#no he does not have a right to live because other people are clearly worth more

[that-weeb-in-ur-closet]

"Energized with all the glory."

F!reader x FAMOUS!Satoru Gojo

♡ Tags. Female reader x Satoru Gojo, rough sex, drinking, uses of the words "princess", "my pretty", "my dear", and "Pretty girl", swearing.

MINORS DO NOT INTERACT. THIS IS SMUT.

Satoru is beautiful, and that's an understatement. Short, fluffy white hair, smooth fair skin, long white eyelashes, long fingers, a slim yet muscular build, a silky voice, glossy lips, and of course, his hypnotic blue eyes.

So, it's no surprise that a modeling agency came to him one day, or that he became famous in three days, and of course, it's not a surprise you saw him in every magazine, every post you see on Instagram, Facebook, Twitter, TikTok, you name it.

But, the supermodel saw you once, and was obsessed the very second it happened.

He just saw one of your random posts, and needed to know more about you.

So, he slid into your dm's.

...

And now, here we are, in his mansion, sipping red wine while you sit on his lap.

It was such a sultry and soft vibe, dim lights, him wearing a black tuxedo, and you wearing a beautiful red dress he bought you beforehand. And if you asked him why he did all this, he wouldn't tell you. Mainly because he himself doesn't know.

"Hm. I think you look really nice in that dress, my dear. It fits you perfectly, dontcha think?" He asks with his cheeky grin, booping you on your nose.

You nod in response, a soft smile on your lips as you look up at him. The wine is clearly expensive, maybe a bit too expensive for your liking. You're just a normal girl, living a normal life. You didn't expect this supermodel to invite you to his house, one of his many houses.

But, it all made sense after his endless compliments on how beautiful you are, and of course, it made even more sense when his hand started to wonder down your body, gently squeezing your nipples through the thin fabric.

"S-Satoru, H-he—" You get cut off by him pressing a gentle kiss to your lips, and you can feel his smirk from the way you try to hide your moan. His other hand starts to slip lower, rubbing against your thigh as you start to feel a poke against your ass.

"Hmm... It's okay, princess. Just relax for me, yeah?" He says with that charming smile, rolling up your dress to expose your panties that are soaking.

How can you say no? The supermodel let you in his house, gave you a fancy dress, fancy whine, and—he looks gorgeous. And, not very many people can experience this, so why not enjoy it?

And that's how you ended up in his bed, head pushed into the pillows, him ramming into you with the meanest thrusts you've ever had. You scream for him eyes rolling back while both your bodies continue to collide in a back-and-forth motion, him whispering "You're doing so good, my pretty— fuck- not many can take me this well~" he slurs out, leaning down to bite your shoulder.

"S-Satoru, p-please, be gentle— nghh- y-you-" You cut yourself off with a streaking moan when he goes faster, and you can feel his smirk when he talks.

"D-oh, why would I be gentle when I h-have the best pussy in the world r-right here?" He asks in a low and breathless way, voice high like he's about to moan or cum.

You don't answer, you can't answer. You just keep babbling his name, the feeling of him pushing in and out of you, hands rubbing circles into your hips, and his whines, it's all too much.

"Pretty g-girl, I-I fuck, I'm g-gonna c-c-" But he can't even finish his sentence when you clench around him. He cuts on the spot, strings of long and hot cum shooting into you. You follow suit, with him still grinding against you through both your orgasms, leaving you overstimulated and shaking, not to mention out of breath and about to pass out.

But, he quickly lets go of you and rolls you over, smiling as he pushes the hair out of your face. How does he look so pretty even after sex?

"You okay? Did I hurt you too much?" Yes. He hurt you a bit too much. But was it worth it? Oh, hell yeah.

You fucked a supermodel.

#jujutsu kaisen #jjk fanfic #jjk headcanons #jujutsu kaisen smut #gojo satoru smut #gojo x reader smut #jujutsu kaisen headcanons #gojo satoru x reader #satoru gojo #satoru x reader #satoru smut #satoru x suguru #geto #gojo #gojo satoru #gojo jjk #satoru x you

[daydreamerdrew]

The Incredible Hulk (1968) #269

#so Rick’s defense of the Hulk here is immediately undercut by his envisioning of a good outcome being Bruce’s mind in the Hulk’s body #but that itself is interesting because is framed as not coming from a place of concern about the Hulk directly #but anxiety about Rick’s own identity and place in the world when he’s defined himself as the Hulk’s sidekick #his daydream values the Hulk only for his strength and wants to combine that with Bruce’s intelligence #there’s nothing about the Hulk’s personality that’s brought up when thinking about the Hulk’s right to live #and then at the end of the issue he tries to turn himself into a Hulk and says then that it's fine for Bruce to be cured #really making it clear that he was not actually concerned about the Hulk #I really do think that the fact that the Hulk isn’t intelligent makes the idea of eradicating him a lot more palatable #not just from the problems that causes but that it devalues him in people's eyes both in and out of universe #no he does not have a right to live because other people are clearly worth more #and I like that Rick is falling into that because I really don’t see any reason why he wouldn’t #like Jim Wilson is the one that I think actually understands and likes the Hulk and supports him for that reason #whereas Rick is motivated by his debt to Bruce #and I like that Betty is coming out and saying that she’s against Bruce identifying with the Hulk #I honestly prefer her disliking the Hulk over her liking him #because again it doesn't really make sense for her to feel positively about him #I like that the narration describes Bruce as ‘thoroughly obsessed with himself’ #and that Bruce couldn’t even give Betty a nice moment out in the desert without freaking out #it’s been a while since Bruce and Betty have been in a relationship so it’s good to see that drama again #to think that I was frustrated with Rick and Betty’s return to the book #because I thought the approach to their feelings about the Hulk and this arc about trying to cure Bruce was simplistic #I've been in a bit of a slump with my Hulk readings but I genuinely think the Hulk's 'friends' treating him poorly is turning that around #because I really like this #marvel #bruce banner #betty ross #rick jones #my posts #comic panels

[nohoperadio]

That cool bee book I was talking about a while ago mostly refrains from philosophical digressions (which I think is a strength, I appreciated how the author had total confidence that just clearly presenting the facts about his subject would be enough to make a fascinating book without the need for any "...and here's why that should blow your mind" editorializing, and he's totally right), but there was one towards the end I've found myself thinking about a lot, which is: he wants people to stop using "self-consciousness" (i.e. the concept exemplified by the mirror test but used implicitly or explicitly in tons of other contexts) as a criterion for which animals can be considered sentient/morally relevant/having significant inner lives/however you want to describe it. Not, as you might expect, because he thinks it's an unreasonably high bar to meet, but because it's such a low bar that it produces no distinctions: he argues that basically any animal with any kind of developed central nervous system has to have some kind of self-consciousness almost by definition.

The example I remember best is: imagine you can see an object in your visual field getting closer to you. No matter the specifics, it's obviously always going to make a huge difference to how you evaluate this situation whether the cause of the object getting closer is a] the object is moving towards you, or b] you are moving towards the object. If a, then something might be pursuing you or falling on you or a thousand other things that are just not even worth considering in the case of b. But visually the two cases are indistinguishable; if you're going to be able to track the difference, your brain has to be putting at least some work into keeping tabs on what your own intentions are and what choices you're making as you move through the world, predicting the expected consequences of those choices, and maintaining a fairly tidy mental separation between stuff in the world that you're making happen and stuff in the world that's just happening of its own volition. Otherwise, every time you walk towards a rock you'll freak out and think the rock is rolling into you, or vice versa.

And it's not hard to see how this applies to your entire sensory world right, it applies to sounds and tactile sensations and even feelings internal to your body to some extent, if you're going to both perceive the world and take actions in the world then it's mandatory to mentally separate yourself and the world before that's going to yield even an ounce of helpful information, you just can't function successfully on the most basic level if you're processing stuff that you're doing on the same level as stuff that's happening, if you're in that state then you simply don't have a usable model of the world at all, you just have chaos.

So you can very easily eliminate a certain seductive narrative about the evolution of consciousness, which starts with very primitive animals who are mentally processing nothing but basic sensory inputs, then as you rise up the chain more complex animals are forming concepts of objects and building up a more nuanced understanding of the world, until finally you approach humans and the mind becomes so subtle and sophisticated that it gains access to this special advanced meta-level of thought where it can even understand itself! No, the self is precisely the one idea that has to be in place from the very beginning, before any of it has even the most rudimentary practical value. Self-consciousness isn't the pinnacle of the mind's evolution, it's one of the lowest, most basic foundations that everything else builds off of.

I think this is really cool stuff! I don't know enough about the relevant academic philosophy of mind debates to say how far all this does or doesn't speak to that, maybe someone will tell me the "self-consciousness" concept being attacked here is a strawman somehow, I don't know. But it's definitely impacted the way I (just a dumb guy who likes creatures) think about our small small cousins and what their lives might be like and I think it's super interesting. If you think it's interesting too then maybe you wanna buy The Mind of a Bee by Lars Chittka and read it. It's mostly not about this stuff, as I say it's light on philosophy and heavy on bee-life immersion, but if you actually read this whole post then you're probably in the market for that I feel like.

#creatures: they've got a lot going on #I think we'd better just let them get on with it #nohopereadio #uninteresting

[nagy-bari]

on the appeal of Chilchuck Tims

short spoilery rambles on why i zero-ed in on this old man instantly and how i realized the patterns he gets to people.

subversion of the trope: oh they just look like a child while actually they are XXXX years old and--- yes. he's older than he looks, with a good 10 years and it's a boyman design now instead of a loli girl.

BUT wait there's more!

he's older than he looks and he has the experience of his actual age: that man is a father. of 3. the story he's in is his midlife crisis. he's planning on retiring from dungeering after this, he asked for payment UPFRONT (and got it) he has insane (for other characters, but really he's just normal, tries to be normal) work ethics - he got paid, he does the job, he's good at the job, he knows his own worth, strength and limits.

This Man Is Self Aware. He knows his weakness, the job's weakness (how adventure parties slip up and why) he knows he's seen as a bit closed up and he's OKAY WITH THIS.

what he's not okay with? not knowing if a party member is a cannibal or not when they are on this insane survival trip and he's the cook. what does he do?

he knows how to communicate and how much to disclose. Rare one, i know. With the party having an average gossip queen, an autistic foodie, and mysterious chef he knows when to take the lead so they can still function.

so to round it up:

Subversion of the 'looks young actually old', closed up and grumpy rouge who's motto is 'never trust those who don't ask for payment' and has the 'it's called personal life for a reason' philosophy rooted into their blood. Good? good.

BUT WAIT THERE'S MORE

because he knows he and all halffoots look young to others he actually started up a guild so they can re-enforce their rights as adults and independent people, so they are taken seriously and they can work against bad stereotypes and all.

we see his struggle through volumes, how hard it is for others to finally understand that a short live-spam people is actually just as old and mature as a long live-spam would be, it's mostly the numbers that are different.

we can learn with the other character to take him seriously, to accept the differences.

so he has good work ethic, looks out for his people, has plans for his and other's future, CARES for the future in general and ACTS so it will be a reality- rather sooner than later.

so he's charismatic and lovable while still being the usual tsundere setup for any joke.

BUT WAIT

THERE'S MORE

we first learned that he's actually is an adult (middle aged in half-foot culture)

is an estranged husband

who was left by his wife

cause he cheated-

BUT WAIT ACTUALLY NO

HE LIES ABOUT THE CHEATING!

cause he wants to keep his work persona intact, and it fits more if he says he cheated, cause then people won't BOTHER him with further details

BUT HE DIDN'T

he just went home one day and the wife was gone, with a note

and we learn ALL of this through a subversion of a UNICORN BICORN TALE - a feckin roll up of the whole pure maiden true virtue stuff - and we find out cause the feckin monster SNEERS AT HIM for lying then bites him.

so he's really soft with all the hidden 'better keep to yourself' and don't jump to conclusions cause that only fuels drama, which will hinder your work. but he was clearly hurt by this.

so the subversion here? we are Marcille. the whole fandom is Marcille. we are just as nosy and gossipy as her and it's a tiny little metanarrative joke and i love it, it's wonderful writing and it keeps you wanting more and more, you want this grumpy middle aged father to finally tell you his life story, the mundane little things, to see him brag about his children and all cause he's so goshdarn professional about everything.

but is it subversion at all?

wait...

there's more.

while we get actual introduction to his daughters we truly never seen anything about his wife.

it reaches the hights of Mrs. Columbo level of secrecy and i love it.

but! we know:

they were childhood friends

married when Chilchuck was 13 (almost full grown adult for their culture) and had the twins(?)

left their village at 14

3rd daughter at 15

he started adventuring at age 24 and formed the guild.

wife left when he was 25

Chilchuck started to work with Laios at 26.

he's now almost 29.

they were childhood friends and married for a good 10 year. he was there when he was needed to be a good dad (he's clearly proud of his daughters) and their fallout only started when he started adventuring.

let me say it again.

they. were. childhood. friends.

as much as we see the unfolding of young love in media, with all the teen dramas finding true and forever love in highschool and live happily with the white picket fence for 50+ years we see less of the loves that fizzle out, but were and probably will be friends.

love this. love this little detail cause there's so much in it. The confusion, the still remaining anger, the fustration. they probably would be able to talk it out. they've known each other for most of their life, but his logic and compromises for work (clear communication and a clear head) does not work here.

we don't know how exactly he feels and i love that, but we know he struggles to be open about 'mushy' feelings, grand gestures and all.

he knows his limits. His wife probably knows it too. That's why she's with the middle daughter. The assumed-ly closest to her rather than the oldest (locksmith) or the youngest (conartist?freelancer?life-artist???)

if we learned anything from Dungeon Mushi, it's that Kui Ryoko is a master of diverse characters visually and personality wise as well.

you can reverse engineer the wife if you want to from the girls but i love the joke and the actual comfort this whole Mrs. Columbo it gives.

cause Chilchuck has Columbo vibes. He's competent in his work, knows his limits, knows how to help others and when, knows when to quit and when to move on. and this tiny flaw of his, this domestic mystery we assume is his background (and ground of his disarming normality) is just enough to keep you thinking and re-think and re-think and just grow to love and appreciate the little details and love that was poured into this character of many in this wonderful story.

BUT WAIT

THERE'S MORE

yes he's a father

the dad jokes. oh my good the hidden dad jokes all through-out the series.

the 'i don't want a pet' ---- 'proceeds to be unseparable from said pet' meme with Izutsumi

the actual care and attention he can give when someone is distressed

the TALK with Senshi. that moment.

he's a proud father

but he's above all - practical

well that's all the mad rambling i had in me for now

if you read through this thank you

and do share your thoughts and finds - and ideas about the wife.

#chilchuck's wife #chilchuck tims #dungeon meshi #spoilers #character ramble #with pictures this time #kudos for Kui Ryoko for sharing her lovely OCs and this wonderful adventure #and for all the backlore #and all the jokes #go read it if you haven't

[general-fanfiction]

Hopes And Fears. (Wally Clark x Reader)

Summary: Y/N’s death is traumatic. So traumatic in fact, she can’t even look at Wally without reliving what happened to her.

Word Count: 3,073

Gif Not Mine. Requests are open!

Warnings: Violence, Swear Words, Hints Of Rape?

I’m not too sure how I feel about this to be honest but it’s my first fic since coming back and I would love to write for Wally more so please send requests! I might continue with this if people like it, I’m not sure yet though.

“Homecoming game tonight. Are you nervous?”

Closing my locker, I look to my left to see Abby, my best friend since elementary school. We’re inseparable. People find it odd that we look like we are complete opposites and yet we are the platonic loves of each other's lives. She’s a very loud and extroverted theater kid, I’m quiet, shy and introverted. Though in a weird turn of events, I became head cheerleader. Kind of ironic right?

“I’m not too worried. We’ve been rehearsing everyday, sometimes twice a day. I think we might actually have our best routine yet, I just hope we can pull it off.”

“You’ll be great, you always are. Besides I heard Spencer is going to ask you to be his date for homecoming.”

Abby’s words catch me off guard. Spencer is the Split River High quarterback. While typically the head cheerleader and quarterback are perfect for each other, I’m way below his level that the thought of us being together is ridiculous. I couldn’t even imagine it, that’s how ludicrous the idea of us is. Not that I would complain, Spencer is model level attractive, an academic genius and of course, insanely popular. Any girl would die to be his homecoming date. Me included.

“Don’t be stupid.” The blush on my cheeks is a vibrant red as I speak, leaning against my locker with my books clenched against my chest.

“I’m being serious. Some of the other football guys were talking about it in study hall. Apparently he’s got some sort of big surprise planned.”

Her grin is wide, clearly happy for me, though I can’t match it. I still don’t believe it, that sort of thing does not happen to girls like me. Guys aren’t interested in girls like me. That’s just the way high school works, maybe I’ll blossom when I head off to college at the end of this year but for now, guys keep their distance. My mom always told me that high school guys like girls that are easy and that because I know my worth, guys don’t even attempt it. I’ve always hated that idea though. If nothing else but for the slightly sexist and anti-feminist ideals that it pushes.

“Not to alarm you Y/N but he’s walking down the hallway.” Abby tells me, grabbing my forearm tightly, obviously excited. “I think he’s headed this way so that’s my cue. Have fun, text me all the details!”

With that she scurries away, flashing me a cheesy smile over her shoulder as she speeds down the hallway. Almost bumping into several other students as she does so. I laugh slightly, always entertained by her antics before hearing the metal of the locker next to me clang at the sound of somebody leaning against it.

“Mind if I steal you for a second Y/N?”

Spencer’s voice is charming and smooth, a relaxed smirk on his face as he stares down at me. His eyes are intoxicating and I feel as though I’m drowning in them. There’s no way Abby could be right. God, if she is I’ll never hear the end of it. Maybe I could live with that though, especially if it does result in Spencer potentially being my boyfriend.

“Sure, yeah, okay.”

Spencer’s smirk grows wider, and as he leans in to take my hand in his, I catch a whiff of his cologne. A dark musk that matches the darkness of his eyes and hair perfectly, it takes everything in me not to collapse right then and there. My senses are completely heightened and I can feel the roughness of his hand against my palm. The butterflies in my stomach make me feel as though I’m about to explode from my nerves and before I know it we’ve made our way to the old block of showers that were closed in 2004, following an incident involving an inappropriate relationship between a student and gym coach. New showers were remodeled and these were left to decay.

Spencer takes my books out of my hands, placing them on the bench that sits in the center of the room before turning to face me. His hand gently cups my cheek and although his smile is soft and loving. His eyes hold a mischievous glint. Without saying anything he leans down to kiss me, unprepared and a little shocked I step backwards.

“I didn’t know you wanted to kiss me. I didn’t even know you liked me.” I tell him, shuffling backwards again as he continues to approach me.

“Everybody likes you. I’ve just been wanting to save this for a special occasion, and what better time than homecoming?”

With my back pressed against the wall, a soft smile forms on my face as he cages me in. Though it doesn’t feel threatening, it feels new and exciting and my insides are on fire waiting to see what happens. I feel as though I finally understand what the cringey teen movies are talking about when they discuss sex and love and passion.

“I really like you Spencer.” I whisper, voice barely audible, gazing up at him through my lashes.

He laughs, pushing his hair out of his face before leaning down once again. This time his lips do touch mine and it’s nothing like I imagined. He’s rough, hands moving down to grab my breasts , almost painfully. The softness from before clearly disappeared. As much as it is a dream come true to be making out with the guy of my dreams, I’m still disappointed that this is how my first kiss turned out. His tongue forces its way into my mouth and its uncomfortable, I know this isn’t how it is supposed to go. As I try to pull away, to allow myself some air, his hand grips my throat, holding me in place. Continuing his almost aggressive movements.

“Yo Spence, did you get the bitch?”

Finally, he pulls away. I manage to take in some air despite his hand still wrapped around my neck. He’s looking over his shoulder, nodding his head. The rest of the football team stands in the doorway, menacing looks on their faces as they see me in such a vulnerable position. I hear the click of the door lock, and the butterflies in my stomach don’t feel so good anymore. The energy in the room shifts to one of darkness and evil, no trace of kindness and love.

Spencer looks at me, and for the first time in my life, I fear for my safety. This is not the same guy that I was obsessed with. There is no sign of human emotion on his face, no sympathy or pity. Gripping his hand to try and pry it away from my throat, I feel the tears begin to prick in the corners of my eyes and upon seeing my reaction, he smiles. My pain is his pleasure. Despite my attempts at removing his hand, his grip only gets tighter and I’m pushed further against the wall.

“Let’s have some fun boys.”

—-----------------------------------------------------------------------------------------

A dull ache radiates through my body, pushing through the pain, I force myself to stand up. Staring at the room around me, I wonder if I was dreaming. However, with no sign of my books on the bench, I take that as confirmation that what I experienced did truly happen. Blood splatters the walls and floor but with no sign of injury on my body, I refuse to believe it’s mine. Sure, what happened was bad, but not that bad.

Not wanting to stay in this room any longer, I quickly make my way to the exit, pushing open the door with more force than necessary causing it to slam against the outside wall. Making the shy looking boy who happens to be standing outside jump. I smile apologetically, about to make my way past him when I notice what he’s wearing. Clad in double denim with round glasses, he looks straight out of Friends.

“I’m sorry, I didn’t want to come in because I thought you might feel kind of exposed but I wanted to introduce myself.” He says quietly, holding out his hand for me to shake. “I’m Charlie.”

Shifting my gaze between his hand and his face, my mind can’t really comprehend what is happening. Why am I suddenly meeting someone new? By the old shower block of all places, especially after what has just happened to me. The confusion on my face must be obvious as he smiles before revoking his hand.

“You haven’t worked it out yet have you?” He asks, almost as though he doesn’t want to push me.

“You’re dead, cherry pop.”

Looking to my right, I spot a girl sat against the wall, blue lollipop between her lips that has stained them ever so slightly. Wearing a black turtleneck with a matching cap and pinstripe pants, she’s the kind of girl that would intimidate me had I seen her walking down the street. Who am I kidding? She still intimidates me.

“Rhonda, Mr Martin told us to be gentle with her!”

“I’m sorry, I actually have somewhere to be but you two look great.” I tell them, beginning to walk away and head towards the main school building.

“Did you not hear me? You’re dead, you don’t have anywhere to be.” The girl, I’m assuming Rhonda, shouts after me, causing me to stop in my tracks.

“Look I don’t know what sort of joke this is, but it’s not funny. Seriously, go find some other kid to pick on.”

As I walk into the school building, I begin my mission of searching for Abby, hoping I can find her in the auditorium or even the costume department. My search doesn’t take too long, as my assumptions proved correct. She is sitting on the stage, the theater club’s newest script in one hand and her phone in the other. Our text thread open on her screen, as I sit myself beside her, she doesn’t even acknowledge me, eyes flicking between her phone and the script.

“Abby, I need to tell you something but you have to swear you will not tell anyone.”

She completely ignores me, flipping the page of her script. Its as if I’m invisible to her, a joke that isn’t funny. Waving my hand in front of her face in an attempt to get her attention also proves futile as she doesn’t even look up. Glancing at her phone I notice she’s messaged me multiple times asking me of my whereabouts, telling me she’s seen Spencer but she didn’t see me with him, asking me if I am his homecoming date.

“Abby, seriously? This is important, your show can wait.”

“She can’t hear you.” Charlie says, him and Rhonda standing in front of me, arms resting on the edge of the stage. “Or see you, we’re invisible to them. Nothing you do is going to change that.”

“I don’t get it, why isn’t she answering me?” I ask, panic starting to set it as I grow more and more confused at my situation.

“Oh my god, do I really have to tell you again? Are you that fucking stupid? You’re dead. D-E-A-D. Deceased. Not living.” Rhonda speaks slowly, using a voice you would use for a child.

“I can’t be dead. There’s no way, it’s just not possible.”

“Yeah it takes some getting used to, but we’re all friends and you’ll come to terms with it soon enough. Mr Martin’s support group helps too.” Charlie tells me, smiling encouragingly as I watch Abby walk away with some of the other theater kids.

“Support group?” I ask, hopping off the stage to stand with the only two people that can see me.

“Come on, we’ll take you.” Rhonda states, almost as if it's more of a chore and not like she offered to take me.

—-----------------------------------------------------------------------------------------

Sitting in a circle with the rest of the group, I can’t help my heart racing as I spot the football player sitting amongst everyone. He reminds me of Spencer and that’s what makes me nervous, or maybe it’s just the fact that he plays football. Either way I can’t help but feel on edge, hence why I placed myself in the furthest seat from him.

As I take in the rest of the room, I notice the basketball team playing further down the court. Not aware of the existence of the group of ghosts sat in a circle like they’re in an AA meeting. It feels so surreal, almost like an intricate nightmare that I will wake up from at any moment. Yet everything I’ve seen so far has been pretty real.

“We have a new student, would you like to introduce yourself?” The only teacher, who I am guessing is Mr Martin asks, as I feel all eyes divert their attention towards me.

The football player has a gentle aura around him, smiling at me as he waits for an answer to Mr Martin’s question. I look away quickly, unable to face the feelings of sickness in my stomach that I get when I look at him.

“I’m Y/N.”

The group mumbles a chorus of welcomes as I stare at the floor, still struggling to come to terms with the fact that I am actually dead.

“It’s hard at first, but I’m grateful that you decided to give the group a shot. It helps us all to move forward instead of focusing on our deaths and the past.” Mr Martin tells me, offering a look of sympathy. “Charlie, Rhonda, thank you for being Y/N’s guide, I’m sure it was very helpful.”

“So how did you die? In the old showers clearly, but that’s gotta be an interesting story right?” Rhonda asks, her eyes piercing into me as she places the lollipop back between her lips.

“Rhonda, you can’t just ask people that. Let her get used to us at least.”

His voice startles me, it’s as gentle as his aura. Soft and ever so charming. The protection in his tone is obvious as though he doesn’t wanna frighten me away and I glance at him for a moment. His football shirt sits perfectly against his toned chest and a gold chain hangs delicately from his neck. He’s beautiful. Truly beautiful.

“I’m Wally by the way, Wally Clark.” His voice is directed at me, staring at me intently.

At that moment, I can’t help but be transported back to before. Remembering my screams and pleads for them to stop. Praying someone would hear me and come to my rescue. They never did. They never stopped.

Jumping up from my chair, I feel myself getting worked up as I sprint out of the room. Terrified of reliving the past. Finding myself in an abandoned hallway, I slide against the wall until I’m sitting on the cold linoleum floor. Staring at the lockers as I try to calm my breathing.

“Hey, hey, are you okay?” Charlie asks, crouching in front of me with a concerned expression on his face. “Wally’s shitting himself thinking he did something wrong. I told him to hang back while I spoke to you.”

I let the tears fall down my face as I stare up at Charlie, feeling guilty that I’ve potentially upset an innocent boy because of my own trauma. I can’t go back to the group, I know I can’t. It would be in the best interests of every other ghost if I do my best to simply avoid Wally. That way nobody gets hurt.

“I’m sorry Charlie. I can’t do it, I can’t go back to the group. I can’t see him in that fucking uniform. I just can’t, I’m sorry.” My sobs are uncontrollable and I feel bad even just for putting Charlie through this when he’s known me for all of two hours.

“It’s okay, you’re okay. Is it the uniform, we can get him to change I’m sure, I know it’s not the best look but it is all he had since he died in his shoulder pads and all.”

I can’t help but let out a small laugh, wiping the tears from my face with the sleeves of my jumper. Charlie offers me his hand to help me stand up which I take graciously. He places a hand on my shoulder as a sign of encouragement, along with a gentle smile.

“I mean it Charlie. I can’t go back to the group. I don’t want to relive the memories.”

—-----------------------------------------------------------------------------------------

“She’s adamant she’s not coming back.” Charlie tells the group, all of them awaiting the answers he has for them as to why the new girl ran away. “I don’t think it’s anything personal Wally but she said she can’t see you in that uniform and I think she may have had something happen regarding the football players. I don't wanna speculate though.”

“So, what? Her footballer boyfriend cheated on her and now she can’t look at poor, innocent Wally because it reminds her of him?” Rhonda asks, unimpressed by the lack of answers Charlie has.

“No, I think it’s something more than that. Something deeper. I’m sure she’ll tell us when she’s ready but for now, I would stop wearing the uniform Wally.”

The footballer didn’t need to be told twice, he instantly pulls the shirt over his head leaving him in only a tight, white tank top. Charlie smiles in appreciation, while Rhonda scoffs slightly upon seeing his muscular arms.

“Okay, so I’ve ditched the uniform, should I apologize or what?” Wally asks, looking at the group to gauge their reactions.

“Maybe now isn’t a good time Wally.” Mr Martin states, trying to think rationally. “I’d give it a day or so.”

“Or maybe just leave her alone for a while. Let her come out of her shell a bit first.” Charlie interjects.

“Yeah, let's not hurt cherry pop’s feelings.” Rhonda replies sarcastically, staring directly at Charlie.

As the rest of the group session continues, Wally stays silent, playing with the football uniform in his hands as he attempts to figure out different ways to apologize. To help her feel more at home in her new life, and potentially help her overcome the trauma of her death. Despite not managing to come up with a good idea, he does decide one thing. He will do whatever it takes to make her feel safe and become her friend.

#wally clark #wally clark x reader #wally clark fic #wally clark imagines #school spirits #school spirits fic #school spirits imagines #wally clark angst #wally clark fluff

[tornado1992]

The world does not deserve some things.

It doesn’t deserve destruction, hate or cruelty.

Sonic has known this for quite a while, being some sort of fighter for nature or a so called “protector” of it by a lot of people, he’s not so sure about that though.

Just as the world can be beautiful it can become dreadful, the world gives origin to everything in it, and that everything is part of the world itself.

The people that live in it are the part that shows the contrast the most clearly, just as some inhabitants are kind, take care of each other and enjoy the wonders it has to offer, there was a few of them that seemed to spite everything that wasn’t like them, everything they didn’t like, and everything that wasn’t theirs. Sonic knows that, he’s been fighting that enough time to be named a protector.

All things considered, to him the world still meant kindness, endless opportunities, adventure… and it meant freedom.

Then it meant something else.

Between all his fighting and running, he met and befriended a lot of the ones that called him a hero before he could even process the title, some of them energetic, some hotheaded, and some unbothered, they reminded him that even if there was despair or tragedy, the world he knew and loved was still there.

At least it was there to him.

Getting to know all the world meant getting almost as much deception and anger as happiness, every new place meant new sceneries, new ways, and new people, and he wouldn’t want it any other way. Even if it meant taking all the damage himself, getting to know everything personally was better than blindly trusting anything he was told, he knew it was worth it; he confirmed it when he went through one of the worst parts to find the absolute best one.

The place wasn’t even bad looking, the nature growing harmoniously beside the artificial work, it gave a peaceful kind of vibe, the people seemed kind and respectful, kids playing and chasing each other while adults looked out for them from afar, even welcoming him with open arms not caring if he was a stranger, “a united and caring community”, no sight of conflict or cruelty came to view, they didn’t seemed to have any hate in them. Only kind words and even warm chilli dogs greeted him. He thought this was the kind of place he would fight for.

That thought lasted less than an hour.

It really doesn’t take much longer than 10 minutes to completely change your perspective of a so called perfect community when after thirty minutes of an apparent peaceful environment you notice the sick looking child they suddenly chase down the woods so he doesn’t “steal their food and gives them bad fortune”. Sonic gives them a full minute of doubt, doubt to himself as what he’s hearing and seeing, because that can’t be right, because it must be a mistake. What reason could there be for a kid to “give bad luck”? Why would a kid need to “steal” food? And why would he be called a “curse”?

Some villager takes a long four minutes to explain the reason for all that, falling down to “that mutant was born with two tails”.

Sonic spends the next five minutes looking for the kid, and restraining himself from committing several crimes.

He had to focus, ending a full village’s whole career can wait, what cannot wait is the fox kit that just ran away from a group of kids leaving a trail of blood behind him. Even in the thick forest tundra it’s easy to see the big droplets of blood on the tree branches, the ground, and the tiny bush that kept trembling.

That’s where he found him.

A fox kit, didn’t looked any older than two, but by what he heard he could even be four. He looked way too tiny to be around four.

Big baby blue eyes greet him, a glassy sight, sorrow, confusion and sadness behind them.

The moment the fox noticed the speedster he tried to run, but the bush was too thick around him, and his back was facing a big tree log, he was trapped, the kid flinched every time he moved towards him, whined whenever Sonic rose to stand, and even started silently tearing up while curling around his tiny bruised body when he tried to reach for him. This kid thought Sonic wanted to hurt him.

How much does a kid has to suffer for his first reaction to some one approaching him being to cry, tremble and try to protect themselves?

Sonic can’t decide what enrages him more, the matted brown fur that surely must mean a long time without proper care for it, the bruised skinny body that trembled every few seconds as if it couldn’t stand by itself, the obviously recent bleeding nose that made the fox kit whimper every time he breathed, or the so clear loud sound of an empty stomach.

This was the result of long period of abuse and neglect, and by the way the kid hugged his twin tails while crying, Sonic would even call it torture.

Sonic couldn’t help him without getting close to him, but the kit wouldn’t let him near him without flinching. Putting the kid through more distress was not an option, but leaving him alone wasn’t one either, and the kid needed help, so he stayed. Sitting beside the trembling bush, taking watch in case some of those hollow hearted villagers came back while thinking of a way of helping the kid.

This is not the kind of help Sonic is used to offer, but he cannot just leave the kit alone. Even if he didn’t know anything about taking care of younger kids, even if his first aid kit was almost empty in his plane far away from him, even if the fox cried at the very sight of him, Sonic won’t leave him alone.

He doesn’t remember feeling like this before. Frustrating, he remembers some adults calling it, a feeling of helplessness, anger, and even sadness that consumes one self through the impossibility of effective action, in his case, the impossibility of helping.

And so he found himself, frustrated, sitting on the forest ground while rubbing his eyes with his hand, who knew, frustration is stressful; he kept at that for a few long minutes, until he felt a slight touch in his back. Finding those big blue eyes when he turned his head, a tiny gloveless paw patting him gently, careful with his quills but yet touching them, trying to comfort him.

This kid could barely stand, was obviously scared, at the verge of tears, and hurting from the beating the other kids gave him; and he was trying to make Sonic feel better.

It was clear now, they didn’t seemed to have any hate in them because they put all the cruelty and hatred in a kid, an innocent, tiny, and so kind hearted kid. The same village that greeted Sonic with kind words and offered him warm food was willing to let a literal toddler starve, if he wasn’t killed by the village’s youngest inhabitants first. All over something that wasn’t even bad, it wasn’t even his fault.

That won’t do.

Looking less distressed than before but still trembling wasn’t an ideal state to approach the twin tailed kit, but again, the kid needed help, the most urgent now being probably first aid, but Sonic sadly knew that the thing that would calm down the kid more would be something to eat.

Sonic offered him a smile, an attempt to soothe him, standing as slowly as he could not to scare the kid, and running as fast as his legs allowed him to return with four chili dogs was the game plan, managing to startle the kid a little bit with his rushed return, with the most difficult part of the plan being convincing the kid that the food was for him, that he could eat, that it wouldn’t hurt him, that Sonic wouldn’t hurt him.

Words might be useful to communicate that, but they just might, this kid was obviously casted away from society, who knew since when, he might not even understand him, well, if he used words that is, for now he hopes his smile would do (that and him eating a chili dog himself so the kit would know it’s safe).

It took a while, but it seemed like the fox’s empty stomach finally convinced him to eat, his hands trembling as he grabbed the supper, eyes getting a different kind of teary as he took his first bite, his twin tails wagging as he devoured his second chili dog.

Sonic wasn’t much of a baby person, sure they were cute and all he didn’t saw the big deal, all babies were the same. But seeing this little kid, a hurt toddler, starting to smile and wet his eyes over something as simple as warm food.. while a part of him was burning with rage, another part of him couldn’t help but think that he wanted to see this kid truly smile.

He wonders how could anyone see this kid with anything but love.

So he stayed around him, always with a smile, but even bandages, chili dogs, and big smiles couldn’t help much with the kids perspective of the word, much less the perception of himself.

The only world the fox knew before Sonic was a merciless one, rejection, hate and cruelty being its main traits, with bad people who would hunt him down, hit him and hurt him because he was the bad one, just for existing in the same time and place as all of them, but not being the same as them. He believed he really was the bad one for some time.

Sonic wouldn’t allow that for any longer, so he took the best part of the world with him and never planned to return it.

His life wasn’t the ideal deal for a toddler, he couldn’t give him a traditional family structure, a roof over his head, or a warm bed, but he also didn’t trusted anyone else to take care of him, he didn’t trusted the world to take care of him. So he would take the job himself, this kid wouldn’t go a day without warm food, he would never lack shelter, and as long as Sonic was around, he would always protect him.

But Sonic still was a hero.

Sonic fought and ran, ran and fought, and when the running and fighting from him alone seemed like not enough, the kit didn’t even doubted risking his own life to help him.

After a life of suffering, as little and scared as he was, at barely four years old, he still wanted to protect the world that wronged him.

The world doesn’t deserve this kid.

But it was the world itself that gave Sonic the title of protector, guardian, and hero; he knows there are things worth fighting for, far more than the things that wouldn’t deserve any kind of protection.

He won’t deny the title, ever.

Because even if some day everything around him comes down, everyone gets mad and bad, and his own hope is questioned, he’ll still have a reason to fight.

After all, this kid is his world.

#miles tails prower #sonic the hedgehog #sonic and tails #unbreakable bond #they are cosmic truth #wholesome sonic and tails wednesday #wsatw #sth #he loves this kid #kinda based on thatbirdguy s tails ratify au #tailsratifyau #can still be read as the regular canon #tried to make it ambiguous enough but still put some references in there #their art so good u gotta see it #the bros #and remember they are each other’s world #baby miles tails prower #baby tails #they are brothers your honor

[colorisbyshe]

A lot of the response to Oppenheimer criticism has been "Clearly, you haven't watched the film, it isn't celebrating him! It shows all the things he did wrong" and I have to say... that's... still... missing the point of the criticism.

Oppenheimer occupies the same space as all the war films--like Dunkirk--that say "War is hell." While these films could and do skew towards "War is bad, let's avoid it," they still often... really end up saying "War is hell but let's pity the warriors and maybe consider the ways in which it was worth it."

The "war is hell" films end up completely missing the "anti war" mark because they choose to focus on the people waging the war, painting them in a sympathetic or at least humanizing light even when they're in the wrong. You feel bad when a soldier has to kill a kid on the other side--even if the kid is unarmed or begging for their life--because it's sooo sad that the soldier was driven to that point. And because... well, what else could they have done?

A much more effective "war is hell" film would be focused on the people whose land is ravaged by bombs. The civilians. The families. The people who lose their homes, their schools, their hospitals, their lives. Not in waging war but just in happening to live where war is happening. THEY are the real victims. They are not victimizers who might come to regret it (like warriors, like Oppenheimer) but like... actual victims.

In choosing to make a film about Oppenheimer and not about his victims--the people of New Mexico, the people of Japan, people forced into internment camps on US soil, and broader even then--you are saying "This man is responsible for great evil but let's humanize him too. Let's recognize that he didn't really have a choice or that maybe he felt bad about it. It was out of his hands."

Beyond humanizing him, it gives this history an element of inevitability. He HAD to do it. This HAD to happen. It's horrible that it happened but it was always going to happen.

If you focus instead on all the people victimized, you see all the reasons why it didn't have to happen.

And if Christopher Nolan isn't equipped to tell the story of New Mexican civilians who weren't given protective gear when the only jobs they had left were at all the labs or the stories of what a Japanese child does when his family is ravaged by American war crimes... he doesn't have to tell that story. The option isn't "Tell Oppenheimer or tell an intimate story he can't at all relate to." He could just... not tell this story.

Some stories really are not meant to have entertainment value. Some stories are not meant to be human stories but rather just facts on paper. Or told from the other human side. Sort of how like documentaries on serial killers often get it wrong but the fictionalized tv shows exploring ~what made them serial killers are ALWAYS wrong.

Some perspectives don't really need to be explored, is what I'm saying. Oppenheimer shouldn't be a grey or even dark protagonist. Some atrocities do not need to be humanized in any way, even if the humanity mostly culminates into "He was still wrong, though."

There are more efficient, less troubling ways to explore the motivation (the greed, the nationalism, the racism, the hatred, the warmongernig) behind bombings and wars like this. That would be better tools at realizing how we are repeating history, right now, in 2023.

That don't involve having to paint atrocities and the people behind them as grey or human or pathetic or pitiable.

#wrote this at 2am #whoops

[rdr2gifs]

''the morning light, when it comes to me, it was there but I could not see''

Arthur’s life was profoundly shaped by his self-hatred, lack of self-worth and disbelief in the existence of kindness in a seemingly dark and cruel world.

I strongly disagree with the statement that Arthur only became a ‘’better’’ man after being diagnosed with tb. His struggle with his true/inner self is apparent as early as chapter one. ‘’You are not who you think you are, sir… which is lucky’’

He has lived a rough life, raised by criminals and surrounded by violence ever since he was born. It was installed in him early that his value lied within being a violent enforcer and he has lived this life since, knowing nothing else. As a highly aware person, Arthur's actions weight heavy on his soul. He accepts that his actions have consequences. He knows that a person who has caused so much suffering is not meant to have happiness in life. His way of life has caused him to believe that he is not worthy of love or redemption. He doesn’t want to believe that a person like him could be capable of any good. (a thing to note here is that imo, Arthur’s actions near his death weren’t attempts at redemption but rather a strong desire to do right and possibly be his true self.) This is why he keeps living as he does as it’s the only thing he’s ever known, it’s the thing that brings him profit, praise from the person he looks up to and he is already damned so he might as well continue living this life anyway.

The internal problem Arthur faces is that this violent, cruel way of life doesn’t align with what I’d call his true self/ideals. He is torn between the harsh reality he has known and an unconscious yearning for righteousness/love. To be able to carry on with his actions he must enforce certain ideals within himself, such as: I am bad, ugly, nasty, ignorant, mean etc. He also decides to see the dark side of reality, telling himself that the world is a grim dark place and this is just as things were meant to be. This is why he feels so uncomfortable being complimented for his good deeds, because a bad rotten person like him should not be able to do good. It breaks the image he has built for himself and he doesn’t want that happening. This can be seen a lot during the ‘’Money Lending and Other Sins’’ missions where he is unusually mean (even for his standards) to each of the debtors. Imo, he acts this way because he must truly convince himself of being a terrible man to be able to carry out a job which revolts him so badly. In the last debt collecting mission with J. John Weathers, it can be seen in his face/expressions how much he is struggling to put on a tough, uncaring, heartless act. He needs to maintain a ruthless persona to survive in the world he knows. He must convince himself of his own cruelty.

''Forgive me, but that's the problem. You don't know you.''

Contrary to Arthur’s beliefs, he is a naturally kind-hearted person who is unconsciously drawn towards kindness. And yes, even before he was diagnosed with tb. This can be seen in the people he respects the most and, in his willingness to help strangers (notice how he often does unnecessary acts of service for total strangers such as: carrying their things, holding out hands etc. even though they had already troubled him). Despite the life he has lived, Arthur does not enjoy violence, he does not enjoy hurting people. He doesn’t want to dominate over others. He thinks mostly about others and not about himself. This fact alone is very telling of his character.

He writes about Charles, a man who he truly respects: ‘’He’s a better man than me. He does not need to think to be good. It comes naturally to him, like right is deep within as opposed to this conflict between GOOD↔EVIL that rages within me.’’ A man who is not struggling with his inner self would not have written this. To me this clearly implies an inner desire to be a better man. He writes about his mentors: ‘’I love Dutch like a father, but in many ways, I love Hosea even more. He’s kind and fair and like a human being. Dutch is something else.’’ Clearly showing a preference for Hosea who is of a more gentle nature and shows genuine kindness. Unsurprisingly, these are the people who see through his dumb/though act and encourage him to drop it.

When he comes across Brother Dorkins for the first time, he writes: ‘’(he)was one of those innocent people who make you feel better about human beings and about yourself a little. Must be odd to see all that goodness in the world. Place always seemed dark and brutal to me.’’ Expressing how he does not see goodness in the world, implying lack of good examples/kindness/good experiences in his life. Yet, the monk leaves an impression and imo, this encounter (seeing genuine goodness) disrupts Arthur’s perception of what the world truly is. ‘’Just as evil begat evil your whole life long, so good may begat good’’ (what strengthens my belief in this, is the following, symbolic scene of Arthur realising the consequences of his actions right after picking up a crucifix. He was aware of them before sure, but is unable to truly ignore them now having seen it right in front of his eyes). If only Arthur was presented with more examples of goodness in his life.

''You have it in you... I can tell!''

His desire to do as much good as possible after realising he won’t live long is instant. This would not be the mindset of someone who did not already possess kindness in his heart. ‘’Know glory and forget about shame.’’ Arthur’s shame and self-loathing caused by his previous actions were what was holding him back from allowing kindness into his life. Knowing that he has limited time left has not made him into someone he wasn’t before. The diagnosis was a catalyst, allowing him to embrace that love/goodness truly does exist and accelerate the process of chipping away from the persona he has made for himself. This was a newfound understanding for him as in the past he was rejecting any notion of kindess. In himself and perhaps the whole existence of it. ‘’You keep hidden all that matters, even from yourself.’’

After being diagnosed, he writes: ‘’What kind of a man have I been? What kind of a man am I? What world is this we live in? A land of fury or a place of love? Am I being prepared for eternal damnation? Am I past any kind of saving? Is that all fairytales? Man ain’t got much good in him. I ain’t got no good in me… I don’t think and yet I see goodness. I see it. If not in me, in good folk. In Abigail and her love for Jack. In that silly monk. In Downes, I guess. Begging not for himself but for the poor, even though he was near starving himself. Maybe I don’t want salvation. Part of me has always longed for death.’’ This entry perfectly shows how deep Arthur’s self-loathing goes and just how much it has damaged him. As his journal allows a look into his true feelings, he truly does not see a single good thing about himself. He knew for a long time that the way he lives is detestable but he could not let go of it. Not because he didn’t want to, but because it’s all that he has ever known. He didn’t believe in anything else. This sudden acceptance of goodness has allowed him to see clearly, which was obscured from him before, and for the first time, enabled him to act free of past regrets for what is right.

⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪

Arthur’s redemption is not about becoming a good man. It is about finding the strength to change and recognise your true self despite a lifetime of self-loathing and breaking free from destructive beliefs of the past.

In Arthurian legends a stag is a symbol of the unending quest of spiritual knowledge/enligtenment

#this is my own personal interpretation of arthur's redemption #i could expand so much more on this #the orange quotes are by blind man cassidy #please don’t even interact if you think arthur was just a killer incapable of goodness before he was diagnosed #the ironic thing is that so many people could see behind arthur’s front but he was blind to it #arthur morgan #red dead redemption 2 #rdr2 #this analysis is based purely on high-honor choices #i don't care if your arthur shoots up entire towns this analysis does not take individual open-world gameplay decisions into account #i did almost cry thinking about this #text post

[wilcze-kudly]

The Gaang being 'bad parents' didn't ruin their characters.

I've seen this argument tossed around a couple times and it's honestly one of my least favourite criticisms of lok.

Katara (and Sokka but we have no confirmed kids for him, which seems unrealistic with how much game he had) lost their mother as children and their father was forced to abandon them when they were barely starting their teens. They were raised by their grandmother with little to no peers of their own age.

Aang did not know his parents and a huge chunk of his childhood was him being groomed into taking up the mantle of the avatar and mastering airbending. He also was isolated from other kids his age. His closest parental figure was Gyatso who was more of a teacher than a father. Also the Air Nomads were literally wiped out so that adds to the trauma pile.

I really don't think i have to talk about Zuko's family life here, but at least he had relatively positive parental figures in the form of Ursa (though i do have a burning personal dislike of ursa) and Iroh. Despite this his struggle around the subject of his family and his trauma relating to his upbringing was a focal point of his character arc.

Toph was raised in isolation by her asshole abelist parents who did not listen to her, sent people to capture and bring her back and then disowned her. (If my cursory understanding of 'the rift' is correct, I need to actually read it because i am unreasonably obsessed with the Beifong family.)

Where, pray tell, were they supposed to learn proper parenting skills? On their brief stint as child soldiers? While fighting a war as literal children?

There is the argument that they must've matured later in their lives, of course. But you can only recover so much from copious amounts of childhood trauma.

Being a bad parent doesn't necessarily make you a bad person. Sure it makes you a failure in an incredibly delicate and important aspect of human life but it doesn't make you a bad person. And saying that it does takes a lot of nuance out of the conversation.

Like, do you know how easy it is to fuck up a child?

Especially that the ways the members of the Gaang 'fucked up' as parents feel mostly in character.

Bumi was going to face some struggles with self worth due to being the firstborn child of the Avatar and arguably one of the most powerful waterbenders in history, while being a nonbender himself. That much was unavoidable, no matter how his parents approached the issue.

And Aang was obviously going to be over the moon when Tenzin was born. Think about it. He's literally the last of his people. He has no one else 'like him'. No one else to pass down the traditions, the teachings that Gyatso and everyone else he cared about and who were horrifically murdered to. Aang is getting older and he feels like his culture and history and his entire life before he got trapped in that damned iceberg will die along with him. And then Tenzin is born and Tenzin can take up the mantle that had been thrust upon Aang.

I'm going to withhold my judgement on Izumi and Zuko, since we barely know anything about them. She seems well adjusted but that's all i can say right now. But Zuko has also been shown to be extremely, painfully aware of how fucked up his family is and has clearly been putting in a lot of work to unscrew what his ancestors have screwed up.

Toph situation feels very tragic to me,because it's obvious that she thought she thought she was doing better than her parents. She gave her daughters the freedom to do what they want, to not feel opressed and trapped like she had. How was she supposed to know that she was making her girls feel like she didn't love them? (Here's another post of mine about the Beifong family and how they just feel like they're cursed or something at this point.)

TLDR; I get annoyed by people saying that the Gaang being 'bad parents' ruined their characters, because to me it felt like it actually enhanced them.

Neither Aang nor Toph acted out of malice or a lack of love. On the contrary, Toph was trying not to repeat her parents mistakes, accidentally committing a bunch of her own. While Aang probably didn't even realise that he was neglecting Kya and Bumi.

But just loving your children doesn't always make you a good parent.

I think these flaws only add to them as characters. It makes them feel more real.

It's unrealistic and, frankly, just plain boring to go 'oh the Gaang were all good people so they would be good parents too.'

The Gaang were a gaggle of traumatised children forced into saving the world, because the adults around them failed them, that then grew into traumatised adults who have no idea how to be good parents.

#badly voicing my thoughts #avatar legend of korra #i know i did not write this out correctly but it is like 3 am and i am tired and mad and stressed #avatar #avatar: the last airbender #the last airbender #legend of korra #aang #avatar aang #katara #sokka #toph #toph beifong #zuko #ursa #iroh #bumi ii #kya ii #tenzin #firelord izumi #lin beifong #suyin beifong #the beifong family #the beifongs #wow look at all these traumatised people

[radiorumble]

Was thinking about if you were besties with Alastor, what would be a good trigger for a fight, and how would he react to it if you were someone he wasn't willing to physically hurt, or socially ruin.

Alastor seems like the sort of guy who at some point or another would think he has the right to tell you what to do, and when you say no, or disagree, he doesn't expect it. When you set a boundary he doesn't appreciate, or that he can't help but take personally, I can see him pushing back, going into the habit of trying to get the upper hand, to show he's the one who ultimately calls the shots. You're in his life, not the other way around[his subconscious tells itself].

You've both had a rather agreeable friendship, your interests aligned, and the time and energy you wanted to give each other matched up. When you disagreed it was often playful and easy going, you're different people who respected each other, but this time he told you to listen to him, you say no casually thinking this is like any other simple disagreement, but a switch flips, "That's wasn't a request." he says, and that's what crosses a line. Since when does he think he can TELL you what to do? So you stand your ground. Alastor wouldn't hurt you, his dearest friend, nor would he try to disrupt your life, he's too dignified for that, and you've done nothing so truly offensive as to cause him to destroy the life you've made here in Hell. So his only real punishment is his absence and pretending like he couldn't care less, but you've known him for decades, you know he's being petty and proud. You know he's expecting you to come back and apologize, and maybe he'll backtrack what he had told you to do, but he can't be the one to admit he was wrong. He'll go as far as trying to convince you that you were just a good hang, a fun way to pass the time, but surely it won't be difficult to live without you. He says that not because he means it but because he knows it'll hurt to hear after everything you've been through. That for him, you were just a way to stay occupied. Doesn't really matter if you believe him or not, to hear a friend say that, while looking into your eyes and plastering his most sincere and sadistic grin on his face, a part of you can't help but worry that maybe he's telling the truth. You have two options, stand your ground and hope he'll realize he's wrong and apologize, or give him what he wants.

Not giving in means you're risking that his pride, his sense of stability, won't crumble if it means giving up control. Maybe whatever he told you to do had to do with him feeling like he was protecting you, or keeping you out of something that could reveal how weak he actually is[as a person, as someone beholden to a contract]. So in his mind, he convinces himself you're being naive, that by not listening you risk him losing you, or seeing you hurt. He wasn't able to help the one person he cared about growing up, he couldn't protect his mother, he can't risk caring about things that can be used against him or taken away. If you won't listen, then you're a liability. His friendship with you was fine so long as you kept out of trouble, lived your simple life, and were available when he was bored, but now you won't listen to him when clearly he knows best. You worry if you let this petty issue fester, he'll actually convince himself he really doesn't need you anymore, that you don't actually matter, and that you'll really lose him.

So how big is your sense of pride? Look past these flaws, and just do as he says, setting in motion a change in your dynamic, knowing he may only get worse. Or are your boundaries worth maintaining, thus leading to the long grieving of a decades long friendship as he distances himself more and more in his pursuit of power and control.

#When it's fiction I don't mind a little toxicity #sure lets just say you see his wounded inner child and thats enough of a reason to put up with his more toxic traits bc “devotion” #we all love some fictionally intense devotion dont we? #Indulging feels good after a rough day at work #radio demon #freyja #alastor x reader #alastor x oc #hazbin hotel #hazbin hotel oc #hazbin hotel fanart #alastor hazbin hotel #my art

[stolitzsings]

This is a sort of response to a post I've seen floating around, drawing parallels between the chains in Blitz’s trip that bind him to Stolas and the chains that bind Husk, Angel, and Fizz to Alastor, Valentino, and Mammon respectively. I'm not commenting on that post directly bc I avoid Discourse (tm) at all costs for the sake of my health, and I don’t want to get drawn into an unproductive argument that will mess with my anxiety for a week. I'm not trying to start a fight, just get my thoughts out on why I feel that comparison is inaccurate, and hopefully provide some helpful context and nuance.

So! Let's start with a few disclaimers! First of all, I'm not going to debate the moral purity of any of these characters. I just don't think it's an interesting or valuable critique. On a related note, I am not trying to excuse any of their behavior. I'm happy to admit that my favorite characters in this show have hurt people and are sometimes total assholes. Stolas treated Blitz very poorly at the beginning of their relationship, frequently pushed or even ignored boundaries, and was just kind of a dick about things. My objection to a direct comparison between Stolas and the other characters mentioned above isn't because I think Stolas hasn't done anything wrong; I just think that saying they're similar without further clarification or commentary ignores the nuance of the situation.

Read on below the cut, it's gonna be another long one folks!

Let's start by examining the "agreements" forged by Val, Mammon, and Alastor. I think it's important to note that, in their cases, the person they got to sign their contract could have been anyone. Husk and Angel could have been any sinners, Fizz could have been any imp. They aren't interested in them as people; they were only using them to gain more power for themselves. The only thing that matters to them is, "What can you do for me?" Angel and Fizz quite clearly become cogs in the machine of Val and Mammon's businesses, and Alastor only thinks of Husk as a tool to be leveraged in specific situations to further his own mysterious goals. Each of them has demonstrated to their subjugates that they own them, body and soul. They have signed legally and spiritually binding contracts that essentially surrender their autonomy to a more powerful demon.

Stolas and Blitz’s agreement is... not that. In the most literal sense, they don’t appear to have made any sort of binding deal. They just made a verbal agreement, which I sincerely doubt has anywhere near the force of a signed soul contract. Additionally, Stolas did not ask for and does not seem to want that sort of total control over Blitz. He very clearly does not view this as any sort of power exchange (which may actually be part of the issue, since it leaves him blind to Blitz’s discomfort with their class difference), he sees it as "favors for favors." While this agreement is inherently unbalanced due to Stolas's status, it's worth noting that they’re both putting something on the line here. The other three risk practically nothing (if the person bound to them fails they can always get a new one), but Stolas IS taking on a real risk by letting Blitz access the living world illegally using his book. Again, that doesn't make his actions right, and probably helped him to justify them, but it does set their relationship apart from the others.

In my opinion, some of Stolas's greatest flaws are his thoughtlessness and his ability to justify his own actions to himself. This manifests in the fact that he clearly doesn't see the ways in which their relationship is hurting Blitz. He convinced himself that this was just an equal exchange, and a continuation of the dynamic Blitz established in their first encounter as adults: "I fuck you, and you give me the book". As he becomes more aware of his feelings for Blitz, though (stay tuned for a deeper analysis of this progression later), he also begins to realize that Blitz isn't happy with this relationship. And this, as @masonshmason pointed out, is the central fact that separates Stolas and Blitz from the other relationships. Stolas did not realize- or chose to ignore- how he was hurting Blitz. Once he came to terms with it, though, he understood that he had to make things right. He specifically says this in "Just Look My Way"; "I will try to make amends/ For making you means to an end". None of the others could say this, because in their case, that was the POINT. Angel, Fizz, and Husk were ALWAYS a means to an end, intentionally trapped for that purpose.

We also need to talk about the CONTEXT of the scenes in which the chain imagery appears. For both Angel and Husk, the chain is at least semi-literal, a physical (and perhaps supernatural) manifestation of the way their souls are bound to an overlord. In "Two Minutes Notice," Fizz purposely CHOOSES to represent his relationship to Mammon as chains around his wrists. However, Blitz's scene is part of a drug trip after being forcibly dosed with hallucinogens. It does not exist in any literal sense, nor is it a representation of Blitz’s conscious, literal thoughts. What it DOES do is showcase Blitz’s deepest fears and his greatest flaws through symbolism and metaphor. Blitz is not literally afraid of being forced to wear a clown costume; he is afraid he'll never escape his past traumas or Fizz's shadow. THIS is the context in which Blitz sees himself being chained by Stolas: a bad trip all about his fear of intimacy and vulnerability.

Stolas appears in this trip as someone elevated high above him, something he's climbing towards, reaching for, even though it means being chained to him. It's directly preceded by his ex girlfriend and his former best friend berating him for how he pushes people away even though he hates being alone. Then Stolas directly asks him, "Are you afraid to love people, Blitzy?" Furthermore, the WAY in which he is framed is alluring, slightly hazy, golden and tempting. It couldn’t be further from the ugly, slime-covered past he's fleeing. It's a new start, a chance for something better that seems too good to be true. This trip is all about Blitz’s inability to be vulnerable with another person. The chain around his neck is a representation of the fact that, by getting closer to Stolas, he's giving Stolas the power to hurt him emotionally.

And man, there's a part of him that wants to give Stolas that power. At this critical moment, he's not baring his teeth in defiance or anger. He's blushing, just slightly, and he looks... nervous. Blitz's instinct, when things get too real, is to cut and run. Hurt them before they can hurt you. Abandon them before they have the chance to leave you. It’s how he tanked his relationship with Verosika. This is a manifestation of what might happen if he stays. This is the sort of trouble he can't fight his way out of.

This is the emotional climax of the scene. There are so many ways they could have gone with this if they wanted to represent Blitz being chained and trapped by his agreement with Stolas. If that was the fear--if that was the POINT--they could have had the chains wrap around him until he couldn't move, or glow white hot and burn into his skin, or a million other more direct metaphors. But the chains aren't the thing that hurts him. It's the feathers: the thing that's left behind after Stolas abandons him, sing-songing "you're going to die alone" right alongside two other people who he loved and who now want nothing to do with him.

Finally, let's look at Blitz’s reaction to this scene. It's a moment of revelation for him, in which he realizes he's pushing everyone away and starts to make an effort to change. It's why he's a bit more open with Moxxie in the next scene. The trip sequence ALSO inspires him to get closer to Stolas, indicating that the trip didn’t make him realize "I'm trapped and I need to get out of this" in the same way Fizz did. Rather, he realizes that he doesn't want Stolas to leave him like everyone else, and he wants to start feeling out what it would be like to deepen the connection between them. As I've mentioned in other posts, their kiss at the end of "truth seekers" represents a level of intimacy that we haven't seen before; it's teasing, affectionate, shows Blitz’s interest in making Stolas happy, and takes place in front of M&M, who have repeatedly teased him about their relationship before.

In summary, while the image of chains may have been invoked in all four of these relationships, they don’t necessarily mean the same thing across the board. Blitz and Stolas's relationship differs substantially from the others in its dynamic, and the context of their scene also sets it apart. It's important to look into the details and the nuance of their relationship to interpret what's going on under layers of trauma and unreliable narration.

#stolas #blitzø #stolitz #helluva boss #helluva boss spoilers #helluva boss meta #hazbin hotel

[princecharmingwinks]

Sterek Fic Rec - June-December 2023.

Can you believe we are almost at the end of 2023? These last six months have been quite busy for me so sadly haven't been able to read as much fic as I would have liked. But I am still here and will continue to create rec lists whenever I get the chance to read more fics. I am also rounding the word counts so please click on the links for the exact word count. :)

it doesn't have to be a snowman by triggeringthehealing (froggydarren) (1/1 | 4K | General)

The Beacon Beans coffee shop is what Stiles would refer to as a lifesaver. They supply his dose of sugar whenever he needs it, they don't ask questions, and their hot chocolate is delicious. And now they're running a snowman building competition where the grand prize would get him an entire year's worth of drinks. Really, all he needs is a partner to team up with. Only everyone else from the pack already seems to have paired up.

Bravery is a Loaded Gun by DefNotForWork (1/1 | 17K | Explicit)

“No, I’m not asexual, Stiles,” Derek said shortly. The teen’s heart sank in his chest, his palms going clammy and his neck prickling with the familiar feeling of rejection. “So then it’s,” Stiles swallowed, throat clogging, unable to give voice to the facts he would much rather ignore. The silence grew between them, growing tense the longer it was left. For the first time in years, Stiles couldn’t speak. The weight of inadequacy held down his typical stream of useless banter. What does one say in this sort of situation? ‘I’m sorry you don’t find me attractive?’ In which the boys speak in half sentences and have two totally different conversations. What they can agree on, eventually, is that they love each other. And that Derek should jerk off more.

Undertow by entanglednow (1/1 | 4K | Mature)

"I don't want you to die because my swirls weren't swirly enough."

Fire and Water by GreyHaven (1/1 | 2K | General)

Derek is full of unspoken words and unexpressed emotions that sear him from the inside out until finally, finally, he allows them to escape into dark ash stains that smear across the harsh white of his notebook. Or, the one in which Derek is compelled to write a story. Turns out, he's writing about Stiles. What will happen when Stiles reads it? Angst and healing and two people finding safety in each other.

eli's parents are so gross (read: in love) by ash_mcj (1/1 | 1K | Teen)

"I would’ve been here earlier, but nobody thought it would be smart to call the one person who’s intimately dealt with the Nogitsune before, so,” Stiles said bitterly as he threw his hands up. "Now I have a list of asses I gotta kick over this very avoidable fiasco. Scott’s first, since he’s the Alpha—I’m pretty sure that’s how that works. His responsibility, or whatever.” The familiar sound of Derek’s car pulling into the driveway caught Eli's attention, and he grinned. “Is Dad on your list?” “Hell yeah, Dad is on my list! Right under Scott.” “Well, he just got home, so—” Stiles didn’t wait to hear the rest of the sentence before stomping off in the direction of the living room—and Eli quickly scrambled to follow him, ready to eavesdrop on what was likely going to be a rather impressive and amusing lecture. [or: eli is glad that stiles is home, since derek has nearly died several times in his absence, but he really wishes they were a little less glad to see each other] -- prompt | a reunion kiss

Ashes, Ashes by ShanaStoryteller (1/1 | 2K | Teen)

The Sheriff gets a call at work - someone's tried to burn down his home with his son inside. "I thought of you coming here, and finding me dead, of another burnt out husk of a body, something else fire has stolen from you, of you having nothing left to grasp but ashes," John can't even call that a whimper, it's clearly a whine as Derek's hands tighten against Stile's hips, as if his boy will shudder to dust at the mere mention of the possibility unless Derek's hands can hold him into one piece, "and that thought was worse than dying."

Love Runs Wild by DevilDoll (1/1 | 9K | Explicit)

"You've got a hickey on the back of your neck!" A Neckz 'n Throats story.

So When Do I Get To Pledge My Loyalty To The Mob? by RedRidingStiles (1/1 | 10K | Mature)

“Are you my sugar daddy?” Stiles blurts out, slapping a hand over his mouth when his brain catches up to his mouth. The man lets out a soft laugh, making his way around the couch till he’s standing just feet away from Stiles. Stiles can smell his cologne from here, it smells heavenly, Stiles kinda wants to bury his face into the guy's chest so he can figure out exactly what it is. “If that’s what you’d like to call it.” The man smiles. Stiles doesn’t think he should be allowed to smile like that. All soft and gorgeous and way too pretty to be legal. He’s still not convinced any of this is real. Stiles loses his wallet, someone returns it along with $5,000. Shit keeps coming, Stiles life doesn't make any sense anymore, he's just going with it. Edited in October 2022

Stiles is My Safe Place by Star_crossed02 (5/5 | 10K | Mature)

Stiles gets bitten by Kali, and after a brief adjustment period, proceeds to co-lead the Hale Pack to defeat the Alpha Pack once and for all. OR What happens when a sassy spark-werefox starts courting an alpha sourwolf?

It feels like a perfect night (for breakfast at midnight) by princecharmingwinks (1/1 | 1K | General)

Stiles is floating on cloud nine. He is absolutely living his best life. It's a Saturday night, he's out with his friends and he's dancing like it's his birthday. Because it is! (Or it will be in 20 minutes, once midnight ticks around). And what better way to celebrate the respectful age of 22 than a night out?

princecharmingwinks special mention (My plane flying companion - I read a new chapter every time I took a new flight)

First Son, Last Chance by orphan_account (12/12 | 60K | Mature)

When First Son Stiles Stilinski, beloved public figure and the bane of his private security team, goes missing without a trace, ex-security officer Derek Hale finds himself tangled up in the world of Argent Security, a world he was forced out of when rumours abounded that he was sleeping with his charges. There's no leads, no time and no way Derek is going to rest until Stiles has been brought home safely. (Inspired by this post.)

That is all folks for 2023! Sorry again for a late addition. See you in the new year. Remember to leave kudos and comments for our wonderful writers.

#sterek #sterek fanfiction #fic rec #teen wolf #stiles stilinski #derek hale #princecharminglists

[mr-leach]

Thinking about how Ulder Ravenguard was so dead set on hating his son for not being a perfect replica of himself that he refused to listen to a single thing he said. He will not even consider listening unless you, a complete fucking stranger, step in to advocate for him, and even then it's an uphill battle. No amount of love or respect Wyll has for his father is enough to grant him any sort of grace; choosing his own path was so much of a slight in Ulder's eyes that Wyll might as well not even be his own son. The only surefire way to get him to understand is to literally break into his mind and show him what happened, and once he finally sees reason what does he do?

He immediately decides on what Wyll should do with his future now that he's back in daddy's good graces. Even sends him to go and finish a quest he himself started to prove his worth. Sure, when Wyll "fails" he acts forgiving, but his attitude is still that Wyll is just a younger version on himself and should act accordingly. Well now that you've earned forgiveness, son, you can get back to business as usual, clearly... regardless of whether that's what Wyll wants for himself or not.

Like. I have a lot of thoughts about this. For one, I have to wonder if Wyll hadn't made a pact with Mizora, or had made a pact with a divine or neutral patron rather than a devil...how long would Wyll and Ulder have actually maintained a good relationship after that night? Like, Wyll has this habit of talking about his childhood and adolescence in that...barely-fond manner. You know, where the person telling stories feels like they're sharing a sweet or funny anecdote, but to everyone else it sounds... miserable. There were parts of his upbringing that he surely enjoyed, but it is deeply overshadowed by a cloud of resentment that Wyll himself barely recognizes. He loves his father, and truly respects and looks up to him, but it's evident from the stories he shares that Ulder treated him more like a student than a son. Wyll was his protege more than his progeny, it sounds like.

And the way it affects how Wyll talks about himself is heartbreaking. He puts himself down all the time, makes self deprecating jokes, or makes unhealthy predictions of what others might think of him. The only time he doesn't...is when he talks about the Blade of Frontiers. He loves the work that he does so much, he is so passionate about being right on the front lines protecting innocents and doing away with evil, and he even takes pride in his decision to make his pact with Mizora because it's that power that he uses to help people. Like gosh, even when fretting over how others might perceive his devilish form, he concludes that, if people see him as a monster, then they'll get to watch a monster fight evil and save people's lives. It sounds cheezy as fuck but oh my god. Like talk about feeling inadequate and unloved but choosing a path for yourself that you can be proud of in spite of all that.

And then, just thinking of that reuniting exchange in and of itself, and just. You can tell just how used to being shot down Wyll is, even though he really, truly wants his father to understand him. And it takes actually forcing Ravengard to witness what happened to make any progress. Many of us wish we could project exactly what we mean or feel or experience directly into the mind of someone we're trying to get through to. And still it's like he can't see past his own selfish perception of Wyll as an extension of himself. Wyll seems satisfied in the moment, but it's apparent that he's still been misunderstood despite being forgiven by his father. It sucks.

#bg3 spoilers #wyll ravengard #bg3 #baldur's gate 3

[randonwilmonfan]

I'd love to talk more about the locker room scene in S2 E2 of Young Royals, where Wilhelm tries to convince Simon to get back together with him, in the process (sadly) demonstrating that he believes his mother's feeble offer to "talk" about him possibly coming out when he's 18. This takes place after his almost-removal from Hillerska.

Plenty of people have already pointed out how Henry snitched on Wille and Felice’s kiss, but apparently didn’t choose to tell anyone (as far as we’re aware) about Wilhelm almost pleading with Simon to get back together with him during that post-almost-dragged-out-of-Hillerska conversation. And that's definitely an interesting thing to chew on. But there's more...

Here are a few other things that stand out to me too:

First -

I think it’s worth pointing out the obvious — Wilhelm clearly sees Simon in his future long-term (possibly for the rest of his life). The way he casually says to Simon “So, we’d only have to keep it a secret for 2 years” implies three things very clearly.

a) He immediately and easily sees himself together with Simon in 2 years and beyond. Actually, specifically, definitely beyond. Because his eye is on the prize: coming out and living openly with Simon *after* he turns 18 — implying his focus is entirely on the intended afterwards period. He doesn’t even blink at that idea; it’s obvious to him.

b) He also really doesn’t seem to think 2 years is a big deal. For a teenager who’s only lived 16 years on this planet (only approximately ~11-ish of them in a state where they’re forming conscious memories) to think 2 years is just a drop in the bucket is kind of wild. Even 6 months feels like forever to a kid. So Wilhelm — a child — viewing time from this perspective suggests he’s likely balancing 2 years out against a much longer expanse of time; hence why those 24 months would look so minuscule and shrug-worthy by comparison. In other words: he sees himself with Simon in the LONG long term. Two years is nothing if you’re imagining growing old with someone and spending the rest of your many decades on this Earth with them. (All of this is pretty much confirmed later on in S2, when Wilhelm offers to abdicate the throne for Simon.)

c) He also doesn’t seem to think Simon should be appalled by the idea of waiting for 2 years. Yes, sure, we can chalk part of that up to selfishness and lack of mentalization / empathy for Simon’s point of view. But I’m going to suggest it’s more than that. My takeaway is that he assumes Simon also sees them as endgame, and so naturally wouldn’t be bothered by waiting a bit longer in order to spend forever together. (Sadly the conversation does not play out that way for him; ouch. Though no shade to Simon: what he said in response was realistic and fair.)

Second -

I think we have to rewatch his interactions with Simon as Henry slams a door and slowly walks past them with a raised eyebrow. Because, in S1, that Wilhelm would have immediately jumped away from Simon to create distance and try to pretend there’s plausible deniability about what their relationship has been and could be again. That’s (one) part of the whole point of S1: Wilhelm is not ready to be brave enough to face a homophobic aristocratic world and take a bold stance to stand by Simon.

Instead, in S2 E2, he sits still. He stays right next to Simon. In fact, he *leaves his hand resting directly on Simon’s thigh.* And he knows someone is coming their way! He heard the door slam inside the locker room. Obviously he knows someone else is here. But he doesn’t jump. He actually doesn’t really stir much at all.

He sits there like it’s of no importance, and he doesn’t care who sees. Or, even, who overheard this very intimate, vulnerable, and pleading conversation. A conversation in which the future King of their country is almost on the verge of begging his ex to please be his again… not just for now, but for multiple years’ time. I mean we’re like 2 steps away from Wille practically offering Simon a “promise ring” (not sure if that concept holds up in Europe, but it’s basically a very pre-engagement type thing in the US; it’s not common though). (Their convo also makes it very clear Simon was the one who dumped him and that he’s having trouble accepting that and moving on.)

Yet he doesn’t seem perturbed or disturbed by Henry’s presence and overhearing and seeing them. He doesn’t seem embarrassed at all. He’s not ashamed of his love for Simon. Even more specifically, he’s not afraid of people (Henry) seeing him put his heart out on the line, and of them knowing that he wants Simon back - not for just a hook-up, but for a very long-term, serious, committed relationship. And he doesn’t make any moves to emotionally or physically distance himself from Simon, despite Henry’s clear witnessing of this private moment.

This is a subtle way to show that, even though Wille hasn't yet gone through his full S2 journey of self-awareness and self-growth, he has still already begun changing and growing after the end of S1. So he’s at least started to learn some of his lessons about what he needs to do differently.

Anyhoo, the whole point I’m trying to make is… gosh there were so many fascinating things happening in that scene. And they rush right past us in the blink of an eye! But there is so much meaning built into every small interaction and non-interaction there, and into every nonchalant assumption the characters casually voice.

I’m sure there’s more meaning and are more details I missed, too! What did you think? I’d love to learn more from others’ perspectives, too. :)

#young royals #young royals season 2 #yr analysis #young royals analysis #locker room scene #but not the one where they're truly overtly fighting yet #this is the “how can you not care?” scene

[magicaldragons]

analysing varadha's psyche

a deep dive into the workings of his mind

varada, because of his childhood, has always seen love as something to be worthy of, given to those who either have inherent value or have earned it.

and even though he instinctually knows, deep down, that deva will protect him, and trusts deva to come when he calls, it still shocks him when deva does goes to extremes or places varadha's regard over his own.

he definitely doesn't understand it, especially with his own view of himself; and everytime deva shows up for him, he has the thought 'this is the farthest deva will go for me' and is proven wrong each time.

but we see him grow familiar with deva's loyalty and devotion to him, with the more time he spends in deva's presence, which leads us to our next point:

2. varadha does not ask for things, because he's faced disappointment enough. he's tired of not receiving or being able to hold onto that which he wishes for – and it's led him to a point where he cannot imagine the privilege of 'wanting' anything for the sake of it.

this is very common in those who have been raised in an unhealthy environment or have had a deficit of love or safety – he's had to tell himself "no" so often, that he finds it very hard to ask for things.

which is why it's also very fitting that deva understands him so well, and can anticipate what he needs, even before varadha has to figure out how to ask.

we see varadha get more comfortable towards the end of the movie though, where after they've fought together, he says he wants the kingdom.

he doesn't phrase it as a request to deva specifically, it's more of a goal for himself. but the fact that he has this desire, and wants something specific, tells us that he finally feels secure enough to think beyond survival and safety.

3. in the present, he carries out all duties as king solely because he is obligated to. it is definitely not something his heart is in.

even when he asked for the throne, it was WITH deva by his side, right after the adrenaline rush of fighting side by side with him.

otherwise, varadha had actually given up a while before the ceasefire, just wanting to make sure the people around him would be safe, even if he died:

when rudra touched his mukku poga again, he had been completely capable of fighting back, but he'd lost all will to. the only thing that changed his mind – the only thing that had made him not only want to live, but want to strive for more – was the chance that he would get to have it and simultaneously have Deva next to him as well.

now that deva is gone, and their relationship messed up, he knows deep down, that none of this is really worth it, but he forges ahead because the responsibility of a kingdom has fallen to him, and if not him, it will end up in the hands of those who hate him and would do worse things to him than death.

3. varadha does not like calling deva 'devaratha' (the only time we've heard him say 'devaratha,' is when they were at the gate, for official purposes)

he still calls him 'deva' in the present, even though they're not on good terms, especially after deva hurt him seven years ago

he clearly cannot bring himself to call the other anything other than 'deva,' which implies a complete refusal to distance himself from deva anymore than he already has.

4. he's very self-disciplined and very resolute when he decides to be. once he has made a decision, he's not intimidated and cannot be threatened into doing the opposite, which also makes him very loyal once he's devoted himself to a cause.

his father definitely tried multiple methods to get the truth out of varadha, but we know that varadha stayed silent and never revealed anything that could put deva in danger, even to the people he trusts with his own life.

#they're...literally obsessed with each other your honor. i- #these are headcanons; but also very much a psychoanalysis. #also he's been keeping watch of deva throughout these seven years for sure #he knew before even baba (who is definitely his closest advisor) that deva had stopped the consignment. #character analysis #varadha rajamannar #salaar

[akajustmerry]

Hey can u tell me wat race were the thg characters in the books? Was Katniss gale peeta finnick etc not white?

so this is kind of difficult to answer because in the world of the novels, The Dark Times™ whatever they really were clearly were so destructive to the fabric of society that the USA ceased to be what we know it as.

The process not only changed the land itself and how it was governed, but the language used to do that (states become districts, America becomes Panem, etc.). The fascistic government of the Capitol, when you read the books, clearly controls language as much as any other resource. Both Katniss and Snow (the only 2 pov characters in the novels) refer to words that have been forbidden and forgotten. Throughout the books you also come across words that are clearly mutated versions of known words "morphling" is one, which is the word used for what we call morphine.

I say all that to say that the people in the world of these novels, while they still obviously use English, they don't have the same concepts we do now because they've been eroded along with the language itself.

One of the crucial steps to control and oppress a population is deprive them of the ability to conceptualise and communicate that oppression. This is even happening right now wihh right wing governments around the world attempting to outlaw education and content on sexuality, indigenous histories, etc.

I say all this to say that the characters we read the POVs from in the thg novels do not and probably cannot define race in the way that we do now because doing so has been lost and repressed.

BUT!!!! that's not to say that racism does not exist, even though the language to define race is absent. Katniss is described as dark olive skinned, with dark eyes and dark hair. so is gale. I can't direct quote it, but Katniss talks in the early chapters of book 1 about how she is treated differently to her mum and sister who are fair and blonde. specifically, it says people do not warm to her as quickly like they do her sister and mum. Katniss also comments that the Capitol stylists make a mockery of her thick body hair. It's also worth noting she's among the poorest of district 12, living in the Seam. Not for nothing but Katniss also talks about how her father was also dark skinned and knew a lot about native plants.

These things on their own probably wouldn't necessarily point to Katniss being a person of colour, but together they paint a pretty clear picture of someone who experiences racism both systemically and personally even if she can't conceptualise it as that. Due to the fact Katniss' knowledge of plants and animals and carving weapons was passed down to her from her father, many people headcanon her as Indigenous, same for Gale.

As for Finnick? Jury's out. When I read catching fire well before the films came out I thought Finnick was maybe not white because he was described as very tanned and golden and in my experience white people just don't tan that way.

But Suzzanne Collins had very clear subtextual racial commentary in the books. Especially in the demographics of the districts. District 11 is predominantly Black (Katniss describes every D11 person as having typically Black features) and they're the agriculture district, described as the one that does the most physical labour. It's also the first district in the novel main story to do an uprising. And if you think a little bit about that and what Suzzanne Collins was saying with that particular subtext it's a very obvious racial commentary on the legacy of slavery and antiblackness.

Peeta was definitely white. Not only is he described that way physically. But his family is one of the wealthiest in D12 which means they had intergenerational wealth of some kind which it's clear Katniss and Gale did not.

Suzanne Collins is white and I think she did what the best white authors do when writing about race which is to acknowledge it and be realistic without overstepping or pretending to know. I'll forever hate the movies for eliminating that subtext.

#the hunger games