#in order for sophie to exist as she does someone had to make her | Explore Tumblr Posts and Blogs

bravewolfvesperia · 2 months

Text

/ so regarding my previous post about Yuri's Cresty verse, here's the breakdown that led me to what I'm using and what I'm determining to be the most likely storyline based on canon events:

Flynn's event with Tear. Flynn is chasing Tear under knight orders for leaving the Outer World, which they are both from (so they presumably are not supposed to be in the Inner World if they come from the Outer World).

Tear states she's chasing someone who is going to basically do terrible things. From context and knowledge of her canon, we can assume this person she's chasing is Van. This is also supported by the fact that there was a 3D model of Van that existed in the game's files that never got released (obviously it may not have been, but at this point we don't have those answers so I need something to work with for this).

In the event, Flynn mentions the Four Greats Trees protect the Inner World, and these trees later become a major plot point that ties into Yuri's appearance (who is also on this side at this time for canonically unknown reasons. If they know each other and are both on that side though, my assumption is that they were traveling together).

In the event, Flynn mentions a "friend" of his which is obviously Yuri. Yuri, who had been MIA the entire game (which is highly unusual for a Tales gacha, which leads me to thinking it was because they had plans for him, thus instead using Leon earlier in because it's always one of the two who shows up early into Tales gacha), gets mentioned in this event, but... why, unless it meant something? Why would Yuri be not-quite-namedropped for no reason?

^ Because he was in the next event. This would imply Yuri, Flynn's friend, is also from the Outer World, and if people from the Outer World aren't supposed to interact with the Inner World, it's very likely they came together, or else why would Yuri be there and Flynn not be going after him to stop him? Flynn himself mentions he shouldn't be interacting with the people in the Inner World (he's "originally" from there but is evidently not anymore, i.e. moved to the other side at some point), so if Yuri was out on his own, why would he not be going after him too to stop him? Since he only mentions Yuri as his friend and gives us no indication that he's chasing said friend, instead chasing Tear, Yuri being in the following event leads me to think he's not going after Yuri because he went there with Yuri.

Going off this, this means before Yuri was condemned, they probably left the Inner World together for whatever reason (which I say because Yuri is clearly not also a knight in this verse, in contrast to his first/starting Asteria storyline).

Yuri is on his own without Flynn in the very next event, meaning it's likely not much time has passed if any between these two events. I say this because Kanata's group is in Flynn's event but not at all present in Yuri's, which means there's no progression of Kanata's group's story (which the events follow their main story progression, i.e. Yuna isn't in earlier events because they aligned with the main story's progression). This means we can't say there's a jump in the timeline of these events that makes it seem odd. It doesn't, and these could have been happening simultaneously for all we know. That would mean Yuri was probably off somewhere waiting for Flynn, as he is not a knight and it's not his duty to catch Tear. Flynn possibly heard she was around and went after her, and Yuri stayed back and waited.

Could also be that Kanata's group was meant to run into Yuri after he'd been condemned, thus they made it a point not to include Kanata's group in any capacity in Yuri's event.

On that note, is it meaningful that he met Jade in this event (who he was "on the side of" in the little flower shop rivalry, and Jade was familiar with Asbel due to chapter four, making it unlikely that Asbel and Yuri would be enemies. Add to that the fact that Sophie is with Asbel and knows Kanata's group, as does Asbel, the only somewhat outlier in this event is Spada, but since he and Asbel also know each other pre-event story, a little less so? It could be possible the event was, in some sense, getting Yuri a support system that could pop up later in the main story when he did get condemned), who very pointedly did not care Kanata's group was a group of transgressors? Maybe!

Skip ahead to the chapter with the Four Great Trees, chapter ten. These storylines are a bit far apart, meaning there's ample time for Yuri to have been condemned and for his personal storyline to change/be somewhat altered/etc.

Milla basically mentions that the loss of the Four Great Trees would be highly detrimental (and iirc would kill everyone in the Inner World). Her current mission in chapter ten is to protect the Great Trees that protect the Inner World. My guess is that the Outer World would be in danger as well without the Trees, but even if we go with not, it's reasonable that Flynn would want to protect his former home. If we assume Yuri and Flynn are best friends in this verse too, there's no reason for Yuri not to be involved in helping (and for all we know he might have also come from the Inner World and moved to the other side at one point as far as canon goes).

Tear basically implied the person she was chasing was going to do something highly terrible, and if we assume it's Van, that also fits right into Van's own home game storyline. If we guess he's working for Kasque, that adds another layer onto why he'd be destroying the Trees - because that's Kasque's goal. Why would both of them be doing that if they weren't working together? Given Van's canon storyline in Abyss and his Asteria storyline in Eden, it's really not odd at all that his story would be similar here if he thinks he's going to work with Kasque to make a better world, even if that means erasing what already exists and starting over (because the Vision Orbs suck now and people have become overly and dangerously reliant on them).

Assume Tear told Flynn all of this. If Flynn was traveling with Yuri, he would've told Yuri all of this.

When we see Yuri again in the main story, for the first time since his event, he's a transgressor. How did that happen? My guess is based on whatever Flynn told him, Yuri chased after Van and stayed on his trail. If we assume Van realized this somehow, well, Van's not stupid. He could have come up with a way to get Yuri involved in something that would open up the probability of him being condemned. Whether Yuri committed an actual crime or not, Van could've set him up so that the likelihood of him being condemned was extremely high.

Obviously we if go by that, Van's plan worked and he was condemned, but he escaped and I would assume continued going after Van. If we assume Van's goal is to destroy the Four Great Trees (likely for Kasque), those are the trees that protect Flynn's (and possibly Yuri's? regardless he would act for Flynn!) former home, the Inner World. Of course he's going to keep chasing Van even as a transgressor.

If we base off the oopsie what's Yuri doing here when the tree he's at gets destroyed, we can assume it's a misunderstanding and that Yuri was there trying to protect it but got there too late. Van probably destroyed it and could even have been in that scene, but we weren't shown it because the chapter wanted to stop at a cliffhanger before bringing us into that conflict.

Milla sensed the destruction of the tree. We can probably guess the main group was going to head over there next. If that happened, it might have been possible that they ran into Van and Yuri (and Lloyd's group? Depends if they stuck around, but Kanata, Misella and Aegis would have probably recognized them from chapter five).

Another takeaway we can glean from this is that people in the Outer World also probably use Vision Orbs, as Yuri is presumably from the Outer World but got condemned in the Inner World (which is where he was between the time we first see him and the time he had a Stain of Guilt). Basically, the fact that he got condemned makes me think he must have originally had a Vision Orb like everyone in the Inner World. The reason Vicious never had one is because his birth/existence itself was a sin, so he just always had his sin.

Additionally, if Tear is from the Outer World, Van is too if we go by this plot thread. If Van is helping Kasque because he believes it's better for their world, that tells me that, based on Kasque destroying the trees, if Van is too, Van is well aware of the Vision Orb problem. That would imply the Outer World has the same Vision Orb abuse problem/that they have and use Vision Orbs.

As a side note, Repede had MA audio files in the game before shutdown that had gone unused. This indicates that, as only SSRs had MA voice lines, that Repede had an SSR coming up (up to that point he only had an SR, which didn't come with MAs). This would line up with the timing of Yuri's introduction into the main story. Due to this, Repede will be with Yuri in his Crestoria verse.

So as for my muse, what all that leads me to for his story goes like this:

Yuri and Flynn left the Outer World together when Flynn got an order to pursue Tear, someone who had fled their world to the Inner World.

Flynn and Yuri split up when Flynn has some idea of Tear's whereabouts, as it's his order to capture her (and again, presumably not Yuri's).

Yuri waits around for Flynn to get back and ends up doing a job on the side for the flower shop, thus meeting Jade, Asbel, Sophie and Spada (thus he has now interacted with people from the Inner World as well, which it's possible he doesn't care at all about that so for my muse's sake for specific clarity, he doesn't).

Flynn gets back and informs Yuri of what he learned from Tear and the danger Van would be bringing by destroying the Trees.

Flynn, being a knight, has orders to tend to and can't freely chase after someone, but Yuri, not a knight, can; so Yuri chases after Van and splits up with Flynn to do so while Flynn presumably searches for a way to deal with Van and Tear in an official capacity - i.e. Van is the problem that they need to tend to, not Tear, and he would probably be trying to get her a pardon for leaving the Outer World since her goal was to chase down her brother who also left the Outer World, and for nefarious reasons that could be threatening to the Outer World itself (there's less canon clarity in if the Outer World would be destroyed along with the Inner World, but based on Flynn saying the Trees protect the Inner World and based on Milla's information on how it would affect the Outer World, it's likely the result would be the same on both sides, unless the Trees just don't protect both sides?).

At some point between the event and when Yuri shows up in the main story, Van realized he was being trailed and worked to set up a situation that put Yuri in a situation that would highly likely end with him being a transgressor. It works, but Yuri gets away and continues trailing him. Van reaches the tree that he ends up destroying before Yuri can stop him. Yuri is spotted by Lloyd's group, but leaves without an explanation.

From this point on my muse's story is entirely my own but is still based on what I've deduced from the above and continued past this point.

Since Yuri left, he'd be on his on his way to the next tree to prevent Van from destroying it. At some point during this time he's spotted by regular citizens who see he's a transgressor and recognize his appearance from the rumors about him, which have been twisted into a poor man from a poor area breaking into a noble's house and killing the noble for his stuff.

The real story was that Van set up a situation where he leaked "information" to bad actors in Zaphias that endangered Flynn and their home (in this verse still Zaphias/the Lower Quarter). Yuri was fed this information by someone working for Van so that he would "find out" about it and take action. At the time he's not aware he's being fed this information as a means to get the two "informed" parties together. However, due to Van's information, the other side, nobility, is planning to target Flynn and then the LQ, so Yuri has to deal with him either way. Van basically trapped Yuri in a situation where he had to do something about it and had no time to go searching for Flynn to warn him (because not just Flynn, but the LQ itself would have been in danger as per the nobility taking action against them when the informed party via Van talked to them).

Yuri had to kill the noble in question but was caught doing so because Van hired someone to "warn" the finder that an assassin was coming. Van had planned everything out to ensure the highest probability that Yuri would be condemned and dealt with by Enforcers, getting him off Van's back for Van to continue his mission.

Back to Yuri being spotted and recognized, he has Enforcers on his ass again and runs across Vicious (situation can vary depending on mun circumstance for any of the main cast). Vicious likes dealing with Enforcers and so helps being all fuck why not, resulting in them talking about how Yuri got his Stain of Guilt. Yuri's home (the LQ specifically) and Flynn are still in danger though so he refuses to die without doing something about Van. Vicious wants to test that and gives him his Blood Sin, which Yuri survives and accepts his sin because it was a sin he got believing he did the right thing to protect what he cares about, and he knows he cares about genuinely good people and that he's putting down bad people.

When discussing their next moves from there, seeing as usually people with a Blood Sin stick with Kanata's group, Yuri says he can't stay with them because he has to keep pursuing Van. After discussing why with Kanata's group, they determine Yuri is just doing the same thing they and Milla are doing, which is trying to stop Kasque from destroying the Trees, leading to them finding out that Van is as well and that Yuri was trying to deal with that same issue.

This leads into Yuri asking why Kanata's group is trying so hard to protect people despite being transgressors, thus protecting the very people who condemned them. It's been about two to three weeks since Yuri was condemned and has started to become very jaded by it, and he's also curious of their intentions/reasons.

Yuri agrees with Kanata's goal of changing the world's system because of how badly unjust it's gotten and decides to help him, but so that they don't end up separating only to aim for the same goal of protecting the Trees, Yuri decides to try to help by making Kanata's path easier and preventing more innocent people from being condemned in the meantime of Kanata trying to change the system.

This results in Yuri destroying Vision Centrals in various towns, making it a point to destroy every single one he comes across and hunt down the rest. Kanata's group and Milla are both handling the Tree situation, and Yuri doesn't want to interfere and get information between them confused if Yuri is doing the same thing on his own. It could also lead to Van using that against them, which Yuri prefers to avoid.

By doing this, Yuri is preventing people's broadcasts from showing up on any VCs that have been destroyed. That means fewer people are able to see the broadcasts and thus fewer people can participate in condemning people, and for Enforcers to show up, there needs to be enough agreement among the masses that a person deserves to be condemned. If the majority don't agree, Enforcers won't show up. The fewer people who can see the broadcasts, the fewer people can "vote" for condemnation, thus preventing more strangers from making assumptions about potentially skewed stories and killing innocent people.

Eventually Yuri determines that what he's doing is dangerous enough to possibly really get him in a mess that could get him killed and that he needs to be stronger if he's going to deal with Enforcers, EX Enforcers, Assid and Forte, and possibly Kasque and still Van (especially because if Van finds out he didn't die and is still out there, he might consider him a serious threat and go after him). This leads to him talking with Vicious about evolving his Blood Sin, which he ultimately does.

On that note, Yuri's Blood Sin is Abyssion and his evolved Blood Sin is the unlocked form of Abyssion.

At this point that's everything I'm solidifying for this verse and anything else is kinda up in the air. Some of it will also depend on any official content released in the future that continues the story in any capacity (novels, potential future drama CDs, anything Rays might do with the cast or its Recollection Mode, etc).

I'm still undecided if Yuri will have found out that Van manipulated his entire condemnation into happening, and it's less important than the rest of this so it's more of a side thing for me right now. I might just consider it one thing to get to during threads and stuff.

yeah i rly fuckin' thought this in depth and continued to mull over it for a few days just to work out what really happened for my own sanity and for my muse's verse. yeah. yeah i really did that.

#{ muse info + headcanons }#/ yes i rly thought this through once i started to put the pieces together and was not accepting defeat.#edit on the font size: fixed it but it still seems to be having issues with block errors but whatever. /

3 notes · View notes

frazzledsoul · 9 months

Text

So I don't know if How I Met Your Father is going to make it to a third season but I find the "fandom" (as it exists) really frustrating and unimaginative because the dominant take seems to be that Jesse has to die tragically in order for Sophie to live happily ever after and raise her son in a nuclear family with Sid, because the alternate explanation is that Jesse will have to get over another break-up with Sophie and have to deal with her having a baby with his best friend, which he.... absolutely will not survive, for some reason.

And the reason why this is going to work is because HIMYF has the same writers as This Is Us, where Rebecca had a happy second marriage with the best friend of her husband after he dies.

First of all....this makes no sense. Jesse has to die because he can't deal with Sophie being involved with someone else in his friend group? Why? They already broke up once and manage to deal with each other, why does he have to die instead of...getting over it? That's so depressing. Second of all, Sophie as an adult wears no wedding ring, appears to live alone, and it's not clear if she is in any sort of current relationship or if she was romantically involved with the father of her child throughout her son's childhood. Furthermore, it seems silly to conflate her choices as an independent photographer in NYC with that of a SAHM in Pittsburgh who raised her kids three decades before this story and was widowed right as they entered adulthood.

Furthermore....anyone who watched This Is Us would know the Rebecca/Miguel situation was not exactly ideal. They were together for about twenty years and it took about fifteen of those years before her children stopped resenting him. He was constantly in Jack's shadow, constantly compared unfavorably to him, and he just kind of had to....accept it. He knew Rebecca loved him but married him for comfort and would not interfere in the way the Pearson kids still loved their dad. And in the end, she keeps getting confused about which husband is alive and gravitates to Jack in the afterlife, forgetting Miguel completely.

Miguel accepted all of that because he loved Rebecca, had loved Jack, and he had screwed up with his own family and wanted to make up for that. But it's....a lot. Why should this be a situation Sid accepts? It's especially compelling to me in This Is Us that it's Kevin, who has actually been very successful at co-parenting and reconciling estranged family members when his parents absolutely weren't, is the one that reconciles Miguel with his son and gets him to accept help at the end of the series. But HIMYF is a different show in a different time, one that is willing to accept the not terribly unique situation of having a baby with one guy and marrying another one later on. Why go backwards?

There has never been any need for Jesse to die to play out the rest of the story.

#how i met your father #this is us #it seems clear to me that sid is the dad and jesse is endgame

2 notes · View notes

thatfanficstuff · 3 years

Text

Impossible - 22

Pairing: Eric Northman x Reader

Warning: Nope

A/N: This is a short filler chapter. Necessary for story progression however. That's part of the reason it took me so long to write. Filler is hard. Next chapter everyone meets daddy.

***

Eric had to take a phone call so you went searching for Godric as he’d disappeared on you. You found him on the roof. He looked out over the city, his hands behind his back. “I hope you’re not still planning on dying today.” You kept your voice quiet, not wanting to startle him.

He hummed, simply letting you know that he’d heard and was thinking about his answer. “I was decided. I would not be swayed from my path. Then you arrived.”

He turned to you with a soft smile and you moved closer to him. His gaze ran over your face. “Why is it every time you blow into my life, my perspective changes? You are like no human I have ever met and it fascinates me.”

You grinned. “Well, I am no human so…”

His smile flared briefly before dimming again. “You are human enough, little one.”

“You do know that you’re not much bigger than me?”

A shrug was his only answer. Then he pulled you into his arms and just held you.

Ever aware of the approaching dawn, you tried to separate from him, but he wouldn’t allow it. “Godric, I love you and all, but if you don’t want to burn we need to get inside. And if you do, you need to let go of me so I don’t go with you.”

He let you go then, placing a hand on the side of your face as his eyes studied yours. “Do you? Love me?”

“Yes,” you said immediately. And you did love Godric. You had almost from the moment you met him, but it didn’t compare to what you felt for Eric. Nothing could and the little god in front of you knew that.

His lips twitched into a small smile. He took one of your hands in his and linked your fingers together. “Come, little one. Let’s find your mate.”

A breath of relief flowed from you when you were safely back inside the hotel. Godric may still decide to meet the sun, but it wouldn’t be today.

***

You found Eric in your room, he was still on the phone causing you to frown. What the hell was taking so long? His gaze shot to you as you walked in and relief flooded his eyes when he saw that Godric was with you. The two of them needed to have a long conversation.

Finally, he ended the call and slipped his phone into his pocket. “Your father expects us in Shreveport in three days.”

He looked past you to his Maker. “Will you be accompanying us?”

“Perhaps.”

“We can stay for a couple of days yet,” you offered. “Can you make arrangements for Sookie and Sam to go home today? Oh, and Jason.”

Eric arched a brow. “The male Stackhouse does not concern me.”

“If you want a telepath to use in the future, make nice. She’ll remember it.”

He sighed as if it was the most horrid inconvenience before he sent a series of texts. “I forwarded the information to Sookie. Now, we should rest. Your body is still recovering.”

You shrugged. “Not tired.” There was only so much sleeping you could do.

Godric took your hand in his and tugged you toward the bedroom. “Then lay with us while we talk.”

So, you found yourself in much the same position as the day before. You and Godric lay face to face and Eric molded himself into your back. He draped an arm over your middle and pressed kisses to your shoulders and the back of your neck as the three of you talked. And despite your claim that you weren’t tired, you were the first of the three of you to fall asleep.

***

When he woke the next evening, Godric announced that he would accompany you back to Louisiana. Eric wasted no time making the arrangements for your travel. He’d just gotten off the phone when you received a phone call from Sookie.

“Where are you?” she asked as soon as you answered.

“We’re still in Dallas. Why?”

“There is something strange going on here. We need help,” the blonde rambled. You rolled your eyes. The only time you heard from Sookie was when she needed something. And she always needed something. At least when she helped you, she got paid for it.

You sighed and leaned back in your chair, aware that the two vampires with you were listening in. “I’m afraid I’m going to need more than strange, Sook. What exactly is happening there?”

“That’s just it. I don’t—”

You cut her off. “I don’t need an explanation. What is currently happening that has you all worked up?”

She turned away from the phone to talk to someone in the background. A moment later, Jason’s voice came over the line. “Hey. Everyone in town is acting crazy. Not like themselves at all. And for some reason they all seem to want to kill Sam.”

What? “So mass psychosis?”

“Um…sure.”

You pinched the bridge of your nose. “Okay. Go to the house and lock yourselves in. Take—”

“We can’t. The house is trashed. It looks like no one’s lived there for years. And some crazy hippie chick is running around talking about sacrifices and shit. I don’t know what the hell is going on.” It didn’t take much for you to picture the panicked look in Jason’s face.

“Can you get out of town?”

“I don’t think so. Every time they see us, they cut us off.”

You thought for a moment and sighed. “Look, Jason, there’s not a lot I can do from here. Tell Sookie to call Bill. He’ll help her. He doesn’t have a choice. I’ll check in later.”

After you hung up, you tossed your phone on the table. “What do you mean Bill doesn’t have a choice?” Eric asked with a frown.

“Bill is in Bon Temps because Sophie-Anne ordered it. I think he actually came to care for our telepath but that doesn’t negate the fact he’s there to spy,” you explained.

“How did the queen even know of Sookie’s existence?”

“Her current lover is Sookie’s cousin. How’s that for a small world?” Eric just looked at you wide-eyed for a moment before smiling and shaking his head.

“Do you not wish to send more help than one vampire?” Godric asked as he sat beside you.

You shook your head. “To put it bluntly, this is not a vampire problem. But, if more help is needed Bill should be able to get it from Sophie-Anne. Sookie is my friend, even Sam and Jason on occasion but I can’t get involved in all of their problems. They have a lot of them.”

He nodded. “Understood. So, we will return to your home this evening so we can meet up with your father in two days?”

“Correct,” Eric answered. “There is business we must see to between him and the queen.”

“You can accompany us. He won’t mind,” you added. And if he did, you’d just convince him.

Godric’s dark gaze shifted between you and your mate before settling on you. “And tell me, just who is your father?”

#eric northman x reader #true blood x reader #eric northman x you #eric northman fanfiction #true blood fanfiction #series #impossible

127 notes · View notes

youngerdrgrey · 3 years

Text

[excerpt from] I know you (even if you don't want me to) - chapter seven

since I'm hearing how hungry y'all are (cough @aliyahtheghost + @breeleroux especially), here's the start of chapter seven of I know you (even if you don't want me to) -- Ryan's recovery period is nearly up, so Batwoman is (almost) back bbs. Read on for some roommate talk into some WildMoore texting goodness. This chapter is a true fav.

(includes some talk of police brutality / Crow brutality + violence)

Ryan hops from one foot to the other. She keeps the pressure mostly on the pads of her feet. Light and nimble. Finally back at full form with only one day left in her two week recovery period. She’d do a flip if it wouldn’t make Mary’s head explode. Or disrupt the perfect tuck of her Center Volunteer shirt. Then again, Mary does anxiously hover in the doorway of Ryan’s bathroom. Maybe she’ll explode on her own.

“Mary, seriously?” Ryan reaches for her favorite purple lipstick. “I’m making mocktails and guarding the punch bowl. I’m not even dancing. Doctor’s orders.”

The doctor in question stabs a finger out at Ryan. Mary manages to look menacing even in her little scrubs. “If you so much as think about doing the Wobble—” She stomps into the bathroom.

It’s truly one of the greatest dances of all mankind. Ryan crosses her lipstick tube across her heart.

Mary continues, “I’m leaving you to climb up the stairs on your own. No ice pack, or pain meds, or anything.” Mary takes a deep breath. “Fortunately for you….” She walks over to Ryan to adjust the hair on Ryan’s shoulder. “I know someone who might help you out. Depending on how well your side mission is going.”

If they can call Ryan talking to Sophie a side mission. Ryan applies her lipstick and rubs her lips together.

Mary bats expectant eyes towards the mirror. “You’ve been getting along. Can I draft up the offer letter?”

Ryan smacks her lips. “She’s still a Crow, Mary.”

“A Crow you spent, like, all of yesterday on the phone with.”

Ryan didn’t spend all of yesterday on the phone with Sophie. In the morning, they texted about how awful the playlist for the dance might be. Then they swapped bad songs in the afternoon. Ryan’s personal favorite was a religious remix of ‘The Thong Song’ that truly had to be a parody. (“That God, Go-God, God, God.”) Then they told their personal dance horror stories after Sophie was off work. There were breaks.

Before Ryan can defend herself, her phone lights up from beside the sink. Sophie’s name flashes, and Ryan’s got her phone in her hands in seconds. Mary snorts.

Crowphie to Ryan Have fun making Shirley Temples all night. Here’s hoping someone will forget their school ID so there’s some action at the ticket table

Ryan leans her hip into the sink as she types.

Ryan to Crowphie 👀 You’re looking for action at a school dance?

Crowphie to Ryan Oh yeah, fingers crossed my crush saves me a slow one.

It’s a joke. It has to be, but Ryan thinks back to each near moment between them and feels hope and heat in her cheeks.

Ryan to Crowphie Too bad Batwoman doesn’t do dances

Crowphie to Ryan That’s probably for the best. We’re not on the best terms right now.

Not since the night Sophie rejected Batwoman. The night of “Figure that out, and get back to me. Until you do, I’m done.” Did she really mean that?

Ryan to Crowphie What happened there? She miss a signal flip this week?

Crowphie to Ryan haven’t used it. I doubt she’d want me to. I think I hurt her feelings.

That’s an understatement.

Mary clears her throat behind Ryan. Ryan glances up into the mirror to see Mary’s reflection. The teasing grin matches the tilt in Mary’s voice as she says, “You were saying? About not texting Sophie all day?”

Ryan narrows her eyes as dramatically as she can. “Don’t you have lives to save?”

Mary backs away. “Fine, go back to texting, just think about how much fun you could have talking to Sophie on the comms if she were part of the team.”

Ryan can’t help the sarcasm. “Because me and Luke have so much fun?”

“Obviously it’d be a different kind of fun. Less brother-sister fighting and more….” Mary pauses to think and cringes at whatever she thinks of. Ryan turns around to gently push Mary out of her bathroom.

“Good night, Mary!” she says before closing the door behind her roommate. She probably should’ve stepped out there too, come to think of it. Her phone buzzes again though.

Crowphie to Ryan I do miss going up to the roof. You know, feeling like I’m a part of something, even if I never will be

Ryan drops down onto the stool in the bathroom. It’s an accessibility aid that’s kind of perfect for moments like this. She can take her time. Process without having to actually move around in here. Close her eyes and remember what the wind of the rooftop felt like against her cheeks. With the suit tight to her body and all of Gotham below them. Sophie looks amazing up there.

Ryan to Crowphie You could go flip the signal. Send out that city-wide ‘you up?’ Or an actual you up since you have her number.

Sophie hasn’t texted Batwoman once in the last two weeks.

Crowphie to Ryan You don’t understand.

Ryan chuckles. She’s the only other person that could.

Ryan to Crowphie No, I get it. You could text her if you wanted to talk. Going up there would mean that you want to see her. You want to be with her.

Want to touch her the way Ryan did that night on the roof. The pads of her fingers over Sophie’s waist, their faces so close that it’s a wonder Sophie hasn’t recognized her yet. It goes to show that Sophie’s not that into Ryan as Ryan. Hasn’t memorized the way her jaw sits, or the shade of her eyes.

Crowphie to Ryan yeah

Yeah what? Yeah which? Because Sophie didn’t say it back.

Ryan to Crowphie So you admit it? You want Batwoman?

The typing dots come and go, then come again. Maybe it’s not about Batwoman at all. Maybe Sophie just wants to make out on the roof and be a part of the team. She wants to be Batwoman’s friend with benefits and can’t bring herself to admit it. Fine. Don’t admit anything.

Ryan to Crowphie Can’t blame you. She looks good in the suit 😏 — probably looks good out of it too lol

A perfect cop out for the cop.

Crowphie to Ryan If I wanted to see her without the mask, I could have. We flew together, remember?

Ryan tenses. A painful chill zips down her spine. Does Sophie know? Has she known all this time?

Crowphie to Ryan I didn’t look then because it’s not about her looks or who’s behind the mask. She makes me think. Both Batwomen have. 1.0 got me suspended. It’s the closest I’ve ever come to leaving the Crows. But it wasn’t about everyone then, you know? Jacob Kane hated Batwoman, and I really liked her. Those couldn’t exist at the same time. Meanwhile, 2.0 will not remove her boots from my neck. She’s like you in that way. She takes every opportunity to question my loyalty to the Crows and the people of Gotham. I just wish I knew if I was doing the same. If I was more than just another compromise for her

Fuck, it’s a good thing that they’re texting. Ryan’s whole face burns with that message. Since when is Sophie questioning anything? She never wavers.

Ryan to Crowphie Your Crow-workers beat the shit out of Batwoman 1.0, and you stayed.

Crowphie to Ryan Where else was I supposed to go? The GCPD? I *HATE* what they did, but that will NEVER happen again.

Ryan to Sophie And if it does?

She’s being generous by not saying “when it does.”

Crowphie to Ryan Then I slap my resume on the Bat-signal and hope she doesn’t throw it in the shredder.

Ryan to Crowphie Much more fun to use it for target practice.

Crowphie to Ryan Throw a bunch of Batarangs at it?

Ryan to Crowphie See, you get it 😉

Crowphie to Ryan It’s important to me that little Black girls can see women like us in law enforcement and positions of powers. I want them to know that they can save the world if they want to. It’s not their responsibility, but if it’s their purpose? If protecting people makes them happy, then I want them to know that they are not alone out there. They can make a difference.

There are so many other ways to make a difference. Ryan might have to let Sophie have this for now though. Her heart’s in the right place at least.

Ryan to Crowphie And if that doesn’t work out, there’s always being a ticket taker for a community dance. Shine that flashlight. Ruin somebody’s night!

Crowphie to Ryan Wowww. Spoken like a trouble maker.

Ryan to Crowphie Trouble finds me, okay? No need to worry about me, Agent Moore.

Crowphie to Ryan You sure about that? Your kids might try to fight you, just to see if you’ve still got it.

Ryan to Crowphie Oh I’ve got it. They’ll be too busy following you around to even notice me. Ol’ “Miss Sophie, Miss Sophie” punk asses

Crowphie to Ryan LOL. Ten bucks says they ask me where Batwoman’s been hiding.

Ryan to Crowphie Twenty says they don’t.

Crowphie to Ryan Easy money. You can drop it off at the lobby on your way in 😉

more to come when I drop the rest of the chapter! reply and let me know if you're still with me. try and guess what happens at the dance?

#wildmoore #sophie moore #ryan wilder #batwoman fic #fic: i know you even if you don't want me to #in a fun turn of events it's actually Luke and Mary that have slowed down this chapter. we love them. they got carried away though.#mine #batwoman #ryan x sophie #aliyahtheghost #breeleroux

32 notes · View notes

leverage-commentary · 3 years

Text

Leverage Season 2, Episode 10, The Runway Job, Audio Commentary Transcript

[Silence]

John: Marc?

Marc: Hi, I'm Marc Roskin, Producer and Director of this episode.

John: I'm John Rogers, Executive Producer, and the one with the Guinness, so you have no excuse for missing that cue.

Albert: And I'm Albert Kim, I'm the writer of the Runway Job.

John: Here we go. And this is a great opening sequence, what- is this a set Marc Roskin? How did you create this incredible look?

Marc: This is the largest girls school uniform factory on the west coast, and they-

John: So this is some sort of internet connection where you order school uniforms or-?

Marc: It was very hot. No, this was-

Albert: Strangely Marc knows a lot about girls’ school uniforms. I don’t know why, but-

Marc: Yes, this was an actual working factory. A lot of the background workers are some of the factory employees who knew how to operate the machines. It was right across the river, really close, and they opened their doors to us just like everybody did in Portland.

John: I love the fact that we wanted to do a fake sweatshop, so when we shot in there, when they saw the hours they shot the workers in the fake sweatshop, we're like, ‘These hours are horrible. How can you people work under these conditions?’ And Albert, since we’ve just seen someone collapse with these- this great shop, which, actually, I believe was the pitch. How did you come up with the idea for the episode?

Albert: Well as you know, I'm quite the fashion icon in the office, so it was quite natural for me.

[Laughter]

John: Yes.

Albert: No, I knew that I wanted to set an episode in the fashion world because it seemed like a fun environment to get into, and lots of great visuals and scenes with models and fashion designers and runway shows. So I knew the area was there, and then so the trick was coming up with a sympathetic victim, and then, as always, a credible villain and threat. So I did a little research and finding the victim wasn't too tough, because the real- in the real world, the fashion industry has sort of been dogged by allegations of sweatshop abuse for a while, so having the sweatshop victim came fairly easy. Finding the threat required a little more research, but as I dug into it, I found that it was actually a real world connection between sweatshops and global clothing counterfeiting, which is controlled by the Chinese Triads.

John: It's interesting because a lot of people talk about intellectual rights and stuff in new international treaties and people immediately think of movies, television, digital rights. A lot of it also involved intellectual rights on clothing.

Albert: Yes. Clothing counterfeiting actually counts for more of the income of these Triads than illegal narcotics trade. So it’s a huge billion dollar business for them and right then, sort of, the pieces fell into place for the elements of the episode.

John: And now these actresses are, Marc?

Marc: That is- um-

Albert: Jen.

Marc: Cathy Vu.

Albert: Cathy Vu and Jen Hong.

Marc: On our left and Jen Hong, and they were great though local Portland actresses. And they knew how to speak some Mandariarin and it worked out great. This was actually, in the shooting order, Jeri Ryan's first episode working with us.

John: Yeah, it's really interesting because, you know, the crew- the cast was genuinely kind of freaked out by Gina not being on set, and so a lot of the weird vibe you get on this episode is from ‘there's a new person’ and of course Jeri became great friends with everyone and really fit in, but it was a really interesting vibe the first couple days on set. It really felt like, yes, Jeri’s a new person here; we don't quite know how to handle it.

Marc: But we had to play it like she was already part of the team because we shot these out of order.

John: It does help that really you don't make her part of the team until the end of the previous episode.

Marc: Right.

John: This is almost a cold relaunch.

Albert: And we played that in the episode, too, so you sort of everyone's tentativeness around her worked well for the dynamics within- the character dynamics within the story as well.

John: And this is, again, this wass also a scene we added just to- It was interesting, we really wanted to make sure that everyone understood that Sophie- Because originally there was going to be a giant gap between episodes, we wanted to make sure everyone understood Sophie signs off on this. You know, audiences were very attached to Gina Bellman - rightfully so - and we did not want them to think we were shuffling her off and bringing in a new actor. We listen to you. Not a lot, not really.

[Laughter]

John: But we do listen to the bigger screams. Also love the callback there that Hardison screwed up in the Ice Man and that's what motivated this entire- this entire replacement.

Marc: We always like to bring up Hardison's screw ups; blowing up offices and whatnot.

John: Blowing up offices. But it's interesting that this is one of those trios where you just kind of park the camera and, you know, they have the dialogue, just let them run; let them do 4 or 5 versions, get the hell out of their way.

Albert: And this scene is really our version of: the kids are wondering where mommy went. You know, so it's like they are a little uncomfortable, it's a new family dynamic, so they're on the phone with her.

John: Yeah.

Marc: Right. But of course, they don't want dad to know that they are speaking to mom.

Albert: Yeah.

John: Yeah, and that's a- that actually started in Ice Man, where they are calling and not telling Nate. And we continued it all the way through where they just don't feel comfortable letting Nate know. And that was a nice little moment with Beth, you know, just ‘I miss you’. It's not often we crack the shell on Parker, that's part of the advancement of the character, to show that she's comfortable in the family, even if she’s not comfortable with other humans. And these two actors the- not those actors, that's stock photography- but the two actors playing the bad guys are?

Marc: Grace and what's her last name?

Albert: Grace Hsu and Tom Choi.

Marc: Grace was a Portland local, she was fabulous; and Tom came from Los Angeles. They did a really great job.

John: The con here is kind of convoluted. It's interesting, just watching this, is the idea that we really had to come into the fashion show from- the fashion industry is one of those industries where if you're inside it, you know everything. We had to constantly figure out, what does the audience need to know in order to understand what we're doing without overexplaining it?

Albert: Right. Again, this is a case where research helped. I mean, to actually looking into what happens during fashions shows. It's based on a real life event, Fashion Week, which normally takes place in New York though there are regional ones all around the country where there are big showcases for new designers as well as opportunities for the stylish designers to bring out their new lines and things like that. So we knew we had an event that was tied to a specific time which helped; it gave us a very limited time frame. And then, again, researching into how the Triads operate and what their connection is to the clothing industry. All of that just helped flesh out the con.

John: I love the Parker giving her instructions on how to be photographed, you know Sophie gave her instructions three weeks ago for some other con. And this was kind of fun, creating the idea for how do you create- in modern media, how do you create the illusion of an actual human existing for some period of time, object permanence to a great degree?

Albert: Right.

John: So you figured out how to- you know, my wife watches a lot of fashion TV and it was kind of backing up: how do I actually know who the hell any of these people are? And it was because of the fashion shows and magazines. Cover both of those and you're done. And DVRs have certainly been a boon. And also this, printing off one magazine it's actually easier than we made it look.

Albert: Yeah.

Marc: Oh yeah.

John: There's actually a service that prints off short runs of magazines that you can use if you're say doing a trade show or running a con.

Albert: This was all done on location. Beautiful house. This beautiful house in- was it in Clackamas?

Marc: Yeah, just outside of Clackamas.

Albert: It was great. It was a huge mansion that worked perfectly, and we ended up recreating the mansion later when we blow it up.

John: Also that what they're doing there, where they are looping, that's exactly what it looks like at Electric Entertainment - it’s basically just a laptop and a mic in the kitchen and that's how we finish up these episodes. No, but it was fun to be able to say, ‘Oh well, put the words on her mouth when we’re on her back, just like we do with actors.’

Marc: Right.

John: Presently, Tim Hutton delivers no more than 50% of the dialogue you hear per episode. We put the rest in his mouth later with a cunning Tim Hutton imitator. Yeah, this is to close off the sale that she's locked in.

Marc: Yeah, just to continue the sale.

John: Now Marc, you directed a bunch of episodes by this point, coming into this, right?

Marc: Yes.

John: And what was it like having a new human on the staff?

Marc: It was interesting. We- it brought a new life to it, and was interesting to see how everybody worked together. And she was just trying to get a feel for everybody and, you know, she was really easy going and said, ‘Listen, if you want a different performance, please, I'm here to help you guys.’

John: ‘Who likes to do this style? Who likes to do that style? Is that head writer really drinking that much in the middle of the day?’ Basic questions.

Marc: What is that smell coming from his trailer?

John: It's shame. It's the smell of shame. This scene was actually not in the original shoot, right? We wound up- this is one of the scenes that was: how much do we explain to the audience? Do they explain what Fashion Week is or isn't? And when we kinda looked at the first cut, it was like, you know what? I know because I watch it on Saturday morning on fashion TV, but we gotta make sure we establish the rules.

Albert: Right. Just a little more explanation as to how the fashion world works and where the con is going; just another step in the process.

John: And an excuse to get Aldis in orange.

Marc: Exactly and have Aldis in orange and Eliot in mascara.

John: That's eye makeup, that's not mascara.

Marc: Sorry.

John: Don’t. Please. Please, I don't want that phone call again, don't make that mistake.

[Laughter]

Albert: What's great about that factory, even this part of this set was also in that factory.

Marc: This was just another portion of it.

John: Wait, so all the dresses and stuff, did we bring those in or those were-?

Marc: Yeah, we just put up the bolts of fabric and some employees.

Albert: We spent a lot of time in that sweatshop.

John: Yeah. As one does.

Marc: As one does.

John: I love, by the way, in this episode, just watching what Kane is doing behind her during this scene. I'm- he's making a lot of interesting choices for Eliot there. Especially with the card snap coming up. And this was a lot of fun, too; this was a lot of the fun of the show is learning all the rules and idiosyncrasies of each industry.

Albert: Sure, that's part of the formula is figuring out what's the interesting world you can look into and then diving into and explaining to the audience how these worlds work.

Marc: Well it's funny, cause she needs to explain it to her teammates on the show.

John: And the card! I love the card delivery.

Marc: And the card the bam, yeah, you get to explain it to the teammates and explain it to the audience as well.

John: We’re really replicating what we’re doing in the room. Which is, one person knows the field pretty well and they explain- I remember when we did Iceman and we were talking about getting the serial numbers off the diamonds and Chris Downey was like, ‘I'm not following’ and I went, ‘It's like getting VIN numbers off a car’. ‘Oh, ok perfect!’ And that wound up in the script. Also this was fun having somebody who didn't know how the earbuds worked; it kinda reset the rules for the audience. And some beautiful- how did we get all this beautiful Boston stock footage?

Marc: Some we bought, some we shot.

John: You actually went out and shot a lot.

Marc: I did. Myself and Dave Connell spent a couple days running around the great city of Boston.

John: Now this is your directing debut, isn’t it Albert?

Albert: It wasn’t my debut, but it was probably the longest sequence I've done.

John: And it's just naked backs.

Albert: It was just tedious, grueling labor to just have to order these models around to take off their clothes and take off their shoes. No, it was great, it was. We already had the set, we finished the big scenes in the set, so Marc let me take a few people out and just get as much fun behind the scenes stuff you can, so that’s kind of where we ended up.

Marc: You and Norbert, right?

Albert: Yeah, Norbert. That was one of his first days there.

John: I love the hair. Whose idea was the Swiss Miss hair?

Albert: Well the other thing about this episode was hair, makeup, wardrobe, obviously had a field day with it. They were really excited about being able to put their best foot forward on a lot of this stuff, so they were able to-

Marc: Yeah, they really had a good time.

John: I also love the fact that Hardison is basically using CIA technique of human intel signals and analysis on the PA’s on a fashion show to figure out who’s in charge without actually figuring it out. It's a lot of fun, and our friend Apollo Robbins helped us out with the envelope slip, and it helps that Beth is very good-

Marc: This girl is great; she was a lot of fun, this girl, Caitlyn, Caitlyn Larimore. We- she read for us a few times on other things; we just knew there was gonna be something for her eventually.

John: So really, if you're looking to act, you should get out of whatever little LA or New York, whatever little hick town you're in and move to Portland because that's where you're gonna get some work.

Marc: Move to Portland; that's where it's gonna happen.

John: This actually hacking into the printer is something we've done before. A favorite trick of Apollo is to print stuff out in your office when you don't realize something is about to happen. And then the slide-

Marc: That wonderful calligraphy on those envelopes was my mother in-law’s.

John: Really? That's great.

Marc: Yes, Louise.

John: We didn’t pay her did we?

Marc: Oh god no.

John: Alright, just making sure. We are a cable show.

Albert: But she ends up featured as a featured extra in the episode, too. She's in the fashion show; you'll see her later staring down Parker.

John: Mother-in-law? You got your mother-in-law on tv?

Marc: That's right.

John: Wow, you're the best son-in-law ever. This actress- actually nice shot. We wound up repeating that character later. I remember we were kinda restructuring; we were like, ‘Oh, we can just use her again, that’s fine.’

Albert: I remember watching her read, and she was great at it, so we decided to, rather than use a separate character for a scene later on, just, you know, bring her back. And she wound up doing that scene later when they approach the security people.

John: Just some love for the extra, ‘Hey, how are you doing?’ A little something from Eliot just for you.

Marc: Just a little.

Albert: Well he had to know that if you're gonna do a fashion episode, one with lots of models, that Eliot was gonna be right in the thick of things there.

John: Yeah. And the overheard- How did you stage this? The overheard conversation is a staple of the show and the bane of all directors everywhere.

Marc: Yeah, we didn't have a lot of time on this day, but we figured out a way; just keep her in the background, eventually a couple close ups of her ears perk, and soon they'll drag her in deeper.

John: Now each one of them is doing a specific person. I can't remember, he's doing-

Marc: Lagerfeld.

John: He's doing Lagerfeld. She’s doing Donatella Versace. I can't remember the British guy that Hardison is locked in on, cause I remember Aldis actually had pictures of him. I’m trying to remember...

Albert: André Leon Talley from Vogue, who is the legendary creative director of Vogue. And he's sort of channeling him. But yeah, again, during the course of research-

Marc: I got my ladder shot in there, by the way. I'm just two for two on-

John: On having ladders in your-

Marc: Yeah.

John: That's good; that's excellent.

Albert: This whole set was built; this was the whole fashion show.

John: We actually built this in the museum that we shot the finale for 207 in, right?

Marc: No, this was just an empty warehouse.

John: Did we have permission?

Marc: Yes we did.

John: Good. Cause sometimes we don't; sometimes we just build stuff and then get the hell out before the cops show.

Marc: Yes, we used a lot of fabric to hide things.

Albert: But the beauty of it is, if you go to real fashion shows, it's kind of what it is. The highlight of fashions shows are supposed to be the clothes, so they keep the surroundings very minimal, and that's- that's always the idea of a fashion show. So luckily for us, it's fairly easy to recreate realistically as a set.

Marc: A lot of times it's just a wedding tent and a runway and chairs.

Albert: Well anyone who's watched Project Runway can see what it's like. It’s just a runway and some folding chairs.

John: I thought we built- that's interesting. Where did we go back to the museum for? I can't remember; it's gonna drive me crazy. Whose idea was the buckles?

Albert: Buckles was something I came up with in the script when I was trying to figure out how to explain what a poor designer Gloria is.

John: What's the one thing nobody likes a lot of?

Marc: Buckles.

Albert: So it became a little joke that someone that- someone, I think it was Chris actually pitched the joke about ‘pilgrim chic’ which we put in there, and found out later that that's actually kind of a real thing. If you make up any kind of joke in the fashion world you'll find out eventually that it's a real thing somewhere.

John: Yes.

Marc: This was actually the workers rec room, which was pretty much an open area room and-

John: You're kind of ruining the whole sweatshop vibe with, like, ‘They had a rec room.’

Marc: Yeah, they had a rec room and basically we've pretty much four walled it.

John: Yup.

Marc: And, you know, put in-

John: Which means?

Marc: To put up a wall to close it off.

John: So this is a bigger space behind him.

Marc: Yeah, it's actually pretty much the same size, but it's just a platform where they had their lunch table set up. But we liked the ability to have shots like that where we can look down onto the floor, it was always-

John: And then shoot back up.

Marc: It was always something that I know that you guys mention, that we wanna have more connection with our victims. So we placed that shot-

John: It is tricky, particularly when we’re doing complicated ones, you can lose track of that vic that's in the opening, and we really tried this year to tie it back a little bit more.

Albert: Yeah, it was interesting. I had a conversation with another writer just the other day about - who works on a crime procedural - and they have the same issue about how to connect with their victims. It's much harder for them because usually their victims are dead. So they show up in the beginning dead, and they can wrap things up with the relative of the victim at the end. If you notice, what a lot of crime shows do is they have flashbacks, so then you get to learn the personality of the victims through the flashbacks.

John: Oh, interesting.

Albert: So we don't do that, but our victims are alive so there are opportunities, like in this scene, to reconnect with the people who we’re working for and establish what our emotional stakes are.

John: And this is also one of the places where we sort of set up- and if you watch what we did with Jeri’s character, and sort of the difference between Sophie and Tara Cole. Tara Cole is a short grifter. Sophie is never gonna push it, she's never gonna try to get the big payout. And Tara’s job is to get in and get out with as much money as possible, so this is one of the times where we really sort of set up how she needs to adjust. Though when you look at the back half, we don't really change it that much. The team doesn't really change, it's- she kind of adjusts herself to fit in the team a bit more. They wind up using her short term push just as a different sort of batter.

Albert: Whereas personality-wise, there's something you told me I remember which helped make everything click which was - Tara is really kind of a guy’s girl. You know, she's the kind of girl who sits around and watches football with the guys on Sundays. Sophie is very much a girl's girl; she's out there doing the shopping and fashion and all that stuff. So that kind of distinguishes the two characters. Although they fulfill the same role within the team, they're very distinctive in terms of their personality.

John: But that's also from when we originally created the show. A lot of these characters have slightly different personalities, and the actors brought other personalities, and we realized as long as that job was fulfilled in the team, you can range pretty widely within there. How did you shoot- where the hell is she?

Albert: She's supposed to be-

Marc: Tashkent, right?

Albert: Tashkent. So-

John: Uzbekistan?

Albert: Yes.

John: Oh right there you go. Of course. ‘Cause Tashkent is in Uzbekistan. Who doesn't know that?

Albert: Right.

Marc: And yes, so we shot Gina on a much later date, during a later episode, and just one green screen and some stock footage behind a little wind machine and there you are.

Albert: And camels.

Marc: And some camels, yes.

John: As one has in Tashkent.

Marc: In Portland.

John: Oh no, we went to the Portland zoo see, I was hoping you'd give them the whole speech about sand, and yeah. That's a little bit of jealousy, a little bit of- and that was another thing, too, to make sure that Sophie wasn't just a character that you checked in with once a week. She had to have her own little arc that whenever you went to her she had a distinct attitude about the team. Yes and the reindeer gag, which I really foolishly insisted on keeping in the script because it was my favorite bit.

Albert: It was brilliant; it was great; it was all John.

John: That's mine. Whenever you see a joke that doesn't quite work and seems kind of doomed but we keep, that's usually me diggin in at the table, particularly if it's absurdist. Now did we put banners up or is that digital?

Marc: Digital. Those were digital banners on the building. Do our little whip pans to Eliot and whip back.

John: Just to establish, yes, he's with a model. Where do you think he was gonna be? And he’s out.

Marc: And he's angry he has to leave the model.

John: The- and again, it was interesting to, sort of, know that we had to plot out these arcs on the back six, and figuring out exactly, like, how do we show trust and acceptance? And, you know, you can do it in dialogue, but you don't want people talking about their intentions. And the ear bud became kind of an interesting metaphor; it goes in and out of use over the back six and even with Eliot we wound up using it.

Marc: Yeah, it's like the chief asking for your gun and badge.

John: Yeah, exactly. And it also solved the problem later when you know it’s- she shouldn't have heard X.

Albert: Right.

John: And that's a big problem on the show is in theory, if they can all hear each other’s conversations... Whereas a lot of cop shows, a big chunk of the time is, ‘What did you find out from witness x, Billy?’ What did you find out about witness y? Alright now let's put it together.’ They know. Now how did we do this blow?

Marc: Now that wass digital smoke, and that is a model.

Albert: Green screen model.

Marc: Yeah, we modeled the windows and actually shot it in our parking lot right here in Highland, in Santa Monica Boulevard.

John: Now we built- we do builds on the- building’s blowing up is better with models. The cars we've found we can do just digitally, but the buildings really look great with the model.

Marc: But we still use the model for the car as well. We just don't have the time or the money to do full explosions, you know, we do just a little aftermath with some debris and smoke.

Albert: Especially when it's someone's real house.

Marc: Yes.

Albert: Don't want to-

John: Generally they kind of frown on that, of just blow out the windows.

Albert: Because last year we did, Marc and I worked on another episode where we blow up a warehouse. And it was an abandoned warehouse, so you blow out the windows and break the glass, so it's not such a big deal.

Marc: Yeah, we did a little damage to the Prison Break set on that. What they shot was-

John: I remember, because I pulled up the day you were shooting that, I was like ‘I hope I haven't missed the blow.’ I was a quarter mile away and my windshield shook and I'm like OK, that was a little bigger than we anticipated’.

Albert: But this was a house with six kids was it?

Marc: Six kids, yeah.

Albert: So it was-

John: So blowing it up wouldn't have changed it all that much.

Albert: Probably not. Actually that family was incredibly neat.

John: And this is a lot of fun. And again, this is where, if you pay attention, we never tell you Tara’s backstory; if you pay attention all six episodes, you can figure out exactly what Tara used to do before she became a con woman. The information she knows, the way she puts stuff together, you’ll figure it out. Also the yelling. This was a lot of fun, because Eliot would be annoyed in this situation, and Chris Kane is never funnier than when Eliot is incredibly annoyed.

Marc: That’s right, and it's usually with Hardison.

John: Yeah. Thank you, I don't know how you make this show without phone cameras I really- we couldn't have made this show in 1978 this would've been a lot harder.

Albert: Or earbuds.

John: Or earbuds. Well earbuds we could've got around, but- no earbuds might have made our life easier, actually.

Albert: This was another thing that came up in research, actually, when I wrote a book about the Chinese Triads, and it is actually true that they're signature weapon is a meat cleaver. We looked at a few pictures of them, they're pretty impressive; they are really big and they have engravings on them, stuff like that. I've also looked at way too many pictures of victims of the Triads.

Marc: Yeah, missing fingers, and hands, and arms.

Albert: But that, again, it just added another fun element, knowing that there was, in reality there was a signature weapon that they use, and gave Eliot another fight scene.

John: Of course they'd be fancy meat cleavers, you're not gonna just pick a meat cleaver at Tesco or the kitchen section of Best Buy; you're gonna get one specially made. This was a lot of fun, too, something we haven't done in a while, which was watching Eliot figure out his fight space. You know, control access doing the math in this head. You know, it's always a little easier if no ones around him, just so he can tear people around a little easier. Fun stunt. Jerri did this, right?

Marc: Yeah, she was really nervous about doing her first fight with us, but she was a trooper; she did a great job.

John: She actually killed that guy. I feel a little bad about that, that's the first time we've admitted that, but you know. This was one of my favorite fights, cause we don't do a lot of weapon fights.

Marc: Yeah.

John: And it really reads well; the cleavers read real. Also we do a nice fight style with Chris here.

Albert: We did use cleavers back in the first season with the Wedding Job.

John: Oh that's right, we had the kitchen thing.

Albert: A kitchen thing. But it was a different kind of fight; it was a one on one in an enclosed space. This was an open space with multiple attackers ,and again, different props to use. So like, you saw the mannequin dummy there, and the rolling carts, and things like that, and so it ended up being a really fun scene.

John: And again, thank god for the surveillance culture - the fact that there are so many traffic cameras. Although you may bitch about privacy, it really helps us.

Marc: It really, really helps us.

John: This was interesting. This- I forget how this came up, I think the fact he had two IDs, but they had only checked one. I had a friend who was a Mountie- and remember, we were talking about my buddy who had done undercover up in Canada, and gh said the problem was, the guys got the fake, ran up records on fake Canadian IDs and you never knew the original crimes. Yeah. ‘Hey, how does Tara Cole know how to handle a meat cleaver?’ You’ll find-

Marc: Yup.

John: There you go, and that's a nice hit. And the head butt. I love the head butt, I'm sorry, man, that's a great way to end a fight.

Marc: She gets to take part.

John: Also, there's a lot of really nice hair flipping around in that fight scene, I gotta say.

Marc: I love-

John: I don't know whose looks better.

Marc: It's like a [Unintelligible. Sounds like ‘Germat’?] commercial.

[Laughter]

John: And that's, again, one of the problems with having a really uber competent team is, ‘OK they would have run this guy's background. What is the one loophole we could find that Hardison could screw up?’ You know, it's not screw up, it's nobody’s perfect.

Albert: It's just overlooked.

John: That's the trick, it has to always be some sort of fair play thing. Not a mistake, not just a ‘I didn't look in that drawer.’ This is a legitimate loophole.

Albert: Look how great this location is, though. It's everywhere; there's stuff everywhere. We really would not have been able to duplicate this on a set.

Marc: No.

John: What? No?

Marc: Never.

John: I love that he keeps the voice up here. That killed me here the first time I saw the dalies I was like, ‘Is he still doing Lagerfeld’?

Marc: Jack Bouvier.

John: Yeah the fingerless gloves are really the pièce de résistance there. There's a lot of stuff there that could be on anybody, but the fingerless gloves really digs in.

Albert: Again, that's straight out of the Lagerfeld book.

Marc: Tim went for it.

John: Are those glasses actually rose tinted?

Albert: Yes.

John: Yes they are, that's magnificent. And the evil speech of evil: ‘Listen, I'm just a businessman. I have obligations.’ You know, in his head he's keeping many people employed back in China. You know, and he's a copy fighter, he's like those electronic freedom foundation guys who doesn't believe in copyright.

Albert: He's a hero, really.

John: He is a hero.

Albert: Of his own story, but-

John: Exactly, he just happens to interact with our story.

Albert: Exactly.

John: And this is actually a cue, this is a hint to where Nate’s- This winds up being the first episode of the second half of the season. This is kind of a hint of where Nate’s arc is going for the season, where he's getting so addicted to control and not losing and beating the bad guy, he's starting to make poor decisions. And he makes a series of remarkably poor decisions through the back six that really just the competence of the team protects him from.

Albert: He's kind of like those football teams that keep pulling it out in the 4th quarter and just decide that's just what they have to do. So they don’t mind coasting through the rest of the game or even, you know, getting down and behind before then.

John: Yeah it's- it's the mental discipline, and something that Parker says later on in the season which is, ‘Be the Nate Ford that we came back for.’ The mental discipline that made him legendary and which they count on is starting to slip. And it's not because of the booze, it's because of what he's substituting the booze with.

Marc: Right.

John: This is me drinking my Guinness, by the way.

[Laughter]

Albert: It's not your Guinness, it's what you’re substituting for the Guinness.

John: No, no, this is my Guinness; I'm actually drinking.

Albert: Oh ok. It's actually another Guiness that is substituting for his Guinness.

[Laughter]

John: It's, again, a Guinness that's somewhere else that I would like to be drinking. Some bargaining, trying to get them to take Eliot instead of Jeri.

Marc: That wasn't something he planned for.

John: No, no, and it's interesting, and again, this is all trust issues. She kind of volunteered herself for this position, she’s, you know-

Albert: The trick is, part of the whole episode was really the character dynamics. Because it was a new character, because it was a new team member, even though she'd been introduced in the episode beforehand, this is really the first full con they run together as a team. So it was a very tricky thing, and so I had the outlines of what the broad strokes would be, but this is the point when you go to the show runner and you say, ‘John how does this work, exactly?’ And then John takes over.

John: We stare at the ceiling and- that's what the writers room is for. And this is great, we actually wound up paralleling this shot. You created this shot for this episode, Marc; we wound up paralleling this argument in, like, two other episodes. There's actually a similar version of this shot in the first half in the season finale, where it's like, we are now sitting judgment of Nate Ford, and we’re a little distrubed that we’re not feeling very comfortable here. Yeah, and this cutting pattern replicates, and it’s interesting, and it's because we have editors working over certain episodes that make certain choices. And those are I think the names of-

Albert: They were real Electric Entertainment employees.

John: ‘Maybe I want to meet...’ Yes. Hardison is the most hard done by character; he never gets what he wants. And that, again, is one of those things where this episode was shot in 6 ½ days.

Marc: Yes, there's my mother-in-law.

John: There you go; she's a lovely woman.

Marc: A lovely woman.

John: Are you checking the list of actors to pick her name up? That's not good.

Marc: No, gosh no.

John: You know, we had four different ways this scam works. All depending on exactly how this shooting schedule worked out. And I remember I had to sit down with my wife and I was like, ‘Alright’, cause she's big into this, I was like, ‘Exactly what is the timing and choreography on a fashion show?’ And there, the thing with the dresses and they're all transported across town. So it was a good lesson for writers is, the great thing about TV is you're shooting every week; the really great thing about TV that will also drive you crazy is, you learn how to have a bunch of choices. Because sometimes the world decides not cooperate with you, and you can't shut down production for two days and just go- You've worked on big films, you've seen this. Like, ‘You know what? We're just gonna take a day off and find the right location.’

Marc: Yes.

John: No. Not so much.

Albert: The scene coming up with Parker in the gown. This is really, if you think about it and you say that you're gonna do an episode with the Leverage team involved in the fashion world, kind of the promise of the premise is you're gonna get Parker in a fashion show. In a gown, in a fashion show.

John: Right, because she's the one person who would despise it.

Albert: Right, and you kind of have to deliver this scene.

John: This was also shot later, and it was interesting because we don't usually get Parker and Eliot- you know, Parker and Eliot in a two-hander. And if you go back, you can see in the back half of the season when we- especially when we saw how it worked out in The Lost Heir Job, it became kind of a little more standard that we go to this partnership. You also see it pop up in the bottle show, the bar show, what the hell did we call it?

Marc: Bottle Job.

John: We called it The Bottle Job, that's right.

Marc: The problem with doing these two-handers is he can get her to laugh and break.

John: Yeah, Chris can crack Beth up. Him doing the dirty dresses on the floor line, Beth I think broke character maybe ten times because we are in the basement shooting that day.

Marc: And this is the dress that Nadine our costume designer built.

Albert: Yeah.

John: It's a pretty amazing dress.

Marc: A beautiful dress.

John: The thumb drive of intent. Thank you thumb drive, for giving us a short hand so audiences know what we're doing.

Marc: Yes, so she basically- you'll see that all of the Andre V, that's the Andre V character, has a touch of yellow in it.

John: That's right. Nadine created a unified theme for the fashion line - the fake fashion line that we were doing.

Albert: She created an actual line.

Marc: Yeah, so she created a whole line and there's a touch of yellow in everything and as you’ll see when we get to the runway-

John: Where's this dress? We should auction this dress off.

Albert: Nadine probably has it.

Marc: It's actually in my car.

John: Oh no. I wish I didn't know that.

Marc: And then Dave Connell carried it with the lighting design as well.

John: Oh that's great, that is great. It's like we do this for a living.

Marc: Almost.

John: I love that Parker does the most- the little slide across the spot; that's a lot of fun. And now, did you shoot this at night? You had how many days on this set?

Marc: I think we did this-

John: You had the day, which was the warm up and then-

Marc: I think we had this location for two days.

John: That's not bad.

Marc: That's Jeffery Gilbert who played Andre V; he was just great. And I love Parker with the moves.

John: With the big head turn.

Marc: Just for a moment she thinks she got it under control, of course.

John: No, not so much. Walking is hard; walking in those heels is hard.

Albert: Walking in heels is hard.

John: I also love the little improv- it wasn’t in the script, but I remember seeing it in the dalies - she cracks her neck.

Marc: Yes that was definite Parker move. And I know this had to be- the scene coming up had to be a John Rogers line, where it's written that Andre V is banging his head repeatedly against the wall.

[Laughter]

John: Well, yeah, because I do that in the writers room.

Marc: And they said, ‘We gotta move on.’ I said, ‘No, I need to get the guy banging his head.’

John: Trust me, have some sympathy. And this is where we pay off the idea that Tara has heard about this team, and now believes she's given Nate one clue as to what she’s gonna do and she's desperately hoping they're as good as they think they are, and she’s doing the set up to this, she's setting up this beat. It was tricky, because we did actually play- she does actually look like she's selling the team out here, and if you're watching the DVD, you are watching all the way through the seasons. aAnd we did go back and forth on how loyal would she be to the team. And it really is the fact that one of the reasons you watch the show, or at least I think one of the reasons you watch the show, is the family vibe.

Albert: Absolutely.

John: And just having somebody who wasn’t into the family vibe in the middle of it, it might've been interesting from a writing standpoint, and we’re all fans of the show who write the show, it wasn’t interesting from an audience standpoint; it felt a little overly clever, a little constructed. But we do it just enough that we can get she's part of the team, but she doesn't buy into Nate’s bullshit, and as a result her actions in the finale make some sort of organic sense. And the van, oh, the van.

Marc: Gotta have the van.

John: Not anymore.

[Laughter]

Marc: Well-

John: No the- and this, again, we had like four variations how this particular con worked. Who did those designs? Who did-? We have a lot of actual fashion designs floating around in this.

Marc: I think Nadine.

Albert: Nadine and her team did pretty much everything.

John: They sketched them up and sent them off to Derek to do the computer graphics.

Albert: They did the sketches, they did the buckles sketches, they designed the clothes. Like I said, this was a real- this was a field day for the wardrobe and makeup and hair.

Marc: For the glam department.

John: That was nice, too. Cause the thing we originally missed, that having him hand him the badge, it’s a nice touch. Again, the trick when you’re doing- Some of the endings we stop and explain a lot, some just kind of unroll, and you have to make sure you set up all the pieces. And a lot of times when you're running and gunning and shooting, that stuff goes away.

Marc: It does. And so much of it is like, you get to a certain scene like, oh my god, in the flashback you're supposed to see that happens later.

John: Do you break those off separately when you shoot these or-? I mean, I know you, kind of, barely read the script.

Marc: A lot of times they are within the scenes and god bless Suzanne, our script supervisor, she just, she-

John: She's the best. She's actually the best I've ever worked with.

Marc: She's the gatekeeper, yeah, she’s amazing.

John: A Script Supervisor’s job, in case you don't know, if you're watching, is to sit next to the Director with a copy of the script, with special notations that they go to school to learn, to track what is in every shot, what the angles are, what the sizes are, who’s crossing, who’s walking in from what direction.

Marc: She's basically- she's keeping score and she’s the directors best friend, or worst enemy.

John: You will hear a lot of directors, even really experienced directors say-

Marc: As well as an editor, because, you know, an editor just gets a hard drive of footage, and if he can't decipher her notes, then he's gonna struggle as well.

John: I've seen really experienced directors, guys who are famous, they will finish and will turn to their script supervisor and go ‘What do I need?’ Cause they're watching the coverage while the directors watching the-

Marc: And we do a lot of different things and as a director, you're watching performances, and you're making sure you're hitting all the right emotional beats, and you know, when we do certain scenes where we have multiple characters, or you’re doing a 360-

John: We have a five-hander here.

Marc: Yeah, or doing a 360 and the camera’s going around and around, you need someone to be keeping score for you.

John: I like the physicality, by the way, watching this again, of watching Tim does with his face when he’s with the character and when he's just dropped it, and all of a sudden that kind of fake character, the wardrobe doesn't matter if he's just pissed, and you know he's dug in.

Marc: As soon as he's pulled off the glasses-

John: It's Nate.

Marc: It's Nate.

John: Great job.

Marc: And we haven't even had him say that, when Tom, later on, you know, points that out, you're not even who you say you are, he, like, looks at him in a certain way.

John: Yeah. No, nice call. The- oh yes, this was, again, interesting, is one of the things that really depends on the speed with which these guys can rip this stuff off. You know, in one of the original versions we were talking about where the dresses are actually transported- right after the fashion show, the dresses actually are driven across town and are put in a private closed viewing for the buyers. They won’t let anybody else close to those dresses because even with photographs, they can be knocked off within a matter of 48-72 hours. Which is stunning, which is what you're trying to fight when you're trying to fight piracy. And hung by his own sin, which is one of the rules.

Albert: There's always a rule. Yup. Going back to the wardrobe and hair and makeup departments, the other thing you don't end up seeing is that they went through a lot of their own iterations of what- before what you see on the screen. They did a lot of tests, they did a lot of different looks. If we had time, we could probably show all these other test photos they took, and different hair configurations, and make up, and at one point they did this whole sort of Kabuki look, but we decided that might've been a little too fashion forward for this show. They really went all out.

Marc: They went all out.

John: Did you say fashion forward?

Albert: Sure.

Marc: And some of them were just based on the element of time, you know, we wouldn't have time to change actors over to a certain style, and-

John: Yeah, cause I mean, that's the thing, is when the difference between shooting Parker as Parker, and shooting Parker as Parker as fashion model, is two hours to change that character's look.

Albert: At least.

John: At least. And the walk of victory.

Marc: Dun dun dunnn.

John: This is nice, this is- I, you know, I always love the 60s, 70s call back; it's a nice style choice. Also, you've got that great street to shoot down. Where was that? Was that outside of-?

Marc: That was right outside of the actual warehouse location.

Albert: Across the river.

Marc: Just across the river from downtown Portland, so it was really close; you know, had a nice overpass.

John: Looked like that section of T that’s elevated.

Marc: This, again, is supposed to be in Asia, which was actually just another area of the warehouse again.

John: And then that's a kind of an iconic shot for this show now. That's nice, the Jeri Ryan era, as the fans call it. If you go on the boards and see the fans arguing over which six episodes are the best in the giant ouvre of Leverage ouvre. And she pays a horrible horrible price for her treachery.

Albert: Those are real working steam presses, and I can tell you from having been there, they were ridiculously hot.

[Laughter]

Albert: I didn't want to be anywhere near it. I was like, ‘Wow, Gloria is really a trooper going through this.’ She had to learn how to operate it; it had, like, foot petals and things.

John: This is why it's good to be a writer, is, we write horrible things and then the directors and actors go live there, while we occasionally- Sometimes we venture from the hotel room to go visit the set.

Marc: At times.

John: But it's for the best if the writer isn't there; just causes trouble.

Albert: We can go pose and take pictures with the models; that's when we show up on set.

John: Yes. And then this is actually based on, there's a bunch of factories now that are owned by the employees that were taken over. Some car factories, some- there was a big thing in South America for a while of the workers seizing foreclosed factories and opening them up as co-ops.

Marc: I did not know that.

John: Yes, there you go. Anything we can do to undermine the infrastructure of capitalism of America in Leverage we try to, we try to.

Marc: Now this is a happier factory, it's brighter.

John: Brighter colors.

Marc: Yeah, it's brighter colors, there's sound.

[Laughter]

John: I love that. I love you sitting in the director’s chair like, ‘Alright, now make it the happy sweatshop.’

Marc: How else can we make them happy?

John: Lunch breaks.

Marc: Lunch breaks! Sandwiches. Sandwiches make everyone happy. Everybody’s happy with a sandwich.

John: There you go, and milk, that's delicious. Look, and we saw that particular extra was unhappy earlier.

Albert: That's right.

Marc: She was.

John: There you go; really sold it. And again, it's interesting because, you know, you shot two years of this now, and you understand the vics aren't a big part of actual screen time, they are on in the opening, they're on in the closing. Those actors are insanely important, because it means you have to like them really fast, and if you don't like them really fast, you know, it won’t pay off.

Marc: Yeah, and they have to keep up because, you know, it's not like we get a lot of time to do rehearsals, and so some of the crux of the episode can be in their hands.

Albert: Oh yeah, the emotional core of the story always hinges on the victims and their choices.

John: And sometimes those scenes with Tim Hutton in the bar, that's the entire reason you're gonna care about this episode. And this is a lot of fun with- this is when we- again, we really track, if you watch the back six episodes where Tara Cole feels in how she's getting the money. Happy about getting the money, ambivalent about getting the money, not caring so much, you know. She never doesn't care, cause that's just wrong. And now, it's interesting, Tim and I had a nice conversation about this particular phone call, cause he called me about this and he's like, ‘I'm not sure where we're going with this.’ I'm like, ‘You know that moment when you've had an argument with the wife and you've realized you've said the wrong thing and you can never take it back?’ And he's like, ‘Oh yeah.’ and I'm like, ‘That one right there.’ And it's one of my favorite little Nate/Sophie scenes and they're not even in the same room. Because it's, you know, it's- banter is fun, relationships are hard.

Marc: Right.

Albert: Oh I like that. Banter is fun, relationships are hard.

John: And, you know, end of day, unless you show a couple of these scenes every now and then, you don't buy these relationships as real. And that's why I think one of the reasons the Eliot/Nate relationship feels very grounded is, we give opportunity for Chris Kane and Tim to kind of dig in on the fact that they don't always agree, those characters.

Albert: And you gotta give somewhere for the characters to go. That's the thing about a scene like this, at the end it gives them somewhere to go after here.

John: That was great. Thank you so much, guys, that was a lot of fun. The episode was fantastic.

Albert: That was The Runway Job.

Marc: Thank you.

John: Anything you wanna say to the nice folks before we move onto the next one?

Marc: Stay tuned.

[Laughter]

John: It's a DVD, I don't think they’re gonna wander off-

Marc: For the season.

John: Oh for another season, that's right. Season 3. Albert anything you wanna say?

Albert: No this was great, this was, I think, my third episode working with Marc. Third, that I'd written. Kind of fourth.

John: Kind of codependent.

Marc: Yes, yes.

Albert: We are, but I've learned that one thing: banter is fun, but relationships are hard, so we gotta keep working on it.

Marc: That’s right.

#Leverage #Leverage TNT #Leverage Audio Commentary Transcripts #Audio Commentary #Transcripts #Parker #Alec Hardison #Elliot Spencer #Nate Ford #Sophie Deveraux #Season 2 #Episode 10 #Season 2 Episode 10 #The Runway Job

63 notes · View notes

fiction-boys-rule · 3 years

Text

Imagine...joining the Leverage team and liking Eliot.

Pairing: Eliot Spencer/(Y/N)

Warnings: slight violence, fluff

Word Count: 2,200

Boring real life has been very stressful lately so writing has been non existent. If any of you have any ideas or requests, I am happy to take them. The characters I write for are very limited and this year I’m working on changing that, so my apologies. Hope you enjoy :)

You blow out the candles, smiling as the team claps and cheers. Nate holds up his glass from his position on the couch, making you roll your eyes and smile.

“Did you make a wish?” Parker asks, gazing up at you.

“Yeah.”

“What was it?” Hardison asks.

Parker quickly slaps his forearm, making him protest and glare over at her.

“What the-“

“You know that if you say a birthday wish out loud it doesn’t count!”

“Why not? That’s kids stuff.” He frowns.

“It doesn’t come true! And it’s not kids stuff!” Parker glares at him.

“Alright, guys. I won’t say my wish, okay? Let’s just have some cake.” You intervene.

Sophie smiles over at you before you cut the cake and serve everyone. Later, you gratefully take a glass of whiskey from Nate and enjoy the silence of the apartment. Everyone else has gone off to do other things while Nate and you decided to stay behind.

“I know I promised I wouldn’t say my wish, but can I still say it?”

Nate leans back in his chair, lazily looking over at you.

“Well, I don’t believe in those things. If you don’t put it out there and chase it, how will you get it? I guess you can consider me the devils advocate here.”

“Alright. I’ll indulge you. My wish was to finally be able to go out and help you guys.”

“Help us?” He eyes you warily.

“Yeah. I mean I know I do already in my own way but I just really want to see what it’s like out there. Even if it’s just being in the background.”

“You’re already in the background. With Hardison. Safe background.”

You roll your eyes.

“Not what I meant. Don’t you want me to see how this works? I mean you always complain that I don’t get it. So let me get it. Come on. I promise I’ll listen to you and play it safe. But let me have some fun, please!”

“That’s the problem. It’s not ‘fun’ out there, kid. It’s a job. I don’t know if you can handle it.”

“Handle it? You know what I can’t handle? Hardison for one more day! No offense to him but I can’t stand another day stuck with him in that hot van! I can’t, Nate! I’m going crazy! Stir crazy! Can you at least let me do this once? Please!”

“What’s so bad with Hardison?”

“Parker this, Parker that. He’s always talking about her and I wouldn’t mind it if he actually went and told her how he feels! He reminds me of someone I know and I can’t stand it!”

“That person you know is that bad?”

“Yes, he is! And he’s not granting me my birthday wish!”

You lean back and sigh, glaring at him. He sighs, holding his face in his hands.

“Bad enough I have to accommodate everyone else and now you? You’re the one I like because you never ask for anything!”

“I’m asking for one thing and suddenly you don’t like me?”

He grumbles, sighing heavily and rubbing his face.

“The alcohols not going to kill me, it’s going to be you or Sophie.”

“Oh, I guarantee you that. We’re already planning your murder. We have plans A to C done. How much does your ex hate you by the way?”

He suddenly looks up and sends you an annoyed glare. You laugh softly, running your fingertips on the rim of your glass.

“You remember how I had that friend whose dad owns a whiskey company? Well, they offer care packages for people they know and the discounts are so good. But it’s not my favorite and I don’t want it to go to waste. Don’t want my friend to think I’m taking advantage of them. But they did offer me a full tour of their distillery. Full of test tasting, complimentary dinner, drinks-“

“Sophie is going to kill me.” He groans, shaking his head side to side.

“Well that was going to happen either way.”

He groans, taking a bigger swig.

“Just listen to everyone and don’t get in the way of them doing their job. I’m pairing you with Eliot. So far you’ve been getting along. I think he likes you.”

“Likes me?” You stutter.

How would Nate know about your crush on Eliot? How would anyone know?

“Yeah, well he brings you your favorite drink every day and he got you that gift.”

“He doesn’t like me.”

“I’m not doing this right now. Leave me in peace and regret and I’ll update the team later.”

You slowly get up and smile as soon as you close his office door. Checkmate.

Time Skip

"While I'm proud of you, we don't know who we are dealing with exactly. You've seen it before. Us, the professionals, even get in trouble sometimes. But we trust Nate to make a plan to bail us out."

You frown as you see all of the orange soda in the fridge. Choosing to just grab bottled water, you close it and turn to a very worried looking Sophie.

"I'm going with Eliot. It'll be fine. I’ll be fine."

"By any chance, did you have a say in who you were joining?"

She peers innocently at you.

"No. Nate just said and I went along with it."

You take a swig and watch as she looks away.

"Ah, I see.”

“Why?"

"It's nothing."

She gives you one last undecipherable look before heading to the couch and sitting next to Parker. You frown. Even being with the team almost a year, you didn't know everyone that well yet. When you had applied for a “secretary title with a concoction of ever changing duties” position working alongside Nate, this was the last thing you expected. You’re glad you took a risk and gave them the benefit of the doubt. It took a while to gain their trust, but they eventually liked you and included you more and more in what they actually did. It was probably because they liked the extra manpower and variety than their already established and constant team members. You sit on the couch and wait for Nate to come reveal the big plan.

"So, you're tagging along with Eliot?" Hardison asks while typing away at his laptop.

"Uh, yeah."

He clicks his tongue while shaking his head.

"You're going to regret it. Eliot isn't the best or easiest to work with."

“Then who is?"

He looks over at you with a “really?” look.

"Obviously me. I would love to teach someone my skills."

You nod slowly and laugh.

“What's so funny?"

"Eliot also said that about you, remember?"

"You mean the Denzel case?"

"Yeah."

"He doesn't know what he's talking about."

You laugh and look over at the door opening. You see Eliot and he comes in, sitting next to you.

"Hey." You smile.

"Hey. Where's Nate?"

"Probably getting drunk in his office. Want me to go get him?"

"You shouldn't. He'll come out eventually. Probably thinking about his big plan." Sophie says.

"Alright! Is the whole team here?"

You all turn your heads towards Nate.

Time Skip

"A basement is a pretty bad place to hide a bunch of cash. Just saying." You mumble as you follow Eliot through a hallway.

“Yeah, well some people aren't as smart as others."

You quickly turn your head around a corner to check for any guards.

"You know, I thought you would be mad, or even annoyed, that Nate let me tag along."

He turns his head around a corner.

"Yeah, well I think it's a good way to learn something. I like to teach. Just don’t make Hardison my student.” he grumbles.

You run towards a door. He opens it and you squeeze in.

"Alright. That's the control room. See a metal box?" Hardison says.

You tune out Hardison's orders to Eliot while you look for any guards.

“Hey, I'm going to go check the other door. That should be the door to the basement. If it's a basement." You whisper.

Eliot nods, cutting a cord.

"Yeah, go. Tell me if you see anything."

"Y/N, be careful. Just because there haven't been any guards yet, doesn't mean you should get confident." Nate says.

"I'll be fine. The door is right here." You whisper.

You open it and look in.

"It's just a big room with nothing in it. Just some vaults. There could be something in here.“

You hear footsteps behind you and turn to greet Eliot before a fist comes at you and you feel pain before darkness greets you.

"Y/N, hey. Hey. It's okay. How you feeling?"

You groan, adjusting your eyes to a bright light. Your head is pounding and your jaw is feeling sore.

"What? Where am I?"

"She's alive!" Parker yells, making you grimace.

"You okay, Y/N?" Nate asks.

Eliot clears his throat forcefully.

"A guard found you. Knocked you out pretty good. The guard blew us. We're going to have to find another way out. You okay? Not feeling dizzy? You might have a concussion."

"Yeah, I'm fine. What about the basement?"

"Forget about it. We just need to get out of here."

“We could use the window in the basement. It's small, but I bet we could fit. It leads to the backyard. All we have to do is run across the yard in the blind spot of the cameras, climb the fence and we're out of here."

"You remember all of that? Damn, Nate. She deserves a promotion." Hardison says.

"Thanks." You say softly.

Eliot shakes his head, "Lets get out of here, then."

The moon is bright after you had escaped the house and were waiting for the team to pick you up. You were leaning against a wall next to Eliot, letting the cool night breeze hit your face. You were listening to Hardison and Nate bicker about something.

"Thanks for uh-saving me, I guess." You say suddenly, breaking the silence.

Eliot looks over at you. He motions for you to take out the ear pieces and you do. He takes yours and his, and puts them in his pockets.

"What was that for?" You ask.

“We don't need to hear Hardison complaining. We get that enough already." He says.

You both laugh.

“But seriously. Thanks for helping me. But I just want you know for the future I would rather get caught than risk-"

He shakes his head, frowning.

"I don't like to think about that. Point is, it didn't happen."

You nod, looking at the moon.

"I think you did good. For your first time. I wouldn't mind having you tag along again." He says.

You smile, looking into his beautiful blue eyes. "Thanks. I enjoyed myself. And I think I’ll have a bump on my head to remind me about this little adventure."

“Well, at least you’ll still have a head, darlin’.”

You both laugh softly. He moves to stand in front of you and lays a hand on the wall.

"Just be more careful next time, alright? I don't want anything bad happening to you."

"What, I worry Big Bad Eliot?" You tease.

“Yes, you do." He says.

His low voice sends shivers down your spine. He slowly starts to lean in until his face is inches from yours. His eyes gaze at you softly. You move a hand up to his neck and gently move him closer. You both close your eyes as his lips place a small kiss on yours. Soft and slow. You shiver from an incoming gust of wind and pull him closer. You kiss him back harder as his other arm hugs your waist. He grips your waist harder and pushes you more against the wall. You moan, gently scratching at his neck. As he pulls away slowly, he bites your lower lip. He moves back and nuzzles his face in your neck. His lips press against your shoulder blade and his facial hair tickles your skin.

“Happy Birthday, Y/N.” He whispers.

You bite your lip and your arms surround his back.

“Two gifts in one day. Wow.”

You both laugh softly and he kisses your neck, holding you and comforting you with his warmth.

"So...." you whisper.

He pulls back to look down at your face and smiles.

"So...the team is here."

You quickly look over and see the van waiting at the end of the alley. Eliot grabs your hand and motions with his head. You smile and walk beside him as he leads you to the curb. He opens the van door and Hardison's shocked face greets you.

"One time. One time. And Eliot's stupid charm overtakes you. Unbelievable."

You laugh and hide your blush as you get in the van, sitting next to Eliot.

"So, I take that it went well?" Nate asks, looking at you with a knowing look.

“Yeah. Perfect." Eliot says, looking over at you with a smile.

You blush and lay your head on his shoulder.

“Surprising but it worked out in the end.” You chuckle.

Nate laughs, shaking his head as Hardison mumbles rapidly, driving all of you away.

#leverage #eliot spencer #eliot leverage #eliot spencer x reader #eliot spencer imagine

128 notes · View notes

heavymetal-and-reflective · 3 years

Text

OIL OF EVERY PEARL’S UN-INSIDES by SOPHIE.

Official Track by track album review by MacArthur Radio, because I’m a professional

I’d recommend this album to fans of Bjork, Aphex Twin, Kate Bush, Arca, Kim Petras, FKA Twigs, Lady Gaga, Charli XCX, Grimes, PC Music, and experimental, electronic, different music, but also pop music.

This album for real changed my life. Queer folks, especially my femme dolls, I couldn't reccomend this album more, keep reading or just fucking listen to it!

*Alyssa Edwards voice* Mama this is garbage ART. First of all, before we even talk about the music, this album COVER??? She ATE.

This album challenged and literally changed my perception on what I believed music was and could be. SOPHIE's sound is both harsh, industrial, ethereal, emotional, strange, scary, and cute, sometimes all of these at the same time. And also so fucking FEMME and QUEER. You may be like, "How does something sound femme and queer?" Be quiet and go listen to "Immaterial" right now if you don't understand.

(You should actually listen to the album in order tho bc if you do, when you finally get to Immaterial it's so much more powerful and emotional.)

The story that this album takes you through explores many facets of identity, to the perception of ourselves through others and how an image is used in marketing for art and products to make something/someone a "brand" ("Faceshopping"), to triumphant queer anthems about reclaiming one's identity (”Immaterial”).

For gender non-conforming folks and/or trans people, this album hits veryy different. We're here to talk about the music but I can't help but bring up how powerful the existence of this album is and how much of a statement it was for SOPHIE, a trans woman to make.

Previous to this album, SOPHIE had produced for artists like Charli XCX, Madonna, Vince Staples, and more, and had released her compilation album PRODUCT. She was known as SOPHIE, but people had assumed she was a cis man from the few times they got to see her, as she almost never showed herself in any of her art. There was no image attached to SOPHIE really. There was lots of speculation on who the hell was SOPHIE, this enigma?

Then she did this.

She released the song and music video "It's Okay To Cry" a powerful song which we will discuss later about identity, and in the video, she appears like this, and even flashes her boobs, but like, in an artistic way. It was her coming out and saying, "This is who I am." Now, she herself has said she was actually very disappointed with the public’s reaction to this video in her interview with Arte Tracks on YouTube. She said, "It displayed alot of the hangups that people have around needing--requiring an image to be attached with music." It was this kind of belief that I believe is the sole theme of the song "Faceshopping".

While I do agree with her, I also contradict myself by believing this was so important and powerful for many people, including myself. It was the first time she ever sang in a song (because she's a producer rather than a singer), at least with her voice not incredibly altered, and her first time she officialy made an appearance in any of her art or media. Other than Kim Petras, I don't know many trans "pop stars" (as SOPHIE called herself, even though her music is a very twisted avant-garde version of pop most of the time) and in my opinion, this was powerful. So sorry SOPHIE, but you really did eat with this video.

So on to the music, I've heard some complaints about the order of the songs in this album and I👏could👏 not👏disagree👏any👏 stronger👏👏👏👏. It's a fucking wild journey and I love that she put one of the most harshest, scariest, HARD songs I've ever heard after one of the most beautiful, soft, emotional songs I've ever heard (”Ponyboy” right after “It’s Okay To Cry), and then in the middle of the album you're in this trench of both despair and cathartic, beautiful emotion. It feels like these songs in the middle are about introspection and struggling to accept oneself, and then we reach the triumphant “Immaterial,” and finally close with “Whole New World/Pretend World.”

This will be a track by track review so here I go.

"It's Okay To Cry"---This is how you open a motherfucking album. This song feels like an omniscent, matriarchal, big titty goddess hugging you and whispering that everything is gonna be okay. For most of this song, SOPHIE is singing so softly and delicately, with a very detailed, soft, galactic, ethereal instrumental full of textures that are best to listen to with headphones. Then comes the last 30 seconds of the song where another beautiful, triumphant voice joins SOPHIE, exclaiming "It's Okay To Cry!" as synths that sound like lightning strikes burst repeatedly, joined with a majestic piano synth that sounds huge and all consuming. It’s pop utopia, it’s a release, like an ejaculation of tears.

The story telling in this track is very powerful. My personal favourite lyric is "I hope you don't take this the wrong way, but I think your inside is your best side." So simple and so beautiful. Then there’s the second verse, “I remember one time you were lost/I came to find you/And I knocked on your front door/That was you I’d never seen before./And I saw the magazine you were reading/And I read the page/And if I had just one single wish, wish I could have said this: It’s okay to cry.” This is a story of a friend, family member, or lover seeing through the wall you’re putting up, and knowing that something isn’t right. You’re going through a hard time and they want you to know that it’s okay to cry and they want you to be vulnerable with them. But these lyrics can also be to yourself.

"Ponyboy"---So "It's Okay To Cry" ends and then suddenly we get this raunchy, scary, harsh banger that hits us smack in the face, unexpectedly. This song goes HARD, in an almost literal sense, with the instrumental full of industrial "metallic" sounds that give SOPHIE her unique "pots and pans banging together" sound. We have a girly voice singing "Ponyboy💋💋" and then a deep, distorted, monstrous voice singing "PONYBOY💀☠😡🤖🔪" This song is if Aphex Twin produced “S&M” by Rihanna.

45 seconds in this track and we got these lyrics about submission and S&M; "Lock up the door/Put the pony on all fours/Crack down the whip/Make the pony bite the bit./Spit on my face/Put the pony in his place./I am your toy/Just a little ponyboy." After It's Okay To Cry one may ask themselves as they find themselves in the corner shaking from the terror of this song, "Is-is it still okay to cry?" Two tracks in and already SOPHIE has surprised us. What could we expect as we continue?

"Faceshopping"---Like I said before, I believe this song to be about SOPHIE's view that people believe an image has to be attached to music for it to be appealing, and the enitire concept of "branding" oneself when it comes to art and making a product.

This song is similar to Ponyboy sonically, with similar industrial textures and a harsh sound, though I love this track more because where Ponyboy is intense high energy the whole time through, Faceshopping is fucking weird and you don't know what to expect with SOPHIE anymore after listening to this. You have an almost silent instrumental in the beginning, with a voice saying the following lyrics in a bit of a sassy tone, "My face is the front of shop/My face is the real shop front/My shop is the face I front/I'm real when I shop my face."

Then, another deeply distorted, monstrous vocal comes in and the instrumental turns to a cacophony of sounds reminiscent to screeching metal, nails on chalkboard, and pots and pans banging together. But the thing is, it sounds good. It's strange without a doubt, but it's a catchy song that just works. We then get a more "feminine" vocal singing "Na na, na na, na na na nana!" and then the song goes quiet again as we have the voice saying the lyrics similar to the beginning. And just when you expect Sophie to keep this formula throughout the song, out of nowhere, we get a bridge that is one of the most beautiful, majestic, emotional things I've ever heard in my entire life, with the vocals singing the lyrics, "So you must be the one/That I've seen in my dreams,/Come on, touch me/Set my spirit free/Oh, test me/Do you feel what I feel?/Do you see what I see?/Oh, reduce me to nothingness!" to the synth pads and textures in the instrumental. Personally, I believe these lyrics in the bridge to be about the person one may feel they are inside being brought out in their expression. They’re seeing themselves for the first time. It's not gender dysphoria for once, it's gender euphoria almost. Then the song goes back to it's former sound and ends intensely.

"Is It Cold In The Water?"---This is Sophie's most ballad-ish song, with Cecile Believe singing the vocals over an instrumental that starts off sounding like you're hearing it deep under water almost, and as the song progresses you are rising and rising, until you break through and suddenly you're overwhelmed with so much emotion and you can finally breathe. You gasp in the lungfuls of air while you can, and you’re scared, but also you feel free. It's rare that music ever makes me feel like I'm almost spiritually connecting to some type of higher power, or like my soul is being spoken to in such an intimate way, but this is one of those tracks that just does it.

The lyrics: "I'm freezing/I'm burning/I've left my home./Soft ache, me/Earth shaking/I feel alone" and then the chorus is "Is It Cold In The Water?" sung over and over. These lyrics, and all the lyrics in this album really, can be interpreted in so many ways. Personally I interpret it as one taking a step into the unknown, leaving behind all they know and have been conditioned to think and feel, and also exploring the deepest parts of themselves they tried to repress, and how this can be terrifying, like learning to love, embrace, and express yourself for the queer elements of you that you've been taught to hate, for example.

"Infatuation”---is an underrated track that I do not hear enough love for and I don't get it!! Personally, purely based on sound and feeling, this is her most emotional song and just touches a part of my heart like...nothing else really. The vocals in this song's background, especially at the beginning, are like from a pink and slimy, dying alien crying out for it's mother as it bleeds in an ocean of oil, or it's the mother of this alien singing the lullaby to her precious baby as it dies slowly in pain. The instrumental is soft and ethereal in the beginning and then gets more powerful and big as the drums come in, and at the climax of the song, these distorted synths come in that are kinda indescribable. If I had to though, it’s almost like the sound my Gameboy Advanced made when it used to crash. That sounds bad, but it's not, it's actually my favourite part of the song, and suddenly it becomes the main part of the instrumental with the soft and whispering vocals singing "Infatuation/Who are you, deep down?/ I wanna know." These lyrics could obviously be about really liking someone and the desire to know them very deeply (AKA infatuation) but it can also be interpreted to be about exploring one's own identity.

Someone in the youtube comment section of this song wrote "This is what Infatuation sounds like. You are in heaven but suddenly everything starts to burn." Just wanted to share that bc I think it's beautiful. That “burning” part of the song makes me want to cry every time I hear it.

"Not Okay"---This is another underrated track. It's less than 2 minutes and has a very interlude-ish energy, and is one of her strangest songs. It sounds off, uncomfortable, unsettling, faintly terrifying, but also satisfying. To me, this song captures the feelings of unconfortableness within oneself. I feel like if I had to give gender dysphoria a sound, it'd be this song.

"Pretending" ---This is another interlude-ish track, except that it's almost 6 minutes long. This song doesn't really have any vocals, except people have said that if you speed up the song, it sounds like she's saying at the end, "I was just pretending./Pretending/ I was just pretending." I believe this is SOPHIE's artistic way of expressing the feeling of repressing one's self and pretending to be something they’re not. It starts off reserved and low, and then breaks into this ambient, heavenly soundscape that sounds like...well, Heaven. Like you literally see the light and are running towards it and then you see the clouds and pearly gates. The light is blinding, but you don’t look away.

Similarly to Infatuation, you hear this voice towards the end as well that sounds like a pink slimy alien, except this one is not dying; it's being born. It's the pink alien inside you breaking free, hatching from the egg that you and the world put it into, and then...we arrive to Immaterial.

"Immaterial"

THIS FUCKING SONG!!!!!!!

AHEM.

This is gender euphoria. “Not Okay” was gender dysphoria, “Pretending” is the journey of self introspection, growth, and battling internalized feelings of shame, and Immaterial is euphoria. THIS, IS A FUCKING BANGER. I feel like through words I can't do this song justice to how powerful, anthemic, and good it is to me which is dissappointing but I will try.

These lyrics are about extistentialism, identity, queerness, materialism, self introspection, and self actualization. It's about seeing beyond our physical selves, the labels we identify as, the boxes we and society put ourselves into, and realizing that we can be, as she sings, "Anything we want."

The verse lyrics are "You could be me and I could be you/Always the same and never the same/Day by day, life after life./ Without my legs or my hair/Without my genes or my blood/With no name and with no type of story/Where do I live? Tell me, where do I exist?"

And then, the instrumental almost completely fades away to silence, and we get this iconic life changing bridge: "I was just a lonely girl, in the eyes of my inner child/But I could be anything I want/And no matter where I go/You'll always be here in my heart/Here in my heart, here in my heart/ I don't even have to explain, Just leave me alone now!/I can't be held down!/ I can't be held down!!"

These lyrics are almost like an apology to her former self, or a message to her young, sadder self who may have felt out of place in this world for being trans, repressing herself, and not understanding who she was and why she felt that way. She's saying that sad young girl will always be here in her heart , but that now she can't be held down anymore. Also the way she alters the vocals in this song are so fucking crazy, ESPECIALLY at the bridge. So glossy, pink, and maliciously queer. And the instrumental?? Euphoric, electronic, dance BANGER!!!!

When I talk about how powerful pop dance music can be, this is exactly what I’m talking about. When you can write about an experience that is painful, but make it into a beautiful piece of art that makes people feel such a pure, unadulterated joy, and you can make rooms full of people jump to that, that...is power. That is beautiful, and really that’s how I feel about all music in general, but especially pop dance music, because you’re making people happy and making them dance. This song means the world to me. Speaking of worlds...

"Whole New World/Pretend World"---This song is 9 minutes long, and is the song I least listen to by SOPHIE. I do think it's an amazing closer to an album and especially this one, but I never listen to it really so I can't genuinely write too much about it. This song is one of her most insane experimental ones, that kinda combines the ambient, cinematic elements of Pretending with the industrial, harsh, robotic elements of Faceshopping and Ponyboy. It starts off pretty linear and intense, with an instrumental that makes me feel like I'm being chased by a giant robot with a big laser, and then goes completely off the rails into the second part of the song, "Pretend World" which is much more abstract and sounds faintly like an alien-robot hybrid army dying as the bacteria and germs of Earth enter their immune system and they all die slow painful deaths. It's an amazing song, but not really for me. I think it may be because it’s just a bit too long.

This whole post was quite long though! But I love this album with all my heart and really reccomend it to anyone who wants to listen to interesting, different music that still also has an element of pop to it at time, although I would say SOPHIE's album PRODUCT is more pop. If you read this, thank you. I did it more for me because I’m so obsessed with things I just need to channel it into something sometimes, which is what I love about Tumblr.

Fav tracks-It's Okay To Cry, Ponyboy, Faceshopping, Is It Cold In The Water?, Infatuation, Not Okay, Immaterial.

38 notes · View notes

histrionic-dragon · 4 years

Text

Leverage and the Black Widow

Found some scraps/scenelets I wrote a while back.

“Look at this,” Hardison said, staring at the security footage. “She’s like if Eliot and Parker had a scary ninja baby!”

“Ew,” Eliot and Parker muttered at the same time.

“Wait, she was at the thing earlier. She’s Goffson’s newest secretary-slash-trophy-girlfriend. Facial ID confirms it. It’s her. But her identity is airtight, guys—she’s got a Masters in HR from NYU and grew up in Wisconsin, series of moderately crappy boyfriends, no criminal activity. There is no reason this lady should be skulking around on a rooftop beating people up. There’s no way she should know how.”

“Well, obviously, she does.”

“Ohh, shit. Facial recognition just gave another ping. But something’s wrong—there’s only two records I can find here, it’s like it’s been . . . it’s been scrubbed, like what I do for us after a job. Only here, someone missed something. And she’s a totally different person. This was in Nevada eight months ago, and she was a historical monument docent or something.”

The shadowy figure slipped over the side of the building and down.

[later, they all surprise each other on the rooftop and the Widow Bites come out]

“I was wrong earlier.”

“Wrong about what, Hardison?”

“She’s like you and Sophie had a scary murder baby and then Parker raised it in the ways of the rig and the taser.”

“Can you stop saying stuff like that?!”

“You know her? You know her. –Pretty lady who can kill us, of course Eliot knows her.”

“Shut up, Hardison.”

“I’m just saying, it’s pretty much par for the—”

“And I’m just saying, shut up!”

“Long time since Romania.”

“I hear you’re working for another side since then.”

“I hear you went freelance.” Her eyes flicked to Parker and Hardison. “But apparently not anymore.”

He took a step closer to the others, putting himself between her and them, knowing she’d read it as acknowledgement. “Found a good crew. You?”

A corner of her mouth turned up. “They sent a smartass with a bow and arrows to kill me, and he decided to recruit me against orders. I thought that was . . . interesting.”

“I kinda know what you mean.”

“Well, it’s been great catching up, but I’m afraid I can’t let you cover for Goffson.”

There was an offended squawk from somewhere behind them. It had to be Hardison, because the “Hey!” was Parker. Very stealthy.

“We’re not covering for him,” Eliot said, watching her carefully.

“No?”

“But we thought you were.”

“I have reason to believe he’s been selling classified information,” the Black Widow said. “I’m here to make sure he sells something else. Swap the intel, wipe everything that’s valid, let the rest play out.” By which she meant let them find out they were sold bad intel and take retribution. Elegant and brutal. “If you’re not protecting his sales, what are you here for?”

Apparently this sounded enough like a briefing that Hardison thought it would be a good idea to jump in, yelling out from behind the stack of crates they were using as cover for his little workstation. Great. “We’re actually more interested in his quote-unquote ‘legitimate’ business, by which I mean the way he’s been ripping off hundreds of people’s life savings to bribe his way into…something. Which is guess is your thing.”

The Widow frowned. “What does a group of thieves get out of that?”

“We’re the good guys now,” Parker said from behind her, just about giving Eliot a goddamn heart attack. “We steal from people who steal from people who need the money, and we give it back. Oooh, this rope is tiny. What is it?”

Fortunately, the Black Widow didn’t automatically kill people who snuck up on her. She had the look on her face that most people did when they first met Parker, but that wasn’t necessarily a bad thing. “How did you get that without me noticing?”

“Thief,” Parker said, pointing to herself without looking up from the thin coil she was inspecting. “Hacker.” She pointed to Hardison. “You know Eliot. We’re as good at what we do as he is.” She finally looked up, though she kept fingering the rope. “You’re not as good as me.” She smiled. “You’re close, though. And I really like your gear,” she added, with the look that said she was remembering one of Sophie’s lessons, probably about softening interactions with compliments. “Seriously, where did you get this?”

“It’s carbon fiber,” the Widow said after a moment. “And it’s not available to the public.”

Parker shrugged. “That’s not a problem,” she said, and waited expectantly.

“Don’t steal from the SHIELD depot, Parker,” Eliot said, sighing, and gestured toward the ledge of the rooftop: truce? Let’s all sit down?

“Why not?” Parker demanded, as the Widow gave a sigh of her own and sat down next to Parker. It didn’t make her any less dangerous, but it was still probably a good sign.

“Professional courtesy,” Eliot answered.

Parker frowned. “But our profession is thieves.”

“Ours is,” Eliot said. “Hers isn’t.” He looked at the Widow. She was wearing a very small, patient smile. “She’s a spy.”

“She steals intel instead of money,” Hardison said, walking up to them. “I’ve disabled all the motion detectors up here for another ten minutes,” he added. “We can talk. But I’ve re-activated other parts of the security system and I’m not telling you which ones, so if you try to do anything—”

[They talk. Hardison has heard of certain shadowy operatives but….]

“No. That’s not real. That’s a myth. The Black Widow doesn’t exist.”

“Well, then if I have to kill you, you’ll be pleased to know you’re dead of natural causes.”

“You—buh—that’s like saying you’re Slenderman or something!”

It actually didn’t take long to come to an agreement, even if Nate was sputtering on the coms the whole time. Their aims weren’t in conflict, just their methods, and they could be more efficient if they teamed up. Hardison would bring down the security system. The Widow could go in and get her data directly, skipping about three steps of her existing plan, and plant some of their evidence while she was in. The Leverage team wouldn’t have to go in at all that night. She’d make sure they had access during the confusion of the bust the following afternoon.

“What if it’s a setup?” Sophie kept fretting. Nate wasn’t fretting; he was just yelling.

“She wouldn’t bother,” Eliot said. “We don’t have anything useful to the US government and she’s not in any kind of law enforcement that would bother with us. If she wanted us out of the way, we’d be dead.”

“That’s not as reassuring as you seem to believe it is.”

The files were all in Goffman’s office—not even in a safe, just in a locked drawer in a filing cabinet. Parker seemed personally offended by that. But there was one more thing they found when they checked the “secretary’s” desk. Nora Riddel had obviously left in a hurry, and everything she’d left behind would corroborate her cover story, from the tissues in the trash can to the photos on the desk, but one thing didn’t fit: A silvery envelope tucked under the keyboard, labeled only “Leverage.”

The envelope contained a list of account numbers that would make going through Goffman’s files even easier, and—Parker squealed—a length of very thin, very tough rope.

#Leverage #MCU #Parker #Hardison #Eliot #Natasha Romanoff #Black Widow #why do all the MCU Leverage crossovers have Bucky and no Nat #it's a MISSED OPPORTUNITY I tell ya

149 notes · View notes

bookwyrminspiration · 3 years

Note

How do you think Sophie's family/friends would react to female to male Sophie Foster? Like if it were while she was in the Lost Cities.

oo that's an interesting one! trans sophie, specifically in the lost cities (i'm assuming in the canon timeline with all the other worldbuilding still intact). I don't know if they have the concept in the Lost Cities--I mean I think it's entirely safe to assume that queer elves exist whether or not Shannon writes about them, you just can't erase us.

(note: I will be referring to Sophie with that name and =they/they pronouns for this post simply because name and pronouns are a whole other deal)

I think their immediate family and friends would be supportive, if a little confused, but understand that whatever they're talking about with gender means a lot to them. The elven world follows so many traditional stereotypes when it comes to gender--like hair length, dresses, etc.--and all apparently at will, as Della (i think it was her, might've been Edaline) said that Sophie didn't need to wear dresses if they wanted to wear pants instead, as it was actually the capes that signified nobility and not the dresses. This leads me to believe that there has been at least one other person who has rebelled against the dresses and prefers pants, hence that answer came so easily to Della; it wasn't her first time thinking about it. However, as it never went into practice for Sophie (another thing about her wardrobe that I'll mention in another post. to the person who sent me an ask about it: I saw it! I'll get to it!), it does make me think there would be a little bit of a rocky transition into wearing more traditionally masculine clothing.

it's worth noting that just because they may be ftm, they don't need to change their wardrobe and throw away all their dresses, I'm just including this because we've seen mentions of Sophie disliking the more poofy/obviously feminine clothing throughout the series, so they seem like they might be someone who would want to change their presentation a little.

to get a little more into specifics: I don't think any of their friends or family would be hostile towards them, maybe unintentionally a little dense, but well-meaning. Edaline would be very open and welcome to their transition, whatever that entailed (if anything), and mostly grateful Sophie was comfortable sharing that with her. I think Grady would be protective, the kind of person to question them just a little bit to make sure this was something they really wanted (not because he didn't believe them, just because he'd recognize the difficulties and wouldn't want them to go through it without due cause). I don't think Sandor would particularly care, mainly concerned with keeping them safe and only thinking about it so far as to make sure they feel safe emotionally with him. He'd recognize it as not his place to question or judge, and he doesn't need to know how their gender works in order to respect and protect them.

onto the friends! I think Biana and Dex would be the most supportive upfront and ask the fewest questions. Biana might even take this as a chance to help figure out how Sophie wants to look and figure that out with them. it's right up her alley, as she loves doing others up, and it's a bonding opportunity too, a chance to let Sophie reintroduce themself to her. And maybe she'd take the opportunity to take all those lovely gowns off Sophie's hands...you know, out of support, not at all because she wants them for herself (insert knowing wink here). And then Dex is already used to living outside the norms of society, so seeing Sophie decide to do what they wanted and to stop trying to fit in to a feminine role would just make his ecstatic. Because he knows what that's like and he'd enjoy seeing one of his close friends stick it to the system--and he'd also be very supportive of their journey. I imagine he'd help with whatever technical aspects of transitioning Sophie would want, helping them access resources and all that.

i think Keefe would be a little caught off guard, but once Sophie explains how they feel and he can feel their emotions on the subject, I think he'd be very enthusiastic about them doing what they wanted. he might berate himself for not putting the pieces together sooner, as he could literally feel their discomfort with themselves throughout the years and yet he just brushed it off. I kind of get the vibe he'd help Biana with assisting Sophie in finding their style, but focus more of the appearance aspect over the clothes. Teaching them how to actually wear the clothes together and style their hair and all that. he also feels like he'd start being a little rougher with them, playing around with them and teasing them the way he usually does with Fitz as he works to unlearn the way he perceived them before. Speaking of Fitz, he feels like the kind of friend who would be like "why would you do that?" but only because he doesn't fully understand what they're talking about. Not that he wouldn't be supportive, he'd just need a little more guidance and assistance understanding what they want. he's had a very traditional mindset for a lot of the series, but I think his love and respect for Sophie would be more than enough to challenge his understanding of gender so he could support them. if they had already dated at this point in time, he might want to talk to them privately about that just to understand if that's why things didn't work out or if he'd done something wrong, but that's another conversation.

then there are the other, more sidelined friends, all of whom I think would generally react the same. I think Linh would just go with it and not ask questions, but be pleased that Sophie feels more themselves, perhaps sharing a story of her own about coming into herself and her power and accepting herself as she was. i don't imagine Tam would have much of an outward reaction, being like "why are you telling me this, I don't care" but internally reworking how he thought about them. And I imagine he'd be a little protective, seeing Sophie go outside the norms of society even more. He was scorned by society for years, so that's a subject close to his heart, so while he might not think much of it or how it will affect their relationship, I think he'd be more protective of them, just like from the background. Then Marella would probably take it in stride and say something like "I always knew there was something off about you" but not in an insulting way, just being like ah. that's what it was. you were always a little different and I couldn't figure out why you acted the way you did, but this makes sense. It might answer a question about Sophie she didn't even know she had. Maruca probably wouldn't think much of it, instead focused on the Black Swan and fighting. I imagine something similar with Wylie, both of them going okay that's not my problem, happy for you but also there's some things we need to work on. They'd use their name and pronouns and support them emotionally, but I don't think they're close enough to them to have more of a reaction. it's just...not a priority to them.

this is getting long so I'll stop there for now, but there's also the thoughts of how the black swan, neverseen, council, and elven society as a whole would react to their gender things. I think Sophie would have an excellent support system built up, they're friends and family loving them more than any confusion that might get in their way.

this was a very interesting ask!! so thank you for the opportunity! got a lot longer than I expected it to, but I enjoyed it!

#this is talking less about how sophie would actually behave if they were trans #and focusing specifically on the reactions #they have a lot of people who love them unconditionally #it just might take some explaining or time for some of them to really figure out what's going on and how to support them #but I can't imagine any of her friends or family being rude or unaccepting about it #kotlc #keeper of the lost cities #sophie foster #trans!sophie #quil's queries #bluecookiesarebetter #long post

25 notes · View notes

readingsoyoucanavoidlife · 3 years

Text

In Denial

Sometimes I just want everyone to be happy and alive, so here is my headcanons for if Tom Riddle never existed.

~James and Lily never have to fight in a war, so James becomes a professional quidditch player and he became the longest reining Captain before he quit, bought the club and became the manager for it, as well as the coach for the players. Lily becomes a healer at St. Mungo’s and was able to invent a cure for dragon pox. When James’ parents died as a result of the disease she worked tirelessly researching it and came up with and affective cure. She has a portrait hanging in the hospital and after a long day sometimes has conversations with it (it the only way she can have a decent conversation in her current state). James teases her about it a lot.

~They get pregnant at a later age, because their relationship doesn’t move as fast since there is the lack of war pressure and not knowing what will happen to them. Same goes for the Weasleys and Andromeda so they all have their children later. (Canonly Molly and Arthur got married quicker because of war) And I’m just going to say that the Grangers had fertility problems, so had Hermione later. (this way the ages and relationships stay the same)

~After Harry they have three more children; Grace Iris Mia Potter, Sophie Lily Potter and Danial Charles Monty Potter. (In that order) (Iris and Charles are Lily’s parents names and Mia and Monty are shortened from Euphemia and Fleamont). Remus becomes Godfather to Grace, Peter (since he couldn’t betray them) becomes Godfather to Sophie, and Marlene becomes Godmother to Danial. Grace is two years younger than Harry (the year bellow Ginny), Sophie is one year bellow her and Danial is two years bellow that.

~They don’t see Dudley or their actual Aunt and Uncle often, they tend to meet up to have a tense cup of tea once a year. The Potter’s always send them birthday and Christmas gifts but the Dursley’s never do. They hardly heat from them until Dudley reaches out saying that he thinks his child is magical. James laughs a lot at this and more specifically the looks on Petunia’s and Vernon’s faces. They do agree to help him and his family understand.

~When McGonagall becomes Headmistress, the sorting becomes more based on personality and not character and bloodline. Thus ending the prejudice towards the houses. This is the thing that she brings to Hogwarts like the other Heads have done before her. (Dumbledore's was giving people, like Remus, chances) However this is before Minnie’s time so they are all in Griffindor. She becomes Headmistress in Harrys 6th year when Dumbledore leaves to retire in a tropical country, there is no imminent threat so why should he stay at school? His only problem is that sometimes it’s too hot to wear socks.

~Grace works for the ministry and falls in love with a guy who went to Durmstrang but now works in England, named Eric Luka. They end up having a daughter together, Scarlett Luka. Although when Scarlett is a year old, he walks out on them. Grace becomes a single mum for four years before her co-worker Aiden Murphey asks her out. They had always been friends as he had been a year above her at school, although he was in Ravenclaw. They get married and Scarlett changes her name to Luka-Murphy. They have three children together Liam, then a year later Finn and a year after that they have Owen.

~Sophie become a wizard robe designer and manages to bring some more modern and muggle aspects to the wizarding world. She starts her own clothing brand and falls for some one in Danial’s year. Zoe Phillips, they get married but don’t have any kids. They are perfectly content with spoiling their nieces and nephews.

~Danial is the perfect child of the family and people try to not like him because of it, but end up giving in because he is so nice. He is an architect for the wizarding world and marries a Hufflepuff in his year called Audrey, she is also an architect. Again they are the perfect couple that is so sickening but you can’t help liking them. They have two daughters, Emily and Olivia, who is four years younger.

~Wolfstar is a thing (as it always has been), they are together up until Harry’s 7th year. They are facing difficult struggles and are always shouting at each other, even though they still love each other. They decide to take a break and they each are set up on dates. Sirius with some guy and Remus with Tonks. On this date Remus gets very drunk because he misses Sirius and they sleep together.

~ A week later they promise to be better and stop their break. Although after three months, Tonks contacts Remus to tell him that she is pregnant, and it is his decision whether he wants to be part of it or not. Remus has his freak out about whether the baby will be like him and what Sirius will say.

~Sirius understands what has happened and doesn’t blame Remus because they were on a break, but is upset that he was with someone else. After a talk with James, Sirius feels better and is by Remus’ side the whole way and becomes excited for a baby when Remus calls Tonks to say that he wants to be a part of it (secretly he had always been jealous about the way his nieces and nephews look at James and Lily). Tonks knows how in love the boys are.

~Wolfstar begins to miss out on baby stuff and Sirius complains that its not how its meant to be when the kid arrives, so Tonks come to live with them. Tonks love the arrangement because she doesn’t have to be alone and the boys dote on her and the baby once he arrives. James becomes a Godfather. They continue living together until Teddy a bit after Teddy turns one. Tonks moves to London to be closer to her work and they co-parent using floo network all the time. Sirius normally watches him during the day since he is a wizarding writer and Remus is a professor at Hogwarts (floo’s into work) and Tonks is an auror.

~Harry and Ron become Friends with Hermione when they save her from trouble with Filch for being out after bed (she was in the Library for too long). They help her with the invisibility cloak and she lies for them when McGonagall reveals them from under the cloak when she stepped on the end of it.

~Neville has a happy childhood and is coated in his parents love, by the time he gets to school he is much more confident. He still takes a toad but his parents gave him an owl. Alice and Frank support all of his choices and are proud of every accomplishment he makes, even if his Grandmother says that it’s a waste of their time and effort. He and Harry are close friends from a very young age because of their parents, although they never really were best friends. When they went to Hogwarts and Harry went off with Ron they still looked out for each other and laughed together.

~Ron and Hermione (Ginny when they got older) came over to the Potter’s for some of the holidays, like they would go to the Weasleys for some before parting for a week before September 1st for “family time” and so their parents could see them off. Because of this Sirius and Remus become close with Ron and Hermione, so when Mrs. Weasley hosts a party (when Teddy is around three) they are invited too as part of the Potter family. Tonks comes along too as a family outing with Teddy. Teddy and Victorie hit it off and begged their parents to have play together more. Tonks sees Charlie at the party and starts talking to him as they were in the same year at school, though in different houses. He introduces her to his friend who works with him and is recently moving to London to lead the organization for dragon well-fair in England, protesting to let the Gringotts dragons free. In short Tonks and the person get together. (still unsure on what her partner identifies as but they are from a Greek pure-blood family with the surname Samaras).

~Charlie never marries or truly settles down but treats his dragons like children and is the best uncle ever.

~Bill comes to England not because of war but because he accidentally got promoted and had to move back. Him and Fleur still get married quickly, and have Victorie a year after that, Dominique come after two years and Louis three years after that. They pretty much lead the same lives other than the fact that their wedding isn’t crashed by Death Eaters and Fleur insists they have it in France (since they don’t have to stay in England for it)

~Hemione and Ron get together in 7th year in a similar sort of way. Ron is caught by Hermione tell off some kids for playing pranks on the house elves and teaches they about their history and situation. She can’t help herself, so she snogs him in the deserted corridor after the kids have gone.

~Ginny and Harry break up after his 7th year, she wanted more independence especially since this was her last year and the only year attending the school without her family there. Harry was also going to auror training and starting his own path in the world and wanted to experience being by himself in the world, with new responsibilities. They both date a few people whilst broken up and remain close friends, they were each other’s firsts (Harry’s 7th year) but were with other people too. After four years, Ginny made the Harpies first team and one the match for them. Like before, Harry and her ended up kissing in front of the entire stadium, they have been together ever since.

~ Ron and Harry both became aurors but shortly after Remus retires (he was getting more tiered after the full moons with his age and Sirius’ book became a best selling novel in the muggle and wizarding world so he could support them comfortably), he became the DADA professor. After joining the aurors he never felt like it was a good choice for him and didn’t know what he wanted to do, so he just stuck it out. That was until Remus mentioned he was retiring early and that they were struggling to find a competent professor.

~Ginny does take maternity leave with each of her children (Jake, Samuel and Lyra - because no one is dead) but still play for the harpies until she is forced to retire. After retiring she writes sports articles for both the Prophet and the Quibbler, becoming chief editor of both. Harry is able to take care of the kids whilst she is away, with the help of a nanny. They both couldn’t see a reason to put either of their careers on hold.

~Ron revolutionized the strategies that were used and as a result far less people were harmed and more people joined the force. He still took a 7 year break to be a stay at home dad whilst Hermione was being a boss, but practically worked part time since everyone respected his opinion and always asked for his advice (he got paid half time wages because of this). When Rose and Hugo both went to a muggle primary school, Ron worked for them officially again, but because of all the work he had done he rose quickly through the ranks and when the old head of the aurors retired, he became head of the department.

~Fred didn’t die so him and Angelina became a permanent couple (they never wanted to or could be bothered with getting married). They always had an on and off thing since the Yule Ball, they were the only people that they ever were in love with, despite their previous inconsistency. They only had one kid together. Joseph Weasley. Fred wanted him to have a sibling like he had but Angelina only ever wanted one and he had many cousins, George had his second kid at the same time and the boys were practically twins. (Fred II is renamed to Luke Weasley, since Fred didn’t die)

~George married Katie Bell after running into her at Diagon Ally whilst locking up the shop (Fred was out with Angelina that night). They agreed to catch up and it resulted in them having an amazing time, which ended with Katie giving George her contact details. They got pregnant with Roxanne just after George had proposed, so the wedding was preponed until she was there. Unfortunately Katie got pregnant again with Luke just when they started planning the wedding. two years later they finally got married and their children walked down the isle (it was the cutest thing, Molly was weeping).

~Percy and Oliver fall in love ( how do you expect two guys that are the definition of opposites attract share a room for 7 years and have nothing happen) Oliver stops Percy from being a complete prat as there is no ministry fall out with his family to get him to that point. Oliver makes him realize that his family are the greatest gift, especially with all their flaws. They have a small ceremony with only family and close friends and adopt a little witch naming her after Molly, three years later they adopt another witch and name her Lucy.

~Snape and Lily still fall out with him calling her a mudblood, just because there wasn’t an group to kill those like her doesn’t mean he didn’t hang around with prejudice people and have those views. He still become potions professor when Slughorn retires. Though occasionally he will get howlers from the Potter’s and Longbottom's shouting at him for his behavior towards his students along with some howlers from Marlene and Dorcas, Emmeline, Mary, Sirius and Peter with use of his old nicknames they had for him. (because how dare he disrespect their friends kids)

~Peter still is friends with the marauders, but he moves away from them and distances himself every year to the point where they only write to each other to celebrate special occasions. He never finds a partner or has children but does become a pub manager and lives comfortably.

~Draco and the Golden trio make their peace at the end of 7th year. They never become friends, they just forgive each other ( for the most part, him calling Hermione a mudblood is not forgiven). They act civilly towards one another, especially when Scorpius and Samuel announce that they are dating. They learn to tolerate but nothing more.

15 notes · View notes

the-empress-7 · 4 years

Note

Cheers to the lawyers over the Tatler win! But isn't that just the online version? Which has surely been archived in it's original? And still exists as a print copy? At the very least it's going to make the Tatlers think twice next time, but I can't help to feel that it's a hollow victory. That article would not have been printed in the present day if Harry had married a fun and beautiful but dutiful and low-conflict woman. There wouldn't have been a market for comparing the women in that way.

Tatler has major egg on their face, especially as the editor initially refused to back down. Which means the writer, Anne Pasternak was unable to backup her sources. I am also glad that this was accomplished without a lawsuit, Kate simply followed the complaint process. It turns out Kate had a solid case for libel and slander.

I am honestly surprised by how much Tatler has had to withdraw:

Paragraphs - and entire sections - deleted by Tatler

WHAT IT SAID: Yet, privately, said another friend, 'Kate is furious about the larger workload [caused by Harry and Meghan quitting]. Of course she's smiling and dressing appropriately but she doesn't want this. She feels exhausted and trapped. She's working as hard as a top CEO, who has to be wheeled out all the time, without the benefits of boundaries and plenty of holidays.

NOW: Paragraph erased

WHAT IT SAID: It's been a rapid ascent for a girl born into an upper-middle-class family in Reading. She and her siblings attended Marlborough, thanks to her parents' thriving mail-order business, and while there she had a poster of Prince William on her wall.

NOW: Reference to the Prince William poster, which Kate has previously denied, has been erased

WHAT IT SAID: Another country grandee says: 'I've heard that Prince William is obsessed with Carole. She's the mummy he always wanted.' Yet it's Carole, with what some call her Hyacinth Bucket aspirations of grandeur, who, rumour has it, puts people's backs up in a way Kate does not. Some people have apparently found her exacting. A skilled craftsman who worked on Anmer Hall, William and Kate's country home, and is used to a roster of prestigious and potentially tricky customers, said that he found Carole 'the most difficult client' he had ever worked with: 'She was exceedingly demanding, fussy and questioned everything.' Carole has put her stamp on Anmer décor-wise. Far from being a typical aristo abode, with threadbare rugs and dog hair everywhere, like, say, Windsor and Balmoral, it is, according to a visitor, 'like a gleaming five-star hotel, with cushions plumped and candles lit'. Another adds: 'It's very Buckinghamshire.'

NOW: Entire section erased

WHAT IT SAID: While Kate has praised her close family and happy childhood, there's no denying that Carole is a formidable matriarch. 'Carole is a terrible snob,' alleges a friend of Donna Air, ex-girlfriend of Kate's brother, James. 'Donna is really a lovely girl, but Carole got quite grand.' She adds: 'Carole is the masterminding force between those girls.'

NOW: Paragraph erased

WHAT IT SAID: Kate and her sister, Pippa, remain the closest of confidantes, presumably because it feels safe. 'Pippa now speaks like the Queen, too, and is absolutely paranoid about the paparazzi,' says one of her circle. 'She refers to her sister as Catherine or 'the duchess' in public, which feels too regal and try-hard. Pippa is a bit lost now and is struggling to find her place. She's always in the shadow as someone's sister or someone's wife. But they are all utterly loyal to each other. The Middleton family will always close ranks. None of them can quite believe that they have hit the jackpot, so between Kate, Pippa and Carole there is an unspoken bond. A sort of 'We have to bring it to fruition at all costs'.'

NOW: Paragraph erased

WHAT IT SAID: Then there's her 'Turnip Toff' crowd, the Norfolk Sloanes, including Sophie Carter and Robert Snuggs, who live near Anmer Hall. And the Cambridges' glamorous Houghton Hall neighbours, Rose Hanbury and her husband, the Marquess of Cholmondeley.

NOW: Paragraph erased

WHAT IT SAID: Outwardly, it seems that with years of scrutinising public pressure Kate has become perilously thin, just like some point out – Princess Diana. One could argue that Kate is naturally slim and indeed, like Pippa, a vigorous exerciser. Or perhaps her size is down to the stress of being a multitasking mother of three – one countenancing the additional worries of defending a Royal Family seemingly under siege. 'William is absolutely incandescent about Megxit,' a courtier confides. 'Every time the Sussexes issue a statement, it hits everyone like a fresh bombshell. The Cambridges are left reeling like everyone else. Everyone is terribly worried about how this is affecting the Queen.'

NOW: Paragraph erased

WHAT IT SAID: [Kate] is a royal ballast, William's most trusted adviser, and someone who puts duty above all else. Endearingly, following the spirit of Diana, both William and Kate consult psychics. A medium who went to Kensington Palace to 'channel' for them found William to be 'open-hearted and lovely'. Kate, while scrupulously polite, was more 'shut-down'. Maybe she was merely going through the motions to appease her husband?

NOW: [Kate] is a royal ballast, William's most trusted adviser, and someone who puts duty above all else. Whatever the truth, as the woman behind the man who will reign from what William Churchill called 'the greatest throne in history', Kate has emerged as the ultimate power player.

https://www.dailymail.co.uk/news/article-8751405/Victory-Kate-Middleton-society-bible-Tatler-caves.html

33 notes · View notes

to-read-or-not-to-read3088 · 3 years

Text

70+ disabled, neurodiverse and chronically ill authors COLLAB

This post is in collaboration with several other bloggers whose links are included here:

Artie Carden

Anniek

Hi! It’s been a while since I posted anything, but this post has been a month in the making. I have twenty books by twenty authors for my part in this collaboration, and you can check out the other parts of the collab with the links at the top of the post.

I haven’t read some of these books but almost all of them are on my to be read pile, and I did extensive research to make sure I got this right, but please let me know if there are any mistakes or if anything needs to be corrected.

1. Meet Cute Diary by Emery Lee

📷

Meet Cute Diary follows Noah Ramirez who thinks he’s an expert on romance. He must be for his blog, the Meet Cute Diary, a collection of trans happily ever afters. There’s just one problem. All the stories are fake. What started off as the fantasies of a trans boy who was afraid to step out of the closet has grown into a beacon of hope for trans readers across the globe. Noah’s world unravels when a troll exposes the blog as fiction, and the only way to save the Diary is to convince everyone that the stories are true, but he doesn’t have any proof. That’s when Drew walks into Noah’s life, and the pieces fall into place. Drew is willing to fake date Noah to save the Diary. But when Noah’s feelings grow beyond their staged romance, he realises that dating in real life isn’t the same as finding love on the page.

The author, Emery Lee, is a kid lit author, artist and YouTuber hailing from a mixed racial background. After graduating with a degree in creative writing, e’s gone on to author novels, short stories and webcomics. When away from reading and writing, you’ll likely find em engaged in art or snuggling with cute dogs.

Emery Lee is nonbinary, and uses e/em pronouns, and e’s debut book, Meet Cute Diary, features a side character who is also nonbinary (and asexual!). Emery is also neurodivergent, and frequently speaks about what its like being a writer with adhd on twitter.

Meet Cute Diary is a book I only discovered last month, when it was published, but I’m excited to read it. It has representation of all kinds, and I love any book that has even a little mention of an asexual character because its so rare to see.

2. Ace of Spades by Faridah Àbíké-Íyímídé

📷

At Niveus Private Academy money paves the hallways, and the students are never less than perfect. Until now. Because an anonymous texter calling themselves Aces, is bringing two students’ dark secrets to light. Devon, a talented musician, buries himself in rehearsals, but he can’t escape the spotlight when his private photos go public. Chiamaka, head girl, isn’t afraid to get what she wants, but soon everyone will know the price she has paid for power. Someone is out to get them both. Someone who holds all the aces. And they’re planning much more than a high school game.

Faridah Àbíké-Íyímídé, is the author of the instant New York Times and IndieBound bestseller, Ace of Spades, billed as ‘Get out meets Gossip Girl’. Entertainment Weekly has called it “this summer’s hottest YA debut”. She was born and raised in Croydon, South London, and Faridah moved to the Scottish Highlands for her undergraduate degree where she completed a BA in English Literature. She has established and runs and mentorship scheme for unagented writers of colour, helping them on their journey to get published. Faridah has also written for NME, The Bookseller, Readers Digest and gal-dem.

Faridah Àbíké-Íyímídé’s book is one that I pre-ordered months in advance, after discovering that I actually really liked this sub-genre of YA, and although I still haven’t read it yet (sorry!), I’m still super excited to dive into it. From what I hear, it has some gay rep, which we all know by now is something I seek out in my books.

3. Lycanthropy and Other Chronic Illnesses by Kristen O’Neal

📷

Priya has worked hard to pursue her pre med dreams at Stanford, but a diagnosis of chronic Lyme disease during her sophomore year sends her straight back to her loving but overbearing family in New Jersey and leaves her wondering if she’ll ever be able to return to the way things were. Thankfully she has her online pen pal, Brigid, and the rest of the members of “oof ouch my bones,” a virtual support group that meets on Discord to crack jokes and vent about their own chronic illnesses. When Brigid suddenly goes offline, Priya does something very out of character; she steals the family car and drives to Pennsylvania to check on Brigid. Priya isn’t sure what to expect, but it isn’t the creature that’s shut in the basement. With Brigid nowhere in sight, Priya begins to puzzle together an impossible but obvious truth: the creature might be werewolf – and the werewolf might be Brigid. As Brigid’s unique condition worsens, their friendship will be deepened and challenged in unexpected ways, forcing them to reckon with their own ideas of what it means to be normal.

Kristen O’Neal is a freelance writer who’s written for sites like Buzzfeed Reader, Christianity Today, Birth.Movies.Death, LitHub and Electric Literature. She writes about faith, culture, and unexplained phenomena. Her debut novel, Lycanthropy and Other Chronic Illnesses is based on her own experiences with being chronically ill. Kristen has two autoimmune disorders and “a number of other problems and issues” with her body. According to her website, she is doing much better than she used to, but still has flares somewhat regularly.

I cannot describe the feeling of seeing a published book with the best group chat name I have ever seen. Oof ouch my bones is absolutely something that I would be part of if it really existed, because its just such a mood, and funny at the same time. I pre ordered this book too, but like all the others, I still haven’t gotten around to reading it. I’m super excited about it though and cannot recommend it enough.

4. Only Mostly Devastated by Sophie Gonzales

📷

Will Tavares is the dream summer fling – he’s fun, affectionate, kind – but just when Ollie thinks he’s found his Happily Ever After, summer vacation ends, and Will stops texting Ollie back. Now Ollie is one prince short of his fairy tale ending, and to complicate the fairy tale further, a family emergency sees Ollie uprooted and enrolled at a new school across the country. Which he minds a little less when he realises it’s the same school Will goes to…except Ollie finds out that the sweet, comfortably queer guy he knew from summer isn’t the same one attending Collinswood High. This Will is a class clown, closeted – and to be honest, a jerk. Ollie has no intention of pining after a guy who clearly isn’t ready for a relationship, especially since this new, bro-y jock version of Will seems to go from hot to cold every other week. But then Will starts “coincidentally” popping up in every area of Ollie’s life, from music class to the lunch table, and Ollie finds his resolve weakening. The last time he gave Will his heart, Will handed it back to him trampled and battered. Ollie would have to be an idiot to trust him with it again. Right? Right.

Sophie Gonzales was born and raised in Whyalla, South Australia, where the Outback Meets the Sea. She now lives in Melbourne, where there’s no outback in sight. Sophie’s been writing since the age of five, when her mother decided to help her type out one of the stories she had come up with in the bathtub. They ran into artistic differences when five-year-old Sophie insisted that everybody die in the end, while her mother wanted the characters to simply go out for a milkshake. Since then, Sophie has been completing her novels without a transcript. Sophie Gonzales tweets about her experiences with ADHD on her twitter.

Only mostly devasted is one of the few books on this list that I’ve read. I read the whole thing in one sitting because I just couldn’t put it down, which is weird because I normally don’t read contemporary at all. I have recommended this book to literally everyone I know, and even bought my best friend a copy to convince her to read it.

5. The Bone Houses by Emily Lloyd Jones

📷

Seventeen-year-old Aderyn ("Ryn") only cares about two things: her family, and her family's graveyard. And right now, both are in dire straits. Since the death of their parents, Ryn and her siblings have been scraping together a meagre existence as gravediggers in the remote village of Colbren, which sits at the foot of a harsh and deadly mountain range that was once home to the fae. The problem with being a gravedigger in Colbren, though, is that the dead don't always stay dead. The risen corpses are known as "bone houses," and legend says that they're the result of a decades-old curse. When Ellis, an apprentice mapmaker with a mysterious past, arrives in town, the bone houses attack with new ferocity. What is it that draws them near? And more importantly, how can they be stopped for good? Together, Ellis and Ryn embark on a journey that will take them deep into the heart of the mountains, where they will have to face both the curse and the long-hidden truths about themselves.

Emily Lloyd-Jones grew up on a vineyard in rural Oregon, where she played in evergreen forests and learned to fear sheep. After graduating from Western Oregon University with an English degree, she enrolled in the publishing program at Rosemont College just outside of Philadelphia. She currently resides in Northern California.

Another book on my to be read pile that I’m super excited to read, but still haven’t gotten around to. This one features disability rep, but because I haven’t read it, I don’t know much more, sorry guys.

6. Mooncakes by Susanne Walker and Wendy Xu

📷Nova Huang knows more about magic than your average teen witch. She works at her grandmothers' bookshop, where she helps them loan out spell books and investigate any supernatural occurrences in their New England town. One fateful night, she follows reports of a white wolf into the woods, and she comes across the unexpected: her childhood crush, Tam Lang, battling a horse demon in the woods. As a werewolf, Tam has been wandering from place to place for years, unable to call any town home. Pursued by dark forces eager to claim the magic of wolves and out of options, Tam turns to Nova for help. Their latent feelings are rekindled against the backdrop of witchcraft, untested magic, occult rituals, and family ties both new and old in this enchanting tale of self-discovery.

Suzanne Walker is a Chicago-based writer and editor. She is co-creator of the Hugo-nominated graphic novel Mooncakes (2019, Lion Forge/Oni Press). Her short fiction has been published in Clarkesworld and Uncanny Magazine, and she has published nonfiction articles with Uncanny Magazine, StarTrek.com, Women Write About Comics, and the anthology Barriers and Belonging: Personal Narratives of Disability. She has spoken at numerous conventions on a variety of topics ranging from disability representation in sci-fi/fantasy to comics collaboration.

Wendy Xu is a Brooklyn-based illustrator and comics artist. She is co-creator of and currently draws the webcomic Mooncakes. Her work has been featured on Tor.com, as part of the Chinese American: Exclusion/Inclusion exhibit permanently housed at the Chinese Historical Society of America, and in Shattered: The Asian American Comics Anthology. She occasionally teaches at the Asian American Writers Workshop and currently works as an assistant editor curating young adult and children’s books.

Suzanne Walker suffers from hearing loss, something that she wrote into her graphic novel, Mooncakes, making Nova hard of hearing. I read this in a few years ago as an advance reader copy for Netgalley and it was honestly one of the best graphic novels I have ever read. The main characters are Chinese American, queer AND magic, which is an amazing combination of representation.

7. Six of Crows by Leigh Bardugo

📷

Ketterdam: a bustling hub of international trade where anything can be had for the right price—and no one knows that better than criminal prodigy Kaz Brekker. Kaz is offered a chance at a deadly heist that could make him rich beyond his wildest dreams. But he can’t pull it off alone… A convict with a thirst for revenge A sharpshooter who can’t walk away from a wager A runaway with a privileged past A spy known as the Wraith A Heartrender using her magic to survive the slums A thief with a gift for unlikely escapes Kaz’s crew is the only thing that might stand between the world and destruction—if they don’t kill each other first.

Leigh Bardugo is a #1 New York Times bestselling author of fantasy novels and the creator of the Grishaverse (now a Netflix original series) which spans the Shadow and Bone Trilogy, the Six of Crows Duology, The Language of Thorns, and King of Scars—with more to come. Her short stories can be found in multiple anthologies, including the Best American Science Fiction & Fantasy. Her other works include Wonder Woman: Warbringer and Ninth House (Goodreads Choice Winner for Best Fantasy 2019) which is being developed for television by Amazon Studios.

Leigh grew up in Southern California and graduated from Yale University. These days she lives and writes in Los Angeles.

In the acknowledgements section of Six of Crows, Bardugo reveals she suffers from osteonecrosis and sometimes needs to use a cane; this was a source of inspiration for one of the story's six protagonists, master thief and gang boss Kaz Brekker, who uses a cane.

I read Six of Crows a few years ago and I really loved it. I’m not going to pretend I managed to finish the whole Grishaverse series, because I haven’t even gotten close yet, but it really showed Kaz’s struggles with his disability, and his mental health. This is part of a duology, and the duology is part of a large series of books with another duology and trilogy, but Six of Crows can be read without reading the others.

8. Hyperbole and A Half by Allie Brosh

📷

This is a book I wrote. Because I wrote it, I had to figure out what to put on the back cover to explain what it is. I tried to write a long, third-person summary that would imply how great the book is and also sound vaguely authoritative--like maybe someone who isn’t me wrote it--but I soon discovered that I’m not sneaky enough to pull it off convincingly. So, I decided to just make a list of things that are in the book: Pictures Words Stories about things that happened to me Stories about things that happened to other people because of me Eight billion dollars* Stories about dogs The secret to eternal happiness* *These are lies. Perhaps I have underestimated my sneakiness!

Allie is an American blogger, writer and comic artist best known for her blog in the form of a webcomic Hyperbole and a Half. Brosh started Hyperbole in 2009 and told stories from her life in a mix of text and intentionally crude illustrations. She has published two books telling stories in the same style, both of which have been New York Times bestsellers. Brosh lives with severe depression and ADHD, and her comics on depression have won praise from fans and mental health professionals.

Another book on my tbr that I just haven’t gotten around to but really want to.

9. The Rest of Us Just Live Here by Patrick Ness

📷

What if you aren’t the Chosen One? The one who’s supposed to fight the zombies, or the soul-eating ghosts, or whatever the heck this new thing is, with the blue lights and the death? What if you’re like Mikey? Who just wants to graduate and go to prom and maybe finally work up the courage to ask Henna out before someone goes and blows up the high school. Again. Because sometimes there are problems bigger than this week’s end of the world, and sometimes you just must find the extraordinary in your ordinary life. Even if your best friend is worshipped by mountain lions...

Patrick Ness, an award-winning novelist, has written for England’s Radio 4 and Sunday Telegraph and is a literary critic for The Guardian. He has written many books, including the Chaos Walking Trilogy, The Crash of Hennington, Topics About Which I Know Nothing, and A Monster Calls. He has won numerous awards, including the Guardian Children’s Fiction Prize, the Booktrust Teenage Prize, and the Costa Children’s Book Award. Born in Virginia, he currently lives in London.

Patrick Ness has written about OCD and anxiety in at least two of his books, inspired by his own experiences with the two disorders and how it affects him (The Rest of Us Just Live Here & Release)

10. Every Heart A Doorway by Seanan McGuire

📷

Eleanor West’s Home for Wayward Children No Solicitations No Visitors No Quests Children have always disappeared under the right conditions; slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere... else. But magical lands have little need for used-up miracle children. Nancy tumbled once, but now she’s back. The things she’s experienced... they change a person. The children under Miss West’s care understand all too well. And each of them is seeking a way back to their own fantasy world. But Nancy’s arrival marks a change at the Home. There’s a darkness just around each corner, and when tragedy strikes, it’s up to Nancy and her new-found schoolmates to get to the heart of the matter. No matter the cost.

Seanan lives in an idiosyncratically designed labyrinth in the Pacific Northwest, which she shares with her cats, Alice and Thomas, a vast collection of creepy dolls and horror movies, and sufficient books to qualify her as a fire hazard. She has strongly held and oft-expressed beliefs about the origins of the Black Death, the X-Men, and the need for chainsaws in daily life.

Years of writing blurbs for convention program books have fixed Seanan in the habit of writing all her bios in the third person, to sound marginally less dorky. Stress is on the "marginally." It probably doesn't help that she has so many hobbies.

Seanan was the winner of the 2010 John W. Campbell Award for Best New Writer, and her novel Feed (as Mira Grant) was named as one of Publishers Weekly's Best Books of 2010. In 2013 she became the first person ever to appear five times on the same Hugo Ballot.

Seanan McGuire has an invisible disability due to herniated disks in her spine. She is slowly coming to terms with this, and talks about it occasionally on her twitter, and about the struggles she faces.

I loved this book, and so did my best friend. We both read it in one sitting and talked nonstop about it afterwards. Although short, its filled with amazing characters, plot, and representation (asexual character!!)

11. Girls of Paper and Fire by Natasha Ngan

Each year, eight beautiful girls are chosen as Paper Girls to serve the king. It's the highest honour they could hope for...and the most demeaning. This year, there's a ninth. And instead 📷of paper, she's made of fire. In this richly developed fantasy, Lei is a member of the Paper caste, the lowest and most persecuted class of people in Ikhara. She lives in a remote village with her father, where the decade-old trauma of watching her mother snatched by royal guards for an unknown fate still haunts her. Now, the guards are back and this time it's Lei they're after -- the girl with the golden eyes whose rumoured beauty has piqued the king's interest. Over weeks of training in the opulent but oppressive palace, Lei and eight other girls learns the skills and charm that befit a king's consort. There, she does the unthinkable -- she falls in love. Her forbidden romance becomes enmeshed with an explosive plot that threatens her world's entire way of life. Lei, still the wide-eyed country girl at heart, must decide how far she's willing to go for justice and revenge.

Natasha Ngan is a writer and yoga teacher. She grew up between Malaysia, where the Chinese side of her family is from, and the UK. This multicultural upbringing continues to influence her writing, and she is passionate about bringing diverse stories to teens. Ngan studied Geography at the University of Cambridge before working as a social media consultant and fashion blogger. She lives in France with her partner, where they recently moved from Paris to be closer to the sea. Her novel Girls of Paper and Fire was a New York Times bestseller. Natasha has a heart condition, and talks about her struggles with her health, and gives updates on her health and her books on twitter.

I’ve heard a lot about this book, but for trigger warning reasons it sadly isn’t on my to be read list. Everything I’ve heard about it says its an amazing book though, and the cover is beautiful.

12. Queens of Geek by Jen Wilde

📷

Three friends, two love stories, one convention: this fun, feminist love letter to geek culture is all about fandom, friendship, and finding the courage to be yourself. Charlie likes to stand out. She’s a vlogger and actress promoting her first movie at SupaCon, and this is her chance to show fans she’s over her public breakup with co-star Reese Ryan. When internet-famous cool-girl actress Alyssa Huntington arrives as a surprise guest, it seems Charlie’s long-time crush on her isn’t as one-sided as she thought. Taylor likes to blend in. Her brain is wired differently, making her fear change. And there’s one thing in her life she knows will never change: her friendship with her best guy friend Jamie—no matter how much she may secretly want it to. But when she hears about a fan contest for her favourite fandom, she starts to rethink her rules on playing it safe.

Jen Wilde is the YA author of QUEENS OF GEEK, THE BRIGHTSIDERS and GOING OFF SCRIPT. She writes unapologetically queer stories about geeks, rockstars, and fangirls who smash the patriarchy in their own unique ways. Her books have been praised in Teen Vogue, Buzzfeed, Autostraddle, Vulture and Bustle. Originally from Australia, Jen now lives in NYC where she spends her time writing, drinking too much coffee and binging reality TV.

Researching for this collab was the first time this book popped up on my radar as something I might be interested in reading. Jen Wilde, the author, is herself autistic and suffers from anxiety, which gives the narrative “authenticity that is lacking in similar books” according to socialjusticebooks.org.

13. The Upside of Unrequited by Becky Albertalli

📷

Seventeen-year-old Molly Peskin-Suso knows all about unrequited love—she’s lived through it twenty-six times. She crushes hard and crushes often, but always in secret. Because no matter how many times her twin sister, Cassie, tells her to woman up, Molly can’t stomach the idea of rejection. So, she’s careful. Fat girls always have to be careful. Then a cute new girl enters Cassie’s orbit, and for the first time ever, Molly’s cynical twin is a lovesick mess. Meanwhile, Molly’s totally not dying of loneliness—except for the part where she is. Luckily, Cassie’s new girlfriend comes with a cute hipster-boy sidekick. Will is funny and flirtatious and just might be perfect crush material. Maybe more than crush material. And if Molly can win him over, she’ll get her first kiss and she’ll get her twin back. There’s only one problem: Molly’s co-worker Reid. He’s an awkward Tolkien superfan with a season pass to the Ren Faire, and there’s absolutely no way Molly could fall for him. Right?

Becky Albertalli is the author of the acclaimed novels Simon vs. the Homo Sapiens Agenda (film: Love, Simon), The Upside of Unrequited, and Leah on the Offbeat. She is also the co-author of What If It's Us with Adam Silvera. A former clinical psychologist who specialized in working with children and teens, Becky lives with her family in Atlanta.

Becky Albertalli has generalised anxiety disorder (GAD), and has spoken about it in several interviews, which you can find online. She has also written several characters in her books who also suffer with anxiety. Her first book, Simon vs the Homosapien’s Agenda (or Love, Simon), is the only book of hers that I have read so far, and I loved it. It was the first contemporary book that I read and actually enjoyed.

14. Carve the Mark by Veronica Roth

📷

Cyra is the sister of the brutal tyrant who rules the Shotet people. Cyra’s current gift gives her pain and power—something her brother exploits, using her to torture his enemies. But Cyra is much more than just a blade in her brother’s hand: she is resilient, quick on her feet, and smarter than he knows. Akos is the son of a farmer and an oracle from the frozen nation-planet of Thuvhe. Protected by his unusual currentgift, Akos is generous in spirit, and his loyalty to his family is limitless. Once Akos and his brother are captured by enemy Shotet soldiers, Akos is desperate to get his brother out alive—no matter what the cost. Then Akos is thrust into Cyra's world, and the enmity between their countries and families seems insurmountable. Will they help each other to survive, or will they destroy one another?

Veronica Roth is the #1 New York Times best-selling author of the Divergent series (Divergent, Insurgent, Allegiant, and Four: A Divergent Collection), the Carve the Mark duology (Carve the Mark, the Fates Divide), The End and Other Beginnings collection of short fiction, and many short stories and essays. Her first book for adult audiences, Chosen Ones, is out now. She lives in Chicago.

Veronica Roth suffers from anxiety, like a lot of the authors on this list, and talks about it in interviews. A quote from one: "I've had an anxiety disorder my whole life, so I've been to therapy on and off throughout, before books and after books. I went back and tried to talk through some of the things I was feeling and experiencing, and it was helpful."

I’ve never read any of her books, not even the hugely famous Divergent trilogy, though they’ve been on my radar for years. I’d love to get into her books at some point, but it might take me a few years.

15. How to be Autistic by Charlotte Amelia Poe

📷An urgent, funny, shocking, and impassioned memoir by the winner of the Spectrum Art Prize 2018, How To Be Autistic by Charlotte Amelia Poe presents the rarely shown point of view of someone living with autism. Poe’s voice is confident, moving and often funny, as they reveal to us a very personal account of autism, mental illness, gender and sexual identity. As we follow Charlotte’s journey through school and college, we become as awestruck by their extraordinary passion for life as by the enormous privations that they must undergo to live it. From food and fandom to body modification and comic conventions, Charlotte’s experiences through the torments of schooldays and young adulthood leave us with a riot of conflicting emotions: horror, empathy, despair, laugh-out-loud amusement and, most of all, respect. For Charlotte, autism is a fundamental aspect of their identity and art. They address the reader in a voice that is direct, sharply clever and ironic. They witness their own behaviour with a wry humour as they sympathise with those who care for them, yet all the while challenging the neurotypical narratives of autism as something to be ‘fixed’. This is an exuberant, inspiring, life-changing insight into autism from a viewpoint almost entirely missing from public discussion. ‘I wanted to show the side of autism that you don’t find in books and on Facebook. My story is about survival, fear and, finally, hope. There will be parts that make you want to cover your eyes, but I beg you to read on, because if I can change just one person’s perceptions, if I can help one person with autism feel like they’re less alone, then this will all be worth it.’ Charlotte Amelia Poe is a self-taught artist and writer living in Lowestoft, Suffolk. They also work with video and won the inaugural Spectrum Art Prize with the film they submitted, 'How to Be Autistic’. Myriad published Charlotte's memoir, How to Be Autistic, in September 2019.

Another book I didn’t know about until researching for this post, but I really want to read it because I haven’t read many books about autism, and practically none of them were actually written by someone who actually is autistic. Charlotte uses they/them pronouns.

16. Ask me about my Uterus by Abby Norman

📷

For any woman who has experienced illness, chronic pain, or endometriosis comes an inspiring memoir advocating for recognition of women's health issues In the fall of 2010, Abby Norman's strong dancer's body dropped forty pounds and grey hairs began to sprout from her temples. She was repeatedly hospitalized in excruciating pain, but the doctors insisted it was a urinary tract infection and sent her home with antibiotics. Unable to get out of bed, much less attend class, Norman dropped out of college and embarked on what would become a years-long journey to discover what was wrong with her. It wasn't until she took matters into her own hands--securing a job in a hospital and educating herself over lunchtime reading in the medical library--that she found an accurate diagnosis of endometriosis. In Ask Me About My Uterus, Norman describes what it was like to have her pain dismissed, to be told it was all in her head, only to be taken seriously when she was accompanied by a boyfriend who confirmed that her sexual performance was, indeed, compromised. Putting her own trials into a broader historical, sociocultural, and political context, Norman shows that women's bodies have long been the battleground of a never-ending war for power, control, medical knowledge, and truth. It's time to refute the belief that being a woman is a pre-existing condition.

Abby Norman’s debut book, ASK ME ABOUT MY UTERUS: A Quest to Make Doctors Believe in Women’s Pain, was published by Bold Type Books (Hachette Book Group) in 2018, with advance praise from Gillian Anderson, Lindsey Fitzharris, Jenny Lawson, and Padma Lakshmi.

The book was praised by The New York Times Book Review, The Wall Street Journal, New York Magazine, The Washington Post, The Sunday Times, The Irish Times, Literary Review, The Times Literary Supplement, The New Republic, Book Riot, Toronto Star, ELLE, Health Magazine, Undark Magazine, BUST Magazine, Bitch Magazine, Ms. Magazine, BBC Radio 5, and other international media outlets.

In 2019, the paperback edition was published in the U.S. and the Korean translation in Seoul (Momento Publishing/Duran Kim Agency).

Her work has been featured in Harper’s, Medium, The Independent, Literary Hub, The Rumpus, Mental Floss, Atlas Obscura, and elsewhere. Interviews and profiles have been seen and heard, including NPR/WNYC, BBC, Anchor.fm, The New York Times, Playboy, Forbes, Glamour, Women’s Health, and Bitch Magazine.

Abby Norman suffers from endometriosis, which was a large part of why she wrote her book, and why she advocates so hard for fellow patients at conferences such as Stanford University’s Stanford Medicine X and the Endometriosis Foundation of America’s medical conference and Patient Day. She is

Abby has served on technical expert panels including the National Partnership for Women and Families’ CORE Network (Yale University), the American Congress of Obstetricians and Gynecologists (ACOG), the Centres for Medicare and Medicaid, The Society for Women’s Health Research (SWHR), and Health Affairs.

In 2019, Abby contributed to a paper addressing research gaps and unmet needs in endometriosis published in the American Journal of Obstetrics and Gynecology.

This book is definitely one I will be adding to my to be read list, as someone who (unfortunately) also has a uterus, it is important to be informed. And Abby sounds like such a badass who wrote a whole book about her chronic illness to help others with the same condition.

17. Stim: Autistic Anthology by Lizzie Huxley-Jones

📷

Around one in one hundred people in the UK are autistic, yet there remains a fundamental misunderstanding of what autism is. It is rare that autistic people get to share their own experiences, show how creative and talented and passionate they are, how different they are from media stereotypes. This insightful and eye-opening collection of essays, fiction and visual art showcases the immense talents of some of the UK's most exciting writers and artists - who just happen to be on the spectrum. Here they reclaim the power to speak for themselves and redefine what it means to be autistic. Stim invites the reader into the lives, experiences, minds of the eighteen contributors, and asks them to recognise the hurdles of being autistic in a non-autistic world and to uncover the empathy and understanding necessary to continue to champion brilliant yet unheard voices.

Lizzie (Hux) Huxley-Jones is an autistic author and editor based in London. They are the editor of Stim, an anthology of autistic authors and artists, which was published by Unbound in April 2020 to coincide with World Autism Awareness Week. They are also the author of the children’s biography Sir David Attenborough: A Life Story. They can be found editing at independent micropublisher 3 of Cups Press, and they also advise writers as a freelance sensitivity reader and consultant. In their past career lives, they have been a research diver, a children’s bookseller and digital communications specialist.

I wasn’t even aware that there was an anthology out there by an autistic author, about autism, but now that I do I need to read it.

18. Chimera by Jaecyn Bonê

📷

Creatures unlike you've imagined before! Welcome to a world where myths and legends collide to create a new breed of monster. Savage and soulful, these monstrosities combine to form the mighty Chimera. In this anthology, talented writers weave 10 tales of fantastical beasts. Featuring stories by: Matt Bliss Jaecyn Boné Alexis L. Carroll Chris Durston Dewi Hargreaves Stephen Howard Samuel Logan Vincent Metzo Braden Rohl Michelle Tang

Jaecyn is a queer, non-binary, disabled Asian-American writer and digital artist fascinated by faeries.

Most of their writing involves wlw romance and faery-inspired creatures. Their first novel, Farzana's Spite is a 10-year-old work in progress and the first novel in The Faerth series. Other works include The Killing Song (novel) and Colour Unknown (short), both of which are also part of the Faerth universe.

Jaecyn's art can be described as a neorealistic pop art style with cel shading. They began their digital art journey with a 5-year-old refurbished iPad using their finger as a stylus and immediately fell in love. They do digital download commissions as well as sell prints of their artwork.

Jaecyn is the Co-Editor in Chief of the Limeoncello Magazine, an online Own Voices literary magazine which debuted its first issue on March 21st, 2021.

When not writing, drawing, or chasing after their two children, they can be found either gardening or practicing their ukulele.

None of Jaecyn Boné’s books are published yet as they are still in the stage of querying, but they contributed to the above anthology, along with nine other authors. I had no idea that this anthology existed, and now I’ll be closely following this author to see when their books get published!

19. Forest of Souls by Lori M Lee

Sirscha Ashwyn comes from nothing, but she’s intent on becoming something. After years of training to become the queen’s next royal spy, her plans are derailed when shamans attack 📷and kill her best friend Saengo. And then Sirscha, somehow, restores Saengo to life. Unveiled as the first soul guide in living memory, Sirscha is summoned to the domain of the Spider King. For centuries, he has used his influence over the Dead Wood—an ancient forest possessed by souls—to enforce peace between the kingdoms. Now, with the trees growing wild and untamed, only a soul guide can restrain them. As war looms, Sirscha must master her newly awakened abilities before the trees shatter the brittle peace, or worse, claim Saengo, the friend she would die for.

Lori M. Lee is the author of speculative novels and short stories. Her books include PAHUA AND THE SOUL STEALER (Disney/Rick Riordan Presents), FOREST OF SOULS and the sequel BROKEN WEB (Page Street), and more. She’s also a contributor to the anthologies A THOUSAND BEGINNINGS AND ENDINGS and COLOR OUTSIDE THE LINES. She considers herself a unicorn fan, enjoys marathoning TV shows, and loves to write about magic, manipulation, and family.

Lori struggles with anxiety, and the common symptoms like fatigue but she doesn’t let this stop her writing amazing books. I read Forest of Souls earlier this year, and it was seriously one of the best books I’ve ever read. I loved the magic, the characters, the world building. Everything about it, including the plot twist ending that had me losing my mind at 2am, was just so unlike anything I had read in any other fantasy before.

20. A Song of Wraiths and Ruin by Roseanne A Brown

📷

For Malik, the Solstasia festival is a chance to escape his war-stricken home and start a new life with his sisters in the prosperous desert city of Ziran. But when a vengeful spirit abducts Malik’s younger sister, Nadia, as payment into the city, Malik strikes a fatal deal—kill Karina, Crown Princess of Ziran, for Nadia’s freedom. But Karina has deadly aspirations of her own. Her mother, the Sultana, has been assassinated; her court threatens mutiny; and Solstasia looms like a knife over her neck. Grief-stricken, Karina decides to resurrect her mother through ancient magic . . . requiring the beating heart of a king. And she knows just how to obtain one: by offering her hand in marriage to the victor of the Solstasia competition. When Malik rigs his way into the contest, they are set on a course to destroy each other. But as attraction flares between them and ancient evils stir, will they be able to see their tasks to the death?

Roseanne “Rosie” A. Brown was born in Kumasi, Ghana and immigrated to the wild jungles of central Maryland as a child. Writing was her first love, and she knew from a young age that she wanted to use the power of writing—creative and otherwise—to connect the different cultures she called home. She graduated from the University of Maryland with a Bachelor’s in Journalism and was also a teaching assistant for the school’s Jiménez-Porter Writers’ House program. Her journalistic work has been featured by Voice of America among other outlets.

On the publishing side of things, she has worked as an editorial intern at Entangled Publishing. Rosie was a 2017 Pitch Wars mentee and 2018 Pitch Wars mentor. Rosie currently lives outside Washington D.C., where in her free time she can usually be found wandering the woods, making memes, or thinking about Star Wars.

Roseanne is another author that struggles with anxiety and wrote one of her two main characters with generalised anxiety disorder (GAD), despite it being a fantasy. I don’t even think I can name a fantasy that had a character with anxiety represented so well. This was a book I read around the same time as Forest of Souls, and I loved it. The cover was beautiful, the characters were brilliant, and I just loved the world building, the magic, and the plot. It was just different to the usual fantasy books I read, and I enjoyed the variation so much I’ve had the sequel pre ordered almost a year in advance.

So, this was my 20 books by 20 chronically ill, disabled or neurodiverse authors list. Blurbs and synopsis were compiled between Goodreads and author websites, and bios were found either on Goodreads, author websites or on amazon author pages. All the information about their chronic illnesses, disabilities or neurodivergence was found online, where they had either explicitly said it or written about it, but if I have something wrong, please let me know so I can fix it!

If you have any other suggestions or know any other books and authors that should be on this list, please let me know and I’ll do my best to add it to the list as soon as possible.

Thanks for reading 😊

#bookblr #reviews #recs #books

2 notes · View notes