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oristian · 3 days
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ELUCIEN | GWYNRIEL — MAASVERSE SPOILERS
I tend to see posts and videos from a multitude of people who seem to be reluctant to accept foreshadowing in the ACOTAR books—specifically regarding the endgame couples to finish out the overall series. As this post is simply beating a dead horse down, I find that it is very much needed as a specific group of people lack the capacity to understand the books.
Foreshadowing is not meant to be obvious. There are, of course, cases where it is relatively obvious, but only within the parameters of back-to-back scenes. Foreshadowing is meant to be picked up on, but to be fully understand later on in the story when everything comes to fruition. Examples of foreshadowing include color descriptions, specific use of language, emphasis on certain scenes, emphasis surrounding specific objects, et cetera. If something happens obviously and you can read the scene as-is, it is not foreshadowing.
I see many people who ship Elriel claim that there is buildup across the entire series that foreshadows why they will be endgame. As the books do not support that claim, it is outlandish and a spread of misinformation. Allow me to disprove this theory using the books alone:
— 🌸 ACOTAR: Zero interactions between Elain and Azriel as Azriel had not been introduced as a character yet. This book highlighted Feyre surmising that Elain would thrive within the Spring Court, that her sister enjoyed typical emissary work, and instead introduced Lucien as a character.
— 🦢 ACOMAF: This is the first book where Elain and Azriel met, as is this is where many Elriels like to claim that the Elriel build-up begins. However, this book says otherwise. Elain and Azriel’s first meeting is neutral, quiet conversation to ease a tense situation as Nesta/Feyre/Cassian/Rhys were creating an uncomfortable atmosphere and Elain meant to ease it. This book highlighted how in love Azriel was with Mor and how Elain was engaged to Grayson. Many Elriels also claim that the color of Elain’s dress in this first meeting—being cobalt—is indicative of endgame between she and Azriel. However, cobalt is also the signature color of Grayson’s family crest. Their interactions die out after that first meeting and instead focus on Feysand again. The throne room scene in Hybern also showed the beginning of Elucien and their mate bond, while Azriel was on the floor reaching for Mor. (I go more into this on my Tik Tok page: @oristian)
— 🔥 ACOWAR: When Feyre returns to the Night Court after her month in Spring, she finds that Elain has been within a catatonic state for the entirety of that month and has shown no signs of recovering—that is, until Lucien came along. Elain began eating and moving around once he came and after tugging on the mating bond, her visions first started showing. themselves. Everyone likes to credit Azriel for most of this, but all that Azriel did (take her to the garden) was suggested previously by Lucien. Lucien, who was not able to be alone with her due to Nesta and Feyre. Next, everyone tends to say that Azriel “saw” Elain when he named her power. “What we need is …” Contradicts such a thing. Naming a power does not cure someone of their trauma. Lucien is also canonically the first character to take Elain’s visions seriously and went in search of Vassa, ultimately finding Papa Archeron and creating an even deeper connection into the Koschei plot arc with Elain. This is also where we get the iconic half-step on the stair scene.
Elain is now kidnapped by the cauldron portraying itself as Graysen—Elain wanting so badly to be with her previous lover. This is a scene where many Elriels claim that it is supportive of Elriel being endgame. However, it is within character for Azriel to save someone, especially people close to him. Certainly, Elain being appreciative of being saved and kissing him on the cheek is cute, but that is not enough “foreshadowing” for an endgame. Next, Azriel hands her Truth Teller after Elain refused other weapons. Elain is hesitant and only agrees to take it once Feyre chimes in that she will not have to use it. Juxtapose this with Elain immediately giving it back after the battle is over, not saying a word, and instead falling into conversation with Lucien. Lucien, who is canonically the only character to credit her for assisting with ending the King of Hybern.
— 🌨️ ACOFAS: This is the buffer book that was meant to do two things: Establish Nessian as the next couple for the following book, and establish a clear love triangle between Azriel/Elain/Lucien. Elriels use this book to drive the idea of an Elriel endgame. While this book has scenes between Elain and Azriel, there is unfortunately no foreshadowing present enough to support that claim. This novella emphasizes, from a conversation between Rhys and Feyre, that Azriel may be inclined towards Elain due to her having traits that may remind him of his mother (Freud). We also have Solstice where Lucien brings Elain a gift—a gift that fully reflects her interests—Elain brings Azriel a gift, but Azriel does not bring Elain a gift. Azriel even questioning beforehand if he has to get the sisters a gift at all. Elain’s gift being superficial and more of a joke than anything truly meaningful to them as a relationship.
— 🗡️ ACOSF: The book that ended Elriel. We have this book set up as PRE-BONUS CHAPTER | BONUS CHAPTER | POST BONUS CHAPTER. In the pre-bonus chapter, we have a few scenes between Elain and Azriel that is a glance, or a very small interaction. The infamous scene that Elriels like to use to “prove” that his shadows actually like Elain is the scene where Cassian says that Nesta upset Elain and his shadows seemed poised to strike. His shadows reacted to his anger, not to Elain. Next, the Solstice scene where Azriel refused to be within the room due to the mating bond between Elain and Lucien and Nesta seeing that he was interested in Elain—which is never brought up again, however we do get a scene post bonus chapter of Nesta encouraging Gwyn and Azriel by calling him the “new ribbon.”
The bonus chapter ended Elriel officially as endgame. The chapter is told from Azriel’s POV and documents his lustful thoughts of Elain and how he wants a mate, hurt and confused why his brothers had two of the Archeron sisters and the third was given away to another male. Rhysand even asking Azriel what his plans are after seducing Elain and Azriel having none “past the fantasies he pleasures himself to.” This is also a chapter where Elriels like to claim that Elriel is a forbidden romance. ACOWAR Rhys clearly objects to this being the case. (I have a video on my Tik Tok going over this @oristian) The bonus chapter then moves to Azriel finding Gwyn, his shadows not warning him of her presence at the HoW. His shadows are curious about her and dance with her breath. Azriel then finds out that Elain rejected his necklace—the only Solstice gift that he has gotten her, and one he expressed as “nothing extraordinary”—and the next morning finds him re-gifting such to Gwyn. Azriel can picture her eyes lighting up at the gift and he smiles—this is also where mate language is used to describe the spark in his chest at the thought of her and the glow of the thought. “A thing of secret, lovely beauty.” A line that was used twice—one to describe the necklace, and another time to describe the thought of Gwyn.
Post bonus chapter has zero interactions between Elain and Azriel. The interactions between Azriel and Gwyn are charged and witty. Energetic. This is also where we see Azriel’s siphons glowing darker at the thought of the Valkyries in the Great Rite—the first instance that this has happened.
Next, we go into the last two remaining plot arcs: Koschei and Dusk Court. Both ACOSF and HOFAS have set Nesta up as the driver for the Dusk Court arc, with Azriel as the character to follow. With SJM’s Bloomsbury contract slating her to have two more main books with dual POV romantic interests, the Dusk Court arc book would only make sense having Gwyn and Azriel as the FMC and MMC of that arc. The Koschei arc has been carefully crafted for Elain and Lucien to be the FMC and MMC of that book, with both of them being set up for this since ACOWAR. Elain with her visions of Vassa, the lake, and Koschei’s black box, and Lucien being tied to Papa Archeron and Vassa and the mortals. (I have a video on my Tik Tok that goes more in depth with this @oristian)
— SUMMARY: Elain and Azriel do not have multiple books of foreshadowing, a Gwynriel and Elucien endgame is not fanservice, and the remaining two plot arcs do not support an Elriel endgame. If you have any problems with that, take it up with SJM.
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deception-united · 21 hours
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Online Writing Resources #2
Vocabulary:
Tip of My Tongue: I find this very helpful when I can't think of a specific word I'm looking for. Which is often.
WordHippo: As well as a thesaurus, this website also provides antonyms, definitions, rhymes, sentences that use a particular word, translations, pronunciations, and word forms.
OneLook: Find definitions, synonyms, antonyms, and related words. Allows you to search in specific categories.
YourDictionary: This website is a dictionary and thesaurus, and helps with grammar, vocabulary, and usage.
Information/Research:
Crime Reads: Covers crime and thriller movies, books, and TV shows. Great inspiration before writing a crime scene or story in this genre.
Havocscope: Black market information, including pricing, market value, and sources.
Climate Comparison: Compares the climates of two countries, or parts of the country, with each other.
Food Timeline: Centuries worth of information about food, and what people ate in different time periods.
Refseek: Information about literally anything. Provides links to other sources relevant to your search.
Perplexity AI: Uses information from the internet to answer any questions you have, summarises the key points, suggests relevant or similar searches, and links the sources used.
Planning/Worldbuilding:
One Stop for Writers: Literally everything a writer could need, all in one place: description thesaurus, character builder, story maps, scene maps, timelines, worldbuilding surveys, idea generators, templates, tutorials... all of it.
World Anvil: Provides worldbuilding templates and lets you create interactive maps, chronicles, timelines, whiteboards, family trees, charts, and interactive tables. May be a bit complicated to navigate at first, but the features are incredibly useful.
Inkarnate: This is a fantasy map maker where you can make maps for your world, regions, cities, interiors, or battles.
Miscellaneous:
750words: Helps build the habit of writing daily (about three pages). Fully private. It also tracks your progress and mindset while writing.
BetaBooks: Allows you to share your manuscript with your beta readers. You can see who is reading, how far they've read, and feedback.
Readable: Helps you to measure and improve the readability of your writing and make readers more engaged.
ZenPen: A minimalist writing page that blocks any distractions and helps improve your focus. You can make it full screen, invert the colours, and set a word count goal.
QueryTracker: Helps you find a literary agent for your book.
Lulu: Self-publish your book!
See my previous post with more:
Drop any other resources you like to use in the comments! Happy writing ❤
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herasversion · 2 days
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Professional athlete?
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Charles Leclerc x reader
Summary: A relaxing day at the beach takes an unexpected turn when you lay eyes on the worst athlete you've ever seen.
A/N: No use off y/n reader is a female but gender is not specifed. 668 words and a few words in bad french no other warnings are needed.
masterlist
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Alright, you have to admit to yourself that you're not a professional athlete, but the handsome man at the front of the beach most certainly isn't one either. I mean, you're not a great football player, but he is somehow way worse.
But the most incredible aspect of it all is that he doesn't even look ugly while doing it, although I suppose it is difficult to look ugly while doing it if you have the most beautiful smile I have ever seen, with dimples and a six-pack.
And there's a certain charm to watching him fail to score a goal. After all, the rest of his friends are definitely not ugly either. I mean, you're almost tempted to post about them on TikTok or walk up to them and ask if being hot is a requirement for being friends with them.
As you relish in watching youre beach crush with brunette hair fail to score a goal, you suddenly hear a laugh next to you. You turn your head to look at your friend. "What, he's hot! Yes, and terrible at football," she laughs. "Like you haven't been looking at the guy with brown eyes who can score a goal," I say as I laugh.
As you relish in watching your beach crush with brunette hair fail to score a goal, you suddenly hear a laugh next to you. You turn your head to look at your friend. "What, he's hot! Yes, and terrible at football," she says as she laughs. "Like you haven't been looking at the guy with brown eyes who can score a goal," you say as you laugh.
Shit! There goes your cocktail all over you." As you turn your head to watch what hit your cocktail, you see the cute guy with the dimples walking over with the football in hand and a panic-stricken look.
Fuck, sorry," he says as he fluffs up his beautiful hair. "My friends aren't very good at football.
As you hear him speak, you realize that he has a beautiful accent. Until you remember what he said: "Your friends aren't very good at football." You question him.
What?" he says with a confused puppy look accompanied by a smirk, as if he knows why I am questioning him. "Well, I watched you play, and your friends don't really seem to be the problem," I say with a smile. "You've been watching me play, mon cheri?" he questions with a smirk.
As I fluster and try to come up with a response, my friend laughs. Well, she laughs until brown eyes comes up and smiles at her. Then she also flusters. He laughs and shouts, "You're coming with the ball, Charles, or are you staying with the beautiful ladies?´´Charles, what a fitting name I decide, Charles sends his friend a grimacing look, and I say, "I'm coming. Someone needs to beat you, Carlos," I laugh as I watch them stumble away.
Scratch that friend part about him and Carlos because this game seems a lot less friendly. I also see my friend looking at the scene with a panicked look in her eyes. I decide enough is enough and look at my friend, saying, "Let's go back to the bar until we witness someone break a bone." My friend gives me a doubting look until we see a lanky blond go down crying.
As we are walking to the bar, I am suddenly stopped by a shout, "Mon cheri, where are you going?" I look back and see Charles looking at me. I laugh and roll my eyes, showing my glass, and say, "I am getting a refill." He smiles back and says, "Ah, good, but come back. You need to see me win, mon cheri." "Your win, Carlos?" scoffs. He looks at my friend and says, "Don't worry, princesa, you'll watch me win.
My friend rolls her eyes, grabs my arm, and pulls me to the bar, saying, "Come on, I need a strong drink to watch this mating dance. Honestly, who are they trying to impress?" You I say with a laugh and order us a drink. She laughs and blushes, and I tease her. As we get our drinks, I say, "Come on, let's watch the sequel to the mating dance.
As we walk to our place at the beach, I notice that the football game is a lot less active. Well, it was a lot less active until they noticed us, it seems.
Just as we are sitting down, I suddenly hear a scream. I look up and notice it is Charles. Before I even notice what I am doing, I am walking to him and crouching next to him, panicked. "Are you okay?" I ask. Charles is still groaning until he notices it is me and suddenly tries to act like his left foot hurts way less by joking, "Well, everything is better now that you are here."
I scoff and stand up. Charles tries to do the same and grimaces. I notice it immediately and help him, saying, "Come, we'll sit down." Charles looks at me and says, "Anything you want, mon cheri."
We stumble over to the place where my friend and I sit. As Charles plops down on my chair, I say, "Let me have a look at your foot." Charles looks panicked and says, "No, that is not necessary, mon cheri." I laugh and say, "Don't worry, I don't have a foot fetish."
He shakes his head and says, "Non, non, Joris is already on his way." "Jorris?" I question. "Yes, my trainer," he says. "You have a personal trainer?" I ask. "Well, of course, mon cheri, I am an athlete after all.
You're an athlete?" I scoffed. He looked playfully offended. "Yes, I am, mon cheri. Do you have a problem with that?" I laughed and replied, "No, I don't have a problem with that. I just doubt that
Why do you doubt that?" he asks. I laugh. "Well, I saw your football skills, and they're not professional athlete-worthy," I say. He laughs so hard that he almost falls off the chair and hurts his foot again, grimacing. "What did I say?" I ask innocently.
Well, I am most certainly not a football player," he says, laughing. "I know," I say, "but what are you then?" He grins and replies, "Well, I am a Formula 1 racer, obviously, mon cheri." I scoff and retort, "Sure, and I am the president."
He smiles, his beautiful dimples accentuating his charm, and says, "But I am, mon cheri. Why don't I prove it to you?" I look at him doubtfully and say, "Sure, prove it to me," leaning in closer. Suddenly, I notice beside his beautiful eyes, he also has beautiful lips.
As he bites his lip and gazes into my eyes, we are suddenly interrupted by a shout, "Charles, are you alright?" It's a man whom I presume is Joris.
As Joris keeps fretting over him and scolding him, I chuckle at the situation. Before I even realize it, several minutes have gone by, and Joris is speaking about bringing Charles home.
I realize that it might be the last moment I'll see that beautiful man. However, just as I'm thinking that, he turns around as if he suddenly remembers me. He hands me a piece of paper and gives me a kiss on the cheek before Joris helps him stumble away.
I sit down where Charles just sat and laugh as I notice it's a fake paddock pass to the Grand Prix this weekend. I turn to my friend and say, "Charles thinks he's a Formula 1 driver." She looks at me bewildered and laughs. "Come on, please tell me you know who that is." I laugh and say no. She looks at me like I'm crazy and says, "Only you could not realize you've been flirting with Charles Leclerc, Ferrari's number one driver."
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galacticlamps · 23 hours
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the way Edwin's immediate reaction upon seeing the misery wraith in the Devlin house is to grab Crystal and cover her mouth, even while he's explaining (apparently calmly) that it hunts by sensing negativity and pain - presumably instead of using sight or sound
and the way that he does the exact same thing to Charles when they're reunited in Hell, but here he urges him specifically to be quiet (in what must be the most barely audible line of dialogue in the whole show) because he's found that's the only way he can get a short reprieve between bouts of torture from the spider thing (to the point that when he ran into Simon earlier he - rather nonsensically - believed the sound of tearing paper behind a closed door was also a big risk)
All I'm saying is, it doesn't look like it was actually all that important he stop Crystal from making noise in the Devlin house, and as much as that scene originally read as Edwin kinda having his shit together while Charles & Crystal were both more affected & then literally incapacitated, his head couldn't have been half as clear as it first seemed if his immediate reaction was reverting to Surviving Hell Tactics even when they weren't really helpful or applicable here
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icebluecyanide · 22 hours
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Alex going behind Scorpia's back to get the Invisible Sword file. Alex Rider, S03E05: Revenge
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Hi, so I am a new novelist, and I recently finished my first novel. The problem is I didn't divide the story by chapters, meaning I have no chapters I just have the story written, my question is how to know when it should be a chapter? Is there a specific common word count? Or is it by storyline?
Thank you for your time🤍love your page xx
What Exactly is a Chapter?
Chapters in novels contain usually one to three related scenes that are grouped together. They often center around a single scene goal or reaction and have their own beginning, middle, and end. New chapters usually begin when there's a significant change of time, place, or a change in point-of-view.
So, let's say your first six scenes look like this:
Scene 1 - Maggie walks to school with her friend Brad Scene 2 - Maggie encounters strange new student in history class Scene 3 - Maggie tells Brad about new student at lunch Scene 4 - Brad calls during Saturday dinner having seen new student Scene 5 - Maggie meets Brad at the park to hear the story Scene 6 - Maggie encounters new student at the mall on Sunday
Scene 1 takes place on the way to school, and scenes 2 - 3 take place at school within the first half of the day, so if these scenes are told from Maggie's POV or a third-person omniscient POV, we know we can group these scenes together into one chapter. But scene 4 takes place at home on the weekend, scene 5 takes place at the neighborhood park a little while later, and scene 6 takes place the next day at the mall. Since the location has shifted from school to home and home adjacent (park, mall), and the time is the weekend rather than the school week, that's a significant enough change in place and time that we know scenes 4-6 can be a separate chapter from 1-3.
On the other hand, let's say scene 1 and 2 are Maggie's POV, but scenes 3 and 4 are from Brad's POV. In that case, we'll start a new chapter with scene 3 when we switch to Brad's POV. And, even though we have the big time and location shift from school during the week to home on Saturday, it could make sense for these two scenes to stay in one chapter, because both are related to Brad's experience with the new student... hearing about them from the first time at lunch when Maggie talks about them, then encoutering them himself and calling to tell Maggie about it.
Ultimately, just follow your gut, and remember that chapters aren't required to be any particular length. They can be as short as a few sentences or as long as twenty pages... all that matters is that the chapter works as a chapter. Also, remember that you also don't have to stick with the same convention throughout your story. For example, if your chapters tend to average about 1200 words, that doesn't mean you can't have a 600 word chapter or a 2400 word chapter. Again, the only criteria to length is that it's enough words to accomplish whatever the chapter needs to accomplish.
Happy writing!
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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!
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himbeereule · 1 day
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Орлёнок Demo Release
Finally, the demo is here! It's not exactly January anymore, but better late than never, right?
You can play it right here!
I also made a post on the CoG forums, if you want to check it out: Link
Features include:
Meeting your family! And getting bullied.
Getting executed!
Rising from the dead!
Celebrating life by slaughtering some rebels!
(Being extremely miserable!)
Feedback:
This is, quite obviously, a work in progress. It is made available so that you, the reader, can give feedback that improves the game.
So, while you can - and should - obviously tell me whatever you want, a specific list of what I need most in terms of feedback can be found here:
Language. English is not my first language (actually, not even my second one), and I mostly read non-fiction academic works when I read in English, so my writing is certainly not at the level it should be. If you have any concrete issues, please tell me, and I'll try to learn how it can be improved.
Spelling. I don't expect much in the way of outright errors, but I do know that I mix up British and American English all the time. The intended style is American English, so please point out spellings that are wrong in that regard.
Inconsistencies. There are a lot of variations between scenes, and I'd like to make the story as immersive as possible; so, if a phrasing, a character's behaviour etc. feel like they don't fit into the choices you previously made, please tell me. In detail, if possible, otherwise I won't be able to amend it.
Sensory descriptions. AuDHD makes my brain process sensations, including visual impressions, very differently, which means I often end up forgetting those exist. Please tell me about scenes that lack description in that regard. (My first grade elementary school report card called my writing 'efficient and devoid of feelings', and I'd very much like to move past that.)
Technical problems. The code should be pretty solid, but with how complicated it is, it'd be weird if there weren't at least some problems. If you find them, please try to include as much detail as possible when telling me about it. (CS Quicktest and Randomtest are not usable due to the complexity of the code, lol.)
You liking the story. I remain thoroughly convinced that I am a worthless person who isn't able to, nor deserves to create anything, and currently my only motivation to continue this project is derived from pure stubbornness. So, if you, for some reason, actually like this demo, please tell me. It won't change my mind about how bad I think it is, but it will force me to continue in order to avoid being even more of a disappointment.
Additions. If I like your idea, I'll probably add it right away; if I'm unsure, I'll do a poll. You can get me to do almost anything if you say you're sad if I don't do it.
Formatting. Although I try to playtest as much as possible, it's not that easy with how many variations there are, and in VS Code it's sometimes hard to see how well or badly readable text passages actually are.
CWs/TWs (v0.0.1):
Graphic violence and gore
Attempted sexual assault (against the player, avoidable, f!MC only; also against an NPC if massacre route is chosen (is dealt with quickly))
Suicide attempt (by the player, avoidable; f!MC only)
Loss of loved ones
Massacre of civilians and/or PoWs (avoidable)
General misery
(please let me know if you think this needs additions)
As of yet unfinished content:
Autistic variations do not exist yet for the latter part of the demo
Only one of three locations for taking a walk available for now
Tooltips are incomplete
Asexual is not available yet, as it requires a lot of additional scene variation text
Special (psychopath) routes are missing from some scenes as they were added late in development
Choices that are locked and marked as (WIP) are unfinished
Interaction routes for Semyon/Selena, Mikhail/Marina and Leon/Leah. They are top priority for the first set of updates
It is recommended that you play this with a stable state of mind. If you choose the suffering paths because it's relatable and/or as a coping strategy, please make sure you have support available and avoid triggering yourself too much.
The whole point of this game (apart from the dress-up part) is that, no matter how bad things get, you shouldn't stop fighting. It's your enemies who deserve destruction, not you.
Please keep in mind that I am both literally insane and pretty reasonable, so: if there is anything you find grossly offensive, don't assume I meant anything bad by it. Just explain to me why you think it shouldn't exist, and if I am convinced, I will amend it.
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dr3amofagame · 2 days
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my insane c!stageduo headcanon list (incomplete) (aka: communication skills, just NOT these guys' forte, jesus christ)
c!dream never tells c!punz about scrapped lore. if he was really betrayed, after all, it would be more optimal to keep his potential betrayer from knowing what really happened, wouldn't it? if that happened. he's safe, no matter what, really. he has an impenetrable fortress and he's the only one with the keys. let them buy his mercenary, let them pound on his walls. sapnap has been howling outside for months and even with the greenery that's begun to grow in the cracks, nobody has ever managed to step a foot inside. quackity's fake cell had none of the defenses of the real one, he has nothing, just a pale shade of the glory that had resulted from countless hours of building and brainstorming and carving the glory that is pandora's fucking vault out from the sea. the next time they meet, it's almost a month later, and nothing further happens. he's not ambushed. there's no traps, no cells (he would be able to escape anything anyway, with pearls and totems and gapples in his inventory) (he only surrendered on that stage because it was the part to play, not because he couldn't literally make his way out with the gear he had) (he was in total control then. he still is now.) (when wilbur and tommy show up in the prison lobby just a few weeks later, for a second, he still wonders.)
c!dream never tells c!punz how long he was tortured. c!punz's job was to watch and wait. he did. he didn't make a scene of it, of course, and neither did he spend much time on spying on the prison, specifically (there was work to be done, after all. knowledge to gather. time, he found, is a delicate thing, and it would be remiss to not take advantage of the lack of scrutiny that comes with being seen as the server's hero) but part of keeping an eye on the server means keeping an eye on the prison (if anything is compromised, he'll have to take their research and run as soon as possible. they have a hidden base somewhere far out, where he can revive dream if necessary.) he has to watch a little bit closer after ranboo gets locked out, but he knows better than to try and visit--he sees quackity getting in an out, and well, a visitor means there must still be a prisoner to see, doesn't it? the first time he catches quackity visiting is march. the last time he does, it's september, and quackity looks harried as he runs to las nevadas. punz passes dried blood on the prime path a few times. dream tells him things went south, and mentions plans to attack quackity a few months after his escape with a keycard now dangling between his fingers, and so when he tells purpled over half a year later, it's just math, isn't it.
c!punz meeting with c!purpled to tell him about the revenge plan against quackity was behind c!dream's back. the question we get repeatedly in this scene is why punz is the one carrying the message at all, and there's a difference between dream bringing up his torture and how punz was emphasizing how fucked up he got from it. further, while c!dream emphasized how important it was that no one put together that he and c!punz were on the same side after staged finale repeatedly in the finale streams, c!punz was the one to break their cover by reviving c!dream in front of clingyduo when he could've done so in secret after the two of them left, meaning we have a precedent for c!punz being willing to break their cover for revenge-related purposes.
c!punz sees the inside of the prison exactly once before the finale streams. c!dream shows it off a little while after daedalus, before the lobby gets overgrown with stalagtites and vines, before he's scrawled over the walls in ink. he shows off the keycard, the security mechanisms, the lava-filled antechamber, the main cell. punz makes a comment about the blocks of netherite, only a little awkwardly. there's still blood soaked into the chest, permanently. dream mentions that there was a dog that sat there once, before sam killed it.
before the prison, in the experiments that they run once they've ensured the book works, punz dies--actually dies--exactly once as well. he has a better familiarty with magic and runes than dream, who knows enough to muddle his way through enchants and little more than that, and part of the reason why he was chosen in their little trio to be the one with the revive book was his aptitude in more magical things. (dream was a survivalist, not a mage, and punz had a whole secret potion room before pretty much anyone on the server.) limbo has schlatt, and had wilbur, (and schlatt saw dream with his book of moon runes, and ghostbur knew about the revive book on doomsday) and dream was the one, after all, to make his agreements with both--it just made sense for him to be the one to communicate. made sense not to let punz's presence become too obvious, even to the dead--ghosts are real, after all, and not all of them are known for keeping secrets. dream was the one that needed to have lives to lose in their little show, and dream was the one that might need to be revived remotely, if there were any unforeseen issues, and dream was the one that needed to die in front of the server and be carried off into the heart of the prison--where his endurance would be key to their survival. where it certainly wouldn't hurt to be prepared, to know exactly what he may have to survive (i thought i would be fine with raw potatoes) (do you know what that does to a person?, and the warmth of dream's blood on his palms.) limbos change based on the way that you die, and tommy saw darkness, and then happiness that didn't belong to him, and dream--well it wasn't his first time--and punz said, you know, my limbo sucks, (singular). it's simply more efficient to keep one person clear-minded enough to do what needs to be done, and limbo puts you through the wringer. that's alright. punz and dream like efficiency.
dream never stops paying punz.
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shakingparadigm · 16 hours
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what is the theory that ivan manipulated the event where till and mizi met the wagyein?
It's not a theory, actually! It's confirmed that Ivan orchestrated the whole event. The true reason as to why however is still unknown. The information provides more context to this scene, though:
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During the earlier times of ALNST the most rational explanation for this scene was that Till ran after a flower crown (presumably Mizi's) and Ivan followed him in out of curiosity. Now we know that Ivan was conveniently just standing there because he was waiting.
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Side note, I find it heartbreaking (and maybe a little funny, sorry) that Till most likely didn't notice Ivan in this scene. That's just like him, isn't it. Always too busy running after Mizi while Ivan trails behind, an ever-present shadow.
I'm not sure how Ivan manipulated the circumstances for both of them to end up there, but it is confirmed that everything was intentional. What strikes me most is how they describe this particular scene:
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I can't copy down what they said word-for-word (Patreon info), but they described Ivan watching "creepily" as Till and Mizi are faced with danger. We know that Ivan was familiar with the Cerberus wagyein beforehand, enough to touch its teeth and even to rest himself inside its maw. To Ivan, the wagyein is not dangerous, but to Till and Mizi, it could be. Ivan prepared the wagyein, led them there, and watched "creepily" from afar as Till fell on his knees, seemingly injured.
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The closest I can get to making sense of Ivan's "scheme" is that he wanted to see how other children would react in a dangerous situation. Ivan's always been an observer, after all, and he's learned to survive by copying the more "normal" behaviors of his peers. This situation occured when Ivan was still young and had not yet developed his more charming mask, so perhaps he staged this encounter to study a situational response, to learn and mimic the emotion of fear. And what better subjects for the experiment than two of the most expressive and reactive humans of their batch? It helps that he was already fixated on Till beforehand, too. I think Ivan became irreversibly obssessed after this incident, especially since it's framed as a turning point in Ivan's life, comparing Till to the stars.
This is just my attempt at an interpretation, though. It could very well be for another reason. He most likely chose Till and Mizi specifically for personal reasons, not just for reaction. I'm still not sure on the purpose behind the whole thing.
The team wanted to capture Ivan's "dark emotions" through the shot of his stalking, which could relate to his more sinister intentions. His gaze can be read in a few different ways, though. Curiosity, interest, fear, etc. Maybe that's why they decided to redraw the shot in ROUND 6.
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I think this better sells the feeling they were trying to convey.
#ivan u fucked up little guy.#also okay i just wanna clear this up#i know i make a lot of posts about ivans darker side and his more problematic traits#but this isn't me trying to villainize him or reduce him down to “toxic yaoi”#I HOPE YOU GUYS KNOW ALL MY TOXIC YAOI POSTS ARE LIGHTHEARTED.#i just want to clarify that ivan was always intended to be a darker and complicated character. even since his debut in round 3#the way i refer to ivan (“twisted” “creepy” “obssessive” etc) are literally the direct words used by q and v themselves to describe him#but despite that id like to emphasize that i don't see ivan as a villain or a completely bad person. hes complicated#there is no normalcy in this world they are living in. none of the characters know what being truly normal is#this isn't me condoning his actions#but it has to be acknowledged that alnst is fucked up in nature. we can't expect perfect relationships from people who are born to die#plus ivan has a lot more layers past the “dark” parts. he's constantly battling himself and his desires#especially at the end of round 6 where he performs a myriad of conflicting actions (kiss strangle peck smile)#thanks to the r6 production notes we now know that ivan was going through a rapid internal conflict#“sure and unsure at the same time”#there is sooo much to ivan. his low self-esteem. his desire and possessiveness despite knowing till will never love him#his VEHEMENT insistence that till will never love him vs his desperate persistence in trying anyway#uh i need to shut up i think#anyways sorry. just wanted to clarify my thoughts on him in case people think im. yk.#in short. hes a fucked up little freak and he fascinates me. this poor tragic child. i love him.#SORRY I GOT CARRIED AWAY#alnst#alien stage#alien stage ivan#alnst ivan#asks
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envy-of-the-apple · 2 days
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the jjk naga au is getting to me……..i fear im terminally ill with thoughts about it (seriously, top of the food chain is such a yummy series (?) and im soso obsessed with how you've written gojo’s and geto’s characters, i reread your works everyday, i just can't get enough! ^^)
and i hope you don't mind if i share a Thought i've had :3 (i was going for an mc who used to draw/sketch/make art just for this specific scenario)
Imagine that your time on the island's barely dragging on. There's only so many berries to pick and so many times you can braid Suguru’s hair into elaborate styles. You're bored, stranded on an island with these two naga captors and their (adorable) hatchlings.
Well, there's always playing with the hatchlings, or tussling with Satoru (he calls it playtime but you're far from amused when you get a faceful of sand when he tugs your legs out from under you) but you miss your alone time. That little bubble of yours. Ah, privacy. 
Like that'd happen, but you can dream.
It's a stroke of chance when Nobara comes to you with her new haul of human paraphernalia, all too excitedly. A leather satchel. Some printed photos of nameless faces with scenic backgrounds. A waterlogged cell phone, practically unsalvageable. A journal with pages so thoroughly soaked, it falls apart in wet clumps.
“What are these?” You can hear her rummage through the bag, her nose wrinkling slightly. “Smells weird.” And so you look over to see her glaring down at a (relatively new) set of oil paints, sealed away in the bag. It's likely that she picked up on the scent of the strange chemicals.
Your eyes are bright with hope as you gently pull it out of her hold. Ready to answer her million and one questions.
After all this time that you've thought of what you'd wished to be able to do, you're at a loss. You've got a wall to the cave to yourself, a set of oil paints and a makeshift brush from the wood of this one particular tree off the side of the island. The only thing you're missing right now is inspiration.
A muse.
Satoru and Suguru are snoozing. Peaceful and laid in each other's arms. you can appreciate the quiet to yourself.
You hear familiar shrieks and playful yells of the hatchlings' name. 
The slight bit of quiet, then.
Nobara and Yuji are wrestling in the water, arguing over something in a mix of clicks and curse words. The sight is an endearing one, but moving too quick.
So you do some searching inward.
And you paint what comes to mind. What you've felt this whole time.
“What's that?” Ever the curious one, Nobara rests her head on your shoulder to peer over at your artwork in progress. She doesn't understand any of it—and she wouldn't. Your human upbringing is leagues different from hers.
“... Home.” You murmur, and Nobara’s glancing up at you in wonder because of the way your eyes glisten, the way your hand lingers over to paint in a fine detail.
“Well, it was my home.” You smile back at her, and she's at ease. You're not sad—no, she'd make it everybody's problem if you were—and then she makes sure to know everything about the scene you've drawn.
“What's that?” She gestures. Careful not to smudge the paint off, index outstretched to a figure she doesn't recognise.
“That's a lamp. When it gets dark, we switch it on so there's light. Like the torches in the cave, you see?”
“Torch? Hmm… and that?”
It seems that talking about your old home brings a warmth to your voice. Nobara beams up at you all giddy as you explain, eager to learn more. Eventually Yuji slinks over to listen as well, more so to the sound of your voice than what you're saying.
You sound happy, the pair can tell. Like when you taste a berry sweeter than the others, or when you tell them stories of your own to lull them to sleep. They like the chime of joy in your voice, and neither stops you from rambling about your once-home. 
It's a moment of peace. and warmth.
Yet it shatters for you when you feel a strong muscled tail coil around your waist, that familiar sense of having your space invaded taking over. A very intrigued Satoru looms over you, eyes glinting as he takes in the sight. You know that something's off—he seems more punishing with how tight he holds you.
“Home, huh?” Satoru repeats, and even the hatchlings can tell that's their cue to leave. Nobara offers you a lingering glance, almost pouty before she slithers away, following after her brother.
The next early morning, you find your home gone. 
In a sense, it's a bitter joke to be played on you. Not only were you never going to be back at your own place, even the expression of the idea was taken away from you. Just like your freedom was. your choice. The wall of the cave was bare, not a hint of the paint or the sentiment lingering behind. As if someone hit a total reset. Paints nowhere to be found, your canvas scrubbed clean.
Suguru stretches out from behind you, one of the first few to wake up, wrapping you in a lazy hug, before he follows your gaze. You'd call the soft laugh that rumbles in his chest cruel. Mocking your homesickness in that loving way only he could manage.
“Must've rained last night.” He comments at the absence of your artwork, and you wish you could pinpoint at least an inch or sarcasm in his words. You nod quietly, and he draws you in closer.
Cold lips brush against your temple. 
“The only home you need is with us.”
The sand under your feet is drier than your throat.
(oh my god im sorry if i rambled too much, i hope its not annoying ^^;;)
jaw dropping. amazing. wHAT????
I love how anon made Nobara's characterization so much sweeter and innocent. Though it's probably cuz she's younger in this fic...considering she can still stay on land. And satosugu not even wanting you to THINK of your old home is so accurate. I feel the more they learn your language, the more eager they'll be to display ownership.
Anyway thx anon for making the fourth part! from now on if anyone wants an addition to the naga series turn to the anons not me.
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tryingtofindava · 2 days
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creeps with a goth gf
𝐂𝐫𝐞𝐞𝐩𝐬 𝐰 𝐚 𝐆𝐨𝐭𝐡! 𝐆𝐅*ೃ༄
lolz didn’t know what specific creeps u wanted so imma just choose who!! ^_^ ALSO THE READER IS A TRAD GOTH!!
(INCLUDES: Jeff the Killer, Ticci Toby, Jane the Killer, Nina the Killer, Kate the Chaser, Clockwork.)
: ̗̀➛Back to Source
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╰┈➤ 𝐉𝐞𝐟𝐟 𝐭𝐡𝐞 𝐊𝐢𝐥𝐥𝐞𝐫
Has at least nearly roundhouse kicked you bcs he thought u were Jane on MULTIPLE OCCASIONS… (he’ll say he’s sorry in the most dull non apologetic way ever and probs doesn’t mean it.)
“My bad, I guess.”
He doesn’t care abt aesthetic that much I believe, as long as he finds you hot lolz.
Though when he’s out killing people and he sees something that catches his eye that he’d class ‘gothy as fuck’ he’d snatch it for you… so that’s sweet ig.
He deadass brought you a dead bat once…
╰┈➤ 𝐓𝐢𝐜𝐜𝐢 𝐓𝐨𝐛𝐲
HE LOVES U AND UR AESTHETIC SM
Midwest emo x trad goth, what a combo :3
His first words to you ever was that you looked like you crawled out a Tim Burton movie (he was tryna impress u with his film knowledge).
Type of guy to ask to make a shared Spotify playlist and try and learn all of the songs you like and force himself to learn the lyrics for you.
BEGS YOU TO GO THRIFTING TOGETHER TO FIND COOL THINGS TO WEAR FOR EACHOTHER!!
“T-this would luh-look so cool o-on you!!”
╰┈➤ 𝐉𝐚𝐧𝐞 𝐭𝐡𝐞 𝐊𝐢𝐥𝐥𝐞𝐫
TWINNING!! :D
She’s a trad goth too lmao.
You two definitely share clothes, no matter what it may be. Corsets, dresses, boots, gloves. Anything in the closet really you two own together :)
ALSO she WILL help you doing your makeup, not because you need the help just because she likes to practice so she doesn’t get rusty. (She mostly wears her mask so she doesn’t rlly do a whole lotta makeup besides lashes and lipstick)
Like Toby will take you thrifting (without the breaking in part).
╰┈➤ 𝐍𝐢𝐧𝐚 𝐭𝐡𝐞 𝐊𝐢𝐥𝐥𝐞𝐫
She thinks your so so so super duper awesome sauce.
She’s a scene girly, so she LOVES the fact that your twos aesthetics are so different and unique from eachother.
Also likes helping to do your makeup, because she just wants to be able to do trad makeup to impress you.
WILL ASLO TAKE YOU TO THE THRIFT SHOP. (these guys like thrift shops okay)
Would love if you guys swapped wardrobes for a day.
“BABE, PRETTY PLEASE??? JUST FOR TWO MINUTES!! I’LL GIVE ‘EM BACK!!”
And you’ve deffo caught her in your clothes MULTIPLE times :3
╰┈➤ 𝐊𝐚𝐭𝐞 𝐭𝐡𝐞 𝐂𝐡𝐚𝐬𝐞𝐫
She doesn’t care all that much what you’re aesthetic is lolz.
She just wants someone in her life to love and to love her back.
But she does compliment your look nervously when the convo gets a lil too quiet.
Though you to catch her staring at you lovingly while doing your makeup.
She may bring you back little things that caught her eye that reminds her of you, that being anything rlly. BUT ESPECIALLY CLOTHING.
╰┈➤ 𝐂𝐥𝐨𝐜𝐤𝐰𝐨𝐫𝐤
She will compliment you every chance she gets. Mostly calling you hot and sexy.
SHE’S GOT THE HUMOUR OF A 12 YEAR OLD BOY WHO HASN’T HIT PUBERTY!! (And you love it and hate it at the exact same time.)
Like I mean she makes goth mommy jokes ALL THE TIME… there’s no stopping her. She cackles so hard afterwards after u scold her for it too.
“I love my big tiddy goth girlfriend<3”
“Nat, I swear to fuck-“
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ᯓ★ from me to you — chapter six: your name
⚠️ language, mention of meds/hallucinating/drugs (mostly for comic purposes), a sexual joke or two idk, i’ll just say most of the things here are not meant to be offensive and if they are i’m sorry 😭
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[11:00 AM] — taehyun stares at his phone screen with a stunned, unblinking expression.
“no,” he laughs and shakes his head in disbelief. “that’s impossible.”
but the scene before him was undeniable. his eyes dart between his dearest friend and the tweet in clear letters on his phone.
(y/n) was certainly insisting she was beomgyu. the relationship between her and soobin had always been questionable, and she did often have an excitable way of expressing herself, but for her to attack him the way she had was unlike her.
and her eyes were not clouded in the way he had seen with some of the patients he had dealt with at the hospital, but they were clear. she did not know who soobin was.
and then there was this tweet, and the series of others he had found on yeonjun-hyung and kai’s private accounts.
had he mentioned (y/n) to them before? he was sure he didn’t — he had fully intended in keeping their privacy and he didn’t want to lie to (y/n) either, so he had simply decided to keep the matters separate.
so what was this? if (y/n) was experiencing side effects of her medication, her thinking she was beomgyu would be strange, but not impossible. however beomgyu saying he was (y/n)? (y/n). and the oddly specific fact that she was their biggest fan?
a tiny voice at the back of taehyun’s mind screams the unbelievable, the scientifically impossible.
he looks to (y/n) once more, then sighs and pockets his phone.
“hey,” he says, nervously making his way to (y/n) and shifting soobin out of the way so that she could see him. he takes a deep breath, still debating whether or not his hypothesis is correct, and says “what is the last thing you remember?”
her eyes flash with familiarity and he almost feels relieved.
“i know you! you’re that guy from the hospital! yeonjun-hyung’s friend. uh, taejun? taemin? terry?”
no. fucking. way.
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prev. | mlist | next
an: this chapter, the end of the last and the next all happen on the same day!
life is rough for (y/n). after dropping out of college and moving away from her family to live life on her own terms, she struggles to keep up with the fast-paced city life in Seoul. she becomes a fan of the kpop idol, choi beomgyu. while his content keeps her motivated to strive for her dreams, she can’t help but wish she had the same luck he has had. but not everything is as it seems.
taglist: @yoonzinoswife @ameliesaysshoo @bgomtori @woncheecks @seodami @thing89 @stormy1408 @boba-beom @binluvsu @lillynval @nothingwithoutgyu @gyuville @tinhq @soobnuuy @031323o @damn-u-min-yoongi (send an ask to be added!)
scintillasofbeomgyu © all rights reserved. do not copy, translate, alter, or repost in any way.
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regarding the drool thing i highly doubt its a death mark or something like that given that a lot of characters do it and it isnt like. a permanent affect on his screen
also the insistence that its vals saliva therefore every seen hes salivating must have kissed val before. obviously that isnt true but i think its infinitely more telling that hes constantly SALIVATING. like do you have sialorrhea or are you just happy to see me?
even lucifer does it in hells greatest dad! though his is yellow like his blood..
so some homestuck troll shit-
my actual belief is that it isnt really saliva (atleast in the case of vox. lucifer. alastor.. we know vals is saliva) but instead blood and its supposed to indicate that the character is being "bloodthirsty" / violent.
it would make sense given all the scenes we see it used.
vox telling pentious to kill himself. the beginning of stayed gone. vox's finale hate boner. alastor doing creepy radio demon shit.
lucifer is even SAYING the word Blood during his scene. though its in the context of the family line, given the timing i can only imagine its deliberate.
the only exception id say would be at the end of poison (unless they're concocting a really devious plan). though id wager to say that in that scene specifically it actually is valentinos saliva
in this scene and this scene alone vox red droplets were on the left side of the screen (theres technically another time, buts its really on both sides of his screen there so).
this is right after we see angel with driplets on his left side, and you can see that val has his on the right side, (which is weird cause he mostly has it on his left side too?) which would be the sides to link up during a kiss
or maybe they're just sprite flipped idk
(follow-up to this ask)
tbf like
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the cross on alastor's forehead isn't a permanent effect for him either (and it's been stated by ex-staff that alastor was shot in the head by a hunter so we basically know that's a death mark for him)
for lucifer's case I just thought he bit his lip while saying the line cause he was that pissed LMAO, funny how his blood is like an ugly yellow in that scene compared to the usual glowing yellow or gold we see from other angels. (also not the fucking homestuck troll comparison ksdkfflhl SOLLUX CAPTOR??)
my actual belief is that it isnt really saliva (atleast in the case of vox. lucifer. alastor.. we know vals is saliva) but instead blood and its supposed to indicate that the character is being "bloodthirsty" / violent.
I mean yeah I believe that, I've mentioned it before it appears when vox shows strong emotion. the reason I subscribed to that one anon's death mark theory is cause alastor's red "x" appears whenever he semi brings out his demon form (the example we see of alastor bleeding from the mouth too also has that "x")
and yeah, I think poison is like the SOLE outlier to this, all other times he has the red lines he's showing some kind of strong/violent/feral emotion. I originally just held the idea vox produced it himself and the strong emotions were actually from making out with val (yes I do actually think they made out in this scene I just didn't buy into the val saliva theory) but you bringing up the different side of the lines from usual and the mirroring is a good point actually, I didn't realise that, honestly changed my mind and convinced me that yeah this specific case it is val's saliva
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see the thing is, I do think it CAN mean he was making out with val I just don't think it NECESSARILY does cause of all the times it happens outside of val like I said. in this case, yeah they were probably making out LMAO.
in other cases, nope.
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my thing isn't that I'm against the idea of it coming from val, it's more like some people act like it's a definite indicator that they were making out whenever vox has it, but I don't think that's the case at all, the red lines are definitely something vox can form by himself
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fanfic-obsessed · 13 hours
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Anakin Faces Consequences
Thank you @killjoypolitics for the submission
I love all your ideas! I was wondering if you had any ideas for a fix-it where the Jedi or Clones (somehow) prevent Order 66 from happening but Anakin still falls. How do you think the Jedi/Senate/public would respond to his attempted murder of the Jedi? Or the marriage? Or the murder of the Sand People? I’m just so curious as to how you think people would handle it! Do you think Anakin would be able to admit he was wrong and try and make up for what he did?
Hmm those are some intriguing questions. Reading them did give me some immediate ideas. Let’s explore them. 
I think, for this to work, we need to shift some behind the scenes for the Clone Wars. To start with Anakin’s…let's call them his less than stellar command decisions is noticed and noted, even if no one can do anything about them (because he is technically not doing anything wrong). It damages the trust the Clones, other Jedi, and even his own Padawan have in him.  These decisions include but are not limited to: Spending Clone lives to collect R2D2 (whose memory-properly wiped of sensitive information- is backed up to the central Jedi Temple databanks and had outright stated that it had no attachment to its current body), Anakin’s focus on Padme during the Blue Shadow virus, and his reaction to the Rako Hardeen arc (he was literally the only person in Obi Wan’s life to react poorly to finding out Obi Wan went undercover and faked his death, everyone else got Opspec). 
So by the time of the Wrong Jedi arc, no one is actually trusting Anakin with any more information than they absolutely need to. He kind of doesn’t notice because he wasn’t paying that much attention in the first place.  When the Senate demands Padawan Ahsoka Tano for the temple bombing, the Council calls her in to see them, without Anakin, and ‘We know you are innocent, we know this is a trap of some kind, would you be willing to go along to spring the trap and hopefully find who is framing you’ and Ahoska, being partially trained by Obi Wan, agrees.
No one tells Anakin. At the end of the Arc, Ahsoka agrees to continue undercover (as having left the Jedi) and working with the Shadows to figure out what is going on. So Ahsoka ‘leaves’ the Jedi, Anakin none the wiser. She also starts working much more closely with the Coruscant Guard (who had been aware that she was innocent and going along with things to spring the trap). 
This brings us to where Fives finds out about the chips, reports to Rex and Anakin, then is ‘killed’ (his death was faked and he was sent to join Ahsoka).  Anakin suppresses the report because he does not believe that his friend Palpatine could do anything like that. He orders Rex to ignore the report as well, specifically not to bring it up to the Jedi Council. But he does it in a way that still implies Anakin will be bringing it up to the appropriate authorities.  Rex does not trust Anakin, particularly not with anything that would make Palpatine look bad. However if Rex did an end run and went directly to the Jedi Council, it would be very obvious. So instead Rex reached out to Ahsoka with Fives report. 
Ahsoka, now working with the Shadows, gets the report and they are able to investigate the chips.  Though they cannot remove them, for fear that the wrong person will find out too early and activate the rest, they are able to quickly find and manufacture a way to neutralize the control portion of the chips. 
This brings us up to ROTS. To Order 66 and Anakin’s fall.  Anakin leads the march on the temple, and the 501st follow along (not sure where he was going with this), until Anakin strikes down a temple guard while ordering them to open fire. Had it been almost any other Battalion with almost any other Jedi, the Fallen Jedi would have been able to kill many more before he could be stopped.  But the 501st learned some difficult lessons from Pong Krell and Anakin was not gnarly as trusted as he thought.  Anakin is stunned.
Palpatine’s Empire as announced but without the control chips to make the clones kill the Jedi, Palpatine’s Empire lasts 3 days which end with Palpatine’s death. It takes another two weeks for everything to calm down enough to bring Anakin forward to face what he had done. 
Palpatine’s former supporters, the ones that are not outed and ousted during the transformation from Republic to Empire and back, flock to Anakin as the wronged party. Their spin is that Anakin was moving to protect the legal head of the government from an insurrection in the form of the Jedi. 
It gained no traction, because even though Palpatine’s Empire lasted 3 days, it was still enough to see how many of these people would react. Frankly, there were more than a few of those supporters (beings like Tarkin) whose support of Anakin did more harm to the cause than good. 
For many of the Jedi, Anakin’s actions didn’t really rate notice. Not above the horror of the chips, both from the view of ‘all of us would have died’ and ‘the clones would have been forced to kill us’.  Throughout the war Anakin had, mostly unconsciously, been distancing himself from the Jedi. A distance which grew as they realized he could not really be trusted. 
 For most there was sadness, of course, as more of his actions from the war and just before are revealed. But it was the sadness of an old friend going down the wrong path, not the betrayal of current family trying to hurt them.   Finding out Anakin had betrayed his oaths by marrying Padme and had committed murder was just one more thing that had happened. 
The public reaction was mixed. Many bought into ‘The Hero with No Fear’ mythos and could not believe he would attack the Jedi without reason, even after he admitted that his reason was Padme not anything the Jedi had done.  The scandal of it, though, keeps it in the public eye. And it is a seemingly unending  well of scandal for Anakin, Padme, and any number of their supporters.  Not the least of which is the news that Anakin murdered the Tuskans, but Padme’s forgiving him for it was legally binding (As she was acting as a Senator) so he could never be prosecuted for the murders, even if Tatooine and the Tuskens could make an official complaint about his behavior. That Anakin then married Padme made it even worse. 
I think, for Anakin himself, if he gets to the point of falling he would not be willing to admit he had done anything wrong. He seems like the kind of person who would double down and insist that he was right for his decisions.
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vickyvicarious · 24 hours
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Then seizing the shaving glass, he went on: "And this is the wretched thing that has done the mischief. It is a foul bauble of man's vanity. Away with it!" and opening the heavy window with one wrench of his terrible hand, he flung out the glass, which was shattered into a thousand pieces on the stones of the courtyard far below. Then he withdrew without a word. It is very annoying, for I do not see how I am to shave, unless in my watch-case or the bottom of the shaving-pot, which is fortunately of metal.
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He has a curious habit of looking one straight in the face, as if trying to read one's thoughts. He tries this on very much with me, but I flatter myself he has got a tough nut to crack. I know that from my glass. Do you ever try to read your own face? I do, and I can tell you it is not a bad study, and gives you more trouble than you can well fancy if you have never tried it. He says that I afford him a curious psychological study, and I humbly think I do.
Several of us pointed out last year how the timing of Dracula Daily juxtaposes these two lines/scenes, with Jonathan's mirror being taken from him just before Lucy talks about looking into hers. I'm going to try not to retread the same point too much, but instead I'd like to note the contrast between the way Lucy and Dracula speak of mirrors.
Dracula calls mirrors an agent of man's vanity. Essentially, he's dismissing them as promoting excessive ego. Looking in the mirror too often leads one to think too highly of themselves. And the image of a beautiful young woman spending time staring at herself in her mirror plays right into stereotypes about exactly that. It suggests self-absorption, obsession with beauty over substance, etc.
But that's clearly not what Lucy is doing. She links her mirror to self-knowledge, not self-praise, and in fact specifically points out the difficulties involved. She is flattering herself a little here as she says, but only in the context of realizing it can be hard to figure her out from appearances alone. Her doctor friend says she's a curious study, and despite looking her straight in the face cannot figure her out. Even she has trouble telling from her mirror. This could hint at her deliberately putting on a false front, or perhaps at feelings of uncertainty about her own identity, or difficulty expressing herself in the ways she wants. Regardless, her time spent looking into mirrors isn't vain, it's inquisitive.
And while that doesn't match up to what Dracula says about mirrors, it fits very well with the reality of what mirrors mean to him. He has no mirrors in his castle. Not because he's humble; he's obviously got a very inflated sense of his own importance and superiority. But he doesn't keep mirrors because they reflect what he is by failing to reflect him at all. It's a curious mix of being unable to see or know himself by looking at his own reflection... but also being known/revealed in a way that cuts past any examination of his actual face. Jonathan looks very closely at Dracula when he meets him, but despite spotting various unusual features* he doesn't realize his monstrous nature. But when he sees him in the mirror - or rather, nothing where he should be - he finds his first real proof that Dracula is inhuman. And that's why Dracula gets rid of Jonathan's mirror; he hates being known, unlike Lucy who enjoys the struggle of trying to figure herself out.
Mirrors as a window to knowledge also connects back to Jonathan. With his mirror stolen and destroyed, his ability to assess himself is hampered accordingly. Perhaps it would be a difficult study regardless (as Lucy says) but no mirror makes that even harder. He will have to rely on sub-par reflections in tools not made for that purpose. Not just to shave, but to be able to see himself. This coming when he realizes there are no other people around cuts him off even from seeing himself from the outside, so he can't see a human face... only Dracula's face. But also, Dracula is outright trying to deny him knowledge, and Jonathan is in a position where he's having to try and maintain his faith in his own sanity. The inability to look at his own face and examine his appearance might make that harder... although it also cuts him off from comparing his current appearance to how he used to look, and I suspect the lack of that comparison might be better than the alternative at times.
* This also ties in physiognomy. An inherently racist "science", of course, but one that was popular at the time this book was written, and engaged in by a couple characters. I don't think Jonathan outright says he's examining Dracula's features for that purpose, but I believe readers could be expected to take that description and use it to 'figure out' aspects of his personality. It's possible that Lucy is hinting at using a similar process on herself here, but if so then she seems not wholly satisfied with the results. She isn't saying that studying her face reveals her true character - closer to the opposite, if anything.
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infinitelyprecious · 2 days
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An autistic person's view on the scene where Aylin decided to open up to the group.
2 disclaimers: 1) Aylin is not confirmed/canonically autistic (afaik), however she heavily reads as one to me, hence why I'm writing this specifically from an autistic pov. 2) I am just one singular autistic person, I do not speak for all of us as a whole, if you're autistic and have different view on this, that is valid.
Part of all this is teenagers being teenagers and I don't expect them to have the knowledge or life experience to handle situations like these particularly well, so this is more me getting my own thoughts and feelings in order. Maybe it can be educational in a way. I'm withholding judgment on how the show itself is handling Aylin's story until the show has finished airing.
Aylin goes to talk with the group, bless her brave heart.
Ton, the smart-ass, asks why Aylin acts like an alien when she knows her loved ones don't see her like that. I get that the writers wanted her to explain at some point why she identifies with aliens specifically, but please, for the love of all that is good, do not say something like this.
This question only shows that her friends in fact, do see her as an alien. They don't accept her like she is, they ask her why she is the way that she is. It keeps boiling down to "Why is she not like us?"
She might be different from the rest of the group, but she is normal. There's nothing abouts her that needs to be fixed. If she wants to learn more social skills for example, that is completely fine. However, it should not be a requirement. And if she wants to learn, patience is important.
Social settings with neurotypical people tend to be overwhelming and use up a lot of energy for autistic people. It's important to go slow and respect her declines if she doesn't feel up to socializing. The last thing you want is for someone to feel like they have to mask or for them to experience a meltdown as a result.
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Aylin answers that humans being unfriendly is the reason she 'acts like an alien'. She's been made to feel like she is not welcome, like she isn't just another human worthy of love and respect. It's very understandable for her to then want to remove herself from her human identity and look for friends in other-worldly beings. They don't bully.
It's interesting to me that the whole group stays silent when Alpha asks who did something to her. Did they forget about Aylin shoving a plate in Ton's face or do they think she was in the wrong there?
Because she wasn't. It was visible in her body language and verbal declines that she was uncomfortable and yet they pushed her.
It tends to be harder for autistic folk to handle unexpected situations. Reactions like that are very normal if you get an autistic person into a situation that is overwhelming. They'll go into their fight or flight and things go wrong. That is not their fault.
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Aylin goes on to explain what happened and Mawin finishes her sentence for her. Or rather, speaks his conclusion before Ailyn is finished talking. I think this is pretty common decency, but don't talk over people when they are trying to tell you something, especially when they are being vulnerable. Even if they talk slower (which Aylin didn't do, but it's something I've experienced a lot). Please bite your tongue and let people finish talking.
Ton, again, says something he shouldn't have, but thankfully Luna steps in this time.
Then Sun. "Do you know that those who bully and harass people are not actually humans?" The main problem I have with this sentence is that it feels belittling. This might just be a me thing, but the way she says it comes across as if she's pointing out that Aylin's perception of the situation is incorrect.
But they are humans, shitty ones, but still humans and Aylin has every right to view humans as a whole as untrustworthy, because that has likely been her experience. The thing I would've preferred here, would be to jump directly to saying those bullies are garbage. That would've come across more validating.
After this, the friends exchange a couple sentences about how to handle bullies. Which is lovely, except, they talk about Aylin as if she isn't there. She just bore her heart - comfort her. Talk about how to handle bullies later, don't let her swim in the discomfort of vulnerability.
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Then Sun goes to touch Aylin?!?!? Again, Aylin is visibly uncomfortable. Please, please, if someone is uncomfortable to be touched, do not touch them. Also, ask! Ask for consent. Again, probably a common decency thing, but the amount of times I've had people go like yeah no worries, but then still touch me is high up. A casual hand on the shoulder is still touch, a handshake is still touch.
Related to that is personal space. Some people's, like Aylin's, personal space is big. They need a good distance from other people in order to be comfortable. If there is one thing I can ask of you it's to try and be observant of that. So that if someone takes a step away from you, you don't step closer again, but allow them their space.
I've had conversations with people about personal space and somehow it blows people's mind that I am most comfortable when there is a significant bigger amount of space between us than they would initially think. Please try to leave space between you and other people. For some people physical closeness is severely overwhelming and it makes it significantly harder to navigate our daily lives.
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I do love Ongsa specifically saying Aylin can hangout and eat with them. Often times when you've spend your entire live being non-verbally rejected, it's very hard to feel like you are wanted somewhere. You're always looking for signs that people don't want you there. Having it specifically confirmed that someone does want you there, can be very assuring.
Ton. I would like for Ton to not talk for a while lol. On the surface it might sound nice that someone wants to start a club that is a safe space for other bullied kids, but it is a very look-at-me-saving-people thing to do. It's not treating someone as your friend, it's making a charity project out of their hardship. I get the thought process, but please don't.
I don't really have a conclusion or anything, so I'm going to leave it at this. If you have thoughts you want to share or a conversation you want to start, feel free to. Keep it respectful, but other than that go wild.
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