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#i'm more worried about the fact she understands
dcxdpdabbles · 2 days
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Could you please pleasepleaseplease p l e a s e continue the halfa cass post? I'm dying for some more of it, it's SO GOOD
The first thing Cass notices about the Fentons is how utterly silly they are. She had been expecting a group of far more regal people, especially with the castle they lived in and being protected by Phantom.
She still doesn't really understand what's going on, but she can piece together that Phantom is in charge. The people who had stopped to stare at her all whispered about the King, and she could tell that a few of them gained helpless hope by the mere sight of her.
If they were truly trapped here, then her appearance meant there was a chance of escaping.
But were they trapped because of Phantom? Dan mentioned the Fae's costumes of tricking humans into signing slavery contracts with a feast. Had Phantom done the same?
"Maddie!" Dan yells at the top of his lungs, floating towards the draw bridge. "Maddie, I think you want to look at this!"
"What is it, sweetie?" A woman calls back, quickly followed by an explosion in the left tower. Cass stiffens as the window of the tower is flung open, and a woman in an overalls sticks out her head. Behind her, black smoke rises. "I was just making headway in the latest Fenton Escaper!"
"Really? How's that going?"
"It exploded! There is nothing left!" She beams, pulling her oversized goggles off her head. They leave a black outline around her eyes. .
Dan's body language doesn't show his surprise at her failure. In fact he seems oddly amused. It must be a common thing."I supposed that's good?"
"Oh, it's wonderful! Jake is going to be so happy that it reacted quickly to the new element!" The woman chirps. "He's out with Danny, gathering some more supplies for our people."
"They went hunting without me?"
"You know you're grounded, young man."
Wait, was this woman Dan's mother? Could the dead have parents? Or was it more of an adoption relationship?
"Yeah, Yeah, I know. Anyway, Maddie, I wanted to introduce you to the new arrival-"
"You brought a girl home!" Maddie cuts him off, flinging herself out the window. Cass would have rushed to her aid were it not for her apparent control as she spun into a landing. "Hello there! I'm Maddie Fenton! Dan's mother from another timeline, welcome to the family!"
Cass could tell she was going for a hug before the hug arrived, but she was still somewhat surprised by how forward Maddie was. Oddly friendly in a way no one in Gotham dared to be. Unless they were crazy like Harely. She can only blink as the woman wraps her up in an embrace, her muscles belying her small frame.
A fighter. A rather skilled one at that.
"I was so worried Dan would never find a partner!"
"Maddie! She's not my girlfriend!" Dan hisses, "She's a kid!"
"I'm twenty-one" Cass corrects
"A baby," Dan insists.
"Oh, that's a shame. She's gorgeous- from what I can see with the mask. The grandchildren would have been beautiful." Maddie sighs, letting her go. Then, it seems the woman noticed her features for the first time because she looked startled. "Are you a living human?"
"Worst. She's a halfa," Dan responds. Maddie's upper body goes rigid, and Cass can see thousands of emotions go through her—shock, denial, awe, wonder, glee, despair—to name a few—before she settles on one.
Glee.
"Jazz! Dani! Come here!" She screams, and Cass only has a few seconds to step away from Maddie's sudden craze before another glowing blur speeds towards them.
It's a younger version of Dan but female. She stops just short of ramming into Dan with a giggle. "Made you flinch!"
"You did not."
"Did, too." The girl, nineteen maybe, insists but twists to Maddie while speaking. It doesn't seem like she thinks about whether she is correct. Cass wondered if she should say that Dan really did not flinch. Besides his hair swaying slightly by the gust of wind she created, he hadn't moved from his crossed-arm position. "Who's this?"
"A new Halfa!" Maddie cheers.
The girl's friendly demeanor crumbles into horror. "What?"
"I know- isn't this exciting?"
"No, Mom, it means she died." Yet another voice sighs. "What did we say about our science?"
"Not to let it overpower my morals and to be tactful of other feelings." Maddie quotes with an eye roll, though Cass can tell she's not bothered by the reminder. Strutting from the castle draw bridge, the only one that uses it is a beautiful woman clad in a purple sleeveless dress.
She moves with the confidence and elegance Cass had expected of a Queen. It's when she stands next to Maddie that it becomes clear they are mother and daughter- almost all her features are a copy of Maddie. "Hello there. I'm Jazz Fenton. I heard you've been through a horrible ordeal. I'm very sorry for your loss of life."
Cass blinks at her, then shrugs. She isn't sure if she is grateful that Damian's ninja mask is still across her face, keeping her amusement hidden.
Jazz smiles even wider. "Welcome to Phantom's Keep. We welcome you inside."
Hmmm, well, no, Cass did not like how she said that. Sounded a little too Fae-like for her taste.
Jazz isn't aware of her unease as she gestures to the castle. "We have some questions on how you arrived. See, Dan and I thought you had died and placed you in the sector for new ghosts. Dan was supposed to greet you and get you settled. But your new status changes everything."
Was Jazz....Phantom?
If so, Cass needed to be careful how she continued interacting with the woman. She didn't want to get stuck here for seven years, either. She had a family she was going to get back to.
__________________________________________________________
"Where is Cass? She hasn't checked in for days," Bruce asks his children, looking over everyone's logs. Her last entry was twenty-four days ago, a short "Investigating Amity Park—pending field report" blinking on his screen.
"I'll ask Raven." Damian volunteered. "She should be able to give more insight into Cass' mission."
"Thank you, son."
Bruce hoped the uneasy feeling in the pit of his stomach was just untreated paranoia like his children liked to claim and not that something had happened to his daughter. He never liked it when his gut feelings were right.
They were never a good reason.
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kurokoros · 2 days
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something really frustrating about nancy ships is how the entire focus is on how the person is good enough for nancy, and never whether nancy is good enough for her partner. there's always emphasis on nancy deserves someone who loves, understands and supports her, but no one ever talks about how steve also deserves the same and that nancy has not done that in canon. if we can talk about how he wasn't—depending on your perspective—the perfect bf, she was also a pretty shitty gf.
you are sooooo correct for this, anon. like, in S1 Nancy got mad at Steve for him wanting to lie to the cops about something minor so he wouldn't get in trouble with his parents... and then she also lied to the cops about something. she got mad when he didn't believe her about seeing something in his backyard (and I maintain that she never should have seen it because it was daytime and the demogorgon is clearly nocturnal + had a fresh kill) then lied about what she was doing to go hunt monsters with the guy who was just caught taking inappropriate pictures of her through a window. sorry, but a quick "hey Steve, I'm going monster hunting with Jonathan Byers, come with" could have done wonders there. she got mad at him again in S2 for... not wanting to be the victim of a tragic accident a la the government for whistleblowing (which would have been a real threat if j.ancy's storyline wasn't made easy for plot convenience), got drunk and said some cruel shit to him, then acted flippant about it when he was mad about it the next day. and that's on top of the whole pining for another guy for an entire year and literally cheating with the guy she told him not to worry about.
her apology for the latter was not, in fact, an apology, and Steve was extremely gracious about telling her it was okay at the end. she has literally not interacted with Steve since then, has dated Jonathan longer than she dated Steve, and has not changed or grown as a person since then because she's never been called out or made to be in the wrong per the narrative. meanwhile, Steve gets his shit rocked at least once per season, on top of the verbal criticism and condescending remarks he often gets from the other characters.
saying that Steve "deserves" Nancy honestly seems like more of a punishment than anything, all things considered.
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da-proti-toku-grem · 11 days
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why can't anyone understand that everyone is different and not everyone likes the same things and that it's completely okay AND normal for someone not to like going out and preferring to stay at home :/
#honestly i understand that my parents care about me and they don't want me to be feeling bad#and that they ask me bc they just want to make sure i'm okay#but i've explained to them what i feel like and they just don't get and i get mad but i akso know it's not their fault and just... oughhhhh#like yeah i have a weird kind of social anxiety according to my therapist and even she doesn't know exactly how to help me yet#but there are just so many reasons behind why i don't like going out and it's not just bc it gives me anxiety#or why those situations give me anxiety in the forst place#1. i'm just a very introverted person that doesn't like going out#2. crowded places/closed spaces/places where there's not enough ventilation/loud places (be it people talking or just music) overwhelme me#3. all said in 2 + flashing lights give me huge migraines that can linger for over 3 days#4. i am very much a night owl and i'm forced to live in a society where that isn't fucking acceptable apparently and i'm called lazy for -#- not being productive in the morning when the only reason behind it is that i am a lot more productive at night#but no one ket's me do that bc 'why are you doing stuff when you're supposed to be asleep?'#i have been the same since i was little. literally nothing has changed#and people where always like 'oh she's just shy'#but idk wtf changed#maybe it was that i became and 'adult' or maybe the fact that i started therapy and they told my parents that i have social anxiety. idk#but suddenly every single person in my family is worried about it and they're genuinely making me feel like there's smth wrong about me#i mean. i have my problems i'm not gonna go telling you that i'm perfect bc i'm pretty much not#but is there really smth that wrong with me that i need to fix#or is society just a bitch that doesn't understand that there's different kinds of people and everyone is different & IT'S COMPLETELY OKAY#have they ever thought about the fact that maybe these situations cause me anxiety bc i've been forced all my life to do them#even if i don't like them#instead of thinking that i don't like them BC they cause me anxiety??#i mean. i know i have to go out more and that there's tons of things i can do ofc#but you can't just force me to do things i don't want to and put on a good face while doing it *every.fucking.day*#aaaaand i could add a lot more things but i'm once again reaching the tag limit so i shoukd just shut up#it's just driving me crazy bc i know they're trying to help but it really is not helping at all.............#ranting
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theygender · 9 months
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This has been on my mind for weeks and I talked to my therapist about it today and told my girlfriend about it too so now it's time for me to update the gay people in my phone: I may have schizotypal personality disorder
#this is like the equivalent of telling the bees to me#rambling#like ive been thinking about ever since i learned that autism shares a lot of similarities with schizophrenia and looked into that#and then learned about negative/cognitive symptoms and realized i related a lot to them#and then i learned more about schizotypal personality disorder and it was fuckin scary how much i related to it#what with the magical thinking and the severe social anxiety that doesnt go away when i get to know someone#and the ideas of reference and the eccentricity and the communication difficulties and the strange thought patterns#and then i specifically learned about avolition as a negative symptom which describes the exact thing thats ruining my life rn#and. i was scared to talk to my therapist about it bc i was worried it could be used against me somehow#but it was good to talk it out with her and get some additional perspective on whats going on in my brain#and if it means i could maybe possibly work on fixing the avolition and the social anxiety (my two biggest issues for years)#then it would be 100% worth it tbh. and its also kind of helpful to have some sort of framework to understand whats happening in my brain#funnily enough when i told my girlfriend (who was previously mis?diagnosed with schizophrenia and considering autism)#about it she related a lot too. so i guess we'll see how that goes#its. crazy how much of an overlap there is between schizospec orders and autism#i feel like i might should write up a post going into detail about different schizospec disorders to raise awareness#bc like. it is so much more than just hallucinations and delusions#in fact its not even required to have both of those for any schizospec disorder. some only require one and others dont require either#there is so much to the schizophrenic spectrum that i was unaware of and I'm sure that's probably true of other people too
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tomwambsgans · 1 year
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i'm just gonna say it. on the app that could reasonably be called Misinformation: The Website, where you have no good reason to believe almost anything that anyone says, where people are known to play genuine fucked up long cons where they go so far as to fake a disability, or stage scenes of verbal/emotional abuse with their partners, or make some other incredibly serious claim only to eventually come out and admit that they lied or faked it to be *interesting* or whatever... i think it's wise to take the anecdote of a single random person with a grain of salt
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gas-stxtion · 1 year
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//sorry i haven't been working on replies lately! you see, it's because [mid-sentence i slowly lie down on the floor and start crying really hard. i do not finish my explanation]
#you know this whole thing is one big experiment‚ right? and you're the little mouse? {ooc}#//feel free not to read the tags b/c i'm gonna scream a bit#//moved in last week and already we may end up with two more people in this apartment#//bc two of my roommate's partners both need a place to stay#//and like with the one we've had some time to talk and prepare#//but with the other it's like oh ok she's moving in this weekend. non-negotiable huh. ok#//i want to scream cry and throw up lmao i am not emotionally prepared for there to be four people here#//especially b/c i don't know either of them suuuuper well just yet#//and rn i'm doing the bulk of the cleaning in the apartment which i don't mind! because i'm happy to help!#//roommate has a lot of other stuff she's worrying about and i understand and want to take the load off#//but i think if i see one more dirty pot i might start crying#//which as we all know is a normal reaction#//(that's sarcasm if that's not clear)#//i know i need to say something and insist on better communication#//because this is not malicious on my roommate's part. i know that. it's just a miscommunication#//anyway yeah i keep mentally coming back to the fact that my room isn't even fully unpacked yet lmao#//bc now we gotta get shit together to make sure everyone has somewhere to sleep n such#//and yes it's bc i haven't asked for help. i am aware. that's on me#//but damn.#//ok this got long jesus-#//if you read this i am giving you a high five but if not i understand lmfao#vent cw#negative cw
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bohemiandeer · 2 months
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You know what hits me hard? When 5 to 6 year old children, all the way in Southeast Asia, knows about what's happening in Palestine right now. That children their age is getting bombed, that they're starving to death, that they're getting shot at, and sniped in the head. Because, just this past 2 or so months, I heard some of the little ones in the Kindergarten classes I'm TAing in as an Intern talk about it. Hell, one of the little boys downright said he didn't like Israel, because Israel is bad, because they do scary things. Another was questioning whether Palestine was bad too, because, "why else would they shooting at them?". A little girl in one of my classes doesn't want to finish her food at all, because she wants to save at least half her meat and rice for kids in Palestine, because she heard that, they don't have food. And that's just the ones I remember. Namely the inciting cases before their classmates slowly follow suit. The littles are fricking SCARED. We had to sit these kids down, and tell them that the topic is too mature for them at the moment, that they shouldn't even be concerned because they're KINDERGARTNERS, they're not even old enough to properly understand. The one teacher I was TAing for had to make a class announcement saying that. What gets me is, these are 5 to 6 year olds, the youngest I've worked with in this specific age group is 4. 5 years old on average, and they've already been exposed to the worst horrors genocide has to offer through the news and snippets of conversation among adults and hell, considering how many of them say they like to play games on Mama's phone, or their IPad, even from fricking social media. And the fact that, these literal babies, from all the way in Cambodia, has more empathy in their entire body and soul, than full grown fricking adults have in the nail of their pinky finger, gets me. FFS we as adults could LEARN from them I feel sometimes. I honestly don't know what to feel about it anymore. On the one hand, this is the next generation I'm working with. And if the next generation's default response to a tragedy such as Palestine, is what I've seen come up on occasion so far? Perhaps there's some bloody hope for this world after all. At least in this country. Especially since a majority of them already come from families who survived a genocide. These are the 3rd - 4th generation descendants of those who survived the Khmer Rouge. They've got grandparents at home, who no doubt are more than intimately familiar with what Palestine is going through right now. And it shows.
But on the other, it makes my heart sink because these are CHILDREN, these are LITTLE KIDS, they should be playing with their toys and watching cartoons and talking to their friends about everything from Spiderman to Speakerman to Kuromi and her friends, and be worried about whether or not they can go to playground that day, guranteed they're well behaved, or if Mama remembered to pack in their costume for swimming lessons that week. NOT JUST MY KIDS. But the little ones in Palestine too. They deserve better. They all deserve, so much better. Hell, it's come to the point that whenever I look at my kiddos right now, whether they'd be working in class, playing, doing something as mundane as eating lunch or getting ready for their nap. I think of the children their age in Palestine that didn't even get the chance to survive. I think of the ones whose memories from this age, is nothing but absolute horror and pain, rather than what has slowly become my normal, who never got to experience what my littles do on a daily basis right now.
Children shouldn't even be concerned about "War", about a Genocide. The last thing that should be on a 5 year old's mind, is pain, and suffering, and the worst horrors imaginable ever to be inflicted on a human being. ESPECIALLY WHEN IT'S INFLICTED, ON OTHER CHILDREN THEIR AGE. And for that alone, the world has failed them. Especially the kids in Palestine who didn't ask for any of this. They just wanted to carry on with life as kids do, the same way as my littles do on a daily basis no doubt, learning, playing, chatting with friends over their favourite cartoons and characters, worrying about whether they'd get to go to the playground or not that day.
I apologize for talking about this on this blog. I know my blog tends to be lighter in feel, a lot more unhinged and light hearted typically. I mean, I'm just a fricking nerd who likes to draw and write, and lurk about her favourite fandoms to consume and support what is shared among other nerds who also like to draw and write. But I couldn't stop thinking about it. About contemplating it, especially since I'll be back on a roll tomorrow, working with my kiddos again after not seeing them for 5 days straight because of Holidays. And, I just had to talk about it. This is something I felt I couldn't keep to myself this time, I don't think my soul'd be able to carry it. I had to talk about it.
FREE PALESTINE. Our children deserve better.
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1-800-kami · 8 months
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R U MINE? feat. gojo satoru
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gojo satoru has got to be the picture definition of a stereotypical college frat boy. he’s cocky, loaded with his daddy’s money, and dangerously handsome. it seems like common sense to stay away from him since you’ll never get more than a one-night stand out of it. 
that’s why you choose to turn a blind eye once you’ve come to the horrific realization: you’re in love with him. and you’re just itching to ask…
“are you mine tomorrow? or just mine tonight?”
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IMPORTANT: part two is out! read here :)
content: 8k words, afab!reader, angst! fluff! heartbreak! n everything in between! implied smut, rich college frat boy gojo and hellcat driver geto 🤑, emotional rollercoaster, reader has a toxic ex, trust issues (?) gojo is absolutely insufferable, misunderstandings, use of words hoe, slut, etc., mutual pining, some jjk character cameos (wink wink) me writing very unfunny dialogue, no bc wtf is this, cheating implications, emo gojo (the worst warning of them all)
author's note: hello hello! my name is kami, i've been reblogging fics on tumblr for a while now but i've recently figured out how to work this hellsite, so i'm going to start posting fics that i write! thank you to those who enjoyed my nanami drabble <3 kisses 4 u all.
this fic IS split into two parts (update: part two is now out!! linked here 2 read) and there is smut in the second part. so just. prepare yourselves for that ig.
reblog and interact for a kiss ;)
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“so… let me get this straight.”
“go ahead.”
shoko takes a deep breath, and you just somehow know that she’s pinching her nose in exasperation right now. “utahime dragged you out to a party in hopes that you would hit it off with somebody. you wander off on your own and later, she sees you and gojo–THE gojo satoru–giving you his number?!”
“uh, yeah. that’s exactly what happened.”
“do you even understand what you’re getting yourself into?! that man bags hoes like they’re pokemon!” you readjust the phone against your ear and sigh at shoko’s comment. 
“okay, first of all, never say that again. second, i rejected all of his advances. i didn’t even save his number.” you stare at the crinkled-up note in your hands, which proudly displays his number and a slick call me if you change your mind ;). you wonder if you could sell this paper to his fangirls–you’d surely make a little bit of cash out of it. “i’ve seen gojo around. i know that i shouldn’t mess with him. plus, he was drunk as hell at the party; i doubt he even remembers my name. to him, i’m just some chick that he’s frustrated at because she didn’t want to fuck him the second she saw him.”
“do you… do you share any classes with him?”
“i don’t think i do.. just, don’t worry about it, okay? i’ll throw away his number and we can put all of this behind us. here, i’ll do it right now.” you rip up the paper into a few pieces before tossing it in the garbage can. hopefully, you did it loud enough that shoko heard it through the phone. “i get that you’re worried for me. and i appreciate that, but i can handle myself.”
“just… no more mention of gojo anymore, okay? you’re right, y/n. let’s just put this all behind us.” shoko sighs, and you smile at that. problem solved. you threw away his number, and he’s most likely moved on to the next girl by now, so that was that. now, you just have to forget about satoru gojo.
all to never let yourself get hurt ever again.
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it’s hard to forget about gojo.
not because of those dangerous blue eyes of his–getting anyone lost in them if they stare for too long. not because of his stupid silvery white hair, which makes him look like a mop, and sometimes like a paintbrush. not that stupid cocky grin of his, either…
...but because you’ve recently found out that he sits next to you for physics.
the revelation was truly disheartening. you thought you could avoid him for the rest of the year because as far as you knew, you shared no classes with him. however, you completely forgot about the fact that gojo never attends class in the first place, and you don’t even know what classes he’s in… because he’s never there. so finding out that the seat next to you in physics wasn’t just an empty seat, and it was gojo’s assigned one, was truly an experience.
“gojo.” the name alone makes your heart stop, and you drop your pen to look at the man your teacher was addressing. “finally choosing to attend class for once?”
speak of the devil.
there he was, in all his glory–the man you’d never thought you had to deal with ever again. the man who tried to butter you up with his corny sweet talk so that you would go home with him for the night. the man who persisted with talking to you, even though you were barely interested. the man, who, at the end of the night, insisted on writing down his number for you in case you changed your mind about him and gave him a chance.
you wanted to shrink into your seat and never resurface. 
“good morning, yaga!” he says rather loudly, with no regard to honorifics at all. a few giggles could be heard across the classroom–though geto suguru’s voice was prominent–satoru’s equally as infamous bestfriend. “and yeah! it’s surprising, isn’t it?”
what’s also surprising is how gojo took a seat next to you. you thought that there was a mistake, that your teacher would scold him for sitting somewhere he isn’t supposed to sit and relocate him elsewhere. however, yaga just grumbles and begins the lesson, leaving you helpless and unable to look at the man next to you.
you swear he’s burning holes at the back of your head.
pleasdon’tremembermeisweartogodpleasedon’trememberme-
“you’re that girl from the party, right?” he whispers, and you’ve never wanted to disappear so badly in your life. you slowly nod your head, turning to look at him, and he pouts. “y/n l/n. you never saved my number. hmph, i was looking forward to a text from you, too.”
“i’m surprised you even remember me, 'cause you were fucking wasted that night.” you twiddle your pencil, averting your gaze from the man. “and i never saved your number cause i threw the paper in the trash. it’s probably at a landfill somewhere, y’know.”
your words catch him off guard, and you laugh at how surprised satoru looks. it seems that’s definitely not an emotion he shows often. despite his initial reaction, satoru swears he could feel butterflies with the way your laugh sounds.
“not a common problem for a womanizer, huh?”
“what did you just call me?!-”
“y/n and gojo, do either of you have something to share with the class?” a dark blush of embarrassment covers your face, and somewhere in the back, you could hear geto snickering. gojo just smirks at yaga, seeming completely uanffected. “then i’d suggest you stay quiet the rest of this lesson. don’t make me separate you two.”
“i’d prefer that, actually…” gojo huffs at your comment, thinking of this as a lost opportunity if the two of you get separated. he does a once over at your appearance. you’re cute, but definitely not the party kind. you’re playing hard to get, and gojo finds it adorable–not a lot of girls go that way with him. however, gojo thinks you’re not just like any girl. there’s something different about you that intrigues him.
“did no one ever tell you that it’s rude to stare?”
“how could i not? you’re so cute.” 
“i thought you already learned from the party, gojo. i’m not interested in you.” 
the light blush coating your cheeks says otherwise. he smiles cheekily at the way you tried to hide your reaction to his words. you’re an enigma to gojo… and he’s drawn to you like a moth to a flame. he thinks he’s made his decision.
he’s gonna do whatever’s possible to get your number.
when the bell rings 30 minutes later, you shove your notebook into your bag, eager to finally leave the class that you had with that stupid paintbrush. that is, until he stops you with a question. “what class do you have next?”
he’s relentless. “why do you care?”
“i want to walk you to your next class,” he says, and smirks before saying his next words. “it doesn’t really matter if you tell me or not. i’ll just follow you anyways.”
you sigh, absolutely exasperated with him. he’s like a fly who keeps invading your personal space—always coming back no matter how many times you swat it away. he’s right, though. damn him for being stubborn. “i actually have this period free.”
“oh, sweet!” he chirps, walking with you out the door, making sure to greet geto before he leaves the classroom. “let’s go to the courtyard. i’ll buy you a drink from the vending machine-“
“i was gonna do that regardless if you were here or not.” you give him a look, and you can’t help but tug on your sleeves when you see people whisper to each other as you walk the halls with gojo. of course you’ve heard the rumors. the man next to you is the most popular guy on campus. girls glare daggers at you and the guys call his name, although he barely even acknowledges them. 
some common things that you’ve heard about gojo around the school are: “i heard he only talks to girls for sex,” “apparently his best friend geto is just as much of a player!” “i mean, who wouldn’t fuck a guy like gojo, though? he’s hot and loaded.” “that’s how he reels you in, though. he gets his hand in your pants and never calls you back again.” you know you should stay away from him, it’s common sense, but it’s hard to stay away from him when he’s the one who glues himself to your side. 
“well, now you’ll get a free drink and we’ll get to know each other! isn’t that great?” he smiles and you just grimace at his words. 
“i don’t need your money…”
“don’t care! can’t hear you!” he says, and you’ve seriously considered just making a run for it. at least you’ll lose him, and you’d finally be able to find peace for a bit. although, it would cause a scene, and gojo would probably end up finding you again somehow. 
“what can i do to get you to leave me alone?”
that piques his interest, even though he looks slightly hurt by your question. he thinks for a bit, and smirks. “i really do want to buy you something from the vending machine.. and i want you to spend your free period with me. i’ll leave you alone for the rest of the day if you do.”
“do you promise? like, actually?”
“mhm! pinky promise!” you feel like you’re talking to a prepubescent boy.
“then sure-“ you’re about to agree, but he cuts you off with one more condition.
“i also want your number.”
you feel like you’ve been cursed by a god, because having the most popular guy on campus be interested in you has got to be the most chaotic thing to ever happen in your life.
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“what do you have me saved as?” 
the question comes from out of the blue, and you look up from the book you were completely absorbed in. you and satoru were at the school library, on a “study date” as he calls it, although it was more so just gojo inviting himself to wherever place you go, as per usual. this time, you have an exam to study for, and you explicitly told him not to bother you unless absolutely necessary.
you do have to say, though, he’s not annoying as you thought he was. he just nagged you way more the first day he sat next to you in physics so he could get your number. it’s been a few days since then, but still, you’d definitely be more efficient in your studies if you didn’t have him attached to your hip all the time.
“satoru, i told you not to bother me-“
“unless absolutely necessary. yeah, i heard you, and this question needs an absolutely necessary answer! contact names really say a lot about our relationship, y’know.”
“relationship? nobody ever said we were even friends-“
“don’t break my heart like that, babe. plus, you don’t call me gojo anymore! it’s satoru to you now,” his heart warms at that realization, and you scoff, especially at the pet name. “we are friends, unless you’d like to be something more...”
“if you say anything else i’m calling you by your government name. gojo satoru.” he looks especially wounded by that.
“ah! don’t do that, please. it feels like we’re a married couple and you’re really mad at me.” he cries and you can’t help but giggle at his words. you decide to entertain him a little bit, fishing through your pocket to find your phone. 
he almost passes out at what he sees on your screen.
“it’s just my number? you didn’t even save my contact?!-“
the shushes from your fellow students and the librarians aren’t even enough to calm gojo’s agony and despair. it also does nothing to stop your laughter, either.
from that day on, gojo’s contact was forcefully changed from his number to “satoru” (he initially added a heart, but you deleted it, much to his disappointment) and one of his many selfies from his stupid instagram account. how the hell can a college student even have thousands of followers?! you think. 
gojo just says that nobody can resist his shirtless post-workout selfies. you’re surprised that you didn’t slap him at his words.
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you push him away.
everytime gojo buys your favorite drink, (it’s always on him, despite your genuine insistence in saying that you could pay for your drink just fine.) everytime he walks you to all of your classes each day, (he memorized your schedule just so he could do this) everytime he buys you your favorite foods on the rare instances that you let him take you out for lunch, (usually, this requires a lot of begging, and you mostly relent during class when you’re just exasperated and wanted to get some notes down.), and everytime he calls you by those stupid pet names of his, you think back to what the entire student body says about him, and you think back to your phone call with shoko, where she warns you to not associate with him so you don’t get hurt by anyone ever again, and you push him away.
you push him away even when you realize that if he just wanted you for sex, he would’ve stopped chasing after you when you didn’t text him after that night at the party.
and that thought alone scares you.
still, you’re not heartless. satoru’s been asking to take you out for a while, and you finally agreed to go today. he’s especially chipper about your agreement right now, walking with a slight pep in his step as he bit around his ice cream cone. 
the park boasts some beautiful scenery today, and little children are out and about. still, you underestimated the weather, and the cold uncomfortably nipped your arms as you internally cursed yourself out for wearing just a shirt. you crossed your arms as a subtle way to shield yourself from the cold.
“don’t play coy with me, y/n. are you cold?” satoru says with a cocky grin, and you huff at his question. surprisingly, he drops the teasing act and unzips his sweater, handing it to you. “here, take it.”
“satoru-“
“i’m not doing this to flirt or whatever you’re thinking right now. you’re shivering, and i’m just concerned for you, so please wear it.” he deadpans, and it’s the first time you’ve seen him be so… upfront? you kind of like it. it’s not him teasing you or him being flirty. it’s just him showing that he genuinely cares for you as a friend. you take the sweater with a nod and put it on, ignoring how your heart is thumping as you take in his signature smell. cedarwood with a little bit of musk. it’s not an overpowering scent, but it still envelopes your senses.
“nevermind. you look so cute with my hoodie on. i feel like we’re in a j-drama right now, y/n!”
you take back everything you just said.
a few minutes later, you two are near the kids playground when you decide to take a break from walking, sitting on a nearby bench with gojo. the chirping of the birds and the wind passing through the trees is quickly overpowered by loud crying. crying from the child right in front of you, in fact.
you’re about to ask him what’s wrong, but satoru beats you to it. he kneels in front of the kid, and coos, “hey, buddy. what’s your name, hm?”
he stops crying for a moment to look at gojo and shakily responds, “gumi-um, megumi fushiguro..” 
“megumi, huh.” he clicks his tongue for a moment. “why are you crying, megumi?”
“i-i don’t know where my dad is!” he cries, and satoru looks to you for help. you just shrug, unsure of what to do with the lost kid, until gojo’s face lights up, assumingly with a great idea.
“he’s most likely just around here somewhere. you can wait with us, and we’ll help you find him! say, do you want an ice cream to help you feel better, megumi?” the boy hesitantly nods, and satoru gives him a thumbs up as he takes him to the nearby ice cream stand. you’re watching this entire scene unfold, absolutely enamored with gojo for the first time. you didn’t think he had a natural talent with kids—but the way he’s making megumi laugh while he happily snacks on his ice cream says otherwise. an outsider could look at you three and assume that you’re just a happy family. 
you try to ignore how that makes you feel.
and as you wave goodbye to megumi once he eventually is reunited with his father again, (an intimidating man who gave you two an appreciative nod as he walked away with his son.) you realize something as you tug on the sleeves of your-satoru’s sweater. 
you’re in love with gojo satoru.
and fuck, that revelation scares you more than anything. the last time you had given your heart to a man, he had crushed it repeatedly until you decided that you would never let yourself be vulnerable like that ever again. 
and now, you're in love with your school’s notorious playboy—and it feels like you’re setting yourself up to be heartbroken again. you want disregard those rumors and shoko’s words so badly, but they still eat at the back of your mind even though the real gojo satoru is right in front of you, and he doesn’t match the characteristics of the gojo satoru in those rumors at all.
you also remember that he has one real best friend, geto suguru. you like to think that this is also what geto sees in gojo. the reason why he’s stuck around.
the reason why you want to stick around too.
you’re so busy in your head that you’ve just noticed gojo frantically waving his hand in your face. “earth to y/n? oh, good! i thought you had, like, a shock reaction from seeing megumi’s father. he looked a little scary, no?” 
“he looks like if a muscle came to life and started talking.” you whisper, and he laughs in agreement. burying your hands into the pockets of his hoodie, you smile. you don’t want to think about your current revelation with gojo right now. instead, you’ll stick with the present. and right now, you like the present.
you just don’t want to think about what this means for your future.
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it’s the weekend, and you’re doing some work at the local cafe, gojo-free for once. only god knows what the man is doing at three pm in the afternoon on a saturday. not like you should be thinking about him right now, though. his presence alone has caused you to be behind on your studies, and you need to make sure you catch up.
you have to admit, you were a little unused to the silence. usually, the silence would be filled with gojo’s endless banter with you, as well as his terrible, corny jokes that are so stupid you can’t help but laugh. his seemingly never-ending presence was annoying at first, but now, you’re starting to yearn for his company.
it further fuels the pit of uncertainty in your stomach, and you hate it.
shaking your head with a sigh, you take another bite of your pastry and continue typing up the report on your laptop. the looming thought of this report’s impact on your grade and the need to pass this class helps you forget about satoru for a while. once again, you get lost in your academics.
the ring of the cafe bell breaks you from your trance. it was a natural impulse of yours to glance at everyone who entered the cafe, but once you did this time, you felt your heart drop down to your knees.
it was your ex. 
your ex boyfriend who destroyed the notion of love for you, because he made you feel it for a short time, only to throw it all into a pit of fire and leave you scrambling to find nothing but ashes. 
if you had to find the true roots as to why you’re so afraid to pursue a new relationship–you always find your ex in the center of it. and now, he’s right in front of you. you have to face him again when you refuse to shamefully admit that you’ve barely even healed from the emotional scars that he’d left behind. 
you feel as if an invisible hand has wrapped itself around your throat, blocking your airways and your ability to speak.
out of all the days satoru wasn’t here with you, it had to be this one.
“y/n? is that you, sweetheart?” you wanted to vomit at the way he said your name. he had no right to say it so sweetly, when all he’s ever left behind is venom. 
“i don’t want to talk to you.” you cringe at the way your voice cracks, and you avert your gaze from him.
“please, just hear me out for a minute, baby..” he coos, and you hate the way he talks to you as if you were a child. “i know i fucked up, and i can’t change our past… but i can change our future together. if you take me back, i’ll show you how much i’ve changed-”
you don’t know how many times you’ve heard that stupid line before.
“god, you sound like a broken record with how many times you’ve pulled that bullshit on me.” you spat, loud enough to draw commotion in the cafe. your ex has surprise written all over his face–most likely due to your non-compliance to his words. “what, do you say that shit to all your hoes?”
your ex looks around, shrinking a little when he sees all eyes are on him. “now, now, y/n, no need to be like that-”
“be like that… be like that?! you’re telling me to be civil when you’re the one coming in here wanting me back, spouting some bullshit saying that you’ve changed, when i told you to leave me alone already!” you scream, and you could feel the tears bubble up in your eyes. you look down, so you aren’t able to see how everyone’s staring at you with pity. god, you hate pity. it makes you feel weak and vulnerable. the two emotions you absolutely loathe. “i just want you to leave me alone, god. i hate you, why won’t you just-”
“you fucking bitch-” he makes a move to lunge at you, and you instinctively take a step back, pure fear enveloping your senses.
you never feel the impact, though, as you see your ex being restrained by the cafe worker.
you remember him. the man who took your order earlier. he was an older man with a warm smile on his face, although you noticed how his cheekbones were slightly sunken, and he looked a little overworked. you jokingly quipped earlier that he should get some sleep before thanking him for making your order. he just replied, i get that quite a lot.
the size difference between your ex and the man is enough to discourage him from fighting back. he makes quick work your ex, dragging him out the door while he hysterically screams profanities to you on the way out. you assumed the worker threatened to call the police, because your ex scrambled up from the ground and ran away. you hoped this was the last time you would ever see him again.
“are you okay, ma’am? he didn’t hurt you, did he?”
you didn’t even realize that the worker was back inside the cafe. everyone was gradually returning to their own businesses, with the eerie silence being replaced by casual chatter once more. you also didn’t realize how much your hands were shaking, and you huff out a breath you didn’t know you were holding. “y-yeah, i’m alright, and he didn’t hit me. i just… need a minute,”
you decide that you aren’t gonna get anymore work done like this, so you pack your laptop into your bag and slump onto the seat with a sigh. you bury your face into your hands. “is it a long story?”
“oh, don’t even get me started.”
he laughs at that, and you ease up a little. “i told him i’d call the police if i ever see him around here again.”
“that’s good to hear. though i’d prefer if i never see him in my life ever again.”
he hums at your words, and he turns to look out the window. “it’s getting dark out. do you want me to call you a cab?”
“no need, i’ll call my boyf–my friend. i’ll call my friend. he’ll uh, pick me up.” you’re still so shaken up you barely even register what you said to him. your eyes are frantic as you turn your phone on and look for gojo’s name in your contacts. you don’t know why you want him to pick you up out of everybody. you could ask utahime or shoko right now, but you just wanted nothing more but to see gojo.
the bell rings again, and you flinch at the sound. thankfully, it was just another customer. the worker sighs. “well, these orders aren’t going to be done themselves. just wave me over if there are any other problems, okay?” 
you nod absentmindedly, and he turns to leave, but you stop him. “wait, sir, what’s your name?”
“kento nanami.”
“thank you so much, nanami. i appreciate it.” 
“i’m just doing my job.”
“your job is restraining crazy exes of college girls and kicking them out?”
“‘it comes with the job description.” he teases, and you laugh lightheartedly. “and your name is?”
“y/n l/n.”
“anytime, miss l/n. again, just please… call me over if anything happens.”
“will do…” you say, pressing the “call” button on gojo’s contact. the anxiety is hitting you again, and you take a shaky inhale. you’re surprised at how he picks up almost instantly. “hey… satoru? yeah, can you come pick me up, please? i know i don’t normally ask you to do something like this but-”
“did something happen?”
“a lot happened, actually… i’ll text you the address. please, just come soon.”
“of course, y/n.” you could already hear him running out the door, hearing the roar of his car engine coming to life. “i’ll be there as soon as possible.”
he gets to the cafe in five.
you wave goodbye to nanami, thanking him once more as you get in the passenger seat of gojo’s car. 
it’s not your first time inside here, but you still can’t help but admire how… expensive everything looks. or maybe you’re just looking around because you’re stalling, and you have no idea where to begin with satoru. 
however, you notice that he’s not asking you what happened, and he’s not forcing you to explain anything to him. instead, he switches the gear shift out of parking and says, “do you want me to take you home?”
your eyes widen at his words, and you shake your head no profusely. the last thing you want to be is home alone right now, mainly because your ex knows where you live. you know he most likely won’t go that far with you, especially since nanami knocked some sense into him… but the possibilities still scare you. you take a deep breath before saying your next words.
“...can you take me to your house? i-i’m sorry for asking, i just don’t want to be alone right now cause i’m terrified and-” 
“y-yeah. i’ll take you to my house.” he says, and you’ve never seen him so nervous in your life. it almost makes you laugh.
“i’ll explain everything later. i just… wanna be somewhere safe first.” somewhere safe. you find his house as a safe place. gojo doesn’t know how to react. his heart is thumping wildly out of his chest, but he makes sure to put your own comfort before his feelings.
“you don’t have to tell me anything if you don’t want to.” he says, maintaining his cool by keeping his eyes on the road, one hand on the wheel and the other on the gear shift.
“but i want to, satoru…” you say. you can’t believe you’re doing this again. you’re crossing so many territories that you were so afraid to cross because of your ex. now, you think you aren’t that afraid anymore. not if you have satoru by your side. 
you place one of your cold hands on the gear stick, interlocking it with his. is he… shaking? “thank you for this.”
still. there are so many things you can’t say to him yet. you don’t know when you’ll be able to… or if you’ll ever be able to.
i love you. i love you but i’m too afraid to say it. i just hope that you’ll be able to wait for me.
“god, you’re killin’ me here, y/n.” 
that pit of uncertainty in your stomach has grown so large you feel it's about to consume you whole. you don’t think you mind much, though.
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the two of you are lounging at his couch after satoru insisted on telling you to make yourself at home. there’s a movie playing, with neither of you paying attention at all, takeout on the coffee table, two glasses and a bottle of wine after gojo didn’t know what drinks to serve, and freaked out by pulling the first expensive drink out from his parents’ alcohol closet. has he never properly invited someone to his home before?
“so in short, you had a crazy ex who saw you at the coffee shop… and he was begging for you to take him back, and when you went off on him he called you a bitch and tried to hit you…” he recalls, a huge grimace on his face. “tch. the cafe worker shouldn’t have let him go like that.”
“i’m sure he learned not to mess with me after getting humiliated in public.. and nanami did more than enough for me.” you retorted, and he gave you a sour look. 
“oh, so you know the worker’s name now?” he says, and you could feel the tension build up in the air. oh. so he wants to do this with you? “what, is he your knight in shining armor?”
“he looks like he’s in his late thirties, satoru. i’m not into older guys,” you roll your eyes at his absurd questions and add, “what’s it to you anyway?”
“what’s it to me, y/n?” he repeats your words, and you could feel an argument coming, like you already didn’t have an exhaustive one with your ex. “you know how i feel about you-“
“what the fuck is that supposed to mean?” your voice is getting louder, all to hide your fear behind the implication of his words. you distance yourself from him on the couch.. much like how you distance yourself from letting satoru get too close to how you truly feel. “we’re not even together, satoru. you don’t get to control the guys that i talk to- hell, have you even seen yourself?”
you’re rambling, and all you want to do is shut up, but you can’t bring yourself to. “i’ve heard what our school says about you. y-you’re a playboy, right? and you only ever talk to girls because you wanna fuck them. i’m not stupid, satoru. i’m not different from any of them, right? you only chase after me because i’m playing hard to get and that pisses you off-“
“what… what are you even saying, y/n?” he asks, and it stops your rambling for a moment. you don’t know what you’re saying. you’re pouring out all the reasons why you’ve tried to push him away, the reasons why you were so afraid to give your heart to him. but now that you say them out loud, they sound outright stupid. 
“i started coming to class just to talk to you, i memorized your schedule just so i can walk you to class every morning. i buy you all your favorite food and drinks… i had to memorize your favorites too, by the way. and i have shit memory.” he’s screaming at this point, and you’ve never had satoru scream at you. there are unshed tears in his eyes, and it’s all overwhelming to watch this unfold. “and when you called me, i drove as fast as i could to you because you never call like that and i was fuckin’ worried!”
“so let me ask you a question, y/n… would i do all these things for you just because i want you in my bed?! i’d do anything for you, and you know that!” he’s crying. the gojo satoru is crying, and it’s all for a girl. if you told this to someone in your school, they’d call you a shit-faced liar. gojo satoru doesn’t cry for a girl. he makes them cry.
“i’m sorry for being skeptical, satoru! i just can’t help it when there’s so many rumors about you wanting to fuck girls just for the shit of it – and i’m conflicted on whether or not i should believe them because i want you so bad and i’m scared you’ll end up just breaking my heart and i don’t want that to happen again-”
he cuts you off. “you… what?”
you’re confused at why he looks so surprised, but then you backtrack on your words and you gasp. fuck. why did i say that? you cover your mouth and look away from him, refusing to meet his eyes.
those stupid blue eyes that you know you can’t get enough of.
“y/n… can you please say that again? i don’t want to do anything if i didn’t hear you right.” his voice is soft now, and you swear that you’re dreaming. this isn’t real. right? i’m gonna wake up soon. you dig your nails into the palms of your hands, leaving half-moon marks in their wake. it doesn’t work, and you don’t wake up, and you know you have to accept the fact that this is very real and it’s happening.
this is the worst leap of faith you think you’ve ever had to take in your life.
“i want you so fucking bad, satoru. and i’m realizing that you’re not just the stereotypical rich playboy that everyone talks about on campus—you’re a really great guy, and i guess i’m just scared to face that-” you don’t even realize that satoru’s got you cornered on the couch, and you can’t finish your words as he slots his lips against yours. hard. it’s the most passionate kiss you think you’ve ever had in your life, and it’s got your breath taken away in seconds. holy shit.
you quietly moan against his lips as you kiss back, cupping his face with your hands and wiping his tears away. you wish this moment would last forever, but you pull away so you can breathe. you meet gojo’s eyes, and they’re clouded with lust and desire, but you could tell he’s still a little uncertain. “we’ll talk later… just take me to the bedroom already,”
gojo doesn’t need another confirmation from you, and he lifts you up to carry you to his bedroom, practically tripping on his feet the way there.
a few hours later and a noise complaint from the neighbors, it’s safe to say that gojo satoru was the best one you’ve ever had.
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“god, i’m never letting you go, baby.”
he’s tracing hearts onto your bare back. it’s littered with bruises and red scratch marks just from a few minutes ago, but you’ve never felt better in your life. you stare at the man who invited himself into your life just from an encounter at a party, and you thank your lucky stars that you agreed to go with utahime that night. “is something wrong? you’re starin’ again.”
“i’m sorry it took me so long to trust you. i’ve just been scared to open up my heart again, especially after him.” you don’t have to name “him” for satoru to understand. 
“i’m sorry too. i just got angry about the rumors and i also disregarded the fact that you’re scared to love again after your ex did all of that shit and-” he pauses, and sighs. “sorry. i’m rambling again.” 
he pulls you into another kiss, and this time, it’s sweeter, lighter, and full of love. “i’m going to show you what it looks like to really be loved, because it’s definitely not the shitty picture that your ex painted in your head. there’s way more to it than that.”
“i love you, y/n.”
“thank you, toru.” you whisper. maybe, one day, you’ll be able to find the courage to say it back. and it’s okay, because gojo is willing to wait an eternity for you. 
he’ll wait an eternity for you to teach you how to love again.
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“look at how beautiful you are…” gojo says, appearing out of nowhere as he wraps an arm around your waist. you yelp, staring at your boyfriend through the mirror. he’s wearing a classic black tuxedo, with no doubt it being very expensive. it compliments the glimmering rolex on his wrist, and the thoughts running through your head about him and his outfit sets fire to your stomach.
“look at yourself first, toru… god, we should just stay home,” you tease, turning around to pull him into a deep kiss. it’s a friday, and gojo’s taking you out to attend geto’s party tonight. the two of you are going for several reasons. he wants to introduce you to his bestfriend, since you realized that you’ve never actually formally met geto before. it’ll also be your first formal “couple appearance”, as if gojo being attached to your side all the time doesn’t say enough about the two of you already. 
gojo pulls away, which surprises you. you pout at the expression on his face. “as much as i want to, suguru’s been bugging about you all week. i really do think it’s time for you to meet him,”
“hmph. alright.” 
“i’m tearing that dress off of you the second we get home, though.”
“satoru!”
“what?! not my fault my girl looks so damn hot all the time!”
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this night is going amazing.
when satoru walks with you through the front doors, arm wrapped around your waist and the dress you picked out for tonight glimmering, you feel a little shy. the guys all whistle at the two of you, and the girls whisper amongst each other, but you and gojo don’t care. in his eyes, you’re the only girl he sees. the only girl worth being with here. 
“wanna go get drinks?” he asks you, cerulean eyes showing underneath his sunglasses. you nod, walking to the kitchen with him. you’re getting severe deja vu… you can’t believe you met gojo at the last party you were at. and now you’re at another party, with gojo as your date. you scan the crowd for utahime or shoko, wondering what you would say to them if they saw you with the man they specifically told you not to mess with.
it’s alright, though. shoko was wrong about those rumors, and gojo’s proving it to you.
“satoru!” the playful voice greets your boyfriend, and you turn to see geto suguru. you’ve seen him around campus, and he sits somewhere in the back of your chem class. you haven’t really had the opportunity to talk to him, though… and he looks a little intimidating.
“you must be y/n,” he says, offering you a freshly opened smirnoff from the drinks on the countertop. you thank him and grab the drink, taking a swig.
“yup! my lovely girlfriend,” gojo lets go of his arm around your waist to grab a drink. 
“you probably don’t know this, but i’ve been his wingman.” he smiles at gojo, who’s pouting, like he’s preparing himself for what suguru is about to say. “he’s batshit crazy for you, its insane.”
“oh? do tell.”
“when the two of you got together, he left me a voicemail at like… four in the morning? anyway, he was screaming about how he was the happiest guy in the world… or something.”
“that’s because i was!” you’re laughing at how unashamed satoru is about this.
“yeah, yeah, whatever.” geto clicks his tongue, pulling out his phone. “and he’s reposted you on insta to like, every drake song-”
“alright, me and y/n are gonna go dance.” he interrupts suguru, and drags you away from his best friend with a yelp. “nice talkin’ to you, suguru!”
“hey, i wanted to know more!-”
“shh, you don’t need to know about all of that.” the two of you are in the living room, in the midst of all the bodies dancing and grinding against each other. he pulls you close to him, and you feel his hot breath against your neck. “you look so beautiful tonight, y/n.”
“same for you, handsome. let’s dance, shall we?” you wrap your arms around him and just sway to the beat. you’ve never been much of a dancer, but everything feels natural as long as gojo’s with you. 
suddenly, the music changes, and one dance starts playing. you two look at each other, and you both burst out laughing at the same time. “have you reposted me to this song?”
“duh. it’s a classic.”
“can’t disagree with that.” you say, finding yourself grinding against satoru while wizkid’s part plays in the background. it feels like such a perfect night–you’re pulling satoru into a deep kiss, and he shoves his tongue down your throat while he’s leading you to a nearby couch. you’re seated on his lap, mimicking practically every couple in this party tonight. 
suddenly, you pull away, and you whisper, “i need to use the bathroom.” 
satoru smirks at your words, thinking that it’s a hint for something else, and you give him a sour face. “want me to join you-”
you hit his chest playfully. “that’s not code for anything, you perv. i actually need to piss.” 
he’s pouting at your words, but he lets you off his lap anyway, and holds your drink for the time being. “it’s at the second door in the hall to your right. be quick, please.”
“no duh. i’ve got a cute date to come back to,” you say, walking away and traversing all of the bodies that smell like sweat and alcohol. you’re a little unused to this environment, but it’s alright. you fix up your makeup in the bathroom and freshen up a little, walking back to the living room to find satoru again. 
you wish you never did.
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you were gone for four minutes. five minutes max. you come back to satoru, and your breath hitches at the sight.
on his lap was a random chick that looked like every other girl at this party. she was practically naked, since her outfit didn’t do much to cover her skin at all.
fuck.
you remember the first time you saw gojo at the last party you went to. the sight wasn’t that different compared to the one now. there were girls all over him, all fighting for his attention. and yet, it seemed that night, his attention was focused solely on you.
what bullshit that was.
your eyes are blurry, and the music is muffled in your ears. white noise fills your senses, and all you want to do right now is run.
so you do.
you run, not caring if gojo saw you at all or not. you run out of the party, eternally grateful that you didn’t pick out heels for tonight and settled for much simpler shoes. you run, despite the fact that you drew geto’s attention. you were already out the door before he could ask what was wrong. you run, just wanting to get away from everyone and everything. you run with no particular destination in mind. you stop running when you almost get run over on a red light, the car honking at you–screaming profanities as it drives by. it breaks you from your trance, and you sit on the curb of the sidewalk, letting all of your tears out on what was supposed to be a perfect night.
of course gojo didn’t think that you were different. you were just like every other girl to him.
stupid. stupid. stupid. you’ve never felt so stupid in your life.
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when geto sees you running out the door with unshed tears in your eyes, he immediately panics. what the hell happened?
he goes through every room of the house, trying to find gojo, when he hears a bunch of commotion in the living room. he runs there, pushing past everyone, only to find a total disaster inside.
he sees gojo screaming at a girl dressed like a stripper, who was on the ground with tears in her eyes. satoru looks like he’s about to pop a blood vessel with how pissed he looks. there’s a crowd forming at this point, and geto knows he needs to intervene, so he drags his bestfriend away, who looks so distraught that geto could just wonder what the fuck happened.
they’re outside now, and its significantly a lot more quiet out here compared to all of the chaos inside. all the noise is coming from gojo—who won’t stop crying, and geto has no idea what to do or where to even begin. “fuck!”
“dude, what the fuck happened!?” satoru looks like he’s feeling every emotion at once. he looks pissed, pissed enough to punch a wall, and geto’s a little afraid that gojo might actually do that–or worst-case scenario, punch him. he’s crying, and geto hasn’t seen gojo cry ever since he fell off a swing in pre-k, so what happened must be really fucking serious.
“i don’t KNOW what happened, goddamnit! y/n went to use the bathroom and some slu- some girl came up to me and threw herself on my fucking lap! i was gonna tell her to fuck off but y/n saw before i was able to and now she’s gone and she probably thinks that i’m just some cheater when i’ve worked so hard to get her to trust me and-FUCK!”
he stops, trying to calm down a little, and gojo takes the shakiest breath he thinks he’s ever taken in his life. the red in his vision starts to fade, but he still feels helpless. “i just don’t know what to fucking do, suguru.” 
“i just saw y/n run out of my house a few minutes ago.” he says with a grimace, and he’s trying to figure out what to tell his bestfriend. “i’ve never seen you like this over a girl before. holy shit, you really love her, do you?”
geto thinks that gojo’s bloodshot eyes, the brutal names that he called that girl at the party, and the tears he’s shed for you are already an answer.
“this is your last chance to prove it to her, satoru.” geto fumbles through his pockets and hands him the keys to his challenger. gojo snatches them, hearing the car engine rumbling itself to life. the white-haired man thanks his best friend as he steps into the drivers’ side, with geto reassuring him, ‘ill deal with the chaos inside, you go ahead and explain yourself to your girlfriend’.
gojo swears that he’s never driven so fast in his whole life.
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part 2 ;)
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artist-issues · 9 months
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I Hate How She Talks About Snow White
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"People are making these jokes about ours being the PC Snow White, where it's like, yeah, it is − because it needed that. It's an 85-year-old cartoon, and our version is a refreshing story about a young woman who has a function beyond 'Someday My Prince Will Come. "
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Let me tell you a little something's about that "85-year-old cartoon," miss Zegler.
It was the first-ever cel-animated feature-length full-color film. Ever. Ever. EVER. I'm worried that you're not hearing me. This movie was Disney inventing the modern animated film. Spirited Away, Into the Spider-Verse, Tangled, you don't get to have any of these without Snow White and the Seven Dwarfs (1937.)
Speaking of what you wouldn't get without this movie, it includes anime as a genre. Not just in technique (because again, nobody animated more than shorts before this movie) but in style and story. Anime, as it is now, wouldn't exist without Osamu Tezuka, "The God of Manga," who wouldn't have pioneered anime storytelling in the 1940s without having watched and learned from Snow White and the Seven Dwarfs in the 1930s. No "weeb" culture, no Princess Mononoke, no DragonBall Z, no My Hero Academia, no Demonslayer, and no Naruto without this "85-year-old cartoon."
It was praised, not just for its technical marvels, not just for its synchronized craft of sound and action, but primarily and enduringly because people felt like the characters were real. They felt more like they were watching something true to life than they did watching silent, live-action films with real actors and actresses. They couldn't believe that an animated character could make kids wet their pants as she flees, frightened, through the forest, or grown adults cry with grieving Dwarves. Consistently.
Walt Disney Studios was built on this movie. No no; you're not understanding me. Literally, the studio in Burbank, out of which has come legends of this craft of animated filmmaking, was literally built on the incredible, odds-defying, record-breaking profits of just Snow White and the Seven Dwarfs, specifically.
Speaking of record-breaking profits, this movie is the highest-grossing animated film in history. Still. TO THIS DAY. And it was made during the Great Depression.
In fact, it made four times as much money than any other film, in any other genre, released during that time period. It was actually THE highest-grossing film of all time, in any genre, until nothing less than Gone With the Wind, herself, came along to take the throne.
It was the first-ever animated movie to be selected for the National Film Registry. Actually, it was one of the first movies, period, to ever go into the registry at all. You know what else is in the NFR? The original West Side Story, the remake of which is responsible for Rachel Ziegler's widespread fame.
Walt Disney sacrificed for this movie to be invented. Literally, he took out a mortgage on his house and screened the movie to banks for loans to finish paying for it, because everyone from the media to his own wife and brother told him he was crazy to make this movie. And you want to tell me it's just an 85-year-old cartoon that needs the most meaningless of updates, with your tender 8 years in the business?
Speaking of sacrifice, this movie employed over 750 people, and they worked immeasurable hours of overtime, and invented--literally invented--so many new techniques that are still used in filmmaking today, that Walt Disney, in a move that NO OTHER STUDIO IN HOLLYWOOD was doing in the 30's, put this in the opening credits: "My sincere appreciation to the members of my staff whose loyalty and creative endeavor made possible this production." Not the end credits, like movies love to do today as a virtue-signal. The opening credits.
It's legacy endures. Your little "85-year-old cartoon" sold more than 1 million DVD copies upon re-release. Just on its first day. The Beatles quoted Snow White in one of their songs. Legacy directors call it "the greatest film ever made." Everything from Rolling Stones to the American Film Institute call this move one of the most influential masterpieces of our culture. This movie doesn't need anything from anybody. This movie is a cultural juggernaut for America. It's a staple in the art of filmmaking--and art, in general. It is the foundation of the Walt Disney Company, of modern children's media in the West, and of modern adaptations of classical fairy tales in the West. When you think only in the base, low, mean terms of "race" and "progressivism" you start taking things that are actually worlds-away from being in your league to judge, and you relegate them to silly ignorant phrases like "85-year-old cartoon" to explain why what you're doing is somehow better.
Sit down and be humble. Who the heck are you?
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katrafiy · 1 year
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I think about this image a lot. This is an image from the Aurat March (Women's March) in Karachi, Pakistan, on International Women's Day 2018. The women in the picture are Pakistani trans women, aka khwaja siras or hijras; one is a friend of a close friend of mine.
In the eyes of the Pakistani government and anthropologists, they're a "third gender." They're denied access to many resources that are available to cis women. Trans women in Pakistan didn't decide to be third-gendered; cis people force it on them whether they like it or not.
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Western anthropologists are keen on seeing non-Western trans women as culturally constructed third genders, "neither male nor female," and often contrast them (a "legitimate" third gender accepted in its culture) with Western trans women (horrific parodies of female stereotypes).
There's a lot of smoke and mirrors and jargon used to obscure the fact that while each culture's trans women are treated as a single culturally constructed identity separate from all other trans women, cis women are treated as a universal category that can just be called "women."
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Even though Pakistani aurat and German Frauen and Guatemalan mujer will generally lead extraordinarily different lives due to the differences in culture, they are universally recognized as women.
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The transmisogynist will say, "Yes, but we can't ignore the way gender is culturally constructed, and hijras aren't trans women, they're a third gender. Now let's worry less about trans people and more about the rights of women in Burkina Faso."
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In other words, to the transmisogynist, all cis women are women, and all trans women are something else.
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"But Kat, you're not Indian or Pakistani. You're not a hijra or khwaja sira, why is this so important to you?"
Have you ever heard of the Neapolitan third gender "femminiello"? It's the term my moniker "The Femme in Yellow" is derived from, and yes, I'm Neapolitan. Shut up.
I'm going to tell you a little bit about the femminielli, and I want you to see if any of this sounds familiar. Femminielli are a third gender in Neapolitan culture of people assigned male at birth who have a feminine gender expression.
They are lauded and respected in the local culture, considered to be good omens and bringers of good luck. At festivals you'd bring a femminiello with you to go gambling, and often they would be brought in to give blessings to newborns. Noticing anything familiar yet?
Oh and also they were largely relegated to begging and sex work and were not allowed to be educated and many were homeless and lived in the back alleys of Naples, but you know we don't really like to mention that part because it sounds a lot less romantic and mystical.
And if you're sitting there, asking yourself why a an accurate description of femminiello sounds almost note for note like the same way hijras get described and talked about, then you can start to understand why that picture at the start of this post has so much meaning for me.
And you can also start to understand why I get so frustrated when I see other queer people buy into this fool notion that for some reason the transes from different cultures must never mix.
That friend I mentioned earlier is a white American trans woman. She spent years living in India, and as I recal the story the family she was staying with saw her as a white, foreign hijra and she was asked to use her magic hijra powers to bless the house she was staying in.
So when it comes to various cultural trans identities there are two ways we can look at this. We can look at things from a standpoint of expressed identity, in which case we have to preferentially choose to translate one word for the local word, or to leave it untranslated.
If we translate it, people will say we're artificially imposing an outside category (so long as it's not cis people, that's fine). If we don't, what we're implying, is that this concept doesn't exist in the target language, which suggests that it's fundamentally a different thing
A concrete example is that Serena Nanda in her 1990 and 2000 books, bent over backwards to say that Hijras are categorically NOT trans women. Lots of them are!
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And Don Kulick bent over backwards in his 1998 book to say that travesti are categorically NOT trans women, even though some of the ones he cited were then and are now trans women.
The other option, is to look at practice, and talk about a community of practice of people who are AMAB, who wear women's clothing, take women's names, fulfill women's social roles, use women's language and mannerisms, etc WITHIN THEIR OWN CULTURAL CONTEXT.
This community of practice, whatever we want to call it - trans woman, hijra, transfeminine, femminiello, fairy, queen, to name just a few - can then be seen to CLEARLY be trans-national and trans-cultural in a way that is not clearly evident in the other way of looking at things.
And this is important, in my mind, because it is this axis of similarity that is serving as the basis for a growing transnational transgender rights movement, particularly in South Asia. It's why you see pictures like this one taken at the 2018 Aurat March in Karachi, Pakistan.
And it also groups rather than splits, pointing out not only points of continuity in the practices of western trans women and fa'afafines, but also between trans women in South Asia outside the hijra community, and members of the hijra community both trans women and not.
To be blunt, I'm not all that interested in the word trans woman, or the word hijra. I'm not interested in the word femminiello or the word fa'afafine.
I'm interested in the fact that when I visit India, and I meet hijras (or trans women, self-expressed) and I say I'm a trans woman, we suddenly sit together, talk about life, they ask to see American hormones and compare them to Indian hormones.
There is a shared community of practice that creates a bond between us that cis people don't have. That's not to say that we all have the exact same internal sense of self, but for the most part, we belong to the same community of practice based on life histories and behavior.
I think that's something cis people have absolutely missed - largely in an effort to artificially isolate trans women. This practice of arguing about whether a particular "third gender" label = trans women or not, also tends to artificially homogenize trans women as a group.
You see this in Kulick and Nanda, where if you read them, you could be forgiven for thinking all American trans women are white, middle class, middle-aged, and college-educated, who all follow rigid codes of behavior and surgical schedules prescribed by male physicians.
There are trans women who think of themselves as separate from cis women, as literally another kind of thing, there are trans women who think of themselves as coterminous with cis women, there are trans women who think of themselves as anything under the sun you want to imagine.
The problem is that historically, cis people have gone to tremendous lengths to destroy points of continuity in the transgender community (see everything I've cited and more), and particularly this has been an exercise in transmisogyny of grotesque levels.
The question is do you want to talk about culturally different ways of being trans, or do you want to try to create as many neatly-boxed third genders as you can to prop up transphobic theoretical frameworks? To date, people have done the latter. I'm interested in the former.
I guess what I'm really trying to say with all of this is that we're all family y'all.
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Early Adventure Time episodes: Ice King "kidnaps" Wire Princess, a vaguely humanoid heap of scrap with a smiley face painted on its "head" which he obviously made. Finn wants to stop him on the principle of kidnapping being bad, while Jake argues that since his "victim" is an inanimate piece of junk, no one's getting hurt and it might even quell his kidnapping thirst. After a series of shenanigans, Ice King attacks Jake, at which point Wire Princess speaks, revealing that not only was she alive, but consenting to the kidnapping as well, because of Ice King's fluffy beard. But now that she has seen him attack Jake, another fluffy thing, her heart is wavering and she must journey alone to find the true meaning of fluff. The end gag is Ice King screaming "She was alive?"
Middle Adventure Time episode: Raggedy Princess' kingdom is being attacked, and the assailant is revealed to be none other than Wire Princess, whose quest for fluff has turned destructive. PB appears excessively distraught by this, and it's revealed that she created Wire and Raggedy Princess (then known as cloth princess) in a recreation of the monkey experiment to best gauge her approach to ruling, in the early days of the Candy Kingdom. However, when the Wire Princess AI realized the candy people were more driven to Cloth Princess' caring nature, it logically concluded the only biological need of candy people is "fluff", and so tried her best to imitate Cloth's behavior, while Cloth Princess' deeply ingrained love for her citizens caused her to attempt to physically care for them. Declaring the experiment a failure, PB mind-wiped them both, gave Cloth Princess a new kingdom and name, and put WP in sleep mode, as well as left her in Ice King's junk pile. Jake, who has been listening, says "PB, that's messed up, man". Although they deliberate whether to reboot her again, she ends up being smashed by a gumball guardian or something. While everyone staress in shock, Raggedy Princess says "That's messed up, man. Also I didn't have time to say this earlier but I'm fine with either Raggedy Princess or Cloth Princess. So, um, yeah. Anyway, I'm going to call the cleanup crew"
Late Adventure Time episode: A strange techno-magical maze appears out of the blue in the Ice Kingdom. Finn and Jake explore it and find imagery of both softness and some sort of pre-apocalypse university, ultimately discovering it was created by Magic Woman/Betty mind-melding with Wire Princes, who was trying to reverse engineer an AI with love magic infused through Simon or whatever. She inadvertently mind-melded then, accidentally creating the semi-physical maze with her magic powers, and in turn realized that WP was, in fact, not only functional and aware this whole time, but she also had a slowed down perception of time. Finn and Jake sever the link after fighting some techno-nightmares. Magic Woman, despite only having been mind-melded for a day, has experienced a whole year, and appears distraught. But this is only momentary, as she declares that her accelerated madness means that her magic will grow exponentially stronger, and runs off appearing to have a plan. Finn and Jake are worried about Wire Princess going haywire (the pun is pointed out), but she clarifies (her voicebox is working now, but not much else) that actually, since she didn't have or understand emotions for most of her aware existence, she was just fine then. She then goes on a beautiful monologue about how, since she's now bonded to one, she finally, truly understands emotional beings and their complex needs. She renames herself "wire knight", and downloads her consciousnesses onto Finn's arm. A later episode has BMO and Wire Knight debating the trolley problem
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astrophileous · 6 months
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Hmmmmm for Hotch maybe him lowkey coddling reader when she gets hurt shortly during a case shortly after they start dating? Maybe the team wasn’t aware until they saw him fret this much when he had never done it to this level in the past? 🥹
Thanks for the request babes!! My first Aaron fic ever, so hopefully it's not too bad for a first 🥺 I hope this is to your liking ❤️
Warning(s): gn!reader, established relationship, talks of traffic accident, mentions of injuries, protective hotch, mean words (hotch is just worried abt you ok??)
This blurb was written as a part of the "Zara's Birthday Bash and Road to 1K" celebration.
Zara's Birthday Bash and Road to 1K Masterlist / Criminal Minds Masterlist
You heard him before you even laid eyes upon him.
Amidst the beeping machines and the moderate ruckus of the emergency room, Aaron's voice penetrated the air like a sword. The authority dripped like lava from his tone as he badgered Derek for your whereabouts, and before you could shuffle out of the hospital bed that had been your safe haven for the past hour, the cubical curtain surrounding you was suddenly yanked open.
Your movements ceased once you locked eyes with a frowning Aaron Hotchner.
"Hey—"
"Are you insane?"
You looked at him dumbfoundedly.
"Do you have a death wish? Is that it? Or are you just stupid?"
A few feet behind him, you could see Derek and Emily exchanging silent looks between the two of them. Everyone knew that Aaron was notorious for being frigid, and he had a strong impartiality when it came to any of his team members doing something impetuous on the field, but the words seeping out of Aaron's mouth at that moment sounded overtly harsh to those who knew him.
"Hotch—" Derek took a step forward, trying to come to your defense, "—it's not (Y/N)'s fault."
"I'm not talking to you." Aaron's response was cutting and final. It baffled Derek enough for him to trace his step back.
"What's wrong with you?" you asked once the shock dissipated, returning your voice to its rightful owner once more. "Why are you being like this?"
"Me? You're asking me? I should be the one asking you."
Your eyebrows pulled together in confusion. "We were chasing the UnSub—"
"You went rogue," he cut you off. "Morgan told me everything. There's no point in denying it."
Derek raised his arms in surrender when your stare of betrayal slid his way. "Fine. I'm sorry I grabbed a random civilian's bike and crashed it against the UnSub's car. You don't have to worry about paying anything back, I'll figure something out."
"Is that what you think this is about?" Aaron pinched the bridge of his nose. "I could care less about monetary compensations. We can deal with that later. You could've been killed, don't you understand?"
It was his last admission that finally made the pieces in your head click into place. Beneath the anger inside Aaron's words was actually a hidden anxiety ready to break free. He was worried about you, even if he was showing it in the least hospitable way possible.
Your relationship with Aaron was young; green around the edges and blooming every single day like tulips in spring. Nobody else in the world knew about it yet, and the two of you wanted to keep it that way. At least, that was what you agreed upon after having that lengthy discussion following your first official date.
And yet, none of that mattered when your fingers opted to reach out for Aaron's hand. You pretended not to notice the gasp that Emily let out as you urged your boyfriend to look into your eyes.
"I know you're worried, but I'm fine. I'm right here with you, and I'm okay." Aaron's shoulders physically collapsed at your reassurance. Every other noise in the hospital seemed to drown out in the aftermath. "The doctor's gonna clear me in no time, trust me."
"It still doesn't erase the fact that what you did was reckless." Aaron stepped closer towards the bed, overcrowding your senses as his thumb swept over your left eyebrow, just below the wound you had obtained from the crash. "Does it hurt?"
You shook your head no. The injury to your head was relatively minor. Your arm, on the other hand, was sustaining a quite sizable gash from your collision with the car.
Aaron's eyes followed your gaze that had meandered towards the gauze covering your arm. "How many stitches?"
Reluctantly, you answered, "Seven."
You heard his sharp breath before he turned around to face Derek. "Where's the UnSub now?"
Derek jerked his head to the right, where you reckoned the UnSub was being treated for their own injuries from the crash. The words of protest died in your throat as Aaron began to saunter to the other end of the ER with Derek hot on his heels.
With the two men's departure, Emily was the only one who remained.
"So—" she smiled knowingly, leaning against the foot of your bed, "—you and Hotch? When did that happen?"
You slammed your head back on the pillow, muffling your groan with your uninjured arm. "Shut up."
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kittythelitter · 1 year
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Thinking about Steve getting disowned by his parents.
And he's talking to Eddie and Eddie calls him "Steve fucking Harrington." And Steve's like. "I'm not a Harrington anymore :( They took everything from me including my name." And he was like. Understandably sad about his name and his identity and the fact that his parents don't love him and all that.
And Eddie. In an attempt to cheer him is all flirty and offers his own name up for Steve to use. Steve sad laughs and says that if Eddie wants to propose he needs to do better than that.
While they're having this conversation Dustin is lurking and hears this and is outraged that Eddie thinks he can just. Give Steve his name without earning it. Steve should be a Henderson. He's basically Dustin's brother already.
Dustin complains about this to Will in front of Joyce and Joyce is like. Not if i can adopt him first.
Will mentions it to Lucas and Erica is like. Bitch he should be honored to be a Sinclair! And she tells her friends about it in front of Robin who's like. Excuse me. We are twins. He needs to be a Buckley.
Meanwhile Lucas mentioned it to Max and she's always down to compete with Dustin and also. Steve is her brother too asshat.
She complains to El about it. Hopper overhears and is like. Steve is disowned? Where's he living? I already adopted one kid in the past few years what's another.
Over the course of the next week everyone has decided that Steve is their family and he should live with them and/or take their last name.
They're all getting together just because they're all a bit codependent and need to get all together every few weeks or else they all start worrying.
Steve and Eddie are running late for whatever reason. (overslept. Steve's trying to do his hair. Steve found Eddie's 5-in-1 doesn't really matter except Steve and Eddie are together and Steve's been staying at Eddie and Wayne's new government issued house.)
By the time they arrive everyone is bickering, varying from Hopper quietly saying that Joyce already has two kids wouldn't it be better for Steve to have a parent who can give him more attention, to Max and Robin having a silent standoff to Erica and Dustin fully wrestling on the ground biting and scratching.
And Steve's like. "HEY! What the fuck is going on?"
And no one wants to admit how wild they've all gone in fighting to adopt Steve. So there's this awkward beat of silence before Dustin and Robin both break down and yell at Steve that he's their family and he should take their respective last name.
Steve is so overwhelmed he starts crying. And almost none of them have seen him cry. Like. Nancy and Robin. Maybe. And only when he's been pushed to his limit.
So everyone's like. Did we break him? Did we offend him? Did we accidentally remind him of his pain?
And he's just. Never felt this loved before.
Maybe he chooses one. Maybe he chooses all of them into a really long string of names. Maybe they develop some kind of elaborate competition to decide who earns Steve as family. Maybe there's some kind of rotation in place. Tbh I'd love to hear other people's ideas.
But I do know that the day it becomes legal, Steve's last name and Eddie's last name become the same. Maybe it's a hyphen. Maybe Eddie charges his name to Buckley-Byers-Henderson-Hopper-Mayfield-Sinclair-Wheeler (alphabetical was decided to be the most fair).
And no matter what Steve is so so loved and everyone makes sure he knows it.
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kopykunoichi · 30 days
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Refresher for the people still confused about this...
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In a galaxy far, far away, EVERYONE has midi-chlorians in their blood. The Force resides in all living things. It binds the whole galaxy together. Midi-chlorians are what allow beings to commune with the Force. The more midi-chlorians you have, the more potential you have to RESPOND TO and WIELD the Force. But notice that Asajj couches her statement with the line that those with a higher m-count were "believed" to be more capable of wielding the Force. There's a correlation, but it's not necessarily the only factor (see Sabine Wren).
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This is the moment where the clones literally become stand-ins for the fans.
"What? If you can use the Force, you're a Jedi!"
No. If you can use the Force, you can use the Force. To use it as a Jedi uses it, you have to train as a Jedi. To use it as a Sith uses it, you have to train as a Sith. To use it like a Nightsister, you have to train as a Nightsister. Or you can get some rudimentary instruction and decide how you want to use it.
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Jango Fett didn't have a high m-count, so his clones didn't either. But Omega and the rest of the Batch were special cases. As Cut said, the Kaminoans create with a purpose. Their deviations were intentional. Hunters abilities have always suggested he had a higher m-count than the others. But Omega's ability to perceive things before they happen (her bad feelings are nearly always spot on) and her affinity with animals have always been hints that her m-count is a little higher.
(Will update with screen grabs when I get them)
At the end of the episode, Omega asks Ventress if she has a high m-count.
Ventress: *looking at her nails* From what I've seen...no.
Omega: Then why is the Empire after me?
Ventress: Believe it or not, I don't know everything. But seeing as how a high m-count would make you a target, consider yourself lucky.
Omega: But I'm already a target.
Wrecker: Don't worry about it, kid. We'll figure it out. C'mon, let's get some chow.
Omega: *sigh* Thanks for trying.
Once they're out of earshot...
Crosshair: You're lying.
Ventress: About which part?
Hunter: You tell us.
Ventress: If Omega did have that potential, she'd have to be trained. Which would mean leaving you behind.
Hunter: That's not happening.
Ventress: What you want is irrelevant. The fact is, the Empire is after her, and they won't stop. If I were you, I'd leave this place. You're not as safe as you think you are. Our business is done.
Crosshair: I still can't figure out which side you're on.
Ventress: My own.
Okay, so Ventress is clearly not telling the truth about the m-count, which we know, because we've already seen Omega's charts. I really don't understand why people keep taking Ventress at her word here. We know better, and so do Crosshair and Hunter. My guess is that she's trying to protect Omega because she knows firsthand what it's like to be taken from your family and trained as a young girl.
We know that when Omega was at Tantiss, she was receiving transfusions of blood with midi-chlorians the same as all the other clones (harvested from the dead Jedi they're undoubtedly holding in the vault). They were taking her blood samples, but Nala Se kept throwing them away because she knew Omega would retain the higher midi-chlorian levels and she didn't want Hemlock to know that. The Emperor needs a clone that will maintain a high m-count so he can eventually get himself a new body. We know he does get that body, but not for decades - presumably because a) he never gets Omega, and b) the Batch is gonna take the fight to them at Tantiss and blow up their entire supply of midi-chlorian donors. Think about it - they're still working on Project Necromancer in The Mandalorian (24 years after The Bad Batch), but their resources are severely limited. The Empire has been all but wiped out, the Emperor is hiding out on Exegol, Dr. Pershing is clearly no Hemlock since he keeps killing his test subjects, and Grogu seems to be the only m-count donor they can get their hands on. The Emperor's cloned body is also deteriorating rapidly in TRoS, which suggests that even 25 years after The Mandalorian, he STILL hasn't figured out the right formula for cloning himself (which is good news for Grogu and Omega).
Which brings us back to the question, "Is Omega Force sensitive?"
The answer is, "yes", she is sensitive to the Force due to her elevated m-count. We've seen this all along. Hunter most likely is, too, and maybe some of the other Bad Batchers, to varying degrees. Tech could riot race, which takes incredible reflexes. Hemlock said that Crosshair didn't have a high m-count, and we don't know where Wrecker's abilities stem from. Omega can't wield the Force because she is untrained, but the potential is there. A person's aptitude to wield the Force seems to be strongly correlated to their m-count, but we've seen others with low aptitude eventually open the door to the Force with years of training and a decent dose of impending doom (we see this clearly with Sabine in Ahsoka, but it was also a topic in Legends).
Omega being Force sensitive doesn't mean that she has to leave her brothers. She can choose to pursue her training or not. She'd also have to find someone willing to train her. I'm not convinced Ventress is looking to take on any apprentices at the moment, but she could possibly connect Omega to Quinlan Voss (imagine the trouble those two would get up to).
But I don't think Omega will choose that path. One, it would just make her a bigger target. Two, I don't see her prioritizing power over family. She's a clone, and clones are ALL about family. They're Mando coded, not Jedi coded. Screw the space Buddhist lifestyle - clones parade their attachments around like trophies. Omega goes around collecting attachments like most kids collect rocks..."Hello, stranger trying to kill me, let's be besties."
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hazashiovo · 2 months
Note
Helloooo!! Can I request mako and bolín (seperate) being protective of their (s/o), thank you a lot<33
Ofc u can!
A/n: mako and Bolin have the most requests so far,I'm really glad tbh that people are submitting requests,keep em coming.i also added in Korra and Kuvira ,since this seems like a perfect imagine for them.
Genre: Fluff
Mako x reader, Bolin x reader, Kuvira x reader,Korra x reader (all separate)
Overprotective Lovers
Warnings: none.
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Starting off with Mako,he's the kind of guy that doesn't take well to someone talking to you in some kind of mean way in front of him, especially if you're more a more naive person.
Even if you take care of yourself, he's still there making sure you're away from harms way.
If you ever get hurt or kidnapped,it's over for whoever did it, it's not like he's usually a calm person,but take away his favorite person and you got yourself a big problem to deal with.
Even when you're not exactly in danger, he's there. It's sweet really,but it can also be annoying when overdone.
You like being protected by him,but not all the time, he didn't like it when you talked to Korra, claiming since she's the avatar she would draw unnecessary attention over you and put you in complicated situations.
Of course you explain to him that you're a big girl and that you can watch over yourself,but he just can't understand it. {Sigh}.
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Korra? Well she had her ups and downs. But she learned ,ok? Once you two got together ,this feeling that's she allways had grew stronger,her urge to protect you.
Of course she would blame it on the fact that she's the avatar,but really it was her being protective of you.
Even before dating her ,you knew this would draw a lot of attention to yourself, and potential enemies of the avatar would want to harm you. But that didn't stop you,after all you're free to love whoever you want even if it endangers you.
When Korra faced Amon she used to be Terrified something bad would happen to you, even her dreams would be hunted by dark images. She would see Amon preparing to take away your bending,but each time she would wake up before anything happened,in cold sweat,with you by her side.
If you're a light sleeper,you would assure her nothing happened to you,and that you're okay.
Even after she defeated Amon, more villains appeared,making Korra constantly worry about you. But one thing is sure, that she would always be there to protect you,and in case anything happens,to save you.
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This boy is the most carefree of them all. He doesn't really have to worry that you would be kidnapped or hurt most of the time,but if it ever happens, either someone hurt you or something went wrong in the mission?
He's full boyfriend mode on. He wouldn't be like Korra or Mako, first thing he would do is bring you to safety, revenge not being his thing.
If you're okay ,that's what matters to him. But now if you're especially targeted by someone? He's not as chill as before. Especially since he recently learned how to lava bend, which makes him a pretty strong bender, definitely not the kind you would want to piss off by chasing around his girlfriend,nu uh.
Bolin knew it was a mistake to introduce you to his boss, Varrick.
That man would make flirty jokes with you,which always made Bolin roll his eyes and mock him quietly.
So what if he's smart and rich? You wouldn't like a prick like him.
Whenever Varrick got too close, your boy would be there to put distance between the two of you. It's not that he's jealous,but he knows how his boss is.
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Yeah no. I doubt anyone would even try to threaten you while she's around.
After all the power and respect she gained, expect people to fear you just because you're with her. So mostly Kuvira doesn't have to worry that anyone is gonna try anything.
After all she made quite a name for herself.
Even so, being The Great Uniter's s/o came with it's disadvantages.
For example,if someone really wanted to hurt her,they would target you. You're her soft spot,and she knows it.
Yes,you have your personal guards picked by Kuvira herself. Just because she doesn't expect you to be attacked it doesn't mean she won't be prepared for it.
You're hers,and the world knows it.
.
.
A/n : I really enjoyed writing this,I might make another part with different characters :)
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randombush3 · 18 days
Text
(extremely talented, creative) stalker
alexia putellas x reader
based on this and a poem from when i was little. i chose alexia because she fit the character more and i rushed this immensely because i was being pestered for attention by multiple creatures. oh and i went for something decently light-hearted bc these hozier fics have been affecting my soul and ruining my spotify daylists.
happy monday people x
p.s. not proof-read because it's lunchtime and i'm hungry (edit: i just did my proof-read now and i've realised that it was in fact not lunchtime??? it was past lunchtime and i was just zoned out!)
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Alexia doesn’t care much for art. Sure, she admires the effort, the time such talent sits behind a canvas and marks something that was once blank until others begin to value it. She agrees with the masses about the beauty of quaint watercolour paintings of the coast, and she lets Mapi rave about charcoal and graphite and oils as if she understands what is so special about the varying media. 
She knows she is only here today because the art is about sports. The gallery seems almost reluctant to allow the athletes in, worried they have brought with them their football boots and cones to dribble around, but it would be bad practice to prohibit the muses from the collection. She isn’t an idiot, though, and she knows that no amount of forced reading about the artist and other sophisticated matters will slip her seamlessly into the crowd. 
There are lots of people; people she has never heard of, but make it clear they are far superior to her by the way in which their eyes politely drop to the tattoos inked onto her calloused hands. Their skin is soft, accustomed to the stems of crystal champagne flutes, and the drawings that hold so much personal meaning to the footballer are scrutinised to the point of silent… offence.  
So much for appreciators of art, she thinks to herself, counting down the minutes until it is acceptable for her to leave. 
With a huff and a vow to never – no matter how much she earns – forget where she has come from, Alexia staggers, uncomfortable in these particular heels, towards the painting she deems easiest to understand. 
It is the largest in the room: deep, crimson reds on top of familiar greens, streaks of gold falling out of a ponytail. 
Call Alexia egotistical, but anyone would be drawn to a painting of themselves. 
The artist has done a good job, she guesses, not entirely sure if there is a deeper meaning behind the grass stains on her socks or the crumpled shading of her Spain jersey. It is a little creepy that someone she does not know has captured her likeness so expertly, so practised. 
“The nose isn’t quite right,” a voice says beside her. 
Alexia turns in surprise, amused enough by the stranger’s observation to examine her painted face, eyes not drawn from how majestic her image is beginning to seem. She sees no obvious issue, and so she replies, “I think it’s fine.” 
“Just fine?” 
She is still staring at herself, now impressed by the grandeur of the painting; its size, its quality. “Well, I am unsure how someone painted me so accurately when I was never called in for a… I don’t know, a consultation? And it seems a little weird to me that my hair is loose, because I tend to slick it back so it doesn’t fall out of my ponytail, and, you know, I always have something written on my boots, but otherwise, it’s fine. I doubt anyone here has ever watched a football match, so none of this will matter to them.” 
“It doesn’t bother you that someone might pay millions for a painting that you have deemed not-quite-right?” 
The voice is somewhat too interested, and suddenly Alexia swivels around to face its owner properly, worried she has spoken her mind to a journalist. 
“Those millions go to a charity that will improve women’s sports every–” 
You are definitely not a journalist, although once, when art really wasn’t paying, you had off-handedly typed out a few articles for one of the bigger galleries. 
Alexia knows you are not a journalist because you are dressed to be in front of the cameras, not behind them. 
Your hands hang by your sides, but in a rather unnatural manner as though you are itching to do something else, and she is briefly overcome by the horror that you seem elegant enough to be a potential buyer. Has she put you off? 
“Oh,” you interrupt, “don’t be so profound. Sometimes you footballers sound like change-making machines.” 
“There is change to be made,” she responds indignantly. 
“Hence the exhibition,” you allow with a little smirk, nodding towards the rest of the room. Although the biggest of the collection, you had asked for your painting to be displayed in the corner; a filter, in a sense, to ensure no one throws money at the largest thing in the room just because they can. “It creeps you out to be painted?” 
The question is curious, but Alexia no longer feels like she has been caged in an interrogation room. 
She thinks about her answer for a moment, torn between returning to gaze at the expanse of the scene in front of her or staring at you, wondering if you count as one of the works of art on display. 
“I have never met the artist,” she explains neutrally. You laugh, and it sounds infused with champagne and nervousness. “What? It’s like having a stalker. An extremely talented, creative stalker, but someone who studies me in secret nonetheless.” 
“No, I understand. She must have researched you until the ends of the Earth.” 
“The artist is a woman?” She isn’t sure she is surprised, but she asks you anyway, wanting to anchor you to the spot. 
“Alexia, this is an exhibition for women’s sports.” Your point is valid, but you have said her name and she is far more intrigued by the way that had sounded to praise you for your intelligence. You let out an airy breath and click your tongue. “I’d even say, given by the way she has painted you from the back, that the artist fancies you.”
“It’s the squats,” she easily replies with a giggle. “Who is the artist?” 
You take a step towards her, the sharp points of your heels clacking against the concrete floor. She follows your index finger to the white plaque beside the canvas, reading the name written in small, black letters. 
“I haven’t heard of her.” 
Alexia sounds so thoughtful that you have to hide your smile behind your palm, coughing to provide an excuse for the action. 
“Because you’ve heard of quite a few artists, haven’t you?” 
“I know the main four.” 
“The Teenage Mutant Ninja Turtles?” 
“No.” 
Again, you laugh, and it is melodious and rich and Alexia wants to hear it for the rest of her life. Which is not normal, she tells herself, because you are some loaded stranger and she is only here for another hour before she can escape back to the pitch and her teammates who like her tattoos and admire her and respect her hard work without seeing her as some tacky social-climber who scrounged an invite to an area of society where she is institutionally unwanted. 
“Picasso,” she then offers, rather petulantly, looking at you with a childish frown. In her head, she estimates the distance between your bodies, noticing how you have not returned to your original position. 
“Ah, well done. He’s quite niche.” She doesn’t appreciate the teasing, and so she steps sideways to… put a stop to it somehow. Obviously, the plan had never truly been formulated, and it comes across as a half-lunge to push you away, but then you are swinging your arms as though the conversation is boring you and she desperately wishes you’d stay put. 
“What do you think about the painting?” she fires into the shortened space between you, the question wrapping around you like a rope that ties you to the spot. 
“It’s boring.” She scoffs, because after all, it is a painting of her. “The poor artist must have been tortured by the task, having to force her eyes to stay open while watching football matches.” 
And if Alexia were not so distracted by the way your swinging hand has begun to brush against her own, she would probably catch you out there and then. 
(But your touch is electric and she is otherwise engaged.) 
“Like, come on, can’t the sports photographers just get their pictures blown up? No one needs such an outrageously huge portrait of Alexia Putellas in their home, or stadium, or whatever. I reckon the artist is now regretting the angle she painted from, anyway, in case some pervert with more money than sense bids for it and hangs it up in his bedroom.” 
“Bedroom?”
The tips of Alexia’s ears go red, a stark contrast to the expensive silver hoops she sports, and you stop your fidgeting, hand resting on top of hers – perhaps unintentionally – as her misunderstanding wedges an awkward pause into the middle of your rant. 
“Sorry,” you apologise, “that was probably not the best thing to say, considering it’s a painting of you.” 
Alexia runs through what you have said, hoping her subconscious has caught it while her mind was preoccupied with what your sexual orientation might be. “Why have you come here if you are so against the principle of it?” 
“I was required to,” you explain, through half-gritted teeth and a jaw that tenses with leftover annoyance from a conversation you had with the coordinator. 
Seizing the opportunity to get a humorous punch back, Alexia quickly fumbles out a, “someone’s important.” 
She’d celebrate her victory over you, the way you blush in embarrassment, if you hadn’t started anxiously playing with her fingers. Suddenly, the air that bridges the gap between you is set alight and Alexia stares at where you are connected. 
You hastily pull away. “Sorry,” you say for a second time. “I have to sell this, and I’m nervous.” 
“Sell wh– The painting?” 
“No, Alexia, I’ve been sent by Real Madrid to hold you hostage so I have to sell this act.” Briefly, fear washes over the footballer’s face, tanned skin paling at the idea that you have a weapon concealed in the satin folds of your dress. Then, your hand makes a decisive movement and your fingers are intertwining with hers before she can run to safety. “I thought it was best to lure you in by flirting with you.” 
“You’ve been… flirting with me?” 
“God, imagine if I actually were here to kidnap you.” You hold up your joined hands so that she can see for herself. “Is your weakness women who bully you?” 
She blushes again, unsure how to handle what you have insinuated. 
Alexia grasps onto what little dignity remains and straightens herself, shoulders rolling back as she emulates the confidence she has been painted with. “Only pretty women,” she drawls. 
She is about to use whichever line appears in her mind first, completely unashamed by it because she has guessed you would tease her no matter what leaves her mouth, but some evil, cruel person clinks a small fork against their glass, clearing their throat, and your hands quickly return to your body, your attention drawn away from the conversation. 
“Thank you all for coming,” announces the event coordinator, clearly gearing up for a speech. “There will be time for more chatting later, but I cannot resist showing off our most talented artist any longer.” 
You roll your eyes. The expression is directed at Alexia, who chuckles privately, sunshine blooming in her chest that you have spared a silent comment just for her. 
“Y/n, darling, where are you?” 
An authoritative gaze searches through the crowd and lands on you.
The dots connect, Alexia begins to feel like an idiot, and you are sashaying away before she can ask you to stay.
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