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theminecraftbee · 8 months

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if you'll forgive the rare mention of shipping from me. okay. so my brain LOVES generating weird, slightly fucked-up aus. and so. okay. sometimes i think about the joke that jimmy is the oblivious protagonist to a harem anime or a dating game in most of his smps. which is obviously a fandom joke more than anything else but like, he DOES have a bunch of these ships. and then i ALSO think about the sometimes-valid, sometimes-invalid way people complain about shipping warping his and other people's characters. (for the record that's just how fandom works shipping or not shipping i take a neutral stance on this, it's just important for the au idea.)

so my brain came up with: the jimmy dating sim au. in which jimmy suddenly wakes up and his life is a dating sim. and at first he's... very very jimmy about it. he preens. he LOVES the fact the world suddenly seems to revolve around him. it's GREAT. he can see dialogue options and he still somehow sounds like an idiot when he talks to people but that's fine because he still chooses the BEST OPTIONS. he's doing GREAT. this is the BEST THING THAT'S EVER--

although. hm. it's... a little weird the world is revolving around him? grian and joel aren't being mean enough actually, which seems like a silly thing to complain about, but like, look, he likes it when people are mean. and tango is silly and sweet but he's--he's not normally that focused on jimmy. he's a project guy. and scott is--look, it's weird he's not flirting with anyone else, right? like, that's weird? and, and okay, he's... not sure how to name what's going on with fwhip but there's not enough animosity, and whatever martyn is doing is like, look, jimmy's used to being shot down more on this one, and--

and once jimmy starts seeing it he can't stop seeing it. the world's warped around him. he's the main character in a dating game. every time he picks an option that makes one of his friends (his friends!) like him more, it's like another little piece of their personality is chipped off of them. and as much as he loves being the center of attention, he misses being mocked. he misses people paying attention to other things. he misses the bits that are being sanded off. he doesn't want to be the one to break his friends. he misses the relationships they had, sharp edges and all, because goddammit, he likes that kind of relationship.

but he doesn't know how to stop it.

he doesn't know how long he can go down someone's route before the changes get irreversible.

and so jimmy sets out on a journey to figure out how to break the dating simulator he seems to have gotten stuck in and get his friends back to normal. before it's too late.

ANYWAY IF I HAD TIME AND/OR MORE EXPERIENCE WITH VISUAL NOVEL GAME ENGINES IMAGINE--

#empiresshipping #trafficshipping #<- for blacklist this isn't. really a shipping post. you know how it is.#jimmy solidarity #anyway periodically this pops up in my head again #and i'm like. man i don't know how exactly to write this. but i would love it if it existed #so i am breaking my usual silence on anything tangentially related to shipping to bring it to you all. in case you all also like it.

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advicemp3 · 3 months

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(— THE WATER LAPS AT HIS ANKLES AND IT IS SO TERRIBLY COLD.)

for @pendraegon (x)

#theuntamededit #cqledit #the untamed #theuntameddaily #cdramaedit #jiang cheng #wang zhuocheng #m.jif #HI ELLIAN <33 this is just bc u said hi. TORI YOURE NEXT #i LOVED finding another water related thing to pile up w yesterday's set #anyways go read ellian's wonderful short jc study. it's a gorgeous piece of writing

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coquelicoq · 7 months

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what i like especially about the pronouns in the goblin emperor is that this language doesn't just have the T-V distinction (aka informal vs. formal second-person pronouns, in this case 'thou' vs. 'you'), it also has informal and formal first-person pronouns. having BOTH of these distinctions in the same language lets you fine-tune your tone by mixing and matching. with only one axis of formality, when you use informal pronouns, are you being familiar in an intimate way, or in an insolent or dismissive way? when you use formal pronouns, are you being polite or standoffish? you can't tell just from the pronouns; there's ambiguity. but a language where you can use a formal first-person pronoun in the same sentence as an informal second-person pronoun allows you to distance yourself (via the formal first) while also being familiar (via the informal second), thereby achieving the conversational tenor known to linguists as Fuck Thee Specifically.

#just kidding i don't know what linguists call that tenor. or any tenors. i'm not totally positive what a tenor even is #but i can't let that stop me from writing a jokey post on tumblr dot com #register is a very interesting area of linguistics that i know very little about #so i'm probably revealing the depths of my vast ignorance here to all the sociolinguists who surely hang on my every word #but i've always thought of the formal/informal pronoun thing as being about two things: intimacy-distance & rudeness-politeness #and of course you can usually tell from context whether a formal pronoun is meant to indicate distance or politeness #(plus distance and politeness are related to each other (to various degrees depending on culture))#but it seems like it would be cool to have a built-in alignment chart of sorts just for pronoun combos #instead of prep jock nerd goth...why not try intimate self-effacing polite superior?#the goblin emperor #pronouns #register #sociolinguistics #my posts #f #anyway i know i said i wasn't going to reread the goblin emperor...but guess what. lol #and i edited my tags on that earlier post but fyi the language DOES distinguish between plural and formal singular pronouns #i had said i thought it used the same pronouns for plural and formal but i just wasn't paying close enough attention #so anyway i just reread the part where maia is talking to setheris in formal first and informal second #and you can see setheris going ohhh shit. oh shit oh shit oh shit #i'm in biiiiiig trouble #you sure are dude. that's the Time to Grovel signal #it's interesting because at the very beginning of the book when i first saw the formal first used i just thought it was the royal we #because i knew the main character was supposed to be royalty #but then EVERYONE was doing it. so it's not the royal we it's just the formal we #however. this does make me realize that the way the royal we would function in a language that retains the t-v distinction #is the same way i'm describing here. it's just reserving that particular tone (i'm better than you and am displeased with you)#for royalty only. which makes sense given royalty's whole deal

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minty364 · 6 months

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DPXDC Prompt #67

Little 10 year old Danny was frightened as he ran through the fields trying to get away. He got his powers a couple years ago and had been captured and kept in a GIW facility where he was experimented on. He got out and ran as fast as his little legs would take him. He eventually comes across a barn and decides to hide out and rest for the night. Little did he know a certain man of steel heard him as he was visiting his folks on the farm. Clarks about to gain a little brother or son depending how you want this to go!

#dp x dc prompt #dp x dc #dc x dp #danny fenton #danny phantom #superman #writing prompt #poor danny #GIW is horrible again #I feel like half of these are vivisection related and part of me feel bad but also that’s like where half of these go anyway #danny is 10 #danny is a little shit #Clarks going to burn down the GIW

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lovesickeros · 10 days

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☆ you sow; & thus you shall reap what you are owed

{☆} characters tsaritsa {☆} notes cult au, imposter au, drabble, gender neutral reader {☆} warnings blood, violence {☆} word count 0.8k

You are dying.

Gold melts into the dirt, bleeds into the very earth that you'd molded by your own hands – a familiarity you do not understand the source of – you know it to be true, yet you do not remember it as Teyvat does. It weeps, in turn, for the way you bleed upon it, the way your lungs strain for breath.

It is fury and sorrow and fear and hatred so raw that your mind buckles.

You will die.

"A dying godling and its judge, it's jury – it's executioners," The voice is hollow and cold, sweeps across your broken body like the first chill of winter, "Archons who saw themselves Gods, now brought to heel by their own hubris."

A cold hand upon your cheek, the brush of a thumb across your lip, the gentle caress of cold across your skin. You know her – you don't remember, you shouldn't recognize her but you do – and she knows you. The cold beckons and you follow, let her kindness settle in the hollow space of your chest. You want to speak, to cry and scream and rage, let the world burn around you in a fit of flames so hot even she cannot contain it – but she silences you, quiets the anger seeping into your blood, quiets Teyvat itself.

"Do not speak, little godling. Guide my hand," She is cold; her hands are not gentle, yet it is bliss compared to the callous, cruel hands that have shattered you. She is cruel and cold and brutal but she is love in the way she kisses the crown of your head. She is love in the way she is the bulwark between you and the world that has scorned you – she is fury in the way she brings them to their knees. "And I shall enact judgement most divine."

They will pray for forgiveness, and they shall find themselves wanting.

"It wasn't our fault!" They cry, but you cannot recognize the voice – it breaks and cracks like glass. "They were too human. How were we meant to know? We– we thought they were.."

Silence.

You watch your judge – the executioner, the blade that shall carve their sins into the very marrow of Teyvat, stand above you like death. As cold as winter and just as brutal. Your temple has been painted in the gold of your divine blood, and she shall complete the masterpiece with their own. The Archons shall become the grandest art in the world – this temple the canvas, their blood the paint and their bodies the palette. The cold that cuts sinew cradles you – it sings to you, whispers sweetly in your ear and carves bone from body in the same breath. The cold presses it's lips to your wrist and it cradles a heart within it's palm – judges them and finds them guilty.

It is her spear that rests between their ribs, her sword that dissects and her dagger that carves – the cold devours.

In the breadth of this divine sanctuary, the Archons dwindle. They become the pieces of a divine work of art, they bleed and bend and break upon her hands. She shakes the heavens and carves mortality into the bones of the divine – your word is Law, and you weave their deaths into the roots of Teyvat itself.

They shall know of their grand folly in every moment henceforth and longer still and they shall weep.

And as the curtain falls, as the world crumbles beneath fist and blade, she cradles your face between hands too cold – as gentle as a shard of ice between your ribs, as brutal as the kiss of gentle snowfall. The world buckles at the loss of six, but she alone does not allow it to break – you will have to mend the wounds of the world when you are well, but today you weep and Teyvat weeps with you.

And alone, the cold remains.

Stone has eroded, the wind has ceased, the flames have been extinguished, the storm has been silenced, the forests have gone quiet and the seas go still.

But the cold remains, bathed in gold.

It wraps you in thick furs, cradles you against the winter storm that brews beneath a veneer of composure. It brings you home – lets the world settle into a stillness and silence that inspires only dread and still she presses a kiss to your brow.

It is cold, but there has never been something so warm.

Where hands have broken you, she drapes you in furs, wipes away the thick gold that clings to your skin. She pieces you back together where you have been shattered, reshapes you where you have been bent – makes of you something new. Not a god and not a mortal but something wedged between them.

But you are yourself.

And you are where you belong.

They shall put you back together and you shall know only the worship worthy of the divine. They shall carve this world into your image, tear out and burn away the rot that festers.

All you need to do is say the word and they shall be your tools to make this world your own.

One word and those who wronged you shall burn, too.

Just one word. That's all it takes, and they shall take away your pain.

#sagau #genshin sagau #self aware genshin #genshin impact sagau #self aware genshin impact #fic tag #genshin cult au #genshin impact cult au #tsaritsa #“eros you left for a month again” yeah.................#anyway. posts tsaritsa fic and leaves #i kept it kinda vague but the fatui are all on your side. whether or not your actually the creator or not though..#now thats up for debate.#did they tamper w teyvat to kill the archons? to break the world to be remade in whatever image they see fit?#using you as the means of their end?#maybe you are the creator and they just saw an opportunity. maybe they are just devoted to you.#i just think lowkey villain au but specifically imposter au where the only ones who side w u r the fatui like OUGH #i love the fatui. them being the only ones 2 side w u is so tasty #prime material for angst bc the self doubt if the only ppl who believe u r the “villains”#a lot of this is just like. tsaritsa posting again though #the tsaritsa who loves so deeply yet cannot love #contradictions all the way down #she loves you but she cannot love you.#she loves you but she will put a dagger between your ribs. she loves you but she is incapable of love #tsaritsa the woman that u r ough #harbingers and their complex relations 2 love my beloved #smth smth tsaritsa seeing an opportunity to install a puppet “creator” which creates a separate imposter!au when the actual creator pops in #did i write this just 2 write tsaritsa being vague and Weird and horrifying and a horror and a lover and just a woman and #yeah :]#please talk 2 me abt the tsaritsa pleas epleas pleas eplease please please please p[lease please pleas

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its-your-mind · 3 months

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*deep breath in*

the fears 👏 have always 👏 been (in one way or another) 👏 parallel 👏 to 👏 desire 👏

let me explain.

so many of the statements given by actual avatars center around some sort of need that was met by their entity. Lots of them even had a positive relationship with the fear that drove them.

Jane Prentiss is an excellent example - the Corruption has always been about a form of toxic and possessive love, but she personally has a deep desire to be “fully consumed by what loves her,” and finds a perverse joy and relief at allowing herself to be a home

Jude Perry is another - she fucking loved watching people’s lives be utterly destroyed. The Desolation only offered her a power of destruction on a grander scale, and then gave her a more intense rush of joy as she did its work. When she tells Jon that he needs to feed the Eye before it feeds on him, it’s almost as an afterthought; she was happily feeding the Desolation long before it burned her into a new existence.

Simon Fairchild. Every time that old loose bag of bones wanders into the picture, he is having a fucking EXCELLENT time playing with the Vast. He loves showing people their own insignificance, and he loves luring them into situations where he can throw them into the void as he smiles and waves.

Peter Lukas (hell, the whole Lukas family (except Evan. RIP Evan.)) hated. people. all he wanted was for them all to go away, to leave him alone. The Lonely only fulfilled that desire.

Daisy, Trevor, and Julia, all devoted to hunting those things they deemed monstrous.

Melanie, holding tight to that bullet in her leg because on some level, she wanted it. It felt good, it felt right, it felt like it fit right alongside the anger and spite that drove her to success.

Annabelle Cane first encountered the Web when she was a child, running away from home in order to tug on her parents’ heartstrings in just the right way to have them wrapped around her little finger. Later on she volunteered to be the subject of an ESP study. Hell, she’s the one who dangled the “Is it really You that wants this?” question over Jon’s head in S4.

And that brings us to Jon, beloved Jarchivist, the Voice that Opened the Door. Ever since he was a child targeted by the Web, he was looking for answers. He joined the Magnus Institute’s Research Department looking for them, he stalked his coworkers in search for them, he broke into Gertrude’s flat and laptop out of desperation for them. And when he realized that all he had to do was Ask to get truthful answers to his questions? It was only natural for him to jump at that opportunity.

Elias told S3 Jon that he did want this, that he chose it, that at every crossroads he kept pushing onwards, and the inner turmoil that caused was one of the focal points for Jon’s character through the rest of the podcast.

There’s a certain line of thinking in many circles about the power of the Devil: he’s not able to create anything new. All he’s able to do is twist and warp that which was already present, making it something ugly and profane while still maintaining the facade of something desirable.

Jon didn’t choose the Eye. But he did wander into its realm of power, exhibiting exactly the qualities it was most capable of hijacking and warping to its own ends. Jon didn’t choose the Apocalypse. But Jonah picked at him little by little, pointing him towards each Fear individually. Jon didn’t want to release the Fears. But the Web tugged on his strings just so and laid a pretty trail for him to follow until he reached its desired conclusion.

Jon didn’t choose ultimate power, or omniscience, or even his own role as Head Archivist. But he said “yes” to the right (wrong?) orders and kept on pushing for the right (wrong?) answers. He wanted to succeed at the work he had been assigned. He wanted to protect his friends. He wanted to rescue them when they were lost. He wanted to prevent the apocalypse, to save the world. He wanted to know why he was still alive, when so many had died right in front of him.

The Great Wheel of Evil Color that is the Entities might not fit as neatly into categories in this universe - maybe there was no Robert Smirke trying to impose strict categories on emotional experiences, or maybe the ways they manifest in the world has turned on its head (goodness knows many of them have been showcased and blended in some very fun and new and horrifying ways so far) - but their fundamental foundations seem to be the same. Hell, in episode one we learned that there had been enough individual incidents to create a distinction between “dolls, watching” and “dolls, human skin.”

Smirke’s Fourteen isn’t going to be relevant as common parlance, RQ said that already, but I don’t think that means the Fears themselves (and their Dream Logic-based rules) are different - I think it means that the levels of understanding, language used, and personal connections among people “in the know” are going to be entirely unfamiliar

#tma #tmagp #the magnus protocol #tmagp meta #tmagp analysis #the entities #robert smirke #smirke's fourteen #mind write a meta post that doesn’t turn into a fucking essay challenge #I literally thought about citing my episode sources here but decided that would get too FUCKING long.#anyway I’m pulling mostly from Gerry’s statement (111) and #and the Big Elias Group Confrontation (92)#and Annabelle’s statement (147)#and then finale - 196 / 197 / 200 #there are other little lines that I grabbed - tbh feel free to ask about anything I’ve said bc I feel like I’m ready to defend a thesis #I’ve been thinking about this on and off for a few weeks since the desire thing started going around #I have an obsession with Themes as they relate to Worldbuilding and now I have subjected you all to it as well #I am serious tho if anyone wants me to pull the specific parts I’m talking about (whether cuz you have Questions or you wanna ref them too)#lmk #my hyperfocus on silly media brain might as well come in useful somehow #aight peace ✌️

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thief-of-eggs · 1 month

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I don’t know who needs to hear this, but you are allowed to have a favorite character out of a particular ship. You’re allowed to mostly focus on that character in any fics or art you create. You’re allowed to have a lesser understanding of their counterpart. You do not need to have every ounce of lore in order to ship them. Heck- you can even just like a ship for vibes.

Just because you love a ship doesn’t mean both characters are your absolute favorites. You’re allowed to relate more to one over the other. You’re allowed to make that other character your focus.

#i’ve seen soooo many people get butt hurt when a person focuses on tim in timkon #like… we are ALLOWED to relate to tim more…#which is why i usually write from tim’s pov #i ADORE kon #but i relate much more to tim #which is why i write fic?? i write it for me first #and tim is a character i can really see myself in #anyways #this goes for any ship #you’re allowed to have favorites!!!#you don’t need to know every ounce of lore to ship them !!#timkon #ships #fandoms #birdflash #dc #marvel #harry potter #star wars

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renrenlilangel · 2 months

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⚠️ Warnings: Mention of reader dealing with abusive parents, and having suicidal thoughts/feelings and depression from it all. ⚠️

Ren x GN!Reader

Imagine...

Ren noticing how abusive your parents are towards you, and resisting the urge to make them suddenly disappear in some accident. Just to finally free you from this clear suffering.

But he knows it'll upset you if they were suddenly gone, even if they hurt you. He knows since he brought it up as a joke before, and saw the fear and worry in your eyes by just the idea alone.

He was quick to reassure you he was just kidding though, to make you feel better. But to be honest, he wasn't...

Even though they are the worst people for you to have in your life, he can understand bonds with your family can be complicated. And hard to just break off in times or at all. Especially since they completely fucked up your views/ideas on what is love, or what is real care shown or given to you...

However...he's heard and even seen your desire to be free from the hell they inflict on you in your life...Just to be gone from them, from this world...And it hurts him to see you believe that's your only way to truly escape this all. It hurts him to see you not realize he's your clear exit and path to safety...

But he won't let his angel leave like that...Leave him like that. He refuses.

If anyone should leave and be gone for good, it's your parents. Not you.

You're not to blame for what they do to you. For how they make you feel and all. It's not your fault. He'll remind you often and reassure every time, over this clear fact with all his heart and soul.

It's not your fault.

You deserve better...

You deserve to be protected, loved, cared for and cherished always...

You know you do, Angel.

So when he sees it's the final straw for you...Let him help you deal with this problem in your life finally. Let him help you take you away from this hell.

So you both can finally be happy together without them getting in the way anymore.

Let him take care of you and prove to you just how much he loves you and cares about you.

Let him help you free you from this living nightmare once and for all...

He'll be sure in the end of it all, they will never harm or bother you ever again...

#me? venting/ranting through writing? psssh of course not! haha! anyway if you understand/relate with this crap *hugs hugs*#14 days with you #14dwy #14dwy imagine #14dwy mc #14dwy ren #14dwy redacted #ren x mc #ren x you #ren x reader #ren x y/n

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skrunksthatwunk · 3 months

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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.

#banana fish spoilers #I'M HAVING A FUCKING MOMENT #mutual reblogged exactly one (1) piece of ash fanart and sent me on A Multiple Hour Long Thing and now im rewatching it lol #yes i am only on episode 2 yes i am still going to write big long analysis posts ANYWAY #whatever hope this makes sense. anyway #banana fish #okumura eiji #ash lynx #asheiji #hhhhh i can't believe i've only watched this twice in like what 5.5 years?? sheesh #anywayyyyyyy i care about them a lot ok. god #and yes i DO kinda have beef with the decision to kill ash off at the end but it really does say so much About his character #that he chose to die in the way that he did even though he's been throwing his life away since episode 1 #dying in peace in comfort in solitude rather than in some chaotic battlefield.... ough...... in the peace eiji alone could give him.....#anywayss i relate to ash a little more than i should so. this one's for us cool guy bottoms up #edit i uh.... i forgot it was a leopard.... in the story..... but whatever it doesn't really affect the symbolic meaning it's just embarras #ing that i forgot >;/

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liesmyth · 6 months

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would you be able to give examples/explain more about how race only impacts gideon in the tlt-universe? not being facetious or condescending, genuinely asking. thank you!

Hi anon! If you mean my tags to this post, I wrote

#earth conception of race doesn't impact any character in the series except the canonically brown main antagonist

By which I mean my Worstie and main antagonist of the series, John Gaius (PhD).

I don’t think TLT as a series engages with race in any especially meaningful ways. It’s set in a post-Earth society with entirely different social norms, and there’s no concept of race and ethnicity within the population of the Nine Houses. Physical descriptions of the characters are scarce to say the least, and they rarely spell out the kind of features that suggest specific racial connotations, because the POV characters don’t seem to think it’s something worth remarking upon. iirc, it takes until halfway through HtN for the narrative to confirm that Harrow has brown skin.

[See also Tamsyn’s GtN characters description post. It quotes passages from the book, and you can see how minimal the descriptions are, and she repeats several times that her characters’ appearances are up to the readers’ interpretations. It just doesn’t seem to be a big concern of hers]

Then there’s John, who grew up in twenty-first-century New Zealand and IS explicitly Māori in a way that absolutely impacted his character arc. It's not A major theme of his Nona chapters, but it’s there if you read between the lines. The boarding school he went to, which IRL had a high percentage of low-income Māori students on scholarship. The depth of his climate anxiety, his uncompromising “Nobody left behind” stance before the cryo project was halted, and his fervent hatred of ‘the trillionaires’ afterwards... these are all informed to some extent by his background as an indigenous man imo, and so was the global reaction to his developing powers. The “We were going to put you fellas in jail, weren’t we?” the way his initial attempts at publications are all flat-out ignored by the scientific community and dismissed as culty gimmicky faith healing until he leans into it.

John being Māori is just one of the many pieces of his backstory, and far from the most impactful to what eventually went down, but my point remains that he is the ONLY character in TLT whose racial background 1) affects his story arc and 2) is relatable to the audience. Everyone else is ten thousand years removed from Earth, and I’m just not very interested in using racial identifiers when exploring these characters and their dynamics, because the characters themselves don’t care and neither does the narrative.

#on a more hashtag meta level #John is why I’m personally uneasy about any analysis of the series that tries to interpret TLT through racial allegory lenses #especially when it’s weaponised for discourse purposes #You can write meta about John’s war crimes without comparing him to white imperialism #Or you can go ahead and do that anyway but I highkey disagree that it’s a fitting metaphor or in any way deliberate on Tamsyn’s part #and I think the implications are unfortunate to say the least #That said I AM extremely interested in the ways John relates to the culture he left behind #and why he made the choices he did when it came the moment to reshape humanity’s cultural consciousness after the Resurrection #but that’s on a character level!#I don’t think we can apply twenty-first-century social / identity labels to the series as a whole #especially a series where the author says 'I imagine X character as Y but it doesn't raelly matter'#and it doesn't influence the canon directly in any way #SORRY THIS IS LONG!#anonymous #ask #ejg #tlt thoughts #elle tlt posting #tlt

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aroaceleovaldez · 11 months

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non-exhaustive list of canon powers Nico di Angelo either has shown or is heavily implied to have:

Shadow-travel

Manipulation of shadows/darkness (also possibly use of shadows as a pocket-dimension a la Magicians using the Duat in The Kane Chronicles)

Becoming intangible/shadows

Complete control over skeletons/bones (dead or alive, including summoning, reanimation, and/or changing shape of them) and being able to sense their presence

Summoning, reanimating, commanding, and dispelling the dead/undead (Skeletons, zombies, ghosts, etc & varieties) and being able to sense their presence

Ability to understand/communicate with the dead/undead and potentially other beings of the Underworld

Inherent complete comprehension of Latin

Ability to perceive the usually unperceivable/possibly look upon a deity’s true form without repercussion (at least moreso than the average demigod, though possibly is restricted to chthonic beings) (ex: Tartarus, potentially also interacting with his parents, etc)

Interacting tangibly with ghosts (implied to be a Ghost King thing rather than a Hades/Pluto thing)

Partial or complete immunity to different effects of the Underworld/things within (can consume food/drink of or in the Underworld without repercussions, effects from the Lethe wear off over time instead of being permanent like usual for mortals, etc)

Astral projection/”Walking in dreams”

Dream manipulation and projection (Sending dreams to others, etc.) (presumably includes sharing/projecting dreams with others) alongside inflicting sleep upon others even from a distance.

Illusions

Manipulation of emotions/aura that inflicts specific emotions on others (ex.: radiating fear/death onto enemies)

Projection of emotions and memories onto others (can be so forceful it causes physical damage like a shockwave)

Geokinesis (all forms but also specifically generating black marble) (presumably also specialized control over precious gemstones & non-paper currency)

Temperature manipulation (seemingly only lowering temperature)/creating frost)

Control/manipulation of souls, including living beings (ex: ripping out Bryce Lawrence’s soul)

Perceiving/reading/judging of souls (most likely also a Ghost King thing over Hades/Pluto thing, but possibly both)

Converting living into dead/undead, aka instakill (ex: disintegrating monsters to bone with one touch)

Lowering or manipulation of own vitals (breathing, heart rate, etc)

Death Trance/pseudo-hibernation (possibly also general control over states of consciousness at least for self, in combo with control over vitals & dreams)

Sensing death (impending or when it occurs, sometimes receiving dreams/visions of it occurring)

Able to sense other children of Hades/Pluto (potentially also other chthonic beings in general/able to identify based on sense alone) and also just living beings in general, such as mortals (possibly via souls).

Improved navigation underground/in the Underworld and ability to traverse restricted or normally unnavigable parts of the Underworld

Enhanced strength/abilities when in the Underworld

Inherently unnaturally quiet (possibly able to silence sound on a designated target)

Hiding/shielding self from being perceived (seemingly related to shadows/silence)

#pjo #riordanverse #nico di angelo #long post //#MY BOY IS OP AS FUCK and i love this about him #so many of these are so underutilized #when will Nico get to use his geokinesis again #we only see him make marble once in BoTL and then never again #based on that he should theoretically be able to do everything Hazel can do. which also implies Hazel can do everything he can do #let Hazel summon a skeleton for once and Nico hits somebody with a rock cmon #also i still firmly believe Nico should get to turn invisible #we've seen him become intangible. his dad's notable item is a helm that makes you invisible. let him turn invisible.#but yeah big 3 kids are op. look at nico go. and this is just physical abilities not including stuff like Annabeth being smart #or cabin 7 kids being good at music or whatever #presumably for Nico/Hazel it'd be like a penchant for diplomacy and legality-related things presumably #and i like to hc he has a personal inherent knowledge bank of everyone who has ever died in his lifetime - just details about their deaths #mostly anyways and then like basic facts about who they were/next of kin/etc #so they can tap into that at any time and be like ''hold on lemme look this person/their relatives up real quick''#i usually like to write that as how Nico confirmed what was up with Jason when they first met #he just kind of squinted at Jason and went ''okay. hm. who are you next of kin of? Beryl - OH YOU'RE THALIA'S BROTHER''

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shoezuki · 1 month

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Sampo has taken him to dozens of planets at this point, massive ships the size of celestial bodies and burnt out stars that have turned lush with discolored plant life over billions of years. Massive, writhing metropolitans and quaint, warm planets with people who gawked at their appearance. He's seen massive astral leviathans' open maws that span galaxies and ingest stars, phantom ships made of wood and bone slice through shimmering fogs. Planets composed of intertwined living beings, made of twisting and layered plant matter, places where the stars speak low sharp words and dance over his closed eyelids and make him dizzy.

But he hasn't take Gepard to his home planet.

Gepard assumed it was inevitable; he had known a while before Sampo had taken him off Jarilo-IV that Sampo wasn't from Belobog. He'd suspected it but been unsure long before Sampo mended him back to health. It was a partially spoken truth now, while Sampo divulged more information about every aspect of the universe to him.

"When are we going to your home planet?" Gepard had asked, openly, one night they spent on a waterlogged planet with specks of land, watching as the ocean jumped up and strange aquatic creatures swam through thick air.

Sampo had scoffed, Gepard watching him stand and look out over the horizon with his arms crossed. "My home planet? Please, no need to go to that lump of rock! Trust me, it's the worst planet out here. I've walked on gas giants and burning sun's that were better than that place."

"You came from it," Gepard said softly, maybe thinking Sampo would understand why there's something clinging on the inner walls of his heart that make him want to see where Sampo came from so bad. "It can't be that horrible then, right?"

Sampo doesn't speak, but he shakes his head. "Do you wanna go out? Do you think we could swim in the water... sky... thing?" He grins and Gepard let's him change the topic, content to follow Sampo.

He doesn't talk about his planet without Gepard pushing him. He doesn't talk much of anything about where he came from, how he grew up, why he apparently spent years jumping across planets long before he ended up in Belobog. Gepard asks, sometimes, when he feels maybe he can coax a response from Sampo. But he always deflects, gives vague or contradictory answers, or only responds with tame non-answers.

Sampo acts as usual; he talks constantly, about little things or memories or stuff he wants to show Gepard. When he's not talking, he's humming, tapping his fingers against the glass control panels of the ship, kicking his foot absentmindedly against his chair with a constant metallic thunkthunkthunkthunk. He always grins wide when he looks at Gepard, sometimes grabbing Gepard by his face and pressing kisses against every inch of skin so rapidly it's almost overwhelming.

Sampo talks to Gepard when he thinks he's asleep. Gepard, every time, pretends not to listen.

"I don't want to take you back."

Their bed is small, more like a cot made for one person. Gepard had offered it to Sampo the first time they'd investigated their stolen ship but Sampo had just laughed and pulled Gepard to lay with him. Every night Sampo holds Gepard, arms locked around him and keeping his head pressed to Sampo's chest, or his own body weight draped over Gepard like a weighted blanket.

Right now, he hooks his chin over Gepard's shoulder, running fingers through his blonde hair, one hand over his side. Sampo's hand ghosts over his ribs, burning through Gepard's shirt, directly over the rough, newly healed scar.

He's quiet, so painfully quiet, and gentle, with his touch faint and entirely for Sampo's own gain. Gepard nearly drifted off, but now he keeps his eyes closed, his breathing soft, hoping Sampo doesn't feel how his heart jumps when Sampo brushes a finger over the shell of his ear.

"I don't want to take you back," he repeats softly, his words dark and low with the confession, "I'd keep you in this... stupid little ship, in the stars with me forever. If I could. If you wanted. Only if you wanted."

Gepard does want it: to keep waking up to nothing but stars and Sampo's sleeping face or exhausted grin; to listen to Sampo drawl on about all the stars and planets and strange celestial lifeforms they pass with knowledge that feels bigger than Sampo himself; to be dragged from planet to planet, Sampo's hand searing new marks into his own palm and finger prints, his excitement electric and tangible.

Gepard does, deep down, want it. He wants Sampo to himself, too. To give himself entirely to Sampo. But a part of him will always be in Belebog. They both know it.

Sampo is quiet, the next morning. More than quiet--he's subdued, faraway, as if locked inside himself. Even when Sampo isn't speaking he's loud, his presence always drawing and begging for Gepard's attention. Now he seems small, curled in on himself in the piloting seat.

"Sampo?" It feels rude, wrong to break the silence with his own voice, but Gepard does. "Are you okay?" Sampo turns his head, barely, to look at Gepard where he stands against the wall. He shoots him just a smile, but says nothing. It makes more concern coil and simmer deep in his gut.

Gepard has no clue where they are now, in the vast impossibility of space. The universe is foreign to him, but Sampo treats it like an old friend, like he knows it intimately. Gepard has let Sampo take the reigns, guide them to wherever he wants to go. It had stressed him out, at first, the lack of knowing, the unfamiliarity of new worlds. But now more than ever, he's content just being with Sampo. He'd go with him anywhere.

Where they are now, though, feels different. The outside space is dark, swirling celestial bodies of black and grey and bloody reds and browns the colour of bruises. The terrain is made up of fragments of comets, rocks, shattered formations and debris. The debris varies from collections of dust to meteors larger than their ship, jagged and broken apart like Qlipoth had shattered them open with his hammer. Gepard sees the metallic glint of wrecked ships, metal shards embedded in rock and flayed among it all.

He hates this place. Gepard doesn't know if it's him, or if it's some sort of cosmic effect, but there's a heaviness pressing on him. Maybe it's something real, tangible, or maybe it's the way Sampo navigates the wreckages and meteors with a stiff ease in his shoulders.

Gepard walks up to him, quiet behind him. He wants to touch Sampo, feel the heat of him against his palms, but for some reason he feels like he can't. Instead he places his hands on the back of Sampo's seat, his fingers barely brushing against Sampo's back.

"Sampo, are you okay? If... if something is the matter, you can tell me--"

"What d'ya think?"

Gepard blinks, finding himself shocked by the weight of Sampo's gaze suddenly on him. His eyes always have a dull quality to them, the shine underneath his pupils gone save for when Gepard whispers against his skin or presses his lips across his face. Now, though, his eyes are dark, all consuming. They absorb the light and snuff it out, making the small ship feel cold. "I... what?"

"This place," Sampo hums, turning back to focus on navigating. His smile is a practised, stiff line. "It's lovely, isn't it? Or do you find it creepy? Messy? I mean, it's a lot of destruction. There's a good reason no one but ol' Sampo comes around here anymore."

Gepard frowns, feeling like Sampo's having a conversation he's not a part of. "What do you mean? What is this place?"

"There used to be a planet," he pauses, making a noise in the back of his throat, "actually, a few planets. Small ones. They'd been under the IPC's control for a looonnng time. Until they abandoned 'em after clearing all the minerals out and leaving the planets hollow."

His mouth is dry, his fingers digging into the back of Sampo's seat harshly. Sampo's voice is light, conversational, like he's explaining one of the allegedly 'boring and lame' planets they'd passed before. "The planets were basically just rocks, before the IPC made them into mining projects and shipped a bunch of people to work away there. They left the workers when the mines dried up.

"Rivet Town looks almost exactly like the mining planets did, back then." He clicks his tongue, shaking his head slightly. "The people who'd scrounged up enough money took off, taking everything they could with them. Mine supervisors left behind their working families and their kids and went back with the IPC while the planets starved slowly."

The ship slows, between asteroids and at the edge of a vast, whirling expanse of debris. It swirls around out and around a burning, black body of... of something, within the center of a shattered planet light years away from them. Gepard stares, and the sight of it burns into his eyes.

"D'you know how Masked Fools recruit people?" Sampo says it with a giggle, not waiting for a response. "Sometimes they just whisk kids away from happy families before they can remember anything. Sometimes people go to the taverns themselves and try and choke down the drinks, but that's not often. Most often, though, the Fools find hopeless, little planets and whisk away orphans seconds before... boom! Planet gone! You never forget the popping noise a collapsing, imploding planet makes."

He cackles, laughter loud and echoing off the metal walls. Gepard's hands are shaking, staring out into the ruined abyss, the remnants of planets and lives and a past Gepard can never, ever see or understand. His eyes burn and his heart aches.

Gepard lunges forward, pressing himself harshly against the chair as he wraps his arms around Sampo. He circles his chest and presses his face into the curve of his neck, holding him so tightly as if Gepard is trying to squeeze Sampo into his very being. Sampo's laughter becomes broken, wet and frantic when Gepard holds him tightly. He shakes under Gepard's tight grip, the shine of tears of Sampo's face as he continues to stare into ruined space. Sampo bites his lip, hard, to stifle himself.

"Come home," Gepard exhales, pressing his words into Sampo's skin, "come home with me. After-- after all this. I don't care how long we're out here or where else we go but please. Please come home with me. I'll copy the key to my apartment. I have enough room in my closet for you. We can--I can buy you wigs and dresses and whatever the fuck you want. Anything."

"Why?" It's a whisper, barely a question. Sampo lifts his hand and grasps the forearm pressed over his chest. "Why?"

"Because Natasha probably still needs your help, and Seele will gut me if you don't return, and Hook without a doubt misses you, and Serval pretends she hates you but still asks me how you are when you text me, and I'm in love with you." He sucks in a breath; saying it always makes him feel airy, lightheaded. "I'm in love with you, and I want you there. Why else?"

There's silence for some moments too long, Sampo still shaky in Gepard's grip. He starts to worry that he's suffocating, that it's too much, but when he tries to pull away Sampo grabs his arms and holds them there, stopping him from moving.

"... but my criminal record's gone," Sampo whines, the faintest bit of humour in his voice. He tilts his head back, eyes still red rimmed when he looks up at Gepard with a searching smile. Gepard, having spent so long with him at this point, knows what he's really saying.

"I'm sure you'll record will be as long as it was before in no time." Gepard grumbles, wrinkling his nose and letting his conflicted feelings into his tone. But he lets it drop away with a sigh, shaking his head and feeling fond. "... as long as you try not to give my Guards too much grief, Koski."

Sampo doesn't say anything, but when he smiles and laughs, when he pokes into Gepard's cheek and says that the Silvermane Captain better not go soft on him, his eyes are shining.

#sampard #honkai star rail #sampo koski #gepard landau #in the bones #this mini fic has been half done in my drafts n i been unsure on finishing it cuz its quite. obvious. how this relates to other. stuff #but i want to write more minifics of these idiots going around the universe n shit #anyways i hc that sampo became so fond of jarilo and belobog cuz he had a childhood a lot like the kids in the underworld #before he became a fool

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carlyraejepsans · 4 months

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Out of curiosity what instantly ruins a soriel fic for you? I promise this isn't for my own fic 😁

Sans remembering resets. Not even a Soriel specific thing, I catch one whiff of it in any UT fic and it immediately kills any interest I might have had in it. Same with Sans being suicidal (he is not. lmfao)

But let's see, Soriel specific... hm. It's hard to explain what it is that they do wrong specifically. But there's a brand of h/c fics with sans being the comforted where you can tell the author has not taken into account everything that is also wrong with Toriel. She's just there to offer comfort, which I'd argue is something Sans would do more often with how evasive and private he is about his own issues (and how we have literal in canon examples of him comforting her instead, even before they officially met each other)

#not saying that toriel can never comfort him in turn it's just. the way a lot of ppl write it doesn't sit right with me #he's not cryptic enough. too open too outwardly emotional. toriel too motherly #like even when he's allowing himself to be vulnerable around other ppl he should always maintain 1) a leg over the conversation at all time #and 2) a way to weasel back to a safer topic and drop everything if he wants out #anyway toriel wouldn't coddle him as a way to offer comfort. she'd get on his level. she'd relate. she'd joke and then sit with that grief #side by side with her own in silence. fuck now i want to write more soriel again. ughhhhh #answered asks #biscia hater moment

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torchstelechos · 1 year

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I do think its really important to remember that SY was suppose to be the villain character but its only because of his kindness and newly gained life that he didn’t end as one. In the very beginning of the story we learn that Peerless Cucumber Bro often left comments on how SJ didn’t get his dues and needed to be punished more, and only after he transmigrated did he acknowledge how awful of a death SJ had. He also made point to explain that he only read the book for LBH, which he noted to enjoy his decisive actions and deft ability to kill. Markedly, he liked his brutality and personality over the erotica that the majority of PIDW fans enjoyed. Peerless Cucumber Bro is someone who loves action and the ability to cut right to the chase, something that he does not do and most likely has difficulty with in his world.

Speaking of, it is something to note that Peerless Cucumber bro is rich. He had head chefs, he could pay for a 6k+ chapter book of erotica in 20 days, he noted that he could not understand SJs envy and ambition for power since he lives well, and he even noted to himself that his family was well off. He is incredibly wealthy, and it shows. Which is important to note because he, not once, showed any guilt or remorse on dying and leaving his family behind. Yes, he sometimes refers to people as being similar to his family but he never showed any pain for losing that life like he did when he lost LBH. This is important because I genuinely think SY was depressed and self destructive to himself, which goes against popular HC that he was chronically/terminally ill (I do like this HC and like how its portrayed in fanfiction). It would explain how he ended up dying all alone by himself, and how blase he was to his own life and death.

SQQ is a self destructive force who ended up dying three times, and didn’t feel anything about death itself. He was worried about others and the effect it had on them, but for himself it was up and on again like it never happened. He does not care for his health, had self isolated as SY to the point he died alone, and has a horrible self esteem to the point that he continuously agrees when other people put him down and often calls himself the villain. Even though we have seen the evidence of someone who is always being thrust into new situations and awful plots, he calls himself lazy and easy going. He hides his thoughts and feelings behind his fan and has a remarkably thin face. At the very base of his actions and his thoughts, he is self destructive, powerful, and smart. This is the set up for a villain.

However, when shown the actual people in front of him and forced to act as SJ did towards LBH and his disciples, he flinches from it. He notes that it happening in front of him was different. His entire self soothing comedy monologue went quiet when he had to enforce the Endless Abyss scene, and grieved for the childish innocence he killed from one of his favourite people. SY was set up to be the villain and obviously thinks of himself as one, but can not act as one. If he had the choice LBH would have been his sticky sweet white lotus disciple for as long as LBH wished to be.

His kindness, as seen in the book, is what turned him from being “the scumbag villain” to the protagonist we see in the novels. Which, yes, he is a protagonist! He even has the protag halo that LBH has and its very funny in the meta way for SQQ not to realize this, but thats for another post. But he loves his disciples, he loves his peak lord siblings, he loves his Binghe, he loves his new life, and he is kind. That is what kept him from being the villain he sees himself as, his kindness and love for others. Whether that be romantic, platonic, or familial, he loves the people he has met and he treats them kindly. That is why it is important to remember that he was set up as the villain by everything in the story we do not see, but what we do see is him continuously changing the story to fit a new genre that lets as many people as he can save live. Sorry sorry, I just think about SY being set up as a villain so much. It changes a lot of views I have on the series when I remember the duality of SYs story and character development.

#SVSSS #scumbag self saving system #Shen Yuan #shen jiu #shen qingqiu #luo binghe #Meta #I think?? Haha I dont usually do metas but I dont know how to write fanfic for this series #so Im just writing down my thoughts on the characters #Like how if we see this from the PIDW characters POV SY is truly a villain #Its just something that makes me laugh because he is a villain just as much as he isnt!#what a wonderful complex character to write for. This type of story.#I wonder if Peerless Cucumber Bro would forgive me for writing meta about him?? I think he would be kind of happy but utterly disgusted #ew fans that actually think im complex even though Im a really simple person with no hidden motives -SQQ probably #I love this fucking idiot so much I relate to him on a spirtual level and think he was probably depress to the point of having A Plan.#if you know what I mean #because I still think him reading PIDW entirely in 20 days marks a special occasion for something and if its not for the final chapter...#Anyway #I love this stupid sweet potato of a character #Oh! New tag!#Sweet Potato SQQ #for archiving puproses on meta for him #Probably not good meta I didnt even add quotes or page numbers Im just talking out my ass from what I remember #Watch me write an essay on this lmao

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