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#theme: gender binary
girl-revolution-utena · 4 months
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The way tsuwabuki ends up physically damaged and exhausted by serving nanami is a form of acknowledgement of how trying to become a prince damages the person in question because they are trying to reach an impossible standard. It's the same as when prince dios tried to save every girl from the world and anthy had to stop him because he was going to die if he continued. But, at the same time, the ones who try to be princes are taking the agency of others when deciding how and from what they have to be saved and tsuwabuki is one of the most obvious cases because he literally creates situations where nanami is in danger to rescue her.
So I think the series shows both the aspect of princehood that is more recognized by society (chivalry, nobility, selflessness) and the actual dark consequences and implications of that (taking the agency of others, damaging yourself in the process and the need of others to being in danger to fulfil your role/feel complete). The fact that there are people, or to be more exact princesses, who need being helped and saved constantly implies that the princesses are oppressed and, instead of change this, princes put a band aid to the problem. I think this relates to what @os-eclipses-tamen-son-yuri wrote about when boys become misogynistic men. When the boys grow up and accept the role of princes, they end up upholding the misogynistic system that creates gender oppression, even if that's not their intention because that's the real purpose of that role.
The way I see it is that RGU goes beyond critiquing the idea of toxic masculinity and implies that the problem is the binary masculine/feminine itself and the roles it puts on people.
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the-everqueen · 3 months
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Definitely curious about the genderflip Sandman fic 👀
SAME. as in, this is only a concept on the back burner of my brain because i haven't really worked out a satisfying answer to the central q of the thing which is: what does a gender flip DO to these characters?
because here's the thing. i think 99.9% of the time a genderswap au is unnecessary and boring. (not to mention essentialist as hell.) boys have pussies, girls have dicks, people of all genders are intersex, etc. some of us notgirls and failguys just want to vicariously experience our fave getting his clit sucked or her prostate massaged. i personally hate fics that go "but what if these [cis] dudes were [cis] GIRLS" and then proceed to strip the characters of everything that makes them compelling, that makes THEM, because at that point you might as well just flesh out your OCs and maybe interrogate your internalized misogyny and transphobia while you're at it.
anyways.
in the case of sandman, i am (transparently, obviously) curious about what happens if the Corinthian is not designed to be (read as) a man. in the comix, he very much embodies the fears and risks associated with gayness in the 90s (the AIDS epidemic, the dual violence of the closet and/or being outed, the culture around cruising, intersections of race and class with queerness in U.S. urban areas, etc). in the show that's subtly shifted to be a broader umbrella of queerness as well as a very 21st century anxiety around surveillance/public vs private that also taps into a cultural fascination with serial killers. in both cases, him reading as white, middle-aged U.S. man is a CRUCIAL part of what he signifies. he looks like (and takes advantage of being) someone with a lot of social privilege, across multiple categories. no one is going to question why he's in a fancy hotel, a conference room, a seedy bar, a suburb. OBVIOUSLY that changes if any one of these categories changes. i'm thinking about how and also what that means.
(the dreaming spinoff comix tried to do a Thing with a female Corinthian: while Coco spends a year as a real boy, a trans woman named Echo takes his place in the Dreaming. the spinoff handles Echo...really poorly. [i wrote a whole paragraph here trying to distill her arc but it's tangential to this post so suffice to say: it was Bad.] Echo is posed as this "femme fatale" type because i guess if the Corinthian is a woman, she'd also have to be sexy and alluring to the (heterosexist) male gaze. imho this was a cop-out, but then again...what about that spinoff wasn't.)
on some level i'm not sure the Corinthian could ever be anything besides the Corinthian, if that makes sense. as in, if you change anything about him, maybe then he ceases to be the Corinthian and becomes something else entirely. Dream can take different forms (and Overture has a femme!Dream) because stories can take different forms across cultures and times and species. but the Corinthian is intrinsically tied up in humanity and its biomythic nature. and what we think of as Human, as Sylvia Wynter reminds us, is very much tied up in narratives around identity including race, gender, and class.
at the same time my id absolutely wants a butch lesbian Corinthian who uses he/him pronouns. mostly because lesbian and wlw sex STILL gets dismissed or sanitized or erased or pathologized, even though queer women remain subject to state, police, and domestic violence at higher rates than their straight and/or cis counterparts. (also yes i'm counting my trans hermanas y primas, t*rfs can fuck right off.) but also because i'm a fagdyke with religious trauma who relates very hard to god's failed masterpiece.
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pumpkinrootbeerart · 3 months
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Everyone knows that she's got ulterior motives!
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Another space-related flag that isn't technically multigender, but an umbrella term for multiple genders: The gender binary!
I based this one on binary stars because 1. it was the obvious thing to do and 2. I absolutely forgot that my ambigender flag was also based on binary stars. That's okay though! I think both can stay until I come up with something else!
I didn't go with blue and pink, or a cool color and a warm color. Instead, I went with very warm, fiery colors to match the heat and light of stars. It's in a very unique format but hopefully not too complicated in design.
Other flags in this set:
Bigender Trigender Androgyne Quadgender Quintgender Omnigender Pangender Multigender Demigender Genderfluid and Genderflux Polygender Femache Ambigender Libragender Nanogender - 💙💚
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pride-flag-fag · 11 months
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aliencatenby
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aliencatenby/aliencatenbygender/nyalienby/nyanbinaryalien: a non-binary gender that has a strong connection with both aliens and cats. being nyanbinary in an alien way. being an alien in a nyanbinary way. being an alien feline and also being non-binary. however you think of it is fine!
based on the nyaliengender flag
term coined by: me!
flag designed by: me!
colors don’t have any particular meaning
see also: aliencatgirl, aliencatboy
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unproduciblesmackdown · 6 months
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billions themes axe is a guy who can go "i don't comply with a specific set of rules abt What Winners Are Like (by daring to wear tees, eat pizza) and yet i still win" and can accept taylor showing up in s2 with many added layers of how them just Being Themself doesn't conform to, say, how axe is, unlike other people who'd love to emulate him &/or hype him up as a visionary & role model, and yet taylor still also wins. and then there's winston not following the rules for how winners should act just in the course of being himself, and yet still wins, and: he gets none of the seriousness or dignity or focus or lack of the ignored to encouraged negative treatment and we also sometimes go out of our way to declare trivial details about his personal tastes, interests, choices, inherent existence to be incontrovertible Loser branding
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the-fat-raccoon · 2 years
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to me ur one of those dudes who have the neopronouns vibes of like . a combo of non themed like co/coda or hi/hem plus some hyperspecific neopronouns like idk se/scavenge or cur/cursor you have very mysterious pronoun vibes ngl /complimentary
You are very right with this actually. *stares at my neos list with hi/hem right next to lemon/candy/lemself/candyself*
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amshortcharlie · 2 years
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Don't be afraid
The people in my life always say "gay marriage is wrong, etc." Its not they're life, love who you want, be who you want. Don't let others tell you what gender to like, don't let others tell you what gender to be. Never be afraid to let others know who you are. You dont have to demonize people for what they want to be or are, just let them be!! Everyone deserves rights, gays deserve to get married, trans people deserve to be trans, EVERYONE deserve something, or someone. No matter if they identify as male, female or non-binary, if they like boys or girls!
Anyways just wanted to say this cuz I'm having a real bad day today, have an awesome day :D
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Love ya'll!! @aki-pringle
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eggsnatcheskneecaps · 5 months
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I was. Sort of organising a sideblog (I still am, but that's not the subject), and whilist I was doing it I was considering making it pink-ish? And also the URL was fem sounding to me, and my brain went 'Well... I wouldn't mind being referred as she/her on this blog, but I would maul anyone who would refer to my main by anything other then he/they'
And I'm just
My gender changes depending on my blog What Is Wrong With Me
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sarahreesbrennan · 3 months
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Are all the themes in “in other lands” supposed to be a commentary on something? Or do you just like writing sex scenes between minors, age gaps, and reverse misogyny?
Genuine question.
Ohhh, my dear anon, I don't believe this is a genuine question.
But it does bring up something I've been meaning to talk about. So I'll take the bait.
Firstly. Yes, my work contains a commentary on the world around us. I wonder what I could be doing with the child soldiers being sexually active in their teens (people hook up right after battles), and the age gap relationship ending in the younger one being too mature for the elder. What could I possibly have been attempting when I said 'how absurd gender roles are, when projected onto people we haven't been accustomed by our own society to see that way'? I wasn't being subtle, that's for sure.
Secondly. Yes I do enjoy writing! I think I should, it's my life's work. Am I titillated by my own writing, no - though I think it's fine to be. The sex scenes of In Other Lands aren't especially titillating, to be honest. It is interesting to me how often people sneer at women for writing romance and sex scenes, having 'book boyfriends,' insinuating women writers fancy their own characters. Women having too much immoral fun! Whereas men clearly write about sex for high literary purposes.
… I have to say from my experience of women and men's writing, I haven't found that to be true.
I’m not in this to have an internet argument. I prefer to leave my anons open since not everyone has a tumblr, as @neil-gaiman says it’s an internet backwater, but a lovely one for those like myself who enjoy an essay about fictional characters! Still I will close my inbox to anons if I must. Mostly people use bad faith takes to poke at others from the other side of a screen for kicks. But I do know some truly internalise the attitude that writing certain things is wrong, that anyone who makes mistakes must be shunned as impure, and that is a deeply Victorian and restrictive attitude that guarantees unhappiness.
I've become increasingly troubled by the very binary and extreme ways of thinking I see arising on the internet. They come naturally from people being in echo chambers, becoming hostile to differing opinions, and the age-old conundrum of wanting to be good, fearing you aren't, and making the futile effort to be free of sin. It makes me think of Tennyson, who when travelling through Ireland at the time of the Great Famine, said nobody should talk about the 'Irish distress' to him and insisted the window shades of his carriage be shut as he went from castle to castle. So he wouldn't see the bodies. But that didn't make the bodies cease to be.
In Les Mis, Victor Hugo explores why someone might steal, what that means about them and their circumstances, and who they might be - and explores why someone else is made terribly unhappy, and endangers others, through their own too rigid adherence to judgement and condemnation without pity. The story understands both Jean Valjean the thief and Javert the policeman. Javert’s way of thinking is the one that inevitably leads to tragedy.
Depiction isn't endorsement. Depiction is discussion.
Many of my loved ones have had widely varying relationships to and experience of sex (including 'none'). They've felt all different types of ways about it. If writing about them is not permissible, I close them out. I'd much rather a dialogue be open than closed.
I do understand the urge to write what seems right to others. I've been brain-poisoned that way myself. I used to worry so much about my female characters doing the wrong things, because then they'd be justly hated! Then I noted which of my writer friends had people love their female characters the most - and it was the one who wrote their female characters as screwing up massively, making rash and sometimes wrong decisions. Who wrote them as people. Because that's what people do. That's what feels true to readers.
I want my characters to feel true to readers. I want my characters to react in messy ways to imperfect situations. I love fantasy, I love wild action and I love deep thought, and I want to engage. That's what In Other Lands is about. That's even more what Long Live Evil is about. That sexy lady who sashays in to have sexy sex with the hero - what is her deal? Someone who tricks and lies to others - why are they doing that, how did they get so skilled at it? What makes one person cruelly judgemental, and another ignore all boundaries? What makes Carmen Maria Machado describe ‘fictional queer villains’ as ‘by far the most interesting characters’? What irritates people about women having a great time? What attracts us to power, to fiction, and to transgression?
I don’t know the answers to all those questions, but I know I want to explore them. And I know one more thing.
If the moral thing to do is shut people out and shut people up? Count me among the villains.
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vivmaek · 25 days
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Total Solar Eclipse in Aries: Predictions
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✰ my masterlist This eclipse season is highlighting themes of forgiveness, both towards others and towards ourselves. It's time to turn a new leaf, and to take responsibility for mistakes made within the past. Doing this will allow a particular area within your life to transform. In October 2023 it may have felt like you lost something. Whether that was a friend group, a career opportunity, or a romantic relationship depends on your chart. However, because this solar eclipse is conjuncting the North Node, it will feel as though you have gained something. Issues from October 2023 will find a resolution.
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General predictions:
ꕥ Sudden/unexpected military action.
ꕥ The development and discovery of new weapons. (Specifically with bombs and explosives.)
ꕥ Veterans speaking out against the country they once served.
ꕥ World leaders unexpectedly stepping down from their positions.
- Many world leaders are going to be dealing with extremely poor health which will “eclipse’ their power.
ꕥ It's going be a hot summer, and the effects of climate change will become all the more obvious.
ꕥ Bad wildfire season.
ꕥ An increase in self-immolation as a form of protest.
ꕥ An increase in reckless driving, speeding, and road rage.
ꕥ An increase in violence against women, and people who are non-binary or transgender .
ꕥ Issues regarding gender will become even more polarizing.
- Women across the world will continue to assert their independence and will fight back against outdated standards.
- Women will become more willing to embrace the unknown. Many women will fully commit to the idea of never getting married or having children during this time frame, and they will do so with enthusiasm.
- Some women will choose not to get married or have children as a form of protest
ꕥ An increase in narcissistic behavior, as well as an increase in being able to recognize narcissistic behavior.
ꕥ Celebrities responding to public criticism with arrogance will witness a downfall.
ꕥ The Summer Olympics will be especially entertaining this year. This event will be explosive and dramatic. Some athletes will gain a significant amount of fame during this event.
ꕥ LOTS of new music. Artists are going to be pushing the boundaries of genres. Audiences are craving something completely new.
ꕥ People are DONE living in fear. This will result in widespread, collective action that will effectively make big changes. More protests, more boycotts, more strikes, more uprisings.
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Predictions for your Rising Sign:
Aries ♈︎
𖦹 Explosive relationship issues
𖦹 Facing “the final straw”
𖦹 Reuniting with yourself
𖦹 Making a significant change to your physical appearance
𖦹 Detaching yourself from others
𖦹 Making bold statements that shock people
𖦹 A boost in confidence
𖦹 Reconnecting with your desires
𖦹 Realizing that you’ve outgrown people
𖦹 Becoming easily frustrated
𖦹 Not recognizing the person you were two years ago
𖦹 Taking decisive action
𖦹 Being forced to defend your beliefs
𖦹 Heightened sense of physical energy
𖦹 Gaining a sense of control over your impulsivity
Taurus ♉︎
𖦹 Confronting fears of the unknown
𖦹 Showcasing a strong sense of perseverance
𖦹 Psychic dreams/ uptick in strange dreams
𖦹 Reflecting on the past
𖦹 Spending time alone
𖦹 Receiving some sort of news that shakes you up
𖦹 Building trust in your intuition
𖦹 Finding yourself zoning out all of time
𖦹 Turning towards food, drugs, and alcohol to find comfort
𖦹 Intense emotions coming forward
𖦹 Facing an uptick in stress and anxiety
𖦹 Rumors and lies being spread about you
𖦹 Secrets coming to the surface
𖦹 Feeling exhausted/needing more time for rest
𖦹 Developing a stronger connection to nature
Gemini ♊︎
𖦹 Heightened sense of compassion
𖦹 Giving out unsolicited advice
𖦹 Networking!
𖦹 Joining new social groups
𖦹 Finding a sense of belonging
𖦹 Engaging in volunteer work
𖦹 Developing new goals and dreams
𖦹 Interacting with lots of strangers
𖦹 Feeling in touch with the future
𖦹 Participating in interesting conversations on a daily basis
𖦹 Initiating and organizing group activities
𖦹 Developing new friendships at a fast pace
𖦹 Heightened sense of popularity
𖦹 Fearing commitment
𖦹 Heightened sense of conversational skills
Cancer ♋︎
𖦹 Stepping into a leadership position
𖦹 Learning how to balance your private life with work
𖦹 Becoming a stay-at-home parent
𖦹 Hard work paying off
𖦹 Facing competition within your career
𖦹 New responsibilities
𖦹 Challenges with authority figures
𖦹 Being forced to stand up for yourself
𖦹 Setting boundaries within your career
𖦹 Your reputation becoming a source of stress
𖦹 Becoming someone's caregiver
𖦹 Learning how to avoid burnout
𖦹 Becoming a source of motivation within your workplace
𖦹 Feeling extra sensitive towards criticism
𖦹 Working with a family member, or someone who feels like family
Leo ♌︎
𖦹 Being forced to look at the big picture
𖦹 Stepping out of the sidelines
𖦹 Deciding to expand your mind
𖦹 Traveling/ big journeys
𖦹 Coming across as overbearing within serious situations
𖦹 A change in long term plans/goals
𖦹 Becoming a teacher or mentor
𖦹 Beliefs being challenged
𖦹 Dominating discussions with other people
𖦹 Craving adventure
𖦹 Gaining a new perspective on life
𖦹 New opportunities in education
𖦹 Embracing a newfound sense of excitement
𖦹 Seeking out recognition
𖦹 Gaining wisdom through creative ventures
Virgo ♍︎
𖦹 Joint resources being brought into focus
𖦹 Seeking reciprocity within relationships
𖦹 Having a realistic approach to intimate relationships
𖦹 Realizing you give too much/too little
𖦹 The judgements you’ve made about other people being challenged
𖦹 Making investments
𖦹 Burning bridges
𖦹 Creating a new budget
𖦹 Resentments within relationships being brought to the surface
𖦹 Paying off debt
𖦹 Confronting your desire for profection
𖦹 Close relationships becoming a source of stress
𖦹 Healing intimacy and trust issues
𖦹 Seeking out deeply emotional connections
𖦹 Finally recognizing hidden patterns
Libra ♎︎
𖦹 Showing up more authentically
𖦹 Confronting communication issues
𖦹 Fixing a misunderstanding from the past
𖦹 Being honest about wants and needs
𖦹 Asking for help and receiving it
𖦹 Developing skills in diplomacy
𖦹 Placing your aspirations before a relationship
𖦹 Letting go of responsibilities that don’t serve you
𖦹 Ego and pride creating conflict within relationships
𖦹 Starting a collaborative project
𖦹 Holding yourself to the promises you’ve made
𖦹 Receiving some sort of justice
𖦹 Healing your fear of being alone
𖦹 Seeking out compromise
𖦹 Recognizing how indecision has held you back
Scorpio ♏︎
𖦹 Putting your dreams into action
𖦹 Experiencing tension within the body
𖦹 Confronting control issues
𖦹 Your sense of motivation being reawakened
𖦹 Implementing new routines
𖦹 Prioritizing health
𖦹 Finishing projects from the past
𖦹 Feeling more energized
𖦹 Lack of support from others
𖦹 Becoming more organized
𖦹 Stress becoming a cause for health issues
𖦹 Challenging your own self-criticism
𖦹 Developing a greater sense of concentration
𖦹 Exploring alternative treatment approaches
𖦹 Becoming a workaholic
Sagittarius ♐︎
𖦹 Starting a new hobby or project
𖦹 Newfound relationship needs/standards
𖦹 Taking relationships risks
𖦹 Seeking out pleasure
𖦹 Connecting with your inner child
𖦹 A spike in creativity
𖦹 Having fun with your sense of self expression
𖦹 Being able to forgo responsibility
𖦹 Joining the dating scene
𖦹 Starting a family
𖦹 Caught up within daydreams
𖦹 Developing a sense of contentment
𖦹 Pregnant and ready to give birth (this could be a literal child or a new idea)
𖦹 Taking initiative
𖦹 Everyday life becomes exciting
Capricorn ♑︎
𖦹 Possible career change
𖦹 Starting a garden/buying plants
𖦹 Gaining an understanding in generational trauma
𖦹 Moving at a slow pace
𖦹 New living situations
𖦹 Change in family dynamics
𖦹 Heightened sense of intuition
𖦹 Finding stability
𖦹 Tending to unhealed wounds
𖦹 Arguments with your parents
𖦹 Working remotely
𖦹 Reconnecting with your ancestors
𖦹 Seeking more time spent alone
𖦹 Home renovations
𖦹 A death or birth occurring within your family
Aquarius ♒︎
𖦹 Being more active on social media
𖦹 Speaking before thinking
𖦹 An uptick in the amount of texts/emails you receive
𖦹 Overactive mind/imagination
𖦹 Attending lots of social engagements
𖦹 Oversharing
𖦹 Challenging your negative thought patterns
𖦹 Creating some sort of content
𖦹 Busy schedule
𖦹 Buying a new vehicle/changing your commute to work
𖦹 Moving into an environment that's more stimulating
𖦹 Learning new skills
𖦹 Changing the way in which you communicate
𖦹 Chasing after the things that make you curious
𖦹 Spreading gossip
Pisces ♓︎
𖦹 Financial management
𖦹 Your foundations being tested
𖦹 A person in need taking advantage of you
𖦹 Developing security
𖦹 Redefining your values
𖦹 Losing or misplacing a valuable object
𖦹 Selling your impulsive purchases
𖦹 Overcoming insecurities
𖦹 Feeling more stubborn
𖦹 Strengthening your self-worth
𖦹 Building your savings
𖦹 Earning money from your artistry
𖦹 Cutting back on expenses
𖦹 Donating your money to charity
𖦹 Turning to spiritual practices to ground yourself
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fordtato · 1 year
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For an essay I am working on:
"trans" here includes anyone, binary, nonbinary, intersex, etc. who uses the trans label or feels aligned with the community.
For those who are not trans, even if you do not take the survey a SIGNAL BOOST/REBLOG would be appreciated.
Also, I understand that there might be multiple items on this list that apply, but try to pick the one you feel the strongest.
LASTLY, I feel as though all of these reasons for identifying as trans are incredibly valid. THERE IS NO BAD REASON FOR BEING TRANS.
Accompanying survey on pronouns here
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summerlinenss · 4 months
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here’s the thing.
if you’re one of the people celebrating our flag means death’s cancellation for whatever reason right now, i need you to realize that this is just a sign that whatever you love is next.
and i’m not saying that out of spite. having your favourite show cancelled is awful, i wouldn’t wish it on anyone. but if our little-gay-pirate-show-that-could can’t get its third and final season, the future of queer media is extremely grim.
ofmd was the definition of a sleeper hit. hbo max had no faith in it when the first season came out. it gained popularity purely through word-of-mouth. but it became one of max’s biggest shows, and it’s since been marketed as their flagship series.
it was the #1 most in-demand series in the world for 8 weeks (7 of those weeks consecutively). it’s currently in the 99.7th percentile of the comedy genre, meaning it’s in higher demand than 99.7% of all comedy series in the u.s. it has a 94% audience and critics score on rotten tomatoes. it’s the most in-demand hbo original series even above euphoria, succession, and the last of us.
it was nominated for 16 awards for the first season alone, including a GLAAD award and a peabody award. the second season was just nominated for an art directors guild award, which it was previously nominated for and won in the same category for season one.
besides awards, ofmd is critically-acclaimed and praised for its representation (including a cast of majority queer, bipoc, and disabled characters) and themes of anti-colonialism, challenging gender norms/toxic masculinity, and self-discovery/acceptance. it also has a diverse team of directors and writers consisting of several bipoc, women, and queer/trans/non-binary people.
on top of all of this, the plan for the show all along was only ever for three seasons. david jenkins only wanted three seasons for the full romcom structure to tell ed and stede’s story. that’s it. nothing more.
this isn’t an attempt to make you care about the show. but ofmd’s cancellation isn’t just a loss for the fanbase and the cast/crew. it’s a sign that it does not matter how successful or profitable shows highlighting lgbtq+ (or otherwise inclusive) narratives are or how many big names are involved. ofmd would not have been cancelled if it were a straight romcom. they would’ve magically found the budget. but corporate greed doesn’t care about us. they have no respect for queer people or queer media. and in the age of streaming, it’s only a matter of time until we lose all of it.
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johannestevans · 7 months
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Big deep dive into themes of sexual violence and rape culture as portrayed in Alien (1979, dir. Ridley Scott)! About 13k.
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Here is a horror film about rape — and not just rape, but forced impregnation and reproductive coercion — that doesn’t use the word rape, doesn’t use words like sexual violence. Although the reproductive threat remains the same and the alien herself is phallic in appearance, the xenomorph’s assault is a degree removed from “actual” on-screen sex, so those words are never needed. The xenomorph penetrates her prey via her facehuggers, and through this process, impregnates them against their will, sometimes without even their awareness. It is a direct parallel to sexual violence amongst human predators and their victims but is not in itself sexual when presented on screen.
Because it doesn’t use those words, we strip off the assumptions people have about the gendered aspect of this sort of violence. In the sci-fi setting, using a unisex cast and also introducing androids as well as human beings, we also strip off the forced binary of male and female.
In Alien (1979), it’s not just cisgender women who are at risk of being forcibly impregnated with a dangerous parasite that could kill them as it grows inside them, as with human pregnancy as assumed by cis society — it’s everybody. And because the monster is an alien — a big, clawed alien that’s very penis-like in its design — there is not the same ability for the filmmakers to in some way romanticise or downplay the violence of the assault.
There’s no need to humanise the rapist or explain that he’s a lonely man who just wants female companionship, really, and shouldn’t society provide for a man like him? Isn’t the real cause of his violence against women that no woman provided for him, to cater to his needs as a man?
There’s no need to humanise the xenomorph or her facehuggers — they are alien creatures who seek only to breed and survive. They have no voice, only violent action.
But here comes the real horror of the film and what ramps up the terror inherent in it: yes, the xenomorph and her children are acting only on instinct, but Earth’s society is thinking about the value of it. The xenomorph’s offspring might be worth money. They might be converted into weapons and fire power, and scientific advancement.
In real life, the damage is losing the rapists who work at the company, or dealing with the media fall-out that might occur if rape victims spoke up about toxic work environments, or the legal fees that might be incurred — and thus, victims are silenced, let go, the working culture makes certain to defend and further enfranchise abusers while silencing and disenfranchising victims.
In Alien, The Company does what any company does in our society. It measures the damage caused by not just the assaults and the coerced impregnation and the death that will be caused in the result, against the potential profit of the xenomorph’s DNA, no matter how scary or violent or traumatising the xenomorph and its behaviours are.
Alien (1979) then becomes a perfect metaphor and parallel for sexual violence in our society — and especially as a male victim of sexual violence myself, but also as a transgender man, it really cuts to the core of the horror of it for me.
Yes, it’s terrifying to be raped, but it’s not terrifying because men are strong, and they all want to rape women, who are always so pure and innocent — women rape other women or men or nonbinary people; men rape other men and the same; corporations and other for-profit enterprises might work towards invasions and corruptions of individual bodily autonomy because it benefits them monetarily or societally; other political and governing bodies might work toward the same.
The terror of rape is in the invasion of your body against your will, your powerlessness to stop it or defend yourself, whether by force or coercion. It’s in the collapse of your desires for your body and its purpose as you see it to that of another person’s, or a third party’s.
And when that rape can come with the threat of pregnancy, there is a further terror — can you access emergency contraceptive and/or abortion services? Will they be delivered to you without prejudice and without delay? Will you be forced to submit to further invasions of your body, having a rape kit done, being tested for STIs, and having to describe your assault to police or to other violent authority figures, who as you describe it, will demean and undermine you, and do anything to discredit your testimony? Will you have to flee your state or country to get medical services to end a pregnancy? Will you be blocked off from these and forced by the state to carry a pregnancy to term, on top of having already been raped by an individual?
Unlike many other horror movies about rape, no one gets raped in Alien (1979), and then at the end, does a stirring monologue to sad piano music about how, yes, they were raped and attacked, but they couldn’t possibly kill “an innocent life” by having an abortion, because any female rape victim’s natural instinct is, of course, to want to be a mother to their rapist’s children. Anti-abortion activists aren’t putting facehuggers on their posters and their propaganda.
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nothorses · 1 year
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Begging ppl to understand that they/theming someone who explicitly has told you that they do not use they/them is, in fact, just as bad as using binary pronouns that the person does not use. It’s still misgendering…..
it's not just that; "degendering" is absolutely a real phenomena that trans people deal with, and I've noticed it personally in both progressive and conservative spaces.
It's a reluctance to acknowledge trans people as the gender they say they are. It's easier for them to use they/them for me because it doesn't challenge their worldview as much, especially when I do pretty reliable pass.
The person in front of them looks like a man and says he's a man, but when he also says he's trans, their whole view of that person shifts. That's not ("just") a man, that's a trans person. Not a woman (especially if he doesn't at all look like one anymore), but also not a man; "trans" is a whole other, separate gender.
They can't, and they won't, use he/him pronouns for me. Not because they forgot, not because they're being careful. They didn't have this problem when they thought I was cis, remember? They do this because using he/him pronouns for me validates and confirms that I am a man.
It's easier to say they/them, in this situation. It's a cop-out, both for progressives who haven't actually unpacked their transphobia in the way they think they have, and for conservatives who are still just this side of actively choosing to be as hateful and incendiary as possible.
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kaladinkholins · 4 months
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Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.
So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.
DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.
Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.
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But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."
In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.
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When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.
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So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.
Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.
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And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."
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But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.
He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.
*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.
Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.
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Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.
Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."
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This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.
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Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:
"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."
(no screenshot because it's quite a long line but you get it)
Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.
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Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.
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But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.
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Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:
"I thought you had to be something special. Your face isn't even so scary. You're just... angry."
At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")
The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.
That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.
By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.
Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.
But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.
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"I want to be great."
This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.
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NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.
First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:
Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;
Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.
These are thus two directly contrasting, diverging journeys:
Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.
Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.
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Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.
Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.
Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.
In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.
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Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.
(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)
And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.
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Let's talk about Option A: Akemi.
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As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.
Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.
With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.
Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!
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Then, of course, we have Option B: Taigen.
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Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.
Therefore, Taigen has very few options here.
And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.
Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.
Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.
While Akemi is red and Mizu is blue, Taigen is green.
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Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.
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Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.
By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.
It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.
Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.
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The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.
Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.
But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.
Or hey, maybe they could both make their own dojo together! I don't know.
(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)
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Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.
In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.
Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.
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And finally, there's Option D: Polyamory.
This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!
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AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)
Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.
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