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#tip harris
xothemedia · 3 months
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“I wish you could see what I see.”
ATL (2006)
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rnbria · 7 months
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My closet doors. 2008/09
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camyfilms · 1 year
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ANT-MAN 2015
Second chances don't come around all that often. I suggest you take a really close look at it. This is your chance to earn that look in your daughter's eyes, to become the hero that she already thinks you are.
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dxsturbia · 5 months
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That’s how I feel about Kira
Honey selling drugs don’t make you from the hood
Your childhood home is right up the street from my dad’s house
Why do you wanna be from the ghetto so bad

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rookie-critic · 1 year
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Fear (2023, dir. Deon Taylor) - review by Rookie-Critic
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Sometimes you see a trailer for something, and you know that, most likely, it's not gonna be good. I hate to say it, and I try not to judge any particular book by its cover, but we all do it, we can't help it. It's almost impossible not to put a perception on something. I know I shouldn't, because it's happened so many times just in the past couple years where I was anticipating something being bad or just ok, and it ended up blowing my socks off. It's almost gotten to a point where I'm more inclined to go see something if I have a negative knee-jerk reaction to it. Still, sometimes that inclination is right, and it most definitely was in the case of Fear.
This film, that clearly only got a theatrical release because its only release competition was Brandon Cronenberg's Infinity Pool, a very niche psychological thriller, and the star-studded, but massively undermarketed rom-com Maybe I Do. I could talk about how the film is edited in way that seems like they ran out of production time/budget and didn't have enough footage to make a cohesive plot, I could talk about the rushed digital effects that look like they were made in just shy of two weeks by college freshman in Adobe After Effects, I could talk about the ADR that was clearly added in with complete disregard for whether or not a character that is supposed to be speaking on screen's mouth is even moving, or the absurd amount of re-used dialogue. I could talk about a million different little technical things I noticed while watching this movie, but really I think the most crushing thing for Fear is that it is a horror movie, one that desperately wants to be taken seriously, that just flat out isn't scary. The premise, that your deepest fears manifest themselves in reality at the lodge where the film take place, and that's what eventually kills you, while interesting from a baseline perspective, seems to be of mostly tangential interest to the filmmakers. [MILD SPOILERS AHEAD] They have a sliver of a unique idea in giving some of the ensemble more abstract fears (stuff like "my friends not being able to trust me" or "not being in control"), but its almost like they just get bored after taking those concepts three-quarters of the way to their conclusions and just kill those characters off through some half-hearted, supernatural other thing than actually having their fears kill them. Even the character whose fear is literally just blood has a completely unrelated death. He doesn't drown in blood (his significant other in the film's biggest fear was drowning, they could have easily knocked out two birds with one stone there), he doesn't even bleed out (even though he does get stabbed and one of the hallucinations he has is his stab wound bleeding profusely), none of that vastly more on-theme stuff happens. His neck gets snapped. That's it.
It's just unbelievably underwhelming on almost every front. It's a horror movie with no horror, a slasher film with unoriginal, uninteresting death scenes, it packs no punch, offers no lasting impact, and the acting isn't even bad enough to be funny. In fact, a couple of the performances borderline on good (Andrew Bachelor, a.k.a. King Bach, whose production company helped make this film, actually delivers a decent performance, and TI has at least one decently funny moment). I think the only thing I've seen recently that was worse was Jeepers Creepers: Reborn, but I can barely even call that a film, so that was a pretty low bar to pass. Please, if you were thinking about seeing this, don't. Save your money and your time, it's not worth it.
Score: 2/10
Only in theaters.
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raestoned · 2 years
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gardenpatchbaby · 6 months
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I am so sick of fic writers making 10-year-olds talk like babies.
I work with children and have taken numerous classes on adolescent development. Here's some of what I learned because I might actually kill someone if I read another fic where an older child is essentially a four-year-old. (No hate to anyone in particular. Children are confusing.)
(Slight trigger warning for 13 & 14 year-olds. Puberty/sex mentioned)
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(Most info is from Chip Wood's Yardsticks: Child and Adolescent Development Ages 4-14)
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hiphopscriptures · 2 years
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T.I.'s Trap Muzik Album Anniversary
Choosing to join Atlantic Records, T.I. did not waste any time to work on his subsequent album and quickly came up with "Trap Muzik" on August 19, 2003. All his perseverance plus dedication were proven really worthy when the sophomore effort rocketed to the fourth rank of The Billboard Hot 200 chart and number two on Billboard Top R&B Hip-Hop chart. Bolstered by catchy yet gritty tunes of "24's", "Rubber Band Man," and "Let's Get Away", the record found no difficulty in scoring tremendous sale number to finally earn Platinum status from RIAA. This attainment unmistakably propelled the charming fellow to national prominence, making him one of the South's most electrifying young rappers in that year. Read more about T.I. here.
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siriussslut · 7 months
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pls pls pls i need smth else for cowboy remus im going insane
oh my god of course, he’s soooo fine. AND HIS DICK IS LITERALLY SO BIG I JUST KNOW IT
warnings: throatfucking, one use of “daddy”, a tad bit of degrading
masterlist
he bends over to grab another nail, hammering into the broken barn’s door. his jeans spread thin around his ass at the movement, revealing every curve and crevice his body has to offer. you suck a sharp breath inwards, thighs feeling warm.
“you almost done?” you ask, leaning against the wall as you wait.
“soon, darlin’” he says, words thick with his southern drawl. it drives you nuts.
you step forward, deciding to take matters into your own hands. “need you, remus,” you say, leaning your body closer, tits brushing his back.
he stiffens.
“watching you is making me so horny.” you lean close still, pussy grinding against his leg.
“need to finish this, baby,” he says, but you can feel the resolve melting out of him as you rub your soaked panties against his jeans.
“please, daddy?” you press your lips under his ear, nibbling on his earlobe.
you know the response before he says it. “fine.”
a grin spreads across your face, fingers immediately reaching to undo your shirt and toss it carelessly to the ground, exposed tits bouncing freely.
“but,” he puts up one finger, stopping you from stripping further. “i do have to finish. you can suck me off ‘til i’m done.”
you nod obediently, sinking to your knees in front of him. your hands fumble with his belt, dark jeans falling to the floor. you pull down his boxers and his cock springs free, giant and hard. he’s the biggest you’ve ever seen, bigger than what you’ve seen on your phone. your walls squeeze deliciously at the sight of him.
you delicately push him into your mouth, fingers moving south to cup his balls. above your head, he continues with the barn door.
saliva drips down your chin and onto your throat as you try to recuperate with his enormous size in your mouth. you wrap a hand around him, rubbing up and down his length.
a soft groan escapes his lips.
you gently tug on his balls and are rewarded with a small twitch of his cock. taking this as encouragement, you swirl your tongue around his tip, sliding your lips up and down his shaft.
you feel the moment he gives up on the door, hammer dropping to the floor. he grabs a handful of your hair and thrusts into you, tip slamming into the back of your throat. desperation leaks down your legs as spit leaks out your mouth.
“so fucking tight,” he groans, words slurred and needy. “slutty little throat taking me so good.”
you whimper at the growl in his words. tears slide down your cheeks as he fucks your throat harder, air unattainable and unimportant.
his cock jerks once, twice, and releases, hot ropes of cum shooting down your throat. he pulls out of you with a pant, dick spreading remnants of his cum in your face.
he leans down, finger wiping the creamy liquid off the corner of your lip. “did so good, baby.”
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goldenromione · 2 months
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The symbolism behind James and Lily being deer (from someone who grew up hunting)
1.) The Hunt
Autumn is hunting season. This is when game is more plentiful as the animals are preparing for the colder months.
This is when Voldemort learned of the prophesy, and this is when he made the start of his hunt known. Everyone was fair game.
James and Lily died in October, forced to cower in their home, and helpless to do anything but stare down the barrel of Voldemort's metaphorical gun.
(Because if you want to get further into it, the killing curse is the equivalent of being shot point blank. No chance of defense. Not for the animals being hunted, and not for James and Lily.)
2.) Spirituality
Deer represent fertility, renewal, and regeneration. Stags are symbols of fatherhood. Does are motherhood.
James and Lily were the parents of the prophesied child. This is why Voldemort came to kill them personally.
They may have died, but their legacy lived on (renewed itself) through their son. Harry would be the one to finish what they started.
3.) Hanging the Head
Their deaths marked a new beginning. Voldemort was gone. Hope was returned to a world shrouded by darkness and fear.
In their honor, James and Lily were held up and lauded as martyrs. We kill a stag and hang its head on a mantle.
James and Lily were killed in cold blood, yet their deaths were perceived as a sacrifice for the greater good. Figureheads for the Order. Nothing but a trophy of good faith.
4.) Dissociation
Deer heads are treated as props. Similarly, James and Lily were spoken of as concepts and less as people. Great wizards who met tragic deaths. Again, martyrs.
Harry knows nothing of his parents but the stories people have told. They are pictures on the wall and a false image in a mirror.
The first time life was breathed back into James and Lily was with the introduction of Remus, Sirius, and Peter. Further, Snape's memories were used to humanize them.
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xothemedia · 3 months
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ATL (2006)
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rnbria · 8 days
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Binder files: 2009, 2010, or 2011. Definitely between late 10th grade and senior year.
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camyfilms · 6 months
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ANT-MAN AND THE WASP 2018
 What does the FBI even stand for? Forever Bothering Individuals?
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dxsturbia · 1 year
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MEMPHIS
ATLANTA
That was his artist he was there for a reason
Nick almost ended up on that tour and then you took the bullet for him
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zabreus · 10 months
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one thing i see a bit with disco elysium fan script is a conflation between a failed skill check and bad advice from a skill. one of the beautiful things about DE is the skills are not arbiters of truth; successful checks won’t always lead to the correct outcomes, and a skill level being too high can impair you. in that sense, a failed passive (“anti-passive” according to wiki) wouldn’t be a skill giving bad advice, but a skill failing to fulfill its duty.
(bad example ahead) so it wouldn’t be:
LOGIC [Trivial - Failure]: Stick a fork in the toaster.
but more like:
BREAD-TOASTER: You peek into the narrow opening at the top of the electric bread-toaster.
PERCEPTION: You find a slice of bread wedged between the filaments. Smoke wafts into your nostrils. It’s burning, and you seemingly have no way of retrieving it.
INTERFACING [Challenging - Success]: The metal fork you found in the cupboard. It should be both long and sturdy enough for the job.
You: Grab the fork.
INLAND EMPIRE [Medium - Success]: The tips of your fingers tingle. This seems like a very bad idea.
LOGIC [Easy - Failure]: You are uncertain of the outcome here.
1. Use the fork to fish out the toast.
2. “This is beneath me.”
3. [Half-Light - Godly 16] Establish dominance. Fuck the toaster.
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