#whatever the issue is can be sorted out at some point. I don't know much about ibs but hopefully maybe something like that that I could pos

[capslocked]

PASCAL

male reader x karina & irene

part 1 of two roses, by every other name

28k words

It goes without saying that Karina’s reputation is flawless. 

Irene’s is remarkably not.

You're not even staunchly a romantic or anything. You just can’t be assed to manage the distinction between desire and distance. So when the dust settles, the best case scenario is the three of you going around telling people, "all of this is actually a true story by the way."

-

You don't need the extra helping of moody and foreboding, but the wind picks up enough to chill you to the spot.

It blows some of the longer, darker strands of Irene's hair into her eyes and she shivers, too, against the cold as she tucks it behind her ears. You’ve got both hands balled into your coat pockets, watching her pretend like she isn't about to say something you absolutely do not want to hear. Then, a sigh - the length of which is probably unwarranted. You can feel the frost on the air burning through your teeth as you face back out toward the taxi stand. 

It’s gotten late and you're still waiting on an empty cab - you’re realizing there was never a conversation to be had in the first place.

“For what it’s worth,” Irene says, and there’s an indecent proposal just in the way she glances at you. “I had my eyes on her first.”

It’s all on account of some sort of moral quandary, or whatever nonsense Irene pretends to believe every time it comes up. A gross power imbalance; an issue of innocence and entitlement; a threat of abuse. Something, another thing, patriarchal expectations, blah, blah - she fudges around the details, but never ever cares who gets hurt. Not really.

And it’s doubtful Irene believes what she says, not to mention she’s skeptical anyone is even capable of zipping their way down Karina’s denim, working a pair of hands up the contour of her long legs, and making her pant and gasp hard enough that she forgets to breathe.

Well, supposedly - that is anyone, save the two of you. Nevermind the fact she’s always, always been off-limits.

The bottom line is she's a whole decade younger than either of you. This just for starters - only legal for alcohol by some narrow margin. Because between you and your fiancée there are all these rules: no coworkers, no labelmates, no close mutual friends, no personal assistants, no jealous ex-lovers, and absolutely none of her juniors. It’s in poor taste, among other things.

Also, just as straightforward: crossing any number of those lines has its own kind of appeal.

"Okay,” you say, “then maybe you should be the one to tell her we’re taking her home."

Irene's arching her eyebrows at you like a silent rebuttal. She smiles after a laugh, quick and easy, because it's what she's good at. It's what she knows. “Like you weren’t hoping she’d be here, too."

The ash Irene taps off the end of her cigarette falls to the ground like snow. Hitting the pavement as if it might punctuate the thought. That's a rare first mistake from someone like you, and then a second one from her: she thinks she’ll need to defend herself with an explanation, like she’d ever need to justify anything to you.

“Besides, she’s not waiting for me to ask.” There’s a curl to her mouth - and then, she adds, for your benefit, "she'd follow you anywhere."

The twisted irony is that the two of you could pick up any woman, anyone at all.

"I think it’s a discussion for another day," you tell her, serious. She laughs out loud.

"Which one? Who Karina wants, or that you're aching every bit as much as I am to spread her out on our bed and fuck her? Because I'm pretty sure we can both agree that at this point-"

Your palm curls around the nape of her neck with a touch of on-your-feet-thinking: one of these moments that lets Irene sit with the knowledge of how small she really is against you, her head against the collar of your coat, chin angled just so to look up at your face. And there's only a beat that passes between your fingers in her hair, tugging gently as her hand releases to your waist, her teeth clipping against the press of your lips, before a cab pulls up right next to you. You kiss her hard. It probably looks cinematic.

If for nothing other than to give Karina one less thing to overhear when she comes back outside to join you.

"Really not the time," you whisper right into the subtle twist of her grin. Her cigarette's gone out in the snowy mess, but Irene smirks deeper in response before throwing it onto the wet concrete. She grinds it beneath her boot like a reminder, her hand still firm on your hip.

"What, you don't think it’d make her day? Don’t think she'd want to hear all those kinds of thoughts running together through our heads?"

You pull Irene in closer. “She’s not you.”

-

For context - only so you’re aware how it all starts - it wasn’t actually New Year’s Eve, even though everyone had been drinking like it were.

Also for context, it’s not something you were strictly invited to either. Irene’s company holds this holiday party at the end of every year where all of their employees show up (read: idols; Irene likes to argue about work sometimes - to which you have never contested the value of her labor - but your brain tends to fuzz out in the middle, and instead you mostly just watch her pretty mouth in motion). All of the high-up executives and department heads bring their uptight wives and girlfriends to some restaurant ballroom for a cocktail reception that only really functions for name dropping, or influencing the media, or placing side bets on who is sleeping with the CFO - or whose mistress might show up unexpectedly and meet someone's wife face-to-face for the very first time.

It happens to someone Irene knows, once. You pray every year it will happen again.

Be that as it may, there are a plethora of other terrible ways to spend an evening and a half, but it’s all laid bare in Irene's contract - attendance being mandatory; enjoyment excessively optional.

And sure, it’s taken time, but you have gotten used to it: the industry, all of its excess, the inevitable display, the million and one things required of Irene that you, on the other hand, will simply never be able to relate to.

The machine’s so fine-tuned and tightly wound, like clockwork.

"Yeah, whatever," she had said, leaning her hip against your bathroom sink earlier in the day. Her dress laid out neatly across your bed, already pressed, set with her heels and jewelry, everything set on schedule to the point of absurdity.

And so it goes.

You can hear her brushing her teeth through the open door - and see her profile through the hand-swiped-fog on the mirror. She drags the toothbrush to the corner of her mouth: "And before you even ask, yes, you have to come. That's the deal. That's always been the deal - bored, or busy, or trapped talking to some social climbing board member who’s realized the liquor flows fast and free - I don’t wanna hear about it. You’ll be there."

"Uh-huh," you say, eyes fixed on her reflection in the mirror.

"Look, I hate to be the bearer of bad news,” she adds, spits, and lets the faucet run, “but this one’s shaping up to be a really long night.” 

You watch the meticulous effort to pull her dark hair back into a low, neat bun as she turns and comes back into the bedroom, tossing her hair clip onto the bed to reclaim later. 

“So I guess, pace yourself or something.”

"Ever the salesman, Irene," you say, facetious.

"Um, saleswoman, thank you." Her words are slightly muffled by a silk tank top pulled on over her head, then down the flat length of her body until it hits the tops of her thighs. 

It’s not a matter of opinion that she'll look gorgeous in the stilettos, the dress - those earrings that catch light wherever it dares touch her. She'll smile her practiced grin. It'll probably taste sour after the hundredth person asks how long it's been and she tells them she can't remember. But then look - Irene here, still perfectly disheveled: her damp-darkened hair sticking to the porcelain skin of her neck, skin washed free of makeup. She’s beautiful. In a plain and simple way, simple-but-good. Even with the tight little scowl she shoots your direction. It’s a look she has to know could launch a thousand ships; could start a real, actual war; though you're far too charming to know how to fight - you’ve never seen the appeal.

Irene's teeth tug at the corner of her lip like she knows you'd probably end up dying in it. She puts forward this unassuming, nonchalant, “hey.”

She muses it right into a laugh. Covers her genuine smile with her fingers.

"Hey," is how you answer, always.

You’re noticing, now, the strap of her top has fallen just down the petite slope of her shoulder. You want to get your fingers beneath it. Maybe get her back in the shower. You’re never too picky.

And here: an unspoken demand, the thing that always gets you about her - while Irene stands in front of you, her finger looped between the top buttons of your shirt to draw you close. The bow of her lip perked ever-so-slightly, this soft pucker - all pretty in pink. "Before I slip into this dress, you’re going to push me against something sturdy and kiss me until I'm dizzy," she instructs, calm and methodical.

"A lot," you continue for her. You nod seriously, for a moment. "Dizzying."

She closes her eyes and leans in, and you lean into her, too. "Yeah, exactly," she ends up murmuring under a hot breath. "So, get to it.”

And so it goes, and so it goes.

-

"Have a drink," someone keeps saying.

As a matter of fact, they all do: four shots together - or one old-fashioned, or two vodka seltzers, or three of these mystery concoctions that come in a tall-stemmed glass you didn’t actually catch the name of, and jesus, it fucking reeks of prosecco. You pace yourself, within reason. You really do.

Irene gets elusive under the surface, which is to say, she doesn't change at all - not even at the edges.

And though everyone is here to be seen, only a few actually do any of the talking. Irene has it covered - you do your time.

Happy New Year, sorta. You wait it out.

-

She tastes like everything sweet, strong on her heels and sharper on her tongue - and sometimes, it’s not the best mix, given all you can manage is the touch and scent of Irene without actually getting at the insides of her thighs or that tempting stretch of skin under her ear, her neck, down to her chest.

This much, and she has no complaint - hardly seems surprised or inconvenienced - to you stepping her into the wall like it's a matter of instinct.

She just sighs, a short huff. "Don't miss these kinds of parties," she then confesses, right into your mouth, her warm exhale filling you whole. The sounds of people laughing and champagne glasses clicking nearby, a new song starting up, it's all an unnecessary backdrop, and Irene isn't distracted by a single bit of it.

Character, setting, scene; it’s all rather textbook, no? 

You know what the sounds mean, the soft hums, the lingering touches, the firm press of your palm into the dip of her waist or the slender line of her back. She knows where all the cameras are because she knows everything that anyone could possibly ever want to know, such as the fact that this empty stairwell is a perfect place to start, that there isn't a real plan as to where this might go - or when it should end.

And you should know where not to press - or bite or grab or leave a mark - not in some liminal space, nor some vacant practice-room, not beneath a desk, not behind a curtain. No, not here, cloaked in shadow and secrecy, another scandal in the making. Not that the knowledge stops you from testing out the lines, from drawing little patterns up Irene's waist, slipping one hand along the barest skin where her dress has hitched up along her thigh. To a boundary, the low pitch of her voice, some suggestion like, "not here, are you serious?" mumbled across your lips like it really doesn't matter what gets said or does not.

She’s pinned so properly, so precisely, that the discord between her gentle coaxing, and your hard, bruising edge - that sheer incongruity between what you should do and what you should not - can make the adrenaline spike.

She kisses you harder - and harder, and harder. She catches the small sigh you let out. She kisses you breathless.

You can’t shake the feeling that you’re wasting an opportunity, given that you’re both dressed to the nines and are usually more homebody than anything else. Isn’t that the irony of fame? You sign up for an escape, and spend your life running away.

Irene eventually sinks back into the soles of her heels, wiping her mouth with the back of her wrist, and she smiles so easy. She tugs at the cuffs of your jacket, sets your collar flat and proper.

"I'm thinking," you hear her say, taking stock for herself, the flush high in her cheeks, the tousled sort-of-curls now bared, "in half an hour, if you feel like leaving early, we could, oh, I don't know - escape?"

Escape to a bed with a door that locks, you assume she means. Irene wants; you deliver - however she'd like.

“Sounds tempting,” you tell her. She laughs against your shoulder. "Are you waiting on someone else to sweep you off your feet, maybe? Another offer?"

"Uh, always," she scoffs. It's the little things, confidence, and certainty, the honest-in-practice; how her palms sit soft and secure, cupping the angle of your jaw, one hand, now, toying with the knot of your tie like she's contemplating just how it might fall off of you later. Irene shrugs, leaning her weight back against the wall.

She taps a finger to her lips. Ends up saying, very solemn: "Thirty minutes."

As if you had any intention of absconding without her.

-

Irene holds true to her word - she catches you on the second to last pass around the banquet room. Some executive with a slack mouth is just launching into what sounds to be a spiel about a merger - it's unimportant, not well-versed, so Irene sidles up to you, and immediately steals your attention. It doesn't bother you in the least. She curls her finger into the cuff of your jacket sleeve, and without really being prompted or asked - and only, probably, due to the clear discomfort she has being there with anyone else - she begins dragging you out of the room; you, her ticket out of hell.

"I'm so sorry," Irene dons the industry smile and is probably charming. It's difficult for you to tell. You follow her blindly. "So sorry," she tells someone else as you exit, just before you both disappear entirely, "We're leaving. But, we'll see you next year, promise!"

A real celebrity.

The two of you suddenly a duo - and for everyone’s safety, the way it should probably always ought to be - here’s how it’s all supposed to go:

You, standing almost amidst a bank of snow gathered at the curb, your coat fanned out around Irene, shivers racking up her slight frame. All hidden just enough that if anyone were to notice where your hand ends up arriving at the narrow of her waist, they might think: 'it's not really any of my business,' and look away.

Her, curled beneath your touch - even the single press of your fingers over the small of her back as a stranger pulls a car up to the curb; or, the pull of you that ensures the driver can't actually see what you're both up to, what you're hiding; the little reach she makes into your pocket for a lighter, smiling appreciatively as she presses her cold face to the crook of your arm, your jaw, the juncture of your neck; a safe space.

“So.” Irene will look up at you, pale moonlight gathered in her lashes. She’ll make another face: this thousand kilowatt grin or her brow raising - sharp, quick, there-then-gone. She'll turn the lighter over in her hand once, twice, and say, “how long has it been since we’ve done anything social?”

You’ll know it’s not what she means, but you’ll offer her the out anyway: "could go downtown - there's a place you've probably never been to. Might even play your style of music, if you're really lucky."

Irene will arch her eyebrow as she raises the cigarette to her mouth, lit up before you know it.

"Is that right?" she'll say, dismissive, a smoky tendril curling up over city neon and catching starlight.

You're no stranger to what’s actually being suggested - an unspoken sort of arrangement. All because Irene sees herself as being above, hiding her intentions in euphemism, tact; in long, slow drags; in lilting lashes - while she's fully and shamelessly aware there's nothing virtuous about it.

Who the hell else could make it sound dignified, pretty even: ménage à trois.

Then, you’ll do your part. You’ll help interpret: another girl, gorgeous and probably unclothed, another bad decision, or two, the three of you finding yourselves back in your apartment where Irene will not hesitate to run her tongue up the side of a sweat-glistened neck, to tilt her head and whisper out a mantra of, honey, sweetie, anybody ever tell you how good you look between a woman’s legs? Or, fuck, let’s get you out of those jeans, let me take you all in, how the fuck have we not gotten our hands on you before?

Which means the question you really ought to be asking sounds more like, “maybe we can invite someone over?”

You’ll meet her eyes as they flick up - a lazy expression, easy to read. "Bingo," she’ll say, blowing smoke and even more caution to the wind.

Almost to a fault, everything she does draws attention. Every fool with a blog and a camera posted outside of an event will have her labeled on-sight. You can already see the headline - because the only thing worse than everyone thinking you're the antagonist is looking the part. The imagery, red carpet, sexy evening dress, sultry, regal. The caption, Bae Joohyun - they use her government name like they really know her - sulking in smoke, or thirty flirty and thriving? below a thumbnail of her holding the cigarette, with your suit jacket draped over her shoulders. She's a total tabloid darling. Irene the temptress, or Irene, ice in her veins, or Irene - "How does she look so fucking gorgeous without makeup?!" or "Do I wanna hate her, or wanna be her? @RedFlavor_ROYAL," or "In every shot I feel like Irene has me staring into her soul."

Add that to the fact the girl’s utterly shrouded in myth.

Everyone running amuck with speculation; she's the girl-next-door, she’s the fantasy-in-real-life, she's someone everyone could see themselves fucking - she’s the heroine they say, the villain, the perfect wife, the one-that-got-away. They never do decide.

Though there’s only one opinion she’ll concern herself with, and only on occasion: yours.

Her fingers will come in the dark to trail feather-light from your collarbone, between the rise and fall of your shirt buttons, before pressing open palmed to your chest to still right there, and she's such a pretty thing in the plain black dress, all yours and very much in the mood - which you'll already have reason to know, in part from having felt your way around her no more than a hour prior, but also just the way Irene's been looking at you from beneath her dark lashes all evening, that subtle predatory gleam in her eyes.

You’ll hold her close. Irene will have the audacity to comment, “love you,” in this delicate little whisper, quiet like it could go either way - affection or gratitude. Maybe a touch of both.

A car will shortly arrive, pulling up to the curb with snow melting under its tires, headlights in your eyes, and then finally, in no particular order, your heart hammering: the click of the lighter, the falling ash, the sweet easy laugh, the crunch of ice under foot as she steps down beside you, the soft sweep of your arm.

You have no complaints about the proposal. A lack of argument or dispute is basically the same thing as consent, isn't it? For all intents and purposes, as a whole, it's really kind of a win-win:

Irene needs variety, which you're well aware of. It's only natural for someone who can have anything they want. And, sure, you happen to be a willing participant when it comes to satisfying the occasional whim.

So - the conversation will follow you right into the backseat of the cab, simply to iron out the details. 

“Tall. Beautiful. Soft, soft, soft - like cashmere, a luxury brand," Irene will have one heel off and her knee braced up into the back seat while the other leg extends across your thighs, fingers running along your coat collar to make idle circles against the exposed skin there. "Or, at the very least, someone with a little more bend to their character - you know how those prim and proper types always get a bit lost in you.”

"And wouldn’t you know."

It’ll sound smooth, probably. Irene will roll her eyes.

“So, okay,” you'll return to her, right after instructing the cabbie how to get to Irene's place. None of the implications here are lost on you. “You have anyone particular in mind?”

"Hm, I’m thinking."

You can picture it, roughly: Irene's whole body sunk into the dark corner of the seat - one leg idling over the other. Her foot bouncing at your thigh. She has her heels in one hand, earrings in the other.

She’ll look wistfully out the window; the intermittent flashes of city lights casting her face in different hues. The curve of her jaw; the stately line of her nose; her thick black lashes - composition and subject. It's this kind of attention to detail that the cameras scramble to pick up. It’d be better if they got it for the right reasons.

You’ll pull out your phone. Start the usual scroll from the top of your contacts. The girls you know, the girls you don't, the ones who might be awake or who definitely are, regardless of time of day or night.

Irene will finally perk up, gleaming.

Someone cute, she might say, only because she'd rather not admit, someone like me. There's limits to her vanity insofar as her taste - in all sorts of things.

But she does like the idea of it. Someone young and pretty and impressionable; someone naive, or tiny and helpless; it's never difficult to find the girl who will fawn over her - all wide-eyed and doe-faced the instant Irene floats her fingers across her collarbone, smirking - when she starts at the zipper at the back of her neckline and says, "we’re going to see how wet I can get you," without missing a beat. Someone who will eventually say please when Irene gets a little stern and tells her, "ask me what I'm gonna do to you," in a rasp so smoky that it would make the cigarette seem blasé.

But that, you suppose, is the nature of Irene. A touch domineering. A little more than just a pretty face.

She always takes, but she takes gently - a push here, a pull there, she knows people will give her anything.

It will be more obvious when there's a small voice trembling between the two of you, twisted up in your sheets and simpering with the gentle sort of affection that Irene deals so expertly: two fingers sliding up, pressing down. Curling, beckoning. Slow and tender, without giving up that she's looking for any soft spot; a weak point. Some vulnerability to exploit.

It'll be right after whichever plaything of the hour pulls her lips off yours, off the length of your fingers - or when she unfastens her mouth from the hard shape of your cock with an obnoxiously loud pop: "do you guys do this kind of thing often?"

And Irene, without even an ounce of hesitation, will rip right into the sheer of her stockings, letting out an aggressively casual laugh. She’ll plant a kiss somewhere deep. Say, "oh, honey," as she nuzzles into the crease of her thigh. "We're pretty new to this too."

Everyone, just - believes her. For the same reason you suppose they believe she's perfect. She’s good, really good at all this.

In the taxi, Irene's foot will continue to tap against your leg, until you're stopping her by covering her knee with your hand. As for now, the evening will remain all but written in stone. You'll run a hand through your hair, you’ll lean an elbow against the window - the whole while, ignoring the sudden itch between your shoulder blades at the thought of something else. At the thought of all the other girls who'll take an instant liking to her. Who wouldn't. 

The light will change. The intersection will empty. The radio will turn to static.

You'll eventually offer up a name like, "Jennie Kim," among others. Moving alphabetically down your contacts list. Taking you a long while to make it through the 'K's.

"Hm." Irene's soft hum of disapproval, non-committal. "Are you asking, or telling?"

The difference won't matter. "I'm suggesting," you'll say.

You’ll watch how Irene turns the name over in her mouth a few times before smiling - how she knows, there's the smallest part of you that has her held in a certain light. "Maybe," she'll say, tapping her phone against her cheek in the contemplation of whether or not this is a tentative no or a provisional yes - when really what she'll avoid an answer with is, "aren’t we a little tired of Jen?"

Tough to say.

Good, sweet, and just naive enough to get twisted up between you, in her case. Oh, Jennie’s the type of girl - you'll stuff your cock in her pretty little cunt while leaning into her, taking her arms and pinning them to the base of her spine, so she can't reach and can't claw and can't make an utter fucking wreck of herself. The two of you have known Jennie for too long, is what will strike you then. And a moment later, the idea of sinking into her ass from behind with your palm flat and warm against her hip and your voice husky and deep in the way she likes, and saying, god, fuck, Jen, you’d let me do anything wouldn’t you, you’d let me cum in here too.

And - she would, really.

She wouldn't even complain. Her face would be pressed so firmly against Irene's thighs, and she would whimper, not beg. Even though you know it’s what Irene might prefer; how it makes her look real cute - cheeks stained crimson as the syllables roll around her tongue before being forced out into the open.

"I think she's great," you might say out loud, lowkey.

And in a voice that is louder than strictly necessary, Irene will cut in: "she lets you finish in her ass, and then not even three minutes later she'll say it was the best lay of her life, of course you do."

It’ll make the cab driver clear his throat.

"What you’re saying is ‘no.’"

Irene will frown, thoughtful, but not conceding anything - perhaps she means hold onto that thought for now. If nothing else sounds particularly enticing, we'll call it a maybe. "I’m saying: Jennie is. I don't know."

You can hear the end of her sentence: not quite good enough. Not this time around, but someday, sure, someday soon.

"And for the record," Irene will follow, casual, with a dismissive hand wave. "Just because you got to her first doesn't mean she's ever liked you more."

The few that fall afterwards will never make the cut. Irene will turn them all down. Jisoo - no, sorry, look, she's so, so pretty, Irene will be trying to explain, gesturing in a way that's hard to interpret. "But a little too stuck up for my tastes."

You've been speaking in code for years. She means: way, way, way too straight.

"The blonde though," Irene will try right after that. “Daisy, or Lily, oh god something or another, what was her name-”

"Um, do you mean Rosé?”

“Yeah.” Irene will sink back into the leather, sipping down a memory or two and shifting her skirt up the top of her thighs.

You'll consider the angle. Your options: Rosé on her knees right inside the foyer of your apartment, Irene's hands wrapped tightly in her hair, controlling the rhythm. The way she gets her fingers spread under Irene's knees and draws her forward, pushing up with her eager, prying mouth - licks and licks, nosing against the heat of Irene's pussy until she’s gasping and locking her hands around the younger girl's head to steady the jerk of her hips.

Then, you'll laugh out loud. Because you know, Rosie isn’t anywhere close to straight enough. 

And the back-and-forth of what-ifs and could-bes will follow. An endless string, a laundry list. Where Irene makes a face for every name, every suggestion: too messy, or too innocent, or too sweet, or too boring, or not nearly shy or gullible enough, or whatever other bizarre caveat she finds to slot between all of her impassioned criticisms. The cabbie will be shaking his head at some point too, because the question hangs over the taxi at large: 

What exact criteria could possibly be good enough for the distinguished tastes and sensibilities of Bae Irene?

-

(The truth is: it doesn’t go like that at all.)

-

Enter then, Yu Jimin.

The run-in starts there, downstairs, out standing in a pool of warm, yellow light. The snow flurrying about in the glow of a street lamp - melting into where her smoothed curtain of jet-black hair spills over her shoulder and trickles down her sleeve. She looks a little cold, but not noticeably shivering. There's a red flush to the exposed length of her legs, between a pair of knee-high boots and the short hem of the coat itself. The stockings underneath offer little in the way of wintery protection - nor do the little bows that rest at the the bands of elastic around her soft, pale thighs - though it's obvious to anyone who's looking why she'd choose to wear them.

An assay into form over function. She's never cared for pragmatism.

But the lines around her are pristine, a clean-cut of shadow and substance; you take a step onto the curb, feeling yourself fall right into the foreground.

Look: you know Karina. You both do. Enough to recognize where it’s calmest before a storm.

Irene eventually calls out her name into the silence, and there is a split-second where her fingers reflexively wrap around the crook of your elbow. Almost possessive.

A car rushes by. Karina turns with her ungloved hand holding her cellphone to her ear and she's fucking gorgeous as can be, always pinning you with these big, unapologetic eyes - strikingly and somewhat deceptively innocent beneath her sharp brows. A breathy huff in response; she's otherwise unaffected.

Her shoulders shrug in easy dismissal; a quirk of the corners of her mouth. She slips her phone back in the pocket of her pea-coat. "Oh, how we all doing?"

Not for long, the question lingers.

"Fine," Irene finally replies, though her voice doesn't rise above a disinterested murmur.

"Easier, right? To fight for breath down here than it is up there," she says, pointing her gaze up high into the rafters of the building, and in a lot of ways, you realize, she's just like Irene - sweet, charming, this uncanny ability to make you think she's close, when she isn't actually looking to share anything. When she hasn't exactly decided that she likes you or anything at all.

You squint slightly. Take in where her silhouette appears darker against the backdrop of city lights, blending with the velvety black, bleeding into the ink-smudged night sky.

"There's certainly something to be said for flying under the radar at these things," she continues, taking one step closer towards you as if for comfort. Or privacy - to guard against anyone who might walk by.

"You've still got it easy," Irene says, "that, and everyone thinks you're too pretty to go after. No one even seems to consider the idea, it’s insufferable."

"Jealous?" Her tone is playful. There’s a smirk she’s suppressing - until she can’t hold it in: an unexpected, stunning smile, dimple and all. This incongruously kind face.

Oh, and listen, no one gets it better than Irene.

"No," Irene exhales, hot. “Not at all.” You can see where the thin plume of her breath hangs over her like a cloud for a moment, thinking, before dissipating against the harshness of a frigid December breeze.

"Really." She smiles at you again. Makes a sound that could be a laugh, you don’t know, the wind takes it, far away.

"Are you out here waiting for someone?" you have to ask. 

"Loaded question." Karina purses her lips for a moment. Her long eyelashes blink once, twice. "Because, I dunno, aren't we all?"

"Some of us more than others." Irene speaks quietly, moreso to herself than anyone else - but somehow her voice carries.

"Cheeky," Karina says, and this time she does laugh. "No. I'm waiting for a cab. I've had one hell of a night, and no interest in spending the rest of it in some rising socialite's bed, doubters excluded, because - look, I'm happy for you guys, I guess? You're gonna get married," she claps slowly, slow and mocking, slow enough that Irene rolls her eyes, "-or, the two of you will make a statement saying that you are - either way it sounds fucking exhausting - congratulations to you both. But seriously, congrats."

This is sorta how you've always known her. 

Faintly-hinted secrets, flirty half-truths. Her love life is an utter wreck, but that’s not something you’re supposed to know. So that's all she gives, which is more or less how everyone knows her. It's the only way to survive, probably, in a world of glitter and glamour, when everyone's vying to look, to feel, to take, and take, and take. Irene knows how suffocating it can be - she doesn’t lie about it, not to you, which is the only reason you're so well-versed.

Point being, no one wants to admit to any cracks in the fantasy; the gold too shiny, the surface too slick, the mirror too smooth for that illusion to slip.

"So go grab a guy with a half-decent smile and get him to buy you a drink about it," Irene suggests, derisive, "arch your back, push your tits out, get creative. I doubt it'll be much trouble at all."

Karina looks down, back up - with a slight chew of her lip, saying, "you just have me beat in all the important ways, I suppose. You got it in the bag, no real competition."

Irene is smiling, but her expression is unimpressed; it doesn’t mean much, really, to be her friend, her colleague, or worse, her opponent. Irene is calm like an evening in July, a low, cool, languid feeling. "I don't mean to be a prick, but, aren't you a little young to be so jaded?"

"Gosh," Karina’s grin doesn’t change, but does turn a touch wicked, like she's biting back. "I'd hate to be around when you do mean to be a prick, but maybe we'll find out - you know, down the line, someday.”

Irene tuts softly. It sounds patronizing. "Please, you'll have to forgive me - for mistaking you for someone more aware of how the rest of us work."

“You're one to talk, Irene."

“Careful,” Irene warns.

"What, you gonna set me straight?"

"Right." The way the word rolls off Irene's tongue, slow, thick, bitter, like molasses; like the coffee she has when she's tired, like the cigarette she swears left and right she’s cutting out and the vodka she needs you to reach for in the upper cabinets, like the person she is after midnight when you've let her keep drinking to find the limits to her inhibition. You understand Irene too well. And no matter what anyone says, you will not have the facts wrong.

There's no kindness to the way she laughs. None.

She tilts her head to you, grinning: an honest grin, her favorite thing - inimitable, unique, and hers alone; her version of cruelty is what will always have them doubting. You hold her gaze as she adds, "of all things, right now - wouldn’t you just love to set her straight?"

-

Depending on who you ask, you’ll get different results.

Irene insists you kissed Karina first, probably out there in the snow - god knows how cliche would that be.

She also insists that it was you who suggested that “there’s a lot more sense in splitting a cab,” and then minutes later, “please, it'd be no trouble, just let us pay. Our place is five blocks that way," and Irene - being Irene - mentioning it's actually quite a bit further, but hey, it isn’t worth splitting hairs over. And it's not worth explaining - she shuts you up with another kiss, pressing her weight hard up against you, the arm she slings around your neck.

Then in a sort of mythologized version of the timeline, it's you who makes the proposition - invites Karina upstairs, with the charm that Irene knows is usually reserved for her benefit alone: that slight tick of the brow, the delicate slant of your mouth, the confidence you seem to have in thinking no one will ever say no, no matter how brusque the invitation-

"You two are unbelievable. Is this really your standard procedure?" Karina asks, once you're through the door, or maybe during a bout of smalltalk in the kitchen. Something flirtatious; and suggestive, and maybe a little offhand. A pointed glance downwards, back up. All it really will take. "You get some girl into your home and they're just so overwhelmed and dazzled and in love, they can't even make eye contact for longer than a second? Because that's quite a line," a soft huff, the exhale that seems to carry the faintest note of a sigh. You could call it wistful. Just this side of romantic; very attractive.

“That’s more or less the gist of it,” you offer.

“You’d be surprised.” Irene is lingering on it, back against the counter beside you, laughing. "Some people are more than happy to be swept off their feet."

"Imagine that. If that's how this is meant to go, then tell me," and Karina lifts her chin, a breath drawn slow and deliberate, "what exactly do prince and princess charming do next?"

Consider that Karina’s interpretation of events is closer to reality: no pretense. She is not drunk, and in this story, she never will be.

But it's the slow-burn thing, the rivals-to-lovers thing, the sexual-tension-through-conflict thing, the white-hot-blistering-rage matter gone awry. Not a series of happy accidents, but a result of intentional circumstance - this slow arc of descent. She knows exactly how Irene is tightly wound, and which thread to pull to make everything start to unravel. She'd flirt with you right under her nose - say things in this obnoxiously girlish tone, pout a lot, lean into so much innuendo it becomes impossible to miss the meaning, or the sincerity behind it.

If you had to guess - Karina’s been pining since forever, since Irene accidentally etched her DNA into the girl upon saying, carelessly, that she’d always seen some part of herself in Karina. Probably around the time Irene wrapped a palm over an expanse of bare thigh, just beneath the hem of her skirt, telling her, you're getting way too pretty for your own good.

Doesn’t matter who you are, that’ll fuck you up for real.

And it's not just how she looks at Irene when she thinks no one is watching either; swings and roundabouts, Karina probably can’t keep the thought of you sprawled out over Irene’s petite little frame, or Irene kissing you hard while wrapped around you tight. Your hand, her hand, intertwined and picturesque, sliding down Irene's stomach. Together - and so very without her - fingertips stroking lightly over Irene’s clit, gently dipping inside her.

Irene is not stupid. She picks up on everything, and there's a lot to unpack:

"Can you believe it? Minjeong just asked me if I've ever kissed a girl before," Karina had said to you once, ages ago, between a workout or dance practice, something or another - she was wearing a loose-fit tank top and very intent on showing off. She seemed then to be taking mental note of the face Irene put on, the look of someone trying to hold in an aneurysm.

“Well,” you played along, because you’re not really without blame here either. "Have you?"

"Oh my god." Karina knew what she awas doing, the playful slap to the chest, the lingering touches she’d have on you every chance she could get - total fucking coquette - anything to get a rise out of you, your fiancée. She hushed her voice down to this strategic whisper that Irene could just overhear: "of course not."

You better believe Irene broke her composure not soon afterwards, after Karina made her exit. 

"Do not fuck her," she demanded, firm, "I don't care how good you think she might be in bed, or what she would probably let you get away with."

You remember the knit of her brow.

“Do not.”

You’re sighing, profoundly. The memory - not to mention its shocking clarity - has put a smug sort of satisfaction into your bones, indulging. The nip to Karina's jaw, a hot, open-mouthed kiss to her shoulder. A hand tracing down the curve of her hips, under the guise of helping her settle between the cushions of the couch. You feel like you catch the color flooding her cheeks. Then, Irene, her pretty little shadow: the steady presence over her other shoulder.

"What." Karina sounds defensive when Irene pulls her lips away, but the hand she has buried in Irene's hair doesn’t appear to be going anywhere. "Are we going to pretend for a minute I don't see the way you're both looking at me right now?"

"Don't be stupid, darling, of course not." Irene leans up close again. Kisses up her neck, behind her ear, and coos, "the two of us, you just seemed like you were needing someone, that's all," and then whispers the words, barely audible: "I mean look, who wouldn't want the three of us right now?"

Karina hums. "Ah, so - you think I deserve to have a little fun."

"Maybe," she draws it out a little longer.

Your hands dip below her knees, running over the silk-slick surface, tugging at the frills lining her thighs - feeling up over the outline of where her body curves under her dress. Over the dark pattern printed across the front.

Karina swallows visibly, her head dropping back against the armrest, the couch cushion; by the way she shudders slightly and starts breathing, you realize that it's probably been a while since she's had much experience being in a position this helpless. You draw your fingers lightly across the bareness of her skin, right as Irene finds that sensitive spot just where her neck slopes to her collarbone. You trace along the fabric until you have her squirming beneath you both.

She sucks in a breath as Irene drags a touch right over the obvious seam, across the expanse of her hip, and despite your fiancée being a tad forward -

"Both of you should know I'm not that type of girl. Who puts out so easily-"

"Likewise," Irene practically sneers, not missing a beat and threading her fingers beneath her jaw, feeling her pulse against the pad of her thumb.

"Yeah, well. If this isn't a setup, then, what-"

“A setup.” Irene breathes the word out, contemptuous, which is almost as if she says yes, you figured it out, and she starts to lean in closer - the distance between the two of them now negligible as her mouth tightens with her derision. "That is awfully conceited of you."

"Ha."

You choose right there to run your palm between her thighs and cup at the front of her pussy through the skirt of her dress, squeezing tightly. There has to be an element of good cop, bad cop to this whole routine, and you'd be remiss not to participate in the former. Irene's glare is starting to become pretty intimidating.

"The way I see it," you begin, and it's so gentle. Easy to slip through, but easy enough to grip - no threat, or indication that she should stop rocking forward to the motion of your fingers, toying idly. "There's no catch. Only: Irene calls the shots. If you end up with a crush, or worse, think you're in love," a light squeeze to illustrate the point, the dig of nails, not too rough, but definitely drawing attention. "You've gotta walk it off.”

Karina just runs her tongue across her lips, sighing.

“No strings attached, no special treatment. Or anything."

"Oh." Karina is looking straight at you, dazed - as your fingers work harder, picking up where her hips started rolling a second before. She licks her lips. "You're telling me that I'm going to get fucked so thoroughly here, that it's gonna be a problem."

"Actually," you pull away, pushing her dress up so you can touch up ever higher this time. Rooting between her soft thighs. "I can't make any guarantees. You'll need to convince us first."

There's a laugh, from a spot inside her diaphragm - and yeah, there's no denying the reality here. She's nervous; or excited; or nervous-excited. Karina just lets it pass, an exaggerated sound in her throat, before gasping on an exhale of breath: "convince you to fuck me?"

"Between us, we've kissed our fair share of pretty girls in the heat of the moment," Irene supplies.

Karina laughs. Starts saying, "in that case, can I start by confessing that this whole exchange has left me pretty fucking wet-" 

You slip one finger down the rise of her panties, this lacy little number she probably picked out with sordid fantasy in mind. 

"Oh god," she says, voice drowned in her throat, husky, and sultry - it’s really hard not to appreciate the girl, like this - and then she closes her eyes, saying it again, "oh, yeah, like - like that. Okay, thank you."

Irene puts a hot kiss into her lips, and a subjugating silence stills over the living room, softening around her small voice, her breathing. Everything comes together so seamlessly, so effortlessly: 

The click of Irene’s heels against hardwood, these soft sounds of wet tongues twisting and bodies grinding, Karina's face, buried somewhere under Irene's chin, letting out the cutest moan. Irene's helping the rest of the dress up over Karina's ass, then up past her waist, pulling down the scalloped elastic of her stockings. She grabs hold of her hips, feeling the draw of her curves there - you watch how your other half does the thing she does best, the thing where she strips a girl down to nothing like she's doing them a favor.

"Pretty," Irene appraises her naked body - not her face, not her mind, not her ambition or the strength of her determination, or god forbid, something banal like her personality, but, "fuck, look at you, look at this figure," her palm skates along the plane of her stomach, "so pretty."

It could be the insinuation: Irene is ready to reduce the girl down to a heap of jumbled nerves; to tears, probably - given half the chance. Like she's telling her a body as flawless and well-manicured and sweetly receptive to being toyed with as hers needs to get absolutely wrecked, among other things.

(Fucked so deeply, and to the point of utter exhaustion - the point is that she forgets her own name.) 

Irene knows just by looking, her eyes tracing down each and every one of Karina’s curves like they’re taking inventory. It could be as simple as a handprint seared into her ass, a stinging red stain etched into her soft, creamy white skin, marking the insides of her thighs, her beautiful fucking tits - oh, the things the two of you could do.

"How do you want it, exactly?" Irene's eyes are dancing around her face, in her stare, darting down, then back up. "How, baby."

Karina smiles against Irene’s lips like she knows the answer, the perfect one. She must already have the script prepared. It's no stretch of the imagination: "anything, as long as it means you both keep looking at me."

Because maybe it's down to the pure physicality of it all. Something Karina's been waiting to feel, desperate to have, for some time - as you set into action, dismantling any pretense that you weren’t about to devour the heat of her aching cunt, from running touches all over her slick pussy. It’s a strong theory, you figure, from the visceral response you get when you get start to fuck her, when you slide a finger inside: tight and snug, and so unbelievably wet. 

“Oh,” she breathes out, and it sounds sated and needy all at once.

You make sure to glance at her face before pressing another into her. All the way past the knuckles. She looks lost to the feeling, the pleasure; her expression gone hazy-eyed as you start fucking into her with a few steady pumps of your wrist - slow and then faster, then faster again - fucking into her with increasing urgency.

Just to keep her gasping, panting.

Like a woman starved for it.

"God," Irene kisses softly into her mouth. Her hand tangled in Karina's hair, twisting strands between her fingers and tugging just shy of something painful, "you're really sensitive, aren't you?"

Karina nods, slightly. It’s all she can manage.

You have a soft spot for girls who will spread themselves open like they can't wait, but still end up flustered over how your lips ghost across aching flesh. Who can't even form the words - asking for this, and that, and a million little things; and look at Karina - blushing, her eyes fluttering closed, and digging her nails into the couch the moment you finally put your hot mouth on her. Her entire body is drawn taut like a live wire.

"Relax," you coax, speaking more to the muscle - her legs tensed, and knees pulled tightly together. You know just where to place your lips to make her go to pieces, but it's worth suspending pleasure - your own, and Irene's, who won't admit that this sorta turns her on too - so Karina's face might open up, so the tilt of her brow can slack, and the twist of her expression can soften. Like it's the only chance she'll ever get.

When you place your palm across Karina's stomach to steady her and look up, Irene has started peeling off her own clothes, down to nothing but the little panties underneath. That garter-belt thing that makes her ass look like she was sculpted straight out of clay - a reminder she's always worth your time, no matter what mood she's in, or whether or not she'll eventually let you take the lead. She's lifting herself on the couch to throw off the little slip of a dress, the high heels. “Baby," she purrs, teasing, maybe to distract from how she’s gone from dragging circles with her fingernails across Karina’s collarbones to kneading roughly at her tits. And she might even insert something she's never actually had a chance to confess out loud, or even consider much, like: she's been dying to know what Karina's face will scrunch up into, or what her eyes will look like, tears stained across her lashes while you fuck her within an inch of her life. The image you’ll find when you find all those spots that drive a girl wild.

Your mouth drags over the slick, her lips, her clit, and down again - as if to illustrate the point.

"That feels - so," she starts, and bites off the rest of the words.

Irene grabs hold of Karina's hands. Presses their mouths back together, and bites Karina's bottom lip. Kissing the words out of her, the sentences that start in half measures and stifled gasps:

"- so, good, oh. Do - ah, fuck. Oh, god-"

-and vanish somewhere in Irene's mouth.

"-oh, do that again. Oh my god. There. Just - lick- please, keep fucking, exactly that-"

And pay close attention, because here now is how she slips: from the image she maintains for the cameras, the audiences, her admirers, her competition, her detractors, the ones who mean it, the ones who don't mean a damn thing; the girl who shies away from anything overtly sexual, or sensual, or remotely hedonistic; and doesn't act as though she too, just as much as anyone else, needs someone to fuck her stupid - as if it's an eventuality of her own humanity, instead of a concept she's learned to scorn.

Irene picks up on the distinction, all too familiar with the look filling out across Karina’s angelic features.

She ghosts her thumbnail across Karina’s nipple. Tries out: "why don't you make her cum, baby, right here, on the couch.” A look at you, a quick tilt of the chin. Then, her tongue peeking from behind her teeth, and her voice dropping, "just so you can tell Minjeong, or whoever ends up asking - 'you have no idea how good they fuck.'"

And just like that - with Karina’s body laid out beneath Irene’s hands, your mouth - you simply fucking ruin her. 

You both do. 

Until it's only a mess of whines and shuddering limbs and that lovely look: pure agony. So helpless. So utterly exposed.

Karina hiccups something incoherent - you’re doubling down. You’re working your touches through the torrid mess between her legs. Her pussy is shimmering wet and hot and every bit as pretty as she is. Then, the motion of your tongue, the slow, heavy flick back and forth, relentless and constant - dragging back and forth, keeping her right up, riding the wave. Back and forth, back and forth. 

"Oh my fucking god." Karina can only gasp, jaw-slacked open. 

Overwhelmed and blissed-out and suddenly awash in this searing and wondrous sensation that the only real way she's able to make sense of is by twisting her hands in your hair and pulling you flush against her cunt while she cums on your lips.

"Ah - you're fucking kidding me. Please, don't stop, please don't-" Karina has her head turned. Voice pitched right into Irene's shoulder. You fuck her on two fingers until she’s got the heel of her palm pressed firm into her forehead, and she’s starting to jerk her hips into your face. Stutter her breathing, her words: “I, I, I- fucking - what the fuck, you’re making me - jesus fucking christ."

Like some delicate and intricate piece of her had just been irreparably snapped. Broken. You hear her expletive-laden screams - and think, better her, than either of you.

And all the way through every last part of it, cresting, waning, quivering, the tremble of her thighs snapped shut against your ears, the grind of her teeth, and each little choked out gasp-

“I'm… fucking cumming.”

Karina spends the entirety of her first orgasm between the two of you, heaving.

The look on her face alone, just from what parts you can see, has your lower gut clenched - it goes from anguished pleasure, mouth pulled wide and brows wound high and tight, all the way to calm and cathartic, the pretty bow of her lips settling into something manic. Eyes softening with a luster, half-closed. A mask, the afterglow: blissed-out and smiling dreamily.

How anyone could say no to a picture like this, you're unsure. Though not particularly willing to test the theory, naturally.

"That was mean," Karina finally huffs, letting a moment pass to even out her breaths. "Both of you, so mean."

"You said to," is all Irene says, amused. 

Karina looks down; lifts her head just slightly - as you bring your own mouth off her, catching her glance. Not even your palm and your fingers covered with the evidence - it's her lips that give her away, the swollen, pouting, bright pink lips of her pussy, still radiant with her climax.

She breathes, "god. Irene."

It sounds an awful lot like she's begging for mercy.

Irene hums softly. Leans in for a kiss, with her slender hands cupping Karina's face. Manages to say: "you just look so fucking hot when you're struggling. Can’t fault us for that." She reaches down, and digs her fingernail into the line of Karina's cheek - near the center, just short of the outer curve where her dimple naturally settles. She works her lips to a very soft, "ow."

"Listen," Irene says, "is there anywhere else you've been considering going? Because in the event you're looking to stay for the night-"

Karina replies, "only everywhere I still haven't gone."

Her smile looks honest. Her cunt seeping and slick - there's abundant honesty there, too. And you manage to catch the wicked glint in Irene's eye, like she's a bit obsessed with all that glisten, and what it means - that Karina hasn't felt a real, good dicking in ages. Maybe, probably, never. That she's slept with everyone and filled her quota of playing pretend: of someone just going through the motions, dragging their mouth or tongue or cunt along the most obvious, conventional routes.

It’s written all over her face: the girl between you needs to be touched everywhere, and by someone who knows how. Needs it deeper, more. Has to feel the pressure everywhere all over.

Irene asks her, plainly, “how might we get you moaning like that again, hm? We're both dying to know."

She puts her hand under Karina’s chin, tilts her face towards hers, and kisses her long and deep. Until the both of them are having trouble catching any breath. Until they have to break, only so one can take another in: inhale, exhale, and back in her mouth.

"Maybe." Karina lets go of Irene's lower lip. She sounds almost bashful, "you'll need to let me get my hands on that cock of his. Let me get it inside, want it real fucking deep inside. Tell you if I'm just, you know. Really fucking horny. Or maybe I have some hangups about sex I've never told anyone - and we have to work past that," she takes Irene's mouth into her own again.

It's the short consideration of sure, mm, why not? until the next suggestion is: "he should be on his knees, in bed, those hands around my waist, behind the small of my back and pulling me into every stroke."

“Oh,” Irene agrees, “I love that. Should I play with myself while I watch him fuck you senseless? So hard and rough - you'll start seeing stars. I wanna see him completely railing into your dripping pussy from behind, fucking you so goddamn well until you're screaming so loud it’ll wake the neighbors."

Karina sighs. “Well I’d hate to get all the way here and half-ass it.”

You barely catch it, but there's a lovely note in Karina's voice. It’s saying, and don't you dare treat me like glass, like I’m fragile.

All in all, a filthy, filthy way for a girl with virtually no ill-reputation or ill-gotten gains - no record whatsoever - to describe how she wants you to fuck her, until she’s biting down on the consonants in your name, moaning loud and unmistakably clear, and-

“-sorry, whose cock?” Irene has no intention of letting her off easy.

You draw away from the meat of her thigh, licking your lips clean, and insert mid-conversation with a husky-voiced, "hmm?"

Karina just shoots you a sharp-eyed look. "You heard."

"Only," you play dumb. You run a hand between her legs, using your palm as you go, so you can pull more sound out of her throat; the pleased sighs, a hum. Another. "The part where you want it 'real fucking deep inside,' I think I heard."

"I mean, wouldn't you?" Karina looks satisfied with that. Lets out an easy laugh and turns to Irene. "Besides, I need to know if it’s more than just pretty eyes and a handsome smile that you’ve gotten yourself so hung up on."

The tilt of your fiancée’s brow above her is noticeable and apparent. Not a twinge of surprise; more like recognition. It's Irene looking haughty - beyond the usual - wrapped up in the afterglow. It's the confidence, and not at all humbled by the reality that she is no stranger to fucking a girl this downright gorgeous, knowing the danger inherent in allowing that kind of damage, but if Irene has you figured - she's figured Karina even better: someone willing to push through the burn. Someone, she’s betting, with the capacity to handle pain like it's an artform.

“Karina,” Irene says, and she's really leaning into it, "you really ought to be more careful with that smart-mouth of yours.”

It's the absolute worst way to proposition someone; maybe second only to what Irene whispers straight into her ear:

"If I had to guess, it’s your sweet, pretty face that has everyone bending over backward just to let you fuck them, hmm?” 

You’d anticipated this much. You watch how your beautiful wife-to-be eases forward and leaves a slow kiss into Karina's throat, before adding the worst, most awful thing she can manage, “they're eating up this adorable, innocent facade of yours just as soon as you let it slip - letting you straddle their waist, and slide right on, and chase some clout out of oh, she must have this tight little cunt, or how good it would fucking feel to ruin a load just slamming these perfect tits, or. The best of the best, when it comes to pretty things with brains and mouths on 'em: 'fuck, I bet Karina has a face like an angel, she's the kind of girl who probably really, really loves taking it raw - filled and fucked as deep as she can manage'."

“She’s insinuating you’re a slut,” you offer on the next beat, down from between Karina’s knees. “Or something.”

"I put that much together." Karina has that teasingly pragmatic tone in her voice, matching Irene's level. "Your point?"

The joke is that even Irene - after she has the chance to drag her thumb across Karina's lips - looks mildly impressed.

"Sweetheart," the corner of Irene's mouth quips, as if the reason is so, so very obvious, "let’s say you’re just like me, total hypothetical. You're going to have to let us know which part feels better: the praise, or the degradation. I know it’s what makes you tick: all the attention. I know you need it. The same way I know that I could eat this perfect pussy out for hours just to get it slick, and wet, and wanting, and the thing I’m still not sure you’d be ready to learn," she tells her, a light in her stare that flicks upwards, eyes going from Karina's cunt and back to her eyes, her own mouth, and then hers, "the really good sex? Isn’t always pretty."

There isn't room for misunderstanding, let alone any mercy in it. Irene's face is dark; dangerous. Like, seriously. Karina knows better. Everyone does. You know exactly what she's doing. You know what comes next, but this time, you can't shake the feeling like-

Like Karina wants you to look.

She has her fingers on her cunt, spread, presenting - and a small shrug; her response is so fucking coy: "I guess I can't really help it. Besides, it’s common knowledge, isn’t it? The brattiest girls always turn out to be the best fucks. Honest, I get so wet sometimes, you know and then god, I can't think straight.” 

She laughs at the premise. 

“I dunno, what's a girl to do?"

You can feel the room starting to tighten up, just barely: Karina’s breath still heavy, her chest heaving, the way Irene holds her still, how her arm curls across her stomach, palm flat under her tits; that pose in particular, the power to entice.

And maybe it's the fact Irene is still making eyes at you from Karina's shoulder, the cruel bite to her upper-lip, showing how she's working at the soft skin of her neck - a smirk, before pressing into another kiss there. Your insides are running hot, a shudder racing up your spine. There’s no mistaking what she's getting off on, not just some pretty-as-paint newcomer. There’s your Irene, your fiancée - and her beautiful, adorable, awful little shadow.

-

So what if, by some pure hypothetical, this all spirals out of control?

You don't know the consequences of taking home what amounts to a coworker and screwing her with a certain reckless abandon. There’s power harassment, a toxic workplace environment, boundary issues, sexual-fraternization. So on, so forth. It's all relative, but watching Irene and Karina make their way up the stairs and admiring the things that only a woman's hips can do, swaying this way, and that - and, following the path from one tight little ass, the other, all the way up their spines - there are no such qualms to contend with, because there's absolutely zero chance that’s the thing that’ll be keeping you up all night.

Irene laments and hopes in the same breath. 

She has two pairs of panties in one hand, Karina’s fingers laced into the other, explaining with a quick squeeze, "don't tell me, baby, I already know," a wink, a laugh. She’s such a sweetheart when she means to be; charming, wooing, the coy girl Karina seems to have gotten so drunk off the idea of getting mixed up with. And yeah, when she drops them on the floor, and pushes Karina gently against the wall. Traces her finger up her jaw, then her cheek, and leans into the crook of her neck, into that same spot from earlier; yes, Karina can count herself lucky, or whatever.

"So, don't stop now, baby-" Karina's huffing - the line of her throat so taut and exposed. "You should really fucking try harder if you want me to beg."

"Honey," is how Irene responds, leisurely.

There will come a point in their intimacy, in all things considered, where this act no longer plays itself: Irene, the seductress, and Karina, a deft and innocent prey; of course you, the hammer to a nail, pushed and pulled in one direction, the next. The moments in which her lips leave the crescent of Karina's mouth - hot, hazy, and half-wet with their own spit, their tongues twisting, the muted click, and the telltale wet drag of a body pushing and straining up against her own-

Maybe in her bones, she is begging for it. Maybe, Irene hopes, she'll have to: eyes turned up, watering, tears coming hot, streaming down her flushed cheeks as she cries it from her lungs.

"I wouldn't have you beg for anything."

It's true that Irene is ninety-nine percent grace, one percent child-like wonder; she's easy to read when the mood hits her. The lines of their bodies tousling, twisting and tangling in moon-lit-darkness. There's some irony to it, only a few steps away from the bedroom. At the base of the staircase. In front of the tall windows covered with frost that serve, now, primarily to remind Karina that she's in a part of town she could never afford, in an ostentatious apartment she could only dream of; but most importantly, that the woman in front of her - with her fingers dipping down between her thighs and up again, tracing over her navel and the rise of her hip and her cleavage - can have anyone she likes, without limitation.

Karina can't deny it's everything she wants.

"Karina, I'm curious." You're easing into that spot, where the two of them have coiled themselves up - you’ve got your cock in your hand and you’re stepping out of your pants - in the hallway, the frame of the door, a heavy, long shadow cast: Karina has Irene pinned now, a wrist over her head, against the other side of the wall where the white paintwork is starting to run thin. "Didn't you say something before about how hard you wanted it? Raw, deep, I believe was how you put it."

Irene smirks. It's just the slightest sneer, until she has her hands reaching over the curves of Karina's hips and pulling her fingers into her soft ass. Spreading her cheeks. Touching up, then down, back in the same groove, this slow rhythm that builds - like they were both expecting this exact sequence of events.

You watch Irene whisper something into the girl's ear, and - fuck - the light catches her expression at just the right moment, head lolled to the side.

"Hey," Karina drawls. She lets it come out breathy - on the note, the middle and upper registers of her voice, hitting something near a perfect alto. "How about instead of having some heart-to-heart, and making me out to be some naive-ass kid, you stop asking questions and get to fucking the life out of my little pussy."

She ends it so charming.

“Oh,” you tell her, feeling how fucking drenched she is right at the end of your cock - sliding her slick up and down the length of her cunt, and knowing the feeling will likely stick to your skin and drip to the floor, all of it - "well. If that's all."

Your hand arrives on the lithe stretch of muscle between her waist, right along the ridge of her hip bone, your cock pressing onto the heat of her cunt. Karina turns her head over her shoulder so you can see it all in profile: that pout. That look. That everything.

"There you have it." Irene squeezes the flesh she's got cupped in her palms, drawing circles. "If only everyone else got to hear that sweet, sharp edge you've got underneath, hm?"

Karina opens her mouth with some clear quip to needle, but stops herself, a catch in the center of her throat, her brows shooting up. The pull of her voice is somewhere out and over.

“God, fuck-” she can just manage to sputter. “You’re- ah, ah - your fucking cock-”

Oh, it has you cursing too. You're pushing so far into her tight little cunt - the soft airy moan, that pretty sound, riding back on every last stroke until you've filled her right to the hilt.

“I know, I know - that feels so good, right?” Irene coos.

You just pull her all the way back onto your cock, thrusting deep. Base to tip. So goddamn fucking deep.

Karina probably doesn’t even mean to whimper, but the press of your hips, slowly snapping in and in, has her lungs constricted, as the pressure slides through every hot, slippery inch inside of her - this glide of agonizing intensity.

“I bet you want to just cream all over that cock,” Irene says, fine eyebrows knitting into something like contentment. “All filled up and feeling full, and just fucking letting it go - he’ll take such good care of you. He’ll fuck you so good you won’t ever get that warm, hazy, blissed-out feeling out of your veins ever, ever again, if he has his way-”

All while the head of your cock works over every fucking sensitive part of her, dragging out to thrust all the way into her soft cunt, the round of her ass bouncing back to meet each stroke. Again, and again, until you've worked through that wet stretch of muscle. And the motion isn't exactly elegant. Karina's mouth hangs wide open, catching short breaths that curl inwards when you reach the line of her waist.

“It’s so fucking good,” Karina’s sighing out. She’s all fluster, no bite.

There’s no lack for juxtaposition in the way Irene dotes on her either - these small beguiling bits of praise like, baby, you’re doing so good, these tits of yours are just, you are - just gorgeous. Mouth quirked into a tight grin as her fingers pull and twist around her nipple. The sharp yelp that comes after. The fact that she's kissing the words into her mouth on the very next whimper: “a girl like you needs the time, and patience, and opportunity to have her insides completely, totally, catastrophically ruined.”

Irene had it exactly right on the first read. She’ll say, “I told you so,” when Karina’s washing the cum off her chest or out of her eyelashes in the shower. It’s the praise; it’s the degradation; it’s you leaning down, your hands finding her hair, curling in, and getting her right up against your lips to say it quiet, low, intimate - like a lover, like she hasn't already heard it before, “such a good little slut for me.”

And the girl absolutely fucking keens.

You grip onto her hips. You pull her hair tight. Her throat bobs under your thumb and you can feel the anxiety start to throb, her pulse hot and heavy in her cunt. How it soaks the base of your cock. Jesus, you’ll fuck a load right into her. So easily. Her pussy is so snug, so unbelievably wet. Perfect enough to know if you fuck into her any faster, any harder - it’ll be just that: you'll paint right up to her cervix; you'll fill her to the fucking brim.

"Fuck, Karina, this pussy is such a fucking dream," is what you're making sure she knows, and at that, Karina just finds that bend. Arches more of herself to you, until her ass is slotted into the plane of your stomach, the head of your cock prodding, testing the limit where her cunt is hottest and wettest. "God, this has to feel incredible. Your ass bouncing on my cock" - Karina goes slack on the force, leaning forward - "as I rail your tight little cunt."

If anything, Irene is there to catch Karina's tearful, thankful gaze when she finally starts fucking crying, a litany of yes, fuck yes, yes-yes-right-there, please fuck, and a wet, dazed little "you're goddamn - you're ruining, fucking - fucking, ruining me," every other syllable broken by her shuddering breaths.

"Aw, you're going to cum again, huh? Baby-" Irene's got her head at an angle - their gazes locked, watching - and maybe Irene really gets it: how much of a big, bad crush this gorgeous fucking woman's had on the pair of you all this whole time, with all that faux-romance, and lust, and envy wrapped up inside her - but if she wasn't so obsessed with the shape of Irene's mouth, the contour of her jaw, the lean and sleek lines of her frame and the soft, round swell of her ass - she’d still be left with the shape of your cock, where it’s pounding her apart. Fucking her and fucking her up.

It's more than worth the breath to remind Karina what she came here for. Irene's fingertips brush the line of her lips, part them just so. 

“All over him, baby, let him make a mess of you. Just a total fucking mess. We'll fill you up, and fill you up, until your poor, aching pussy is full of cum," and it's probably as well: Karina does what comes most natural to her - with you three, the whole number. Her eyes flutter and go dreamy. There's not even a moment of hesitation:

"-until it's leaking down these fucking thighs-"

"You're doing so good, babe," is your supporting role in all this, murmuring encouragement straight into her ear as you fuck her to pieces. Your breath fans out against her cheek. And then, your hands make a grip under her thighs, holding her steady, making her mouth fall open - this keen, wobbly, vulnerable thing that exposes the naked girl she is, behind all the makeup, and the heels, and her seductive and all-consuming appeal, everything.

“Just so you know: it’s the best fucking part, Karina. I mean, the look on his face.” Irene laughs with her whole body, until the rich, raspy sound of it fills the hall. “The way he bites his lip when he's close, his eyes clenched - and god, I fucking love when he finally cums. It's so good, watching him. Letting him have his way. Feeling his cock throb and spill into you - hot, and still, and just pumping inside you - just so, so good.”

"Fuck, ah-" the little gasp is like she's starting to hyperventilate. 

"Because baby,” is the final nail in the coffin, hammering home, “he’s fucking you just like he’d fuck me.”

"Fucking, please, god-."

Irene's hands have her breasts in their grasp and are playing at where she’s sensitive, then pushing into the soft, delicate space beneath, thumbing the indents. "He's so fucking good, isn't he? Are you going to cream and cream all over his hard fucking cock?"

Then - and because it comes so instinctually to her. Because, actually, your Irene has a slight propensity for evil:

She slaps Karina, right across her tits. "Fucking cum on it."

One.

Tugs hard on a nipple. "I swear, every single bit of you is so goddamn beautiful-"

Two.

"That body is built, perfect. So easy to ruin. And god - what a perfect little pussy you've got-"

Three.

Karina struggles to breathe. Her voice is torn, frayed. She barely manages to utter out a very shaky, very desperate, "harder, fuck- you’re fucking making me so- you can, harder-"

Four.

The cruel contact of Irene’s palm pulls this deliciously hedonistic sound in Karina's throat, a loud moan; like she just hit the sweet spot inside that's all her nerves coming alight. Irene plants a quick peck in Karina's hair. Her temples, the ridge of her brows. Slides her thumb across her eyelashes, brushing them clean from whatever tears had sprung free. You don't even want to try, not at that moment, to try and endure the quiver of slippery muscle all over your cock as she shudders into her orgasm. It's simply too fucking much. She's too fucking tight.

"Aw, shh shh, shh," and then Irene's soft hushes are coming down from the other side of her head. Irene kisses her full, straight on her mouth. Karina is shaking, convulsing and caught and fucked from head to toe - and what she needed was someone like the two of you - to watch her cunt swallow your cock like some magnificent and unbelievable sight, taking the whole damn thing. Irene is telling her, "it's okay. You can let it go."

The silhouettes alone. From the end of the hall, and where the afterimage lingers: the smoke-frosted windows, the dim lights, their bare, beautiful forms - this picture that will stick in the center of your head, will probably haunt you-

"God, I can’t, just- ah.”

“Breathe,” Irene says.

"I'll cum again, it's too- I'm so-" Karina can only plead and sigh.

Irene shushes her one more time. "It's a lot. It's alright, baby. He's going to keep fucking you until he's ready to pull out, until he has a whole mess just painted onto your ass, and thighs, and I'm going to make sure that little pussy gets so wrecked, fucked, stretched on every last inch- until the thought of sex hurts, and then we're going to make you cum again, and again- over, and over-"

You're leaning over her, nose buried into the waves of Irene's hair, the curve of Karina's back, and the flush of skin in contrast. That's when you feel the coil in your chest come loose - unspooling, and bursting - when Karina's lids roll into the back of her head and her lips fall open with a pleasured gasp and a stammer, "y-you're, ah, both, you're so, both- oh god."

You're about to just pull her down and absolutely cream her, stuff her full - a mess.

And she wants you to-

"That feels so fucking good," she lets slip out on the cusp of a shiver, just as her inner muscles are spasming, milking your cock with the pressure from one pulse through the next, squeezing.

She’s right. It does. Her, coming undone. You, at wit’s end. 

Another breath, and Karina is managing out between these small hiccups - not as much out of breath, just dumbstruck - simply muttering, "I’m cumming, I- oh my god." 

You barely manage it; you unbury your cock from her cunt; you’re cumming all over her ass. 

A shot of white that streaks right down to her bare-slicked skin, before it gets painted down into the crease of her pussy, all swollen - wrecked and raw.

Just the way it feels on her skin is enough to earn another hushed moan from her, this sweet little whimper as she can hardly stand up straight. She lets her knees buckle, but Irene is right there, to catch. Her eyes are closed, eyelids clenching, as Irene tilts Karina's face her way, to lay one, two, three soft, adoring kisses on her mouth, the angle all wrong. 

“Mmm.” The smack of her lips. The pull of whatever breath she still has to give - right out of her heaving chest. "Sore, that, ahhh- um, thank you."

You fiancée wraps a slender hand right around Karina's wrist, and starts whispering to her, unbridled, "just had to. Had to see how you look-"

It’s wicked, for one thing. More than that, it's seamless:

While Irene still has the girl's voice caught in her throat, she reaches around the curve of Karina's hips and drags two fingertips through the puddle of warm cum that sits right at the base of her spine, glistening all over her ass cheeks and inner thighs, slipping and rolling off her cunt, down the center, running in rivulets. Your cum between her fingers is so filthy, so obscene - dripping hot - right off her reddened skin, and Irene can't possibly help it; not after a display as indulgent as that. The trembling that remains in Karina’s thighs does nothing to hide how her legs now jitter and shake under Irene's touch.

“That’s my good girl,” she whispers as her fingertips hover across the apex of her puffy lips. Over and over again, with more force, and more, until you're almost positive it's Karina that leans in a moment later, kissing the rest of her soft assurances right off her tongue.

Listen to her: this incoherent string of words pouring from her mouth, like they can't move fast enough, tripping over each consonant, "are you, oh, oh - oh, fuck."

No one else could make that kind of overstimulation feel so heavenly, you figure, the way she just properly melts. You take a step back, just to let Irene work. Just to watch. To appreciate the craft.

You absolutely get it. 

How to touch, how to tease. Firsthand experience has you know she'll ride your cock until you're throbbing and spilling cum and she'll just shh-shh, let you have it - it's okay, sweetie, just let go - until she's rolling her hips just right, or reaching a hand back to massage your balls, or stroking your inner thigh in that exact kind of spot; some method that keeps her all the way on the end of your cock, but not quite off the edge, and your cum leaking down your shaft, spent.

She’ll bite into her smirk. She’ll tie up her hair. She’ll get that serious look on her face because she knows: you’re all hers for the taking.

So she'll sink onto it, again and again, until she's fucking you with the slippery friction only your own spill might provide. "Just a little more," she'll tell you, which is absolutely a lie, "come on, just a bit harder, I'm so close." Irene does this thing - she's had years to refine and perfect - and her voice gets a husky edge to it as her teeth graze the shell of your ear; she makes a small, pained groan into the curl of your hair and breathily hums it: 'I'm almost there.'

Who stands any chance to resist?

And she's always asking you - the same way she's coaxing and promising Karina the world with just the movement of her fingers, this delectable in and out, in and out, pushing that filth up into the red-soaked lips of her pussy - "now, what did I ever do to deserve someone like you?"

Karina blinks, once - a sleepy-lidded draw that leaves her lashes, lush and long, and fanning her flushed cheeks. 

The sound between her legs is wet, squelching with your cum, with hers, the barest hint of slapping her tender skin. The beat of Irene's wrist against her thighs - like that's where she needs it most - a deep, primal rhythm, like the last thing she wants is to take a breath. It's fucking hot; her head is tilted, her jaw clenched, and Irene has the tips of her fingers twisted between Karina's legs, swirling your cum right back around in her slick cunt - those plump pussy lips that you've watched stretch out on the first press, the first and the second and the third, as Karina finds what gets her there fast, fast-fast-fastest-

"You can cum for me too, baby."

It’s not a suggestion. There’s nothing but expectation in Irene’s voice. 

“Just cum.”

You watch it knock the architecture right out of Karina's legs.

-

Indulgent, just isn’t quite the right word for it. Careless, reckless, clumsy even-

Look - the tumultuous tangle you three make is all over the fucking place.

One moment, you're at an angle, moreover twisted-limbed with Irene bent over her dresser, then propped up on top of yours the next, your forehead landing against hers, feeling the soft cradle of her shoulders, her legs around you. She has her hands wrapped in Karina's, in that muddled in between: it's a collision of sorts.

There's the chair in the corner of your bedroom that really has only ever known one purpose, a plush rug, all these surfaces, horizontal and vertical for you to take the two most breathtakingly beautiful people in the world on and let your bodies settle into the shape they've needed to ever since your fingertips met Irene's in the cab, ever since she blinked her heavy lashes at you with Karina in-tow, just shy of smiling.

And boy, do you learn that Karina likes to watch herself get fucked in front a mirror. Specifically, the tall one beside Irene’s closet. It's hard to blame her. When you hold her hips tight, and really, truly fuck her, you can’t keep your eyes off how her face twists with the pleasure; or, when you drill the length of your cock into her sopping wet cunt: the wide, glossy rim of her pretty lips pulling back into a wince - and your eyes dropping past the reflection of her shoulders, her collarbones, down to her perfect tits.

The back and forth, the up and down, the way they fucking wobble in their beautifully buxom blur.

Though the eventuality remains unchanged, spread out across your bed. Karina takes a moment, hand pressed to the mattress experimentally like it's all running through her head - this is where Irene gets all that fairy-tale-inspired romance from, really - a quick pause where your future-bride is up on her elbows and staring, watching - your finger sinks in slowly, between where she's soft and warm and wet. She's thinking, you can just read it off her face, 'oh. So that's what you'd do, huh?'

Just for demonstration’s sake, you fingerfuck her in all kinds of ways - show-off and performance and dirty and mind-blowing. Because even better than the whiny, gut-wrenching moan it gets out of Irene, Karina can't get enough of how it’s all presented.

"Ugh," she slides up next to you at the foot of the bed, helping you turn Irene on her side, "why does she have to be so pretty, it's annoying, she's- she's like, made it so fucking far by playing the girl everyone wants to wife, huh?" She's talking directly to you, even while Irene rolls her neck to press her head against the pillow. "Inspirational."

You're drawing circles into her clit. Thumbing the dip, circling in the opposite direction. Karina has her nails biting right into the crease where your knees touch. In tandem, you’ll help your fiancée reach the top of that first wave. 

Karina presses, all cheek - a very dry, "cute."

It’s so simple: you eat Irene’s cunt. You hold her down. And Karina slides her tongue lazily against the tight pucker of her ass.

The three of you know she deserves nothing less.

“Oh, christ, you have no idea,” Irene is murmuring into the pillowcase, head tilted at an awkward angle, looking at the wall, almost distant; but her legs are split wide and her hands are reaching forward to rub a circle into your cheek, "you know how sensitive-? Yeah. Like, really, super. Super, super fucking sensitive, okay? So - if you'd keep doing, uh, oh- oh…”

Simultaneous, then slow, and easy - kisses landing right onto Irene's clit. So much so, you can't help but turn a little, smiling right up at your girl as she digs her toes into the duvet and threads a hand into Karina's hair.

The thing is, with Irene: facades fade fast.

Karina gets to measure that fact up close - where the details of Irene's composure are not only sharp, but also readily and openly and emphatically pound to dust by the time the last loose curl of Irene’s hair falls over her collarbone; she ends up on all fours, spread out over Karina - pressed along the length of her stomach, spread over your duvet and fitted sheets, your hand at the base of Irene's waist and tightening into the divots. She’s so small beneath you that when you bury your dick inside her- 

“Fuck.” Her cunt is so wet. Her breath uneven - and her words are starting to slur. There’s the gooseflesh on her back that lets you know it’s all already over for her. “Okay,” she tries to steady the ache in her stomach, “okay, okay, just- right there.” 

The drag through her pussy is fucking extraordinary. It knocks the wind out of both of you; so soft to the touch, like velvet - she’s unbelievably tight. You pull her hips into you and it opens her right up. Then when you end up balls deep inside your girl a second, third, fourth time:

She simply shudders apart.

Even though you fuck her so slow, so easy - her cunt clenches and squeezes on you like Irene detests the very idea of letting you go. You don’t even need to rail her lithe body to complete and utter ruin just to feel the familiar pent-up tremor starting to build in her muscles, how she rolls her hips back just so-so. How your hands fit that round and pert little ass of hers so well, and when your fingers finally sink in, you’re pulling it all apart to get a good look where your cock shimmers with her slick before disappearing right into her tiny cunt.

Karina mutters something in her ear. It pulls on some thread, somewhere - you feel her wind like a spring, further, and further; your cock edging her so close. The smirk Karina saves for you over your fiancée’s shoulder makes you think she’s figured her out- 

“Irene, look-” 

Well, at least she’s tuning in on all the right frequencies.

"Aren’t we all about being thorough?" Karina raises a perfectly trimmed brow. She drapes her arm across Irene's neck, their lips sliding together again, and that kiss is drawn-out and languid, albeit needy. "So, say," it gets muffled against the seam of their lips, and comes up, and comes out like a slurry, "are we gonna use everything else too? Your mouth, your perfectly tight ass?"

Irene can hardly muster out, "fuck- fuck- yes, fucking, god," as she takes it, so deep. There’s enough there to make both of you cum, you’re sure.

“Who could’ve guessed - like there’s ever been a more perfect cocktease than bae-fucking-Irene," Karina coos, all lips. She plants a row of kisses along Irene's exposed throat. The tilt of her hips, as she pushes closer - as you press the head of your cock as deep as it can go. "Go on. Cum, baby. Be a good girl, a good hole to fuck, just do it. All over his big fucking cock. Let him fucking have you."

Which is probably about the same time you realize that you, Irene and Karina are all well enroute - becoming this one mind, a single unit. This plurality you know there’s no coming back from.

You look down, with a little more focus, and Irene is being pulled apart in every which way - your cock stretching her out, over and over - Karina’s fingers right under her clit, every circle making her whimper. She’s all sharp edges and delicate angles, but manages to be soft for you in just the right places.

“God, you’re so fucking tight,” you tell her, shifting your hips; pulling her ass flush and filling her completely. Your grip tightens on her waist and she doesn’t flinch a bit. "It's so goddamn easy to cum in this needy little pussy of yours. All wet and slick, and, hah- just pulsing-"

Irene lets out this wanton sound, desperate.

“Oh, right there, huh?” Karina asks. It’s not quite mean, but it’s getting there, fast. “Is that how he’s going to make you cum?”

You thrust on the same angle again, the same depth - you’re hitting all her nerve endings, all her sensitive spots. There isn't even room, now, for some imaginary head-to-head, some verbal volley, the banter; what comes forward is her tiny, broken moan.

How many times had Irene done the exact same, after all. Fucked you without holding back? Fucked you over? The flood of sweet-nothings as you started to approach: honey, you're so perfect, we can go slow, you just have to ask, and if you feel uncomfortable at any point, if you want me to stop-

“Just say please, doll,” Karina tells her.

If Irene told you a quarter of what made it out of the side of Karina’s mouth, you’d have never believed it. "I can't wait to feel what that arrogant mouth of yours will do when he cums inside this cute ass-"

You watch Karina spank her. Hard. There’s a red stain in the round of Irene’s cheek, and her skin is so pale that the imprint of all five fingertips looks stark, glaring.

"Just," Karina presses the rest of herself against Irene's skin and steals a quick glance at you - this half-coy smile pulling on one corner of her lips, "thought I'd do that in the name of-"

"Mmph," Irene’s groan is long, loud, "yes. Fuck, yes- please-"

Karina immediately looks away. An effort to hide the smug satisfaction. She fiddles with the auburn locks behind Irene's shoulder.

You’ll finish the sentiment: "-being thorough," and drive your cock to the hilt. Irene collapses forward onto Karina’s lap.

The sound she makes you swear is a sob. See - for Irene, it’s only about getting control in so far as it is about getting off; she’ll take whatever comes her way so long as it’s directly to her benefit - the theatrics of being pinned, the willingness for surrender, for subjugation, for the sake of telling you, yes, push my knees, spread me apart, hold me there; look at the things you do to me - it's the Irene everyone imagines, when they see the dresses, the gltiz, the glamour, just the brief flash of her grin, or the way she holds her fingernail between her teeth. Everyone wants to put her on her heel and feel a bit powerful. To have you watch the supple arc of her neckline bend, to hear the humility slip off her lips: the notion goes beyond simple kink-

It steps out into pure necessity.

She really, really needs it, and it's written into every muscle and tendon - it's on her breath as it shudders through her whole body. The beautiful, harrowing sound. "I love the way you two fuck me," she murmurs, head buried into the crook of Karina's neck. It's the sort of line, coming from someone like her, you know could raise a few blushes - if either of you was still in the business of such things.

"Honey," her voice wavers. Then, it falters: "please."

The desperation is thick, husky, almost. Karina seems like she's breathing her in, nose tucked against Irene's forehead.

You watch how she runs her nails up Irene's sides, a hot whisper sliding over her skin. You feel it, and so does Irene, this white hot pleasure singing up from the tip of her clit and spreading throughout the soft curves, the sensual lines of her body, this tangible current, a hum, a whine. You see her strain the lean stretch of muscle connecting her neck to her shoulder.

Until her face is tucked under Karina’s jaw, with a hand reaching back and hooked around your wrist and keeping you fucking, filling her, your hips drawn tight against hers, like a second home.

In and in and in.

Fucked-out and outright to the extent she goes completely silent. Almost completely still. The moment she cums all over your waist. Mouth hung open, like she’s in pure disbelief.

It doesn’t really matter, how often or how precisely Karina has imagined the whole thing. It's still a fucking revelation the first time she gets to watch Irene cum.

“No way,” she’s almost laughing, holding Irene’s jaw with both hands. “No fucking way. All the times you- what? No. Nuh-uh. You better fucking explain why this face, you- it’s not fair, the perfect face- I swear, even mid-fucking-orgasm, you are such a fucking doll-"

There's the sheer intimacy - Karina holding Irene's lips open, dragging her thumb down along the center. Quiet and sordid curses slipping from her mouth. And the obvious, her free hand already running down the curve of Irene's spine, her ass: all this sensitive-touching, admiring, appreciating-

"Hey," Karina says, voice raspy and drunk on the sex, the premise, "do me a favor, and tell me this feels as amazing as it looks. Or maybe, for once - just for the sake of fucking argument, is it actually better for the both of us, hm?

Her eyes are half-lidded, heavy, sultry. She's arching up into Irene's warmth - until her palms are spread out against her chest, thumb sliding right over everything sensitive, and she leans right to pull the other breast to her lips, and start all over again. It's clear what she means, spreading her legs as far as she can, pinned beneath the orgasm you're still fucking into Irene. As much as her petite frame will allow.

And in case you missed the point:

"So. What are we waiting for," is what she says a breath later, matter-of-fact, not at all expecting denial. “Or am I not as fuckable as our princess here?"

There's so much wet spill around the base of your cock, and the sound Irene's pussy makes when you finally draw free - all her creamy slick mixed into your mess just fucking leaking around your shaft. Karina holds herself open for you like that, spread wide. All your attention to her pink, raw cunt; you slip right inside. 

Karina lets her arms go slack on the mattress, her chest shivering, lips locked around Irene’s panting breath.

And so it goes, and so it goes, and so it goes.

-

(To anyone taking notes - chemistry, by definition, is the sum total of a certain process; where and when energy becomes matter becomes another.

More relevantly perhaps, it is that race and rise you feel inside your chest. 

Nothing about the sensation, it seems, is too exclusive either - Irene, and now Karina, the pair of them equally devastating, all over and again. It has you in communication with a different kind of contentment: to fall apart inside their embrace in particular, and kiss them with enough breath and time to waste until the morning.)

-

“Jesus,” Karina laughs out loud, “you really believe that? You corrupting me?" she makes another scoff, both hands buried somewhere in the pockets of the sweatshirt you've lent her. "At least do me a favor and cut it out with the solemn tone."

You're leaning over your apartment’s balcony, watching an emergency plow make the slowest grind of progress up the road. It's late. And cold. Or actually - it’s early. The sky is the kind of dark midnight navy you see after all the snow and stars have run through the horizon. Time ticks on, and Irene’s inside sound asleep. A woman that small has no right to snore like heavy machinery.

So,

You and Karina happen to be two things at once: very tired, and very awake.

"What I mean is: I'm sure your manager, or your parents - fuck, someone - would fly off the handle," you say, pulling a cigarette from the pack and offer it begrudgingly. She takes the end and slips it between her lips, a little unsure. You then draw a lighter and offer it, too, and Karina puffs with all her strength. She's no expert, but it looks like the end catches and turns bright. 

A bit of color.

"My parents?" Karina flouts, sucking at it, pulling deeply from her chest - smoke pours from her nose.

She finishes with a cough. And says again:

"Um. Your girlfriend had her fingers in my ass - your cock down my throat - and we're worrying what my parents might think?"

Well. She's got you on that count.

"Not to mention: who the fuck thinks they're so virtuous-" a small chuckle as she passes it back. The cigarette is lit, bright. You take a drag. Watch her tap her feet on the snow. "That they need to do that to begin with. It's more trouble, telling me what to think and feel, as if that hasn't just the opposite effect."

“Irene’s protective, albeit in her own sorta peculiar way. So, you know, by extension, she worries-" you pull, and exhale, the smoke blowing past Karina. It gets caught in her fringe, in the wisps. You offer it back when you see her shiver. "That some shit happens, after."

"Your concern is heartwarming, truly - if you want to let me think on it, I might go and write a nice little diary entry tonight. It'll have sparkles and glitter - if you're that worried." 

Karina reaches in. Lets her fingers graze yours. Her skin is cool. 

“Besides, I don’t need a lesson in image from Irene of all people. She’s her; I’m me.”

She holds onto the cigarette between two long acrylic fingernails, tapping the end so the ash flits out onto the ice. You're caught staring, probably - the dark hair framing her face, all messy and soft, falling about her cheekbones. How that pretty pink blush in her skin seems to never go away.

Your eyes drop to where her mouth is red, a bit swollen - well-kissed; it is snowing again, after all. And it’s easy to be kind of transfixed.

"You're not, I dunno, say embarrassed?" you ask, after a beat.

"Nope." Karina swallows. Brings the cigarette to the pucker of her lips again. You watch how she holds the inhale, holds her wrist up and slacked, head tilted back a little. This exaggerated fashion-model exhale follows, all smooth.

“Because I'm not the type.”

The heavy stream of smoke then blown right into your face.

"Really, I think - sorry, I have always wanted to do that. It felt like a movie. Look," she coughs on the next breath. "I get your dilemma. But also, um-"

There are some quiet moments too, here and there: the heat between your thighs, her pressed up close. She smells like Irene's shampoo and bodywash and that just confuses your head some.

"Who’s to say I’m not just looking out for you," you offer. Every good lie is rooted somewhere in the truth.

"Don't bother," her words hit you square on. "It's about getting off right? You invite me to your bed; I’m so starstruck and enchanted by the very concept of it - Irene and her charming, intoxicating husband. Fuck, I dunno - the way the two of you kiss, look, feel: the experience that you will let me be a part of," she stops and makes another face of amusement, so fucking confident, "you let me play, too, just once, and we're all just a little happier. My version."

“We’re not married,” you correct.

“That’s the part you’re hung up on?” Karina leans over, her upper half across the balcony, staring right up at the sky. “Same difference.”

The moon finds her smile bright like nothing else. It's something infectious. Immediately, it reminds you: of Irene.

"Trust me," she goes on to say. The cigarette slips back into the space where you are connected - the lines of her fingers, her knuckles. "I had a wonderful time, but the sun will rise here, and I'm not gonna stick around to blow you while Irene burns three omelets and finds a spot for me in her fucked up game of house or whatever."

She makes you laugh, free and easy, like a gust of cold air. Something genuine and natural. And as the laugh shakes, Karina makes it impossible not to crumble farther. Not to fucking simper there like an idiot.

“I really thought she was going to make me call her mommy or something, I swear-”

"Hey, I'm sure if you had asked." A spark catches you. The flash of her canine, and those eyelashes. “She’d have done you the favor.”

"Oh, shush." The touch of Karina's fingertip against your hand is delicate, careful - unassuming. But, god, everything with her is just the right amount of heat - it melts you; and when it stops, her touch: that feeling is so cold that you just chase her out of impulse.

"What about New Year's?" you ask. There are still boundaries you really shouldn't be crossing, but here you are, straddling yet one more.

Karina's grin cracks like an old fault line. "You're not allowed to ask me out like that," she insists, batting you away - trying her hardest not to lead with the obvious. You look out on the view, watching a guy in a parka trudge over to a garbage can, a handful of newspaper bundles, then a glance back-

The slightest flush has bloomed up Karina’s face, right underneath where the makeup's been rubbed bare. It's utterly irresistible. "Go wake up your fiancée and ask what her New Year's Eve looks like. Doubt it involves me and my dumb friends."

She’s probably right.

"Karina," you start, watching her push open the balcony door with her foot and walk slowly, lazily, back into the apartment. The window rattles, and she looks back over her shoulder. The bob of her ponytail, the sweeping lashes, that perfect slow-burn smile. That’s how you end up with a title as ridiculous and reductive as ‘original visual’ or ‘the human cg’.

"You’re really going to let them in on what we all got up to?"

"Oh," she makes this low, delighted hum - it sounds so dreamy, how her voice gets the richest sort of rasp, "every last detail."

-

On Monday: the holidays are officially over.

There's a bunch of stuff on the to-do pile. A lot of loose ends you have to clean up, a ton to catch up on. Irene is judiciously ignoring all of it. She's wearing her glasses - the ones with the big round frames that should look entirely obnoxious - which means she's already decided she's not leaving the apartment; Karina's still wrapping the world at large around her finger and has everyone convinced that she's all femme, no fatale; and you - well, you're back to thinking about how to climb the ladder and maybe how to stay there.

You head downtown with a cup of coffee in one hand and a musing mood in the other.

On your phone, some more choice text messages arrive in the late AM: had a great time by the way, stay out of trouble, this sweatshirt is actually just mine now, duh. 

The selfie alongside it is pretty suggestive, but just vague enough to flirt with indecency.

She sends one more at lunch where she's gotten out of the shower, or a hot pool, or maybe a long workout - her breasts squeezed between a towel and an arm - she has the camera all zoomed in and framed tight, almost full body. If her intention is to mess with you, that's what she gets. The texts: ah, fuck off and did you have a nice date with your left hand then, thanks for reminding me, the hotel wifi is shit lmao.

The messages just keep on coming and there's really no better descriptor.

And Irene, later, in a way that's neither diplomatic nor nuanced: jesus, don't let her catch you by yourself. For simplicity’s sake. She interprets being alone with a handsome boy as carte blanche to do absolutely whatever she wants and she's vapid that way.

There’s a chance it fizzles out into nothing. An even greater chance it all goes sideways. You'll have to see what becomes of you three.

-

Okay, right - new year, new you. The resolution for the past couple remains unchanged, and unfulfilled - less takeaways and eating out; more meal prep, less calories, healthier decisions.

Irene has this cute little apron over her sweater that is fixed extra tight, the belt trailing down the tops of her jeans to accentuate her nice round hips and slim waist. She knows the nature of her charm, her sex appeal. How it occurs, almost, as if by accident.

You say something that will get right under her skin like, “looking real domestic, Joohyun,” as she slides a chopped onion from a cutting board to a bowl.

She presses her hips out just a smidge, just enough. Turns a bit as she opens up the fridge, and the smirk she has for you, that sidelong glance-

“Don’t you Joohyun me,” is her lightest rebuke. 

She twists her way onto her tiptoes to fetch at the highest shelf. The crochet corner of her sweater rides up a couple of inches, flashing a hint of the fair, bare curve of her lower back. "You can help me by grating the parmesan, hm? Into that," she gestures back at the table, pointing with the bottle of olive oil.

And so you're ten, fifteen minutes into helping with dishes, with the grunt work - with the realization that Irene is going to chop her fucking fingers off if you leave her to it unchecked.

"Actually, here," you say, "can I?"

She tilts her head, skeptical - still, a quick nod of permission - and her slender fingers surrender the knife and wooden chopping board to you. She's tapping away at her phone, finding the playlist you're both always secretly listening to.

"Wow," Irene says, low, as you start dicing mushrooms, a stalk of celery. "So brave. There’s no way I could do that. Is it safe? Are we, like, in nuptial bliss now, do you think? I fancy you, I fancy you-"

It's always this sorta-delicate dance with her: how much should you step up; how much should you put out of hand; how much she accepts versus how she pushes you aside and gets through you all the same. You're too proud, really - both of you - but fuck. She's adorable; the apron adds insult to injury; and it makes the switch in your head simple.

“I always forget how much I love this song,” she’s saying; the rolling pin she’s grabbed is a reasonable surrogate for a mic. When she’s through singing a verse, she shoves it in your face. You don’t know any of the lyrics. 

She doesn’t really care.

You have to laugh at everyone who's ever wasted the effort to theorycraft who she is behind the smoky lashes, the lowered chin, the downturned glance. All the characters and archetypes she'll wear and cast off as she needs.

"Here." She sidles up and tucks her hair behind her ear, the side of her hip grinding into your thigh until she’s pressed firm into the line of your leg. Because she needs to tell you that's way too much garlic, and she's not going to kiss you if your breath is trying to kill her first. She uses the word "pungent" a number of times, just for good measure. Go on - she’s murmuring - taste; right off her finger. If anyone caught this you’d be embarrassed for weeks

“I think, definitely, should open a bottle of wine-”

That’s how you earn all the responsibility for getting the both of you fed; she gets distracted looking through the recipe book.

But there's the way she looks up at you from the opposite of the kitchen island, face held up between her hands, fingers folded underneath her chin. "What?" she asks. 

She’s totally caught you staring.

The truth is: Irene only looks this gorgeous when it's just her. When she forgets that she's supposed to stick to a script.

You tell her as much when you end up fucking her right there on the counter.

It's so slow, atleast at the onset. Her panties pushed aside, jeans spilling off an ankle - the fucking apron managed to make it to the floor but her sweater got kinda stuck on the way up. So you're reaching through some overpriced fabric blend to pull down the wire of her bra and get your palm where she most prefers it.

"Say it again," Irene sighs into your neck, clutching to the back of your shirt - white-knuckled at the seam. "Come on, you can be so charming when you want something."

"I wouldn’t push your luck," is all you choose to tell her. 

You're hitting all the spots she wants you to hit anyway: her pretty pink cunt, slick, all wet for you already. Everything clenching as she arches her back, until she's hanging off the edge of the marble. You find it’s just enough leverage to fill her completely with your cock - stretching her out and open until her thighs bracket around your waist at the perfect angle.

"Or what?" Irene is out of breath, but hardly at a loss for words. "I know. You'll have to remind me how much smaller I am than you, right? So easy to keep pinned."

Well, if you really wanted: "Hah, ah - right." You get right next to her ear, muttering the words as deep as your chest can go - then take hold of her waist to put her in a spot she can't escape. And, by Irene's usual logic, once that happens, that's as much a victory for her as it is for you. You're being compliant, aren't you? The in and out: fucking her, filling her up, pulling your messy cock out of her pussy and slapping her clit just so she can hear how fucking soaked you make her, merely as a reminder-

"I wonder if she was even half as desperate," she moans against your jaw. "Her heart probably stopped the second you, ah - told her, what? About all of this?"

You stop fucking her, halfway.

"I’m sure you wouldn't be referring to Karina, right?" is where you glance at her. “I remember us both agreeing to chalk that up as a total absolute mistake. That was that.”

Irene just swallows, looks off somewhere over your shoulder. No one wears a blush better than her.

But she won't say it. Her honesty is such a privilege. The prodigy-type. Or at least, that's the word Irene chose. Then again, there’s you and your uncanny ability to turn a blind eye. 

To the vice, the virtue, and everything in-between.

"So, can I ask," you press your lips together, finding the point of her chin with a gentle tap - you have her looking you straight back at you. The moment could let you drive back inside and fuck her brains right out, right there, like that - right through, instead: you watch her try not to squirm. 

The tension in her upper chest, the rising heat that settles between her thighs, her weight struggling where you spread her knees, as far open as her body can allow. “How long exactly," you choose your words, careful and pointed, "are we going to pretend that she isn't texting both of us?"

You bury the question deep where she’s practically molten - hot and wet and so incredibly needy.

You do, again, and again. You pull her against you, watching that pretty brow scrunch and un-scrunch as your cock bathes in that soak. And hell, Karina had sent her a selfie today, is what she's explaining when you slow down enough - a bit of red, on her cheeks and her lips, and a lot of black, all the rest - the part about a midnight flight that's on hold until tomorrow morning. And then another, an hour later. To you both: her tits, the lace lingerie - so heavy, and soft, and easy to see yourself getting lost in-

Irene gasps at how fast you find all her favorite spots, then repeats - twice and again - hey, Karina said you're "such a cutie," and she sees her as the perfect mistress-material, don't you think? Wouldn’t it be ideal? The perfect fantasy? The perfect toy-

Obviously, that is morally bankrupt, even for the two of you. And you’re making sure she hears about it.

You ask her, point-blank: "are you really so selfish? So callous." It's ground out, slowly, against her hip, into her cunt. You've got Irene dripping wet, she's running everywhere, and you're telling her, "and this is your roundabout way of asking me to validate your twisted little ego?"

Don’t get it too confused: Irene lives for this shit; that sharp, hard-hitting tone - it drives her up the fucking wall. 

"Duh. Tell me - just a guess," she presses her hands further back, arching into each push. The slim curves of her chest are bouncing, just under her sweater. "You like to feel so guilty and morose but I bet-" she chokes off mid-sentence, you know exactly how, the exact motion that has her wanting. She gets a leg over your shoulder with no effort at all, and your fingers find their place, digging into her hips as she locks into your thrusts. 

Like fucking her is the only thing the two of you ever do.

Your whole body buzzes, it hums in resonance with where her gasps conflagrate to moans - you're pulling her slender frame down into every sloppy thrust and she takes you so fucking well.

"I bet it all sounds like, ah, the prettiest fucking music - in your head-"

“Fucking god, Irene-”

“Mhmm?” she fucking coos.

Because the things she wants to hear never actually leave your lips - your girl, fucking relentless.

Because the line between you fucking her and her fucking you becomes less distinct every time she rocks back and takes you deeper. Or when her mouth catches your next kiss a bit lazily. She takes over to swivel and slide her cunt up and around your length. So good that you have to keep her there. Hand locked onto her throat, digging a bruise or two in her collarbones, fucking her senseless against the countertop-

"Irene, fuck.” Your voice comes out thick, like gravel, and practically as an aside, “you’re going to make me-.”

Irene cuts you off, nodding, shh-shh’ing you into silence. “I know, baby. I know.” This total sigh of agreement - a hushed yes, or maybe uttering something she knows will sink right into your core, two words that sound a lot like “good boy.”

What, is that tacit approval? Probably. It’s hard to think straight.

So you bury yourself inside her, instinctually. Irene tips her chin up when she feels you paint her fucking womb. Every throb - with a fistful of her ass and your face pressed against her chest, sucking and biting and marking her anywhere, everywhere - right through her sweater. Fucking her so full that your mess is dribbling out all over the fucking floor, drip, drip, drip, and-

"Hey, I want you to know that I" - she sounds so amused as she cards through your hair, pressing a kiss to your forehead - "really couldn’t ever ask anyone except you."

(All is fair in love and war, is an adage Irene takes to its logical extreme, tangled in your sheets or with a dress puddled at her ankles. A silk stocking rolling down her leg, the crochet thrown into some dark corner.

You never say yes. You never really have to.)

This all before setting her down, off the edge, back onto her feet and taking another half-step forward and having the awareness not to completely flatten her under the full weight of your body, so she can run a hand down between the two of you and her fingertips can start gathering up all the cum you've pumped inside her. Irene tells you in her sweetest lilt to pay attention as she leans back up against the counter and gathers as much into her mouth as it will allow-

The sight alone.

When her head tips back, tongue passing over her knuckles, and she swallows-

"You are so," you sigh into her temple. Her cheek. You've settled the rest to the space in between. “Absolutely unbelievable."

She reaches out and trails the tips of her fingers lightly along the rise of your cock - her softness up against your hard lines. Her eyes flash when you twitch on the fucking spot. It's so tender all coming from her.

And there, a moment or two more. You can see it in the way she has her lips tilting, dreamy. You've always known what you were signing up for - how she's thumbing the nape of your neck - what her ideal outcome was, is. There's nothing and no one in front of either of you to bar the way.

You’ll make your vows like any other.

"Well, hey," she finally says, slow and husky and curling toward you with a smug self-satisfaction.

You push her hair behind her ears, the dark brown locks. Some part of you understands, unequivocally, that she is the absolute limit of how far you would go for any other person on the planet. No questions. In a heartbeat, without hesitation.

The kiss to the corner of your jaw is unironically chaste - before she’s telling you, "shouldn’t we get a move on it, chef? There’s food to eat, recipes to ignore; aren’t you fucking famished?"

-

The bolognese reduces down to a scorch in the cast iron. Too much heat, or too long, you got too preoccupied, who knows - there's a moral lesson to ignore here if you're so inclined. So it ends up being over a tray of sushi delivery that Irene explains to you her working theory like it's high-stakes political intrigue.

"Listen," she's got her chopsticks pointed at you, "for one, Karina, to her core, is a total seductress; and she's told me already, more or less to my face - she gets off on the chase, and hates the other shit. To be involved, or invested."

“Okay then why all the go-around; the wait-and-see; what’s her endgame?”

“What’s anyone’s endgame?” Irene shrugs. “Validation." She slips a tuna roll into her mouth.

"I think you might be projecting."

"Or, I'm simply an extremely empathetic person," her sarcasm hits harder through chewing - she almost gets you, and finishes swallowing to say, "look, she's like us if we were pretending to care, okay? Just more, like - explicit about her lack of intention. So. Doesn’t matter if it's to piss her manager off. Or it's like a revenge-slash-extortion-thing against someone she either had or is having an affair with."

"An affair," you repeat, skeptical.

"It's not like it’s an unheard-of workplace hazard, come on," and then the final confirmation: "she’s just into it because it sounds dirty and sexy, okay, like everything else-"

"And you figure we should be the ones to dole it out."

"What I figure," Irene says, doing that same mental calculus she did the first time: how, where, why - it's clear. A dozen different kinds of naked are an old, tired song by now. "I want us to fuck her. However she likes, whenever she likes, for however long she likes. Let her think she’s won something, or think she has you totally fucking hooked - I don't really care. Because it would be so much more satisfying to hear you tell me about it - because the idea of you two being like that for me. It's," her words pitch up a touch. 

"That's the fantasy."

And Irene dives into the details. She explains what it could look like, all the more raunchy and ridiculous. This very specific arrangement. It makes no real sense, the conversation alone, and that, you decide - what can't be rationalized - is how she'll take it: by fucking both of you. That's the objective fact. That's the demand.

You listen until it feels less and less like the decisions have already been made.

“Okay, babe,” she’s presenting her case. “Hear me out.”

And she keeps going until you both can see it materialize: "if Karina thinks she can handle both of us, then both of us it'll be." It’s how her fingers end up buried in your boxers and around the throb of your cock. You hear the gentlest laugh Irene has as you start fucking softly into her grip, and she runs her thumb over your weeping slit until she finds you that much more malleable to the suggestion. Effortless almost, she lures the primal part of you from its confines and teases and prods at its wants and desires. Which is also how some charged vocabulary gets thrown in for good measure. Because no, no, no - she's murmuring into your mouth, tipped back, plush lips right above yours - it's not a cuckquean situation, or an open relationship, or anything like freeuse or whatever else might justify the concern. It's not even cheating, Irene’s explaining, strictly speaking, because who said you and I wouldn’t be doing it together?

(Lying by omission is the story you both live - and the difference: she's pathological. You’re just now getting the hang of it.)

"Fuck," is what you exhale out as she opens her fingers, offering. Her thumb glides across the expanse of your head, a trail of pre-cum drawn underneath a nail. And you know all the things her nails can do - can rip your heartstrings. "I mean. God damn. There has to be, like, terms."

There's still sushi sitting on the coffee table, and Irene is placing these kisses into the slope of your shoulder, your sternum, making a show of the movement, how she's traveling down, downward - to her knees. Where she finds the seat between your thighs and tugs your shorts, the fabric gathered down your leg-

"Let me handle it," she tells you, and there goes the cut of your t-shirt, shoved up to your chest. Her grip runs flat, down from the rise of your hip, fingers wrapping around, touching - the flat of her tongue laving across the tip of your cock until she decides to lower her jaw.

"Just think right now. How I want to fuck her and how I'd want you to fuck her, too-" 

Right in her warm, wet little mouth.

Jesus, her tongue too-

She has it gliding up, around and against the swell of the underside. Rolling to where you need it, the places she knows you’ve died before. Lapping up the mess she's already gotten out of you-

Like this, Irene's looking at the way that the idea strikes: you and you and you; the only person in the whole goddamn world that can handle her; you fucking know it too - it's the most perfect, hopeless kind of thing. Like the feeling that catches at the apex of your lungs. It burns in your stomach and grips in your gut. She's gone and cut out the nerves - there's the crown of your cock caught in a velvet grip between those pretty pink lips and her fingers twisting at the bottom. 

She breathes deep. Sinks her lips so slowly to the base. Anything, everything you want: to put your hands to the side of her head, to weave your fingers through her hair, and coax her, fuck her mouth like it belongs to you, all slow and hard and measured.

To hear all those wet sounds she makes as she chokes on the end of it. The gags as you force your cock into the back of her throat, holding her head tight, her hair pulled up into a fist, to have that mouth hanging around the length of you, tongue stuck to the bottom of her chin as you move her, your fiancée, your toy. To be looking her in the eye and watching her look the fuck back while she revels in every filthy second of it, not a single damn drop of hesitation or doubt.

"Really think," Irene urges, and she's all innocent when she tips her head to kiss her way up your cock.

She’s trying for some grace or finesse, or both - trying, you think, to make a point; instead, you end up watching her gulp and spit into her palm, just to obscure the sensual curl of her tongue with the sloppy-hard rhythmic stroke of her fist. "How hot it would be if you watched us both choke on your cum. Her face fucked stupid - the perfect little fuckdoll, is that not an image for the ages-"

You get a glimmer of that catlike grin - the one you would kill for a picture of. Something for the wallpaper, or the wallet; you've never met a boundary she hasn't challenged. The most depraved ideas in her head are just, as she is, a masterpiece. And so the answer has never changed - there has never been anything she's not been allowed-

"Trust me baby," she presses her cheek against your shaft. You feel her turn and run that mouth all over. The tip of her nose. Her eyelashes. The wet heat of her breath as she nuzzles the length. "Karina's all ours to share."

Her pout, right there, waiting.

You can't stop yourself from grabbing her face, the crook of her jaw, her neck and the tips of her shoulders. Until it all comes with a good, hard pull. The sound of her mouth on your cock, the blowjob she's been perfecting for years. It's starting to fill up the room, her lips wrapping your shaft - the sound of her being so obedient, the most receptive, sweet, pretty thing: letting you guide her pace until she has a steady motion going. Taking the thick base in her hands and working it over between her fingers. There's only enough room for that before you’re all the way inside her, in and out, again: the tip of your cock brushing over the softest curve of her throat.

When you take her at face value, it's fucking wild: your fiancée kneeling before you. Her chin and neck wet with her effort, lips wrapped so pretty, stuffed, used-

There are no questions. This is simply Irene, doing what she loves.

She pushes a hand between her legs and holds herself together as your hips tilt forward, meeting her halfway-

Just letting you get yourself off in her mouth like it's no big deal. It's her throat - it's her goddamn cunt and ass, and whatever else - because you fucking asked, right? Because you gave her the permission, the choice, the agency.

"Hey, where should I?" you’re muttering as you push the hair out of her face, already half-drunk on her slick lips and realistically only a few seconds away from doing some real damage.

There isn't a need; but you want her to tell you, to use her words. In her mouth, on her face, in her palm, you’ll go without thinking. You’ll cum straight onto your own stomach if it’s what Irene says. Even if she’s acting like you already have.

"Make sure you give her,” is what she garbles out around the hard line of your cock, and it’d be impossible to understand if you didn’t know every nuance to her, if you didn’t - you know - fucking love her. To have and to hold - to hold on tight and for better or worse, and this is pretty much as bad as it gets. 

The syllables come in-between hollow breaths, all wet and sticky. When Irene wrenches the fuck out of it, the base of your cock- “hm, that same sort of courtesy when, agh, I'm not around-"

Because the image alone is what matters. There, getting your cock sucked like you've earned the privilege - it doesn't have to be real, it just has to look like it's a new truth to believe in. The little motions in her wrist are just - hah, fucking unreal - and the way she sinks down lower on her knees for each stroke, from base to tip - lips pressing over the knuckles she has wet, and squelching, and twisting up and down and up-

She places a hand under your balls, the gentlest cradle, and something of your restraint finally breaks - it snaps - her insistence is ruthless.

"Yeah, god, okay- I’m just gonna go ahead-" 

There are these images in your head, of Irene: the upturned brows, the hollowed cheeks, and that slutty-as-shit smirk - and then of Karina: doing the exact same thing. Fuck, your cock is heavy, absolutely leaking cum: you can feel yourself leaking into the press of her mouth. It fills up her cheeks as she blushes into the fuck. Her lips become flush and go soft against the ridge of your shaft - her jaw slack in anticipation. 

"Your fucking mouth, Irene" you breathe out, “I'm going to cum-” 

Just at half the sentence, you're there, sunk into your fiancée's throat. Fingers across her ears and into her hair and watching her own hands pulling you, guiding you-

It’s all flexed in your back. Every muscle. Every fiber.

Irene hums onto a simple, satiated note. She always does, when she tastes it. When you dump a hot load of cum all over her tongue and straight into her throat.

(And yes, some might claim this is the death knell for all kinds of reasoning, but you’ll go ahead and admit it’s so, so worth it.)

"How thoughtful," she says, low and slow, once she's through swallowing the entire fucking thing.

The corner of her mouth tilts up. Because you're finished: two steps left in the brain from falling out of consciousness, a mess on the couch. You get to watch as she pulls you into sorts and slots each piece back to where it's meant to sit. The underwear, your pants. It's with such careful attention. Your soft cock gets cleaned with a tissue and wiped dry. A tiny parting kiss for the tip, her mouth full-on puckered, like she's kissing out anything you have left.

Though it's a pleasant daze. She prefers you soft like this, really.

All you have left to say is: "fuck me, baby." It sounds sloppy and open-ended as hell. "I guess I'll leave everything to you."

If that's a cue or sign for the evening, the only right thing: it isn't exactly misinterpreted.

-

The actual logistics don’t arrive for a handful more weeks. You find it surprising they ever happen at all.

// Karina 10:41 pm > i'm bored.

// Karina 10:42 pm > suggestions?

// 10:49 pm > have you tried looking into an incognito tab?

// Karina 10:58 pm > lol, and what is it i'm supposed to be finding?

// Karina 10:58 pm > help a girl out here.

"Send her a picture of your cock," Irene says, like it isn’t a joke. She looks up from the smutty-dash-of-romance-porn novel she's got herself wrapped in, with her best faux-serious expression. The pair of readers that usually are in her top desk drawer have made a new home perched low on her nose. "God knows she hasn't stopped leering since she found out what I'm marrying into."

"Please," you tell her, because she's full of shit. "I'm not sending her a dick pic."

Your laptop is warm on your thighs as you huddle on your side of the bed. That's the point of balance where it feels like Irene isn't trying to look. Though she clearly is. You flick up through a couple tabs just to drive the point home.

// 11:01 pm > sorry. i'm not in the business of just handing out freebies

// Karina 11:07 pm > really

// Karina 11:07 pm > thought we were making progress here

// 11:11 pm > you're funny

"Ask her if anyone's home with her." Irene dogears the page she’s reading and sets her book down. "Or ask if she's, like, tied up or something. Something edgy."

"Something edgy," you deadpan.

"Do you want me to put the readers away," Irene offers. She's wearing the sort-of smirk you always need to be wary of.

"No," you say. “God, no.”

"Ask her where she keeps her lingerie. Tell her she should be thinking about what it'd look like: all naked except a thong. With the straps digging into her. Tied up all nice and pretty-like."

// 11:13 pm > u alone right now?

"What the fuck?" Irene slugs a pillow at you. "That is the creepiest way you could've sent-"

// Karina 11:13 pm > yeah. i am :/

You and Irene are both struck a little dumb by that. 

“Sheesh, she must have had her finger hovering over the reply button.”

"Yeah," you say, eloquent. “Who could blame her, though.”

"Uh-huh." Irene exhales, staring a bit pointedly.

// 11:16 pm > cool if I come over?

// Karina 11:17 pm > and… do what?

Irene nudges you with her heel, a questioning glance: the window has just been left there wide open and hanging. She whispers like Karina can somehow hear her through the phone, "you are terrible at sexting."

“Can you fucking leave it-”

Irene rolls her eyes.

// 11:18 pm > do you need ideas

// Karina 11:19 pm > got a couple. i wouldn't be against hearing something that lets my imagination fill in the gaps though

"Text her that you're into her throat and want her to show you her tits," and Irene actually cracks a laugh as she has the audacity to make the request. She's in good form this evening; in nothing but her favorite silk camisole - the navy blue one, which pairs great with all 5’2” of the rest of her. Like the soft curves she wears and everything else isn't bad for your heart. "Seriously, I want you to-"

"How am I supposed to end it?" You ask. The tone is purely sardonic. "Babe. Baby. My future wife. Tell me. You do realize you're basically asking me to bait her, right?"

Someone will eventually put their cards on the table, and Karina, Irene, and ostensibly you will realize you’re all currently having a mental break from reality. Or something along those lines. "I mean. Could that really be a negative," she wonders with an eyebrow quirked and another gesture of her arm like she wants to showcase the night sky beyond the bedroom windows.

"How, what - babe."

"You could promise to let her sit on it."

"Is the cockslut routine an act? Like," you lower your volume, "do you really have a playbook, here?"

"So mean." Irene reaches a hand over. She has her head propped on an elbow, the rest of her sprawled and comfortably positioned on the bed. And you wonder why the fuck you feel compelled to argue a point that so obviously has already been lost. "Just go fuck her already, god damn, I dunno."

Right. So. This was the part that was kind of inevitable - and Irene's impatience aside, you probably were about to win a lottery when you showed up at her door - that golden little interaction: "hey it's me, your rival at work's future ex-husband, I guess - I'm so horny and I think you're so beautiful and wouldn't it be so crazy if we, like, boned, haha, what?"

"Just- have sex. Tell me about it after."

The novel beckons Irene back toward it. She makes herself the picture of someone perfectly comfortable with you walking right into the next most uncomfortable predicament.

The sigh. That long, heavy thing. A leadup you do so often.

The simple idea of sending Karina that sort of message sends heat, low - just under the band of your sweatpants, and right where you've got yourself in the palm of your hand and you're already wondering how this is the result, why your cock is coming to a rise already - god damn - why every thought of Karina's face, and Karina's ass, and Karina's everything, every moment her lip is caught in between those teeth is becoming impossible not to touch. "Okay," you huff, "fine. I'm getting up, I'm going now- I mean it, right now, just give me a minute, I am putting my clothes on."

"Wait," and she's saying, "wait. Wait."

And when you turn around, Irene has this cat-that-ate-the-canary grin all stretched on the canvas of her face. She takes off her readers - her elbows thrown into her lap as she goes to the very edge of the mattress, pulling your shoulders for balance. "Babe-"

"Mm."

Irene likes to get you at a low simmer. The way she runs her thumb pad along your bottom lip. And all those questions - a look into her eyes - it's hard not to fold or break - when she's holding onto that sort of expression, unwavering; no matter how her mouth seems to get soft and curious.

Her lips move onto yours, asking - a push. And your eyes - a brush against a shoulder and you've already gone a whole mile from anywhere decent. There's the touch of her tongue between your parted mouths.

"You'll be good right?"

"I mean, sure," is what you manage, watching her lips close.

"You'll fucking wreck her, and do it exactly how she needs it done." And her brow, knit. She can tell your brain is busy jumping ahead to a hundred different scenarios. "Stop worrying."

There's a brief nod of reassurance. Her fingertips dust down your chest and the rest of the way. You hear Irene tell you to-

"And give her an extra hello from me."

"Okay, I love you, but also you're insane, like certifiable."

"Shush, I know you," and Irene gives your hair a little tousle before pushing you out the door.

-

You're standing there at the front door of Karina's apartment a little after midnight, bathed in dim, orange wicked fluorescence. Like it knows your sins - past, present and future. There's no obvious answer when you go knocking, and for a half-moment, you're thinking, okay, it's alright, this is how I let someone down easy-

Until she answers and leans out, pulling open the door. It takes you by surprise-

"Well, I'd normally let you in," you hear Karina say, and a smug smile starts to cross her face, "but..."

It's about the degree to which she looks hot and a little off kilter in this tight t-shirt - a snug pair of panties around the sway of her hips - that almost sends you spinning. There's not an ounce of self-consciousness; it's like a punch to the gut.

"Aeri's date went south and she's drunk. She's passed out on her bed, like, right now, I don't think-"

There's no bra. It's hard not to get fixated on every detail. Like her nipples, practically standing out. You have an irrational desire for her to take a step back, further into the room, further out of your vision's reach-

"Uhh," you croak. And you do have the mental faculties for, uh. For telling her. "Maybe, you know, later, could be better, yeah, maybe call me."

Though, unfortunately, the suggestion falls short on delivery.

"No, no." Karina has her hands searching up and underneath your sweater. Her fingers dance flat up, right over your stomach - teasing as she hikes you back inside. Right past the threshold. Your mouth is half-caught and stupid under her, the gentle hum and pressure on her lips. "It means we need to be quiet."

She drags you another step forward, with just the hot flash of her gaze. 

"Shut the door behind you?"

"Locking it too," you tell her.

The laugh she makes into it, this one little scoff - it's an acknowledgment: an agreement. It's one of the worst fucking sounds, and the whole damn thing gets to you. Like her ass wasn't the perfect fit for the palm of your hands- like you don't want to trace your fingers under the elastic of her panties.

As if it wasn't fucking clear enough. It's the tongue in your mouth and the hands in her hair. She's kissing you soft, she's kissing you deep; her weight rests and pulls back with each swell of your ribs, pushing her fingertips down until they're skating, slow, low into the grooves of your spine. Like she's getting familiar with you again.

"Okay," you breathe. She laughs on your lips and presses forward - pulls you back, farther- "uhh. Okay."

She must see the confliction you're in-

"Hey." Karina keeps going until you've got her backed against a wall, until your thigh has pressed into the crux of hers and your hand is in her shirt. You don't miss how she lets her head tilt back when her eyes shut. It's her. There's no disputing the reality. "Whatever you want to do to me. That is all I've been thinking about. Do it."

"I- don't really-"

She makes a decent show of crossing her wrists and tugging her shirt right over her head. Tosses it someplace safe enough. "So are you just gonna leave me in suspense, or do you need my explicit, enthusiastic permission?"

Your lips draw themselves a blank on anything useful, while your heart rate accelerates.

"Here try this: you’re going to fuck me until I beg you to stop. Then you’re going to fuck me some more. Or whatever- then we can go somewhere, I don't care," she offers with a half-whisper. In all her goddamned glory - barefoot, almost bare chested - it's not like it could be any other thing.

-

You’re not exactly supposed to end up on your knees for this.

This isn't quite how you pictured-

Okay, fuck, Karina's making the prettiest noises where her spine is curling up against the wall; those sounds you couldn't even make up. How it feels like the easiest damn thing, because there isn't a question to why. Every inch of you is pressed to every inch of her. You know what you'll taste on your tongue, which of these breasts belongs in your palm and the fingerprints in the dips of her waist - her lips on the curve of your jaw - every mark and bruise on her skin, every hint of it is real; it's fucking you up because you're kissing the woman that Irene picked, the woman you met - it's how you pull yourself away-

Karina, for the longest few seconds, is shocked into stillness.

Because you could, of course, decide to give this one last shot, your head between her thighs and eat her out until she was so fucking wet your cock wouldn’t even enter the equation. This is not actually a new idea; the possibility has run through her mind enough times already.

"Yeah. That would work."

Like it's no big deal-

"Do you need instructions? I can get a bit graphic."

"Actually, you know what?" you choke a little, and - "trust me."

You stand straight up for a moment, a second, an extra fraction. You slip your cock inside her hot cunt, and, yeah. She collapses right into you. You’re holding up her just enough to fuck into - she's starting to breathe deeper, harder; you've got her pinned like that - a hand on her neck, fingers sinking into everywhere she's softest: her tits, her ass, her waist, her throat, and there is nothing that isn't some version of fucking glorious about Karina's weight grinding, heavy onto the tip and onto the ridge and down the thickest length of you-

And her face, jesus christ, her fine brows upturned, the tears heavy in her dark lashes, the little gasping-sobbing sounds that spill across her wobbling lips - this is the both the easiest and the hardest part: seeing her get absolutely fucking ruined-

(You know, god help you.)

-

Irene doesn't even have to ask. There are hickies and bruises shadowing in on your neck, your chest - these marks you never remember Karina giving you, and a ton of scratches all up your back.

"You know I was going to offer to make you breakfast," Irene says, smug, "but I'm wondering if Karina got to you first."

"What the hell do you think?" you say, dumb.

There are eggs burning on a skillet that are never going to be salvageable, no matter what Irene says. She has no respect for the process. And her voice is full of that infuriating smile: "was it everything you hoped?"

"God," you mutter, trying to mask the embarrassed laughter in your words. You can hardly move an inch on her behalf.

"At least tell me something fun, you insufferable tease," she presses her nose into your hair and tickles the spot on your side, just to be a pest.

You lay it all out for her. Everything she wants to hear.

-

Surprisingly, there’s still plenty to learn about each other; days to weeks to months. The first real thaw of the year comes, and you’re quick to fall into this odd rhythm.

Karina won't actually join Irene on set or production very often - too much heat. It shouldn’t have taken so long to figure out the two don’t belong in the same room together, and if they’d asked you, they’d know - but no one ever really does ask you. However she does spend more and more time around the apartment. In and out of your personal spaces. And maybe a bit in between, or a little underneath too: how she seems to slot herself right into every possible fold whenever Irene’s away.

Always traveling for this reason or that.

And god, the perfect powder keg Karina is - ticking, short-fused, all ready to explode. It’s ironic, you think, she’s drawn to scandal the way Irene will do anything to avoid it, and here, she's found her ultimate indulgence.

The quick lay, the time and place you know you can be patient in pulling her apart, the everything in between. 

In fact, you’ve taken to calling her "babe" just so she doesn’t think twice when she gets your cum pooling deep in her cunt, all hot and sopping. Looking like the picture-perfect centerfold. The fucked-dumb face - all twisted in your grip, flushed-red; and the musky scent of sex; the noises and her presence alone. You fuck her, and fuck her, and fuck her, rubbing a thumb across where the mascara runs thick.

To be the gorgeous girl, cock-drunk and fucked-out in your lap - so simple - so natural: Karina finds her way over more often than not.

After your shower, after your nap; your work, the bar - Karina’s never more than a text away. And you'll keep a hand around her waist as she stands around in the kitchen, stealing Irene’s leftovers out of the fridge. Karina ends up straddling your thigh right there at the breakfast table, holding onto the wood for support as she cums all over you.

The long and short of it is: 

She's fucking you. She's fucking your fiancée. She sees no problem in having her cake and eating it too. The only caveat is: Karina thinks neither of you know what's actually going on.

“You gonna say hi to Irene for me?" she's teasing one day, snapping her bra back into place. The t-shirt pulled over all that glossy-dark hair, the shimmy of her hips just to get back into the world's tightest jeans. She presses a fleeting kiss to the corner of your mouth. It's such a stark, clinical goodbye - ending with a flick of a thumb across a screen. "And oh, let her know if she ever wants me to teach her a trick or two. Anytime."

“Yeah, I’m sure she’d love that.”

Karina does the most insipid thing. She fucking winks. “I’m sure she would.”

-

"Uh, are you kidding me?" you ask Irene. 

It's late one night, and Irene is standing in the kitchen in her pajamas with a welt the shape of Karina’s lips kissed right into her jaw. A couple drinks in your system have given you both a false sense of clarity, and also an ill-timed desire to solve all your goddamn problems. You lower your voice. "In her ass?"

Irene has that all-triumphant and dopey grin that makes your heart ache for her. There's a soft curl of her hair loose, thrown across a shoulder. "I’m serious, pull her hair right, hold her wrists until her back has to be arched. Pin her to the bed," she continues to illustrate, "it's all in the finer points of how much. Tell her to count, even. I'm not joking-"

She takes another spoonful of yogurt between her lips.

"-she'll let you do anything, promise."

“That’s fucked up.”

“I know.” Irene wags the spoon at you. “It’s great.”

-

It's not only the hypothetical-homewrecking that gets Karina so torridly wet for the whole affair; when she's pinned beneath you with her legs spread and her toes pointed skyward, or perhaps later - the same day even - riding Irene's face in a locked dressing room and crying out - "ah, hah, jesus, please-"

In her head, she has you both at her beck and call. Forget semantics - Karina is a fool to her own illusion. Because in her head, not only has she managed to go toe to toe with the industry's reigning monarch, she’s managed to win.

-

You don’t exactly know how Karina ever intends to keep it casual. Because things are damn near constant:

It’s a weeknight, and the moon is high above the windows, casting a crisp rectangle onto the hardwood; it doesn’t actually matter, as far as Karina is concerned.

Irene’s on television again, the sequin in her dress clinging tight, and she’s found the gaze that never breaks for the cameras. Found the flash of her most practiced smile - that little chime of laughter she has that sounds like striking pure gold.

Then Karina: sitting cross-legged at the very end of the sofa. One leg thrown over your thigh, she’s got these nylons on her feet and she’s poking a toe into your ribs. "Isn't she stunning," you hear her muttering, "honestly. Doesn't it, like, turn you the fuck on?"

Her foot grazes your lap, all casual at first; the impossibly soft-curved heel of her sole. There are so many ways she'd prefer to pass the time and they almost all involve getting under your skin, if not just outright getting into your pants.

“Elaborate.”

"I mean listen, in your case, just knowing your fiancée is up there looking like a total angel and at the same time, thinking about you; how she’s got to be considering every which way she’ll unwind just after the showcase - at least, that’s what I’d be doing." She licks her lips, teeth. "Hell, I’m only imagining how pretty her eyes are when she can barely keep them open, and that’s enough to ruin my panties."

"Are you really."

She shifts her weight. Puts that ankle to good use. Rubbing it into the crease between your legs. "Tell me," her lips curl. She’s looking at you dead-on. "How does she usually prefer it, hm?”

Like a wildcat, you suppose, your Irene - a pretty, little predator. You could tell Karina everything, but you don’t. Instead you let her wander into the lair of her own making. Her eyes: light and curious; it’s written in the lines of her face how she's picturing it all so plainly.

“I’d guess she lets you go slow. Or hard. Or maybe a little rough and then you make her cum, and then maybe, just maybe, after the teasing; after the edging, I guess, that's when she comes in hot. I would hope."

Karina twists her foot around, swings her weight onto your lap, and sucks in a sharp breath when you reach out and grip the lean lines of her hips. It’s as easy to hold her still as it'd be to drag her across the couch and under the rest of your body, fuck the goddamn tension until there was no longer any room left for the pretty smirk in her lips. And her gasp would probably sound a hell of a lot better - than all the needling quips - a much louder and much less-pretend whine when you could throw those thighs open and really pound her wet, aching little cunt-

“Easy,” she chides when you end up taking two handfuls of her chest. "Shouldn’t you be more supportive? For god’s sake, it’s your fiancée’s moment in the spotlight, you know-"

There’s nothing stopping you from popping off the buttons of her dress, one by one by one - and kiss right there, into the swell. Your voice feels all the rougher when you respond, "and what a moment."

Her fingertips skim over the places she's been kissing you, where she's been marking and claiming and trying to, at least, to stamp you like her personal property - when the look is that serious. All cold-burn. Right through to the bone.

“So.”

You can feel her touching into your pants. The heat in her soft, silky thighs; she sits above you, keeping a leg on each side. A part of you feels trapped; another is confused why you aren't turning the tables right now - flip her and ride out her cunt on the couch. Some passing thought, or just a fraction, the only one that matters in that particular instant, wonders what Irene would do, will do - has done - in your situation. How her hips would roll. How Karina’s moan might sound when she dug a nail right into a sweet spot.

You push Karina's skirt a little farther up her body and try to gauge the moment she's finally decided she doesn't mind.

“How about you keep your eyes on her, and I'll suck your cock while you do," ends up being the short and not-so-sweet of it all. “-or maybe you can get off between my tits.”

She wraps those fingers around your base and pulls gently. It's not a decision, but merely a continuation, a culmination: a gesture made entirely to pull the response: the hitch to the throat. Her nails skim that ridgeline as her eyes track across the cut of your features. It makes you groan into her next kiss, to say, "if you wanted it so bad, babe, you could’ve just said. Would save us a lot time-"

"Are you complaining?" she husks, pulling your pants down your thighs. Your cock is in her hands and she smiles like a cat - licks her teeth when it twitches at just the slightest touch. "Yeah, I didn't think so," is how the breathless laugh leaves her lips.

You catch the quirk of her brows, her tone: straight-up, like nothing. You’re almost buying into that until she's got your shirt on the floor, those lips of hers in the divot of your collarbone, and her tits wrapped around the base of your cock, and, well, fuck-

She actually wastes no time - none at all. A couple feet away, Irene covers her laugh with one hand. There's a brass award in her other. And the television casts this soft, pale glow.

Karina tips her head, and a curtain of her dark, silken hair spills across the ridge of her breast. She runs those big eyes over you, all wide and round and vaguely-deviant. There's the perfect amount of motion, of squeeze, just a light-bit of pressure, and she's got a face smug-arrogant in an instant, knowing. Fuck, her hands on either side start pushing into the line of her cleavage as she bounces and rocks and draws every inch of your cock up through her soft tits and back down again.

"Fuck," is the harshest exhale she's ever dragged out from you.

She hums a low sound, all self-satisfied when it's her own namesake: your body wants her, like you know the full weight of her needs, your touch, how badly she's fucking craving to get off and still not admitting to anyone it might be more than sex. Like it's really as easy as her next breath, the flutter of her lashes: Karina wants your eyes, the weight of your attention and she's not going to beg for a fucking thing. The feeling, you think, is mutual.

"Irene," she says, her smile as open as it could ever get. "She's just so gorgeous, right?"

On one hand, she’s speaking between the lines. A perfect tincture of deceit - the bawdiness-by-nature: watch me, look at me - is what she might as well say - look what I can fucking do, the whole lewd display. And, god, how she knows every way to make a guy want it, like she wants you to remember it.

Because on the other, the movement is so, so direct. 

Karina twists herself in an upward tilt, just an easy, practiced thing; she lets her tits spill around your cock and through her fingers, full and soft - and her lips part, mouth slacking alongside yours, matching the sounds out your chest with her own. Like she knows exactly which slide of slippery friction will make you moan, or which pull and drag will send your teeth straight into your lip.

"Isn't it crazy," she lolls her head a little, letting her own saliva drip down the center, onto your weeping slit. "How much I want your cum filling my cunt, even knowing she's the one you'd rather put the ring on," the drag and drag and drag - her tits are fucking incredible, and she knows it. She pushes up with her fingers and gives you a long draw right through the press, right where the nerve endings run electric, right where she keeps moving, up and down, and up and down- 

“-it must be hard, I mean, jesus christ. Here I am, needy and hot. Begging you to wreck me and my only sin, hm - the sin of being second best, right-"

"Holy fuck, you're-"

"Obsessed," she says, and drops her tits against your waist again. "I know, I know. How could I not be?"

You're left muttering into the titfuck alone, watching her rub your precum up between their soft shape, feeling the slight give, how her skin goes warm. The act itself: such a simple-thing-bordering-on-the-absurd that you notice how you coil and flex beneath her curves, how she feels so soft and warm. The slight pucker of her lips every time your cock escapes her cleavage does little to help. It's probably the fault of the brain-fuck but the wet of her mouth is practically everywhere you look. You could eat her alive right here, spread her legs on the coffee table and finish with a bit of screaming, groaning and tearing, and no one would ever stop you.

But instead,

"-it's a good color on her, really; but then every color is a good color on her, isn't it so unfair?" She's taking your cock into her tits, deeper on every rock forward and back, holding them close - a gentle lock of those long manicured fingers keeping it all together. "Even wearing no color at all; you must just love how all the freckles are so easy to see," she murmurs, squeezing tight. The sound is wet, messy. A filthy chorus between her dirty words and the dirtier action, and just that glimpse of friction when she strokes down again is maddening. You're all slippery. So sticky-slick, so tight.

Of course there's not a fucking inch of a reaction out of her; you want to get off so bad-

"You could close your eyes," she tells you. "She would still be there. The sound of her laughter. The image. In that dress or not," and her mouth furls into a half-smile before she pauses. Reaches down, pulls her tits around you impossibly tight. "Just so damn pretty-"

You cum just like that: 

"Babe," is what you let her have. The soft, undercurrent hiss. "Fuck."

You shoot clean up, all thick, hot splatter.

Well, mostly up - along the expanse of her neck and throat, coating where her breasts sit so pretty against the lines of your thighs. Across her sternum and the hollow of her neck - her body's covered in your shared mess: slick-filthy-hot, all strewn across her perfect tits.

"Jesus, Karina, baby you’re-"

"Completely covered in you." She's still smiling. That deep-cut and perfectly symmetrical curl of her lips. The gorgeous fucking shade, and her chin, how her cheeks flush, just a little - they've always turned pink in the most specific places when she gets fucking cum-soaked. “I know, just look.”

And her hands slide across her chest, trailing a path through the thick of your release, spreading the glaze all down her front. Making it messy, making the exact look a guy sees once and is driven to the ends of his sanity - just to spill his load out onto her. To get her all used, and trussed up: just how she likes.

(Sanity is being generous, considering.)

You can't do anything other than what's expected: take her up in a kiss, breathe into the mess you've made on her skin. The gasp is full, surprised - just enough, maybe, to count as genuine.

Such a mess - she murmurs - um, come on then, you can do a girl a favor. Bath bomb, bath towel, bath robe - and really it doesn't have to be a suggestion.

You’ll pin her down and fuck her right over the lip of the tub if that’s what she really wants. Just being in her company is indulgent and excessive and begging you to make a terrible habit of it. Have some self–restraint, she has this tone in her voice sounding more and more like a dare. There's just enough there in her hands: one reaching for you and the other reaching into the porcelain, swirling up the lather - and that look on her face, as if to say, can't believe you have me waiting, like some desperate, depraved pervert - only it’s more explicit than that. Only it feels worse - and her mouth is moving again, speaking into the air that already feels stifling hot, words cutting through the steam: you're not very nice, I mean really, it should come as no surprise how she turns out, having this jerk for a fucking boyfriend- 

Nevermind. Not a dare, it's a challenge. She was right the first day you undressed her, the brattiest girls always have the worst kinds of fantasies, the darkest little tendrils of self-destruction. How she's laying there, asking and telling, pushing and pulling; and how she thinks she's so clever too.

Though that is no reason, she laughs, for you to think she won't love having her pretty cunt cockwarmed and spoiled for an evening or more. - And so it goes, and so it goes, and so it goes, and so it goes.

-

(Really, to Irene’s credit, she had Karina pegged right from the jump. A character study in, well, herself.

She's seen as an ingénue by the press, and an outright savant to the executives. They know her as the obvious successor. They give her the runway, they watch the leggy-girl-turn, the model-posture, chin held high and aloof, looking down at the gathered throngs of photographers.

The protégé, the goddamn heir-apparent:  

But her favorite game - that bit of innocence served on a platter, ingenuous when it comes to spinning a flaw to gold, and the deception too - Karina loves and loathes every second she spends upstage from Irene's own, hectic, international production. Because if anyone asks her, that girl would claim it's never been a competition in the first place. 

So you see, if you and yours have both decided to ruin her-

It is a disaster-in-the-making, isn’t it.)

#karina smut #irene smut #aespa smut #red velvet smut #male reader smut #kpop fanfic #kpop smut

[hopelesslyromanticshark]

hi can i get a percy x daughter of persephone fic where they have been best friend since before camp and are in love with each other and finally confess. p.s. love ur writing

⋆ ˚｡⋆౨ৎ˚ Lotuses, Water Lilies, And All These Lovely Things

content: percy jackson x daughter of persephone! reader fic warning: none???? i don't believe???? author's note: you wanna know what's crazy???? i was fighting for my life to write this and then i put on hozier and it just...wrote itself??? wtf???? what is that man doing to me???? it was actually kinda scary wtf???

look, percy didn't want to a be a half blood. but, he especially didn't want drag his best friend down with him. she was the only one person, other than his mom, who managed to stick around for so long. she bounced schools with him, mostly because she got grouped in with whatever problems percy managed to cause. he felt so much guilt about it, but she'd just wave him off, saying she would have followed him either way.

he couldn't remember when y/n came into his life, it just felt like she'd always been there. they had things they could bond over; she was raised by a single dad and percy was just raised by his mom. she struggled in school, almost nearly as bad as he did. oh, and they both had godly parents.

percy and y/n had been avid summer campers at camp half blood for nearly three years at this point and not much had changed between them. sure, percy had discovered he could control tons and tons of water and y/n's green thumb increased immensely but they were still just each other's best friend.

just best friends. that's it. that's all they're ever be.

at least, that's what you told yourself, late at night, inside your lonely cabin. persephone didn't have many children, as she had grown fond of hades over the years and they'd been attending godly couple's therapy for a few millennia to sort out their issues. you'd purely been an accident between your mother and your father, a florist with an affliction for using fruit in his arragnments. persephone had a fling with him, producing you. strangely enough, hades had no ill will towards you, he even offered for you to stay in the Underworld with your mother during the winter and fall seasons. you'd told him you'd think about it, and to your surprise, you actually had been thinking about it.

while it sucks finding out you were never intended to be born (loose term here, seeing as you kinda just plopped out of a flower), but its better than the alternative, being born for a purpose...like percy. you'd always felt bad for the boy, forced to live under constant expectations of being something great or nothing at all. you didn't know how he did it.

which is why, at every opportunity, you'd bring percy away from the hassle of camp and towards the woods, bobbing and weaving through the trees until you stumbled upon your favorite spot in all of camp. far in the reaches of the forest, a pond sat. it overflowed with life, the monsters purposefully put in camp basically avoiding it. water lilies and lotuses grew in abundance, nearly covering the whole lake. clearly someone had discovered it before the two demigods, a shabby dock put there (clearly not the work of a child of hephaestus). you and percy would just hang out, listening to the sound of the babbling creek and the chirping of the birds. no words needed to be shared, which is why you were certain you loved percy. he made just being...easiler. there was no pressure with the son of the sea god.

"is a hotdog a sandwhich?" percy questioned, breaking the silence, causing you to giggle, basically rolling around in the soft grass. percy looked over with a cheeky smile, his eyes catching on how the grass seemed to chase after you and brush your skin. he never thought he'd be jealous of grass, yet here he was. he wanted it to be his skin that brushed against you, not some flimsy, photosynthesizing, piece of shi-

"hmmm. techinally, yes but my heart says no. pineapple on pizzas? yay or nah?" you shot back and percy shakes his head, trying not to get lost in thoughts of your skin, your skin on his skin with nothing much between them-

"the answer if obviously yes."

"that better be a joke, jackson."

"if you think pineapple doesn't deserve to be on pizza, you are not the person i thought you were," percy mocked back, squinting a glare at the girl, who was struggling to fight her smile down.

"Looks like we can't be best friends anymore," you dramatically reply, pressing the back of your hand to your forehead and pretending to fall back into the grass, which greedily reached up to catch up and gently lay you down on itself.

"shame," percy muttered back, pushing up with one of his elbows and looking over at her, his smile slowly slipping off and being replaced by a more serious look. you raised a questioning brow at him, but your smile was slowly slipping as well.

"what's going on in your head, sailor?"

"we can't be friends anymore," percy replied, instantly, and partnered with his serious face, didn't land the way he thought it would. you were instantly reeling, pulling away from the boy with a hurt look. the green grass turned from a vibrant shade to a depressive green and the water lilies began to drown, dragged down by there own roots.

"wait, wait, that came out wrong-"

"how the hades else should that have come out?" you bit out, glaring over at the boy and tucking in on yourself.

"no, no, y/n, i just- i meant- ugh, this is going terribly," percy groaned, shoving his head into his hands as the grass swiped out at his ankles, trying to give him paper cuts. it all stopped though as you set a hand against percy's wrist, pulling it away from his face and forcing his eyes to glance up at your patient face.

"try again," you offer, nodding your head gently as you rub your fingers over his calmingly

"you sure?"

"i promise you, it can't get any worse than that."

"rude," percy huffed, laughing with the girl for a moment before taking a calming breath.

"i mean it, y/n, we can't just be friends anymore."

"man, you love to prove me wrong, don't you?"

"hear me out. friends shouldn't look at each other the way i look at you. friends shouldn't think about each other as much as i think about you. friends really shouldn't be willing to put their whole lives on hold because one of them wanted to get lost in the woods. we can't be friends anymore because i can't go another moment longer just being your friend when i know i want more," percy ranted, getting lost in his thoughts, his hands moving about nervously and his eyes refusing to meet yours, no matter how hard you tried.

"percy-"

"and i know i'm putting all these years in danger-"

"percy-"

"but if i went another second without telling you, i think-"

"percy!" you all but shout, giggles following as percy physically jolted as though you hit him. he turned to you with wide eyes and a tilted head.

"yes?"

"just shut up and kiss me."

"wha-"

before percy could continue to yap, you jolted forwards, cupping his face and bring his lips to yours. it took percy less than a millisecond to comprehend what was happening and for him to response. he pulled your body closer to his, desperate to use all of his senses during this kiss, in hopes to lock it in even the deepest parts of his ADHD riddled mind.

not that either of you noticed, but the water lilies returned from under the water, bobbing as though they had been held down there against their will. then they began to multiply, the water lilies and lotuses nearly bursting out of the pond with how many of them there were. the pond, which never had waves, was swishing as swirling like a hurricane was wrecking havoc on it and it alone. a foam was building against the bank and riptides could just be seen swirling under the surface.

and then you two parted and the pond settled once more, like nothing had happened. you two shared a soft smile, one of secrecy and exuberance. then, like nothing had happened, you both cuddled back up with the grass, eyes darting up to the sky and silence settling back over the pair.

though, this time, their hands were firmly locked together and the grass was softly licking at both of their hands, intertwining itself to mimic their fingers and hearts.

#postcards from covey ౨ৎ #pjo #pjo fandom #percy jackon and the olympians #percy jackson #percy jackson x reader

[russellsppttemplates]

Keep them away (Max Verstappen)

Even though it was part of his job, Max's rules were clear: no one could get close to you or the children

Note: english is not my first language. A couple of blurbs originated this one! I'm not sure how I feel about it, if I like it or not tbh...

Thank you so much to everyone who likes and reblogs, your feedback is appreciated 🤍 and I'm taking requests so if you have any ideas or concepts you want to share, feel free to do so as I'll try to get to them the best I can!

my masterlist

Tag list: @myloverjk-blog @hiireadstuff @c-losur3

"I want to talk to you about something, liefje", Max said as you walked around the bedroom, laying out your clothes for the next day and taking off the jewellery you didn't like to sleep with.

"Is everything alright?", you asked pulling the covers and joining him in bed, holding his hand in yours and interlocking your fingers.

"It didn't occur to me until last week that now Finn can walk into the paddock without being on your arms or mine, and the stroller can only hide so much, and there will come a time when it will be the same for Julia, and I don't want the kids' faces on media in such a free and uncontrolled way", he admitted.

The last Grand Prix you attended made it real tp you. It seemed such a big step and something you thought people would respect intuitively, but the moment the photographers swarmed you and you had difficulty walking along the paddock to get to RedBull, you had enough.

"Me neither, but I get what you mean. Last week, I had to keep telling Finn to come close to me so I could sort of cover his face", you offered, "is there something we can make for that, though?", you wondered.

"Yes, I spoke to the team and they know about these forms where you can grant photographic allowances to certain photographers if they want to record or take pictures if we go down that route - it states who is allowed and what terms and conditions they can do it in inside the paddock. And there's also one for outside the paddock, if we sign it, it will mean no one can take pictures of you or the kids outside of the paddock and we'll be supported legally in case someone breaches it", Max assured.

"I like the sound of that, it does soothe my heart", you tapped your chest with your palm.

"I'll have them draw up the forms and then we can go over them together and sign then", he smiled, pulling you to his chest.

"I'm not saying we are keeping them away from the world - even though that would hardly be an issue - but having a restricted set of people in who we trust is doable", you mused, resting your head on his chest completely and kissing his skin, "I don't want them to do whatever they please with my little ones", you grumbled.

"Mama bear is out, hm?", Max chuckled, "but I agree, love, I wouldn't want it either".

.

"I can get the stroller, Sophie", you called for your mother in-law, letting her take Finn's hand instead as you walked out of the hotel, Max by your side as you strolled around the ses front, making some time before your lunch reservation.

Max wasn't racing until the next weekend, so you were making the most out of family time you could. To make things easier for you on the flight home, Sophie offered to come with you so you wouldn't have to fly back on your own with two kids since Max was flying straight to the city where the Grand Prix was being held.

"Is she going to fall asleep on the way there?", you peeped at the little girl, eyes droopy even though she tried her best to look at you and Max, "she didn't sleep all that well, so probably", your husband shrugged his shoulders, wrapping his arm around your shoulders as you walked behind Sophie and Finn.

At first, Max thought it was his mind making things up and that people were taking pictures of the beach and the architecture details, so he set his guard down. When you sat down for lunch, though, it was obvious.

"They're taking pictures of us, aren't they?", Max asked as he pointed with his eyes to the group of three people holding cameras, suddenly pulling them from eyesight the moment they saw you both stare at them as one of the waiters came to the table.

"Mr. Verstappen, I'm sorry to bother you, but that group is asking if they can come closer for some pictures and it didn't seem like it was our place to decide that", he explained as Max sighed, "thank you for that - I'll go talk to them just now. We didn't want any of this to happen or for you, your colleagues or your clients to be bothered by this, it wasn't our intention", Max assured as the waiter nodded before excusing himself.

"I'm going to talk to them, I'll be right back", he told you, kissing the top of your head and stepping closer to them.

"Hello, it has come to my understanding - correct me if I'm wrong even though I'm probably right - that you're taking pictures of me and my family, and I won't allow it", he stated firmly but politely, not wanting to cause a scene despite his blood boiling.

"It was just of you, we'll edit everything else out, if we could jus-", one of them tried and Max drew the line there.

"We have made it clear! When my family is in the paddock, Finn, Julia and Y/N can be photographed by a closed group of photographers - and I know who they are because we allowed them and none of you are them! We are outside of the paddock so no one is allowed to take pictures of them to begin with, and then you're disrespecting the other people who work and who are eating here. We have given strict guidelines that are clear as we won't accept this!", Max spoke sternly.

Back at the table, Sophie took the pencil case out of the backpack so Finn could draw while you waited for the food,

"Why is papa talking to those people? Do we know them?", Finn asked, "they're taking pictures of us and papa and mama don't want that, so papa is telling them that", you explained, knowing your clever boy would catch up with it sooner than later and knowing honesty would be the way to go.

"You'd think they would get the boundaries you've set", Sophie told you, "especially with the kids around, it's a no brainer".

"They're always looking for anything to make a big great story of - if those pictures ever see daylight, they'll probably start calling me names and making assumptions they have no business or information to make", you groaned.

Max came back, sitting on the chair you saved for him, "they really didn't want to budge and they kept asking if they could "just take a few more" like I hadn't just told them that what they were doing was breaching agreements", he groaned lightly to make sure Finn didn't hear too much, looking at the stroller to see Julia was still taking a nap.

"Did you see the e-mail I sent you, liefje?", Max asked over FaceTime now that he had wished goodnight to both kids, meaning he had your attention all to himself now.

"I saw it was a statement, I didn't get to read anything else", you added, getting your iPad to read it properly.

"The team helped me make a statement about your privacy and the kids', so nothing else happens again", he stated.

Earlier this week, the social media department at RedBull noticed a photo of you circulating the press platforms, and judging by the location, you were indeed back home and not somewhere in the paddock to surprise Max, making the photo a breach of contract.

"Hopefully they take the hint", Max sighed, keeping his calm and collected attitude he wanted you to have too. For anyone else, Max always seemed rash to the point some considered rude. But when it involved his family, he knew how to go about it, wanting his children to learn and know he was protecting you and how he would never allow anyone to disrespect you like that.

"We'll be fine, and I genuinely hope that, from the way we mentioned legal consequences, people actually take it seriously", you shrugged your shoulders. It wasn't that you didn't care about it, but rather you realized there was only so much you could control, and you wouldn't let that control your life, "we'll see how it goes, okay?", you checked over, "anyway, how does the car look for qualifying?", you changed the subject as the cats sat on your lap.

.

"Mama, I'm scared", Finn muttered, clinging closer to you and hiding his face on your neck. That was all it took for you to let your mama bear instincts out, holding your son as you walked past them, looking for a security member that could escort you to the RedBull hospitality as it was harder to push the stroller when you had to carry Finn as well.

"Excuse me, Excuse me!", you yelled, "I'm sure you know you're not allowed to take pictures, so I would appreciate it if you didn't do it, much less when my children are here!", you spoked, catching a few photographers off guard and the attention of one of the security staff by the entrance.

"I'll help you with her if that's okay", he quesioned as his hand went straight to the stroller, "yes, please", you breathed out, holding Finn close to you and whispering soothing words on his ear, "it's okay, my love, we're okay".

Stepping inside the hospitality, you set your things down and sat Finn down on the sofa so you could get Julia in your arms, soothing her cries.

"Thank you so much, it was getting crazy out there", you said, holding your daughter's head to your chest and bouncing her.

"No problem, glad I could help", the security guard excused himself to go back to his spot as you looked at Finn.

"Are you okay, love?", you wondered as Julia's cries quieted down.

"I didn't like how they were yelling and running", he told you, "I thought papa said they only did it when we were there", he pointed to the people walking outside, "That's true, they shouldn't do it outside", you explained, "I'm sorry they scared you, but you're safe with me and with papa, okay?", you added, kissing his once again on his forehead as Max appeared.

"Hey", he kissed the top of your head, Julia's and then Finn's, "I heard what happened. Are you two okay?", he asked, looking at Finn who pulled him into a hug, "Finn was a bit shaken up by it, but we've taken some deep breaths and we are going to stay inside for today, isn't that right, love?", you saw him nod.

Finn fell asleep on top of him soon after, "I have spoken to the lawyers, they will be taking the legal actions necessary for this situation. Are you sure you're okay?", Max questioned again.

"We are, Max. It shook him up a little bit because they were so close to us - and the stroller could only keep them so far -, and I told them a few times that we were outside of the paddock, but they just wouldn't listen", you frowned, "it's not great, but if this means you guys are safe, I don't care about anything else. I want you safe, all of you", he smiled, kissing your cheek and pulling you so your side rested against his torso.

"I hate having to yell at people, poor Julia just looked at me like I was mad and Finn was a little shaken up", you mumbled, "but they wouldn't move away, no matter how many times I told them to, only when the security guard was near us was I able to free up space from them".

"Don't worry about that, they're the ones in the wrong, not us", Max comforted.

#max verstappen imagine #max verstappen x reader #max verstappen fluff #max verstappen fic #max verstappen fanfic #f1 x reader #f1 imagine #f1 fluff #f1 fic #f1 fanfic

[phoenixyfriend]

How to Call Your Reps About Gaza

I make a lot of posts telling you to call your reps! Anyway, here's the overall shape of how to argue to them.

Disclaimer: I am not in politics. I do not have experience as a staffer. I am just someone who cares a lot about where things are going, and wants to help. Also, this is specific to the US, because that's where I'm based. Hopefully, people with expertise can add more suggestions on.

Find your elected officials.

My Ko-fi: this took me two days to write up, so uh. If you've got a few dollars, send them my way so I can keep doing this sort of thing, and maybe move out of my parents' house sooner.

General tips:

Be polite, or at least civil. Do not swear or shout at whoever answers the phone. This will quite possibly get your number blocked. Fifty civil calls over the course of several months will do more than one where you shout. You can be frosty, you can say you are disappointed, you can say you find the actions of your reps to be reprehensible or morally bankrupt, sure. But keep calm and aim criticism at the rep, not the staffer.

Keep it short. The staffers who answer call centers are busy. They usually start trying to hurry me off after about two minutes. I've yet to manage a call longer than four or five minutes. Pick one or two topics for the day, and focus on those. Cycle through them every time you call. Stick to just one from day to day if it's a large, ongoing issue like Gaza.

Plan for voicemail. I get voicemail more often than not. My House rep usually has a staffer free, but the Senators are almost always voicemail. This will give you a minute and a half max. Be ready to get your point squeezed into that.

Only call your representatives. The important, powerful word here is "constituent." You will be ignored or even counted against if you are from a different district or state. The first thing you start with is your name and address. A staffer will ask for the information they need. On voicemail, leave your full name, your city and state, and zip code before you go into your message. Do not lie, either. They look these things up in the system when you call. I'm not sure how--I think maybe they have access to a database of registered voters--but every time I call, they ask for my last name and address and at some point say, 'oh, yep, I've got you right here,' which indicates a database of some sort.

Research at least a little bit about their opinions. If they already agree with you, then it's much easier to leave a quick "I support you and want you to know that" to combat anyone who's arguing from the other side. If they don't, then you're best off finding out what specific issue they have so you can know the best kind of comment to leave.

Look up specific bills or arguments. I get daily emails from GovTrack about bills that are on this week's docket or have been voted on in the past day. IDK about anyone else, but being able to say that I disagree specifically with HR 815 or something makes me feel powerful, and possibly like I will be taken more seriously. Sometimes you can start with articles like this one, which include links to specific bills on the official congress website.

Email after if you can. Reportedly less effective, and takes longer, but you are more likely to get a written (canned) response, and it reinforces whatever you called about.

Basic structure of a call, at least as I've been doing it:

"Hi, my name is ____ ____, and I am a constituent from [city, state], [zip]. I am calling to express my opinion on [topic]. I am concerned about [short argument with a clear impact on the topic]. I ask that you support [measure or fellow congress member]/vote [yay/nay on specific legislature]. Thank you for your time, and I hope you keep my opinion in mind."

For this post, the topic can be stated as the war in Gaza, military funding for Israel, or unrest in the Middle East, depending on which you think your elected official will respond to best. That said, the structure should work for whatever your call is about.

Arguments to use against your elected official... or your on-the-fence cousin:

I'll be honest, some of these are not going to do much against your representative. They know the arguments, and have been going over them with each other for months. You just need to have one locked and loaded that they consider relevant instead of a nonstarter, in order to back up your opinion as 'founded' instead of 'nonsense, can be swayed with a good marketing campaign.'

I'll include explanations if I don't think something is self-evident (or needs more evidence to tell your cousin), but in most of them I'll provide some suggested verbiage that you can tweak as needed, and for a few of them, that's really enough.

THESE ARE FOR THE TOPIC OF CONCERN, ONLY. You still need to end each one with "I ask that the [official] votes to [action]" at the end. Give them something actionable (example from Feb. 13th). My go-tos right now:

Both chambers: Reinstate funding for UNRWA

Both chambers: Place mandatory restrictions on any aid to Israel, with contractual threats to cut funding if Netanyahu and his government continue to disregard civilian life

Senate: Put support behind Bernie Sanders and his motion to restrict funding to Israel until a humanitarian review of the IDF’s actions in Gaza has been completed (S.R. 504) (Tabled by the Senate on 1/16, but it is being brought back in as conditions continue to escalate)

House: Put support behind Rep. Rashida Tlaib’s petition for the US government to recognize the IDF’s actions in Gaza as ethnic cleansing and forced displacement, and put a stop to it.

House: Put support behind H.R. 786, introduced by Rep. Cori Bush, calling for an immediate deescalation and cease-fire in Israel and occupied Palestine.

What Not to Say

"There is no threat to Israel." I've talked about this elsewhere, but the short version is that this will be basically laughed out as you not knowing what you're talking about.

Anything generically antisemitic. (I mean, it might work on some of the white supremacists, but do you really want to encourage that thinking? No, so don't do it.)

Facts that you "heard somewhere" but cannot find a reliable source for. If it's being reported by the New York Times, NPR, or the BBC, it's probably trustworthy by government standards. If it's not a super common statistic, cite the journal you got it from by name. Remember, you aren't arguing to tumblr mutuals. You are arguing to your elected official or your 'I don't really pay attention' cousin. When it comes to this, big name news sources are better.

Unrealistic demands for complete isolationism, permanently abandoning Israel to its own devices, supporting Hamas, etc. Again, you will not be taken seriously. Pick an argument they might actually listen to, and use it to press them towards a possible solution. You want them to believe that if they adjust their position, they will be doing the will of most of their constituents, and thus more likely to get reelected.

The Ethics Argument

Third-party reporting has stated that that nearly 29,000 Gazans are dead since Oct. 7th, as of 2/18/24. The vast majority of those are civilians, and over half are children. Palestinians in Gaza are facing an acute hunger crisis threatening to become a full-blown famine.

The International Court of Justice has found that there is credible reason to believe that the state of Israel is committing a genocide against the Palestinians of Gaza.

This does not mean that every single Israeli is complicit. It does mean that the government, particularly Netanyahu and his associates, has been reprimanded by a large, diverse coalition of countries, and has consistently refused to listen to that court since.

This argument will possibly work on your cousin. Less likely to work on your elected official. They already know the numbers. I just wanted to get it out of the way first.

The Re-Election Argument: Michigan vs New York

Meanwhile, this is possibly the most effective. Again, this is not an argument of ethics. This is an argument of "how can I make my elected official do what I want." We do not use only the purest moral argument. We use what works.

What to say to your elected official: Michigan, as a swing state, was won by democrats on the power of the Arab-American vote in the 2020 election. We (either party) are at risk of losing Michigan due to the current Congressional approach to the Gaza conflict, as that demographic is now polling as likely to abstain from voting entirely. The risk of losing several congressional districts due to the Jewish vote is a real one, but the risk of losing the the executive branch is greater, especially after what we saw with Suozzi. Supporting Palestine might lose us parts of New York, but supporting Israel will lose us Michigan.

Explanation: Something that has been taking up a lot of time and space in the election coverage is the situation in Michigan, and more recently, there has been attention paid to the special election of New York's third district, AKA the "who gets to replace disgraced George Santos" competition.

Michigan is traditionally a swing state. While 2.1% doesn't sound like a lot, that is some 211k-278k people (depending on your source), and while not all of them can vote... Michigan was won by about 154k. Arab-Americans are not the only relevant demographic, but they sure are an important one, and they are vocally opposed to the situation. Approval has dropped from 59% to 17%. From that same article:

As Axios notes, Biden won Michigan in 2020 by 154,000 votes, but there are at least 278,000 Arab Americans in Michigan. Biden took Arizona, a state with an Arab American population of 60,000, by only 10,500 votes. In Georgia, Biden prevailed with a margin of 11,800 voters, in a state that has an Arab American population of 57,000.

Democrats cannot afford to lose these states. Pressure your congresspeople about that, especially if you live in one of those states. I assume most Arab-Americans in said states are already calling every day; the rest of you can join in.

Meanwhile, most Jews (considered the most pro-Israel demographic by strategists) in America are concentrated in a very small number of electoral districts. Of the twenty most-Jewish, ten are in New York, which is why I put it up in the section header.

One of those districts was won by a Republican in 2022: George Santos, New York's third congressional district. Following his scandals and ousting, the seat was up for a special election, and the two candidates were Tom Suozzi, a democrat who held the seat previously (he decided to run for governor, and lost), and Mazi Pilip, a Nassau county legislator who was of Ethiopian Jewish background and had been in the IDF. She ran on a campaign that leaned strongly pro-Israel and anti-immigration, and when Suozzi won, she interrupted his victory speech to accuse him of supporting a genocide against Israel due to his rather centrist, rather milquetoast stance on the conflict during his election campaign.

Now, Suozzi's win probably had more to do with Pilip being anti-choice than her pro-Israel arguments, but he still won.

Democrats can better risk possibly losing a few seats in NY than definitely losing three swing states.

"But I don't want Dems to win their districts after what they've been--" Nope. Listen to me. Surveys indicate that Republicans are on average more pro-Israel, because Trump and Netanyahu are buddy-buddy, and we do not have a viable third option.

Also, again, this is about convincing Dems to be better. "If you do not vote to put restrictions on funding to Israel, I will not vote for you in November" is a lot more powerful than "I will not vote for you either way, because of what you've been doing, but you should do what I say anyway."

The Re-Election Argument: Risk of Escalation

So, that thing I said about Trump and Netanyahu?

Yeah, so, while Biden is giving Israel military aid while cautioning them to slow down and be careful, Trump is... complicated, but suffice to say he's much closer to Netanyahu on a personal level than Biden is. Biden's relation with Netanyahu is reportedly pretty frosty, while Trump's is based on relations through the Kushners.

Just from wikipedia:

Netanyahu made his closeness to Donald Trump, a personal friend since the 1980s, central to his political appeal in Israel from 2016.[21] During Trump's presidency, the United States recognized Jerusalem as the capital of Israel, recognized Israeli sovereignty over the Golan Heights, and brokered the Abraham Accords, a series of normalization agreements between Israel and various Arab states.

Trump's been more all-over-the-place recently, badmouthing Netanyahu for being what Trump perceives as a loser, which complicates understanding what his approach is. It's kind of incoherent right now.

Given Trump's general history of being pro-Israel, though, and the attempts by House Republicans to push through a bill of unconditional funding for Israel. It failed, but notable is that the more recent bill passed in part because it was paired with aid for Ukraine and Taiwan (something Dems are much more invested in having happen).

What to say to your elected official: If Trump is reelected due to his current appearance of being more critical of Netanyahu, there is evidence from his presidency to indicate that he will support Israel much less critically if elected. While he claims to want to settle the Middle East, it seems incredibly likely that he will worsen the situation for Palestinians, and ramp up retaliatory strikes to groups like the Houthis in a manner that will impact non-military parties, igniting tensions that are already tenuous.

The Disrespect/Wild Card Argument

This particular argument is best used against the Very Patriotic Politicians who are more concerned with the US's image and Being The Alpha Nation than with other things. Basically, this might work on Republicans.

This isn't really something I believe in, as a matter of foreign policy, buuuut it might work on your rep, so. Consider it!

What to say to your elected official: With Israel's recent actions in ignoring Biden, blocking US-sent aid like those flour trucks that got stopped at the Rafah border because they'd be distributed by UNWA, and generally Disrespecting The USA and Being Unpredictable is not only making the US look bad for being unable to wrangle a smaller country, but also making it so we are less able to wrangle other countries in the future, because Israel cannot be predicted and might set someone off.

The Europe and Reputation Argument

What to say to your elected official: The United States is losing credibility as a world power known for its military and ability to manage international disputes on behalf of the UN, because it is seemingly unable to influence Israel, and losing credibility as an upstanding moral state that is not doing foreign coups and banana republics anymore, as it appears to be tacitly supporting Israel's ICJ-labelled genocide, which is a really bad look with the other Western Powers.

I'm not entirely sure who this might work on, but there's gotta be at least a few politicians who are really concerned about America's image, more than about actually doing the right thing. Figure out if your politician is one of them.

If necessary, you can bring up how Trump is threatening to pull US support for NATO if Russia attacks someone.

The Middle East Stability Argument: Iran-backed Militias

What to say to your elected official: I'm concerned that the continued support of Israel, and thus the funding of their actions in Gaza, will increase the instability of Iran-backed militias, as we have already seen with the Houthis and Hezbollah. Entire Muslim-majority nations are showing increased displeasure not only with Israel, but with the US by extension. We cannot afford another war in the Middle East when we haven't yet pulled all our troops from the last one, not with the recent and recurring economic recessions. Any situation would also very likely be complicated or inflamed by the growing tensions among Eritrea, Djibouti, and Ethiopia regarding Red Sea access as well.

Use this on the ones that claim to be pro-military or pro-veteran. See what they said about HR 815 before the foreign military funding amendment was added.

The Middle East Stability Argument: Egypt

What to say to your elected official: Egypt's government has been unstable since the Arab Spring, and even now the military government is incredibly unpopular. With that existing instability, the addition of economic strain from the reduced usage of the Suez canal, the international disputes occurring because they're the main throughway for aid into Gaza, and the threat of a sudden influx of nearly one and a half million Palestinian refugees should Israel continue to push south... Egypt is looking at a possible near-collapse as we've seen in nearby nations suffering similar instabilities.

Explanation: It took several years for Egypt to really start recovering from the revolts in 2013, and it has applied for four IMF loans in recent years. The current government is unpopular to such a degree that they are looking to build an entire new capital from scratch in the middle of the desert so that they're less open to the risk of civilian uprisings; one of the primary causes for civilian dissatisfaction is economic issues.

Due to Houthi attacks at the Bab al-Mandab Strait, traffic through the Suez canal is down massively, and since the canal "represents almost 5% of the GNP and 10% of GDP and is one of Egypt’s most important sources of hard currency." (src) Various sources are reporting that trade through the canal is down 40-50%, which is putting more strain on the already unstable economic and political situation.

Finally, Egypt's population is about 110 million, but the governorate that shares a border with Israel and Gaza, North Sinai, has a population of barely 500,000. A push of one and a half million starving, injured people will, very suddenly, nearly quadruple the population of the governorate, and require extreme aid response from Egypt's government to keep alive and prevent a larger crisis in North Sinai and neighboring governorates.

The Middle East Stability Argument: Normalized Relations

What to say to your elected official: I am concerned that Israel's continued attack on Gaza is jeopardizing any chance of normalized relations with the Arab states in the future. American has put a lot of work into trying to get these various countries to normalize with Israel, and our funding of the current attacks on Gaza are sabotaging all that effort.

This one can be combined with the Iran-Backed Militias argument: Israel, in pursuit of revenge against Hamas, is setting itself up to be in more danger long-term, rather than less.

The International Trade Argument

What to say to your elected official: I am concerned about how the war in Gaza is impacting international trade and shipping costs. With the Suez Canal down to half its usual capacity and the Panama Canal raising costs and dropping capacity in response to the water restrictions, along with rising fuel costs in Europe and Asia, global trade is incredibly strained. We are being relegated to the Cape of Good Hope, Cape Horn, and the Malacca strait for much of intercontinental trade, and the macroeconomic projections are looking very bad for America.

The Domestic Economics Argument

What to say to your elected official: Many of the plans for Israeli military funding cause damage to other parts of the budget. For instance, a recent plan put forward by the Republicans of the House suggested IRS cuts in order to move that money, a plan which would impact the US budget negatively in the long term; we need those 14 billion being spent domestically, not supporting an overreaction/possible genocide in Gaza.

Explanation: In general, pick something receiving budget cuts that your congressperson will care about. I care about IRS funding, and saw it mentioned as a target in an article, so that's what I've got in my suggested verbiage up there.

The fewer people that are working for the IRS, the more they focus on auditing poor people (simple, easy taxes) and the less they can effectively audit rich people (complicated, time-consuming taxes), which means rich people are more likely to get away with evading millions or even billions in taxation. So yeah, you want more funding in the IRS if you are poor. They are already auditing you. You want them to audit the big guys.

The Russia and China Argument

What to say to your elected official: I am worried that the current focus on funding Israel without restriction is causing us to lose sight of the international threat posed by Russia and China. Russia is actively invading Ukraine, which continues to put massive strain on the European economy with regards to oil prices, especially with the Suez situation, and China has been testing missiles near Taiwan, and thus testing US responsiveness to those threats, for months now. We cannot afford to support an internationally unpopular war if we want to remain ready for Russia and China.

This is less likely to work on Republicans, since Trump is friendly with Russia, but hey, give it a shot if they're one of the ones who aren't fully in his camp.

EDIT 2/22/24: I'm a bit unsure of this tactic, but I'm putting it out there with hopes that someone with more political experience can offer feedback:

"Congress, and the US government in general, has promised to sanction Russia for the alleged assassination of one man within a week of the suspicious death, after five months of refusing to enact even slight consequences on Israel for the deaths of nearly thirty thousand, half of which are children. This is ethically questionable at best, but for the interests of elected officials, it is a very bad look. The mismatch shows a massive bias by the American government in regards to Israel's ongoing mass murder, with over two million facing famine as a result of Israel's aid blocking, and America's reputation on the world stage, as well as individual politicians' reputations domestically with constituents, is plummeting."

-------------------------------------

Finally, my ko-fi again. I spent a long time on this and I'd like to move out of my parents' house sooner rather than later. If you appreciate my time and effort, please feel free to donate a couple bucks.

#current events #palestine #israel #gaza #death tw #activism #united states #free palestine #politics #benjamin netanyahu #pro palestine #israeli propaganda #propaganda #phoenix politics #international politics #domestic politics #egypt #russia #china #donald trump #michigan #new york #tom suozzi #mazi pilip

[kindestegg]

The plush under Collector's bed: A totally necessary analysis, trust me

So, as a recap of this scene, before King leaves to visit Eda and Lilith, Collector asks King if he could sleep with François that night.

King reminds Collector that only himself and Luz can hold François, and Collector obliges but asks that he at least leave François there to "watch over him", claiming he "doesn't like being alone".

King does so, and Collector seems satisfied. It's very telling of Collector's development that they never touch François after this interaction, showing respect for King's boundaries.

... Except! This sweet little angel is actually a master trickster! A liar and a fiend!

He had a plush under his bed the whole time!!! In fact I'm pretty sure every shot of their little bedroom planet has the underside of Collector's bed obscured UNTIL King starts to leave and we pan to see the beds from an angle which reveals the plush!

You know what this means, right? Collector could have easily pulled his plush from under his bed and cuddled up with that if he hated sleeping alone so much, but he didn't. Why?

Well, I don't think he was lying about being lonely. Loneliness seems to be a prominent common theme for Collector, both declaring his loneliness back at the start of O' Titan, during a vulnerable moment where he didn't expect anyone to hear him, so he'd have no reason to lie there...

And then also having this acknowledged by King in the current episode, who has been living with him for about two months now, so he would know Collector's state of mind better than most here.

So... what gives? Was Collector really only out to force King to give François to him? Why?

Well, my current theory about this is what François means in this scenario: a connection to King. We know François is very important to King and King does not hide this when he expresses to Collector how he won't let them hold him.

To Collector, being able to sleep with François is the ultimate foolproof way to ensure King won't leave them. First, if King eventually lets them hold him, it signifies King would trust them enough with this and hold them to a regard as high as Luz, which we know Collector seems to be jealous of. I... just realized I should probably analyze that too, huh. Well, all in its due time.

And second, even if King won't allow them to hold François, but leaves them close to Collector in their room, that already acts as a guarantee. A guarantee that King will come back for François eventually, that King won't leave them to sleep alone the entire night.

Whatever the case, François is a symbol, a meter to test their closeness for Collector and King, and considering how many times Collector has lost people they considered friends before (whether those were real friends - in the case of the titan babies - or not - in the other collectors and Belos' case -) and have been double crossed by Belos, it's no wonder they have trust issues and want to make sure King does care about keeping them company.

So... that's it, then? He probably threw his original plush under the bed and then lied to King he lost it and is now constantly trying to get King to let him either hold François or at least keep him close to him as a connection between him and King?

Well... yeah, but if you'd allow me, I'd also like to talk a little on the symbology of the plush here. You see, while we can't make out the full of what the plush looks like, it appears to be some sort of canine with pointed ears and a poofy tail. Maybe it could be a titan, even a plush replica of King, but... I don't think so. There seems to be no stitching around the neck to signify it has a skull like titans do.

See, I think this is a fox plush. And why it is important in a metatextual sense that it is a fox requires a look into lots of different possibilities, each enriching the narrative in a different way.

For one, in popular folklore, foxes are seen as tricksters, lying and cheating their way into what's most convenient for them. Villain or hero, the fox is always winning people over through tricks.

This would align with the very nature of the plush being thrown under Collector's bed: it calls back to the fact he's tricking King with this. And yes, while Collector does have his problem with "fibbers", I don't think he's above more harmless tricks, we've seen him joke around with King before, purposefully feigning ignorance to mess with him, and the very nature of how he splattered Belos was through him lying that he wasn't mad. He may dislike it when a major lie is told, but little lies and sarcasm are no stranger to him.

Another possible connotation is the fact that rabbits and foxes are naturally prey and predator. François is a rabbit, Collector's plush is a fox. King, the member of the species that was hunted by the collectors, holds the prey animal, while Collector holds the predator animal...

The position of the plushes is also important here if we go with this interpretation: François is on top of King's bed, indicating he does not conceal he is the prey here and is well aware of this. He says so as much: "this whole time I was scared of making him mad". In general he behaves like a scared animal around Collector, despite their efforts to put them in equal grounds and the fact they have spent so long together and made considerable progress in their friendship.

Collector's fox on the other hand is under their bed, signifying Collector has concealed their fox, or maybe more appropriately, buried and left the fox behind. They may be part of the species that wiped out all the titans, the predators that so mercilessly hunted King's species as prey, but they want no part in this. Their backstory seems to involve wanting to play with titans and denouncing the other collectors after all, likely being bitter at them for ruining everything and hunting their new playmates to near extinction.

Alternative readings also include a few possible pop culture references. A possible one is the prominent role of the Fox in the Little Prince. While Hunter is the one who has been nicknamed "little prince" by Darius, Collector still seems more thematically similar to the character, being a child who came from space:

The similarity also hands itself to the fact King does somewhat resemble a fox with his canine qualities and fluffy tail, and in the story, the Fox was one of the first friends the Little Prince makes on Earth, and the one to teach him how to approach someone who does not trust you yet, to "tame" them.

Yet another possible reference this could be is the Disney movie "The Fox and the Hound":

Which seems like something I should frankly make a whole separate post comparing the eerie similarities it harbors to the current dynamic Collector and King hold. But to summarize, if you don't know the movie, it follows a hunting dog pup and a fox pup that become friends at a young age, and their friendship must overcome advertisities unique to their species.

If this is a reference to this particular movie, this once again has a different reading: Collector is clearly the hunting dog here, not the fox. For him to keep a fox under his bed would signify he wants to keep King close to him, safe under his bed and protected. This could even be a call back to the very last scene the titular fox and hound in the movie share: Copper, the hound, positions himself above the fallen Todd, the fox, protecting him. The plush being under the bed to mirror this would make sense.

Whew! I think that's everything that I had in mind to comment on this particular tiny easter egg. Whatever meaning you take from this about Collector's mysterious plush, I hope I could at least inspire something in you!

#the owl house #the collector #toh collector #king clawthorne #toh theory #toh analysis #toh spoilers #Commander's orders

[ms-demeanor]

hello! sorry to bother w this but im sort of desperate at this point. given your post about school abuse: so like. i had a similar experience and i thought that i had sorted my brain out. BUT. big but. now im trans and every time i have to correct people w/ misgender or come out to people that i dont already know their opinion on the issue, i get an anxiety attack that makes me unable to do it. ive told many therapists and no one so far has understood why im terrified of making stuff that other people can perceive as me being difficult to work with. would you have *any* advice? thanks!

Okay so first of all it is totally valid to feel that way; that isn't an irrational response, that is your body and brain going "!!!! I have learned this lesson before!" But just because it's a sensible response doesn't mean it's functional in the long term, which is why it needs to be addressed (which I'm sure you already know, I'm just explaining for people in the back).

So now here is some meandering advice:

Spend time with people you already know you can trust. It's okay to take a break from new people and situations (as much as is possible) when you are processing traumatic events and learning to care for yourself. Spending time with people who you don't have to come out to, who don't misgender you, can help you normalize being out and correctly gendered to yourself.

Recognize that you don't have to be out to everyone and some assholes aren't worth it. This is going to depend some on the context, but you don't owe everybody an explanation for yourself and if people repeatedly misgender you after being corrected you may just be better off not spending time around those people.

Loop in trusted people in low-stakes ways. If you get the sense that someone who you think is pretty safe has misgendered you on accident, it might still feel too intimidating to correct them in person but it might be a good idea to follow up with text or a call or a message to say "hey, just FYI, I think I heard you use a/b pronouns for me earlier, I just wanted to let you know that I use c/d pronouns. Did you want to meet up again next week?" the breakdown on why I think this is effective is - Distance means you're safe - nonthreatening "FYI" means you aren't saying "I'm offended" and assumes good faith from the other person - feels less accusatory (not that you need to tone police yourself, but if you're trying to lower the stress level overall then assuming it was a mistake and letting them know you don't think it was on purpose should reduce the overall tension) - request to meet up again or topic switch to something lighter once again says "I'm not mad, that was just regular information, we can now return to our scheduled programming"

I think that, generally speaking, this is also a decent way to come out to people if you're nervous; physically remote and emotionally casual can be a good place to work from (even if you're actually panicking in your head but you can pull off casual in a written message)

Find (or create) a space where people are 100% going to support you. If you need to create a discord server, if you need to schedule a regular coffee date with trusted friends or family members, whatever it is, give yourself a space where you are unconditionally supported and can have people to bounce ideas and concerns off of. Even if it's just you and one other person, it's good to know you have *someone* who you can say "I think I want to tell this other person to use my pronouns but it's scary" to and know that you're not at risk in any way. I'd say try to make sure that you're still interacting with people outside of that space, but have a space to retreat to where you can just drop the worry.

Recognize that somebody else's problem is not a reflection of you. If you have, for instance, a coworker who is being a piece of shit and refusing to recognize your gender, that is not a reflection of your gender that is a reflection of them being a piece of shit. If there is a classmate or a sibling who uses the wrong pronouns after being corrected that doesn't mean you're not entitled to your pronouns that means they are being a piece of shit. Some people are just not going to accept you and that's on them. Try to minimize your time spent with them and if you have to spend time with them at work take steps to ensure your safety, but don't fight losing battles with assholes.

It really is legitimately scary. You have good reasons to be scared and you are doing a very frightening thing (and not to do the meme thing but you are legitimately being so brave about it; the fact that you are reaching out and asking anyone for help, including randos on the internet, means that you are taking steps to doing the scary thing and that is SO GOOD and I'm really proud of you for making the effort in spite of the fear).

Here is some less meandering advice:

Practice. Talk to yourself in the mirror, practice with friends, practice with your therapist. Practice coming out to yourself in a casual way. Practice correcting your pronouns. Practice an introduction for yourself that explains the information you want to give to new people you might meet. Get it down to a quick little patter, get it to be something that's easy to say to yourself in the mirror first, then try it with friends for practice, then try it around the safer people you might want to give the information to. It'll get easier as you go.

Look for a local support group (or an online support group). If there's a local LGBTQ+ center you should see if they've got events going on or a support group you can join or workshops or any manner of social thing where you can go interact with people who have been through similar stuff.

Journal. Each time you find yourself frightened of talking to someone about your gender, do what you need to to get through the day and then sit down and think about that interaction. Write down what happened, write down what you were thinking. Was there something in particular that made you anxious? Is it something you can practice addressing? Was there something you noticed about the person that made you uncomfortable? Is that a common thread in the times you have trouble talking about this? If you're able to narrow down specifically what is making it hard to speak to some people that might make it easier to explain to therapists but will also make it more actionable for you.

Here's some very optimistic advice:

If at all possible find a friend who will be rabid and unflinching in their support for you and hang out with them around new people. Get yourself an attack dog copilot who will cheerfully step up and make corrections for you. I know not everyone can do this and I know that if you can find someone like this they can't be around all the time, but it can be wonderfully reassuring to find that one person who you know is going to be ride or die about making sure that everyone in the room respects you. (Being that person for someone else can also teach you how to be that person for you)

[ghouljams]

Please, dearest parental figure, can we get a snippet of moon and soap after she has decided to come plop in his lap? I love the feral cat metaphor so much.

(Totally don’t have to if you’re not in the mood for it of course)

Yeah let's do some Soap POV cuz I love writing for the boys.

The living room is dim save for the flickering light from the television. Soap leans against the arm of the couch to avoid getting caught in the lovey dovey vibes emanating from the other side of the couch. Ghost takes up enough space on his own without Goose cuddled up next to him. If he cranes his neck he can see you popping popcorn in the kitchen, you lean against the counter in a way he thinks might be unbecoming of someone pretending to be a nun. It's more interesting than the movie anyway. He watches you with his hand against his cheek, and wonders if you're ever going to get it through your head that he's serious about you.

For fuck's sake there's only so much room a man can leave for Jesus before he starts assuming you don't want anything to do with him. Or, nothing with any feeling to it. It's all good fun sneaking around but at some point a fella has to wonder if you're just in it for that, fun.

You're so pretty. You're so damn pretty. Fearless, stubborn, always thinking you know best and so fucking- God. He must be crazy to love you like this. You certainly aren't as consumed by it all as he is. Prickly little- You take the bag from the microwave and dump it in the previously full bowl, stealing a few pieces for yourself. Soap doesn't bother to hide his staring when you catch his eye, he smiles, and watches your expression soften a little before you can catch it.

You make your way back to the living room and hold the bowl out to Goose, who takes it graciously, never taking her eyes off the movie as she grabs a handful of popcorn. Soap assumes you'll take your seat in the armchair again, cozy yourself up with one of the blankets. Maybe you'll even fall asleep, then he could have a reason to ask you to stay the night.

The wheels are turning in his brain, churning out plans and casual asks, when you sit on his lap. Every muscle in his body tenses, too afraid you'll move to even breathe. Move you do, settling a hand on his knee to find a comfortable spot and driving an anxious affectionate stake even further into his heart. You mumble something and start to stand again, Soap can't let that happen.

It's a gamble pulling you to lean back against his chest, spreading his legs a little wider to give you room as you tense under his hold. Out of the corner of his eye he sees Goose move her legs over Ghost's lap, his hand holding the outside of her thigh to give more room. Damn good friends, Soap thinks to himself. You're another issue, settled in his lap, legs neatly between his, and still as tense as a man waiting to be executed.

"Sorry, I'm not," you mumble, a hand on his thigh, a threat that you might try to get up again, "I'm not good at this sort of thing."

"Couldn't give a rat's ass," Soap tells you, quiet as he can manage. He can't make you relax but he can certainly make you more comfortable. He can settle your head against his shoulder, box you a little closer to the arm of the couch, rest his hand on your knee and rub his thumb against the cotton of your pants until you go boneless against him with a soft sigh. You certainly don't feel bad at this, whatever this is. Cuddling, God you're so- Overthinker, he's adding it to the list. Fearless, stubborn, smart-ass, overthinker.

You press your face a little closer to his neck, grip his shirt between your fingers. Cuddly little thing. Soap turns the kiss your forehead, wraps his arm around your shoulders instead of just letting you rest against it. Just like that, he thinks, isn't that nice? All cuddled up like a proper sweetheart.

Just for him. You don't have to be sweet for anyone else, and he sure as hell isn't going to ask you to be. But maybe once in a while you can be sweet for him.

You pull back and Soap's arms tense around you before he feels you touch his jaw. Gentle fingers that draw his attention down so you can kiss him, soft and slow. Christ if he could marry you on the spot he would. Goose can notarize, Ghost can witness, all he needs is a priest. Where the hell is Gaz when he needs him?

"Comfortable?" He asks when you pull away and tuck your head under his chin.

"No." You don't make a move to leave his lap, but Soap didn't think you would. Getting a proper yes out of you is like pulling teeth. He doesn't mind though. You're cute when you try to lie to him.

#oc: moon #cowboy!Soap #oh boy oh boy she is never getting up #i think Moon falls asleep like 5 minutes later and Soap just screams internally the rest of the movie #hes big and warm and comfortable i wanna fall asleep on him too #he carries her to bed and just!!! hopes he can wake up to her in the morning #Moon is mortified that she fell asleep #but as soon as Soap sits down shes perched on his knee #she grabs his arm and presses close when he stands in the kitchen #she ducks under his arm to hug him close when she spots him in public #drags him down by his dog tags to kiss him #insatiable thats what Moon is #johnny soap mactavish x oc #johnny soap mactavish x reader #johnny soap mactavish #soap x oc #soap x reader #f!oc #f!reader #soap mwii

[crazyyluvr]

Ahhhh that Jason fic was so good! I loved how you write him so stern and caring!

I was wondering if you could do another Jason fic where reader is sort of working herself weary, maybe she feels like she has something to prove especially with how powerful everyone is so she’s been volunteering for watches and missions and helping hedge and just everything she can around the ship and she starts to crack a bit so everyone tries to get her to take a break but she’s super stubborn and no one can except Jason on like his third try she finally gives in and rests?

(Like when he told Hazel to eat in your last fic, sort of that vibe it makes me weak in the knees!)

pairing: jason x gf!ares!reader

summary: Jason notices you're overworking yourself again, and despite him and everyone on the Argo II trying to tell you to take a break, you never really sit your ass down until he finally convinces you to do so.

genre: angst/comfort

wc: 2.6k

warning/s: cursing, fem reader, she/her pronouns, overworking, jason being stern, stubborn reader, mmm godly father issues, breakdown

note: thank you for your request anon!! i hope it's fine that i made this one kind of a continuation of this oneshot, but it can be read seperately. enjoy!

oneshot under the cut :: not edited

Jason always admired your hard work and determination.

Sure, you were constantly aggressive about it and telling everyone to fuck off if they complimented you on that, he still considered it one of the countless things that he loved about you.

But of course, there were times where that hard work and determination would lead to something unmanageable, like your tendency to overwork yourself.

You were an expert at hiding it, but Jason knew that beneath your tough and angry exterior, you always felt like you weren't giving enough despite giving a little too much already. You were a daughter of Ares, and your godly lineage didn't grant you much except for anger issues.

You weren't as good with weapons as your siblings. You definitely weren't as good at anything as Clarisse, your half-sister and your dad's favorite kid. Actually, all your other brothers and sisters had at least some sign that Ares acknowledged their existence. You on the other hand got nothing except that you could reach your boiling point seven times faster than the average person.

They have to thank Jason for being there to calm you down, because they all don't just feel like, but they know that if he wasn't with them, the ship would have sunk two days in the water or air.

They never really expected you to be the type to give all — and I mean, all your energy into whatever you need to do.

Replacing the ripped sails after a battle with some pirates? Step back. If not, you'd just push any one of them out of the way and grab the new sails from them and replace it on your own. Frank was a constant victim, despite being the burliest of them.

A large tentacle wrapped around the ship? They don't dare to think about chopping it into pieces before you came in, sword weaving through the monster like it was made of clay. Percy steps out from below decks to give the monster a little chat but slips on the blood it left in its wake.

Zeus/Jupiter decided to fuck around with them and send a lightning bolt striking almost right beside Percy? You'd immediately push him into the nearest demigod's arms and put out the fire yourself before the water boy could even process what was happening.

Even the simplest tasks around the Argo II, like cleaning the stables, rearranging the medbay, cleaning up the kitchen either after a meal or after the ship was constantly swaying and made a mess of fallen plates and food, you'd curse someone out just for trying to grab a broom or open their mouth to tell you that they can do it instead.

Jason was no exception to this treatment, and he didn't expect to be; he just wanted to make sure that you knew your limits as well as he did.

"You're low on medical equipment," Hedge grunted, stepping into the small dining room one afternoon while everyone was eating lunch. "I'm gonna go restock it."

Today was a slow day for the eight demigods, and they were grateful for it. All they had to do was the usual chores before they could chill anywhere on the ship.

Which is why no one was surprised you were the one who wanted to break the mundane routine. "I'll go with you," you huffed, standing up with your plate in your hands, maneuvering around the short half goat man to put the dirty dish in the sink. "I'll make sure your stupid fur brains doesn't get the wrong shit."

"Us satyrs are damn good healers, mind you!" Hedge bleated angrily.

You rolled your eyes. "Yeah with colored leaves and rituals and shit."

Before Hedge could retaliate, Annabeth stepped into the conversation. "You should rest today. I can go with Hedge and help him pick out the right items."

"No need, Brains," You shot her down. "I can do this. Are you suggesting otherwise?" Your voice raised threateningly, making Annabeth raise her hands in surrender.

"No, but I —"

"Good." You turned back to Hedge. "Let's go before you get more dirt on floor I just mopped, old man."

You left the room without waiting for the satyr to follow. Hedge muttered colorful insults under his breath, moving to exit the dining as well before Jason stopped him by asking, "Coach, can you watch over her? She's been working constantly these past few weeks, and she hasn't really caught a break."

Hedge rose an eyebrow. "Can't you do that yourself? Aren't you her boyfriend or something?"

"I tried, but it's hard to convince her," Jason sighed, leaning back in his chair exhaustedly. "Just — look out for her, yeah? And don't tell her I told you."

"Yeah, yeah, I know," Hedge waved him off. "It'll be my head."

The coach left without another word.

"I'm worried about her," Percy confessed, Frank and Piper nodding in agreement. "I tried asking her if she needed help yesterday, and she almost bit my head off."

"And you would've thought that she'd learn by now to stop herself when she starts to overwork again," Leo commented.

Hazel sighed. "If she doesn't give herself time to recharge, she's going to shut down."

Jason simply played around with his leftover food, deep in thought. "Yeah..."

—————

Thank the gods you returned without any issues besides the usual profanities exchanged between you and Hedge. He left soon after that, claiming that he had "business elsewhere," and said that they should get going on their journey without him.

They left the day after that. They knew he'd make his way back to camp eventually.

The streak of calm continued, even as the Argo II departed from the sea and launched into the air. There weren't as much monsters that showed up to annoy them like flies hovering in their ears.

You and Jason were on watch that night. Thankfully, there wasn't much of a threat in the clouds, so Jason just sat down on a random crate while you paced around, playing with the straps of your leather breastplate.

"Hey, you can sit down for a while," Jason said, watching you go to and from the large wooden post in the middle.

You scowled at him in response. "We're supposed to be on watch. If we relax, we fall asleep. If we fall asleep, monsters attack. If monsters attack, the others could get swept up in that shit knowing how stupid they are."

Your concern for your other crewmates was evident despite how much you tried to hide it by insulting their abilities.

"Sweetheart, its okay," Jason said, still trying to convince you. He wasn't feeling all that tired, which is why he could cover for the both of you. You, on the other hand, looked like you were going insane, the dark half-circles under your eyes apparent even in the weak and diluted moonlight. "You can for now. I promise I'll wake —"

"I can't rest!" Your voice cracked slightly as you whipped around to face him, your eyes wide with a wildness that caught Jason off guard and made him stand up in concern. "I... I just can't..."

You tried to walk away, but your knees collapsed from below you. "Woah careful!"

In a flash, your boyfriend was by your side, barely being able to catch you before you could fully crumple to the ground. "Easy, easy..."

He tried to put your arm around his shoulders so he could lead you to sit down on another crate, but you pushed yourself away from him. Being unable to support yourself, you fell down on your ass.

"What are you doing?" Jason asked, moving to approach you, but you put up your hand to stop him.

"Fuck off, I don't need help," you said, trying to sound angry, but all Jason could hear was your exhaustion.

"Hey, stop being stubborn," Jason frowned, stepping towards you and putting your arm around his shoulders successfully this time, despite your protests and your struggles to get out of his iron grip.

"Fine, just — just put me down there," You gestured to the crate he was sitting on previously. He was originally going to bring you down to your room, but judging from the glance you gave him from the corner of your eye, you could still snap his arm in half if you wanted to.

And so, he obliged, making sure that your feet barely touched the ground as he basically carried you to your destination. He gently set you on the crate, making sure to stand close in front of you so that you wouldn't try to bolt.

"Explain," he said, crossing his arms and peering down at you. You turned your head away from his gaze, and he realized how vulnerable you looked: your eyes were darting around in a desperate attempt to stay alert, but they constantly glazed over, unfocused. Your hands were now fiddling with the strings of your hoodie, their movements slow and groggy. Your upper body was even swaying.

"I..." You started, but sighed and looked up at him. "It's stupid."

Jason's brows furrowed even more at your dismissal. "You almost collapsed from exhaustion. There has to be at least a valid reason for you to compromise your health like that."

You wanted to clamp your jaw shut, but Jason's intense glare made you open your mouth and speak. "You want to know? Fine, I'll tell you. Everyone relies on me — besides Twitchy Fingers — to do what is needed to keep this ship afloat by making sure it doesn't get completely destroyed by the Tartarus-spawn. Every time someone tries to do my job for me, I don't want them to because what if they fuck up and something bad happens? That's gonna be my fuck-up too. I —" You looked away again. "I just can't relax knowing that some bad shit might happen and it'll be my fault."

"I think you're underestimating how well the rest of us can do," Jason said lightly, chuckling a little as he tried to make lift the atmosphere up a little. It didn't work. "We can't do as well as you, of course, but we can manage."

"Oh please, I know damn well how good the rest of you are," You hissed, catching Jason off guard with the anger behind your words. "You all got your own skill sets that your godly parents planted in you that you got to fucking nurture. Even Annabeth, who doesn't have any actual powers, is more of a smartass than all of us combined."

Jason opened his mouth to retaliate, to say that you're downgrading yourself too much, but you didn't let him speak as your voice rose. "And what in the Tartarus did I get from my shitty dad? Fuckin' — fuckin' anger issues, that's what I got. Everything I'm good at — my fighting, my speed, everything — I did that. Ares gave me none of that. That was all me.

"And the moment I thought he'd actually look at me, that he'd acknowledge that I was his kid besides when he claimed me seven months after I came into camp," Your voice got louder still, cracking a little as your eyes got mistier, "is to pay a little visit to Frank in his Roman counterpart."

You stood up now, your body fueled with anger and frustration and other emotions that can't be described. "You wanna know the real reason why I work myself to the brink of exhaustion every time I do what I do, Jason?" Your smile looked maniacal. The few tears that escaped the confines of your lashes didn't really help. "It's because I don't fucking deserve to stand among you. I don't deserve to be on this quest. I don't deserve to be called a 'hero' when we return home as your godly parents shower you with love and attention while mine just thinks 'oh, my kid survived? I had a kid involved?'"

Your body was shaking, but you were done. You fell back down on the crate, holding your head in your hands.

Jason blinked, processing your breakdown. His own chest was contracting painfully as the weight of your words settled in his brain and his heart.

You were feeling this the entire time? Why didn't you say anything?

Your body flinched as you tried to contain a sob, snapping Jason back to reality.

He sat down beside you and wrapped his arm around your waist, pulling you close to him. "Oh sweetheart," he sighed sympathetically. "It's okay to cry. Cry as hard as you need."

Jason expected you to push him off of you again, to tell him to not be stupid and to try and bottle your emotions up again. He hoped you wouldn't.

And you didn't. Instead. you took your face out of your hands and planted it on his shoulder, your own shoulder shaking terribly from your suppressed sobs. "Let it out," he cooed, and you didn't hesitate to drown your sobs on the fabric of his t-shirt, subconsciously moving even closer to his body.

He wrapped both his arms around you as he fixed his position, his upper body now almost fully facing you to give you more comforting hug.

He stroked the back of your head and whispered sweet nothings into your ear as you let all your pent-up anger, frustration, disappointment, and just overall sadness. He even planted light kisses over the parts of you that he could reach; your neck, cheek, temple, crown.

It took you a little while for your sobs to turn into little hiccups, but eventually, you were able to calm down. Jason didn't mind that his shoulder was soaked from your tears. He didn't mind that his spine was stiff from being in a slightly uncomfortable position for a period of time. He didn't mind that you were feeling weak and stupid.

Because even after all that, he still saw you as the strongest and most powerful person he knew.

"What about we go back to my room and rest?" Jason suggested softly. You lifted your head in protest, but Jason pushed it back down to his chest. "I'm sure Hazel and Frank are having trouble sleeping from the good nap they had earlier. They can cover for us."

"I don't want to burden them," You said weakly.

Jason immediately shook his head. "You're a burden to no one on this ship, okay? They won't mind. And besides, it's not weak to ask for a little help once in a while. No one thinks you're weak."

You looked up at him. "You sure?"

Jason nodded, smiling softly. "Absolutely. From what I can see, you're the strongest person here."

You raise an eyebrow. "You sure there's no bias there?"

"Yes I'm 100% sure," Jason said seriously, before breaking into a smile when a breathy laugh escaped your lips. You don't do it often, but Jason loved your laughs. They were always genuine, and Jason would do anything to make you laugh again.

"So, what do you say? Let's go to my dorm," Jason said, supporting you when he felt you moving to stand up.

"You better not do anything weird to me, Grace," you threatened, but there was no heat behind your words.

Jason smiled softly, leading you back below decks. "Never."

He left you in the dorm before he went to convince Hazel and Frank to cover their shift, promising that he'll make up for it. They didn't care. They were just happy that you were finally resting.

Once the blonde boy returned, he found that you were already curled up under the sheets, face relaxed and breaths coming out of you evenly. His eyes softened fondly at your peaceful and stress-free features.

He flipped the light switches, blanketing his room in darkness as he navigated under the sheets to join you. He gathered you up in his arms and curled against you, sighing in content.

"Good night, sweetheart," he whispered against your head, placing a small kiss on the back of it as he felt sleep slowly invade his vision. "I love you."

#jason grace #jason grace x reader #hoo #heroes of olympus #heroes of olympus x reader #percyverse #leo valdez #hazel levesque #frank zhang #percy jackson #annabeth chase #piper mclean #coach hedge

[leviathanspain]

i just saw your guidelines , thank you!! sorry it flew right over my head, i appreciate you for directing me to the page when you responded :D

i have two ideas but you may choose which one interests you the most!! thank you again so much, i love your writing <3

would like a kylo ren x reader please, pronouns can be whatever you'd like but i prefer she/her. the point of view is up to you! i prefer second but i think you prefer third and/or first and i don't mind either or!

the first idea is kylo and y/n have been together for two years but it was kept within the first order and not public because kylo knew people (like the resistance) might use it against him. maybe during a fight between the first order and the resistance on a planet, y/n would get kidnapped by the resistance. this was finn's idea because he knows kylo has a significant other. what the resistance does with y/n is up to you, whether it be to lead kylo into some sort of trap, or to get information out of her, a mix of both... it's all up to you! finn knows that she's his only weakness. eventually kylo will save her. bonus points if she's in rough shape and in bad physical condition. kylo gets really upset because he thinks he’s doing a bad job keeping her safe and that he failed to protect her. angsty , self-loathing kylo but y/n trying to make him feel better.

the other idea has a bit of angst aspects as well but less action. it’s been about half a year or maybe even a year of kylo and y/n dating. everyone knows of his anger issues and tantrums. not even stormtroopers will want to be within 10 feet of him when he’s having an “episode”. the only person who would go up to him is y/n. one time kylo was so upset that he didn’t think before acting. when y/n went to calm him down he hurt her. nothing too physically harming , it hurt more emotionally than it did physically. maybe he yelled at her a lot and said things he didn’t mean , he could do anything. then she gets super upset and runs off to their shared quarters. he ends up finding her crying.

he’s never seen her cry or show weakness before.

you can pick one of the two!! thank you so much again and please , if these topics aren’t interesting , please tell me <3

stargirl

kylo ren x reader

synopsis: in your captivity, all you can think about is him, in love and in hate

a/n: anything in italics is a past memory, and i just combined the two into one, so i hope you like it!!

━━━━━━━━━━━━━━━━━━

you had wondered when you’d be interrogated. it was inevitable, you had been through enough war and fighting to know that whenever someone was kidnapped and held captive, they would be interrogated.

you had done it before, multiple times.

you couldn’t say that you hated it. the only dark part of your morality let you love what you’ve done. of course, having the pleased eye of kylo ren staring at you was also the encouragement you needed whenever you felt doubts.

the door had opened unexpectedly, you could hear the woosh, and immediately you closed your eyes in anger, “what is it?” you heard the footsteps of heavy boots, most likely a trooper or a knight.

you turned around and saw the opposing figure of one of the knights of ren. you raised your eyebrow and the knight cleared their throat, “master ren has been acting strange,” again they cleared their throat, anxiety waved off of them, “he’s been..” they trailed off and you inhaled slightly.

the knight exhaled, their shoulders dropping with relief at your reaction. this was nothing new. kylo had his fits of rage or tantrums where he was practically inconsolable.

after working with him so closely and developing more than just a friendship, you were well versed in the game of calming down kylo.

you waved the knight away, “i will be right there.” the knight nodded, gave a respectful bow and walked off.

there was a loud slam against your cell that awoke you. the pathetic excuse for a blanket fell of your shoulders as you sat up, wiping your eyes as you heard the cell door creak open, “let’s go.” a hand came up to your arms and pulled you up onto your feet. you would protest, but you stayed silent, keeping a calm face. but the man’s fingers dug into your arm, making it hard for you not to cry out.

you were hauled out of the cell and practically dragged to another room, nearly as small as the cell, you were pushed inside, made to sit at one of the only two chairs in the room.

you looked around, there was no sign of the rest of the resistance members. perhaps they were hiding their prisoners away from the others, obviously on purpo-

“you can stop trying to figure out where everyone else is.” he was tall, a younger looking man, his face whispered familiarity.

he pulled the chair out opposite of yours and sat down carefully, his eyes grazing over your face. you looked at him, not willing to break eye contact.

he smiled hard, almost menacingly, “isn’t this odd? we’ve met, many times before..i know you, but you don’t know me..” he trailed off, “y/n.”

your name peeked your attention. hardly anyone outside of the order knew your first name. only kylo, a few officers, and the knights knew your true name. but you were always referred to as iza’re, or iza’re ren.

you narrowed your eyes at the man, “get to the point. what do you want from the first order?” you were getting bored, and if this is how it’s going to be, you needed to cut it short.

“you don’t know who i am?” the man looked surprised to see you so nonchalant. as if your true name was supposed to be the key to everything.

you shrugged again, leaning your elbows on the table, you got close to his face, “you say that like i’m supposed to care. i won’t repeat myself again,” you hissed, “what do you want from the first order?”

“get out. all of you!” kylo ren’s anger exhibited itself in his voice, a large hand outstretched itself towards the door, the metal door heaved open with the force and the rest of the troopers filed out, quickly as can be.

fn-2187 stared at kylo ren. even under his mask, he could just imagine his expression. fn-2187 knew that the moment you had walked in, that this wasn’t going to end well.

he followed the rest of the troopers out to the hallway. there was a large window that allowed people to see in, and fn-2187 had walked slow so that he could end up in front of the window.

“you need to calm down.” you had been talking to kylo through the force the entire way here. he was being stubborn, unresponsive to your usual tactics, you realized that maybe this wouldn’t be like other times.

“kylo.” you called his name, his back was turned to you and you were dying in the silence.

“why can’t you ever just stay out of it?” kylo turned around on his heel, the dark fabric of his cape followed him, and he began to stalk towards you, “hmm? why do you always think that you can save the day? you’re pathetic. a pathetic excuse for a force user, a pathetic excuse for a soldier of the first order..” he listed off all your weaknesses in a cruel list, “i cant stand to look at you. you make me fucking sick.” he had stopped you cold against the wall. even just arms length away from you, you could feel the rage, feel the truth to his feelings radiate off of him.

you wanted to cry. right then and there, you wanted to ball yourself up and sob on the floor.

but you scrunched your face slightly, as if not to lose the nerve, “find me when you’re done being an asshole.” you didn’t even look at him as you stalked past him, glancing at the open window towards the troopers, who were all facing away from the window.

except for one.

“what do you mean you ‘think’? we’ve been holding her for days and you’ve been in there for hours, and that’s what you’ve come up with?” poe had been overseeing the interrogation, and it was clear that it was going nowhere.

“threatening to blow up starkiller base would get us somewhere if we actually could.” poe rubbed his face, the feeling of a headache was coming on.

“why can’t we?” finn stared at poe, and poe laughed, realizing that finn was being serious.

“are you sure it’s her? it couldn’t be someone else? another trooper, perhaps?” poe looked at finn, who sighed, “she’s the only one i’ve ever seen that close to ren. it’s gotta be her.”

kylo hadn’t thought to apologize. but you had been ignoring him for days, even going as far as having stormtroopers deliver messages.

he had had enough when he had tried to talk to you through the force, and felt nothing in response.

“are you done?” the sound of the metal door opening had you turning your neck to see kylo ren, helmet off, hair dishelved, stalking in.

he set his helmet down on your dining table and kicked his shoes off, “i asked you something.” he stared down at you, his eyes searching you for something back.

“really?” you come in here after the way you talked to me a few days ago and expect us to be fine?” you looked up from your data log and stood up, “you yelled at me, tore me apart, called me pathetic many times over-“

“i’m sorry.” kylo interrupted you, and his face softened. this was utterly unlike him.

“what?” your own voice sounded distant and you blinked. a hand flew to your chest to feel the beating heart inside, “did you just-“

“yes. i am sorry.” kylo walked over to you, and watched as your face broke, tears spilling as you walked into his arms.

silence and the sounds of your sniffles filled the room. all that you ever wanted from him was an apology, and he had finally done it.

“i swear to you,” kylo broke the silence, the quiet was drowned out by his husky voice, “that i will never do that to you again.”

“and you caught them..?” poe’s eyebrows knitted together with confusion. his pilot uniform jacket hung on the chair beside him, as he paced the room, “let’s rewind,”

finn nodded, and poe sighed, “you were sent down to give her a message,”

“it had something to do with the knights.” finn had tried to remember what exactly the message was about but it had been nearly two years since then.

“and instead kylo ren answered the door?” poe repeated the events and finn nodded. “are you sure it wasn’t his quarters and you’re just an idiot?”

finn’s expression fell and he rolled his eyes, “stormtroopers are supposed to know. it was her quarters, her name was in a blazing plaque outside the door.”

a knock at the door had interrupted you. kylo had stripped off his clothes, leaving only the thick black sweatpants on, but even then, they hung dangerously low on him.

you, on the other hand, barely had anything on.

“fuck.” you cursed, and stuffed whatever shirt you could find off the floor. just by the scent of it, you knew it was kylo’s, but you still shrugged it on. you got off the bed, trying to find some shoes but kylo grabbed your arm, “i’ll get it.”

he was already getting up, and even with your protests, it was too late.

“master ren!” the robotic voice of a trooper met your ears and you cringed. troopers talked, and this was definitely something to talk about. there was an exchange of words between the trooper and kylo, until finally, “you are dismissed, fn-2187.”

“that’s kind of hot, no?” poe had been staring a little too long at the wall, clearly imagining what finn had described.

finn’s face turned into a picture of disgust, “there is something wrong with you.”

“iza’re to starkiller base. iza’re to base, does anyone copy?” you were falling, and fast.

the resistance had been chasing you for almost an hour. you had tried to lose them in some astroid graveyard but they were on your ass, until they shot your ship.

“fuck! someone! iza’re to base!” your hands clutched at the controls as you felt your chest rise and fall with fear.

kylo was right. you should have never gone off alone.

“kylo! im just off the astroid chunks by naboo.” just as you had finished telling your location, the ships power shut off, and you felt yourself blackout as the ship began to fall harder.

kylo had them playback your voice. over and over again.

the fear in your voice had been seared into his mind for days. he had tried to reach you over the force but was met with nothing. the usual thrum of your power would at least let him know you were alive. but he felt sick when he felt nothing.

“and no one heard this until when?” kylo looked around at the table filled with officers and military personnel. they all had this look of stupidity on their faces that made kylo want to knock them all out cold.

“this morning-“ a staff spoke up, “we believe she was taken by the resistance.”

kylo’s hands smashed against the table, “this morning?! find her!” he yelled at the officers. he raised his hands and suddenly they were all clutching at their throats, “find her now or i will murder every single one of you until someone does.”

“she’s loyal.” rey had observed, watching you through the glass, she wondered if you could see them all, gawking at you.

“of course she is. she’s sleeping with the supreme leader of the first order.” poe commented, rolling his eyes slightly, “i say we just lie.”

finn turned towards poe, “didn’t you just say that we shouldn’t lie? you got all mad-“

poe shrugged, “i was a different person then. say that ren is dead, and the first order is ashes-“

“oh like she’ll believe that-“ finn replied sarcastically. he had his hands on his hips and stared at you.

you were looking off into the distance, totally unaware of them on the other side staring at you.

“she’ll know. you said she’s a force user, correct?” rey peered at you and finn nodded, “yes. why?”

“she’ll know we’re lying. she probably also knows that we can see her,” you turned suddenly, meeting their eyes, “-right through this glass..” rey trailed off, and poe whistled lowly.

“wow. this is embarrassing…” poe laughed nervously. finn laughed, patting his friends shoulder as he walked off.

kylo was close. he hadn’t realized until now that it was the distance muffling your power. he could feel you, a quiet thrum in his head, he knew you were close.

“kill anything and everyone. i don’t care- just get her out alive.” his instructions were incredibly clear to the knights and troopers. he wanted you more than he wanted the resistance gone.

“so..” he had been trying to get you to talk for almost thirty minutes now. unlike his friend, this one seemed to be a little dull. “what’s between you and ren?”

you raised your head, and narrowed your gaze, “you mean my superior, the supreme leader kylo ren?” you were so serious that poe had to think about it before nodding weakly.

“nothing. bring me the trooper. fn-2187, is it? at least he knew what kind of questions to ask..” you waved a hand, dismissively towards the man and turned away, hoping he would leave.

“oh my god.” poe let the words escape as he shut the door behind him, “i don’t know what he sees in her-“ he looked at finn, “she’s asking for you. like specifically for you.” he raised his eyebrows at finn, who laughed in shock.

rey looked at the men, “don’t tell me you’re going to go in there.” she held up a hand to finn and he shrugged, “what else should we do?”

rey sighed, “give her up? she’s clearly nobody to ren, maybe finn was wrong.”

kylo ren had blown up half of the resistance base. he had felt nothing as he did so, and nothing more as he stepped off his ship, and hauled ass to wherever the hell you were.

he tried to use his own force powers to try and locate you, cutting down anyone that tried to fight him.

but it was worth nothing. nothing drove kylo ren more than you, and he would find you even if it killed him.

the argument between poe and finn had barely lasted before the emergency alarm had gone off. shouts echoed down the hall and they all began to run.

troopers were all over the place, blasters were shooting at everyone and they knew this was kylo.

“maybe finn was right..” rey looked at the men with a sheepish smile, and finn rolled his eyes, “get down!” he shouted at rey, who just barely ducked the blast that was shot towards her.

“if it’s him then shouldn’t someone go fend him off?” finn stared at poe and rey, as if waiting for one of them to volunteer.

poe shrugged, “i don’t think she’s worth it. barely talked.” finn didn’t even bother arguing when rey began to agree.

you could hear the sounds of a fight through the door. you couldn’t see through the glass window, but you could just imagine it.

the door opened and you half expected to see one of the two guys who had been interrogating you. but instead there he was.

wearing his usual all black, kylo cut down the room and immediately opened his arms, pulling you into them. “y/n..oh y/n.” there was a sigh of relief as you wrapped your arms around him.

you were crying.

this entire time you had forced yourself not to cry, not to show emotion. perhaps you had saved it for this moment. “kylo.” his name rolled off your tongue, “im sorry.”

kylo shook his head, “don’t. it’s all my fault. i should’ve just gone out there with you.” he scolded himself, shaking his head as he thought back to what he could’ve done.

“no. don’t. you always do that, you take responsibility for a decision i made.” you hugged him even tighter, “don’t. okay. just don’t.”

kylo didn’t even protest, he just held you all the more tighter in his arms.

#kylo ren x reader #kylo fanfic #kylo ren #kylo x reader #kylo ren x you #kylo x y/n #kylo ren fluff #kylo ren imagine #kylo ren smut #kylo smut #kylo ren fanfic #kylo x you #kylo ren angst #ben solo x reader #ben solo angst #ben solo smut #ben solo imagines #ben solo imagine #ben solo fluff #star wars #star wars imagine #star wars fanfiction

[starzshopoflove]

Can I get ghost comfort for someone who doesn't eat because of anxiety?

omg i love this ask so much since i also have bad ass anxiety that beats on me till my meds kick in. Just gonna base this off my own kind behavior with food and eating since i have my own issues too so let me know if this is good or not!!

Notes: no warning, fluff, comfort no hurt, gn!reader

I feel like ghost wouldnt understand it at first and just think your skipping meals or not hungry. So he'd probably be a little pushy at first asking if you've had a snack or not when your together or he'll send you a text randomly in the day if you've eaten or not

But when he starts to notice how you clam up when he asks about it after the first few times he'll shut up and try to watch you a bit to see what's making you not eat. He'll start seeing how sometimes when you're on a date or just at the bookshop for lunch you might pick at your food but not really eat any of it, or how you might only eat some parts of your sandwich and leave the bread off it, sometimes you'll just not eat with him and just be there talking.

When he does finally ask you about it he tries really hard to approach it sensitively since your kinda like a skittish cat in a corner when he has asked before. So you'd be in his flat laying on his couch together and he's keeping you all warm with an arm around your waist rubbing some soothing circles so you stay relaxed while watching whatever show he let you pick.

"Dove"

"Mhm?"

"Do you not like gettin' lunch with me?"

You might freeze up on him and not talk for a moment mulling over if you really wanna tell him or not, you dont usually like talking about it. Whenever you have before people just started teetering around eating with you or acted like you had some sort of issue, treated you like you were just different.

"I like getting lunch with you Si, love getting to spend time with you"

"Yeah but you never eat anythin' with me"

You really wanted to dance around this topic some more but he just felt so warm and smelled so good you were already fused onto the couch at this point. You felt safe with him, like he wasn't going to judge you for trying to be honest with him. The way he let you slot yourself next to him tracing patterns on your skin made your blood a little warmer and your head a little fuzzy

So you finally let yourself spill out your issues hands playing with a strand of your hair that was in your face so you couldn't focus on if he was judging you or not trying not to stumble over your words

"Its not that i don't like eating with you Si, just sometimes when I'm out n I know people can see me eating makes me feel like I'm being watched and all i can think about is how loud im chewing or If i look weird when I'm eating. Then when i start thinking about it, ts' like there's a hole in my stomach and if i try to fill it, might just come right back up. But if I do make myself eat then i have to think about how full I feel n how i can feel the weight of the food in my stomach n once i start thinkin about that i start feelin sick again"

The whole time you let out you meek confession Simon was holding you a little closer loosening his grip so you didn't feel trapped, resting his chin on your head still keeping a warm hand around you to keep you relaxed. He let you speak without cutting you off even when you paused to try to figure out what you feel and put it into words he keep comforting you with his touch and softly nudging you to keep going

"Wish you didn't feel like you had to hide this from me luv, I care about you. Never want you to feel like you're stressin' yourself out for my sake, want you to feel safe with me and tell me when something's bothering you so i can help yeah?'"

Oh my god, whole time you feel like you could cry because he's cooing to you so sweetly and holding you so close not making you feel like you're weird or different from him just because you cant eat sometimes. You might sniffle a little which would make him worried but when he sees its just you getting a little emotional he'll calm down a little and place a kiss on your cheek murmuring about how much he cares and doesn't want you to force yourself to do something you don't like.

Feel like he'd still check to see that you atleast ate something through the day, and instead of doing dates at public places he might pick up some food and you'd eat at either one of yours's flat , sometimes at the park when he knows it wont be crowded either.

Just know he'd sometimes just pick up the fork and feed you when your looking at your food weird letting you know its alright but he'd never push if you resisting too much

__________________________________________

god i love writing soft ghost

#cod mw2 #cod x reader #ghost x reader #simon ghost riley x reader #ghost cod #cod simon riley #simon ghost riley #ghost/reader #simon riley x you #john soap mactavish #konig mw2 #john price #john price x reader #john mactavish x reader #konig x reader

[slayerkitty]

Let's Talk About Trust, Baby

I've seen a lot of posts where people are really confused about Mew and where his head might be at with regard to his relationship with Top. Why he hasn't given Top the boyfriend title back, why they haven't had sex yet, etc. That led me down a rabbit hole of thinking about the relationships between the characters and the one thing all relationships need to function - TRUST. If you don't trust your significant other or your friends/family, etc, what kind of relationship can you even have? I tried to break this down in groups/pairs and some of it might not be as thought out, so there may be more on this as the show goes on but here we go.

The Fab Four

So there's a lot of context we're missing about the relationships between our core four dysfunctional besties (Note: So far, Cheum doesn't seem that dysfunctional, you're doing amazing sweetie!) such as how they met, how long have they been friends (what the hell Ray and Mew got up to that one night... *ahem* I digress). Now, we don't have any real answers to these questions (yet) so I'm taking some educated guesses based on my own college experiences and what I've generally picked up from other university BLs typical story telling.

I feel like the four of them met during orientation (except maybe Ray and Mew, I'm waffling on thoughts that they've known each other since high school). Most university BLs set it up that the mains meet during orientation, bond during whatever torture the seniors are putting the freshman through and kind of build their friend groups based on that.

I also feel like they may have gravitated toward each other or remained a group because they're all queer. BLs can go either way on whether or not homophobia exists in their narrative and I think that Only Friends is going the more realistic route (and it's Jojo) so I think that I can definitely see them bonding over being queer. They find an LGBTQ bar and it becomes their thing to do together. Most friendship groups form because people just sort of fall in together due to circumstance and they seem no different.

But do they trust each other? Signs point to yes. (I was shocked too, lol)

Mew and Cheum: We haven't had much focus on her, but he seems to value her opinion and listen to her advice. (We also know that April likes him from the time they've spent together and he likes April, so I would say he and Cheum probably have pretty good trust built up.)

Mew and Boston: He believed without a single doubt when Boston said that Top had never had a lover longer than 3 months and that Top would probably, as Ray put it "nail and bail" once Mew and Top have sex. Cheum also believed Boston. Do I think Boston was lying here? No. But neither do they and that's important. Does Boston trust Mew? I think he does. His issues with Mew are not about trust.

Mew and Ray: These two vibe a little different than the rest of the group. They seem closer; they seem like they've talked about "the deep stuff" (vs maybe superficial topics with their other friends). Their first one on one scene has them talking about Ray's alcoholism seriously (even though Mew doesn't push about it as much as I would have liked) and you can tell there's an intimacy there that the other group members don't share. Whether that stems from whatever it is that happened that night in the video (I am salivating about this, it's delicious, I need more info) or because they've been friends for longer, I don't know.

Let's move on to the pairs:

Cheum and April: Do they trust each other? I assume so? Cheum goes out drinking with the boys at least once a week and April seems okay with that (we haven't heard otherwise), so I'll say yes? (Jojo, I NEED MORE OF THEM. I DON'T HAVE ENOUGH TO EVEN ANALYZE. GIVE US MORE.)

Sand and Ray: I'm gonna call this one as Sand does not trust Ray, but Ray trusts Sand. Sand knows that Ray is a walking red flag and he's trying to resist but Ray is making it really hard. *ahem* Ray bailing mid-make out is not helping Sand's trust issue. If you look at how Sand has cared for Ray since episode one, however, Ray most likely trusts Sand. I mean, Ray talked about his mom to Sand. I think that's a biiiig deal.

Mew and Top: Thanks to Boston, neither of them trusts the other. And this, right here, is why Mew has not moved the relationship forward. HE DOESN'T TRUST TOP. He's still worried that Top will "nail and bail". Remember Mew's checklist from episode two? He only checks off "gets along with my friends" (HAH!) and "respects me" but not "doesn't lie to me". We can infer this means it hasn't been marked off since he doesn't mention it to anyone in this episode. Given that a lot of us clocked Mew potentially spotting Boston's trunks on the floor in the shower, along with him questioning if Top was telling the truth about the fire, it's clear this is the one thing holding him back.

If Mew agrees to be Top's boyfriend, then the expectation of sex becomes a lot higher (it shouldn't but that's a different discussion to be had). It's also implied in the narrative (and from Jojo) that Mew is a very structured person and he doesn't like to lose control (re-watch the counter scene from episode one. You know you want to. I'll wait). The moment that Mew realizes that he is way too into what they're doing, he panics because he doesn't have control over the situation.

Up until episode three, Top did trust Mew. He trusted him enough to get vulnerable and then Boston blew it up by fabricating a narrative backed with evidence of...something between Ray and Mew (I'm seriously dying for this scene, I need it).

Another thing I am having thoughts about is that in this episode, Top referred to himself as Mew's boyfriend and so did Cheum and Mew didn't deny it like he did in episode two. When Top's *ahem* "buddy" approached them at the silent disco, it was very clear that Mew expected Top to introduce Mew as his boyfriend and was visibly (if momentarily) upset that he didn't.

Boston and Nick: Yes and no, but also no and no, respectively. So Boston trusts Nick with some things but not everything which leads to him lying, gaslighting and manipulating (he's a triple threat). In turn, Nick lies right back, because what else can he do? (a lot of things actually, oh Nick, you are starting to spiral hard.) This leads Nick to rigging the CCTV video to show on his phone and to wiretap Boston's car, which just shows you his trust in Boston is non-existent.

In conclusion: Trust is another theme the show seems to be exploring: earning it, keeping it, and what you do after trust is broken. I think it can tie back into the ongoing ephemerality discussion as well: trust isn't permanent. You have to earn it, maintain it, and once broken, it's gone (and seldom can be repaired).

Also, everyone needs therapy.

Tagging the Ephemerality Squad: @waitmyturtles, @chickenstrangers, @lurkingshan, @twig-tea, @ranchthoughts, @clara-maybe-ontheroad

Hope I didn't forget anyone!

#only friends the series #thai bl #only friends meta #Hope this made sense

[anamericangirl]

Hey tthere, another question on the topic of abortion.

What is your opinion on abortion if it is a lifesaving procedure?

There are cases like that, where there were complications, and it is a decision between saving one of them, this can be due to hemorrhaging or other problems.

In those cases, the baby is still alive, but leaving it in there could mean the death of the mother and the child.

What is your opinion in cases like those?

I hope you don't find this question offensive or feel insulted in any way, that is not my goal. I just want to understand your point of view better.

I don't feel insulted at all. I don't mind answering questions :)

First, I want to make it clear that I think the woman should always be treated as necessary. When the life of the mother is threatened, you have to save the mother. If the mother doesn't live the baby won't either. So whatever has to be done to save the life of the mother has to be done because you have to save the mother to save the baby.

I know there's a popular narrative out there that claims abortion can be a life saving procedure and there are cases where women will die if they can't get one. And there are definitely complications that can arise during pregnancy that would threaten the mother's life but these issues do not require abortion to be performed. It's not the proper treatment for most things that go wrong during pregnancy and would not save the mother's life. It's not a life saving procedure.

I can't think of any pregnancy complications where you have to decide between saving the baby or saving the mother. In regards to those complications, like I mentioned earlier, if you don't save the mother the baby will die too. There's not a complication where you have to pick which live to save. The goal should always be to save them both. Sometimes that's not possible and the baby will tragically die as there are instances where the baby's life cannot be saved but there isn't an instance where we have to pick between saving the mother or the baby. We should always try to save the mother because her survival is necessary for the baby's survival.

Hemorrhaging is not really a life threatening complication (it can get to that point depending on how much blood you lose and how long it lasts) but usually it goes away on its own and the woman will still give birth to a healthy baby. However, if it's a more serious case of hemorrhaging that can be because the woman has had a miscarriage, meaning the baby is already dead. It can be a sign of other complications as well so she should really be monitored by her doctor or admitted to the hospital depending on how bad it is. It really depends on what the cause of the hemorrhaging is. But abortion is not the solution to this. If a woman is having a severe hemorrhage the treatment is not to go in and kill the baby - that would not solve the problem. Abortion can actually cause even more hemorrhaging.

When a woman's life is threatened by some complication during pregnancy, abortion is not the correct treatment and would not save her life. Sometimes the baby has to be removed but the baby does not have to be killed. If there is a complication threatening the woman's life doctors typically will try to induce labor or perform a C-section to deliver the baby early alive. With the way abortions are performed and the sorts of complications that can occur that would threaten the mother's life, they would never be the proper treatment.

Performing an abortion on a woman experiencing a medical emergency could actually make the situation worse.

#anon #answered

[pancakeke]

I made a customer so mad on a call today that he muted and turned his camera off lol.

I did it on purpose though.

We needed to create a process but this dude always dominates the convo to give long pointless monologues about how *something* needs to be done in relation to vague nonspecific things (like "I don't like what I'm seeing here" ok then WHAT are you seeing??) He absolutely refuses to give concrete details or make actionable requests, plus he's always extremely disrespectful, accusatory, and lies about things. So I kept cutting off his unhelpful monologues to ask for specifics and when he didn't give them I gave options for what we could do rather than letting him continue to make the same whiny statements over and over but with different wording each time.

Then he tried to derail by doing this needlessly dramatic arm waving and wandering away from the camera thing, then wandering back with his head in his hands while saying weird phrases I assume were some kind of worthless business speak phrases? (Example, the last one he said was "Just take the weekend off". Maybe this means like "we need to take a break and regroup"? I legit do not know the intent. I directly asked "What do you mean by that?", no paraphrasing, but he ignored me so maybe he was telling me to go fuck myself. idk).

Anyway I kept being direct and trying to sort out a plan of action with our salesperson meanwhile this dude kept interjecting with absolutely asinine statements like "YOU need to figure this out" referring to my company, not me specifically. But like that was literally what we were doing at that moment?? So I asked him "Are you asking us to create new procedures without your company's input? Ideally need to know specifically where you're having issues to know how I should create reporting." Then he shut his webcam and mic off.

Progress was made at this point since he wasn't interrupting anymore but that didn't last long cause he jumped back in to make a big deal about how he couldn't stay on the call longer because he had another meeting soon. But if he has just explained that in one sentence rather than monologuing about his time we could have made more actual plans.

idk if this guy is purposely trying to stop us from creating a process though cause he blew up at us when we had extra inventory on hand (that he told us to buy) which then led him to tell us that we weren't allowed to make any purchases for them without approval. After this we sent a purchase request over to them for approval and they didn't approve it (we were ghosted, not denied), which made this guy is blow up at us again for not just buying the components immediately without asking.

I think he just wants us to do whatever benefits him in the moment and also he doesn't ever want us to hold his company accountable (per our contract...) for any unused components. and since documentation and processes creates accountability, they're bad for someone who wants instant gratification and no responsibility.

This call was so fucking bewildering though. It was like this guy had a book of business speak phrases and thought that if he kept reading them off he would look smart and important and then we would just flagellate ourselves at his feet. Even though the problem is pretty much his fault for not managing his side of the business. These guys have turned derailing conversation into a goal so I went robot mode and wouldn't let myself say a word that wasn't data-focused. I really hoped this would force their side to speak in numbers and facts so I could get info and ideas from them that we could actually use to build a new procedure.

But now I see that my plan was doomed from the start cause this guy will just disappear if I don't let him spend the whole meeting listening to himself talk while not actually saying anything.

I have some kind of brain problem where I always think that if I can figure out how to communicate with people in juuust the right way they'll stop being cunts and cooperate with me. Cause I'm working for their benefit so they should want to work together, right? :)

Wrong. People are fucking bonkers. They do not care about problem solving. It's all about ego. And somehow their egos do not recognise how purposely creating problems leads to failures that might reflect poorly on them.

[bitimdrake]

Very unpopular opinion: I don't like Alfred. I can't handle the hypocrisy of canon and fanon treating him like he's some sort of angle while ignoring the bad stuff he's done and how he's an enabler, and that disconnect has him on the bottom of my ranking.

ohoho spicy. most unpopular opinions around here are still at least very popular among a small subgroup, but this is tasty, anon.

And you know what? I get it.

Alfred's an odd character narratively. He was surely never intended to be an enabler. He was a sort of "only sane man" snarky side character here to contrast with our lead, Batman, and point out all the ridiculous things Bruce did, but never have any true power to stop them.

Except. He does. Alfred's close relationship with Bruce, who values both his presence and his opinion, gives him a lot of power--and any modern version of the character, who was not just around since Bruce's childhood but very likely raised him for half of it, has even more.

So we ended up with this guy who is (Doylist) a side character and can't actually affect the story that much, but whose whole shtick is dryly pointing it stupid ideas and bad behavior. Which (Watsonian) leads to a man who is explicitly aware of all the bad stuff being done around him, and makes witty little comments, but doesn't actually do anything to stop it. And rarely even tries!

imo, Being an enabler is a core part of Alfred's characterization.

Which is one thing, and can be kinda entertaining, when what he's enabling is "man dresses like a bat to fight crime". Alfred, who pretends to be above it all and find it silly, but deep down believes in Batman despite himself and is just as crazy as the actual vigilantes? Lots of room to play.

But when what he's enabling is, say, his son-figure emotionally abusing his own kids, or putting overly high expectations on them, or kicking them out of the house...then it's a whole lot darker.

A lot of the fanon that turns Alfred into a perfect angel also turns Bruce into a good dad, avoiding that particular pitfall. But instead he gets treated as always knowing everything and always being liked by everyone, which (is boring as hell and) sends us right back to the "why isn't he doing anything??" problem whenever there is an issue that he is shown to definitely know about and know a perfect solution to, and yet...declines to solve it for some reason.

In the end, idk if I have a super strong opinion on Alfred overall. There are small ways to make him better or worse. But I do have a strong opinion that, damn, he is absofuckinglutely not perfect.

(Also, separately, you are so right about a disconnect being the most annoying thing about many characters. Most of my least favorite fictional characters are the ones who were blatantly favored by their creators and act stupidly/cruelly/whatever, but somehow get treated as the coolest and smartest anyway. Plus, who among us hasn't started to resent a character we were previously neutral about because of annoying fans?)

#* #ask #anon #*dc #dc #alfred pennyworth #batfam #i guess this is tangentially a part of the discussion on #batman's c+ parenting

[khruschevshoe]

Jim and Oluwande got the worst end of the deal. I'd even say they regressed as both characters and partners and anything they had built up in s1 was almost completely stripped away from them. The way they're portrayed together and apart in s2 is not only unlike the characters we saw in s1, but their rich storyline was reduced to extreme side characters used only as plot devices in a way they absolutely did not have to be used. I LOVED them in s1, and I was so disappointed by what s2 did to them and their potential growth, which I think applies to pretty much everything in s2, not only them.

Mind if I piggyback of this ask to go into all my critiques of the handling of Jim/Olu in Season 2? Thanks!

OFMD Critique: Tealoranges, Dropped Storylines, and Wasted Potential

God, the issues I have with the writing of Season 2 extend in so many directions. Jim's character, I felt, was well-handled for at least the first two episodes but then slowly starts skewing wrong as early as episode 3 (I am still chewing glass over the way their reunion scene with Oluwande was written- or, rather, NOT written). Episode 4 was good, but everything after that? Someone said that Jim in the back half of the season feels more like Vico than Jim, and though I do love and appreciate Vico, it's completely true. Jim doesn't feel like the same character we've come to know, whether from Season 1 or even what is set up in early season 2.

And yet, I STILL feel like they're written better than Olu, if you can believe it? So, I haven't talked about this much, but I feel like Olu is done dirty from almost the moment he is introduced in Season 2. At least Jim (through editing alone, but hey, we'll give the show the smallest benefit of the doubt) gets an acknowledgement that they miss Olu during that flashback sequences while they talk to Archie- Olu doesn't even get that. I read about a deleted scene that would have had Pete and Olu desperate to reunite with Lucius and Jim in episode 1 and I feel like that was DESPERATELY needed to make the Season 1 finale -> Season 2 jump make any sort of sense. I like Zheng, but for the love of God, her romance with Olu (which I had my own issues with for the disservice it does both their characters) is not worth destroying the tealoranges build up from Season 1. Just cut something from the first episode or one of the Zheng/Olu scenes from the second episode to make it make sense.

Then, moving onto later in the season- I've posted about how Olu and Jim deserved the grand, epic reunion otherwise 1x10 and everything set up with them in Season 1 doesn't make sense. Could the writers of the show have possibly redistributed some of the glorious cinematography from Ed and Stede over to Jim and Olu? All I need is one shot of their reunion (a proper, emotional one, not played for laughs or friendship or whatever) framed by the sun to parallel Ed and Stede's being framed by the moon and I would have been happy on that front.

And then later in the season...I was down for the poly elements if they could have been executed better. Fanfics have shown that the Archie plot could have been executed well. But the fact that Zheng is straight up NOT MENTIONED until 2x7 by Olu? And then Jim says that he's been pining for her the whole time? I'm sorry, but it doesn't compute. Show, don't tell. There's a reason why I'm down for Jim/Archie/Olu (if executed well), but can't see Zheng/Olu at all.

But of course, 2x7 comes along and we get the "family who fucked" line. And the implication that Olu could have ever left the Revenge without Jim, when in Season 1 he became a wreck because Jim left for A FEW DAYS, much less was FORCEFULLY SEPARATED from him for MONTHS. Then in the finale, at the lupete wedding, they were separated out, him with Zheng and them with Archie, and, well, at that point...I was tired. I'm not gonna lie. Because this wasn't questionable or problematic writing, it just fundamentally DIDN'T MAKE SENSE.

And this is just on a romantic relationship POV. I hated seeing Olu lose his leadership arc from Season 1 and his loyalty to Jim and his nuanced emotional level-headedness/sense of logic. Season 1 really felt like it was slowly building up the idea that the ideal Captain was neither Stede nor Blackbeard but someone a bit more rational, a bit more grounded, a bit more communicative with his crew- someone like Olu. And he gets shoved into the back in Season 2 and reduced to the guy who can't sort scrolls or know that the BOATS ON A MAP MATTER. He gets no influence on plot or major decisions when he was often the voice of reason in Season 1 (we all remember Lucius being a romantic voice of reason in Season 1, but rarely remember that Olu was a major supporting deciding factor in a number of decisions made on the Revenge).

And as for Jim, I wanted more exploration or even just acknowledgement of their trauma post episode-4. I wanted an actual organic continuation of their character arc post-vengeance quest and post-Blackbeard, not just them getting defined by "funny knife thrower with a girlfriend and an ex-boyfriend who they want to get with his crush." They were so much more than that, and it killed me to see the two people who were basically main character 3 and 4 in Season 1 get shoved aside for unneeded subplots about Ricky and Zheng or Gentlebeard's three separate breakups when Jim and Olu's plotline had so much more potential than any of that. They weren't just star-crossed lovers- they were a slow burn ship built of absolutely interesting, complicated, and well-developed characters who brought out the best in each other with a DEVASTATING midpoint to their arc and it honestly would have made a better season not just for them as characters, but for the show overall if someone had just realized that the parallels between a couple that fights and claws to stay together no matter what (tealoranges) and a main ship that was still figuring itself out (Gentlebeard) would have SLAPPED.

(I am now picturing a version of this season where instead of the Izzy fakeout death/Gentlebeard reunion in the beginning of the first episode, we get an Olu/Jim reunion in episode 3 to parallel whatever reunion the writers wanted to slap together for Stede/Ed. I would have actively cried over the Olu/Jim reunion and it would have drastically improved the season.)

#oluwande boodhari #jim jimenez #tealoranges #my asks #ofmd critical #ofmd season 2 #meta #analysis #jim x oluwande #jim x archie x oluwande #rant #just in case #garlicule rides again

[wolfgirlfloof]

Something I appreciate about Hortus de Escapismo is how it portrays the Laterans and non-Laterans, especially in contrast to each other. Guide Ahead already gave us the angel ethnostate vs multi-racial heretics, which made for a pretty effective if blatant commentary on Laterano. And while it might seem Hortus is kind of repeating the same formula, I think it's got something subtler going on with interesting implications.

On one side we have the abbey's inhabitants: sankta, sarkaz and all other races--hell, even a seaborn for a moment. Are there cracks here and there? Of course, that's a whole plot point. But it can't be denied there is genuine camaraderie and self-sacrifice going on between these people who are simply trying to survive together (which is what makes those cracks all the more volatile).

Contrast this with the Laterans, who are dysfunctional as hell. Lemuen, Oren, Richele, and Spuria; I can't say I fully parsed everything happening between them on a moment-to-moment basis, but it was overall apparent that none of these people trust each other. Even though they're friends and classmates and colleagues, even though they're working for the good of the same state, even though they're sankta who can literally read each other's minds. There's just this constant mess of cahoots and conspiracy and treachery and bitter friction, and it takes the threat of an Innsmouth-Jonestown crossover event to get them to finally work together.

I thought it was a nice way to show more of Laterano's flaws. It's one of their core themes that they aren't as great as they say they are, but you'd think they would, at the least, have blessed harmony thanks to their literal hivemind. But evidently that isn't true either. And again, these are agents at the highest levels of the government. If they're this dysfunctional, what does that say for Laterano as a whole?

Which leads me into thinking about what the future of Laterano might have in store. I've seen some folks point out how these events have these greatly compelling premises that don't actually resolve any of the issues they bring up. Laterano only remains Laterano. And this is true! But I think it's intentional, setting up a slow burn of a regional conflict. The Lateran state is holding together, the status quo remains unchanged, the Law is content. But for how much longer? Guiding Ahead introduced us to the divide in Laterano on a broad level, the state vs heretics. Hortus de Escapismo shows the cracks within the state, narrowing in on individuals who nominally should be on the same side but aren't. The next logical narrative step would be seeing the state finally cracking apart from whatever looming danger the Law sainted Federico to deal with.

Some sort of schism, perhaps; that seems like the sort of existential threat that would directly threaten the Law's directive of preserving the Sankta. Law's awareness of it would also imply it's an internal threat, something festering in the hearts and minds of Sankta and thus one It's able to sense (at least that's what makes sense to me. We don't actually know how the Law works, so it could very well just have random magic prophetic abilities). And especially with the constant background pressure of trying to legitimize their Summit of Nations, what better way to drive that issue to the forefront by throwing Laterano into utter political chaos?

#arknights #a genuine schism would probably result in. so many fallen huh. would be interesting seeing laterano's community struggle with that #maybe the threat has something to do with the iberian church and seaborn? considering those were elements that appeared in hortus #and they were discussing a potential reconciliation between laterano and iberia too. reads like setup to me. #reaching out to iberia would be ripe for a widescale collision of ideologies that could lead to another schism #and for iberia it'd also be thematically relevant given their other estranged relationship w another glorious near mythical country #also i want to see the sankta face the seaborn. they're not so different if you think about it. #precursor tech hiveminds dedicated to the group's survival. one is hyperadaptive and ever spreading the other is conservative and insular. #so the ideological threat of a schism and the physical threat of the seaborn #...or maybe also the ideological threat of seaborn? they have their own church too after all #PAPAL SCHISM ARKNIGHTS EDITION. 3 POPES 3 POPES. LATERANO IBERIA WE MANY #oh uh and again a schism would result in so many fallen which could tie in the whole. yknow. thousand year race war w the sarkaz. #that's kinda super duper really important for laterano's themes #sorry i'm just writing a whole other post in these tags :P