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dykepuffs · 2 months

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How Do I Make My Fictional Gypsies Not Racist?

(Or, "You can't, sorry, but…")

You want to include some Gypsies in your fantasy setting. Or, you need someone for your main characters to meet, who is an outsider in the eyes of the locals, but who already lives here. Or you need a culture in conflict with your settled people, or who have just arrived out of nowhere. Or, you just like the idea of campfires in the forest and voices raised in song. And you’re about to step straight into a muckpile of cliches and, accidentally, write something racist.

(In this, I am mostly using Gypsy as an endonym of Romany people, who are a subset of the Romani people, alongside Roma, Sinti, Gitano, Romanisael, Kale, etc, but also in the theory of "Gypsying" as proposed by Lex and Percy H, where Romani people are treated with a particular mix of orientalism, criminalisation, racialisation, and othering, that creates "The Gypsy" out of both nomadic peoples as a whole and people with Romani heritage and racialised physical features, languages, and cultural markers)

Enough of my friends play TTRPGs or write fantasy stories that this question comes up a lot - They mention Dungeons and Dragons’ Curse Of Strahd, World Of Darkness’s Gypsies, World Of Darkness’s Ravnos, World of Darkness’s Silent Striders… And they roll their eyes and say “These are all terrible! But how can I do it, you know, without it being racist?”

And their eyes are big and sad and ever so hopeful that I will tell them the secret of how to take the Roma of the real world and place them in a fictional one, whilst both appealing to gorjer stereotypes of Gypsies and not adding to the weight of stereotyping that already crushes us. So, disappointingly, there is no secret.

Gypsies, like every other real-world culture, exist as we do today because of interactions with cultures and geography around us: The living waggon, probably the archetypal thing which gorjer writers want to include in their portrayals of nomads, is a relatively modern invention - Most likely French, and adopted from French Showmen by Romanies, who brought it to Britain. So already, that’s a tradition that only spans a small amount of the time that Gypsies have existed, and only a small number of the full breadth of Romani ways of living. But the reasons that the waggon is what it is are based on the real world - The wheels are tall and iron-rimmed, because although you expect to travel on cobbled, tarmac, or packed-earth roads and for comparatively short distances, it wasn’t rare to have to ford a river in Britain in the late nineteenth century, on country roads. They were drawn by a single horse, and the shape of that horse was determined by a mixture of local breeds - Welsh cobs, fell ponies, various draft breeds - as well as by the aesthetic tastes of the breeders. The stove inside is on the left, so that as you move down a British road, the chimney sticks up into the part where there will be the least overhanging branches, to reduce the chance of hitting it.

So taking a fictional setting that looks like (for example) thirteenth century China (with dragons), and placing a nineteenth century Romanichal family in it will inevitably result in some racist assumptions being made, as the answer to “Why does this culture do this?” becomes “They just do it because I want them to” rather than having a consistent internal logic.

Some stereotypes will always follow nomads - They appear in different forms in different cultures, but they always arise from the settled people's same fears: That the nomads don't share their values, and are fundamentally strangers. Common ones are that we have a secret language to fool outsiders with, that we steal children and disguise them as our own, that our sexual morals are shocking (This one has flipped in the last half century - From the Gypsy Lore Society's talk of the lascivious Romni seductress who will lie with a strange man for a night after a 'gypsy wedding', to today's frenzied talk of 'grabbing' and sexually-conservative early marriages to ensure virginity), that we are supernatural in some way, and that we are more like animals than humans. These are tropes where if you want to address them, you will have to address them as libels - there is no way to casually write a baby-stealing, magical succubus nomad without it backfiring onto real life Roma. (The kind of person who has the skills to write these tropes well, is not the kind of person who is reading this guide.)

It’s too easy to say a list of prescriptive “Do nots”, which might stop you from making the most common pitfalls, but which can end up with your nomads being slightly flat as you dance around the topics that you’re trying to avoid, rather than being a rich culture that feels real in your world.

So, here are some questions to ask, to create your nomadic people, so that they will have a distinctive culture of their own that may (or may not) look anything like real-world Romani people: These aren't the only questions, but they're good starting points to think about before you make anything concrete, and they will hopefully inspire you to ask MORE questions.

First - Why are they nomadic? Nobody moves just to feel the wind in their hair and see a new horizon every morning, no matter what the inspirational poster says. Are they transhumant herders who pay a small rent to graze their flock on the local lord’s land? Are they following migratory herds across common land, being moved on by the cycle of the seasons and the movement of their animals? Are they seasonal workers who follow man-made cycles of labour: Harvests, fairs, religious festivals? Are they refugees fleeing a recent conflict, who will pass through this area and never return? Are they on a regular pilgrimage? Do they travel within the same area predictably, or is their movement governed by something that is hard to predict? How do they see their own movements - Do they think of themselves as being pushed along by some external force, or as choosing to travel? Will they work for and with outsiders, either as employees or as partners, or do they aim to be fully self-sufficient? What other jobs do they do - Their whole society won’t all be involved in one industry, what do their children, elderly, disabled people do with their time, and is it “work”?

If they are totally isolationist - How do they produce the things which need a complex supply chain or large facilities to make? How do they view artefacts from outsiders which come into their possession - Things which have been made with technology that they can’t produce for themselves? (This doesn’t need to be anything about quality of goods, only about complexity - A violin can be made by one artisan working with hand tools, wood, gut and shellac, but an accordion needs presses to make reeds, metal lathes to make screws, complex organic chemistry to make celluloid lacquer, vulcanised rubber, and a thousand other components)

How do they feel about outsiders? How do they buy and sell to outsiders? If it’s seen as taboo, do they do it anyway? Do they speak the same language as the nearby settled people (With what kind of fluency, or bilingualism, or dialect)? Do they intermarry, and how is that viewed when it happens? What stories does this culture tell about why they are a separate people to the nearby settled people? Are those stories true? Do they have a notional “homeland” and do they intend to go there? If so, is it a real place?

What gorjers think of as classic "Gipsy music" is a product of our real-world situation. Guitar from Spain, accordions from the Soviet Union (Which needed modern machining and factories to produce and make accessible to people who weren't rich- and which were in turn encouraged by Soviet authorities preferring the standardised and modern accordion to the folk traditions of the indigenous peoples within the bloc), brass from Western classical traditions, via Balkan folk music, influences from klezmer and jazz and bhangra and polka and our own music traditions (And we influence them too). What are your people's musical influences? Do they make their own instruments or buy them from settled people? How many musical traditions do they have, and what are they all for (Weddings, funerals, storytelling, campfire songs, entertainment...)? Do they have professional musicians, and if so, how do those musicians earn money? Are instrument makers professionals, or do they use improvised and easy-to-make instruments like willow whistles, spoons, washtubs, etc? (Of course the answer can be "A bit of both")

If you're thinking about jobs - How do they work? Are they employed by settled people (How do they feel about them?) Are they self employed but providing services/goods to the settled people? Are they mostly avoidant of settled people other than to buy things that they can't produce themselves? Are they totally isolationist? Is their work mostly subsistence, or do they create a surplus to sell to outsiders? How do they interact with other workers nearby? Who works, and how- Are there 'family businesses', apprentices, children with part time work? Is it considered 'a job' or just part of their way of life? How do they educate their children, and is that considered 'work'? How old are children when they are considered adult, and what markers confer adulthood? What is considered a rite of passage?

When they travel, how do they do it? Do they share ownership of beasts of burden, or each individually have "their horse"? Do families stick together or try to spread out? How does a child begin to live apart from their family, or start their own family? Are their dwellings something that they take with them, or do they find places to stay or build temporary shelter with disposable material? Who shares a dwelling and why? What do they do for privacy, and what do they think privacy is for?

If you're thinking about food - Do they hunt? Herd? Forage? Buy or trade from settled people? Do they travel between places where they've sown crops or managed wildstock in previous years, so that when they arrive there is food already seeded in the landscape? How do they feel about buying food from settled people, and is that common? If it's frowned upon - How much do people do it anyway? How do they preserve food for winter? How much food do they carry with them, compared to how much they plan to buy or forage at their destinations? How is food shared- Communal stores, personal ownership?

Why are they a "separate people" to the settled people? What is their creation myth? Why do they believe that they are nomadic and the other people are settled, and is it correct? Do they look different? Are there legal restrictions on them settling? Are there legal restrictions on them intermixing? Are there cultural reasons why they are a separate people? Where did those reasons come from? How long have they been travelling? How long do they think they've been travelling? Where did they come from? Do they travel mostly within one area and return to the same sites predictably, or are they going to move on again soon and never come back?

And then within that - What about the members of their society who are "unusual" in some way: How does their society treat disabled people? (are they considered disabled, do they have that distinction and how is it applied?) How does their society treat LGBT+ people? What happens to someone who doesn't get married and has no children? What happens to someone who 'leaves'? What happens to young widows and widowers? What happens if someone just 'can't fit in'? What happens to someone who is adopted or married in? What happens to people who are mixed race, and in a fantasy setting to people who are mixed species? What is taboo to them and what will they find shocking if they leave? What is society's attitude to 'difference' of various kinds?

Basically, if you build your nomads from the ground-up, rather than starting from the idea of "I want Gypsies/Buryats/Berbers/Minceiri but with the numbers filed off and not offensive" you can end up with a rich, unique nomadic culture who make sense in your world and don't end up making a rod for the back of real-world cultures.

#worldbuilding #world building #fantasy races #racism in fiction #nomads #romani stuff

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anyroads · 2 years

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OK you know what, if we're gonna talk about Bake Off then fuck it, let's do this.

It used to be this wholesome, lovely show! We used to watch it for the bakers! And the learning! And the light banter and occasional bit of coy innuendo! What happened?

Channel 4 happened. When they bought the show they made a number of changes, most of them Not Good™️. Not just in the sense of them resulting in a lot of 😬 and 🫠 moments, but in the sense of how they changed the show's purpose, atmosphere, and brand.

Look, I know most people are just like, "whatever, it's just a baking show," and yeah, sure. But it's one of the UK's most successful TV exports, and where it once shifted the tone of reality competition to being wholesome and supportive of contestants, it's since moved towards creating tension at the contestants' cost. So aside from the fact that most people watching it signed up to watch a nice show, it has also shifted the goalposts of what that even means. And that, lovelies and gentlefolk, is some bullshit.

I decided to break my rant analysis into four main parts: theme weeks, the hosts, the judges, and the bakers. Let's get to it!

Theme Weeks:

If you watch Bake Off, you know the show's always had a specific theme for each week. The staples that come up in most seasons are:

cake

biscuit

bread

pudding/dessert

pastry

patisserie

Less common but consistent are things like caramel and chocolate week.

Then there are the fun episodes! When GBBO was on the BBC, this started out with things tea week, tarts, pies, tray bakes, basically little tangents still focused on emphasizing specific baking skills. In Series 6 (still on the BBC) they had their first nation-focused theme week with French week -- fairly innocuous given that a lot of patisserie is French, France and England share much more culture than either cares to admit [Norman Flag dot gif], and it was a nice change from watching Paul make the bakers do recipes that involved boiling things while talking about how wonderful boiled doughs are (are they, Paul? Are they?).

The show kept mixing it up with innocuous themes like advanced dough and alternative ingredients weeks, European cakes, Victorian week, batter week, and botanical week. And while it was frustrating to watch Paul Hollywood mispronounce things like the Hungarian Dobos Torta and lecture bakers on babka when he clearly knew nothing about it (or about Jewish baking in general, go off Past Me), the show's general attitude was that the judges had their own opinions, which were separate from the immutable facts around the chemistry of baking (more on this later) and shouldn't affect how bakers are judged.

After the show moved to Channel 4, the number of themed weeks increased and more of them focused on specific countries. In 6 seasons on the BBC, there were only two country-focused theme weeks, and in 5 seasons on Channel 4 there have been five. And while they've also had themes like vegan baking, roaring 20s, the 1980s, spice week, etc. the show has really started to go hard on exoticizing other cultures in outright disrespectful and racist ways. There's been Italian and Danish week, German, Japanese (it wasn't, it was East Asian week), and now Mexican week (which doesn't touch on interspersed Jewish bakes that didn't get a theme week, like versions of bagels and babka set as technical challenges that were borderline hate crimes and mansplained by a guy who has no idea how to make either and once wrote in a cookbook that challah was traditionally eaten during Passover). Each time the hosts played up the theme with racist bits and jokes that can be used as evidence in court if your case is "why should shows with scripted content have a professional writing staff."

Which touches on other issues the show has now...

The Hosts:

When GBBO was on the BBC, the show was hosted by ✨Mel Giedroyc✨ and ✨Sue Perkins✨. They encouraged the bakers! They'd hold stuff for them sometimes! They were interested in them! If a baker had a breakdown, they would start singing copyrighted material to render the footage unusable! When the show moved to Channel 4, they left, though I'm not unconvinced that Channel 4 offered them impossible to accept contracts to force them out so they could rebrand the show. They replaced them with Sandy Toksvig and Noel Fielding. Sandy was a lovely host in the vein of Mel and Sue, and she and Noel had a relatively sweet rapport, but she left a few seasons ago and was replaced by Matt Lucas.

Noel Fielding is mostly known for his quirky brand of comedy, a sort of British Zooey Deschanel who's goth from the neck up, an upperclass British gay divorcee from the neck down, and basically an early 60s Beatle re: trousers. Matt Lucas has almost definitely never watched a single episode of GBBO and his most redeeming quality is his thinly veiled contempt for Paul Hollywood.

The two treat the baking tent as their personal playground. Far from the supportive attitude of Mel and Sue, they tend to get in the bakers' way during the most stressful moments, especially when they try to do hilarious "comedy" bits (I can't not put that in quotes) like Noel's talking wooden spoon thing, or Matt talking over Noel to do time calls. During theme weeks like Japanese and Mexican week, they do culture-specific bits that are both racist ("just Juan joke" and "is Mexico a real place?") and unsurprising, given that both Matt and Noel did blackface on their respective sketch shows and absolutely could and should have known better because it was already the current fucking century.

All this to say, there's now a separation between the bakers and the hosts, as if they're on different shows. The hosts are doing their own thing and the bakers are doing GBBO. The show has gotten meaner to the bakers, and the hosts aren't there to support them anymore, they're just there to be comic relief. Because when you refocus your show on stressing the bakers the fuck out, you need a forced laugh I guess ¯\_(ツ)_/¯.

The Judges:

First of all, a sincere congratulations to Paul Hollywood who managed to squeeze I jUsT cAmE bAcK fRoM mExIcO aNd YeT sTiLL pRoNoUnCe PiCo De GaLLo As 'PiKa De KaLLa' and I aM aN eXpErT oN s'MoReS wHiCh aRe MaDe WiTh DiGeStiVe BiScUiTs AcCoRdiNg tO mE, aN eXpErT oN s'MoReS, just two in a giant pile of astoundingly wrong hot takes, into a short enough time span that they all aired within Liz Truss's term as Prime Minister. A true man of accomplishments.

In the interest of fairness, I need to preface this with a disclaimer that, due to the fact that I've been watching Bake Off for most of its run, I'm biased. Specifically, I can't stand Paul Hollywood's smarmy, classist, egomaniac ass because he's proven time and again he's more interested in looking smart than actually knowing what he's talking about. Since the show moved to Channel 4, they've changed the occasional handshake Paul would give bakers to the HoLlYwOoD hAnDsHaKe™️. It's gone from being an emphasis of someone's skill to a goal, a reward, and one that emphasizes the judges' place above the bakers.

The judges used to function as teachers, imparting their skills and insights to the bakers. When the show was on the BBC, the voiceover leading to a judging would focus on the bakers' work being finished, saying how it will now be evaluated based on their skill and how well they met the brief. The voiceovers now, on Channel 4, focus on the judging (literally saying something along the lines of, "the bakers will now be judged by Prue and Paul"). There is a clear distinction Channel 4's producers have made, to mark that the show is now about whether or not the judges approve, not whether the brief was understood and executed well. On the BBC, it was irrelevant whether the judges liked a particular flavor, as long as the bake was well-made. Now, the bakers are expected to know the judges tastes and cater to them, which is frankly bullshit. A judge doesn't have to like a flavor to know whether or not it was executed well, ie. is it carrying a bake and was it meant to etc.

The judges have been turned into a brand. Cynically, Channel 4 knows that by building them up and focusing the show more on them, they can exploit their image more for profit. In the process, they've become much more biased and their own biases have come out as well. Most recently in the flaming dumpster fire that was Mexican Week, Paul Hollywood tried to intimidate a baker by telling them he had just gotten back from Mexico (which must have been a fruitful learning trip if he couldn't even learn how to pronounce pico de gallo correctly). Where do I even start with this? Here's an amateur baker from England (the show specifically casts middle and lower middle class bakers for the most part??) who likely can't afford trips to Mexico, who lives in a country with incredibly limited access to Mexican cuisine, who is expected not only to understand the cooking and baking traditions of a completely different culture but to do so well enough to play with it and do something creative with it. On top of which, one of the judges is now using his privilege of traveling halfway around the world as some kind of leverage, as if this were a bar that any amateur British baker could clear.

Prue, meanwhile, has openly asserted her biases against cultural flavors and textures, prioritizing her own personal preferences over them, as if they were in any way relevant to the skills and knowledge necessary to execute the tasks she sets to the bakers. She has also been consistently elitist, criticizing bakers for choices they made that were clearly informed by their experiences within income brackets that are too low and foreign for Prue to comprehend. She once had a go at a baker on a Christmas special because his Christmas dinner themed bake didn't have a turkey, even though it was clear from the stories he shared of his own Christmases that his family likely couldn't afford one. "It's not really Christmas dinner without a turkey," Prue said into the camera angrily while sitting on a chair made of live orphans and telling the ghost of Christmas Future to come back when he had another museum gift shop necklace for her to round out her collection.

The show is no longer about which baker has the best skills. It's become about which mortal can appease the gods of Mount Olympus, ie. the judges.

The Bakers:

Remember when the show was about them? Channel 4 doesn't! Because this is a reality competition show, the bakers are chosen both based on their skills, as well as cast-ability. They're cast as characters, distinct from each other, from different areas, age groups, ethnicities. All of them are amateurs. All of them are middle or lower middle class. They've ranged from college students to supermarket cashiers to prison wardens to scientists.

Something I noticed when the show moved to Channel 4 is that the baker who goes home in the first week is always wildly behind the rest in skills. I have no proof of this other than my eyeballs and deductive reasoning skills, but I think that Channel 4 deliberately casts a ringer each season who they think will be an easy send-off in the first week, just to get the audience's feet wet.

Anyway, like I said, this show used to be about the bakers - about them building skills and learning, and having walked into the tent with a self-taught foundation and understanding of the processes and chemical reactions involved in baking. When the show was on the BBC, the end of each round had some (often brief) moments of tension - will they finish in time? Will they get their bakes on the plate before time is up? Did they forget to add sugar to their batter and only remember at the last minute? In the end, they usually managed to finish and we'd all breathe a sigh of relief and think, yeah! You go, Bakers Who I'm Rooting For!

Now, on Channel 4, the end of round drama has been stretched to be so much longer that they've composed extra music for it. The bakers often seem out of their depth, whether because the instructions for the technical challenge are too vague (bake a lemon meringue pie??? As if anyone in the UK under the age of 60 has had one in the last decade???), or because they were expected to bake something that required a more than a basic foundation they weren't told of. Often it seems like they just aren't given enough time, a tactic used by reality competition shows to manipulate contestants into giving the cameras more dramatic content. On top of all this, the hosts get in their way, instead of helping them plate their bakes. As has been pointed out before, when everyone fails the challenge, the real failure lies with whoever set it.

In conclusion:

The show no longer exists to teach the bakers - and the audience - skills or knowledge. It now manipulates contestants for dramatic effect and prioritizes showing conflict over wholesome content. Channel 4 sees the bakers as social media content they can churn out season after season, and don't care about them because in a few months there'll be a new batch to exploit. Meanwhile, the judges are also out of their depth, co-opting recipes from other cultures and butchering them horrendously, while the camera gives them nothing but status as they hold bakers to the expectation that they learn how to make things very much the wrong way. If you saw any of the tweets about Mexican or Japanese week, or read my post on how Paul Hollywood isn't allowed to go near babka ever again, you'll understand.

So what would fix all this? Scrap the current judges and the hosts altogether. Bring back Mel and Sue, and replace the judges with expert bakers who have a love of their craft and want to share it with others. The draw of GBBO used to be its warmth and comfort - if Channel 4 isn't going to start its own version of Master Chef For Bakers, then it needs to stop trying to find a balance of how it can insert that vibe into GBBO. It can't. That's not a thing. Stop trying.

#GBBO #paul hollywood #prue leith #the great british bake off

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erosastro · 23 days

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🌷Composite risings🌷

Let’s talk about how each couple presents themselves for each rising sign in their composite chart.

*Disclaimer: These are my opinions, you don’t have to agree with them. And I’m aware not everyone agrees with the degree theory but I’ve personally seen a difference from degrees, so again, just my opinion and interpretation.

🌷Aries Rising (could also apply to Aries degrees 1°, 13° and 25°) - This couple is affectionate with each other. They’re passionate and can be competitive with one another, though if on the same team, they’re a force to be reckoned with. They probably enjoy recreational activities with each other. The couple that goes to the gym together, plays sports together, jump out of a plane together lol. They’re both young at heart with each other, even if they identify as old souls individually. They motivate each other to do better and step out of their comfort zones.

🌷Taurus Rising(could also apply to Taurus degrees 2°, 14° and 26°) - They’re so soft with each other and this relationship is filled with tenderness. They can be possessive of one another too(similar to Leo rising couples). They can tune out the world and just soak each other up. They can also be touchy feely with each other, the degree might also have impact here but if it does it won’t be to a great extent.

🌷Gemini Rising (could also apply to Gemini degrees 3°, 15° and 27°) - This is a couple that never runs out of things to talk about. Their favourite part of the day is getting to talk to one another. They inspire the other person. They could have a lot in common and share the same visions/goals. They can also be in their own bubble sometimes, especially if they get really into a topic or discussion and they tend to tease each other, very playful. This is the couple that can prank one another lol.

🌷Cancer Rising (could also apply to Cancer degrees 4°, 16° and 28°) - They have a soft spot for each other. There’s something about the other person that instantly makes them feel comfortable. They’re ones most likely to share nose nudges and butterfly kisses in public. So much PDA but at the same time they can keep a lot of their relationship private. There’s a good balance, in my opinion. They can be very affected by the other person’s mood too.

🌷Leo Rising (could also apply to Leo degrees 5°, 17° and 29°) - Oh this couple loves to show off. Whether it’s their relationship or the other person. There’s so much of PDA with this couple too, like Cancer Risings, but this PDA is like full on whereas the Cancer Risings can be a bit more tender and sweet. this is like grabbing each others ass in public lmao. It doesn’t make it less meaningful though! Power couple vibes.

🌷Virgo Rising (could also apply to Virgo degrees 6° and 18°) - I’ve seen so much of negativity surrounding this composite rising and could never understand why, because like cancer and Taurus risings, they’re so tender and sweet with each other. They’ll do anything for the other person they’re so supportive of one another. They likely are the couple that took a bit of time to get together but people could always tell there’s chemistry between them. They can be private but they can also be sweet with each other in public, perhaps not as much as Leo, but still can be affectionate nonetheless. I like this Ascendant for couples and platonic relationships. People don’t give this Rising enough credit and tend to say they’re boring and unassuming which I don’t necessarily think is true.

🌷Libra Rising (could also apply to Libra degrees 7° and 19°) - Ah the composite rising that gets the most hype, from what I’ve seen. I can understand why since it is Venusian and Libra rules seventh house of relationships. They are also affectionate with one another and tend to be the “It couple”. Everyone wants a relationship like theirs. Romantic with one another for sure. The only thing is that if this couple breaks up, it can turn ugly as seventh house also rules enemies; their relationship can turn really sour.

🌷Scorpio Rising (could also apply to Scorpio degrees 8° and 20°) - Unexpected couple, maybe. No one saw it coming. Their relationship is passionate and deep, but there can be a taboo aspect to their relationship. It doesn’t have to be that deep, perhaps an age gap thats not drastic. You’ll never know what goes on with this couple because they can be very private. I’ve noticed this couple can be awkward with each other at first for some reason? They can also be clingy once they do get into a relationship and it turns into something long term. As much as I’m not particularly fond of this couple, they really are so opened with one another if they do get past the awkwardness and initial fear.

🌷Sagittarius Rising (could also apply to Sagittarius degrees 9° and 21°) - This is the most similar to Aries Rising in my opinion and Gemini rising as well. They’re the couple that have so many inside jokes and like Gemini Rising, they always tease each other and are playful with each other. They love to go on adventures with one another and they can teach each other a lot, constantly pushing the other person to be the best versions of themselves. This couple could also come from very different backgrounds. I’ve noticed also with this Rising sign, a lot of people don’t expect that these two are together.

🌷Capricorn Rising (could also apply to Capricorn degrees 10° and 22°) - Another rising sign that gets so much of slack (like Virgo risings) and I don’t really agree with a lot of it. They may not be as affectionate as Leo risings or Cancer risings once again, but they’re each other’s rock. They can always rely on one another. This couple could be the “slow burn” type because neither person admits they have a crush on the other until later on. They are extremely private with their relationship though and can be protective of each other. Also can be a power couple though, especially to those who know the couple well.

🌷Aquarius Rising (could also apply to Aquarius degrees 11° and 23°) - ah the friends to lovers ascendant. I haven’t met or seen many Aquarius rising couples, majority of them are platonic. This doesn’t mean romantic relationships never work out though. This couple gives each other a lot of space and freedom to be independent but they love each other unconditionally and fully. There’s no judgement here. You can be fully yourself with the other person. If this does turn romantic, they are still always best friends first.

🌷Pisces Rising (could also apply to Pisces degrees 12° and 24°) - They bring out sides of the other person that they never knew they had. For example if you’re not really big on PDA, the person you share a Pisces rising with will bring out that side of you. There could be some aspect to this relationship that’s unusual too. They can get co-dependant though, I’ve noticed. Like they can’t do anything without the person by their side constantly. Regardless, there’s something about these couples that just seem to fit together.

*Personal favourite for platonic - Aquarius or Sagittarius, even Gemini

*Least favourite for platonic - Aries or Cancer

*Favourite for romantic - Cancer, Virgo or Leo (Gemini and Aries can work well too)

*Least favourite for romantic - Scorpio or Pisces

*Risings that can go either way - Capricorn, Aquarius and Pisces.

#astro notes #astrology #composite chart observations #composite charts #composite chart #Composite ascendants #composite risings

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zeldasnotes · 10 months

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SYNASTRY NOTES 2 💍

SYNASTRY NOTES 1

If you look closely you will see that people with planets in your 1st house and 2nd house always have some kind of physical reaction when seeing you. Either turning their head extra to see you better, or doing something weird with their hands, touch their hair or just start walking on the spot.

Everytime i hear someone say ” Ive never hated someone like I hate her/him” i always know there is Chiron synastry involved.

6th house synastry is so annoying when you dont have good synastry in general. The others person feels like this annoying bug always flying around buzzing. Especially when its a colleague or someone who lives close to you.

Also one of the things ive noticed with Chiron synastry is that one of the people just starts disliking the other out of nowhere and for no reason. The other person can sense this and strikes back hard because of how hurt they are and the war begins. This is why I stay away from Chiron synastry, because the dislike can come at any second out of nowhere.

Venus 8th house synastry can make Venus fascinated by the looks of the house person. Even if house person is not their type there is something intriguing.

8th house synastry also makes the two able to talk without talking. They can feel whats going on with the other without saying anything.

Lilith in the same sign/house shows that you understand eachothers shadow side. You might fight or manipulate in a similar way.

Mars in the 6th house can lead to being annoyed by the others presence. Common between colleagues who dont like eachother but have to see eachother every day.

Eros(433) conjunct Moon can mean you cant keep your hands off eachother.

Knight(29391) in synastry can be someone who comes into your life when you need them the most. You are protective over eachother.

5th house synastry can definitely lead to idealizing. Especially Moon in the 5th house.

Both the woman who used to do microneedling, chemical peels etc and the woman who did microblading on my eyebrows years ago had their Venus in my 8th house of transformation.

As someone with Mercury Square Moon I always found communicating my feelings hard. But i find it easier when I have 3rd house synastry with someone.

I prefer Moon trine Moon in synastry over Moon conjunct Moon. Moon trine Moon feels like sharing a delicious meal at a restaurant while Moon conjunct Moon is the same but the music at the restaurant is too loud and the food a little too spicy.

Venus conjunct Midheaven makes yall look so good together. I have this with a guy and for some reason we always match when it comes to clothes and body language which makes us look like a couple.

Venus conjunct Nemesis(128) can be a lovers turned enemies kind of relationship.

Eros(433) sextile Psyche(16) in synastry shows that the two will have their issues, but will mostly take eachothers side when they see the other in conflict with somebody else. The couple who hates eachother but still wont let anyone come between them.

Someone with their MC in your Ascendant sign might look up to you a lot.

You will find people you have 8th house synastry with as much more attractive than they actually are. And if you dislike them you will find them super intimidating.

Moon in the 8th house makes the Moon person so drawn to the house person that even if they are not attracted to them they will still want to have them. This aspect trumps physical attraction, morals, everything.

I do not recommend Venus conjunct Ascendant in a friendship relationship, especially not if the Venus person is the envious type.

Everyone I had Moon conjunct Psyche(16) with understood me like nobody else.

Which planet your Psyche conjuncts in someones chart can be where you understand them the most and what you have intuition about when it comes to them: Moon = Feelings, Depth, Why they act like they do. Venus = What and who they are atttacted to, why they dress/express themselves the way they do, their behaviour towards others. Ascendant = Who they want to be, how they want to be seen, their confidence.

#astro notes #astrology #astro observations #astronotes #synastry reading #8th house synastry #synastry #eros and psyche

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emelinstriker · 4 months

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May you share your TFP Decepticon headcanons 👁️👁️

If you want specifics, then their domestic lives? (Or what one can achieve akin to a domestic life in time of war 💀)

I did NOT expect to see any ask regarding TFP- Or at least till I switch fandoms again- So like I can't really think of many X Reader headcanons right now. So I just wrote down like 3 for each. I'm also not quite sure how to condense domestic points, cuz I suck at general fluff when my hyperfixation is elsewhere- So sorry if these don't feel like they're really in the domestic direction fhgnfhg

Only doing some Decepticons though-

☆ ~ Headcanons ~ ☆

☆ Megatron

He do be a busy mech, so he doesn't have too much time on his servos. Therefore he cherishes it whenever he gets to have private moments with just his human and no interruptions.

Likes to carry you around on his shoulder pad- It just generally makes it safer for you, in his opinion, and more comforting for him.

Any that would merely look at you weirdly would face the wrath of Lord Megatron. You can tell him not to punish the other Cybertronian though. He does listen... sometimes.

☆ Starscream

Mans refusing to show affection towards you around other Decepticons, especially Megatron. But he's just melting around you when in private.

He prefers recharging with you lying on him. It's oddly soothing having his human on his chassis.

Tends to look for you as comfort whenever he had a bad day with Megatron.

☆ Soundwave

Despite the amount of work he does and how busy he is, he doesn't really fail at also paying attention to you. He's truly a multi-tasker.

Would let Laserbeak play with you though if his extra appendages and music can't keep you busy.

Very loving towards his human. He may not talk, but he uses emoticons on his visor to display how much he loves you.

☆ Shockwave

Just don't play with whatever materials he needs to conduct his experiments and you're good to go. Play with his antennae and ear fins while on his shoulder pad instead.

He gets easily distracted by his human. He knows it's illogical with the major size difference, and how he should just be able to ignore you. But he can't help it nor explain this phenomenon.

He also also can't explain why he has this urge to gently pat you with a digit.

☆ Knockout

While he does buff himself on his own, or has Breakdown help him, he does enjoy it when you're buffing him instead as well. Especially when he's in his alt mode.

Speaking of which, expect drive-in theater dates. Just don't get his interior dirty with snack crumbs.

Worries a lot about your health. If you're sick, he'll keep you close to him to make sure you're actually alright. But no kisses from him till you're no longer coughing and sneezing. He just buffed himself and doesn't need your sickly fluids on his frame.

☆ Predaking

Tends to pick up you up whenever he wants attention. You were talking to Steve? Nah, now you gotta give you giant mecha dragon pets and kisses.

He also enjoys carrying you around on his frame whenever he can. At least he won't have to look where he goes this way.

While he has to go on missions from time to time, it's not a common thing due to his value, so a lot of his time is spent protectively watching over his human.

#tfp x reader #transformers prime #headcanons #megatron x reader #starscream x reader #soundwave x reader #shockwave x reader #knockout x reader #predaking x reader #cybertronian x human #transformers x human

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erosia-rhodes · 4 months

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Speculation on Mizu’s heritage

Blue Eye Samurai on Netflix is one of the best things I’ve seen all year. As I’ve been rewatching it, I couldn’t help but speculate on Mizu’s heritage, and I wanted to share my theory so we can all laugh at how wrong I was in a few years. (I am notoriously bad at guessing plot twists. I was totally wrong about how Wandavision and Loki season 1 would end.)

Spoilers and speculation behind the jump.

Short version: Mizu’s mother was a white woman and her father was the Shogun. The Shogun’s wife, Lady Itoh, put the bounty on Mizu’s life because she was proof that the Shogun broke his own laws.

Who Would Want to Kill a Baby?

We know that there has been a bounty on Mizu’s head since she was a baby. There are only three reasons I can think of for putting a hit out on a child who’s just been born and couldn’t have personally wronged anyone yet:

1) To deny them an inheritance.

2) To eliminate proof of an affair.

3) To eliminate proof of a crime.

The woman that claims to be Mizu’s mother is Japanese, so Mizu assumes her father must be white. But once Fowler reveals that Mizu’s “mother” was actually her maid, it opens up the possibility that Mizu’s mother was white and her father was Japanese.

We know that someone is willing to a pay a lot of money to kill Mizu, but the maid also ran off with enough money to take care of Mizu for several years, so at least one person in this mess is wealthy. We also know that someone still wants Mizu dead when she's an adult because men come to kill her when her husband rats her out, so she’s still a threat to someone else’s interests at that time.

If the Shogun slept with a white woman and fathered a mix-raced child as a result, that would fulfill all three reasons to put a bounty on a baby. Killing her would remove any chance that a bastard might try to blackmail her way into an inheritance, it would remove proof that the Shogun had an affair, and most importantly, it would destroy evidence that he violated his own laws against Western influence by sleeping with a white woman.

But the True Culprit is…

But I don’t think the Shogun put the bounty on Mizu’s life. I think it was the Shogun’s wife, Lady Itoh, for several reasons:

1) Lady Itoh is willing to kill people who learn that her husband broke his own laws.

When the nobles are trying to escape the fire in the finale, Lady Itoh makes her sons lock the door behind them and sentence the other Lords to death because they witnessed the Shogun’s shame, the revelation that he broke his own laws by dealing with Fowler, a white man. She’s demonstrated that she’s willing to kill people to destroy proof of her husband’s violations, so she’d do the same to a mixed-race baby he fathered. It would also explain why Mizu’s maid never claimed the bounty herself; she would have been targeted for death too because she knew about the Shogun’s crime. She probably took whatever money was in the house when the killers came for Mizu, and went on the run as much to save her own life as Mizu's.

2) The woman’s a sadist.

Lady Itoh does everything she can to make Akemi’s life hell once she marries into the family. She saddles her with bitchy attendants and serves her disgusting food at the banquet, and finishes it off with the cooked remains of the bird Akemi tried to free. Then she sends her two more birds the next day, claiming they’re breakfast and lunch. I have no trouble believing this woman would put a hit on a baby!

3) She’s a hardliner against Western influence

After the fire, Lady Itoh orders her sons to destroy 2000 guns which they could have used in the future against their enemies because she’d so fiercely against Western influence. I wouldn’t be surprised if she was the one who came up with the law banning white people and talked her husband into enacting it. That would explain why the Shogun was willing to violate the law, because he didn’t completely believe in it and only enacted it to get his wife off his back.

It Fits a Common Theme of Revenge Stories

Another reason I think Lady Itoh is the ultimate villain is because it fits the common theme that revenge is futile. Revenge usually destroys the person seeking it just as much as anyone they go after. There is a famous quote from Confucius that says, "Before you embark on a journey of revenge, dig two graves." The implication is that the second one is for yourself.

If it turns out that Mizu has been going after the only four men in the country who couldn’t be her father, it would demonstrate how misguided revenge quests are. She’s spent her whole life pouring hatred into the wrong mission.

It would also be a painful twist to know that Mizu was in the same room with Lady Itoh in the finale, but she was focused on killing Fowler instead of realizing that her true enemy was fleeing out the back door with everyone else.

How It Will All Sort Out

I predict that Mizu will eventually learn the truth about her parentage and ultimately target Lady Itoh for death, not just for revenge, but so she can permanently remove the bounty on her head and live her life freely as a woman.

Akemi might end up assisting Mizu since Lady Itoh is also her enemy. Akemi will probably spend season two battling Lady Itoh for control of the household, and thus the country. If Akemi can put her husband in place as the Shogun, she could remove the bounty on Mizu's head.

If Taigan ends up working as a castle guard, this might put him in conflict with Mizu and Akemi if they target Lady Itoh since he would be honor bound to protect her.

It will be interesting to see how it all sorts out!

ETA: I misspelled Lady Itoh's name, sorry! (According to the subtitles it's Itoh, not Ito) I think I fixed every instance.

#blue eye samurai #netflix #blue eye samurai spoilers #mizu #taigen #akemi #mizu blue eye samurai #lady itoh

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vhstown · 4 months

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super short london slang guide !!

i haven't got a scooby doo about cockney so this is mainly gonna be mle and like the way 14 year old secondary school boys talk oookay let's go (just so yk i am a londonder!!!!!)

direct things to call people (or avoid calling people)

bruv, blud, man, mate, fam (can use in replacement of a pronoun like he, she, you and i or for emphasis — "man's got a meeting, bruv!")

more on "man" it can be used in plural too — "us man" or "them man" or "you man"

my g, my guy (for referring someone you are friendly/friends with)

bossman (something you'd call a shop or business owner — "aye bossman get me the 3 wings and chips yeah")

big man (usually used in a sarcastic friendly but kind of demeaning way, the older cousin of "big guy" — "oi big man what you sayin' cuz?"

i wasnt going to put these here cause of personal preference but 😭 people are gonna use them anyway so i might as well tell you what they mean:

peng (adjective cute/pretty — "her? she's peng!")

leng (adjective hot/sexy — "rah, he's leng you know?)

nouns

ting (usually to refer to a girlfriend but can also just mean "thing"... or a knife? — "don't chat to my ting fam!")

grim (very outdated word for a promiscuous woman — "she's a grim bruv!")

skeng (gun)

shank, spinner (knife)

paper, Ps, pronounced "peas" (money)

ends (neighbourhood, area — "if i catch you in my ends yeah")

mandem (group of friends — "having a laugh at the pub with the mandem" aha)

gyaldem (group of women / female friends)

ganja (weed)

blem (cigarette)

pagan/paigon (snitch or untrustworthy person, not a super common you might wanna use "snake" or "snitch" instead)

wasteman (someone who's useless, a lowlife)

pussio/pussyo (pussy, coward)

other common words and phrases

wagwan, or "wag1" in text (what's up, what's going on)

bare (a lot — "i got bare problems with him!")

gassed (prideful, full of yourself — "im actually so gassed, man got promoted"

"and that" (instead of "and stuff" — "i got links and that")

"allow it" (let something slide — "i forgot my wallet allow it bossman")

safe (like "alright cool", or as a bye — "aight safe")

"pattern up" (fix up, get it together)

hard, tight (cool, good, though "hard" is also used in an offensive way — "bro thinks he's hard, pussio")

blam (to get shot, not actually very common to hear in my experience)

sheffed (up), shanked (to get stabbed)

ahlie (used as an interjection when in agreement with something, similar to phrase "am i lying?")

non-mle specific words i hear sometimes

thick (dumb, stupid)

clapped/tapped (ugly, weird, unattractive)

merk/murk (kill, beat up)

slag, sket (slut)

chav (used to refer to someone of the low social status, associated with violent or rude behaviour)

taking the mick, taking the piss (being annoying)

mad (means crazy obviously but people use it a lot, can have positive and negative connotations — "that's mad!")

nonce (literally means pedophile / sex offender, do what you will with it 😭)

dickhead, bellend (similar to douchebag)

wanker (used towards someone you dislike, or in a joking way)

geezer (usually to refer to an old man)

also!!!

depending on which communities are predominant in the area, words from other languages can come in / have come in

some words are common with US slang too because they share origins 😁 ain't that cool

there's a lot of influence from jamaican patois due to the history of british jamaicans in london for ex in words like "ting" or "mandem" or "wagwan" (hence why mle is sometimes referred to as "jafrican") and its not strange to hear "bomboclaat" or "bloodclaat" here either

in communities where there's muslims and arabs (especially in east london) you might hear arabic terms like "wallahi", "khalas" or "astagfirullah" (though people debate whether that's cultural appropriation or not)

south asians have also had an influence with words like "gora" or "ganja" though again this is largely area based and the impact of hinglish is also found a lot outside of london

some people have a mix of different dialects! i mainly alternate between mle and estuary (sometimes yorkshire don't ask it is very easy to pick up...)

you're not gonna hear every single word here all the time the usage varies throughout london. the way north and west londoners speak can be v different for example

uhhhh if you wanna learn properly just listen to some grime or sutn . listen to londoners speak!

for some more resources in-depth PLEASE check out these guides made by other british people ! (one and two)

ok that's it bye bye british ppl & londoners feel free to add on! it is midnight rn so ive probably missed stuff lol... dms are open in case you've got any questions or want any help :p

#vee rants #hobie brown x reader #spider punk #spider uk #hobart brown #hobie brown #hobie brown x gn!reader #british accent #london accent #potential to be edited

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monimccoythings · 2 months

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Random headcanons of Alastor and his child!reader

This will mix headcanons from both the living and the afterliving times.

Tw: Controlling behavior, implied cannibalism, references to murder.

This is not proof read so I apologize for any grammar and vocabulary mistakes.

Your home is always filled with music. Be it the radio, a record player or him singing. There's always someone playing a tune. Even now at the hotel you can always find him in one of the common rooms humming a song or with his cathedral radio on.

Loves dancing with you, you'll be helping him cook and next thing you know he is swirling you around the room, music mixing with your combined laughter.

From a very young age, he will teach you to love the radio. He is immensely proud of his job (the legal one) and wants to share it with you.

Likes to treat your wounds and illness the traditional way, just like he used to when you were alive. You got a scratch? He is cleaning it for you and bandaging it up. You are down with something? He'll wrap you in blankets with a hot water bottle and feed you old family remedies and warm soup. If the wound or illness is way too severe to his liking, he will immediately make it go away with a snap of his fingers, otherwise he just likes to act like your caregiver and mother hen you.

Really loves to pull the 'single hardworking dad' act that makes the mothers and female teachers at your school swoon. He is not really interested in pursuing anything further with them, but boy, does he enjoy the attention.

He likes to check on you while you are sleeping. Sometimes he just stays there, quietly watching you sleep, his ever present smile growing bigger as a sense of pride fills his chest.

Lots of dad jokes, I think he's the only one who could pull it off and have everyone laugh. It goes with his radio host charisma and personality.

He does your hair. This man has singlehandledly researched and become well versed in the art of braiding hair. Braids, pigtails, or just brush it, you call it, you got it.

Alastor loves control and having power over people, he is the kind of dad that will subtly talk you out of doing something he doesn't approve of, just using his inmense charms and smooth talking skills to convince you into thinking this was your decision after doing some critical thinking. "Cher, I don't think you should do X, how about you do Y instead?" "I'm sure your friend is too busy to hang out today, why don't we go to the ice cream shop?" He won't ever put you down or make you feel bad about anything, but if you are deviating for the path that he has already set for you (the safe path) he will immediately persuade you to go back to the right way, his way. In Hell that aspect of him has become a million times worse, since he has already lost you once and has become someone with many dangerous enemies who wouldn't hesitate to use you to get back at him. His overprotectiveness and controlling behavior skyrocket when he becomes a demon, which eventually will come back to bite him in the ass.

Doesn't like having anyone question about your biological parents. He is your parent. You don't need anybody else.

Alastor is not fond of physical affection, unless he is the one initiating it. But, since he has had you since you were a baby, he has mostly grown used to your touch. He has become proficient enough in detecting your moods that he knows exactly when you are going to need a hug, a kiss or some other kind of physical comfort, so he can get ahead and start the contact first. He admits that one of his favorite ways nowadays to show affection to you is ruffling your fluffy hair, lightly tickling your ears, his eyes fill with joy when your ears get all twitchy.

Your room back at the hotel is a carbon copy of the one you had back when you were alive, but bigger, and with a private old timey bathroom. Alastor likes to come in whenever he pleases, he is the unliving embodiment of "I'm respecting your privacy by knocking but asserting my authority as your parent by coming in anyway". He even said so once. Word by word.

You can't stand Mimzy. Sorry, it's a fact, she always gets your name wrong and only comes by if she needs something from your dad. She seems to not be very fond of you either, can't understand why in Hell Alastor would waste his time so willingly just to take care of a snooty brat that ain't even his. But your father seems to like her enough, so you swallow up your critics.

When he was alive, and came back from a 'hunt', he always brought a little memorabilia for you, maybe some old watch, a fancy toy or trinket the victim had on them at that moment. Whatever little thing that wasn't too incriminating and pretty enough to be worthy of you. Now that you know the truth, you can't stop wondering with dread if every little thing he gifts you belonged once to a poor tormented soul that crossed in his path.

Might had fed you human remians in his stews. He utterly denies it, claiming that he would never do that to your delicate stomach. But the suspicious way his eyes quickly dart around the room, makes you think otherwise. It was the Great Depression after all, food was scarce. You'd rather not dwell too much on it or you will never eat anything ever again.

He is a monster, and it pained you to have been so blind all these years, but even after discovering his true nature, the only thing you could say about his parenting before that terrible night of the discovery, was that he was an excellent dad, a tad bit overbearing and overprotective, but a great parent nonetheless.

#alastor #hazbin hotel #alastor x reader #hazbin hotel x reader #tw: controlling behavior #tw: cannibalism #tw: murder

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yourheart-inmyhands · 22 days

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My brain is acting up again 😭

Yan! Diluc, Zhongli (I swear I love this man) and Dottore having a conversation with their darling and out of nowhere they spill facts about how to hide a body or make it decompose faster.

If they ask how they know they just chuckle and continue their conversation.

They got it from Reddit fr 💀

- Weird anon ✨

ah i am also obsessed with death and decomposition, with a good mix of anatomy, though i try to avoid just finding random facts, i buy textbooks and research books about the topics to further my knowledge on the subjects :3c

Warning: this post contains yandere-themes, including obsessive behaviors, mentions of violence, lots of talk about death and facts about death, creepy behavior, as well as other potential topics. Please read at your own risk!

Diluc:

He finds it amusing at first, not really commenting on it and simply letting it be. Soon enough though he starts sharing facts of his own, making minor corrections or suggestions to the ones you bring up. Sometimes he even adds on to what you already have, changing the course of the conversation momentarily.

It’s not talked about often but Diluc is no longer allowed in Snezhnaya for a reason, he’s seen more than his fair share of bloodshed and has no problem offering you better suggestions than what you previously thought to be best.

He makes a little game out of it, even going as far as to offer to test your claims. Diluc doesn’t see the harm in it, if anything he’s merely indulging in your interests, bonding with you over it. Strange as it is, he thinks it’s fun.

“Did you know the main reason why corpses smell so bad is because when people die, their bladder empties out?” Diluc chuckles at your question, the conversation shifting from possible dinner options to that of death was nothing new to him, yet it never failed to amuse him. “I did. Did you know it’s because when you die every muscle in your body relaxes, which means anything in your bowels is emptied out, no longer held back?” A bit of a tangent never hurts, especially not when it comes to a topic you seem so sporadically fascinated with. Diluc could sit here and watch you talk about this endlessly, the way your face suddenly lights up as you blurt out a random, off-topic fact. It was like seeing a kid walk into a candy store.

Zhongli:

Zhongli takes it a bit too seriously, often correcting you on common misconceptions or myths. He’s still lighthearted about it, but he doesn’t want his beloved darling to be in the wrong about this kind of thing.

He’d hate to see your spirit crushed by someone else, their offense to the sudden topic change springing up as a rebuttal. He’s simply protecting you this way, making sure that no one can challenge anything you say.

All his knowledge doesn’t come from nowhere though, so do keep that in mind should you ever try to challenge him on anything. Not only has he lived far longer than you, but he and his spear have seen, and done, many things

“Zhongli! Did you know that after death, your hair and fingers still grow for a short period of time?” Pausing mid-explanation, Zhongli processes what you said before smiling fondly at you. “No, my gem, they do not. It is actually the skin shrinking back from loss of moisture. That movement of the skin gives the appearance of the nails and hair growing.” Zhongli doesn’t falter even the slightest in his correction, merely stating it as if it were common knowledge, which it ought to be. This is a fairly common occurrence, with your little interruptions being met with either encouragement from Zhongli, or simply corrections.

Dottore:

He’s probably the worst to bring this up around as he likes to make a competition out of it, going back and forth about gruesome facts until one or the other caves.

Not only has Dottore learned a lot about death, but he’s been responsible for just as many. His knowledge far extends past the random facts you collect.

It’s not surprising that Dottore knows more than you, he never holds it against you though. Every time he wins a little bit of the banter between the two of you he sees it as a win for both of you. You get more facts and he gets to assert his position of higher power over you.

“Rigor mortis occurs 6-12 hours after a death but can last 18-36 hours before the body returns to being soft and floppy.” Dottore doesn’t even falter as you shift the conversation, easily following your lead. “Suffocation is more than just a painful way to die. Oftentimes victims of suffocations will try to free or save themselves to no avail as their limbs will cease function, this is because their brain is trying to preserve oxygen which leads to them being unable to free themself and dying.” The smile on his face is only a few inches wider than normal, his eyes twinkling with the same challenging shine that always comes through when you bring up death. If you weren’t well aware of his affections for you, you’d almost believe he loved talking about death more than he loved you.

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olderthannetfic · 26 days

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https://www.tumblr.com/olderthannetfic/746553097204203521/the-fandom-hates-women-response-to-lack-of-ff

The "fandom hates women" part of it comes from the fact that fandom as an entity just doesn't watch the kind of media that draws femslash, even if it ticks all of the boxes of things those very same people say they like. There are so many times I've watched a show that I've seen mega-popular Tumblr posts wishing existed, and then the fandom is so, so small comparatively and often in general. There have been superheroes, vampire/supernatural shows, fantasy shows, movies, books, the list goes on, that feel like they were generated out of Tumblr's desires for ideal fandom media, and everyone knows they're never going to attract anywhere near the same attention for fandom and fanworks because the common denominator just tends to be that if there isn't a full ensemble of attractive men to ship either with each other or with the women, fandom's not interested.

So it's not about prioritizing women in that sense, it's about people witnessing hypocrisy over and over again the second a show doesn't have a mostly-male ensemble. The people who are in these fandoms are frustrated that good faith attempts to get people interested are met with every excuse in the book that all eventually boils down to "I don't like watching stuff with women in it as much as I like watching stuff with men in it." And if that's how people feel about it... sometimes the conclusions are going to turn into the more uncharitable take of "fandom hates women."

Maybe, but whenever I see a "fandom hates women" reblog of my stuff, one or two reblogs further down the chain I get an overt TERF. I just had to go block several people today, in fact.

The first person to reblog with a comment like that is usually subtle, but their friends and friends of friends are not. The rhetoric that very quickly starts is the fandom equivalent of that "All the butches are becoming trans men! We're losing lesbians!" stuff.

Here's the thing: I've been in ten billion fandoms that were so awesome and fit fandom's supposed tastes to a T and yet no amount of promoting them could get anyone to try the canon. This goes for canons that are all men or all white men or all majority ethnicity men or whatever else.

The default state of media is to not engender a big fic fandom.

I agree that the rare outliers mostly follow certain patterns, but we extrapolate too far when we say that a lack of those patterns is why a fandom is small.

A fandom is small because that's the near-universal default.

Yes, a small slice of fandom consists of guilt-ridden queer fujoshi who say they want more f/f but don't make much of a move to make that happen. I tend to run into that a lot because of my own tastes and having friends who share those tastes.

Far more of fandom is people talking generally about how representation matters without saying they would personally join these fandoms if they existed.

Neither group is large enough to be the real reason some woman-heavy canon fails to take off to HP levels.

The real reason is not hypocrisy but the fact that most things don't take off like that. Most things without massive, massive audiences especially don't take off like that. And the very few things that do are flukes and don't actually predict that another similar thing will take off in the future.

Go to AO3's tag search. Search for all canonical fandom tags. Sort by uses and descending order.

Right now, I get 64,390 tags.

The first page, 50 tags, goes from HP with 497,845 works to the Thor movies with 59,266 works. By page 6, we're below 10 thousand works.

By the end of page 10, we're down to Labyrinth with 3,906.

Somewhere in the top 500 AO3 fandom tags (many of which are just franchise metatags for each other), we go all the way from megafandoms to medium size and down to relatively modest ones.

That's not a lot of room for a big f/f-heavy fandom given the trends in mainstream media and that mainstream media is where most really big fandoms come from.

I also notice that you're conflating a lack of desire to watch something that's primarily about women with a lack of desire to watch something that includes women.

There are tons of fans who want something more like The Mummy with a leading man and leading woman they love.

Granted, that's not me and that's not a lot of my fujoshi/slasher audience, but it's extraordinarily common. I know plenty of people who don't like canons that are only dudes, but since they also don't like canons that are only ladies and they don't ship f/f, this gets spun into "fandom hates women".

Let me be clear:

Conflating "lesbians" and "women" is a radfem position.

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mysecretlittlelibrary · 7 months

Text

A Moment's Silence

Pairing: Loki x Reader

Word Count: 3.4k

Warnings: Oral (f receiving). unprotected sex, marking, praise, Loki got a dangerous mouth but this isn't too bad.

Genre: smut & fluff

Summary: Loki hates when you touch him, and you thought you knew exactly why. // A moment's silence when my baby puts her mouth on me ~ Moment's Silence (Common Tongue) by Hozier

***

The first thing Loki learned about you when you moved into the Avengers Tower was that you are touchy. Not in the 'you're too sensitive' way but in the you're very affectionate way. You're always greeting people with hugs and you cuddle whoever sits next to you during movie nights and whenever you're going somewhere with someone you're either holding their hand or linking arms with them. It's pretty different from the rest of the people living here. Except for Thor, no one here shares your affinity for touch but everyone loves you so they take it in stride. Welcoming your hugs and cuddles and hand holds to the point that most of them have become accustomed to it, expecting it more often than they want to admit.

Except Loki. Loki doesn't do touch and no amount of seeing you do it will make him more comfortable with it. You're no fool. You recognized early that although the others complained when you hugged them there was no real fight in their objections, with Loki it's different. He'd go as far as to disappear on you if you tried to hug him so you stopped. You don't hug Loki, or sit by him during movies, or try to grab his arm on the rare occasion that you're going somewhere with him. Honestly, for a while you didn't spend much time with Loki in general, you weren't sure how to. He was clearly a loner and you assumed you didn't have much in common. He didn't seem eager to bond with you either so you left him to his own devices.

Until recently. You've started spending a lot of your free time in the tower library and evidently, Loki is quite fond of the space too. So you kind of just share it. If you find yourself in there at the same time as him you say hello and pick a corner to do your reading. Sometimes you talk to him a bit and other times you just share each other's company. It's becoming a kind of lovely routine, at least in your eyes. You have no idea if Loki enjoys it as much as you actually but he can be pretty conversational on occasion, usually as long as you're not too close to him.

"Hello Loki." You say when he walks into the library. You've already been here a couple of hours, you honestly didn't think you'd see Loki today.

"Hello y/n. How are you today?" He asks.

"Pretty good. How are you?" You set your book face down in your lap as you watch him walk out of sight to one of the shelves.

"I'm alright! What are we reading today?" Loki's voice carries through the room to you.

"I've picked up a romance for now."

"Not legends and myths for once?" You can hear the teasing in his voice at his question.

"Fuck off I read other stuff." You laugh.

"News to me."

"And what will you be reading today god of mischief? Sifting through spells as always?"

"I was thinking poetry actually." Loki finally appears from beyond the stacks with a book in hand.

"You're a poetry fan?"

"Don't sound so surprised." He rolls his eyes as he sits in the armchair across from the couch you're lying on.

"Well, it's not like you use that silver tongue of yours to recite sonnets." You snort picking up your book.

"Some would say this silver tongue of mine has quite a way with words."

"And I'm sure it does but weaving together lies isn't the same as poeticism. No one will be mixing you up with Robert Frost or William Shakespeare." You muse, your attention drifting back to the story you were invested in before he arrived.

"Your midgardian bards are of no competition to a god you know."

"I'm sure Asgard has its own famous poets of which I'm sure no one would compare you to either." You mutter as you read.

"Now that's harsh." Loki says. You mumble an affirmative dismissively as the drama picks up in the chapter you're reading. Loki takes the hint and leaves you alone as he opens his own chosen read for the afternoon and you spend the rest of the day in silence. Until dinner.

"I'm making dinner and it's movie night. Are you joining us or will you stay here?" You ask, standing up.

"Do you want me to join?" Loki asks.

"I mean- not if you're going to be miserable. I'm just headcounting."

"The others aren't usually as welcoming as you can be."

"Well I w-" You stop yourself. You've only just started to form a friendship with Loki, as much as you enjoy spending time with him you can't outwardly say it. Well maybe you could but you have a feeling the skittish animal approach is best. "I wouldn't be... disappointed if you decided to join us."

"I'll think about it." He hums.

"Alright. See you, maybe." You leave with your book intent on finishing it after movie night. You drop it in your room before going to the kitchen to make dinner. Meatballs, mashed potatoes, and broccoli. It takes almost an hour to make enough for everyone and by the time you're done, most everyone's gathered in the living room.

"Dinner's up! Stevie, Bucky come grab the potatoes and broccoli please." You say grabbing the bowl with the meatballs.

"Coming!" Steve says as he and Bucky hop up from their seats and carry the other serving plates to the big table in the living room where the others are waiting.

"And Sam can you get plates for everyone hon." You say.

"Oh sure." Sam says.

"Get the soda from the fridge too! And the solo cups!" Tony calls after him as he heads into the kitchen.

"Man you coulda just got up and helped out like the rest of us." Sam rolls his eyes but he gets the soda and cups anyway in addition to the plates you asked for. You catch movement in the corner of your eye while everyone is serving themselves and your gaze pops up in time to see Loki strolling into the main room.

"Loki!" You smile before you can stop yourself.

"Brother! Will you be joining us for our moving picture night?" Thor asks.

"Yeah sure." Loki says.

"Brilliant!" Thor nods getting up to clap a hand on Loki's back.

"I made meatballs and broccoli and mashed potatoes if you'd like some. We were just getting settled before we start the movie." You tell him. To your surprise, Loki takes the empty seat beside you and you can only hope your shock doesn't show on your face.

"I haven't missed anything then?" Loki asks.

"Not really." You shake your head. Loki nods and serves himself food.

"Whose pick is it tonight?" You ask once everyone has food in front of them and a few of the boys have already started eating.

"The kid." Tony says, shoveling mashed potatoes into his mouth.

"Yeah! I uh decided on Now You See Me." Peter says.

"Nice." Natasha nods.

"What is that?" Loki asks you.

"It's a heist movie." You tell him. "Peter, have you seen it before?" You ask.

"Uh-"

"It's not like the baby spider's gonna be attempting anything like this." Clint scoffs.

"That's not why I asked. I'm just wondering if he picked it because he wants to watch it for the first time or because it's a favorite." You roll your eyes.

"I've seen it once. I just thought it would be a fun watch." Peter says.

"Well let's start it then. Yes?" Wanda prompts. Peter sets up the movie and soon everyone's attention is on the screen as they eat. It's about halfway through the movie that your usual habits kick in and you lean over to place your head on the shoulder beside you- until you remember it's Loki by your side and Loki doesn't like being touched. You lull your head back and around to tilt the other way. Wanda's on your other side but she's cuddled up with Vision so you'll just chill with your head against the back of the couch. No biggie. One movie bleeds to the next though and apparently at some point you start drifting off. Not for long, maybe 5 minutes but when your eyes flutter open again your head has made its way to Loki's damn shoulder. You pull off when you realize, surprised he didn't shove you away whenever you landed there.

Loki had held his breath when he felt your head on his shoulder. He was reluctant to admit the weight felt- oddly comforting. If anyone asked he'd deny it to high heaven but he was pretty content with you leaning against him and when you'd woken up and abruptly moved he almost wanted to protest. Almost.

When the second movie ends, most of the others start cleaning up the living room. Since you made dinner, this part isn't your responsibility so you get up and excuse yourself from the group.

"Goodnight everybody." You say to the room. "And Loki, thank you for coming." You add just for him to hear. Before you can think better of it your hand runs gently through his hair when you speak to him but by the time he's reacting to it you're already disappearing down the hall to your room. Loki spends the rest of the night thinking about your hand in his hair, your head on his shoulder, the way you so casually thanked him at the end as you left- it was something so unfamiliar that he didn't know how to deal with it. And how insufferable to be up all night over this.

The next day when you enter the library after breakfast Loki is already there sitting on the couch in your usual shared space. You're almost done with the novel you picked up yesterday and your plan is to finish it now.

"Hello Loki." You say to him as you take a seat on the opposite couch.

"Hello y/n." He says. You don't notice the way he looks at you over the top of his book for a moment. He's not sure if he should talk to you about the night before or not. How would he even bring it up? The two of you maintain your usual quiet company for a few hours while you finish your book. When you've read the last page you return the book to the shelf you found it on. While walking back to your couch you almost crash into Loki who at some point stood up when you were looking for a new book.

"Oh shit- my bad Lo." You say.

"You dropped your bookmark." Loki says holding up the flat dragon-shaped metal. You gasp and pat your back pocket where you thought you'd put it.

"Fuck- thanks. It was a gift so- would totally suck to lose it." You say, throwing your arms around him. Loki doesn't feel the urge to magically escape your grasp and he almost stops you when you let him go. Almost. "Sorry- impulse." You mutter grabbing your bookmark from his hand.

"You're usually much better at not touching me." He points out.

"I guess we've been spending so much time together that I kind of forg- sorry man. Won't happen again." You mutter.

"I wasn't- I know that's what you're like. It wasn't a complaint. Just an observation."

"You can say it wasn't a complaint but I know what you're like too. You hate being touched." You scoff.

"That's not totally accurate."

"What?"

"Usually you're right- I do hate being touched but with you I don- it's not that I hate it but I still can't stand it just- in a different way than I'm used to." Loki says carefully.

"What does that mean?" You chuckle.

"I'm- not entirely sure." He frowns.

"Well, what if I- do you mind if I touch you now?" You ask carefully.

"That's- fine." Loki says, hesitation clear on his face. You lift your hand to his cheek gently and his eyes close when your skin touches his. You let your thumb graze him softly as his brow furrows. Loki's hand snaps up around your wrist moments later and he moves your hand just enough to break the contact. "I can't-"

"What is it?"

"Too much- it's too much. I feel- entirely too much when you touch me, I can't-"

"Can't what?" You tilt your head curiously.

"I don't know how to handle it. I want- I want more than I can have."

"Say more, please."

"When you... do that. When you touch me it- I don't know how to explain it I just want more from you. Like- like I could devour you whole and it would still not be enough and I- I can't, we can't- so you can't touch me."

"Why can't we?"

"What?" Loki's eyes widen at your calm question.

"You're saying we can't but- why? Is it- is it that this is a desire you have but wish you didn't or-"

"No. That's not it."

"Then- why... can't... we?"

"Please don't say things like that. Not if you don't mean them. I cannot take it."

"I wouldn't say it lightly. I don't understand why you're so adamant that I wouldn't want- that you couldn't have more from me if you asked."

"If I asked?"

"Yes. Tell me what it is you want from me Loki."

"Why would you make such an offer?"

"Why wouldn't I?"

"Nobody wants-" Loki pauses, his gaze dropping as if the floor is more interesting to look at than you. "I just wonder how this is advantageous to you in any way."

"Do you think yourself that undeserving?" You frown and his eyes snap up to yours.

"I never said-"

"You don't always have to. Sometimes it's what we don't say that ends up being the loudest." You say. "I'm going to touch you again Loki. This time when it gets too much just- give into that feeling."

"You have no idea what you're signing up for." Loki's eyes are wide.

"I trust you." You whisper and his features melt into a soft grin, as if your words settled something within him. You place your hand on his cheek again, watching his eyes flutter shut as he leans into your touch. The moment stretches for a while until Loki's hands settle on your waist and pull you against him to bring his lips to yours.

The kiss is soft, hesitant, at first- as if he's expecting you to withdraw, but when you drape your arms loosely over his shoulders and deepen the kiss all manner of shyness seems to leave him. The kiss becomes harsher, more desperate, as if he's trying to devour you and give you all he is at once. You match him moment for moment, tongues dancing, hands roaming as you pour everything into that kiss. Loki lifts you and you wrap your legs around him. You pepper his face with sweet kisses as he carries you to one of the couches.

"Are you sure you want to give yourself to me?" Loki asks quietly.

"Are you sure you want to give yourself to me?" You turn the question back to him and he drops to his knees in front of you.

"I have given myself to you a thousand times over, long before now. I belong to you without question." His eyes pierce yours with their intensity as you allow his words to sink in. You almost can't believe he's said it but there's no denying the truth in his voice when he stares at you so earnestly. You clutch his face in your hands, meeting his gaze with equal candor.

"Then you may have me Loki. I am happy to give myself to you." You tell him and he lets out a deep breath. He says something to himself before tugging at the waist of your shorts. You help him take them off of you along with your panties before he speaks again.

"I have wondered for too long how you would taste on my tongue." Loki mutters as he spreads your legs. Before you can fully process the sentence to come up with a response, Loki buries his face at the apex of your thighs. He licks a stripe along your entrance, collecting the evidence of your arousal, letting out a groan as the essence of you floods his tastebuds. You gasp, threading your fingers into his dark hair as his tongue plunges into you, caressing your inner walls, lapping at your juices.

"Oh- oh god." You breathe out, your back arching towards Loki's eager mouth. He groans against you, the vibrations only adding to your pleasure as you squirm against his face. Loki brings his hands up to your thighs, holding you still and open for him as he switches focus, dragging his tongue against your clit in the most delicious way. His movements are sharp, calculated, his eyes on you as he watches what pulls the strongest reactions from you and focuses on those things until your body tenses beneath his hands. Loki pushes two fingers between your walls and curls them as his mouth latches onto your button. The combination is deadly and you can't stop the cry you let out as your orgasm hits you full force. Loki gently works you through it with his fingers and tongue and only when your breathing goes from harsh pants to shuttering draws does he sit back. He makes a point to link his fingers clean when your eyes flutter open.

"Even better than I expected." He says.

"What?" You ask with a breathless chuckle.

"How you taste, the sight of you in pure pleasure, the feel of your skin against mine- all of it, even better than I imagined." Loki punctuates each item on his list with a trail of kisses until he's hovering over you.

"Yes well, how nice to learn that silver tongue of yours is good for more than smart remarks." You smirk and pull him down into a kiss, tasting yourself on his lips and not caring, you simply want to be connected like this forever. Your hands trail down Loki's abdomen, freeing him from his own pants which he shoves the rest of the way off when you can no longer push them yourself. His kisses drop to your neck as he does so.

"You'll have plenty of time to learn all that my silver tongue is good for." He mutters against your skin. You giggle at his words a bit though it's shortlived as Loki chooses that moment to rock his hips into yours and the stretch of his length turns your giggle to a gasp. He takes his time working himself between your walls, allowing you to feel every single inch of him as he pushes deeper and deeper until he eventually bottoms out with a groan. "Stars above you're so- warm." He pants out. He's not moving, you realize, waiting for you to adjust so you tilt your hips forward, grinding against him impatiently.

"Loki please- move." You mewl and that's all it takes. Loki's hips knock back and he drives into you with full force, setting an even pace of deep thrusts meant for you to feel every drag of his dick against your walls.

"This- I'm sure, is Valahala." Loki pants out as he's fucking into you.

"So good- Loki it feels so good." You slip your hands into his shirt, dragging your nails across his back.

"I know my darling. I know." Loki hisses at the sweet sting from your claws. His rhythm doesn't falter as you cling to him, in fact, the feel of your hands against his skin sets Loki alight. You moan breathily, relishing in the way Loki fucks into you almost wildly. The heat of your walls is dizzying and Loki can already feel his release creeping down his spine. He slips a hand between your bodies and finds your clit, rubbing circles against the bundle of nerves. Your back arches as a whimper falls from your lips, the extra stimulation quickly bringing you closer.

"Loki-" You whine.

"Let go for me love. Show me how good I make you feel. Let your release coat my dick." Loki coaxes as his fingers dance along your clit as if he's already worked out all your right buttons to push.

"Oh my g-" You gasp out as your orgasm hits you like a wave crashing.

"Beautiful." Loki breathes. "I could watch you do that a thousand times and never tire of the face you make in ecstasy."

"Your turn now sweetie, show me what face you make in ecstasy Loki." You say gently, one hand threading into his hair. With your encouragement, it doesn't take much more for Loki's hips to stutter as his orgasm means the flooding of your walls in liquid heat.

You both lie still for some time, Loki only half holding himself up to avoid crushing you on the couch. You really can't believe the grumpy god that would straight up disappear if you so much as tapped his shoulder is currently lying in your arms. He can hardly believe it himself, but it's as soothing as he could have hoped. Not that he'd- ever admit that.

***

#marvel #marvel fanfiction #loki #loki fanfic #loki x reader #loki fluff #loki smut

813 notes · View notes

scoonsalicious · 1 month

Text

Chapter 6, Unattached - Pt. 1

Pairing: Bucky Barnes x Avenger!Fem!Reader

Summary: When your FWB relationship with your best friend Bucky Barnes turns into something more, you couldn’t be happier. That is, however, until a new Avenger sets her sights on your super soldier and he inadvertently breaks your heart. You take on a mission you might not be prepared for to put some distance between the two of you and open yourself up to past traumas. Too bad the only one who can help you heal is the one person you can no longer trust.

Warnings: (For this part only; see Story Masterlist for general Warnings) Language, angst (Bring on the Pain!), alcohol usage, dumbass Bucky, noncon kissing that becomes con kissing, so..., arguing, jealous!Pocket, posessive!Bucky.

Word Count: 5.4k

Previously On...: After Bucky left you alone in your room, not wanting people to get 'the wrong idea' about the two of you, you came to the horrible conclusion that you were in love with your best friend. What the hell are you going to do about that?

A/N: Wow, okay! So, first off, Chapter 6 is long, and it only has the one part, so don't worry if you go looking for more and the next thing you find is Chapter 7! Second, there's a lot of progress and updates on Unwanted I wanted to share! I am already well into writing Chapter 14, and have planned out the rest of the story. We'll have a total of 25 chapters, plus an epilogue (unless something strikes me creatively that throws the entire thing for a loop, then all bets are off). This beast, as it currently sits, is already 208 Google Docs pages long and just shy of 80k words, so final product is probably going to be novel-length, which just blows my mind. I want to give a special shout out to @mrsbuckybarnes1917 for being my beta and my sounding board; your help and support has been immeasurable!

Thank you to all those who have been reading; if you like what you've read, likes, comments, and reblogs give me life, and I truly appreciate them, and you!

Banner By: The absolutely amazing @mrsbuckybarnes1917

Taglist: (Please let me know if you’d like to be added!) @jmeelee @cazellen @blackhawkfanatic @les-sel @marcswife21 @buckybarnessimpp @mrsbuckybarnes1917 @erelierraceala @hayjat @capswife @itsteambarnes @jupiter-107 @marygoddessofmischief

You stood in front of the doors to the common room, the low thrum of conversation and music filtering out from inside. Taking a deep breath, you tried for the umpteenth time to calm your nerves following your unsettling realization.

You had no idea how to approach this, how to approach Bucky. Do you tell him how you felt, in the hope that he felt the same way? But what if he didn't? Could you risk losing him all together? Or do you just keep on like nothing's changed, happy with what you have together? Would that be enough for you? Could you even be happy in a real relationship?

Why couldn't your mother have just been a decent human being and let you go to school like a normal child so you could have worked through all your awkward issues at the appropriate time, instead of saddling you with years of trauma and isolation that left you an emotionally stunted adult? God, you needed a strong drink and to talk to Nat, preferably in that order. Pushing open the common room door, you stepped inside, surveying the room with one eye out for Bucky, the other out for your friend.

It should have been of no surprise, then, that instead of either, you first spotted Jade Carthage. She was situated on a couch in the center of the room, like a queen on her throne before her court, and nearly every Avenger and agent with a penis was surrounding her, jockeying for her attention, even Clint who, you knew for a fact, loved his wife Laura more than life itself.

Your stomach dropped when, after one of the agents in front of the couch shifted slightly, you saw Bucky sitting immediately to Jade's left. And while it seemed like everyone else was clamoring for Jade to pay attention to them, she only had eyes for him. Jealousy coursed through you as she leaned in close, whispering something into his ear that had him throwing his head back in laughter. It was an entirely unpleasant sensation that you would be happy to never feel again. Especially because you knew you had no real right to feel it in the first place. You may have just realized you were in love with him, but he had made no similar declaration to you.

"Careful, you glare any harder, you're liable to bore a hole straight through him," Natasha said, coming up alongside of you.

"What if I aim for her, instead?" you asked, reaching for the tumbler of alcohol she offered you and taking a sip to distract yourself. It was like she could read your mind.

Nat shrugged. "So long as I'm not the one cleaning up the mess, I say have fun. But what happened to no-strings-attached, friends who happen to fuck?" Nat asked with a smirk. "Don't tell me you've grown strings, Pocket."

You looked away from the scene in front of you. "There might be some growing of string, in theory," you mumbled to her. Nat was the only person you had confided in regarding your arrangement with Bucky. Of course, your friend had been thrilled that there had been something going on between the two of you, but she'd been more concerned about protecting your heart-- was this the safest thing for you to do? You assured her at the time you'd be fine, but now...?

Nat's eyes widened as a grin took over her face. "Honey, that's fantastic!" She leaned in to give you a hug. "I'm so happy for you!" Taking in your forlorn expression, she quickly lost her good humor. "Why do you look like you're about to throw up?"

You cast another glance over at the couch. Jade was tracing her fingers along the golden veins of Bucky's vibranium arm and you felt like snakes were crawling through your stomach. "Because I don't know what the fuck to do about it, Natty," you told her with a sigh. "I've never felt like this before in my entire life and it's fucking terrifying; what if he doesn't feel the same way? Or worse, what if he does and I mess everything up because I'm so fucking damaged inside?"

Natasha looped her arm through yours, leaning into you. "Honey, first of all, you are not damaged. You've been through hell and it left its mark on you, that's true, but you've been so strong. We're House Martell, remember?"

You sniggered, remembering how, when the entire Tower was obsessed with watching Game of Thrones together and picking what houses you'd each belong to, you and Nat had been drawn to the words of the ruling house of Dorne. And also, Pedro Pascal, obviously.

"Unbowed, Unbent, Unbroken," you recited from memory, a reminder that despite the obstacles life had thrown at you, you remained standing, stronger for what you had endured.

"Atta girl," Nat nudged you with her elbow. "And second of all, you don't need to worry about Bucky's feelings. Boy's obviously mad for you. Everyone can see it."

You drew your bottom lip in between your teeth. "I don't know, Nat. He's been acting strange lately. I tried to give him head earlier and he flat out rejected it." Come to think of it, that was exceptionally weird since, in your text exchange, he'd explicitly told you he'd been waiting in your room specifically for the purpose of getting off.

"Huh. That's... not like him." Nat tilted her head and looked over at Bucky, expression curious. "Did he say why?"

"He was real eager to come up here and get in the middle of that, apparently." You waved a hand in the general direction of the couch where Jade's little reverse-harem was still going strong. "I was getting on my knees and everything."

Nat raised an eyebrow but didn't say anything.

"And then he made a really big deal about us coming up here separately. Said he didn't want people getting 'the wrong idea' about us if we arrived together."

Letting go of your arm, Natasha spun to face you, her face a mask of anger. "He said what now?!" she practically shouted, temporarily drawing everyone's attention to you. You looked around sheepishly as you tried to dismiss their stares.

"Nat," you begged in a whisper, "keep it down."

"Okay, okay, sorry." Natasha lowered her voice to a level only you could hear. "I'm sorry, but that's just complete and utter bullshit. Look, I know you guys think you've been in super secret stealth mode about hiding it, but pretty much everyone on the team knows you've been sleeping together. Hell, most of us placed bets on it." You opened your mouth in order to protest but she cut you off.

"If anything, it's weirder if the two of you don't show up to something together, so I don't know what the hell he's thinking."

"I do," you said morosely. "He doesn't want her getting the wrong idea about us."

"Pocket, don't even let your mind go there," Nat said.

"Think about it, Nat; I've been standing here for what, fifteen minutes now? And he hasn't even looked at me. When's the last time that happened?"

Nat's brows creased, her expression clouding over into something immensely sad for you, and you knew she was realizing what you'd already seen. In the last year, you and Bucky had been attached at the hip, nearly physically joined to one another, and if you were apart, your eyes were always scanning the room in search of the other's presence, seeking them out. The fact that he hadn't even looked for you, let alone come to you since you walked in, was telling in its own heartbreaking way.

Nat let out a heavy sigh. "Oh Pocket. Honey, I'm so sorry."

You shook your head, trying to dispel the tears that were threatening to fall from your eyes if you kept down this path. "Don't Natty, please. I can't fall apart, not here."

"Yeah, okay-- you're right. Now is not the time. Come on." Linking her arm through yours once again, she directed you toward the bar where Tony was standing, whiskey in hand. "If anyone can talk you to distraction," she murmured as you approached him, "it's Stark."

You let out a startled laugh and let her guide you toward the man who had already saved you more times than you could count.

"Hey, kiddo; Romanoff." Tony saluted you with his glass and you did your best to smile back at him as you stuffed your emotions down as far as they would go. "What do you think of our new recruit?" he asked Nat.

"I think 'Weasel' would be a better fitting code name for her than 'Vixen,'" Nat replied with a sly smile as she took a sip of wine.

"Ah, saw the security feed, did you?" Tony asked her. Nat nodded.

"Watched it live as it happened. Wasn't going to leave my bestie without eyes on her six." She gave your arm an affectionate squeeze.

Tony hummed and glanced over to the couch. "Wish Cap had been as discerning as you. He refused to watch the feed; said it made him uncomfortable to spy on someone when they didn't know they were being recorded." Natasha rolled her eyes.

"Always the fucking Boy Scout," she murmured.

"So, how did the interview itself go?" you asked Tony, not really sure you wanted to know the answer, but feeling the need to punish yourself with the details, anyway.

Tony leaned back against the bar, resting his elbows on the polished wooden surface. "If it were up to me, we wouldn't even be playing this charade right now," he said, motioning with his chin to indicate the meet and greet. "Girl's a first-class bullshitter."

"Talent recognizing talent?" you asked with a wry smile that almost felt genuine.

He pointed a finger and winked at you. "Exactly. She talked a good talk, but it doesn't take much to see she's suffering from Big Fish, Small Pond Syndrome. She's in for a rude awakening if she thinks she's ready to swim in the ocean with the whales and the sharks."

"So, you're not going to offer her the probationary position?" you asked, hope rising pathetically in your chest. As if you could un-ring the bell.

"Oh, I didn't say that," Tony said as you deflated. "It's not all up to me. Though, given the fact that I personally fund this entire operation, you'd think it really should be, right?" At the look on your face he moved on. "Apologies, I digress. Anyway, Cap thinks it's only fair we offer it to her, seeing as how we don't have a ton of other options knocking on our door, and Fury's not going to get off my ass until we find someone." He sighed. "I think this entire exercise is a waste of time, and we should be kicking her out on her ass for how she treated you earlier, Pocket, but I'm outvoted."

"Thanks, Boss," you said softly, grateful at least that Tony could see through Jade's facade and took how she treated you seriously. Too bad your best friend couldn't offer you the same courtesy.

The timer on Tony's watch went off. "And that's the dinner bell," he said, putting down his glass. Clapping his hands, he called out to the rest of the room. "Attention Avengers, SHIELD Agents, and... whoever else managed to sneak in off the street! Dinner is served, so if we could all head to the dining room before the food gets cold and Raul quits on me, I'd appreciate it very much."

You held back as the crowd of people noisily moved to the dining room, hoping to catch Bucky's eye, but he remained steadfastly absorbed in his conversation with Jade.

"Come on, honey," Nat said as she took your elbow. "You can talk to him during dinner. You nodded and allowed her to lead you into the dining room. You and Bucky had sat next to one another, without fail, for every meal for the last year, the only exception being when one of you was away on a mission. You'd have plenty of opportunities to talk to him while you ate.

Normally, you all ate at one large table, but since this was a special occasion that required the attendance of a lot more than just the regular 13 members of your family (14, if Parker was around), Tony had the dining room arranged more like a restaurant, with a series of smaller tables spread out throughout the space.

You and Nat followed Bucky and Jade to a six-top where Steve and Sam were already getting ready to sit down, but you froze in your tracks when Bucky pulled back a chair for Jade, pushing it in behind her as she sat down before taking the seat next to her.

The air seemed to grow heavy, as though it weighed too much for you to draw it into your lungs and your chest began to hurt. How could such a simple action be causing you so much physical pain?

Steve, who had already been sitting at Bucky's other side at the head of the table, caught your eye and moved to get up to offer you his chair, instead, as though that could make up for Bucky's dismissal of you.

You subtly shook your head, not wanting to draw attention to the awkward situation you found yourself in. Instead, you made your way over to the only two remaining seats at the table: the one next to Sam that was directly across from Jade and Bucky or the one next to Jade at the opposite end of the table from Steve. Deciding it was better to be sitting across from Steve than either of the other two, you opted for the chair at the end, and Nat slid in next to Sam.

You cast a quick glance in Jade's direction and had to stifle a sick laugh-- she was physically coming between you and Bucky, quite literally.

Jade reached a hand out to Nat across the table. "Wow! Black Widow! It is so great to meet you! My name's Vixen; I'm a huge fan! I'm so excited for us to be working together!"

Bless Nat, she just stared at the girl with arms crossed across her chest, impassive and judging, until Jade slowly and awkwardly pulled her hand back.

"I take it, then, that you've deemed the Avengers good enough to be your backup team?" Nat asked without expression.

You did your best to cover the laughter that escaped from you with a fake cough, but you didn't try very hard to be convincing.

"What's this about, now?" Steve asked, leaning forward.

"Little Vixen over here," Nat began, leaning back in her chair until she was perched on the two rear legs, "was live-streaming this morning to her social media followers. Told them it wasn't so much that the Avengers were interviewing her to see if she'd be good for the team, but she was interviewing us to see if we'd be good back up for her."

Jade had the decency to look embarrassed for a moment before she turned to face you for the first time, anger taking over her features. "So, what? Didn't much take you for a tattler. You that intimidated by me?"

You opened your mouth to defend yourself but were interrupted by the sound of the legs of Nat's chair slamming back against the floor. "Pocket didn't tell me shit. I heard it straight from your mouth on the security feed. That and a lot of other interesting things."

"You're spying on her, Nat? Really?" Bucky spoke up. "She's our guest and she deserves a modicum of privacy, don't you think?" You stared at him, open mouthed, but he didn't spare you a glance.

"It was a part of her interview, Barnes," Nat spat. "Maybe if you---"

"Okay, Nat, Bucky," Steve said, using his official Captain America voice, "let's table this conversation for later and just enjoy our meal. Raul worked really hard on tonight's menu, so let's not spoil it for him, alright?"

Both Nat and Bucky grumbled their agreement as the catering staff brought out the first course and placed them on each of your plates. Normally, you loved when Raul, Tony's personal chef, cooked meals for the team; he always made sure to throw in something with lemon in it, knowing how much you loved the flavor; but tonight, your appetite was failing you and you ended up pushing more food around on your plate than you put in your mouth.

You couldn't help but steal glances over at Bucky, who continued to be wrapped in conversation with Jade. You tried to keep up with what the others were saying, occasionally nodding your head in agreement to something, but you weren't able to pay any real attention; your mind was elsewhere until you noticed Jade looking at you.

"You know, I have to say I'm surprised to see so many non-Avengers here. I got the impression that this group was... I dunno, elite? But it seems like you just let anyone in."

Steve laughed from the other end of the table. "Being an Avenger is a team effort, Vixen. Everyone plays their part. And besides, Pocket here's just as much an Avenger as I am." The comment took you by surprise, and you gave Steve a warm, appreciative smile.

"Thanks, Cap," you said, truly touched by his words.

"Well, she's more like Avenger-adjacent," Bucky amended, and all the warmth you'd felt at Steve's compliment vanished in an instant, leaving you feeling cold and hollow. The words shouldn't have stung-- it was how you had referred to yourself hundreds of times, but you tended to reserve it for your low moments, when you were feeling unequal to Earth's mightiest heroes. Hearing the words come out of Bucky's mouth, as if he, too, shared in your belief that you were inferior to the rest of them... well, that fucking hurt.

Steve let out a surprised laugh and clapped Bucky on the shoulder. "Pocket may not have enhanced physical abilities or powers or what have you, but she's got a brilliant mind. She's got a PhD in Mechanical Engineering and Computation from MIT, three Master's degrees, she speaks seven languages, she's got a black belt in Krav Maga, and she was the youngest Chief Technology Officer in Stark Industries history; all without ever having formally graduating high school. It's no exaggeration for me to say that I'd be dead a couple of dozen times over if I hadn't had her at my six. If anything, I think it makes her even more important than the rest of us. We're here because of the physical things we can do– primarily because of things that happened to us by accident; Pocket's essential to the team because of how she thinks, and the strength and quality of the work she’s willing to put in. We're replaceable, Pocket's one-of-a-kind."

You looked at Steve as if seeing him for the very first time. You had no idea he thought so highly of you, and his praise warmed you. You offered him a soft smile, your throat tightening with emotion and leaving you unable to express your gratitude. You mouthed a silent thank you instead, hoping that conveyed how much his words meant to you. He winked back at you in acknowledgement.

Bucky glanced back and forth between the two of you, as if analyzing your silent exchange. He coughed awkwardly. "I just meant that we try to keep Pocket away from the really dangerous stuff," he backpedaled, poorly, in your opinion. "Can't risk her getting hurt." He smiled at you, but you just stared back, expression blank, until he looked away in embarrassment. Good. Let him feel an ounce of the discomfort you’d been feeling this entire time.

Small talk resumed around the table, with Sam telling Steve about some new modification he was making to Redwing, and Bucky and Jade back to being locked in their own bubble. You did your best to ignore the little glances and gestures that Jade directed to Bucky, but it felt like your eyes were drawn to them like a magnet every time she touched him. Which seemed to be happening more and more frequently. You couldn't help but notice the way he leaned toward her when she spoke. Did he ever do that when he was talking with you?

"So, Bucky," Jade said eventually, her voice low and flirty as the caterers took away the main course, "handsome super hero like you, you seeing anyone?" Your eyes snapped up to Bucky's face, watching him. Surely he was going to look to you, make eye contact, something to acknowledge what was between you, to make you feel like you were in the same room, hell, on the same fucking planet as him. But he didn't.

"Nope," he said, running his hand over the back of his neck like he always did when he was feeling self conscious or nervous. "Not seeing anyone, though I'm not opposed to the idea." You had been stabbed in the abdomen on a mission once, and that had hurt less than hearing the words that had just come out of Bucky's mouth. It took everything in you to resist getting up from the table and leaving the room at that moment.

"Really, man?" Sam asked from where he sat on the other side of Natasha, his voice hard in disbelief. The atmosphere at your table had shifted. Natasha, Steve, and Sam all stared at Bucky with looks ranging from incredulity to flat out disgust. Bucky either was oblivious to the stares or was doing a great job patently ignoring them.

You couldn't even bring yourself to look at him anymore. It felt like a betrayal, the way his eyes had met Jade's and not yours. How could he sit there and just completely deny you like that? Had you been deluding yourself? Had you just been some kind of fuck toy this entire time?

The caterers brought the next course, a cold raspberry soup. You sat there, staring into space as you mechanically spooned the soup into your mouth, trying your hardest to appreciate the taste, but everything seemed bitter in light of Bucky's attitude, actions, and words.

"Could you hand me the water carafe?" Bucky asked. You looked up to watch Jade hand him the bottle of water. "Thanks, doll," he said, smiling at her.

You dropped your spoon, letting it fall into your nearly empty bowl with a reverberating clang. Your companions at the table stared, eyes wide as their gazes traveled between you and Bucky. In his entire time at the tower, he had never once called another woman 'doll.' It was a moniker he'd specifically reserved for you.

Or, it used to be.

You could tell the exact moment when Bucky realized he'd fucked up. His eyes locked on yours, the color draining from his face. He opened his mouth as if he was going to speak to you, but you'd had enough. Without a word, you pushed back your chair with enough force that it practically tipped over and exited the dining room.

You made it all the way to the elevator before you heard him calling for you.

"Doll! Doll, where are you?" You stabbed repeatedly at the call button, as if it would bring the car to you faster. You could hear his footsteps drawing closer, and you really didn't want to talk to him right now.

Finally, the elevator doors opened and you slid inside, turning to press the 'Close Door' button just as you saw Bucky turn the corner to the elevator bay. You were ready to breathe a sigh of relief at evading him until Bucky's metal hand shot in the diminishing space between the closing doors. You were trapped.

"Doll, didn't you hear me callin' to you?" he asked as he slid into the car with you.

You looked around, as if searching for another person in the car. "I'm sorry, were you talking to me? Should probably be more specific with your pet names, then. A girl’s liable to get confused." You were impressed that the words came out as hard and bitter as you felt inside.

Bucky flinched. "I deserved that."

You leaned forward to press the button for your floor before crossing your arms and glaring at him. "You fucking think?"

"Look, it just slipped out, okay? I didn't mean anything by it. It's not a big thing you needed to storm out over." You rolled your eyes at him, disgusted that that was the only thing he seemed to realize he'd done to offend you all evening. "Pocket, can we just talk about this?"

"Oh, now you want to talk to me?" you asked, jutting out your hip in annoyance. "Seemed like earlier today, you couldn't wait to not be seen with me, or do you no longer care if people get the wrong idea?"

"Alright," Bucky said, slamming his fist against the elevator's emergency stop button. You stumbled as the car came to a grinding halt. Bucky tried to put his hands on you to steady you, but you pushed him away. "What is going on with you today, Pocket?"

"What's going on with me?" you asked him, incredulous. "What's going on with you? You've been an ass to me all night, that is when you weren't acting like I didn't exist."

"How am I being an ass?" he asked, voice rising. "You're the one who couldn't even hold a civil conversation with our guest! It was embarrassing!" You recoiled as if he'd slapped you, backing away from him until your back hit the elevator wall.

"Wow. Okay then." You blinked heavily, telling yourself not to cry. You'd be damned if you showed weakness in front of him now. Bury the emotions, encase them in ice. "Sorry I'm such a fucking embarrassment to you, Sergeant Barnes. Now that I know how you feel, I'll make sure to stay out of your way so you don't have to put up with me." You moved to press the button to restart the elevator, but Bucky grabbed your wrist.

"Don't do this," he growled at you. "Don't hide behind snappy quips so you can shut down and avoid having a real conversation with me." You stared between his eyes and where he held your wrist in his metal grip. It wasn't tight enough to hurt, but it was tight enough to keep you from breaking free.

His gaze softened as he watched you. "I never said I was embarrassed of you, Pocket. I just don't know why you had to be so rude to Jade at dinner tonight."

"Name one thing I did that was rude to her," you challenged.

"Okay," Bucky stuck out a finger as though he were about to count off all your grievous errors. "Let's see... You said... No, that was Nat... You were... okay, Steve said that... You said... No, that was Nat again." He looked up at you sheepishly. "So, maybe you actually didn't say anything during dinner, but not talking to her was still rude."

You scoffed. "You want to talk rude and embarrassing, Bucky? Do you know how embarrassing it was to have everyone staring at me when you pulled out my chair for Jade, or when my own best friend didn't defend me when she had the audacity to call me a fucking tattler? Like I’m some kind of fucking child?" Your voice was rising and you could feel yourself getting swept up in your anger. "How about the pity looks I got when everyone heard you lie about not seeing anyone, or when you called her 'doll'? Or when you told her I was 'Avengers-adjacent'? You think I'm the embarrassing one? You made me feel like an insignificant piece of shit tonight, Barnes. God, if it hadn't been for Steve saying what he said, you would have driven me to tears."

Bucky had been staring down at his boots as you'd been speaking, as though your accusations were too much for him to face head-on, but at the mention of Steve's name, his head snapped up, blue eyes like ice on your face. "Well, if Steve's such a hero, why aren't you fucking him, then?" he asked, voice clipped and bitter.

You yanked your wrist free from his grasp. "Maybe I should start!" you shouted. "At least he's not embarrassed of me and doesn't forget I exist when another pair of tits shows up!"

Bucky's gaze darkened and in an instant, he was on you, caging your body against the elevator wall, a hand on either side of your head. "Don't you even fucking joke about that," he snarled.

You jutted out your chin, refusing to show any sign of weakness, though his actions were beginning to frighten you. "Who says I'm joking? Sounds like a good idea to me; thanks for suggesting it." You moved to duck under his arm, but he grabbed you by the shoulders, pinning you in place.

His breaths were coming hard and fast now, as though he'd just run a marathon. His gaze darted between your eyes and your lips, as though trying to make up his mind about something. In the next instant, his mouth was crashing down on yours, his tongue demanding entry.

You gasped at the sudden intrusion and Bucky took that as his invitation, deepening the kiss with a primal fervor. His hands gripped your waist, pulling you into him. For a moment, you were stunned, unsure of what was happening. But then instincts took over – he was kissing you, really kissing you. Your stomach fluttered and your heart hammered in your chest.

One of your hands ran through his hair, while the other gripped his shoulder for support. His hands had somehow migrated beneath your shirt, thumbs rubbing soothing circles into the bare skin at your sides. You returned his kiss with as much intensity as he gave. But then suddenly, as if waking from a dream, you remembered why you were angry with him. You pushed against his chest, breaking the kiss.

You were both panting, and despite your attempt to put distance between your bodies, Bucky leaned down, resting his forehead against yours as he fought to catch his breath. "Don't," he whispered hoarsely, his voice heavy with an emotion you couldn't quite place. "Don't sleep with Steve."

"You realize how incredibly infuriating you're being right now, don't you?" you asked. "You can't just treat me like that, ignore me all night in favor of someone else, then kiss me and try to tell me who I can or can't sleep with."

"I know, Sweetheart," he said, nuzzling your nose with his, "I know and I'm sorry, but please, promise me: no matter how angry you are with me, don't sleep with Steve. You wanna fuck someone else to piss me off? Go fuck Sam, Thor, Rhodes, hell, even Parker. I'll hate it, but if it's Steve, it'll fucking kill me."

"Your signals are all over the place tonight, Buck," you sighed, letting out an involuntary moan as his lips found the sweet spot on your neck and sucked at your skin. You had to pull away before he turned you into a babbling mess. "If you think you can just kiss me into oblivion and I'll forgive you for everything you've said and done tonight, you better think again, because that's not happening."

Bucky ran both his hands through his hair, sending it pointing every which way. Then he pressed the emergency stop button again, letting the elevator resume its journey. "I know I owe you an explanation, Pocket," he said. "So, can we go to your room and talk? No interruptions, no one else, just you and me, okay?"

You studied him, considering. A part of you was still so angry at him that you didn't want to hear him out, but the part of you that loved him hated the idea of leaving things in a bad place. In your line of work, you never knew when your next goodbye might be your last goodbye.

"Fine," you said, dropping your shoulders with a sigh. "We can talk, I'll hear you out, but I'm not promising forgiveness."

He smiled, his eyes bright once again. "That's all I ask, Sweets. That's all I ask."

<- Previous Chapter / Next Chapter ->

#bucky barnes x reader #bucky barnes x you #bucky barnes x y/n #bucky x you #bucky x reader #bucky fanfic #bucky barnes #bucky barnes fanfic #bucky x female reader #bucky barnes fic #bucky barnes fanfiction #james bucky buchanan barnes #james buchanan barnes #mcu bucky barnes #james barnes

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ginevrapng · 7 months

Note

Can we get more bestfriend james stuff? Like how close is the reader towards the other marauders?

you're close to all of james' friends, especially the rest of the marauders and especially peter! you watch peter sometimes get left on the sidelines accidentally and you make a conscious effort to always and i mean always include him when talking to everyone and you ask his opinion on things. you and peter will share snacks and watch the others antics in the corner while grinning. you also share a lot of classes together so whenever possible you sit next to each other. you appreciate how peter doesn't always ask questions about you and james, he hasn't ever.

you can't say the same for sirius though. you have a suspicion that remus thinks your feelings towards james are less than platonic, and he does have that suspicion although he keeps hush but he does join in with everyone else when they tease you after they hear you call james 'jamie'. sirius questions your relationship especially when you first met him and it bugged you greatly. now he doesn't ask questions and just accepts your 'weird friendship'.

one night after james and sirius got out of detention they saw you in the gryffindor common rooms sitting next to remus and peter, which wasn't abnormal in the slightest although when james spotted you sitting far to close to peter his eyes hardened and he gritted his teeth because you shouldn't be sitting close to peter, it's peter of all people. he's your best friend so what are you doing all close to peter like that for. sirius could tell something was off, "you alright prongs?"

he brushes him off and tells him he's fine and goes to you all. "peter budge up." peter obliges and creates space for him to sit while everyone watches the interaction.

"jamie don't be rude."

"i wasn't being rude was i wormtail?" he turns to peter.

"you could of sat across from us," you reply. james chooses to ignore this. remus goes to ask sirius how detention with mcgonagall went, trying to ignore the interaction after realising james is going to be like this for awhile, sirius isn't paying attention to him in the slightest but instead watching you and james.

"whose jumper is that? it's not yours?" he says after spotting what you're wearing.

"oh, it's peter's. i was cold so he gave it to me."

"why?"

"what do you mean why? i was cold." you start getting irritated at this point, you don't know why james is asking these pointless, stupid questions and you don't know why he's made such a fuss out of nothing.

he was about to ask if there's something going on between you two but you stand up to leave. james has had dentition for the last 5 days and you miss cuddling up to him at night while chatting but now he comes in and annoys you.

before you can walk away or make an excuse to leave james is clinging onto your arm. "sorry, don't know why i acted like that." he pulls you down towards him so you're practically on his lap and wraps his arm around you. you quickly forgive him for his harsh attitude but makes him apologise to peter for being rude and asking him to move in a 'nasty' way.

peter accepts the apology, and sirius grins, only you would be able to get james to apologise for something so minor. sirius finally answers remus about detention and everyone gets comfortable and gets back to what they were doing. james holds you tighter when you start your conversation back up with peter and he holds you throughout the night until you end up falling asleep on him.

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superums · 7 months

Text

monkey d. luffy's 5 love languages

gender neutral readers. fluff. improper grammar. no uses of (y/n) or (name). established relationship. strawhat-coded reader. i tried to lean into luffys childlike personality without infantilizing him... tell me how good i did that please. is meant for opla!luffy but it can go for anime!luffy as-well. spoiler free

color coded text: luffy

physical touch: luffy is very touchy feely. he likes wrapping his entire body around you like a wet noodle just because he can and you're going to have to deal with that!! he loves giving you cheek kisses or small bites on your fingers, shoulders and chest but in a non-sexual way! he loves holding your hand and swinging it back and forth. he thinks is super fun and he'll do it really hard sometimes and make his arm loose shape and flail around in the wind.

acts of service: you could ask him to get a star out of the sky he'd do it!!! he'd do little things like get things off of shelves, grab something from your room or giving you a piggyback across an island but he'd literally do anything you ask him to without a second thought..well maybe be sides share his food, he'd have to think about it foe a second and then give you a piece. but fr he's big on helping you though, he likes doing things for you. and if you ever asked him why he dose he wanna help he'd be like 'because you need help' which translates to 'because i like being with you'.

quality time: you two spend alot of time together not only because you live on a boat together (with the crew ofc) but he also seeks you out when he's bored. downtime on the ship is v common because it can take weeks to get from point A to point B and thats where you come in. sometimes he takes you to the figure head and makes you tell him stories or talk about your thoughts. other times you just sit on the deck and sunbathe while he holds your hand it all depends really.

giving/receiving gifts: it doesn't take alot to impress him he's like a baby—easy to please! you could give him a fish & he'd wiggle it around before yelling at asking sanji to cook it for him. his gifts however are usually one of two things either— 1) it takes trials and tribulations to get or 2) it comes of as simple to someone from the outside looking in but it means alot to him no in between! like lets you say you want a apple he'd somehow fight a congregation of alligators to bring back 1 apple then he'd ask for a bite. ORRRRR he gifts you something like a drawing of you that looks rushed and childish with gears around it but it took him an hour—you watched him as he would go back and forth between looking at you foe a minute and scribbling and erasing on his paper. some might make fun of him for that but you of all people know that it means a lot to him that you have!

words of affirmation: he talks about you like you hung the moon and stars you could be a marine, a civilian, someone on his crew it doesn't matter. he'd tell everyone how he feels about you regardless if you're there or not. he never misses a moment to talk about you highly though his vocabulary is a little limited so he doesn't say things like "you're extravagant" or "i admire you." when he compliments you he says things like "you're so fun." and "i like you so much." again his words are surface level to those who don't know him but he really does think highly of you even if his words don't exactly reflect it but actions are louder than words anyway.

#luffy x reader #luffy x you #one peice luffy x reader #monkey d luffy x reader #monkey d luffy x you #opla x reader #one piece x reader #op live action x reader #op x you #op x y/n

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gotham-daydreams · 7 months

Note

Okay we see how Bruce, Dick, Jason, Tim and Cass become Yanderes for reader what about Damian, Steph and Babs?

That question is exactly why I'm kind of debating on making a kinda "Part 2.5" sort of thing, and it would show how Tim and Damian got further roped into things like Bruce, Dick, Jason and Cass. Along with how Steph and Babs take the news of "heyyy, um. you know Y/n? yeah that one sibling of ours that's lived here for years that we've barely have like, 10 conversations with collectively? Yeah, that sibling. Uh, we just figured out they've basically been living an entire life without any of us knowing, and might've run away because we were barely involved in their life despite them making multiple attempts to have us be there. So, we kind of need your help to find them. Like. Now-"

Though honestly I'll just put the run down here, so-

Bruce kind of gave Damian the little push he needed before hopping on the train, kind of like what he did with Jason but a little different. With him finding Damian, and some questions being thrown around, before Damian just decides to help look for you.

Honestly I can imagine that Damian wasn't super serious about finding you or anything at first, and was more so just trying to help because Bruce and Dick were looking for you. Hence why he looks for Alfred first with the intention to get the search done and over with. Though, that does begin to change a little when he eventually stumbles upon your room and gets that small glimpse of all he's missed out on after having talked with Alfred.

The room itself doesn't necessarily get to Damian — not like it does with Bruce and Dick — but it's more of the contents of the room itself that get him started on the yandere path.

Honestly, how Damian and Tim begin to develop their more Yandere thoughts and feelings for the reader is through finding something in your room, leading them to find more stuff, and that eventually getting to the thought process of "i didn't know they did this... i would've liked to know about this before/share this thing with them." Which then leads to a more yandere-like mindset.

For Damian (since we're already on the topic of him), he finds that one art award that you got, and becomes curious. Eventually he finds the unfinished art pieces that Bruce had found earlier, and while he isn't impressed or anything at first, the more unfinished pieces he finds the more he kind of begins to see your potential, and that leads to his own thoughts on the matter. With him wishing he knew about how you liked to do art too, and that eventually leads to him thinking that he could've helped you refine your skill, and the both of you could've drawn or painted together.

What strengthens that mindset is when he gets his hands on a notebook that you had used to practice whatever you were struggling with, and left notes for yourself on how you could improve upon certain things as well. Maybe if Damian had known you were into art before, he could've helped you, and you both could've improved together. Refine each other's skills, and just be able to create together. Which Damian really begins to like the thought of. Especially as he sees how you improved the deeper into the notebook he gets.

So, he also sets out to find you, but with a more positive mindset and thought process.

Honestly, out of everyone, Damian is the least worried about you and your well-being. Not because he necessarily has faith in your abilities to stay alive in Gotham, while also potentially being by yourself, but rather he isn't focused on that part? Not as intensely as some of the others, anyway.

Besides, if you were to turn up dead, then he'd have the "you die, I kill you" mindset. You aren't allowed to be dead or 'missing' in his mind, and so you aren't until proven other wise — but even then he's going to need a lot of solid proof to even believe it.

Damian is just more focused on the "we have a common interest and I want to do this thing with them" part of learning that you're into art. Even if you aren't anymore, just knowing that it was something that you used to do is enough to get him jumping on the yandere train. You'll be doing art with him one way or another, and you can't do shit about it. ¯\_(ツ)_/¯

Sure his reasoning isn't a strong, but it's enough to get him started and to go looking for you with the others when they eventually start tearing Gotham apart in hopes to find you. Damian now has a sudden need for quality time and your his main target, sorry not sorry.

Tim on the other hand just sort of, stumbled upon your room, and thanks to Dick was very quickly roped into this mess (as mentioned in "Not Here").

He actually looks through the box with all of your more personal belongs first as Dick tries to call and text you like crazy, while also trying to figure out more stuff.

The first thing he minds is an mp3 player, which, again - as mentioned in "Not Here" held very early versions of songs you were working on at the time, along with some of the very first songs you ever wrote. Which, after listening to a few of them, is immediately a big fan. Though that ends up being both his downfall and how he begins to develop his more yandere tendencies.

Like Dick, you had tried to call and message him about certain performances and such you thought he'd like, and hoped he'd attend, but to no avail. It sucks even more for Tim now because if he had just given your music a chance just a little sooner, maybe things would've been different between the two of you. Maybe you wouldn't have left.

Not to mention that, since he now really loves your music - just knowing that he's wasted so many opportunities to hear more of it, and the completed, fully fleshed out versions of some the songs on the mp3 player makes him upset. He really feels the hit of neglecting you, and that hit only lands harder when he goes through that 'List/Progress' notebook that Bruce had seen earlier in "Not Here".

A notebook which does reveal a lot about you, and how you only did so many activities because you hoped that if anyone in the family was into one of the activities/hobbies you tried, then you'd be able to bond with them over it. Though look at where that got you. Countless awards hung on your walls, with a number of accomplishments to your name - and yet not once were you able to use them for their original purpose. Not once were you able to hold a full, long conversation with any of them about any of the things you've done.

It wasn't even your fault because you tried to put in the work, Tim could really see that now, but you just weren't given the chance to actually put it to good use.

Maybe that's why he ended up helping Dick as much as he did, and maybe that's why he took the time to download some of your songs before heading out to look for you. He wanted to feel closer to you then he really was, and wanted your music to be something shared between the two of you.

Tim wants to not only get closer to you, but to hear everything you've ever made music wise. A want which he fully intends on making a reality.

Stephenie and Barbara are a bit different, however. Since, as stated in "Not Here", both of them are informed of what's going on after everyone else but Damian and Alfred absolutely loses their minds over you not being in the Manor. Though, again, both take the news a bit differently.

Between the two, Steph easily feels the worst. So her motivations and actions — like Bruce, Dick, Jason, Cass, and Tim — are more out of guilt and regret. She already doesn't like the thought of her own neglect having caused you to keep so many things to yourself that you basically hid yourself away, but the idea of her — along with everyone else — having pushed you so far away that you ran away? That... doesn't make her feel good, to say the least.

Sure, she doesn't feel as bad as Bruce or Dick - who easily feel the worst because of their respective roles in the family, and them feeling like they failed to even be a semi-present figure in your life for you to recognize them as your Father and Older Brother (to which they are correct, but aren't aware of that yet) - but it's still enough for her to try and look for you too.

Kind of like Bruce when he was looking in the Manor, Stephanie doesn't know where to start looking, and that only worsens her regret.

I guess her development comes more with time? Since the more she and the others look, not only do her feelings grow, but she also learns more about you as everyone starts sharing information over the intercoms. Things they just found out about you — like how you spent your birthdays alone with Alfred and had waited for them each year until recently, how you made music, what kind of competitions and such you've participated in, who were your teachers, how majority of what you did wasn't even for yourself - but rather a chance that one of the many activities you did try out was something anyone of them were into, so that way you could actually have a conversation with them - and more. (Which may be shown later? Not in a official post/part to the series but perhaps in a sort of side thing that shows the mayhem going on. But who knows?)

Case and point, while they are all looking for you - Steph slowly becomes more yandere for the reader the more she learns about you and how her and the other's actions impacted you. Like some of the others, she wants to make it up to you, but isn't entirely sure how she'd even go about doing that. The more aware she becomes, the harder she falls.

Barbara on the other hand, I'd say, is more lowkey as of now when it comes to her development as a yandere?

I mean, Dick, while very much panicking, basically told her it was an emergency and he really needed her on the bat computer because he had to look for you. Which, in the same breath, gave a list of locations and possible teachers you might've had in the past (you can thank Tim for trying to figure all of that out) and if she could look into it.

It's safe to say that Barbara's introduction into the whole situation was very chaotic. An emotional, worried, and panicked Dick is never a good one, so that was fun to deal with while slowly drowning in confusion.

Eventually, she got the run down and was quick to help, but like Bruce, Cass, Damian, and Jason - she was more confused at the start.

Ouf of everyone, and maybe besides Jason, Barbara has had the least amount of interaction with you - and the room for possible interactions with you for her were much smaller anyway considering that you aren't a vigilante, and never intended to be. So, it only makes sense that one of the people you've easily had the least connection with, was the person who communicated and mainly interacted with the rest of the Batfam when they're doing vigilante work.

What didn't help is that she barely even saw you at events or even holiday gatherings and such the family would have, with you being so neglected that they just... failed to even notice you missing at the time. The day she was introduced to you was when you were first adopted, and that was basically both the first and last full interaction either of you have had with each other. Other than that, she would hear small comments about you sometimes from the others, but even then it wasn't much and those soon died out as one could've guessed.

Even when she was in the Manor, she might've caught a few glimpses of you, but nothing else - so the beginning of her fall into being a yandere is definitely much slowly and lowkey when compared to the others.

I feel as if this whole situation may encourage Babs to want to get to know you better? After all, your disappearance did cause the whole family to basically start a whole manhunt just to find you, so I feel as if that would be enough to get Barbara interested at the very least. Not to mention all of the things she's hearing about you from everyone - it would be nice to try and actually meet you, not just know about you.

In other words, I feel as if Barbara may develop more as a yandere in part 3, seeing as I can see her more yandere tendencies begin to develop once she actually 'meets' you. Y'know what I mean?

So tldr; Damian becomes a yandere for the reader by finding out they're into art/have done art in the past, and now has a deep need to bond with them.

Steph becomes a yandere through her guilt and regret, and like some of the others, want to make it up to the reader.

Babs, on the other hand, hasn't exactly become a yandere just yet, but will once she 'meets' the reader and see them for herself. As of right now, she's just curious, but we'll get there in part 3.

Also, this is unrelated to the ask, but I would like to point out how pretty much everyone in the Batfam thinks you ran away rather then you just leaving. Do what you will with this information for now :]

Anyways, I hoped that answered your question, even if I got a bit rambly! If there's anything else in particular anyone else would like to know, feel free to send in an ask!

#a bit of a ramble- whoops #though that is generally how it goes #and again i might write some of this out- but mostly the things i mentioned about steph and babs #yandere batfam #platonic yandere batfam #platonic yandere #yandere dc #yandere x gn reader #gn reader #sibling reader #neglected reader

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