Tumgik
#makes her the most human character of all
Text
"Let's Have a Talk, First"- Stereotypes, pt 1
Come sit down. You and I, before we get into any of the things I'm sure you're impatient to know: we need to have a come to Jesus talk, first.
There are some things that I've been asked and seen that strengthens my belief that we need to have a reframing of the conversation on stereotypes in media away from something as simple as "how do I find the checklist of stereotypes to avoid". Because race- and therefore racial stereotypes- is a complex construct! Stands to reason then, that seeing, understanding, and avoiding it won't be that simple! I'm going to give you a couple pointers to (hopefully) help you rethink your approach to this topic, and therefore how to apply it when you're writing Black characters- and even when thinking about Black people!
Point #1: DEVELOP THE CHARACTER!! WRITE!!
Excuse my crude language, but let me be blunt: Black people- and therefore Black characters- will get angry at things, and occasionally make bad choices in the heat of the moment. Some of us like to fuck real nasty, some might be dominant in the bedroom, they may even be incredibly experienced! Others of us succumb to circumstance and make poor decisions that lead to crime.
None of those things inherently makes any of us angry Black women and threatening Black men, Jezebels and BBC Mandingos, and gangsters and thugs!
Black people are PEOPLE! Write us as such!
If all Black characters ever did was go outside, say "hi neighbor!" and walk back in the house, we'd be as boring as racist fans often accuse.
I say this because I feel I've seen advice that I feel makes people think writing a Black character that… Emotes negatively, or gets hurt by life and circumstance, or really enjoys hard sex, or really any scenario where they might "look bad" is the issue. I can tell many people think "well if I write that, then it's a stereotype" and to avoid the difficulty, they'll probably end up writing a flat Black character or not writing them at all. Or- and I've seen this too- they'll overcompensate in the other direction, which reveals that they 'wrote a different sort of Black person!' and it comes off just as awkwardly because it means you think that the Black people that do these things are 'bad'. And I hate that, because we're capable of depth, nuance, good, evil, adventure, world domination, all of it!
Tumblr media
My point is, if you write your character like the human being they are, while taking care to recognize that you as the writer are not buying into stereotypes with your OWN messaging, you're fine. We have emotions, we have motivations and goals, we make decisions, and we make mistakes, just like anybody else. Write that! Develop your character!
POINT #2: YOU CAN'T CONTROL THE READERS!!
Okay. You can write the GREATEST Black character ever, full of depth, love, nuance, emotional range, all those things…. And people are still going to be racist about them. Sorry. There is absolutely nothing you can do to control a reader coming from that place of bias you sought to avoid. If it's not there, TRUST AND BELIEVE, it'll be projected onto them.
That passionate young Black woman who told the MC to get her head out of her ass? Yeah she's an angry Black bitch now, and bully to the sweet white MC. Maybe a lesbian mommy figure if they like her enough to "redeem" her. That Black gay male lead that treats his partner like he worships the ground he walks on? Yeah he's an abusive thug that needs to die now because he disagreed One Time with his white partner. That Black trans woman who happened to be competing against the white MC, in a story where the white MC makes comparable choices? Ohhhh they're gonna be VILE about that poor woman.
It really hurts- most especially as a Black fan and writer- knowing that you have something amazing to offer (as a person and creative) and people are gonna spit on that and call it "preference". That they can project themselves onto white characters no matter what, but if you project your experiences onto black characters, it's "pandering", "self insert", "woke", "annoying", "boring", and other foul things we've all gotten comments of.
But expect that it's gonna happen when you write a Black character, again, especially if you're a Black writer. If you're not Black, it won't hurt as personally, but it will probably come as a shock when you put so much effort in to create a lovely character and people are just ass about them. Unfortunately, that is the climate of fandom we currently exist in.
My favorite example is of Louis De Pointe Du Lac from AMC's Interview With The Vampire. Louis is actually one of the best depictions of the existential horror that is being Black in a racist White world I have ever seen written by mostly nonblack people. It was timeless; I related to every single source of racist pain he experienced.
People were HORRIFIC about Louis.
It didn't matter that he was well written and what he symbolized; many white viewers did NOT LIKE this man. There's a level of empathy and understanding that Black characters in particular don't receive in comparison to white counterparts, and that's due to many of those stereotypes and systemic biases I'm going to talk about.
My point is, recognize that while yes, you as the author have a duty to write a character thoughtfully as you can, it's not going to stop the response of the ignorant. Writing seeking to get everyone to understand what you were trying to do… Sisyphean effort. It's better to focus on knowing that YOU wrote something good, that YOU did not write the stereotype that those people are determined to see.
POINT #3: WHY is something a stereotype?
While there are lists of stereotypes against Black people in media and life that can be found, I would appreciate if people stopped approaching it as just a list of things you can check off to avoid. You can know what the stereotypes are, sure, but if you don't understand WHY they're a problem and how they play into perception of us, you'll either end up writing a flat character trying to avoid that list, or you're going to write other things related to that stereotype because "oh its not item #1"... and it'll still be racist.
For example: if you wrote a "sassy Black woman" that does a z formation neck rotation just because a store manager asked her something… that's probably stereotype. If you thought of a character that needed to be "loudmouthed", "sassy", and "strong" and a dark-skinned black woman was automatically what fit the profile in your mind, ding ding ding! THAT'S where you need to catch your racist biases.
But a dark-skinned Black woman character cursing out a store manager because she's had a really bad, stressful day and their attitude towards her pushed her over the edge may be in the wrong, but she's not an "angry Black woman". She's a Black woman that's angry! And if you wrote the day she had to be as bad as would drive anyone to overstimulation and anxiety, the blow up will make sense! The development and writing behind her led to this logical point (which connects to point #1!)
I'm not going to provide a truly exhaustive list of Black stereotypes in media because that would ACTUALLY be worth a college credited class and I do this for free lmao. But I am going to provide some classic examples that can get y'all started on your own research.
POINT #4: WATCH BLACK NARRATIVES!
As always, I'm gonna push supporting Black creators, because that's the best way to see the range of what you'd like. You want to see Black villains? We got those! Black heroes? Black antiheroes? Assholes, lovers, comedians, depressed, criminals, kings, and more? They exist! You can get inspired by watching those movies and reading those books, see how WE depict us!
I've seen mixed reviews on it, BUT- I personally really enjoyed Swarm, because it was one of the first times I'd ever seen that "unhinged obsessed murderous Black fan girl" concept. Tumblr usually loves that shit lmao. Even the "bites you bites you bites you [thing I love]" thing was there. And she liked girls, too. Just saying. I thought it was a fun idea that I'd love to see more of. Y'all gotta give us a chance to be in these roles, to tell these tales. We can do it too, and you'd enjoy it if you tried to understand it!
POINT#5: You are NOT Black!
This is obvious lmao, but if you're not Black, there's no need to pretend. There's no need to think "oh well I have to get a 100% perfect depiction of the Black person's mind". That's… That's gonna look cringe, at its best. You don't have to do that in order to avoid stereotypes. You're not going to be able to catch every nuance because it's not your lived experience, nor is it the societally enforced culture. Just… Do what you can, and if you feel like it's coming off hokey… Maybe consider if you want to continue this way lol. If you know of any Black beta readers or sensitivity reviewers, that'd be a good time to check in!
For example, if your Black character is talking about "what's good my homie" and there's absolutely no reason for him to be speaking that way other than to indicate that he's Black… 😬 I can't stop you but… Are you sure?
An egregious example of a TERRIBLE way to write a Black character is the "What If: Miles Morales/Thor" comic. I want to emphasize the lack of good Black character design involved in some of these PROFESSIONAL art spaces, because that MARVEL comic PASSED QA!! That comic went past NUMEROUS sets of eyes and was APPROVED!! IT GOT RELEASED!! NO ONE STOPPED IT!!
I'm sorry, it was just so racist-ly bad that it was hilarious. Like you couldn't make that shit up.
Anyway, unfortunately that's how some of y'all sound trying to write AAVE. I promise that we speak the Queen's English too lmao. If you're worried you won't get it right, just use the standard form of English. It's fine! Personally, I'd much rather you do that than try to 'decode AAVE' if you don't know how to use it.
My point is, if you're actively "forcing" yourself to "think Black"… maybe you need to stand down and reconsider your approach lmao. This is why understanding the stereotypes and social environment behind them will help you write better, because you can incorporate that Blackness- without having to verbally "emphasize how Black this is"- into their character, motivations, and actions.
Conclusion
We need to reconsider how we approach the concepts of stereotypes when writing our Black characters. The goal is not to cross off a checklist of things to avoid per se, but to understand WHY we have to develop our Black characters well enough to avoid incorporating them into our writing. Give your Black characters substance- we're human beings! We have motivations and fears and desires! We're not perfect, but we're not inherently flawed because of our race. That's what makes the difference!
And as always, and really in particular for this topic, it's the thought that counts, but the action that delivers!
742 notes · View notes
tofixtheshadows · 3 days
Text
You guys really need to stop and consider the ways you're talking about Kabru I am dead fucking serious. Like I know that flattening characters is just what fandom does to a certain extent, but Kabru's actual personality is getting lost to the fandom hivemind insisting that he's aggressive/cruel/sociopathic/hateful, and these are particularly concerning takes to see leveled at the only brown character in the main cast day after day. "My poor sweet golden child Laios needs to be protected from this scary brown man" is not a good look! Like, it's very telling that the bulk of the hate and bad faith readings are reserved for Toshiro and Kabru. Everyone else's flaws get to be discussed and validated and forgiven (or erased), meanwhile people are straight making up things to be mad about with Toshiro and Kabru but patting themselves on the back for being smart.
The worst part is how undeserved it all is. I'm trying to lay off anime-onlys because we're still kind of in the red herring stage of getting to know Kabru, but I would still like to gently suggest that even if you think Kabru is up to something, you don't gave to get in the tags of every fan creator's post and bring up how you hate him or You Can Tell he's totally evil. Sometimes I think Kabru's blue eyes give people license to say things about his appearance that they know would sound completely racist otherwise, but referring to his blue eyes acts as a get-out-of-racism free card. The jokes about the dog with brown contacts are getting old, by the way.
For people who have read the manga, it's disappointing. Kabru is one of the most complex and important characters in the story, and if you base your interpretation of him and all your fandom interactions on shallow first impressions you are completely missing out.
I know part of this is because Dungeon Meshi is a comedy, but the story also wants to be taken seriously. For example, it's admittedly really funny when Chilchuck calls Laios "sick in the head", but that doesn't change the fact that the way Chilchuck casually belittles Laios caused him to hide the fact that he was "hallucinating" from his friends for weeks. Those feelings matter.
Like, this
Tumblr media
is funny.
But this?
Tumblr media Tumblr media
Is not. This is just a very clear example of a brown boy with PTSD. As someone else with PTSD, just looking at this fucking sucks, man.
The only reason why Kabru thinks about killing Laios is because he is in the middle of a flashback. He's struggling through a panic attack. If he truly wanted to kill Laios because he's violent or because he finds Laios inherently annoying, he wouldn't otherwise talk with Laios normally. Notice how he doesn't act this way at any other point in the story- it's just because he's triggered by monsters. Even when he's thinking about his plans to "deal with" Laios later, he's reluctant to actually kill him and only considers it to prevent another tragedy. Despite his deadly skills, Kabru relies far more on "soft" power- insight, persuasion, diplomacy. He's a rare example of a character who absolutely is, or at least can be, manipulative, but seems to use his abilities for good. He's not a pathological liar, he isn't looking down on everyone behind a smile. He's someone who is extremely emotionally intelligent, and he's willing to put aside all his own basic wants and needs to stop the cycle of dungeons devouring humans.
I'm going to cut a potential thesis on his character short and just give some examples of things that fandom should consider about his personality more:
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Racism in fandom isn't just about whitewashing in fan art, or using racial slurs. The insidiousness of bad faith readings, reductions to racist tropes, lack of fan content for characters of color, and dismissal of a character's complexity are far more common. You can believe yourself to be completely neutral or even positive about a character and still churn out low-grade bile about them into fandom's collective unconscious. Fandom reflects real life.
And I have been around fandom long enough to see how these behaviors (mostly from my fellow white fans) affect fans of color, how it makes a fandom feel hostile and unwelcome to them. It's fun to make jokes and memes, I'm absolutely not saying that everything needs to be a deeply nuanced take, but we need to be careful that it doesn't veer into toxicity. Please think about how our contributions to fandom come across, and what sort of vibes they cultivate in this communal space.
941 notes · View notes
trashogram · 2 days
Text
He Chose You (Pt. 12)
Lucifer/Reader: Lucifer chooses you to be the mother of his child. Rated E for Explicit.
(LISTEN… this story has gotten out of control and I need help.)
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12
Tumblr media
“It’s alright, child.” Sera’s moods swung round like a revolving door. She could change and bend from someone motherly to a raging Force to an uninvolved observer in a millisecond. “You don’t know any better.”
She reach out and placed a hand on your cheek, perfectly warm and loving in her caress while her eyes remained like flint against the loveliest of features. “Everything has come to pass as it should. You’ll understand in time.” 
It made you sick. Your skin grew clammy as an acidic substance shot up your esophagus and your whole body pitched backward to escape.
You would’ve taken hours locked away with that asshole Adam before you stood another minute being condescended to by the Seraphim.
You were sulking, and you knew it, but you couldn’t stop. 
The building that you had been taken into to meet Sera in the first place served as some sort of Capital. It was grandiose and reached so high up that you couldn’t see where the damn ceiling ended. Perhaps it didn’t. 
You had to take great pains to escape it, navigating among high-ranking angels of all kinds filtering from both the ground and air above you in orderly chaos. It quickened your step to notice that a number of them did a double-take at seeing you. 
           They resembled different things, just as the angels outside did, although most of them appeared human-like. You wondered briefly if there was a rhyme or reason to it, or if God chose to make the woman you barely avoided running into resemble a moose because it made Him laugh. 
Once you’d escaped the war room, you had immediately breathed a little easier. Still, you continued on until you physically felt the tiny shocks and electric currents of warning ebb from your skin. It was as if Sera’s essence had stuck to you, her presence clinging to your frame to make a longer impression.
It had your skin tightening, muscles clenching as a chaotic flood of anxiety and fear prevented you from walking solidly. Too many ‘what if’s’ took you in and out of awareness, making you stumble over nothing. 
It had crossed your mind that Emily did not appear before you’d made yourself scarce. A part of you had wondered at that, feeling as though she’d have waited for you out of some concern for your wellbeing. 
Perhaps that was all for show, however. Sera was clearly excellent at appearing benevolent, and Emily had looked toward the Seraphim for guidance in front of you. It stood to reason that Emily could also be two-faced. 
The logic was sound and yet it made you wince, whether from shame at your incorrect judge or character —
‘Or how much she reminds me of Lucifer.’
You imagined Emily looking at you while stripped of any warmth and compassion. She quickly changed, morphing into Lucifer with hollow, unfeeling red eyes. 
It hurt.
Panic had you frozen in place a time or two before you’d gained a wide enough berth to stop. 
Beforehand you’d walked clouds so polished and flat you’d swear they were glass, amidst the more general population of Heaven with your arms wrapped around yourself. It felt needed when even those outside the Capital looked at you with interest, as if they knew. 
Maybe they did. Was it against the rules to keep secrets in Heaven? 
“We are literally judges, juries and executioners in Hell.”
“Executioners?” 
“What’re you talking about?” 
The recollection of a seemingly insignificant moment drew you to a halt. You stared at the pristine ground, fists knocking at your sides. The confusion on your face doubled when you looked up. 
Your ‘wide berth’ had led you far away from the crowds of perfectly content angels and their sleek, futuristic buildings. Farther than you’d anticipated, as ahead of you lay a line of trees that thickened into a dense forest. 
Like Earth, Heaven had a variety of terrains — or so it would seem. Child-like curiosity had you crossing the line between airy openness and into the thicket of pines. All varieties of fir, pine, and larch coexisted with one another, bowing and swaying in the wind. There was nothing to be afraid of, but a sense of oddity hung in the air as you walked a perfectly sculpted path. 
The smell of damp earth and lilies rose from the ground at your feet. A warm breeze rustled the hair that hung limply around your face. Birds sung merrily above you, flitting from branch to branch. 
It occurred to you that no matter how deep you traveled into the woods, the sunlight never waned. 
And yet faintly you heard roaring. It was distant but growing louder with every step you took. 
It was not an animal nor man calling out to you from far away. You felt the change as the smell of sap intermingled with that of salt on the wind, and the floor turned from nettles and moss to pale sand. 
You rubbed your eyes as the trees parted and seemed to disappear as they revealed a beautiful, sparkling sea. 
Sun cast off the surface of the ocean, bouncing against a kaleidoscope of multicolored clouds surrounding it. And you had Dejá vu before blinking away the flash of purple and honey in your eyes. 
You watched tiny waves as they fell against the shoreline, seafoam disappearing within moments. It continued, mesmerizing you, as you ambled toward it. When the water finally rushed over your feet, it carried tiny seashells that scuttled around you. And unlike the ocean you were familiar with, this one was a perfect temperature, no acclimation required. 
For the first time since arriving in Heaven, you felt yourself smiling genuinely. 
You gave into the urge to squish the wet sand between your toes and waded into the water up to your ankles. Your worries began to wash away with each pull of the tide, slow and steady. 
Eventually, you meandered away from that singular spot and began to trek parallel to the shore. The sun never got in your eyes nor did the sand get whipped up and blow into your mouth. Everything from the waves to the breeze was gentle. 
As were the eyes that were upon you. 
As soon as you felt that stare, you stopped in your tracks. Just the thought of turning to them was daunting. 
You don’t have to look, but you do. 
There’s a woman with you now, with hair so long and blonde it’s almost white. Her chin, lips, nose, and eyes are delicate and soft.
Eve had lingered upon your every step once you’d arrived in her neck of the woods. 
She was glad to see that the effects of the beach it hid were enough to soothe you, even if it was more of a distraction than a cure. You deserved something good, even if it was relatively meager compared to everything you’d endured up to this point. 
Your figure grew smaller as you crossed the sand, away from the first woman’s hiding spot. You were none the wiser, engrossed in the soothing give and take of the water. It made it easier for Eve to creep up the beach only a few paces away, free to follow your path without ruining your tranquility. 
It reminded Eve of a simpler time when she was the one being eyed curiously from afar. 
*** Tag List: @crescent-z, @for-hearthand-home, @undertale-is-sansational, @loslox, @navierkalani, @yaimlight, @ivoryviness, @crystalplays28, @flowerempress, @wally-darling-hyperfixation, @altruisticradiodemon, @moonlight-readings, @halparkebitch, @charliecharlie65, @sockgoblin, @cocomollo, @caniseethefourthsword, @squeegeeclean, @crow-twink, @an-emovision, @marydragneell, @lafy-taffy, @fandom-imagines1, @loquacious-libra, @glowymxxn, @avadakadabra93, @froggybich, @hamthepan, @ukor02, @adaizel, @boogiemansbitch, @vinillies, @lbcreations-blog, @thesoundresoundsecho, @serenity-loves-red, @alientee, @aquaamythest96, @0strawberrysorbet0, @fluffy-koalala, @washeduphazbin, @rebecca-hvnstn, @velvette3, @kermitdafroggy, @wpdarlingpan, @apatcheworkofproblems, @cherry-cola-100, @pink-apples001, @al-of-the-stars, @backinthefkingbuildingagain, @martinys-world, @alastorssimp, @wobblesthewaffle, @shikiribee, @undertale-anomaly20, @asakura-fangirl-stuff, @ringsofpersonti, @angelicwillows, @wingoodlilboymyway, @cimadreamer, @museofzealoushope, @oneiric-rotaerc, @call-me-nyxx, @darling-angel222, @elementwind91, @bloody-delusion-expert, @martinys-world, @devilslittlebabyxx
Forgive me if I forgot to tag you or the tags don’t work, I don’t know what that keeps happening.
150 notes · View notes
fairytale-poll · 3 days
Text
FINALS!!!!!!!!!!!!!
Tumblr media Tumblr media
Propaganda Under the Cut:
Ponyo:
determined 5yo girls are more powerful than god
PONYO!!!!
As a child i did not even realize this was a little merm adaptation, but it really reads. She is sooo strange and other worldly and the movie absolutely captures that dreamlike fairy tale vibe
Ponyo a roughly five-year-old magical goldfish who can transform into a frog-type thing and a human girl. She's the eldest daughter of the literal goddess of the sea and a former human sailor given immortality. She falls in love with the five-year-old boy who cares for her and is thrilled to explore his ordinary yet magical world. She's bouncy, exuberant, and joyful. She loves ham. She doesn't have to give up her voice.
ponyo ponyo ponyo little fishie in the sea!
Little fishy
THEY LOVE HAM
Bug:
Their a bug that falls in love with a human they rescue and becomes human, but even when they don't get to keep their human body, they still get to be with their love. It's a sci-fi fairytale musical.
Little Mermaid meets Starship Troopers musical starring awesome puppets and the most trans coded main character ever. Please. Please vote Bug Starship I love him. Go watch Kick it Up a Notch from Starship. Go watch Status Quo from Starship. You will understand.
He's a bug and he lives in space on a bug planet but he really wants to be a starship ranger which you can only be if you are a human and then one day a spaceship lands on his planet and so he goes to an evil bug called Pincer who then helps him become a human. And Bug falls in love with a human on the spaceship and it's very sweet. The musical and storyline are based on the little mermaid story, the creators themselves called it "the little mermaid but in space". Bug wanting to be a human/a starship ranger and achieving that and falling in love with a human is very much like the little mermaid
Starship is a musical that can only be described as The Little Mermaid meets Starship Troopers. It follows Bug, an alien bug who dreams of being a Starship Ranger, a galactic explorer/soldier, but the rigid confines of bug society keeps him trapped in a job he hates. He reaches a Starship Ranger named February from the hive and immediately falls in love with her. In order to be with her and pursue his dream, he makes a deal with a giant scorpion named Pincer who through sci-fi bs gives him a human body. Near the end of the second act he sacrifices his human body and returns to his bug body, and saves the day and wins February's heart. It's truly the ultimate Little Mermaid. He has multiple songs, and his bug body is portrayed by a puppet!! Vote for Bug!!
“It's a big, big, universe So many dimensions And unanswered questions Not to mention Life What an invention Life There's no choice involved in what you are given One mind, one voice, one body to live in It's a short, small thing we lead With so much potential Pointless or essential Which one can I be? Where do I fit? Where do I stand? Who are they to say what I am? And how can I stay inside this awful world I know? I need a way out I need an escape I'd rather be dead than to live in this place I wish that something or someone could just take it all away Someone take me away” dear god….. can anybody hear me…. (song from starship)
They are the purest little mermaid adaptation done in the most unuque way. An alien insect gets turned into a human, a race he has always loved and admired, to be with the woman he fell in love with. Also just a great musical.
Bug's whole arc is so so in tune with that of the little mermaid. He is an alien who has fallen in love with humanity through a crashed spaceship and trades his place in the hive for a chance to be with both with the human he's falling for and to be a Starship Ranger. He body swaps with human in a cryogenic pod! It's literally sci-fi Little Mermaid!
Don't stick to the status quo and pick the fairy tale!! it's what HE would want!!!
118 notes · View notes
carlyraejepsans · 3 hours
Note
Papyrus is so weird in comparison to the rest of the cast, like a prominent theme of Undertale is how the past can hold people back and the necessity of accepting it and understanding that it should not define your present and leave you stagnant.
Toriel and her inability to protect Asriel and the children who pass through her doors, Sans and his mysterious past that he can never return to, Undyne and the pain of monsters and the monster history that she embodies more than any other character, Alphys and the determination experiments that haunt her, Mettaton and his past identity that he runs away from, Asgore and the choices he made in grief, and most importantly, Flowey/Asriel and the self he can never really go back to.
Papyrus is literally the ONLY main cast member with no relationship to the past that is holding him back in some way. Like, all of the main issues this guy faces within the narrative (his popularity and not being a member of the Royal Guard) are all issues relating to his present state, and theres no real sense that they cause him to stagnate. He's written in such a vastly different way than every other character, down to him being the only character that literally cannot kill you (the game crashes if you do). Truly insane individual.
extremely well said. although, i think he fits more with the rest of the cast if you parse undertale's story as one about self imposed narratives, as well as past mistakes as a cause of stagnation.
toriel denounced all monsterkind as violent opportunists and forced herself to suffer isolation and grief, alone, as a sense of failed duty towards asriel.
undyne did likewise, denouncing humans rather than monsters as unredeamable murderers and turning herself into a hero. she handles all of the waterfall area alone, she strengthens her resolve thinking about how much people count on her, and never confesses her feelings to alphys because she doesn't want to burden her with them in case she dies in battle
asgore and alphys, their own parallels as well, are both haunted by their past mistakes and have convinced themselves that living a lie is better than facing the truth of the damage you caused
sans lost his home and friends and is aware of the anomaly: this caused him to take up a "play the cards i'm given" attitude where he passively rolls with every punch that the current timeline throws at him, without letting himself strive for anything more than what small solace he has.
mettaton is also haunted (lol) by his past. he's also decided that, in order for his dreams to be achieved, he HAS to sacrifice the personal connections he holds dear, and that that sacrifice is one he is willing to make (first napstablook, then alphys, then the entire underground when he gains a chance to go to the surface for himself)
papyrus... well, like you said, he distinctly lacks the element of the Past to drag him back from personal development, but like the rest of the cast he DOES have the accompanying self imposed narrative with the same effect. papyrus is lonely! but he's also come to the conclusion that what would fill that loneliness is fame and a vague notion of "popularity". this leads him to not realize the value of his friendship with undyne and keep other people at arms' lenght.
still, i agree with you. his lacking a character defining past (especially in light of how much his brother's still clearly affects him) is a very peculiar writing choice. it's one of the main reasons why i think he's some kind of amnesiac
75 notes · View notes
vivitalks · 1 day
Text
man. derek is such an interesting character in season 1, especially when you can look at him through the lens of having seen the whole show, because he's like an unreliable narrator for scott, even though he's not a narrator for the show.
the thing is, derek in season 1 is the primary vehicle for werewolf lore. as new viewers, we're reliant on his character to explain to us the rules and conceits of the genre, but once you've seen the whole show, that role is no longer necessary. but for scott, in season 1, derek is the sole source of werewolf intel. derek is werewolf jesus. which means that everything scott initially learns about being a werewolf is filtered through the Derek Hale Trauma Matrix, and neither of them know it.
for example: in 1x05, derek tells scott that pain is what keeps you human (which is a mantra that gets repeated and referenced a ton over the course of the rest of the show). scott has been a werewolf for all of five seconds, and has no choice but to take the word of this obviously much more knowledgeable werewolf. in that way, derek operates as a kind of narrator for scott, giving him information and context he couldn't really get any other way. but it's unreliable info. don't get me wrong - derek isn't trying to be an unreliable narrator; he's not aware of how much his life experience has colored his understanding of his own species. it's just that...well...derek is a twenty-something with the kind of trauma that eats other trauma for breakfast. of course he would say that pain is what keeps you human. at this point in the show, pain is all he has.
this is the same guy who, in the next episode, says this:
DEREK: You getting angry? That's your first lesson. You want to learn how to control this, how to shift-- you do it through anger, by tapping into a primal animal rage, and you can't do that with her around. SCOTT: [defensively] I can get angry. DEREK: Not angry enough. This is the only way that I can teach you.
except we know, and scott quickly learns (in that very same episode, in fact), that this isn't true. anger doesn't work for everyone, and it doesn't work for scott, who's not an angry person. the things that work for derek won't work for all werewolves - but how would derek know that? he's never had to teach someone to be a werewolf before. he's not actually werewolf jesus.
to scott, derek is the only trustworthy source of information on being a werewolf, because he's the only werewolf scott knows. and from derek's perspective, everything he knows about being a werewolf must be true, because it's true for him. derek is the narrator, and it's only as his backstory unfolds that the viewers, and scott, learn just how much his history and trauma have obscured the reality of things, even for derek himself.
pain is not what makes you human. it's what makes derek human. because the moments in derek's life that stand out to him most are all tinged with tragedy. mercy killing his high school girlfriend. losing his entire family in a house fire. the death of his sister. for derek, to be human is to be in pain, and to be angry about that is the only way to be in control. after all, he doesn't have anyone teaching him otherwise.
59 notes · View notes
Any thoughts on the TOH pitch bible and pilot episode that were leaked? Anything you thought it was better than in the final product, or that the final product improved on?
Here is the pilot episode along with a lot of other Disney shows for those that missed it.
And the pitch bible
There were quite a few things I liked about the pilot better: the biggest being that Luz is actually bullied for her interests instead of pulling dangerous stunts that just make her look bad. Also, there's actual bigotry against humans in the Boiling Isles! Luz has to wear a disguise when sneaking into witch school! Lilith is more of a threat in this pilot than she was in the show! Luz and Eda feel more natural in the pilot; Eda still proclaims herself as the most powerful witch in the isles but it's obviously her ego talking while it's taken more seriously in the show. It feels like it's having more fun with itself instead of having an air of self importance.
A few things the actual show did better: Luz entering the Demon Realm. In the pilot, she just stumbles into it after trying to return Amity's passport (who is still a witch just attending a human high school for some reason). Luz trying to get her book back from Owlbert and being led directly to Eda works better for her character and the themes of the show. Also, in the pilot, Eda could just easily conjure a door to the human realm, which lowers the stakes a bit.
As for the pitch bible, it certainly is ambitious with how its world is set up: beta Belos was called Obron and was a councilor to the real ruler of the world, Emperor Pupa, who is currently in larval form and only its councilor's can understand what it's saying. Naturally, Obron is the real power behind the throne and plans on invading the human realm by possessing the Titan's body and he apparently needs a human soul to do that...
Yeah, I can see why this was simplified in the final version.
I do like some of the designs in the pitch bible better. For example, here's Willow, a.k.a. Paulina:
Tumblr media
Here's Tibbles:
Tumblr media
And lastly, even though everyone says this is beta Hunter, look me in the eyes and tell me that's not Baby Philip "Kill All Witches" Wittebane:
Tumblr media
Come on, red outfit, blue eyes, hatred of witches, really hundreds of years old, the FREAKIN' DAGGER/SWORD.
That's a proto-Philip who was split into 3 characters, he's not simply beta Hunter.
Overall, both the pitch bible and the pilot are a mixed bag; the pitch bible has some overly ambitious ideas that (thankfully) became more grounded, but it also has more interesting character designs. The pilot has a lot going on in a mere 20 minutes but it's more fun to watch imo simply because it's not taking itself too seriously.
Despite all of these what-ifs, a show is only as good as how well it carries out its ideas. Toh has a lot of creativity and compelling concepts but its biggest struggle was always in its execution.
(P.S. any accusations that Disney made Dana add Hexside are now null and void because both the pitch bible and pilot had Lilith as the Headmaster of Amity's magic school)
49 notes · View notes
sylenth-l · 2 days
Note
hello! hunter age anon back once moe with another question!!! (sorry ig yhis gets annoying!!!)
i want to ask about Cayde's dynamic with andal!!! like, how to portray their relationship and maybe cayde's general psyche when it comes to people and forming bonds.
Not at all, I love getting questions about my guys!! (I'm just bad at answering them aksdjhflks OTL)
It's… complicated, I'm never sure how to describe characters' relationships with words. I know it sounds incredibly cheesy, but to me Andal and Cayde are two halves of a whole, one feels incomplete without the other. Even if we're talking about them being just friends, they're the type who always show up everywhere together and if for some reason they aren't, they'll be texting each other non-stop still. "We're two halves of a whole idiot" - that's literally them.
You could say that they knew and understood each other perfectly, but I feel like while it's true in general everyday scenarios, on a grander scale Andal always had an upper hand in that. He knew Cayde like the back of his hand, he trusted him and believed in him far more than Cayde ever thought of himself. Cayde however wasn't exactly that sharp when it came to serious things about which Andal avoided speaking head-on - like, Cayde couldn't understand why Andal takes his Vanguard duty so seriously. It was only after he spent years as the Hunter Vanguard himself that he started to get what Andal must've felt. I don't think it's Cayde's fault or something though - Andal most likely barely ever talked about that, and he himself didn't exactly need people talking about their feelings to understand them.
I think it's safe to say, judging by how everyone speak of him and the leadership positions he seemingly effortlessly always ended up in, that Andal just gets people, he understands them extremely well and can find a common language with just about anyone. He was the one who made "significant progress in faction accords". What kind of person you must be to make faction leaders come to an agreement, at that time especially??? Convincing, sharp and charming sounds like an understatement alksdhfkjaks
So, I think it was that quality that helped Andal almost immediately see right through all of Cayde's clowney facades. And his own kindness and honesty pretty much left Cayde totally disarmed. Andal got to know him - the real him - and loved him, thought of him as his best friend. And made damn sure Cayde was aware of that as well. That's actually so, so incredibly important - because with the way Cayde is, he constantly thinks that deep down people surrounding him either dislike him or are disappointed in him. No matter how much time they spend together, it's not something he himself will just get one day because "well it's OBVIOUS" or something. His relationship with Ikora and Zavala are probably the most striking example of that. Ikora says he was one of her closest friends - Cayde says he's not sure if Ikora even likes him. The City is flooded with Cabal, lightless Guardians scattered all over the system, humanity is in shambles - and Cayde is genuinely surprised Zavala is looking for him and needs him. He leaves messages for both of them in case they kill him, making it sound like he wouldn't be surprised at all if they did. That… really shows the abysmal gap of misunderstanding between them, to put it lightly.
But Andal! Cayde never once doubted Andal and Andal's feelings for him. The good old days he speaks so fondly of is the time when he ran around the Solar system with Andal and their pack. Even if he sometimes laments that Andal is too serious and bad with jokes, that seriousness and honesty is actually just another proof that if Andal says so, then he really does like him and is impressed by whatever Cayde wanted to impress him with this time. 
I think it's probably one of, if not the most important part of what made Andal so incredibly special to Cayde - that freedom of being able to be equally honest with him, be real. Goofing off because he simply wants to goof off - not because he prefers to give people lower standards so that they won't be disappointed in him when he fails. Sharing his muddy concerns and fears that he barely even can put into words, knowing it won't be laughed at or brushed off as unimportant. Absolutely everything got better instantly if they were in it together. The mere presence of one of them in close proximity immediately cheered the other up.
I don't know, I can talk about them for hours and still not say what I wanted to say. I always miss the most important stuff somehow, no matter how many words I pour in. Honestly, I think that to better understand what was happening between them, all you have to do is to (re)read "The Man They Call Cayde" - literally half of it is basically Cayde's love letter to Andal.
37 notes · View notes
Text
I was thinking earlier about how most sinners in Viv’s Hell, particularly in the main cast, are in Hell because they were killers in life, because obviously, murder isn’t the only thing that gets you sent to Hell, and I doubt it’s the most common. Hell is full of terrible people of all kinds, not just killers. Homophobes, misogynists, abusers, racists, rapists, fascists. The worst of the worst.
But she can’t actually show any of these people being humanized, bettering themselves, and getting redeemed, because people would accuse her of saying those things are forgivable, and down playing the issue.
Look at how people reacted to Killjoy saying something homophobic. They immediately claimed that it made the show itself homophobic, even though Killjoy is an antagonist who’s homophobia is directly implied to be one of the reasons she’s in Hell.
Murder is a, “safe,” sin for the show to give the characters, because no one watching the show has been murdered, and probably very few of them personally know anybody who’s been murdered, so they don’t feel the need to treat the subject with any respect. Murder is a truly horrific tragedy that destroys innocent lives, but in fiction it’s just sorta hand waved most of the time, because it’s so far outside of the realm of reality for most people that we’re sorta just comfortable with it.
So she sorta has to have most of them be murderers, because what else can she make them?
Like, the only member of the main cast of sinners that doesn’t seem to be a murderer is Husk, who so far has been implied to be in Hell because of his alcoholism and gambling addiction, and that’s something you have to be careful about because those are both real complicated disorders that real people struggle with, and you run the risk of demonizing them if you aren’t careful.
Even though we’re largely desensitized to murder in media, no one’s worried about demonizing murderers, or generalizing them as being evil.
So again, it’s just easy to slap em with the murderer label and call it a day.
42 notes · View notes
starsreminisce · 18 hours
Note
who do you think could be Elain's potential friends in the future books?
Hard to say because that's a part of SJM's writing where literally anything can happen, but my theory is that since this story is going to take a lot of pages from ACOMAF, there is a chance that we'd see other characters play similar roles as the Inner Circle did for Feyre while Elain processes her mating bond with Lucien.
Mor, I feel strongly, will play a huge part in it. Azriel has Great Gatsby'd her for 500 years, and we see that he was about to shift that focus to Elain. She's always been protective of Elain, and we do see her earnestly try to be friends with Feyre's sisters (say what you want about ACOSF, but at the end of the day, Mor was the one who taught Cassian how to dance to surprise Nesta, and Mor brought Nesta to Emerie no questions after her fight with Cassian and convinced Gwyn to leave the library so she could be there as well). I like to think that Elain will stand up for herself to Azriel after how he has coddled her, and that it'll spark something in Mor to finally speak up as well. Mor has shown to be very perceptive of Azriel's moods and acts with that in mind, so I would hope that seeing Elain would prompt her to do the same. Since Mor has been an Elucien shipper since day one by bringing Lucien to the townhouse, I think there will be a lot of self-reflection these two can offer each other. Mor helped Feyre recognize that being Rhys's mate wasn't that bad, and I can see her asking the same of Elain about Lucien.
Vassa would likely play the role of Amren. I mean, both of them turned into something else that acts as a trump card with a promise of being turned back, and they both exhibit a take-no-crap attitude that offers self-confidence while exhibiting tough love. Amren's motives have been pulled back, leading people to theorize that she's the betrayer, and I see Vassa doing the same thing.
Jurian will play the role of Azriel, where a lot of his history and background is kept vague but traumatic, serving as a basis for his character with a unique sort of relationship with Mor while he looks at a female longingly but doesn't want to make a move until he's sure it'll happen. Feyre had always shown some sort of apprehensiveness towards Azriel. Honestly, considering how much Feyre thought about Azriel's hands, I wonder if Elain would keep wondering how Jurian lived all those centuries as an eye.
Tamlin, funny enough, will play the role of Cassian, but their dynamic would be switched up. Cassian helped Feyre process a lot of her feelings through action, and I think Elain would be instrumental in bringing Tamlin back to the High Lord he was. Elain possesses understanding, and she has benefited the most from Tamlin's generosity when he took Feyre away, so I hope she can bring that perspective to him, especially when Tamlin shows he reveres humans and Papa Archie is a testament to that resilience. I also think that we will see more insight into his parents' bond and offer reflection for Elain, since theirs was also considered ill-matched.
Eris would probably act more like Tarquin, and Elain can see what Eris is trying to do for the sake of his court. Nuan can be like Cresseida if she and Lucien are as close as they are.
And, though not strictly ACOMAF, I do see a mirroring of Elain getting closer to Helion and LoA as Lucien did to Papa Archeron. Helion could provide Elain with insight into how a rejected male feels, bringing an understanding of what Lucien will go through if she were to reject the bond, as LoA on how she navigates through it.
That's my initial thoughts, but like I said, friendships are important to SJM's characters. Emerie was introduced in ACOSAF, and Gwyn a book later, so we might get some fresh characters as well.
25 notes · View notes
ca-8 · 2 days
Text
How the Bigger Bodies Smiling Critters Died (head canons)
Alright so I R E A L L Y wanna talk about how I think the Smiling Critters perished in Poppy Playtime
Cw: mentions of (sorta) cannibalism, torture, accidental suicide, self-harm, addiction in terms of The Red Smoke
this is gonna be r e a l l y long, so strap in y'all
. ☀️⭐️🍎💡⚡️🌸❤️☀️⭐️🍎💡⚡️🌸❤️☀️⭐️🍎💡⚡️🌸❤️ .
Bubba Bubbaphant
"I'm Bubba Bubbaphant! ...Hey! I remember you!" "An elephant always remembers!" "Want to know what I remember about you...?" This character is pretty much the nerd emoji of the Smiling Critters. He's really smart, and, as he stated in his cardboard cut-out dialogue, has a really good memory. Although I can't really see that being put into play of his actual death, I can see that this last bit of information he stated (before just spiraling out of control) can be connected to our character. (Our character is an ex-worker and is always greeted with distain by the major antagonists, which leads me to believe that we have actively, or at least indirectly, participated in the child/worker experimentation/conversion based on what Bubba says. Although in his last bit of "dialogue", he's screaming quite loudly as if he was in major agony, but also laughing, as if he was ingesting something that caused great harm to his mentality and body, but since he's had it so many times before to the point where he actively begs to have more, it's agonizing, but also "heavenly." Therefore I think his cause of death would be due to him trying to escape during The Hour of Joy, but was eventually caught by CatNap and his use of The Red Smoke. In the Smiling Critters cartoon, all the critters are struggling to go to sleep because of how scared they were of the storm outside. However, once CatNap enters, they all practically light up with such disturbing happiness. Bubba is the first one to beg him to "help them go to sleep". Fast forward to The Hour of Joy, CatNap must've used his addiction against him to keep him sorta in place so he could kill him.
KickenChicken
"Hey! I'm KickenChicken! Wanna go outside and hang out?" "It's lookin' pretty rad outside!" "I've...never been outside before..." "Will you come with me? I'm scared..." "Here, follow me. I-I'll step out first..." Here, I used to think that he had barricaded himself along with some of the other critters somewhere safe inside the Playcare during The Hour of Joy, and he decided to step outside once all the humans were finally killed. Once he did, CatNap found him and killed him for his disobedience towards his god. But a recent theory sorta convinced me otherwise. I still believe in my own theory, but I also support the fact that KickenChicken could've also been one of the first toys to reach an exit to the outside world. But, once he and the other critter tried to step outside, he got killed by the Prototype.
Picky Piggy
"Hi there! I'm Picky Piggy! Let's eat!" "Roast beef? Delicious!" "Grilled chicken? Down the hatch!" "Seared elephant? Yum!" "Flayed unicorn? Mmm!" "Still hungry... Hey, what do you say you and I be friends?" (This one actually scares the hell out of me, i love it) And it's pretty obvious too, for the most part. I believe that Picky was separated by the other critters during The Hour of Joy, and ended up with nothing to eat for a long time. She ended up wandering aimlessly throughout the factory and eventually came across the corpses of her dead friends. Saddened, but desperate for food, she ate her friends' corpses as soon as she came along them, but all that effort soon went to waste as she eventually died of starvation, a constant theme throughout Poppy Playtime.
Hoppy Hopscotch
"I'm Hoppy Hopscotch! Wanna try hopping to the moon with me?" "On three with me! One... two... three! ...Heh, didn't get very far, did we?" "Again! One, two, three! Nope... still didn't make it." "Listen! This won't stop until we make it to the moon!" "One, two- No, no! Don't look at your feet! None of that matters! Again! Again!" "JUMP! JUUUU-" Yeah this one just makes me really sad, seeing how I think her death most likely would be accidental suicide. In an attempt to escape CatNap or The Prototype or another toy that was hunting them down for food, or maybe just trying to reach somewhere that lead to an exit, she encouraged her friend(s) to jump towards freedom, but due to her impulsive/impatient tendencies, she didn't think it through and ended up falling to her death.
Bobby Bearhug
"Hi! I'm Bobby Bearhug! Wanna know how much I love you?" "I love you to the moooon and back!" "I'm crazy about you." "I'm lost without you." "I've been lost a long time..." "Please, take me with you this time...!" "You won't leave me, will you??" Bobby loves everyone and everything, unconditionally. So, when The Hour of Joy occurred, she naturally felt terrified and wanted to stick close by with her friends as they tried to find a way out of the factory after that day. This might also be in relation to DogDay and Picky as well. DogDay probably shooed them away in attempt to save them from CatNap, and while the massacre occurred, Picky got lost during all the chaos. Them being her friends, she was greatly distraught by this, but soon forced herself to go along with who was left. That was when she probably witness some of their deaths: Bobby being lured by the Red Smoke and eventually killed, Kicken getting killed by either CatNap or The Protoype, Hoppy falling to her death, being scared away by CraftyCorn (I'll get to her later).
"Take me with you this time!" I believe this line was spawned from DogDay's actions. Since he was the leader of their group, she, along with the other critters, looked up to him. Perhaps Bobby believed if he has taken all of them with him, she wouldn't have ended up all alone. She eventually ended up all alone, turned to madness by loneliness as she always thought about the events that made her friends leave her. After a long time of wandering and losing hope, bit by bit as each day passed, she died of starvation.
CraftyCorn
"H-Hi, I'm CraftyCorn. Will you help me with my painting? Pass me the blue, please!" "Thanks! Now, will you give me some red?" "More red, please!" "Out...? But, w-we can't be out." "You're hiding more red from me... I know you are..." "GIVE IT HERE!" "There, now that's much better!" Despite CraftyCorn's established gentle and caring personality, both would be thrown away for the sake of keeping her creative juices flowing. She always loves everything artistic, so she also most likely uses it as a coping mechanism (and that's also seen in the Smiling Critter's cartoon, where CraftyCorn is drawing on multiple pages while still being scared of the storm outside). I believe she also witnessed some of her friends' deaths along with Bobby Bearhug, and, as her way of coping, she just tries drawing and drawing and painting and painting her worries away. But while her urges to cope may last, drawing materials do not for long, and she eventually runs out. This causes her to turn to panic, as she thinks she'll have to finally face reality that her friends are gone, but she's not ready, so she desperately tires to find more art materials, mostly the color red (because that's the most of what she's been seeing since The Hour of Joy). So, in a blind, maddened dismay, she attacks her friends and uses their blood for painting, piling on unimaginable guilt for hurting her friends, the very thing she was trying not to make herself realize.
Now as for her death. Her remaining friend(s) probably ended up leaving her for the sake of their own safety. She doesn't realize this, because again, she's so deep in her own distractions that she's lost touch with reality, until she finally runs out of red again. She desperately tries to find more, but can't extract any from an outside source. So she uses her own blood as paint. She extracts her blood, runs out, extracts again, runs out again, extracts again, runs out again, over and over until she finally harms herself to the point of dying from blood loss.
DogDay
"DogDay says... fetch!" "Go, go! As far as you can!" "Why are you...just standing there?" "You can't be here. You can't stay..." As I said earlier, DogDay must have helped his friends escape from CatNap's hunting ground and the main killing areas during The Hour of Joy. He realizes that CatNap holds a burning rage for him and his friends for not going along with The Prototypes control, and drives them out somewhere where he thinks they'll be safe. But he then told them that he couldn't go with them, because as the leader of the Smiling Critters, and holding a deep love for his friends, he felt the need to sacrifice himself so they can be safe.
Once they were away, he goes and finds CatNap. Since I believe that DogDay was once a worker for Playtime Co., I don't think he remembers his past. Therefore, he truly believes that he is DogDay, and that the Smiling Critters, including CatNap, have been friends for a lifetime. He believes that his friend is still in there, not seeing the fact that CatNap remembers exactly who he is and how he became this way, including why he worships The Prototype. DogDay tries to convince CatNap to remember all the good times they had (even though, with the Big Bodies version of the cast, CatNap was particularly distant from the rest of the Smiling Critters, since I assume they're also workers). Of course, this doesn't work, and CatNap attempts to kill him.
However, I believe that DogDay had escaped and went to look for his friends once he was at a safe distance. But this is FAR after the events of his friends' deaths, so one by one he comes across his friends' corpses, personally seeing the horrors of after The Hour of Joy "I'm...the last of the Smiling Critters...." (what he says before his own death)
After years of losing so much hope, seeing that none of his friends survived the horrors of the factory, DogDay doesn't see the point in trying to escape. If his friends didn't make it, what was the point? And, during his most vulnerable, this is how CatNap eventually ends up finding him. He gained some sick pleasure into see this heretic suffer, but he felt that he needed more misery, by kidnapping him and torturing him by cutting off his legs and feeding them to the mini critters, and stringing him up in the prison where he's slowly eaten by The Prototype's worshippers.
Still, he holds onto what sanity he has left from his interactions with Poppy (who I believe he ran into while he was wandering the Factory), and believed that an angel will bring them salvation.
. ☀️⭐️🍎💡⚡️🌸❤️☀️⭐️🍎💡⚡️🌸❤️☀️⭐️🍎💡⚡️🌸❤️ .
That's about it! Hope you guys enjoyed!!
~ 💜🌙 ~
25 notes · View notes
sceirlose · 2 days
Text
I feel like all the Skittles have SOME sort of weird thing that's going on with them. Tw mentions of blood and dissecting
Barty is batshit crazy. Wild, messy, and all over the place. Almost terrifying. He makes ur mom jokes and threatens to kill or hurt or fuck someone who's messing with him. He also learned how to do his own tatoos and piercings, thats why he has a new tattoo or piercing every month. He finds it fun and silly to be stabbing his ear and shoving a piercing through it, likes the sting cause it gives him adrenaline
And there's Pandora who says the most out of pocket shit. She has weird visions sometimes and seems to be everywhere and knows everything. And she's so incredibly calm while saying the wildest shit ever that it scares some people. People never hear her footsteps, and she just shows up randomly. Her voice is so calm and peaceful that it really doesn't fit her liking in scary creatures
Then Evan, who is just as off-putting as his sister. Unlike Barty, who is chaotic, he's more reserved and calm. But sometimes does creepy stuff and acts like it's normal. He is weirdly fascinated with disecting humans and animals. Also has a weird interest in teeth and dead animal corpses. He probably learned how to preserve them somehow. He has a like thing where dead butterflies are stuck to and he wakes up everyday to admire it as a way to start his day.
Dorcas has an interest in lucid dreaming and shifting and all things psychological. Sometimes she'll say stuff like "oh I sent a message to you in your dreams, you got it, right?" Most of the time, you probably won't get it, but it happens sometimes. Mostly to the slytherin Skittles and Marlene. She also learned to do nonverbal spells earlier in her years because it helps give her more control over her own mind. She has definitely learned and did research on why the imperius curse does what it does to its victims
And Regulus, though never to admit out loud, fucking loves astrology. He learned about it through Pandora, and since then he's been doing astrological readings. He just finds it cool how something like a time of birth, the position of a planet, the moon phase of your birth, and all can say a lot about a person.
Anyways it might not fit some characters but it's how I think of them and I love them this way cause imagine like Pandora walking up to Barty and say "certain plants can bloom above dead corpses" and Barty suggests that they have to see it happen for themselves
Or Dorcas coming up reg like "did you get my message?" And Regulus said "yeah, it's written in the stars that your relationship will go well don't worry and stop pestering me in my dreams"
Or Barty making a new piercing and Evan suggesting that he should make a piercing out of one of his insects legs and Barty was really close to doing it before Reg stopped them
Or Regulus catching squirrels for Pandora to keep in her little squirrel cage and have as a pet that'll probably die because Evan keeps feeding it the wrong food
Sometimes, the Skittles all get hurt except for Dorcas, and she says stuff like "yeah because the universe is protecting me. I'm their favourite mortal"
Barty getting slightly unsettled and maybe a bit flustered when he sees Evan so focused on learning how to use his new dissecting tool, just tweaking it here and there for his own liking yk
Regulus in a bad mood cause today's horoscope says that it's going to be shit.
Yeah they're weird
25 notes · View notes
lovemyromance · 20 hours
Note
lets talk about the truthteller scene, so az gives elain truthteller but then feyre was like "the only bridge of connection was THAT KNIFE" would you call that romantic?
I don't think it was inherently romantic actually, but it was significant. That scene marks a turning point in not just Elain, but Elain & Azriel's relationship.
Before that moment, Elain seldom had moments of boldness or where she was even the focus in ACOWAR.
The first turning point for her was when Azriel discovered her powers, freeing her from her depressive state.
The next turning point was when she helped Feyre find the Suriel - showing she did care, she did want to help, however she could.
Then the next significant event was when she asked Graysen to give the humans asylum in his fortress- displaying her boldness and strength to do what is right even if she knew it would pain her.
Then, when Azriel rescued her from Hybern. This scene I do believe was written to be romantic, but it also displayed Elain's resilience and determination when she kicks the hounds away with her bare feet.
The truthteller scene I think is more than just Azriel giving Elain a dagger to defend herself with. Let's not forget that Cassian offered Elain a dagger first, but she took the one Azriel gave her.
This scene is significant for both Elain & Azriel:
For Elain: The fact that she even accepted this dagger shows she was willing to do what was necessary to help her family. Maybe she had a vision, maybe she trusted Azriel after he rescued her and whatever conversations they had together in the garden, maybe she wanted something to defend herself with - but something definitely made her accept Truthteller over the dagger offered by Cassian. She sealed her fate, accepted what had to be done the second she took the blade.
Additionally, the scene is written from Feyre's POV, and Feyre uses some very vivid, beautiful imagery to describe it. It's interesting because the act itself of giving someone a weapon for defense is not something people romanticize- and yet that is what Feyre did when she described the scene as a painting.
Tumblr media
That knife is the first indicator of a connection between them. Feyre had no business describing Azriel handing over a knife so beautifully - which leads us to raise the question - Why? She could've said "Azriel gave her a dagger 😐" and moved on to the actual battle scenes, but she didn't.
Compared to the other main characters, Elain does not objectively have that many scenes in ACOWAR. And yet, there are intentional scenes with her dedicated to Azriel discovering her powers, Azriel sitting with her in the garden, Azriel rescuing her from Hybern, Azriel giving her truthteller. It is for a reason. It is all significant to draw attention to that connection.
For Azriel: The truthteller scene is also significant because it is made clear he goes out of his way to make sure Elain is not defenseless.
He says "so I want you to." - Personally asking her to take the dagger.
Tumblr media
Furthermore, he gently takes her hand and places the blade into it. When has Azriel ever initiated physical contact? In this scene, he isn't even self conscious about his own hands, no, his focus is on making sure Elain is protected. Their hands even linger on the blade, enforcing that connection between them.
Tumblr media
On top of all that, SJM makes it a point to show us Azriel has never lent out that dagger before Elain.
Feyre wonders. Cassian gawks. Rhys confirms the fact that Azriel has never let anyone even touch that dagger. 3 separate people observe and are shocked by Azriel's actions.
The fact that Azriel trusted Elain enough to take his dagger was significant.
The fact that she accepted the dagger was significant.
The fact that Feyre described the scene so beautifully, with an artist's mind, was significant.
The fact that 3 people were shocked by Azriel offering his most prized possession to Elain, was significant.
Without even delving further into what Elain used that dagger for ultimately, and the importance of her stepping out of a shadow and slaying the king with that very knife - the entire truthteller scene was a pivotal moment for both Elain, Azriel and their relationship. It might not have been romantic in the most basic sense, but it marked an important moment in their blossoming relationship for sure.
39 notes · View notes
tac-the-unseen · 2 days
Text
What the Lost boys think about vampire related media
Fluff, x reader but just barely
Tumblr media
•While making conversation with your four Vampire lovers you were suddenly plagued with a question.
“How do you guys feel about vampire related media?”
-That question was an immediate head turner. The cave goes dead quite before Dwayne speaks up, “Well…vampires are in hiding so…”
-This sparks a conversation about how media representation of vampires may not be accurate, but that's a good thing. “If a book or movie comes out and it is shockingly accurate to what being a vampire is really like, the creator isn't going to last long.” David explained
-That's because there's a set of rules vampires have to follow and one of those rules is to never publicly reveal your double life identity
-”If something like that comes out, that means a vampire has broken that rule OR somebody knows vampires very closely and is creating media they know shouldn't exist.”
-Turns out if a vampire breaks that rule it's basically open season to kill and destroy their creations.
•You turn the conversation and begin to ask how they, specifically, feel about certain vampire representation
•Bram Stoker's Dracula
-Dwayne is the first to buy in his opinion.
-Dwayne feels that while it is a cult classic and well written, The characters are exceedingly dumb.
-”Johnathan spends a ridiculous amount of time talking about other characters ‘Breasts’ and trying to figure out why his host climbs walls ‘like a lizard's.”
-David is the next one to speak up
-David thinks it's not really worth the read
-”Unless you're trying to brag to people there's no point in reading it.”
-”Also why was Mina talking to that old sailor so much?”
-Paul laughs as he remembers “how fucking crazy he wrote Dracula to be”
-”I'm pretty sure the real Dracula thinks it's a heinous crime against him”
-Paul hasn't read it but have heard enough about it to know even the more obscure references
-Marko comments on the graceful writing style and the beautiful descriptions
-”I've only read it because Dwayne thought I would like it"
-Marko also loves how oblivious Jonathan and most of the other characters are
-All of them think the movie adaptation is hilarious and love the shitty special effects
•Interview with a vampire
-Paul chimes in immediately
-”God it's so homo erotic it hurts…in a good way.”
-Paul thinks its a nice horror novel mixed with a weird cozy atmosphere
-Dwayne thinks it's another well written classic and He actually begins to rave about all the themes involved within Anne Rice’s work
-”It's a beautiful Gothic thriller with a deep, sadly comedic energy.”
-He even offers to read it too you sometime
-Marko chimes in quickly about “Claudia’s rebellious behavior and persona”
-”imagine watching your family choose somebody else over you. It's so deeply upsetting but to an understandable level.”
-”I would have hated to turn so young. I look like a teenager and other people can respect that to a certain point. But being five years old with the mind of an adult, No one would respect you.”
-Marko relates to Claudia on an internal level and loves unraveling her character. When you ask why he quickly responds "Some people call me a cherub... You think I enjoy that?"
-David says he doesn't have much to say other than it was a decent read (That's his version of a compliments)
•Twilight
-All of them agree that it's laughably horrendous
-Almost immediately at the same time they say “This is the skin of a killer Bella”
-This leads to banshee like laughter
David speaks up immediately
-”Why do you humans want us to sparkle so bad?”
-”I personally hate the idea of being a walking disco ball, but to each their own.”
-Marko chimes in quickly
-”Would you like it if we sparkled?” He asked while leans on you affectionately
-Marko thinks the only reason to read it is to have a nice laugh
-”Why did Edward have such a violent reaction of Bella standing by a fan? That makes no sense…like I have mates and I enjoy the smell of you guys but…I'm not nearly clawing off my face at your smell”
-”Yeah yeah, I get he's trying not to overreact but running out of class to get away is crazy.”
-Paul even adds that even thought it's very dumb even he can appreciate the message it's trying to said.
-”something something, coming over adversary, something something, love wins, something something..”
-”Also that Jacob imprinting on Bella's infant daughter is super fucking creepy.”
-when you asked Dwayne about his feels he scoffed and said It's insulting at best and borderline sexual harassment at worst.
-He refused to go into depth
•You thank them for humoring you and they tell you that it's no problem
-David kisses the side of your head in an uncharacteristically soft way “We don't ever mind answering your vampire related question.” He tells you
-Marko turns to you “But seriously do you want us to sparkle?”
-”I think I have some roll on body glitter somewhere..” Paul says while getting up to look for it
Thanks for reading <3
48 notes · View notes
yandere-paramour · 2 days
Note
You mentioned that Ata isn't typically very clingy, so I was wondering how she would feel with a darling who's very cuddly. Maybe after they realize that she's not going to hurt them and is actually a pretty nice, good person (aside from the obvious), they want to be close to her often. A darling that gives long hugs goodbye and wants to cuddle as soon as she gets home. I say this mostly because I want to sit on her lap and bury my face in her neck...
I love your writing and characters, thank you for posting them and I hope you're having a good day!!
Atalanta isn't very touchy because she wasn't raised very touchy. She was raised basically the same as 18th-century royals. She was brought up by a series of nannies and governesses until she was old enough not to be gross and whiny, and then she was raised as the perfect heir. There was not a lot of time for coddling and warm hugs in her childhood, she was busy practicing violin, studying, running the debate club, and taking regular trips to her mother's office so she knows how a real business runs.
Now that she is an adult, she is severely touch-starved and she doesn't know it. The most touch she gets is hugs from her parents every few months and business handshakes. If Darling comes and immediately starts hanging off her and wanting to cuddle all the time, it will initially make her extremely uncomfortable and downright confused. But not for long.
She will quickly warm up to it. This is all the warmth and human connection she never had, and she finds she loves it. She will spend all day after work with you on her lap, carrying you from room to room as you cling to her. You both spend weekend hours in the screening room, her form absolutely encasing yours as you curl into a safe little ball in her arms. She will feed you fruit with her own hands, lean in to smell your scent, even bathe you and wash your hair herself. This is pretty much healing every wound she ever had, and I hope you know there's no way she'll ever give you up now.
You better set some boundaries early on or else she'll be on you like a handsome, rich, successful fungus.
26 notes · View notes
redocity · 7 hours
Note
Hey, if you’re looking for more buck requests I’d love something where he’s dating the reader and it’s going well but before they get chance to meet the team they get in an accident or their building catches fire or something and buck ends up rescuing her and hen and Eddie work on her etc and then after when they’re okay she’s just like when I said I wanted to meet the team this is not what I meant. Thank you so much if you decide to write this 💕
Tumblr media
WORKOUT — E.BUCKLEY
going to the gym when LA was due for a flash flood was not the best idea on your part, but at least you got to meet the people that buck called family
Tumblr media
WARNINGS: established relationship, flooding, corpse mention, minor character injury
evan buckley x gn!reader || fluff || 4.0k || requests open!!
a/n: is this the best thing i’ve ever written? no. but i hope it suffices nonetheless 🫶
₊ ⊹ masterlist!!
Tumblr media
Who knew joining a new boxing gym of all things would land you a boyfriend.
A tall, blond, handsome boyfriend who could probably bench press you like it was his warm up.
He could probably bench press your dad like it was a warm up.
You like to think it’s an act of divine intervention, an apology from the gods for making you move across the country by yourself with nothing but yourself to make things work.
The least you deserved was the absolute perfection that was Evan Buckley to make it a little less taxing.
Granted, the way you met was less than perfect, you managing to put your gloves on backwards, get them stuck on your hands and then have to ask for help getting them off whilst internally wanting to jump off a cliff from the embarrassment.
He was nice enough though, making lighthearted jokes about the situation as he helped you take off, and then put back on your gloves in the correct way.
To be honest you’re not sure you can remember most of that first conversation you had, definitely too focused on the muscles in his arms as the overhead lighting emphasised the definition of his biceps and shadowed the curves in his collarbone as they peeked out from underneath the tank top he was wearing.
That aspect of your dynamic never changed, and even as he started to approach you first so that you could pair up to spar with each other you still found yourself taking the time to admire his physique whenever the moment arose.
You found out within a few weeks that it was because he was a firefighter, and if you weren’t attracted to him before you definitely were when you had the fuel to imagine him being able to pick you up with one arm and sling you over his shoulder.
Apparently the feeling was mutual.
You learned a lot about Buck during your weekly gym visits. He was from Pennsylvania and travelled across the US before landing in LA, he had an older sister who used to frequent the gym with him, he worked in fire station number 118, and his team was like a surrogate family to him.
You learned a lot about them too.
You’d heard of the medical adventures of Hen and her scientist wife Karen.
He told you about how Chimney—a nickname he refused to elaborate on because it was ‘a scared secret’—had fallen in love with his sister Maddie and how happy he was for them.
He told you about how Eddie used to serve in the army and had an adorable kid named Christopher that Buck often spent his weekends with.
And he delighted in telling you all about Bobby. How he was a secondary father, how he’d been through the roughest of the rough and pulled himself back up and made Buck strive to have the same resilience, how he’d finally gotten his happy ending by falling in love with and getting married to a cop named Athena and how Buck was so happy that he was happy.
It was really endearing honestly, and it was one of the factors that contributed to how hard you fell for him.
He wasn’t just some ‘strong macho firefighter’, he was a human being, someone who loved with all his heart and put his everything into his job and doing right by the people that he loved and cared about.
He often made comments about bringing you to meet the team, mentioning the occasional barbecue that Bobby and Athena would host at their house and how the team would often bring their families and loved ones along.
It was the first time Buck ever called you his partner. In the middle of a boxing ring whilst you were punching at his hands and he was raving on about Bobby’s cooking.
And it was enough for you to miss the padding covering his palms and almost punch him right in the face.
“Woah-” You can thank his instincts for being the only reason he didn’t end up with a bruised nose, swerving his head at the last second and catching you as you stumbled forward into him.
“I am so sorry-” You remove yourself from his grasp hastily, holding the back of your gloved hand over your mouth to cover the astonishment of your own embarrassment from his view.
“It’s good, are you?” Buck dismisses your apology with a shake of his head an a soft smile that makes you want to squeeze him until he explodes because my god he is so adorable how did you land this man?
“Yeah- yeah I’m good, sorry-” You shake your wrists as a way of dispelling the nervous tension that’s racing through your muscles to settle in your joints.
“You’re sure?” He raises an eyebrow at you, expression a mix of suspicion and concern. “You know, you don’t have to come to anything if you’re not comfortable, I don’t want to rush into something if you’re not ready,”
He lowers his hands to his sides, undoing the velcro to slip the pads off his palms as a show that he wants to engage in the conversation without any distraction. “I have a habit of taking relationships too fast, and I don’t want to do that with you,”
“No that’s not— You’re not doing that, I’d love to meet the rest of your team,” You shake your head adamantly at Buck’s attempt at giving you an out, firmly planting your decision as wanting to take the proverbial ‘next step’ in your relationship in meeting the people he calls family. “I was just caught off guard is all, you’ve uh… you’ve never called me your partner before,”
“Oh— I uh—” Your acknowledgement of what he’d said seems to force him to acknowledge it himself, like it was a subconscious slip of the tongue rather than an informed decision. “Is that okay?”
You take a moment to think, eyes round and cheeks flushed as you nod your head. “Yeah,”
“Yeah?” He takes a step towards you, concern washing out of his expression to be replaced with contentment, confidence rising in his irises as he tilts his head to the side.
“Mhm,” You stifle a small embarrassed giggle as he invades your personal space, mirroring his head tilt with your own as your fluster extends from your cheeks to coat your neck in a dark shade of red.
“Good,” He rests his right hand against your shoulder, drawing small lines from the side of your neck down over the curve of your arm with his fingers. “I’ll have to call you that more often then,” He leans forward with every word until his lips are brushing yours as he speaks, emphasising the end of his sentence by pressing a kiss to your lips that you happily reciprocate.
“I’d like that,” Your face is embarrassingly red as you pull away, a lovesick expression on your face as you don’t even try to hide the way your composure falls apart.
You have half the mind to never go to the gym ever again.
How were you supposed to know that there were flash floods scheduled to hit LA this morning if they didn’t put it on the news until you were already inside the gym? At least you weren’t the only one suffering in your makeshift cage whilst rising water blocked you from leaving.
There was probably about a dozen of you actually, all up bright and early to get in a workout before the day started, and instead locked inside of the gym because the idiotic reporters didn’t warn you in advance that LA was due heavy rain and flash flooding.
Okay, technically it wasn’t their fault, the whole point of weather is that you only really know what’s happening as it happens, but surely they had the technology to be able to anticipate when something this extreme was going to occur.
Someone had already called 911, but you wouldn’t bank on them arriving anytime soon. Buck told you how rough days like this were for emergency responders, and considering that none of you were in an immediate emergency, you wouldn’t be surprised if your situation was put on the back burner until they had a team free.
That meant you basically just had to hunker down for a few hours and wait it out.
It shouldn’t have been to hard to past the time, you could technically just extend your workout for a while, but its barely an hour before the power goes out and half of the gym is rendered completely useless.
The group of you end up sitting on the floor in a circle and just talking to pass the time, although making small talk with people you don’t know can only last so long before you run out of things to talk about.
It was more boring than anything, although as the water began to seep through the seal of the glass doors, you knew that boredom wouldn’t last for very long.
“This is dispatch, we’ve got a gym flooding at 1123 Vine St #14, there’s 13 people trapped inside,” Josh’s voice crackles through the radio as the 118 lugs themselves back into the truck, soaked from the knees downwards.
“Copy that, 118 is en route,” Bobby presses the radio on his chest, tapping the side of the truck with his hand before climbing into the Captain’s seat.
“Copy 118,” The radio crackles then goes dead, and the truck pulls away from the gas station they were parked at with the ambulance hot on it’s tail.
“Vine St? Me and my girlfriend go to a gym Vine St, it’s great,” Buck talks before he’s even got the headset on, half of his sentence being drowned out as a result.
“Well it can’t be that great if it doesn’t have proper seal on the doors can it?” Eddie’s voice is entirely sarcastic, and Buck hits his arm with the back of his hand in retaliation.
“Hey we don’t know if this is my gym or not, so don’t disrespect the integrity of Wildcard boxing gym until we’re sure that’s where we’re going,” Buck scoffs dramatically, and it earns a laugh from the rest of the team.
“Oh no, how dare you besmirch Buck’s sacred place? That’s his second home you’re talking about,” Hen plays into the joke, and Buck responds emphatically by tapping his right hand against his left bicep.
“Exactly,”
“What was that about the ‘integrity’ of your gym Buck?” Eddie blinks up at the sparked out neon sign, jaws resting against his shoulder has he holds them in his right hand.
There was really no mistaking it as someplace else, and for a moment Buck’s focus turns to worry. It was your day off today, what if you’d gone to the gym to take up your time? What if you’d gotten injured in the process? Or god forbid something worse?
“Buck?” His silence is enough for Eddie to look over his shoulder with a raised eyebrow. “You good?”
“Yeah— Yeah I’m fine,” Buck shakes his head like he’s trying to physically shake the anxiety from his mind. “Let’s go,”
There’s a short shared glance between Eddie and Hen at Buck’s reply, but it ends with nothing more than a shrug as they forced the automatic doors open to enter the gym, adding another rush of water into the building in the process, one that they definitely could’ve done without considering it was almost at waist level already.
“LAFD!” Bobby wades through the water ahead of the group in the start of the search, calling out periodically in the hopes of a response from anyone from the group of people trapped somewhere inside.
Logic would dictate that they probably would’ve moved to the upper floor, but panic often overrides rationality in these sorts of circumstances, so the team couldn’t ever be too safe in searching the bottom floor.
“Alright, Buck, Chim, I want you to follow me in searching the rest of this floor, Eddie and Hen, go upstairs and find anyone you can,”
There’s an echo of “Copy that!”’s as the team split up to search the building, and as Buck makes his way through the familiar gym layout he can only hope that your months of being together with him has taught you how to best keep yourself safe in an emergency situation like this.
The sight of one of the gym regulars floating face down in the water does not reassure him of that fact.
He swears he almost gags at the sight, a mix of shock and disgust at the smell coming from the man as his corpse floats aimlessly, following the ripples in the water as Buck moves. Then he notices his hands. The back of his right hand specifically.
“Cap—” Buck’s voice is harsh and grainy through the radio, not at all helped by the fact the flood had probably disrupted some of the nearby cell towers making the transmission less clear than it already was. “I found— he had—” Buck’s radio periodically turns to static as he tries to relay his message, but it’s key message thankfully gets through undisrupted. “live electricity—”
“LAFD!” Eddie pushes the door open to the upper gym floor with Hen right on his tail, the two scanning the room for anyone immediately visible. “Is anyone there?”
”Here! We’re over here!” Your voice calls from around one of the corners, and you rush out towards the two firefighters with panic written all over your face, completely soaked from head to toe. “Are either of you a paramedic? A stack of weights fell whilst we were trying to create a barrier in case the water rose again and—” You talk whilst leading the two over the the group, and you don’t need to finish your sentence by the time you reach them.
One of the guys was sat against the wall, his left leg resting elevated on a collection of sodden towels and jackets, a nasty purple bruise spreading across the expanse of his foot and up his ankle and a slightly misshapen form to it as a whole.
It was pretty bad.
There’s a short shared glance between Eddie and Hen as they silently agree on the extent of his injury, and Hen kneels down towards him. “Alright, what’s your name sir?” She presses her fingers gingerly to the affected area and earns an immediate groan from the man.
“Antony—” He hisses his name through his teeth from the pain, and several of you collectively wince at the sight.
“Alright Antony, my name’s Hen, and this is Eddie, we’re gonna get you out of here and to a hosptial okay?” Hen gestures to Eddie behind her, and you take a second to furrow your eyebrows at the familiarity of the names. Then you catch the number of their uniform helmets. 118.
That meant Buck was here somewhere. He had to be.
“Please—” He lets out another pained groan as Hen instructs Eddie over to Antony’s other side to get him off the floor.
“How many of you are up here? Is anyone else injured?” Hen’s eyes scan the group for a quick head count, but someone beats her to it.
“There’s twelve of us,” Her voice is meek and almost unstable as she speaks, “There was thirteen but James… he…” She trails off like she knows she won’t be able to finish the sentence, and the intonation is enough for Hen to know what she’s implying.
“Alright…” Hen sighs softly as the groups demeanour dims slightly at the mention of James, and how everyone seems to huddle just that little bit closer together as if to comfort each other in their shared grief. “Can all of you swim?”
“We’ll be fine,” You answer her question with a small nod.
“Okay,” Hen returns your nod with her own before turning her gaze away from you and the group. “Eddie,”
“Got it,” He doesn’t even have to be asked before he’s tugging Antony’s weight over his shoulder to carry him, readying for the journey back down the stairs and hopefully safely out of the building.
The universe had other plans.
“Cap—” You can recognise Buck’s voice immediately, even with all of the radio distortion. “I found— he had— live electricity—”
It’s like a flip switches in Hen and Eddie’s brains at the new information.
“Electricity? That’s bad isn’t it? That’s gotta be bad are we gonna—”
“Nothing is going to happen to anyone.” Hen interrupts the girl’s anxious rambling with a raise of her hand. “Does this building have a rooftop?”
“Yeah uh, it’s— there’s a ladder over here,” One of the male members of the group, one of the employees, leads Hen towards the rooftop fire escape, pulling on the ladder until it collides with the floor. It’s locked though, only the owner has a key,”
“You locked the fire escape?” Eddie sounds more than a little exasperated at the news.
“I don’t know man I just work here—”
“Okay.” Hen interrupts once more, speaking into her radio. “Cap, we’ve got a rooftop exit, you need to get up here.”
“Copy— up now—” The radio continues to glitch on it’s transmission, but it sounds as though the message was properly received.
Getting the hatch open was not as easy, although with more than a little bit of teamwork and a twenty-five pound weight the group managed to force it from it’s hinges and climb everyone up onto the roof and out of any direct danger for the time being.
It was a momentary breath of relief, and the group seemed to agree as everyone practically collapsed in a heap now that the rush of adrenaline was wearing off. Although Eddie and Hen didn’t waste a minute as they set up Antony comfortably against one of the walls and began examining the rest of the group.
“Can you follow this light for me?” Hen holds up a penlight in front of your face, eyes following yours to judge your reactions and your pupillary response.
“I’m really okay, you should spend your time working on the people who really need you,” You follow her instructions even whilst trying to dissuade her gently, and she gives you a sharp shake of her head.
“Everyone’s important sweetheart, I’m just making sure you haven’t got any hidden injuries at even you don’t know about,” She clicks off her pen light once she’s satisfied, and then gives you a small pat on your shoulder before looking past you with an expression of relief on her face.
You follow her gaze yourself to be met with three other firefighters from the 118, presumably those from the first floor, and you don’t so much as have time to even register their faces in your mind before you’re being picked up into one of their arms and held in an almost bone-crushing hug.
“Thank god you’re okay—” You wouldn’t have even had to have heard his voice to know your proxy kidnapper was Buck, but hearing him is more than relieving for the small anxious part of your brain that was scared to death over his safety.
“I’m fine I’m fine—” Your words are echoed by a small laugh as your feet touch the floor again, and the two of you carefully peel yourselves from each other in your joined dampened state. “Are you okay?”
The two of you are caught up in your emotions enough that you essentially completely ignore the presence of the rest of Buck’s coworkers, oblivious to the looks they were giving you—and each other— in the process.
“I’m fine,” Buck nods as he pulls off his helmet, and you finally get a proper look at his face, dirty and soaked and so unbelievably kissable that you really can’t help yourself.
It’s what calls your attention back to the fact that there are indeed other people present, spurred by a short whistle from Chimney that leaves the two of you pulling away with flustered expressions.
“Uh—” Buck clears his throat into his elbow, using his free arm to pull you carefully against his side. “Guys, this is—”
“An absolute angel? It’s a pleasure to finally meet you properly,” Hen interrupts Buck’s introduction of you to reach out to you herself, her tone full of enthusiasm. “Buck does not stop taking about you,”
“Seriously, it’s 24/7,” Chimney adds on to Hen’s declaration with a determined gesture of his hand, and you don’t know whether to be flattered or embarrassed by the attention.
You’d been looking forward to meeting the team that Buck called family, truly, but you were not expecting to meet them like this.
You were absolutely drenched in flood water, probably covered in dirt, and most definitely looked like you’d been dragged through somebodies hedge.
Buck looks more proud than anything, and gives your side a small squeeze as he introduces you to everyone. “Hen and Chim,” The pair give you enthusiastic smiles, “That’s Eddie over there,” Eddie sticks his hand up in a makeshift wave as he focuses on properly wrapping Antony’s ankle with what’s available. “And this is Bobby,”
“It’s really a pleasure,” Bobby holds his right hand out to you, and you shake it politely, lips pressed into an almost nervous smile.
“It’s great to meet you all, Buck has told me a lot about all of you,” You let out a small, almost pathetic laugh at the end of your sentence. “I’m sorry we’re meeting like this,”
Hen waves you off with her hand and a laugh of her own. “Trust me, weirder things have happened,”
“Oh 100%,” Chimney nods in conjunction with Hen’s statement. “Welcome to the family,”
You give another small laugh and a “thank you,” as you settle yourself against Buck’s side, and he presses a kiss to the top of your head a with a content smile.
This might not have been the way he wanted you to meet the team, but it was perfectly unusual in its own way. And it was silently agreed that you were a perfect fit.
“So, uh, how are we getting down from here?” You turn your head over your shoulder to look over the edge of the roof, and the still high floods that covered most of the fire engine parked on the road.
“Uh…”
31 notes · View notes