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amaranthineghost · 1 month

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I'LL LET YOU GO IF THAT'S WHAT YOU WANT ( lando norris. )

lando norris x reader

a little over half a year later when the season ended, they haven't found their way back. At least not on purpose, but the universe knows better than them

authors note: I was thinking of making a happy ending, but not everything always ends up that way </3 after this, I'll work on two max imagines and then I'll see what I can do while I'm on spring break

part 1 found here

IT’S BEEN EIGHT MONTHS since she last spoke to him.

two hundred forty-three days since she last saw that sad look on his face in the rear-view mirror as she drove away from the past she half-wished was her future.

five thousand eight hundred thirty-two hours since she last felt his touch, his arms consoling and unwilling to let her go and yet she still left.

three hundred forty-nine thousand, nine hundred and twenty seconds since the peak of his performance at the beginning of the season. now she watched as he tried and failed to be what he once was. maybe not a winner, or a champion, but he’d had her, which was practically equal.

but now he had lost her.

now she watched as the season came to an end. poor performance after poor performance after poor performance where not all races ended in crossing the finish line.

she never stopped watching, yet she could never reach out, and neither would he. he was always going to be ready to accept her back into his life, yet he knew she needed time.

but she didn't know if she could do it again, though at the same time she kept eyeing his life in envy because part of her wished she could live the way he could without being bothered by the media. part of her was jealous he could live his entire life in front of a camera and be so nonchalant about it.

scrolling through his socials, they still followed each other and it caught people's attention. she read through countless tweets, theories and rumors of their relationship still carrying on behind the cameras, and though she partly wished it to be true, she hated that it wasn't. the fans still wished, and she would too.

the random appearances in the paddock had come to an end, unfortunate for the fans who loved whenever she’d show up in support of her boyfriend, turned ex.

because now all she did was stay within the confines of her apartment building, shielded from the possibility of running into lando. she couldn’t handle bumping into him when she still felt as fragile as glass. she felt like she would shatter if she saw him again, no matter how much she wanted him back.

but living in monaco means you're bound to run into someone from his circle of life.

it felt bittersweet because she wanted him back so badly, to have him hold her in his arms and tell her they’d make it work. but it’d never happened, and truthfully, she hoped it never would. because she knew that if she saw him, she wouldn’t go running back into his arms as if making it work again was the easiest option. because really, if she saw him, she would run, not towards him but away, and she dreaded the fact that he would let her.

he’d watch the love of his life run from him rather than to him and be totally fine with it. because he knew that when the time was right, she would find him again, or he would find her, and only then she wouldn’t run from him.

but he feared for the day that he would realize that she was never coming back to him. he feared for the day where he would realize he shouldn't have let her go.

and he hopes for the day, though it may never come, where she does find the right time to come back to him. he prays for the day where he would make the right choice he should've made the first time.

because in the infinite universes that are said to exist, even if she never returns in nearly every one, he hopes to live the one where she would.

but he knows that if there's a universe where she comes back, even after his idiocy of letting her go to begin with, there's also one where this could've been avoided all together. a universe where he didn't have to watch her pack her bags while shuddering with sobs.

a universe where he wouldn't have to go without her for eight months, where his performance improved when she attended grand prixs.

the one he'd rather live with her than without.

it was unsure when they would ever see each other again. they'd gone this long without seeing the other, who's to say they ever would?

it was chilly in the streets of monaco, contrast to the usually warm, sunny climate the area was known for. she wore a thick coat while she walked down the sidewalk, past the seasonal market with nothing more than her phone, wallet and tote bag.

she needed to get out, to think. she couldn't stand being trapped in the box of her apartment surrounded by nothing but reminders of him. not that it was a bad thing.

she couldn't take another second overanalyzing the helmet he had left for her. she knew it was part of his plan to have her back. to make her want more helmets dedicated to her, which he continued to do despite her not being with him. she'd be lying if she said his plan was failing.

the hoodie, probably tied into the same plan, covered in his damn cologne he knew she couldn't get enough of. it had faded over time, becoming replaced with the smell of her instead. she didn't know what to think of it.

she considered purchasing that same cologne again, drowning the fabric in its fragrance. it wouldn't be the same.

she felt like she could breathe easier with the winter air rather than the stale air of her apartment. sure, she could've stepped onto the balcony, but it was always nice to find a way out of her apartment complex.

hands stuffed in her pockets, she wandered around aimlessly at the shops that lined the streets and stalls set up to buy from.

riddled with things that caught her eye, she couldn't help but stop at nearly every stall. it took an incredible amount of self control to not buy everything she wanted. she didn't have lando by her side to buy everything.

this was her life now. she had a job that she could do from home and it paid her rent. it was enough to live off of while she completed her last years of school before she started a career for herself. tiny little trinkets seemed good in the moment, but she knew long-term that it’d eventually hurt her financially, and besides she didn’t have that much space in her apartment.

she didn’t know how much time had passed. everything was a blur as she mindlessly walked on. she hadn’t noticed when she bumped her shoulder into somebody’s chest, and she had immediately begun to apologize.

“i’m so sorry, i wasn’t looking where i was—lando?” she recognized the curly-haired guy in front of her as she stood there frozen.

“hey, long time no see,” he spoke slowly and warily, looking her up and down at the changes of her appearances that occurred over the last eight months.

“uh—what are you doing here?” she questioned, stuttering over her words just slightly as she looked at him tensely.

lando looked around with a brow raised, hands in his pockets while he answered, “uh, i live here?”

she nodded, “right.”

the air was awkward as they stood in a tense silence. people ushered around them, occasionally bumping into them. they hadn’t known what to say to each other because they weren’t expecting this impromptu meeting.

“how’ve you been?” he broke the silence.

she nodded again, “fine, and you? i saw that your season wasn’t too good.”

he grimaced softly at her words, “yeah,” he scratched the back of his neck, “just some technical issues.”

“right.”

the silence was back and more deafening than the first time, standing awkwardly looking at each other didn’t help.

again, he was the one to break it, “could i buy you a drink?”

“isn’t it a bit early for alcohol?” she questioned, looking at the brightness of the sky before her gaze settled back down at him with a weird look.

he scoffed, “i mean the coffee shop down the street,” his voice was a half chuckle as he began walking, leaving her to follow.

“well, you’re unpredictable these days,” she fell into step with him as they walked side by side in silence.

it took all of two minutes for them to arrive at the coffee shop lando had mentioned. they could smell the aroma from a ways away, the door left open to let in the cool breeze.

the shop was warm and cozy, most tables were occupied except for a few scattered around. she reached for her wallet to buy herself a coffee, but he quickly shut it down.

“it's my treat,” was all he said before he walked up to the counter with his card in hand to order as she took the two seater by the window, setting her bag down on the ground. she watched the world from where she sat, the people walking by.

groups of friends, pairs that weren’t quite at the stage of being a couple, or the single person walking by every so often. all without crossing paths. it seemed crazy to her how so much could change because of a stranger on the street.

looking back to where lando stood ordering, she wondered what her life would’ve been if they hadn’t met. they wouldn’t have traveled the world, stayed out late on rooftops, or partied in clubs despite her hesitancy. he wouldn’t have dedicated nearly his whole career to her because she was forever a piece of him.

she realized how much she had meant when she saw just how much of her he still kept. he wore shirts with printed pink bows, the one gold bracelet he wore among the silver and fan bracelets given to him by her and he never took it off. the way he styled his hair in the way she taught him, the matching rings they still wore, the references of her personality on his helmet for every race rather than a specific track, her name on his car.

her name on his car.

her name printed in pretty cursive across the top of his steering wheel and the halo for him to see.

he still managed to include her in his life despite her absence because he considered her his lucky charm. having reminders of her anywhere he could would always manage to boost his spirits, but only her presence would boost his performance.

the chair across from her pulled out with an uncomfortable scrape of the legs against the floor. she grimaced slightly, but it quickly disappeared when she refocused on the hand that slid a mug filled with hot coffee to her.

clearly they were going to be here a while, judging from the mug and not a to-go cup. she watched the steam swirl into the air as she softly blew on it while lando sat across from her with his beverage of choice. she also noticed the chocolate-chip cookie in a paper bag he held.

he remembered her love of sweets. she took a sip of her coffee. he remembered her order to the finest detail. he still remembered.

“thanks,” she spoke quietly before taking another small sip of the hot beverage. it slightly burned her tongue and throat as she drank, but she didn’t care to notice.

she was sitting across from lando norris, the one person she had been hoping to avoid this whole time, and now she’s sat with him at a coffee shop they used to frequent when they were dating.

“you’re welcome,” he muttered, his saddened eyes unmoving from her face, watching every expression of hers unfold. “so, how have you been?”

“you’ve already asked that,” she stated simply.

“i mean,” he started, leaning forward with his arms crossed against the table, “how have you really been? i don’t believe for a second that you’ve been fine when i‘m barely holdin’ it together.”

she sighed, taking another sip and grimacing at the burn, “it’s been difficult, but i know it was for the best that we broke up.”

he nodded in response, his fingers circling the rim of his mug as he stared into it.

she spoke up again, saying the words he dreaded to hear, “and i think it should stay that way.”

his shoulders visibly dropped and he bit his cheek before he looked back at her with colorless eyes, “but—” he began when she hastily cut him off.

“i need you to let me go,” her voice cracked as she spoke and tears filled her eyes as she avoided his gaze, “you have to let me let you go, lan.”

“please, don’t make me do this,” he begged, leaning forward again with a look that could make her change her mind in a second.

“please, don’t make this harder than it already is,” she shook her head as the tears began to fall, “in another universe, it might’ve been me and you, maybe the circumstances would've been in our favor, but not in this one.”

“it’s just right person, wrong life.”

“i’ll find you in our next lifetime then,” he promises, his eyes brimming with tears. he tried his best to hold back, for her, “i promise.” he tried to remain strong, for her.

“I know you will.” she said simply, smiling through her tears as she pursed her lips, sniffling as she played with her fingers. “y’know, i'll always be your number one supporter, lan. i'll still cheer for you, just from behind a screen. in that other life, i would come to your races.”

“but even in this one, i'll still celebrate your first win, your first championship. i'll vote you for driver of the day, even if you’re dead last.”

he chuckled sadly at the last part, the corner of his mouth twitching with a smile, “how will i know for sure you didn’t get bored of watching me race?” his hand reached across the table, his tan slightly faded and his rings cold.

she rolled her eyes softly, “you’ll know. i promise.” she laid her hand on his, the last somewhat intimate touch they’ll ever have with each other because after he watched her stand, pocketing the cookie he bought. he watched her through the window as she walked into the crowd as if their paths never met.

he watched with tears in his eyes, silently crying as he watched the love of his other life turn her back on him forever. he let her.

because if there was one thing he knew how to do, it was letting her go.

part of her wanted him to chase after her, wipe her mascara-stained tears just like that regretful day in their old apartment because part of her still wanted him in her life. she wished she could still go back sometimes.

he wished she would just come back. he wanted to experience life with her, he wanted to win with her, be a champion with her.

but he lived in the wrong universe, and he was unsure if he'd ever see her in this life again, in the way he wanted. they would bump shoulders on the street, looking longingly for just a second as they ushered by in a hurry. not looking back, but never forgetting how much they had meant to each other for the time they were together.

how crossing paths, even for what seemed like the shortest time to them, changed the trajectory of their lives forever. they would subconsciously look for qualities of each other in the people they moved onto. telling stories to their kids and grandkids about the other in regretful tones because they wished it was the kids they had together that they could tell the story of their relationship to.

because now they were just strangers, she was just a name he would forever keep on his car, and he was just an old lover turned stranger she would send flowers to after every podium and win until he would retire.

—

taglist (found here): @slut4lrh @taylorslovesswifties13 @leclercdream

proofread by @foreveralbon <333

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nateofgreat · 1 month

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"What's wrong with the Acolyte being Jedi critical? It's okay to criticize them since they have a monopoly on the Force don't they?"

Okay, let me break this down.

1: The Jedi do not have a monopoly on the Force.

Say, remember the Nightsisters of Dathomir? The dark side cult that the Jedi tolerate. They even go there to negotiate in the Clone Wars without making any threats to their continued existence. The only time they ever come into conflict is when they leave Dathomir to mess with someone else.

They're not the only ones either. The media doesn't focus on it much, but there are dozens of different Force-based organizations in SW (Legends and Disney canon) that the Jedi Order coexists with. There's also the simple fact that the parents of Force sensitive children can simply decline the Jedi's offer which would indicate that there are people in the Galaxy with the Force who live independently from the Jedi.

As it happens the only organization the Jedi are constantly fighting are the Sith and for darn good reasons.

2: What's wrong with being critical of the Jedi?

Let's not split hairs here. The "criticism" the Jedi get nowadays almost always seems to end with, "and that's why they deserved to be exterminated down to the children via Order 66." So, pro-Jedi fans are a bit on guard when they hear that a project is "Jedi critical."

Now, in theory, there's nothing wrong with characters in-universe having disagreements with the Jedi way or having criticisms of them. However, despite the show's claim to not be about "good vs evil" I think it's VERY likely to posit that the Jedi are wholly in the wrong and to blame for the conflict in some manner. While downplaying the actions of the villain on account of them being a victim.

Why do I think that? Because the trailer.

3: "This isn't about good or evil. It's about power and who's allowed to use it."

Right at the climax of the trailer is this line. Which spells pretty clearly that the show is saying that just, doesn't matter if the Jedi are good, because they're also powerful and influential in their own regard. So in the show's mind that means they're the problem.

They might offer a halfhearted condemnation of the serial killer murdering them for no reason but chances are they'll suggest that they're not really the problem: that the Jedi are for being powerful. I've even seen quotes floating around saying that show will ask the question "what if the Sith are really just the underdogs?" when they go around blowing up planets.

As for the question itself. It's likewise silly as the Jedi don't actually persecute other Force traditions or force everyone to join them. They don't even force you to stay once you've joined. So it doesn't seem like they're attempting to control the Force at all. Meanwhile, the Sith want to dominate the Galaxy and either exterminate or enslave any opposing traditions.

So the question itself is self-defeating.

Oh and while I'm here...

4: There is no "endless cycle"

Slightly off-topic but it comes up a lot as a defense of the anti-Jedi mindset. It goes something like, "The Jedi perpetuate an endless cycle of war because the Sith keep coming back!"

First off, it's not the Jedi's fault that some lunatics keep popping back up to try and control the Galaxy. All they do is stop them every time they do.

Secondly, the "cycle" only exists because new books keep getting written. Stories need conflict and thus the Sith are revived over and over again.

Thirdly, please someone try to tell me that this could be avoided if the Jedi let their members marry or something.

And fourthly, the cycle's honestly not that bad because the Jedi just win every time and restore peace to the Galaxy for a long period.

#anti the Acolyte #Acolyte critical #the Acolyte critical #Star Wars #The Jedi #Pro Jedi #In defense of the Jedi #the Sith #the Acolyte Trailer

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highladyluck · 27 days

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For the fan theories ask, can you go down the list of Nakomi theories on the wiki? (Or, if that’s too much, just Nakomi is the Creator (or an agent of the Creator))

Ok, before we get into detail on this, if any of you tell me who Brandon Sanderson says Nakomi is, I will be genuinely annoyed. I don't want to know and I hope to go to my grave blissfully unaware of the actual truth. I engage in this for the pure love of unhinged speculation and bitchy judgement. I'm including the 7 theories that @anyboli tells me are on the wiki, and then 3 bonus ones.

1) Aes Sedai From Age of Legends - this is just silly, and frankly after [specific chapter in AMOL when a long-debated fandom question was finally answered] the fandom as a whole should have stopped making theories like this. THERE IS NO PURPLE AJAH!!! I debated shoving it further into 'worst idea' territory but unfortunately it is an undeniably fun premise, and we do canonically have Aes Sedai from the Age of Legends hanging about (they're just evil) which is why everyone keeps trying to make it happen. The placement just into worst idea territory is a compromise.

2) Agent of the Creator/Pattern - this is deeply unlikely- the Pattern doesn't care and the Creator's only agent is Rand- but I like it a little better than the previous option. I also think this is the Bela option, which also nudges it slightly more into 'extremely compelling'.

3) Bubble of Good - I don't think this is the author intent, but on the other hand, it's a random positive encounter that moves the action along, and a Bubble of Evil is a random negative encounter that moves the action along. Functionally, Nakomi ACTS like a Bubble of Good, so I think this sits squarely on the border between likely author intent and definitely not author intent. I enjoy the lampshading of Nakomi as Plot Device so this is somewhat compelling to me.

4) A Hero of the Horn, or Amaresu - Ok, this actually strikes me as somewhat likely and I think if it were an RJ thing this is almost the likeliest option. As a Sanderson thing it seems a little less likely but still pretty plausible. I enjoy the specificity of it and the Heroes do seem to break their own rules about meddling a lot. Maybe Amaresu is vibing with Aviendha because Avi's going to give birth to her reincarnation or something; that's not particularly plausible but I like the emotional implications.

5) A Jenn Aiel - This seems like the most likely of the wiki options. I think the Jenn Aiel still exist, canonically, and probably they'd be in the area and have opinions. It's not the most interesting theory to me because I don't get the mystery aspect at all in this case. I'd rather just know up front that Nakomi was Jenn, then I could get a reaction from Aviendha, which would have been super interesting. It's still pretty neat but the execution could have been improved if this is really the answer. (I actually think this would be AWESOME as part of #10, but without either the use of a specific known character or a reason for the obfuscation, this is not peak cool to me.)

6) Verin - No. I don't even get why people are saying this and I don't care to be informed, either. Verin's great but we don't have to make everything about her.

7) A Wise One - Sure, maybe? But this premise is so deeply uninteresting without specifics. This is the Wheel of Time. I need any random character that shows up once and has a speaking part to have a backstory three pages deep. It doesn't all have to be on the page, but you better convince me that it exists.

8) any Cosmere character - This is my worst fear because it seems so horribly plausible. I know it has been officially denied, but like Taimaindred, it makes too much sense and you can't convince me this wasn't the original intent.

9) Lanfear - This is my personal theory and it sparks joy. Nakomi is a moon-related name like Lanfear's "Selene" moniker, Lanfear constantly goes around in disguise helping protagonists even though it makes no fucking sense, AND Lanfear is apparently still at large even after she appeared to have died? At this point, Lanfear could be doing anything for any reason, we just can't know. The only way we can truly know Lanfear is her vibes--that's why her punishment from the Dark One was to be put into a body that was perfectly good but not her aesthetic--and this whole business has Lanfear Vibes so strong they can be seen from the Age of Legends moonbase.

10) Tigraine - This is @asha-mage's theory and it's the best one I've ever heard. The only reason it's not higher on author intent is because I'm going by Sanderson intent and I don't think this was on his radar, but it absolutely seems like something RJ would have done, so I split the difference. It fits the hints I vaguely remember- someone we haven't met directly in the books but not a totally unknown character either- and it's just so cool, the idea of Tigraine surviving after all, maybe throwing in with the Jenn, and giving advice to her son's lover/a future leader of her adopted people. I want to write a series of 3 vignettes about Tigraine and the concept of legacy: Tigraine at the Tower, dealing with being the legacy kid with no magical skills. Tigraine abandoning Galad and contributing to his complex about his family legacy. Tigraine (as Nakomi) after talking to Aviendha about the legacy of the Aiel as complicated by her son. It would be so satisfying!!! This should be the answer!!!

Again, DO NOT SPOIL THIS FOR ME. I DO NOT WANT TO KNOW THE CANONICAL ANSWER.

#wheel of time #wot book spoilers #fan theory ask game #anyboli #nakomi

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mysteriouslybluepirate · 7 months

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OFMD S2 EP 4-5: Izzy Hands (from a S1 Izzy fan)

I'll admit. I teared up at the Izzy shit in ep 1-3. Not a full-blown cry. But close. I was stressed, and tired, and hurt more than anything. I only cried in my car driving home. It hit, but it was more prolonged.

Do you know what got me crying? Izzy opened that letter, revealing 'For The New Unicorn'. He looks up and smiles. I went from 0-100 dry eyes to crying in seconds. I had to rewatch it because HELL.

The entire episode, hell, debatably from (S1ep4) we see Izzy go through it. Socially isolated and losing his identity. Leading up to S2ep4. Drunk and sad and heartbroken. He tries his best to stay afloat without a lifejacket as his self crumbles around him. He doesn't care anymore. He thinks his life is over. He lashes out because there's no one there to help him.

BUT THEN THE LEG. He cried and I cried during both scenes.

BECAUSE HE IS CARED ABOUT AND HE CAN HEAL!

GOD, and the way that leads into EPISODE 5. Izzy slicked his hair back and regaining some of his own personal identity. Izzy genuinely bantering with Stede, and gently helping him to be a better Captain. The way he desperately asks Stede if Ed said anything else nice about him? Showing that. Yeah, he's not all the way there yet, but he's working on it. The training scene where Izzy just looks on in fascinated horror at Stede's skills? THE LITTE OKAY HANDSIGNAL AT THE END WHEN STEDE USED HIS GRUFF VOICE? He smiles, and jokes, and TRIES. Izzy is pissed, obviously, but he's getting there.

He is kind and caring, all WHILE STILL BEING A PRICK? Him being a total nerd during the curse monologue? Izzy mutters 'rude' and pointedly crosses his legs as Stede ruins the vibe. I laughed harder at Izzy sitting at that desk than I did at most of the jokes in the show. THAT'S MY FUCKING BASTARD!! I'm so happy I saw a character and have been rewarded by showing, yes. He is kind, and trying, but he needs to learn to let himself become new.

I fucking love him. I can tell from the teaser that Izzy is just going to grow closer with the crew (and with himself) and I can't wait. (Even if it means his imminent capture, whoops).

I do think they'll do something with Izzy/Lucius, at least a single happy (Izzy no longer holding himself back from wanting) consensual kiss or genuine discussion about life(post-wedding) to show their growth as characters because I had to pause with the cig and shark interaction. Jesus Christ. I didn't really ship it before, but they are so snarky and it's great.

I'm a bit sad as Izzy's current arc likely means he might not get the big 'fuck you' moment of anger to Ed that Lucius got. Mainly because Con would make me cry, but If Izzy is genuinely just shoving this shit down, ignoring the years that Ed ignored his existence, then...idk.

They purposefully gave Izzy and Ed no scenes and thank god we get a TINY break. Because Ed will try to patch things up, and I don't think it works like that with Izzy. He needs proof that Ed is trying. Add to that Ed ACTUALLY saying sorry to him, and not expecting Izzy to immediately accept it(my theory as to why Lucius pointed it out: Ed will ACTUALLY say sorry to Izzy and mean it. This will heal something for Izzy, and hell). I can't wait for Ed to come back and see him. See him for who he is, a silly prick who is loyal to a fault, who is loved.

This is likely the happiest two episodes we'll get, and fuck, I loved them both SO MUCH. After a rewatch I'll write about the crew. Ed/Stede is actually working for me as we watch them both learn, and Fuck, Lucius/Pete...my darlings.

NOW FOR THE TEASER:

THE IDEA OF SEEING CON IN DRAG AGAIN MAKES ME SO HAPPY! Especially what it means for Izzy. Izzy lets his hair down and has fun with Wee John as he explores what actually makes him happy. Hell, him opening up to being a bit of a masochist as a joke while tied up is...actually my favorite thing (while obvious, given his propensity to put Ed before him in all matters, Izzy casually mentioning 'I like to be roughed a bit up' in front of the crew is the type of openness about himself that I crave). Izzy "cocksuckers" Hands letting himself joke about SEX-GAY SEX(probably)- Kill me now.

(To clarify: I don't think he or Ed ever got off to the abuse, hell, we see Ed flinch away when Anne/Mary do it. That's not the face of someone who knows what that's like as the Sadist).

I just love the way Izzy has so obviously relaxed into a person that he'd never let exist. Hell. I hope Izzy gets to rub this happier version of himself RIGHT in Edward's sad face. I need a 'he was never like this with me' moment of Ed watching Izzy SMILE to parallel Izzy's jealousy in S1.

Con obviously loves this character, you can see it in the performance. He fills the role perfectly, from his ups to his downs. Con smiles and hell, that's not Con, that's Izzy fucking Hands. Striding along proudly pretending his world isn't changing, because it is, and he is healing and I LOVE IT.

I am so proud of our growing Izzy loving community. For some, we've been through a lot of shit. Probably in life, and hell, maybe even in this fandom. Even if you haven't been harassed, you loved Izzy, you saw yourself in him, and I hope you felt the show giving us a big fucking hug.

We grow, we recover, and hell. We get a happy fucking ending (with a few yet-to-be-seen bumps in the road).

#izzy hands #if someone can do a meta breaking down how Izzy's drunk words to the Unicorn equate to his journey I'll be thankful #ofmd s2 #ofmd season 2 #ofmd s2 ep 4 #ofmd s2 ep 5 #con o'neill #ofmd s2 spoilers #Our Rare Unicorn

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stelladess · 2 months

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I feel a bit annoyed by people saying Firefly is the star rail version of Kallen. As a fan of both characters I feel they got next to nothing in common whatsoever. They dont look similar, they arnt similar people, they dont have similar backgrounds or motives... there is just nothing really. It feels like reducing them to Stelle/Caelus girlfriend (this one is supported by the story but I feel like much of what makes Firefly and this ship interesting gets overlooked, admittedly some of it assumes the theory about Firefly being SAM is true and some lore knowledge about SAM but even without taking that into account Firefly is a great character in her own right) and Otto´s girlfriend (which, as a huge Otto fan, I will say, of course has its own issues and I do not like the romantic interpretation with them, the previous era versions of them are different people and dont count for this imo and there is no evidence at all Kallen of the current era was into Otto and also Kolosten heavily suggests it wasnt even a romance thing for Otto either) I highly recommend people read the prequel comic focused on Kallen, its when Kallen is younger then when we see her in flashbacks, set before meeting Sakura (i highly recommend also checking out that whole story at some point even if it can be a bit awkwardly time gated in game and slightly confusing) in HI3 so her personality/demeanor is a bit different from how she was by then (she is a lot more naive for one) but I think its still a good introduction to see why Kallen is a good character and a good showcase of how she isnt like Firefly at all and doesnt require sitting trough all of Kolosten and several side stuff in game to get to, so its a convenient starting place to see if you want to see more about Kallen. Which I hope anyone reading this ends up wanting to but even if not thats fine and is why I recommend starting here since its an easy read with very nice art and a fairly self contained story. Also if you dont play HI3 and am just curious on Kallen because of what other people are saying. Elan Palatinus: https://manga.honkaiimpact3.com/book/ Some spoilers for Penacony mentioned below here....

Firefly I dont wanna go too deep into character analysis here cause some of it relies heavily on an unproven theory, ill probably write about her more later though. But either way I feel like she is a very well written character, her desire to indulge in some escapism to get a break from her harsh reality with her terminal illness, her determination to find the watchmaker´s legacy despite the risk, her clearly having gotten a lot of experience dealing with dangerous situations despite seemingly wanting to just live a normal happy life, she hasnt been in the game very long (yet, the boss that "killed" her whole gimmick is that you can free the souls it claims so im not so sure she is actually gone, also you can see a Firefly leave her body before she dissolves shortly before Sam shows up...) but she is already very strongly characterized even with her limited screentime. If the theory that she is Sam is also true then it would add an extra layer to her closeness with Stelle in that some lore about Sam suggests Sam was artifically created for the purpose of fighting against the swarm, so she likely would relate to Stelle on account of the whole... being made to fullfill a purpose thing. As a stellaron hunter in this case she would also know about that quite likely so I like the theory. Idunno I just feel frustrated how characters often feel like they get boiled down to just their archetype or role (and sometimes not even any of those but just completely unrecognizable) when they are actually very interesting and well written characters. I want people to appreciate the writing that went into these amazing characters, not just these two but also many other examples but I wont ramble on here. So I strongly recommend people read more about them if at all curious, altough be careful since there are tons of leaks and spoilers in general going around regarding anything Penacony related, so with Firefly it might be best to wait a bit if spoilers are a concern.

#honkai star rail #hsr #hi3rd #hi3 #hsr firefly #kallen kaslana #honkai impact

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outrunningthedark · 5 days

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So We finally got bi Buck (without Eddie). These interviews are set up because of that, as it’s a huge storyline. Instead of hyping up what’s coming up for Buck and his current storyline (with Tommy) Oliver is exposing old secrets and keeps validating buddie theories.

But you don’t think that this indicates a serious buddie consideration????

Okay sure, let’s say it’s not. Can’t deny Oliver sure is showing his bias towards that though. That man is one second away from screaming out I WANT BUDDIE JUST AS MUCH AS Y’ALL DO!

-> I really don't understand the fixation on Oliver "wanting" Buddie when there are two people involved in making it happen and the other half ain't there yet. Is Oliver supposed to convince him for the fans' sake? Something we already know isn't going to make him want to do it? -> As someone who doesn't hate Buck/Tommy and wouldn't mind if it became a long term relationship, I have no problem admitting that Buck/Tommy isn't what the media is going to ask about when there's still a very large amount of fandom making what Buck and Tommy do about Buddie and feeling even more validated in demanding Buddie just because Buck is bi. What we're seeing now is no different than Oliver getting one or two BuckTaylor questions per interview and then having to address Buddie speculation. ¯\_(ツ)_/¯ If Buddie shippers were able to enjoy Buck's arc the way it is, the journalists would ask more questions because they'd be confident in the clicks. -> The "validating Buddie theories" doesn't stick with me the way it does for you, sorry. Okay, he says he understands what the fandom saw in a particular scene now that he can speak about Buck as a bisexual man. Hindsight's 20/20. That...doesn't change what it meant in the moment when Buck and Eddie were supposed to be strictly besties who were only interested in women, and it won't change what it means in the future if Buddie were to not happen. It's like couch theory. That's gotten brought up this week. We're about to find out what he said. He might very well do a 180 from the season six finale where he said "idk how people weren't prepared for the couch to be about a gf". And if Bi Buck were to break up with Tommy and get a girlfriend again, Oliver would switch his answers to fit what's happening in canon at that particular time. That's what he does. Even if he decided to say he gets why fandom was so passionate about couch theory and that it made sense to him when he looked back on it? His opinion doesn't change Kristen's intent. Fandom's headcanons aren't canon - and neither are his.

#anonymous #tina speaks

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queertwilight · 8 months

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Under threat from my sister @awkwardlysarah I have been forced to return to this hellsite in the middle of a delirious long day to post what she has informed me is the best idea she has ever had. please share and show her some love so that she thinks i’m a cool older sister and not just a tired grad student with a nostalgic affection for this series. Seriously she’s really excited about this post and I love her so make her happy or else :) Without further ado:

The Cullens as Different K-Pop Fans

Disclaimer: this is all my @awkwardlysarah head canons not my sister’s @queertwilight. I decided to combine my love for K-pop with my sister’s love for twilight. My qualifications are that I’ve been listening to K-pop for 6 years, so I kinda know a lot. Also no hate to any of the artists mentioned, you can have your own opinions and I’ll have mine. Silly little post enjoy!

Edward:

-exclusively listens to K-drama OST’s

-mainly for the instrumental and piano

-listens to the Best KDRAMA OST: of all time playlist and ranks them by instrumental

-secretly does watch K-dramas but claims its to help “appreciate” the music, has cried to almost every drama he’s seen

-Does not understand the appeal of K-Pop groups, prefers what he believes to be the classics

-Though, Alice once showed him RM’s album Mono and is now his biggest fan

-“No, you don’t understand guys if I met Namjoon we would get along perfectly. We could go on a museum date together and talk about life.”

-Loves RM’s newest release Indigo and locked himself in his room to reflect on the lyrics in the album.

-He too, mourns the loss (of what would have been) his 20’s

Rosalie:

-she is such a baddie with her K-pop taste

-mainly a 2nd gen girl group stan, but dips her toes in 4th gen (mainly AESPA) because Emmett showed her a couple groups

-also loves soloists-mainly IU and BIBI and DPR

-BIGGEST 2NE1 and 4minute stan there is (prays on YG and Cube’s downfall)

-if the songs are about being bad bitches then Rosalie is listening to them

-she can low key body any rap by CL

-has her more mellow moments when listening to Girl’s Generation and IU

-overall supports her girlies

-will fight trolls online that try to discredit any of the girls’ careers (

-has made multiple accounts deactivate because she proved them so wrong they could not show their faces online again

Emmett:

-OH BOY

-when Emmett discovered K-pop it was like opening up a portal that could no longer be closed

-he had casually stanned 3rd gen groups (since Alice listened to them)

-but then he found LOONA and other girl groups

-Rosalie low key curses this day btw

-became the biggest Orbit and Chuu stan

-“Emmett we have to go save Bella, she’s in danger.”

“Idk, maybe if she stanned LOONA this wouldn’t have happened.”

-is a photo card collector (Rosalie put a stop to this after he spent 3K on a Chuu broadcast photo card and getting scammed trying to buy other pcs)

-when I tell you he was so devastated that Chuu was kicked out of LOONA

-he didn’t have the strength to go hunting for DAYS

-helped boycott BlockBerry Creative #freeLOONA

-he does also dabble in boy groups; mainly Enhypen because he thinks they are actual vampires. (No one tell him it is just a concept it would break his heart, he streamed Bite Me for days because he felt SO seen).

Alice:

-MY MULTISTAN QUEEN!!!

-she knows everything about every group (obvi) and knows which groups are unproblematic

-runs an undercover KPOPpredictions twitter account where all her visions go

-Loves groups mainly for lore/storyline purposes

-like TXT, BTS, ENHYPEN, ATEEZ, EXO, etc. she LOVES a good storyline

-does theories on her main stan blogs about what she believes the MVs mean for the overall story

-always has people commenting on her theories about how right she is.

-is also a K-pop dance/lifestlye influencer

-give her 10 minutes and she WILL know the entire dance-will upload and edit it almost instantly

-has been featured in KCON dream stages and has been able to dance alongside some of her fav groups

-love planning her outfits for concerts and giving people inspiration on her social media platforms

“You need help coming up with vampire themed outfits for Enhypen’s upcoming concert, say no more I’ve got just the looks for you!”

Jasper:

-some of y’all may be a bit mad about this one…

-he’s the problematic K-pop stan

-like his playlist is CONTROVERSIAL

-liked sticker when it first released (believed the flute is what tied it together)

-low key a Jay Park stan on main

-…and a super junior apologist

(what did you expect he literally was a confederate solider)

-If a group has a cowboy concept he will be all over it tho, “takes me back to my roots.”

-will start shit online because he knows in the end he can control their emotions

-loves those unpopular k-pop opinion videos

-Alice does try to get him away from the problematic side of K-pop and it does kinda work, but like quitting human blood it takes him some time

-not a big stan, he’s kinda in it for the drama and to be an instigator

#effervescent #twilight #twilight saga #alice cullen #the twilight saga #Rosalie hale #edward cullen #jasper hale #jasper whitlock #emmett cullen #k-pop #twilight crack(?)#I have no idea how to tag this #my sister’s twilight headcanons #ateez #enhypen

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linisiane · 7 months

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What do Rick Sanchez, Don Quixote, and Harry Du Bois Have in Common?

In all three of these stories, these characters are ‘self-aware’ in that they intentionally play into the tropes of the stories they’re satirizing (Rick Sanchez satirizing sitcoms, Don Quixote satirizing chivalric romances, and Harry Dubois satirizing roleplaying games). However, the trick to their ‘self-awareness’ is that they’re lying to themselves.

This post is LONG, so feel free to skip to the end if you're just interested in "The Self-Aware Player of Harry Du Bois" (in bolded green) if you don't feel like reading the rest of the analysis. I go into the meaning of the political vision quests, the meaning of the 4th wall breaking RPG elements like copotypes and Jamrock Shuffling, and the effect this has on the player's relationship to Harry Du Bois!

(Common) Rick Sanchez (L)

Although Rick acts like he can see the audience and uses marketable catchphrases like “Wubbalubbadubdub” to appeal to sitcom sensibilities (“Bazinga;” “Did I do that?” “Legen- Wait For It -Dary;” etc.), the truth of the matter is that WITHIN HIS REALITY, he is not a sitcom character.

He truly does not know he’s in a sitcom.

He’s just an asshole.

ID A screenshot from the show Rick and Morty, with subtitled dialogue that says: Wubbalubbadubdub! That's my new thing! I'm kind of like, what's his name, Arsenio! Wubbalubbadubdub! See you next week. Beside the screenshot is a picture of the mentioned Arsenio, who is the titular character to a sitcom called The Arsenio Hall Show End ID

Rick has ATROCIOUS main character syndrome. Truly obnoxious. We happen to be enjoying (debate-able) it from our TV screens, but he doesn’t know that! Hoe’s just calling his family ‘side characters’ and taking them on traumatizing ‘B plot’ adventures to humor-cope with his multiverse induced nihilism. (it is NOT WORKING)

Dan Harmon, as a big fan of the storytelling theory behind sitcoms, has a thing for these type of self-aware-but-not-really characters in his shows. Abed (from his other well-known sitcom named ‘Community') is basically a film student obsessed with film tropes—

Which means he’s eternally making meta self-aware quips on the show without actually being self-aware. He’s not Deadpool, he's just a movie nerd.

It's a wink and a nod to show the audience, Hey, we’re aware that nowadays people are savvy enough to comment on when they’re in a wacky sitcom plot.

This is ‘some looney tunes type shit,’ amirite guys?

(This trick is called lampshading, it got popular recently with Marvel movies and the influence of Joss Whedon's writing (@dingdongyouarewrong), but it's also going through a bit of cliche fatigue right now. "That happened" jokes are an example that I know so many people are sick of, partly because it feels like writers include self-awareness/lampshading as a shield from criticism by pretending you can't critique a problem they're self-aware about!

Let me highlight it to you in the rest of this essay as a tool in satire/pastiche.)

'Donkey Hotel' (according to my speech to text)

To explain Donkey Hotel's deal, I must remark: This guy is on some ancient mental illness type beat.

Now, in the ancient era of Hippocrates, there used to be the hot idea that there are four major human temperaments, and these temperaments are influenced by the balances of liquids in our body called humors. And that an imbalance of the four would lead to an over representing of a temperament.

Don Quixote had a 'Choleric' temperament, which is an overrepresentation of yellow bile and characterized with qualities such as 'hot and dry' and emotional irregularities such as increased anger or behaving irrationally. That's our knight!

Now obviously we know that the idea of 4 Humors in our body controlling our temperament is a BS simplification of mental health, BUT, there’s usually a kernel of truth in ancient theories. The universe really was made up of elements like Aristotle theorized, just not the fire, earth, water, air that he thought they were.

Similarly, our author our man, Cervantes, was using the 4 Humors more to develop a physical/biological explanation to Don's mental illness.

All this to say, Don Quixote is currently deluding himself into believing he is a gallant knight, off to defend the honor of his lady love, the total paragon of a chivalric romance novel because, and I quote, “he became so absorbed in his books that he spent his nights from sunset to sunrise, and his days from dawn to dark, poring over them; and what with little sleep and much reading his brains got so dry that he lost his wits.”

Let's pause.

An escapist stupor that completely wiped the mind of its host?

(FANART BY @so-engery! Check them out!)

ID Two images. One is is Gustave Dore's "Don Quixote Dreaming" drawing. The other is Disco Elysium fanart by Marie Enger @so-engery. Both showcase the main character of their respective works, slumped and surrounded by mad figments of their imagination, highlighting the parallels between the two. Harry with his Skill voices and Don with knights and fairytale creatures. End ID.

That’s our boy, Harrier Du Bois right there!

And while obviously Harry's condition at the start of Disco Elysium is more based on modern understanding of psychology (aka alcohol did it to him, not intense insomnia and a chivalric romance bookathon), it’s real neat we get this this little parallel before we even dig into Harry!

Now, with that neat explanation of why he’s self-aware out of the way, Don Quixote’s deal: Again, he’s not actually self-aware, he’s quite possibly the opposite of self-aware, and EVERYBODY (even the audience!) knows it. He’s only self aware in the sense that he’s acting like a character in a fictional story, which he is, but he’s got the wrong genre.

He thinks he’s in an action/romance, but he’s actually in real life—A satire of the action/romance genre!

Well, caveat.

Is Don Donning the 'Don' Inspirationally or is he Donning the 'Don' to Act as a Don About the Downs of Chivalry?

I read it as Don Quixote donning the 'don' title to act as a don at the college of 'please touch grass and stop romanticizing romantic chivalry.'

A super popular adaptational take, however, is to read him like he's an inspirational dreamer held back by a harsh reality.

Big Nate's Book Reviews on YouTube did a sweet review that highlights this perspective, along with his lil doobie,

that Don Quixote's perspective brings fresh child-like imagination and fantasy to the mundanity of the lives of the people around him. Nate says that Don Quixote and Sancho are "Truly the homies;" they're the first times he's ever felt that he could "find friends in characters in a book."

So there's definitely a joy and a message to the dreamer reading! BUT I tend to be a bit cynical about this, like it can feel a bit too similar to USAmerican Exceptionalism to me.

To clarify what I mean, let's do a Rick parallel.

Don Quixote, as a character, is more similar to the FANS of Rick and Morty than he is to Rick. (Which is its own commentary about how little we have progressed as a society since this book was published like 400 years ago, but also the way media is influenced by prior media.)

To explain THAT, lemme first say that there’s a sort of meta irony (which is how I describe this phenomena according to J-Reg’s theory of satire, but I don’t know the actual name of this) in the ‘he’s just like me fr’ guys. ‘Literally me’ guys. Guys who pseudo imitate Patrick Bateman, literally any Ryan gosling character, etc.

ID A youtube screenshot of 3 different videos titled "literally me" "Literally Me" or "Literally me (I'm mentally insane)" with different Ryan Reynolds characters as the thumbnail. In the "I'm mentally insane" video description, one of the tags is the word "sigma." End ID

Often these characters are meant to be made fun of as parodies of another trope, like Don Quixote is to a chivalric romance protagonist, but there’s a certain subset of the audience that is either too dumb to get it or just doesn’t have the context or background to get it.

Like the dudes who watch fight club, and just end up making fight clubs of their own. Or the way people misinterpreted Bruce Springsteen’s ‘Born in the USA’ as celebrating the US, instead of its true message of lambasting the US for its hypocritical treatment of its veterans. Or the glorification of Rorschach from Watchmen despite him basically being a MAGA. Or the way USAmericans didn’t get Starship Troopers because it was a parody of US military fascism.

There are tons of examples of these because of satire usually says more about the reader/viewer than it does about the author, like a Rorschach test (he really is aptly named). (And it’s why it’s more often fascists/conservatives wildly misinterpreting leftist media. People are more likely to come with a conservative perspective than vice versa bc conservatism is, by its definition, the norm. Though this does still happen on more progressive sides e.g. TJLC.) They didn't see or chose not to see the irony.

Cue the Reddit dudebros misinterpreting Disco Elysium as pro centrist or “all ideologies are equally bad" and the INSANE 'you have to have a high IQ...' 'rick is good and objectively correct' Rick and Morty fans.

ID Two screenshots. One of the infamous "To Be Fair, You Have To Have a Very High IQ to Understand Rick and Morty" copypasta. One of a Disco Elysium Reddit post titled "Disco Elysium is Not Politically In Favor Of Any Ideology." End ID

Speaking of Rick and Morty fans, this is what I mean by the idea that Don Quixote is more like Rick's fans than he is like Rick. Much like the way Don un-self-aware-ly misinterprets his satirical reality for the chivalric romance of his favorite novels, so too do Rick and Morty fans un-self-aware-ly misinterpret Rick's nihilist satire on the sitcom for what is cool and good to do in real life. Plus, I can totally see these type of dudes unironically saying "Milady" to keep chivalry alive. But, there's one level further to this, beyond even seeing the irony, which I call the 'he's just like me fr' guys.

Now, in the case of the 'he's just like me fr' guys, it's not that they're mistaking the satire for sincerity—they totally understand that Patrick Bateman is a satirical take on Yuppie 'grind till you make it alpha' culture.

They're doing a secret third thing—meta irony—where they understand that Patrick Bateman is meant to be bad but act like they're un-self-aware and missed the irony anyway.

It's supposed to be a joke, buuuuut it's a joke the same way people will say "SLAY!" as a joke until it's unironically a part of their vocabulary. The ambiguity is key.

I'd argue that the dreamer Quixote approach is an application of 'he's just like me fr' view to Don Quixote, where he's 'a Chad rejecting reality in favor of the perseverance of man's whimsy' to some people, even as they joke that he's delusional ("Literally me (I'm mentally insane)").

Don Quixote certainly isn't doing it on purpose—again, he's un-self-aware, and he even got bullied out of it in part 2 (which admittedly I haven't read). Yet, there's a genuine sadness there of a man with such a penchant for adventure getting bullied that makes you wanna start humoring him.

It's ironic but not: Meta irony.

ID A screenshot of Jreg's "Post-Irony, Meta-Irony, and Post-Truth Satire (Video)" thumbnail. End ID

But yeah, meta irony is all fine and dandy when it's about slaying, but when it's about emulating the patriarchal psychopath, Patrick Bateman, or using edge-y humor to spread alt-right talking points, you start to wonder if there can be something insidious to the 'he's just like me fr' approach.

To put it best, the wild popularity of the Dreamer Don Quixote interpretation feels like the result of USAmerican 'grind till you make it' 'individual exceptionalism' 'it would suck for you, but i'm built different' values distorting the absurdity of being a reality denying dreamer, the same way we struggle to understand the Starship Troopers because it just feels normal/celebratory to us.

Don Quixote

So I think Don Quixote resonates strongest, for me, in the way it boldly states that reality is beautiful and worth living in without needing the opium of escapist fantasy.

For one, Cervantes is a rare ye olden feminist king who takes the time to point out that one man's escapist chivalric masculine fantasy is another woman's misogynistic reality.

To demonstrate, he has many examples of female characters telling off men for projecting romantic fantasies on them, but a more relevant way is how he writes Don Quixote as literally renaming some random woman he's never met 'Dulcinea' because he's decided she is his Lady he's given his eternal servitude to.

He renames her Dulcinea because it's "a name, to his mind, musical, uncommon, and significant, like all those he had already bestowed upon himself and the things belonging to him."

Which is PEAK satire of the misogynistic objectification of chivalry. If only the Rick and Morty "Milady" stans had the self-awareness this book had 400 years ago.

(Sidebar, but does anybody else think Don Quixote would make an absolutely killer Drag King persona? Don Queerote... Plus the ballet about him would help with the pre-existing choreo/music. Just a thought!)

But on another level, Don Quixote is full of interesting characters or stories outside of the chivalric knight conceit!

ID Pen illustrations (aka engravings by Gustave Dore) of two events happening simultaneously at the same inn in Don Quixote. The one above is of Don's assault on the wineskins in his sleep. The one below is of the reunion of Dorotea, Luscinda, Cardenio, and Fernando in the inn. End ID

People often clown on the novel for having so much time dedicated to the soap opera antics of side characters totally unrelated to the knight plot, but their antics being outside of Quixote's chivalric view emphasizes how life is interesting even when you're not following a delusional knight lifestyle!

Romance and reunions and betrayals that Don never really understands because he's too busy fighting windmills and wineskins! Yes, the delusion allowed him to go out and explore the world, but there's something so silly and sad about missing whimsy of real life in favor of living in escapist Knight Fanfiction. Reading about Cervantes's soap-opera-worthy life only reinforces this whimsy for reality and touching grass.

The Self-Aware Player of Harry Du Bois

Preface: My main experience is JRPGs, not so much other Western RPGs and tabletop games. So although I’m saying it’s a satire of these tropes, and I noticed a lot of these things as ‘satire’ and 'parody,' I’m not totally enmeshed in the subculture the creators were going for, so I might need some corrections.

Finally, this transitions into the deal with Harry! It's fascinating to me to think about how satire is used as the 'touch grass' or 'be fucking for real' genre. Oftentimes it's making fun of tropes/conventions by humorously contrasting them with reality—so how does this play out with the RPG!?

Weeellll, it goes hand in hand with the idea of RPGs as escapist power fantasy. RPGs are often thought of as the ultimate self-insert fantasy by its detractors or worst players, ahem looking at all those DND horror stories about entitled mangsty murderhobos.

One of the most infamous criticisms of Disco Elysium is its lackluster combat.

ID A screenshot of a random forum discussion post by dungeon master Zed Duke of Banville. It reads: "Disco Elysium has neither combat nor exploration, and therefore is missing two of the three fundamental components (or sets of components) that define the RPG genre." End ID

The game has essentially bordered off your ability to make Harry into a power fantasy murderhobo because you just are physically unable to equip an longsword or cuisse to murder your average citizen on the street of Martinaise.

But even on a less mangsty level, it subverts a lot of the basic expectations of RPGs.

Like the encounter with the racist lorry driver! You never get the ability or quest to change his mind, you only choose how you react to him.

Where other RPGs might let you act as the white savior or the white knight of chivalric romance, no questions asked, you're changing the minds of everybody who's wrong so we can all get along, Disco Elysium really makes you confront your ability to whiteknight, makes you confront if whiteknighting is even helpful, and why you wanted to whiteknight in the first place.

It’s part of the fun/humor experience of Disco Elysium that you at first expect to solve the world’s problems with a couple quests and lines of ‘good’ dialogue and then get socked in the faced with the fact that yeah, you can’t do much, you’re one person, what did you expect, asshole? Cuno doesn't fucking care!

ID a screenshot of Disco Elysium dialogue YOU - "Don't call it a dump, you've made it nice and cosy here." NOVELTY DICEMAKER - "Yeah." She stares out of the window, not really hearing your words. "Or maybe it's the entire world that's cursed? It's such a precarious place. Nothing ever works out the way you wanted." "That's why people like role-playing games. You can be whoever you want to be. You can try again. Still, there's something inherently violent even about dice rolls." "It's like every time you cast a die, something disappears. Some alternative ending, or an entirely different world...." She picks up a pair of dice from the table and examines them under the light. End ID

Like, Neha is highlighting this little meta element of how you can stack your Harry in any RPG to pursue a certain ending or situation, but the actual outcome is still influenced by a dice roll out of your control.

A lot of the satirical humor in Disco Elysium comes from the absurdity that you can do everything right or everything wrong, and the dice can still fuck it up or save it for you—not just for things like high-fantasy attacks, but mundane things like remembering your name.

The dice are, at their core, about how RPGs aren't just for the control fantasy, of winning high-fantasy battles, but also can represent life as it is, mundane and uncontrollable.

Similarly, Harry is clearly written—complete with all the 'lore' that this would entail—to couch his RPG protagonist nature in the real.

If RPG characters are blank slates? Let's give ours amnesia! Need fast travel?! Kim teases the 41st Precinct for constantly running everywhere by calling it the Jamrock Shuffle. He needs to have deep and intimate conversations with everyone, even when they're strangers? Yeah, that's so weird we gave him the name 'Human Can-Opener,' and everybody remarks on his uncanny manipulation skills.

It's commenting on difference between controlling an RPG avatar and navigating in a human body.

As Kurvits said: “In reality we do not have control, or complete control, of our minds. Just like our body, it is something that we give-not even commands wishes to, and we hope it's gonna do it. We hope it's not gonna break down, we hope it's not gonna rebel against us.”

In one type of RPG fantasy, we don't even question our total control and even assume the joy is from the control. But in Disco Elysium, we lack control and find joy in it anyway. That is the fun of the game making us, the players, 'self-aware' about its RPG elements, and it especially resonates with anybody not able-bodied, anybody neurodivergent.

Harry Du Bois and Self-Awareness: Copotypes? More like Cope-otypes.

So that's on Disco Elysium and being aware of RPG elements in general, but let's deep dive into Harry and his Copotypes and political alignments like the OP!

I kind of want to round this last one out with what this all means. WHY am I, and others, linking self-awareness and satire? What's the link here?

Irony is one of the major tools of satirical writing, and there's always a little irony in being self-aware and doing it anyway, I think. It's specifically that Meta-Ironic element/Lampshading that is so rich for Touch-Grass satire because it parallels the futility/irony of self-awareness in real life.

The copotypes work this way.

ID A screenshot of a youtube comment. @jbeast3385 "Harry fundamentally takes on extreme interpretations of every ideology in the game as a coping mechanism for the tragedy that is his life, and it's amazing to see the amount of care given to extending an understanding of why each ideology appeals to his fractured mind. Each quest makes him something of a Don Quixote, searching for a purer purpose through political thought, failing spectacularly with it, but still fundamentally developing him and inspiring others beside him." End ID

The copotypes and the political alignments are a parody of classes and moral alignments. Rather than being a knight or a wizard, you're a superstarcop or a sorrycop! They don't do much, like there are no fireballs for an art cop, but they do poke fun at the ways the player is choosing to play Harry! Instead of chaotic good or neutral evil, you can be a communard or an ultralib! Which both involve spouting hilariously inappropriate talking points to the other citizens of Revachol.

What's fascinating, as @fagcrisis of this post says, is that these alignments are statements of how your Harry copes with the real world and the past/how he justifies what he does.

From the Solution to the Boring Cop Thought:

When someone says something political, the first three thoughts in your head are a ludicrous hodgepodge of communism, fascism and stock tips. When they ask you why you did something, it's superstardom, apocalypse, or the *mea culpas* of a flagellant cop monk

You start off making some choices based on the limited dialogue options of Harry's bizarre personality. If you play it like any other RPG power fantasy, BAM, the game hits you with the "Regular Law Official" thought, and you're labeled "Boring Cop." Or if you're apologizing to get the 'good' route, BAM, the game hits you with the "Rigorous Self-Critique" thought, and you're labelled "Sorry Cop!"

The game makes you 'aware' of your playing style, a little poke to say 'Stop being so scared of failures! You're boring! Sorry is not enough! Stop trying to be 'lawful good' (ACAB) and be a human!'

From the same Solution:

It's not easy, reaching for the fourth option -- the normal one. But you have. And now you're not *just* crazy, you're also *boring*.

Some people get this taste of self-awareness and fully embrace diving into the deep end of the game—Disco baby! Others lean into the sorry/boring/moralist cop in an ironic 'self-aware' sort of way—like the technique of Lampshading, since we're our own writers as RPG players.

But on a Harry level, it's also about HIM becoming self-aware of his habits, of internalizing these thoughts about his actions, his past, his coping mechanisms.

Seeking either “sweet oblivion” or to become “a different kind of animal,” many of the possible roleplaying choices are rooted in his desire to forget, evade or reframe the past. Whether self-destruction through drug abuse, fantasies of superstardom or visions of impending doom; it’s all in the service of not wanting to face the past, and the disastrous effects Harry’s continuous failure to do so has had on his life. - Vice

As the @fagcrisis of this post noted, Dora pretty much ALWAYS mentions the way Harry escapes reality by thinking of himself as an archetype, like other people are NPCs in an RPG. "like hes a self aware character but in the shitty way where him knowing he is a character and him acting like it only makes it worse because there isnt a story to escape from, he just cant cope with the real world" He's pulling a meta-ironic ''he's just like me fr" with Guillaume Le Million (who hangs himself) and superstardom the way "he's just like me fr" guys do it for Ryan Gosling.

And each copotype and political alignment are an opportunity to satirically critique the flaws and failures of each coping mechanism.

Cope-otype: Fascism

"Fascism, being marked, according to Paxton, by a need to compensate for humiliation, promises easy solutions to someone like Harry. It’s a crutch to prop up threatened masculinity, a rhetoric to shift blame for personal failings to ominous outside forces." - Vice

This game's satirical take on fascism is sort of perfect, literally making it about the lower intestines, 'gut instinct,' and bullshit (@spilledkaleidoscope). To be frank, fascists are 'full of shit,' and the vision quest highlights the way fascism isn't about a coherent ideology like 'returning to the past,' but rather it's a hodgepodge of SHIT thrown together to prop up hurt ego, threatened masculinity, of giving an easy scape-goated answer to the question of how Harry's supposed to face his past and his future.

The answer? He shoots it.

It's accurate in a way that doesn't reinforce the 'cool' aesthetics and pageantry fascism is obsessed with, what with literally calling fascists full of shit and all. Kim notices your change in expression, your stoic 'noble suffering' fascist face, and immediately calls it constipated. Bless.

Yet, even as Kim calls you out, even as you're aware of fascism's failures, how it destroys you ala Harry Du Bois -> Detective Raphaël Ambrosius Costeau, Fascist!Harry still believes because he can't face a wounded ego.

Cope-otype: Ultralib

Ultralibs on the other hand? I think it's telling that Idiot Doom Spiral is basically ultralib Harry's foil and a major questline NPC—the one who gives you Tequila Sunset.

Even the names are foils. Idiot Doom Spiral names himself that way to romanticize it, to make it into a marketable story, "but it keeps him in this state too, like a vicious cycle. The name ‘George’ is a name that still connects him to humanity," while Idiot Doom Spiral is a way to 'accept his place' even though it's miserable and keeps him from doing something about it, nor connect with other people, as @kindaeccentric put it in this post.

Similarly, the megarich light bending guy in the UltraLib quest LITERALLY is much more unlikely to connect with poorer people because the Rougon-Macquart coefficient literally dictates that we cannot see the richest people because their networth bends the light around them. It's an inversion of the way rich people are ignorant to poverty in real life, and here's a really good fic that covers this coefficient!

Finally, this mirrors Tequila Sunset as a name as well, the way it's a cope for hating himself. Instead of being miserable, he glorifies his misery by calling himself a funky, disco drink name, even as it symbolizes being washed up or even symbolizes the pale swallowing all, depending on how you play him (@palin-tropos).

So much of the ultralib plotline is about adding value — whether by sprucing yourself up with a new name like Tequila or Idiot or by 're-conceptualization' — through stuff like grind/hustle culture. An obsession with increasing networth but also 'giving back' to the community, as philanthropists put it.

But the satire of the ultralib vision quest is highlighting how hollow 'adding value' is, how much of it's just competition for wealth for the sake of wealth with no real meaningful answer or value.

ID Two screenshots of the game Disco Elysium. The first is of the horseback monument as it is. A matrix of cables and ropes isolate the fragmented bits in thin air. The second is described as this through in-game dialogue: HORSEBACK MONUMENT - The scaffolding around the old monument has been taken down, In its place are the spoils of your investment. Numerous rods and ropes still hold the original reassemblage in place. YOU- Reflect on the re-conceptualization. HORSEBACK MONUMENT - An apricot sceptre shines party-bright across the monument. Glitter balls dangle like severed heads below the eternal king of disco. It is unmistakably a vision of you in your prime -- a killer on the performance floor, icon for all. End ID

It's 'reconceptualizing' the Horseback Monument — the symbol of both the bombing of the revolution and the enduring of spirit the communards anyways, the way they've built a monument to freeze in time the moment of the profligate king being blown up — by building it in your own image. The fact that to do so you need to exploit the labor of an artist so you can make a profit, and it doesn't truly 'give back' to the community in any way. In fact, it's almost the opposite, like you've ruined the community monument by painting yourself AS THE KING.

It's why even Harry admits that "You're just insane, insane and gone. Even six billion won't fix you if she’s not there." Each copotype and political ideology contends with their own version of this as Harry learns to grow and face his past head on.

The Marriage of Fictional Conventions and Real Human Psychology

In the end, you can't just lean into an ideology or an archetype and hope that it'll answer all you problems.

But more than that — being self-aware about your issues doesn't solve anything either, no more than lampshading "fixes" any problems with your TV show.

It is this parallel between what Harry learns as he progresses and what the player learns as they progress that makes us empathize/resonate with Harry.

From acting erratically, then realizing it's part of an ideology, self-awarely adopting an ideology, to seeing how it fails and learning not to hide behind it. From "He's a blank slate so I can project my power fantasy onto him," then "I don't actually have a lot of power or control here," to "He's not just my RPG character, he's a person."

He's becoming a person, twice over.

It's ludonarrative resonance or consistency. A marriage of literary convention and real human psychology, on two scales.

And this resonance demonstrates why this genre of self-aware pastiche character is so popular: At it's best, you're forced to contend with the characters as fully realized people, paradoxically because they highlight the difference between fictional conventions and reality.

By acknowledging and poking fun of the fictional conventions, Harry Du Bois, Don Quixote, and Rick Sanchez feel more real to us.

And their stories come packaged with rich themes about dangers of disconnecting yourself from reality and the short distance 'self-awareness' alone can take you, which will resonate with almost every one of us here on the Internet. At least, I know it resonated with me.

BONUS:

Shen Yuan from Scum Villain Self-Saving System (@whetstonefires) also fits this list!!!!!!

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love-kurdt · 6 months

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How to Write a Good Fanfiction: A 5 Step Manual

Hello! My name is @love_kurdt, also known as Eva, and I’m a Wattpad Veteran of the early 2010s, where the genres of Slash Fics, Y/N, and Imagines ran rampant. I spent years of my life as a kid scrolling through my iPod touch, weeding through Wattpad’s plethora of profiles, on a quest to find quality fanfictions. I found a handful, which I added to a specific reading list to come back to when I needed a break from screaming into my pillow because of the sheer audacity of thought-criminals who called themselves writers.

When I’d reached the point of reading the same five works over and over in a never ending cycle, I decided to make the life-altering decision to start publishing my fanfictions online. Granted, I was only thirteen at this point, so my writing wasn’t spectacular by any means, but I came to discover that over time, the mere acts of reading and writing can light a spark of inspiration that can carry you to creative success.

I’ve been writing my own works for over ten years now, and can confidently say that I have cracked the code to writing a good fanfiction that will have your readers captivated instead of cringing. Please don’t get me wrong– if you want to just write fanfic on the internet for fun, and not to write a novel, that’s great, too! That’s what the internet is for; exercising your free will. But this manual is tailored towards those who want to hone in on their craft and gain a substantial following as strictly fanfiction authors. So without further ado, let’s jump into it. Godspeed!

Step 1: Choose Your Fandom

What show, movie, or book has drawn you in and left you feeling like there should be more to the story? When one of those media comes to mind, you’ve chosen your fandom!

Step 2: Do Your Research

When writing fanfiction, it’s kind of an unspoken rule that you need to know the canon of the fandom you’re writing about. The canon is also known as the source material. For example, if someone were to write a Draco Malfoy x OC fanfiction (*cough* a 200+ page Draco Malfoy self insert fic written at 11 years old in a series of notebooks bound together with multiple layers of Gorilla tape *cough*), the canon would be the Harry Potter series by J.K. Rowling. It’s, in essence, what “really” happened. It’s totally fine if you want to write a non-canon compliant fic, too! In fact, they’re extremely popular, specifically within the “fix-it” genre, which usually involves characters that died in the canon but the author kept alive in their fanfiction. Either way, you should have a general idea of how the canon functions within the context of the fandom, so you can make creative choices that diverge from or stick to the canon.

With the canon comes the fanon, which is basically a compilation of fan theories and headcanons that are often common themes in both canon and non-canon compliant fanfics. A pretty niche example of this is the Byler fandom (the ship between Stranger Things characters Will Byers and Mike Wheeler), where there’s an official list of theories on Tumblr that are used in many, if not most Byler fanfictions. There’s FlickerGate, where the flickering of the garage light in Season 1 is actually Will and Mike in the Upside Down in Season 5. There’s BirthdayGate, where the antagonist, Vecna, manipulates the minds of everyone in Hawkins to forget Will’s birthday, which is a central plot point in a lot of Byler fics since no one seems to remember it, not even his best friend. There’s also LetterGate, where Will confronts Mike in the canon about not sending any letters after he’d moved away, but the theory reveals that Mike wrote plenty of letters– he just never sent them because they ended up turning into love letters, which in turn resulted in internalized homophobia. You get the picture. Most theories reach far into the land of delusion, but it doesn’t stop writers from creating incredible work that could easily be mistaken for a script.

But Eva, what if I just think the characters are hot and I don’t give a shit about the cannonball? I can’t tell you what to do, my friend, but I highly suggest you at least consider the canon so you can avoid all the petty, obnoxious gatekeepers in some fandoms who can be unhinged enough to send death threats if you leave out a significant canonical detail. But you do you!

Step 3: Choose Your Platform

There are three popular platforms to choose from: Archive of Our Own (ao3), Tumblr, and Wattpad. There are also a few other lesser known or dead pages such as fanfiction.net, but I honestly wouldn’t bother with those, since they’re more infiltrated with anons and bots nowadays.

This is where you want to think about 1) where most of the members in the fandom you chose reside, and 2) the demographic of readers you want to reach. For example, I observed a higher number of Nirvana fans on Wattpad than the other two platforms, which is why I chose to post my full length Kurt Cobain fanfiction, “You Know You’re Right,” on there. It also helped that my favorite author of another Kurt Cobain fanfiction on Wattpad, @/ugh-nirvana, had hits in the hundreds of thousands, so I was confident that my book would do well on that specific platform. On the other hand, the Stranger Things fandom is in full swing on Tumblr and ao3, so I chose to post those fanfictions on there rather than on Wattpad. It all just depends on who’s where.

You also have to consider how active you want to be on your platform(s). Tumblr is more of a blog situation, while ao3 and Wattpad are solely for publishing the work. If you want to have a life beyond the realms of the world wide web, choose Wattpad or ao3, as inconsistent updates are a bit more accepted than on Tumblr. But if you want to throw yourself headfirst into a fandom and put your whole author-ussy into your fanfic, then Tumblr is the platform for you.

You should be aware, however, that Tumblr involves a lot of upkeep, as well as constant, strategic, and active participation within your fandom. Visual aesthetic is vital to any functional Tumblr blog. Most profiles have directories, with color coded links to each work’s homepage, which is linked to each individual chapter, which are then distinguished by a unique GIF to capture a prospective reader’s attention while they’re scrolling through copious amounts of content. And there are always new ideas and theories in development in certain fandoms, so it’s crucial to keep up with recent updates in order to stay relevant.

After all is said and done, you don’t have to get married to one platform for the rest of your life. You can choose to be exclusive to one or two platforms, or publish everything on all of them! The decision is ultimately yours!

Step 4: Obey the Writer’s Trifecta of Consistency

Yes, I came up with this term, and yes, it should be a real thing. Because in every piece of writing, whether it be fanfiction, a short story, an actual book, a screenplay, what have you, it is critical to be consistent in your People, your POV, and your Plot. Let me explain.

People

Your people, or your ensemble of characters, consists of three hierarchical levels: your protagonist/antagonist, your side characters, and other background characters. I should emphasize the importance of building character profiles for everyone, including your pre-existing characters from the fandom, but specifically for your original character(s) if you have them. That way, you know who serves as a major plot device, who serves as someone who just helps time move faster, and those who are mentioned by name but have very little significance to the events of the story. I’m going to reference Harry Potter again, since most of the world is familiar with the characters. Harry and Voldemort are the protagonist and antagonist; Ron Weasley, Hermione Granger, Professor Dumbledore, Hagrid and company are side characters; and Peeves, Seamus Finnigan, and Blaise Zabini are background characters. Keep this hierarchy in check; don’t let your main characters fade away, and don’t let your background characters shift to the forefront for no reason. If you do plan to move a character up or down the ladder, make sure to have clear motive as to why you’re bringing this character into or out of play.

2. POV

Your POV is the point of view in which you’re writing from. Assuming you’ve been in a typical middle school English class, you’ve heard of the first, second, and third person points of view. I cannot tell you how many times I have read fanfictions that jump from one POV to another, sometimes within the same sentence. I open the door and see Kurt Cobain standing in the corner of the room. She walked across the floor to meet him there. See what I did there? I jumped from first person present tense to third person past tense. Do not attempt this at home.

The least common of the three points of view is the second person, or what I like to call the Y/N point of view. In fanfiction, second person POV is often used in self-insert fics, where instead of a character’s name, it’s replaced with “you.” That’s why a lot of romantic character x reader fics are so popular. You should feel free to use this one, especially if that’s the kind of vibe you’re going for, but I’m going to elaborate a little bit more on first and third person, as they’re a bit more “literary.”

The first person POV confines the narration to the mind of one character. It can also be done with multiple characters, but be sure to do it so it’s painstakingly obvious to the reader whose POV you’re writing from. Also note that if you plan to write multiple first person POVs, try to keep that number on the lower side, as a large number of POVs can get really complicated really quickly. Third person narration can be done from two angles: limited or omniscient. Limited is more similar to first person, in which you’re confined to one person’s viewpoint, but they aren’t the narrator; you’re just seeing the story through their eyes. Omniscient is my favorite, because you can narrate from a bird’s eye view with the freedom to travel from mind to mind and read their thoughts.

Building character profiles can be really helpful when developing both first or third person POV; if you connect with a particular character more strongly than the rest, that should tell you whose POV you should write in. If you choose to switch POVs, be sure to do it either on an alternating/rotating basis, or if you repeat, it should be apparent as to why that particular character is the “voice” of that scene.

3. Plot

Dare I say that Plot is the most important step of them all, so do not skip this one, whatever you do! The biggest mistake most fanfiction writers make is having a concept but lacking a plot. It’s like biting into an apple just to discover it’s a lemon. Many writers are capable of starting off strong, but once their initial story begins to meander, traveling into uncharted territory, their brainchild can become a monstrosity.

In order to write a solid plot, it’s pretty common knowledge that you need to have a beginning, middle, and end in place. It doesn’t need to be overly specific or down to the last detail, you just need to figure out how your characters make it from point A to point Z (the larger scale), and how points B through Y factor into the plot (the smaller scale). There are a few routes that you can take in order to do this: you can write the entire thing ahead of time without any input, you can write the entire thing with the feedback of a beta reader or proofreader to help you work out any kinks or mistakes before you publish it for the entire platform to see, or you can publish it gradually and take feedback from your readers as you go. Should you go with the last option, though, you should be made aware that if you aren’t already an established author, it may feel like you’re talking to a wall, and you will likely feel discouraged from writing the story altogether.

I find it helpful to outline the whole thing. I have a closet door in my house dedicated to a Dave Grohl true crime fanfiction I’m working on. I’ve written the entire story from beginning to end on index cards, split into four different parts with each card representing a chapter. What’s good about outlining is that I can edit my story as I go along. If I decide to change something, I can add or remove an index card, then replace or rearrange the other index cards to work around the change I made, and that way, I don’t have to start over from scratch. It’s helpful to see everything laid out in front of me, so I’m not left at the end of a completely improvised plot with a slew of loose ends that I’ll need to go back and edit. It’s also better than publishing each part individually then having to redo everything after your readers have already seen it. And I don’t know about you, but I enjoy it when I’m able to save some time, energy, and lengthy explanations to random people online. That is, unless you enjoy constant feedback from readers, in which case you can change the plot on a chapter by chapter basis based on their feedback.

Consistency in all of these respects is key. I cannot emphasize this enough. Keeping all of these elements in check will help you create a sort of cohesiveness that will neatly wrap the story up with a little bow on top.

Step 5: Use Relevant Tags and Content Warnings

Repeat after me: tags matter! Again: tags matter! When you’re about to publish your fanfiction, you’re going to be given the option to add tags to your work. For my first few years spent on Wattpad, I had no idea what tags were, so I didn’t use them. Thankfully, the platform was still pretty small, so people still found my work pretty easily. Nowadays, though, it’s nearly impossible to find what you’re looking for without searching excessively specific tags and using a million filters. It’s unfortunate, but look at it this way: there are so many people contributing to so many fandoms that the content is seemingly endless!

What you’re going to want to do is add as many tags as you can but keep it as simple as possible. I know that sounds kind of oxymoronic, but I mean it in a way that all of your tags relate directly to your story, and not just to the fandom itself. A lot of readers feel misled when they’re scrolling through their filtered search page for, let’s just say, a Byler fanfic, and end up neck deep in a Mileven fanfic in disguise. That’s not a fun experience.

Lastly, please remember that you are publishing your work on the internet, and you don’t know who may encounter your work! Listen, we live in a world where everything needs to be overexplained, everything needs trigger warnings, and everything needs to be neutral or else someone is going to hate you. I get it. I’ve been writing fanfiction for a long time. It might be annoying to add content warnings, especially if one of those warnings spoils a major plotline, but if I’m being honest, I’d rather be safe and add the damn warning than not add the warning and be responsible for someone’s worsened emotional or mental state. Bottom line, it’s just fanfiction! Let’s do our due diligence to create a community full of love and understanding for everyone!

After that, you should be all set to publish! Let’s review one more time for the road:

Choose Your Fandom

Do Your Research

Choose Your Platform

Obey the Writer’s Trifecta of Consistency

Use Relevant Tags and Content Warnings

If you’ve stuck around for this long, thank you so much!

I hope this manual helps you along your fanfiction writing journey, wherever it takes you <3

#fanfic #ao3 fanfic #writers on tumblr #writerscommunity #female writers #fanfiction #wattpad #ao3 #stranger things fic #byler fic #creative writing #ao3 writer

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paragonrobits · 1 day

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i've seen some joking takes on the possibility of Hunter the Parenting being some kind of stealth prequel to Warhammer 40k and at the risk of sounding a bit like a killjoy (but I'm an old WoD fan, its sort of expected probably), I have to say that if you're actually serious about that, I have to say that if you go to the mental brain-break of trying to combine the respective and almost completely incompatible metaphysics/cosmology of all the different WoD gameline, the circumstances of Warhammer 40k happening within WoD is categorically impossible

a few reasons why:

What to know the weirdest thing? The absolute weirdest bit of WoD lore? Okay, get ready for it; space, as we know it, does not technically have an objective reality within the context of WoD. The planets are generally depicted as being spirit realms in their own right. Alien life does not exist, except as weird spirits probably born from ideas until they achieve a retroactive existence. This is related to the fact that science is not an objective facet of reality, but a specific magical paradigm enforced by the Technocracy, the assumed default antagonists of the Mage line, and that includes planets, which technically only exist in a scientific context because people think it does. (If enough people sincerely 'knew' that the planets are crystal spheres pushed by angels, that would retroactively become reality.) So that essentially means that a lot of Warhammer's basic physics, goofy and over the top as they are, can't really exist in the setting in an objective sense. (In theory you COULD, if you got all humanity to believe there's orks and elves in space, but in practice that would be a lot of work without much to show for it, and again, in 40k they just exist. Humanity's opinion on them is irrelevant. In WoD, Earth is the only functional planet for all intents and purposes.)

The Warp is... not exactly the same thing as the Umbra, or the spirit world. In fact, there's several aspects of the Warp (it as a realm of ideas and dreams/nightmares, where faith takes on a form, and so on) that are similar to aspects of the Umbra, but not in the same precise region, and a lot of them have their own existence independent from anyone's belief. Mortal life is, paradoxically, both a largely irrelevant aspect of existence to spirits and the source of what we think of as reality, but that means that not only do equivalents to the Chaos Gods not exist, they probably wouldn't be able to materialize in the 40k way. The Triat, the cosmic forces of the Wyrm and Wyld and Weaver, MIGHT be assumed to be equivalent, but no; they're bigger than the Chaos gods, and sort of in a 'thrashing cosmic force that can be read as not actually being sapient'. That last point is a bit foggy to be honest, since the Wyrm is often described as being driven mad and THAT'S why the force of balance has become malicious corruption, but they are often implied to be cosmic forces that do not and CANNOT make moral choices, but simply do what is in their nature. Tzeentch may make schemes, but he is still shaped by forces and making his decisions, in his own way; the Weaver does not, and when she strives to define all reality into absolute stasis, it is simpler her doing what she IS. But anyway the point is that the Umbra isn't really analogous to the Warp, and its the closest thing in the setting. 3. A lot of 40k's aspects are integral, inalterable parts of the setting that have their own objective reality; psykers exist and pull power from the Warp. WoD is not like this, it is weird and chaotic and a mash up of cosmologies that make no sense in full context, half the time things only exist because people think they do and at the exact same time half the spirits and spirit realms we see are KIND OF like mythologies but also not. Everything is weird and full of secrets and also the world was supposed to have been destroyed several years before the events of WoD, but a big part of the setting is that everyone is facing down one apocalypse or another. 4. If you do obvious magic that people think isn't possible (in terms of what the local paradigm concludes is impossible; time travel machines have the same effect even in places where science is a dominant paradigm because EVERYONE KNOWS TIME TRAVEL ISNT POSSIBLE), you tend to explode. Or get retconned out of reality. Not in the same way as demons being drawn by psykers, but... look, its called Paradox and it gets weird, and reality doesn't like getting bent out of shape. This also means that the kind of impossible feats and blasting attacks typical for 40k Psykers would be EVEN MORE DESTRUCTIVE to them, personally. So the kinds of thing the Emperor is known to do isn't something that could generally happen in the setting of WoD.

#hunter the parenting #World of darkness #queued

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itsclydebitches · 1 year

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By all means, go off about The Blacklist. What's it about? 👀

Bless you, anon, for indulging my current obsessions :D

OKAY so the premise is great imo. Elizabeth “Liz” Keen’s life is basically perfect. She’s married to a handsome, adoring, successful teacher. They’re very near to finishing the process of adopting their first child. Best of all, Liz is beginning her career as an FBI profiler. Today’s her first day on the job and, other than being a little late rolling out of bed, it’s going to be great!

Except for one teeny, tiny snag. An hour or so before she’s due in the office, Raymond “Red” Reddington, #1 on the FBI’s Most Wanted list, turns himself in. He offers himself up as the FBI’s informant, specifically feeding them info on what he refers to as the blacklist: a list of criminals so heinous, secretive, and downright dangerous that the FBI doesn’t even know they exist, let alone how to catch them. Red will serve up his fellow fugitives on a silver platter. The catch?

He'll only work with Liz.

So the FBI is like, “Why the fuck is the ‘concierge of crime’ interested in a newbie profiler who hasn’t even made it into work yet?” and Liz is also like, “Wtf, I don’t know him, why would Reddington be interested in me?” It’s the mystery at the heart of the whole show, interspersed among the stand-alone episodes where they go after blacklisters: who is Liz to Red? Because he is very protective of her. Accommodating. Downright adoring—or perhaps obsessive. But really, Spader is fantastic in the role and keeps things on the side of charmingly sweet (in a ‘I’ll kill huge swaths of people for you :)’ kinda way) as opposed to creepy, which I really like. Honestly, a good 75% of the show's appeal for me is in Red's characterization and Spader's performance.

The point though is that everyone wants to know why such a powerful, immoral man would go out of his way to not just work with Liz, but bend/break every rule he’s ever made—tear apart years of self-serving contingency plans—just to keep her safe. I mean, the whole thing starts with Red turning himself in, risking disappearing into some dark FBI hole, just for the chance to see her.

So is he in love with her? (Lizzington is a popular ship, despite—or perhaps in part because of—the May/December dynamic and frankly the show does a lot to feed that possibility. It's never going to be canon, but fans aren't just pulling this ship out of thin air either. Trust me. I went in expecting it to just be fans being fans and... it's not. It's really not.) Is he her father? (And now we see why lizzington is controversial lol.) Is he manipulating Liz? Are the two of them in on something together? Theories abound, with each season providing new clues and revelations, nine seasons so far in total… so you can see where I’m going with this. Frankly, it doesn’t add up. I knew as soon as I understood the premise and caught wind of the show’s length that there would be no satisfying resolution. You don’t pose a singular question like that and dole out supposed answers each season without eventually retconning the hell out of previous episodes, or dropping previously important reveals, or just plain making stuff up for the sake of drama rather than logic. It’s inevitable in a form with so many fingers in the writing pie and, having been spoiled for the later seasons, I know that this isn’t magically fixed along the way.

So that’s a definite flaw in the show, though one I fully expected and thus am pretty indifferent to. The far bigger issue I have is that, as said in my tag rant, poor Liz is barely allowed to be a character anymore. She’s treated as a plot device, with her emotions serving whatever the current conflict is, rather than occurring as a result of her experiences. As you can imagine, Liz has some complicated feelings about Red, but they’re far from logical or consistent. I’m not joking when I say that she’ll despise him at the start of one episode, be hugging him by the end, and then be back to wanting him cut from her life at the start of the next episode with no explanation as to why this change occurred. Much like RWBY, the viewer is forced to decide for themselves why Liz is constantly on an emotional roller coaster that defies gravity and though yes, there are PLENTY of potential explanations in the show—I think this woman has been through enough to have earned a blanket ‘You think she’s emotionally stable??’ justification—but from a writing perspective it’s less than satisfying to continually do the writer’s work for them. In some episodes things won't stay consistent between scenes and I want to kick down the responsible party's door to ask what the actual hell they were thinking.

It's the kind of show with a few key, GLARING problems and if you’re hoping for something tightly written that will neatly wrap up all your questions and presumed inconsistencies with a pretty bow… keep waiting. But I’m used to shows like that—it happens with most long-form action stories, frankly, especially if they’ve got a core mystery like Blacklist—so I’ve learned to prioritize other aspects. Like the cast of characters? Top notch. Liz and Red’s dynamic is obviously the heart of the show and as much as I prefer them getting along, Liz’s cyclical anger is compelling too, in large part because Red remains completely devoted to her, no matter what she throws at him or how badly she treats him. Not to overshare on main, but I cannot possibly emphasize enough what a sucker I am for a sophisticated bad guy who would burn the world for his loved one even when she hates him. Actually, especially when she hates him because oh no, no one can hate him more than he already hates himself.

We’ve got Dembe, Red’s right-hand man and all around badass with a marshmallow center. Ressler who I’m usually pretty meh about because he’s the boring by-the-book cop, but every once in a while he pulls some chaotic move out of left field that makes me cheer. Samar who is even more of a badass than Dembe and that’s REALLY saying something. Aram, easily one of my favorite quirky tech characters of all time: literal ball of sunshine who will nevertheless cut you if you threaten his found family. Their boss, Cooper, who seems like a hardass but ultimately treats his team like his kids (letting them get away with shit included). Tom, Liz’s husband, who is… complicated. Mr. Kaplan who you just need to watch to fully appreciate. The cast is A+

Which means I’m watching the stupidest plot-line man ever devised, or a character suddenly did a 180 with no explanation, and yeah that makes the meta-writing part of my brain seethe and bite her imaginary pillow to muffle screams of rage… but then the characters have A Moment™, or there’s an actually well done twist, or we get an action sequence that yeah, is pretty silly when all is said and done, but it’s fun and I remember why I want to watch this show through to the end. Not because I think the big mystery will have a satisfying conclusion and not even because I like a lot of the major plot-lines coming up (I don’t) but because I still like the characters and so long as they’re interacting together in interesting ways, I’ll keep tuning in.

Particularly when it comes to Liz and Red. For however badly their relationship is written at times, the underlying dynamic itself remains stellar: successful FBI agent vs. renowned criminal. Poetic charmer vs. down-to-earth realist. Answers vs. questions. Is she making him better? Is he making her worse? What are they to each other and, even if the show did define that clearly on some level, can it really be answered so easily? I don’t think so. The fact that some days my brain goes, “God they have such a good father-daughter-esque relationship” and other days it’s going, “I ship it 👀” and other days it’s just, “You two need to stay FAR AWAY from each other. I mean, I’m digging the dysfunction, but if you were real people holy shit” just speaks to the complexity here. As frustrating as it can be, the messiness is kinda fun too? They’re compelling and they make my brain go brrrr with possibilities and sometimes that’s all you need in a show!

At least for the first three seasons. Lets see how I feel after 3 times that lol

Thus ends my 1k+, mostly non-spoilery Blacklist ramble ✌️

#Blacklist #The Blacklist #Lizzington #mymetas

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