The Property of Hate - Thoughts, ideas and things that bug me
While we're all waiting for whatever Deus ex machina appears to get Hero and RGB out of the current quandary, I feel I need to verbalise some thoughts. Here be spoilers, obviously.
First things first: I really don't understand RGB's behaviour. Let me explain why. (Some of this is already a couple of days old, and therefore slightly outdated.)
When he introduces Hero to the World of Make Believe, he does not explain anything. You can argue that it's better for her to figure things out. But if he wants her to save the world, surely she should have some idea of the scenario that will eventually happen?
The trees. Clearly he recognises the tree in P.O.V. (since he tells the whole story later), but does actually not want Hero to do anything with or for it. Yes, he didn't know that Assok was keeping it alive. But surely he knows that restoring the sun should be a major part of saving the world?
The same issue crops up again when Hero remarks that now they have to liberate the other four trees. RGB does not seem to be aware that Hero falling onto a branch is what started the tree's regeneration and shedding of the ⬛⬛⬛⬛⬛⬛. But he also says that there's nothing they can do about the other ones (something that their experience with the next tree should have dispelled by now). So, again, he's not telling her what the purpose of her journey is, only what isn't.
If this is his standard way of dealing with heroes, I'm not surprised they all failed. The new update suggests he may have done this on purpose but I don't get what the point of that would've been. To stop the story from ending? The way things are going, it could just as well end despite his efforts, and setting heroes up to fail wouldn't have made a positive difference.
That said, both of the tree rescue operations so far would have failed without the help of former heroes (Assok in the first case, Melody in the second). Which begs interesting questions about their respective proximity.
When RGB arrived in this world, he failed, being the first hero in all but name, and by his own admission, he was pretty green. (Weirdly enough he already had the TV head, whereas the other heroes seemingly were only transformed after failing.) But currently, he seems to know a lot about this world, including stuff that happened long before his arrival. Where did he get that information from? Time?
If the folks from the emporium were heroes brought into this world by RGB, where did he get his shirt from? (Cell doesn't seem to be one, but Tailor...)
Why does Hate only intervene at two points so far? (First cutting Julienne and Melody out of the story, then snipping into Time's speech bubble, which seems pretty ineffective.) If she's really all-seeing and omnipotent, her lack of direct interaction is weird.
What's the point of the train in the desert? It's not sent by Hate (as witnessed by the blackout on her screen), and RGB has no idea what it's about. Honestly, it's the weirdest part of the story to me. It's captivating but feels like it doesn't really belong, and right after it, the whole story significantly loses steam (a-hem).
He traded his memories for time. But if I'm not mistaken, the iron only starts appearing after he was ironed by Tailor, so maybe we're all interpreting too much into those nightmares.
Returning to the question of his motivation. What is his goal? Going to the market was just an intermediate destination. He clearly seems to want to advance somewhere else. But again, he never tells Hero about it... who also never asks what her function as a hero is actually going to be.
Assok knew what to do with the isolator around the tree's roots, but that implies, again, that RGB must have explained the basics of the matter to them. He didn't seem like he wanted to tell Hero.
And without the liberation of the tree, he wouldn't have the ⬛⬛⬛⬛⬛⬛ to trade in the market. What else could he have offered? Or was going to the market only something he decided to do after that happened?
Why are there suddenly three suns? Even RGB doesn't know. And we don't see if the phoenix-tree is going to join them. (However, since that bit is set in the future, we might learn about how the three suns came about soon. (Confirmed by Mod now, thankfully.))
Maybe freeing the first sun automatically led to the next one being liberated (since the first one sets into the sea and one part apparently sunk there), but so far no explanation.
Madras is the only other character openly aware that this world is ending. But she doesn't seem too fussed, despite RGB's later explanation that if the World of Make Believe ends, all other worlds end too.
As a commenter on SmackJeeves said, most of the concepts we've seen so far are negative (pun intended). Time is neutral (and on the protagonists' side) and the tempers seem somewhat positive. If Time and Hate are the two big factors, would love be the third, and be represented by the (shattered) sun?
EDIT: Another thing. In the current part of the story, it appears RGB is telling Hero that he died. Shouldn't this be more significant? After all, she asked on page 8 whether she's dead and he says "I hope not".
Now onto the positive. While I wouldn't put it beyond Mod to subvert our expectations again, I do expect a happy ending of sorts. Why? Well, consider that the current hero is front and center of the story, while all her predecessors only get time to shine in flashbacks and supporting roles. And of course Time is on her side!
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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