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ijuststareatstuffhereok89 · 9 hours

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One: “Thanks, I Hate You”

You and your arrogant PR client are bitter rivals, and there’s no length Loki won’t go to just to watch you squirm. Just when you think you’re going to get a much-needed break from the Great Redeemed Prince’s ego, you’re tapped to escort him to, of all things, a peace summit in Australia.

CONTENT WARNING: Loki's an asshole

WORD COUNT: 3.4k

MASTERLIST

“Mr. Odinson, tell me, how does it feel to be reformed for eighteen months now?”

“Mr. Laufeyson, actually, and it feels absolutely incredible, it’s as if my soul is free at last!”

“And you have no more genocidal urges or Asgardian instincts to kill?”

“Never again will I do harm to the people of this planet, who have so kindly agreed to give me a second chance after removing the influence of my--err---the scepter.”

Loki’s shit-eating grin unfolded across his face, but to the untrained eye, he looked every bit the contrite warlord who fell in love with the world he’d once targeted for conquest. He could twitch and tweak every muscle in his face into the optimal layout for ass-kissing, and the only ones who were ever wise were you and the rest of the team.

“At least he plays the part well,” you said bitterly to Tony, leaning over to mutter in his ear while watching the former ‘God’ play up the press like they were at a rock concert. Some of the reporters looked downright charmed, but you knew better. You were more interested in the snow flurries that were falling outside the window.

Tony shrugged. “Yeah, he’s okay.”

You sneered, rolling your eyes with disbelief. “Until the flash bulbs stop. Then he becomes a baboon’s taint.”

Stark muffled a snort of laughter with his fist. “Always one for eloquence. That’s why I hired you.”

“I’m also the only one around willing to wrangle that,” you paused, pointing at Loki as he folded his hands into a prayer pose, expressing gratitude for the praise he was receiving, “for your pittance of an asking price.”

“I pay you well,” Tony shot back in defense. “Loki knows how to keep up appearances--”

“--he took off his pants in the lunchroom yesterday to annoy me--”

“--most of the time.”

You folded your arms across your chest, glancing at the clock on the wall behind Loki as things in the press room wrapped up. In his very basic outfit: a dress shirt and tie, black slacks, and a tight, professional ponytail, he looked dashing enough. You’d known the truth about him for the eighteen months since you were hired to be his PR manager: Loki had all of the behavioral maturity of an eight-year-old high on pixie sticks. He loved attention, always jutting out his hips when he strutted about the complex, flipping his hair over his shoulder.

Loki loved to paint himself as the very model of a modern major comeback story. At first, it was for self-preservation. The terms of his parole as set forth by the UN were strict, and the best course of action to keep his freedom was to play by their rules. Over the next year-and-a-half, however, once it was clear that his image was evolving into that of a celebrity, Loki took the idea and ran with it, and he only used your unsavory opinion of his to fuel the fire he lit under your feet every chance he got.

It was almost as if he targeted you with most of his snarks and jests, always calling you every synonym for ‘boring’ he could muster. For a while, you could brush him off, but after the repeated comments, you began to push back…which led you to your current relationship status: tense at best, resentful and irritable more frequently.

You could not stand him! He never listened to your advice on how to conduct himself in public. One of his favorite pastimes was inviting the worst kinds of people over for sex, and then making you call them afterwards to dump them. “Loki isn’t sure he’s ready to fully commit to one person yet, but last night will always live in his memory…” It was degrading, gross, and such a slimeball move. You always sent each of his poor conquests a fruit basket the size of SoHo.

The only reason you refused to resign was that you really needed the money. Despite your repeated complaints, Tony was actually paying you very well. You could afford an apartment with a private toilet in Manhattan, anyway.

“And that’s all we have time for this afternoon, everyone,” Tony leapt onto the stage and gently nudged Loki away from the podium. “We’re all proud of Loki’s rehabilitation, as well as his decision to live among us and help the Avengers keep this world safe.”

The applause was thunderous. You bit your lower lip and got another glimpse of the snow squall outside while Loki bowed and mouthed thanks to his supporters. Every second you could successfully divert your attention away from the Asgardian was a victory. Alas, it was temporary.

As soon as he left the stage, he gave you a smarmy, evil wink. “Better than ever, wouldn’t you say?”

“Hercules couldn’t clean out all the bullshit in your stables, Loki,” you said with an exasperated sigh.

“Successfully convincing the world of your contrition is an art, you know.”

“So is painting on walls with shit, to some.”

Loki couldn’t help but snicker under his breath, You were the most feisty woman he’d ever met, aside from maybe Natasha Romanoff. “I see we’re fond of the scatalogical comebacks today. Doesn’t that mean your menses are coming on?”

You could have whirled around on your heels and punched him, but your restraint was enough to keep your professional demeanor, at least until you were out of public sight and in one of the private areas. There were still a LOT of people around and your entire job was keeping up appearances for both yourself and your charge. “I have a headache today, Loki, please shut up and let me do my job.”

“So it is your cycle!” he chortled, putting his hands on his hips. “Do you know what they say helps with menstrual cramps?”

��Don’t!” you warned between gritting teeth, giving Loki a glare of death. “I mean it!”

Loki paused, as if he was actually going to listen. Then he opened his trap, and it came out: “a good hard dicking!”

There it was. Your line. Loki had crossed it so far that he was about to meet customs on the other side.

You slapped him across his right cheek hard enough for his head to whip to the side. Of course, he was able to recover from it quickly, only to pout his lips and widen his eyes when several gasps from the reporters still in the press room silenced everything else. Loki’s snarky smile never left his face, especially as he looked back at you with a somewhat more venomous twinge.

“It’s 2024,” you scowled, “try something less sexist than blaming my period next time, assbag.”

“So violent,” he said lightly. “So attractive. No wonder you have so many dates…oh wait, that’s me!” he said mockingly, putting a hand over his heart and acting surprised. “I have all the dates, and you’re the one who resents that and takes it out on me by hitting me in front of all of my friends!”

He dropped his sarcastic smile, replacing it with narrow, threatening eyes and a thin frown. “Embarrass me like that again, woman, I dare you.”

“I only resent that you make me clean your dirty sheets afterwards, asshole,” you answered. “I don’t really care how many strains of herpes you intend to collect from the Greater New York area. You’re a pampered little twat, and I really do deserve more money for babysitting you.”

You started to leave, but you quickly thought better of it and walked back to say one more thing. “And I will gladly smack you in front of these people any day of the week! No one else is going to put you in your place!”

“And what place is that, Madam?” he asked, folding his arms and raising an eyebrow.

Nearby, a young blonde reporter who was clearly one of Loki’s fans had taken special interest, and was trying to shoot as many desperate glances at him as she could, asking for her turn in his bed with only verbal cues from across a crowded room.

“I’d say Hell, but you probably have a permanent residence there already.”

You noticed the blonde was starting to inch closer, and in her stupid, beady little eyes you saw your escape. “I think I see your Skank of the Day coming in for the steal right now.”

Loki turned to look at the blonde reporter, and he looked somewhat unimpressed. “I suppose. The only other creature in here with any sort of beauty is--”

He stopped mid-thought and decided to go back into his debonair facade, waving you away snobbishly and sticking his nose up. “You’re done for the day, I think. Now please leave me to woo this exquisite little doll who approaches…”

You did have some work you needed him for. There was a peace summit in Australia hosted by Amnesty International, and Loki was a keynote speaker, having been spared from the death penalty and turned into the Earth’s darling. He was the world’s most instantly-recognizable proof that anyone could be rehabilitated, which made him a highly desirable motivational speaker. The summit was in three days, and you needed to brief him on the PR person taking over your duties once he crossed the international dateline.

He could terrorize the Land Down Under for five days all he wanted. You were about to have your first vacation from the miserable fucker since starting your job. This was going to be your Christmas.

However, you didn’t feel like dragging him away from the little hopeful moving in on him, and instead you decided to begin packing your bag for your long-desired break from Loki.

“She what?!” you growled in anger, turning away from Stark and Banner to hide that fact that you were almost instantly upset by their news.

“Mrs. Donner resigned yesterday,” said Bruce Banner, twiddling his thumbs apprehensively, making him look like a human-sized pangolin. “She’s not taking Loki to Australia.”

“WHY NOT? She’s more qualified than I am!” you bullshitted, doing anything to try and convince these two to go after her. You knew what this meant, but you weren’t ready to accept it just yet. You were a fighter, and you sure as hell weren’t going to sacrifice your time off now.

“She’s also a Mormon. I’m surprised she put up with Loki’s harassment as long as she has,” replied Banner.

“Or maybe she enjoyed it so much she had to jet off to Planet More-Men or whatever heaven is for them,” Stark mumbled.

“It doesn’t matter,” you said, brushing the air in front of you as if erasing something off of an invisible chalk board, “what does matter is who we are going to send him with. His parole terms state he cannot cross international boundaries alone.”

“C”mon, Y/N, you know where this is going!” said Tony with a wink.

“No,” you said firmly.

“It’ll be summer down there,” said Banner, “It’ll be nicer than here in New York.”

“No!” you repeated. “My vacation!”

Stark rolled his eyes. “I know, I know, that’s why I’m offering you a month’s paid sabbatical after you return.”

“No…I…what?” your fast, angry thoughts slowed on the conveyor belt as you began processing his counteroffer. “I was only scheduled for a week!”

Tony nodded. “Yeah, I’m quadrupling that right now, I’ll even get it in writing if you want. I can do that. I’m awesome like that.”

A month! A month without Loki poking fun of your ‘menses’ or humiliating you with jests and quips under his breath. A whole month of sleeping in late, dressing like a slob, and not worrying about how you or any client of yours appeared to the public. Tony Stark certainly knew how to play your game.

“You must be desperate,” you sighed, thinking about it.

“Well, if Loki can’t attend the summit, it’ll look kinda bad,” Bruce added, his low, bashful voice somewhat harder to hear than Tony’s confident tone.

“I’ll get you VIP passes to any club in the city for the whole month you’re off,” Tony added. “Four of them. And unlimited cocktail service. Live like a movie star for the next month, and all you have to do is babysit our little horndog for five days in Aussieland this week.”

“Deal,” you acquiesced at last, not missing a beat. “I’ll do it.”

“Excellent.”

All three of you turned your heads toward the intrusive new voice in the room. Loki was leaning against the doorway to the office, arms folded, a shit-eating sneer on his face. You felt your skin go hot at his sudden, unwelcome appearance.

“I was hoping that my exertions manipulating that old dowager into quitting would bear fruit, and now it seems I’m just time for my little trip with my dearest friend in the Realm!”

“Easy, Lokes,” said Stark, holding back a laugh. “Don’t push it, ok?”

You bit your lip to keep your temper. It didn’t make any difference if you kept protesting. You’d taken Stark’s carrot, and now you had five days of this jester’s extraterrestrial farts to sniff.

“Oh, I’m sure the next few days will include plenty of pushing about,” said Loki.

Tony raised an eyebrow and began following Banner as he snuck out of the room. “Be on the roof tomorrow morning. Oh, and uh, the quinjet has got some issues so it can’t go any faster than Mach 1.5 right now. Means it’ll take a little longer to get out there. Hope you two can get comfortable with one another real fast.”

“You…you set this up,” you hissed, your anger bubbling to the surface now that your employer was out of range. “I ought to ask your father to hang you.”

This only made him laugh. “He would only love the pleasure, I’m sure.”

And I would love to see your corpse swinging by the neck, you thought. “Why? Why did you do this?” you asked with frustration. “You hate me and I absolutely hate you, Loki, so why force us to be in closer proximity for longer than necessary?”

“Oh, I couldn’t stand the idea of being apart from you, sweet pea! It’s my greatest delight in life to always hover five paces behind you and piss you off. The mere idea of being so far away for so long!” Loki brought a mocking hand to his heart, expressing fake sadness in both his body and face. “My heart would only cry for you.”

“I should just make you go alone and make an ass of yourself,” you suggested. “Maybe some Australian hell-beast will swallow you whole.”

“Oh-ho! By all means,” Loki chuckled, throwing his head back. “Let me loose without supervision in a foreign country as the sole representative of the United States, the Nine Realms, and the Avengers. That will go over well for all of us.”

Your jaw hung open, no witty retorts for him, Unfortunately, he was right. Punking out would in one way or another, only serve to humiliate yourself and Stark.

“Ah, ah…” Loki tucked a finger under your chin, nudging your mouth closed by poking your chin upward, “You’ll catch flies.”

He left you there, speechless in the middle of the room, only turning back in the doorway to add: “I’ll see you bright and early tomorrow, darling!”

Before going to bed that night, curled up in your sad little futon in your one-bedroom loft, you prayed to every god that wasn’t Asgardian that there would be some kind of apocalyptic blizzard that popped up out of nowhere, forcing the takeoff to be delayed. Inclement weather was probably the only acceptable excuse for Loki to be a no-show down in Sydney. WHile the city didn;t necessarily get as much snow as upstate near the lakes, it usually took a few inches to shut the whole place down. There was hope. Perhaps the weatherfolks were keeping it a surprise…

This meant, of course, that the next morning was the first perfectly sunny morning New York had seen in weeks. In a small act of rebellion against the little shit you had to babysit, you chose to take your sweet time getting in. You purposefully dragged your feet down to the subway, your suitcase dragging along like a weight tethered to your wrist. You saw an abnormally-long line outside of a coffee shop and decided to stop in for an Americano.

By the time you made it to the rooftop of Stark Tower, you were over an hour late, which was not typical for you. The jet was otherwise prepped, the diminutive young pilot tapping his feet impatiently by the nose, Stark and Loki just tossing the last of his belongings in around the side.

“Look who finally decided to grace us with her presence,” said Tony.

Loki dropped what he was doing and shuffled up to you. He gave a mock bow, taking your hand and laying a big wet kiss on the back of it. “My escort, how lovely to finally see your bright face ready for our trip!”

“Die.”

Loki pouted. “Oh, is that any way to greet your business partner? I asked for you to be at my side all week long! Don’t you think I’m owed a little more courtesy?”

“Please die.”

“That’s my girl.”

Just before you boarded, Tony gave you a wink and one last piece of advice: “Remember, when the going gets tough, lie back and think of England.”

The last thing he saw before the doors shut was your middle finger.

Once the pilot got the quinjet into the air, he announced that he’d need to take his time in order to appease whatever yet-to-be-diagnosed tech issue the plane had, and prevent something from happening.

“Ugh, so what’s our ETA, then?” Loki asked impatiently, the saccharine facade dropping the instant he was out of Stark’s view.

The pilot shrugged. “I can get us there safely in five hours, maybe.”

“FIVE HOURS?” you groaned. “This thing is--”

“--gonna disintegrate if I don’t treat it gently,” he shot back. “Relax! It’s still a hell of a lot faster than if you were flying in a Boeing, okay?”

You and Loki looked at each other with annoyance. You sighed and went to sit as far away from the cockpit as you could, taking a green-jacketed book from your shoulder bag and flipping it open a bit too dramatically.

Unfortunately, Loki didn’t seem to take the hint, sitting beside you and peeking over your shoulder.

“You kept us waiting on purpose,” he accused. “You’re a bit of a brat, you know.”

You couldn’t take it anymore. Gently shutting the book, you turned to Loki with the most serious expression you could muster without losing your professionalism.

“Look, Laufeyson, you’re the one who set this up for us. If I had to venture a guess, it’s because you’re bored and needed a new way to make me miserable. But let’s make one thing perfectly clear: I hate you. I can’t stand your smarmy face and how you get off on making me crazy! Every time you open your mouth, it makes me want to drop-kick an orphan! I’d rather have a root canal while on ecstasy every day for the rest of my life than be sitting right here next to you.”

Loki didn’t blink. “...and how does that make you feel?”

“But I’m getting my big payout when this is all over, so for FUCK’S SAKE, let’s make this easy on both of us? You don’t bother me, I won’t bother you. You can find a kangaroo’s pouch to ride around in for all I care.” You went to open your book again, but Loki laid a firm hand over top of it.

“I’m hurt. Truly.”

You snickered. “Sure.”

“You know what your problem is?” Loki leaned back, crossing his hands casually. “You’re too uptight.”

“Uptight? You call me defending myself against all of your abuse UPTIGHT?” you growled from behind your gritted teeth.

“Well, it wasn’t abuse at first,” Loki added, “I was only making jokes to say hello!”

“Bullshit,” you said angrily. “The day we met, you called me a servant and asked if I would massage your feet.”

“Well, now it’s just fun for me to watch you lose your temper,” he admitted. “The thought of being alone with you to twist and push every button you’ve got just to see how loudly you’d shout…”

“Stop it, Loki! I’d rather this plane go down right now than be alone with you. Ever!”

Tags: @anukulee @jiyascepter @wolfsmom1 @cakesandtom @holdmytesseract @simplyholl @lokisgoodgirl @mjsthrillernp @meowmeow-motherfucker @foxherder @letstalkaboutshtufff @ladymischief11 @libby-bibby @javagirl328 @crimson25 @lcolumbia1988 @gruftiela @mochie85 @huntress-artemiss @loz-3 @kikster606 @muddyorbsblr @sheris532 @lokischambermaid @kneelingformyloki @soulpiercing @goddessgirl43 @canigetanap @theoneandonlythorn @forleiasake @eleniblue @knight-of-the-doctor @goblingirlsarah @clusterfuck-meup @mischief2sarawr

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kanerallels · 2 days

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This is a day late, but I have a short little thing for @chenford-prompts 2 Weeks of Chenford! Prompt: Miles Apart

(I'm not gonna lie to y'all, this is inspired by a plot line in Chicago PD that I hated with a fiery passion, so I decided to fix it and add some Chenford, as a treat! It's more alluded to than anything else, and the timelines don't really work out, but I don't really care. OH also I may have. Replaced Bailey and Nolan's wedding with Abigail and Henry's in this. Because I don't really care for Bailan, but that's just my opinion!)

“I still can’t believe you arrested someone while you were on vacation in New York,” Lucy said, her voice echoing and staticy through the phone’s speaker. “You're officially worse than Nolan.”

Tim rolled his eyes, shifting his position in his seat. He was sitting in the waiting room of a precinct in Brooklyn, waiting for detectives to come and take his statement. “Okay, no one’s worse than Nolan. He went after a drug ring at his son’s wedding.”

“True,” Lucy conceded. “But you’re on vacation, miles away from home, and you just happened to spot a kidnapper?”

“They don’t give sergeant positions to just anyone, you know,” Tim pointed out wryly.

He heard her snort on the other end. “No, apparently just to people who hit criminal’s cars with their cars to stop them.”

“Okay that one I did steal from Nolan,” Tim admitted. “But it worked. Got him out of the car and away from the girl he grabbed.”

“She must have been terrified.” Lucy’s voice was soft with empathy, and Tim felt a pang go through his chest.

“Yeah,” he said. “She’s tough, though. She’ll be okay.”

What he didn’t tell her was how familiar it felt when he pulled the young woman, tied up and terrified, out of the back of the car. Suddenly he was lifting Lucy out of the barrel in the desert, holding her as she sobbed.

The tears in the young woman’s eyes— Nadia, from Chicago. Not much older than Nolan’s rookie, with a checkered past, but a fierce determination that Tim recognized easily— had reminded him of Lucy’s. It had been heart-wrenching.

“Hey.” Lucy’s voice on the other end jolted him out of his thoughts. “You saved her. You stopped the bad guy and you saved that girl from her worst nightmare. I’m proud of you.”

Tim let out a soft laugh. “Thanks, Lucy.”

“Of course.” She paused, then asked, “How long are you going to be gone again?”

Letting out a sigh, Tim leaned back in his seat, switching his phone to his other ear. “A couple more days. Technically I’m out here to visit a friend, but there’s also this case to help wrap up. And I want to keep an eye on Nadia until her friends come to pick her up. Apparently she knows people in the CPD who are on their way.”

“Good— I’m glad you’ll be there for her.”

That was Lucy. Always focused on someone else. But Tim could hear what she wasn’t saying, and for once he let himself say it. “I miss you.”

He could almost see her smile as she said, “I miss you, too.”

Glancing up, Tim saw a familiar, leather jacket-clad figure heading towards him. “I gotta go— Detective Peralta is back. Talk to you later?”

“Okay, I should go, too. Love you.”

“Love you, too.”

As Tim hung up the phone, Detective Peralta, who was standing in front of him, wiggled his eyebrows at him. “Already at the I love you part in your relationship, huh? Very noice.”

Rolling his eyes, Tim said, “Let’s just get on with the statement, okay?”

“Yeah, I sound like Boyle. Let’s stick with I’m happy for you. Now, right this way, Sergeant.”

Tim shook his head as he followed the other man. But he couldn’t quite hold back the smile on his face.Only a few more days here. Then I’ll go home to Lucy. And that was the best thought of all.

#the rookie #chenford #tim bradford #lucy chen #2 weeks of chenford #chicago pd #b99 #jake peralta #listen. let me cross over my current favorite cop shows #as a treat #writing stories is a kind of magic too

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lazuliquetzal · 3 days

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Whee Fight Scenes! (This Is A Seirei no Moribito Advertisement)

For the past couple of years I have been almost exclusively writing fanfiction for action-fantasy video games which has led to me developing opinions on writing fight scenes. I used to hate writing them because what even happen fight, really, like what the hell??? But now I’ve learned to tolerate them! Sometimes I even enjoy writing them! So now I will share my wisdom with you.

(Disclaimer: This post was written so I could avoid writing a fight scene.)

My credentials: I occasionally write fight scenes in my action-fantasy video game fanfictions, and I have seen Seirei no Moribito the anime several times. I do not claim to be an expert on fight scenes, but I do claim to love Seirei no Moribito to bits.

Part 1. The Set Up

There’s this excellent anime about a mercenary on a life-long quest for redemption who ends up taking a cursed prince under her protection. It’s about unraveling propaganda and colonialism, and also about kicking ass. The first time I watched this anime, when I got to the episode 3 rice field fight, I thought, “holy shit, I see now that a good fight scene requires not only a kick-ass fight, but also narrative/emotional build up in order to give the scene weight and tension.”

Like, lots of anime have excellent and extremely iconic fights, but this was the show that really made the writing aspect of it stick in my brain. Seirei no Moribito is also an adaptation of a book, which might why this stood out to me: the way its fight scenes are constructed are not as reliant on the actual visuals so much as they are on everything else (the animation for the fight is gorgeous, too, like, just watch this show please it’s so good). That said, I haven’t actually read the book. But I have seen this show several times and the rice field fight gets me so hype.

(And also every other fight scene. I’m never over episode 13. If you have to watch only one (1) episode of Seirei no Moribito, watch episode 13. But also, don’t do that. Watch the entire thing you coward.)

Anyway. What’s going on in Seirei no Moribito episode 3?

Part 1a. The Narrative Stage

Ep3 is early on in the series. The rice field fight is not the first action scene, but it is the first fight scene. This is what we know going in:

Balsa, our main character, is a formidable mercenary with a practical mind and a strong sense of honor. She has sworn to protect Chagum, the prince of the Empire. Her goal is to keep Chagum alive at all costs, because saving his life is crucial to her personal goal of redemption.

The Emperor (Chagum’s father) has dispatched his elite warriors to kill the prince, as they believe that he is possessed by an evil water spirit. Their goal is to kill the prince because the evil water spirit is a bad omen for the empire, and they believe that killing the prince will save the kingdom.

Balsa’s spear is damaged, and she is outnumbered. She has the disadvantage.

We are, of course, rooting for Balsa and Chagum at this point in the story. Balsa’s our main character, she’s super cool, and child assassination is a bad look. We know that Balsa is strong: we’ve seen her do athletic stunts, and it’s been alluded to that she is extremely skilled with the spear. This fight is the first time we get to see her use it, so it’s very exciting to the viewer. We want to see her in action.

Part 1b. The Emotional Stage

Chagum doesn’t have much of a personality at this point: we know he’s a child prince, and we know his dad wants to kill him. So we don’t know him well, but he’s already sympathetic due to circumstance.

When Balsa and Chagum get to the rice fields, they are almost home-free. They’ve spent a lot of effort trying to redirect the emperor’s warriors and the plan almost worked. We are extremely close to safety, so the fact that this is when the emperor’s elite catch up is very tense and frustrating.

All this puts the audience in the mindset of: oh man, they’re so close, I really need Balsa to win! I don’t want the kid die! You can taste the safety, you are almost there—it’s the type of tension that gets you invested in the outcome of the fight.

Part 1c. The Physical Stage

The first half, and the faster-paced portion of the fight takes place in a rice field at night (a classic). Wide open, with water to splash in, and nowhere to hide. It’s right on the edge of the thick forest, which gives Balsa and Chagum an immediate goal: get to the denser terrain so that they might break line of sight of their pursuers.

The second half of the fight is less of a fight and more of a close-up, emotional moment of action. It takes place in a clearing by the edge of the forest.

The physical location of the fight ties in with the short-term goals of the characters: the open field forces Balsa into direct confrontation even though she wants to run, and the clearing by the edge of the forest gives Jin (one of the emperor’s warriors) the illusion of privacy when he tries to kill Chagum, and it gives Balsa cover to hide until she can intervene.

Part 1 – TL;DR

Even before you get to the actual fight, the setup of the fight has inherent tension and intrigue. One can reasonably assume that Balsa and Chagum will survive, because this is episode 3 of a 26 episode anime. But you don’t know if her damaged spear will hold out. You don’t know why the emperor wants Chagum dead. You don’t know if Balsa will kill the emperor’s guards, or if she’ll be able to make a clean getaway with the prince. All these uncertainties create mystery, which creates tension. And tension is what makes the fight fun.

Part 2. The Purpose

I mentioned earlier that this is the first actual fight in the show.

It’s the payoff for a bunch of little questions that have cropped up so far. How strong is Balsa? Is she good enough to win, even when outnumbered? What does her fighting style look like?

A lot of action stories have big fight early on, and that’s because a well-done fight scene squeezes in a massive amount of characterization. In this fight, we learn a lot about Balsa, and we learn a lot about the Emperor and the difference between the Emperor and the people who work for him.

Some questions that get explored: How do they think under pressure? What kind of fighting do they do? Are they strategic? Reactive? Brute force or trickster? How do they solve problems? How far are these people willing to go to achieve their goals?

There’s a moment in this fight when Balsa is wounded, and the emperor’s warriors retrieve Prince Chagum. Balsa ends up retreating into the forest. Jin says something along the lines of: she’s a mercenary, she works for money and she’s already been paid; she won’t risk her life to come back and get the prince.

But she does. Even though she’s been wounded, and even though she had the perfect opportunity to walk away, she comes back and saves Prince Chagum at the expense of her own health. Balsa keeps her promises; Balsa’s personal quest for redemption is more important to her than her life. We know her, now!

Fight scenes are great for characterization because it’s a deviation from status quo. A person’s default state is not “battle,” and stories thrive on extraordinary circumstances. “How does this character change/act/perform under pressure?” is a really great characterization question, and a fight scene is the opportunity to show the answer rather than tell it.

Fight scenes are also great for thematic debate. You get the opportunity to literalize the conflict between different philosophies via characters fighting each other. EZ story moment. You know that one Howard Ashman quote about how, in musicals, the characters sing when they’re too emotional to speak? That’s what fight scenes are to me. The characters fight when they can’t talk to each other.

And then, of course, a fight scene is also moving the plot along. The conflict is happening, information is being exchanged/discovered/buried. Some characters life, some characters get hurt, some characters die. A fight scene is a way to physically bring characters to the state they need to be in for the story to progress (in the right emotional state, the right physical state, the right location, etc). Lots of things going on, which is good—you want all of your scenes to be purposeful.

Part 3. The Details

All of that had to do with the zoomed-out, overall story view of the fight (how the fight fits into the overall story). I am now going to continue to gush about the episode 3 rice field fight up close (how does the fight scene work in isolation). Because Seirei no Moribito rocks.

Part 3a. The Setting

I already mentioned the open rice field/dense forest dichotomy and how that affects the characters’ short-term goals. It’s also a great choice to establish Balsa’s superior technical ability with her spear. The rice field is wide open and relatively flat—no obstructions or distractions, with everyone on equal ground. There are no tricks to pull, no environmental quirks to exploit: this is a clean fight between Balsa and the emperor’s warriors. When she comes out on top, it’s because she’s better than them.

Depending on the character, it might be better to change the terrain. Have the stealthy warrior fight in a forest, where they can appear and reappear and use their sneakiness to their advantage. Put a trickster in a situation where they can improvise traps. There is an aspect of your character that you want to show off, so set the stage so that they can show off. It’ll be totally badass and fun.

Part 3b. The Short-Term Goals

When you read a story, you can reasonably assume that the protagonist will stay alive (especially if you are not near the end of the story). Knowing the outcome can make a story stale if you're not careful. You can lose tension if there’s no risk. Some stories try to create a world/tone/atmosphere so that anyone can die. A lot don’t because that’s a little depressing.

My friend @yellowocaballero has an excellent post on this regarding OP protagonists, but to summarize: if you know the protagonist is always going to win the physical fight, you have to make the win condition not about that. Balsa isn’t OP, but giving characters goals beyond “win the fight” can make a fight so much more interesting.

In the rice field fight, Balsa does not have to defeat the emperor's warriors: she has to get Chagum and herself away alive. Her goal is to make a clean getaway. When the warriors show up, she makes the decision to confront them, and her goal is not just to win, but to win so decisively that they won’t be able to follow her. When Chagum gets caught, she changes her goal to ‘keep him safe at all costs, no matter the harm done to myself’, and she gets seriously wounded. She can succeed in some goals, but fail in others, and the story reacts and keeps changing. It’s the same principle behind why rolling a nat 1 is so entertaining in D&D. The more you fail, the more creative you have to get.

Part 3c. Monkey Brain

There is just something so cool and so satisfying and so fun about seeing a character kick ass. There is also something very cool and very satisfying about seeing a character get beat up. The rice field fight has it all: Balsa kicking ass, and also getting beat up. It’s fun! Fight scenes that know exactly why they are cool are just so good. Hell yeah, overindulge and use every single weapon despite how impractical they are. Yes please show someone pulling off an unrealistic move for the coolness factor. Absolutely include the explosion-that-would-definitely-kill-but-doesn’t.

Part 3 — TL;DR

If you want the fight to be cool, make it cool! Set it in a cool place! Give your characters opportunities to show off! Make it interesting by changing the win conditions! Conflicting goals forces characters to prioritize and it makes scenes fun!

Part 4. Words???

Unfortunately, as mentioned, Seirei no Moribito is an anime and I haven’t read the book so I cannot analyze and gush about its prose in this section. Otherwise, the advertisement would continue. You’re safe for the moment.

Re: prose, there’s probably a post out there that goes over the language of fight scenes better than I ever could. I write with the diction of a middle-grade author because I read PJatO too much as a child and it rewrote my DNA. This is not a bad thing, this is just a fact. So I’m just gonna fire off fight scene writing advice I heard from around:

Filter words — if you want a more immersive reading experience, you want to avoid filtering the action through the narration. So use sentences like: “Her arm hurt” as opposed to “she felt her arm hurt”. But if you’re trying to distance the reader, like recreating the feeling of shock/dissociation, then filter words would help achieve that effect.

Make the rhythm of your prose match the energy of the fight. Short and choppy feels fast in the brain. Long and wordy feels overwhelming. Fragmented sentences and run-ons are chaotic. Customize the vibes.

Establish the important details of the setting beforehand so that you don’t have to stop the action to describe the specific placement of a relevant tree stump. I think I heard this one from Brandon Sanderson on a podcast somewhere, but I think about it a lot when I write because blocking is hard enough and it's even harder when you have to stop and attempt to translate the movie in your head into words. I can’t tell you how to block a fight scene. We need to find someone else who is smarter that can tell us.

Part 5. The Point

Fight Scenes are Fun, actually. They can be really effective if you set them up properly! If you know what you want to do with them, you can arrange it to be as cool as possible! You don’t have to be in a visual medium to make fights fun. You just have to figure out how to translate the cool bits into prose, which I think is mostly done through giving your fight cool shit on both the macro story level scale and the micro scene level scale.

Also, watch Seirei no Moribito.

#i got a comment somewhere that was complimenting my fight scenes which. thank you! fight scenes stress me the FUCK out #but i do think i've gotten a lot better at them since i've started writing so i figured i'd write something about what i learned #and by what i learned i mean. gush about #seirei no moribito #tav this is not a response to your one post about fight scenes earlier that was a coincidence #lazuli talks #writing

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mal3vol3nt · 5 months

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it is crazyyyy seeing ppl go all the way back to ITSV and trying to find things to hate about gwen even then.

like in atsv, she is a realistic portrayal of a traumatized teenage girl who doesn’t know what to do with everything that’s happened to her and therefore ends up leaning on and trusting the wrong people. she made mistakes and was more human, but y’all didn’t like that. people HATED her for her mistakes and went out of their way to portray her as some sinister person while simultaneously simping for and loving up on male characters who’ve made similar if not worse mistakes.

in itsv, she comes off as a badass who rarely slips up. this is mainly because we’re seeing her from miles’ point of view and he very obviously has a crush on her so…. like duh. point is, in that movie gwen is an extremely capable superhero who is pretty and a lil traumatized but it doesn’t interfere with what she’s able to accomplish in itsv. she doesn’t make many mistakes in terms of her abilities or her relationship with miles because throughout the movie she’s slowly opening up to the idea of allowing herself to get close to people. therefore, she doesn’t yet have a friendship with him since her arc consists of her cold exterior melting away so she can let him in as a friend.

by atsv logic, itsv-gwen is the far superior and should- be-likeable version for some people since she’s a female character who is badass and doesn’t seriously fuck up or have any perceivable flaws (beyond the flatness that inherently comes with). but nooooo. y’all still hate her from that movie too so like… she just can’t win. you don’t like her when she’s an idealized version of herself and you don’t like her when she’s a realistic version of herself. it’s crazy seeing people pick her apart in itsv when most of the time her actions, like every other character’s, were based entirely on the very intense situation of the damn collider. to pick her apart specifically for her treatment of miles (which i don’t even think was cruel or coming from a place of illogical underestimation considering lives were on the line and miles was a very, very fresh-off-the-bite spider) and not the other characters is insaneeeee.

like to use her actions in itsv, which i would argue were logical in the context of the movie’s plot and situation, against her to further prove that she as a person is undeserving of miles in either a platonic or romantic way reeks with a lil something…. something that starts with an m and ends with a y. idk tho it’s on the tip of my tongue…

anywhore i just wanted to rant. not arguing or debating with anyone cus i don’t got the energy.

#just a little rant #call me the leader of the spider gwen defense squad #i’m not gonna argue with anyone tho so don’t @ me #this is my opinion and i’m sticking to it #and this is MY echo chamber #if i’m annoyed i block srry #spider gwen #gwen stacy #ghostflower #gwen x miles

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the-obnoxious-sibling · 5 months

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“Being a pirate is all about going your own way.” // “Come with me, Buggy!!”

is this post totally redundant after the similar post i made last week? idk. i guess the main difference is that this time i’m looking at the same topic in an unambiguously romantic light? the shipper goggles, as they say, are on, and i want to talk about these scenes in that context. so, if you’ll forgive me for repeating myself a bit, let’s talk about this again:

as much as i enjoy the heartbreak of “they always thought they’d be together but miscommunication tore them apart” takes on shanks/buggy, the very first flashback we get about them—the first things we learn about them at all, really—tells us this isn’t true.

and i think what we get is more romantic.

Chapter 19, Pages 12-13. i know last time i said they’re at most 12 here, but looking at these lanky-ass teenaged designs that’s nuts. i fully believe oda hadn’t thought through their ages/the timeline at this point, and they were originally supposed to be about luffy’s age when buggy got his devil fruit. which is not relevant to this post in any way, but it’s my post so i get to go off-topic if i want.

Shanks and Buggy have their own goals as pirates, and at this time they understand them to be mutually incompatible. Buggy thinks Shanks’ travel-and-adventure-oriented take on piracy is soft and foolish; Shanks doesn’t care for Buggy’s exclusively treasure-focused take. They’re sometimes friendly, sometimes not, they’ve fought side by side, but they know this time as allies and crewmates is temporary. (Buggy plans on taking his treasure map and the Devil Fruit and leaving the crew immediately.) Maybe they’ll become friendly rivals, ‘fighting to the finish’ when they run into each other like Roger and Whitebeard do, or maybe the next time they see each other they’ll literally fight to the finish. Who knows?

“That’s also what being a pirate is all about.” It’s very sensible behavior. Smart planning for the future.

Which means the contradictory ways they act later—Buggy secretly deciding to follow Shanks, Shanks bluntly asking Buggy to come with him—are not about these characters thoughtlessly clinging to the status quo. They are not in a “we were always together and I never thought that would change” situation. Deciding to stick together is a considered, emotional decision: “I know we don’t make sense together but I don’t care, I want us together anyway.”

Chapter 1082, Pages 8-9. i was cursed the moment i saw these pages with Unable To Stop Thinking About It disease; only time will tell if seeing it animated makes it worse or cures me.

This argument is a codependent breaking point. Buggy’s pinned all his dreams on Shanks, hoisted that poor boy up on a pedestal, and it all falls apart when Shanks reveals thoughts and plans that don’t match Buggy’s perception of him. He can’t bear to be around him now that the false image has been revealed. (Shanks, poor thing, seems to have had no idea any of this was happening.)

But if Shanks hadn’t said no to Laugh Tale in this moment—or maybe if he’d offered a soft no of, idk, “okay, sure, once we’ve got a strong enough crew”—Buggy would have gone with him, still projecting wildly onto Shanks. He’d convinced himself that being a member of the Pirate King’s crew was enough for him, that he didn’t need to be Pirate King himself if Shanks got the title and he was with Shanks.

…but would he have actually liked being a member of that crew?

Like, looking at the things the Red-Haired Pirates do, would Buggy have enjoyed being one of them? Wandering East Blue, hanging out in friendly port towns, collecting treasure here and there but spending a lot of time getting drunk and making friends with the locals? Eventually becoming famous for having a large, weak fleet of subordinate pirate crews Shanks has to sometimes physically step in and protect?

God, no, he’d’ve been miserable. Just seething with thwarted ambition, furious at the perceived disrespect. A real power hungry first officer stereotype, the kind of character that makes you think, Why’s he working for this guy if he hates him so much?

And Buggy must have suspected it would go something like that. But if Shanks hadn’t rejected Laugh Tale, he would’ve gone with him anyway.

(Better to be miserable with you than a loser on my own.)

Or say Buggy agreed to come with Shanks. Obviously his presence wouldn’t change the crew makeup significantly enough to skew the Red-Haired Pirates towards his way of thinking, but for the sake of argument: if he had convinced Shanks to do things his way, would Shanks have enjoyed the kind of piracy Buggy engages in? Taking over and destroying East Blue port towns, ordering your crew killed on a furious whim, single-mindedly hunting down treasure maps and single-mindedly hunting down treasure chests and paying no attention to anything along the journey? Eventually becoming the boss and administrator for a bunch of bounty hunters and mercenaries?

No way; most of that behavior is totally repellant to Shanks. If he let Buggy do that kind of thing under his banner, you’d be left wondering What happened to his morals? Why does he let this guy walk all over him?

And Shanks knew the kind of pirate Buggy was and wanted to be. But he asked Buggy to come with him anyway.

(Better to be miserable with you than have fun apart.)

It’s hard to see a way to make these very different styles of pirating work together. It’s probably doable… with a lot of compromise and honest conversation. The younger Shanks and Buggy had a point, when they said each going their own way was the obvious choice! It was certainly the easier one. Was it the happier one? Who can say.

#i also keep thinking of that year after the roger pirates disbanded. did everybody REALLY go their own way?#or did the two youngest maybe stick together. for safety in numbers! not bc they’re afraid to be alone or apart or anything!!#they’re just. SO codependent after roger’s execution…#i really don’t think that was the first time they’d seen each other in a year.#shuggy #one piece #i’m sorry i can’t stop thinking & writing about them #eventually i’ll be able to have thoughtful opinions about other things again #maybe even about non-one piece things!! anything’s possible!#shanks #buggy #my meta #*the shuggy roguetown breakup #*shuggy miscommunication #.19 (devil fruit flashback)#.1082 (roguetown flashback)#*shuggy ironies #*buggy’s bad choices

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