, and you always make my week whenever you come in, I always make sure to be in the office when you're around because I know you’ll come and talk to me. I love seeing your smile when you see me, the way your face brightens up. I don’t hate you, I…”

The words stuck to his throat, but he was unable to get them out.

Your face was twisted into one of shock, still staring at him you said, “You really think all that stuff about me? You really get excited when I come into your office?”

He nodded, looking anywhere but your eyes scared he would confess more to you if he did.

You neared him, hesitant at first, scared he would lash out at you again. Nevertheless, you persisted.

“Hawks,” he could feel your warm breath near him, making him tense, “do you...do you like me?”

It was an embarrassingly childlike thing to say, almost as if you were to children admitting crushes to each other.

Yet, you couldn’t find the best way to fraze it.

With the way Hawks’ body froze over, the redness of his face spreading to every part of his ears and down his neck, you were fairly sure you were correct.

Yet, you waited for a moment for him to confirm or deny.

“Y-yeah, I’m s-sorry.”

You couldn’t help but laugh, which made Hawks lookup with fearful eyes.

“Oh! I wish you would have told me sooner! Hawks,” you looked back to him, “I like you too stupid!”

If you thought his face couldn’t become redder, you were sorely mistaken. His whole body stiffened, eyes widening, he gaped at you.

“R-r-really?”

“Yes,” you giggled, “for the longest time, too. I believe I’ve liked you since the first time we’ve met. I kept wanting to ask you out, but I guess I was just worried about how you would react, but this whole time you’ve liked me too. I guess we both suck at the romance thing huh.”

He nodded, unsure what else to do.

“And now here we are, admitting our feelings in an elevator, geez, this is beyond cheesy.”

A small chuckle escaped him, “Yeah I guess it is huh. All this time I’ve been nervous for nothing.”

You giggled, “Yup, for nothing. You acted like a scared schoolboy afraid of telling his crush his feelings.”

He smiled, “Well that would make sense, I’ve never been in a relationship before.”

You froze, brain stopping as your heart quickened its pace, “What? Never?”

His body went rigid with the realization of what he had admitted, “No. The commission didn’t want me to get distracted I guess. So I never made any effort to find one, so- um,” he looked away, “Yeah…”

You looked up at him in shock, and before you could stop, the words poured out of your mouth, “What? But you’re- you’re Hawks! People would die to go out with you, your young, nice, charming.”

He scoffed, “Come on, do you really think me acting the way I have been has been charming? And I’ve been so busy...my whole life I guess, so having a relationship has never really been in the cards for me I guess.”

You couldn’t help but slump at his words, “So, you still can’t have a relationship?”

He looked up at you, frantically, “No no! Now I can! I was um…” he was at a loss for words, looking down again.

“I was actually wondering…” his words stopped slowly.

“You were wondering if…” you said slowly.

“If maybe...you would...want to…” god he just couldn’t get the words out, “want to...go out with me?”

He held his breath, till he felt your hand run through his hair.

He looked back at you, seeing you smile before saying, “Well, how can I say no to the number two pro hero? And the guy that I’ve had a crush since… forever.”

He felt his heart leap, his nerves settling, his face coming laxer. He felt like pinching himself, thinking there was no way this was right, no way you had actually liked him back, yet here you were, telling him you wanted to go out.

He felt like he could do anything at that moment like nothing was holding him back.

You brought your hands to his cheek, making him come closer to you.

“Hawks, have you ever kissed anyone before?”

He was thrown off by the question, face, yet again, becoming a scarlet red like his feathers.

“I- well...um,” he nervously scrambled for the words that couldn’t be found.

You just smiled reassuringly at him, gently creasing his face, “It’s ok, Hawks, you can breathe now,” you giggled a bit.

He let out a shaky breath he didn’t know he was holding.

Slowly, he leaned forward, looking desperately into your eyes, as you looked desperately back into.

Slowly, your lips met, soft and subtle. Gentle, and light, Keigo thought there was no better sensation. The way your lips shaped around his felt like pure heaven, he chided himself for not kissing you sooner.

You brought a hand up to his hair, running your hands through it, pulling him more into you. And boy, did he want to get closer.

If it was up to Keigo, he would have spent his whole life kissing you, but alas, you pulled away.

“Wow,” he didn’t mean to say it, it just sorts of slipped out.

You chuckled lightly, “Not so bad yourself, huh.”

As you two laughed, you both felt the elevator slowly rise.

“Oh well,” you sighed, “looks like they figured it out.”

“Um so,” Keigo commanded himself to be steady, “I know a pretty good cafe. Would you...want to come, with me, together, as a-” you cut him off.

“It’s a date.”

. . .

Hawks tag list

@under-the-clouds @shylesbiannerd @roko-ppk @Mikazuki @1small-frogs

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neitherlightnordark · 3 years

Note

Hey I just wanted to let you know that I love the way you write Seam! Especially their interactions with Jevil, you do it very well. I was wondering if you had tips on writing Seam, I’m having a bit of trouble ^-^

wow thank you dude!! i'd love to tell you some tips!!! :D (this was a very auspicious ask, i was just thinking about this!)

okay here we go! lemme know if this was. completely off the dot of what you actually needed i'll be glad to edit this!

for seam's voice and how seam acts in general:

seam speaks in very formal, classic RPG storytelling mode- ("long ago, the darkners lived in harmony with the lightners." "reflecting on these old memories, i think, perhaps... i miss playing games with him." "call it a premonition, but i get the feeling you may find more of these...")

- or in a very casual and kind of rudeass manner ("y'think i WANT that?" "ha, good luck. it makes no difference to me." "what kind of junk you got?"). seam swings through these whenever it feels comfortable!

seam pauses quite often, as though it's laborious to talk, or as though everything said is a little wistful and trailing off and deliberately emphasized... ("ha ha ha ha..." "trouble opening the door...?" "that crystal...") as all we read of seam is in the shop, where no one talks but the shopkeeper, it might just be that seam likes having ample space to talk very, very much

seam laughs a lot- "ha ha ha"s and "hee hee"s- in a way that's kind of smug and kind of sad. seam's base expression is also a relaxed sort of smile, perhaps because of the warped thing that's going on with the mouth and the stitching?

seam is in general much more chill and amused by crazy things happening than the cat is given credit for! probably the most emotional response seam's had to something unexpected is the lancer fun squad clobbering/sleepifying jevil ("you defeated him?! you REALLY defeated him?!"), with receiving shadow crystals as a close second ("...incredible! to think he had a shadow crystal..." "now, you have collected 2 of them! huzzah!") other than that, seam is very calm and collected, generally predicting how things will go. where they get this arcane knowledge is up to you until chapter 6 or something i bet

relatedly, laughing about jevil hard enough to grow teeth (???) and trailing off mid-sentence is the closest seam comes to really, really being sad or angry about something in-game. seam copes with laughing i think

seam likes puns!!! seam likes riddles!!! seam likes setting up punchlines ("the name's seam. pronounced shawm. and this is my little seap." kaboom right into my heart)!!!! seam likes being a clever laughing bastard- and jevil is the same way ("OH, IT'S JUST A SIMPLE NUMBERS GAME", he says, like a liar; "ENOUGH!! YOU KIDS TIRED ME UP!" he says, like a liar). seam believes seam is very funny

despite being awfully fatalistic and almost never leaving the seap, seam isn't all that passive; it's seam who chooses, after a bit of musing, to help the kids open jevil's door despite the risks. and later on, seam up and decides to whip up a shadow mantle for the kids without any prompting (the shadow mantle immediately disappears) (that's still so funny to me). giving seam agency and motivations is cool and epic and fun! there's lots of potential there

and some miscellaneous seam things that i like and/or think are weird: seam's darkburgers (mcdonalds), seam wearing dresses and robes and such (cats can't walk in pants! and also it looks banger, and seam knows this), seam having bad vision (three cameras no depth perception), seam's cd bagels ("those young men" < about sweet cap'n cakes), seam's weird aesthetic with the seap, seam never leaving the seap ("as long as i stay in my shop, these walls won't change")

and of course seam's knowledge about the sun, and who the next bosses are... seam what do you know. seam how do you know that. what HAPPENED to seam. i guess we'll never know until chapter 7

and a few things for seam's feelings towards jevil specifically:

seam reminisces about jevil without kris or red bringing him up ("this world hasn't seen this much chaos since... ha ha, well, you don't need to know about THAT." seam is very subtle, as you can see). then, when he's brought up, seam's first thought is the "trouble" went through to lock him up, interestingly enough...

but afterwards, seam slowly tells the lancer fun squad so much about jevil, going on and on about who he was once and the keep's conflicting feelings on him, concluding with perhaps... seam misses him. it's like... it's the first time seam's been able to tell anyone about this in a hundred years

my point is that seam cares about jevil and the purpose he could have brought, and is perfectly okay with saying this and knowing this and being affectionate in that somewhat disconnected but warm seam way. seam and jevil

(whether or not jevil feels the same is... irrelevant to this actually, but very interesting for me to think about!!)

it's also notable that seam only says the "incredible!" thing if the lancer fun squad defeats jevil

like i said up there, giving both seam and jevil agency and motivations and backstory is super fun and will help!

100% just have fun with these two. they're an immensely powerful morbid stuffed cat magician happily preoccupied with the inevitability of fate and an immensely dangerous monologuing bat jester intensely preoccupied with breaking fate and picking it apart. and they fought each other almost to the death on tuesdays and learned each other's bullet patterns like the back of their eyelids and made each other laugh and picked each other's flaws apart and trapped each other in prisons of their own making for about a hundred years before being brought to their senses by the presence of three small children. i mean honestly

#personal #under the cut so Seam does not overwhelm your dash!#deltarune spoilers #thank you for asking!!#writing this actually made me stop and think about a bunch of things so seriously thank you #how many sayings of seam are in this? i've lost count

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blobbyclouds · 3 years

Note

Hello I love stuff! So I remember that you headcanons about the main 6 realizing that they're in a game. Can you do headcanons for the main 6 actually appearing in the real world and meeting the player? Imagine the chaos that would ensue when they come into contact with modern technology.

But like... really imagine it. Really just think about playing the game one day and POOF your fav LI is sitting beside you, completely real and a little messy as they look at you with wide eyes

Also, for the sake of these headcanons we’re going to say the LI is aware that they were in a game :) (because I don’t feel like dealing with any existential crises)

Warnings: none!

-Asra Alzanar-

Definitely the most chill about popping into another world. Pretty normal stuff for him when spells go backwards

You on the other hand backed up against the wall like a blushing mess while he calmed you down as quickly as he could. He was calmer than you simply because he’s always sensed that there was more to the mc in the game than what met the eye

Asra was a fast learner as you taught him all about Earth

It was interesting, to say the least, having to explain Asra’s presence for the few weeks he was with you before the spell wore off. Luckily, by saying he was an exchange student and using a few deception spells, it was no problem

Sorting out his fashion sense was interesting too

“No, Asra, you can’t wear mystical robes or magical amulets to the cafe.”

“But… magic is my thing.”

“But magic isn’t a thing here.”

He ended up playing with a lot of different styles of our world and unfairly looked amazing in all of them??? He’s aesthetic in everything??

Always sweet and affectionate, touching you in some way because he can’t really believe he gets to the meet the real you <3

Whenever you went out, he liked to hold your hand

He really liked getting to learn about your life outside the game, like your hobbies, school/work, and other such interests

He was really happy to meet your friends and family, sizing them up to decide if he completely trusted them to take care of his darling apprentice

If you come from a bad home or anything, it’d break Asra’s heart and he’d do literally everything in his power to help you. And with any other problems in your life, he’d put his heart and soul into helping you too

When he had to leave, he taught you a special way to make the game glitch so he’ll know that something is really wrong and he’ll come to the real world asap

-Nadia Satrinava-

More than a little surprised that Asra’s spell landed her here

You two made eye contact and it took you both a second to process what was going on

“Oh. Good evening, Nadia. What brings you here?”

“Good evening. It seems Asra’s spell has landed me in your home world.”

And then the “??!!?!!?!?” feeling hit both of you and you went into extreme planning mode

In a few minutes, you two had figured out when Asra’s spell would wear off and bring her home, a cover story for Nadia’s stay, and had everything planned perfectly because y’all are a power couple

Nadia had a bit of a rough first day with technology and no servants to help her figure all this new stuff out

The first time she saw a car was when you were walking outside your house, and she yanked you behind a bush because she thought it was some sort of monster

She was super flustered when you explained it was just a car, but you insisted you thought it was sweet of her to “protect” you

Nadia felt really bad about not being able to pay you back for your kindness and tried to make up for it by being helpful around the house

No matter what type of wardrobe you have, Nadia helped plan your outfits for the few weeks she was there

You two went shopping once and she managed to get a bunch of deals

Yeah, she’s better at sweet talking and bartering than you’ll ever be :(

She wanted to know all about your interests and hobbies, they’re all fascinating to her

She gives the best advice and listens attentively to any of your problems

Have any toxic friends? Rude family members? Teachers or bosses making your life miserable? Nadia will verbally demolish them and make sure you’ll be treated well after she’s gone

When she eventually had to leave, she left you a sweet letter to read whenever you’re sad

-Julian Devorak-

Pure utter chaos when he first pops in

You’re yelling, he’s yelling, everything is a mess

Eventually, you both calm down though and manage to talk things out, Julian rambling so quickly you can barely understand him

The two of you manage to figure out that Asra’s spell will last a few weeks. So, in the meantime, Julian is stuck with you

At first he acted all confident as he tried to convince both himself and you that he had this entire situation under control

That is, until he stepped into the kitchen and nearly caused three disasters in five seconds

You gave him a crash course on Earth and he literally took notes and made flashcards that he would randomly look at as you showed him around

When friends and family began to question his presence, the both of you had this elaborate story about how Julian was a childhood friend who was stopping in town to meet up with his family. There were character names and everything, y’all really got into it

He’s fascinated by the medical advances in the real world and loves all those hospital shows like Grey’s Anatomy. You two are definitely going to spend some time cuddled up on the couch watching those shows

He was so excited about seeing everything and kind of frustrated he couldn’t get you anything as a way to repay you for taking care of him and being such a good teacher in general

He actually picked a bunch of flowers for you, and while you’re certain he stole some of them, it was a very kind gesture

If you got sick at all during his stay, he’d go into doctor mode and nurse you back to health

He was constantly making plans to spend every single second he could with the real world version of you, so that he could return to his world knowing as much about you as he could

-Muriel-

When he simply appeared in your room you two silently stared at one another for a very long time and then began to panic

Muriel was more flustered than you because it took him a second to realize he was right in front of the real mc, the real version of you

You managed to calm him down though, and after that it was pretty smooth sailing

Muriel was not a fan of the attention he got for his height whenever you two went out to malls or other such public spaces

It was just a lot to process. You both knew each other, but Muriel’s mind couldn’t quite process the real world version of the mc he knew so well and you couldn’t quite believe that Muriel was here in real, 3-D form

It was even harder for you because everyone wanted to know all about him and kept asking all these questions him

That’s why you spent the majority of your time in less public spaces or just stayed home and enjoyed things like baking, video games, and movies

Muriel really enjoys farming games like Stardew Valley and Animal Crossing and he’s really good at them too

Is 100% down to be a listening ear for all your real world problems

He feels a little guilty that he’s known you for so long, yet this is the first time he’s been able to help you with your real life problems

So he plans on being as helpful as he can be for the few weeks he’s with you and insists on helping with any chores around the house

When he had to leave, he tried to stay calm, but the moment you started getting upset, he’d get upset too

He left you a wood carving of one of your favorite things, like a favorite animal, favorite character, favorite something that would mean a lot to you and show you there’s always of part of him with you

-Portia Devorak-

When Portia suddenly popped into existence beside you, you were both surprised, but like, too shocked to properly freak out?

“Oh. Hello, Portia.”

“Oh. Hello to you too. You look a little different… where are we?”

You managed to get in a pretty calm explanation about where she was and a bit of info about the modern world before she started freaking out

She was stuck here for two weeks and neither of you knew any way to get her back to her own world, so you decided to just go with it

Portia was mystified by all parts of modern life

Her favorite things are always the clothes and the food

Technology low key scared her for the first few days, but you helped her adjust

Her favorite thing is ordering stuff online because there’s so much cool stuff!!! And she can get it all in the click of a few buttons!!! So cool!!!

She always links your arm with hers when you’re showing her parts of town so that the two of you can’t get separated

She’s pretending to be a good friend of yours who is coming from out of the country and will be staying for a few weeks

You two do a lot of baking and Portia only starts one, little fire by using the microwave wrong :)

If you have any big problems in your life Portia is an absolute sweetheart about them. She listens perfectly and will give you all the advice and comfort you need

She’s such a cheerleader and gives you a bunch of compliments and support that she can’t give to you in the game

When the time came for her to leave, she wrapped you in her arms and wouldn’t let go until Asra’s spell pulled her back into the game

After she left, you realized she had secretly made you a cute stuffed animal version of Pepi just for you <3

-Lucio-

S c r e a m i n g

He got really defensive really fast because he was so confused

You confused him because you look a lot like the mc in the game but, since this is the real world you, you look recognizable but different

You had to carefully pry the make-shift weapon he had grabbed and explain who you were and what you thought had happened

After that Lucio chilled out but was still a little on edge

With all the technology you showed him he either loved it or hated it

Itty bitty phone screens that don’t respond to his metal hands, somewhat larger tv screens that are as confusing as Asra’s magic, and dumb people called Siri who can’t understand him? Stupid

Super fast cars and speakers that blare music? Very cool

He wasn’t the best at hiding the fact that he’s from a game and almost let it slip a few times

So you have to dive into the conversation to assure this random stranger that no, your exchange student is only joking about being a count, isn’t he hilarious???

Give him a sharp elbow in the ribs to shut him up, works 9/10

He loves movie theaters so much and will beg to go there all the time while he’s with you

He’s always very touchy because this is probably the only time he’ll get with the real version of you, and he wants to savor every bit of it

He’s an extremely picky eater and seems to only like the food you make

While spending time with the version of you in the game is always fun, it was always wonderful to get to meet the real you. A few weeks didn’t feel like nearly enough time to get to know you

He acted like going back to the his world wasn’t a big deal up until the last second when the spell started pulling him back. Then, blinking away tears, he wrapped you in a far too tight hug that was surprisingly comforting

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kaissauce · 3 years

Note

okay, phucker, do it

ok let's do this @rolli-zolli @ninikins

Horrortale: technically an alternate timeline instead of au. after a neutral run where undyne's queen the core malfunctions and food becomes scarce and people resort to eating humans because sans suggested it. Aliza is the protag. latest thing that happened in the ongoing comic was Aliza agreeing to go with Papyrus to solve his last puzzle. as for the appearance of sans he has a HUGE hole on his head and a red eye. he got the hole from undyne when she got his magic eye which was going to be used to power the core. sans didnt die tho and killed the guards holding him down and just took whatever eye was on the ground and used it as a replacement for his magic eye that's powering the core. i quote first words he said after putting the eye in his socket "who the fuck took my phone?". then the magic eye went apeshit and broke the core again. oh and also he made alphys braindead by quite literally scrambling her brain. yeah this au is rough sans hasn't really eaten anything since the core was destroyed since he decided not to eat any humans.

Dusttale: i think this was originally a korean au? basic rundown: too many genocide runs sans goes apeshit and tries to get his Lv up by killing monsters himself man went fuckin insane kills his brother blah blah blah edgy angsty au the ghost of papyrus haunts him n stuff. sans literally just looks the same except he has his hood on and sometimes artists draw him with papyrus's scarf. the cool artists draw him with his hood on and has the hood completely cover his face so u can only see his glowing pupils. although people call him dust sans he's actually named murder sans

Killer: so frickin similar to dusttale except sans goes apeshit because of the human being like "join me lmao". three different outcomes come from this. i think it was 1 sans joins human 2 sans joins human kills human later on 3 kills human or something. friends with color sans who is basically his impulse control. pretty sure his soul's fucked up and Color sans tries to make his soul un-fucked but Nightmare comes in and fucks up the progress. he has white shorts, his eye sockets are constantly pitch black and leaking tar or something also has a weird target thingy on his chest. OH YEAH ALSO HE HAS BEEF WITH UNDERSWAP SANS ALMOST FORGOT. basically swap sans tried to make killer good and then they had a fight, swap sans lost and was on the verge of dying thankfully swap papyrus was able to save him in time i think

Dreamtale: Dream isn't in the drawing but his brother, Nightmare is. Sooo he used to not look all goooy and have tentacles n stuff but then he ate a couple hundred apples and yeah. he's six years old apparently. Nightmare and Dream are supposed to be guardians of a tree that has 500 golden apples and 500 black n goopy apples. the golden aples are positive and the goop ones are negative. you're not supposed to eat either of them cus bad shit happens. Dream and Nightmare live in a village and for whatever reason they're all dicks to Nightmare because ooughh he's the guardian of negativity that's not baller. he also goes apeshit (do u see a pattern here) and eats a goopy apple n then becomes the goop man he is today. he fuckin eats 999 apples jesus christ. and the last one is eaten by Dream because if u eat all 1000 apples u become unstoppable and immortal. so that would be a bad thing if nightmare got the last one. wop wop wop these dude aren't sanses they only have the body of one if that makes sanse.

Error: manlet. he's literally an error and that's why he's like that. also he's technically not a sans now, the redesign for him was so that he could be in the creator's webcomic named Lucidia. Error sans, aka the destroyer of aus, finds aus to be mistakes so he tries to get rid of them. his process of doing this is simple: get the human soul to the void so that they can't reset, destroy the au. he primarily attacks using his strings which can wrap around one's soul and control them. he like some aus like outertale because of how open and empty it is. he likes to be alone and has haphephobia. if u touch him he'll glitch out and possibly crash. he crashes whenever gets overwhelmed. said crashing causes him to shut down and reboot and he's powerless while doing so. he's actually pretty easy to beat if you know how to push his buttons the right way. in the og ask error blog made by his creator Loverofpiggies he kidnaps Swap sans who tries to help Error become a better person. this ends horribly as error leaves Swap sans in the void who then becomes an error aswell due to being alone in the void too long. Error actually regrets doing that to swap sans

Aftertale: OK FUN FACT THE SANS OF THIS AU, WHO'S NICKNAMED "Geno" IS ERROR. aftertale is a comic made by LoverofPiggies it's been SOOOO long since i last read it so i cant really give a good summary. but anyways Geno is trapped in the loading screen with the human and will die if he leaves the loading screen. eventually from being in the loading screen for too long after the events of aftertale he becomes Error.

OOF WOWIE THERE'S SO MUCH TO GO

Underfresh: he's not even a sans either. "Fresh" is a parasite inhabiting a skeleton. his birthday is on 4/20 which is ironic cus he doesn't like drugs. he censors swears. he speaks 90's lingo and dresses like a neon sign. for some reason he has eyebrows and a gold tooth. the glasses he has can change text but normally defaults to "YOLO". he can't feel anything since he has no soul of his own and just latches onto the host's. instead he learns how to act from the people around him. not being able to feel actually bothers him a LOT

Echotale: Aka Gaster sans. uhhh this one was also a comic if i remember correctly. basically Frisk and G!Sans are the only ones in the au and they're trying to find the core to fix the fucked up timeline that they're in but the core keeps changing positions so that sucks.

Swapfell: originally made by Khhoppang who left social media. Started out as an Alphys x Undyne au so only those two were designed but Kh was planning to design more of the characters. before they could people had a field day with the idea of mashing two aus together and SO many people came up with their own designs for sans and papyrus. Khhoppang left social media because they got overwhelmed with all the art reposters and stuff, pretty sad. the appearance of the sans in that au is the purple one with a scythe (i dont think he has a scythe in the og design).

Swapfell Red: so basically this is the swapfell made by people that isn't Khhoppang. community made per se. Sans's appearance changes constantly because as said before many people made many different designs. typically he just looks like Swap sans but with red high heel boots and his color scheme fits underfell

Fellswap (gold): Au made by blackggggum. so swapfell is underswap turned fell, fell swap is underfell swapped it takes a bit to understand that. his appearance is somewhat similar to Swapfell red. He's kind to his friends but if ur his enemy he'll fucking deck you. he's blind in his left eye, the leader of the royal guard, and secretly into dressmaking. fun fact in this au Papyrus has autism

Xtale: uuuuhhhh so Cross is a complicated one. he's part of the royal guard along with papyrus. has beef with xgaster. responsible for the downfall of his au and then Underverse happens and Ink is all "oh cool someone to mess with" and they became friends for a bit then shit hit the fan

Underfell: OOOOO YES UNIRONICALLY ONE OF MY FAVORITES. So Underfell sans is actually a very powerful mf and constantly has his magic eye activated because he has so much magic. This au is also technically an alternate timeline where monsters "lost their humanity" as the creator put it. so basically trust in the underground is scarce. Sans and papyrus, contrary to many interpretations i fucking hate, are actually on good terms (and no sans doesn't call papyrus "boss" the creator said if he does he'd do it ironically and papyrus would hate it). Fun facts he pays Grillby in socks (grillby accepts the socks as payment and wears them), if u make grillby laugh he gives u a jacket that looks like his and it's heavily implied that sans made him laugh because their jackets are similar

Underswap: ah yes another classic that i love as well. originally made by PopcornPr1nce who fled social media because they hated how the majority fandom treated Underswap (Blueberry and Carrot were popular names for the fanon swap papyrus and sans). Swap sans is constantly infantilized by the community which sucks and i hate it so i draw my own very super cool version of him whom i kin because i am also very super cool.

Outertale: mainly an aesthetic au pretty sure there's no comic of it. basically, instead of underground they in space. outer sans dies in underverse after like minutes of screentime lmao

Epictale: a comic made by Yugogeer. the og comic was retconned and the creator loathes the original version and made a reboot that's much better. Sans actually dies very early in it because Yugo hates how Sans is almost always focused on in aus. also the creator hates how meme-y their sans has become (like him saying bruh every single sentence, using a rubber chicken as a weapon, cookies, etc.) he's friends with Cross but not in canon. He has a purple magic eye that makes him immortal and i think only epic gaster could remove it which is how sans was able to be killed when he fought gaster.

Temmietale: it's undertale but everyone is temmie, don't question it

Trainertale: it's undertale but it's Pokemon, don't question it

Dancetale: it's undertale but you dance instead of fight, don't

Mobtale/Mafiatale: im unsure if mobtale and mafiatale are separate or not but they are very similar. basically undertale but mafia it's self explanatory

Undertale: no clue which au is this one, nope not at all/j

Bittytale or whatever idk: so take sans, make him small. boom. never understood this au

THAT BASTARD INK: HOOO BOY SAVED THE WORST FOR LAST. FUCK THIS GUY/j. THIS DUDE. IS THE REASON IM STILL INTO UNDERTALE AUS. I LOVE EM SO MUCH. also technically not a sans. He comes from an unfinished au and ripped his own soul to escape said au and became an outcode. for so long he was just a soulless husk until someone drew him and he got splashed with paint which let him feel. soon he learned to keep the paint in vials so that he can be able to feel 24/7. And then he learned how to create things with a paintbrush and the paint and spent time alone drawing up his own world until a portal appeared and took him to the multiverse. now he encourages artists to keep creating aus. he's the protector of aus in the sense that he keeps other outcodes from disrupting the script of the au, so if it's pacifist and an outcode tries to kill people he'd stop them, if it's genocide and an outcode tried to help them he'd stop them. no matter what he wants the au to stay on script. fun fact the creator of ink and the creator of error never had them interact with each other in canon, that was all the fandom's doing. Contrary to popular belief he's not really considered "good" his alignment is officially "Chaotic neutral". I personally interpret him a lot more chaotic than in canon because it's fun but he's a pretty chill guy actually. he can just be a bit of an ass sometimes. According to the creator of Ink (who is Comyet) his interpretation in Underverse is not canon compliant. one of the biggest canon things that underverse contradicts is Ink deliberately not taking his vials. if he were to do that in canon he'd become a husk again which is the equivalent of him "dying". he was described as a walking corpse by Comyet, without the vials he can't function anymore. Like Error he's pretty easy to beat if you know his weaknesses. also he has fears of empty spaces and being alone

off topic kinda but i very much love how Error and Ink are opposites yet parallel even though they were completely written without the other in mind. Error believes getting rid of aus is getting rid of anomalies. Ink believes people interfering with aus are anomalies. Error loves emptiness, Ink hates emptiness. list goes on it's funky fresh.

also uhhh sanses missing from that drawing that i can name from the top of my head

Seraphim sans, Insans, Dusttrust, He who shall not be named because he's from an 18+ au, Swapswap (yes. that exists), Storyshift, Inverted Fate (very good au i suggest checking it out), Negatale, Oceantale, Template, Pale, Mafiafell, Farmtale

my phone is at 9% y'all are spared from me going on

#long post #ask #ninikins #rolli zolli

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staylavendertea · 3 years

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music, ya know

this is a complete impulse of lying in bed middle of the night thoughts that i don’t even know if anyone’s gonna see that have been stemmed off the experiences of the past couple days, topic of 1:41 am mind boggle:

music and it’s aesthetic and importance in literal every sense cause it’s just that important to me

first experience of realizing this, i’ve always loved film scores and listening to music and the orchestral pieces from movies and shows, but it really seemed to hit me recently, like the fact that this week’s new LOKI episode, no spoilers, has the most badass score and a badass scene with such a perfect mix and musical atmosphere. i literally had one of my best friends over, who has a very small interest in comics, cinema, marvel in general, especially a show about a norse comic god that they know nothing about, and whilst they sat there for my own regard, watching the show like a normal human being would, i sat there clinching their hand, watching in awe as our music is louder than actors talking tv speakers spurted out the most spine tightening world building story and just wandered “jesus that was good” and whilst i will always think about the superior acting, cgi, the amount of different people that just went into those few scenes and like what was physical set and what was computer image and what the hell did i just watch that has my brain running olympic marathon circles right now?

the thought that said brain kept going back to was that fucking score. it was literally tearing apart of every corner of my head and why was it doing that?

second experience, another marvel one, but i digress. black widow (no spoilers i promise), thursday night, movie theater for the first time in i can’t even remember how long now and we set through so many previews just for fucking boss baby to start playing and the reaction of the theater to make me burst out laughing.

however whatever works in that little projection box, gets fixed and the movie is pushed to just a little before it starts, a nice small pepsi ad, the regal rollercoaster intro (if you go to regal movie theaters ya know what i’m talking about), and then i hear it - the marvel studios logo - something so musically engraved into my head that my ass that can’t sing for anything, can harmonize with the sound and makes the hair on the back of my neck stand up around movie theater surround sound. but i can’t think of that now, i’m here to watch black widow, a movie on hiatus with the rest of the world for so long now, a character i didn’t know much about it or truly, didn’t have the most connection with in the first place. yet through that one movie, i seemed to build one of those.

ofc though scarlett johansson’s beautiful acting and world building, but it isn’t until the end of the movie that i even realize why. it was the fucking score again. when i think about it, the beginning of the movie felt like all of black widows scenes in the avengers movies for me, kinda just, there. not really emotionally tugging, not bad ofc either, but just, there. in the present, watching something cool in motion. but then it hits, what i can only describe as a theme that somehow tells the entire black widow movie in one singular composition. something so badass, story telling, but also just singularly black widow-esk. i can tell you that i walked out the movie theater rambling about the composition and looking up composers.

third experience, the most recent as it was literally like 20 minutes ago and sprung one train rail of a thought process that immediately tugged me into typing this brain vomit into a tumblr post. i have playlists. for everything. and when i say everything, i fucking mean everything. i’m a writer and a reader, i have playlists mostly for the young avengers, my most utter comfort characters, and their stories i’m writing. i also have playlists/genre/specific song for about every book i read.

when i read red white and royal blue when that came out, i noticed i listened to one of the drunks by panic at the disco the entirety of the ending of the book and the words and music fit together like puzzle pieces, not only did it make the reading experience better, but i was so fucking emerged in my over hyper-imagitive brain that when i finally actually finished the book, i still never left. rewind present day to the beginning of this past june, one last stop comes out, ofc i get it the day it comes out with my anticipation building like wildfire. i start reading that night and i put on my recents on my liked songs playlist (true to true spotify user) and i slowly over the next day as i read and finish the book, windle down to the genre, then the band, to the album, to the exact song that feels like the carbon copy of the words i’m reading. that song was only ones who know by the arctic monkeys. now go back to this past week, anyone who reads the carry on series knows, anyway the wind blows came out this past tuesday. i waited till wednesday to buy the ✨pretty special addition barnes and nobles copy✨ so that the dear friend that indulged me by watching loki that same day could buy it at the same time and make a cute book date or whateva. i started reading that night and something just felt ,,, off. i didn’t know what it was, but i was living off the pure joy that simon and co give me so i ignored the feeling. until i realized why it felt off this morning. i wasn’t listening to any fucking music, literally nothing, not even queen. motherfucking. queen.

i looked for the snowbaz playlist i made when i read carry on for the first time back in 2016/2017 when i was still a freshman in high school just to remember i deleted that literally forever ago. so i made a new one. like an hour and a half ago. very inspired on how i made the playlists for the young avengers and all their stories. letting the music talk.

the fact that all these rambling thoughts have led to this conclusion makes my head hurt, but for me at least in my own experiences. music talks. a two way conversation. a radio broadcast, turning the peg until you match the same frequency thats being put out and you can hear it and understand it. it’s like when you see comedians on stages or actors on panels, they talk, you have reactions, you talk back, and so forth the loop continues until the last voice, last note, rings out. music and songs and orchestral pieces and bands and composers and lyric writers are telling you the stories in reverse. they don’t know their doing it, obviously they meant something entirely different in their creations, but it’s like literature and any work of words and storytelling. interpretation. to me, the notes, pianos, violins, guitars, drums, singers, cellos, and anything that can make sound you can think of, is telling you something. whispering in your ear as you watch or read. facial features, emotions the characters dont say out loud, outfits, they way their standing or talking or moving or interacting with anything and everything.

when i just made that carry on playlist, i played it, decided to try read some good almost 2 am fan fic as you do, my hanging on by a thread sleep brain telling me words aren’t recognizable right now, and tighten myself into a blanket to see if i can sleep at all. the playlist still plays and my never shuts up head thinks it’s own daydreams, stresses out about anything it can, that is until the song plays. the one that just speaks the carry on trilogy language. the one that i found whilst i was reading wayward son and then would play whenever i re read carry on. the one that started this whole way too long ass post in the first place. cant be alone tonight by atlas. i heard just the first sound and i saw them, as if i were in the same room, like i never even put the book down in the first damn place because i’m actually terrified of finishing it. i could see simon in his oversized hoodies, baz in an outfit that was way too good just to be sitting inside, agatha looking as pleasantly pretty as ever, penelope poking fun at shepherd, and shepherd poking fun right back; bickering, laughing, saying the dialogues i try to remember so i can write them later, existing.

in a way music doesn’t just talk, but it lives. it lives and breaths. a three way conversation you could say. characters, stories, plot, and settings talk to the music, then the music delivers us listeners the message, so that we can send one back. this literally took me over an hour to write and i should point the important note that i do have synesthesia where colors and sounds and colors and words do the association so this entire thing might be me being entirely biased, but alas, i love sound so much and if there is anyone else that feels the same ways as i do as just a simple good film score and song makes anything ten times better, feel free to talk, i will totally be awkward, but i need some music freaks like myself around so feel free to hit me up, also if you love movies and cinema also feel free to hit me up as i need movie buddies and now it’s 3 am and i will be going to bed - peace out 🛸

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pochiperpe90 · 3 years

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Interview with the director of “They Call Me Jeeg”

Interview with director Gabriele Mainetti about the movie and the Zingaro (Luca Marinelli)

When I think back to “They call me Jeeg” I think of the Zingaro. In your film there is one of the most beautiful villains of Italian cinema of recent years, how was he born?

We wanted to create a villain that wasn't just bad. We wanted to give it a three-dimensionality, complicate it and make it fascinating and original. In my opinion, the Zingaro is a very successful character and much loved by everyone for a specific reason: because they feel him close. He is the victim of what is a bit of a contemporary neurosis, that is, the need to showcase himself. We are now victims of how many likes we get on social networks and how many views does the video we post on YouTube, and he’s interesting because when he was a kid he performed in a singing interpretation on ‘Buona Domenica’ and then he lived what many people did: he become a meteor (it means that his fame lasted very little). But it’s as if he had never accepted it and brought with him this narcissistic attitude, and he wants to become a respected and almost famous criminal, but it makes no sense, because criminals when they become so important have to live in basements, it's not that you can show off, so it's a bit of a nonsense, and that's all the madness of the Zingaro.

It was interesting, because when I met people to do the auditions they all came with - as they say in Rome - 'the nostrils of the nose widened like bulls', as the kind of bad guys who beat you. But the Zingaro is an intelligent, sophisticated character, with a talent, who can sing, elegant, who has his own aesthetic idea, he is beautiful, and therefore I needed someone who would bring me the intelligence of the character, and Marinelli although at beginning was very distant from what you saw on the screen, had made me glimpse this necessary feature.

The stakes were high. It was difficult after seeing Luca Marinelli as Cesare in Claudio Caligari's ‘Don't Be Bad’ to think that in a few months he would be back with another strong character.

I shot a year before ‘Don't be bad’ and this helped him a lot, he always recognizes it when he can. Luca was far from the peripheral element, he is a boy who grew up in a modest family, in the streets with his friends, but still he was in Prati, he wasn’t in San Basilio, in Tor Bella Monaca or Corviale. He has never experienced one of these realities, and this character must have had this reality in his blood here, and the need to redeem himself socially and find the famous 'turning point' of the criminal. I took him, took him to Tor Bella Monaca, we did a lot of tests, it was a very intense job. At the beginning there was a moment of jealousy, not because the ‘Maestro’ had taken him, but because it was released first, but it was right. At one point I said: "What do I care!", Caligari taught me so much with two films - if they say that Caligari has made little cinema, it’s the biggest bullshit that can be said, because in Caligari’s movies there is more of that cinema that in a hundred films of many morons. The fact that he saw this light inside Luca and the fact that I also saw it inside him, means that something works. I love Caligari, I love him as much as I loved ‘Don't be bad’.

I admit I was almost upset when at the press conference at the Quattro Fontane, here in Rome, Marinelli arrived in plain clothes, not dressed as the Zingaro …

He is very shy, very reserved, he’s exactly the opposite of his character. Paradoxically in life Santamaria is the Zingaro, and Enzo is Luca Marinelli …

The nice thing about the Zingaro is that we discover his character and his past little by little, when we think that the character has been defined and yet, not really. I loved his unexpected obsession with Italian singers, four queens of the Eighties: Loredana Bertè, Gianna Nannini, Nada and Anna Oxa …

We actually had an Italian singer in mind but we were unable to involve him, we thought of replacing him with another singer but we continued to find only women and we said to ourselves "but she doesn't have the power of this one", and in the end the idea: "but why don't we take several, as if he was an expert?", and this thing was born a lot with Luca, especially the musical choice, we went there, we evaluated them, we discovered which ones we could use - because you know music always has a cost ... I am a lover of all four singers put in the film, TOTAL, which should probably lead me to question myself about my sexual orientation, right now I continue to heterosexualize everything, but I love them, a lot, and I loved Anna Oxa when I was little, Berté despite now looking like Mickey Rourke is always super, great, she always has a crazy voice.

Since we met the Zingaro, with some of my friends, we greet each other with: «C’è una ragione che cresce in me»

To think that someone posted to me on the Internet: "If I started singing such a shitty song, it means that the film is really beautiful!", and I replied to him: "But how dare you saying that “Un’emozione da poco” is a shitty song, you are a shit!».

What was it like shooting the scene in which Luca Marinelli, in a shady club, sings and dances in a sequined jacket, shirtless, with just a glove, with his hair back, with high-heeled boots and tight pants, the song by Anna Oxa?

Luca did it I think 15 times. In the end, the voice was right, Luca has a very strong voice, he is very resistant, he never loses control. I made him do it a lot of times, because he wanted to make it perfect and I kept following him. I have told it through many fields. We have thought about it a lot.

Look, the Zingaro was a very difficult character. The look, how to throw his hair, how to dress him, how he had to sing, how he had to perform, which tattoos… is the character we have thought about the most. Then if you notice he is clearly a quote from David Bowie's Ziggy Stardust, especially in the final part.

Another thing that I liked so much about your film is that there are no good and bad characters. Bad guys are never just bad guys. And it’s precisely the weaknesses of the characters that make them close to us, the Zingaro who sings at the top of his voice “Non sono una signora” in the car with friends as if he was at the stadium, Enzo who eats the usual cream pudding in an atmosphere of extreme desolation in front of the TV, Alessia fixed with a single DVD, a cartoon for children. “They call me Jeeg” is a film about superheroes who are real people, who are so real that at different moments in the film we identified with a different protagonist of the three.

Thank you so much because this thing you say, is not easy. Usually the emotional vehicles are always one or two, three is tough. It all depends on how the writing is set up. The character is the most important thing in the film, because it’s the emotional vehicle of the viewer. In America they had already tried it in some films. Super didn’t have super powers but he was a sort of vigilant who disguised himself and went to do good, he was a loser in an American town who clashes with this boss, microboss of the underworld, and must kill the Evil. The Manichean vision between Good and Evil, which is very American, still makes me laugh.

This attempt to mix what I call the ‘Pasolini element’ with the ‘fantastic element’, which I had already tried in my short films ‘Tiger Boy’ and ‘Basette’, comes naturally to me. You know, I was lucky enough to have done the American school, I was part of the University in New York, my grandmother lived the first years of her life in New Jersey, I have relatives in New Jersey, my sister lives in America, I have a very "happy" relationship with America, the American system is total crazy, but I understand their cinema, and I understand their fictions, and I understand why we digest some things and we don't digest others, I know how we work. For me, the only way to get to the suspension of disbelief was to tell characters that are as real as possible, then hook on to a very strong experience. Because if you are so passionate about him, you can't not believe him when he has super power, but he has to react to super power as anyone would react. They are really well written.

This thing here makes me laugh ... No one has ever focused on this thing. This guy falls from the top floor and runs away! Escape! What the fuck are you running away for? He wasn't hurt but he runs away, he has to run away because he's afraid, he goes back home and if he has to, he can't think about it yet, he doesn't think about it yet, but it's typical of someone who doesn't want to have responsibility. Then when he gets angry that he punches the wall, he still struggles, and when he becomes aware of the fact that he has super powers, since he is a criminal, what does he do? He rob an ATM, to buy more yogurt. That's where the stuff works. If, on the other hand, you made him fall from the top floor and then say: "Damn, I’m so strong!", he would jump again, climb up, smash his head, gut, takes his cocaine, it seemed, you know ... but what are we talking about.

The 80s songs, Buona Domenica, YouTube, superheroes, the Roman suburbs, the Olympic stadium ... the mix of elements that are part of the story of “They call me Jeeg” could be very risky, but the way it’s narrated makes this a winning combination. You tell things you know without judging them.

Exactly. Many kids call me and tell me: «Ah, but how did you do it, but how did you do it», «How it should be done» I replied: «Guys, you should talk about things that concern you!». You have to talk about the things that belong to you, and try to insert them into what the cinematographic genre is, that genre has its codes, if you want to do an even more extreme operation, but I don't recommend it, you have to completely subvert them. But you have to make it work for what you are doing. I am an admirer, for example, of Puglielli's ‘Dorme’, it's a WONDERFUL film; he recounted the frustration of his height, which is actually a shortness. We must start from the things we know, from our frailties. Unfortunately, the American superheroes, especially the Marvel ones, lately, are all plastic. I always ask myself, a question that always arises spontaneously, but how the fuck do they put all that spandex stuff on? How do they get into it? Do they all oil themselves first? It looks like a wetsuit ... I find it really ridiculous. In fact, it's not that I don't like superhero movies, I like Batman, because he still has a great internal conflict and everything, but here I need characters with great fragility. My favorite superhero movie is The Guardians of the Galaxy, because I know five ramshackle people who have the responsibility of saving the world. And they manage to do it, how? Because they establish a true relationship between them, which is that of friendship, and realizing that they love each other, they understand that they can also love others and say to each other "Oh well, let's save these assholes", it's fantastic, it's fantastic, it's beautiful. I can empathize with them. Certainly with Superman I can’t, I can’t succeed.

In the days I watched “They call me Jeeg” I had arrived at the third episode of Jessica Jones, the Netflix series in which the protagonist takes the opposite path of Enzo, from superheroine to 'normal' person, investigator with somewhat special powers. What do you think of recent series or movies that have a superhero at the center?

I saw the first two episodes but it bored me a bit. Deadpool is just the answer to this clean cinema, with him farting, getting sodomized by his partner and he's nice, but he didn't convince me too much, because he is in reaction to the plastic of these super heroes, and therefore he mocks everyone. But I don't give a damn about that either. I want the story of a person, I want the story of a character, that's the thing that excites me. I saw Daredevil and I didn't mind, it wasn't bad.

The background of Rome in “They Call Me Jeeg” is an important component. Are there any Italian films set in recent years, in the capital, that you care most about? I think of Romanzo Criminale, The great beauty, Don't be bad, Suburra.

They are very different films. Sorrentino has such a unique look that one cannot fail to recognize it. Formally it’s indisputable. Sometimes, from a content point of view, there are some things that I probably can't grasp, and I don't know if it's my limit; I like to get excited, the staging excites me, but I don't know, I love ‘La dolce vita’, I love Fellini, I love ‘Otto e mezzo’, that distorted and grotesque vision that he had ... but there is no comparison, that would be nonsense.

“Don’t be bad” is certainly the one that excited me the most. Who wants to make a certain type of cinema, social cinema, committed cinema, should study this ability of Caligari (but how much has he been criticized? Because yes, "Masterpiece" and that and that, but everyone criticizes a lot of it, because they are infamous ‘rosiconi’ → jealous people in the Roman dialect). What Caligari teaches is that he puts you next to a character with extreme problems but makes him feel like a friend, makes you understand that he is like you and allows you to identify. He has a deep friendship which is that between Cesare and Vittorio, he has a love story, the character of Cesare, as well as that of Vittorio, even the drug itself is experienced as fun at the beginning, as a sort of pact of love between the two of them, then you understand many things, that is something that is a great lesson in cinema, it’s a lesson in profound cinema, of cinema that interests me, cinema that excites you.

Romanzo Criminale is a very successful genre operation, which has highlighted the possibility of tackling the genre when it was thought to be banned; when I had this subject in 2010 I used to shoot like a jerk for all the productions and they said to me that: "Don't have to do this thing, because it doesn't make sense, genre cinema isn’t liked in Italy, it doesn't work, it's a waste of time, among other things, we don't have the skills to organize it», and instead Romanzo Criminale, then the series, then Gomorra the series, Suburra, now they make Suburra the series, is telling the opposite. Fortunately there is a Romanzo Criminale, fortunately there is ‘The Great Beauty’ who won the Oscar, fortunately there is ‘Don't be bad’.

DUDEMAG

Just wanted to translate this old interview for the non-italian’s fans ^^ (sorry for my English)

#Luca Marinelli #gabriele mainetti #they call me jeeg #lo chiamavano jeeg robot #interview #english #english translation #mine #lo zingaro #old interview #don't be bad #non essere cattivo

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reynauldapologist · 3 years

Note

What darkest dungeon mods do you like? I'm think abt doing another run. Confide in me your secrets.

i use a lot of different ones for different runs, and they all impact the game in radically different ways, so i’ll break them down into categories to make things easier:

aesthetic/non-impactful mods:

[these are either skin mods or only change a very small aspect of the game]

Remove Narrator from Endless Loading Screen

this does exactly what it says. you no longer have to listen to Grampy Darkest give his dissertation on why he’s the Most Evil and Fucked Up Guy around every time you wanna hop back into the farmstead.

Perfect Faster Dungeon

CANNOT RECOMMEND THIS ONE ENOUGH!!! i have no clue how i ever played this game without it. it increases walking speed, combat pacing, scouting, and end screen results without choppiness or awkward animations. this is perfect if you’re a weirdo like me and you’re trying to grind for all of the achievements or if you’re a longtime player or if you simply have a need for speed

Unofficial Palette Expansion Pack

hands down my favorite skin mod ever! it gives each base game class five new palettes to choose from. the recolors are subtle, but very well-done and visually unique, and they blend right in with the rest of the game. if you value immersion from your mods like i do, you’ll really like this one. there are also palette expansion packs by the same creator for the flagellant, shieldbreaker, and musketeer

Jester On-The-Run

i installed this one shortly after starting my all-jester run. i adore the design and how well it blends into the game’s art style. i almost like this one better than his canon skin, it fits his backstory much better

annnnd since i was neck-deep in crusaders and ONLY crusaders for a little while, i ended up installing quite a few crusader skins, which i’ll now dump here:

Warden Crusader Skin / Deus Vult Skin Set / Crusader Soul of Cinders Skins / Accurate Templar Crusader Palette / Crusader Knight Skin

class mods

[note: i haven’t had the chance to mess around with these in an actual run yet, i added these to my longest save after i had already beaten the final boss]

The Veiled

i haven’t had the chance to utilize the veiled much in my expeditions, but a lot of love and effort went into this mod and it really shows. he uses similar mechanics as the flagellant - the closer to death he is, the more powerful he becomes - but cranked up to nine. he has great healing and offensive abilities, as well as a decent debuff skillset. this mod has fantastic art, of course, and would probably fit right in with a good mark team

The Commandant

it might take you a little while to learn how to properly use this guy, but once you do it’s well worth the effort. he’s a great debuff/stress healing support class if utilized correctly, but he can dish out some heavy damage of his own if you have a little patience. cool aesthetics and a unique concept elevate this class quite a bit for me

The Stargazer

this dude is the definition of a glass canon. super low HP, but high dodge and the potential to deal out some serious damage. he has two states, each with four abilities (kinda like abom!), that he has a 40% chance of switching between, making him a decently versatile class, if a little unpredictable. he was made with the intention of being a color of madness specific class, in the same way that the flagellant was made for the crimson court. i was first drawn to his aesthetics tbh, i adore all the work that went into designing this mod, from the design to the unique animations and sounds

script/gameplay mods

[these mods fundamentally change the gameplay]

Bigger Balanced Roster - Max 99

does what you would expect: increases your roster to 99. i use this for my completed save, so that i can test out different comps and class mods to my heart’s content. i wouldn’t recommend this for a serious run, because it totally destroys a core aspect of the game’s difficulty lmao. i haven’t encountered any bugs with this one and i still receive 1-4 lvl heroes in my stagecoach regularly

Crusader Only

here it is. the mod that took over my life for six months. does what it says: ensures that only crusaders show up in your stagecoach and eliminates all non-crusader class-specific trinkets. i didn’t encounter any bugs with this mod at all. this creator has also made [class]-only mods for all of the other heroes, including a bunch of different combos (like crusader-arbalest only, shieldbreaker-flagellant only, etc). check out their work if you’re interested in Testing Your Patience Abilities

Eternal Fanatic

typically, once you’ve killed the countess, the fanatic will cease spawning. this is great if you're a normal person with a healthy relationship to video games, not so great if you’re a completionist and a cautious scaredy-cat and have successfully avoided him during your entire Crimson Court run. activating this mod on a save means that the fanatic will begin spawning again, albeit with a slightly lower chance. once you’re sick of him, you can deactivate the mod and play normally once again.

Last Man Standing

aka Reynauld Goes Beast Mode. this mod restricts you to one hero - Reynauld - and forces you to use him and only him for the entirety of your run. all eight of his skills are active at once and buffed to the gills, he has seven total armor/weapon upgrades, and he can carry three trinkets at once. but that doesn’t mean this will be an easy endeavor. as you might have guessed, you can’t toss rey in the sanitarium to deal with pesky quirks or diseases or stress-heal him in the hamlet. you just have to tough it out. i would highly recommend you use this in conjunction with the Perfect Faster Dungeon mod above. unfortunately, this mod is rather buggy in its current state. ive had problems with reliable quest spawning and many of his skills don’t function the way their description says they should (such as his added riposte). im including it anyways because it’s a really cool concept and has a lot of potential! i’ll be keeping an eye on it

and that’s everything i regularly use! i hope this was helpful & good luck on your runs :)

#and if anyone has recommendations for other mods i should try send them my way!#wyrdposting

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atsunflower · 4 years

Text

Let them sing — Intro

Rated: SFW

Author note: Freaking finally. I don't have much to say; this one right here is one of my favorites and I'm really excited to write about the twins.

Warnings: brief mentions of hallucinations and violence. Some cursing.

I — Intro

Previous || Next

He heard them.

Contrary to people's belief, it wasn't a song of agony.

The choir of the deceased chanted as if it was the only thing they could do in the whole eternity, a melancholic melody comfortable to the ears.

"Let'em sing then"

"Oi, Samu. Did ya say something?" His brother asked, sending him a weird glare. It was funny how Atsumu knew him like the back of his hand, even though Osamu would always sport a stoic face and hold onto his nonchalant demeanor.

"Nah, ya hearing things" The grey haired male shrugged, playing it cool. The blond sent him a weird glare but opted to ignore the other. Whatever was on Samu's mind he would figure out eventually.

"Man, I'm so excited" Atsumu rubbed his palms, warming them up in excitement "I've heard that Niiyama boss is a hot shot."

"Yeah, everyone knows it" the male rolled his eyes "Just don't try ta ruin everything, dumbass. Remember this 'Nee-san' woman is known for being hella strict" Osamu warned as they arrived the place.

White walls and black iron gates. The house of Niiyama held a imponent aura, as if the building tried to cover its backstory.

Back then, the place used to be a brothel; the most exquisite one, with women at its finest.

All of this for in one night, two years ago, everything take a turn and change completely: the women here rioted and took over the place. Now, Niiyama was a neutral sisterhood that sold information. Like an oracle, Nee-san knew everything.

"Oi Samu, what d'ya think she looks like?" Atsumu asked as he stopped the car engines.

"I dunno, I don't care." Osamu shrugged. They got out of the vehicle, eyeing the tall girl by the door. "Behave."

"Man, you're no fun" The blond whined while they both walked to the house entrance. "I should have brought Sunarin instead" He heard his brother say before the girl smiled at their presence.

"Good morning. It's a pleasure to have both Inarizaki oyabuns here today" The hostess said bowing at them "My name is Kanoka and I will take you two to Nee-san" She turned her back, opening the door.

"The pleasure is ours, Kanoka-san. We look very forward to meet with Nee-san" Atsumu was quite the flirt, hearing him being so polite would always be a surprise to Osamu.

Well, it was business involving Inarizaki after all.

"The feeling is mutual, Miya-san. It's a surprise you contacted us since your household never showed interest to do business with Nee-san before" Kanoka said without any malice while Atsumu hummed in acknowledgement.

Taking in his surroundings, Osamu noticed the emptiness of the mansion lobby; plain white walls with wide glass windows along a floor covered in white marble. No decoration items nor other people around, this clearness conferring a sad atmosphere to the ample house as this feeling kind of tickled him off.

He didn't have much more time to observe the room as the tall woman led them upstairs. There, the walls painted in the same white took the form of a corridor, as he recalled being being in this place only once to deal with some scumbag who owed Inarizaki money.

Back then, a burgundy wallpaper and golden chandeliers hanging from the ceiling would make aesthetics for shady purposes. Now, even if the aesthetics were for the better, he didn't know what to feel about the building.

At the end of the corridor, a huge door stood imponent. Kanoka knocked the hard wood twice before signaling they both could enter the room.

"I can say it's a surprise to have the remarkable Miya twins at Niiyama" The soft timber welcomed them. Observing their surroundings, they spotted a woman standing by the windows; the morning's light made her skin glow as she slowly turned to face the duo.

Osamu felt his breath hitch in his throat, but the male would be lying if he said it was because of your beauty.

There was something about you that he would recognize even if he was blind.

Your eyes held the same dullness of his.

What a woman like you would have done to have the very eyes of a sinner like him?

"I heard you guys suffered some setbacks a while ago" The gray haired male saw his twin holding back a scoff at her words. The woman signaled them to sit as she took three cups and poured green tea into it. "I have a vague idea of it, but first I gotta know if you guys are willing to take what we have to offer" She stretched some wrinkles on her black dress, waiting for their response as she set the cups in front of them.

"We're pretty much worried to come at ya. As ya said, it's the first time Inarizaki meets Niiyama" Osamu couldn't hold the urge to talk to her "But we're putting lots of money on it. We ain't paying for tittle-tattle" It wasn't his intention to sound so harsh, but he didn't know how to feel about this place.

The male observed her neutral face as she took a sip from the rich tea, warily eyeing him.

"Do you know the difference between rumours and information, Miya-san?" The male opened his mouth to reply but she beated him to it "Rumour is when you and your Kobun, Suna, went to that love hotel and people assumed you were some sort of lovers" The flat tone held no provocation. It was just you stating you really knew things, and it still made him pissed. "Information is the fact you two went there to get rid of that Danzo guy involved with prostitution"

"How do ya know it?" He heard Atsumu's alarmed voice from his left. You turned your attention to the blond male, sighing.

"That's the point of Niiyama, Miya-san" His brother cursed as you kept collected "Don't worry, we didn't sell this info to anyone"

"And why is that?" It was his turn to ask.

"Because we appreciate what you did"

I like her sincerity, Osamu decided.

"Well, Inarizaki is known for protecting women" Atsumu's foul mouth stated, lacing each word with pride. You lifted an eyebrow at it, distaste briefly crossing your features — the only glimpse of emotion you showed in the whole conversation, he noticed.

"Very rich, considering you both handed your sister in a silver plate to Itachiyama"

Osamu heard the voices snickering. Pathetic.

You didn't even flinch when Atsumu slammed the porcelain cup onto the coffee table. You patiently waited for his outburst to unfold.

"We didn't come here ta be disrespected!"

"Did I lie, Miya-san?" Your question wasn't provocative, but bothered Osamu too.

"Atsumu, shut it" The gray haired man stared at you before continuing. "We have other matters to discuss. What do you know about Johzenji?"

The woman inhaled deeply, shifting on her seat.

"That's the problem. I don't know anything about it"

❥ taglist: @ukaiwachin @keekee-732 @chiibichann @captain-shittykawa @idiot-juice-enthusiast @tomo-uwu @ushijima-meixiu @bimboiiying @ohmythatmiya @onigiriimiya @keuromi @trash4sportsanime @jihoonspout @fortheloveofbakugo @sweetfntsii @yikerb @akaaaashit @lilacshouko @sehunosh @bap-kingdom @sakusakymi @namyari @voids-universe @kylalily @xanaxdeity @raenebalgaire @apollochjld

Taglist: open. Send an ask to be added.

#miya osamu scenarios #osamu scenarios #osamu x reader #miya osamu x reader #miya osamu #hq osamu #haikyuu miya osamu #miya osamu imagines #miya x reader #inarizaki x reader #inarizaki #haikyuu scenarios #haikyuu #haikyuu!!#haikyuu imagines #haikyuu x reader

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bltngames · 3 years

Video

youtube

The Balan Wonderworld demo came out yesterday. If you haven’t been keeping up with this, it’s a game by Yuji Naka and Naoto Ohshima, two of the original creators of Sonic the Hedgehog. A lot of that original team has gone on to do solo work outside of Sega, but this is the first time two former members of Sonic Team have gotten back together to make a new game.

If the demo is anything to go by, Balan Wonderworld (which I keep trying to type as “Balan Wonderland,” because it has a much nicer rhythm to it) is a game that lives deep in the shadow of NiGHTS into Dreams and Sonic the Hedgehog. It is very clearly trying to be an “Old School Sonic Team” experience, which it... sort of succeeds at, for better and worse.

This feels like a game they ripped straight out of 1995, warts and all, and remastered it with modern-ish graphics. I say “modern-ish” because in broad strokes, I think Balan looks pretty good. The character designs are charming, the level themes are interesting, but if you really stop and look at the game, it’s honestly pretty ugly, with simple lighting, limited detail and blurry textures.

One gets the impression maybe that’s because Balan is on everything -- Playstation, Xbox, PC, and even Switch. The gross texture work could be to squeeze the game down for Nintendo’s handheld, but apparently it runs extremely poorly there. On the PS4 Pro, it sticks pretty closely to 60fps, though there are occasionally hiccups here and there. Nothing worth fretting over, honestly.

But how does it play?

This is where the shadow of Sonic the Hedgehog looms large. Balan is designed to be simplistic to a fault: You get one button to control your character. Or, more specifically, every button on your controller will do the same thing (for the most part). This is right out of the Sonic handbook, as that game was also designed to be operable with only one button, as well.

Now, what your one button does can change. Scattered around levels are different costumes for your character to put on, and each costume has its own unique ability. The full version of Balan promises 80 different costumes, and there’s probably half a dozen in the demo. Each one serves a unique purpose, and some of them don’t even have the ability to jump. Which is fine, mostly, because you can carry a stock of three costumes with you that you can swap between sort of like the team mechanics in Sonic Heroes. Once you finish a level, those costumes get added to your dressing room, allowing you to customize a loadout of costumes at any checkpoint.

On paper, that much sounds fine. But this is where things start getting weird.

Costumes are not freely available to pick up. The jewels that hold costumes are locked with a key. This creates an obvious gameplay loop: find key, unlock costume, use costume to solve puzzle, right? Right.

Except that, at least in the demo, most keys are only a few feet away from any given costume jewel. On top of that, keys respawn. Crack open a costume jewel, grab the costume, but hang out for a little while and eventually the key will reappear. In doing this, you can stock up on keys early on in a level, smoothing out the process of acquiring new costumes as you go. I’m not sure why Balan does this. The time between key respawns is a few seconds too many -- just enough that it starts to feel tedious. But, as far as I can tell, there is no penalty for farming up a bunch of keys from the first key spawn point, either. It’s the worst of both worlds. If it was trying to be convenient, keys would spawn more quickly, but if it was trying to plan puzzles around acquiring keys, you can completely side step that by just waiting it out and hoarding keys early on.

You’ll not only want to hoard keys, but hoard costumes, as well. If you’re unlucky enough to take damage or even die while wearing a costume, it’s gone. You can build up stocks of costumes so you’ll always have spares to pull out of the dressing room, but that requires you to specifically go out of your way to get duplicates and bank them. If you don’t, you might find yourself at a puzzle that requires a specific costume that you simply don’t have anymore. When that happens, your only recourse is to backtrack in the hopes of finding a crystal that contains the costume you need, and characters in Balan aren’t exactly fast moving.

The chances of you losing a costume seem pretty low, admittedly. Balan Wonderworld doesn’t really seem like it’s aiming for anything resembling difficulty. Enemies exist, but only in very small numbers, and they’re easily dispatched. Most of the game is more about exploring the dream-like environments and playing around with the various costume abilities in order to solve basic puzzles.

You aren’t working against a clock, there isn’t a scoring system, and you usually aren’t being graded on your performance. Talking it over with some others, the vibe is that this could be a good game for young children. It requires little in terms of controller dexterity and is generous in every sense of the word.

The primary complaint against that, I guess, is that Balan Wonderworld is a weird game. Like, “Elsa and Spider-man Finger Family Youtube Video” weird. Every level is packed full of gently dancing ghosts that phase out of existence once you get too close to them. They’re all the creatures your costumes are based on, but they don’t exist as NPCs in the world for you to touch and interact with. Like I said, they’re ghosts, and they disappear the moment you get within a few feet. Those same ghosts will suddenly materialize when you touch certain checkpoints, throwing you something of parade. They interrupt the level music and everything just to play their own special celebration song. Move more than a few feet and they will fade back out of existence again, taking their special parade song with them, never to be seen for the rest of the stage.

It lends a strangely “uncanny” feeling to the game. I think the dancing characters are meant to add a sense of carefree fun, but they look like people wearing mascot suits, doing the same basic scripted routine over, and over, and over, for eternity. They don’t look like they’re having fun, they don’t appear to be choreographed to the stage’s music, and yet there they are, eternally dancing the days away. It’s kind of eerie. They were performing before you got here, and they'll keep performing after you leave.

The demo pits you against a single boss, which is notable for being someone who has the same powers you do, but combined and amped up. Seeing the same costume motifs come up in the boss as they draw from the same abilities that you have is actually a really fun idea, and the game rewards you for getting creative and swapping between costumes when you deal damage.

Balan Wonderland is a very odd game, and I’m not sure what to make of it. It took me a while to start wrapping my head around its aesthetic and vibes. It contains shades of something like Super Mario Odyssey to be sure, but it feels like it’s trying to elevate itself above that. Again, it’s a game living deep in the shadow of NiGHTS and Sonic, and in particular, it feels like it borrows NiGHTS’ penchant for putting artistic expression at the top ladder rung. Balan often feels like a very inscrutable sort of game, but in a way that seems to be reaching for some kind of greater meaning beyond simply gameplay. Everything in Balan feels like it might be conveying a message of some sort, even if it’s not immediately apparent. Its ideas do not come from a vacuum.

But here’s the deal: even though a lot of people couldn’t grok NiGHTS into Dreams, I did. I love that game to death. But with Balan Wonderworld, even I’m often left scratching my head. Despite its dead-simple gameplay, it may be just a little too high concept for its own good.

But at the end of the day, it’s not a game I hate. It’s strange, and charming, and even if it feels sort of impenetrably "artistic," at least that makes it interesting. The simple gameplay works its magic, making it an easy game to drop in to even if you don’t necessarily understand what you’re looking at.

Like, what’s the deal with the “Isle o’ Tims” between levels? It kind of has the vibe of a chao garden from Sonic Adventure, but the individual “tims” creatures don’t seem to have statistics or anything like that. You feed them so they crank a wheel, which builds a tower that helps them crank the wheel better. It turns in to a bizarre sort of perpetual motion machine. To what end? I don’t know. And what exactly is Balan himself, anyway? Some of his visual cues call to mind character designs for NiGHTS, but he appears to be a different sort of creature altogether. There’s a rather lengthy intro FMV, as you can no doubt see from the Youtube embed, but it’s more about swirling colors and hyperactive animation than conveying what’s going on or who Balan is. How much of this is even really happening, and how much of it is purely metaphysical? It’s very unclear.

I’ll be interested in seeing how the full version of Balan Wonderworld fares. I get the distinct impression that this will be another NiGHTS -- a game beloved by a core audience of hardcore fans, but shunned for being “too weird” by the populace at large.

I’m not quite sure which group I belong to yet.

#balan wonderworld #square-enix #arzest #yuji naka #naoto ohshima #NiGHTS into Dreams #Sonic the Hedgehog #demo #Playstation #video #writing #preview

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elenathehun · 3 years

Text

Watching the Clone Wars, Part 5

Hey, I’m actually being prompt this time, and not letting this sit on my desk for the rest of the week. Good for me! In this viewing session, we watch one “good” arc, and one terrible one. Guess which is which ;)

“Storm Over Ryloth” (1x19)

Aw, the fourteen year old is going to engage in very dangerous dogfighting? For those of you old enough to remember X-Wing: Rogue Squadron, remember how leery Starfighter Command was of letting sixteen year old Gavin Darklighter join Rogue Squadron? More innocent times, for sure.

Anyway, Ahsoka just got eleven men summarily killed, all to set up a tedious episode on the nature of command. It’s so wild how Rex and the bridge officer clone actually defer to her. Maybe, just maybe, GAR would win if they gave a bit more power to the highly-trained war machines the Jedi purchased, eh? Instead of the barely-trained teenagers with no business in a war zone.

I’m not even going to talk about the actual tactics because they’re superfluous. It’s a shame the jedi don’t understand the purpose of consolidating their force and utilizing a joint attack. Maybe Anakin could have saved a ship or two if he, Mace, and Obi-Wan had attacked as a group.

No, you’re right. That’s too smart.

“Innocents of Ryloth” (1x20)

Obi-Wan’s low-impact strategy is a bit stupid. Like, the CIS is explicitly engaging in terrorist tactics on Ryloth, the Twi’leks most likely have no homes to return to. But, whatever, that’s not the point of the episode. The point of this episode is Waxer and Boil. I love them, but I also love the casual specie-ism/racism on Boil’s part. Dude grew up on Kamino, which is basically an isolated military boarding school, where would have learned a word like “tailhead”?

Oh, that’s right, the scum of the earth working as trainers. Never mind! I like to think that the clones, while generally very nice and polite young men, also have a very strange idea of appropriate language and conduct outside of their very isolated, insular upbringing. I do love ye olde culture clash plotline!

The CIS continues to devolve with internment camps, animal cruelty, and yes, weaponizing animals to kill clones in a suitably horrific way. Good job, guys, way to lower the bar! With that said, Numa is adorable, and it’s amazing that she managed to survive on her own in this ghost-town while her family and community have been rounded up into camps.

Obi-Wan may be a subpar general, but he is definitely a very capable psychic super-soldier. The fight scenes were incredibly enjoyable to watch, and although it’s a bit silly, I did really like the Twi’leks pulling the tactical droid who was their warden out of his tank with their bare hands - they definitely deserved that.

“Liberty on Ryloth” (1x21)

This is a Mace Windu episode, and I am here for it. What an icon, what a legend. I do think that he is portrayed as having exceptional control of the Force, and it’s always really interesting to see him use it in a fight. The episode is a fairly basic one: He’s trying to link up with Cham Syndulla to get rid of the rest of the CIS army; the senator for Ryloth, Orn Free Taa, is more concerned about the disposition of political power on Ryloth after the invasion is complete. I have...so many questions about how political power on Ryloth is distributed: is Orn Free Taa the ruler of the planet and the Senator, or is there a different kind of power-sharing agreement? Is Cham Syndulla just the sort or ordinary person thrust into extraordinary times, especially by the abandonment of their people by their leadership and the Republic? It strikes me as a setting rich with potential plots.

Of course, that’s only a small part of the episode, which is mostly Mace being a badass and basically being a one-man army. Again, the direction is remarkably good in this episode. As usual, air supremacy is not a factor in this war. ¯\_(ツ)_/¯. Even though AT-RTs really make no sense, I want one very badly. Lastly, based on the clone trying to pet the blurrg and Boil and Waxer’s treatment of Numa last episode, I believe the clones are going through that stage where they just want a pet of their very own. It is actually a little adorable.

Shout-out to the tactical droid obtaining full sentience and ditching his boss and lying to Dooku. Still wish that a subplot of Dooku’s droids turning against him had been a thing.

Season 1 Restrospective: It only took five weeks, but we are finally finished with this season, save for 1x22, which is actually set sometime in the third season. There were some high points, but man, this was an absolute slog mostly. There were way too many Jar Jar episodes, and the clones were not given nearly enough screen time. “Rookies” and “Lair of Grievous” were the outstanding stand-alone episodes imho, and the “Ryloth” and “Malevolence” arcs were generally ok, with two of their three episodes being rewatchable.

But in a series about the clone wars, there is very little character development of the actual clones - like, poor Rex is barely a presence in this season. And the CIS is just so cartoonishly awful that I can’t take it seriously at all. It actually does strain my belief that Palpatine could keep these plates spinning for more than a week. Anakin is just...blah. And although I know I’m supposed to like Ahsoka, I just can’t help but find her annoying, mostly because she’s a kid.

Well, we’re about one-sixth of the way through. She’s got another six seasons to grow on me - and hopefully she will, because otherwise this will be very tedious.

“Holocron Heist” (2x01)

No sooner do I say that than Ahsoka reverts to being a dumb fucking kid. However, is a full Council meeting to investigate the fact that she’s a dumb fucking kid actually a good use of the High Council’s time? Just curious. This arc is honestly really stupid, so I’m not going to spend a lot of time on this, only to say that Cad Bane’s aesthetic is very choice for an outlaw, and the Jedi have laughable security.

“Cargo of Doom” (2x02)

Another Anakin & Ahsoka episode where they and Yularen share one braincell, and Rex is the one who holds it most of the time. Also really love how the Jedi with the list of all the potential Jedi recruits apparently took his sole record with him to a warzone. That makes perfect sense. I’m not really going to get into this episode, except to point out that we saw a Jedi tortured to death on-screen, which leads me to my most pressing question: how much money, per episode, did Lucasfilm have to use to bribe the MPA?

As for the choice Cade Bane gave Anakin at the end? As @spiraling pointed out, people don’t die of decompression and vacuum exposure immediately. Anakin could easily take Bane out and rescue Asohka in that time. She’d need a dip in bacta, but she’d live.

“Children of the Force” (2x03)

This episode is actually the worst of all, because the Jedi (who, by the by, are an actual government entity with access to priority comms and lots and lots of computer space) don’t have backup lists of their recruits, nor do they, say, call ahead with the address and have the local government set a trap before they arrive. Poorly done, Obi-Wan, poorly done.

Anyway, the kids are rescued from the unspeakable horrors that later children will be exposed to, children like Mara Jade and Lumiya. Good for Anakin and Ahsoka! However, I’d like to present a more awful possibility: If it weren’t for the need for a holocron, Cad Bane (and by extension, Palpatine) would have gotten away with it. Like, Palpatine is a Sith Lord, trained by a Sith Lord, and his putative apprentice is a former Jedi who had access to the temple and the various Jedi stores until about a year ago. Do you really think he doesn’t already have a holocron ready to go?

So instead of stealing a holocron to start off with, Cad Bane just... targets and captures Bolla Ropal under the guise of a CIS attack. He steals the kyber crystal. The Jedi are very, very worried, of course, but it takes time for them to realize it’s gone missing. in the meantime, however, Cad Bane just takes it to Dooku, they pull and copy the list, and the harvesting of Force-sensitive children can continue.

This is, I think, one of the great disappointments of TCW. For a show that likes to use the model the Justice League cartoon of the early 2000s pioneered, they haven’t quite figured it out yet. This is the sort of plot that could fuel an entire season of investigation, but instead they have these little three-episode arcs that never connect to the rest. It’s a real shame.

Next week: We continue Season 2 with “Bounty Hunters”, “The Zillo Beast”, “The Zillo Beast Strikes Back”, “Senate Spy”, “Landing at Point Rain”, “Weapons Factory”, and (time permitting) “Legacy of Terror”.

#watching the clone wars #star wars tcw #television is hypnotoad

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