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#this is long and ramble but alas
vaxxman · 16 days
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Do you like red oktoberfest (like romantically)?
Aha! Interesting and very valid thing to ask! Thanks for your question!
I shall not answer straightforwardly!
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Doodle (1) and rambles you didn't ask for below the cut. The answer is in the last paragraph.
Clown language.
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I admit I personally prefer showing characters interact with each other and allowing their interaction to be interpreted as either romantic, platonic, or even nothing at all.
I think this approach makes relationships less framed by "signpost cues" of friendship/attraction/love (not that I do not enjoy seeing these either). I think it leaves more room for interesting human interactions, independent of what expectations the reader has for the two characters. Some people seem to search for actions like kissing, hugging, confessions, in order to confirm whether something was supposed to be romantic or not. But then, the absence of such cues make them arrive at conclusions that ignore other forms of relationship-building interactions all together :(
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(Fig.1: The unparalleled amount of different flavours of intimate feelings that are evoked from "getting shot and dying on your shoulder" - disease)
So for me, it's Schroedinger's character relationships, with a generous amount of "the true value of this relationship is the collection of interactions we have made along the way" and it doesn't need a name. So with that out of the way:
I am not averted to the idea of Medic and Heavy finally getting their hot steamy Tf2 Sex Update thanks for readin-
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I don't need a vacation, I need a sabbatical, where I go live in an abbey in switzerland for six months where I read and garden and study and stare at the sky and learn about birds and make some art and write a lot and help feed the nearby village with the garden crops and there are no ads or algorithms or tv shows or fastfood restaurants and I walk into town once a week for phone and internet to check on friends and family and then I go away again and preferably there are cats and goats and those soft brown cows and one shaggy dog and I learn I have a new favorite constellation and type of flower and shade of green.
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tawaifeddiediaz · 3 months
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something about the diaz home as a symbol of everything sacred to eddie.
something about the diaz home representing eddie's privacy and his life and by extension, christopher's, and that it's a constant, recurring motif of a life that he's built with his son. and it's always interesting to see that his home is always warm (in terms of lighting, color combos, etc etc) and welcoming, which feels so vastly different to the other two homes we've seen for him in eddie begins
something about the way he has to physically open the door to let people in to his life, and how many shots of that we've had of just him opening the damned door since. something about the way he physically lets shannon in in 2x07, or the way he braces himself with chris' encouragement before opening the door to ana in 4x08, or the way he happily lets carla in in 4x13 or the way he softens and smiles when he opens the door to buck in 6x12. it's in the way the only people we've really seen in eddie's home as "not guests" are the ones that he chooses to let in.
in that same vein, we can always tell when there's someone in there that doesn't quite belong. 5x11 is a prime example of this, and not just because of the episode title, "outside looking in." it's evidently obvious that the only reason taylor's in his house is for buck's sake, and maybe that's why we never see eddie actually letting them in. 5x03 is similar to that, in the sense that ana stays for three days with chris at the diaz home, but when eddie comes back, it's a metaphorical and physical mess that he's left standing in the middle of, alone.
and it's very, very interesting that we've never seen his parents in his house. ever. and yes, it could just be the fact that they rarely come to los angeles period, but i just think it's interesting in terms of eddie's journey with them, that the closest we've gotten to them physically being there is that facetime call with his dad, and that phone call with his mom - both of which happen after he goes back to texas in 5x17 where he point-blank tells his dad he's trying to be better for himself, and his dad meets him halfway. it only happens after his relationship with his dad starts improving.
i just constantly think of the diaz home front door, and now that i've thought of it, there's so many other moments that scream at me:
buck unlocking eddie's door in 4x14 and swinging it open to the party, and then later standing in the open doorway almost like he's protecting eddie and the life he's built in this one way because he couldn't protect him in the other way
buck unlocking eddie's door with his own key in 5x13, then bursting through yet another door to get to eddie, just to step in and sit with him in his grief - and how much that scene symbolizes that eddie may have built this life but it was after burying demons that later just crawled up through the cracks of his new home.
buck standing inside the diaz home after eddie gets home from therapy in 5x14 like this is a regular occurrence.
the way eddie's discomfort is visible in that split second scene we get of the police officers storming his home in 2x15
eddie asking shannon to leave through the back door because he may have let her into his life but he's not ready to let her into chris' and thus, he doesn't truly let her into his life - and actually, even the shot of eddie, chris and shannon at the end of that episode takes place outside the diaz home. which is...telling methinks.
eddie opening his door post-date in 4x07 to buck meeting him at it (always meeting him halfway), and just. the domesticity of it, set off by the warm lights, the discussion they have, and the looks on their faces the whole like
eddie opening his door to buck in 6x12, looking apprehensive for a second before he realizes who it is and his smile grows and eyes turn into heart-eyes and buck just pushes past him without waiting for eddie to step aside, only to go and swing his feet up on the coffee table like the diaz home is his, too.
there's so many examples but @sevensoulmates and i put this whole meta together because the symbolism in this tv show is off the charts
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whimsyprinx · 1 year
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I feel like now is a good time to announce that I’m in the process of moving blogs! Im doing so for a few reasons, the main one being paranoia, so for that reason I won’t be saying my new urls publicly so like please dm me if you’d like my new url so you can follow me there! I’ll be reblogging this post a lot so ppl can see it (so sorry if you get annoyed by that)!
I’m also remaking my discord account as well so if we’re friends on there then feel free to message me for my new username!
friends and mutuals please do reblog so shared friends/mutuals have a higher chance seeing it!
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surreal-duck · 8 months
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nui shenanigans
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random but it struck me that age is just another parallel/anti-parallel that Jon and Jaime will share. Jaime was 16/17(?) when he made the fateful choice to kill Aerys, which forever besmirched his honor and caused him to be “the Kingslayer” (deragatory). Jon was about the same age, 17/18, when he made the fateful decision to march south against the Boltons, something that will undoubtedly dent his already shaky reputation and could cause him to be “the deserter” (also deragatory).
We always talk about how Jaime stagnated and wallowed in his nihilism after Aerys’ death, never growing or maturing past that point; in a way, he was always mentally stuck at 17. Jon could very well die given the wounds he received during the mutiny, and though he will be revived, he will be always be physically stuck at 17, never maturing past that point. But I think Jon has been more successful in a way that Jaime never was in that he figured out quite early (when he was 15) that though he may lose his honor, he must keep pushing for the greater good. He understood the concept of “a bastard’s honor”, and is even more fortunate to receive Tyrion’s lesson of using one’s lowly position/lack of honor to his advantage, which he has been doing to enact what he considers to be the moral goods (ref “bastard” “guilty of that, at least”). P.S: I also think it’s funny given Aemon’s advice to kill the boy in order for the man to be born. Ironic that Jon will always be a boy physically.
Jaime grew physically but not so much mentally. Jon grows mentally (it’s actually his strong suit as a character how much he matures with each book) but he will have sacrificed the ability to age normally as a boy would. Jaime lost his honor at ~17 and is characterized but years of (mental) inaction. I think Jon, on the other hand, will lose his honor but will be more and more prone to making decisions, because to hell with it all.
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apollo-just-ice · 2 months
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Textpost time yay! :-)
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averlym · 8 months
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no one would notice if i ever vanished // if bodies could sustain // this never-ending army // like blood pumping through a vein
(click for better resolution!)
:OOO hello. anyway since these are all posters i'd have in an ideal world or smth and i'd like to store the high res versions somewhere,,, here's the google drive folder for them? hehe ''
close up!
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#adamandi#vincent aurelius lin#i'm back with the posters! or smth! idk!!#i'm maybe just a bit obsessed with vincent. such a Character.#where can i run is sustaining me single-handedly through this exam season (<- has cried thrice in the last two days; alas; but moving on)#my stress response was that in a fit of apathy i shut myself down from academia and stopped to paint this#six hours total? on this funky little thing! had to push myself to finish the magnifying glass but!! looks so cool. i'm impressed with my e#fun fact: all the shades are hand-coloured. aka everything is digitally hand painted hooray!! i havent painted for a long time (ish)#smth about this musical makes me want to paint. it's very lovely that way#it's also a miracle i haven't gotten carpal tunnel or any wrist injuries so far... i'm a lucky person! hooray#i had so many thoughts to ramble about and now i don't recall any of them.#-! about this piece: inspired specifically by that one line that i doodled in the margins of a math practice last night#the diagonal slant was very. thinky. the rendering and angle were kinda contradictory to do but it's fineeee (draft was diff. pov)#i liked the red abstraction. and the way that people (misc) gave same vibes as red blood cells.#green for vincent because contrasting colour!! considered a spotlight that was more obv bc. again theatre lighting is so cool. but that was#a bit too literal? i think. so just fun little highlights. no one look at the accuracy of anything here though.. shadows do Not do this#also like hehehe lin. forest. forest of people. i really liked thinking about that. hehehe#i didn't know the font to use!! or quote!! so i slapped on the name of the musical and called it a day... the blank one is in the google-#-folder if you want to add your own stuff :') also also i wasn't sure about cropping at all. so again high res in google drive link#which is under the keep-reading sign! kind of a choose your own adventure because i'm lazy :3#ajhshdhfhfhfhf i think i've been fuelled by the tags under each post so far. so intensely. so very nice.#also when the cast or creators drop fun facts... serotonin right there.. they're all so nice waaagh it's so cool that they like my stuff ><#<laughs> really grateful that the whole fandom's so sweet <3 thank you for your support TvT#alright!! off to mess about with chemistry. jiayou me.#oh yes. a post script about the cropping crisis: i wasn't sure how small i wanted to make him. in proportion to the crowd. so if you see it#on mobile ig it's tiny and on laptop it kind of makes sense ...
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businesstiramisu · 3 months
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@canyourfavesurvivecastledracula -- I'm trying out the "argue at you" approach. tagging you b/c you don't have submissions open and I think this long enough to be an annoying ask. I don't think you know or care about this character, but *I* do, so here's my argument :P
Can Alphonse Elric survive Castle Dracula?
[the answer depends a LOT on which part of which canon we're using, but we're going to go vaguely with "middle part". That is to say, armor]
Al has one HUGE advantage against Dracula, which is that he has no corporeal human body (for now). He's not completely free of blood though -- if Dracula learns about the blood seal tethering his soul to this mortal plane, I fully believe he's learned enough Dark Magicks at Scholomance to fuck it up. So the question is, would he find out? Al is usually pretty good at hiding it… unless he just decides to tell people. So it depends on how their dynamic plays out.
Al would accept the crucifix from the townsfolk, and listen to their other advice. Even if he doesn't believe them, he's a polite boy, and you never know what information might be useful! Maybe their folktales have clues about the Philosopher's Stone, you never know. (Also in one version of canon he can understand German, so let's say language barriers aren't an issue.)
Dracula is bemused when an alchemist in full plate armor turns up asking to see his library instead of the solicitor he requested. Alchemists? He hasn't run into any of those in a while. But hey, the lawyer's not here yet, he's got time to fuck with this guy and have an extra snack.
The shaving incident wouldn't happen obviously, but Dracula might realize something is amiss because Al doesn't sleep. Or will he? Does Dracula pay enough attention to know when normal humans should be sleeping and Al isn't? If so, he will probably investigate, push boundaries, or stage a confrontation until he finds out Al's deal, and then he will be PISSED. No lawyer, and now no snack! This is bullshit! From here on out, it's WAR. If not, then...
If Al realizes this is a kidnapping and not a library loan, he will play along. He might not even mind. He's been kidnapped before, and it always worked out fine. Dracula might be more creepy and threatening than his other kidnappers, but Al's dealt with a wide variety of creepy and threatening in his quest, I just don't think he'd be fazed. And he is, as already mentioned, a polite person who would want to be a respectful guest! Hmm kinda creepy that he just implied I'll never leave this place alive... oh well! Nice table setting, sir, compliments to your staff.
Being a respectful guest might not extend to staying in his room as instructed; he's a curious guy and only a stickler for the rules compared to his brother. The girlies aren't a problem for him, because he's still wearing the crucifix, but they might clue him in that Something Is Wrong and lead to Al himself forcing a confrontation with Dracula.
But even if everything goes smoothly, Al would eventually get bored with Dracula's library (if there was anything useful about the Philosopher's Stone in there, Dracula wouldn't be a vampire). At some point, Al would decide this kidnapping is over, and he would provoke the confrontation in trying to leave.
I haven't written any reason for Al to tell Dracula about his fatal weakness, so I'm gonna say Dracula can't actually do much to Al; but unfortunately I don't think Al can harm Dracula either. I don't actually remember what allowed Jonathan to hit him with a shovel but I think it involved special circumstances that do not apply to Al. However, Dracula also can't prevent Al from leaving -- neither thousand foot cliffs nor wolves are much of an obstacle to him. (Well actually, if you physically overpower him and take the armor apart, he can't walk away -- but people almost never think of that, and Dracula probably won't either.)
Which is all to say that Alphonse can survive Castle Dracula, but he probably won't have as much useful intel as Jonathan did. Mind you, he took notes! He just didn't get personal experience with as many of Dracula's powers.
And of course, his goal after this is to track down his brother -- if anyone can figure out how to kill a vampire it's Ed. Where the fuck did he get to, anyways? He'd better not be stranded in Weimar Germany. Al can absolutely walk to Munich from here, but waiting around 25-30 years for Ed to turn up would be a drag.
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Some speculation I have for the next episode!
Yes I'e been having a lot of speculation and maybe (most likely) i'll be wrong but its just some fun ideas I've been having
I talked about this with @buck-up-buck and she is a prophet (check out her posts here to see her vision-with a small contribution from me about the AA meeting being a thing) she has some theories that happen after this theory of mine which I'm excited for her to share with you all as she see's the shrimp colours.
And so with what we've seen in the promo, the still that Tim has shared (I have brightened it so it can be a bit clearer) here's what I think will happen. Especially in this still
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So firstly the order of events I believe will be the AA meeting then the Bathena conversation and then the motel drama, just as we are shown in the promo. There will be other things sprinkled in but the next two eps will be very Bobby centric. So when i saw this still i immediately thought of the following ideas/spec:
So Amir makes his speech at the AA meeting, it slowly dawns on Bobby the connection they share and obviously this sends Bobby mentally spiralling. It's been 10 years since the fire and Bobbys come far but hearing from someone who he affected by his past actions is definitely going to stir up shit (duh). I feel like we may get some flashbacks to the fire, maybe even Amir's perspective (how he got his scars) because our boy Amir is angry (you saw his stare, seeing bobby has reignited his fire). I feel like Bobby may attempt to speak to him after but Amir is angry and storms out or Bobby is in shock and cant say anything.
We then see the conversation with Bathena. It looks like Athena was asleep and Bobby hadn't come to bed yet. Athena woke up and came looking for Bobby to find him hunched over his laptop going into a bit of a dive on Amir and who he was and who he lost. Athena maybe talks to him about it and Bobby is very much adamant on making amends (Step 9). Athena wants to support him but the sergeant in her is concerned at this guy. So she supports him in the moment but hatches her own little plan.
And here is where we see the still (it's clearly at the hospital)
Athena has found out where this guy works and goes to speak to him. Amir is just finishing his shift when Athena catches him. She introduces her self and that she's Bobby's wife. Amir is immediately angered by this but keeps himself calm, only showing annoyance. Athena talks about how she knows who he is through Bobby and that she's sorry for Amir's loss. She expresses concern for how he raised the issue to Bobby and asks that they can work towards making amends. She says that Bobby has come so far to turn his life around (gives examples of what Bobby has accomplished. Captain of the 118, his new family with her and the steps he has taken in recovery) and all he wants to do is carry on moving forward. She doesn't want this incident to cause Bobby to fall of the wagon, they've been through a lot and she's concerned (she also getting alarm bells from this guys so is trying to gauge his intent whilst also trying to clear the air)
I think this angers Amir, again he wont show it but it sparks something in him further than what has already been sparked. He starts scheming (@buck-up-buck's theories about the loft burning down hehe) I feel like he'll make some comment to Athena about how he's glad Bobby could move on so easily whilst everyone else was left cleaning up the mess(throw back to the comment he made to Maddie) Obviously Athena defends her husband and says something like "it was far from easy, he clawed his way out of the darkest place and fought tooth and nail to get where he is now. If he can do it so can you." cause Athena has clocked that this guy is massively holding a grudge.
But Amir doesn't want to hear it and maybe just says something like 'Good for him' before walking away from the conversation.Amir is angry because its been 10 years and he's still affected by the fire, he hasn't let go of the pain and the hurt (as he mentioned in his speech) but now seeing that the guy who caused it has a new family, that he's moved on and is happy, is captain of a firehouse (irony not lost on him) and Amir has been left scared and hurt and his life hasn't bounced back just absolutely fuels his revenge plan.
Athena tells Bobby that she tried to reason with Amir but there was no reasoning with him and that he's very angry still. She tells Bobby she knows he needs to make amends and he should but also says he should be careful and wait for him to calm down a bit first and that whatever he does he shouldn't do it alone. Bobby of course listens and agrees but also he understands Amir better than anyone and thinks he can get through to him (remember Bobby is shook up by this whole thing and won't make the smartest decisions) so when Amir reaches out and asks Bobby to meet at the Easy Motel, Bobby does go and then, Amir starts his revenge
Amir wants Bobby to suffer again like he did (he doesn't acknowledge that Bobby did loose everything in that fire, he's to blinded by his own grief and mad that Bobby has a shiny new life and seems unbothered by his past to listen to reason) he wants to rip Bobby's family away from him, saying he doesn't deserve a second chance.
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frownyalfred · 9 months
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I am hoping you can help me better understand something about my Zach Snyder feelings, because I know you have enjoyed his work.
I have conflicting feelings and I THINK it comes down to a different imagery language and some unnamed thing in his storytelling. It's mostly the unnamed thing I'm trying to ID.
When I describe broadly the plots, character motivation (obviously as I understand them), and events, I find myself very interested in his movies and what they have to say. Then I rewatch and I don't feel the same way. It feels dark (desaturation or whatever that filter is called), overly dramatic in a way that feels cartoonist or silly instead of meaningful, or boring and slow. There are some engaging moments some that are action some that are pretty or funny. However, few that move/engage me.
I know people often love or hate Snyder but I mostly feel his movies exist, have a few interesting elements but overall if they weren't about characters I was interested in, I just wouldn't watch. I don't hate or love it. I don't think it's the greatest or the worst.
Example of a storytelling concept that I get and liked in theory but not execution. The Martha, why did you say that name moment. Snyder is connecting Bruce to Clark's "humanity" in a way that hits Bruce in a place where he is always vulnerable and is primal/basic. When people mock this scene I have the urge to defend because I understand (in my way) what he was going for, but I can't because at no point in watching or rewatching that scene do I feel that. Even though he rehashed the Wayne's death in the beginning, then connects back to it during their fight about what his parent's taught Bruce. It still FEELS out of place and "falsely" dramatic.
That's all I can think to give as an example and not make this longer (sorry this is long). But if my descriptions click something for you as a writer and fan of Snyder, please let me know. I just don't know what it is about his storytelling and it's annoying to not understand why there is this disconnect.
Thank you for your patience, if you even get thru this, LOL.
I'm not a film major and I am definitely no expert, but I've been thinking about this ask. I agree with a lot of what you brought up, though it is hard to describe what that exact disconnect is with Snyder's films, and you'll get a million different opinions depending on who you ask.
To me, Snyder's DC films always feel like movies that were excellent plots on paper wrapped around a series of interesting and awe-inducing visuals and scores. There are scenes he does well -- one of my favorites being the initial scene in BVS where Bruce runs into the Battle of Metropolis -- almost because they feel like a separate, isolated moment in his script. There are scenes that drag, exposition dump, and feel dark and strange.
There seems to be a disconnect between him, the writer, and him, the director. He's good at both, don't get me wrong -- but there's something missing in between.
People on reddit will tell you the problem with BVS, at the end of the day, is all the plot holes or the cheesy dialogue. I mostly disagree. Especially after seeing Oppenheimer recently, I think Snyder struggles with building and maintaining the pace of his plot and the emotions he's trying to cultivate in his viewers. Continuity is key -- scenes building up on each other, revealing new layers of meaning and importance, leaving viewers guessing only on the least-obvious plot points.
He has all the pieces -- decent dialogue, powerhouse actors, amazing CGI, a script most people wouldn't laugh at on paper -- but they don't quite form a whole.
I did a quick review of some the things I like about BVS, thinking through this ask, and I think it's pretty revealing that most of those things are pieces, not overall themes.
The Battle of Metropolis flashback
Ben Affleck visually as Bruce Wayne
Lex's scenes with the Senator
The score
Kryptonite/Training scene
Lex's entry into Zod's ship
Diana
Bruce at the fundraiser
Warehouse fight scene
Alfred's dialogue
Lakehouse shots
Knightmare scene
As for the Martha scene, my inclination is that it's rarely out of place or strange when written correctly. In fics, I've seen it done very well. But Snyder doesn't use it for what it is -- a climax of Bruce Wayne's anger and misguided actions -- because he never truly brought the viewer all the way along with Bruce.
TL;DR: I don't know either. But I agree and commiserate with you on this. I still enjoy watching BVS and other Snyder films, but seeing other films -- especially Nolan's, which I'm not saying are theoretically better -- makes the difference very jarring.
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askfallenroyalty · 10 months
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So I just kind of wanted to confirm something.
Undyne didn't kill any of the humans before frisk fell in your au right?
Sometimes, I see interpretations where undyne killed one or two of the kids before they made it to asgore and is shown to regret it in their post pacifist aus, and it's just something I find really unbelievable of her to do.
// well, people are allowed to interpret canon and make headcanons if they wanted to
// but it is absolutely not the case in canon. It's very clear Undyne has never killed a human before and that's the dilemma she's facing. The whole point of Undyne's character arc is that she wants to be like Asgore and be a hero and destroy humanity. She's fully indoctrinated into Asgore's revenge ideology. She has a huge heart but its in the wrong place.
You remind her of Papyrus and Asgore. A pair of softies, who don't actually wish harm on anyone. Undyne has trouble grappling with this, because she was taught that humans are why they're trapped and that they need to die for their freedom. That it's justice. Look how heartbroken Asgore is after what humans have done to him.
But then why does it feel bad when she knocked him down and won? Why does victory feel hollow when it should be great? Why does this kid, this dumb human kid who has no right to be so innocent and pacifist? Why does... she not want to win?
Idk I feel people see that scene with Undyne and read it very surface level of "oh haha Papyrus and Asgore are whimps" and miss the context that both are tough, strong characters capable of defeating people in battle but have zero desire to do so. They're a pack of strong and heroic people who can't fall into the lie that Undyne has believed. Undyne's character arc was that she knew she was wrong but didn't know how to process it until you proved to her that maybe-!
maybe true strength isn't in overcoming your enemies but in surviving and choosing not to harm others. A victory based in violence to someone you don't truly want to hurt is never a true victory.
the emotional crux of this is that we now have a new lens to frame Asgore with. We see Undyne's dilemma of choosing Mercy and we know that's what Asgore wants before we even meet him. We know he does not want us dead but feels obligated to. It's an important setup for the (false) climax of the game.
Anyway, analysis and rant aside as much as it annoys me when people ignore canon, they're still allowed to make new lore and engage with the story they want to. Toby's writing is very thick in themes, characterization and meaning. But it's also not the most blunt about details, so its easy to miss or misunderstand on key characterization bits. So I'm not mad if someone thinks Undyne could of been a killer in the past.
If someone finds that plotline engaging, trying to apply the broader themes of mercy and moving on and applying that to Undyne, while misunderstanding a part of her character because they missed this subtle context, that's not so bad! Who am I to say that's wrong? I don't agree with it and I don't really want to engage with that conflict cause I'm a canon-strickler and I personally don't like the idea of Undyne being a killer when her arc is about not becoming one. But alas, its like, fine. I'll stick to my own lane, you know?
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autisticjoshrusso · 4 days
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the way that the first minute of the episode already had me thinking so many thoughts, particularly in the way the very first exchange between maddie and josh is worded. i'll put the exact quotes here so you don't have to go back and check them to know what i mean.
Josh: Maddie, why don't I take this one?
Maddie: Why would I have you do that?
and there is SUCH a tension in the way she says this, and honestly i get why. there IS a sort of presumptuousness in the way he hears what the call is about and immediately wants to jump in rather than let her handle it. it's coming from a place of concern and wanting to protect her from doing something that could potentially worsen her mental health, but for someone like maddie who is used to having to be hyper-competent and put her feelings aside to help others, she's of course going to interpret this as a lack of faith in her ability to do her job.
the thing that kills me here is that there was no other way for him to phrase it that would have had a better result. if had tried to be less presumptuous and went the route of asking if she needed help rather than jumping in to offer it (ie: do you need/want me to take this one?), it would require her to actually say yes, i need help, rather than being able to simply not protest the help that is already incoming. she would have to consider whether or not she is struggling enough to impose on him, how it could be perceived by others as a failure or incompetency, etc. rather than just assessing her own needs and reacting accordingly.
idk how much sense this makes but it's definitely got me thinking a lot about just the concept of offering help vs asking if someone needs help in general, and how both have their pros and cons and will be reacted to differently by different people.
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marshmallowgoop · 1 year
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There's a lot of talk about Heiji's tendency to drop everything and go to Tokyo to help—or even just to see!—Shinichi, and rightfully so. It's something Heiji unabashedly admits to (Episode 278, Magic File 5)...
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Heiji: If any other suspicious persons show up, just call me! I'll run right over!
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Ran: Hattori-kun saw that incident on the news and rushed over because he was worried about you, Conan-kun. Heiji: Grabbed the first bullet train in the mornin'!
And I still can hardly believe that Heiji's canon, actual, real-deal reaction to a request to put his life on the line and impersonate Shinichi... is an immediate "OK" composed out of heart emojis (Episode 345).
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Seriously. That happened. Heiji couldn't not help.
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Heiji (internally): I had no choice. After all, Kudo e-mailed me asking me to do this.
But in Shinichi's first appearance since being poisoned (Episode 49), after seemingly refusing to show his face to Ran or Inspector Megure or anyone else in town for who knows how long, he unabashedly claims that he dropped everything to meet Heiji. He smiles about it!
And of course it's a lie, but there's a smidgen of truth to it, too. Conan did accompany Heiji, despite feeling terribly sick and harboring zero interest in the (apparently) non-murderous case, because he was intrigued. Because he was impressed with what Heiji had uncovered about him already and was nervous about what else his so-called "rival" could reveal.
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Conan (internally): I don't wanna go, but there's no telling what this guy might say!
But even without that context, Shinichi's easy, immediate cover story gets to me. He really, truly, unhesitatingly asserts that meeting Heiji was important enough to jump right on a train to get there.
It reminds me of Shinichi's excitement when he first learns of Heiji (File 520), and his grin when he thinks of meeting Heiji for real one day (File 522):
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Shinichi: Really? Then he's just like me!
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Shinichi (internally): We'll meet each other again... on that mysterious stage...
I think I could totally buy that Shinichi actually would have done exactly what he claims in the clip. He is interested in other detectives like himself, and with the pain of the antidote wearing off in Episode 49, that smile's gotta be genuine.
Finally, while it's Not That Deep, there's maybe something to be said about how Heiji is symbolically the key to Shinichi's true self, since it's Heiji's alcohol that transforms Conan back into Shinichi. With this clip, Shinichi underlines the same idea. It's Heiji who brought him back after so long. It's because of Heiji Hattori that Shinichi Kudo makes his first appearance after vanishing.
And I love how forthright Shinichi is about it.
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undergoing-mitosis · 2 months
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i put on a son lux song and blacked out in a caffeinated autistic haze and when i came to this had just spawned on my page
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Red Space
And the void reaches out its fragile hands towards my pale throat. It is desperate, clawing for a way to hold on to this side of reality. It digs its cracked nails into my forearms and drags. I remember when pain was an escape. Before I became too tolerant of it. Now, I barely feel a thing. It's pathetic, really. I used to be afraid of this void, what it could do to me. But there's no point being afraid of what lies in the dark when you know you're far worse than anything that could thrive there. I have taken this incessant pain and moulded it into my subordinate.
All that is left is absent pity. Like the real Sunny has left, is floating somewhere out of reach. I left that version of me hanging by the throat.
My identity is lost to this clawing darkness. I am only the child who drifted. The hikikomori boy. My friends are warped. I am hollow.
I sit on a throne of hands. My soul is soaked in blood. And yet I don't feel a thing.
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inspired by this scene, for obvious reasons. OMORI SPOILERS IN THAT VIDEO!!! plus loud noises, implied murder, death, and a knife. none of it is graphic tho, dw. just classic psychological horror things yk hahahahahaha *screams in pain*
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mxanigel · 1 month
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Hey Ani! If I remember correctly, you’re hella knowledgeable about weather, right? If I am remembering that correctly, can I ask you a question about something?
(I’ve heard the Bering Sea has a lot of “hurricane force winds”. How can you have those conditions but not a “hurricane” (is there a cold water equivalent?) even when there’s a storm?)
If I’m mistaking you for someone else, I am. So sorry 😅 please ignore me.
But if you are, and you’re up for answering, I’m so intrigued 🖤
Either way, hope you’re doing well 🖤
AAAAAH this ask made me flail and geek out, thank youuuu~ also, this is a fantastic question. *cracks knuckles* Brace yourself for a very happy scientist's ramblings!
Hokay, so the atmosphere would prefer to be in balance. But land heats up/cools down faster than water, places closer to the equator (low latitudes) tend to be warmer than places farther away (high latitudes), and some places are super dry (like deserts) while others are really moist (like rainforests). Temperature and moisture differences such as these affect atmospheric pressure, and pressure imbalances produce winds because air moves toward low pressure and away from high pressure, though not necessarily directly from one to the other due to other factors like friction.
Hurricanes are low-pressure systems that form over tropical oceans and are "powered" by thunderstorms (which are also known as "deep convection" because they're made up of very tall convective clouds, a.k.a. thunderstorms). Those clouds get their energy from warm ocean water and help form the low pressure around which the winds spin. The Saffir-Simpson hurricane wind scale (SSHWS) is the scale by which we categorize hurricanes, specifically by their maximum surface winds averaged over a 1-minute period. (Such winds tend to be highest over the ocean; for example, a landfalling category 1 hurricane may never produce hurricane-force winds over land due to increased friction from the land slowing down the winds. But that's a ramble for another time.)
Generally speaking, a hurricane is a type of "tropical cyclone." When a tropical cyclone in the North Atlantic or eastern North Pacific has maximum winds of 39-73 mph, it's a tropical storm, and reaching a maximum wind of 74+ mph makes it a hurricane. This means 74 mph is the hurricane-force wind threshold.
Extratropical storms are also low-pressure systems, but instead of forming over warm ocean water and being powered by thunderstorms, they result from the collision of warm and cold air masses at higher latitudes (hence the term "extratropical" meaning "beyond the tropics"). The warm air masses often come from the tropics, which makes them juicy too (that is, they carry a lot of moisture with them). The cold air masses tend to be drier, increasing the contrast between the two. Since continents are often the source of the cold + dry air, extratropical storms can develop over ocean or over land!
Strong extratropical storms can produce surface winds that exceed 74 mph, which earns them the moniker "hurricane-force low" because that's the SSHWS threshold for a hurricane. On a weather map, they'll get a label when they reach this intensity, like this storm south of Alaska in early October 2021:
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Visible satellite image source (NASA Worldview) Surface analysis map is from the Ocean Prediction Center
For more information, this ArcGIS StoryMap from the Ocean Prediction Center nicely discusses hurricane-force lows that occurred during Spring 2021-Spring 2022 in the Northern Hemisphere.
I hope this ramble clarified a bit about these storms! Thanks again for sending the ask -- I loved diving into the answer.
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