#screwloose | Explore Tumblr Posts and Blogs

popculturebuffet · 9 months

Text

Teenage Mutant Ninja Turtles: Mutant Mayhem Review and Analysis: This Films What Makes Me Feel Alright

Hello all you happy turtles! It's time to grab some pizza and party sized cool ranch doritos and pull your old high school sketchbooks out of some ancient backback in your closet, it's time to talk TMNT: Mutant Mayhem. As a massive TMNT nerd who was beyond hyped for this film coming from the powerhouses of both Point Grey Pictures and one jeff rowe, how did the film stack up? How did it spin kick on it's own? And why did they think Bebop nipple piercings were a good idea? All this and more under the cut, with FULL SPOILERS so if you haven't seen the film, you've been warned.

A New Coat of Ooze: Mutant Mayhem's story of how it came to be is oddly familiar: a massive movie company who has an iconic IP has no idea how to use said IP on it's own, and taps creators who have had some recent noticable and well loved succeses to make them a hit.

If that sounds familiar.. it really should as it was sony's creative desperation to get something spider-man centric only they would get profit from out that lead to Into the Spider verse and i'ts sequel. So it's funny and endearing to me that a film that wouldn't of gotten away with it's utterly unique and grungy art style without spider-verse.. happened for pretty much the exact same reasons.

Like with spidey, Paramount.. really didn't know what to do with TMNT for a while. And it's weird because when they first aquired the heroes in a halfshell from mirage, they had a pretty solid plan: the 2012 show, while messy as it went on, started out really promising and was a huge hit. The IDW comics prior to it were a massive hit for the company and are STILL around today, having outlasted other long term idw liscenses like transformers and having kept a consistent continuity for a decade while also leaving room for crossovers with ghostbusters, the mighty morphin power rangers, the goddamn batman and now street fighter.

So what went wrong? Simple.. they tried WAY too hard to mimic the transformers formula with their theatrical film, Ninja Turtles, not only not getting that audiences were tired of "Micheal Bay makes a weirdly sexual comedy about your childhood and it may have robots", but what really made the franchise work. The sequel from what i hear is slightly better but it just wasn't enoguh. Not helping is they quickly lost their shit on the tv front, as after the 2012 series concluded, they launched the creative, hilarious, and gorgeous Rise of the Teenage Mutant Ninja Turtles.. which proceded to last only two seasons because it wasn't an instant hit, aka the same issue most nick shows fell into, not helped by the fact that Nick also seemed to pick up Cartoon Network's bad habit of hating action shows. We DID at least get a really good Rise film that gave the series a nice epilogue, but it's still sad it sputtered out so fast.

So Paramount turned to something they really weren't using.. their film animatoin department.

Paramount Pictures Animation is neat to look into as it had a steep rise.. then fell right off a cliff. It was a bit spottier at first, producing two of the charlie brown films, Bon Voyage Charlie Brown (And don't come back) and my beloved Race for Your Life Charlie Brown... mostly for this theme song.. okay ENTIRELY for the theme song.

youtube

And scattered experiments like Cool World, which was so good Ralph Bakshi punched a man over what they'd done to his idea, Bebe's Kids, and Beavis and Butthead Do America.

It wasn't till the late 90's and the nick boom they really started seeing success with the rugrats movies, jimmy neutron, spongebob and even the failures like Hey Arnold and Wild Thronberries were still neat. And yes i'd like to talk about any and all of these films at some point, they made up my childhood etc etc.

Eventually they got a cushy partneriship with dreamworks, still releasing the ocasional original effort like Rango, Barnyard and TinTin (The last of which I WILL be covering next august, I simply didnt' have room in pirate month this year. Once dreamworks left.. it seemed like Paramount genuinely had no clue what to do with the animation divsion. We had things like Sherlock Gnomes or Wonder Park, and the ocasoinal spongebob movies but it's clear that with Nick constantly cutting itself off at the knees they had no idea what to do. The closest they got was the turdtastic loud house movie and the totally awesome Rise of the TMNT films on netflix, but they just had no idea what they were doing. I mean it's telling that their trying to get extra paw patrol tickets by promiting a double feature with saw X. I.. I wish that was just some stupid joke I made as it's comedy gold. Eventually they came across an idea: Stay the course in focusiong on ips they own.. but bring in someone who knows what their doing to create something truly jawdropping.

So for Mayhem Parmount brought in two proven successes. The first were producers Point Grey Pictures, helmed by friends, writing partners and permenant teenagers Seth Rogen and Evan Goldberg. Rogen has made quite the name for himself as a producer. While Point Grey started as mainly a way for Rogen to produce comedies starring himself and a pre-outing as a sex monster james franco, over time Rogen has proven to be REALLY good at making adaptations, with point grey having had a hand in both the Boys, which I haven't seen but seems to be a MASSIVE improvment over the original comics , which isn't hard but it's still nice they tried, and Invincible, one of the best superhero shows PERIOD and a fantastic adaptation that changes what needed it, moves around pieces and ultimatley creates something really special. So tapping him to adapt a big property like this was a no brainer. He even had animation experince thanks to Sony Pictures Sauage party and while this was Point Grey's first family production, it's clear it wasn't too hard for Rogen to adapt. As for their director they picked a hell of one: Jeff Rowe. For those not familar with him Rowe helmed the Mitchells vs the Machines, sony's first post spider-verse success and the film that helped codify the 2d on 3d style that spider-verse made popular and peanuts pioneered. And it was clearly just ont hes trength of word of mouth alone as Rowe went right from machines to mayhem and only got better. From interviews, the two worked really well together: Rogen was hands on but didn't make the mistakes lord did of being way TOO hands on, simply pitching neat ideas, adding to the film and clearly being heavily involved, while still letting Rowe steer the ship. Rowe in turn learned to have a good work life ballance and give his employees one, preventing the kind of nightmarish working conditions present on other flims such as, sadly, Across the Spider-Verse.

For the direction of the film Rowe was a fan of the franchise as a kid, specifically the toys. He recalled a really sweet story about he and his dad spent a saturday trying to find Tokka and Rahzar and really loved the toys designs and uniquely grungy astetic. As such Rowe really didn't lean into or heavily research the rest of the franchise. Which set off my alarm bells when I read it in a review close to release: after all a LOT of bad adaptations come out of the person adapting it not giving one iota of a shit about the source material. Eventually though I realized I was .. over panicking. What jeff meant was more "I don't want to be overly reverent to the material and see what we can do on our own with the basic concept' rather than "THE TURTLES ARE GOD YOU FOOLS GODS. GODS I SAY!". There are still little nods in there and bits taken from other series; There's a mention of the turtles taking in a knicks game (something that happened in out of the shadows), April's design borrows heavily from her design from Rise while still being unique, Donnie has glasses like the bay movies, there apparently was a miyamoto usagi sticker on a notebook (thanks tv tropes for noticing), and there's a TON of refrences to the 87 continuity as it's clearly the one rowe knew best. And while I do get a LITTLE tired of that being the one continuity most creators seem to lean on the most, I don't hate it and plan to binge the whole giant thing soon I just feel there's a LOT more turtles to pull from, paticuarlly the idw comics, the nods are neat stuff like them having their belts form that series, the various obscure mutants. The Ninja Rap even shows up. Rowe and Rogen clearly love them some turtles.. they just wanted to do something new with it and I completely love and respect that. The biggest swing and the one that's paid off the most was leaning on the teenage aspect. Rowe and Rogan were baffled that no other version of the franchise had done the obvious: Have actual teens voice the turtles. There are reasons for that: For the various tv shows it's simply easier to know the va's wont' age out of the roll, and to the 2012 and rise series credits, they both still tried to make the turtles feel younger and had va's that still made them sound sorta like teens, paticuarlly rise... but it's not at all a bad concept and i'm shocked it took this long for someone to try it.

Another aspect was having the boys all record in one booth. Rogen had the idea.. but Rowe had to explain that it'd be a sound mixing nightmare.. but eventually agreed to it when they tested it out and he saw how much having the four actors playing the turtles riffed off each other and just how much material they got out of the boys adlibs. It adds a natural feeling to the boys conversations: it feels like four teens riffing who just happen to be turtles. It was indeed an audio nightmare.. but the nightmare was worth it and Rowe was greatful and apologetic to his sound crew.

The final bit was simply taking from teen movies, the film even outright has the boys watch Feris Buller's Day Off, which gives me one of my faviorite lines in the film, courtesy of Raph: "Being in high school means you can hyjack a parade whenever you want. "

There's more to get into as we go but with the film opening decently and paramount being so confident in the film pre-release they announced a two season tv show and a sequel, the future looks bright for the green machines. So now we've seen how the pizza gets made let's see how it came out

Perfectly Sketchy: Rogen and Rowe's "Teenage Energy" philosphy went into the design. Rowe wanted to find a unique look for the film, but it was a bit of a puzzler at first: There's SO many incarnations of the tmnt, which one do you pick for this? Do you go with the mirage comics, the 87 cartoon? 2003? the next mutation if you huffed some paint? In the end Rowe decided

Instead he made a brilliant decision: if the film was going to feel teenagery, then why not have it look like the sketches teenagers make in their notebooks? It's an idea that just oozes brilliance and still fits the franchises history like a razor decked claw glove. Part of what made the early comics stand out was it's sketchy, frank miller-esque style, and the toys stood out for largely echoing that as much as you could in three dimensions at the time. So it still fit.. but did something entirley new with it. As as a result the film has a look that simply nothing else has: porportions on most things are off, the backgrounds arne't hugely detailed , did you when you were a teen?, but still pop gloriously, and the characters all have SOMETHING that would be off model anywhere else. One of the thugs in the turtles first act of vigilnate justice, for instanc,e has a weirdly crooked head with indents. It's a look that's perfectly stylitic, fits the series history, and it's a kind of weird that perfectly complintes a series that was already having our heroes fight space dinosaurs by the third issue. I especially love how the shurikens are not even yet still throw perfectly and Mikey's hey arnold head. It's a look that pops with creativity and the crew really took to playing with. It's a style that will, much like spider-verse lead to this, undoubtly lead to more unique swings and I cannot wait to see what people come up with as a result

Protecting a World that Hates and Fears Them

The film's core comes from a rather genius decision to simply pick apart a key part of the franchise... the fact Splinter keeps the boys isolated from humanity for most of their lives and encourages them to stay hidden. Now credit where it's due some continuties justify it well enough: sometimes splinters hiding from shredder, or already had a sweet rent free sewer apartment he set up for no reason, trying to find his lost son and complete his family while avoiding a mutated alley cat or simply was waiting till the boys could defend themselves. They often have a lot of enemies... but even that shouldn't mean they can't get an education or have friends. April and Casey stick by them no matter what. They should be able to at least try for a normal life or the idea of them WANTING more than hidnig all the time should really come up more. The only ones that have really tapped into this are the IDW continuity which is just now having the boys integrate post armageddong game, out of the shadows which from what i've read has a throughly intresting subplot about the boys wanting to become human and leos' resistance to the idea (which also makes him come off as a bit of a jackass honestly as it's not his choice and "We're turtles end of story" is not an excuse). We've had the turtles say move into an apartment but this is the first to just flat out ask: why CANT the boys at least try to live with humanity instead of under them? And if so why did splinter keep them apart?

It's part of what really grounds the boys in this incarnation and makes them feel so damn real. The other of course was the decision to have actual teens play them and riff off each other. We get them making unteiotnally douchey digs at each other, such as the other three mocking Leo attempting a batman voice, casually talk about how they'd like to meet drake or have brunch with tom brady, which leo no you can do better man, or do some goofy shit while april marvels at their stupidity.. and then double down when told it might make people like them less. By making the biggest attempt so far to make the turtles FEEL like teens instead of young adults, an evolution the franchise has been undergoing since the 2012 cartoon and honestly reaches it's apex here, it makes us feel for them that much more; These are just kids who simply want to be loved and accepted, like any teenager. That awkwardness, wanting to fit in, wanting to simply belong.. it's one of the most painful parts of a teen and transplanting that to the tutles wa sa brilliant move. One of the earliest scenes is what sells this the most: the boys going to see Ferris Buller's Day off.. and just wondering what it'd be like to be normal. That lost shot of them sadly returning to the sewer... looking on screen at something they only wish they could have... it's so heartbreakingly beautiful.

The reasons WHY Splitner restricts their time in the outside world and refers to humans as "the demon scum of the earth. They lust to destroy that which is diffrent than them"

Giving Splinter a deep fear of humans is a brilliant move. It's something that really coudln't be done in most incarnations as he's been the pet of a martial arts master who treated him well, said martial arts master living in a sweet sewer apartment after being clumsily blamed for murder, got reincarnated as a rat after dying in ancient japan, a martial arts master who turned his back on his heritage because his clan let his family die, became a movie star, fucked a spider lady, had said spider lady put him in gladatorial games, then got depressed after becoming a rat but gladly adopted his sons. Here they strip that away and we're left with a splinter who was just a rat who was yelled at by other animals, shooed by humans just for trying to survivie and whose only friend was a cockroach.. who he ended up eating after humanity killed the poor guy. Finding the boys also abandoned in the sewers and covered in ooze, as oozual, not only made him into a rat man.. but also gave him the one thing he never had: a family. We also get a REALLY adorable montage set to de la soul's eye know that makes me REALLY glad the copy right hurdles around them are gone so we don't have another spider-man no way home situation because the song both slaps and has a nice soothing tone that really fits. We'll get more into the music on i'ts own later, I just really love this montage.

It also makes what follows..

We see that Splinter GENUINELY tried to go out into the world.. and the result was humanity throwing things at him despite carrying 4 small children and said children nearly being hit by a car. It's a really unsettling sequence. While yeah everyone going "rat man" and throwing things is a bit on the nose... given how a LOT of humanity acts to LBGTIQ+ persons, People of color, diffrent religions I could go on but i'm depressed enough as is, it's not really that much of a stretch that they'd throw things at a rat just trying to show his sons the world. It reminds me a LOT of the x-men and it's honestly weird to me that the othe rbiggest mutant franchise int he world HADN'T taken a page from them sooner.

It gives the film nuance: Splinter IS objectively prejudiced, leo even says so directly, but you can see how those prejudices formed and why he's so terrified for his own kids. He's worried a world that hates and fears them will also hate and milk them.. a runner that while awkwardly phrased, I don't think Seth or Jeff have heard of the term milking before, is hilarious, especially the usual refrain of "we don't even have nipples. " He just wants them safe and happy and you can tell he really does love them. He taught them the martial arts to protect them.. and the how is also really clever and a really fun idae: instead of "I learned it from a book" Or "I happened to be owned by a ninja master" or "I was reincarnated" we instead get him teaching them.. via martial arts films, instuctional videos, and the ocasional youtube thing. I love it because it honestly makes way more sense than it should as shown in the animation: splinter watched the films, learned the movements himself and then taught the boys. It's also a nice bit of meta text as Jackie Chan himself is a practicing martial artist who makes martial arts films and did his own stunts. One of his films is apparently even in the montage. It's one of my faaviorite takes of the film.

One of my faviorite scenes is Splinter's biggest pet the dog moment: the pizzza party. Splinter brings in a bunch of pizza hut pizzas

It's neat because it both clearly misses the point, Splinter really dosen't seem to get that simply bringing down a bunch of pizzas to have a human style prom and having kelvin captain kirk cutout won't fill the void inside. I mean I could think of a lot of uses for a chris pine cutout, i'm not saying it's a bad gift and it's sweet he's trying SO HARD to get his boys to open up and Jackie Chan just nails the dad energy on this one. It's just clear that they don't want to stay there there whole lives as safe as that is.

What brings it to it's head is one of the films more brilliant decisions. Originally, while I haven't found many specifics the film had other antagonists: Baxter Stockman was originally the boys teacher (they went to school during the course of this film in this draft) and became the fly again, while Shredder was TCRI"s heavy in earlier drafts. Both were nixed, the former likely due to abandoing the school plot and the latter for the entirely on the mark decision that it was just too much. Shredder.. is THE arch enemy to the turtles. The one constant in every universe. So it makes way more sense to save him for a sequel and let someone else take the reigns. As Rowe has teased Shredder's going to be a bit of a wakeup call: just as the boys think they have it figured out .. in comes shredder to kick their asses. Which really has happened A LOT across the franchise, with it being a regular tradition that the shredder beats the shit out of the turtles the first time they fight. Even in IDW where they do rally and turn the fight on it's head.. he still easily handles them all one on one before they rally as a team. It makes sense to save their ultimate test for a sequel while still giving them one hell of a trial by fire

Instead we got Superfly, who better fit into the fantastic racisim narritive. If the boys want to get love and acceptance by fighting for a world that hates and fears them x-men style.. it only makes sense they have a magneto on that other end.

Like Magneto Superfly has a tragic backstory behind his hatred of mankind.. Superfly was the creation of Baxter Stockman and what they did with Baxter both completely floored me.. and drove me to tears. Instead of what he is normally, either a put upon target coerced into villany who strikes back at both the turtles and those who wronged him, or a narcsitic monster who will gladly do whatever he wants and kill anyone in his way, here... Baxter is just a deeply lonely old man who just wants a family. At worst he steals from TCRI.. but given we see their a horrifying company who wants the mutants as weapons and will gladly torture teenagers for a buck, it's not hard to side with him. It's really nice ot see a heroic baxter.. and sad to see him go so quickly.

It puts Superfly's hatred in perspective: like splinter he saw just what huamanity does and how his kind is treated and grew up having to raise his younger siblings. Like Splinter he seems to really love them. And like splinter his attempt to take his siblings topside.. went horribly wrong with them being chased by an angry mob for just..c oming to a snack bar. But it's right after that we get the clear diffrence: Splinter just ran in fear and while he trained the boys ot protect themselves, he just wants a line between himself and humanity. Superfly.. wants them all to pay. He wants to mutate the world that killed his dad and drove him and his siblings into hiding. The only way they can be accepted.. is if humanity is mostly gone and what's left are enslaved.

IT's that sadistic streak that ultimately defines him as a villian: the turtles just want to be accepted, splinter just wants to be loved, the rest of the mutant "cousins" just want a home and have been indocrinated and browbeaten into thinking there isn't another way. Superfly.. wants things his way: he wants blood, he wants revenge and if anyone stands in his way no matter their age or being his family he will kill them. It's that anger inside that makes him a true monster.

And that extends to his own family. Superfly's an abusive parent to Splinters flawed but loving one: The rest of the mutants turn stone quiet when he subtly/notsubtly threatens the turtles if they happen to disagree, and during the chase not only are they all desperate to get the thing back but Wingnut in paticular gets the most telling line

Wingnut: Superfly's almost here and he's not going to be as nice about this! Leo: You're not being nice! Wingnut: He'll be less nice!!

While the other mutants SEEM jazzed during the bowling alley scene, it's very clear later none of them were that enthused about the idea. Both sets are afraid to speak to their parental figure.. but the diffrence is clear in motion: the boys hide from splinter because they know he'll say no, it's a standard teenage thing and as seen with the pizza party when Splinter finds the various knick knacks they've picked up on their heroic journey, his response is to try to bring the surface to the sewer. It's awkward as hell and dosen't remotely work.. but it's still a sweet gesture and you still feel bad for him when the boys quickly leave to finish their half assed plan. Splinter ultimately wants what's best for his kids and even if he's not always right in carrying that out, I never doubted he actually loved his children.

This all brillantly comes to a head towards the end: While Splinter plans to just.. isolate the turtles after their nearly milked, the one time he seems GENUINELY angry the whole film, he still wants to save April, the one good human, who warned him the boys were in danger in the first place.

This leads to a touching bit in itself: the boys COULD fight the other mutants, their trying to do a genocide after all.. but instead the boys.. just talk them down. I mean i'm used to this kinda thing by now, most animation these days is about forgivness, but it still works: earlier when meeting each other the turtles gladly bonded with their cousins, who i'll talk about in more detail later: Mondo and Mikey were both chill, raph finally found some people who liked to hit stuff, presumibly while blasting Limp Bisikit, it was really sweet. THeir relutance to stop them added a nice dimension to things: they UNDOUBTLY want to stop superfly's plan.. but they genuinely like their cousins and see them as good people in a bad situation. Likewise the cousins are utterly destraught at the fight afterwords and miss the turtles. These are simply at the end of the day teens 20 somethings and whatever scumbug is who just wanted to not be chased iwth torches.

So it's utterly heartwarming when the turtles and splinter simply offer their home. They may not have humanity.. but they'd have each other. It's also YET ANOTHER idea that seems obvious in retrospect but most turtle series never really thought of: why.. can't other mutants stay with them? They usually order suplies and stuff descretley anyway or in this case take them out of nescsity, if they can afford pizza for 5 people reguarly, why NOT let other smove in. I mean I get it meta wise, you dont' want to overcrowd things. But it's a nice thought i'm glad gets realized: that the boys aren't alone and now have a whole new family to lean on.

And of course Superfly can't take that. To him there's only one way to go: never stop making them pay. I'll also say I like just how poweful superfly is: he's got strength inunerablity, and super smarts, which I thought was a nice touch. I assumed he woudln't have baxter's intellegence and I'm glad to be wrong. He's only stopped and only then breifly by sheer numbers.

What follows is a LITTLE on the nose, with superfly just.... saying outight he and splinter aren't so diffrent, down to both having said "You'll be safe if you just LISTEN TO ME".

That part.. dosen't quite work for me. What does work is the animation on splinter during the struggle between everyone else and superfly.. the dawning realization of what he is as Superfly states the obvious and his determination as soon as Superfly says "the diffrence is i'm not a punk". Superfly just wants to get revenge on a world that hates and fears him.. Splinter just wants his sons to be happy. And he finally realizes that even if there's a lot of risk involved, they DESERVE to live out there with everyone else. There is something better than hiding or murder.

I also like how Superfly.. drops the pretense: once his plans done he just goes on a massive kaiju attack: I also like how fucking horrific his form is: the whale part's a bit goofy at first.. but then you see how much STRENGTH that gives him as he destroys it. Even if we get the ocasional joke (I didn't need that horse is gold), for the finale Superfly is just a nightmarish, imposing threat that threatnes to run our heroes lives and also maybe end them. The glee he takes in crushing the boys alive... it's fucking terrifying.

I also love the bit of the boys panning... seeing all the destruction.. and seeing the media blame them too. Their trying to HELP people.. and get blamed. I'd suggest moving to krakoa but a lo tof shit has went down and living with one old man full of fear and regret is what started this whole caper. And the boys.. fight on anyway because it's the right thing to do. Despite all the hate... someone has to stop superfly. And in doing so.. April makes sure they get the glory and praise they deserve anyway.

Finally I love splinter's turnaround right before the final fight... where he admits he was wrong.. but hasn't FULLY turned around on humans. He's simply realized he can't let his baggage with humanity weigh down his sons. And it pays off brilliantly during the time square fight, as when Splinter is downed.. someone helps him up. And what I love is that while it COULD just be someone who saw April's newscast clearing the turtles and other mutants.. it's left ambgious. As far as we know it was just a nice guy and gal helping an old man up regardless of if he was a giant rat or not. It dosen't paper over all the films flaws with the rat man mob scene but it does help quite a bit.

The film brillantly tackles prejudice and I like how unlike most films.. there's no easy answers. Our boys have to do something big and loud to get accepted and it's not guaranteed to shield them, as seen with the stingers. THey find friends , activites and get what they want.. but it's likely not the end.. but that's okay. The important thing is for the first time the turtles are out of the shadows and into the sun. And it suits them. Seriously this last twist was brilliant and i'm shocked it took a tmnt this long to just.. let them be public since 87, and since media has evolved, it means when we get to the series we can actually explore what that means: how will they adapt? will everyone accept them? will april realize Leo is into her and it wasn't just a friend thing? there's a lot of questions I can't wait to be answered.

Change is Constant

I didn't have a good segway so.. CHARACTERS! MY WHEELHOUSE. LET'S GO.

Starting with the boys, their more of a package deal here. They still have unique deisgns, takes on the cores of their personalities, all you'd expect from a good tmnt adaptation.

What changes it up a bit is the recording together: while most sets of turtles have great chemistry, this one.. really feels like their brothers thanks to the shared recording: they talk over one another, dunk on each other and goof around. This has always been a thing, and part of the franchises charm, but how they do it here feels more real, helped by the fact they clearly took some adlibs in. Both the BTS bit where they try to comfort Donnie only to both mangle the lyrics and writhe in pain and the bit with the new york accents both sound like the boys just started riffing on the prompt given, didn't stop and they rolled with it because it was comedy gold. It also means a LOT more pop culture refrences.. but it works. It dosen't feel like too much

Admitely I don't know how current the refrences are to ACTUAL teens, but they work well enough and don't feel like their horribly date the film. Plus it'd be.. weird to have a turtles work that didn't reflect it's era in some way, as all 4 cartoons and most films and comics reflect their time either in writing or in the general vibe.

The downside to this is the turtles indvidual personalities, while present.. get kinda underplayed. Leo and Raph make it out fine enough: After the radience that was Rise Leo and ben schwartz being at his peak slacker doofus (while also still being badass), we're back to Leo being Teachers Pet. But thankfully like the 2012 film they play with it: like that Leo his brother's don't really respect him as a leader, but rather than the usual raph snarling at him like wolverine, here it's more just their his brothers, they woudln't respect him anyway and benig their dad's mouthpiece just makes them ignore him harder. He's the dutiful son but he's simply outnumbered. Raph dosen't get a ton of spotlight, but gets enough to be a fun little murder baby and probably my faviorite of the 4. Instead of the usual brooding loner, sometimes ultra violent sometimes just sassy, often both, here he's more an obnoxious older brother who picks on leo the most, is happy to do dangerous stunts and badly needs therapy. He's essentially Reese from malcom in the middle as a ninja turtle. He still loves his brothers and loves a good scrap, but he's got some issues to adress.

Mikey and Donnie likewise aren't bad but kinda one note: Mikey gets it the worst: he's a bit goofy.. but since they ALL are this incarnation it dosen't stand out as much. He gets some nice bits and one hell of a impariment shot, but not much else.

Donnie fairs better, but suffers from the unintended consequences of a good choice. As part of grounding things a bit, Donnie isn't a super genius. He's just a snarky little otaku who does really like tech, but on the resonable level of a teenage boy. As a result he dosen't get as much to do as most donnies as he's not hotwiring shit as often or making super lasers. It works for me, it's intresting to have a donnie whose just a normal kid who happens to be really nerdy, but it means plotwise he dosen't have as much to do as Raph as the ringleader to the boys mischief or Leo as the leader of the band during hero stuff. I get why: they only had a hundred minutes and it's remarkable they crammed as much in as they did, but it's something I really hope the series can course correct. I don't mind the boys riffing and hope it continues, but I also hope we get them more as their own people too.

As a final note I love Leo's crush on April. IT feels like a better realized version of the Donnie one from 2012. Instead of waffling over wether april notices or just dosen't want to turn him down which..

And then having it go from cute to "spiraling obessive dickhole", here April notices something's weird, but is clearly more intrested in the "giant talking turtles who can help my rep" thing and thus dosen't really pry. It only REALLY crosses into that at the end when he transparently asks her out.. and she waits till prom to ask "wait this is a friend thing right". But that could be nerves or her being just as scared of her feelings as he is with his. It also helps that while he's intrested in april romantically the two do bond: out of the four he' sthe most empathetic at her barf reputation, priortizes her not out of his crush but because she asked for their help and later works with her at her club. It's still somethign the series could work on, but for "a way to both mine jokes and get leo to go against his dad's wise council" it works fine. It's better than "how dare you ruin my ship you bastards" and "Mikey stop being a sex creep. "

So moving on to April herself, I mostly like this version. She's the third time this franchise has gone with a teen april and the third to have her POC. I've liked the turn to teen april as instead of being a big sister to the turtles, and essentially another authority figure when they already have their dad, she's on their level and it opens up fresh possiblities. Mayhem is the first with this take on april to have her be a reporter again, and it's honestly nice to see that work at a school level, having her TRIED to be on their equivleant of channel one.. and end up puking. And i'm not a barf joke man but walking back into the theater after a bathroom break to see her ralphing to "UnwritteN" may be one of my faviorite cinema moments of 2023, up there with walking back into Barbie to find she and ken now had cowboy outfits they'd apparently stolen.

I also love how it gives her a personal stake: she just wants to be loved same as the turtles and like them realizes this isn't WHY to do this. She also provides a nicely needed straight man to the goofier brothers without being reduced to the old sterotype of "Joy killing female foil. ", something her fellow teen aprils and most aprils in general have thankfully achieved. April is just a person and reacts with annoyance to the boys because their going on a 4 minute tangent saying new york sterotypes while mike does a rumpshaker.

We do have to unpack that mostly though and that comes from April being kind of a dick at time's. She's pressuery when the boys are undercover with SUperfly's gang.. even though she can HEAR what their saying.. and thus hear that he's clearly indocrinated the others and that the boys may not want to harm THEM. I get her not wanting Superfly to succeed, his plan is fucking horrible, but even for a teen it's weird she dosen't see the nuance. She can also be a bhit short with them, though the latter I acknolwedge in hindsight as being like the boys: she's a teenager and teens aren't perfect. This is still a great april and continues Ayo's streak this year of great voice acting roles.

The other mutants are great. I was worried: While the cast for them is fucking stacked and Seth called in a lot of his rolodex to fill it out, and himself as credit where it's due he tends to show up in shit he produces and bring his absolute best rather than showing up because he can, i've seen plenty of films fall flat because they tried to add too many characters from the source. Just this year I felt one of the biggest issues with Transformers; Rise of the Beasts is that they tried to jam so many autobots and maximals in, a total of 10 but didn't bother to give any of them but optimus, bee and mirage an actual character.

Here while the characters are one note, they have charming designs and work more as a unit like the boys, but are still friendly and likeable enough that your fond of them like the turtles and happy when they join the family. The breakout is easily natasha dimoscu's wingnut. I already loved wingnut, but this is easily the best verison: she's cheery kind and gets some great subtle jokes, the wifi one is fucking great as is her swiping Donni'es akira voices. All of them are pretty charming though. The only one to not really feel like a character is Hannibal frog, a sad waste of hannibal burgess, but everyone else gets something fun to do: Bebop and Rocksteady are rageholic morons who then get a sweet character arc as they realize their rage is because Superfly ENCOURAGED them to be constantly angry, and it's fun to see a version of them that's genuinely heroic. Not so fun is Bebop's pierced nipples.

I am genuinely baffled by this design choice. I don't doubt Bebop would get pierced nips, it' sin character. But why Seth thought anyone would want to see that, why he made HIS CHARACTER HAVE THEM, OR WHY HE MAKES IT SO PROMINENT will be a question that will haunt me for years to come. Or until we get creators commentary to explain why he hates viewers eyes. For the record I have nothing against nipple piercings, I just question why anyone thought giving them to Bebop was a good idea. OR their so large or

I also like Scumbug and i'm happy to see Splinter in his first relationship where his partner hasn't died horribly or put him in gladiator games. I did not need to see them make out with clone high level tounge. I"ll let this discord conversation with my good friend @kammieceleek handle the heavy lifting.

I mean their a cute couple but please, NEVER AGAIN. NEVER AGAIN. NEVER AGAIN. NEVER AGAIN. NEVER AGAIN. NEVER AGAIN. NEVER AGAIN NEVER

Anyways capping us off we have TCRI, who are decent enough. I like remaking them as this sort of paramilitary goon squad that shows the worst of humanity. Cynthia herself.. is fucking great. I like that to anyone familiar with Krang, it's DAMN obvious who she either is, or is a stand in for, with the name, apperance and Maya Rudolph somehow doing the Pat Fraley krang voice and tics while also doing a thick german accent. She's a brillaint combo of over the top hammy.. and an utterly sadstic monster, shocking the boys just for speaking, not carring that they don't really belong to her, and willing to kill them just to get her super weapons. She's what a remade krang should be: still over the top.. but also dead seriously terrifying. My only complaint is she's a bit OBVIOUS as a sequel hook. Like Rowe was really banking on that sequel and i'm never a fan of when films do this when they don't KNOW this story will continue. It is clearly, with the film slowly picking up more and more money and more than enough in merch, but he coudln't of known that.

So with that we just have one bit of buisness to wrap up

Yo Jeff Drop the Verse

The soundtrack for this flim is liquid gold. It's so good to my ears and full of such nice cuts. Guardians cemented my love of needle drops in film in tv: If you can pull it off well do it. And this film does it so damn good. The film skews to hip hop, likely due to wanting a "Tony Hawk Pro Skater" vibe, which really does fit teendom well. I will admit it's also pretty explicit here and there, so kids may be disapointed to find they can't stream these songs, but it's still a stacked selectoin

So before I break it down track by track, something I regret failing to do with spider-verse as like this reveiw it was massively behind, I whipped up a playlist as Parmount's own leaves out several tracks. While I get the what's going on bit being left out as that bit is a good suprise why it has'nt been added weeks out from the film I don't know. You can find it here

Ante Up is a song i've heard maybe once or two here, but is a perfect gag for the opening grocery run, while still showing off just what our boys can do.. even if their doing it for some party sized cool ranch doritos. Which is still a great reward.

Danke Scheon shows up in the clip of feris buller. This dosen't really count but I do think the film is a perfect fit, since John Hughes was an inspiration for this film, and it's an idealized version of the freedom the boys desperately want. Not a John Hughes film I was ever a huge fan of, but it works and that "You can hyjack parades whenever you want" joke is so damn good.

Now we come to a track I wasn't familiar with but is easily my faviorite now: Eye Know. I"m glad more films are using De La Soul's music, mostly because it makes ME want to know them better as I haven't heard much and even after really enjoying three is the number, thanks to the weird rights limbo it wasn't avaliable to stream ad nauseum when No Way Home came out. Thankfully just a few short months ago, the whole De La Soul catalogue is up. This song is a really gentle, really fun love song with one heck of a chorus, and it nicely meshes with Splitner raising his adorable little children. It's one of my faviorite scenes of the movie.

The next track is another perfect selection but for something more hilarious and badass: While Push It To the Limit verges on a parody of training montage music it works for one where we find out the turtles and splinter learned ninjitsu from movies,, instructional tapes and whatever they could scrounge up. HOw their learning is awesomely rediculous, so it needs backing that's cheestastic.

Love is an Illusion by Ronnie Walker was nice for Leo falling for APril. It's a really crisp, dreamy love song so it fits.

Okay look i'ts only there for a second, but I can't tell you how much I love Ninja Rap making a cameo on this soundtrack. The soundtrack is cheesy good and one of the more iconic ninja turtle songs for a reason. It's not as good as say Pizza Power or the various awesome theme songs, but it's goofy fun that fit the film it was in. It's also one of Vanilla Ice's better songs, though that isn't huge compettion especially since he made a weird as fuck sequel I still can't comprehend that was also compeltely ninja turtle free for some reason.

Cavern By LIquid Liquid is fun, a nice chill beat to meet turtles to.

Dance by ESG is already a fun song and fits the boys going full blast on their plan well. THat's.. about it. THankfully I have more for unwritten. I'm not a fan of Vomit humor most of the time unless you have a paticuarlly inspired twist like say. a mad scientest making everyone in the room vomit at a bar as a thought experiment leading to an image like this

That's just beautiful. But i'm just not a gross out guy, so this gag working for me was a lot... setting the most embarassing moment of April's life to FUCKING UNWRITTEN, a song I heard 998 times over the course of the 2000's as every fucking movie and tv show overused the hell out of this throughly mid song, it was transedeant. First and only good use of unwritten. Well done.

Now we come to what's easily the best musical bit of the movie. And it has some steep competition from Eye Know and another song we all know is coming, but the No Diggity Scene is just one of those sequences that once you see it you know "This shit is iconic". This is a scene that's now etched in tmnt lore and for damn good reason. It's also a brilliant way to get up to the chain to superfly and have a few weeks of sluthing and our heroes getting better pass as our heroes easily blaze through some goons and those shots of EACH turtle getting to burst in and lead the assault?

And look I admit this montage hits a sweet spot that was also started by guardians: setting an action montage to music that somehow fits despite having no right to. In this case a mellow smooth as hell jam perfectly complmenting some frantic action. So fucking smooth.

Wake Up in the Sky grew on me as let's face it, a song that has bruno mars saying fly a dozen times nad saying he's super fly works. I just don't like it a lot because trap is'nt something that fits me musically. I prefer more intricate beats or at least a really solid one thorugh the whole thing. The more relaxed beatwork here isn't for me, but I can't deny it fits Superfly's big debut well.

Fitting me much better is the use of Shimmy Shimmy Yay for the bowling scene. It's fucking great, a song that's never not awesome and that's also a bit low key while being way more my speed.

The use of BOTH major versions of What's Up? .. is an easy close second for best use of music int he film and one of the most brilliant masterstrokes. And this all comes to Seth Rogen. When the chase scene wasn't quite working, he suggested the slackcircus version of he man. It's also awsome in that the song's themes of isolation PERFECTLY fit what the mutants are going through. So not only did they manage to stick one of the best meme songs in human history in a feature film.. but they did so with it being ENTIRELY relevant. The switch from the 4 non blondes version to slackcircus is fucking genius and the song adds nice manic energy. It'll also hopefully give this song a rightful ressurgence as the heman cover is , while hilarious, also GENUINELY good. The original ain't too shabby either.

The boys version of butter is hilarious and got me to listen to the original which is alright. Mr. Lonely isn't a bad song, and perfectly fits Splinter's mope session.

Finally we have can I kcik it, an objectively awesome song. It fit the trailer perfectly and it fits our ending as our heroes are finally allowed to mingle with the surface adn get their happy ending beauitfully. A beautiful ending to a beautiful film.

So overall mutant mayhem is fucking awesome. If you haven't seen it after all this go see it, support the hard workers who made this film possible by supporting the ongoing strike and thanks for reading.

#teenage mutant ninja turtles #tmnt mutant mayhem #mutant mayhem #leonardo #donetello #raphael #michalangelo #april 0'neil #screwloose #superfly #bebop #rocksteady #jeff rowe #seth rogen #nickelodeon #scumbug

42 notes · View notes

turtlethon · 1 year

Text

“Zach and the Alien Invaders”

Season 5, Episode 18 First US Airdate: November 9, 1991

Friend of the Turtles Zach is sent to a military boarding school, where he discovers an alien plot to take over the world.

“Zach and the Alien Invaders” first aired back-to-back with "Leonardo, the Renaissance Turtle". Like many of the episodes of Teenage Mutant Ninja Turtles featuring Zach, this one was written by Francis Moss, on this occasion in collaboration with Ted Pedersen.

Michaelangelo arrives in the Lair and informs the other Turtles that he happened to encounter Zach at the comic book store. Both are fans of a title called “Alien Invaders”, and in the next scene we see the young friend of the Turtles so engrossed in the comic that he’s entirely oblivious to events unfolding around him. His reading only pauses when he happens to spot a group of shadowy individuals entering a nearby building. As his imagination has gotten carried away, he becomes convinced he’s witnessing an actual alien invasion.

Zach calls the local police station and reaches Sergeant O’Flaherty. I assume the intention of the writers here was for the misguided Irish policeman seen in the earlier Zach story “The Great Boldini” to be used here, but instead the animators utilise the craggy policeman model that’s appeared several times throughout this season. The officer takes the news of an alien invasion seriously, falling out of his chair before issuing a radio alert to the force. April is driving around in her news van with Irma and hears this over the airwaves. She remarks that the idea of “bug eyed aliens” invading sounds absurd, which is an odd thing for someone who encounters aliens and bizarre creatures all the time to say. Figuring there may still be a story in it, she decides to investigate.

April and Irma meet up with Zach as the police raid the building. Emerging from it are a group of individuals in dark masks, who turn out to be nothing more than bug exterminators. Later, an unimpressed April reports on the unfolding events anyway. The Turtles watch this coverage on TV and decide to check in on Zach via Turtlecom.

Later, Zach is in the mall with his brother Walt, returning to the series for the first time since season three’s “The Missing Map”. When the siblings briefly split up, Zach sees some robots rolling through the mall and immediately jumps to the conclusion that they, too, must be alien invaders. He alerts a disinterested security guard – another character who’s been popping up routinely throughout this season – and ultimately ends up dealing with the problem himself, knocking a wheeled piano through the mall and destroying the robot. It turns out that these were intended for display in a department store. The Turtles arrive in time to see a commotion resulting from the chaos caused by Zach, with Walt angrily dragging his younger brother away.

More time passes and the Turtles are driving around in their van when they receive a distress transmission from Zach, informing them that a group of slime monsters just emerged from an excavation on Hill Street. The team are sceptical after everything that’s happened but begin to second guess themselves after Zach relays footage of what do indeed appear to be slimy creatures walking around. Upon arriving on the scene, the Turtles use one of their old techniques to handle the monsters, deflecting water from a fire hydrant to spray the intruders. In truth, the invaders are nothing more than an innocent group of city tunnel workers, who thank the Turtles for helping them to clean up. Frustrated by all these false alarms, the Turtles scold Zach for his overactive imagination. After handing in his Turtlecom, the young ally of the team tearfully runs away.

Zach’s parents – appearing in the series for the first time – are seen enrolling him in Ten-Hut Military Academy. They introduce him to Colonel Clout, who in turn has Sergeant Rambo escort the young boy to his sleeping quarters. Upon meeting the other recruits, Zach finds they all express the same dead-eyed obedience to the Colonel and the Academy. The only person in the school who doesn’t act this way is Zach’s fellow newbie Eric.

In the middle of the night Zach steps out of his bed – fully dressed, boots and all – and sneaks off in search of a snack. While wandering around, he sees Eric being pinned down in a hi-tech chair by Colonel Clout and Sergeant Rambo, who remove their outer skins to reveal their true identities: Rambo is an alien bat named Wingnut, while Clout is a four-armed humanoid mosquito called Screwloose. The villains reveal to Eric that they’re from the planet Flagenon, and have set up the school as a means of staging an invasion of Earth. After the mind changer device is activated, Eric becomes fully obedient, parroting the same lines about who wonderful the academy is that the other recruits did earlier.

Zach watches as Wingnut and Screwloose move to the school’s gymnasium, where they look over their weapons and an army of robot roaches. He attempts to phone the police for assistance, but they immediately become suspicious after realising he’s the same child who wasted their time earlier. With that option off the table, Zach opts to phone the Turtles, noting that it’s “a lucky thing [he knows] their unlisted number”. The team are wary about this being potentially yet another tall tale, but after the call gets cut off – due to Zach being captured by Screwloose – they decide that it’s worth checking out, with Michaelangelo and Donatello deployed to survey the area.

Wingnut and Screwloose taunt Zach, informing him that by tomorrow, the students of the Military Academy will be ready to take over the planet. (I don’t care how advanced their weapons are, the idea that this one group of teenage boys will conquer the world feels like something of a stretch.) Zach is dragged away to become the final member of this army via the mind changer.

April and Irma are assigned by Burne to investigate reports of a giant metal cockroach. They arrive at a construction site and begin filming the robot. The creature spots them, leading Irma to flee; the second act ends with April’s assistant falling into a dug-out ditch and facing the imminent wrath of the robot.

The final act opens with April using a crane-mounted magnet to pick up the cockroach. Caught up in one of the giant insect’s legs is Zach’s bandana, which prompts April to alert the Turtles. Leonardo and Raphael head off to join Mikey and Donnie, who at the same time are arriving at the Military Academy. There, “Sergeant Rambo” informs the two Turtles that they can’t see Zach as he’s “on a special training mission”. Not about to take no for an answer, Mikey and Donnie use the Turtle Van’s launcher to bypass the fences of the academy and gain entry. Once on school grounds, they cut off the power and sneak in before being captured by the robot cockroaches.

April and Irma arrive at the school, as do Leonardo and Raphael in the Turtle Blimp. Meanwhile, Donnie, Mikey and Zach are all about to become obedient minions thanks to the mind changer. Zach makes a last-minute play to sabotage the invention by hurling his metal Turtle badge at its central electrode. This generates an explosion large enough for the trio to be able to escape in the confusion. Mikey and Donnie lead the robot cockroaches away while Zach works with the students – now no longer under the mind changer’s control – to spray water on the robots. Seeing that their plan has been thwarted, Wingnut and Screwloose rush to escape in their flying saucer, colliding with the Turtle Blimp before flying back into space.

Returning home, Zach is forgiven by his parents, who concede that they should have believed his story about alien invaders. (Why? He was wrong at the time and didn’t tell them about Wingnut and Screwloose, effectively this is a “broken clock is right twice a day” scenario.) April reports on Zach now being declared a hero for thwarting the alien plot to take over the school, and her coverage is watched by the Turtles in the Lair. Splinter remarks that “some youngsters never learn the difference between reality and illusion”, moments before the other Turtles mistake Michaelangelo carrying a huge stack of pizzas for another alien invader.

We really have reached Peak Zach here, as this adventure features him so prominently that the Turtles are pushed into the background of their own show, none of them getting to do much until the final act (even then, only Michaelangelo and Donatello see any real action). Mercifully, this is the penultimate appearance of “The Fifth Turtle”, and we won’t have to endure him again until season seven. His brother Walt, however, is seen for the last time here.

Wingnut and Screwloose join the various prominent characters from the TMNT action figure line who appeared earlier this season in making the transition to the small screen here, though like the Turtles they end up feeling like something of an afterthought in this story, a pair of aliens who show up at the halfway point and scurry off again as quickly as they arrived. Disappointingly, this will prove to be their only appearance in the TV series: they came, they saw, they went back to their home planet. Their brief stint here is perhaps the only notable or interesting thing about this episode, and unless you’re a big fan of the duo from their appearances in the toy line or other TMNT media I’d suggest this one is an easy skip. Let’s move on to the next episode, and...

(Checks notes)

Oh no. Oh no. Not him. Anyone but him.

#Teenage Mutant Ninja Turtles #TMNT #TMNT 1987 #1991 #Ninja Turtles #Turtlethon #Zach and the Alien Invaders #Wingnut #Screwloose #Wingnut & Screwloose #Wingnut and Screwloose

1 note · View note