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#like sure maybe u can look at the situation with nuance and be like
forestdeath1 · 17 days
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ur takes r so good but how can u like jily 😭😭 he bullied her bsf
I swear, a hundred years will pass and people will still be going on about how James bullied Snape and how poor Snape was.
I’m sorry, but read what nuance really means. Snape and James’s situation isn't just a nuance, it's a big fat stain that you somehow don't see.
They were both idiots at school. Both James and Snape.
Ok. Let's take a closer look at their relationship. Here's their first encounter:
‘Who wants to be in Slytherin? I think I’d leave, wouldn’t you?’  (Draco said the same thing, by the way)
Sirius did not smile. ‘My whole family have been in Slytherin,’ he said.
‘Blimey,’ said James, ‘and I thought you seemed all right!’ 
Sirius grinned.
‘Maybe I’ll break the tradition. Where are you heading, if you’ve got the choice?’
Notice that Sirius didn't even react to James's "I'd leave", even though he knew his whole family was from Slytherin, and he was likely to go there too.
James lifted an invisible sword.
‘“Gryffindor, where dwell the brave at heart!” Like my dad.’
Snape made a small, disparaging noise. James turned on him.
‘Got a problem with that?’
‘No,’ said Snape, though his slight sneer said otherwise. ‘If you’d rather be brawny than brainy –’
It was Snape who starts the confrontation on a personal level. James in his insults in this memory refers to moral qualities. "Who wants to be in Slytherin?" Only bad people. He is prejudiced against Slytherin because Slytherin is evil. Voldemort is gaining momentum. The first Muggle-born Minister was recently ousted. Attacks are happening here and there. Dark forces are growing. More and more of the pure-blood society talks about "Mudbloods" not belonging in this world. And "amazingly", they all turn out to be from Slytherin. James sees himself as a noble knight "James lifted an invisible sword", and he is against Slytherin not so much personally as against the moral component of Slytherin.
This doesn't mean James had the right to bully Snape. But come on, are we going to paint Snape as a poor little boy? He was the first to insult Gryffindor on a personal level. James was spot on saying, who wants to be in Slytherin? Voldemort was terrorizing the country and killing people. Think about it, what Slytherin was like back then. It's like if there was a house in some school dominated by Nazi ideals and all the main supporters of terror came from that house. Would you be all lenient about that house? Don't you get how bad things were in the wizarding world then? James expressed his preference that he didn't want to study there. Who would? It was Snape who started the confrontation, getting personal (‘If you’d rather be brawny than brainy –’). Why can't the younger generation of readers think on a bigger scale, rather than just personally? IT WAS SLYTHERINS WHO WERE KILLING INNOCENT PEOPLE. What's there even to talk about?
Yeah, sure, James was pretty blunt and rude too. Although in my view, he had the right to openly disagree with Slytherin's views.
If you're looking for who actually started all this in this situation, here's the answer — Godric Gryffindor and Salazar Slytherin. Blame those two.
But don't tell me Snape wasn't backing Slytherin's ideas. He had a bias against Muggles even before school.
“Haven’t been spying,” said Snape, hot and uncomfortable and dirty-haired in the bright sunlight. “Wouldn’t spy on you, anyway,” he added spitefully, “you’re a Muggle.”
He already had a dislike for Muggles. You'll say it's because of his bad dad? But Harry also had a bad family. Having a tough time isn't an excuse for hating on the weaker ones (in this case, Muggles).
Does it make a difference, being Muggle-born?”
Snape hesitated. His black eyes, eager in the greenish gloom, moved over the pale face, the dark red hair.
“No,” he said. “It doesn’t make any difference.
And he knew full well what Slytherin was about and the difference between pure-bloods and Muggle-borns. And still wanted to be in Slytherin.
So she’s my sister!
“She’s only a—” He caught himself quickly; Lily, too busy try- ing to wipe her eyes without being noticed, did not hear him.
Yeah, she's "only a Muggle."
I don’t like some of the people you’re hanging round with! I’m sorry, but I detest Avery and Mulciber! Mulciber! What do you see in him, Sev, he’s creepy!
Snape's mates are creepy and the whole school's scared of them. But you'll say Snape needed someone to hang out with or that he was bullied in Slytherin, so he hung out with them? Then you really don't get Snape's character. He's up for a fight. If he really didn't want to, he wouldn't have hung around with them! Snape's got a backbone, and you're making him out to be a doormat. He's not. He did what he wanted.
D’you know what he tried to do to Mary MacDonald the other day?
That was nothing,” said Snape. “It was a laugh, that’s all—”
“It was Dark Magic, and if you think that’s funny… Mulciber’s and Avery’s idea of humor is just evil. Evil, Sev. I don’t understand how you can be friends with them."
After SWM:
You and your precious little Death Eater friends—you see, you don’t even deny it! You don’t even deny that’s what you’re all aiming to be! You can’t wait to join You-Know-Who, can you?
He opened his mouth, but closed it without speaking.
It's the fifth year. When you say Snape wasn't a Death Eater yet... yeah, he wasn't, but he already knew who he was likely to become and who his mates were definitely going to be.
But you call everyone of my birth Mudblood, Severus.
And Snape calls others Mudbloods. Like I said, James' bullying of Snape was "morally directed," James saw himself as a knight in shining armor. It's awful, and James had no right to it, and of course James's actions affected Snape. But that's also not an excuse for Snape.
Snape's always been fascinated by the Dark Arts, he was famous for it at school.
Plus, Snape was known for his fondness for the dark arts. Wonder where that reputation came from? Snape came up with powerful dark spells back in school. Snape was a wizard of great power.
And Snape was just this little oddball who was up to his eyes in the Dark Arts and James — whatever else he may have appeared to you, Harry — always hated the Dark Arts.
Here's the main conflict. Somehow Snape fans say James bullied Snape because Snape was poor and James was rich. Where did you read that? Lupin was his friend and wasn't rich. Pettigrew didn't seem to be rich either. Not everything in the world is measured in money. Not all pure-blood wizards are rich. Not all Death Eaters are rich. Slytherin isn't a rich kids' club. Pure-bloods aren't an aristocracy with vaults full of money. It's fanon, but it's not canon.
Snape was a special case. I mean, he never lost an opportunity to curse James, so you couldn’t really expect James to take that lying down, could you?”
And Snape attacked James too. By seventh year, Snape had one foot already in with the Death Eaters. If you don't get how HORRIBLE that is, then I don't know how to explain it to you.
Plus, he deliberately kept tabs on them, snooping around Lupin, wanting to rat him out.
“What’s Potter got to do with anything?” said Lily.
“They sneak out at night. There’s something weird about that Lupin. Where does he keep going?
He’s ill,” said Lily. “They say he’s ill—”
“Every month at the full moon?” said Snape.
I’m just trying to show you they’re not as wonderful as everyone seems to think they are.”
And by the way, even Snape admitted that the whole school saw the Marauders as "wonderful." It probably wasn't true, the Marauders were bullies, but it was likely because they stood up for Muggle-borns and were against Voldemort's ideas. That's why they weren't seen as "evil and creepy" like Snape and the Slytherins.
About how the Marauders were actually bullies — I wrote about it here. And they never really understood anything, even when they grew up.
But please stop justifying Snape by James's actions (why is everyone forgetting Sirius?) There is no excuse for either of them. And the fact that James bullied Snape...it has no bearing on how I feel about Jily. Snape wasn't a poor kid. James wasn't a golden retriever. James and Sirius were pretty cruel. Snape was too. They just ended up on different sides of the fence.
And I don't love Snape for who he was in school. I love him for what he did afterward — bravely and selflessly securing victory over the biggest evil in the WW at the cost of his entire life.
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vasito-de-leche · 2 months
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i just realized something from each arcanist's voiceline, im not sure if u are ahead of me in this but anyways...
...their "monologue" segments, each of their monologue segments their most vulnerable they have ever been or the deepest they have ever opened up, at least for the ones that I have read.
for example:
- pavia admitting that every night it feels like he's still in piedmonte (by extension, that boarded up basement)
- blonney thinking why it's impossible for humans and arcanists to get along when they have similar interests like movies
- mesmer jr. screaming to stop being insane and leave her alone (poor girl is traumatized and a big F you to constantine and her family for being persistent in putting her in those situations)
- sotheby in yet another scene about how little she knows about distinguishing human things and arcane things (which is a problem for a young arcanist like her should she be unintentionally blatant about it)
- horropedia being glad that he is still himself despite the foundation's attempt to fit him in a mold
all in all, "monologue" segments are actually sad bits about our faves
A good chunk of the monologues are tragic, yeah - but I think that it's because we have the benefit of the full picture and we each have our own interpretations!
I just don't like to think of monologues as just exclusively sad bits for characters to show how sad they are or used to be in their lives? It takes away the nuance of how the character speaks about these things, if that makes sense!
I'll put the rest of my thoughts and ramblings under the cut so I don't keep clogging the main tag with nonsense <3
For example, Pavia's monologue - a popular interpretation of his character is that he's still traumatized by his past and the time he spent in the basement, therefore his monologue implies that no matter where he goes, he's still alone in that dark basement. From my personal reading on it, Pavia is a character who reclaimed the things that hurt him (the darkness, the isolation) and are now part of him (his wolves and shadow arcanum, his independence).
So to me, that monologue is a threat. I already explained this in detail in my first Pavia posts, so I'll spare y'all from the repetition lolol
Sotheby's monologue - you say that her lack of knowledge when it comes to differentiate human things from arcanist things is a problem. To me, this quote is just a highlight of her curiosity and her sheltered life, because she sounds chipper at the idea of learning new things. And I think it's a monologue meant to focus on her curiosity, because her Insight II is "World on the Other Side" which shows Sotheby inside a glass cage, looking outside to the real world.
The outside world is different from what I imagined. There are more arcane animals than I thought ... Humans are also more interesting!
And one can still continue to look deeper into this monologue and relate it to the full context of her situation to have a different reading!
Maybe someone else thinks this quote is extremely fucking tragic, because we're talking about a rich, privileged and sheltered girl who relied heavily on her caretaker, Mr. Karson, and now that he's gone, she's left to explore the world all on her own! Maybe it's a really lovely and happy quote, because it shows Sotheby's growth, still excited to learn about the outside world! Maybe it's all at once!
And Blonney's monologue, to me that's not a tragic voiceline at all but a rather hopeful moment for Blonney, a moment of thoughtful consideration which contrasts the "Blonde Bimbo" stereotype she's been cast in and shows how observant and attentive to detail she can be.
Is it true that humans and arcanists cannot live in harmony? We have so many things in common to share and enjoy, like the movies. As I learned about humans from the movies, so can humans learn about arcanists ... It's just that no one has made such a movie yet.
From my reading on this monologue, Blonney very clearly believes it's possible for humans and arcanists to live in harmony - it only takes for both sides to consider each other's perspectives. She's lived among humans, she's learned about humans through their movies. But she's ignorant about arcanists because of the way she was raised, because of the lack of exposure she's had to arcanists and their world.
No one has made such a movie, but maybe her, an arcanists that's experienced the duality of everything, a bimbo who is majoring in film, a major that everyone insists is wrong for her because it doesn't fit her image - maybe she can make such movie.
Yes, it's a sad monologue because of the context of subtle oppression towards arcanists, because of what we know about Blonney's life and all. But to me, it doesn't end on a sad note. Especially with how driven and outspoken Blonney is.
It's the same for Horropedia's monologue for me - yes, he's serious when talking about the way the Foundation and the way they continue to cut away all the unwanted parts of the arcanists they take in, but it also ends on a nice note. He's relieved to have survived being true to himself, he's relieved Vertin was able to do the same.
And then there's Mesmer Jr.'s monologue - this one is, without a doubt, an awful moment for her. Given what we know about her background and family, from either the main story or the Three Doors update, we can safely assume this is her having a panic attack of sorts, steming from her trauma and long-term internalized hatred/fear/disgust towards arcanists.
This is the most objectively sad and tragic monologue out of these. But what of the reading?
Is this Mesmer Jr. being comfortable enough around Vertin to let her see such a violent and vulnerable moment? Someone could easily read this as Mesmer Jr. and Vertin's relationship being repaired slowly to allow such display of vulnerability, the same way someone could easily read this as Vertin just stumbling upon Mesmer Jr. having the worst time of her life. Someone might also interpret this as Vertin doing something that caused Mesmer Jr. to react like this!
A few other examples I have at the top of my head that can differ greatly depending on the way you choose to read it...
Bette's monologue, for example!
 I've dreamt forever about my first character, not as a rich young man, a courageous adventurer, a fair or rich lady, but the first character starred by me, Bette with brown hair! I have noted them all in this notebook, which is called "My Script."
Is this voiceline sad? It can be, if you choose to intepret it as Bette's inability to get a starring role, while all of her dreams of being the protagonist are kept in a notebook that no one else will read or notice. It can also be inspiring, if you choose to interpret it as Bette holding on to the belief that she herself - not a character that she plays, but herself as a person - is important, even if no one else notices. Again, it can be this and that or both or none or all at once!
Or Baby Blue's monologue!
People at school once called me... Umm, how do you say that word? Ah... Crazy! Sad? I'm not sad... They told me that the most outstanding people were all crazy...
Yes, this can be sad, because we're talking about a 17 year old girl who was so disillusioned with her real life that she feels more comfortable in a world of illusion, while her real body remains comatose. And yes, this can be happy, because we're talking about a 17 year old girl who found a place that she truly feels alive in, where she finally has peope who understand and care for her.
I think I might've lost the point of the post somewhere through the rambling - but yeah! I don't like to think of these voicelines as just sad bits, especially with how much detail and attention the writing of R1999 has, all the love they put into all characters <3
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okay the brat tamer eddie has be shook, what about brat tamer steve? I always feel steve to be more stern and rough than eddie boy. and i NEED your opinion
now this is the kind of thing i can get into! OK!
brat!tamer steve harrington HCs~
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🧡ok, so i'd say he's innately a soft!dom kinda guy, like he's always playing momma to a group of tween boys take that as u will, and is almost always in a constant state of looking out for other ppl's best interests
🧡so i'd say that extends to you too; although in contrast to eddie's more spicy!playful energy, steve would be the ultimate soft!dom caregiver. althouuugh
🧡this doesn't just mean lots of praise, cuddles and rewards, but also some stern lectures, teaching you valuable lessons, and looking out for you.
🧡even if that means doling out some punishments and discipline every so often. not just in the classic dom way, but with his own special stevie!blend of condescension, patronization, degradation and utilising ur own horny!shame and humiliation to get you there
🧡likely it's pretty often too, tbh. i think it'd be like 40% overt rewards and indulgence, and 60% disciplinary momma!steve coming out to maintain the dynamic for you two, like
🧡i see him as pretty on board with taking care of you, but that means he has standards that he expects you to live up to as well
🧡eddie's more there for the ride, and'll indulge you bc it's fun; steve's there to give you what you need, and that primarily comes in the form of being a more paternal, guiding soft!dom than seeing you as equals. a lot of his points and decisions aren't up for debate, ngl
🧡he's a big fan of using superiority and condescending mixed with some momma!bear vibes to keep you in line, i think.
🧡so if you decide to act up, be it backtalking, going against his rules, or just being deliberately obstinate, he's going down the route of embarrassment and some pseudo-affectionate pitying to get you back in line.
🧡lots of pursed lips, creased brows, small sighs, head shakes, hands on his hips, yk? although not overtly dominating, his innate sense of knowing what's best for you almost always comes to the forefront,
🧡and he'll belittle, humiliate and degrade you in the most gentle, subtle and nuanced manner possible. it's just his way oml i want this
🧡some light spanks to your ass or the front of ur clothed pussy is a good form of punishment; maybe a couple tuts and chuckles that betray his superiority too;
🧡or perhaps some classic "no, no"s, "back up, babygirl"s, "..now don't you push it with me"s and "oh, really??"s with some raised eyebrows, placing each arm to your sides, effectively caging you in wherever you are. anything to stop you dead in your tracks, and make you rethink your whole plan to turn up the brattyness
🧡the thing is, he's not even in for the pure sexual experience, i think.
🧡he's not just here for kicks, he almost sees these power plays and displays of his covert dominance outside the bedroom as foreplay. sure, makeouts, groping and some more obvious dirty talking is lovely,
🧡but seeing you slink back and squirm in his presence when he proves you wrong; takes back control of a situation, seeing your hastily-concealed wide eyes and hitched breath; or outsmarts your bratty quip with an even quicker retort to make your pussy flutter and drip just seems to do it for him in a way that all the other stuff can't
🧡i think bc of his underlying innocence/corruption kink, he's also a big fan of giving you fake control and agency in the sexual arena. he'll lure you in with soft words, a little guidance and some praise;
🧡but the moment you get a little too overconfident or bratty, he'll flip the script on you and leave you all at sea; likely through some more shaming, condescending remarks-
"..ohh, sweetie, that's not what i asked for is it? try and pay attention, silly girl, or do you need me for everything??",
"don't think i didn't catch you yesterday, i haven't forgotten. don't touch me, you're dirty, and don't listen. we're talking about this later, you don't get anything just yet, dummy."
🧡only for him to pick you up again, and show you that what you need is his help and his guidance, bc all that soft!dom brat-taming just riles up ur pussy in a way that nothing else does. and you'll never not need it-
"pretty admirable of you to try though baby..i know, i know you can't do it very well, but you'll have to learn to take my cock whether you like it or not..those special tingles you feel? i know you don't understand, but if you feel those, you still need daddy's help, dirty girl"
🧡being big on the shame and innocence kinks, he can't help but use it to his advantage when he needs to tame that inner brattyness of yours. i think he sees it not even in isolation, but more a means to an end;
🧡how're you going to know right from wrong, good from bad if you don't experience that very bad and wrong, yk? he's ofc going to induce that, but that's bc he knows he can stop it at any moment, and he can tailor it to get to you in ways that others can't;
🧡if you don't listen, he needs to teach you how; and it'll be a long, complex and likely shamefully horny experience. not for the faint of bratty!heart, ngl.
buuut
🧡if you listen, do what he asks, and play by his rules, communicating more maturely and honestly with him over stamping a foot, whining about not getting what u want, or just answering with a sharp "nuh-UH" he'll reward you with lessons and guidance that you'd never know yourself;
🧡he'll likely dole out the praise a little harder, and reference back to when you misbehaved in the past to horny!shame remind you that it's always better to behave for him, bc through both obvious and more nuanced power moves, he'll get you to anyway, sweetheart
i could honestly write about soft!dom steve for aaages, but i thought i'd leave it here and see if y'all dig this vibe. <3
liked that sweetie? why not request something here!
some tags, bc i think you'd like this ya nasties: @ringpop-poppy @spicedchaiandromeda @stargirlfics @anythingjimhopper @punanisher @spideyheart @anisbaby @princesssmimi @kelsiejayy @mypoisonedvine @meeshasmind @creme-bruhlee @kaylawritesfics @spilledkauffie @inklore @babybugwrites @becca-e-barnes
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fishysaltine · 7 months
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(Please read the whole post and maybe my thoughts will form into coherency)
Hopefully I don’t get flack for this and word this correctly:
But I love Wyll’s story, just not his character direction, if that makes sense? (I’m still setting up to romance him tho) he had SUCH good setup for being a really nuanced character among the cast that we have and I think that’s partly due to all of the content he got cut from his story
Can you imagine how much people would crawl over Wyll if he was mother gothel’d? If he totally leaned into Mizora after ten years of isolation? ESPECIALLY AFTER BEING SCORNED BY HIS FATHER?? Bro was 17(?) and impressionable as fuck after a traumatic experience
Also I understand Wyll’s like “my dad had every right to exile me! Mizora covered her tracks!” But you can understand why someone hurt you and be pissed off and doesn’t mean that you have no right to be upset. I’D be upset if my parent left me (a literal child in this situation) in charge of protecting a whole city, then shunned me after I made the only decision that would make sure I could fulfill my city and make them proud! Wyll’s dad literally turned his back on his own son just like that, little to no questions asked, and Wyll has no?? Resentment? AT ALL?? HUH
(Imagine, pray tell, Mizora telling a young, impressionable Wyll that his father must have never truly loved him if he was willing to get rid of him so easily? Wyll hoping that his father would one day forgive him only to lose hope and return to Mizora once more??? You’re telling me that wouldn’t make the lads and ladies swoon?! Especially after learning that Wyll was a total daddy’s boy??)
And the TAV/PC had to go through the slow burn of proving to Wyll that she’s the bitch she is and is only using him? Or push him further into his mindset that Mizora cares for him, even if she hurts him? And Mizora slowly growing more and more desperate to keep her claws in him if you start pulling him away? Until the final thing she does in act 3- it would be so much more powerful and less than a “GOTCHA!”
You don’t even have to make Wyll neutral or evil! He just thinks Mizora has his best interests at heart (when she obvi doesn’t to anyone but him, as if the case with abusive relationships) The first crack would obviously be Karlach, since even Wyll states that Mizora never sent him to hunt tiefling’s, and he literally would’ve killed Karlach if TAV/PC wasn’t there (or the tadpoles) and it would’ve been so heart breaking and interesting for him to be the goodest boy with such a bad person as his “bestie”, all because of the manipulation and abuse she puts him through to keep his expectations and even self esteem low, pushed further by turning him into a DEMON.
(Judging by his dialogue I genuinely wonder if Larian intended for Wyll to have an arc like this, because it would fit a lot better into the general theme of breaking abuse cycles that the game pushes so hard. Especially from the interaction you can have with him at the tiefling party when he *ahem* ISOLATES HIMSELF FROM OTHERS)
A change in how he reacts to his trauma and abuse would’ve set him more apart too, since pretty much everyone except for Shart and Lae’zel aren’t particularly big fans of their abusers (except Gale, but I wouldn’t say he totally embraced Mystra at the time we meet, and if you romance him he throws her to wall p fast). And his abuser isn’t religious at all, it’s more personal since Mizora is literally right in his ear, it’s much more personal ig?
It also would’ve really pushed his thematic parallel to Karlach who H A T ES the devil who forced her into servitude. Can u imagine if she met Wyll, and he’s like “yeah Mizora’s the ONLY ONE looking out for me! ☝️She helps me protect the sword coast! She’s my HOMIE!” She would be so angry and sad for him, because his desperation for connection drove him to connect with a BITCH of a devil
Mizora is just the cookie-cutter narcissist abuser, she isolates her victim and makes (Wyll) rely on only her. It’s honestly more confusing that Wyll isn’t more with her, that he rejects her so vehemently after a decade with essentially only her at his side. I legit don’t understand why Wyll and Mizora weren’t dialed up to 10+ like all the other companions and their abusers are
Anyway these are my sad, slightly disappointed thoughts on Wyll, I just wish he had a lot more content in general but also his own personal journey throughout the game, but maybe it will change when I romance him
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thebestofoneshots · 2 months
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Hi! U need to add Poland to the country list, im sorry luvie. Ur spreading like a Plague Inc. virus, im sorry hahahah also im the guy that some time ago send u an annon about GC some time ago, You have asked me some questions which im sorry for not responding to ig life got busy(i did do a mountain bike marathon tho very epic). Anyway,
1. You are not fucking anything up luv, it's not coming of fetishy or objectifingly. Ur doing allright
2. When it comes to portraying falling for someone, there is no inherent difference between falling in it as a men or a woman. But I am just a guy and never been a woman so idk. Everyone is diffrent too, and I think you write them all very emotionally charged. Full of nuance and depth qnd all those feelings that just might burst.
(I might be a few chapters behind but I really like the emotionally repressed and self destructive Remus as in it makes sense. It makes a lot of sense for a guy I think. Irl he would most probably be the typa fella that starts going to the gym or gets into 1200cc piss missile motorcycles. Maybe even drink a bit too much, but "strong" enough to get over himself and use that toxic masculinity to go back to "normal")
However, after thinking about it and like whilst keeping in mind what I said earlier - I do have a gf. Looking at me and my Sunshine, whilst strongly generalizing - I think it took me longer to fall for her. Like acually fall for her, not just like her and think she is one of the most beautiful woman on earth. But now as a guy, idk I just think about her a lot, I'm more on the logical side then her. Also way more reserved idk uhh I have some sa experience so it might be just me but after chatting a bit with some people yeah guys usually more reserved waiting for the sign or something. Idk it's ig hard to describe normality bcs it's just normal to me lol
3. When it comes to specific scenes uhhh pooki what can I tell you xD they have great chemistry, with Rem hoping back and fourth. It makes sense that a lot of them are sexually charged since they cannot connect romantically (at least as far as I've read). If you have more specific ones that would be easier to say xD
A mountain bike marathon? OMG that sounds AMAZING! You guys are all mindblowing ૮꒰ ˶• o •˶꒱ა
Thank god I'm not coming off as objectifying, I swear I was terrified, I feel like there is a very thin line, especially for BL and I wanted to portray it right and do it justice, especially since I know a lot of fanfiction can be complicated, and I have read plenty of people (specifically queer men) complaining about the way their relationships are typecasted and portrayed in said media.
I definitely focus heavily on their feelings, but that's kind of the reason I decided to write GC in the first place, I wanted to explore the complications of a throuple hehe.
It makes so much sense that guys would be more reserved I think, but I think especially in queer situations, both for men and women would be, since you might not be sure if the other person is actually queer too, idk if that makes sense?
Regarding specific scenes, I remember I was super nervous when I wrote the library scene with Sirius and Remus in Chapter 26, since it was Sirius' first time to feel something for Rem, and panic over it, I was so scared it wasn't doing it right. And also in chapter 31, when Sirius sees Minho and Tom kiss and has another gay panic revelation moment. I mean, I'm not sure when I figured I was pansexual but I think if I had seen two girls kiss in a closet and I didn't know about it, it would have definitely done something to me if that makes sense.
Sending a bunch of love all the way to Poland, thanks for answering all my questions, darling ☆૮꒰•༝ •。꒱ა
Read Gilded Constellations
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celestie0 · 2 months
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can i just say right off the bat that i’m so appreciative of your posting pace??? this is by no means trying to pressure u into writing faster or anything, i just love to know that u are excited about writing this as much as we are excited to read it!!
him calling her his wife was just him manifesting in my opinion hahaha, but it was a really cute moment. i was surprised that she invited him to bed with her and that she made so many moves?? she has been really disciplined and stubborn until now, so this all was kinda new lol. i can comprehend why, but idk i don’t like seeing my girl acting desperate. maybe he fucked her up so bad that she can’t help herself anymore 🥺
i guess there’s gonna be a love triangle between him and kai?? i don’t think that kai is that bad tbh, i mean he’s obviously not gojo but he hasn’t been an asshole yet. him telling her to rethink her career choices is understandable and realistic, and if she gets a better camera because of him then all is good 🫱🏼‍🫲🏾 i just hope that gojo doesn’t get jealous again when he sees then together and starts acting like a dickhead, i feel like that would be so hurtful, like you don’t want to be with me but you can’t let me build a relationship with anyone else either?? him realizing and confessing his feelings not out of jealousy would be more impactful in my opinion, but i don’t know anything lolz so even if u want to write it like that i’m sure u would make it make sense
are there going to be some chapters where they’re together and in love or is it going to be pull and push the whole time? btw i can’t wait for his point of view
thank u so much for writing and sharing it with us 💞
hi deaaaar thank you i was enjoying the time i had to write for the past month bc im actually gonna be a lot more busy the next few months 😅🤣 i still AM very excited ab writing it and bringing the story to you all though 🫶🏼💕 and thank you sm for this ask!!
yes! i totally hear ya, reader in ch6&7 and just in general has been really strong in setting boundaries and advocating for herself, so her behavior in ch8 was a switch-up for sure. i know a lot of my readers were expecting gojo to chase after her following ch7, but i had the opposite planned for ch8 since the beginning LOL so it was a bit nerve-racking to release but i really wanted to include that scene because while i'd like to continue to write her as a strong character, i think moments of weakness especially for matters of the heart are unavoidable at times and i wanted to include that aspect of heartbreak. i imagine it was just the intimacy of the situation that got to her. you’re totally right though, i think she’s in it a bit deeper w her feelings w gojo than she had originally thought :(
thank you for sharing your take on kai’s character i see a lot of split opinions so far which is nice, i was hoping to come off ambiguous w him! and yes, very nuanced take there, i think gojo is more of an idealist when it comes to reader’s career goals while kai is more of a realist, and i don’t necessarily think there’s fault in either of those approaches.
and very interestingg 👀 i think you’ll have that take answered/addressed in ch9, but i’ll say for sure that i agree w you! jealous dickhead gojo isn’t really on my radar to write anymore either, since ch7 he’s had a bit of emotional growth in dealing w how he acts w reader. haha that’s all i’ll say without spoiling anything
and there’s only four chapters left for the story, but once again to not spoil much, the last two are very fluffy! we’re just in the angst era rn
i’m glad you’re looking forward to more and thank you for sharing your opinions n engaging w the chapter i rly appreciate it 💕
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thatbitchsimone · 11 months
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I also love Angelica and think she's so great - there's another video on her youtube where she says people should only lose their virginity in their 20's - what do you think about this? I agree with her sentiment to an extent and I do think as a woman I was put into many situations that make me feel used now and I am sure this can negatively affect men as well.. I just kind of felt ashamed/worried after watching the video because she said that having sex very young can negatively set you up for life and I agree to an extent but I think there's more nuance to it than a 20 minute youtube video can express.. And also I think the problem more with me is I didn't know to express my boundaries or communicate and people took advantage of that sometimes.. and just how women are socialised etc etc
i was just gonna watch that video but it looks like shes deleted all of those videos (which sucks ass bc she had an amazing video about the tumblr nymphet community and its parallels to nambla and how it has negatively affected us that got seduced by that little subculture back in the mid 2010s) so unfortunately i cant answer this properly bc i dont have the full context and i dont have her arguments etc but i can still give some of my immidiate thoughts on it so here we go
i think losing ur virginity/wait with sex until ur in ur 20s is probably ideal tbh and i would absolutely encourage it for anyone who is in their teens rn and havent had their sexual debut yet. main reason being that u will be old enough to understand sex and its risks and effects and u will have had time to figure ur own body out more and u will most likely have at the very least basic level emotional intelligence and maturity that is required to have safe and healthy and enjoyable sex. like u have just finished puberty and just left teenagehood behind which is a messy and confusing and rough lifestage for all of us and ur now entering adulthood and have gained some perspective etc and u are way more in tune with urself (at the very least compared to when u were a teen) and both ur body and brain will be developed enough to be able to handle sex and have a realistic attitude around it and while ofc u can still be manipulated and u may still be somewhat naive it wont be anywhere near AS easy to manipulate u as it would have been earlier bc thats just how it is. u might still be vulnerable maybe sure but if ur vulnerable now u were even MORE vulnerable when u were a teen. its just how it is. thats how growing up works. u will probably have a way easier and more enjoyable sexual debut in ur 20s bc u will have a headstart in so many ways both physically and emotionally.
BUT im not gonna pretend like its that black and white and simple. Many girls (and boys but im focusing on women here) have perfectly normal and healthy sexual encounters when they are teenagers and i rly dont believe that sex will just automatically traumatize and harm u when ur a teen bc lets be real here, the key here is that u explore sex with UR PEERS, boys and girls within ur own age group, NOT ppl that are 20+ when u are like 14-16. when ur a high schooler and u want to explore sex u do it with other high schoolers. ppl ur own age. I think its perfectly fine and normal to have sex when ur a teen, but that is assuming u are having sex with other teens. NOT ppl that are like 5 years older than u. thats when actual impactful long lasting harm becomes highly likely. feeling like u got used and heartbroken by a boy in ur school aka a boy that is ur peer and ur own age will hurt and suck and will leave an impact on u but its a very different impact than the one u will be left with if u felt taken advantaged of by someone much older (not a teen). the dynamics are whats important here i think.
sex and relationships are messy and yes u can always get fucked up from it thats just how it is. u cant avoid it. u just need to be able to handle it and maybe ur not ready to handle it until ur like 25, thats fine. dont do it then. like if u dont think ur ready, just wait until u are. if ur like 15 and feel ready then go ahead but STICK TO PPL UR OWN AGE when ur that young. u gotta be equals. period.
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bumbleblurr · 2 years
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I think it's weird when ppl say "you just think sentinel is just bad bc he committed war crimes" like he's also a generally toxic person too but ok I guess
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i saw your post about Charles and what his personality past and part in the story line so i was wondering if u could do the same for vlad? :)
Ah, well, I can at least let you know what I’ve seen so far? I haven’t delved too far into Vlad, and some of his general impressions can be confusing, so I’ll do my best to make it sensible and unbiased! Here you go lovely <33333
Fair warning, there will be mentions of a lot of JPN app content since Vlad and his boys aren’t around much in the ENG app yet.
My general sense of Vlad is basically discount vampire Sasuke Uchiha.
What I mean by this is to say–according to what I’ve read so far–his clan/family were murdered by vampire hunters in cold blood when he was just a young boy. Presumably as a result of that traumatic event, he harbors a sizable enmity towards humanity and kind of lashes out on them in weirdly specific moments of violence. Another aspect of his motivation is something that’s mentioned within Comte’s route; which is that Vlad went through the timespace door on his own one day and allegedly saw a devastated future, where nothing remains of life on earth more or less.
I guess the reason I find him to be so perplexing is that he speaks about his actions in terms of efficiency, while most of the things he does just feel like unhappy outbursts (v often a product of unresolved trauma symptoms, I’d wager.) I also say this because he appears to have no larger pattern to his fury beyond the original event of his loss. Most of the human beings he attacks aren’t much of a threat to him and hurting them really doesn’t bring him any dividends beyond revenge.
For instance, he insists his disdain for humanity and insistence on controlling them is for the sake of ensuring they do not destroy the future–the horrifying wasteland he witnessed when he traveled through the timespace door. However, I’m not really sure how his current movements really speak to that goal? I mean sure, maybe he’s relying on Faust to create an immortal human so that humans will be forced to care because it will be their future too, but he doesn’t allow Faust to draw his pureblood blood for experimenting. (One can most certainly argue this was more about a lack of trust, and perhaps for plenty reason: Faust is vindictive enough to try to turn the tables and exert control over Vlad, or act on his own whims with his findings.) But if that’s the solution he’s waiting on, turning the rivals of the men in the mansion doesn’t really bring him any closer to that vision either? I mean, what good does it do to bring back Gilles de Rais–a prominent French serial killer? How would unleashing him on the populace help humanity “realize the error of it’s short-sighted and wasteful ways” and move to a brighter future?
Can’t help it, I ask these questions as I read.
In Comte’s main story, Comte hammers home that Vlad is not somebody to be taken lightly. One day when MC goes out to buy flowers, Vlad poses as a human florist to sell them to her–which is how Comte finds out he’s in France, and that he’s made contact with MC. When prompted, Comte describes him in a very particular way; and I think people really overlook this when they talk about their relationship. He says that Vlad is frighteningly pure in terms of the way he thinks and acts. The way I understood his description (given what I’ve seen of Vlad) is that Comte really does mean it point blank: Vlad is very simple in terms of why and how he does things. The issue with this is that nuance and context are lost on Vlad as well–and that’s where the problems start to flood in. Vlad is angry at humanity for what they’ve done to him. Baseline? That’s fair, they killed his damn family. However, Vlad thinks that by extension he has the right to decimate the general public and attack people completely uninvolved in his hurt.
And that isn’t right either–it’s ignoring so many factors here. He’s ignoring how much vampires use and toy with humans as pawns, it’s ignoring the massive power imbalance between him and his victims (this really isn’t a case of self-defense most of the time, nobody but Comte/Leo is a sizable threat to him), and he’s ignoring whether or not a person even did anything to deserve his retributive violence. While murder is never okay, it is perhaps more understandable when we see Jeanne’s frenzied and violent belligerence in response to a man who murders a boy’s mother for the sake of his own amusement/convenience. Vlad literally sees almost every single one of the rivals he created begin to heal/improve and murders them in cold blood because they are no longer of any use to him. That’s uh……..that’s a little messed, not gonna lie to you chief.
While part of me understands the efficiency here–he doesn’t want to leave any traces of his involvement, he doesn’t want any loose ends–it’s also just kind of foolish and cruel ultimately. From my understanding of the narrative, all the people he turned had some visible sign that indicated their origin to Comte. So even if he claims it was for the sake of concealment, it was more likely about his personal convenience. Which…..also yikes.
[Comte clearly does not trust Vlad to be reasonable, and I think there’s plenty of good reason enumerated above, but I actually don’t sense quite so much hatred? I think he’s just given up on the idea of Vlad growing up, even if he doesn’t like giving up on people. And considering Vlad’s behavior, I think it’s overkill to say that Comte just abandons him because he doesn’t care lmao. Even when Comte expresses real anger at the end of his own route, it was more because Vlad was fine with endangering MC’s life just to get back at him. I think Comte’s unhappiness with Vlad has more to do with Vlad’s treatment of human life as meaningless and worthless. It’s fascinating but also kind of sad? Vlad’s traumatic experience results in behavior that is a direct exacerbation of Comte’s trauma, and as such--no matter their potentially fond history--they can’t stomach each other.]
In Comte’s route, Vlad also has Shakespeare abduct MC and take her to the cathedral. Later on in the castle, we see an immediate display of Vlad’s shocking powers: he has the ability to manipulate people’s desires/thoughts. I’m not exactly sure how this works, but he is able to give MC visions of the mansion and Comte coming on to her–which shocks her into realizing it’s all just a dream. It’s not reality; it’s all manufactured by Vlad.
After that...weird introductory note...Vlad gives MC the rundown on his life together with Comte, which as always is subject to a question of bias. My assumption is that he did not lie, only because he was trying to convince MC that he was “right.” Furthermore, he does not omit the most damning evidence of his erroneous judgement, which suggests a continued inability for him to see where he went wrong.
We get a series of three flashbacks. The first is them as young kids. I don’t know if Vlad had already experienced the horrors of his family being destroyed, but this particular flashback focuses on Comte. His parents, in an effort to teach him that vampires and humans have no ability to co-exist, send away all of his teachers/mentors/nannies/the servants--pretty much everyone and anyone he was closely bonded to. Think about it this way: we can see that Comte is very sociable and affectionate by nature. He was living in a house full of people, all of whom cared about him and looked after him in their own way. Now the house is entirely empty. Naturally Comte is very very upset, and Vlad appears to try to cheer him up with little success. 
[When I look back on this scene I don’t think I initially registered the sheer dissonance of Vlad’s reaction, versus Comte’s catatonic misery. There was a very solemn feeling to that memory, and the correct choice in terms of extending comfort is to hold his hand believe it or not. There is a sense that he feels very alone. When young boy Vlad enters one can argue that it was the proper thing to do; he was trying to cheer up his playmate and friend. But at the same time, I think I need to double check. Because I’m beginning to wonder if I was wrong. What if Vlad was happy to see someone as alone as him, and that joy is accordingly dissonant for that reason? He can’t see what Comte needs or how he’s hurting because he’s so glad he isn’t alone anymore in a way.]
The second flashback is the war nurse scene that I have spoken at length about. The important thing to focus on here is Vlad’s surprise that Comte would opt out of turning her out of respect for her wishes. The way Vlad frames the situation is starkly different from Comte’s. Comte sees himself as an outsider, somebody who invaded her life as a result of the timespace door and therefore has no right to suddenly change the course of her fate. He had no idea if she even wanted to live (considering the horrors she’d have to cope with and remember) or leave that time period at all, for that matter (considering the only thing keeping her going was helping the wounded/victims). Comte really was listening to everything she had to say, and he was taking her concerns and motivations seriously. 
Vlad simply says: if you want her, take her. It’s as simple as that for him. And in one way that’s not entirely wrong--assuming Comte would have every intention of looking after her and actually cares a lot about her. But what’s being ignored here is her agency and the fact that they really don’t know each other that well? Something like that could begin and be rocky, if it doesn’t end in complete disaster. Worse, I get the feeling Vlad is perfectly fine with the notion of turning her and if things don’t work out, just kill her or get rid of her. Again, the simplistic thinking comes into play here: it ultimately comes down to Vlad being self-centered. He’s thinking only in terms of satisfying his needs, he doesn’t seem to have any concept of a larger pair or group feeling. There’s an inability to bend/be flexible for the sake of maintaining a greater harmonious feeling. 
[For the record, I don’t think this makes him irredeemable? Only that it makes it very hard to live with him or love him, probably. There’s an inability to live at a joint pace? It’s always answering to what he wants without room for anything else most of the time, which to me is not living and it’s not love ;;;;]
Following their escape back to their own time, Vlad explains how he wants to use the door to turn geniuses and control humanity. He eventually wants to create a surveillance state, which would mean everyone is forced to move with his explicit approval, more or less. (He almost reminds me of Louis XIV, can’t tell if that’s what they were going for.) I have my doubts that his abilities could extend that far, but human history shows us that we are plenty susceptible to fascist and totalitarian rhetoric. In a shocking display of anger, Comte draws the line at controlling humanity and forcing them into a regime in which, and this is Vlad’s description not mine, “we (purebloods) would be like kings.” There’s definitely a concept of evolutionary superiority at play here, which echoes what I mentioned earlier; vampires seem to have this awareness that they’re apex predators in a sense, and enjoy the power that comes with that. Unfortunately, that probably makes for a fairly toxic/uncomfortable larger species culture, which is exactly what Comte and Leo hate lmao.
Vlad does not seem to find any issue with this sort of outlook, and asks MC to decide which of them--Vlad or Comte--is right. Who is more realistic, who best understands the future? As expected the MC replies that it's Comte, and Vlad goes from beseeching to big mad at record speed. He's p much that gif of the teddy bear that smacks its head down on the tables and then has the angry eyebrows.
This is where Comte intervenes, firing a warning shot that grazes Vlad's cheek and demanding he let MC go. In response, Vlad shoves MC into the turbulent timespace door--p much guaranteeing MC's death. (Essentially timespace is a void of sorts, a human being could never survive in that environment for long. Vlad fully knew this, and yeeted her anyway.)
So uh, yeah. Disagreement? Death. Moving on? Death. Nuanced approach to reality? Death. Beginning to think he doesn't really have a lot of patience or open-mindedness or any other kind of problem-solving approach. 
He raises flowers and gardens like a fiend, and he openly plucks any single flower with a blemished leaf. Even if a single petal is slightly damaged, it will be removed and destroyed. So one could argue his extremism reflects a kind of perfectionism as well. No room for errors or troublesome dissent. No ugliness of any kind. I mean in all of his interactions with Faust and Charles this is the overt undertone. Don't ask more of me than I'm willing to give. Behave like good children, mommy's busy. Is that insubordination? boss music begins
One thing I actually don't understand very well is his decision making in Dazai's route. Dazai finds out about what Vlad's doing in a nanosecond when he senses MC is in danger, and yet Vlad makes absolutely no move to eliminate Dazai? He just watches from the shadows. Even when Dazai grills Charles about his loyalty to Vlad, no retribution.
My best guess for this specific situation is that Vlad does derive some level of satisfaction thwarting the future of human beings/former humans. Dazai--being somebody with no great desire to live, no rivals to speak of as far as we can tell, and no larger aspirations--is a life that is easily extinguished. There's no satisfaction in it. When Vlad's clan was murdered and he saw the future decimated, it could be that he felt humans had invaded and eradicated every potentiality that was important to him. Where he might have lived happily with his family, that future was ripped from his grasp. Where he might enjoy his flowers and the creation of an immortal for the rest of conceivable time, that too was ripped from his grasp with a desolate future. 
So much about who Vlad is is about control, so it's very possible his lashing out is an extension of that. Dazai does not awaken any of the disdain he feels, and he does not succeed in overthrowing Vlad's control over Charles, so Vlad simply lurks in silence.
And last but not least, I've seen the preview to Vlad's newest birthday event story. The contents are incredibly revealing, in that MC wishing him a happy birthday and offering him a gift has him saying that it was "the best birthday ever." Granted idk if that’s sweet or just...beyond sad, but here we are. It’s only compounding my curiosity about the wound on his chest--I really do wonder if he was attacked and locked away by vampire hunters or hostile human beings or something. I say that only because that line speaks to a lot of isolation, and given how little he seems to care about turning people/subjecting them to his whims it feels odd. Why the isolation or lack of people who care about him? Is it a perceived lack where his actions alienated all the people who wanted to be close to him, or is it a more involuntary lack?
When she says let’s celebrate again next year, he seems a pleasantly shocked by the notion, and remarks “Ah yes, it’s a promise c:”. The preview was also mega horny: “You make me feel so loved, I don’t think I can be gentle with you tonight. If you enjoy it so much, then I won’t stop. I want to see you completely lost for me. I’ll teach your body what it means to be loved by a pureblood.” Aaaaaand pretty sure the CG was alluding to him licking the good stuff from her basement, though not entirely sure given it was only the preview. 
The brief POV they give us is also very revealing:
“You always keep your promises, and I think I underestimate all the time how much you saved me. You are good, only you are good in this world.”
“Will we continue to make promises to each other in the future? Well in that case--you will always, always be mine, my vampire.”
Tbh he’s...v sweet? In his own way? Honestly he feels like a crabapple that is just so sick of the world and wants softe wife to take comfort in. While granted that’s not really my thing, I know a fanbase appeal exists for these types--so if that’s your thing, have at it!
So now that we have reached the end of my ridiculously long analysis (when am I ever brief, I’m so sorry. If you made it all the way here you deserve a cookie at the very least, if not the right to chase me with a bat) perhaps it’s more clear why I said discount vampire Sasuke Uchiha? “My clan is gone, every other second I’m going to be in retraumatization insanity, when I’m not I’ll be seeking power/hobbies, planning the demise of people who wanted the best for me, building a team to my advantage and unquestioned control, and eventually settling for a lifelong love who sees the best in me despite my more difficult moments and perceived hollowing loneliness. Not the most ideal comparison, but I will say if Vlad was not already named the historical figure, would have pointed and yelled Uchiha.
That’s all from me folks, hopefully this was a fun way to get introduced to him? And again, hope I didn’t alienate--I fully respect what people do and don’t enjoy o7
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yamujiburo · 4 years
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Thank u sm for your answer about racebending, I understand it a lot better now!! There's still something I'm uncertain how to feel about though; what are your thoughts on "blackwashing" asian characters? Particularly east asian, and I know this can be a whooole sep discussion (whether or not east asians are poc, privilege bc of (generally) being more light skinned, whether or not anime characters are "raceless", etc), but as an e asian w light skin (in the US) I just don't know how to feel!
This is a good discussion to have and I do feel like it requires more little nuance than when it comes to racebending white characters. I go back and forth on it as a half black half Japanese person and I’m not sure I fully know the answer.
I’ve mentioned this before but there’s a lot of colorism and antiblackness in east Asian countries and communities. I’ve experienced it first hand being that I grew up in primarily Asian spaces. And Asian beauty standards also often align with the practice of skin lightening which is definitely harmful to dark skinned people so yeah it’s not great. Light skin privilege definitely exists across pretty much all ethnicities and a lot of east Asian people do get to benefit from that. 
We see a lot of this antiblackness and colorism in anime. A majority of black men being portrayed as brutes, black women portrayed as much more masculine than their light skinned counterparts (nothing wrong with masculine women but these tropes are good to be aware of), characters with dark skin often being portrayed as demons or animal-like or sometimes they’re just drawn like straight up caricatures. We’re seeing a lot more cool black characters in anime being handled respectfully but,,, still not where we need to be.
All that said, it doesn’t bother me when people racebend anime characters (and anime characters specifically) to have darker skin. Black folks have been done so dirty by anime a lot of the time that I think it’s fair to racebend some of their faves. If being Asian, doesn’t inform who the character is then it’s alright, especially if the anime isn’t really grounded in reality and has a more fantastical approach. I can’t see a situation where I would go after a person of color for giving an anime character darker skin or curly hair. I should probably mention that I don’t actually racebend much and I’m pretty sure my recent drawings are my first LOL and if I were to racebend an anime character, I’d probably make them mixed Asian, especially if they have Asian names, but that’s just me. I find that when I’m drawing anime character in a non-anime style, I just tend to give them more Asian features as opposed to the “raceless” look some anime has (because as someone who lives in the US I do feel like Asian rep is important here)
Speaking of which, I’ve been talking about media from Asian countries, anime in particular. In the US Asian people are absolutely discriminated against, fetishized and and underrepresented in media. When they are represented it’s still very common for them to fall into stereotypes. So when there is good Asian representation here in cartoons or movies I do feel like that should be respected. Like,,, I personally would feel wrong for racebending Jake Long or Juniper Lee or Hiro Hamada or the Avatar cast y’know? Maybe it’s just because western cartoons are typically more grounded in reality and the characters have noticeably Asian traits/features? But again, dark skinned Asians exist, blasians exist and seeing those takes on these characters could be cool~ 
Das my thoughts as a Black and Asian person haha. But I don’t have all the answers! Like I said, this one requires a bit more nuance.
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herestomyhaters · 3 years
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just finished love, victor season 2 & boy do i got a lot to say. beware the major spoilers & just fyi, this is comin' at you by a black, bisexual girl. PULL THE LEVER KRONK!
i don't really know who to blame 4 this, & i'm not one to dislike protagonists just because, it's just... is it me or are all other characters more developed + nuanced than victor is? i'd like to see who he is beyond the relationship drama. i mean all we really know abt him is that he loves basketball & we barely even saw anything about that this season (besides the whole homophobic lockerroom extravaganza)
mia brooks is defo giving me Best Girl. there's sth about her that warms my heart, and i think a big part of that is how rachel hilson brings her to life. it really makes u care about her. that being said, i wanna see more! i feel like they could be digging a lot deeper w/ her yet they never really do. hopefully s3 will be the one
ah, the whole benji situation. i'm not gonna lie, i don't really like benji. his relationship w/ victor was almost too perfect & bubbly for me, then it was a hot mess and they kept fighting over every single thing. i kept getting major gaslight vibes from him. i don't really think they belong together, though we should probably cut benji some slack since he has been dealing w/ a lot. i need him to own up about his white privilege tho
speaking of whites, felix weston! my man! he's one of my faves what do you want me to tell ya. seeing him in so much pain broke my heart but i love that they gave him more depth besides being the quirky, socially awkward bestie. he's one of my favourite characters 4 sure
which brings me to his relationship w/ lake. honest: i never really shipped them. they're dynamic was fun in s1 (though it was giving a bit too much stydia imo), though i never fully recovered from lake being embarrassed to publicly date him. they just didn't quite do it for me. and that's probably for the best cause... HELLO? BISEXUAL LAKE? LET'S FUCKING GO?! ngl i always thought if we got bi rep it would be w/ pilar, but i'm not mad abt this at all !!!
pilar !!! my bestie !!! my favourite serial killer vibes, billie-eilish-stanning e-girl. let's be honest she was kinda giving me pick-me vibes all season which didn't really seem like her? i could see the attitude in her style & snarky comments (which i both love), but i felt like sth was missing? maybe, just maybe... a plotline that isn't about simping for your brother's best friend who is in a relationship?
don't even get me wrong, i really like pilix! in that scene in s1, i did get the feeling sth could happen between them someday. i never really imagined they'd go abt it this way tho (i mean did we even see where pilar's feelings came from?), but i get how it's interesting to see felix being crushed on for a change. their chemistry is everything, i do wish the pining would've lasted longer (what can i say, a bitch loves slow-burn)
which is the same i can say for vahim. that's right baby, it's finally time to let y'all know where i stand. and where i stand is HERE. i love rahim to the death (also pilar & him are best duo!), he is hilarious & awesome but my god why is this show obsessed w/ getting characters into relationships when they've just exited one? barely?! absolute same thing w/ felix. it's kind of nasty & just makes rahim and pilar look like the rebounds
SIMON SPIER. WITH A BEARD. the power this mf holds cause 1 minute of his screentime had me crying like no other scene did. then victor saying he doesn't need him anymore?? well I DO ??!! i really hope they'll bring him back 😫
forgot to mention andrew so here it is: i love him, he's an amazing loving himbo jock bf. nothing else to say
all in all, i feel like a lot of situations could've been handled differently, and there's so much i haven't mentioned cause this season was PACKED (feel free to rant below). it's understandable i guess, so i'll end with these wise words by meghann fahy: it's tv BABY, people love drama!
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thatpinkbetch · 3 years
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No but you'd think the "ill keep calling u Kacchan" thing would be the first thing Katsuki insisted Deku stop doing it comes off as prime "im looking down on you" material. Yet Katsuki has not complained about it once like not even an off hand comment...
Alright, youve gotten me started, are you happy now? 😂 youre incredibly correct; seeing as how his main issue with Midoriya was believing the other was looking down on him, "Kacchan" would certainly make him feel childish, and not impressive, as he wants to be.
This is the canonical proof that Bakugou didnt hate Midoriya the way everyone seems to say he did. Their past is complicated, and nowhere near ideal, but when we talk about it, about how Bakugou treated him, we should use more nuance than we tend to, I think. There are so many people that saw little Bakugou push little Midoriya down and assume that Bakugou just beat Midoriya up every time he got the chance.
If we assume that this was truly how Bakugou treated Midoriya, that he hated him and constantly showed it with physical force, how can we reconcile him accepting this nickname? He very openly rejects what he doesnt like being forced on him, like taking first place at the sports festival, or chosing a different hero name that is less "childish". If he truly hated Midoriya, if he truly didnt want to be associated with him, he absolutely wouldve told him to stop calling him Kacchan. And yet, like you said, he doesnt even show irritation at the name.
This nickname lays bare their relationship with each other to everyone who hears it, that they were childhood friends, and know each other quite intimately. Bakugou never once complains about it. Again, i would like everyone to rethink what they believe happened in their past. Yes, Bakugou did get meaner as he got his quirk and everyone around him praised him, and im sure middle school was when they were at their lowest. Yet, there is still so much missing to us from what their lives looked like back then. The memories we are shown throughout the narrative give us very specific points that seem important to their relationship development within the storyline we're currently following. Bakugou may have pushed him down when they were tots, but...a lot of children do this. Im sure so many people who call Bakugou an abuser did the SAME things that hes shown doing when they were his age. If every child that got physical with another grew up to be "toxic" and "abusive"....the world would be FILLED with people like that.
I could go on for a very long time about this, so i guess I'll stop myself and return to the point which is that...Bakugou didnt hate Midoriya. His feelings towards the other were always complicated, and not understanding them made him very upset, which only aggravated the situation. But when we look back, Bakugou is often looking at Midoriya - whether it be to see the praise Deku gives him, or looking for validation in Dekus failure - he is...quite often thinking about Deku.
Someone (i cant remember who 😣🙏) once pointed out that while everyone else is an extra, Midoriya is a pebble in the road. While this isnt...praise...it still shows that Midoriya has always stuck out to Bakugou, despite his "averageness," his quirkless status, and theres a reason for that.
I wont go on the rant of why Midoriya is special because ive already done that once or twice before 😂 but back to the point you made so neatly and ive meandered around for paragraphs getting to, theres something about his relationship with Deku that Bakugou wants to hold onto. Maybe it's the childhood friend that knows him in a way most people simply cant anymore; maybe it's Deku, who always chases after him, no matter what he does. Either way, Horikoshi is a master of subtlety, who has given us these clues since the very beginning, building them up and making us think with every time we reread it. This one goes out to all the people who think Bakugous redemption arc was "shoehorned" 😘
Avfovnskjsocjsoxksos i feel so pretentious 😂 I hope its okay that i went on this long rant, anon, I know you already Get It. I hope this wasnt "mansplaining" 😂 im just really passionate about this, thank you for bringing it up 🥺
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enderspawn · 3 years
Note
It's alright if u don't wanna answer this cuz this argument gets people really riled up but do you think c!Techno is a tyrant or nah?
Cuz many c!techno apologists argue that he isn't just cuz he's an anarchist but I've also read a lot of essays that go against it and it'd be really interesting to see ur opinion on this
i think he, in some contexts, can most definitely be called tyrannical, yes. a tyrant? no.
to avoid spamming ppl w discourse we've all def heard before (and bc this ended up MASSIVE (like 2.3k ish), but fairly in depth bc i didnt wanna speak out of bad faith and wanted to be EXPLICTLY clear-- oops), the rest will be under readmore
so heres the thing i want to preface: i used to really LOVE c!techno. i joined beginning of s2, right when exile started, and he was arguably my favorite character. since then though i've fallen out with him a LOT, to the point i almost... actively despite him at times (though mainly in a toxic kind of way which i can acknowledge is flawed).
in short, his actions started to speak louder than his words and i lost investment in his personal character struggles because of the actions he took (doomsday was my breaking point. i get feeling angry and betrayed, as well as seeking revenge against lmanberg, but his actions went too far for me to CARE and it hurt so many more characters as well.)
so when i speak, i come from a place of disliking him but also somewhat understanding the position c!techno apologists come from: i used to be one of them myself.
NOW, do i think he's a tyrant? no. for reference in my analysis, i try to look up the definition of terms to make sure they are utilized properly. while "tyranny" and "tyrannical" can have multiple uses, tyrant itself is a more specific term. to combine the top two definitions, a tyrant is referring to "an extremely oppressive, unjust, or cruel absolute ruler (who governs without restrictions, especially one who seized power illegally.)"
techno's position as an anarchist, imo, DOES indeed make him unable to be a tyrant. tyrants are rulers with very clear power over others from a structural way. anarchists are about the lack of structure or power over others and instead viewing the people around you as equals in power.
in forming the syndicate, they very explicitly worked to not designate a leader and instead make it so that no one would have any power over the others systemically. techno may have taken a integral role, yes, but it doesn't make him suddenly "the leader", its a role that wouldve had to be filled by someone (even if it was democratic to decide who to invite, they'd need someone to hand over the invite itself yknow? like no matter WHAT there needed to be A ROLE)
one could argue that he IS a leader in the shadow hierarchy of the syndicate (which, yes, is a real and professional term used in management courses despite sounding like it comes from a 4kids yugioh dub) in that everyone CONSIDERS and looks to him a leader without him having any actual structural basis behind it, but to argue that allows him to be a tyrant is in bad faith i believe. especially because to the people he would be "ruling", he ISNT oppressive, unjust, or cruel. they are his friends and support network and critical for a lot of his personal development (since feelings of betrayal and trust issues are critical to his character and why he acts the way he does). I wish we were able to SEE this develop more, but oh well.
but like i said: tyrant is fairly specific in definition. TYRANNY, and thus TYRANNICAL are not as limited. I've discussed their definitions here. originally, i made that post because i was angry at a take i had seen that claimed that, like you said, because techno was an anarchist and not part of any government or leadership position, he couldn't be tyrannical. to which i heartily disagree.
for something to be tyrannical, they simply must have an overarching/oppressive power over someone or something. it would not be inaccurate if i were to say that something is "under the tyranny" of a concept, because what it means is that something is under the power of another thing/concept. you can frankly call anything tyranny if it is widespread/overarching and you don't like it. mask mandates? tyranny, its forcing me to act in "rigorous condition". hell, theres even such things as tyranny of the majority in which people agree too much on one thing and it gives them unfair power or tyranny of the minority where people with minority opinions have too much power (thats a very grossly oversimplified definition of both, but it covers the base idea well enough for my point)
the point im making above isnt meant to be taken as "anything can be worked to be defined as tyranny thus it is a meaningless claim", it is that tyranny (and again, thus tyrannical) are very open and nonrestrictive terms.
to make it easier to define, alongside the definitions provided i want to add an explicit clause that is (imo) implied in the original definition: tyranny is... well, bad. that is to say if someone has power over a group but literally everyone is fine with it and agrees to it, its not tyranny. thats just a group of people getting along and one happens to have power over another. a leader does NOT equal a tyrant (as discussed above), so leadership should not be equated with tyranny.
thus as an example: wilbur acting as president (before the election) may have been "unelected" with power over his citizens, but no one was upset with that power. thus, he is not a tyrant and not acting tyrannically (as well as the fact his power was, arguably, NOT rigourous or absolute but thats another topic for another time). SCHLATT however IS a tyrant, as his power was absolute (he did not consult his cabinet) and forced people to comply instead of them complying willingly, thus he was acting tyrannically.
now to finally get to the damn point of this essay: where does c!techno lie? honest answer? it depends slightly on your perspective, but it depends a LOT on the future of the syndicate.
techno is incredibly clear in his goals: no governments, no corruption. in fighting with pogtopia, he is actively working to topple a tyranny-- he isn't tyrannical for doing that.
when he strikes out on nov 16th, it is because he opposes them forming a new government. when they oppose him and disagree, he launches an attack against them. is this tyranny? maybe, but probably not. he IS trying to impose his own physical strength and power (as well as his resources) over the others to stop them from doing what HE doesn't want them to do.
however its more nuanced than that:
1. hes lashing out emotionally as well as politically. he feels betrayed by those he trusted and he believed that they would destroy the government then go (i'm ignoring any debates on if he did or did not know that they planned another government, though it is a source of debate). but typically idk about you but i dont call tyranny for someone fighting with another person.
2. he also may be acting with good intent again, in HIS EYES. if tubbo was part of manburg, whos to say he wont be just as bad? he, in his pov, is likely trying to stop another tyrant before they rise.
3. and finally, and tbh the most damning from any perspective: he gives up. he quickly leaves then RETIRES without intent to try and attack again until he is later provoked. tyranny is defined by it not just being power, but power being USED. if he doesn't use his power to try and impose any will, then he's not tyrannical.
Doomsday I am also not going to touch very in depth on for much of the same reasons. My answer is again a "maybe", depending on the weight you personally place on each issue:
1. he's lashing out as revenge for the butcher army and as revenge against tommy for "betraying" him (though this one we explicitly know he was ignoring the fact tommy did not want to go through with it, however he still did trust and respect tommy regardless so his feelings are understandable anyway)
2. he sees new lmanberg as corrupt and tyrannical (which is undeniable: house arrest for noncompliance, exile without counsel, execution without trial, etc), and thus obligated to destroy it
but also, theres the implicit understanding he's doing this to send a message: do not form a government, or else. its a display of force that also works to warn others unless they want a similar fate. phil even explicitly states that he is doing so to send that message, so one could assume techno is doing the same alongside his personal reasoning listed above.
what i just described is the use of a oppressive and harsh (physical) power in order to gain compliance from people (that compliance being 'not making a government'). does that sound familiar? exactly. it follows the definition(s) of tyranny given previously. technoblade is acting in a way that is, by very definition, tyrannical.
so the debate shifts: is he valid in doing so because he is trying to PREVENT corruption and tyranny. like i said, new lmanberg was undeniably corrupt at points. i held nothing against techno for trying to topple manburg, so does that apply to new lmanberg as well? short answer: i dont know. it depends on your specific opinion of what is acceptable. its like the paradox of tolerance: to have a truly tolerant society, you have to be intolerant of intolerance. to have a truly non-tyrannical society, do you need to have a tyranny enforcing it?
personally (and bc im a lmanberg loyalist /hj) i say it is. regardless of the corruption of new lmanberg, they are also giving a threat to EVERYONE. even those who are innocent, they are presented with the exact same threat and rule set: if you make a government, you will be destroyed.
(which, small divergence here, is part of why debating c!techno is so frustrating. so many times you end up hitting a "well it depends on your political views" situation and there ISNT a correct answer there. im here to analyze characters for fun, not debate political theory)
so: the syndicate then. this is where this debate really "took off" and i think its due to one very specific miscommunication about its goals and plans. the syndicate, upon formation, declares itself to stand against corruption and tyranny. when they are found, the syndicate would work to destroy it. so heres the golden question: what do THEY define as corruption and tyranny? if you were to go off c!techno's previous statements, seemingly "any government" is a valid answer. however, he also states he's fine with people just being in groups together hanging together.
what then DEFINES A GOVERNMENT for them? what lines do they have to sort out what does "deserve to be destroyed" and what does "deserve to exist freely"
this is a hypothetical i like to post when it comes to syndicate discourse:
i have a group of people. lets say 5 or so for example. they all live together and build together. any decisions made that would impact the entire group they make together and they must have a unanimous agreement in order to proceed, but otherwise they are free to be their own people and do their own thing. when you ask them, they tell you they are their own nation and they have a very clearly defined government: they are a direct democracy. does the syndicate have an obligation to attack?
there is absolutely no hierarchy present. there is no corruption present. but, they ARE indeed a government. is that then inherently negative? my answer is fuck no (see the whole "difference between a tyrant and a leader" thing above).
but THATS where the issue of this discourse LIES. in some people's eyes, the answer to that is YES. techno's made it clear "no government" is his personal view, but does that spread to the syndicate as a whole? do they act preemptively in case it DOES become corrupt? is it inherently corrupt because its a government, regardless of how it is ruled? the fact of the matter is because of how little we've seen the syndicate work as a SYNDICATE, we don't know that answer. so we're left to debate and speculate HOW they would act.
if the syndicate were to let that government exist, then they are not tyrannical. they are showing that they are working to stop tyranny and corruption, just like in pogtopia again.
if the syndicate were to destroy/attack that government, then they are tyrannical. simple as that. they are enforcing a rule of their own creation without any nuance or flexibility under the threat of absolute destruction.
miscommunication in debates comes, in my opinion, in the above. of course theres more points of nuance. for example:
would the syndicate allow a government like i had described with early lmanberg, where there is an established hierarchy but everyone in the country consents to said leadership? on one hand, there is no tyranny or corruption present which is what they are trying to work against. on the other hand, theres more a possibility of it occuring. perhaps they'd find a middle road between the two binary options of "leave or destroy" i am presenting, such as checking in occasionally to ensure no corruption occurs.
but if they were to destroy it without, for lack of a better word, "giving it a chance" they would be, in my opinion, tyrannical. they would be going aginst their words of opposing corruption and instead abusing their power to gain compliance.
your/others opinions may differ, again it depends on if you see it as worth it to possibly stop future tyranny or if a hierarchy is INHERENTLY a negative thing.
part of the reason so many blog gave up this debate, beyond not getting very clear answers for the syndicate, is because of the nuance present. there. is. no. right. answer. every single person will view it differently, because there is no universally agreed upon truth of right or wrong here. BUT, i hope this helps shed some light on the discussion and my thoughts on it
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chibimyumi · 3 years
Note
Your translations are so cool! I like how you emphasise cultural and situational context. Do you have any tips for native English speakers on learning Japanese?
Dear Anon,
Thank you very much!! When I translate people are usually like: (Ô_ó) “why are you still tweaking that ONE word?” And then I go: __ φ_(Ò_Ó ) “How dare?” So I’m really happy you like my translations!
I think the carefulness with which Yana writes the dialogue is as much part of her characters as their explicit actions are. I know Kuroshitsuji is notoriously hard to translate so I would never blame any non-decade-old-fan for mistranslating anything. It’s just that sometimes nuances get lost in translation... allowing me to make a series of that.
Now about tips for learning Japanese...
Tip One - Use a “hanger”
Though cheesy, my first tip is to find a way to stay (re)motivated. Learning Japanese as a foreign language is discouraging to begin with, but perhaps especially so for native English speakers. Native English speakers speak the world language for mother tongue, meaning they grew up with the entire world accommodating to their own “normal”. Native English speakers in general are given very little incentive to learn a foreign language, and therefore notoriously easily discouraged compared to non-native English speakers.
I myself compare a foreign languages to a coat. You don’t always wear the coat, you probably don’t need it at home, but it will come in handy in certain settings (outside your home). When you’re not wearing the coat you shouldn’t just let it lie around crumpled, or constantly hold it in your arms because it will tire you. Make sure you have a “hanger” to hang this “coat” to, to help you hold it. I think having an interest is the best type of “hanger”.
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For Japanese learners, it is often anime/manga, maybe J-pop, maybe dramas. Whenever you are exposed to your interest, don’t just sit back and watch. Actively wonder: “what was just said, and how was it said in Japanese?” By asking this question, you can tie your interest to your interest in the language itself.
My student uses Earthlingo to keep learning Japanese interactive and fun ^^ I myself never tried it before, but he highly recommends it.
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Tip Two - Have a framework
The second tip I would like to give is that you always need framework to learn a language well. With any language you start with learning individual words. Usually you start with a list of words you just need to learn by heart...and it can get dry very fast. And after a while your memory just gets saturated, and you start confusing the words.
I compare words to pieces of a jigsaw puzzle. It is possible to understand and remember words on their own, but it takes more effort. Look at this jigsaw piece underneath. What’s that? Well...... They LOOK like white bars... maybe they’re white feathers of a wing? Or are those fingers?
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When studying words, try to study the word in a simple sentence, then you learn all the words in the sentence too in one go while you’re at it.
Rather than just learning:
指= yubi = fingers
Try instead:
セバスチャンの指がきれいです
Sebastian no yubi ga kirei desu
Sebastian’s fingers are pretty.
In this way you give a word context, a framework to fit it in, and you also learn simple grammar as you go. Visually it is a bit similar to seeing a piece in a completed puzzle. Without having to crack your brain, you will have a framework to fit the word into.
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Tip Three - EXPOSURE!!!!
The third tip I must urge any language learner to remember is actually the most important one: EXPOSURE!!! Keeeeep yourself exposed to your target language in ANY way possible. Even if you’re not actively learning a language, your brain will be actively taking information in! ESPECIALLY if you’re young.
Even if it’s only for 10 minutes a day, make sure you spend every day exposed to your target language a little. By doing so you will train your brain to get used to the language pattern.
After you have attained a certain level of vocabulary and grammar, make SURE to keep using the language actively. Don’t be afraid to suck! I don’t want to discourage you, but you WILL suck at the beginning, all the way until you feel like you suck moderately. As perfectly illustrated in this tweet, this is how 99% of Japanese language learners experience the language. But still, don’t be discouraged, it’s normal! (Even native Japanese speakers say their Japanese sucks!)
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The most important thing to learning a language is exposure, because your brain cannot afford to go rusty. And oh my oh my, does language rust quickly! After a while of not speaking English I just feeeeel my tongue knitting up. After a while of not speaking Japanese I go: “how do I A I U E O???”
Make sure you find a sparring partner, be it online or live.
I hope this helps!!! (*´▽`*)ノ⁾⁾⁾
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Related posts:
Lost in Translation I - Sebastianese and the JP death trap known as Keigo
Lost in Translation II - Beginning of Sebastianese
Lost in Translation III - Meyrin’s “Chinglish”
Lost in Translation IV - Meyrin’s “Chinglish” II - Yana’s amazing logic
Japanese in Kuroshitsuji - THE TRAPSSS OMG
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pi-cat000 · 3 years
Text
MSA: Take Back The Future (part 3)
Summary: Vivi and Arthur travel back in time to the beginning of Hellbent. Neither of them are okay. 
(Part 1) (Part 2)
.
Mystery, instead of answering Vivi’s questions, leaps over the seat dividing the front and back areas of the van, exiting out the back doors.
“Wait, ” Vivi yells after Mystery, “get to back here and explain what happened to my memories.”
/It is not a tale that can be simply told. Not right now when we may be in danger/
Arthur thinks kitsune turned dog sounds slightly strained but it’s hard to really tell with Mystery’s weird telepathy. When the meaning of words are projected right into your brain some of the nuance is lost.
“Who is Shiromori? Why is she attacking us?” Vivi tries, following to glare at Mystery who circles the van, barely paying attention to the two of them. “Just answer one question!”
His mechanical arm twitches of its own accord and he eyes it nervously.  To hell with it. Arthur frees his hand and begins to feel about for the quick release lever hidden under a panel on his upper arm. After the van crash and almost getting thrown to his death, the arm had been too banged up to safely remove, jamming in place.  Best to be rid of it now, before everything when to shit all over again.
The sound of his heavy metal arm hitting the ashfelt draws Vivi’s attention and she turns to give him a quizzical expression.
“Better off then on,” He explains, “Wasn’t really working that well anyway. Hopefully, that’ll get rid of the curse as well.” Honestly, this cruse is the least of his worries.
Vivi exhales and Arthur can see the stress pinching her mouth, pulling it down into an uncharacteristic frown, “If the curse is specifically attached to your arm then removing it might work. On the other hand, if it’s anything like the one that got my memories then who the hell knows what will work. I certainly don’t. Apparently, I don’t know a lot of things.”
The last sentence is louder, directed at Mystery. There is no response from the dog who is staring off into the middle distance, head to one side like he is listening intently for something.  Arthur offers Vivj an uneasy shrug. He has his own questions for Mystery regarding Vivi’s memories, his arm, and the night they both went missing. However, his most recent run-in with dead-Lewis has him quickly reordering his priorities. None of the answers are going to mean much if he’s dead. Again…
Speaking of which… On the horizon, a purple light flares, glowing brightly against the dark backdrop. Arthur’s mouth goes suddenly dry and limbs feel very cold. Yeah, that seamed about right…
/You called this spirit Lewis?/ Mystery turns his head to examine him, expression troubled. /Are you sure?/  
He gives a short nod, eyes darting from Mystery then back to the road. It looks like Mystery is planning something based on how his fur is glowing red. He’d seen a similar red glow on the night of Lewis’s disappearance and during the confrontation outside his Uncle’s workshop. How much did Mystery know about Lewis? The question sticks in his mind, painfully heavy.
“Lewis? You mean the purple fire ghost? The one that caused the van crash?” Vivi steps up next to him, eyes locked onto the truck which grows quickly larger, “How are we going to stop it from running us all over?”
It’s too late to try a drive or run away now. Even if he decides to run there is a steep rocky slope on one side and a sharp climb on the other. If he did make it down by some miracle there was just flat desert and no cover for miles. Arthur doesn’t voice this observation instead commenting in a voice several octaves higher than normal, “I don’t think you need to worry about the ghost running you over. I’m pretty sure he’s only after me. So…ah…maybe don’t stand near me?”
Why? Why was Lewis trying to hurt him? In his mind’s eye, Lewis and Mystery meld together into a nightmare inferno of fire, teeth and death.
“I don’t want you to get run over either.” Vivi’s voice sounds faint, coming to him like it has travelled a great distance. Too much fear packed into too short a timeframe is making it harder and harder to concentrate. The ice at her feet thickens into long sheets, which creep out over the road, freezing it solid. He is probably lucky his remaining arm hasn’t frozen off with how tight Vivi had been holding it. Maybe if he turns into a giant Arthur icicle and he can sit this whole thing out. The hysterical thought momentarily breaks through his mounting panic.  
/Wait./
Arthur can almost hear the crackle of fire and the hum of the truck's engine.
/ You should not be drawing on so much of this power at once! You’ll damage the seal further!/
“I’m not letting Arthur die again. Anything comes near us and I’ll make whoever it is, regret it… that includes you.”
Vivi steps out so she is positioned in the centre of the road.
/I can handle this confrontation. There are still many aspects to the situation that you remain unaware of./
“And how am I supposed to fix that if you won’t tell me anything.”
/ I swear I will explain when there is more time. I only ever wanted to protect you./
“I don’t believe you.”
Vivi snaps the final sentence and punctuates it with a sharp hand gesture aimed at the oncoming truck. Several lines of ice stretch out and down the road, racing away from Vivi to meet the oncoming vehicle. Shining an ethereal blue, the frost coats the road’s surface, smoothing it over. Arthur catches the briefest glimpse of skeletal Lewis before the truck hits the ice sheets and the wheels suddenly lose traction.  The sound of metal crunching is deafening, accompanied by the hiss of water abruptly vaporising. Heat and cold collide in a cacophony cracking ice and explosion of steam.
A flash of bright purple fire. Mystery disappears, obscured by the thick columns of steam. He finds himself being yanked to the side by Vivi just in time to watch the purple truck careen past in a shower of sparks and groaning metal. At such high speeds, it rams straight into and through the guardrails separating the road from the rocky slope. Stunned, Arthur watches it disappear over the edge. If Lewis hadn’t already been dead then Arthur might have been worried. The sound of banging and crashing, as the truck presumably roles several times, has him physically wincing. Scratch that, he was worried. Very worried. Worried enough that it overtakes his mental panic and replaces it with deep concern. How durable were ghosts? He doesn’t know and that scares him. 
“Vivi! What the hell,” He finally manages to spit out, breaking his panic-induced stupor. He tries to rush past her, intent on checking for any signs of Lewis. He promptly slips. The combination of ice and his lack of a second arm throws off his balance and he ends up falling backward. He is saved from a collision with the ground by Vivi who seemed to now have supernatural levels of balance and was unaffected by the slippery surface.
“I …wow. That was… something.” Vivi breaths, examining the road still covered in planes of ice as if not quite believing it.
“Help me to the edge,” He interrupts, trying and failing to stand straight collapsing back on her, “I need to see if he’s okay,”
“Who’s okay? The ghost?"
“Yes.”
"You want to see if the ghost is okay? You said it was trying to hurt you?”
Arthur can practically see the concern and confusion now hanging over Vivi as she looks down from where she's holding him up by his one good arm.
“It’s just…a misunderstanding or something. I…we…might know this ghost.”
“What?”
“Just help me check.” He motions with his remaining arm. Visible through the plums of steam are thicker lines of darkened smoke coming from the space where the truck had disappeared.
....
Note: I’m Sorry to everyone who’s showed interest in this AU but i’m not sure if i’ll continue this since i’ve lost motivation.  Here are some of the more coherent plot notes if people are interested in this AU. Feel free to ask questions if u have any :) . 
...
-   Shiromori shows up directly after Lewis’s crash, distracting Mystery. With all the steam obscuring their vision Arthur and Vivi don’t realise that Shiromori has arrived immediately, and there is enough time to briefly look for Lewis. 
- Lewis makes it out of the truck crash only slightly worse for wear and tries to attack Arthur. Vivi moves to defend Arthur, then Arthur has to defend Lewis and it’s all very awkward for everyone. 
- Lewis sees how scared Arthur is a reconsiders his revenge plot, hesitating long enough to get some dialogue in. 
 - Arthur finally gives Vivi a brief Lewis overview (sans the whole ‘he almost threw me off a fake cliff thing’). Vivi is suspicious and somewhat unconvinced. Lewis is slightly confused when Vivi starts referring to the alternate time line. 
- Not time for further discussion because Mystery is fighting Shiromori and, since he had warning this time, he’s winning. 
(fight scene stuff. Vivi rushes in to do something idk this part is not planned.) 
Vivi overused ice abilities. 
Lewis and Arthur have a moment alone. 
Vivi, slightly untrusting of Mystery, ends up stepping to stop the two from fighting. (Vivi ends up saving  Shiromori maybe??? a parallel  to the original timeline). A dramatic moment where Vivi rushes in ( maybe takes a blow for Shiromori idk would depend on Shiromori’s backstory) and ends up injured. 
- ??? makes an appearance, takes over Vivi instead of Mystery. 
Some background world building stuff
- Vivi’s ice powers might become unsealed and she is vulnerable to ??? (spiritual energy is damaging to humans if too much is used at once or if is not used correctly)
- Yukino family are spiritual channels making them both more powerful and more vulnerable. Mystery holds a seal to the ability and it eats up a tails worth of power to maintain. Same deal with Shiromori, Mystery holds a seal to keep her fully realised abilities in check which also eats up a lot of power.
- The seal is damaged when Mystery is hurt
- Arthur is unaffected by the ice because he’s got some odd time based supernatural power which has bonded to vivi spiritual signtaure as well. This is the reason ??? want to possess Arthur. One possible resolution was for Arthur to figure out how to rewind time to the seconds before Vivi gets possessed, giving her a chance to defeat ???. It takes a lot of power which Lewis ends up giving to him. 
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Nicole’s rambling: In the defense of Oliver Ulliva and age gaps
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Okay, first let me remind you - this is my POV on the book as a whole. Everyone has their way of understanding of what exactly happened in Call me by your name (the novel) and you don’t have to agree with everything I am about to say - WHICH IS TOTALLY FINE.
Second thing - I’m going to be using translations and page references to my copy of the book - that being the first Czech edition from the year 2018, translated by Lucie Podhorná because it varies from the OG book itself (for example, when Elio talks to Vimini, my copy says "when did he tell you?" instead of "when had he tell her?"; it's just small nuances). Also, that's why I'm referring to Oliver as ‘Oliver Ulliva’, because my copy canonically confirms this being his last name - it refers to his last name being ‘Ulliva’ a few times since Mafalda cracks his egg open.
What made me even wanna write this rant? I don’t wanna in any way talk about the author or the director, or the actors. But... Well, quite a few things - especially the statement that their relationship was predatory since the very begging (simply because Oliver is seven years older) and that it was practically a ‘consensual ra*e’ and... Listen.
1. The Age Gap
Most of these were from the American audience who viewed the movie - but let me explain why Europeans might view this relationship differently and why you might change your opinion about it as well. I am not saying Americans don't do these things as well, but from what I've seen on the forums, etc., it seems to me that European x American view on age gaps is way different.
For the sake of this statement, I interviewed 10 of my European friends - of which were mostly all Czech. Europeans do not see a problem with having a seven-year (and more) age gap between the partners - you rarely find a couple of which both are the same age; three-years being the “standard” gap.
Young people, around 17 - 19, at least in my country, are attracted to older partners for various reasons - some like the intellectual potential of their partner, some are searching for a form of certitude in an older partner having their priorities sorted out and figured out their lives and what they want to do with themselves; whether we are talking about m/m, w/m, w/w or a non-binary relationship. One of my friends told me she searches older partners solely because they feel more protected by them. It's the sense of serenity, a different feeling of connection and different understanding to your other half.
I've talked to four of my friends, who both have partners of the same age or max. 1-year gap and even they told me they absolutely can see themselves dating a partner older by minimally five years. So, it's not a controversial thing here, really.
Maybe it’s more common in here, but rarely anyone frowns upon such relationships. At the time of my first relationship, my first partner was five years older than me - and I honestly couldn’t see myself with someone my age. From my experience, the relationships and bonds have a higher probability to last longer (we had a beautiful relationship of three years), it isn’t only driven by hormonal side of things and such, the feelings can develop into something more meaningful than just simple and shallow lust. More for that matter - most of these age-gap relationships didn't end extra-bad breakups and the partners tended to continue seeing each other as friends.
When I interviewed my friends, asking them about the length of these relationships, it was never less than a year. Usually, they said that they learned a ton of new stuff about themselves and having a healthy, normal relationship than from dating someone their age. So... Yeah. I guess that personal, first-hand experience is what makes us see the relationship for its good and bad, but still assures us not to perceive the relationship as predatory.
Now, you might say that while were living in the 2020s', Call me by your name took place in 1983 - and guess what? It was written in the year 2007. Does that mean something? The answer is - no. My grandma met my grandpa in the 80s' (I asked her about this as well and they have 14 years gap; my other grandma and grandpa met at the end of 80s' and the start of 90s' and they, as well, have 8 years between them) and by this, you can see that the situation is more or less the same as it was.
For all of the above, I can see why Elio fell for Oliver so quickly. First and foremost - he mentions Oliver being older like... Three, four times in a book that has word count 76.996? Elio doesn't care about age - it's a story about two human beings falling in love. It's not trying to research the problem of age and such. Stop judging the story for the wrong reason, ffs.
2. The 'consensual ra*e' argument:
Another thing I've encountered is the audience calling the story 'consensual ra*e'... Let me elaborate and tell you why you're wrong. In America, the age of consent is 16 - 18. In Europe, we have the age of consent established at 15 (the lowest being Estonia with 14) and you are a lawful adult at 18 years old. Given that Elio was 17 in the summer and 18 in November, he was already perceived as an adult; given what were his parents like and what relationship they had to him. (Again, I am looking at the story from today's perspective since the audience did as well). He was a man at the time Oliver came to Italy, he was a man at the time he had sex with Marzia, he was a man when he had sex with Oliver and he was a man when he traveled to Rome.
Elio should be perceived as an adult who carries most of his personal responsibility on his shoulders (since you're more than partially punished for the laws you break from the age of fifteen) and if he decides that he wants to be in a sexual relationship with an older man - he can rightfully do so. Surely, the relationship had another big B U T (for some people) - homosexuality and homophobia. And from the historical standpoint, I don't wanna spend too much time over it. The LGBT movement foundation ties back to 1969; given that Italy was in the capitalistic pro-American part of Europe (Czechia was under the Communist regime at the time, so homosexuality was barbarically punished in my country), I think there wasn't a problem with a subtle, not-too-obvious gay relationship. Sure, you couldn't walk into the open and hold hands and such, but you wouldn't get you beheaded.
Yeah, I mean, I'm not an expert on Italian war history and I don't particularly know what happened with Italy after WW2, but I know that in 1985, first LGBT organization got founding from the republic and from that I assume the situation, especially if it would be a subtle relationship, wouldn't be as bad.
In the story, it is hinted that both Sami and Anella were aware of the whole relationship - I mean, come on. Sami knew (since he had the big speech about being corrupted at the age of thirty, ("I think he's better than me, dad".; "And I am sure he would say the same about you, which both of you makes seem like good people." - Call me by your name, page 221)) and Anella perfectly knew at least in the movie - I mean, the car-ride home? Oh, she knew very well and she even told Marzia at the dinner, IMO.
Now tell me why would the relationship be a consensual ra*e? Because it is not bent to accommodate American laws? Because it not an ordinary every-day relationship? In which way is it ra*e? At the age of 17, you are taken as A D U L T who has their responsibilities to fulfil, at least here in Europe.
3. Oliver didn't love Elio as much as Elio loved Oliver:
... What? I mean... What?
Sure, you are seeing the whole story from Elio's eyes and for that, you are more likely to take Elio's side in this matter. In the end, it was Oliver who was getting married, right? And he was the first one to reach out, right? Well... It was a both-sided thing. At the first few pages, Elio says “"Do you want to look at them? "Not now, maybe later." Polite indifference, as if he noticed my out of place zealous effort to make him like me as he pushed me away briskly."; page 12 and on page 18, Elio states "We started - he must've seen the hints way sooner than I did - to flirt.", let alone that Elio describes that probably, Oliver visited his room while he was asleep.
I can see where the opinion that Elio loved Oliver more could've come from - he was young, hasty and captivated by the entirety of Oliver. Since we see the story by his side, Oliver can seem to be the less active out of the two. But trust me, he loved him the same amount, if not more. This was confirmed by both Sami and Vimini -
Page 92, a conversation between Elio and Vimini, Oliver went to the sea with Anchise:
"Do you know where Oliver is?" "I don't know. I thought he went fishing with Anchise." "With Anchise? He's crazy! He almost killed himself the last time!" No response. She was looking at the sun slowly setting down. "You like him, don't you?" "Yes," I responded. "He likes you too. More than you do - I think." You really think so? - No, Oliver does. - When did he tell you? - Not too long ago.
and page 220, when Sami and Elio talk about their trip to Rome:
"Oliver may be very intelligent—," I began. Once again, the disingenuous rise intonation announced a damning but hanging invisibly between us. Anything not to let my father lead me any further down this road. “Intelligent? He was more than intelligent. What you two had had everything and nothing to do with intelligence. He was good, and you were both lucky to have found each other, because you too are good."
Which obviously shows that both of the people who are indirectly watching the relationship between Elio and Oliver blossom in front of their very eyes are aware that both were very much in love. And Vimini, even if she said 'Oliver does think he loves Elio more', she could see that these two are very much attracted to each other. She was spending a lot of time with Oliver throughout his stay in Italy and she was beyond intelligent - these two were an incapable pair idiots compared to her.
So, no, Oliver doesn't love Elio more; he's just not being as childish about it as Elio is. Once more, the age gap is tying into this topic; while Oliver has his 'hot-headed' days, he already went through the phase of being obsessed by someone (or at least the phase being obsessed and letting the surroundings know). He is slightly more mature than Elio, so he just doesn't let himself go that easily.
And I think that he maybe suffers from internalized homophobia - page 224, Oliver talks with Elio as he comes back for Christmas:
"You should leave then. They (Elio's parents) know about us." "I figured so," he responded. "How?" "By the way your father spoke. You're lucky. My father would have me carted me off to a correctional facility."
In this short piece of dialogue, you can see that Oliver's father isn't okay with LGBT (not too much to wonder about, the American society was different than it is now, it wasn't a safe space for queers). And it's plausible that if Oliver had listened to this as he grew up, he got scared when his mind and body reacted to Elio in this way. We can see that for Elio, he lets go for some time; as they sleep in the 2nd part of the book and visit Rome together in the 3rd part of the book. He tried to overcome the fear and simply because he was in love with the boy, he did overcome it.
But you can see the broken shell (which was tore down in Italy) slowly getting together as Oliver gets back to the USA. He, once more, is under the pressure of American society who is not LGBT friendly at the time, his own father would've never supported his decisions regarding his love life, it could cost him his academic career... And for all of these reasons, it was more logical for Oliver to get married. It was his way of putting order back into his life; it was his way of being good as he says Elio.
So, yeah. Here you have it. Oliver was in love, the relationship could benefit both parties and it wasn't a consensual ra*e, thank you very much.
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