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#victor DOES understand what he's talking about
judesmoonbeauty · 3 days
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Alfons Sylvatica Chapter 3 - Semi-Summary
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This is a fan translation only. Not 100% accurate. Please expect grammatical errors and translation inaccuracies. This is a SEMI-SUMMARY of each chapter. I am roughly translating this with out much research other than specific lines from certain scenes. Why? Because it's a huge task to translate a main route chapter line by line. So, this is what we're working with, and I appreciate your understanding ♥︎ Cybird owns everything. Re-blogs are appreciated, but please do not post my summaries elsewhere. Minors: Please DNI or consume this content. CW: Dub-Con. Dividers: @/natimiles
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From that day forward, Kate becomes his exclusive fairytale keeper, but she tries to keep her distance from Alfons. Since Alfons is a quiet person, you never know when he will show up and she is anxious about that. Alfons pops up behind her and scares her when he says hello, and she immediately hides her neck with her hands. Alfons calls her cute, and tells her that he won’t do anything so she should come closer to him.
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Of course, she doesn’t trust him and she tells him that she doesn’t want to do that and not to follow her, but Alfons tells her not to be such a bore. She recalls that since she’s tried to avoid Alfons, she’s gotten to know the other Crown members better - like Liam. A witty, talented actor, who sometimes does dangerous things with Alfons when he loses control. As for Harrison - although aloof, he often lends a helping hand with a casual attitude. And though is curse is that of the lying fox, she feels he his a gentle liar. Jude & Ellis - are often absent because they run a company. Jude is difficult to approach, but Ellis is gentle. Victor & William - she can never tell what the two founders of Crown are thinking, but you should never make enemies of them.
And about Alfons, when she asks about him, they all say: “He’s a pleasure seeking criminal who likes feeling good.”
In the kitchen, Kate feels tired after a long of information gathering on the Crown guys, so she is making tea and bread, and naturally Alfons pops up behind her without warning.
Alfons: Thank you for another hard day’s work
Kate: Alfons?!
Alfons: I’ll make tea for the hardworking miss robin myself.
(When did you get into the kitchen…?!)
Kate: I’m fine, thank you, don’t worry about it…..
Alfons: Well, don’t say that.
Alfons took the pot from her hand and began to elegantly make tea which impresses her because of how graceful his movements were.
Alfons: Here you go.
He places a tea cup and saucer in front of her and she quickly accepts them to cover up the fact that she was admiring him just now.
Kate: Thank you very much.
When she looks into the cup she asks what kind it is because it is blue, and Alfons explains that it’s an herbal tea called “Mallow Blue”, and over time it turns purple in color. Kate watches it curiously has the deep blue color slowly becomes a mottled vermilion. She’s never seen such a tea before and Alfons tells her with a smile to try it. She takes a sip and enjoys the faint aroma while remarking that it is tasty. Kate enjoys it so much that it puts her at ease, something she hasn’t felt in a while and so her feelings of cautiousness weaken.
Alfons: That’s good to hear. There’s one more interesting change, would you like to see it?
Kate: An interesting change….?
A few drops from a vial change the tea into a pale pink color. Kate thinks it’s beautiful - just like magic! It made her feel like a frolicking child again. Alfons sneers at her with a smile and asks if she’s recovered her mood a little bit? Kate replies that she’s been trying to avoid him and now that he finds her, this is what he does?
Alfons: Yes. I’d like to talk more with you.
Kate: ….!
Alfons pokes her on the nose which makes her heart skip a beat, and Kate tells him that if he wants to talk to her then not do that recalling the sweet sensation of them touching when she was under the perception of being his lover. So, every time he touches her, she tingles. Alfons sits at the table and starts drinking his portion of tea, and Kate mentions that it’s not polite to just invite himself to sit at the table and sip tea.
Alfons: I cheated a woman to bed the day after we met, and you think I have some integrity or respect for manners?
Kate calls him mean to stirring up the upset feelings she’d been trying to forget, and Alfons retorts that that’s disturbing since he was the nicest guy in bed to her. After all, it’s better to be occupied with things that feel good and bring pleasure. He asks her that she’s heard stories about him, hasn’t she? He loves to feel good. She looks at him and notices something about his smile, which makes her feel uncomfortable.
Kate: ……..is what you just said true?
Alfons: Yes?
(Oh…..what am I asking?)
Kate thinks she must be going crazy for asking him such a thing, but she just can’t ignore the discomfort that had rose from within her mind.
Kate: Just now….Alfons…. I somehow feel that you weren’t really smiling.
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Alfons: ………
Alfons blinks at her as if caught by surprise and Kate felt that was a genuine expression. She leans forward and looks into his eyes like she was trying to reach for something, but before she could grasp it, it crumbled away like sand.
Alfons: ……is that the kind of me you’re looking for?
Kate: What?
Alfons: I’m an empty person who likes to have fun, but in fact I’m not having any fun…..That’s the way you want this.
Alfons: Hmm, I see.
Kate: I’m not talking about my preferences. That's easy to hide...
Kate’s words were interrupted only because Alfons pressed his lips against hers.
Kate: …!!
Alfons: ….Hehe.
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Alfons: Keep up the good work and keep your mind occupied with me.
Dumbfounded as their lips part with a chuffing sound, he left the kitchen with a glossy smile on his face. She wipes her lips and swallows down the last of the blue mallow tea. Kate is upset and says she doesn’t care about his wanting to feel good or the meaning of his smile, she doesn’t want to be pushed around by him anymore. And while she wished for that…….
It had been several days since she had seen Alfons, it was like he had just disappeared. While she didn’t mind that he wasn’t pestering her she asks Roger if he knows where Alfons is at, and he tells her this sort of thing happens all the time. Elbert chimes in that he thinks that he’s in London somewhere….maybe. Kate thinks about his relationship with Elbert, and asks him why he let’s Alfons act on his own if he is Elbert’s attendant?
Elbert says it’s a little different than an attendant since Alfons is like a childhood friend who’s been with him since he was little. Kate is surprised since Elbert is an Earl, and while she doesn’t know the names of the noble families she wonders if they use the term “attendant” since Elbert has a higher title. She heard that because Elbert’s curse, he is searching for the most beautiful thing and Alfons is helping him.
Elbert always looks melancholy and Alfons always has a smile plastered on his face. It’s hard to believe the two are good friends. Elbert interrupts her thoughts by saying that he doesn’t hold Alfons’ actions in his hands and apologizes. She says it’s okay, and asks if they know where he usually goes and Roger says clubs, speakeasies, or opium dens. Roger asks if she’s worried about him and she denies it, but she wonders if Alfons genuinely laughs while in such places. If so, then how would he laugh? Not that she’s really curious about it. She slaps herself on her cheeks and Elbert asks if she is okay?
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charcoalowl · 10 months
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You spend your whole life trying to forget about the crap you went through as a kid. You know? And the second you step back in you feel just as insignificant
Leonard Peabody, The Umbrella Academy – Season 1
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sarahreesbrennan · 4 months
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Are all the themes in “in other lands” supposed to be a commentary on something? Or do you just like writing sex scenes between minors, age gaps, and reverse misogyny?
Genuine question.
Ohhh, my dear anon, I don't believe this is a genuine question.
But it does bring up something I've been meaning to talk about. So I'll take the bait.
Firstly. Yes, my work contains a commentary on the world around us. I wonder what I could be doing with the child soldiers being sexually active in their teens (people hook up right after battles), and the age gap relationship ending in the younger one being too mature for the elder. What could I possibly have been attempting when I said 'how absurd gender roles are, when projected onto people we haven't been accustomed by our own society to see that way'? I wasn't being subtle, that's for sure.
Secondly. Yes I do enjoy writing! I think I should, it's my life's work. Am I titillated by my own writing, no - though I think it's fine to be. The sex scenes of In Other Lands aren't especially titillating, to be honest. It is interesting to me how often people sneer at women for writing romance and sex scenes, having 'book boyfriends,' insinuating women writers fancy their own characters. Women having too much immoral fun! Whereas men clearly write about sex for high literary purposes.
… I have to say from my experience of women and men's writing, I haven't found that to be true.
I’m not in this to have an internet argument. I prefer to leave my anons open since not everyone has a tumblr, as @neil-gaiman says it’s an internet backwater, but a lovely one for those like myself who enjoy an essay about fictional characters! Still I will close my inbox to anons if I must. Mostly people use bad faith takes to poke at others from the other side of a screen for kicks. But I do know some truly internalise the attitude that writing certain things is wrong, that anyone who makes mistakes must be shunned as impure, and that is a deeply Victorian and restrictive attitude that guarantees unhappiness.
I've become increasingly troubled by the very binary and extreme ways of thinking I see arising on the internet. They come naturally from people being in echo chambers, becoming hostile to differing opinions, and the age-old conundrum of wanting to be good, fearing you aren't, and making the futile effort to be free of sin. It makes me think of Tennyson, who when travelling through Ireland at the time of the Great Famine, said nobody should talk about the 'Irish distress' to him and insisted the window shades of his carriage be shut as he went from castle to castle. So he wouldn't see the bodies. But that didn't make the bodies cease to be.
In Les Mis, Victor Hugo explores why someone might steal, what that means about them and their circumstances, and who they might be - and explores why someone else is made terribly unhappy, and endangers others, through their own too rigid adherence to judgement and condemnation without pity. The story understands both Jean Valjean the thief and Javert the policeman. Javert’s way of thinking is the one that inevitably leads to tragedy.
Depiction isn't endorsement. Depiction is discussion.
Many of my loved ones have had widely varying relationships to and experience of sex (including 'none'). They've felt all different types of ways about it. If writing about them is not permissible, I close them out. I'd much rather a dialogue be open than closed.
I do understand the urge to write what seems right to others. I've been brain-poisoned that way myself. I used to worry so much about my female characters doing the wrong things, because then they'd be justly hated! Then I noted which of my writer friends had people love their female characters the most - and it was the one who wrote their female characters as screwing up massively, making rash and sometimes wrong decisions. Who wrote them as people. Because that's what people do. That's what feels true to readers.
I want my characters to feel true to readers. I want my characters to react in messy ways to imperfect situations. I love fantasy, I love wild action and I love deep thought, and I want to engage. That's what In Other Lands is about. That's even more what Long Live Evil is about. That sexy lady who sashays in to have sexy sex with the hero - what is her deal? Someone who tricks and lies to others - why are they doing that, how did they get so skilled at it? What makes one person cruelly judgemental, and another ignore all boundaries? What makes Carmen Maria Machado describe ‘fictional queer villains’ as ‘by far the most interesting characters’? What irritates people about women having a great time? What attracts us to power, to fiction, and to transgression?
I don’t know the answers to all those questions, but I know I want to explore them. And I know one more thing.
If the moral thing to do is shut people out and shut people up? Count me among the villains.
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cleabellanov · 4 months
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"But Lokius isn't even canon! Stop making everything gay!"
...
The Loki series isn't just about romantic relationships and shouldn't be seen as so. However, there is a lot of subtext. Maybe this ship is not canon, but it was intended to be seen as so by the fans.
If Lokius isn't canon, then why were the last two shots of the series showing Mobius and Loki?
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If Lokius isn't canon, why would there be so much touching and scenes so physically close to one another? (believe me I know they're friends. that just offers a solid base for something more)
If Lokius isn't canon, why is there an OFFICIAL track named like that?
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Why is said track played or incorporated in different scenes of the series? like
-the first McDonalds meeting with Sylvie,
-the back-in-time conversation with Kang
- the ASCENSION to the throne?
Why is the Sylvie and Loki kiss never mentioned, by the producers, in the series per se, or even in the season 1 recap?
Why is Mobius the only one looking at Loki when he leaves down to the temporal loom?
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And the other way around, why did Loki only make eye contact with Mobius in that scene?
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Why is Mobius the only one to notice there is something wrong when Loki is still trying to fix the Loom?
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Why did Mobius/Don on the original timeline, mention he's single, trust a complete stranger, invite him for a drink, AND offer to sell him a quite personal jet-ski?
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Why did Loki, the LITERAL GOD OF MISCHIEF stutter and fix his hair and coat for no one else but Mobius (who by the way is just a jetski salesman on that timeline)?
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Why is the timeslipping Loki had to go through directed to Mobius twice, him being the the only one he doesn't need a TemPad to "recruit"?
Why would Loki bring up Thor and Jane if it wasn't to mirror him and Mobius? (because, as he already was talking to Sylvie, he certainly wasn't implying it's about her. They were arguing, AND Mobius was implied in the conversation. Loki defended him in front of Sylvie, in case you forgot.)
Why would Mobius's voice be the one to echo back to Loki on his throne? let time pass time pass time pass
Why the RAINBOW?
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WHY DID LOKI LOOK AT MOBIUS RIGHT BEFORE THE FAMOUS LINE "IT'S ABOUT WHO"? (important mention: Sylvie was behind him when he said that. why didn't he just turn around when saying it? nope, they know what they're doing)
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Why is the shot cut to Mobi after Loki's "it was more about what I wanted" line?
Why the shot where 7 characters could've been showed (Mobius, Loki, Sylvie, B-15, Casey, O.B., Victor Timely) there are only 2: Mobius and Loki?
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Why is Mobius the only one to tell Loki he can be someone good, and the first one Loki actually believes despite his tendency to do the other way around in the past?
Why does Mobius finally find insight, and reinvent his whole life at the TVA because Loki helped him do so? (they're not even the first Loki variant he faced, but something clicked this time)
Why does the bloody sleeve, representing Loki being hurt by Sylvie just because he "wore his heart on his sleeve" disappear on episode 2? (because he finally understands who he needs to be next to)
Why did Mobius risk his life on the first episode?
Why did Loki go to past Mobius for the final advice, not to the present one, not to Sylvie?
Why did Loki ultimately sacrifice his life for the ones he loves?
And why is Mobius left alone, with the door locked, after Loki leaves in the Loom's radiation?
Why would there be so much endearing looks, and smiles at each other, if not for a conscious acting choice?
Why why why why why if it isn't canon?
Nothing is for nothing. Especially in television, where everything counts from the light to the angles and the way the lines are spoken.
We don't need to see two characters kiss to know they are made for one another. In fact, I think implied canon is so much better for now, because it leaves free interpretation for the fans, and nothing to strike on for the haters.
Of course, that doesn't change the fact that the ending is still tragic, although it holds its sweet from bittersweet. But remember: there aren't tragedies without love.
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lunamadhatter99 · 6 months
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All for the cameras
Chapter 1
Finnnick Odair x Fem!reader
So... here's the first chapter of my Finnick series. I hope you'll like it and comment if you want to be tagged in the next chapters.
I warn you, it's a slow burn with LOTS of tension. But I think it's going to be worth it in the end. ❤️❤️❤️
Chapter summary: Y/n is the Capitol's Princess. Everybody in the Capitol loves her... unfortunately for her. This first chapter is a little introduction about her role as a "support mentor".
Chapter warnsings: mention of rape, prostitution, and... it's the Hunger Games... what can you expect.
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The Victory Tour is probably the one thing I like about the Hunger Games. The attention of the Capitol isn't directly at me, but at the Victor in question, especially the pervs' attention.
Everyone thinks that being President Snow's protégé is like being Capitol's Princess, well... that's just what the cameras catch, but it really isn't. I am no different from someone living in the districts.
I am a slave like anyone else.
Even though I won't have to deal with the creeps at the Capitol during the tour, I still have a job to do, I can't exactly let out a sigh of relief.
This tour is probably the hardest one I've ever had to experience. Turning a hunter into an actress for the Capitol is no easy job.
Katnis has many skills... many, but pretending to be in love with someone isn't her best. Unfortunately, her life, anyone's life, actually depends on it.
Snow made it clear to me.
I arrive in district 12 with Effie and the rest of the crew, ready to help the two victors make everything as believable as possible.
I decided to go to Peeta first, while Effie and Cinna went to Katniss.
"Yes?" Peeta calls from behind the door.
"It's Y/n," I answer.
He immediately opens the door to let me and his stylist in and pulls me in a big hug.
"I'm happy to see you," he says, almost relieved.
"Well, it's my job, pretty boy," I pull away with a smile, "how do you feel today?"
He takes a moment to answer.
"I'm okay, I guess, nervous too,"
"You'll be fine, trust me. You're a natural." I try to lighten the mood. He does chuckle, but I think it's not to make me feel bad. "Did Haymitch tell you what to expect, or did he offer a drink?"
"A bit of both," he actually chuckles this time, "more of the latter, but yeah."
"Good," I let out a small laugh too, "I guess a good thing about your situation is that maybe you two can help each other out."
"If she stopped treating me like a wounded puppy..." he bitterly says, shrugging.
"Yeah, well, try talk to her. Your situation is already hard as it is, dealing with it on your own... it's suicide."
He nods, so I decide to let his stylist work and go see how Katniss is doing.
"Hey there," I say once I enter the room Katniss is getting ready in.
"Hi," she says.
"How are you?" I ask, sitting on a chair.
"I've been better," she forces a smile in my direction.
"I figured," I send her a sympathetic smile in return.
I look around the studio, the atmosphere is quite cold despite the luxury, we are still in 12 after all. My eyes stop suddenly on the desk, that was pushed a little out of the way to make more room.
"That's..." I start, my throat feels tight all of a sudden, "That's a pretty rose."
I notice Katniss tensing at the observation.
Confirming my suspicion.
Snow's been here.
"Yeah," she flatly says. She turns to look at me, with a look that seems suspicious... or cautious, more likely.
I respond with a sympathetic look. Hopefully, she will understand I'm just as tense as her. She seems to, because she half smiles at me.
"It's showtime," Effie cheers, walking in.
"Break a leg," I say, hugging myself as I watch her heading to the door.
I take a deep breath and decide I need a drink, and the only person who can help me is a certain victor.
I sneak out from the back and walk to Haymitch's house.
"Haymitch?" I call as I knock at his door.
"It's open," I hear his grumpy tone from the inside, so I let myself in and look around for Haymitch.
"Oh!" He calls from the kitchen, "it's the Princess herself! To what do I owe the pleasure?"
"Care to help a lady out? I need a drink,"
"Take whatever you want," he offers, taking a sip of his own drink.
I look around at the variety of bottles on display, finding my drink of choice. I take the whole bottle.
"You don't mind if I don't use a glass, do you?" I say, sitting down with him.
"Make yourself at home," he actually chuckles at that, and I soon follow after taking a big sip from the bottle.
This is what I like more about this tour, Haymitch's company. We can just sit in total silence and still be able to give each other comfort. He's one of the very few people who knows the truth behind the Princess facade, and I know about what happened to his family.
"Ready for the tour, princess?" He suddenly asks me.
"It's the only time I get to feel like my own person again, so... yeah, I'm ready," I answer with a bitter smile, "what about you?"
"It's gonna be hard for them," he simply says.
"I know," I deeply sigh, taking another big sip, "they need us... and we need them."
Haymitch just nods.
"Things are about to change," he says, almost solemnly, "better keep those eyes open."
I send him a questioning look to which he answers with a wink. Then, a knock on the door prevents him from elaborating if he even wanted to.
"Guess it's time to go," he announes, clapping his hands.
"Let the show begin," I take one last gulp before following him out and towards the train station with everyone else.
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We're heading to the first stop of this journey, distric 11. I already know this particular stop is gonna be hard for my Victors, especially Katniss. I take notice of her quietness and the tension in her body as Effie keeps in rumbling about all the fabulous things this tour will provide.
"Fabulous food, fabulous wine, the massages, spa treatments." She explains, "I told them nothing but the best for my two victors. It all needs to be..."
"Fabulous?" Haymitch finishes for her with a hint of teasing in his voice, mimicking her demeanour. I try to hide my smile into my cup in tea.
"Exactly." Effie answer, not bothered by him, "Now, the schedule is a bit of a bear. 12 days, 12 districts. But it's mostly parties, celebrations, adoring fans to greet you at every stop along the way, and then wrap it up on the Capitol. All you need to do is give a few speeches, wave at the crowds, and enjoy your time in the spotlight. You've earned it."
Oh shit.
"What did you say?" Katniss, basically, demands.
Here we go.
"Katniss." Peeta calls, trying to calm her or make her drop the subject.
"I said, 'Enjoy it, Katniss, you've earned it.'" Effie repeats.
"By killing people." Katniss scoffs and stands up to leave, ignoring Effie's weak try at scolding her.
There's silence.
"Well, isn't this a good start?" I say, holding my hand out to Haymitch, who catches on and passes me a bottle of whiskey chuckling.
I ignore Effie's glare and pour some alcohol into my tea.
My eyes lock with Peeta's, so I take the opportunity to glance at the direction Katniss went to silently telling him to go check on her. He nods and gets up to follow Katniss.
Haymitch follows him with his eyes, then turns to me.
"Are you plotting something?" He asks.
"Not at all." I simply answer, "they need to stop avoiding each other like the plague when they're not on TV. It's better to pretend to be in love with a friend than a stranger."
He simply looks at me nodding, impressed.
Effie lets out an annoyed puff and walks away.
Once she's out of the carriage, I turn towards Haymitch.
"Anything to say about my eyes?" I ask, hinting at the conversation we had back at his house.
He simply smiles and pours some more alcohol into his glass.
"Just keep 'em open, princess," he says, "wide open, guard up."
I roll my eyes, "Alright, alright. I will. Anything else you wanna share?"
"Did you hear from a certain fisherman?" Haymitch asks, instead of answering my questions.
"I don't know what you're talking about. " I say shrugging, and I take a sip from my cup.
"Mh," he hums, "isn't he the first Victor you helped train?"
"Why all these questions?" I slightly snap.
"No reason. This is the first time we get to properly bond, don't wanna waste it,"
"You want to bond?" I let out an incredulous laugh, "why?"
"I just proclaimed myself your... father figure," he opens his arms to present himself.
"Okay..." I trail off, standing up, "Whatever you say,"
I start to walk off, too, shaking my head slightly laughing.
"Oh, c'mon!" I hear him yell and laugh.
I shake my head while I'm heading to my room to rest a bit before we arrive in district 11.
As I lay on the bed, my mind can't help but wander to said fisherman.
Finnick freaking Odair. Winner of the 65th Hunger Games.
That was my 4th time assisting the mentors in preparing the tributes for the games. At the time, Snow wanted the people to see me more involved in the making of the games since they 'love' me so much. The president saw this as an opportunity, I saw it as a punishment, having to help train tributes, some of them being my age only to see them get killed. Then the 65th Hunger Games came, and so did Finnick. We were the same age, bonding was inevitable, even though he was cautious... which was understandable, but we managed before he had to go into the arena.
When he won, I was the happiest I've ever been. Then when he came back he was changed, again, that's understandable, but he started to push me away... with no explanation.
Then we both turned 16. Then we were forced to be close again.
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A knock on the door pulled me away from my thoughts, Haymitch's voice warning me we had arrived in district 11, and it was time to go.
We get out of the train, expecting some people celebrating and stuff like that, but nothing of sort. Effie is quick to express her disapproval.
They lead us to a car and let us in, where Effie start to explain the situation to Katniss and Peeta.
"The mayor will make some introductory remarks. And then you just have to say a few words." She says, "it's customary, of course, to give a brief eulogy to the district's fallen Tributes. For 11, that's Thresh and Rue. Here are the speeches."
Effie hands some piece of paper for them to take, I see Katniss' expression falling even more at the mention of Rue, predictable, so Peeta offers to be the one doing the talking. Katniss' grateful face almost breaks my heart, I'm... sort of used to see children die in the games, she wasn't... worst of all, she built a friendship with her.
"You got this." I say to them both, Peeta sends me a kind smile, while Katniss nods and takes a deep breath.
We arrive at the Justice Building, where we all wait for the mayor to call the Victors out.
"Ladies and gentlemen, the Victors of the 74th Hunger Games. Katnis Everdeen and Peeta Mellark!"
Once they are out, we get to see them through a screen.
"Thank you," Peeta says into the microphone, while Katnis is staring at something, I can imagine it's Rue's family. "We're honoured to be here with you today. And to be with the families of your fallen Tributes."
There's a long pause, Peeta glances at the cards in his hand and... put them down...
"He put down the cards." Effie gasps.
Haymitch tries to shush her, and she slightly snaps, "Why do I bother?"
I lock eyes with Cinna, who's standing next to me, we share a questioning look before looking back at the screen.
"Though they fought and lived with honour and dignity until the end... both Thresh and Rue were so young. But our lives aren't just measured in years. They're measured I the lives of the people we touch around us. For myself, for Katniss, we know that without Rue and without Thresh, we wouldn't be standing here today." He really is a natural. "So in recognition of that, knowing that it in no way can make up for your loss, we'd like to donate one month of our winnings to the families of the Tributes, every year, for the rest of out lives."
Oh, oh...
"Oh shit," Haymitch comments, and I bring a hand up to my open mouth shocked.
"Can he do that?" Cinna asks, though, I think he already knows the answer.
"He can't. But he did."
"Why doesn't he just stick to the cards?" Effie sighs.
Peeta than thanks the audience, looks at Katniss, and starts to walk back inside.
Katniss does just a few steps backwards, but she keeps staring at Rue's family.
Then, she gets closer to the microphone.
"Oh..."
"I just wanted to say I didn't know Thresh. I only spoke to him once. He could've killed me, but instead, he showed me mercy. That's a debt I'll never be able to repay." Then her eyes are back on Rue's family, " I did know Rue. She wasn't just my allay. She was my friend. I see her in the flowers that grow in the meadow by my house. I hear her in a Mockingjay song. I see her in my sister Prim. She was too young. Too gentle. And I couldn't save her. I'm sorry."
I feel my heart breaking at her words. She's right. She's too fucking right.
Before Katniss could add anything, there's a whistle coming from the crowd.
A very familiar one.
A man does the same salut Katnis did on the arena after Rue's death. Everyone in the crowd soon follows, and the Peacemakers are quick to weapon up and head towards the people, who can't do nothing but clamoring.
They're clearly pointing at the man who started it all.
As Katniss tries to get to him, to stop the Peacemakers, she is sized by two of them and forced back inside.
The man was dragged on the stage, the people are screaming, terrified. Before the doors can close we see one of the guards shoot and kill the man.
"Fuck!" I turn around, Cinna a gently rubs my back. I hear Katniss screaming and trashing around, I look back at them and see Haymitch gathering both Peeta and Katniss to follow him, he nods at mw to do the same and I do.
Once we are out of sight and ears Haymitch just snaps.
"You two have a very simple task." He scolds them, angry.
"I never meant for anyone to get killed," Katnis cries, "he has to know that."
"What are you talking about? Who has to know what?" Haymitch asks.
Snow...
"Snow. He came to see me. He's worried about rebellion in the districts. He thinks that they don't believe our love story," she explains, breathless.
I run my hand through my hair, frustrated.
"So he wants you to make them believe it? Does he thinks it will calm this shit down?" I ask and Katnis nods.
"You know, Katniss, you should told me that before I went put there, and tried to give these people the money." It's Peeta's turn to snap.
"I'm sorry. I didn't know what to do. He threatened to kill my family." She explains.
"Well, I have family, too" He replies, almost annoyed at her, "Okay? People that I need to protect."
"What about them? Who protect them?" Haymitch pressures.
I shake my head, still shocked and still infuriated.
"Katniss, what were you thinking?" Haymitch keeps going.
"I was thinking about Rue. Haymitch, please... please, just help me get through this trip. Please just help us get through this." Katniss begs, crying even more.
"This trip? Girl, wake up." He snaps his fingers to emphasise his words, "this trip doesn't end when you get back home. You never get off this train. You two are mentors now. That means that every year, they're gonna drag you out, and broadcast the details of your romance. Every year, your private life becomes theirs. From now on, your job is to be a distraction so people forget what the real problems are." He explains perfectly the 'life of a victor', it's so true it's nauseating.
"So what do we do?" Peeta asks, already composed him.
"You're gonna smile," I say, "stick to the cards Effie put effort into. And be the happy, forever in love couple the Capitol thinks you are... you'll get used to it." I say the last part with a heavy heart, knowing they don't deserve it. No one does.
Haymitch brings Katniss is for a hug, trying to reassure her, I squeeze Peeta's arm.
"We'll help you."
Peeta gives me a grateful smile, then they both take a deep breath and we all head back down.
"Eyes open, princess." Haymitch whispers to me, gently patting my back. I, again, look at him confused and just keep on following everyone back to the train.
And sticked to the cards they did.
----------
I feel like I can't breathe, I'm constricted, I can't move.
I look up and see the blue-haired guy on top of me, he's probably enjoying my terrified expression, because he smirks, he shushes me as if he's dealing with a child. He thinks he's being sweet and reassuring, while he's the complete opposite.
I try to push him away, in vain. It's like moving a wall... yet he's not that much bigger...
"Sshh, sweetie... it's okay, I'll take care of you." He says, caging me in even more.
I attempt to move back, but he's faster, he opens my legs with his in one quick motion.
----------
I wake up, shaking and panting. My heart is beating so fast I'm sure it's going to explode. I shake my head.
"Just a nightmare, just a nightmare," I keep repeating to myself like a mantra.
I get up from the bed and head to the bathroom where I wash my face to wake me up more. I look at my reflection and again I repeat that it was just a nightmare.
I get dressed, I figure there's no point in going back to sleep, I don't think I would be able too, so I exit my room and head to the restaurant car where I find Haymitch. Not so surprising.
He looks up as soon as he hears me, his expression almost asleep, but when his eyes meet mine, his expression turns into a worried one.
I sadly smile at him as I sit next to him, the car is still quiet dark except for the dim light coming from a small lamp next to him.
"Who was it this time?" He asks, he's trying to not make it look like it bothers him, but I know he's worried.
"The general's son," I say monotonously.
"Aah," he sighs, "the one with blue hair?"
"Yep."
"The loyal one." He nods to himself.
"The very one, the first too." I sigh, leaning back in the armchair. "The asshole thinks that just because we 'lost it' together means he owns me."
"Was that his first time too?" I know he wants to laugh at him, but he keeps it too himself, this time.
"Yap. His father thought it was 'right about time' so he talked to Snow, who, oh so kindly, accepted. Next thing I know I'm treated like a present. Everytime he achieved something big, his dad paid for my company, every birthday too." I sigh again, more deeply, bouncing my leg anxiously. "When he got a job, I was with him. Every month."
Haymitch takes a deep breath and hands me a bottle, which I gladly accept taking a big swig from it. He then takes my hand and squeezes it reassuringly, then lets go.
"He got daddy's job."
"Oh yeah. He couldn't do anything without daddy's power," I scoff out a laugh, Haymitch does too.
We, then, keep silent until it's time for everybody to come I'm and have breakfast and get ready for the final stop.
The Capitol.
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woozihaes · 11 months
Text
pairing: s.coups x f!reader warning: smut. and a lot of affection. (unfortunately) sexism. bitter women. notes: i read the great war by @amourcheol and i will never be the same. heavily inspired by that universe. also, for this fic, let's pretend reader has never given cheol a blowjob.
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love & service
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you remember why you hated going to these things.
"look at them," one of the wives sneered, watching the soldiers drink with cherry cheeks. "they drink to their hearts' content while we take care of the aftermath in the morning."
one of the disadvantages to getting married is staying with the wives during any and all gatherings involving the men. they tended to be bitter, living proof that misery loved company, and it seemed like every wife in the room hated the fact that they were married to a soldier.
what's worse is that they could not stop talking about it.
you push back a sigh and scan the crowd of men to find the familiar profile of your husband, set aglow by the fire, scar a flash of white against his skin.
"i bet the victor of venice is the worst one," the lady beside you said, and you turn back to her. her eyes seemed to implore you to join the gossip, to fall into their conversation of seemingly hating their husbands. "i bet he simply expects you to kneel and service him with his mouth. an ego as big as his is surely the most insufferable. or does his eye wander now that you've been conquered?"
your stomach drops, but keep your face neutral. you clear your throat and smiled dryly. "we've been married not long yet, so i haven't witnessed anything."
the lady's face soured, and she looked away, choosing to gossip with someone else.
you suppress your sigh and stand, excusing yourself. you'd rather sit alone outside than stay here.
-
you lean against a post of your shared bed, fingers play with the end of the string holding your dress together as you replay the woman's words in your head.
i bet he simply expects you to kneel and service him with his mouth. an ego as big as his is surely the most insufferable.
"you seem far away," you hear, and you turn your head to find seungcheol's eyes staring at you, sparkling with interest. he'd had some to drink, but not much—you'd asked before and he'd shrugged, calling it a soldier's instinct—so his cheeks are rosy.
"sorry," you mumble.
he walks over to you kisses your cheek. "it's quite alright," he says, gently taking the string from your hands. "may i?"
you nod absently as he loosens your dress, gently tugging away the fabric and pressing a soft kiss to your shoulder. he's become more affectionate as of late, which is never unwelcome, but your curiosities make themselves known once again.
"cheol," you mumble, and he kisses his way up your neck.
"mm?"
"i have a question."
he kisses the spot beneath your ear. "ask away."
you take a deep breath. "more of a request, really."
his kisses against your skin are soft and unrelenting. "mmhmm."
"i don't..."
"you don't what?" he murmurs against your jaw, voice breathy.
you try not to get distracted. "i don't want to go to those things anymore."
the kisses stop, and your husband pulls back. his face is crumpled in concern. "why? what happened?"
"they're... i don't like being with them. they... they're..." you shake your head. "i just don't like it."
"did they do anything to you?" cheol asks, inspecting your person for any injury.
you sigh and pull away. "no, cheol, i—"
"no, no," he says, grasping your elbow and keeping you still. "i don't understand. what do you mean?"
"it's okay, i can just—"
"it's not," he insist. "tell me about it."
you press your lips together. "they're very..." you exhale. "unhappy. in their marriages."
seungcheol seems to mull this over. "okay. and?"
you decide to tell him outright. "i think they expect me to be, too."
his eyes flit to yours. "what do you mean?"
"their questions... they all understand each other. and every time i see them, they ask if you've tired of me."
he bristles at that. "what? they ask you that?”
"among other things," you mumble.
"what other things?"
you flush. "nothing."
"it's not nothing, carrissima. tell me." his gaze softens. "you know i don't like it when you keep things from me."
damn it, you think to yourself. you try not to shirk away in embarrassment. "you... you have never asked me to pleasure you."
"you pleasure me," he corrects, picking up the task of tugging down your dress. once he succeeds, he starts on the arduous task of untying your corset.
"the wives always say their husbands... demand that they service their cocks, with—with their mouths," you say, trying your best not to shy away from the topic. "i have never used my mouth. you've never asked that of me."
his fingers pause on your back for a fraction of a second before proceeding. "do you want to?"
you flush this time. "i don't know!"
"then you don't have to," he states plainly. he manages to get your corset off, and his fingertips brush against the last scrap of fabric protecting your skin from the cold air. "i would never force you to do something you're uncomfortable with."
you sigh despairingly. "you confuse me, seungcheol."
he smirks and turns away to take off his own clothes, and your eyes watch him slowly peel away the layers of his garb, until your eyes land on broad shoulders and strong arms. he pauses in untying his pants and turns to you, eyes burning. "what else have you heard from the wives?"
"what?"
he repeats himself. "what else have you heard?"
"that the victor of venice is probably the most infurating man of them all."
he scowls. "i'm being serious."
"so am i!" you counter. "they really said that."
"okay, then, what else did they say about me?'
you chew on your bottom lip. "that you will tire of me."
the confused look on seungcheol is absolutely adorable, but you know this isn't the time to point it out. "tire?"
you nod, a little sad. "now that you've... conquered me." your face sours, and so does his.
"that's ridiculous." the corner of his mouth tugs down and he steps closer, gently taking your hand. he brings your palm to his mouth and kisses it. "did you agree with them?"
you shook your head. "i never answer. i try my best to leave."
"which is why you want to avoid these gatherings."
you nod.
he sighs in understanding. "alright. i don't want to force you to do something you don't want to do."
"thank you," you breathe, leaning forward to press a soft kiss to his mouth. "i love you."
"i love you, too." his smile grows. "but i suppose more than that you found it hard to voice to a room full of bitter shrews that your husband has no qualms about his knees and fucking you with his tongue."
your cheeks start to burn. how'd he turn the mood around so fast?
"that would make them very jealous, wouldn't they?" he murmurs against your palm. "that only you can bring the victor of venice to his knees." he kisses up your arm, lips pressing to your wrist, forearm, shoulder, neck. his breath is warm on your face. "in case i need to make it clear, i like being on my knees for you."
"cheol," you scold.
he ignores you. "i like pleasuring you," he says, muttering the words so lowly they make your body thrum. "i get to fuck you, in the end. i'd say it's fair."
"but—" you cut yourself off.
cheol pulls back and raises an eyebrow. "but?"
your heart races beneath your chest. you gently pull your hand from his grasp and trail it down his body, past his war-hardened body to the front of his pants. you gently tug the string and it loosens beneath your hands, and you see the top of his thick cock.
as if mesmerized, you sink down to your knees and tug his bottoms down. you feel seungcheol's fingers gently card through your hair as his cock comes free, not yet hard but definitely stirring. your eyes dart up and the anticipation is plain as day on his face.
you gently take his cock in one hand. "i don't know what i'm doing," you confess.
"stroke, my love," he implores you. "gently."
you follow his instruction. "how's that?"
"you're doing great," your husband says, rubbing his fingers tips into your scalp. your eyes slide closed at the feeling of his hands. almost on instinct, your hands adapt to the rhythm of his fingers, slowly bringing his cock to life.
you gently feel the tip off his cock brush the side of your nose and your eyes open. he's very hard beneath your hands, and you look up. cheol watches you, lovingly amused.
your eyes dart back down. "sorry."
he lets out a soft chuckle. "no need to apologize."
you pull your focus back to stroking him, and it doesn't take long for him to grunt.
"are you okay?" you ask.
he laughs again, but this time it just sounds like an exhale. "sorry. i'm—" he inhales sharply. "i'm getting impatient."
you continue to stroke him, and he groans. "how come?"
"because—" he chokes, and cuts himself off. his head tips back, and the veins in his neck stick out. his erection is now full fledged.
"look at me," you implore him, stroking firmer.
"i can't," he bites out, voice a little muffled.
"you did earlier."
"yeah, well, now i can't."
"why not?"
his breathing is ragged. "because—ah—i might fucking cum."
your chest swells with pride and love, sweet and heavy and sticky all at once. "i see." your pull back on the firmness of your strokes until his breathing evens out a little bit, and you lick the tip of his cock experimentally.
"fuck!" cheol cries, pulling his hands away from your hair. they tangle a little and he yanks at knots on accident, and you try not to yelp. "fuck, i'm sorry—" he says, petting your head, and you just decide to bite the bullet take the tip of his cock into your mouth and suck softly.
"jesus!" cheol nearly punches out one of the bed posts.
you pull away with a soft pop. "you can sit down, cheol."
he nearly collapses unto the foot of the bed, and you try not to laugh as you crawl closer.
his eyes are burning as he takes you in, resting on your knees. his knuckles brush over your cheek. "i can't believe you're doing this for me."
"i'm just returning the favor," you say, looking to the side. for some reason, you're unable to meet his gaze. instead, you grasp his cock again and slip it into your mouth, gently licking and sucking on the head.
"fuck," cheol groans from above you. "jesus christ, don't stop."
you don't. you go further, just a little bit, trying to take a little bit more of him as you go. you can only take half of his length in your mouth, but with the way cheol is grasping the sheets of your shared bed, it seems like it was more than enough. you compensate by gently using your hands on the remainder of his cock.
it doesn't take long for cheol to be pushing you away by your shoulders and pulling you up by your arm, twisting your positions until your back is pressed against the bed. he hovers above you, eyes scrunched in what looks like agony.
"are you okay?" you ask him.
"yes," he chokes out, "just—just trying not to... not to..." he drops his forehead to rest against your cheek. "shit, i—i didn't think that it would... that i would..."
"cheol?" you ask, and it's like something in him snaps. he presses his lips against yours in a dizzying kiss, grabbing the backs of your thighs and prying you open. when you pull apart, you yank your underdress and shuck it over your head, cheol taking it with one hand and flinging it to some corner of the room. he kisses you again, fingers finding your soaking heat (when did you get so wet?), and you cry out into his mouth.
"i need to be inside you, right now," he says desperately, eyes squinting in concentration.
"fuck me," you mewl, and he pulls his hand away before sheathing himself inside of you.
you cry out at the roughness of the way he fucks into you. he'd always been (perfectly) rough, but it feels like his soul is clawing into yours, each thrust a desperate attempt to tear at the edges of your sanity. your hips are loud as he slams into you, rutting wildly against you.
"fuck, i'm not gonna last," he says, pushing himself off the bed and widening his knees. his hand finds purchase on your waist and the other grabs the back of your knee to open you wider, and you're delirious with desire. "grab something, my love."
it's not much of a warning because he starts thrusting before you can even process what he says, and you scramble to find purchase on the sheets and on your breast. you nearly shriek at the full on assault he's delivering to your body, the feeling intense and divine and delicious. your eyes nearly roll back in pleasure, and you find yourself rapidly approaching the point of no return.
cheol curses and lets go, leaning forward to press his elbows over your shoulders so you don't slide up and away, keeping you in place so you feel the mouthwatering impact of every brute thrust. the open mouth kisses he presses to your mouth are hot and wet, and you feel a thin string of drool escape the side of your mouth. he pulls away and presses his forehead to the side of your head, his hair sticking to your skin.
the rhythm of seungcheol's hips start to fluctuate and one of his hands dart to your clit. it only takes a few rubs for you to unravel.
your legs start to twitch and your back arches, your breasts pressing against his sweaty chest. your pleasure is further heightened when cheol roars, rough and broken and hot against your ear, and the heat he let burst inside you triggers your body to shake uncontrollably for one final, blissful orgasm.
cheol collapses on top of you and you groan. "cheol," you whine, out of breath, "get off. you're heavy."
he grunts and rolls over to the side, but not before pulling you close and tangling your legs together. you're pressed flush against his chest, and it's sticky and gross but also immensely satisfying.
his breathing his deep and hard beneath your cheek. "that was amazing," he breathes, kissing your forehead.
you nod slowly, tired. "mmhmm."
he squeezes you a little. "i hope you know," he breathes, "now that i had a taste of that, it'll be something i'll ask from time to time."
you nuzzle closer. "i don't mind," you confess. "i enjoyed it. not as bad as the wives made me believe."
"that's good," he laughs breathily, "and just so you know, i don't think i'll ever tire of that. or of you." as an afterthought, he adds, "you may tell the wives that."
you giggle and search for his hand. you thread your fingers together. "if i tell them that i'm lucky that the man i married loves me," you say softly, "they might hate me."
"who cares?" he kisses your hair and pulls you close. "i love you."
your heart swells with love and you lean up to kiss him.
(and if you do more than that, well, just don't tell the wives.)
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ghostbsuter · 6 months
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"Here," Danny slides his business card over, and Victor fries takes it.
"Contact my parents, go to Amity Park. They can explain and answer every question you have, Mr. Fries."
Victor, still in his suit and staring, frowns. "What about Nora?"
"I can promise you, she will be alright. I'll give you daily news of her condition and make sure everything is on top condition."
Mr. Fries hesitates, glancing at his frozen wife. He contemplates it, the decision and its cost if he were to trust.
"Nora can't handle transportation in these conditions, but with me here, she will get enough ectoplasm exposure that will make her liminal." Danny explains carefully, eyes crinkling as he looks at the man.
"She will turn into a ghost and come back. Anger may be stronger than love, but love is one of the main emotions one will form in the Infinity Realms."
Victor exhales shakily, breath tinted white from the cold.
"The same will happen to me if I depart to amity park?"
"Yes." The halfa nods. "You will be exposed to ectoplasm like every other civilian there, but unlike here with Nora, my parents will make sure you understand every little thing about this process."
"And if she does come back as a ghost... how long...?"
Danny bites his lip. "I'm not sure. Once her ghost forms, she will be under my protection, many know to not go against me. She will learn of her new culture and then of the traditions."
He explains slowly, making sure Mr. Fries is concentrated and on line with every word he tells.
"Her memories will slowly trickle in, but she will remember and most likely go and find you."
Victor, the ever careful man he is, tilts his head. "How will she come back?"
"My parents again, they have a portal. She will be led to it by associates and friends safely. You will meet her at Amity Park, that's why I suggested moving in the first place. She won't be strong enough to leave amity at first."
"Why me? Why us? This program is not public, and you can not possibly be joking either."
"Valid," Danny shrugs at his gaze. "Call it fondess or maybe attachment, but Nora really grew on me despite... not being very expressive."
(They talked for so so long, until Victor Fries aka Mr. Freeze finally agreed and left.
Danny gave them the privacy needed for their temporary goodbye, he would help them, he'd promised so.
And Phantom doesn't break promises.
So he helps Mr. Fries escape Gotham, made sure he arrived at the meeting place with Jazz, and gave updates on Nora in her cryochamber.
He would buy flowers for her, talk, throw jokes, despite no answer.
Aunt Nora's life would flicker at a time, and sooner than later, Danny knew her time was up.
He left when Victor came back, got her out of her sleep, and held her for her last moments. He was here when Victor departed again, ready to prepare his new apartment at Amity for Nora's arrival.
He felt unbridled happiness when the news came back months later that Nora managed to get back. She became a winter spirit like he is, more alive than she was in the last live.
Danny was happy for the Fries family.)
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gecko-in-a-can · 2 months
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Saw a recent post that got me thinking about the difference between the AI used by House and Benny respectively. Especially how they reflect on their ideals and personalities. Namely between Victor and Yes Man
Yes Man lives up to his name. He quite literally can’t say no. He’s been programmed to agree and comply. That being said: that doesn’t mean he doesn’t make his opinions clear- and he BOY does he have opinions. He has a full personality! No matter where he goes, who you talk about, what you suggest, you can tell what he’s thinking through tone or how he phrases something. He’s sarcastic! He’s playful! He’s prideful! Additionally, he’s been built with a contingency plan where he can be uploaded to any other securitron in a moments notice.
Victor, meanwhile, is outwardly incredibly friendly and warm! When you first meet him in goodsprings he’s clearly a staple of the community, even if the townsfolk don’t quite understand him, and he’s been there for years. He saves the courier, and provides what insight he can when you talk to him. However, the closer you get to Vegas, the less he sounds like himself, until you get to the Lucky 38 and he’s clearly just an AI. Something being controlled. A false personality put on display to entertain and endear.
I think it highlights what Benny and House value.
Benny wants power, and for someone to follow his plan to the letter. But, beneath the veneer of compliance, personality remains. Independence, individuality, those are fully on display. House wants compliance, and to cement himself as the one in charge. In removing individuality, he secures his place as leader of masses which might be able to do as they please, but largely have to listen to him and him alone.
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kimberly-spirits13 · 2 months
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Jason Todd With Scientist S/O
Tumblr media
He thinks your job is so cool
He's really smart so he can keep up with all the science lingo but sometimes you have to explain exactly what you're doing I the lab since it's not all common knowledge
Wants to know what you're doing and why you're doing it or how you're doing it
explain the deep dive details, he loves it and it makes him feel like you care about him being interested
He respects if you have to work long hours since he does too
He is honestly worried that if you're working on anything high profile or top secret that something bad will happen at the lab so he hangs around a lot and has given you a few different things to signal him if you need him
If you're a vigilante he still does this and the rest of the Batfamily have given you something to call them just incase
It's not that they don't trust that you'd take care of yourself, but sometimes you can't drop a beaker of something just cause Mr. Freeze is having a meltdown again instead of going to therapy
sorry Victor, I understand but don't be freezing innocents dude
sometimes you have to leave the bed early because you have a long day at the lab and need to be able to work long hours without it being 1am the next day
Jason probably reads Frankenstein with you a lot since he jokes about you being Frankenstein
hopes that you never do become Victor Frankenstein though because that dude was wild
He thinks that you look adorable in your lab gear
even if it's full hazmat stuff he thinks it's so cute
he doesn't like hazmat things though cause like- obviously
You have a lot of jewelry from Jason and you cannot always wear jewelry in the lab
there are things that can tear, dissolve, steam, burn, it's just overall not a good time with rings or hanging necklaces
Jason realizes that you have to leave your jewelry behind and lot and he gives you a special jewelry box to keep everything in
installs one in your locker at the facility so that no one can bust in but you can wear your jewelry every where but the lab
Asks you about your day and cooks dinner when you're having a hard time
house keeper of the year
he learned from Alfred
picks you up from the lab and likes to come in and see what you're doing if he can
doesn't mind getting suited up in a lab coat, hair net, gloves, glasses... if that means that he gets to see what's up
he loves asking questions about the things that he's looking at and feels comfortable asking what may be considered dumb questions
he's confident that no matter what comes out of his mouth, it's received as if it came from someone who's an expert in the field
Comes to your work in his Red Hood gear if you're working late
hangs out and talks to you while you're working
drops you off and picks you up on his bike
makes sure that you have clean pjs after taking those scolding all over showers when you're done working
loves watching TV after work with you since it's a time that you can both shut off your brains and hang out
Fridays are ice cream and tv nights even if you two are working late
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toaster-trash · 11 months
Text
It’s always so interesting to me how so many people tend to look at protagonists’ reactions in 19th century gothic media and immediately slap a label on them as “over-dramatic” or “weak”, when in reality I don’t think we (as a society) know what we’re talking about. I think our society is collectively desensitised to concepts, and what I mean by that is that the concept of a story like Dracula or Frankenstein isn’t something that we’d ever bat an eye at because it’s been so ingrained into our very understanding or the concept of basic modern horror premises that we no longer appreciate it for what it is, and I’ve been guilty of it too. So a lot of people take the protagonists reactions to their circumstances, and paint it as melodrama or even worse, get high and mighty and claim that if THEY were in that scenario, they would NEVER do something so stupid, right?
But I need you to take a minute to actually think about the positions these characters are in. We’ve become so desensitised to these concepts, but if we were actually in those positions in real life we would probably not be able to handle them half as well as some of these characters. For example, Dracula. Sure, guy goes to stay in spooky castle, client turns out to be a vampire, pretty standard, easy to point at Jonathan Harker’s decisions and blame him. Oh Jonathan, don’t you know walking through an abandoned castle when your client tells you not to is bound to get you hurt? Don’t you know going to a remote area with villagers crossing themselves every five seconds is dangerous?
But actually think about this. You’re a solicitor, you have a fiancée back home and you need this job. You meet your client, he’s a little creepy, you feel unsafe, but you need this job. What are you going to do, turn back and tell your employer you couldn’t do it because the vibes were off? Obviously not. You suck it up. Then slowly, your world starts collapsing around you and slowly getting smaller as you find yourself trapped inside this man’s house and you slowly come to the realisation that you are being held captive in the house of a creepy old man who has access to all the rooms in the house, including your own, and can enter it at any time, in a secluded area far away from everyone, and with no hope of reaching out for help. He has the power to do anything to you, and you’re completely helpless, and does. You are going to die there and none of your loved ones will ever know what happened to you. Your abuser might even fabricate your identity or conduct a lie to ruin all memory of you forever. Then things get worse, and you realise that your abuser and captor isn’t even human. Throw in the infanticide and assault scenes, and that is a horrifying scenario, and I don’t think some people fully recognise that when they read it.
The very same with Frankenstein, oh haha, Victor gets ill often, look at him fainting every five minutes, what a whiny bitchboy, right? But Jesus Christ, again, think about this scenario that he’s in properly. My guy digs up corpses, brings them to his dorm room and stitches them together, only for him to bring said corpses to life and watch his inanimate amalgamation of dead bodies come to life in your house. Now again, imagine cutting up corpses and sewing them together. If you can’t manage that, imagine a friend of yours came to you and told you that they’d been stealing corpses, cutting them up, and sewing them together, and they now have an 8ft tall giant amalgamation or corpses in their room. Now imagine going to their house and seeing that amalgamation of corpses. Good luck not passing out and vomiting all over their bedroom floor, and extra good luck not needing extreme psychiatric care afterwards. Again, corpses. I’m willing to bet half the people here have never even seen a corpse, and this isn’t even freshly-dead-grandma-in-the-coffin, these are decomposing and rotting corpses of real human beings. Observed. And some corpses cut up. And pieced together. Into a giant corpse. Genitalia included. Intestines included. Everything else included. And then that corpse then starts killing everyone you’ve ever loved and you have the added guilt that it IS it’s own person and you’ve abandoned it.
Which of course, could lead me into a whole separate rant, on how I believe that Victor’s flaw doesn’t lie in his horror at his own actions, and his fainting and illness and whatnot, but rather at his deliberate avoidance of the consequences of those actions – (horrifying as they may have been to come to terms with, his avoidance ultimately led to the mental distress and death of tons of completely innocent people, and his avoidance, however difficult, was still very much wrong and Victor is still very much to blame for it) – as well as the mania and obsessive justification he kept using to reach that goal. Although again, it could be argued there was avoidance in that as well – Victor pasting clinical lenses over all his actions, ignoring his family and friends, which ultimately all caught up with him. It’s my reading that Victor isn’t to blame whatsoever because he’s “over dramatic” or that “whiny”, he has every right to be severely traumatised by his experiences, however much his own fault they may be, he is to blame because at every turn where he could have faced his actions and confided in a friend or likewise, he did not, and it led to the deaths of everyone he loved. Except for Ernest, who likely then had to live with the death of his entire family.
But that’s a side rant – my primary point is, I genuinely do not remotely believe that authors in the past were really any more “emotional” or “melodramatic” than we are today. The only difference is that because the premise of these plots have been so deeply engrained into our society, we do not understand how horrifyingly traumatising these situations are by nature and dismiss them out of hand. Dracula did not exist yet when Dracula was being written. Frankenstein did not exist yet when Frankenstein was being written. Don’t come looking to read old gothic literature expecting a camp B-list horror film, and then call the characters over-dramatic when they react like average actual human beings to absolutely horrific scenarios.
And what’s more with regard to general more open affection between friends in older books, no it isn’t unrealistic, we’re all just cynical assholes now. (There’s a limit, obviously. Some characters are just raging homosexuals and there’s no other explanation. “His form so divinely wrought and beaming with beauty” my ass alright now just admit you had gay sex and be done with it)
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kaicubus · 8 months
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Being with Victor Van Dort
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₊˚⊹♡ ∘₊ ───────────── ₊˚⊹♡ ∘₊ ─────────────── ₊˚⊹♡ ∘₊
warnings ✩° : fluff headcanons, no cursing, sweet victor, some implied sexual headcanons but it's not a sexual movie i just LOVE victor so bad ugh i need him, kaicubus british accent.
pairing ✩° : victor van dort x mostly gn!reader
authors note ✩° : nothing is done about him so as usual, i'm stepping up to the plate. tall skinny emo boy IM COMING FOR YOU. why do i want to do more? thinks. i'm trying to get my halloween fics out guys i promise...
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To say Victor would do anything for you in and outside of his power is such an understatement. He has such little power in what he does compared to other people, especially suitable bachelors, but he tries so hard with what he has.
You two meet because your parents need you two to be wed, so of course, he's a stranger. A very kind, and understanding stranger who at times feels like he's so brittle around you he'll break at any second.
He bumps into you? Victor scurries away. You look at him? Victor slams himself into the wall in the process. He kind of loses composure around you.
When he warms up to you eventually, Victor actually talks about his interests a lot. You find out he's an excellent musician, talented in piano and violin, an exceptional artist, and he's an avid reader who enjoys dark poetry.
He's still very insecure about the idea of you loving him or at least liking him, but he'll never bother you with questions because he doesn't want to seem needy (but he is so needy). If his insecurities do get the best of him, Victor will ask gently, "Do you actually like me? If not, I get it. I'm not rich nor strong enough to support and provide for us, I just want to be sure." Of course, you answer him honestly and he's over the moon when you tell him you actually do love him.
Victor notices things about you that no one else would notice, like the amount of moles you have on your left arm, if you prefer crowded areas or not, and if you cut your hair just a few inches to the point where it's not even that noticeable.
Speaking of, if you're ever at a ball or a place where there's a lot of people and you're not comfortable with crowds, Victor will take you away to a secluded area and calm you down from there.
He is overly apologetic. Sometimes it gets slightly annoying with how much he does it, but you never react negatively and always reassure him. Victor will apologize even if you're the one who caused something, blaming it all on himself so you don't feel bad at all.
Victor's love language is surely words of affirmation as he loves to give you endearing complements but also he feels good receiving them. He doesn't expect anything, because that's the least of your worries he thinks, but even so much as a simple flick of his hair and saying how nice it looks that day drives him absolutely mad.
However, when he compliments you, he's never short of charming. Victor catches you off guard sometimes when he reminds you how 'ravishing you look' or 'how you put the stars to shame with your glittering smile.' Usually he draws parallels with you and the stars, moon, sun, or flowers. He always makes you feel seen.
Naturally, as your husband, Victor is protective over you. He's never one to start a fight over a worthless scum trying to flirt with you, but he's not shy to let his presence be known and to grab you by the waist into his thin frame.
Calls you my love, darling, my beloved, and gorgeous.
Loves receiving. Victor will never ask anything of you, sure, but he won't deny it when it happens. He loves being kissed first, he loves being pulled down to kiss you, he loves being marked in hickeys especially on his collar bone, all of that.
One very specific thing is that Victor really enjoys dressing you and putting your makeup on. There's just something about the silent intimacy of sliding on your dress, gliding the thin fabric of tights on, tightening your corset, and delicately lining your lips with a dark, rose red lipstick that he loves so much. Even if he can't do the whole outfit, you'll still allow him to do your makeup or brush your hair.
Victor also likes things a very specific way. Not that he's controlling, he's far from it, but little things like overlined or underlined lipstick makes him fidgety. He'll swipe his thumb over your cupid's bow if that's the case and pretend like nothing happened.
He writes long, lengthy love letters. Sometimes explicit ones if he isn't there with you. He's uh, good at writing!
Victor shivers a lot. Take that as you will.
Loves painting portraits of you.
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nebulablakemurphy · 4 months
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Moves & Countermoves (Part 24)
Part 23
Summary: No one ever wins the games, even fourteen years later, Y/N is still playing.
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“Lean your head back, so I can rinse.” Y/N instructs Katniss, gently.
It’s been two weeks back in twelve. The Abernathy family, Katniss, Cashmere and Johanna. Peeta had to stay behind, not quite ready to be exposed to all the potential triggers of home.
Cashmere and Madge had no problem cozying up in the Abernathy home. However Katniss keeps to her own house in Victor’s Village and Johanna has agreed to stay in the house gifted to Y/N after her win. Finnick and Annie will visit too, of course. After the baby.
The girl on fire sits in the tub, knees pulled up to her chest, with both arms around them, as her former mentor washes her hair. Katniss can’t bring herself to do much these days. Rotting away on the couch, after Prim… But Y/N is nothing if not stubborn and loves Katniss more than her own mother ever could.
When Y/N is finished, she leaves Katniss to dry off. “I’ll bring you something to eat.”
Katniss blinks at her, nodding. She does not speak.
Y/N returns to her own home, bustling with life. Nothing here is still. The victor dances past her oldest daughter, twirling about the living room to music. Moving carefully behind the house of cards that Everest and Cashmere are building on the dining table and into the kitchen.
Haymitch follows her there, Daisy in his arms. He hardly puts her down. “How is she?” Katniss.
Y/N sucks in a breath. “You should go see her, Haymitch. Maybe she’ll talk to you.”
“What makes you think she’ll talk to me?”
“Because you understand each other.” Y/N says, “I love her, she knows I do. But it’s not the same. She needs you.”
“And if you’re wrong?” Haymitch frowns, “if it sets her off? Makes it worse?”
“The last thing Katniss needs right now, is to feel like another person has abandoned her.” Like her mother. Like Gale. “Especially you. You don’t have to say anything, just be there.” Y/N wrings her hands, anxiously. “Please.”
Haymitch shakes his head, bouncing between feet, when Daisy begins to fuss. “The things I do for you.”
Y/N half smiles, “gimme the baby.”
At this he hesitates. It is hard enough being in a separate room from his children. Or not to holler in protest, each time Y/N moves out of his sight.
“Haymitch?” Y/N rests a hand against his back.
It’s not you, it’s me. “Here.” He forces a smile, passing off their child.
“Haymitch, what’s wrong?” Y/N wonders, adjusting the infant in her arms.
“Nothing.” He clears his throat, “it’s nothing.”
“But-”
“I love you.” Haymitch tells his wife, pecking a kiss to her lips, “nothing’s wrong.”
Y/N pulls back, slightly, studying him. “I love you too.”
He pats her cheek, in parting. Hurrying out the door, before Y/N can get a word in.
“You guys are disgusting.” Johanna remarks, leaning heavily against the refrigerator.
Y/N murmurs. “Yeah.”
“I’m out of eggs.” Johanna adds, to explain her presence.
“We have plenty. Help yourself.” Y/N waves toward the fridge.
“There’s something wrong with him.”
“I know.”
“What are you gonna do about it? You’re Mrs. Fix It. That’s why we’re all here. So you can fix us.” Johanna scoffs, “you can’t even fix yourself.”
“I can,” Y/N cuts her off. “I will.”
“You think I haven’t noticed there’s a room you can’t even go in?” Johanna continues.
“It’s not what you think.”
“I think you’re afraid of old hunks of metal that used to record you getting your rocks off.” Johanna crosses both arms over her chest. “They can’t hurt you.”
“They can hurt me.” Y/N purses her lips, “they did.”
“You should get rid of them.” Johanna suggests.
“I can’t.” I just can’t.
“My head doctor would call it ‘exposure therapy.’”
“Will you help me?”
Johanna huffs a laugh. “What are friends for?”
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That night, after the children are fast asleep, Y/N tosses and turns in bed.
“Just say it.” Haymitch snaps.
“It’s nothing.” Y/N whispers, “I’m sorry.” She turns away from Haymitch, nuzzling her back against his chest, until he has no choice but to wrap his arms around her.
“Angel,” Haymitch pauses, trying to find the right words. “I’ve never done this before.”
“Done what?”
“Been free.” Haymitch confesses, “not since the games, never as an adult. Never as a husband or a father; and I am terrified that at any moment, all of this is going to be taken away from me.”
Y/N squeezes his hand, a bit tighter. “Sometimes I think that too.” We’ve been playing the game too long. “Do you think we’ll get used to it? Being free?”
Haymitch sighs, pressing his lips to her shoulder. “I hope so, angel.”
This is new. Haymitch having hope. “Me too.”
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Nights bleed into days. Days into weeks.
Daisy naps contently, in the sling against Y/N’s chest, while she tidies the kitchen.
Everest and Haymitch have set out to pluck weeds from the pathway between houses of Victor’s Village.
Arista is playing in the backyard.
The birds chirp.
The sun shines.
Then Arista screams. “Mommy!”
Y/N abandons the pan she is washing, into the sink, water still running, as she races toward the sound of her daughter’s voice. “Arista!”
“Mommy! Daddy! Hurry!”
Haymitch and Everest rush toward her cry. “Arista!”
Y/N finds her first, at the far edge of their yard, hunched over a mass of white feathers. “Arista? Are you ok?”
“He came back.” Arista tells her mother, with overjoyed tears in her eyes. “Louie came back.”
“Oh, sweetheart.” Y/N chokes down the panic that has risen in her throat. “That’s wonderful.”
Everest comes to a stop beside his mother, panting as he takes in the scene before him. “She’s ok?”
“Yeah,” Y/N reaches a hand over, to ruffle his hair. “We’re all ok now.”
Haymitch joins them last, out of breath, face flushed. “Is everything-”
Y/N turns to him, with a grin. “Louie came home.”
“It’s just the goose.” Haymitch can’t help but laugh. “Just the god damn goose.”
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That night, at dinner, with Madge, Cashmere, Johanna and even Katniss, the phone rings. The sound of it still jarring, after being without a form of easy communication between districts for so long.
Maybe it’s Annie and Finnick.
Maybe there is news in the Capitol.
Maybe Effie.
“I’ll get it.” Johanna volunteers.
Y/N holds up a hand, not wanting to speak with a mouthful of food.
“Or not.”
“I’ve got it.” Y/N excuses herself from the table, into the hallway. Lifting the phone from the receiver to her ear; heart pounding. “Hello.”
“Y/N, it’s me.”
Her free hand comes up to her heart, attempting to quiet the ache. “Peeta, hi. How are you?”
“Better, I’m good.”
“That’s good, honey.” Y/N blinks back tears. “That’s so good to hear.”
“Dr. Aurelius says I’m free to leave the hospital, as long as I keep up with sessions over the phone.” He sounds nervous, like the other shoe is about to drop.
Maybe he’s staying with Effie in the Capitol.
“The train leaves tomorrow morning.”
“Can I- I’ll come get you from the train station?”
“Yes.” Peeta says, immediately. “That would be great.”
“Ok,” Y/N breathes, “that’s perfect. I’ll see you soon.”
“See you soon.”
Series Taglist: @praline357 @flowercrowns-goodvibes @justheretoparty420 @avocadotoastwithegg @treehouse-mouse @emo-markie @spilled-mi1k @magical-spit @greaser9902 @jessicamellarky @yourebuckingkiddingme @smuha2004 @sendhelplease @ninimackbrews @wittiestrain184 @r1dd1kulus @erenluvr69 @helpimhyperfixating @jackierose902109 @jellybear455 @dreammgc @dadbodfanatic-x @ftdtcmlovr @inky-sun @ms-brek-ker @undercover55655 @mischiefmanaged21 @avoxrising @koiphisch @drwho-ess @daisydaisybilly @misfits1a @nj01 @eruannaaa-blog @thatkindofgurl @solikeapparently @innercreationflower @nicksolemnlyswears @a-sweet-little-fangirl @champomiel @kate654 @maladptivedreamer @rainbow12346 @gabwitch99-blog @theseerbetweenus @qvnthesia @prettybiching @izziebreeziel @anneliese500 @scoliobean @mariechristine00 @hoslunix @frstlght @winter-jensen
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bella-goths-wife · 3 months
Text
The affection the yandere bowers gang give ballerina reader
Let me know what you think of this and please tell me if it makes sense 🙏
Warnings: psychological abuse, emotional abuse, verbal abuse, physical abuse, sexual abuse, anxiety, manipulation, threats, forced relationships, possessive behaviour
I do not support or condone the themes I write about, my writing is purely for entertainment and information purposes. Please do not try to replicate the actions that I write about.
MDNI!!!
Henry bowers:
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There is something very inherently forceful about the affection Henry gives you
Certain gestures such as hand holding, hand on your hip, hand on the back of your neck and so on
These gestures would seem cute and affectionate to an outside viewer if it was anyone else, but this is Henry bowers
Every affectionate gesture is produced with an aggressive factor added in
It’s like no one ever taught him how to be gentle, so he replicates what he sees in movies and shows
This means he can’t fully understand how even if he’s affectionately hurting you, he’s still hurting you
For example, he’ll see other couples have one person hold the other by the waist and he’ll try and replicate the action with you to be romantic but his grip will be too harsh and will bruise you
There’s also something subtly needy about his touch, like he’s grasping at smoke that he knows will slip out his hands as soon as he lets go
I think that over the course of your forced relationship, he will become more vulnerable around you
That means that he won’t try and replicate an affectionate action and will try to follow his own instincts on how to touch you
The affection will turn from a forceful hand on your hip in public to him laying his head on your chest to listen to your heartbeat in private
And while there is still an underlying threat in his every touch, at least now you can experience something closer to reality rather than what Henry believes a relationship should look like because of the tv he watches
I think you could teach him to be more gentle if you wanted to, but it would be a long and unrewarding process
Patrick Hockstetter
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Every touch or affection Patrick gives you has a sexual motive
Or it feels like it does, even if Patrick doesn’t mean to
Patrick is a sociopath, everyone around him knows it
Even patrick knows it, he knew the minute he started to not feel anything for the people who he hurt
But deep down he wants to feel something real, and the way he chases after that feeling is by feeling something he knows for a fact is real
And that’s lust
That’s the only thing that Patrick can admit to whole heartedly feeling
So he won’t be giving you affection for just the sake of showing you he cares or to experience something lovingly intimate with you, he’s doing it to fuel his own lust filled desires and he thinks that every affectionate action will make you more susceptible to helping him with his desires
But all it does is disgust you
For example, he will stroke your arms or back when you cry to offer you comfort
But the way he does it comes off too sultry and violating, so he only further distressed you
Even when Patrick falls further into his obsession with you and genuinely seeks out your affection, he still ends up coming off predatory because of his past actions
This frustrates his to no end, but he only has himself to blame and he knows it
He blames it on the fact that his only relationships with girls his age have been strictly sexual, so he’s never learned how to give genuinely loving affection
But he knows that’s bullshit and so do you, but you’d never say it out loud unless you wanted a new black eye and a talk about respect
Victor Criss
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Because Vic’s love is inherently possessive and more about ownership rather than gentle love, it reflects in his affection
Every touch is a way to show ownership, to mark you, to claim your for the world to see
He’s the first to seek your hand while walking through crowds and he’s the last to let you go when it’s time to leave your home and for the boys to return to their own
Every hold is accompanied by what should be sweet nothings, but is instead aggressive reinforcements reminding you that you are not your own person
He’d trace the scars he left on your body with a sense of pride that he was able to claim you in such a way before sneering at the scars left by the others and demand you cover them before the two of you become intimate with one another
He’d burn you with cigarettes before kissing the burns and smiling at his work
It’s not like with Henry, his goal isn’t to hurt you with his abusive behaviour
It’s to show both you and the others that he isn’t afraid to mix his love with cruelty if it means perfecting the art which is your marked body
His love for you in itself is like a cigarette, during it you feel euphoric at the kick the nicotine provides but deep down you know that it’s slowly killing you
You let vic abuse your body because you enjoy the feeling of knowing that it causes problems among the boys, but every bruise and cut or burn reminds you that you can’t keep going on like this
You know that his affection will consume your body, and he knows it too
So he slows down eventually and tries to be gentle, but just because the aggressive dog decides to roll over and show you his belly doesn’t mean he’s not going to attack again eventually
Belch Huggins
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There is something adoring in the way belch touches you
He’s actually the opposite to Henry in this aspect, in the sense that he’s gentle with you in every way he can be unless ordered differently
He knows he’s a big guy, that’s been the one feature the world has constantly reminded he owns by having every stranger in the street look at him with intimidated expression
Even his own family and friends hold a sense of caution about him
He knows that his overexcited nature when it comes to you can make him forget his stature and strength and can cause him to accidentally hurt you
So every affectionate action comes in small doses so that you don’t get hurt
His hold will remain loose enough for you to have room but not loose enough for you to leave it and his mind will always be aware of the pressure he’s putting on your skin when he touches you
He doesn’t want to show off his strength, he wants to make himself as small as possible in your presence so you don’t see him as a threat when Henry doesn’t order him to be one
He’ll lower himself to your height to touch you and he will always remain vigilant of where you are around him so he doesn’t accidentally hurt you
The only time he feels himself be prideful of his stature and strength in your presence is either when he’s scaring off people who are trying to flirt with you or when you ask him to lift you to help with a ballet move you want to practice
For him to be involved in something that he admires you so much for, it makes him ecstatic
He’ll hold your waist and lift you up and for once he sees his size as something that doesn’t just have to scare people off, but also for helping you perfect something beautiful
So his affection lacks force and has a sense of a priest in his worship of you being similar to how a priest worships god
To him, you are everything that is right with the world and the way he touches you reflects that
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dark-fics-4-you · 4 months
Note
In crocodile tears, would coryo pretend to be some hero or something when he gets reader some medical help or like calls for help for her because I know reader would have to go get some medical help for her injuries, like would he say he found her like that and just stays by her side and quietly whisper to her that he can and will get away with his crime and will do much worse to keep his goodboy™️ image up
Or would he just leave her there to let her think about what he said and what he's done and like kinda talks to someone else about his victory and then they walk back towards reader and find her all fucked out and traumatized and coryo just acts all surprised and asks the other person to go get help while he 'takes care' of her before like the authorities or like the ambulance and tells her to stay silent and to just play along so that he could find some way to fix his mess
And if he does find some way to frame someone else for what he did to reader, would reader's parents thank him over and over again and like pressure reader to invite him over or something (y'know just so that coryo can see how similarly they grew up or something, also how furious would he be if he found out that maybe reader is actually just 'better' than him)
Sorry this was kinda long and scrambled up but I've been thinking about crocodile tears all day and I'm geeking out over your fics omg 😭
Please don’t apologize for how long it is, I loooove detailed asks <333
Crocodile Tears drabble
cw: noncon oral m!recieving, noncon kissing, gaslighting, manipulation, physical abuse
I think Coriolanus would 100% try to play himself off as the hero. This is the same night that his mentee won the Hunger Games. Everyone is already celebrating him, and then he reports that he not only found Reader, but that he helped ward off her attacker??? He would eat that attention right the fuck up.
Of course before this happened he would set the record straight with you, maybe he’d do it while he was pushing his cock deep into the back of your throat. “You’re not going to- fuck- you’re not going to tell anyone that this happened, do you understand?”
You looked up at him through teary eyes as his hand wrapped around your throat, urging you to slide your lips up and down his length faster. He couldn’t contain his groans as he watched the saliva drip down the corners of your mouth as you sloppily took all of his cock.
His voice was breathy, and his eyes were fixed on watching you. A far cry from the classmate he had admired many times before tonight, now you looked a mess, lips puffy and eyes red and tear filled. Coriolanus loved how pathetic you looked now. He wondered if you would ever dare to talk back to him again.
“If you ever tell anyone about tonight or about what happened during the Games, I swear to god Y/N, I will fuck you so hard that you’ll be begging me to treat you as nice as I did tonight,” he sneered at you and your stomach turned at his threat.
For a moment, Coriolanus really wanted to cum all over your face. He imagined forcing you to leave the building with his sticky seed dripping down your face and tits, he wanted you to feel humiliated as you walked past all of your classmates.
He knew that the rumors would spread like wildfire, your reputation would be ruined. On top of your friends either witnessing it firsthand, all of your professors would find out no doubt.
However, much more appealing was the idea of Coriolanus coming to your aid, of him saving you from an unknown attacker. If the entire Academy already thought he was a victor, why stop now?
After he came down your throat and forced you to swallow it all, you were surprised when he hurriedly pulled your clothes back on to your limp body, before dressing himself as well.
You were still too dazed to protest when he pulled you up, wrapping an arm around your waist and walking towards the party.
You felt so out of it, and your memory after leaving the control room was spotty, but you remembered seeing concerned classmates and hearing Coriolanus explain that he had rescued you from an attacker and that you needed medical attention.
You also didn’t miss all of your classmates thank Coryo for saving you.
Don’t think for a second that he would leave your side, opting to ride in the ambulance with you, identifying himself as “Y/N’s boyfriend,” and holding your hand the entire way. The EMT’s thought he was whispering words of encouragement and that your panicked look was only due to your injuries and the trauma from the night, but it was actually because of the threats he was calmly hissing into your ear.
“Remember, you didn’t recognize the guy and you didn’t get a good look at him,” he raised an eyebrow and leered over you, “right?”
You nodded, trying not to attract any attention.
“And you don’t even want to press charges, right?” He purred in your ear, hand snaking to the back of your neck and clamping down. You tensed when you felt him grip the back of you neck harder, trying to get a small reaction from you that only he would notice. “Better to just try to move past all of this.”
When you finally arrived at the hospital and got wheeled to a room, you were greeted by your parents immediately, who tearfully attempted to talk with you.
You had only just opened your mouth to speak when Coriolanus interrupted you, “I’m sorry Mr. and Mrs. Y/L/N, she’s not in any condition to be talking right now.”
“And just who the hell are you?” Your father demanded of the unfamiliar blond.
“I’m Coriolanus Snow, I saved your daughter tonight,” his head was held high and when he started recounting his twisted version of the events that had occurred tonight, only you could have spotted the devilish gleam in his eyes. “She’s lucky I got there when I did,” he concluded, “I just can’t imagine what might have happened to my Y/N…”
“Wait, what do you mean by ‘my Y/N?’” Your mother asked, looking up at Coriolanus incredulously.
“Well, I wish I was telling you under better circumstances, but,” he cleared his throat, pretending to be embarrassed, “Y/N and I have been dating since the day of our tribute assignments.”
When your parents immediately changed their tone and began heaping thanks and praises onto ‘your boyfriend,’ the man who had just raped you so brutally, he had sent you to the hospital, you felt like you could be sick, and the nausea swirling in your stomach had you reaching for the trash can by your bed and hurling the remains of what was left in your stomach into the bucket.
Coriolanus dotted on you, rubbing your back and whispering words of encouragement loud enough that your family could hear. His faux concern for you was so sickening, you would have thrown up again if you had anything left in your system.
You were in the hospital for 2 excruciating days, and several of your classmates came to visit, all of them bringing flowers or candy or other gifts, but you never got a moment alone with them because Coriolanus stayed by your side the entire time.
When your nosey peers asked you or Coriolanus to recount what had happened, Coriolanus would shut them down, insisting that neither of you wanted to talk about it for your sake.
And while it was true that you weren’t anywhere near being able to talk about what happened that night, that didn’t mean that you wanted him literally at your bedside and never leaving you alone with anyone, not even your family.
If they asked for time alone with you, his grip on your hand would tighten and you knew you had no choice but to tell them that you wanted him to stay in your room, “Mother, I- I just want him here right now, I would feel too anxious if he left.”
They always obliged, never forgetting to thank Coriolanus any chance they got, and by the time you were discharged and you thought you were finally going to have a moment alone to breathe, you were feeling more than ready for some space away from the horrible man.
However, to your horror, you realized that your family had taken what you had said in the hospital after being coerced by Coriolanus too literally.
When he followed you to the car, you thought he was just saying goodbye until he climbed into the backseat with you and you gawked at him before looking over at your parents.
“Oh yeah, we forgot to mention,” your mother warmly replied, “Coriolanus offered to come to our apartment for a few days to help take care of you. We figured it would be good, considering how much he helps your anxiety.”
You felt your stomach drop, a pit of anger and disappointment blossomed in your gut and it took everything in you to force yourself to smile and thank your parents.
Coriolanus’ hand squeezed yours and you tried your best not to cry.
After you arrived at the apartment, Coriolanus helped you out of the car, making you lean on him for support as he helped you to the entrance to the building.
The blond was taken aback by the street you lived on. It was just a couple blocks away from his, and he had walked past these apartments many times, completely unaware that you lived here. It was a modest apartment building, honestly not much better than the one Coriolanus lived in.
But how could this be? Wasn’t your family wealthy at least? As he made his way up the stairs, supporting your weight as you leaned against him with his arm firm around your waist, he couldn’t help but compare all of the similarities to his own apartment.
Hell, if anything your apartment may have been a tad smaller than the Snow’s, although yours was much tidier.
It was around dinnertime when you had arrived and you had just wanted to take a nap before eating, but instead you were treated to some excruciating alone time with Coriolanus, during which he lay in your bed next to you, holding your stiff, nervous body close to him and running his hands over the goosebumps that decorated your skin. Your breath caught every time he paused over one of the bruises that he had left on you, and you winced when he would press the pads of his fingers onto them, silently threatening you.
It felt surreal laying in your bedroom, the place that was supposed to be your safe space, with Coriolanus, knowing that he could overpower you and fuck you at any moment if he wanted. And that fear was exactly why you didn’t try to get away.
You winced when his soft lips came to your bruised neck and he kissed and sucked at the tender skin. The way he had one of your hands pinned, fingers digging in to your sore wrist, reminded you of the first night he assaulted you and you tried to blink away the tears forming in your eyes as panic rose in your chest.
“Relax, Y/N,” Coriolanus whispered against your throat between sloppily nipping at your skin. “I’m not going to do anything to you tonight, baby. Gonna wait till you’re all healed up so you can feel every fucking inch of my cock dragging along your walls.”
You let out a quiet sound at his words, but it was hard to tell if it was a sob or a moan and Coriolanus felt his cock throbbing against the material of his pants.
“Although,” he thought aloud, looking down on you and admiring your pretty, plump lips, which were glistening, wet with a mix of saliva and your tears, “maybe I should give you a reminder of what I could do to you if you decided to feel brave and blab about that night, hm?”
You fearfully shook your head and you were about to protest when your mother knocked on your door, letting you know that dinner was ready.
You looked to Coriolanus and he nodded with annoyance after a few moments of hesitation, allowing you to respond, “Okay! Thank you, we’ll be there in a minute.”
He sighed in frustration but got up and began pulling his shirt back on before he glanced over at your teary eyes and messy hair.
“Clean yourself up in the bathroom, you look pathetic,” he ordered and you ran some cold water on your face to try to make the puffiness go down.
When he was satisfied with your appearance, you dressed, trying to swallow your discomfort before you left the room, but when you sat down at the table with your parents for dinner, you still couldn’t believe how it felt to be eating family dinner with that man.
As Coriolanus regaled your parents with stories from the Academy and lies about how you had started dating, you realized that tears had begun falling past your waterline again.
And no one at the table noticed or said anything about it.
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crystaljellie · 2 months
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I honestly think that there are so many interesting songs that fit the life series characters so well, so I’m going to talk about them here and explain why I associate them with these songs!
Bdubs - Never love an anchor by the crane wives
"With this heart of mine that's guilty, not remorseful" | It's guilty because Bdubs feels bad, he feels bad he couldn't achieve what he should. He feels bad that he killed Impulse in third life, betrayed him, and even then it got him nothing. He's guilty because he knows the harm he's caused
"There is love that doesn't have a place to rest, but it would burry you if it had settled on your shoulders" | I notice that Bdubs has a lot of trust and faith in his companies, something about this brings back the 'He loves me' scene from last life back. Bdubs loves a lot more than people seem to think he does, so he must hold it back in case of that love being used against him
"I am selfish, I am broken, I am cruel" | Maybe things that Bdubs wants to be, for the sake of letting go and letting himself detach from these people so losing them doesn't hurt as much. Letting other people label him as such
BigB - Know How by the Crane wives
"I am not brave; I keep my focus on what is safe," | I think this is fitting to BigB even if it's not necessarily true; I think from his perspective how he feels, ignoring how he is actually very brave. But at the same time he does keep his focus on what is safe, there's a reason why he always makes it to the final or session before the final.
"Just because I know what I'm supposed to do now, doesn't mean I know how" (Edited line to be shorter) | I'm not sure how to explain this but I do think it really fits him, he knows all the things he's meant to do, to survive, for example killing with the boogeymancurse, but he dragged it out till the very very end before he killed Cleo in last life, because he didn't know how he was supposed to do it.
Etho - I don’t know anyone I am by Salvia Palth
"I don't know anyone, I am in relation to anyone I guess" | Etho has always been seen as a loner throughout all seasons, he doesn't very much get the time to make meaningful bonds or understand his teammates. It makes sense he would struggle to see himself as more than just a survivor as well, he hasn't given himself the time to focus on anything else.
Scar - Icicles by The Scary Jokes
"Their shallow observations will only stall the transformation" | This is very secret life scar to me, maybe something something the watchers talking to him, everyone forcing the title of villain onto him, yet the watchers see him as a gift to them, as a victor and they're trying to make sure Scar keeps doing what he has been and not back out because they're calling him 'villain'
"But I admit it would be easier, To be relieved of all this shame and not have to wear it on my sleeve." | This fits Scar's feelings on the matter, not wanting to go forward, not wanting to be shamed and outcast by the rest of the lifers.
"I can only be forgiven if I'm giving myself up to you" | Secret life in general but also back in 3rd life, Scar believing he can only make up for killing Grian at the end by having Grian kill him, something something 'slay me and take the enchanter'
"My world has turned so cold, but I won't cry, 'cause icicles don't soften when they die so why should I" | Despite Scar being constantly alone, he stayed strong he never 'softened' or cried he also became cold which is why he won.
Grian - Bird Song by Florence + The Machine
"And he sang about what I'd become" | How Grian had slowly lost his mind in third life as well as all the other games, how Grian had became someone obsessed with getting kills, going out of his way to trick and trap people and find loopholes to kill
"I picked up the bird and above the den I said 'That's the last song you'll ever sing" | Grian doesn't want to think that he might be a bad person, or he might be going crazy, so he has to silence anyone saying otherwise, anyone that might prove a danger to him. Maybe because he can't let the watchers get word that he's exactly who they say he his. Maybe even so this is relating to the theory that he might have been the one to curse Jimmy.
Impulse - A Mask of My Own Face by Nature Tapes
Okay now hear me out on this one, Impulse is constantly in and out of alliances especially in third life, lying to everyone to gain vantage.
"And none of them would know that I am secretly myself" | Because they trust that Impulse is putting on a facade all the time, but maybe what they are missing is that the facade is what he considers to be him. Or at the very least keeps him safer
"I'd blame it on the person that nobody knows I am" | Something about him always being like 'Oh I did this so they'd trust me more I'm still on your side I promise' Or 'I did this for the task!' When he could have absolutely targeted anyone else.
Martyn - Metaphors by The Crane wives
"I've gotten good at living on someone elses page" | It's the way Martyn is always deceiving and always planning to betray, living on someone else's page, being content and loyal until he has the chance not to be.
"You can't trust a single thing I say" | Idk something about him talking about how he was planning to betray Ren in third life.
"Don't look too hard cause you won't like the scars he left in me" | THIS BEING SO TREEBARK LISTEN TO ME. HE GAVE UP SO MUCH TO REN THERE ARE SO MANY SCARS CAUSED BY FOLLOWING THE ORDERS TO KILL SOMEONE YOU LOVE
Lizzie - The Crooked the Cradle by The crane wives
"There's blood in the water" | Thinking about Lizzie showing up in limited life to play Pearl and the first thing she was tasked with is killing. Like she showed up and instantly was given the title of boogeyman, a gimmick that was only there in the one other season she was in, a sense of familiarity and a sense of dread.
"The quiet are restless the silent are still" | When there is peace on the server and it is quiet there are people waiting to kill. When it is silent it is because all is dead. And Lizzie knows that well being quick to die each time, she is the silent, especially when she fell into the void, she died alone and in scilence.
"If Mercy's abound I'll be safe I'll be sound, and the devil won't know of the love I just couldn't let go" | Something about Joel being the cause of her death In Secret life... loved him so much she went down for him, she couldn't let it go and it got her killed.
"Can anyone hear me?" | Her in the void not being able to be heard....
Mumbo - Saint Bernard by Lincoln
"To remind me that I am a fool" | I am very strongly of the headcanon that Mumbo is also a watcher, something something he needs to remind himself that he is fooling himself into thinking he could fit in with the world of the watchers or the world of the players
"When I am dead I won't join their ranks because they are both holy and free" | And Mumbo's not, Mumbo doesn't get to go where they go, he still has more to do, more to make up for. Still instructions left to follow
"There's really just one thing that we have in common, neither of us will be missed" This is so Mumbo talking to Grian coded for me
Pearl - Here I am by the Crane wives
"How long have I been here all alone" Double life Pearl in her tower....
"Settled in, had a plan but I never factored in, Everyone else saying goodbye" | Basically also double life Pearl she had a plan with Martyn go to the nether get stuff come back find her soulbound, and then they all left her.
"This ghost town is making a ghost of me" | Everyone dying around her, and being alone like this without chance of redemption slowly killing her.
"I promised myself I'd learn to be the one who leaves" | Throughout the next games, like secret life, she'd be the one who leaves instead of gets left behind, but she didn't seeing how she was always last one alive out of her teammates
Skizz - Wrecking ball by mother mother
"I made a fist and not a plan" | Skizz is usually quite reckless and goes action first plan second.
"You gotta see the artistry In tearing the place apart with me, baby" | This but more in the ironic sense, because Skizz while he wants to reign chaos he is also fiercely loyal and kind to his allies, so tearing the place apart with me, is important. He doesn't just want to cause chaos he wants connections
Scott - Icarus
"Climb ye higher and higher and higher 'Til you're far away and breathing cleaner air" | Scott winning last life, climbing higher and higher through the ranks until he breaks through the clouds into what he had hoped was cleaner air spoiler alert it’s not.
"Who have you become in the wake of all that's happened here?" | What’s happened to you, what happened in last life that changed you, what made you so cold and bitter and so quick to assume the worst when double life came
"Spreading out the ashes of a love That only gave and gave" | Either this as flower husbands, being the ashes of a love that only gave to others, or specifically Scott’s love, that only gave and gave to the one whom he loved
"There's no room for all the hearts who will not stay" | For the people who will not stay with him, the watchers pressuring him to do better and leave the, behind. He won’t though.
Joel - The Wolf by the crane wives
"I will join the wolf at my door Breathing out storms when she comes around" | Well yes we know Joel is a dog boy clearly, but also how he is oh so aggressive to everyone he meets, ferocious and knocking things down.
"I am always burning, burning, burning" | Burning with rage? Burning things down? So many emotions they're lighting up his world so much that it blinds him from seeing anything else
Jimmy - Hollow Moon By the crane wives
"In the darkness, Slowly crawling over my skin, Whispers at the door, "let us in, let us in" | Whispers of the watchers, or maybe his curse, something knocking to let death in.
"I won't be sleeping, There's too many monsters in the backyard" | Okay yes funny because of Minecraft mechanics. But also, idk something about Jimmy not being able to see the watchers but still feeling their presence.
(I'm giving Jimmy an extra song because he's special)
Strawberry blond by Mitski
"I love everybody because I love you When you stood up, walked away barefoot And the grass where you lay left a bed in your shape I looked over it and I ached" | YES I AM BACK ON MY FLOWER HUSBANDS BULLSHIT! Trust me so much they're so insanely in love, they love the world because they love each other, their relationship is so sweet and soft.
"All I need, darlin', is a life in your shape I picture it, soft, and I ache" | because all they ever needed was each other, not the death not the violence, just to be in love
Tango - Monster by Dodie
"I'm guessing that I've grown horns I guess I'm human no more I can tell I've rotted in your brain" | Tango's anger and wondering if those reactions made others see less in him. Make him a monster
"You think I'm a crazy bitch I craft my words to fit your head 'Cause no one listens to the dead" | Idk... something about this and Tango, he always dies relatively early too, maybe it's only death that'll comfort him
Cleo - The Garden by The Crane Wives
"My stone, My shield, my steady hand, Hold your light To the darkness in my head" | Something about this being about how Scott has been her friend and ally throughout all seasons
"Give me something pretty to wear beneath my blood-stained clothes" | I CAN'T EXPLAIN IT BUT THIS IS LIMITED LIFE CLETHO, DOES ANYONE HEAR ME PLEASE TRUST
"My darling, the devil knows my name" | Cleo makes a name known for herself by fighting, making a point with their sword
"Get on your knees and, Dig up the garden, Won't you throw down that spade and, Dig up the garden, darling?" | Something something a wife talking to her husband
Ren - Arms Tonite by Mother Mother
"I died in your arms tonight" | Martyn killing Ren in 3rd life....
"I lost sight in your arms tonight, it was nice" | Lost sight of the goal so obsessed with his kingdom and the Red army
"I cry hard because I have died, and you're alive" | Martyn out living him (Not by very long) In third life
Gem - The Well by the Crane Wives
"All the words I couldn't say to you Fill up the spaces in my chest" | This being Shiny Duo and Gem and pearl being on different sides unsure of how to stay together
"Send me anywhere, take me out I'm the well they're gonna drag you down" | Gem knowing she's only going to be used as a catalyst to hurt others despite her wants
"That old house, those rotting memories Burned easier than I'd have thought" | Those short memories of limited life being replaced by the nicer memories of at least the first half of secret life
And I am done yapping, mayhaps I will do more someday
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Sorry, I meant Ghost in a fight/discussion with reader 😭 Still, I did love your take
CW: Fighting, emotional abuse, light swearing I am so sorry anon 😭😭 I am literally the dumbest person to have ever existed lmaooo Also apologies for length, I am moving and wanted to get you something cause I'm not sure when I'll be able to post again. To whoever asked, I am making a pt.2 so send me an ask if you want to be notified :)
As always, no beta, please lmk of any mistakes!!
A lot of ‘fights’ you guys have are one sided, where you concede quickly, not wanting to argue, and he just keeps going and going. He, like a lot of ND’s, gets a thrill from fighting, and he will pick fights about everything. You just disagree once with what he says and he goes off.
Fem!Reader: Anytime he is upset/angry with you/thinks you are disrespecting or ignoring him, he'll call you 'woman'. 
"I'm still talking woman!" "Watch your mouth woman" "Woman I am talking!" 
He does not love bomb. He does not come after arguing with you with flowers and chocolates and showering you with love to make up for it. 
Don’t get me wrong, this man does bring you flowers, just not to make you feel better after a fight. He’ll get you flowers for valentines day and your birthday and your anniversary and any time he feels like you deserve flowers, but he does not give them to you after fights. 
And you guys don’t fight too often. At least, not fights where he feels bad and has lingering guilt. Very rarely will he realize(or at least admit) That he was wrong, especially not in front of your kids, if you guys have them. However, if he does realize and admit he is wrong(typically after you sleep in a different room or don’t talk to him except for the bare minimum) he will apologize in private.
One very memorable fight for you was back in the early days of your relationship, just after you had started living together. He had left his gear just piled on the front table, and you had folded it and moved it to the bedroom so that it wasn’t cluttering up the front room. He came home and, well, freaked. He screamed at you, punched a hole through a door, and you still remember him telling you ‘Go to hell then woman” when you said you had just wanted the space to be clear. 
He gets pissed off about the stupidest stuff. Your guy's 10-year-old daughter bought a Stanley? He’s mocking him for the next 3 weeks about wanting to be popular. Your teenage-daughter wears ripped jeans to a concert? He’s telling everyone about how she must have bought them at half-price since so much cloth is missing. 
One interesting thing is that he respects fighting back, to an extent. You watched in borderline horror as your eldest got into a screaming match with him that lasted hours and ended with no victor. And yet, since that day, you’ve never seen Simon scream at them again. 
Hearing this, he sounds toxic, yeah? And he is, to an extent. But you stay with him because he knows he has issues, and he actively works on bettering himself. You’ve been with him for a decade now, and you can see so many differences in the way that he acts. He no longer screams and throws things and punches holes in the walls. He is more willing to admit when he is wrong, hell, there's even been a few times when he’s said sorry in front of your kids. 
You understand his trauma, you understand why he responds and acts the way he does, and most importantly He does too, and he is working on bettering himself for his family, because he loves you, and he hates that his explosive reactions hurt you and your kids.
I am going to make a pt. 2 to this so that I can go more in depth, but again, I’m moving and not sure when I will be able to post again so I wanted to at least give you something. lmk what ya'll think :)) ALSO: If you think I am mischaracterizing Ghost please let me know, and I will either explain my reasonings or you will change how I think of him. Either way, I would like to know yalls thoughts so please do not hesitate to say something
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