#there's something so classic and beautiful about seeing a male love interest saving the woman he loves. why do people hate that so much??? | Explore Tumblr Posts and Blogs

babybubastis · 1 year

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Ok. We need to talk about this.

⚠️ (Spoilers for Black Panther: Wakanda Forever below!)⚠️

It’s incredibly disheartening (and somewhat alarming) that there seems to be no room in fandom for any kind of nuance. I’m going to talk specifically about the Black Panther fandom and what I’m seeing/experiencing occur between Shuri x Namor shippers and some other users in the fandom. There are users on here who are, unprovoked, actively tagging and seeking out and harassing other fans for shipping the pairing. Real quick, a little personal context: for those of you who don’t know, I’m black. It has been especially demoralizing to see this type of activity occurring between black women in the fandom. I’ve seen the blackness of some fans who ship Shuri x Namor be called into question. I’ve seen fans be called clowns, and anti-black, and sick, and all manner of things. And I guess my question is: Why?

Why, as a black woman in fandom, am I not allowed to love a particular black female character, and also ship her with another character without facing harassment? Those two concepts — 1) caring for Shuri as a character and 2) wanting to see her courted and desired by the attractive (admittedly toxic) male antagonist — don’t have to be mutually exclusive. IT CAN BE BOTH. And that, contrary to some people’s beliefs, does not make me a bad person.

Wakanda Forever is a complex and beautiful masterpiece, teeming with commentary about colonialism, anti-blackness, white supremacy, grief, anger, vengeance, religion, mother-child relationships, and so much more. Why is it impossible for me, as a complex person who has complex interests, to want to talk about those more serious topics AND gush about Shuri’s interactions with the charismatic antagonist who treats her as an equal? There is clear romantic subtext in Namor’s early interactions with Shuri. The entire sequence where Shuri is in Talokan reeks of Hades/Persephone, as well as other classic romantic tropes and gestures:

Namor allowing Shuri to be brought to his hidden underwater civilization,

Him commissioning a beautifully ornate custom dress for her to wear,

Him telling her about his history and giving her his dead mother’s bracelet,

Him happily showing her around his hidden kingdom

It was all very calculated on his part, I’m sure, in an attempt to win her over to his side. But there was also obvious chemistry between he and Shuri. Hell, Riri even spells it out for us, comparing the entire gesture of giving her the custom dress to Beauty and the Beast! So it is not nearly as far-fetched as some people want to claim to ship these two, to be intrigued by their dynamic. And it is entirely possible to be just as intrigued by that as it is to be moved by the bigger, deeper, more serious concepts explored in the movie. Again, those things aren’t — and shouldn’t— be mutually exclusive. To claim otherwise is doing a disservice to the entire film as a whole, and it’s doing a disservice to Shuri as a character. She is a grown woman, complex and broken and messy. This entire movie, while being a gorgeous and poignant tribute to Chadwick Boseman, was also very much Shuri’s story. Letitia herself said in a recent interview (that she did with Tenoch Huerta) that she loved this film because the audience is really getting to see Shuri explore her womanhood and maturity.

Shuri is no longer the precocious, quippy 18-year-old that we saw in the first Black Panther. Her character arc is extremely dark in this film. She loses, again and again. We see her express rage. We see her be stubborn, we see her grieve, we see her break, we see her hopeful, we see her stepping out of her comfort zone to save Riri and to save her people. We see her succumb to vengeance and then turn around and choose mercy. There is a wealth of complexity there just bubbling under the surface, and, like the audience, Namor is clearly drawn to her. He sees something in her that mirrors something in him. It is no coincidence that they both see their mothers in that final fight scene before Shuri commands him to yield. And it is no coincidence that, when Shuri’s mind is flitting through the recent sequence of events that led up to that final battle, she sees her mother’s drowning reversed, and right after that she remembers Namor smiling as he told her about his history and his people. She remembers that, underneath the terrible things he has done, he is a human being who does everything he does for the love of his people. I have no doubt that Namor was being calculating and manipulative in regards to Shuri. He saw the chance for an alliance with her and wanted to make it work. But he also clearly connected with her on a personal level. If that weren’t true, he would have either killed her or imprisoned her the second she rejected his proposal in that cave to join him in destroying the surface world. Instead, when Shuri stated that they needed to find a peaceful way to resolve their issues, he sat and was prepared to listen (until they were interrupted by Namora alerting him to Ramonda’s summons).

It’s so clear that Namor was drawn to not only Shuri’s intelligence and strength and wit and compassion, but also to her beauty and charm and passion. Namor is the first person we see treat Shuri as a true equal — as a fully-capable, formidable counterpart. Is it so wrong to be intrigued by that? To want to see Shuri come into her own in every way and to also want to see her desired as a potential love interest? Are black women not allowed to be intelligent and complicated and powerful and desirable?

I could go on and on about Shuri and Namor’s interactions. But I will say this: were these any two other characters in any other movie, there would be no debate. The fandom at large would be salivating over the subtext and symbolism and tension and chemistry.

There are so many reasons why this ship has so many people excited. It’s the first time we’ve seen a dark-skinned black woman as THE MAIN CHARACTER in this franchise have any interaction that even hints at something remotely romantic. It’s a ship between a black woman and a Mexican man. And the most glaringly obvious reason: it’s a toxic mess. It’s unhinged, it’s chaotic, it’s explosive, it’s dynamic, it’s dark. It’s complicated and messy in a way we’ve never seen Shuri get to be. The tension and conflict and messiness of it all is what makes it so compelling. We haven’t gotten these types of multi-dimensional, complex character explorations in this franchise for a black woman before, not on this scale, not in this context, to this magnitude. OF COURSE in real life the dynamic would appalling, at best. But THIS ISN’T REAL LIFE. What so many fans seem to forget ( or ignore) is that fandom, and more specifically shipping, is supposed to be a safe space to explore all manner of complex concepts — good, bad, morally grey, relentlessly fluffy, despicably toxic, etc. — in a fictional construct where NO REAL PEOPLE GET HARMED.

Increasingly in fandom, I’m seeing this very black and white thinking, that you can only ship one thing or the other, think one thing or the other, feel one thing or the other. All nuance is thrown out the window. But the thing is, life isn’t that simple, and neither are human beings. People fall in love with people they aren’t supposed to all the time. People are messy and imperfect and toxic and complicated. People can experience emotions and hold ideas that are often in direct conflict with each other. So why do we ignore this, in fiction, of all places? Why do we demand that all fiction be sanitized and only portrayed in one way? The new, unwritten rule in fandom seems to be, if you’re going to ship, it had BETTER be the morally upright, fandom-approved ship, or else you MUST face the wrath of the fandom gatekeepers.

That is wrong, and even dangerous, on so many levels.

Let me be clear: you have every right to not like a ship. You have every right to be upset or appalled or triggered or disgusted or angered by a ship. But those emotions and reactions are YOUR responsibility and no one else’s. It is very easy on this website to curate your own experience. See a ship you don’t like? Block the user, the tag, blacklist it, whatever you need to do. Because that is the rational thing to do. Going into a ship’s tags in order to seek out users and posts that upset you in order to unleash your childish rage because you can’t be bothered to learn how to take responsibility for regulating your own emotions is infinitely worse than whatever icky ships you don’t like.

No one in this fandom is shoving this ship down your throat. We are in the tags, minding our business. We’re gushing about our favorite pairing, having silly discussions about headcanons and AUs, while also having deep and nuanced discussions about Shuri and her character growth, and about the deep themes explored in the movie and how it all interconnects. The sad thing is that I’ve seen really excellent takes about Wakanda Forever from certain users that I agree wholeheartedly with, only to then, several posts later, see them unleashing all kinds of unwarranted harassment and vitriol toward other fans simply for shipping Shuri with Namor.

At the end of the day, I can’t change people’s minds. I don’t care if you like or don’t like the ship. I DO care if you bully and harass and dehumanize me and other people because you don’t like the ship. Again: THIS IS FICTION. A lot of things that people explore and enjoy in fiction are not things we would ever condone in reality. There’s a certain catharsis in seeing characters go through toxic and even dark scenarios in a controlled environment such as fanfiction. But we understand very clearly that that is not okay in real life. I would urge those of you who are harassing shippers to please develop some critical thinking skills and learn to differentiate fiction from reality.

Fandom is supposed to be fun. Shipping is supposed to be fun. Shipping is not activism, it is not politics. And it is not supposed to be a vehicle for your own personal hatred, harassment and bullying (although it too often is).

If you’ve made it this far through my incoherent ramblings, I appreciate you. This may have no impact at all, and maybe no one gives a shit about my experience or my opinion. And that’s fine. I just felt the need to say my piece so that I can go back to shipping and writing in peace.

#black panther spoilers #black panther 2 spoilers #wakanda forever spoilers #black panther wakanda forever spoilers #black panther: wakanda forever spoilers #bpwf spoilers #black panther 2 #wakanda forever #black panther wakanda forever #black panther: wakanda forever #shuri #namor #shipping discourse #black panther

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fizzingwizard · 9 months

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My favorite things ever created for Lupin III were Mine Fujiko's Lie, and The Woman Called Mine Fujiko

Not because I don't love the fun, energetic, quirky vibe of the classic series. Not because I prefer Fujiko to the boys (though I do adore her).

For me, The Woman Called Mine Fujiko resurrected not just Fujiko, but every female character written by a man who assumed he knew what makes women tick - or didn't care whether he knew, and just wanted to write her that way.

In the classic series, Fujiko's both a strong, dangerous woman who regularly betrays Lupin, yet she's also a helpless damsel in distress who needs Lupin to save her. How much she is of either depends on the writer and the story. Her saving grace is that, even back then, there was already more than just a sense that Lupin enjoyed getting outmaneuvered by her. They were the kind of perfect rivals who make the fan girls drool when it's two men, and start to see secret romantic longing in every look. Lupin and Fujiko really were rivals in love, but instead of making them more interesting, it hurt them. It made Lupin seem stupid, and it made Fujiko seem cold, heartless, selfish, and arrogant. What's more, because the story always favored Lupin and the boys' POV, we rarely ever got a glimpse of what Fujiko thought or felt - so fans were free to attribute to her whatever motivations they wanted. And fans, when it comes to beautiful, treacherous women, aren't very open-minded, let alone forgiving.

So The Woman Called Mine Fujiko was desperately needed. It somehow managed to pull Fujiko out of the grip of the male gaze without turning her into some kind of angel. It subverted the whole "she turned out like this because she was damaged as a child," by making us think that's what happened to her and then making it all a lie. She's still a criminal. She still betrays and uses people and is less spiritual and more practical about taking life than the romantics Jigen and Goemon (and often Lupin) are. And the underlying message was, it really doesn't matter what made Fujiko. She's a woman, and she's free to do what she wants. Even if it's bad. If we admire Lupin, we really have no business hating Fujiko. (Specific episodes can make most anyone hate her, but that should be chalked up to bad writing and low respect for characterization. This is, after all, fiction.) And, we learn, Lupin isn't in love with Fujiko just because she's beautiful and dangerous. He's also in love with her because he loves freedom, and freedom is Mine Fujiko.

In Mine Fujiko's Lie, we once again get this amazing, nuanced Fujiko who subverts tropes as neatly as she high kicks in heels. Her antagonist is a warped version of herself, a master manipulator who doesn't realize how he's manipulated by others, whose freedom comes with his first taste of desire - and which ultimately leads to his destruction. Nothing ventured, nothing gained - or lost. In her usual style, Fujiko defeats him by seducing and betraying him. While the art avoids the gore of Jigen's and Goemon's episodes, the eroticism highlights Fujiko's body's softness and vulnerability in a way that makes her seem desperate but determined as she uses psychological manipulation to win over sheer male power. Thematically, yeah, she's still talking about love and sex. But there's something existential about the way she talks, something deep that digs into the human psyche.

And the reframing of Fujiko's skill as psychology rather than seduction is only part of what's modern and liberating. The other is her relationship with the little boy (whose name I can't recall atm :P). We're primed to think (or dread) that Fujiko is about to tap into her latent maternal instincts. She's a woman, so of course she won't be able to resist a motherless child! And, as un-Fujiko-like as that would be, the alternative - her stealing the boy's only chance at a healthy life along with stranding him as an orphan - was too distasteful to hope for. The story string us along, making us think it'll be one, it'll be the other... and then, in the end, she's neither drawn into motherly sentiment, nor does she turn out to be utterly irredeemably (the usual fate of women who don't perform femininity in an acceptable way). She gets what she wants and the boy gets what he needs. He probably won't have stellar memories of her - and she's still far, far from an angel. But she's worked the job the way that she wants to work it, with resourcefulness and independence. Unlike her helpless charge, or her helpless antagonist. It's telling that this is the only movie of the three in this series which results in a direct kill (of the main antagonist, I mean). If there's anything Fujiko can't stand, it's helplessness. She's going to survive. She doesn't wax romantic about what it means to be a warrior. Someone came for her, she gave as good as she got - that's Fujiko. And yet, though she can't afford to be weak, she isn't so hard that she can't fall asleep on Lupin's shoulder.

I needed both of these stories to love Lupin III. Without them, I don't think I'd be able to look at it as anything more than a boy's fantasy. Fujiko's gotten some better development and overall treatment in some of the more recent anime series - but I will say that I was really disappointed in her in season six, because I felt she was rewritten to be more like ScarJo's Black Widow than anyone who could function as Lupin's rival and lover at once.

rabbit trail: The bit in Goemon's Blood Spray, where Fujiko walks off because Goemon's self-punishment is too ridiculous to watch, and Jigen and Lupin are all "This is how men are," about it, gets a mixed reaction from me. On the one hand, I tend to feel like Fujiko, that as confused yet determined as Goemon was, him killing himself through training is just wasteful. As is his friends letting him, because that's what he wants and he's got a warrior's spirit and yadda yadda. But on the other, my real issue is claiming this is a gender difference. It's glorifying the warrior philosophy yet again, when in the real world strong, war-hardened men run from battle every day, not because they aren't real warriors, but because they have sense. Live to die another day. (Which, incidentally, is what happens for Goemon, because he survives the training.) IMO Fujiko left because she's practical. Goemon did what he did because he's spiritual. Jigen didn't understand him, but went along with him anyway, because Jigen is emotional. And Lupin did understand him and deliberately didn't get in his way because he's a mix of little bits of all the other characters.

#lupin iii #mine fujiko

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greypetrel · 1 year

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Hi! What’s your favorite book??

Oh damn you uncovered Pandora's box, THANK YOU FOR DOING IT. :D

I can't choose only one to save my life, but a selection of my favourites, dividing between prose and poetry/theatre... Under the cut because IT LONG. And I'll jump at every chance to speak about my favourite books. (ask the Literature major about books and have them go on rambling for hours)

Prose:

- Lord of the Rings, J.R.R. Tolkien . Getting into the saga has been one of those formative events for me, as for many other people around. It's an adventure, it's full of love and hope, it can be fun and light and go into deep themes as well. I'm in love with all of Tolkien's works (the fairy tales are so sweet and tender, you can see how much he loves his children reading Roverandom)(and Tree and Leaf has a special place in my heart). I majored in Germanic Philology because of him, and I can say I wouldn't be the same person if I haven't ever read LOTR.

- Master and Margarita, Mikhail Bulgakov. Another one of those books I can tell had a "before" and "after" in my life. I LOVE a good satyre, and Bulgakov is just *chef's kiss*. Wouldn't recommend it to anyone that knows little of Russian History or thinks erroneously (sorry not sorry get better informations) that Lenin was a good statesman and a good person. But... There's love, there's a sad woman being empowered by going outside the fence and expectations, good and bad are reversed, there's this very russian theme of strong women saving their male love interest (or trampling them. Seriously, female characters in Russian or Ukrainian as in this case classic authors are SOMETHING ELSE). Social and political criticism. And, a giant cat walking around Moscow and causing ruckus, and I don't know what you could possibly want more from a book.

- The Count of Montecristo, Alexandre Dumas. I distinctly remember barging into my therapist studio after I finished it and saying I was sad because yes I could read this book again, but it wouldn't ever be the first time again. What a glorious, epic book! Managing to mash epic themes with that underlying TRASH that it's typical of Dumas and he manages always to make work so well (the convenient cave full of treasures that NOBODY ever found but this one priest? Seriously Alexandre? XD ). Great, great, great book.

- A Room of One's Own, Virginia Woolf. It's one of those books, along Animal Farm and Se Questo è un Uomo, that I'd have EVERYONE read. It's technically non-fiction, but Mrs Woolf had her way to make it a great read. Go read it if you haven't.

- Two Years, Eight Months and Twenty-Eight Nights, Salman Rushdie. Salman Rushdie could write a shopping list and make it the best thing ever. I love his style, I love magical realism, and I'm choosing this only because it was the first I read and I had a blast. It's glorious it's great, I love it, and I'm so sad Midnight's Children has such a lame adaptation (but it's not a book that's easily translatable if not in a series Game of Thrones long...).

- Everything is Illuminated, Jonathan Safran Foer. My goodness, the heartbreak of this book. It's one I have quotes saved around notebooks. It's heart-breaking in the most beautiful way, he's definitely one of those authors you either love or hate... I'm on the love end of the spectrum.

- Pride and Prejudice, Jane Austen. It's basic bitch of me, I know. I don't care. As above, I'm all for social satyre and Miss Austen was just on another plane of existance on that. I'll fight people saying she wrote romances. She did not. Northanger Abbey holds a special place in my heart as well, but who doesn't have a crush on Mr Darcy, beside people who read this book thinking it was a romance? No no no read it again in the perspective that the author is mocking the heck out of every single character. Lizzie included. Austen is FIERCE. And Mr Darcy is such a beloved character because he learns from his mistakes and he's not afraid to admit it. Wow.

- Vita Scritta da Esso (Life written by himself), Vittorio Alfieri. I am not the biggest fan of italian literature, it's too much impronted on realism at all costs and MEH. Vittorio Alfieri was an anglophile and one that looked well beyond the Alps for his writings. His life was so entertaining and damn if he can make it entertaining and fun! That man travelled Europe, looke the fucking Kaiser in the eye (it was very offensive to do), had affairs with a Duchess, his long term partner was another English noblewoman... Who was married! And they were together since they met until he died! She was the one who published this Autobiography! Also personal preference: he wrote a whole satyre saying shit about the Accademia della Crusca and I love him madly for that. GO READ ABOUT VITTORIO ALFIERI.

Poetry/Theatre:

- Gitanjali, Rabindranath Tagore. Stop everything you're doing and read this. Now. You're welcome in advance.

- Poem Without a Hero, Anna Akhmatova. Anna Akhmatova would be very welcomed to step on me, I'm saying this shamelessly, it's just... URGH, it's melancholic, it's epic, it's heart-gutching.

- Anything by Christina Rossetti. Anything. Give me Christina Rossetti and some pre-raphaelites and I'd be happy.

- The Waste Land/The Love Song of J. Alfred Prufrock, T.S. Eliot. That man loved his quotes. I loved that man because he loved his quotes and it's lyrical in a way that... Oh. How he depicts loneliness. "Coffee Spoons" is a quote from Prufrock ("I have measured out my life in coffee spoons". Is it pretentious? I don't care I have FEELZ for that poem)

- Cyrano de Bergerac, Edmond Rostand. The marvel of this comedy can't be fully expressed by words, I love it, I adore it, it made me feel better with myself as an owner of an important nose.

- Macbeth/Othello/Much Ado About Nothing, William Shakespeare. I majored in English Lit and I couldn't leave the Bard outside. I can't choose between these three, and choosing only three was difficult. I spent once 3/4 of an hour in an exam only speaking of the first three lines of Othello and I could do it again, ask me about it. :)))))

- Sir Gawain and the Green Knight. IT IS THE BEST THING EVER I love the Arthurian Cycle and this little thing is just... AAAAAAH. Gawain is a bisexual icon (it's not me headcanoning, he smooches both men and women, it's him. YOU GO GAWAIN). Yes I have deep feelings for the movie as well, Dev Patel we're not worthy of you.

I am leaving outside a lot of thing that I will remember in ten minutes and cry profusely about, yes. Also I am containing myself over fangirling about poetry too much because you won't hear the end of it otherwise, there are some things of Sylvia Plath and Auden and Yeats and Maya Angelou that just melt my little dark heart, but this is already far too long...

Also in this house we stan that Bob Dylan earned his Nobel Prize, fuck you Alessandro Baricco.

#personal crap #books #poetry #I should not be given leeway to talk about books or poetry if you want me to stay syntetic #am I sorry? Absolutely not.

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hadesisqueer · 4 years

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The thing about people saying that Bumbleby is a forced couple with no build up is that sometimes I wonder if they have eyes or something.

First of all, the storyline is clearly heading that way, but they're not a couple yet, as many antis love to remind the shippers. Therefore, how can they be a forced couple if, as you say, they're not dating yet??? They're STILL developing the couple lmao.

Second, it does have build up. The thing is, you dismissed many of those interactions as friendship, saying that there are a lot of ways of love, not only romantic and all that.

And you're right, there are many ways to love someone, and platonic relationships are just as important as romantic ones. But then again, you are missing a very important detail: the context of the scenes.

You can interpret Yang saying “I love it when you're feisty” and “If you feel like coming out tomorrow, I'll save you a dance *wink*” as friendship considering “Yang tends to be kind of flirty and affectionate with everyone”. It's not entirely true but yeah okay, I get that. There's also the fact that females are more allowed to be affectionate with their other female friends. So when you see a woman being flirty with each other you'll interpret it as friendship when it's actually not. That doesn't happen to straight couples (they will smile to each other once and they will already be in love and the audience will never hace doubts), or mlm ships, because males aren't seen to be as affectionate with each other as females, and when they are, it's seen as romantic (even if they're platonic, and people will call it queerbaiting).

Examples (and no shitting on the other ships. I fucking love Renora):

Renora holds hands after a really emotional moment, or to reassure one another: Totally romantic.

Bumbleby holds hands MULTIPLE TIMES after a really emotional moment, or to reassure one another: Gal pals.

Clover winks at Qrow in a cocky way and says a “lucky you huh”: Damn he's sooo gay.

Yang winks at Blake in a cocky way and literally tells her that she's saving her a dance after a clear joke with the “coming out” thing: A great straight girl!

See what I mean? Honestly I don't blame people for this, because I myself dismissed the whole flirty Yang thing in the first few volumes as just friendship and teasing for the fans. It's just heteronormativity that we all have inside.

However, there are some things that, if you interpret them as friendship... Well.

One of the most obvious ones, and which confirmed to me that Bumbleby was, indeed, romantically coded: THAT scene at Heroes and Monsters. How blind do you have to be to deny that it was meant to be romantic?

You can say “Oh but there are many ways to love not just romantic it could be sisterly love” and as I said, you're right. If you had put Ruby instead of Blake in that situation, it's clear that it would mean sisterly love. But that scene is not meant to be “sisterly”, no matter what you say. Because, the scene is: Exboyfriend threatens Girl to destroy everything she loves and then Other Girl (who was directly compared to Exboyfriend earlier) appears looking for Girl, and Girl looks at her terrified, Exboyfriend notices. You know the rest.

This is, as I call it, the classic “summon love interest” card. If you changed Blake and Yang there and you put Ren and Nora (who, until their backstory in vol 4, didn't even have that much development nor confirmation of being really romantic, just teasing and a song -you know, like Blake and Yang-) in that situation, there's no way people would have thought that it was friendship lol. Damn, if they just made Yang a male, with all the interactions they'd had and that scene, people would have been chanting CANON in that moment.

Also, vol 5 chapter 8. Yeah, that talk in which Yang admits to Weiss that she is really hurt by Blake leaving and that she wished she hadn't because she wanted to be there for her and needed Blake to be there for her as well could be friendship... Except it isn't. Because, considering the past scenes, the ENTIRE conversation and the fact that it took place in the same episode other girl confesses to have romantic feelings for Blake... Well. Oh, and basically the whole reunion scene when all Blake could say was “Yang?” and Yang.exe stopped working. And don't get me started with the songs (come at me with a straight face and tell me that bmblb is about a bike, I fucking dare you). All That Matters just...

And of course, the entirety of their interactions in volume 6.

Oh, and let's ignore the fact that these two characters that pretty much are a retelling of the Beauty and the Beast, because it was a last minute decision pushed by the fans; it's not as if Red like Roses pt 1, the first song that we hear in the series and which lyrics are foreshadow for the characters, literally said that they are “Black the Beast” and “Yellow Beauty”.

“But, Sun”.

Look, I was a Blacksun shipper when I started watching the show; I still am, actually, I just like Bumbleby more. And I understand why people want them together. However, saying that they had better development than Bumbleby as a couple is just not true. Because they have barely any development: the first volumes was just Sun crushing hard on Blake the moment he sees her, and Blake kind of returning the crush but never at the same level or with the same enthusiasm. They barely have any interactions in vol 3. In vol 4 Sun can't understand Blake and she could barely stand him. And in vol 5, Sun has finally given up on Blake romantically speaking and now they get to develop, but as friends.

Also, have this in mind: when Adam fought Sun, he didn't see him as anything else than Blake's classmate, and even called him that. Because he never saw them as a “rival” when it came to Blake. Now, Yang? He tries to kill her out of jealousy the first time he sees her because he noticed the way Blake was looking at her. He tries to kill her again multiple times in that fight in volume 6; again, out of jealousy, because he sees how they're looking at each other. Damn, he even screams “What does she even see in you?” when they fight. So yeah, the fact that Adam, Blake's exboyfriend, is jealous of Yang and sees her as the romantic rival instead of Sun should have told you something back in vol 5.

Look, you don't have to like Bumbleby, and I'm not saying it's perfect, because it isn't; there are things that could definitely have been done better. But saying that it's forced (when, again, they're not dating yet), that they have no build up because you never saw it coming... Watch the show again, man.

#yang xiao long #blake belladonna #bumbleby #bmblb #look i'm just tired #bmblb analysis

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jade-it-queen · 3 years

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Jade. The fate of female character in Mortal Kombat

It’s been a while since I posted anything on my blog cause I’ve been busy with my life and rapid changes in it. During this time, I’ve watched the new 2021 Mortal Kombat movie as well as the new animation Battle of the realms and also rewatched the Story Mode of MK11 a few times. As you probably can tell, I have a lot to say.

JADE. MILEENA. KITANA. SONYA.

Skip this if you don’t want to read my very important (and long as sh*t) rant about female characters in MK.

DISCLAIMER. This thing is going to sound extremely feminist and women-supremacist or whatever. By saying things that I’m going to say, I by no means think that male characters should be weak or lacking. If anything, it would be nice to have some godforsaken EQUALITY. I’ll explain further later.

Part One: Mortal Kombat (2021)

There’s no Jade in this movie.

The end. That should be the sole reason I dislike it.

However, it might be better this way since the Nitara and Mileena portrayals in this movie are... questionable to say the least. Okay, y’all been robbed. If MY JADE would be brought into this movie to BE THERE for like 4 minutes of screen time only to get absolutely brutal FATALITY I. would. be. pissed.

More than I already am and that means something.

Sure, there’s a possibility that she’s going to be present in some of the upcoming movies because this one is definitely not the only one they’re going to make. But do I want that? Yes. And no.

Mortal Kombat movies (and Mortal Kombat in general) have a problem with women portrayal in general. The target audience for them are MEN, potentially heterosexual men, who want nothing more than bloody gorey fighting scenes with occasional sex scene here and there. To achieve that, they need a female lead, an attractive, kinda kick-assish but not too much, to not overshadow the absolutely badass men characters. Girls tend to be “independent” (because God forbid they’d want to express interest in the male leads before the time is right), sarcastic, laid back and sometimes even bitchy. Because, you see, they are fighters. And they are Sonya Blade. They need NO MAN. They just need plot armor, bigger than America itself. And if they’re not Sonya Blade, they are... non existent. They are there, but they are never really there. Here, let me walk on screen for a couple seconds. Let me sit beside Very Important Male Character (aka Shang Tsung) for a couple of seconds, looking absolutely gorgeous. Let me have a fight scene in which I make choices so f*cking stupid there’s no potential explanation to it. I exist in this movie to make people that love me (this character) to come into theatres in hopes to see some good action and interesting plot.

Now, I wasn’t born yesterday, I know how the world works. It’S bEeN LiKe ThAt FoReVeR, gEt OvEr here iT. Yeah, it’s been like that forever and the result is a mediocre movie that pleases neither the casual viewer, nor the actual Mortal Kombat fan. I don’t know, there might be guys who just saw Kung Lao’s fatality on Nitara, thought to themselves “Neat” and went on with their lives. But I exited the cinema with a sour taste in my mouth, feeling like I’ve watched one of the “fighting genre” films based on video games that had nothing worth remembering. Well, besides Kano. He was my favourite part of this movie and I normally can’t stand the guy :’D

Would it really help if they changed the way the women were portrayed? I mean - is that the ACTUAL problem of the movie? No, women being the eye candy and barely something else (if they’re not Sonya Blade) are not the only problem it suffers from. It’s that MK has been going the same route, retelling the same goddamn story for the millionth time. It’s always THE SAME. The only thing changing is who’s gonna get brutally killed. But - of course - out of the “disposable” character pool. It’s never Sonya (because you need our female lead or else there would be no female characters in the story), who ya know could be killed by Mileena but magically WASN’T. Because Mileena FOR SOME REASON was like: Ya know what? Naaah. Even though Sonya’s from Earthrealm and is actively trying to stop you. If anything, kill her because she annoys you. BUT NAH. It’s never Liu Kang because he’s the Chosen One. But killing Kung Lao is fine, he can die so Liu can awaken or smth. It’s not the main character because how else can you portray THE MAGIC OF LOVE AND FRIENDSHIP? Ya, that’s what I thought, don’t even think about it.

You have an amazing universe, filled to the brim with SO. MUCH. POTENTIAL. Let go of the same boring plot line and show us Kombat from another perspective. Change something. F*ck, go all feminist route and make a story center around Mileena dominating the world. Try with different versions of the same story, making it center around different character each time.

SURE, YOU’LL PROBABLY LOSE SOME VIEWERS BUT TIMES ARE CHANGING, AND MOST OF US ARE TIRED TO PAY FOR THE SAME STORY OVER AND OVER AGAIN.

Part Two: Mortal Kombat Legends: Battle of the Realms

Jesus f*cking Christ.

To say this film was rushed is an understatement. While I was watching it, I was like: TF? Everything happens all at once, we have Kuai Liang-Scorpion story line, we have Outworld’s attack, the tournament, not to mention the final fight that should be whole another movie. I felt like no story line was properly laid out, some of the characters died before I got to even know them and the battles were... disappointing. I believe they needed to push this movie out so they squished in everything they had and just went with it.

But, again, this movie just repeats the same things as its live action version. Let me lay it down for you:

Kung Lao dies (because yes)

Sonya Blade lives (because yes)

Jade is just there (more of it later)

disposable characters are disposed of

Liu Kang is badass and always wins

You watch it and feel like you’ve already seen it before. Sure, gore is fine, human Raiden is precious and need to be protected at all costs and adrenaline is pumping (I guess).

BUT NOW.

You know what’s coming.

JADE.

My f*cking piece of sunshine, the gorgeous goddess of beauty and kombat, the woman who owns my heart.

She’s there for like not even a minute.

Words can’t describe how f*cking PISSED I am by this portrayal. These motherfrickers put her in EVERY SINGLE POSSIBLE SNIPPET OF THIS MOVIE. HER BATTLE WAS IN THE TRAILER, ONE OF THE SNEAK PEEKS WAS A SCENE OF HER AND KITANA.

TURNS OUT EVERYTHING I SAW BEFORE THE MOVIE WAS RELEASED... WAS EVERYTHING I WAS ABOUT TO SEE OF HER!!!!

THEY MADE ME HYPED UP FOR NOTHING!!!!!!

I know I’m not the only one riding this trolley. Li Mei was there just to be killed. Kung Lao had a f*cking single dialogue line and then BAM, fatality, buh-bye. But I was watching everything of this movie, being so enormously happy that I will finally see Jade in the movies, FINALLY! Only for her to be present in a single scene, get her ass kicked by Liu Kang (what’s new) and then she’s never seen again, even when the whole f*cking world is breaking apart.

Again. She’s just there. Ladies and gentlemen, one of the best Shao Kahn’s assassins, gets her ass kicked in fourty seconds. They NEVER let her speak ffs. She just spews some general villanous sh*t and proceeds to step on Johnny. Then, she just goes Observer mode as Kitana “betrays” Shao Kahn, gets tied to the column and then the world is ending.

WHERE THE F*CK IS SHE?!

If you hype me up for her every chance you get, at least GIVE ME what you’re advertising. This is a scam. This is criminal offense. And homophobic. She is more than a revealing outfit and Liu Kang’s punching bag. I’m SO. F*CKING. TIRED. OF THIS. SH*T.

Kitana. The rebellious princess of Outworld... turned damsel in distress in this movie. Her role is so effing bad it hurts me to my core. You see her as a general being so badass and independent... oh right, we need Liu Kang to save her because he needs to maintain his hero look. And we need two kissing scenes. How do we get there? Oh, right, let him save her, because you know - that’s what makes wahmen kiss you.

ARE YOU NUTS?!

The movie started just fine, with Kitana being in charge with her right hand, Jade. Then, obviously, they water her down and soon she is a princess in a tower (in this case, princess on a column) that needs her buffy sexy man to save her. Oh, and she can’t resist him - you know, every normal girl’s reaction to getting untied is to kiss a guy you’ve known for like a few hours but seen before and you’ve talked like three dialogue lines in total. Sure.

Kitana just gets the unfortunate role of a female main character. She’s Liu’s love interest and that makes her take the role of a strong (but surface level, only) woman who still needs her hero to free her. Classic damsel in distress story, with Kitana being the princess, Liu being the Prince charming and Shao Kahn as the dragon (lul). Of course, they try to cover this up by making Kitana a general, letting her win a few fights but it won’t matter in the end. Some say that women want to believe in fairy tales but the more I see fighting games’ lore, the more I say it’s the men who want to believe them.

Is it necessarily bad? No. But it’s boring as fuk.

I would like to ask the directors to stop being so afraid of upsetting the target audience. Target audience can change and sometimes it comes out better than originally planned. My Little Pony was designed as a child’s cartoon but it was the creepy men who made it reach the top. Morally? Questionable at best. But business is booming, right? And that’s what they care for, right?

All I’m trying to say is these days women and gays are the future.

Thank you for today, more to come. I’m going to rant about the Story Mode.

#Mortal Kombat #mk jade #kitana #nitara #mileena #battle of the realms #female #commentary #article #mortal kombat movie

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the-purity-pen · 3 years

Text

PTC: part v

Pairing: Marcus Moreno x Fem!Reader

gif by @pascalsky

Word Count: 2,312

Rating: PG

Warnings: sweet moments, little bit of angst.

A/N: here’s the next part! some reveals. did you guess correctly? @creativekat and i are having a blast writing this and we really do love this story and these characters!

Series Masterlist

You looked around the large rented ballroom and shook your head nervously. You had brought up the idea of taking the kids out on field trips to facilitate their learning and the Heroics school board had decided to hold a fundraiser to help take this from an idea to reality. You hadn’t imagined that they might opt to raise said funds by auctioning off dates with the Heroics themselves. Since the event would be opened to the public, it couldn’t be held at HQ (a logistical nightmare) so a local Events Center had been the next best option. Now, as you watched the room beginning to fill with people you could see why. This was, apparently, the event of the century.

Soft classical music was being piped in from speakers in the corners of the room as people mingled, getting drinks from the bar. Your students were all wearing black outfits and acting as greeters and coat-checkers so the gathering masses would see just who their money would be helping. You quickly realized, for some here, it wouldn’t matter where the money was going. A night on the town with one of the Heroics was a hot commodity.

Glancing over at Marcus, surrounded by half a dozen women, you understood the appeal. The urge to go over and rescue him from his adoring fans was strong, but you couldn’t do that. For one thing, as the teacher of his daughter and the other Heroics’ kids it was inappropriate. For another thing, you’d spotted your brother in the crowd and you just knew he’d have an opinion on your feelings for Marcus Moreno and you just didn’t want to hear it.

Wearing a suit and tie was really nothing new but wearing it that evening made Marcus super uncomfortable. Not that the women who were flocked to him would have complained. A few of them tried chatting him up casually but there were a few making comments about what their ideal date night would consist of. One of them even tried slipping him actual cash to try to rig the auction.

Marcus shook his head with a forced polite smile as he got more uncomfortable until his gaze looked out and found you. “Ladies, I have to go do my part in helping set up,” he explained with a slight lie as he gently pushed through them and walked over to you. His smile changed from forced to nervous as he approached you and leaned in to speak to you.

“What else is left to set up? Please tell me there’s something so I can keep myself busy,” he added with a soft chuckle as his eyes did a very quick, brief scan over your scan to take in your outfit. “You look beautiful by the way,” he commented quietly as he attempted a smile at you.

At his compliment you couldn’t help the heat that rushed to your face. You didn’t feel beautiful most of the time. Cute, sure. But beautiful? No. But, if Marcus Moreno was saying it maybe you needed to believe it. You shook off the exhilaration of the moment to focus on what he was asking. “Ummm, do you want to add the raspberry sorbet to the punch?”

The two of you walked to the end of the table where several pints of fruit-flavored frozen goodness had been softening and you handed him an ice cream scoop with a smile, “Thank you.” You giggled before adding quietly, “You look really good yourself. I’m sure you’ll bring in a lot of money.” You were surprised when Marcus blushed. A little thrill shocked your spine realizing you were the cause.

Missy cleared her throat getting the attention of you and her father, “We’re done getting all the coats hung up. We were wondering if we could get some snacks?” Marcus looked at you for the answer since you were the one in charge for this event. Nodding, you said, “You guys have done more than enough. You’ve earned a break.”

As she walked away, Marcus leaned closer, asking, “Are you going to bid on me?” His smile nearly melted you.

With a nervous laugh, you replied, “I don’t think that would be a good idea.” Marcus’ brows knit together in a frown as he scooped some of the sorbet into the punch bowl, watching it fizz as the softened dessert melted more into the liquid.

“Why’s that?” he asked, trying to conceal the slight disappointment in his voice. He was excited to participate in something that would help raise money for Missy and her friends and the school but he’d be lying if he said he didn’t see this as an opportunity to finally have you on a date night with him.

Just then, a clearing of a throat and a slap to Marcus’ shoulder caused both of your attention to break from one another. “Well, well, well,” Miracle Guy’s voice broke your concentration on Marcus and caused you to turn to look at him. You forced a smile as the blond male continued talking, “Looks like we’ll be in some pretty heavy competition tonight huh Marcus?”

The question seemed playful in nature but Marcus, and you, knew better. Any chance that Steven could show up Marcus, he would absolutely try to. You shook your head slightly and went to the other end of the table, suddenly feeling tension in your shoulders.

You absent-mindedly straightened a stack of napkins that were already pristine and watched as the two men finished their conversation. Was it too much to hope Steven wouldn’t press the subject with you? You watched as Marcus handled the other Heroic smoothly, then Miracle Guy, also known as your older brother Steven, approached you. Again, you molded a wobbly smile onto your face.

“How’ve you been?” The question was ignored as Steve glanced around before casting his imperious gaze on you.

“So, are you and Marcus Moreno going out now?” He said the other man’s name through clenched teeth.

With a shrug you replied, “No. What gave you that idea? Why would you think that?” Inwardly you cringed. You were never very good at hiding your feelings.

Steven picked up a small plate and helped himself to a couple slices of cheese, “I overheard the kids talking. Wheels seemed to think you were interested.” He popped some gouda into his mouth and then, “I just don’t want you to get hurt… and getting your hopes up that a Heroic like Marcus would… well, I’m just worried he’ll get bored, that’s all. I’m looking out for you.”

You scoffed. The way your fists clenched around the napkin you were currently holding, crumpling it should have been a sign that you wanted to punch your brother for being so rude. The guy hadn’t even had a serious relationship and yet he still managed to have a son by a woman he so-called loved. What did he know about love or relationships or even what it was like to be with you in a relationship? He had no right.

His name was called across the room and he gave you a pitiful smile. Your nostrils flared, trying to calm yourself before Miranda came up to remind you that it was just about time to start. You nodded, thankful that she had broken your frustration towards your brother. You walked with her towards one of the front tables as she kept walking to get onto the stage and welcome everyone to the event.

Marcus had watched as you and Miracle Guy talked, narrowing his eyes when you clearly got agitated. But, then Miranda had interrupted and the blonde hero had walked toward the stage. He yearned to go to you and take your hand, to make sure you were okay, but the event was starting and he had to join the other Heroics at the table reserved for them.

Miranda introduced the emcee for the evening, a local newscaster, and joined you at your table while the rules of the date auction were explained. Reaching across the table, she grabbed an open bottle of red wine pouring two glasses, “You look like you could use a drink.” She knew your family history, since she’d been on the interview committee when you’d gotten hired and you appreciated her support now.

Taking the glass, you smiled, “I shouldn’t let him get to me. I’ll be fine.” You glanced over at the Heroics table and saw Marcus looking at you. He smiled and you couldn’t help but smile in return, your heart fluttering in your chest. Your attention was again diverted when you heard the emcee announcing that Miracle Guy had pulled in $870 for the school and then Marcus’ name was being announced. Your stomach turned while the women around you all cheered wildly. You felt jealous of whoever won this date and watched Marcus walk up to the stage.

Marcus fiddled with his tie as he made his way onto the stage. His face felt hot even before he stepped under the hot stage lights. The cheering and hollering didn’t quiet down until the emcee shushed the crowd at least four more times. Marcus was smiling but he felt his palms get a bit sweaty. For a man who was constantly in the news saving the world, being in front of a crowd to be auctioned off for a date seemed to make him nervous.

His eyes squinted as he adjusted to the light and when he scanned the room, his eyes landed on you for a long moment. His breath caught in his throat, secretly hoping that you would bet on a date with him. Everything in his mind was trying to telepathically tell you to bid.

The emcee barely got his words out to start the bidding before the first few hands rose up, shouting $100, then $150 and $200 in rapid succession. There was a murmur of giggles and whistles as the emcee shouted out the bid numbers and kept trying to explain what a date night with Marcus would entail.

Your eyes couldn’t leave Marcus even after he had caught your gaze a few times. Your heart was hammering as you thought about the real possibility of someone else going on a date with him. The bids had gotten up to $700 and it was down to two people. Both of the women in question had been acting especially thirsty when talking to Marcus earlier.

Throwing caution to the wind, you raised your hand, “$750!” Every eye in the room seemed to turn in your direction with varying reactions. Miranda’s eyebrows shot up, but she grinned at you. The two other bidders glared in your direction. Your students all shared happy grins (especially Missy and Wheels). Steven looked disappointed and aggrieved. But, the only person who mattered to you in that moment was Marcus and he looked relieved and happy, a wide grin forming on his face.

There was some more bidding back and forth while you did math in your head trying to figure out how much you could actually afford. You really didn’t want to lose this. Finally, you bid $1390 and everyone in the room waited to see if either of the other two women would raise the stakes yet again. Finally, the emcee announced, “At $1390, the highest bid of the night so far, a date with Marcus Moreno to the lady at Table 4!”

Breathlessly you leaned back in your seat then gasped, “Oh my God… what did I do?” Marcus was just as breathless as he heard the applause and watched your face as he finally stepped down from the stage.

As he approached your table all eyes were on him and subsequently, you. He stood in front of you, towering over your sitting frame and you audibly gulped at the impressive broadness of him. "So a date it is," he said quietly as he sat down in the chair next to you.

His heart was hammering as he placed his hand over yours and patted it gently before looking back to the stage to see Mrs. Vox coming onto the stage to be bid on.

Off to the side, Steven was furrowing his brow at you and Marcus, trying to see if he could study what your lips were saying to each other. His nostrils flared slightly as seeing how relaxed and comfortable Marcus was around you. Almost as if you had been together already.

You could feel your brother’s eyes on you, and you were sure he suspected you’d lied to him about your relationship with Marcus earlier, but you ignored his glares. You had bigger things to worry about right now. Like the fact that you’d just paid an overwhelming amount of money to go on a date with the parent of one of your students. You’d never crossed the line like that before and the fact that you’d done it this time had you reeling.

Not to mention the fact that he was a Heroic! Growing up powerless in a family full of superpowered people had always made you feel like an outsider in your own home. And they hadn’t done anything to dissuade you of that notion. If anything they’d made it worse, amplifying the sense of inadequacy you’d experienced.

Glancing over at Missy, who was trying to hide an enormous grin, you remembered the talk you’d had with Marcus at the Parent/Teacher Conference. She was, essentially in the same place you’d been back then. But, Marcus made her feel loved and accepted for who she was. As you moved your gaze away from your students your eyes met Steven’s and you gave him a determined tilt of your chin before turning back to Marcus.

Leaning forward you whispered, “I can’t wait.” Then kissed him on the cheek.

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wispforever · 3 years

Note

if youre still doing the character thing, how about spirit or marie?

I sure am. How about Spirit And Marie? Both wonderful characters. I’ll do Marie first, then Spirit. Thanks for the excuse to infodump, really. You people are too kind.

Marie Mjolnir

My first impression of Marie was the same impression I get of most female characters in anime. It’s either “why do their clothes have to look like that” or “oh god here comes the obligatory sexist heteronormative romance”. For Marie, it was more of the second. They mention in the same episode she’s introduced that Stein is her “first love”, which told me that if she had a large place in the plot, her assigned male counterpart around which to orbit would be him. Though I’ve never read the Soul Eater manga, I believe they do end up getting together there (I could be wrong). Whatever the case, I was relieved that Marie’s and Stein’s relationship (though heavily implied to be romantic, at least on Marie’s side) was left open to interpretation in the anime. I’m just very sick of cool badass female characters like Marie being reduced to the man they pine after. So, I guess my first impression of Marie and my impression of her now are largely the same. While I appreciate the moments we get to see her strengths and ability to operate on her own, I do think that her character really suffers because of the whole sexist “oh gosh all I want is to find a husband and retire” “oh my I have to take care of Stein” like okay, I had enough at the cat girl smothering Soul with her humungo-tits. I had enough at sexualizing underage girls and women in general. I had enough at making sexual harassment a punchline. That being said, when we push all of the shitty writing to the side, I admire Marie for her strength and how she interacts with the children, Crona in particular. Which leads me to my favorite moment(s).

The relationship Crona and Marie have interests me the most, since I’m really drawn to the parallels between Marie and Medusa. As parental figures (and as characters), they’re about as different as you can get. As Crona’s mother, Medusa is obviously abusive. Along with being negligent, she abuses Crona mentally, emotionally, and physically. In general, Medusa is a person who doesn’t appear to value interpersonal relationships, putting it nicely. She instead is more focused on her own interests, often to the detriment of those around her. Crona is Medusa’s only immediate family (besides Arachne who she is estranged from), and so they suffer the most from her refusal to show even a shred of human decency or warmth. They suffer especially because they are her child, meaning they’re stuck with her essentially, and repetivie abuse between family members like a mother and child often becomes complex because of the necessity of having a parental figure in your life to support you as you grow up. Medusa teaches Crona that their boundaries don’t matter and that they are only good as long as they are useful and do as they’re told. This is what makes Marie’s influence on Crona so cool to watch. Marie is caring by nature, loving and nurturing by nature. Her very wavelegnth is healing. She is kind and does what’s right reflexively. Marie is the exact embodiment of what Crona always needed but what, even upon being rescued by the academy, still felt so foreign to them: unconditional love. Crona struggles to understand why the other kids helped them, why Maka felt the inclination to stop their battle and save Crona instead by trying to understand them, why the kids are still so kind to them even after everything. They do not understand that love is not a bargaining chip. It isn’t leverage in an argument. It’s not a tool for emotional manipulation. Love is caring for the people close to you, just because. Love for the sake of love. The other kids and teachers at the academy are the ones who are able to pull Crona out of all Medusa’s lies, and Marie is a Huge part of that. Even though I have greivances with this being the largest part of her character and what that implies for female characters in general, it doesn’t stop being so beautiful to me that she could help Crona heal in this way. Marie = best mom for the win

Most of the story ideas I have for Marie involve her relationship with Crona or Stein. Say, this covers my unpopular opinion too. I don’t like Stein and Marie as a couple, but I really enjoy writing them as friends, because even though I don’t really jive with them being together romantically, I think their dynamic is an interesting one to explore because they Are so different.

Getting into that a little bit more, I’d like to start by saying I don’t care if other people like Stein and Marie being a couple. That’s great doods, keep doing you. The fanart’s adorable, the meta’s fantastic. Whoever you are, SteinMarie shippers, ffs keep kicking ASS. This is just my preference and opinion. Zero shade in this house. That said, because of my frustrations about Marie’s character I discussed in the first paragraph, I don’t like the idea of her and Stein being together romantically. It’s really a classic sexist trope: the troubled man and his sweet nurse. I’m also just fed up in general with the hetero-nonsense, so there. However, they are both wonderful characters that I enjoy very much seperately. Also, I think it’s worth mentioning that I’ve only seen the anime, so I can’t speak for the manga as far as their relationship or Marie’s character in general.

Oh shit I accidentally already talked about this one lmao [see the second paragraph]

One headcanon I like to think about when I’m writing Marie is that she likes women (in addition to men or not) and she struggles with comphet. Just something interesting I like to think about. It’s really fun for me to take characters who have been written as pining or had 10 million failed relationships and be like “say what if they can’t find a husband cuz really what they really need is a wife”. I’ll talk about that more with Spirit inevitably.

Spirit Albarn

My first impression of Spirit, obviously him being a cheater, really came with a lot of distaste. I come from a family that was torn apart by infidelity, among other things, so it really rubs me the wrong way. However, his saving grace for me was that he genuinely loves his daughter. It appears that, whether it’s played for laughs or not, he just can’t find fulfillment in his romantic relationships. The reason is left up to the veiwers. Spirit, ultimately, is not just a shitty person, which is how most cheaters are protrayed in media. “Well, they cheated because they don’t care if they hurt people”, “they cheated because they are shit and that’s it”. That’s a fine explanation if you plan to do nothing with whatever character you’re describing, but Spirit is relatively recurring and is shown to be neither mean-spirited or emotionally unintelligent. It bothers me that his cheating and routine sexist behaviour isn’t taken seriously enough to be a subject that Soul Eater tackles and deals with. But that’s fine. I’ll just do it myself. At any rate, I still feel that same way about Spirit’s character, but I find it intriguing that he seems to genuinely want to become a better father and is actually a pretty good dad when it comes to his interactions with Maka. If Soul Eater had been brave enough to develop him more, maybe delve into the reasoning behind his impulsive romantic affairs, I think Spirit as a character could have been done more justice. It seems to me that he could be suffering from some of that wonderful compulsory heterosexuality that I mentioned before, then becoming confused when the woman he claims to love leaves him feeling empty. Rattling my gay little cage

When I think of my favorite moments with Spirit, I think of his moments with Maka, but I’m gonna hold off on that until I get to favorite relationship(s). In reference to what I talked about in the first paragraph, one moment I find really interesting when I’m thinking about my interpretation of Spirit’s character is the scene where he and Maka are on the roof talking. Maka asks Spirit why he cheated on her mother if he did, in fact, love her. He doesn’t appear to know the answer, and he doesn’t really understand how to effectively communicate that, though he was shitty husband, what he really wants now is to try and be a better dad. We hear his inner monologue, and he says something like “I love you [Maka] and your mama. That’s the truth. That’s the truth. That’s the truth.” Every time he says “its the truth” it sounds more like he’s forcing it. This is actually something that is SO strange to me. Even if I didn’t project a queer narrative on to the characters I love, I would look at this and be like “huh that is a Weird thing to say in that specific way”. Why does he say it like that? Why does he have to say it more than once? He’s only talking to HIMSELF. It isn’t like he’s trying to convince Maka. Why does he have to convince himself?? Could it possibly be because he’s reached a conclusion about his romantic/sexual orientation that he’s been trying to swallow his Entire Life??? makes ya wonder, doesn’t it, queers?

Just like I said when I talked about Stein, most of the stories I have in mind with Spirit center around that sweet gayness. But also, I like to think of ways Spirit could come to terms with his sexuality, how it might have affected him when he was young, his relationship with all these women, with his wife. I love to think about him being a dad at 18 and trying his best, but how much responsibility that must have been. Lots of great ideas when it comes to Spirit.

Um? unpopular opinion would be all the standard like I said with Stein lmao. “Oh no!” scream the heteros, “that they/them on tumblr is making Soul Eater queer we canst not allow that in our church!!!111!” But besides that, maybe even the fact that I think he’s redeemable?? Idk most everyone I’ve met thinks Spirit is funny at least and just calls him a dumbass and a slut (affectionate). Doesn’t mean anybody thinks cheating on your wife 56 times is okay so. I like this fandom, it’s chill here. My favorite is when I see my art tagged like “aw the stupid man and his crazy bf” like YOU ARE RIGHT

My favorite relationship when it comes to Spirit (besides Stein cuz if I start talking about them again I’ll never finish this ask) is the one he has with Maka. If you can call it a relationship lol. I guess I just find Spirit’s approach to Maka as a parent really refreshing. Not that the parents in other shows don’t love their kids or whatever, it’s just that the loving parent always seems to be paired with some other trope that makes their character hard to approach. especially in anime. Like the perfect mother who dies in the first episode, and we spend the rest of the show mourning her. Or the father whose love is somehow everlasting even though he’s never home. It’s really the fact that Spirit is even THERE that I love. He knows what Maka is up to. He talks about her. He’s invested in her life, and he loves her. All he wants is to spend time with her, and though he’s sad when she turns him down, he doesn’t push her. god dammit I just like a dad who actually loves his kids without all the usual strings attached like. oh my kids are a huge pain in my ass, but I love them in spite of it. oh i’m a man so can’t relate to my children in a meaningful way but i try. Get the fuck outta here with that shit. I want all the dads to get so happy when their daughters wanna hang with them that they throw up like Spirit. Give me the guy who loves his daughter so naturally, whose daughter is such a huge part of his life, that it doesn’t even occur to him stop trying even if she literally wants to murder him. That’s Spirit. jfc

To end with a cute little headcanon, I really love to think that when Spirit gets older and starts losing the color in his hair, instead of getting white or grey, his hair turns a pale pink color cuz he’s such an aggressive redhead. Wouldn’t that just be adorable? late 30′s, early 40′s, Spirit starts getting little pink streaks in his hair and then bam. Little pink old man Spirit XD

There ya have it. Thanks for the ask, and feel free to send more.

#Soul Eater #Ask #Ask game #anon #Marie Mjolnir #Spirit Albarn #this is wisp

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char-lotteral · 3 years

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I agree with Kishimoto never trying to use the girls. The hate they get is not fair. I used to defend Sakura back in the days because I hoped kishi would do her justice. When shippuden started I WAS SO HAPPY because I thought this was the start of something great for Sakura and the girls but NOOOOO. Every time, Sasuke showed kishi turned her brainless. If you compare Naruto's actions and Sakura's actions to sasuke, you'd see they're completely different. What's up with that weird fake love confession scene 😭? It makes her look like she was manipulating Naru. JEEZ.

Also he literally had badass Tenten and Temari with cool useful abilities and he didn't use them ?! TF ?! Thank god for modern authors who treat their characters with respect :)

okay2 you know how i am with these longass rants so click readmore and brace yourselves

The way I see it, Sakura's character development in shippuden was always one step forward, two steps back. She gets this really badass scene (like her fight with Sasori and those cool ass medical skills) but is then regressed back into a pining girl in love every time Sauce is on screen or Kishi just throws her in the background YET AGAIN.

I love Sakura's abilities actually. Her brute strength, intelligence, vast knowledge and skill as a medic nin. But what I dislike about her character is how kishi handled her feelings for Sasuke. Naruto and Sakura's obsession with Sasuke was so???? huh??? it was so damn toxic and i never once understood why both Nardo and Sak were so obsessed with him. They were a team for one year???? I mean its great that they care about him alot but Sauce's feelings were kinda valid. His freakin clan died. Id go batshit crazy against my own village too. BUT BESIDES THAT. Both Nart and Sakura's Sasuke obsession was so annoying. 80% of shippuden was literally Keeping up with the Uchihas or Naruto yelling SASUKEH. BUT what irks me so much is the fandom's double standards with both Naruto and Sakura. "Oh Sakura shouldve gotten over her Sasuke obsession" but then turn around and call Naruto's obsession cute and gush about how he's so in love with him!!

Hot take but the only reason why sasunaru is "the most developed ship with the most chemistry" is because theyre both male characters.

I guarantee you if Naruto was a girl and SHE would be the one to have this unhealthy obsession who was chasing around Sasuke, the fandom would shit on Naruto just as much. And if Sasuke were a girl, Sauce would be sidelined like the rest of the female cast and Naruto would have another male character to have a "brotherly bond" with, because thats the only bond Kishimoto is actually good at developing. Yey for male characters having all the screentime and cool assets <333

And about that confession scene, I get her intentions. I really do. I understand that she did that in order to bring him home and that she cares about him but honey, w-why?? Why lie to him about your feelings?? Supposed he DID believe her, then what? then what kishi???? huh??? Some of her fans point the blame on Sai or whatever but I personally dont see why that scene was at all necessary. Maybe to establish Naruto's feelings for her wasnt all that serious? or his maturity? idk man. That scene was such a clusterfuck.

In the end her development in The Last and in Boruto was immaculate. She had one of the best glow ups in the old gen and ironically enough, her character wasn't butchered in Boruto. She got badass scenes she was cheated from in shippuden. I also love how she's finally getting the spotlight she deserves. Unlike the other konoha 12 :,)))

Okay onto the next female character that Kishi completely wasted. My baby. My light. 🙈 AAAHHH HINATAA.

I DONT EVEN KNOW WHERE TO BEGIN OKAY2 DEEP BREATHS.

Let me just establish this real quick. Hinata's goal was to get stronger because of Naruto, her goal was never to be with Naruto. She wanted to become someone who is worthy enough to stand beside him, someone whom he can consider as an equal, as a partner. She NEVER once said "marrying Naruto-kun is my all time goal UwU" (if youre one of those weirdos who interpret her character that way, youre immediately invalid, go take a hike)

I personally dont have anything against their crushes but to the point of making their personalities revolve around these guys every time theyre onscreen is so fucking frustrating. And with the way he writes their dialogues is so.damn.cringey. Like that one scene in the war arc with Tsunade and Madara

"I mAy bE a WomAn but I aM nOt WeAAKKKK"

BAAHAHAAHHA WHAT?? Everyone else gets coolass monologues and one liners but thats the best you can come up with Kishi?????? Hilarious.

If im being honest. Hinata's character is actually kinda well written. Not well executed. Dear God no. But with the way he set her story, her personality, her chracterization. She's honestly one of the best written female characters on the show. IMO. By Kishi's standards of writing women ofc. She's hands down one of the most complex characters. Her shy personality wasnt out of the blue, it wasnt a cutesy waifu trait. Her abusive upbringing made her that way. Her trauma turned her that way. So yeah, sue her if she looked up to Naruto as an inspiration when everyone else in her family treated her like dust. Shit on her for having Naruto's love light in her dark when her own damn father wouldnt even look her in the eye and her entire clan shunned her because she was "weak." She doesnt owe her family shit so idgaf what they do with the Hyuga clan. Neji and Hanabi aren't included btw

Im not gonna deny that her role in the show was only as the love interest but tbh for a love interest, Im glad her character wasnt so one dimensional. It just pains me SO MUCHHH how fucking wasted she is. Every time she's with Naruto, they always make her into a damsel in distress. They always feel the need to turn Naruto into the heroic prince. How cute.

LIKE THAT ONE SCENE IN THE LAST WHERE SHE'S THROWN IN THE CAGE?? WHY??? LET NARUTO AND HINA FIGHT THAT FREAKING ALIEN GOD TOGETHER. QUIT WITH THE TOXIC MASCULINITY. WE GET IT. NARUTO'S STRONG. GOOD FOR HIM. NOW LETS SEE HINATA THROW HANDS AND PUT NARUTO IN THE CAGE GODAMMIT

Hnggggg dont get me started with her role in Boruto. She's as relevant as a damn houseplant in the manga. They made her into an invisible trophy wife and "the mc's mother" and we all KNOW what happens to the shounen mc's mother once mc is in need of character development :) Quit putting her in the background. Give us that scene where she won against Hanabi DESPITE being retired for years. Give us that scene where she trains Boruto. GIVE US ANY FIGHT SCENE OF HER WHERE HER POTENTIAL ISNT WASTED WTF?¿

Now if you say that Hinata didnt have development. YOURE INVALID. She came from an abusive household, the shyest girl in her class, her insecurities got in the way of her own confidence, had difficulty of standing up for herself now became a loving mother of two, has the guts to kick her husband out of the house(with whom she couldnt even keep eye contact with when she was a kid) became the strongest hyuga, most supportive wife and mother, and has given her kids the comforting childhood she never had as a kid.

She has one of the most beautiful stories in the show and if you think her personality is only Naruto-kun and big boobs, then im sorry that you cant appreciate such a heartwarming story.

And I agree, killing her would honestly make me feel more at ease than continue to see her suffer because of godawful misogynistic writers. But at least let her die in an epic fight. Please. PLEASEE. She got nerfed so bad, i feel a physical pain every time i think about it

Okay what else. I think Ino got pretty good development. Another wasted potential in shippuden but she's doing good for herself in Boruto. I dont know what Temari is up to. They basically made her into another classic angry mom who beats up her husband for comedy trope. Haha very funny and original! Im not sure with her career, im not that invested in the anime.

Tenten??

oh G O D Tenten. The dirtiest of all. Her jokes about her screentime is so mean and i hate that its true ahsjhs. She was the only female character in OG who's goal wanted to be as strong as Tsunade but what did Kishi do to her?? Sidelined. Forgotten. Irrelevant. Like every damn female on the show :D

Konan shouldnt have died. I blame plot armor. I know in my heart that Konan wouldve kicked Obito's ass if it weren't for Kishi's boomer mindset.

Tsunade had so much hype when she was introduced but died down in the war arc. Madara wiped the floor with the kages. Holy shit. Not only that, but yipee! Naruto is there to save the day AGAIN!!!!

AND UGHHHH If the female characters were given proper treatment then maybe MAYBE all the endgame couples wouldve made fucking sense????¿¿¿

I think that ends my rant. Im not sure how the female characters in Boruto are handled. Except maybe Sarada (she's pretty well executed in the manga imo). But arguably they are sooo much better handled in Boruto than how the old gen girls were. And thats because Kishi isnt anywhere near the new gen female cast. I cant formulate a solid opinion with the other new gen female cast since im not entirely invested in the anime. Not ashamed to admit that I only watch it for the sunshine moments and for Hinata :DD

#and *scene #salty char.txt #char complains about Naruto AGAIN #yey #please end my suffering #i need to leave this fandom what am i still doing here #naruto #day 202 of WTF KISHI #i think i got that out of my system

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gavillain · 3 years

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Top ten princesses!

*rubs hands together* Alright, let’s rank us some Disney princesses. Technically there’s only four others who aren’t gonna make the cut buuuut they’re the four I don’t really like XD

10: Pocahontas (Pocahontas)

With Pocahontas, you can very clearly see the behind the scenes "self-consciousness" of the filmmakers baked into her character writing. Pocahontas was Disney's big attempt at Oscar gold, trying to tell a Big Important portentous story while also grappling with trying to make Pocahontas as inoffensive as possible. The result is a character who is kind and likable enough, but also kind of wooden. The historical accuracy value is practically nil, and Pocahontas as a character and a movie comes off worse and worse with the passage of time. All that being said, I think Disney did the very best job they could with Pocahontas given the situation she emerged in. They created a character who is likable, free-spirited, a strong believer in justice and unity, and a character who leads with empathy and courage at the forefront. If nothing else, Pocahontas is a strong role model for little girls to look up to, and her love story with John Smith is one of Disney's most mature love stories as well, so there's plenty for older fans to enjoy as well.

9: Mulan (Mulan)

Mulan is counted as a Disney princess because they don't have any other Asian princesses and they wanted a more diverse lineup. That's the reason. Y'all can stop pretending not to know now. But with that strange categorizing, Mulan is weird fixture of the princess lineup any way you look at her. Mulan, for me, both as a princess and a movie, has always been just kind of there. A lot of people passionately love it, and I get that completely. A lot of people tear it apart, and I get that too. Mulan is a great girl power character, and her resourcefulness and cleverness being her defining trait is excellent. Her internal turmoil over her identity is perhaps more poignant here than with any other princess, and Reflection still stands as one of the greatest Disney songs ever written. That said, Mulan's defining character flaw being clumsiness and awkwardness and this being why she has such internal turmoil about fitting in just makes her come off as a bit hollow to me, and I feel like there was a better route to take her. After how surprisingly good an LGBT take on her worked over in Once Upon a Time and how much better that informed her feeling like an outsider, it just made the animated version come off as weaker on the internal side to me. Good character overall, though, and I do really like Mulan.

8: Moana (Moana)

Moana has a similar situation to Mulan where she's not really a princess but she gets shoehorned into the princess mold because they have nowhere else to put her. She and Mulan are Disney heroes, and they have different expectations for that reason. All that being said, Moana is easily the best of the Revival era CGI princesses. For one thing, while she has a bit of the Revival trend of modernizing the princesses too much, they don't make her overly adorkable to make her relatable (... “overly” being the key word; she’s not exempt). On the contrary, Moana is written very much like a person. We see Moana grapple with the weight of duty both to her people and to the world as a whole. Her story is one of trying figure out whether it is better to chase the unknown or to follow the tried and true. And I like that. I also really appreciate how Moana wins the final battle with empathy for the monster, and that's what makes her unique. The whole "Know Who You Are" musical number is legitimately one of the most powerful moments ever put into a Disney film too. My biggest issue with her actually comes from Maui whose constant meta quips and spotlight stealing tends to undermine Moana's character a lot and takes away from some of her moments that I wish hit harder than they do.

7: Jasmine (Aladdin)

Jasmine is the only princess in the lineup who is not the main character of her movie. On the contrary, she's the love interest of the main character and more of a supporting player in her film. She doesn't even get a solo, something every other princess, save Merida who isn't in a musical, gets. As a result of this, Jasmine isn't really as strong in her own right as several of the other princesses. But she's still awesome. She has a strong internal life and vibrancy, and the way her character revolves around a longing for freedom and the way that compares to Aladdin and the Genie makes her really come alive and work well within the context of the film. She's also clever, resourceful, a self proclaimed fast-learner, and someone who never allows her voice to be silenced. Yet even with all her strength, she's allowed tender moments of kindness and gentleness to show that there's another side to her. Also the TV series and sequels expanded on her character in a wonderful way.

6: Tiana (The Princess and the Frog)

Okay, yes, Disney's first black princess being a frog for more than half the movie was a bad creative decision on their part that wasn't a good look. But for Disney's first black princess, considering the company's history with race issues in particular and how self-conscious a lot of their princesses of color have come off, I think a lot of people underestimate just how good Tiana is. Tiana is vibrant and full of personality without every coming off as a stereotype or as anything less than dignified and admirable. She's hard worker, but she never comes off to me as trying to be "look how much better I am than the other princesses." She lets her actions and her character speak for themselves. I like that her arc is actually about finding a healthy balance between storybook love and wishing and hard work and determination. She's a woman with ambition, but she also learns to make time for a bit of fairytale fantasy and the things that really count like love and friendship. Also, just major props to Anika Noni Rose for making Tiana so damn likable and fun to follow.

5: Aurora (Sleeping Beauty)

And now that we're in the top five, we start getting into the classics. Aurora gets an unfair reputation as a basic boring princess who needs a man to save her and has no value of her own. But with Sleeping Beauty being an adaptation of ballet in particular, that's really missing the forest for the trees. Sleeping Beauty was envisioned by Walt as the pinnacle of animation, an animated film that would stand tall in an art gallery, and you can see that very much at play in Aurora. From Marc Davis's absolutely stunning animation on her to Mary Costa's beautiful vocal work in blending with the musical stylings of Tchaikovsky, Aurora is, more than any other princess in the Disney lineup, a piece of high art. She's written deceptively simply to allow for the animation and the music to convey the brunt of her character. And, when you get right down to it, Aurora is, like art, designed around the emotions of the piece more than specific character quirks. Yet the essence of her kindness, of her grace, and of her sly looks and shrewd coyness is all right there in the character. She also pretty perfectly encapsulates the emotions and feelings of young love, and I think there's a lot of value in that portrayal as well.

4: Ariel (The Little Mermaid)

I used to give Ariel a hard time in the recent past, and I fully regret allowing certain sects of discourse to color my view of her. Ariel is an amazing character, and an excellent princess. One of the things that has struck me, revisiting the movie as a gay adult, is just how queer of a story Ariel's is. Hans Christian Anderson wrote the original in response to male lover of his, openly gay Howard Ashman was a major creative driving force behind the story, and openly gay animator Andreas Deja brought to life the visceral Grotto scene based on his falling out with his own father. There's queerness baked into the fabric of this film, and it shows itself clearly with the narrative of a princess who is unhappy with her home life and has a forbidden love that she must hide away from her own family and then must undergo the process of evolving into the version of herself that she wants to be in order to satisfy the love within herself. She gets dismissed as being just a rebellious teenager, but there's so much more to her than that and she hits home to so many people for that reason. Also, Jodi Benson's incredible voice work and the writing for her makes Ariel constantly a vibrant and interesting character who I feel like we get to know better and more intimately than almost any other princess.

3: Cinderella (Cinderella)

Though, much like Aurora and Ariel, Cinderella gets an unfair reputation as weak and needing a man, that couldn't be further from the truth. Cinderella is an abuse survivor who keeps her dreams, optimism, and kindness alive even in the face of crippling despair and misery. She's a woman who fought a daily battle just for the right to keep existing, and while the Fairy Godmother gave her magical assistance, Cinderella earned her happy ending herself. I just have to admire how she embodies patience and kindness while also still being strong in her own way. She's not a masculine warrior action figure; she's very feminine. Yet she finds strength in her femininity without relying on sex, and I just think that's wonderful. I also really love how much personality and humanity they filled Cinderella with without going overboard or making her into a parody of herself. Cinderella maintains the grace, poise, and beauty of a princess all while having so many little quirks and traits that make her feel like a real woman. Also, it must be said, Cinderella III is still the best Disney sequel, and I love how it expands upon her and gives her new opportunities to prove herself all while maintaining the core kindness and strength of her character.

2: Snow White (Snow White and the Seven Dwarfs)

The one that started it all and still a radiant joy of beauty and kindness, Snow White is everything a princess should be. Like Cinderella, Snow White shows that you can survive abusive situations with your positivity in tact. In fact, Snow White goes one step further. She shows that "there's no use in grumbling when raindrops come tumbling; remember you're the one who can fill the world with sunshine." She's a beacon of hope and positivity who shows that compassion and kindness are the true virtues that deserve to be held as the most precious. She also shows the importance of found family and finding a loving support system that is right for you even if that's not your actual family members. In addition to all that, Snow White is great for being full of personality and having a vibrancy to her. She meets the dwarfs and immediately begins to take charge and to hold them to the standards she expects. She's never afraid to make her voice or opinion heard, and she's also got a playful teasing side to her that shines through. While her film is a heightened reality, she still has a core realness to her that makes her plight and her adventure feel all the more immersive for a viewer.

1: Belle (Beauty and the Beast)

But my favorite princess is always plain to see. While I love many of the other princesses, none quite hit that same sweet spot for me that Belle does. Belle is an outcast. She's a well read and intelligent woman more concerned with books and ideas of adventure than she is with the types of things she's expected to be concerned with by her small town. According to the townsfolk, she should be only concerned with getting married to a handsome man and being his doting little wife. However, Belle has absolutely no interest in taking part in any of that nonsense, and because of that, the people of her hometown write her off as odd or crazy. Many of us have been in a similar situation and felt excluded from society because we were somehow "not normal." Whether it was for our sexualities, our weight, our skin color, our religious beliefs, our over abundant love of comic books, or what have you, many people out there feel alone and ostracized. Yet Belle is that shining beacon of someone who lives her authentic life no matter what the world around her thinks, and that can give courage to others who relate to those feelings. Belle inspires the Beast to change to be better for her, not because she can break a spell, but because she sees the true beauty inside of him that no one else ever had. Some of my favorite types of heroes are those individuals who see the good inside of everyone. Those who give everyone a fair chance, especially to those who were never given a chance by anyone before, are the type of heroes we need more of in real life. No she can't fight off villains or complete daring feats of physical prowess, but she doesn't have to do those things to make a difference. She can save an entire castle by goodness and compassion alone. Paige O'Hara really does a fantastic job filling Belle with personality as well. I love that her voice work conveys confidence and strength, but also has moments of gentleness and vulnerability. She's allowed to have a range of emotions and certain spunk that is nothing short of endearing. Special mention must go to how excited and energized O'Hara plays Belle as getting when she talks about her books and stories. You really get the sense that reading is Belle's passion, not just something she enjoys. There's a real sense that Belle experiences the world around her fully and vigorously, and that adds to the charm of her character that makes her, for me, the most likable and best of the Disney princesses.

#disney princesses #Belle #Snow White #Cinderella #Ariel #Aurora #Princess Tiana #Jasmine #Moana #Mulan #Pocahontas #marciabrady #I also just did the lineup princesses otherwise Eilonwy and Meg and Esmeralda would have ranked

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heavencollins · 3 years

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Top 10 Films of 2020: Part One

2020 was a rough year for a lot of reasons, but even more rough due to the lack of an existent film industry for over half of the year. Sure, there are small productions happening and movies being released on VOD, as well as some in theatres, but so many great films were pushed back this year—movies I was excited to possibly have on my top ten. Minari, Promising Young Woman, Zola, The Green Knight, Saint Maud. Okay most of those are A24 releases but A24 literally released next to none of their slate for this year and it’s one of the most disappointing things to happen in the entertainment industry in my opinion.

Alas, I still found cinema through streaming, paying $20 for a VOD rental, and those amazing $1.80 rentals from Redbox (remember when they were only a dollar? because I do). And honestly? It was probably the hardest time curating a top ten that I’ve had in a long time; with so much just available through the internet and owning every single popular streaming service, it was both impossible to watch everything I wanted but also since I watched a lot of what i wanted, I ended up loving most of it. For a year that was so dismal in every other way possible, the films that were released ended up being a shining light more often than not. Of course, like every other year, a lot of hot garbage came out too, but that isn’t the focus of this—the great, amazing, can’t believe these are real films.

So let’s start from number ten. This was my first and only $20 rental this year, starring a man who I personally admire: Pete Davidson.

10. The King Of Staten Island, directed by Judd Apatow and written by Judd Apatow, Pete Davidson, and Dave Sirus.

Judd Apatow is one of the first directors who I watched religiously, and hearing that he was doing a film with Pete Davidson that was essentially based on Davidson’s life meant that I knew I’d have to watch it. Scott, played by Davidson, is a twenty-something with no direct path in life; he lives with his mother, his sister is going off to college—something he never attempted—and he has no real career. His father died in a large building structure fire, much like Davidson’s actual father, a firefighter who passed away while responding to the twin towers during 9/11. Scott is emotionally a wreck, plagued with depression and anxiety, a chronic weed smoker, and dreams of being a tattoo artist that he practices by tattooing his group of rag-tag friends, but none of the tattoos are very great.

The thing about an Apatow film is they border the line between comedy and drama very well, kind of a complicated little dance. But, King of Staten Island is very much a drama more than a comedy. Bill Burr plays Ray, the father of a kid that Scott tattoos earlier on in the film. Ray comes stomping up to Scott’s mother’s house, and Margie, played by Marissa Tomei, opens the door. It’s essentially love at first sight. She hasn’t dated since Scott’s father passed, and to make matters worse, Ray is also a firefighter. This complicates emotions for Scott, as he loves his mother but also doesn’t know how to deal with the feeling that his mother is finally moving on and may face heartbreak again.

Davidson puts it all on the table in this film. It’s poignant and realistic; at the start, Scott is driving down the highway and closes his eyes, way longer than you should. It sets the tone from the start that this man isn’t okay, but also he’s scared of dying because as soon as he opens his eyes again and sees he may be about to crash, he quickly panics and readjusts his wheel. This struck a chord with me as most people know that Davidson has struggled with suicidal thoughts in the past. It’s a beautiful film that memorializes both how much Davidson’s father meant to him, but also the cycles of grief and trauma that last throughout your life.

9: Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn), directed by Cathy Yan and written by Christina Hodson.

Suicide Squad is one of the worst movies I’ve ever seen period, fact. Birds of Prey is one of the best movies I’ve ever seen period, fact. I never, ever, ever thought I’d see a day where a DC movie was in my top ten, but this year anything is possible. Birds of Prey is a display of feminism, badassery, and all around perfection. You jump right into the story, hearing Margot Robbie’s classic Harley Quinn voice laid over an animation showing what we missed in her life so far, which means you don’t have to have any previous knowledge of the other films. Birds of Prey is meant to stand alone from any other movie preceding this one, and that’s just part of why it’s so great.

This film knows not to take itself too seriously. Margot Robbie is a dream as Harley Quinn, using just the right amount of playfulness to put a little edge on her, while also maintaining the manic-panic-pixie-dream-girl effect. Perhaps the best scene is when Harley goes and purchases the perfect egg breakfast sandwich, and then she drops it, causing a dramatic slow motion effect that proves she really does love that sandwich more than anything in the world. Or her realistic apartment, nothing truly fancy, just a little hole in the wall above a rundown Chinese restaurant. But then she has an amazing ensemble of other women actors around her, which are what really uplift her performance.

The funhouse fight scene at the end may be the best in superhero movie history. I mean, I guess, is Harley Quinn really a superhero? She’s kind of the anti-hero, which is what makes her so great. She’s somebody who isn’t even close to perfect but she still succeeds and tries to help and uplift the other women on her team. There’s just something special about this movie that made me smile and laugh the entire time. It’s a reminder that it’s okay to have fun every once in a while.

8: The Assistant, directed and written by Kitty Green.

For those who don’t know, I work as an assistant during the day for a small business here in Vermont. The work is mundane but it’s a job that’s giving me experience for the future. In The Assistant, Jane, played by Julia Garner, is an assistant to a “powerful entertainment mogul.” She gets lunch, answers phones, is the first one into the office, the last one out of the office, finds herself overshadowed by her male counterparts and getting the majority of the “grunt” work, and becomes more and more aware of what’s really going on at this office throughout a day in her life.

What’s interesting about this film is nothing is ever seen; everything Jane starts to feel is just based on intuition. Her boss is tricky, finding ways to keep his abuse of women out of the public eye, out of the eye of any female employees. This is obviously in response to #MeToo, Times Up, and the Harvey Weinstein news from the last few years, and it works surprisingly well as a film that just unnerves you and gets under your skin.

The reality of assault in the film industry is that until it’s widely public and known, nobody is going to know about it. You can report it to your company, to other women, to other men, to anybody, and nobody will take you seriously until they either experience it themselves or know somebody else who has. The Assistant hits the ball out of the park with the ending, even if it doesn’t give a vindictive satisfaction to viewers, because it’s simply the truth of the matter.

7: Tenet, directed and written by Christopher Nolan.

I really don’t know what to say about this one. It’s really controversial to like it but I absolutely LOVED this movie, it’s pure fucking vibes. A lot of people are cinema purists, which I am not, and will never claim to be, which was a huge deal with this film. Personally, this works way better at home than it ever would in a theater. It’s slightly long, the sound mixing makes it so it can be hard to hear dialogue over loud noises and the score, and it’s the type of movie you may have to rewind a few times.

My partner and I watched this in 4K Ultra HD with subtitles on, and let me tell you, it was amazing. Everything about the acting, the diversity in the film, the fact that Nolan literally has a character say “Don’t try to understand it, just experience it”???? VIBES. That’s all I can say about it. Plus, Elizabeth Debicki plays an actual badass who stands against her abuser and that enough is five stars. A tall queen standing up against her short joker—absolute feminism.

Sure, no character gets any development, but is that seriously necessary for every film? It’s an action flick about time and space and none of it makes sense and you can’t force it to. Why does everything need to make sense in a time where we are literally living through a pandemic? Just sit back, relax, and enjoy the experience of Tenet. It’s more fun when you don’t take it seriously.

6: The Devil All The Time, directed by Antonio Campos and written by Antonio Campos, Donald Ray Pollock, and Paulo Campos.

I never read the book this was based on, but this film made me want to. I love a film where multiple plot lines converge into one central story and this one did it so well, all with the same theme surrounding every single character: the guilt of sin and how no matter how much you think you can save yourself, you can’t truly save yourself. I’m not a huge fan of Tom Holland, but he shines as Arvin from beginning to end. Pattinson brings a creepy southern preacher to life with an accent that he will never be able to match again. Keough gives a performance you can only sympathize with as you know she’s being manipulated the entire time. Every character in this is corrupt in their own way but some in worse ways than others.

I don’t know how much to say about this one without spoiling it, either, because the core of this film is on the characters and what leads to their untimely ends, because pretty much everybody ends up dead. It’s grim and dark but it’s so beautiful and tells the story in a way that keeps you interested throughout the entire run time. It surprised me but there’s never truly been a Robert Pattinson starring movie that I’ve hated, so am I really surprised? I’m a TwiHard at heart even at age 22.

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akatsuki-shin · 3 years

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Review: 狼殿下 Láng Diànxià (The Wolf)

I’m finally done marathoning this show in the past week, so I thought I’m gonna write my comments on this drama here.

Summary: As a teenager, Ma Zhaixing, daughter of Kuizhou City Governor, Ma Ying, met a young boy at the mountain near her hometown who was raised by the wolves. A severe misunderstanding caused the boy to be implicated of murder and the two were separated, with the boy falling off a cliff, thinking that Ma Zhaixing had betrayed him, and Ma Zhaixing, with her leg broken, continued to live her life ridden with guilt.

Eight years later, the boy, who was apparently saved and adopted by their Emperor, Chu Kui - given the title Prince Bo (Bo Wang) - encountered Ma Zhaixing again after her family was suddenly massacred by an unknown assailants in the middle of the night.

However, their relationship was no longer as how it used to be and the two were tangled in the political conflict between the warring nations.

Main Cast(s):

Li Qin as Ma Zhaixing

Wang Talu as Bo Wang

Xiao Zhan as Ji Chong

Xin Zhilei as Yao Ji

Kuo Shuyao as Yelu Bao Na

Ding Yongdai as Chu Kui

Lin Yowei as as Chu Yougui

Notes:

This review contains my personal view on the drama and does not represent the entire audience

There are spoilers

THE GOOD(S):

1. Action

Realistic, believable action and fighting scenes, both in small and large scale. A few weren't exactly perfect, but the majority of it is more than good enough to cover for the flaws.

Bo Wang's solo fights, his duels with Ji Chong, and Ji Chong's first battle in the forest (when he and the bandits were trying to kidnap Bao Na) were among the best; those are super cool and intense. They do use quite a lot of CGIs, and while it isn't exactly marvel (as in, you can tell it's fake), the visualization and movement are quite smooth so it doesn't disturb the atmosphere and our watching enjoyment.

Though, I'm a bit sad that Ji Chong's eagle, Zhui Ri, turns out to be a CGI, as well. It looks so real, I thought they were using a real bird. :'))

2. Supporting Characters

With the exception of the two main leads and a few other characters, I can say with confidence that I love the characters of this drama.

The charming, smart, and kind-hearted second male lead, Ji Chong.

The loyal Night Fury Trio - Wen Yan, Mo Xiao, and Hai Die.

The spoiled princess Yule Bao Na, whose first impression was nothing less than annoying, but grows to be the most lovable, supportive girl ever that makes me want to keep rooting for her.

They also have two of the best father characters I've ever seen in awhile, the King of Jin and Ma Ying.

Even a considerably minor character, like Grand Supervisor Shi, was nothing less than lovable, especially when he scolded Ji Chong like a worried mother after the latter finally returned home in seven years.

3. Music

The Wolf has some really beautiful soundtracks, and the songs are placed perfectly in every corresponding scene

4. Cameraworks

This is something quite technical and to be honest, I'm also not an expert in this. But I think the cameraworks in this drama were really good. The angle, how they switch the focus when taking certain characters in a certain scene further emphasizes the atmosphere, and it often serves as a great shot to the breathtaking outdoor sceneries where they shot this drama.

5. Visualization of how the story starts and ends

Xing-er and the Wolf Boy playing in the forest of Wolf Mountain.

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THE BAD(S):

1. The Main Leads' Relationship

Generally, the big plot and conflict are actually pretty interesting. The politics, the wars, the betrayals, how the opposing sides are trying to trick and outsmart each other are all a classic that we've often seen in many historical dramas and movies. Personally, I never get bored with this theme as long as it is executed perfectly and I think The Wolf executed this in a good way.

Unfortunately, the main pairing ruins this for me and this ends up becoming the biggest flaw that destroys the enjoyment of watching this drama.

"Childhood sweetheart turns enemies" is something we've seen pretty often, and it's not something bad. If anything, when they finally fixed the misunderstanding and reconciled, it would be the climax, the best part of the entire development.

But The Wolf sadly dragged Ma Zhaixing and Bo Wang's relationship to the point that it became annoying.

When Bo Wang first discovered that Ma Zhaixing has never betrayed him in the past, the scene when he rescued her from the kneeling punishment at the palace was so moving I was almost in tears, more so because it finally looks like they can rebuild their relationship despite Ma Zhaixing still hasn't figured out that Bo Wang was the Wolf Boy from her childhood. It should've ended right there. Maybe later, they could add a plot where Ma Zhaixing would finally find out the truth.

But no, they just have to keep switching between love-hate-love hate right to the last few episodes. At this point, there was no more character development, no more relationship growth. It's just a purely unnecessary drama that makes Bo Wang look inconsistent, that strips Ma Zhaixing of any character development that she should've had as the main character of the story.

And speaking of relationships, although Ji Chong being paired up with Bao Na was the best conclusion for the two of them, the development was way too fast, it looks like the drama team is just forcefully pushing it to happen as soon as possible.

At the point where there are only 3 episode left, they didn't have to add that bit of drama between Ji Chong and Bao Na, because 1). They weren't the main characters, 2). The story was nearing its climax, why would you slow down the pace for an unnecessary drama of two side characters?

It almost looks like Ji Chong and Bao Na are taking the spotlight from the main characters. It would've been perfectly fine to end it when Bao Na was accompanying Ji Chong at the bonfire after he let go of Ma Zhaixing to return to Bo Wang; the audience would understand that these two would end up together, and the closing scene where Ji Chong invited her to travel the world with him can still be shown without the intervening drama.

2. The Main Leads’ Hero Complex

Both Ma Zhaixing and Bo Wang keep sacrificing themselves for others and putting themselves at the bottom as if they have no value. It might look heroic the first time they do it, but since they repeated this pattern way too often, it looks to me like they're playing victim instead.

What's more?

Whenever they're about to sacrifice themselves 1). They would always put a burden on the side characters who genuinely love them by asking them for some "one last favor"', 2). They would just end up being saved by the others after all those big talks.

But of course, all of the other characters ideally will still cry for them every single time they're about to do this whole sacrifice thing.

This is seriously the first time I'm watching a drama where the main characters barely have any character development from start until the end.

In fact, I think the main character of this drama is supposed to be You Zhen, the fourth, youngest prince of Yang. He was ever only a supporting character here, but he's got the most character development among others and if you've been paying attention to his story from start to finish, you'll see that is very fitting to be the main character of a political/war drama:

"An innocent, youngest prince who was doted on by his three brothers, but this brotherhood was severely broken by a misunderstanding caused by their own power-thirsty father, and after many struggles and suffering, he found out the truth, fought for the truth, and became the last surviving member of the royalty who would finally govern his people in peace."

3. Inconsistent Character(s)

First of all, the second female lead, Yao Ji.

From the drama's opening, to the first few episodes where she appears, it feels like we are getting this super big villain vibe from her. I really thought she's going to be one of those people the main characters would have to defeat, or maybe turn into an unexpected ally, later near the climax.

But no, she was only strong in the beginning. For the rest of the story, she was only a woman who actually loves the main male lead and wants to keep him safe.

Secondly, Chu Yougui.

What even is his motive to be a villain?

First, he wants to frame and kill Bo Wang because he thought Bo Wang caused their eldest brother's death. But this has since been proven to be wrong because their father, Chu Kui, was the one who set up his own eldest son's death (for whatever reason I don't remember because I don't think the drama ever told us clearly). And then when he was brought back later, suddenly he wanted to overthrow his father and become the King? Just where and how does all this motive come from?

It would've been fine to make Chu Kui the main villain because he's been portrayed as such since the beginning, the power-thirsty tyrant who would stop at nothing to gain authority and glory.

4. Some Technical Things

Ma Zhaixing kept wearing that keepsake of a bell on her belt, even during undercover missions. How come she doesn't get caught?

Ji Chong keeps accidentally hearing everything over the wall in the most perfect timing far too many times

Also, there are many instances where the characters could travel so fast between places, you'd think they are all living in the same town

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My Verdict: 6/10

Honestly, I almost drop it before I'm even halfway through... o(-(

It has great concept. It has interesting conflict. The actors all did amazing job, I have no complain about their acting. But the execution is just ugh...

#The Wolf #Review #Wang Talu #Li Qin #Xiao Zhan #Drama Review

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popculturebuffet · 4 years

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Toons for Our Times: Ducktales: They Put a Moonlander on the Earth!

At Glomglast, Glomgold Glomturns! Flintheart Hero of Earth Glomgold continues riding his wave of good PR from helping save the earth in the manner you’d expect: With a dangerous attention seeking pr stunt/ferris wheel/half-ased plan to murder scrooge. Naturally Dewey is first in line for it. Meanwhile Webby tries to convince a wound up Penumbra to stay and enjoy earth so she can get a new alien friend who she relates to and her brothers can get a new step mom, while Launchpad is awkward because his coffee with Pennumbra went worse than the one he had with the gas cloud. The Glom Knight Glomturns under the cut.

This one is late for both good reason, I didn’t want to hog the wifi while my nieces were trying to remote school, and not so good I.e.... I entirely forgot an episode was today because I’m not used to the new schedule, as in the past the show’s either aired on saturday like usual for a disney show, or as a cluster of episodes throughout one week, so even if it wasn’t something I was used to, I was tuned to stay in. The new schedule is weird and my brain is stupid is what i’m saying. Now i’ve covered my butt on with the review! This week focuses on Penumbra, and explains exactly what happened to the Moonlanders after Moonvasion. For Penny at least she’s apparently been living in the McDuck hangar, or somewhere near it, and working on rebuilding one of the bigger ships to get her people home. Della, while not missing the opprotunity to point out now Penny’s the one living in HER garage buliding a rocket home, pitches in and we see things have clearly changed. At least with Della, Penny’s let down her guard and now openly considers her her best friend.. and perhaps more because the romantic tension is so thick here you could cut it with a sword. Granted I may have swords on the brain because of this.

Which if your not up to date on your x-men comics, is an event where our Uncanny X-Men, now having their own nation of krakoa where all mutants are welcome, which includes apocalypse so he’s on THEIR SIDE in that shot, must fight ten other mutants in a ritual sword duel with some of the strongest swords in the mighty marvel canon, and loosing means the other mutants, many of whom are the CHILDREN of apocalyspe from centuries ago he thought lost, get to invade earth with a demonic horde. And if NONE of that made you curious, let alone want to read that, I just.. don’t get you.

Back to the gays, yeah the ten sword thick sexual tension is broken by the fact that Penumbra reveals she tried SOME earth culture and did get that coffee with Launchpad, with Della baffled.. I mean look at those abs. Though it’s probably less “Launchpad really?” and more “Why not me first? Is he sexier? Dammit he is. “ It went about as well as you’d expect.. with Penny storming out suddenly saying this is terrible and running off. Eh not the worst first date i’ve seen in animation this year. I’ve seen a woman go on a date with a man conjoined to his ex.. and not like their siblings it’s a medical procedure. Because close enough is pretty fucking insane and let’s keep it that way.

But yeah so Penumbra’s not sold on earth and Della’s attempts to get her to go with the kids, get to that in a minute, fall on deaf ears. But the thing is. her people are. When meeting with gibious and zenith, if you don’t remember the married moon couple we saw back in “The Golden Spear”, Penumbra finds out she’s the only one who wants to go home. Her people like it here...the happy couple even got adorable new outfits, a job with Glomgold in Gibbious’ case, and an adorable new dog named good boy. Look at them.

I would die for either of them. I hope we see Good Boy again. And that the show introduces Bolivar, donald’s dog at some point. Or even his ostrich hortense. I just want the duck to have a pet dammit.

Point is their happy here and while Penny wants to go back to the old routine of them all on the moon and her saving them.. their fine if she wants to go home but.. their staying here. And it’s easy to see WHY they want to: The moon was harsh, filled with monsters and much like us humans right now with earth, they only stayed in their clusterfuck of a home world because they had no way out. It’s probably why Lunaris sold hte invasion so easily: With his pitch they were just taking a nicer world from a bunch of mean asssholes who refused to share it and whose sole representative had seemingly betrayed them. Without any reason to hate the earthlings and, outside of once incident later in the episode, the earthlings accepting them with open arms and forgiveness, why wouldn’t they stay on a nice, sunny world, in a large city willing to house them and give them jobs, with delicious foods and all sorts of fun shit to distract you from the bad parts of living here that the moon lacked.

Penny’s issue is while THEIR lives were miserable.. her’s wasn’t. She was a hero, a super hero really.. I mean she’s dressed like a kree sentry, she protects the helpless and she’s a fearless warrior whose now a fish out of water on a world she never could’ve expected but grows to love. Martian Manhunter, Captain Marvel, the Mar Vell one, Warlock, Adam Warlock and yes their separate characters, Supergirl, not superman because while he is an alien he grew up here.. all aliens who immigrated here and grew to love and protect it and see it as their home. Penny just hasn’t got to the “love and protect it” part yet and while the rest of her people have new purpose, new homes and new lives and still meet once a week to party she finds herself, theri greatest champion an outsider, desperately wanting her old life back but not accepting it’s gone. She can go home but she’d be the one person on a desolate moon clinging to the past. Penny here honestly reminds me of jasper in steven unvierse future: Both are old soldiers who find their empire gone, their entire way of life uprooted and have no way to cope and desperately hoping things will collapse back to THEIR normal, not realizing the new one isn’t going anywhere and is better for their people. They need to move on but their too proud and too scared to try.

However Penny refuses to admit defeat to her people and that she can’t have “earth fun”, and left with no other choices, decides to take the kids up on their offer after all. To explain that we quickly wrap to the top of the episode, where Webby, bored and having trouble finding anyone, finds Penny and after Penny dosen’t want to hang out finds Dewey and Louie. I assume since their absent this episode, Huey is introducing Violet to Gyro, Fenton and Boyd, Beakly is buying groceries, Donald is courting Daisy and Scrooge.. is trying to get fethry’s hands, feet and head out of pickle jars because he thought they’d preserve him and Donald is busy for once so he’s the only one left to do it. Louie and Dewey plan on just laying around and biinging old ottoman empires, I can relate, but the news gives them a better option. A GLOMGOLD OPTION. Oh me mow how i’ve missed this big beautiful man. Seriously Glomgold is easily one of the best parts of the reboot and Keith Fergeuson brings an utterly delightful manic glee to the guy any time he shows up to eat the scenery whole. While I get holding back on him since he had an arc last season, it’s still nice to have him back in all his hammy glory. And naturally being glomgold he has a scheme going: After gifting a rolelrcoaster previously, over water and with sharks because his brand’s nothing if not consistent, he’s now offering the flintferris glomwheel, which is shoddy, dangerous, secretly a plot to kill scrooge, and is very likely to kill a child.. so in other words it’s Glomgold himself roleld into a ferris wheel. Dewey is psyched to go because he let another kid go first for Glomgold’s last PR Stunt/Nightmare and that kid got all the glory and as such is now Dewey’s new nemisis. So after asking his mom “If we can go ride a death wheel so I can get famous’, which of course Della says yes to, our heroes end up taking Penny along. Launchpad drives and gets his subplot for the episode, being awkard around Penny because the date went bad and not sure if this makes then enimies and avoiding her. He tries going to dewey for help, and while Dewey is out of his element, he does actually give good advice to just talk to her.. Launchpad just takes it while he’s driving because it’s launchpad. Thankfully webby can drive. He spends the rest of hte episode getting into shenanigans before, after helping her with the climax, phrasing, being honest and apologizing. And i’m also covering the plot to get her answer out of the way now: Penny admits he’s fine, thery can be fight buds, he’s a good warrior sh’es just “Not interested in an earth..male” her exact words.

I mean.. there’s no real subtly here. Even if she’s not into Della, which all evidence suggests is the case, Penumbra is CLEARLY into women. I mean Frank is basically saying as loudly as his mousey overlords will allow “SHE’S GAY FOR DELLA”. Wether this goes anywhere, I dunno. While Lumity started ramping up this year, that property’s not based on Disney’s classic canon and STILL had to fight tooth and claw to make Luz bisexual and her love intrested a girl. Disney won’t even let this show use Mickey and almost didn’t let them use the rescue rangers, the odds are against them.. but I also never thoguht we’d see violet’s gay dads on screen, or so many previously comics only characters, so frank’s said screw the impossible before. Now probably is no different.

Back to the main plot, and to the return of Glomgold whose great as ever. Glomgold made the moonlanders and some of duckberg think he was soley responsible for saving the world.. how many people besides the non-penny moonlanders think he actually did it is up for debate but he DID genuinely help save the world. Also his scheme to get his company back somehow WORKED despite not being legally binding, as he’s now back in his tower, back to scheming and has an actual assitant instead of a professional career woman he treats like one in a bit that didn’t age all that well even a year later. Gibious is now Glomgold’s sidekick and in a nice contrast to Owlson instead of being fed up with his crap Gibious, buying into Glomgold’s own ego, lavishes praise on his new boss, treats him like the god he thinks he is, and is genuinely sweet and helpful. It’s a nice dynamic giving Glomgold someone who ACTUALLY and genuinely likes him as a person and wants him to suceed and trusts in his insane schemes and leads to some great bits like Gib genuinely calling the safety inspector when Glomgold makes an airquotes remark about it and at the end Glomgold admitting “I can’t stay mad at you” to his new lackey/Best friend. Frankly Glomgold needed a 21 to his Monarch, and i’ts a delight to see it and Paulson and Ferguson have real chemistry. Meanwhile in the A-Plot, Webby tries to get Penny to enjoy earth, first with a street performer she tosses in the water ,as you should, then with a shooting range which ends with her massacering a clownhead to the children minus webby’s horror and tears. We were one more frame away from this really.

Also we get the ducks feeding.. ducks, a gag Frank’s apparently wanted to do for three seasons now, and with Penny being as confused as the audeince. but non of this, including roller skates really works. So while Dewey goes off to get in line to one up his rival, Webby gets honest with Penny about why she’s so invested and this episode goes from good.. to truly fantastic. While webby fangirling over a mighty and gay space warrior makes sense, there’s a personal reason she wants to help here that really tugs at the heart strings: Webby was like her once. Like Penny she spent her whole life honing herself into a weapon, sealed in her own tiny world, For Penny it was her moon village for Webby it was the mansion. And being thrust out into it was .. frightening. We saw webby struggle to adjust in “Daytrip of Doom!” and part of her wanted to plunge back into the mansion and her saftey net at times. But she didn’t.. with the help of her family, and her friends, she found out just how wonderful the world is and how as scary as the world is.. it opened up new parts of her. Duckberg webby was just as great as mansion webby if not better. So Webby wants to do the same for penny and what really clinches the scene is how she does it: a Hamburger, the symbol from the pilot of what webby was deprived of all her life, given to a new friend as a symbol of what the world offers. And it works at first, even without cheese. But then Penny gets a brain freeze, and Glomgold, needing a distraction from the saftey inspector rames her as going beserk because he’s an asshat in every other way let’s add racisim to it.

A chase insues, Penny’s determined to flee.. but she gets a second wind when Dewey, who rushed in to get the first ride and webby get trapped. Sadly dewey’s new enemy gets all the attention, and as we find out is aware he one upped Dewey and brags over it, but Penny has now gone from fish out of water to shark on the hunt, and with Launchpad’s help to get past Glom and Gib, and the roller skates from earlier finally has some earth fun by skating into the air, climbing the Ferris wheel and saving the kids. Penny FINALLY found something she likes about earth; That she can Still protect people, including her people and do what she loved there and the danger here is WAY more intresting.. I mean on hte moon itw as just the usual monsters she was used to. Here she had to rocket into the air, and climb an megalomainics cannon armed ferris wheel to save two adorable children. In short she’s become a super hero and like those I mentioned, has grown to care about earth. So basically this is like captain marvel was an episode of Steven Universe. I likes it. But it’s a nice character arc, as Penny realizes the outside world, and her new friends/future stepchildren, have b eauty and worth. And she will protect their kind, she will protect them. I mean duckberg already has about 4 other superheroes if you count lena, which with that outfit last time I dooo, but frankly with how much disaster it faces on a daily basis, and how much Fenton needed a goddamn break, and with Darkwing leaving for st canard soon, they could probably use her.

So the day is saved, Glomgold is buired in fines but has a new minon, Dewey is dewfeated and Penny is happy again. We end on Penny recounting everything to Gibious and wife, and Good Boy obviously, along with Della who casually admits she really shoduln’t of let her child go but sooths him anyway over his loss. Penny is happy and deciding to stay, and her and her new best buddy laucnhpad are going to go tear the ship apart with her carrying della along. I swear when they finally do do it she’s just going to.. carry a willing della to her bedroom and throw her down on that thing.. everything after is up to you Id ont’ write porn here. Nothing wrong with it just not my bidness. So with a hopeful new future and a neat t-shirt, Penny finally finds her place in the world.

Final Thoughts: A very good, very gay episode that’s just as good as last weeks and gives penumbra a hell of a character arc, while also being an utterly hilaroius episode, from penumbra’s destruction, to glomgold’s hilarious as always antics to dewey’s attention whoring reaching self endagering heights of stupidity and ego, this was a great one and keeps up Season 3′s quality streak. While the plot progression may be slow for now, everything else is at an alltime goddamn high.

Next week, it’s the HALLOWEEN EPISODE BITCHES. Nuff Said. Until then you can check my blog for more reviews, as we have some halloween stuff coming up. Sadly with Loud House going silent, it seems this is our only weekly coverage but expect more reviews of various shows, and some very spooky ooky ones coming very soon including some brucie bonus episodes and until we meet again, go team venture! Play us out glomgold....

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#ducktales #they put a moonlander on the earth!#penumbra #della duck #dellumbra #webby vanderquack #dewey duck #louie duck #Flintheart Glomgold #gibious #reviews #ducktales spoilers

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amphtaminedreams · 4 years

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Filling the Met Shaped Hole (No, Not Like That): The Best Red Carpet Looks of Awards Season 2020

Hi to anyone reading,

I want to jump straight into things and ask a question. Which is the best Met Gala theme of the last 5 years and why is it Heavenly Bodies: Fashion and the Catholic Imagination?

Seriously though, despite the fact that I’m not sure anything will top Heavenly Bodies with the preceding and succeeding Met Galas being relatively disappointing (the camp theme definitely could have been taken further and lets not even talk about the Comme Des Garcons disaster), I still get excited for the gala every year, staying up til whatever hour of the morning so I can see all the fashion live. Of course, it makes complete sense that this year’s event has been postponed until October given the circumstances but the chosen theme of Fashion and Duration had the potential to be quite interesting, so I hope we do eventually get to see it; whilst I don’t miss endlessly scrolling through photos of every white male celebrity wearing the exact same suit and tie to the point where fangirls claim Harry Styles to be a pioneer of breaking gender norms because he wore a pink top, I long for the days where we could all temporarily coexist in peace and harmony thanks to the internet’s collective dragging of the Kardashians for paying no attention to the theme whatsoever. We should’ve guessed life as we know it was about to be flipped on its head when they actually turned up in something interesting last year.

What I’m trying to say is that I would love nothing more than to jump back in time to when tomorrow morning’s top Google search would be best Met Gala looks, and not how many lives did Boris Johnson’s fuckery cost us today. So in honour of the lack of trivial content, I thought I’d fill the Met shaped hole in our lives (amongst many other unfilled holes; today the freezer door at work hit me on the ass whilst I was putting ice cubes out and I think for a split second I got all flushed) by putting together a collection of my personal favourite red carpet looks from this year’s awards season and their respective afterparties: the BAFTAs, Brits, Critic’s Choice Awards, Golden Globes, Oscars, SAG Awards, and the Grammys to finish with.

Enjoy!

British Academy of Film and Television Arts Award (yes, that’s the BAFTAs but I needed a longer title)

(L-R: Zoe Kravitz in Dior, Rooney Mara in Givenchy, and Scarlett Johansson in Versace)

I am a British fan of television and arts but I will gladly say it: of all the awards ceremonies, the BAFTAs is hardly the most exciting, and the red carpet even less so. As I said, lots of boring men in boring suits and middle aged women being dressed by stylists who seem to think we’re dead from the neck down by the time we hit 40 and dress us accordingly so. Any hint of a décolletage explicitly forbidden.

There were a few good looks, however. From left to right, above we have Zoe Kravitz in Dior, Rooney Mara in Givenchy and Scarlett Johansson in Versace, who looks so amazing I almost forget that 1). Versace is going down the drain and 2). Scarlett Johansson would stand in front of a forest and take the role of a tree if she could. Which, along with her whole defence of Woody Allen, is really shit-she’s genuinely great in Marriage Story and an otherwise talented actress. As for Zoe Kravitz, she is up there with Robert Pattison as one of my biggest crushes right now and looks amazing in literally everything she wears, and Rooney Mara is consistently low-key yet elegantly dressed.

(L-R: Greta Gerwig in Gucci, Florence Pugh in Dries Van Noten, Renee Zellweger in Prada)

Renee Zellweger proved an exception to the rule when it came to women over the age of 40 generally having clueless stylists-her dress is beautiful, very reminiscent of the delicate, demure beauty of 50s icons such as Grace Kelly and Audrey Hepburn. Florence’s dress, I actually really loved. It didn’t seem to go down all too well with actual Florence Pugh fans but red and pink together is an elite combo; I’m still firmly on the “surprised that it works but I’m into it” train. I mainly included Greta’s dress for the green velvet, to be honest; it’s disappointingly low-key for Gucci but nice enough all the same.

(L-R: Andrew Scott in Paul Smith, Charlize Theron in Dior, Daisy Ridley in Oscar de la Renta, and Emilia Clarke in Schiaparelli)

I was particularly excited to see Emilia Clarke in Schiaparelli-yes, I adore her because she played Daenerys Targaryen and I was ride or die for that bitch but also whenever I see her interviewed she has the most exuberant energy and honestly I want to be best friends. It’s not the most interesting dress Schiaparelli has ever put out there, but I like the fact that she went for something unique all the same.

Forest green is a colour I find hard to resist which is why I included Andrew Scott’s otherwise kinda basic suit (points for it being velvet) and Daisy Ridley in Oscar de la Renta. As elegant as the dress is, I would love for her stylist to have really leaned into the forest nymph vibes I’m getting and do something a bit less uptight with the hair and makeup; like imagine loose curls with tiny braids and hair rings and a dark lip and a slight smoke around the eye and...yes, I have very specific visions, I know. As for Charlize Theron, her work with Dior is the only reason I care about the brand; there’s definitely a case to be made here for giving Maria Grazia the benefit of the doubt, assuming that she tries all the prototypes on women who look like Charlize and that that’s why she’s happy to send dresses that are otherwise relatively underwhelming down the runway.

The Brit Awards

(L-R: Charli XCX in Fendi, Ellie Goulding in Koche, Hailee Steinfeld in Fendi, and Harry Styles in Gucci)

In my opinion a much better reflection of quintessential British style than the BAFTAs, I originally ruled out including any music award ceremony red carpets in this post until I saw Maya Jama and Charli XCX’s looks. Consider me pleasantly surprised by Hailee Steinfeld’s cobalt blue burnout dress, a classic incarnation of the regal bohemian aesthetic Fendi channelled in their 2019 haute couture show. Plus Charli’s emo take on Glinda the Good Witch is also Fendi, driving home for me just how much I love their collections. I don’t know if I’d be sure about Ellie Goulding’s dress on the rack but the simple styling makes it work and she looks gorgeous, and Harry Styles looks just as pretty in a Gucci look that is MADE for him.

(L-R: Adwoah Aboah in Vivienne Westwood, Celeste in Gucci on the far right! I’m not sure who the guy in the middle is, I’m sorry and if anybody knows drop me a message and I will correct this immediately!)

Unfortunately, Harry Styles and Celeste didn’t get to pose together because this is really a perfect his and hers Gucci look; I feel like seeing one outfit next to the other would really highlight the quirky elegance of each. That being said, it feels criminal to talk about elegance without including Adwoah Aboah in Vivienne Westwood in the sentence; the dress is obviously stunning quality on its own merit, but Adwoah is what elevates it from unremarkable to ethereal. Fuck the weird ass knight figure that’s currently on top of the Brit Award, this woman is the definition of statuesque! Put her on top of the trophy you cowards!

And just to get it out of the way, when it comes to the guy in the middle, to quote Keke Palmer:

Sorry to this man.

Honestly, I saved all the red carpet photos from a Nylon (I think it was Nylon?) article back when the awards aired and towards the end of the photos they stopped including names-this happened a few times when I was looking through red carpet galleries. I reverse image searched where I could but not every photo turned anything up. If anyone does know who this man is, message me so I can include his name. He looks sick, and as far as suits go, this one is built upon and accessorised enough that it’s actually a look rather than the same old variation of a suit we’ve seen a million times before that may as well be the straight man’s designated red carpet uniform.

(L-R: Maya Jama, Neh Neh Cherry in Bottega Veneta, Laura Whitmore)

And now the woman that forced me to include the Brits red carpet in this post in the first place: Maya Jama. Don’t get me wrong, my mind isn’t blown by this dress on its own, I probably prefer Laura Whitmore’s (Jaded do a similar newspaper dress and I’ve resisted adding it to my basket for 6 months now, this is the ultimate test of whether or not I finally cave), but Maya looks fucking MAGNIFICENT. The fit, the gloves, the confidence with which she carries it, it’s all SO good. Considering the timing, this is basically her Princess Diana revenge dress levelled up, 2020′s Jessica Rabbit moment.

(L-R: Maya Jama, Ellie Goulding, Kendall Jenner)

Obviously anything is gonna be a step down from the red carpet look but Maya’s Brits afterparty outfit was cute too, if a tad Pretty Little Thing.

Don’t ask me what Kendall Jenner was doing at the Brits afterparty btw, because I have no idea. We live in a world where the Kardashian-Jenners just seem to occupy every public space possible and I’ve begrudgingly accepted it at this point. I don’t have the energy to question it-and it helps that green catsuit is actually Very Cool™.

For the last of my favourite Brit Awards looks, we have a few more afterparty photos-from left to right we have Charli XCX again, Lizzo, and Anne Marie. It was Charli posting her dress on Instagram that sent me searching for afterparty looks in the first place; apparently wearing nothing but feathers and crystals is something that appeals to me, and the more I read that statement, the more it sounds spot-on. I’d categorise it as gothic glamour hoe, and slot it in with the rest of the night-out clothes in my wardrobe that I think I’ll finally have the balls to wear out of sheer desperation once this lockdown is over. The Blossom to Charli XCX’s Buttercup here, we’ve also got Anne Marie looking extra AF and I loveeeee it; it’s an ensemble somewhere between a high-end version of Alaska Thunderfuck’s candyfloss Sugar Ball dress from season 5 of Drag Race (Alaska DID deserve to win AS2 nation, rise up) and a low-key version of a Katy Perry California Dreams Tour costume. I don’t call it low-key as a drag, just a regretful admission of the fact that maybe wearing a cupcake bra which squirts whipped cream out of the boobs is a bit too much for most of us.

Critic’s Choice Awards

(L-R: Alison Brie in Brandon Maxwell, Chloe Bridges in Azeeza, Cynthia Erivo in Fendi, Florence Pugh in Prada)

I was going to say the Critic’s Choice Awards is kind of America’s version of the BAFTAs but then I remembered that the BAFTAs is really the only big TV and film awards ceremony we have here in the UK and that it’s kind of sad that I have to compare our most high-profile red carpet of the year to L.A’s most low-key one. Getting Cynthia Erivo and Florence Pugh to infiltrate is the best we can do.

THAT BEING SAID!

They both look amazing. This is Florence’s best red carpet look of this year, imo (she the prettiest icicle I’ve ever seen), and Cynthia Erivo’s arm must ache from serving the entire awards season. And in Fendi! Taste!

Side note before we move onto the next set of looks: has anybody else watched Alison Brie in Mad Men and Community simultaneously and experienced the extreme cognitive dissonance that comes from watching her play a tragically nerdy (relatable tbh) 18 year old and an overly-sophisticated 30 something married to an ad man in the 60s at the same time? Weird, but anyway! The orange dress with the red lipstick is channelling Marina Diamandis’ Froot era style subtle sex appeal and is a timeless, playful combo. Put the hair up into a beehive and it’s Megan Draper on a date in Cabo-don’t know much about the place but I know the sea is aqua and the sun seekers are blindingly white and the cocktails are plentiful (and whatever colour you want them to be), and all that together is a juicy palette if we’re talking cinematography. The Mad Men directors are out there somewhere shaking their fists at the sky that they never got to consult me on that, I’m sure.

(L-R: Phoebe Waller-Bridge in Dior, Saoirse Ronan in Erdem and Zendaya in Tom Ford)

Zendaya’s red carpet look was the stand out of the Critic’s Choice Awards for sure; the skirt I can do without but I hope that hot pink metal breastplate ends up on display somewhere because that is ART, and she is the perfect person to wear it. The Tiffany Pollard “she's so powerful” meme was made for this moment.

Also, can we talk about Phoebe Waller-Bridge backing up my Dior 2019 Haute Couture wasn’t *that* bad hypothesis? Because unless I’m mistaken this is one of the dresses from that collection and it is quite beautiful. Yeah, black mesh isn’t going to start a revolution or anything but it’s so delicate looking it almost seems out of place on a red carpet-I don’t know if it’s the structure of the bodice or the tulle but I can totally see this in a gothic ballet, whether that’s sensible in theory or not. Probably not. But then again I did quit ballet when I was 10 after months of getting people to near poke me in the eye on the way out of class so it would look like I’d been crying and I didn’t have to go to my lessons after school. So what do I know? Fuck all, in case that wasn’t clear. I also feel a little vindicated by Saoirse wearing one of the Erdem dresses I loved from last year’s collection-if multi-award winning actress Saoirse Ronan’s probably ridiculously well-paid stylist liked it enough to pick it out for her then I guess I’m doing okay in terms of taste levels.

(L-R: Olivia Wilde in Valentino, Lucy Hale in Miu Miu, Mandy Moore in Elie Saab, and Margaret Qualley in Chanel)

The last few Critics Choice Awards looks I picked out above aren’t thrilling or anything but they’re cute enough to include-from left to right we have Olivia Wilde in Valentino, Lucy Hale in Miu Miu, Mandy Moore in Elie Saab and Margaret Qualley in Chanel. It’s kind of besides the point, but Margaret worked with Chanel throughout awards season and I just wanted to add my two cents in here and say that I think she’s the perfect person to collaborate with (also think Laura Harrier would be a good match, anyone agree?) and that in a similar vein, I urge Miu Miu, the creative directors of which I’m sure are eagerly awaiting the opinion of irrelevant Tumblr user amphtaminedreams, to work with Lucy Hale more often. I feel like if girl stopped starring in those shitty Blumhouse horrors and did something a bit more sophisticated she’d fit the brand right down to a T.

The Golden Globes

(L-R: Cynthia Erivo in Thom Browne, Dakota Fanning in Dior, Jane Levy in Steven Khalil, and Janina Gavankar in Georges Chakra)

Finally! I hear you cry! A more exciting red carpet! It’s not the Oscars, but celebrity stylists still pulled the big guns for this one, the Golden Globes probably being considered the second most prestigious American awards ceremony of the year. Plus Dakota Fanning was there! Big yay for me! She and Elle can practically do no wrong in my eyes and are probably the only 2 women that could take on Dakota Johnson and Jennifer Lawrence when it comes to established red carpet style.

Cynthia Erivo did it again, of course, as slick, as dignified and as regal as she was at the Critic’s Choice. The woman really has got this power stance thing locked down; she always seems so cool and confident in everything she wears that the whole getting dressed up to go out out out (we call going to the club going “out out”, but I’d say a red carpet is a slightly bigger deal than my local club with the sticky floors hence the 3rd out) thing looks like second nature.

(L-R: Zoey Deutch in Fendi, Karamo Brown in Grayscale, Lucy Boynton in Louis Vuitton and Kat Graham in Georges Hobeika)

Lucy Boynton was another of my Golden Globes stand outs, and in general is someone who I really look forward to seeing at red carpet events. She (or her stylist, I don’t know how much of a role she plays!) always seems to commit fully to an outfit and sees it as part of a whole concept where the makeup, hair and accessories are equally as important and that is a girl after my own heart. 60s space age empress is the theme here and I’m all about it-well, either that or a feminine editorial take on the tinman from the Wizard of Oz but the former sounds a bit cooler and does way more justice to how good she looks so we’ll go with that. Quick shoutout to Kat Graham too because she looked absolutely radiant.

(L-R: Shailene Woodley in Balmain, Winnie Harlow in Laquan Smith, and Zoe Kravitz in Saint Laurent)

The trio above I really couldn’t skim over, Winnie Harlow especially; my America’s Next Top Model grudges aside, she consistently turns it out at every event she’s invited to. She’s another woman that wears pieces with such confidence that they look like they were actually made on her body-even if the garment itself isn’t the most breathtaking in the room, she’s the one that draws my attention. Though she’s got these dainty, other-worldly qualities about her, what you’d expect to be a gentle presence is firm and commanding and whilst the sharp drama and glitz of the dress probably helps, that’s just the way Winnie Harlow is naturally, based on her other red carpet appearances.

Zoe Kravitz is an interesting one because, on the one hand, her looking amazing with that bone structure (I would trade a vital organ to look like that any day) is a given, but it does also seem like she went out of her way to do something a bit different this past awards season. I have always loved her street style for its trademark edge and the androgynous, oversized silhouettes that she leans towards, and the overt femininity of her red carpet dresses is that grungy, skater girl aesthetic completely flipped on its head. It’s cute, and if anyone can pull a dress as kitschy as this off, it’s Zoe. She’s got that just rolled out of bed look we all dream of that screams “I’m over this shit” whereas the rest of us have to rely on dark circles to get the message across. It’s very weird to think that she and Shailene Woodley were in Divergent together, especially since Zoe in particular has changed so much since.

My main note with Shailene was just that I got excited to see that Balmain dress off the runway-it was one of my favourites from the S/S 2020 collection (IIRC, mostly on the basis that I’m pretty sure it wan’t haute couture), and it looks good! Not wildly good because I’m not sure the fit of the dress is inherently all that flattering, but still good-she makes it work.

(L-R: Taylor Swift in Etro, Sofia Carson in Giambattista Valli and Scarlett Johansson in Vera Wang)

I know a lot of people online didn’t seem to like Taylor Swift’s dress, but she looks cute, imo. I will say that I’m surprised it’s Etro! At first glance I would’ve thought Carolina Herrera or Oscar de la Renta or something along those lines. And predictably, I think Sofia Carson looks flawless. If you’ve read any of my other posts you’re probably sick of hearing it but I really can’t resist anything that is this modern Disney princess, like powder pink layered tulle? Feathers? What did you expect me to say, ew? I think deep down my clothing preferences will always be that of a 9 year old girl and you know what, that’s okay. Sometimes. Well, when it comes to red carpets. That’s when you can kinda get away with it.

(L-R: Bell Powley in Miu Miu, Billy Porter in Alex Vinash, and Charlize Theron in Dior)

There’s a few things worth mentioning when it comes to the above outfits. Firstly, and most importantly, I need to proclaim my love for Billy Porter. No man is doing it like him, honestly. To compare Harry Styles in his pink suits is unfair. The drama and the beauty and the flair that Billy brings every awards ceremony is on another level and that’s all I have to say about that. If you disagree, I’m gonna need a bullet pointed essay-I am that firm in my opinion.

Second, Bell Powley in Miu Miu semi confirms the direction their PR team tend to head in when choosing women to work with. I might be totally alone here but I feel like she and Lucy Hale both have one of those porcelain doll faces which work really well with Miu Miu’s signature girlish silhouettes and overly-ornate details.

And thirdly, just to restate my earlier point: someone give Charlize Theron a pat on the back for bringing some life to a Dior design. That is all.

(L-R: Jodie Comer in Mary Katrantzou, Joey King in Schiaparelli and Kaitlyn Dever in Valentino)

All the newcomers really turned it out too, which is a sentence I type through gritted teeth; to call Jodie Comer of My Mad Fat Diary origins a newcomer pains the former depressing 2013 black and white Tumblr user in me, though I suppose to the US audiences uncultured in the ways of British teenage angst Vilanelle is her breakthrough role. And how Vilanelle is this dress too!? It’s bold and it’s attention-grabbing and it’s fun and it is definitely very theatrical female fictional villain that you were inexplicably drawn to as a child before you realised why as an adult-”oh, it’s because she was hot”.

Joey King in Iris van Herpen was a pleasant surprise too considering that when I first looked through the red carpet photos I only knew her as the girl who was in that shitty Netflix original-having watched her in The Act, I apologise for the dismissal! And I admire the sartorial choice! I adore Iris van Herpen designs but as a short girl, wearing one of her dresses to a red carpet event is a risky decision-I hate to admit it because casting a diverse range of people for shows is something I have come to expect of my favourite brands, but the appeal of a lot of IvH pieces comes from the movement of the garments on standard willowy runway models. Fortunately, the styling is really complementary here, and whilst it can’t be denied that the dress itself does swamp her a bit, I liked that she and her stylist stepped out of the box.

Kaitlyn Dever’s red carpet look is obviously a lot more typical, but you can't go wrong with a Valentino dress, and this one in particular is so suited to the aura she gives off-it’s young and it’s fun and it’s fresh and the intricate floral print, otherwise muted if not for the spring influenced pops of pink and red, is timelessly pretty.

(L-R: Akwafina in Dior, Saoirse Ronan in Celine, Beanie Feldstein in Oscar de la Renta, and Renee Zellweger in Armani)

Lastly, there was Saoirse Ronan in Celine-one of my highlights of the night; she looked phenomenal, a glacial toned dream, and it was pretty different to what I generally expect to see her in. I might be way off base and in need of a bit of a review of her red carpet style, but I feel like she usually leans more towards pretty than edgy with regards to her styling at these kinds of events and a loose fitting, gun metal glittered slip dress is, imo, the perfect way to hit that previously uncharted midway point between the two.

(L-R: Kate Bosworth in Prabal Gurung, Kathryn Newton in Valentino and Sarah Hyland)

Now onto the afterparty looks, and I’m not gonna lie, they’re usually the highlight of the ceremonies for me; I feel like the initial ceremony is all about looking respectful and maintaining that whole dedicated actor image, whereas it seems the literal point of these showbiz parties is a competition to be the best dressed person in the room. Competition really makes people step their game up, and we always get to see more young talent whose style tends to be more current than that of the people we see on the red carpet.

I’ve got to say, as annoying as I found her character in The Society, I have to overlook that gut instinct of irritation when I see Kathryn Newton and accept how stunning everything going on here is; honestly, she looks like an angel, and I feel like the team at Valentino must reeeeally like her to put her in that dress.

(L-R: Alexa Demie, Ashley Benson in Georges Hobeika, Maude Apatow and Barbie Ferreira)

Obviously I was super excited to see the Euphoria girls on the red carpet, especially Alexa Demie-she does 90s/early noughties inspired glamour better than anyone else on the young actor scene right now and her personal style and the sass she does so well as Maddy Perez shines through every time. Whilst Barbie Ferreira’s look is more casual and achievable for the rest of us in terms of wearability, it’s just as interesting a take on the same period; the delicate pink makeup, hair and jewellery with the 90s inspired slip dress in light teal is a red carpet take on soft grunge for the ages. As for Ashley Benson, she always looks gorgeous and that’s all I’m gonna say before I get emotional and start going into a rant about how her and Cara Delevigne’s relationship was one of the only good things about this shitshow of a year and how now that they’ve broken up the single flame of hope inside me has been extinguished and how their sex swing is gonna get so lonely with them caught in the middle of an ugly custody battle and-

You get the idea.

(L-R: Storm Reid, Sophia Bush in John Paul Ataker, and Sydney Sweeney)

(L-R: Billie Lourd, Paris Hilton, and Camila Morrone)

The Oscars

(L-R: Charlize Theron in Dior, Cynthia Erivo, and Florence Pugh in Louis Vuitton)

Ah, the Oscars. This is where the big money is really spent, and bad decisions are made-in fairness, this year’s winners were a lot more satisfying than usual and I think all of us felt that Parasite was a well-deserved win. I really thought it was gonna be Once Upon a Time in Hollywood just as a bit of a token gesture to Tarantino considering it’s his 9th film, though undoubtedly his worst of the ones I’ve seen, so I was relieved that this wasn’t the case. That being said, it still pains me to see the horror genre being ignored by the academy-in my mind, Florence is here for her performance in Midsommar just as much as Little Women.

At the risk of getting repetitive, just assume my opinions on Charlize Theron in Dior here are the same again, that Cynthia Erivo is still bringing goddess energy (this is probably my favourite of her looks), and that against the opinion of the masses, Florence looks divine in this colour. I mean, when I say the masses I just mean the people I follow on Twitter, but still, I just wanted be an excuse to be dramatic so that I could insert a meme.

(L-R: Natalie Portman in Dior, Regina King in Versace, Scarlett Johansson in Oscar de la Renta, and Sandra Oh in Elie Saab)

Once again, Scarlett Johansson’s stylist is doing God’s work; this outfit is everythingggg-the Oscar de la Renta dress is probably my favourite thus far. Like we’re talking angel, but make it fitted and sexy, and I hope you read that in the Tyra Banks voice I intended because 2 memes in a row would rob me of any credibility I’m building as a fashion account and I’m not ready to trash that for bad memes just yet; give it a couple of mental breakdowns and I’ll be there. Natalie Portman’s look was a favourite of mine too, with the cape over the top adding a sophisticated touch to the celestial, slightly bohemian feel of the dress. I initially found the detail of the names embroidered into said cape to be quite moving-in a dream world, directing would be my career of choice and so I really admired the statement-but finding out that Portman herself is the only director hired by her own production company ruined that for me a little bit. Then again, multi-millionaire celebrities making performative gestures for good publicity and not doing all that much to make any real change? Colour me shocked.

(L-R: Beanie Feldstein in Miu Miu, Brie Larson in Celine and Billie Eilish in Chanel)

Now, of all the Miu Miu looks so far, I think Beanie Feldstein definitely got the best one. The intricacy of the embroidery, the silhouette, the old Hollywood stye curls-it’s all so graceful. I’d say this is probably her best look of awards season and she and her stylist did a really great job.

And as for Billie Eilish...Guys...do you think she might be wearing...Chanel...by any chance? I’m not sure.

Seriously though, as far as an oversized tweed suit with the brand’s logo emblazoned all over it goes, I like this look. The acid green roots and the jewellery are what make it for me, adding to the grunginess of the outfit which is interesting against Chanel’s prim and proper aesthetic of the last few years. I know she has good reason for the way she dresses, but I’ve never quite been able to appreciate it-this outfit proves to me that her style doesn't automatically equal ugly and occasionally, she can make it work.

(L-R: Leona Lewis, Colton Haynes, Dita von Teese)

Elton John’s Oscars afterparty being the less exciting of the two big ones in terms of fashion-the other being the Vanity Fair afterparty which I’ll cover in a moment-I thought I’d whizz through it (posturing aside though, I bet Sir Elton’s party was a lot more fun).

(L-R: Chiara Ferragni, Donatella Versace, Bella Thorne)

This is a big statement considering Alexa Demie attended, but I think Chiara’s outfit and overall styling might be my favourite of the partygoers; if they decided to do a live action Barbie film in 2020 minus the PG ratio-because lets be real, she’d be a noughties Paris Hilton type and get up to some SHENANIGANS-this is the look that would become iconic.

(L-R: Ashley Greene in Off-White, Alexa Demie, Sydney Sweeney, Annalynne McCord)

It was a hard decision to make though: I’m just as into Sydney Sweeney’s interpretation of burlesque come 1950s red carpet Barbie, Ashley Greene’s surprisingly delicate Off-White number, and Alexa’s dress and (as always) impeccable styling. That being said, Chiara’s clearest contender here for the best dressed of the night is Annalynne McCord. I know I'm one to throw similes around but she looks like an ACTUAL Disney princess-the dress is magical and an absolutely flawless fit. She carries it with such grace. I'm truly in love.

(L-R: Tessa Thompson in Versace, Vanessa Hudgens in Vera Wang, SZA)

As for the Vanity Fair Oscars afterparty, there were SO many iconic moments this year. SZA was the definition of the fire emoji, Tessa Thompson’s throwback Versace was the mermaid’s take on BDSM fashion I never knew I need to see, and I’d die to turn up to my graduation ceremony (here’s hoping for a successful attempt at the old uni shebang this time, lol) looking as elegant and simultaneously extra as Vanessa Hudgens did in Vera Wang. I mean, this was before Vanessa went on her dumb Instagram live corona rant because she was upset she couldn’t go to Coachella and I still kinda lived for her, mostly because of moments like this. She’s always been the queen of channelling a more hedonistic, carefree era and this dress is the most refined example of that boho decadence yet. It sounds dramatic to say but the rich purple is such a bold choice considering it’s a a colour we rarely see on the red carpet but now I’ve seen eggplant coloured silk I need it, lol.

(L-R: Suki Waterhouse in Fendi, Lili Reinhart in Marc Jacobs, Lucy Boynton and Margaret Qualley in Chanel)

Then there was Suki, Lilly, Lucy and Margaret as well who all went full angel mode in some of my favourite runway looks of last summer’s haute couture week; Suki’s Fendi dress and Lili’s Marc Jacobs number were highlights of both their shows and there’s something even more magical about them both when the uniformity of the runway is removed. I also would go on about how much I love Lucy Boynton’s style for the millionth time but I think you get my point.

(L-R: Nicole Richie, Cynthia Erivo, Hunter Schafer, Billie Porter)

The more I look at the photos I saved from the Vanity Fair “red” carpet, the more I come to the firm conclusion that these looks are my favourite as a collective. Along with the elegance and sex appeal of the outfits above, we’ve got all these looks too which are so VIBRANT and fun and experimental. Billie Porter is absolutely majestic and continues his reign as the king of in-your-face, theatrical red carpet style, and Hunter and Cynthia look so radiant. Whilst Nicole’s look isn’t as colourful, she still brought drama with the satin gloves and the smoke lined eyes, and she is definitely ready to step on someone’s neck here.

(L-R: Halima Aden, Ella Balinska in Schiaparelli, Emma Roberts, Ciara)

(L-R: Kiki Layne in Michael Kors, Kim Kardashian in Alexander McQueen, Kylie Jenner in Ralph and Russo, Lashana Lynch in Michael Kors)

(L-R: Rowan Blanchard in Iris van Herpen, Rosie Huntington-Whiteley, Stella Maxwell, and Sarah Paulson with Holland Taylor)

I’ve got to say, it’s really cool to see Rowan Blanchard in Iris van Herpen too; it’s interesting that as far as I know, she and Joey King were the only ones to wear her this awards season, both being up and coming actresses. It would be a good choice for the brand, probably best known for its futuristic, conceptual aesthetic, to also focus its PR efforts on the young potential inheriting that future. Orrrr it could just be that Rowan, Joey and I have the same (good, lol) taste-not gonna lie, from my experience of stalking her instagram Rowan Blanchard does make some unique fashion choices and her feed is full of bold outfit inspiration.

(L-R: Adriana Lima in Ralph and Russo, Alessandra Ambrosio in Armani, Billie Eilish in Gucci, and Donatella Versace in Versace)

Then there’s Billie Eilish, who is really on another level. This is her second custom made baggy suit of the night, this time Gucci. IMAGINE. Chanel and Gucci making custom pieces to suit your very specific style. Again, though, I really like this; whilst it’s very clearly a Billie outfit, it’s got a level of sophistication, cohesiveness and glamour to it that takes it to that I can admire.

(L-R: Camila Mendes in Moschino, Barbara Palvin and Dylan Sprouse, and Chiara Ferragni)

Honestly, the Vanity Fair red carpet really belonged to young talent this year, and Camila Mendes in one of my favourite Moschino looks from the Picasso collection really seals it. She could’ve just gone for a basic pretty dress-this isn’t a natural choice-but she really does have the proud, regal look of a woman who knows some man is gonna paint her a portrait that will end up in a famous gallery one day.

One last thing before I move on, though. How the fuck does Chiara Ferragni get everywhere?! And by that I don’t mean how does she get invited, I had the shock of finding out this woman I followed on Instagram because I liked her outfits and thought she was pretty is a hugely successful businesswoman in Italy long ago. Power to her. She’s a big deal! I get it! I just mean, physically HOW? How do you hit Elton John’s party AND the Vanity Fair party in one night and look this good? God really does have favourites, huh. Well, I guess in this hypothetical scenario where I believe in him anyway.

The SAG Awards

(L-R: Dakota Fanning in Valentino, Kaitlyn Dever in Ralph Lauren, Scarlett Johansson in Armani, and Zoe Kravitz in Oscar de la Renta)

So, I kinda forgot the SAG awards existed and thought that my post was basically finished before I looked in my folder and saw the one dedicated to this ceremony. My initial reaction was like “oh, this is the shitty Oscars, right?” and I assumed the red carpet would be shit and that I could call it a night-it’s 3:30am, I wish I was calling it a night-but then I looked and saw that I had even more outfit photos saved in that folder than I did for my Oscar dedicated one. Because fuck, I want to to sleep, but the SAG awards had a surprisingly good turn out?! So maybe not as irrelevant a ceremony as I thought? Because Dakota Fanning turned up looking like some divine mythical being again, Scarlett Johansson pulled another incredible look out the bag, Zoe Kravitz was a modernised Audrey Hepburn, and Kaitlyn Dever read my comments about her dress being “timelessly pretty” and said “bitch, you really thought” before showing up looking hot as fuck. Truth be told, I think the SAG awards were first but in this universe where Kaitlyn Dever would pay any attention to my opinion of her outfit do we really care?

(L-R: America Ferrera, Andrew Scott in Azzaro Couture, Camila Mendes in Ralph and Russo, Caleb McLaughlin )

(L-R: Lupita Nyongo in Louis Vuitton, Lily Allen, Nathalie Emmanuel in Miu Miu, Cynthia Erivo in Schiaparelli)

See, I was going to make a comment above how I took back what I said about Camila Mendes not just going for pretty dresses (which I guess I just did here instead-JUST TO BE CLEAR SHE STILL LOOKS STUNNING) and then I uploaded the next photo set and got distracted by 2 things:

1. How weird it is that British legend Lily Allen, who does not get NEAR enough credit for her smart her songs were might I add, is dating David Harbour AKA. Hopper off Stranger Things!?

2. How mad I still am about Game of Thrones and how dirty the writers did Nathalie Emmanuel (and Emilia Clarke and Lena Heady and Nikolaj Coster-Waldau and basically everyone else on that show but that’s another story).

In this same universe where Kaitlyn Dever cares about my opinion can we make the issues I have in the last bullet point not exist? Please?

(L-R: Sophie Turner in Louis Vuitton, Renee Zellweger in Maison Margiela, Phoebe Waller-Bridge in Armani, and Renee Bargh)

(L-R: Gwendoline Christie in Rick Owens, Madeline Brewer in Monique Lhuillier, Kathryn Newton in Valentino, and Lili Reinhart in Miu Miu)

Finishing off the SAG looks, we’ve got the four above.

Once again, Kathryn Newton was Valentino’s blushing crown jewell; Allie Pressman hate aside, she really is the perfect dressing up doll for the brand. Fresh faced and poised, she has all the elegance and gentle femininity necessary to make floating down the runway as Valentino models do look natural, and Lili Reinhart did an equally good job being a Miu Miu girl. She makes that idiosyncratic cutesy-ness work, all the frills and fragility of a china tea set look easy where I’d just look like I’d been consumed by a charity shop doily. Madeline Brewer did a good job too, helping a Monique Lhuillier design pop in a way that it doesn’t usually. When your hair is bright red and your dress cerulean blue, coral tinted lipstick is a *ahem* choice, buuut in this case it paid off because the result is a look which demanded my attention-ML dresses are reliably pretty, however, they tend to be predictable. Madeline and her styling did a good job subverting that formula. To end the section, though, I feel it’s only fair to save my fave woman til last-probably one of the few people in the world that isn’t a Rick Owens model that can pull off his designs. Ofc, I’m talking about the queen that is Gwendoline Christie. If we’re talking embodying brands, she did justice like nobody else could to the spectacle of Owens’ formidable, out-of-this-world aesthetic. This is her version of the princess moment, and when you’re as striking as she is, nothing less would do.

At least my girl Brienne of Tarth is thriving<3

The Grammys

(L-R: Ariana Grande in Giambattista Valli, Cardi B in Mugler, and Pia Mia in Julien Macdonald)

TBH, like I said with the Brits, I never planned to do any music award ceremony red carpets, just because I feel like the fashion tends to be more geared towards a younger audience buuuut I’m kinda glad I changed because Ariana looks INCREDIBLE. MESMERISING. TRANSCENDENT. JFC. There’s a reason the photo of her on her Wiki page has been changed to one from this night and it’s because she looks absolutely exquisite, like some kind of moon goddess with an R&B touch which I suppose is kind of her brand? Sometimes I go kind of lukewarm on Giambattista Valli and forget how mystical but at the same time frothy and indulgent and all around luxurious the pieces can be. This is a cupcake of a dress and I want to eat it. Cardi B has become a bit of an unexpected fashion icon and Pia Mia looks as hot-party-girl as ever but I feel to put anyone next to Ariana in this dress seems harsh because she just completely stole the show and I don’t even know if she won any Grammys.

(L-R: Josephine Relli, Gwen Stefani, Jameela Jamil in Georges Chakra, and Chrissy Teigen in Yanina Couture)

Other than Ariana, I’m not gonna lie, there was nothing wildly exciting, BUT I did think there were some beautiful colours out on the runway-plus for all her occasionally bad takes I really like what Jameela Jamil stands for and her style has always been very quirky cool. The electric blue tiled effect with the black mesh underneath kinda reminds me of a peacock, and contrasts wonderfully with the carpet-it’s very reminiscent of her T4 days. She’s one of those people that seems to get aggression directed at her that’s completely disproportionate to whatever it is she’s supposed to have done; sometimes the way she goes about saying things is wrong but the intention behind what she’s saying is usually good. Then again, the internet still despises Chrissy Teigen (in a way that’s kind of excessive considering what we seem to collectively let some people get away with) for a dumb AirPods tweet and I’ve included her too. THIS IS NOT A POLITICAL STATEMENT, this time anyway. I just think she looks good!

If I’m going to get controversial about anything, it’ll be Gwen Stefani. She looks stunning, the dress is stunning, and the boots are stunning. The outfit is not my problem! My problem is how she seems not to have aged at all. This woman is 50 years old! That she drank the blood of her Harajuku girls is the only explanation here. Can you imagine if she tried to pull that shit today? She’d get rightly accused of being a culturally appropriating weeb in about 10 seconds flat and we’d have to pretend to stop liking Cool and Hollaback Girl.

(L-R: Finneas O’Connell in Gucci, Lucky Daye, and Shaun Ross)

(L-R: Tess Holliday, Dua Lipa in Alexander Wang, Tyler the Creator, and Grace Elizabeth in Giuseppe di Morabito)

Back to what I’m supposed to be talking about in this blog post: the fashion. And here, most importantly, Tyler the Creator looking like a cast member of the Grand Budapest Hotel. IDK why. But I love this man.

(L-R: Lil Nas X in Versace, Lizzo in Versace, and Shawn Mendes in Louis Vuitton)

(L-R: Billie Porter, FKA Twigs in Ed Marler, and Swae Lee in Giuseppe Zanotti)

See in general, the men were a lot more interesting on the Grammys red carpet. With the exception of Twigs, Dua and obviously Ariana, the men’s outfits are a lot more memorable; Billie Porter became the most fashionable meme on the internet, for god’s sake. And even when their outfits weren’t extravagant, they were just more interesting, imo, which is a rare occurrence. I didn’t expect Finneas O’Connell to be the writing half of Billie Eilish (the other half being Billie herself) I cared about and yet, in that Gucci blazer, here we are.

(L-R: Jessie J, Hailee Steinfeld, and Madison Beer)

(L-R: H.E.R, Usher, FKA Twigs, and Matt Shultz)

Of the afterparty looks, my favourites are what we can see of these more casual outfits-I love what F.K.A Twigs and H.E.R are wearing, the headscarf with the leatherjacket on top is in particular very throwback rockabilly, and I’m even into whatever it is Usher’s got on.

(L-R: Olivia O’Brien, Amine, and Alrissa)

(L-R: Salem Mitchell, Machine Gun Kelly, and Sydney Sweeney)

Now, how to round this all up!? How to relate the confusingly persistent but very welcome presence of Sydney Sweeney on, like, ALL these red carpets back to the MET!?

IDEK. It’s been a long year.

The Met Gala has usually come and gone before we know it, but with everything going on, it’s been the longest January-May I think most of us have ever known. I keep going on about COVID-19 in all my posts now but I have almost forgotten how to write an intro and outro because the pandemic is pretty much consistently on the brain and unless I have something right in front of me to use as a distraction, my mind tends to wander off into a very anxious place. I think, like many others, I feel frustrated and disappointed and angry with the way the situation is being handled by the people who are supposed to protect their citizens, and by how much of a fight some are putting up against measures that are in place to try and save lives. The point of this ramble, I guess, is that whilst we should never forget what’s going on and do the best we can to help prevent the spread of the virus, it’s okay to still care about mundane shit. Was this post one big long distraction for me? Probably. But if there’s something harmless you can do to keep your anxiety at bay, don’t feel bad for doing it. Contrary to popular belief, you can care about more than one thing at once. You can be sad that something you were looking forward to has been cancelled whilst still being sad for the people who are suffering because they’ve lost love ones or who have been forced into precarious living conditions. If talking about clothes on the internet is going to help you get through this pandemic, power to you.

If anyone has read til the end, thank you! I hope you are well! As always, feel free to reply to the post or inbox me with your thoughts! It doesn’t even have to be related to this post. If you’re struggling with everything going on, feel free to reach out too. I spend too much time on the internet anyway, lol! My plans are to finish my fashion week reviews and then I have a Lana Del Rey albums inspired lookbook which I pinched off the stans on Twitter (who I will of course credit when I write it!). For the time being, look after yourselves!

Lauren x

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